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morverenmaybewrites · 1 month

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A Crown of Bone

Pairing: Changeling! Reader x Fae Lord! Zhongli Warnings: Graphic Depictions of Violence Additional Tags: Fae!AU, Implied Reincarnated Lovers!AU AO3 link Notes: Thank you to @sgri-sgri for beta-ing this!

Summary:

Imagine being a changeling child and living your life in quiet yearning.

You had been found in the dead of winter, or so your mother tells you, a half-fey child abandoned in a snowbank.

Imagine a lifetime of secrets: your first memories are of a spring that does not belong to the mortal realm. You dream of golden eyes gleaming at you from the darkness as your mother picked you up and carried you away.

Imagine keeping these things to yourself, tucked away against the curve of your ribs, right next to your slow-beating heart. Secrets that are half-yearning and half-memory: someone had left you there in that snowbank, and there are days that you think that they did not do so willingly.

And you hope that one day, they will find you again.

Story:

Imagine being a changeling child and living your life in quiet yearning.

It is a life of hollow hunger and a longing for something you cannot quite name.

You had been found in the dead of winter, or so your mother tells you, a half-fey child abandoned in a snowbank. She has told you this story many times before. Sometimes in fond reminiscence, more often in hushed whispers, her eyes fearful and haunted as she recalled your unnatural stillness, the way the snowflakes that landed on your skin did not melt.

You don’t answer whenever she tells these stories; she is already frightened enough. You do not tell her that while you had been found during winter, your first memories were of spring.

Except it is not the spring of Snezhnaya, where you had been raised. It is not the cold sun, finally rising after months of not showing its face. Nor is it the first tentative buds of snowdrops, pushing their way up from the melting snow.

The spring you remember is brilliant, bursting with vivid color. You remember walking underneath trees whose leaves were the color of fire; you remember the taste of wine against your tongue.

And sometimes, in those odd moments between dreaming and waking, you would remember seeing the gold of someone’s eyes and the curve of black, gleaming bone.

You do not mention this to your mother, who is already half-afraid of you. Nor to your father, who gazes at you with a resigned sort of acceptance.

Instead, you keep it to yourself, tucked away against the curve of your ribs, right next to your slow-beating heart. A secret that is half-yearning and half-memory: someone had left you there in that snowbank, and there are days that you think that they did not do so willingly. 　　　　　　　　　　　　　　　　　　　　　　　　

Imagine arriving in Liyue during winter, a season of cold and gnawing hunger. The trees that dot the landscape are now bare, their branches the color of bleached bone. Whatever flowers that once bloomed in its fields are now gone, their colorless stems now covered by frost.

It is also a time when ice forms in the harbor, icicles as thick as spears, cresting with each wave. No ship dares to land on the Liyue Harbor during winter. During winter, food, paper, and cloth grow scarce. The shrines you pass by on the road show only a few, meager offerings: a single piece of fruit, the skin shriveled and mottled with mold. A carved wooden statue of a carriage, half-burnt, for fire does not survive long in this cold. You wonder what the Good Folk make of such meager offerings, whether they are as quick to anger as your Tsaritsa.

Something gleams at the bottom of the bowl, wet and dark. You come closer to inspect it and feel a shiver of disgust when you realize what it is.

Teeth, still bloody and steaming in the cold air. You step away, stomach twisting, and you think: the Tsaritsa would approve.

Perhaps Liyue and Snezhnaya have more in common than you thought.

You reach your destination, some remote village on the outskirts of Liyue, and feel a sudden shock of fear at what you find there. The woman who greets you stumbling at the gates is already half a stranger. The Aunt Baiji you knew had been both vivid and beautiful, with dark hair that gleamed like oil even in the dim sunlight of Sneznahya’s endless winter.

She had been strong, too. As a child, you remember how her voice shook the walls of your small household, as she shouted down both of your parents. You remember looking down at your burned hands, still steaming from holding iron cutlery, and wondering if you are worthy of such rage.

She had handed you a pair of chopsticks before she left, carved from bamboo and coated in dark lacquer.

“They’ll see sense soon, little Dragonfly,” she had said. “In the meantime, use these instead.”

You had carried the chopsticks with you on the long journey to Liyue, wrapped in wool like a shroud. You find that they give you courage for what you are planning to do.

They give you the courage to lie now, and it tastes like iron against your teeth.

“It’s good to see you, Auntie.”

But it isn’t. The woman who throws her trembling arms around you looks nothing like the one who had defended you all her life. To hold her is like holding a skeleton, you can feel the individual knobs in her spine, the skin hanging loose over her flesh.

You feel it then, like the flitting of a bird against your chest: fury, bright and pure. And with it, the determination to see this through.

“You came,” she whispers, and her voice is as insubstantial as a ghost. “Oh, my love, when I got your letter, I didn’t believe…You know I would never ask you to do this. You don’t have to do this.”

Yet, in her eyes, you can see her raw, desperate grief and the way she swallows down her tears as if they are poison in her throat.

“Yes.” You say it as gently as you can, and even then, she flinches. “I do. Show it to me.”

She sucks in her breath as if struck, and you hasten to add, “It’s not him, Auntie. You know this.”

She gives you a shaky smile, one that makes the wrinkles on her face as deep as mountain crags. “I know, Dragonfly, I know. But it–”

Her smile shakes, then cracks like porcelain, and with it comes her tears. First a trickle, then a flood. And you watch as the woman who had never shed a tear in your memory cries as if she will never stop.

“I’m sorry, Dragonfly, it just looks so much like him…I can’t…He’s still lying there.”

Her head is bowed, her thin shoulders shaking, as if the weight of her grief is enough to split her in two. Watching her, you feel a knot forming in your throat, and you wonder if grief can be contagious.

You take her hand in both of yours, guiding her. She has grown so thin that you can feel the bones of her wrists pushing up against her skin, the way the current of rivers curve over stones.

“Let me show you, Auntie,” you say. “There is nothing underneath.”

She lets you lead her, childlike, through the doors of her own house and it is as bare as you have ever seen it. Gone are the oil paintings from Mondstadt, the tiny figurines carved from noctilus jade bartered from night market stalls at the Harbor, the bolts of embroidered cloth you had sent over from Snezhnaya. Apart from the small cot lying in the corner of the room, the small room is almost obscene in its nakedness.

You say nothing, but an image unfurls over your mind: that of your aunt selling her belongings, piecemeals, making offering after offering to appease the ones who have taken her son.

You remember the teeth on the shrine, still steaming from the heat of someone’s mouth, and you shiver.

“He’s in my room.” She pauses to inhale, as if she has to force the next words out. “I can’t bear to leave him. Or look at him. I’ve been sleeping here instead.”

The crib is made out of woven horsetail; you can see the pink cotton of their seeds curling around its base like flowers. A mobile of figurines carved out of sandalwood hung above it, circling slowly, providing toys for a child that neither saw nor cared about them.

Behind you, you can feel Aunt Baiji shaking.

“We don��t have to do this,” she whispers through bloodless lips. “Perhaps we are wrong. There is still time to call the funeral parlor. Burn offerings for him in the afterlife.”

Her hand is cold and shaking as she puts it on your shoulder; it is like being touched by a corpse. And for just a moment, you feel a shimmer of dread, the world splitting as if into fractals.

Aunt Baiji’s son’s had been declared dead for nearly a month, the time it took you to prepare and travel to Liyue. It had been long enough that the hell gates that welcome the souls to the afterlife are about to close.

During this time, the proper offerings should have been burned to accompany him to the afterlife: joss money to line his pockets for bribes, delicate wooden carvings of servants to serve him, a pagoda carefully painted on rice paper so that he may have a place to stay in the afterlife.

And perhaps, most importantly, food. So he did not spend his afterlife with an endless hunger gnawing at his belly.

And just for a moment, you are scared to look into that crib. Nausea pulses in your gut like an open wound as you take one step, and another, then another. Your fingers curl around the woven horsetails, and your eyes seek the mobiles gently swaying in the wind.

And you look down.

You had been there to witness every moment of Aunt Baiji’s pregnancy, written in careful hand in her many, many letters to you. You had been the first person she told about when she felt the flutter of quickening in her belly, when she first felt her son kick inside her.

I have not seen him yet, but he already owns half my heart. She had written once, the letter feeling soft and sun-warmed against your shaking hands.

I have decided to name him Sevastyan. After his father. I cannot wait until the two of you meet each other. You will love him like a brother.

Brother.

In Snezhnaya, where nearly everyone knows your story, you had nothing to keep you warm. There is only your mother’s wintery stares and your father’s endless silence. But now, in a remote village on the outskirts of Liyue, the word beats against your throat like a swallowed star.

