#. frankly i also don't understand why people do it

[prettyboysdontlookatexplosions]

medialog april 2k24

ok. sick day catch up part two

watched

monkey man - this was gnarly and fun and dev patel, quite simply the hottest man ever to live, is upsettingly hot in this film, like SO hot oh my fucking god

white room - this was a VERY weird movie that (as per the filmmaker q & a) totally flopped at a film festival and never received distribution... you can kinda see why but i more or less liked it. it's about a weird sheltered repressed dude who accidentally sees the murder of a mysterious pop star and then accidentally befriends and falls in love with the woman who was actually the reclusive songwriter and voice of the act... the filmmaker described it as a "journey through genres" and it was very artistically ambitious in a way that maybe didn't totally work but it had some really good stuff about art/consumption/fame/women (my jam) and it frequently looked gorgeous and also all of the mysterious/reclusive pop singer's songs were big late 80s/early 90s style upbeat synth-bombast numbers with lyrics taken from emily dickinson poems which is soooooo funny and a great idea

alien - this is like die hard in that if i'd seen it ten years ago i would not really have understood the hype but seeing after i had a backwards education in film by watching all of the mcu movies and developing curiosity about the question of why they were bad and ugly in such distinct ways and from there developing a nascent and unsophisticated appreciation of the filmic qualities of film i'm like, wow what an incredibly fucking well made movie!!!!!! some things in particular i liked were (1) no substantive backstory for anyone, no dark secrets except the one that really counted, no traumatic pasts, no explanation for how this world works or why anyone was here except needing a job, just giving us the bare minimum to understand the situation the characters find themselves in and trusting the story to do the rest (2) very good spaceshippy spaceship (another way it's like die hard is lots of great Texture, another thing that the MCU lacks which like many other MCU traits was actually a totally fitting design choice for tech bro billionaire tony stark in iron man but simply did not need to expand to Everything...) (3) sigourney weaver so good! ian holmes also very good (4) lots of suspense through silence which is one of the most lost of lost arts in the realm of big expensive Cool Shit Happens cinema!

roy cohn/jack smith - this was a filmed recording of two monologues performed by ron vawter, a gay actor who died of AIDS, each in the character of another gay man who had AIDS - the notorious roy cohn & the experimental cinema icon jack smith. i don't really have much to say about it but i feel very lucky to have seen it and vawter was incredible - i'm glad also that he happened to come to our attention a few months ago because he played the therapist in sex lies & videotape.

mad max: fury road - ok i kept putting this off because the way people talked about it on the internet frankly emphasized to an off-putting degree the ideas in this movie and did not adequately convey to me personally the most important thing about it which is that it Fucking Owns Lmao Wow. we happened to pause it for some reason like 50 minutes in and i swear to you i would have guessed 15, maybe 20 minutes had passed, that's how much it flies by... the coolest shit ever, i wanted to live there forever! also lottie yellowjackets is one of the wives????

mission: impossible 3 - the worst movie in the entire world. we only revisited this one as part of our ongoing marathon with some friends and we spent the whole time complaining about jj abrams' totally inept camera work... seriously watch this movie and look out for (1) every time an already fast sequence is torn up with a zillion stupid little cuts some of which actively prevent us from seeing something that could have been cool (2) every time we get to a new location and the camera starts aimlessly drifting to the side literally immediately because he's afraid we'll get bored if we sit in a location for one whole second (3) every time 3 people are having a conversation and the camera spends the whole time just purposelessly wafting back and forth side to side for, i cannot emphasize this enough, no reason at all. literally nothing in this, an installment of the Stuff Looking Cool franchise, looks even a little bit cool even one time. people hate on 2 for the male gaze of it all re: thandie newton but her character has more personality and agency than ethan's sexy lamp wife in this. the closest to a redeeming value this movie has is that it really feels like part of the goal was to remind everyone of how even though tom cruise jumped on that couch one time he's actually a very normal american heterosexual man (he passes out at one point and flashes back to his wife in her underwear sdksoeroser it's SO dumb) but because he's tom cruise (a total insane freak) he can't convincingly portray that at all and just comes across as insane and maybe a sociopath. "what about philip seymour hoffman" i'm not going to give abrams credit for knowing PSH was a good actor, that's like saying defending a doctor accused of malpractice by saying he knows that feet generally have toes. be serious. i will give a shout out to simon pegg, who is in this less than i remembered but who comes across as the MVP (across what should be a deep bench of a cast!) of making abrams' horrible comic-book-bro-patter come across as something a human might say, mostly so i can also share my friend's insight when i said that which is that it makes sense pegg is suited to the task given that he cut his teeth largely on movies that are parodies of shitty action movies.

mission: impossible - ghost protocol - a wonderful and perfect treat :) i've gone on at length about this one before and really have nothing left to say but it's so good and so specifically good at all the things 3 sucks ass at... my friend was physically squirming next to me on the couch during the burj khalifa sequence, as is right and proper :)

read

beautiful losers - this is a novel leonard cohen wrote in the 60s that is very weird and experimental and i'll be real with you and say i did not get it. it's about a guy whose wife and best friend he had a weird sexual relationship with are both dead and now he's kind of obsessed with an iroquois saint... i am not sure how to describe it but i guess i would say if you think the music of leonard cohen is too optimistic and insufficiently horny for you maybe you would like this. it is probably the most aggressively sexual book i've ever read but not in an erotic way... it's very like about the nastiness of sex and bodies... which i admire ideologically on a certain level but it's really quite unrelenting with it... occasionally there are snatches of deeply beautiful writing though.

