Navy regs are in books that quote books that quote books. Ron has all of them somewhere in the house, with Tom's precise handwriting pointing out all the spelling issues and doing the theoretical maths his degree didn't help him to understand. In a less neat calligraphy, in some pages, Nick's notes are mixed with doodles and his own notes. Of Annapolis he will forever remember the heat and the hours in class, before their callsigns, when Nick used to make him late because he had to kiss him one minute more and Tom had the most convenient, and convicing, excuse for them.
(Maybe he could find some of those books and show them to Bradley the next time he's going to come around. He could probably appreciate them? Or maybe he should ask Maverick?)
Regs say no tattoo, but regs say a lot of shit Ice used to correct back then and that he corrected during the years. Regs say no tattoos, and Tom said they were stupid, so Ron got his first, then his second, and half of his right sleeve. The only people who know of them are his friends, his doctors, his mirror and his tattoo artist. Having to wear a shirt all day, and a jacket for most of it, has its advantages, even if he fucking hates being an admiral most of the time. But it's almost time; another couple of years, and he's going to retire and never again put a foot on a Navy base.
The studio isn't the biggest in town, but Ron knows the artist and their dad, and they are both the best for what he needs. He's so focused on the piece of paper between his hands that he almost misses two young women saluting him, with a half-panicked Adrmial Kerner, sir!
At ease, Lieutenants, glad to see someone knows where to get good ones. He smiles because he knows they shouldn't be there, but he shouldn't be either, so it's not really a problem. He's going to add something when something, someone, hugs his leg and has all his attention. Oh, who do we have here? George? You're so big now, boy! he picks up the kid. Mom is waiting for you! he points towards one of the rooms, and, in less than five steps he takes, George tells him all he can fit in, and it's a lot.
(Ron finds himself wondering if Bradley was the same at that age.)
So you're already back for the next piece, uhuh? a voice asks. You know, I can't live without you, hon, he answers, laughing loudly. They laugh with him, but it dies when he passes them the piece of paper. I'm so sorry, Ron, they murmur, and he finds himself smiling lightly, trying not to cry again, thank you Carly.
He takes off his jacket and then his shirt, and his right arm is colorful but not whole. Are you ready, big guy? they smile, dipping the tattoo gun in the red ink as ready as I was the first time he answers. Carly draws and talks, asking questions about the kid (he's a man now and he's almost as tall as me), about the kids (if they destroyed the base while I was gone, at least they're going to let me retire), about Tom and there, Ron has to take a breath because it fucking hurts. He doesn't know if it's the point they're working on or missing Tom or both, but he has to ask Carly to stop for a minute. (He was-the last few days were the hardest. Did you know he used to write mathematical formulas when he was bored during lessons? He and Nick were good friends, Tom was the reason behind the Mother Goose. I miss him. I miss them all Carly). Almost five hours have passed by the time it's done, and by that point they're humming random songs and listening to the description of the rock George found outside his school that same morning. All done, Admiral. You already know what you have to do, right? I'd like to see you next week to check on some of the edges around the elbow, but it's already looking pretty great. Ron barely hears her because he's so intent on looking at his arm, where now Tom's name is adorning his arm, just inches away from Nick and Carole's. Yeah, yeah whenever you want Carl'.
(It's seven in the evening and the cemetery is empty. The bouquet is a happy one, and his shirt leaves are already up. It's done, I finally finished it. He starts and you're here all together now. I miss both of you. I hope Tom's there too. I hope you're all okay now.)
The regs say no tattoos, and Tom said fuck 'em all, and now they are all there while he flies and teaches and lives another day, under his uniform and out in the open.
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the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
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Discussed the "would you rather a run into a bear or a man when alone in the woods" question with my friend who is a black bear technician, and I have a lot of experience working in remote areas with a high black bear population myself. She and I both were instantly in agreement that: 1. If I'm in the woods deep in bear country, the bear is simply much more expected and less startling to run into than the man. It would be something we are prepared for and fully unsurprised by. 2. Bear safety is pretty straightforward, we know and have training in their behaviour, how to avoid conflict, what a black bear that is trying to hunt you looks like, and how to maximize your chances of getting out of the situation safely in the incredibly rare case of an attack. There's no equivalent handy step by step guide to respond to a dude attack.