But when you look down, the child inside the crib does not look like a brother.

After he was born, Aunt Baiji sent you letter after letter, describing the dark mess of curls on his head and the fat of his cheeks that resembled fried dumplings. She described the shape of his mouth that resembled his grandmother’s and the curve of his nose that was like his father’s.

He is perfect, my Sevastyan, she had written. He is beautiful.

And he is. But the child in the crib has all the cold beauty of a carved statue, perfectly still and silent. No dreams chased behind his closed eyes and his chest did not flutter with each breath.

He does not look dead like the doctor had said. Instead, he looks like he had never been alive.

This is how you know, all those months ago. You have read enough stories and listened to enough legends about your kind not to know. The child in the crib is not Sevas, as your Aunt Baiji had feared.

Your hand hovers over his face, and on your fingers you can see the numerous cuts and bruises from your long hours of labor.

You’re shaking.

Perhaps from the cold, perhaps from fear.

As your hands close over the child’s face, you can feel it, magic pulsing against your fingers like the threads in a loom. All it takes is a slight tug and the weaving collapses. Aunt Baiji lets out a wail as the child’s face warps and twists, then it finally collapses into a pile of twigs and dried leaves.

“Oh, oh Archons. My son is alive. But they–they’ve…”

Her lips tremble, unable to form the next words.

“The Fae have taken him,” you say. “And I mean to get him back.”

And then your legs are collapsing from underneath you, shaking so hard that you are afraid that they will never stop.

And then your heart is pounding against the cage of your ribs like a frantic, dying bird.

You can feel your bones creaking, pinned under the enormity of what you must do. It is a surprise that the weight of it doesn’t crush you.

For the Fae have taken your aunt’s son, and you mean to get him back. 　　　　　　　　　　　　　　　　　　　　　　　　

Imagine wintertime in Liyue and all of its quiet menace. It is a time when the trees shed their golden foliage, leaving their branches bare and skeletal. No birdsong echoes through the woods during the winter, and no crystalflies light the way with their glowing wings.

It is only the light of the moon that guides you as you deliberately stray away from the beaten path. It is something children learn, even in Snezhnaya, never to do.

Do not go too deep into the forest. Do not stray off the path. Do not catch the attention of those who dwell in the dark.

You have caught glimpses of them as a child: the glint of the moonlight reflecting off their eyes as they peer at you through the foliage, the curl of fingers with too many joints as they grasp onto your windowsill.

You had always wanted to stumble after them, wanted to follow them down into the dark.

Take me with you, you had wanted to say. Tell me why you left me here.

But they never did.

This time, however, this time you mean to give them no choice.

You stand there, at the heart of the forest, shivering violently, for the robes you are wearing are not made for the cold. Instead, the robes you are wearing are reminiscent of spring. For the first warm day in Snezhnaya, when the sun’s rays finally split the frozen river in two, signaling the end of the cold months.

The silk is the blue color of rushing water, bursting free from underneath the ice. You had used silver thread to embroider the slow dance of the last of the snowflakes, doomed to melt before they ever touched the ground.

Your fingers still ache with the effort of embroidering them into the fabric. And yet, you consider the effort well worth it. The Good Folk are a hungry lot, and they were known to covet things they don’t have: love, music, and things of great beauty. They are often known to take the most well-cared-for children, the best dancers, the singers whose voices could wring tears from a stone.

If you are going to draw their attention, you need to bring your best creations.

Hours pass or perhaps only minutes–past a certain point, it doesn’t matter. Your fingers feel frozen, your face raw and frostbitten from the wind.

And finally, you see them.

Your breath stutters in your throat as they slowly form into existence, like the hazy figures in a dream. First came the light of their bonfire, only a faint glow in the beginning, then brighter and higher until you can feel its warmth spreading across your fingertips.

Then their music, the sound of lyre and war drums. It is something ancient and wild and speaks to the very core of you. You can feel your muscles tensing as if your body wishes to join in the laughter and the revelry. Or perhaps it longs to run free in the forest, and sink your teeth into the throat of some small, living creature, to feel the wild beat of its heart as it dies in your hands.

And then, you can see them. The Fae.

They are known to have as many forms: as many as there are types of fish in the ocean or birds in the sky. The ones who came to you this time are unfamiliar: the curves of a naked woman combined with flowers you have seen in the field. Their hair flows into petals, and their skin is as smooth and unblemished as the inside of a tulip.

There are three of them, dancing around the bonfire, their feet so light that they barely touch the earth. And yet, in the shadows, you can see the twisted forms of creatures, their clawed hands plucking the strings on a lyre, their palms beating a frantic beat on the drums. You can feel your pulse leap to the sound of it.

But you do not move to join them, even as your fingernails dig into the meat of your palm, even as you down on your lip so hard that you taste blood.

It is they who must approach you.

And finally, finally, one of them breaks free from the circle to approach you. You can hear the other two, giggling and making jokes, their laughter resembling the chittering of insects.

The one who approaches you has the pale blue skin of a mint flower. Leaves sprout from the top of her head, flowing down to her shoulders like hair. But the eyes that behold you are the eyes of a reptile: cold and calculating and nothing human in them at all.

Her hand is cold as she grasps the sleeve of your robes.

“This is beautiful,” she declares, and her breath sends a gust of cold wind against your cheeks. “Almost like a river before it is frozen over. Please, may I wear it?”

“You may wear it.” You speak through gritted teeth so that she can’t see you chatter. “For a price.”

The smile that unfurls across her face is slow and fluid, the slow trickle of water before the flood.

The hand that was once on your sleeve slides down your skin, until they are resting on your near-frozen fingertips. She looks at you, eyes half-lidded, and you see that her eyelashes are rimmed with frost.

In her presence, you find that the wind does not howl so loud and that you can no longer feel the cold. In fact, you begin to feel warm, as if there is a fire burning at the center of you.

“Name it.” Her voice comes as if from very far away. “I will pay a great number of things to wear a robe of such beauty.”

A price?

Your thoughts are muddled, like the hazy silhouette of people in a snowstorm. Your skin is burning.

You remember feeling the same way, in the snowbank where your mother found you, so many years ago. The same heat at the center of you. The same exhaustion.

And you remember a hand reaching out to you, a flash of gold through the trees.

The memory sears through your thoughts like a bolt of lightning splitting open the sky. You know this creature, and you know her story. Of the travelers she leaves on snowy mountaintops, naked, except for the frost that grows on their skin like moss. You step back from her, your voice almost cracking from the cold.

“My Aunt’s son. Your kind have taken him.”

The smile she gives you is nothing human, and when she reaches for you again, this time, you know enough to avoid her.

“Ah, the child. We left another in his place so she doesn’t miss him.”

“Wood and dried leaves make for a poor son,” you snap. “Give him back and you may wear the robe for the night.”

She grins at you, and you can see bits of gristle stuck between her teeth. Behind her, the fire roars, and her two companions dance faster. The creatures playing the instruments stamp their feet and lift their voices, their howls feral and inhuman. You can feel the pull of their magic as if your skin means to rip free from your body and, still streaking blood, join their dance across the snow.

“Of course. But first, you must join us around the fire.”

And this, you know from the countless stories. Of young men and women, joining the Fae on moonless nights, dancing to the beat of their wild, dark songs until daybreak.

And if the Fae end up liking you, they may grant you a favor. A good harvest. A fated marriage.

A son.

This time, when the snow-woman reaches for your hand, you do not flinch as frost forms where your skin meets hers. Your shoes barely skim the earth as she leads you to the fire, where the music thrums in your ears as frantic as a pulse. You grit your teeth even as the fire burns high enough to blot out the stars.

You remind yourself that you must be brave.

But perhaps, you have not read enough stories.

Or perhaps the snow-woman wishes only to trick you.

Because before you start to dance with them, you make the mistake of glancing at one of the musicians’ faces. 　　　　　　　　　　　　　　　　　　　　　　　　

You wake under sunlight and with the taste of blood in your mouth.

You do not have the boy.

What happened?

You try to sit up, only to gasp and curl around yourself like a newborn. Your entire face is pulsing with pain. When you touch it, your hands come away stained with blood.

And then, you remember.

Not the musician’s face, but what you had done after you had seen it. You had raked your fingers across your face and dug deep furrows into your cheeks. You had taken your thumbs to your eyes and pushed until they popped like overripe fruit.

You had taken out your eyes.

Yet, you can still see.

Carefully, with the gentleness of one afraid of what they might find, you explore your face. No scars meet your questing fingers, and your eyes are still intact in their sockets.