listened

sourpatch, stagger & fade - nick put on the vinyl of this and i was like oh that sounds nice and i wound up listening to it a bit... fuzzy indie rock (i'm not educated enough to parse genres more finely than that) that makes for very pleasant background listening

ariana grande, eternal sunshine - i've never kept up with ariana because i just find her voice kind of annoying and i had never heard a song to challenge that UNTIL we reviewed "we can't be friends" at singles jukebox and ariana teaming up with max martin to do kidz bop body talk era robyn turned out to be everything i wanted from her... unfortunately the rest of the album was incredibly boring lol. love that song tho!

maggie rogers, don't forget me - i don't know that i find this one as interesting as her last album or quite as likable as her first (although that might be me somewhat overrating her first because i love "light on" sooooo much) but she's such a capital-M Musician she's always a pleasure to listen to. "drunk" was an early fave but recently i found myself returning a lot to "the kill"

girl in red, i'm doing it again baby! - girl in red comes a lot when other people are talking about the g*yl*rs as one of the actual queer artists they should support but first of all they actually love her and second of all i listened to this album twice straight through and have let some of the songs play on shuffle since and i could not hum you one single line :/

taylor swift, the tortured poets department - speak of the devil! i mean i've talked about this. i like this album a lot - at this point i'm ready to call it easily her best work except for maybe folklore, and honestly i find it hard to assess folklore out of what a special lockdown treat it felt like at the time. i don't expect a world insistent on calling 1989 pop perfection to eventually agree with me but i think people will mellow out about it in time and forget that it was so divisive on release much as has happened with reputation (an album far worthier of scorn if not without its occasional merits) and at the VERY least i think in like 5 years it will be more or less consensus that it's better than midnights.

the starting line, say it like you mean it - i listened to this album mostly to fact-check claims i was making about emo in the taylor swift piece but then i kept listening to it cuz it was kinda full of bops!

fall out boy, take this to your grave - @voidofcourse recommended this as a stepping stone from the starting line for loud guys offering bops and indeed it too was full of bops!

other

an enemy of the people - i saw this on broadway, yes, 1000% literally just because my boy my king my number one guy jeremy strong was in it. the production was interesting and good if not flawless, and although i think some of the younger cast members got a little lost in the old-fashioned theatrical language (even in a new translation) and could have used some direction towards really pulling out the meaning of individual sentences they were saying, the more seasoned actors all did a great job, including, of course, jeremy strong, who got to be shoved into a pit and have pretend ice thrown at him, i'm so happy for him. also the play was incredible? like as a play? i said as much here after seeing it but basically it's about this doctor who discovers that the town baths that are about to open have a contaminated water supply that is definitely going to result in people getting sick and some of them dying, especially since they are being advertised partly for their health-restoring properties for people who are already not doing well, and he's like, wow, good thing i caught this thanks to the help of science so we can change plans, and then everyone else in town is like, but have you considered that would be expensive? why do you hate poor people? (there's a thread specifically about the editor of the radical leftist newspaper going from being the doctor's number one champion to being totally coopted out of both politics and self-interest that was particularly brutal to watch...) like it was truly SO incredibly specifically relevant to some Extremely Contemporary Issues that i was just agog and also it was incredibly fucking upsetting to watch! really really great playwriting, such a clean example of how a work can best encompass & comment on ideas by developing them through character and dramatic action rooted in wants, needs, choices, conflict, etc., a lesson many people could stand to learn. i kept thinking it had burrowed as deeply into the core issues as it could and then it found another layer. this ibsen guy... he really knew some stuff about stuff....

[derangedanomaly]

Please don't stutter in your text like in https://www.tumblr.com/derangedanomaly/752178939788689408/hey-i-actually-have-a-pet-spider-so-can-i-show it's considered ableist ^^'

It's one hundred percent not my intention to discriminate people with those disabilities.

Can I just ask in what part exactly is that considered ableist? I'm sorry, but I would just like to know. I have no idea why you have such issues with this, just because I said "M-Maybe". It may be because I'm dumb, or just not educated enough for this, but I just don't understand how that could be ableist.

Many people online stutters over text like that, so why do you have a specific problem with me doing it?

I'm texting like that, because I want to ease the situation, show the others how I'm feeling in that specific moment. That's also the reason why I use emojis and other things. I just have no idea how to transfer my emotions through text.

I'm sorry if my comment made you upset, but I seriously have no idea why this is such a big issue. Would you be so kind to explain it to me? Because frankly, just saying that "Don't do it because it's considered ableist" doesn't cut it for me.

I'm not by all means mad, just confused.

[captainofthetidesbreath]

not to be like this but all of the posts (and there are many across multiple platforms) right now going "I mean obviously I'm not mad or whining or anything but it sucks that there's all these three week breaks, how am I going to survive, this is awful, I cannot believe this is happening to me" like, it does in fact come off as entitled no matter how many qualifiers are put onto it

and the a smaller subset of THAT going "CLEARLY C3 isn't a priority for the studio" or "they're obviously trying to kill C3" or even posting stuff that comes off as "um, don't they know that if they keep doing this I won't shop here watch anymore", like, come on

as a tangent, genuinely, I feel like a lot of people have trouble admitting that they don't actually like C3 so they get existentially worried about them losing interest over a slightly longer break because it'll force them to acknowledge that they aren't actually interested, but it's fine not to be interested!