Most people approach the question as a feminist one, thinking more about risk of violence from a man, but neither of us really even expressed much concern about the dude beyond knowing from experience that it is startling and unsettling to run into someone when in a remote wooded area far from any trails or residences. As two animal autistics that studied wildlife management in college and have spent a lot of time in the woods of northern Ontario, we both missed the intended point of the debate, instead coming to a stance solidly rooted in "why would be I be upset to see a bear when I'm knowingly in the bear's home?"
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A family visit
Alfred has been granted (Force) by the bats a week off, and whatever way would he do in a week?, visit his Father of course!
Alfred didn't really have a word into this, he only just been given (forced) a week off, he reason with the family ( it always works) but to his surprised! None of it came through there heads! ( Somehow they got lucky from Alfred's reasonable scolding)
What about the manor? Who would care of it? Who would assist? What will happen if-
How many times he reason and tried to budge it in there minds, none of it work?
Alfred is in horror, so the only thing he can only do is accept, remind them what's not do and do, (every single details) or atleast the common things to do, which he thinks they can handle it- if not, if he sees the house in shambles or in the news, he can now have a reason to not always take a weeks off.
In Alfred's room, he was packing some pairs of clothes, a coat, a medical kit, pairs of shoes, a book, his dark shawl that is covered with a lots of constellation's from his papa's gifts, (he always take good care of it when he left on his own, he couldn't leave his shawl even in the time of his work,) and whatever he needs.
He decided to visit and have his week's off to his papa's, it's been quite a long time ( maybe 60 years or so-)
It's not like he was an absent son, he was just busy, he would occasionally send letters or his baked cookie's ( he's own recipe but still came from papa's original treats).
The Batfam does know Alfred had a dad who's still alive?( Which the kids would joke about how his dad is immortal) outside his life here in Gotham as the only staff in the Wayne manor.
While they were chilling in the living room, they could see Alfred heading towards the door, before he stop and took out a letter, and as he did a ring in the bell could be heard, Alfred open the door, and greeted..
The mailman? ( A very hardworking ghost mailman, just saying “Jolly ho!- how may I help send! Deliver, or even package international!” which Alfred replying “International please, for in this ### #### ## address, I need it quickly delivered through his doorsteps” then the Mailman just nodded, Alfred payed him and he just disappeared)
And Alfred sighs in relief and went to get his luggage, and bid the Batfam goodbye without even explaining what was happening (Bruce dropped his newspaper)
They might had ideas Alfred wasn't human or normal, but after that bombshell, they just can't stop the urge to find out ( like the usual thing the Batfam does, but only minimal like just knowing where he went and they wanted to have Alfred privacy)
Alfred was on his way to his papa's home very much missing the feeling of home in Britain now it's been quite a long time almost but he's getting second thoughts, what would his papa think?
( and yes, hes dad was wealthy, and through family too, He lived in a manor too,
which was a very old money manor, cause Danny? he's literally the ghost king)
Alfred decided he got this, so he took a step and took a deep breath In the front door of the home he loved and cared for in his childhood, knocking three times and the only thing he imagined is that his papa would give him a big warm hug like old times when Alfred would visit once a while before he truly left home.
The bats were in disguise, well partially disguise, the british neighbors nearby can see them looking at them like there were weird (stalking is not a healthy way...sometimes) And how can they even see them?! There literally in a camouflage!!
They saw how Alfred took a step, and knock three times...the door open and there they saw- a kid? Wait what? The black haired and blue teenager might be 16 who looks like could be adoption bait look surprised and happy and he give Alfred a hug, and Alfie just return the gesture, they were having a conversation, they couldn't here it because they were out of range and no hearing gadgets ( damn it Bruce)
Then Alfred and the teen went back to the house, and the door could only shut blocking there view of Alfred and the teen.
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