And yet, you remember: lying in the snow, blinded and sobbing, hot blood trickling from your eyes like tears. You remember, too, listening to the three beautiful creatures arguing about who got to wear the robes first. Their voices growing higher and angrier until they resembled the chittering of insects.

You remember they had come at you with teeth and claws, grabbing at whatever bit of fabric they could reach. Pulling at the silver thread so that they unraveled from their patterns, curved claws slashing away at the sleeves, cutting the soft skin underneath.

You remember screaming for them to stop.

What had happened?

By all rights, you should be dead. Blinded, and dead.

The robes you had worked so hard to make are shredded. You flush, realizing that you are almost naked, but the skin that peeks through is whole and unblemished.

“How–”

Your voice is cracked and hoarse. You can taste blood on your lips.

How are you alive?

You scour your memory for the answer but you do not know the answer. You only remember one other thing. Your hand is shaking as you raise it to your eyes so that it blocks your view of the forest.

Your skin is cold. You can feel the calluses formed from your many hours of sewing over the years.

But it is not the hand that rested over your eyes last night.

It is not the hand that healed you.

Someone had saved you last night. Someone who could heal the many cuts the Fae have left on your skin, someone who could restore your sight and your face, after you had taken your fingers to them.

And yet, you cannot remember who.

You remember only one other thing, seen only in the fleeting edges of your restored vision: a great curve of bone, rising over you, gleaming as dark as obsidian. 　　　　　　　　　　　　　　　　　　　　　　　　

Imagine Liyue in wintertime, when the rivers grow black and treacherous. No man or animal dares cross them, lest they come out blue and frozen on the other side. Underneath the wild torrents, you can see the twisting images of the creatures you’ve come to seek.

The image of a child, face bloated and black with rot, rises briefly to the surface. You remember, three years past, about a fisherman’s son who had drowned in this river. His playmates had claimed that they had seen him playing with a nobleman’s horse near the water. A scream rises in your throat like vomit when you realize that his eyes are boiling with maggots.

You stumble, water lapping at your ankles, making the hem of your robes heavy. You remember your own eyes, the sensation of them popping underneath your thumbs.

Perhaps you couldn’t do this.

Aunt Baiji will not blame you if you come back empty-handed. You know the truth of this with a heaviness in your bones. Perhaps this would have been easier if you knew that she would rage, that she would point an accusing finger at you and demand her child back.

But she wouldn’t. In fact, in her letters, she had begged you not to try. She would live if she lost her son, she wrote.

But she could not lose you both.

For her, you think as you step back into the river. For her.

And, perhaps selfishly, for something else. For the person who had placed their hand over your eyes and healed you.

For answers.

This time, you do not have to wait as long. The Fae do not come with the beating of drums or the sweet lilt of plucked lyres. Instead, they arrive in silence, rising from the churning waves, their forms still streaming water. Water-creatures that look like herons flap their wings, droplets of water flinging from them like feathers.

A trio of mallards circle the river, their bodies rising from the river, their feathers gleaming with barely-formed frost.

The boy who had drowned in the river grins at you from the banks. You can smell the stink of him: rot and the congealed blood of gutted fish, left to soak the deck of a fisherman’s boat.

And finally, it arrives. Faceless, its body formed from the river’s black torrents, it floats through the air as if cutting through water. This creature is old, old enough that no one alive remembers its name. All that is left are the stories: of the creature who lived in the rivers near Qingce Village, and who drowned any mortal who dared approach.

Its flippers glow like the wings of crystalflies as it approaches, beholding you with one gleaming eye.

“Your clothes are beautiful.” Its voice echoes through your head. You can feel it thumping against the walls of your skull.

You are struck with the sudden realization that this thing, just with its voice, can shatter you apart. Make its voice loud enough that your bones splinter into a thousand tiny pieces, like rocks of a cliffside crumbled away by the ceaseless waves.

You struggle to form an answer. Your thoughts are muddled as if your head is underwater.

As a child, you had spent hours upon hours in tea shops, sipping fragrant osmanthus tea and listening to the storytellers on the stage, their voices heavy with emotion and tragedy. Liyue is an old land, rife with legends, and you collected them like a magpie collected treasure for its nest.

You wear one of their stories now.

This time, your robes are the color of the skies over Liyue. And in its fabric, you have embroidered thousands of crystalflies, their wings glowing with the color of starlight.

It is one of Liyue’s most famous legends and one of its most tragic.

“Take them off and leave them here, so that they can decorate my riverbed,” the Oceanid demands.

The glow of its single eye is endless, and you find it nearly impossible to look away.

But still, you manage to shake your head.

“You can have my robes. But only if you are willing to trade.”

You can feel its disappointment and roiling anger like a sudden weight on your chest. You feel a sudden, fleeting panic that your cribs might crack in two, but it is all swept away by Oceanid’s rage. For thousands of years, it has been worshiped, fishermen and kings alike leaving offerings at its banks.

And yet you, stinking of your mortality, come to its waters and demand a trade?

Your skull thumps with the weight of its emotions, and for a second, you are sure that you will collapse. Your skin will split open, your bones will splinter, and blood will explode out of your screaming lips as thousands of gallons of pressure bear down upon you. You imagine your organs floating to the surface of the river, to be feasted upon by the mallards and the smiling child sitting on the banks.

But then, a word rises through your thoughts like an oncoming wave: Rhodeia.

And you are sure that you have found the creature’s name.

“Rhodeia.” Your word comes as if from underwater. “I have a story.”

You shake your sleeves so that the pale threads glint in the dim moonlight. You direct its attention to the crystalflies you have sewn into the fabric, so detailed it seems as if they are taking flight. On your back, the crystaflies form a bridge, cutting straight through the heavens, so that two lovers can walk across the sky.

You had embroidered their entwined figures just below your neck, at the curve of your spine. The star-crossed lovers of Liyue, cursed only to meet once a year for a single day.

And then you can breathe again, falling to your hands and knees on the soft, sucking mud of Rhodeia’s riverbanks. It floats in the air in silence, heedless of your strangled coughs. Somehow, you are sure that it is staring at the embroidery on your back. At the two entwined figures.

“Fine,” it says. “Name your price.”

Your lungs burn as you struggle for words. “I have a cousin who has been taken away by your people. Give him back to me, and my robes may decorate your riverbed until the end of time.”

“Done.”

Its tone is clipped and precise. Impatient. It holds out a limb to you, like the way a human would hold out a hand. It could have been a wing of a flightless bird or the fins of a leaping trout. Or it could have been nothing at all, as shapeless as water.

You grit your teeth. The Oceanid had agreed too easily.

“Show him to me, so I know that you’re not lying. Show him to me, so I know that I am not trading my work for bones.”

It beholds you, silent. And then, the churning waters of the river change, turning smooth as glass. In them, you can see him. Sevastyan.

And you think to yourself: he really is beautiful. This is not the carved statue that lay still in its crib. This is an actual boy, whose fat little fists wave in the air as he screws his face up to cry. He is still swaddled in the blankets you had sent for him, and you feel a painful twist in your chest as you remember your aunt writing that he adored the one decorated with sea turtles.

When he opens his eyes, you realize with a start that they are the same color as your Aunt Baiji’s. Black like the wings of beetles that crawled on your hand like a child.

These are the eyes of someone who had loved and defended you your whole life. Strange as you are, half-human as you are.

Your breath catches in your throat as Aunt Baiji’s words rise in your memory, as relentless as an oncoming tide: I have not seen him yet, but he already owns half my heart.

I cannot wait until the two of you meet each other.

The image dissolves into foam and the river begins to flow once more. You let out a startled cry, reaching out a shaking hand towards the current.

“Do we have a deal?”

In your head, you can feel the Oceanid’s biting impatience. You stand on shaking feet, the mud still thick on your open palms, between your toes.

And you let Rhodeia lead you into the river. 　　　　　　　　　　　　　　　　　　　　　　　　

You wake to the feeling of silt and mud curving underneath your spine. Your clothes are sodden, making your movements slow and your limbs heavy. The fabric is heavy, swollen beyond repair, the rich dye bleeding off of it like molten silver.

The dress is ruined.

And you do not have Sevastyan back.

You place a shaking hand over your eyes and curse softly.

“Fuck.”

Disappointment churns your gut like acid, and you are gripped with the sudden urge to vomit. There is a reason why people had spent centuries leaving offerings at the Oceanid’s banks: unlike the Fae in the woods, it is known to keep its bargains.

Then what happened?

The child. At the banks.

You remember his shadow, darting underneath the waters as the Oceanid guided you. A hand, webbed and pale and bloated with rot, reaching out to grab and pull you under. The rich fabric of your clothes had immediately become heavy and sodden, making you unable to swim.

Unable to move.