[a-motherfucking-beast]

COACH what to do if im disabled and can't run for exercise... what the fuck do I do

ONLY DO WHAT YOU'RE CAPABLE OF, SON. IT DEPENDS ON THE REASON FOR YOUR INABILITY TO RUN. YOU MAY CHOOSE TO DO EXERCISES THAT RELY LESS ON YOUR LOWER BODY, SUCH AS SIT-UPS (WHICH CAN ALSO BE DONE STANDING BY BENDING YOUR LEGS SLIGHTLY THEN BOWING AND STRAIGHTENING AGAIN LIKE YOU WOULD REGULAR SIT-UPS IF YOU HAVE DIFFICULTIES GETTING ON THE GROUND), CHIN-UPS, PULL-UPS, DIPS, SO ON. YOU ALSO MAY CONSIDER FREE WEIGHT EXERCISES WITH SOMETHING SMALL. 1KG DUMBBELLS CAN BE BOUGHT FOR AS LOW AS 5 REÁL; THEY'RE SMALL ENOUGH TO STORE AND CAN GO A LONG WAY (BICEP CURL, ZOTTMAN CURL, FLAT DUMBBELL FLY, ARNOLD PRESS, CROSS BODY HAMMER CURL, SPIDER CURL, SCAPTION EXCERCISES, I COULD GO ON -- THESE ALL WORK EXCLUSIVELY YOUR UPPER BODY MUSCLES). MEDICINE BALLS AND KETTLEBELLS TEND TO BE MORE EXPENSIVE BUT CAN ALSO BE AN OPTION TO LOOK AT. AND FINALLY, IF THOSE AREN'T OPTIONS, STRETCHING THREE TO FOUR TIMES A WEEK FOR AT LEAST 20 MINUTES CAN HELP ALLEVIATE MUSCLE TENSION AND REDUCE PAIN AND TENSION IN THE BODY AS WELL AS INCREASE FLEXIBILITY, BALANCE BLOOD CIRCULATION AND LUCIDITY. YOU MAY WANT TO DO STRETCHES FOR YOUR LEGS REGARDLESS TO ENSURE THEY DON'T GO UNDERUTILISED

COACH... OUT❗❗💥💪💪

[kutyozh]

call me a noob but the practice of slavic studies scholars in germany of transliterating russian quotes in articles etc freaks me out. i hate it with a passion. this is NOT the shape of the russian language what do you want from me

[the-physicality]

.

[liedownquisition]

I'm so tired.

Bonus meme under cut:

This is both for him in general (or at least the fanon version dominating fics) and extra for him as Robin specifically tbh. Let him grow up and find an identity outside of being Bruce's emotional support child. It's not like it's actually helping anymore anyways.

[dduane]

Had an idea you might be able to use for something: Klingon Soap Operas.

(sigh)

Thanks for the thought. I appreciate your kindness!

But unfortunately, because you've sent me the idea and I've read it, I can now not use it, ever. No matter how much I might like to.

This isn't about you, you understand. And in its way it probably seems like a cruel paradox. You were only trying to be helpful! But if I was working on something for Trek and this concept came up even in casual discussion, I would be honor-bound (and contractually required) to inform them that the idea had come to me from a reader or fan. And then—rightly, from their point of view—they would forbid me to use it, because the idea's originator might some day, despite all their friendly intentions now, sue them over it. And the evidence that I was at fault would be easy to obtain. Sending a DM on any major platform generates an electronic "paper trail" that will confirm its target has opened and read the message in question. And that electronic record can be subpoenaed and submitted as evidence, and would stand up in court.

"Oh, come on, who'd do a thing like that, what are the odds...?" people will say. But it's not generally known that I've already been involved in a high-stakes lawsuit in which someone tried to sue Mattel over material I wrote when developing the initial form of the "Barbie: Fairytopia" universe (and the first Fairytopia film) for them. I'd never so much as met or communicated with the person suing them, had never read even a word of their work... but they still went to great trouble and expense attempting to prove that I'd had access to their material and used it without permission.

Mattel won the suit (as I'd frankly been expecting: the attorney handling their defense was one of the most expert IP lawyers in the US). But it gave me the chills... and made it clear how very wrong things could go, and the kind of damage that could be done to my career and my personal life, if I even accidentally used ideas from unauthorized sources.

Seriously, folks. I know you all mean well! But please don't make me tap the sign. DO NOT SEND ME STORY IDEAS, no matter how vague or general or unformed they may be. To do so is to absolutely guarantee that they will never, ever happen.* (And in my own universes, your innocently-meant suggestion could mean that neither you or anyone else will ever see that particular Young Wizards or Middle Kingdoms plot, no matter how much you'd like to... because I take this stuff seriously.)

...Thanks, all.

*This is also why I don't read fanfic set in my universes. Which you also shouldn't send me: please and thank you.

ETA: I would really, really appreciate it if y'all would refrain from giving @eldritchcatpossumamalgam grief in the tags. They made an honest, well-intentioned mistake, that's all, and they don't deserve to be personally raked over the coals for it. (And any of you who think I would derive any kind of satisfaction from that happening plainly don't know me very well.) So thanks in advance for your cooperation.

[sttm99]

Part 2 here!

'Fuck.'

It had been just two nights since you'd given him head in the dark of his dorm room, and Bakugo hadn't been able to rid his mind of the sensation ever since.

He knew it was stupid to even agree to it. You were the one girl in class he felt comfortable enough to talk about anything with. Be it grades, his fears and even more sexual topics. It also helped that he knew you wouldn't ever judge him for anything.

You were his closest friend; more so than Kirishima. And he liked that... he liked that he has someone he could trust with his life, someone he could relate with so effortlessly.

And you felt the same way with him. You told him everything; every little secret, every dirty detail, and he never laughed or judged.

Which was why you both were in his room, many hours past his bedtime, sitting opposite each other on his bed as you recounted your most recent almost-sexual endeavor.

"-and it was so awkward cause it was just hanging there in my face and I didn't know what to do." You groaned out, with your body hunched over, face covered with your palms as you recounted your experience in the school's storage room with a General Studies boy you'd been seeing casually.

Bakugo chuckled at your demeanor from where he was. "Yeah then maybe you should have stopped him when you saw him undoing his fucking belt."

You glared at him through the cracks between your fingers.

"Seriously," he laughed. "If you didn't wanna give him head, you should have told him the moment you entered the closet."

You groaned and fell back unto his bed. "The thing is I want to do it."

You turned your head to stare up at Bakugo.

"So why didn't you?"

You groaned again. "I don't know. I mean... look, I wanna be able to make the guy I like feel good, you understand. And I really thought I wanted to give him head, but then he was pulling his jeans down- and I was getting cold feet and then he pulled down his boxers and I wanted to run away right then....

"But I pushed through- and I got down... and it was just staring at my face and-"

"Maybe you just don't wanna do it." Bakugo raised his brow, cutting you off from your rambling.

You frowned. "Maybe. I mean, I think about giving head...and I wanna do it, and then I get an opportunity and I panic. You're probably right."

There was silence for a moment, before Bakugo shifted in his position, pulling his knees higher up, closer to his body, and leaning his forward.

"Or maybe... you don't wanna do it with him."

You furrowed your brows. "Meaning..? I don't really like him or what?"

Bakugo shrugged, "I mean, do you?"

You began sitting up. "Don't I?"

"Come on, Y/N." He raised a brow, giving you an unimpressed look, "You don't even text him unless he texts you."

"Yeah because he's always texting me."

"See! You even say it like you're frustrated." Bakugo jutted his arms out at you.

You paused, sitting up and pondering it.

Bakugo groaned. "Listen, I know you, okay? You- frankly, you're horny... more so than most people-"

You scowled at him.

"-and the fact that you don't even let him put his hands under your fucking skirt most times should tell you that you're probably not all that sexually attracted to him."

You stared at Bakugo, eyes narrowed as you began to see his point. "I guess you're on to something."

"Look," he began, "I honestly think you're just with him because of how aggressively he pursued you. And that's fucking dumb."

You pouted. "I guess... so now I have to find someone else to practice head with."

"Why do you wanna learn how to give head?" He laughed.

"Cause the girls were talking about giving head one time and I wanna be able to join in conversations." I groaned out, exasperated, and flopped back unto your back.

Bakugo took a moment to look you over, before adjusting his shorts and clearing his throat.

"I can give you pointers if you want."

Silence.

"What?" You mumbled, sitting back up, with your weight on your palms and narrowing your eyes at him.

He scowled at you. "I'm not repeating myself."

You rolled your eyes and hissed at his stubbornness. "You idiot."

"But..." You started slowly. "If you're offering to give me tips on sucking dick, I don't mind."

He shifted a bit. "Yeah... well- it'll only work if you're sexually attracted to me. If not, it'll just be like with that guy earlier- and shit would be awkward." He was looking away now.

"Wanna find out?"

And that was how he found himself heaving against his headboard with his shorts and boxers flung at the far end of his bed.

"Shitshit- fuck Y/N."

His hands were fisted into your hair, knees raised in the hair and thighs spread on either side of your head, as you laid on your stomach before him, nose pressed into his dark blonde pubic hair and lips wrapped tightly around his dick.

His eyes were blown wide, lips parted as grunts forced their way out his mouth.

It was just bordering on too much; the sensation of your mouth, and he'd suddenly realised how seriously you'd taken his analogy.

-"Consider it a bottle of smoothie or something, and there's that chunk that can't pass through the bottle mouth properly, so you're trying to suck it out." He'd said, holding his already hard dick against your cheek.

"That sounds stupid, Katsuki." You retorted, as you scowled up at him.

"That's the best I got, I ain't some sex therapist, okay!"-

"Oh shit- you're good," he groaned out, head thrown back and thighs quivering. "Fuck- fuck! Fuck, you're fucking good, baby. Just like that, yeah..!"

His grip on your hair tightened, pushing you down on his dick so he could feel the sliding of your tongue on his shaft as he dipped into your throat.

It didn't help that you were drooling all over him- and yourself-, your hand cupping his balls and squeezing softly.

He was going into overdrive, thrusting up unto your mouth, his eyes rolling back as he slipped down your throat over and over again, and he moaned as he felt you gag, your throat constricting against his tip.

He brought his head forward to peek over at you.

"Slut," he groaned out, eyeing your positioning; one hand infront of you, playing with his balls, and the other stretched underneath your body, fingers dipping into your sleepshorts. "You fucking slut- you like this shit, don't you?"

You moaned around his dick, vibrations coursing round his veins and your eyes looking up to meet his; lids hanging heavy and pupils blown out as you sucked on his cock.

He came heavy- hard. With spasming thighs and choked out groans as he spurted his seed down your throat.

It was a lot... too much. He kept spurting out his cum and his sight was blurry as he looked at you.

Now he couldn't look at you without remembering your stupid, fucked expression when you were between his legs. And it's weird, because all you're doing is grinning an Sato as you hover around him whilst he bakes.

It's stupid. He knows it is.

You don't even like him that way.

Part 2 has been posted here!

[boxingcleverrr]

Popular Hades & Persephone "retellings" are, rightly, getting dunked on all over the socials right now and, as a Pagan who has an altar to the Queen, I could not be happier. But also, I feel like a lot of people miss WHY they're bad - aside from just plain bad writing and lazy tropes. Which are, yeah, also REALLY bad.

Pretty much all retellings try to wave away, or excuse, or twist the whole kidnapping bit. And I actually do have sympathy and understanding for why, when speaking from a modern perspective.

But honestly...you gotta get over it. There are other stories to play fix-it with, not this one.

The Abduction is The Thing.

Were I a little more sober I could bring up chapter and verse of the Hymn to Demeter but frankly, if you know even the middle school mythology curriculum version of the story, you SHOULD know the themes. The story of Persephone was one mothers and daughters in the ancient world held dear, because it was a reality: you will, one day, be swept away from your home to go cleave to a man you most likely know nothing about. You will miss your mother, but chances are very good that he will be a good husband, once you get to know him, certainly better than Zeus or Ares, and he will make you a queen of his home.