Perhaps the creature in the river had been a child once, but he is certainly more–or less–than that now. He had darted through your flailing limbs as nimbly as a fish. You remember seeing its twisting shape.

And you remember–

Its teeth.

Not sharp. Flat, like that of a horse. Ripping out a chunk of your arm. Then your leg. The muscles in your neck. Over and over until your vision ran red. And when you had broken the surface of the river to scream, you remember–

It had been so cold that you felt frost form in your lungs. Your scream frozen like hoarfrost inside your throat.

And the child had pulled you under again.

Like the first time, you should have died. Drowned and bitten to pieces, your bloodied entrails floating to the surface of the river for the mallards to feast on.

Then what had happened?

You are cold, yes. Your limbs feel stiff and frozen from your time in the river. But you are not dead. You pull up the skirts of your robes to examine your legs.

You remember, with a shudder, the child-thing’s flat teeth tearing into the soft flesh of your thighs, ripping apart at the fat and strands of muscle. Crunching through bone. The water going oily from your exposed marrow.

You touch your thigh, shaking. The skin there is smooth and unblemished.

And that is when you notice the river. You scramble back onto the banks with a small scream, slipping on the mud and your sodden clothes.

The river is no longer a river.

What was once a raging current is now nothing but dark earth. It is less like it had been filled in like there had never been a river at all. You can even see the small buds of something new and green beginning to push up from the soil.

“How…”

A curve of bone. Gleaming black as obsidian.

Whoever–or whatever–had done this, it had been done as an act of rage. Perhaps for the child. Or perhaps of the Oceanid. Perhaps both.

You’re shaking, feeling your arms about to give way underneath you. Hot tears flow down your face, from eyes that should not have even been there in the first place.

“I’m sorry,” you cry, the words forming gusts of clouds into the cold air. “I’m sorry.”

Your shoulders shake, and you gasp clouds of frost in the cold winter air. “I have to get him back. I have to keep trying.”

Someone’s hand. Warm over your burning, bleeding eyes. You cannot remember the last time you had been touched so tenderly.

You try to stand but slip down onto the earth. You have to grit your teeth and try again, and even then you’re afraid you’d fall.

“If you—” Your teeth are chattering with enough force that you can barely get the words out. “If whatever you are…if you keep trying to save me. From the Fae. The Good Folk. From these monsters, why did you leave me in the first place?”

A child swaddled in a blanket decorated with sea turtles. His eyes are the color of the wings of beetles.

“I have to get him back,” you say and you hope that whoever saved you is listening. “I’m not you. I’m not going to leave him to some…some stranger to be his family. I have to get him back.”

And as you make your way up the river that is no longer a river, a memory rises in your mind again. Not from the forest, and not from the river.

But from the snowbank, all those years ago.

That of golden eyes, peering at you from the snowbank as your mother picked you up and carried you away.

Imagine Liyue in wintertime, when the land is at its most treacherous and barren. During summer, the trees are laden with fruit, so heavy that their branches bow from the weight. The skin would still glisten with morning dew as one plucks them, their juices bursting against a hungry traveler’s teeth.

But in winter the trees are empty, their branches bare and skeletal. No game wanders in the woods, and all of the animals are warm and asleep in their burrows until spring. Liyue in wintertime is a time of silence, and if one is not careful, it is also a time of death.

By the time you reach your destination, you are weak with hunger, nearly maddened by thirst. It is a live thing that twists and claws at the hollow place in your belly; it pulses like heat against your parched throat.

You find that you can barely stand as you gaze at the entrance.

Imagine a place in Liyue, one you have only heard of once or twice, in those strange, dreamlike hours before dawn. When all of the lanterns have been snuffed out, when all the tea has been drunk and all that remains is their scent, hanging heavy in the air like a ghost. When all the storytellers have closed their paper fans and set aside their gavels, ready to turn in for the night.

Perhaps, one of them–always, always someone ancient, so old that their skin slides over their bones like a river over stones–will have one more story in them.

About a cave, somewhere deep in the mountains. And a tree, large enough that its trunk towered over mountains and its leaves can cast entire towns in its shadow. Here, they say, lies the oldest and most powerful of the Fae.

Here, no human should ever disturb the earth with the sound of their footsteps.

Here, there are stories: of mortals transformed, their screaming faces turned into the bark of trees, their fingers dissolving into blades of grass, their tears becoming the spray of water from a rushing creek.

Here you stand, shivering and afraid.

The robes you have brought with you no longer fit you right, but it does not matter. It does not matter that there is a new hollowness to your cheeks or you can feel a fever burning behind your eyes.

Because you know that the Fae will come, to this most sacred of all places.

Because this robe is the most beautiful of your creations, and perhaps your last. It is the rich dark color of a patch of earth that used to be a river. The color of a tree bark in summer, when it decorates the forest with leaves the color of fire. The color of a farmer’s field, freshly tilled and awaiting to be sown with new seed.

In Liyue, it is the color of life.

Once upon a time, this color could only be worn by those of royal blood.

Once upon a time, wearing something like this would have gotten you executed.

Perhaps it still might.

You had used gold thread to embroider images of crystalflies, glowing with the color of Geo. You had embroidered the ginkgo trees in full bloom during summer. You had embroidered the tiny jade slimes you would see at the Harbor, carved with a chisel the size of your fingernail. You had embroidered delicate golden corals from across the sea in Inazuma. You had embroidered every little thing you think Sevastyan will miss if he is not returned to the human world.

And on your back, its scales glinting with gold, is the great Dragon of Liyue. The one who had shaped the mountains with his hands. The one who had driven the sea back so that his people could thrive on land. Across your shoulders, in the darkest thread you could find, sits his crown: a great rack of antlers, as black as obsidian.

You do not know how long you will last in this cold. A feathering of snow settles across your shoulders. Against your cool skin, they do not melt. This time, you do not have the luxury of waiting.

Instead, you unsheathe a knife from your belt. Even in the gloom, you can see its wicked edge. The curve of its blade. The scent of cold iron.

You swallow down your fear, beating against your throat like a heart.

The first cut burns like the cold, blood welling up from your palm as you slice into the meat of it. Your skin smokes, your fat bubbles, the oil of it running down your wrist.

You have not touched iron since you were a child. Since your Aunt had stood up for you, all those years ago. You think of the chopsticks she had given you, carved from bamboo and coated in lacquer. Just one of the many ways in which she loved you when you feared no one else did.

You let your blood drip down onto the snow, gleaming like rubies, the color so vivid that it makes your head spin.

Quickly, quickly. You do not know how long you will last. Hunger and thirst have taken much of your strength, while fear and exhaustion have taken the rest.

You call out to them, out to the shifting shadows you can see at the center of the cave.

“I am…” You can smell your burning skin. “I am one of you. Who you have left to die so many years ago. You have taken something precious from me. You have taken my brother. By heart, if not by blood.”

You sway, standing on shaking legs. The knife drops from your hand.

You bleed.

You burn.

You continue.

“Return him and you may have…”

Eyes, golden and glinting, stare at you from the darkness. You grit your teeth. You can feel yourself falter. Twice now, you have done this. Twice now, you have failed. And here, inside a cave forbidden to mortals, you know that you might fail. For you will never make anything more beautiful than the robes you are wearing now. If you fail this time, you might never have a chance.

Your voice cracks like porcelain, your words die in your throat.

You try again.

“Return him and you may have…”

The robes, the robes. Tell them they can have the robes. Tell them they can have anything.

Perhaps it is hunger that gnaws at you endlessly like a starving beast, or perhaps it is the sight of your blood, running down your wrist and staining your robes. Perhaps it is grief, or all three; you cannot tell.

But before you can finish your speech, your great and final offering to the Fae, your vision goes black and you collapse, unfeeling, onto the snow. 　　　　　　　　　　　　　　　　　　　　　　　　

This time, you gain consciousness slowly, like someone waking from a pleasant dream. For the first time since you started your journey, you do not feel the cold. Quite the opposite, it feels as if you have been basking underneath a summer sun: your skin feels as warm as honey, your muscles loose and relaxed, as if your body no longer remembers all of its suffering.

Someone is stroking your hair. A hand is resting over your eyes.

You shift and whoever is stroking your hair stops. Somehow you feel a keen sense of loss at that, so sharp that tears prick your eyes. It is something like craving, something like hunger. You find that you do not wish for them to stop.

You cannot remember the last time you had been touched so tenderly.

“You’re awake.”

You can feel his voice echoing inside of your head, like you did with the Oceanid. Except this time, it is a call returned from a great chasm, the feeling of the earth shifting underneath one’s feet, the roar of a river now rendered silent.

Whoever is speaking to you isn’t human.