Leaving home to marry was often scary, and violent (look up the history of the tradition of Bridesmaids, if you don't already know it - they were originally decoys on the marriage road). Centuries later we'd have tales like Beauty & The Beast serving the same function: comfort, hope, you are leaving your safe loving home to figure life out with a (often older, powerful) stranger. Your trauma over this sudden ending of your childhood made manifest in a Beast, or a God of The Underworld.

It's wonderful that we don't NEED stories like this anymore to comfort us (here, at least, in this culture). But if you try to force them into modern vernacular it just will not work, not really, because you're gutting out the whole point just to have a more tidy romantic male hero.

I have read MANY very good ...novelizations? fanfic(? however you would frame them, but they're certainly not "retellings"), etc. that simply take advantage of the blank spaces in the myth, and there are many!

It's not explicit that sexual assault happens - "The Rape of Persephone" as a title was coined in much earlier eras, when the word was just as often used to simply refer to abduction.

"She was starving!" the gods didn't need to eat. So it's easy to read her eating the Pom seeds as a deliberate choice on her part. Like, shit, people, scholars have written whole papers on the symbolism of this moment, between marriage rites and even yeah, Seph choosing both worlds with her husband's knowing consent.

And that, I think, is the real heart of the thing. People want an utterly mundane, spelled-out story here, as opposed to what it really is, has always been, just like any other myth or religious parable: IT'S A METAPHOOOOOOR.

They don't need to be destined, or meet at a goddamned BALL and then CONSPIRE to fake her kidnapping, or shit, I once saw one where Hades got MIND CONTROLLED by Zeus?! Jesus.

Persephone was yoinked into the Underworld against her will.

That's how it went.

I don't mean this in a "stay out of my belief system!" way, shit I'm a white American chick with delusions of witchery. I mean this in a "stop stressing yourself out trying to make things palatable" way:

This is a very real, very precious myth to many people, BECAUSE for at least that one event, Persephone had no autonomy, BECAUSE for thousands of years most women had no autonomy. Erasing that, sanitizing the fact that a girl is ripped out of the spring, from her mother's arms, is erasing the thing that gave comfort to women for centuries. And people can and should still find power and healing in it now!

Fill in the blanks the story leaves in whatever manner seems fit to you, there's plenty of room, but. Come the fuck on.

[aptericia]

Not proud to be here.

--

Ok, here goes draft like 5 of this fucking post. I spent 4 hours tossing and turning in bed last night thinking about this, and then this morning I found a tumblr post that really helped me understand what I was trying to say.

The post talks about how aromantic "advocates" claim that "aros don't take up resources, so there's no reason not to include them!" And if that's actually what people believe, I think I can finally articulate why it is that I feel so alienated in queer spaces.

It's because aspecs in general aren't "welcomed" by much of the queer community. We're tolerated. We perhaps get the luxury of not being contradicted on our own identities, or not being specifically kicked out of LGBTQ-only spaces, but that's the whole point: what we get out of the queer "community" is people NOT doing things, not actually doing things FOR us. And that, frankly, is not enough. We deserve conversations about us. We deserve to have others consider our feelings, even when making lighthearted jokes. We deserve varied, respectful representation in media. We deserve the active deconstruction of amatonormativity in society. We deserve to have space made for us, rather than at most being told we should "go take up more space!" ourselves.

Of course, the reality is that my being aspec is a personal matter that does not inherently affect anyone else. But the same can be said for literally any queer identity. Your being gay doesn't say anything about me, so of course I shouldn't hurt you for it, but why should I help you either? Because your happiness and comfort are important. The same goes for aspecs.

And most of the time, I don't even need anyone to make space for or expend resources on me; I can live fine in everyday, non-queer-specific places without mentioning my identity at all. But it's the queer community that claims it will make that space for me, doesn't, and then acts defensive and morally pure if I call out the hypocrisy because "we're queer too, you can't erase our identities to advocate for yours!!!!"

Again, this post isn't about specifics. I have queer friends who are incredibly thoughtful and supportive about my identity, just as I have non-queer friends who are. I find more solidarity in aspec-only communities, as well as trans/genderqueer ones, although there are still many exceptions. This post is also not about amatonormative ideology, which is extremely common from queer and non-queer people alike. This post is about the reason I've felt so betrayed by the queer community.

--

On a personal note, I remember being so excited when I started identifying as aromantic (and later asexual). Fitting myself into labels has been a lifelong struggle for me; to this day I still can't confidently say if I'm White or PoC, neurotypical or neurodivergent, abled or disabled, cisgender or not cisgender. I continue to struggle making friends because I don't fall into social cliques. To discover that I officially, certainly, was LGBTQ+ lifted a huge weight off my shoulders. And now I'm just so sad to find that despite that, I'm still stuck in the middle. I didn't get rewarded with a community. I still feel alienated from both queer and non-queer people. I know it was silly to get my hopes up when there's such vast diversity in both groups, but it really was a disappointment. Going to my first Pride parade last year was really the moment where I realized this.