You rest your trembling fingertips on the hand resting across your eyes. There are legends, the way there often are, of Fae who are so beautiful or terrible that to gaze upon them would cause madness. Your mind would spiral into insanity as it tried to make sense of something inhuman and unknowable.

You are too afraid to look. So instead, you speak to them blindly and pray that you do not offend.

“Who are you?”

When he speaks, you can hear a note of amusement in their rich voice, and you wonder if this is another trick devised by the Fae. “Do you not know?”

“I don’t–”

You fall silent as you explore the hand resting over your eyes with trembling fingertips. And though there is only the slightest bit of pressure, the gesture feels sharp with memory. You remember blood streaming down your ruined eyes like tears and a gasp flutters against your throat like a caged bird.

“Were you…” Your voice cracks before you can continue your sentence, snapping under the weight of both terror and wonder. “Were you the one who healed my eyes? After I tore them out with my thumbs?”

“Yes.”

You realize with a start that the hand over your eyes did not feel like flesh. It is too smooth, too hard. Like a skilled sculptor had carved a perfect likeness of a human hand, entirely out of jade. You think of what you had seen, glittering at the edges of your restored vision: a great curve of bone, rising over you, gleaming as dark as obsidian.

You think of the image you had embroidered onto your robes, the crown of antlers unfurling across your shoulders.

And you swallow down your rising fear.

“And the river?” you whisper. “Were you the one who pulled me from it?”

“Yes.”

“And…” You think of the river that is no longer a river. The small buds of something green and new pushing themselves up from the earth. “You are the one who…you are the one who destroyed it.”

You feel a sudden stillness in whoever is holding you, the coiled tension of an animal just before the strike. When he speaks, you can feel a new anger in his voice, and a shiver runs through you. You can hear the creak of dried branches, the flutter of a bird’s wings.

Birds?

You think of the silence you had found in the woods. The absolute lack of birdsong. Most of them travel to warmer places for winter. And yet, for a second, you can hear their panicked chirping.

“Rhodiea was unable to control one of her subjects and ended up breaking her contract with you. She knew the consequences.”

In your head, his voice is magnified a thousandfold, and it is the Oceanid all over again. His anger is palpable, the slow grind of stone against stone, the feeling of the earth shifting underneath your feet, the sound of entire mountains crumbling overnight. You clap your hands over your ears, hoping to block out the way his voice echoes in your skull.

All of a sudden, it stops, and you are left gasping for air. You can feel blood welling up from between your clenched fingers, there is a new, endless ringing in your ears.

“Forgive me. I forget that you are now half-mortal.”

A Fae who asks for forgiveness?

You cannot remember if there are stories of that.

Will it anger him for you to accept his apology? Will he think that you consider him beneath you to do so? Will it anger him even more for you to remain silent? You tremble, and you remember: Sevastyan’s life hinges on your answer.

It is the Fae-Lord who decides for you, those strange hands lying on top of your bloodied fingers. You recall the forest. And the way he had held you, blinded and dying, before he restored your sight.

The ringing stops.

“Than–” You stop yourself, biting your lip so hard that you feel it split underneath your teeth.

You had nearly thanked him. A mistake that would have cost you a lifetime of servitude.

“If you wish to thank me, I give you my word that I will not use it to bind you to me. That is not what I wish to do.”

His word. You do not know if what he said is binding or if he is simply luring you into a trap. With a start, you realize that you can no longer rely on old legends or stories to guide your decisions. You are treading through the path of your own tale, and there are no old roads to follow.

Briefly, you wonder if the heroes of all the stories you’ve loved have ever felt so afraid. If they’ve ever felt at such a loss what to do.

You think of the Oceanid and her lost river. The consequences of a broken contract. You decide to take a chance.

“Then…then, thank you, Great Lord. For healing me. For saving me. I owe you my sight, my hearing...”

You think of sinking underneath the churning waters of the Oceanid’s river. Of both the current and the child dragging you under. You think of your scream freezing in your throat, of frost forming in your water-logged lungs.

You had drowned in that river, you are sure. And yet somehow, you are still here.

“...and my life,” you finish quietly.

He does not answer. The silence stretches out between you, and this time, you are sure that you can hear the faint snatches of birdsong, the carefree chittering of insects, and the sound of the wind blowing through the leaves in the trees.

The land you had passed through to get here had been covered with frost. The cave you entered had been as solemn as a tomb. You suck in a shaky breath, and you could have sworn you can smell the scent of flowers in full bloom.

“Lord?” you call softly.

“Yes?”

“May I see your face? Will it not…” You pause. Your throat feels dry with fear.

You think of your eyes popping underneath your thumbs like overripe fruit. You think of the musician, whose face you do not remember. And you think about how that might be a mercy.

“Will it not drive me mad?”

He does not answer for several long seconds, and then, you hear a slight exhalation of air. It could have been a sigh, it could have been his quiet laughter, or it could have been nothing at all.

“Mad? No. It will not.”

You remember the glimpse of him you had seen: the curve of bone, rising over you. The golden eyes glinting from the darkness. The shadow of a figure from across a snowbank, all those years ago. The knowledge suddenly comes to you with an almost painful clarity, it twists like a knife between your ribs: you had seen his face before.

He makes no move to remove his hand, still resting over your eyes. And you realize that he is waiting for you. Gently, you push his hand away so that you may rise to your knees in front of him.

What hits you first is the cave. Gone is the swallowing dark and creeping hoarfrost. Golden leaves blanket the ground you are kneeling on, and trees, gnarled and ancient, rise over your head. Birds of every color sit on their thick branches, snatches of their song filling the air. The fat buds of flowers sprout from the ground, in full bloom and so heavy that their stems almost bow to touch the earth.

The cave is now in the full flush of summer.

Or perhaps, it is something else. For the birds that stare at you from atop their branches are not ones you have ever seen. Their feathers are too bright, their colors too vivid. From inside a knot in a tree trunk, an owl with a human face blinks at you.

Even the flowers glow with their own strange light, summoning crystaflies as if from thin air. A few of them alight on you, touching their embroidered counterparts in the sleeves of your robes.

Perhaps, it is not summer that has visited this place, then. But something else. Something wild and ancient and free. Perhaps this is what the cave had been thousands and thousands of years ago before the first humans had even existed.

And yet, when you glance outside the mouth of the cave, you can still see the lands in the grip of winter. The trees, their branches bare of leaves, like skeletal hands reaching out towards the sky. Even inside, you can hear the howling of the wind, see the way the snow falls in sheets like rain.

You wonder what power the Fae Lord beholds, to be able to bring life wherever his feet touch the earth.

Finally, you turn to your savior. The Fae Lord that you owed your sight, your hearing, and your life.

Your first thought is that perhaps it is worth it to go mad, to feel your thoughts spiral away from you like a bird taking flight, just to be able to behold this man for a few fleeting seconds. Gleaming hair, the color of the bark of the oldest trees, long enough that it spreads across the forest floor where he sits. His face is smooth, unblemished, inhuman in its perfect symmetry, as if someone who has only ever heard of humans from legends had to carve one from jade. But it is his eyes that disturb you: it is the same shade of gold that you had seen glinting from the trees, the same eyes that had beheld you as you sliced your palm to offer your blood.

They are strange and reptilian, and they gaze at you with such fervor that you find it hard to look away. And on his head, like a crown, sat a gleaming rack of antlers, as black as obsidian. With a choked gasp, you realize that they match the embroidered ones on your robe perfectly.

And suddenly, your forehead is touching the earth before him, your vision spinning from the speed at which you had thrown yourself into a deep bow.

“Lord,” You force the words out like you are choking on them. “Please, forgive me. I did not mean to offend.”

In any other Fae, this show of subservience would have spelled your doom. The Good Folk are capricious and cruel, quick to try and humble humans with tricks and glamour. But the being before you is the great great Dragon Lord. The one whose legends tell of how he shaped the land with his hands, who had driven back the sea so that his people could thrive on land, whose spears had created mountain ranges. It would have been child’s play for him to destroy the river of an Oceanid.

It would have cost him nothing to save your life.

You feel him placing his hand on the back of your head, as if in reassurance, and you shiver at the contact. You think of legends of ancient kings, whose royal blood meant that they must not touch the skin of ones who are of lower status than them, lest they debase themselves at the contact.

You think about how, in ancient times, this gesture might have gotten you executed. You bite back a whimper of fear, trying not to cower like a frightened dog.

You feel his hand touching the back of your head, as if in reassurance.

“Forgiveness,” he repeats. “For what?”

For your insolence. For being in his presence. For a thousand other things you cannot hope to name.