[catgirl-kaiju]

something worth pointing out in the case of Tumblr CEO @photomatt 's statement regarding predstrogen is the very clear side stepping of the conversation being had. the ask he chose to respond to as part of his statement was asking about tumblr's transmisogyny problem, and what he is commenting on is tumblr's transphobia problem.

transmisogyny is certainly related to transphobia, but the two are not the same. i've seen plenty of trans folks who are guilty of transmisogyny and have even been harassed by such individuals on this very website. he repeatedly refers to transphobia and accusations of tumblr staff being transphobes throughout the statement, but never once brings up transmisogyny. perhaps he is unfamiliar with the term, but he could look it up and read up on it before responding to a question directly asking about it. he is very clearly not doing his due diligence in addressing these concerns.

he mentions tumblr having "LGBT+ including trans people on staff," but this is not especially helpful in assessing tumblr's transmisogyny problem. based on this we don't know how many trans people, whether or not there any transfem or TMA folks (who might understand the nature of transmisogyny better than TME people) on staff, what positions these queer people hold in the company, or whether or not any of tumblr's queer employees are on the moderation team. and it's understandable why some of these specifics are left out; you don't want to put any staff members in danger of being doxxed or harassed, especially if they're vulnerable marginalized people. however, it seems to me a gross oversight to not mention if there are any trans folks working on the moderation team.

i think it's also a huge misstep to focus on predstrogen so singularly when the conversation about her account being nuked is part of a larger conversation about transmisogyny. what this reveals, too, is transmisogyny playing an active role in the decision to ban her for life. one of the aspects of transmisogyny is viewing transfem folks as especially and uniquely dangerous. i'd like @photomatt to ask himself if he would have taken "threats" like the one cited as seriously if they came from a cis person or a TME trans person. really reflect on that, Matt. i also put "threat" in scare quotes here because, frankly, it's pretty clear that said comment is a cartoonish and outlandish example of violence used to demonstrate that the intent to harm is not literal. i do this all the time both on here and in real life. telling a friend i'm going to "maul them to death" over a minor annoyance is a comedic way of expressing frustration in a way that communicates it's not actually a big deal. saying something like "i want them to explode after falling down the stairs when trying to evade a falling piano full of knives" about a public figure or someone who is negatively affecting your life works as a way of demonstrating the intensity of your feelings while not veering into territory where it sounds like you're literally planning an assassination attempt. if you're reading this, Matt, i hope you can begin to understand the difference between something like:

and a real actual harassment, like:

y'know, all actual comments and posts i've received on this website, and reported with detailed explanations for why i'm reporting them but never heard back from the moderation team about the situation. i have no idea if anything was ever done about any of these people sending me bigoted violent messages because no one ever does follow-up. the only time i've ever received follow-up on a report was when i reported an account for promoting self-harm in the form of anorexia. that's it. one time in the over a decade i've been on this website.

how does all of this sit with you, Matt?

[wombywoo]

Ok! I've finally decided to put together a (somewhat) comprehensive tutorial on my latest art~

Please enjoy this little step-by-step 💁‍♀️

First things first--references!

Now I'm not saying you have to go overboard, but I always find that this is a crucial starting point in any art piece I intend on making. Especially if you're a detail freak like me and want to make it as realistic as possible 🙃

As such, your web browser should look like this at any given point:

Since this is a historical piece, it means hours upon hours of meaningless research just to see what color the socks are, but...again. that isn't, strictly, necessary 😅

Once I've compiled all my lovely ref pics, I usually dump them into a big-ass collage ⬇️

(I will end up not using half of these, alas :'D)

Another reference search for background material, and getting to showcase our models of choice for this occasion~

When picking a reference for an actor or model, the main thing I keep in mind (besides prettiness 🤭) is lighting and orientation. Because I already kinda know what pose I'm gonna go with for this piece, I can look for specific angles that might fit the criteria. I should mention that I am a reference hound, and my current COD actor ref folder looks like this:

Also keep in mind, if you're using a ref that you need to flip, make sure you adjust accordingly. This especially applies to clothing, as certain things like pants zippers and belt buckles can be quite specific ☝️

Now that we've spent countless hours googling, it's time to start with a rough sketch:

It doesn't have to be pretty, folks, just a basic guideline of where you want the figures to be.

The next step is to define it more, and I know this looks like that 'how to draw an owl' meme, but I promise--getting from the loose sketch above to below is not that difficult.

Things to keep in mind are--don't go too in-depth with the details, because things are still subject to change at this point. In terms of making a suitable anatomically-correct sketch, I would suggest lots of studying. This doesn't even have to be things like figure drawing, I genuinely look at people around me for inspiration all the time. Familiarize yourself with the human form, and things like weight, proportions, posing will seem a little more feasible.

It's also important at this stage to consider your composition. Remember to flip the canvas frequently to make sure you're not leaning to one side too often. I'm sure something can be said for the spiral fibonacci stuff, which I don't really try to do on purpose, but I think keeping things like symmetry and balance in mind is a good start ✌️

Next step is just blocking in the figures. Standard. No fuss 👍

Now onto the background!

It's frankly hilarious how many people thought I was *hand-drawing* these maps and stuff 😂😂 I cannot even begin to comprehend how insanely difficult that would be. So yeah, we're just taking the lazy copy and paste way out 🤙

I almost always prepare my backgrounds first, and this is mostly to get a general color scheme off the bat. For collage work, it's really just a matter of trial and error, sticking this here, slapping this there, etc. I like to futz around with different overlay options until I've found a nice arrangement. Advice for this is just--go nuts 🤷‍♀️

Next, I add a few color adjustments. I tend to make at least 2 colors pop in an art piece, and low and behold, they usually tend to be red and blue ❤️💙There's something about warm/cool vibes, idk man..

Now we move on to coloring the figures. This is just a basic block and fill, not really defining any of the details yet.

Next, we add some cursory values. Sloppy airbrush works fine, it'll look better soon I promise 🙏

And now--rendering!

I know a lot of beginner artists are intimidated by rendering, and I can totally understand why. It's just one of those things you have to commit to 💪

I've decided to show a brief process of rendering our dear Johnny's face here:

Starting off, I usually rely on the trusty airbrush just to get some color values going. Note--I've kept my sketch layer on top, but feel free to turn it on and off as you work, so as to not be too bound to the sketch. For now, it's just a guideline.