Even with your wealth of knowledge in stories and legends, even with your endless hunger for contact with the Fae your entire life, even if you have started this journey with the knowledge that you may not survive, you find yourself at a loss for words. You grit your teeth, unable to come up with a satisfactory answer.

“I don’t know,” you whisper, still bowed so low that your lips nearly touch the earth.

“If you do not know, then perhaps you have done nothing that requires my forgiveness. Rise. I wish to see your face when you speak.”

You rise, still terrified. You realize that there is dirt stuck to your forehead and your cheeks, and you scrub away at them, feeling your face burn in shame. In the face of the Fae Lord’s beauty, every flaw you had seems magnified.

“Tell me, then,” the Fae Lord begins. “Why did you call me?”

“Call you…?”

You lift your hand to continue scrubbing at your face, and then you remember: your blood gleaming in the snow, the knife slicing through your flesh. The cut has now been healed, all that is left is a scar, stretched across your palm. And you wonder if you had the Fae Lord to thank for that once again.

He notices you staring at your scar and says, almost reproachfully, “The knife was made of iron. You would have died if you had cut yourself any deeper with it.”

“I did cut myself deeply with it.” You remember the stink of your own burning skin, the sound of your bubbling fat.

You remember, as a child, trying to feed yourself with iron cutlery. The burns you had suffered after. The way the skin around your fingers had gone tight and resisted movement. It had taken weeks before you could hold something again.

“I should have died,” you found yourself saying. “Why didn’t I die?”

The Fae Lord’s shrug is easy, almost careless, as he looks away from you. But you catch a glimmer of blood on his lip, gleaming like a precious stone. An image flashes before your eyes, a memory hazy with pain and exhaustion: that of the Fae Lord with his lips on your bleeding palm, sucking the poison out as one would a snakebite. You feel a sudden flush of heat at the thought of his mouth against your skin. You find yourself tracing the scar with your fingers as if to recall the feel of his kiss on it.

“You saved me again.” You bow your head. “Thank you.”

“It was a foolish business with the knife. I would have come even without your offering of blood.”

“Foolish, perhaps,” you say quietly. “Or desperate.”

He closes his eyes. “Desperate, then. Why?”

You think of your Aunt Baijin, who had greeted you at the gates of her village, already half a stranger. You think of her belongings, sold piece by piece, so she can buy offerings for the Fae. You think of her many, many letters, begging you not to try and get him back.

You think of chopsticks wrapped in wool, carved just for you so that you will not burn your hands when you eat.

You think of a boy, swaddled in blankets decorated with sea turtles, with dark curls and eyes the color of beetles. You think about how Aunt Baiji had hoped that the two of you would grow to be as close as siblings.

“For love,” you answer. “And the promise of it.”

When the Fae Lord opens his eyes to look straight at you, they do not look quite so reptilian. Instead, you see something human in them: sorrow, perhaps, or the memory of it. Once upon a time, maybe he had lost someone, too. He stares at you with something like grief.

“For love,” He speaks slowly, carefully. You can feel the weight of his power in each word. “For love, then, you may ask of me a single boon.”

Somehow, you do not think that he is thinking of Sevastyan.

“A boon?” you repeat, your pulse pounding.

This is, after all, what you have been searching for this entire time. You sigh the long, bone-deep sigh of a traveler who sees home. Here, at last, is the possible end to your journey. But before you can speak, another memory resurfaces: that of the river, of your breath turning to ice inside your throat. You think of frost forming inside your water-logged lungs.

You had drowned in that river, you are sure. And yet you are still here. When your lungs have turned black and rotted from the water, you remember that he had pressed his lips to yours and given you his breath.

“Why?” The word comes out harsh and labored. You speak as though your throat is filled with broken glass. “Why go through so much trouble for me? Why save me, over and over again?”

He looks at you, but he does not answer. But your anger has turned your words into a raging flood, you find it impossible to stop.

“Why did the Fae take my brother?”

“Why did you…” Your breath is sharp. The question is like a knife pulled clean from the curve of your ribs, it leaves you bleeding on the way out. “Lord, why did you leave me?”

You can feel something hot on your face. You do not remember crying. But the Fae Lord’s face is devoid of expression. He is so still that he could have been carved from stone. You wanted to scream, you wanted to reach out and shake him.

“Please,” you whisper softly. “Please, answer me.”

“Is that your boon?” His voice is sharp and clipped. “Answers?”

You can feel your breath stutter. The way he spoke, as if in warning. If he gives you this, his tone said, you cannot have Sevastyan. If he gives you this, he cannot give you anything else. You look at him, and you can feel something split into pieces inside you. Here, at the edge of the thing you have longed for your entire life, you find that you must turn away.

“I have spent years searching for answers,” you say through gritted teeth. “For my brother, I can wait a while longer. This is not my boon.”

The Fae Lord speaks almost gently, as if he knows what it must have cost you to choke out those words. “Then what do you wish to ask of me?”

“My Aunt’s son,” you say quickly. “My brother, by heart if not by blood. Your people have taken him, and I wish to have him back.”

After a few seconds of silence, you add, “Please.”

He speaks, still in that same gentle tone, “Even a boon from the Fae will require an exchange.”

“An exchange…?”

Horror churns like acid in your belly as you glance down at your ruined robes. The silk is damp with tears and melted snow, the sleeves are stained dark with your blood. The greatest and most beautiful of all your creations, ruined. You have nothing left to offer. And yet, you have come so far.

The Fae Lord is still waiting for your answer.

You think of the words that had beat against your thoughts like a drum when you had sliced open your palm with an iron knife.

Tell them they can have anything.

You think of the Fae Lord: his hand over your eyes as he restored your ruined sight, his lips over your bleeding palm, sucking iron out like poison from a snakebite. You think about how he had kissed and given you his breath when you were drowning.

You think of the snowbank, and golden eyes glinting at you from the darkness.

“Lord. If you let me take my brother home. Then you may have…”

You pause. You can feel your bones creaking, pinned under the enormity of what you must do. It is a surprise that the weight of it doesn’t crush you.

For the Fae have taken your Aunt’s son, and this is what it means to get him back.

“You may have me,” you say resolutely. “I will give you my life and my name. And I swear on both of these things to live for you and serve you and stay with you for the rest of my days.”

Finally, the Fae Lord’s calm veneer cracks, like ice splitting over a frozen lake. He exhales, and for a second, you feel as if the sun in that small cave glows just a little bit brighter. You think you can feel the earth moving underneath your feet.

This. This is what he wants. Not the clothes that you have rendered with painful detail, now stained and useless. Not your skill, or your sanity, or your blood.

You.

“I accept.”

The words roll over you like thunder, and you sway in your place. The air is thick with his magic, and crystalflies manifest out of thin air, bursting into golden life around him. It is done, you think, raising a shaking hand over your eyes. Your life is no longer your own.

“What do you require of me?” you ask.

“Only your name, as you have promised.”

You look at him. Even sitting, he towers over you. The crystalflies that he has brought to life flutter about him as if drawn to his presence. A few rest on the horns on his head, and they look like they belong there. You are reminded that he is not human, that this is a creature who has seen hundreds of lifetimes. Perhaps, in that knowledge, lies your answer.

“I think,” you whisper quietly. “You already know it.”

The corners of his lips twitch as if he is pleased.

“I do,” he confirms.

Your skin jolts at this newfound knowledge. You feel as if you have been struck by lightning. In every story you have heard, every legend you have read on ancient, yellowed scrolls, you have always been warned of one thing: never to give your name to the Fae. To give your name may mean a lifetime of servitude, it may mean never leaving their realm again. It may mean your death.

But this no longer resembles a tale you have heard in a teahouse or something you have read in a book. You are treading through your own story, and there are no old roads to guide you.

“Then it is yours,” you say. “As am I. To use as you see fit. For…for the rest of my days.”

As a child, you remember walking down the darkened roads of Snezhnaya, hoping to catch fleeting glimpses of the Fae. Hoping that they would remember you and take you home. To think that all of your choices will lead you here.

“Thank you,” the Fae Lord says, and he sounds like he means it.

Again, this Lord breaks all conventions. You lick your lips and feel the split in them left by your teeth.

“If I am–” You have to pause, frozen perhaps, by your fear. Or perhaps it is something else. Frozen by the knowledge of hundreds of legends telling you not to do. But you have already given everything to him in exchange for Sevastyan. You find that you have nothing left to lose.

He waits, as still as the mountainsides. You find that his patience gives you the strength to continue.

“If I am to serve you, to be your companion, then may I at least know your name?”

His gaze is gold of the summer sun, peeking through the leaves of trees, it is the color of honeycomb, the skin of sunsettias as they burst between your teeth. It feels like you have known it all your life. And when he speaks next, you find that there is truth in his words.

“You already know it.”

“I do,” you realize.

Even the oldest, most ancient of storytellers had dared not mention his name in their stories. To speak the name of a Fae draws their attention to you, and they dare not do so, for fear that they will not wake the next morning, their flesh split open by a thousand glittering gems.

And yet, you are sure of it: you know this Fae Lord’s name.

“Then speak it,” he says.

This time, it is a command. You can feel the pull of it, tugging at the space behind your ribs. And you wonder if this is what it means to give your name to one of the Fae. Your lips move as if they are on strings.

“Morax.”

You feel it again, the sensation of power rolling over you like gathering storm clouds. Except this time, it is yours. Morax closes his eyes and you think you can hear his breath start to shake, his shoulders shudder at the way you say his name.

You wonder: if giving him your name meant a lifetime at his side, then what would it mean for you to know his?

“It is done,” he declares with an air of finality. “You may bring the child back to its mother.”

Sevastyan winks into existence, with a suddenness that makes you jump. First, there is nothing, and then there is a child, lying on a bed of golden leaves. He is still wrapped in a blanket decorated with sea turtles, and when he opens his eyes to look at you, you can see the shape of your aunt’s eyes in them. You find yourself scrambling on your hands and knees to reach him.

You do not know how to hold a child, how to keep him safe against the cold that you know is waiting for the two of you outside the cave. His skin feels warm, and when you lift him in your arms, he still smells of milk and sandalwood. The blanket that he is covered in feels too thin. After all, you had sewn it for him to wear in fall, not winter. It will not protect him against the cold.

And so you do the only thing you can think of: you strip yourself of your robes, the most beautiful of your creations, stained with your blood and your tears, and you wrap it around him. Underneath, you are only wearing a thin shift, meant to protect the rich silk from your sweat.

You stand on shaking legs, cradling the child to your chest. Morax stands with you, and in his presence, you feel small. His eyes are fixed on Sevastyan, at the clothes you had wrapped around him.

“And you?” he asks.

You blink, “What about me?”

“The journey is long. And you will be cold.”

You shake your head. Despite his words, you find yourself unafraid. After all, you had already gone so far and survived so much. You are confident that you can survive this, as well. But before you can answer, he does the same thing you did only seconds prior: he removes his cloak. Unlike your frantic movements, he does it slowly, languidly and there is an intimacy in it that makes your throat run dry. You find that you can’t look away. You see the expanse of his chest, the glitter of scales on his skin. You can see his hands and his arms, and you realize that you had guessed correctly earlier: they do not appear as if they are made from flesh. Instead, like his antlers, they look as if they have been carved from obsidian. Glimmers of gold run through his skin like the glint of veins in an ore.

You think that this is not the first time you have seen him like this.

When he finishes, he wraps his cloak around you. It is the color of the leaves underneath your feet, as light as air. As if someone had grasped threads of sunlight and used them to weave the cloth. You think of the forest, of lying almost naked in the snow, your clothes shredded from thousands of cuts. You think of the river, of the water-logged fabric, dragging you down to the riverbed. After you have faced only suffering and humiliation for your work, Morax chooses to clothe you in finery.

Gratitude keeps you silent, you do not know how to voice the enormity of what you feel. Perhaps he reads it on your face, on the tears that burn at the corners of your eyes, for he places a cool finger on your lips. You remember the cut there, and you wonder if he will kiss this one new as well.

“Wear my cloak. Go with my protection and return the child to its mother. Then return to me to fulfill your end of our contract.”

You nod and turn to leave. But something holds you back. You glance back at him, the question burning in your throat.

“Was I…always meant to come back here? This place?”

Was I always meant to come back to you?

But you had already asked for your boon, for the child shifting sleepily in your arms, and as you expected, he does not answer. You find that you do not mind. You will get your own answers, in time.

After all, you had promised him a lifetime.

“I will come back,” you say resolutely.

“Yes,” he says. “You will.”

“Not for contract,” you say. “For you, Morax.”

He looks surprised, staring at you with reptilian eyes that for just the briefest of seconds, look almost human. And then, he smiles. Something tugs like quicksilver at the edges of your memory.

This is not the first time you have seen him smile.

“Good.”

It is all he says.

It is enough.

Hugging your brother to your chest, you walk out of the cave.

#zhongli x reader #genshin x reader #genshin impact x reader #genshin impact #fae!AU #fae lord!zhongli #my contribution to the sold to 1D trope #it is now free <3

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naffeclipse · 5 months

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I'm honored to reveal that I'm @darthsuki's secret Santa for the DCASS2023 event! When I saw that Howl's Moving Castle was one of the movies you love, I was immediately possessed by this AU for the DCA! I had so much fun crafting this fic along with Eclipse, Sun, and Moon reimagined in such a setting, and, of course, the reader! There is so much fluff and romance; I hope that's alright! Please enjoy!

Eclipse's Moving Daycare

Eclipse & Sun & Moon x Reader (SFW)

You can also read this fic on AO3!

Word Count: ~5,500 Warnings: N/A

In the heart of the castle-like structure, smoothly crawling over the snowy mountain peak with bending, robotic appendages that sink claws into the fresh, cold powder, is a room alight by a fire demon. The creaking and grumbling of the house have long since faded into a familiar drone in the background of your senses. A few candles burn and flicker, dripping hot, white wax. The main source of light, in the late hour on a blistering cold night, emits from Sun in golden radiance.

You stand over the fireplace. It holds a small cauldron upon its embers. Water bubbles and pops with gentle wisps of steam rising, rising up into the chimney. Behind you, the great light of the room begins to shift, shadows leaning away from the approaching presence.

“What is my darling brewing tonight?” The fire demon saunters close behind you. Sun’s voice brushes against your ear, flickering with life so powerful, it only leaves ash in its wake. The heat sinks into your back—a soothing reprise from the chill circling the moving daycare. “Could I be of assistance to your crafting?”

“Yes, if you don’t mind, Sunny,” you say softly.

You turn around to face him, almost squinting your eyes against his brilliance. The fire demon flickers with flames, set soft and low in a gentle yellow light. The energy burns over a body of deep, dark charcoal and embers. Red pulses in between the burnt aspects. His head, large and flat like a disk, flickers with a great grin. The very pale center of his eyes holds a blue tint not unlike the very tips of great flames. A crown of red fire circles his face, and you marvel how he has never once burned you—part of his magic, of course. He decides when and who shall be scorched.

“Oh, you haven’t answered me yet.” He looms over you, the fey-being easily entering your space in the way smoke fills the air. “Is it a special potion? Perhaps a liquid that would set itself on fire should someone sing a sour note? Or a drink for trees that allow them to become ready fuel, set to torch the mountainside for a bit of warmth on this dreary winter day?”

You smile. When does he not suggest you concoct some sort of fiery potion? You certainly don’t recall. The fire demon is what he is.

“Neither,” you answer and strip a thorny branch of herb, dried and well preserved, of its flat fronds. You turn away to toss them into the cauldron. “It’s soup.”

The light of the room dims in the briefest moment before flaring with fresh vigor. Dancing heat becomes almost sweltering at your back before a hot hand slips around your waist, wrapping you up in a cozy embrace. Your eyes flutter when Sun’s mouth presses to your shoulder, sharp teeth grazing your skin exposed by the stretched neckline of your tunic.

“We’ll save the pyromania for later, but soup! Yes, that would warm you and Moon and Eclipse.”

“And you.” You hold up the thin dry branch, as he likes it, to the fire demon’s mouth. “I’ll make it for all of us.”

“Oh, I don’t do well with soup. Too watery for my taste,” he says mournfully.

You watch a lick of flame wrap around the branch and pull it into his mouth, leaving your hand empty. His jaw bumps slightly against your shoulder as he chews, fire splitting and cracking the fuel over his tongue. He swallows and the light grows brighter around you. For a moment, you swear you understand what a candle wick feels like sitting in all that great light. He holds you tighter.

“I will make it so you can consume it, too,” you say, and pat his arm as it hugs your waist. The flames flatten underneath your palm, whipping and flaring at your presence, but never biting. A bit of soot smears across your hand. “Now let me get the rest of the ingredients. You’re holding me captive, love!”

He laughs with the boisterous gale of a bonfire. “How else am I supposed to keep you safe on a freezing night such as this!”

“I’m plenty safe with you here, and I’m in need of soup.” You turn your head to catch his twin flame eyes.

When he lets you go, he does so with a smoking sigh as if you intend to leave the moving daycare rather than simply his embrace. You keep your smile to yourself at his theatrics. He remains before the cauldron as you search a few cupboards, gathering several spices, herbs, and a few bits to toss into the soup. You turn to the kitchen counter, the wood rich brown and well worn with your work.