This next stage may look like a huge jump, but it's really just adding more to the foundation. I try to think of it like putting on make-up in a way~ Adding contours, accentuating highlights. This is also where I start adding in more saturation, especially around areas such as ears, nose and lips. Still a bit fuzzy at this point, but that's why we keep adding to it 💪

A boy has appeared! See--now I've removed most of the line layer, and it holds up on its own. I'll admit that in order to achieve this realistic style, you'll need lots and lots of practice and skill, which shouldn't be discouraging! Just motivate yourself with the prospect of getting to look at pretty men for countless hours 🙆‍♀️

I'll probably do a more in-depth explanation about rendering at some point, but let's keep this rolling~

Moving forward is just a process of adding to the figures bit by bit. I do lean towards filling in each section from top to bottom, but you can feel free to pop around to certain parts that appeal to you more. I almost always do the faces first though, because if they end up sucking, I feel less guilty about scrapping it 😂 But no--I think he's pretty enough to proceed 😚

They're coming together now 🙆‍♀️ Another helpful tip--make sure you reuse color. By that, I mean--try to incorporate various colors throughout your piece, using the eyedropper tool to keep a consistent palette. I try to put in bits of red and blue where I can

Here they are fully rendered! Notice I've made a few subtle changes from the sketch, like adjusting the belt buckles because I made a mistake 😬 Hence why you shouldn't put too much stock in your initial sketch~

The next step is more of a stylistic choice, but I usually go over everything with an outline, typically in a bright color like green. Occasionally, I can just use my initial line layer, but for this, I've made a brand new, cleaner line 👍

And the final step is adjusting the color and adding some text:

Tada!! It's done!

All in all, this took me the better part of a week, but I have a lot of free time, so yeah ✌️

I hope you appreciated that little walkthrough~ I know people have been asking me how I do my art, but the truth is--I usually have no clue how to explain myself 😅 So have this half-assed tutorial~

As a bonus, here is a cute (cursed) image of Johnny without his mustache:

A baby, a literal infant child !!! who put this wee bairn on the front lines ??! 😭

Anyway! peace out ✌️

[rockpaperimpala]

So about Netflix's the Last Airbender....

I am literally so confused you guys. You made me think I would HATE this show. And I LOVED it. Me. Known perfectionist and hater.

Katara was lovely. Yes, she started as a more soft spoken character than her cartoon version, but she was still passionate and hopeful throughout, just visibly unsure of herself. I think people were thrown off by this actress' natural way of expressing herself, which is Different from animated katara for sure, but not bad. Then she spends the whole season growing in Confidence and Fire. I Adored her fight with Paku, it really did feel like a payout of the whole season's development, and the bending kicked ass!

The Bending Kicked ass!!! The martial arts was fun and fast and creative and exciting! It looked SO good. That alone would be enough reason for me to watch and enjoy any show.

Zuko's actor was fantastic. He really captured the rage and confusion of this 16 year old banished prince. And there were so many Added moments between him and Iroh wich to me enriched their relationship. Like YES! This is why I'm watching, to see more of them, to see things done a little differently.

Iroh facing the consequences of his actions at Ba Sing Se!! That's what I'm here for!

Zuko's relationship with the men on his ship! That's what I'm here for!

The Extra layers we get to Ozai manipulating his children!

Also no one is talking about Admiral Zhao, who I had SO much fun with. I feel like they slightly fleshed out his character in a really dramatic way, really developing the hubris and frankly insane grasping ambition of someone who would kill the moon. I completely enjoyed this wilder, less controlled version of him, who comes up through the season from basically nothing and no one!

I am OBSESSED with King BUMI and his anger and disillusionment with the world! Like this was SO real. Living a hundred years of futile war would do that!!!! It is one of my favorite changes to the whole series. This new layer of emotion and character depth is what I'm here for!

Sokka was SO funny. He literally had me laughing out loud so often. That actor GETs Sokka, and GETS the way his humor is delivered. And is also able to tap into the more vulnerable side of him. People said he was "obsessed" with leadership. WHAT? That is a young person trying desperately to do his best and to try and find his place in the world, to figure what he has to offer. I loved his pride at hearing the Mechanist say that he would make a good engineer, and the sweetness of the moment that Yue's father says that he can be a hero without being a warrior. Sokka does so much growth in this series, in understanding himself and life.

And his chemistry with Suki was adorable!! I even like him and Yue (who was a totally unexpected sweetheart, despite her terrible wig)!! Like he has that same ability that Sokka has in the original to Connect with people.

Aang was great! He WAS fun loving and sweet and funny. I don't know what you guys wanted. Cartoons are always bigger and more exaggerated than live action. People's eyes swell up an, birds fly around their heads, and there are funny sound effects. That larger than life quality is the strength of animation! You have to look for different strength in live action. Like the SUBTLETIES of the acting choices. This little actor brought so much kindness, innocence, and strength to Aang.

And I FELT his frustration at being asked to do this at 12, his fresh hope anytime it looked like someone more experienced would be able to help him and no one did, and that's why he didn't learn waterbending this season, because he kept waiting for an freaking ADULT to show him the way, to help him carry this immense burden, but every adult he meets asks him for help instead, asks him to carry it himself, and then the finale hits and he realizes that there won't be any adults helping, he does have figure this out himself, and he makes the hard choice, takes on responsibility more than his years and offers himself to the ocean spirit, and he might have been lost entirely if not for Katara!

And that counter running theme to the show pays off: that he doesn't have to do it alone. He may not have more experienced guidance, because the adults have let him down again and again, but his friends will be with him, and they will figure it out together!

This is there throughout the series! Katara tells him this about learning waterbending, when he says he still wants to wait. Bumi tells him this in the palace at Omashu, and Aang sees the faith he has in his friends repaid!

I like these changes! And the show still found time for silly fun adventures and character building moments.

The show was never going to be the animated original. That is already a Masterpiece, and it frankly did NOT need to be adapted at all. I did not WANT a live action adaptation. I was adamantly convinced I would hate it. But the changes that they netflix show gave are what I Iike most about it. If I want to see Zuko say "you rise with the moon, I rise with the sun," I will go watch the animated original, because that version is perfect. And now, if i want to see Zuko say "Lu ten would have been proud to have you as a father," and see iroh pull him into a tight hug, I can watch this live action version, which is very good too. I'm going to disagree with most of the people on here and say that the Netflix's Avatar: The Last Airbender, DOES capture the heart of what we liked about the original show. It's spirit, fun, excitement, and characters. And the changes made are the reason we should be watching.

[ohnoitstbskyen]

I know it would probably bring a lot of hate comments but I am begging you to roast the hazbin character designs because I'd love to have someone properly articulate why they don't work so I could send it to people who won't believe me when I tell them. 🫠 Understandable if you don't want to get into it though.

I don't think there's that much there to roast, honestly?

Those designs are clearly an extremely specific stylistic choice, and because that style is consistent throughout the show, it ultimately feels coherent with itself.

There are trade-offs being made. Because Hazbin's design style is SO stylized and so heavy on decoration and detailing, because it puts a lot of emphasis on costuming, it isn't as good at communicating specific character storytelling as a more grounded style could be (it's kind of the same tradeoff that stuff like Genshin Impact makes).

Like, why does Sir Pentious' hat have an eye and a mouth on it that makes its own expressions? Apparently not for very much reason at all, except that Pentious has a bit of an eyes-motif going on in his design and it was one more place to put an extra eye. And that's a valid criticism of his design, but also the entire show is designed like that, so frankly it would be weirder and more out of place if his design alone didn't have that kind of overelaborate decoration going on.

It does create a situation where I have a hard time "reading" the character designs sometimes. For example, Vox, Alastor and Pentious all wear a similar style of suit with upwards-turned shoulders, butterflies and pinstripes. Now, am I meant to read that as Vox imitating Alastor due to his crippling need to replace and outdo him, and Pentious imitating the style of powerful Overlords because he thinks that possessing their level of power will finally give him relief from his paranoia and self-loathing?

Or is it just a design fixation of the creator who keeps putting their characters in suits because that's just what they like? I can't really be sure, because sometimes design elements are used to intentionally tell stories about how characters relate to themselves, their world and one another, but plenty of other times designs look the way they do Because Of Vibes.

But again, that lack of clarity is clearly an intentional trade-off - and the benefit of that trade-off is a design style that is extremely varied, wild, expressive and memorable. Hazbin Hotel seems like a very easy show to draw fanart of, and a very fun show to draw fanart of. Those designs (especially the hyper-expressive faces) are begging to be the subjects of traumatic headcanons, unbearably cotton-candy soft fluff fantasies and weird, taboo, homoerotic power dynamics. Slaps roof of character design, this bad boy can express so much vicarious emotional intensity.

It's very exuberant, very excited about itself and very self-indulgent, it's a style that prioritizes visual impact and visual interest over readability (something which the animators of the show navigate with real skill, props to them) and individual aesthetics over worldbuilding.

And I don't blame anyone for being turned off by that (I certainly was the first time I started seeing those designs going around), but I would struggle to call the show's designs "bad" when they are clearly achieving exactly what they want to achieve.

I have some criticisms, especially re: how the show treats skinny bodies as an unquestioned, desirable default, and employs fatness as a means of alienating and abjecting the audience. That sucks very badly, and is a serious disappointment, and one of the few places where the show feels like it is being cowardly in its design philosophy. But I don't have it in me to do some kind of Hazbin Hotel Sucks And Here's Why takedown, its problems are not unique or extreme enough to warrant it, at least not as I currently understand them.

[genderkoolaid]

the funny thing about being called an MRA is that long before i had thoughts about anti-transmasculinity i had thoughts about butches & how other leftists/feminists/queer women would talk about us. i would see people talking about butches having male privilege, about how butches are chauvinistic and act oppressively towards femmes, all with idea that feminine women are the ultimate oppressed women and butches are, like, above that. and it made me want to fucking bite someone. i wanted to shout at these people, have you ever fucking spoken to a butch? do you know what its like to be seen as a pathetic imitation of masculinity? despite what hollywood would have you believe, we aren't all conventionally attractive, sexy, consumably-androgynous Ruby Roses- we're ugly dykes, the embodiment of female failure because we have completely and utterly failed to be even remotely fuckable. we're unnatural predators of the good, natural feminine women. we're womanhoods trash! frankly there's a good reason why a lot of assigned-female butches relate to trans women, because masculinity on a female body- whether that's "feminine presentation" female or "vulva" female, "penis" masculine" or "no makeup and hairy" masculine- is seen as horrific, disgusting, a broken promise to cishet men!! but butches also relate to trans men because there's also the experience of being completely erased from history & society, told over and over again through cultural silence that you are an isolated mistake and should not exist and that there is no place or community for you, and having seemingly every goddamn person have their own Hot Take on how misogynists actually love that you exist and would prefer every woman be like you and you know that feminine people have it worse, right????????????

its like. people can understand the idea that a male-coded trait, like assertiveness, will be seen as a negative when a woman does it, even if its praised on a man*. yet for some reason people love leaping to the assumption that masculine presentation is always seen as valuable and good, and that women & people seen as women who are masculine are seen as Doing A Good Thing. like i don't know how to tell y'all this but if you are placed in the "woman" box literally nothing you do will ever be good enough!!!!!!! women & "women" are only praised when and if it will benefit the patriarchy, and when it doesn't they are mocked and degraded!!!!!!!!!