In a few moments, the great cold of the night has taken hold and your shoulders shiver. Setting the glass jars down, you breathe in a rattling breath. It’s getting worse outside. Over the quiet motions of the building shuffling along is the great howl of wind.

You must hurry with the soup. Eclipse will be home soon.

Taking a few ingredients, you turn back around only to be greeted with a fire in your face. Sun grins, the blue in his eyes dancing brightly. You almost drop the spices in your startle.

“Poor thing, you’re shivering! Allow me to warm you up.” The fire demon coos impishly before taking you by the hand. His warmth laces between your fingers. Your other arm is crooked, cradling the glass jars as Sun lays his hand on your waist, and in the fashion of a waltz, spins you the short distance back to the cauldron.

You gasp, pressed tight to his body with little but spice containers between your heart and the deep red pulsing in the fire demon’s chest. The small clinks of glass echo like notes to the movement of the song Sun carries you along to with his swift steps. His crown of flames waver in excitement, snapping and flickering. He sets you down for a moment.

“Oh, you’re already so pink!” He touches your cheek with hot fingertips before slipping away the spices with a small flick of his hand, magically tugging the jars from your grasp and setting them on the edge of the fireplace. You sputter, head spinning in his fiery whirlwind. “There! Aren’t you toasty?”

“Sun!” you laugh. You lay your hands on his chest as he gathers you closer, his arms wrapping around your waist. His heat seeps deep into your body, chasing away the awful chill. “I am making us soup! Let me go, you fiery fiend!”

“Ah, but how can I? You’ve bewitched me.” He twists you around—much to your amusement and surprise, dipping you low as you cling to his shoulders. “My darling, I simply can’t let you grow cold for even a breath.”

You melt like mountaintop snow in spring, his pale, lovely gaze burning with intent so promising. You become warm—not of body, but of soul. Slowly, softly, you find his mouth hungrily reaching. You answer with a soft, chaste press of your lips upon his fire, closing your eyes. The light glows through your thin eyelids, sparking blue at the edges in the center of deep, passionate gold. He has never burned you. He never will.

The light increases until it becomes as bright as noon in summer—as bright as his name.

He brings you back to your feet in a careful rise though his hands have yet to unlock from your waist. The distant boiling of the cauldron sends you back to your senses before you lift your head. You gaze adoringly at the fire demon, tasting cedar-turned-ash on your tongue. Reaching with one hand, you run a few fingers through the brightness of his head flames, now tinged with blue at the very tips.

Oh, he’s satisfied.

“I am making soup, and you can’t seduce me away,” you say firmly, before pecking his fiery mouth once more. His teeth almost catch your bottom lip but you manage to slip away.

“But I’m already starving!” He half cries, placing one arm across his forehead in a swoon-worthy of the theater. “If you leave, I will vanish into smoke and soot!”

You reach up into a cupboard dusted with black powder and snatch up one lump of coal, small enough to eat in one bite, and turn around. You promptly set it into Sun’s mouth. His wail is muffled by the press of your fingertips until he begins chewing with a rather disgruntled look. The blue in his eyes pales slightly.

“I’m glad to see you have an appetite.” You smile. “Save the rest for soup.”

The heat lingering in your fingers is warm and tingly. You quickly snatch up a small wicker basket from the counter. The yellow light of the fire demon follows at your back as you make your way across the large living space, the cold quickly returning. Then, you enter a long hallway.

“Stay here,” you call over your shoulder, “I need to fetch a few things from Moon’s room and he doesn’t like you in there.”

A protest around a mouthful follows but you’ve already knocked and quietly opened the door, the room thick with darkness, before shutting it behind you. The fire demon is left in the heat of the living space.

You stand in Moon’s room. The clotting blackness hangs like a mist around your shoulders. You squint into the dark collection of shelves and small comforts, such as loveseats and chaise lounges and of course, several beds shoved up against the wall. You’re not certain if he sleeps in any one of the furnishings—if he sleeps at all.

“Moon?” you call out softly.

The nightly shade shifts in the slightest. Tendrils of shadow creep around you, waving like the petals of a flower before you feel a hand slip over your hip from behind and another hook under your jaw to take your chin.

“Hello, jewel,” he rasps low in your ear. A cool but pleasant shudder falls down your spine.

“Hello, scarecrow.” You allow him to tug you around to face his shadowy visage, his hand caressing your cheek as you gaze up at the fey-being. “Might I get into the food storage? I need beef and potatoes along with a few other vegetables.

His eyes, round as moons and pale red, drink you in. Underneath the brim of an old, sun-bleach straw hat that he stole from a scarecrow, the shadow demon tilts his head to an unnatural degree. A curve of silver light flashes across half of his face, like a coin winking under midnight light.

“Of course.” His body stretches slightly, thin and elongated, like darkness at sunset. A few inky colors of red flare out around his neck and waist, the cold energy wavering about him, before his hands hook into your hips. You gasp once when he effortlessly lifts you off your feet and carries you to a chaise lounge dyed a deep ocean blue.

Your eyes slowly adjust to the stark dimness when he sets you down. He kneels to sweep your ankles up and lay your legs across the couch.

“Moon, I need to get a few things,” you remind gently.

“I’m aware.” He, in a blink of darkness, has your basket in his hand where it swings slightly from side to side. His smile flashes with teeth reflecting a bony color. “Stay here.”

“If you insist,” you give with a chuckle. You lean back until you’re reclined on the cushy backrest, feeling much too elegant for someone who still has potion stains on their apron. “It’s dark now. You can come out. Sun is in the living space with me, helping me cook.”

“ Helping ,” the shadow demon echoes incredulously.

You snicker.

“Yes, he is, and I need your help as well.”

Moon slips into the darker corner that your weak human eyes can’t decipher. Soft rummaging echoes. The storage space is under a hatch in this room, and seeing as it was already so dark behind, Eclipse allows Moon to claim it as his own—provided that Moon allows you access to whatever ingredients you require when you are in need.

You can’t think about Sun’s room without wincing at the amount of ash, gold relics, half-burnt walls, and little fires no doubt still running rampant in there. Eclipse placed a clever spell to keep it from spreading to the rest of the rooms and daycare.

The darkness moves as if ripples in water. You try to peer at a few dolls nestled onto a top shelf above one of the beds, their visage adorned with bows and curls but the strange distortion carries across the room. They must be for when there are children in the daycare again. Moon does love to give gifts to the little ones.

Then, a quiet sound of a wicker basket touching the floor. You jump before registering the slow blink of pale red eyes before you. At the end of the chaise lounge, Moon begins to creep forward. One hand follows the other, sliding along your legs and up your hips before one grabs onto the top of the backrest and the other reaches for your face. He hovers above you like a vulture in the sky.

The shadow demon brushes his thumb over your lips. The cool caress causes you to shiver but not from the cold.

You stay motionless. He hums a low sound; the beginning of a lullaby. He lays a soft touch of a cool knuckle over your cheek.

“Did you get what I ask?” you murmur, distracted by how he strokes the shell of your ear with soothing motions.

“Yes,” he grumbles. You’re glad he can see much better in the dark than you.

“Thank you.” You grin up at him. “Help me make soup, won’t you?”

You slide out from under his shadow. Back onto your feet, you hook the handle of the basket, now heavy with ingredients. You straighten only to find Moon’s sharp teeth curved into a wicked smile before you. In a split second, he pecks your mouth with a rush of midnight cool air and syrup-sweet darkness. You blink.

“You’re welcome.”

You stop him before his form can melt into the darkness. Snatching his wrist as he attempts to slip between your fingers, you step closer. The shadow demon makes a low sound of surprise. You grin as you press forward on your tippy toes into the darkness to find what you hope is his mouth—it often disappears in his face when he’s not actively showing his teeth. You kiss a smooth, satin-soft cheek.

“There, a proper kiss,” you murmur, falling back onto the fall of your feet.

A low, husky breath disagrees. Shadowy coils slip over your arms and your waist, creeping higher and higher until one hangs around your throat like an onyx necklace. The familiar and comforting weight of his embrace encircles you completely.

“No,” the entire darkness seems to whisper in Moon’s rasp, “Let me show you a proper kiss.”

A dark finger tilts your chin up. You find his eyes as ghostly as red moons hanging above you, bathing you in unholy light. Moon hums softly. He lowers his mouth, teeth sharp but yearning, onto yours.

Cool and gentle, the shadow demon tastes your mouth. He presses to your lips in a silent declaration of fondness so sweet, it stains your tongue. His shadowy tendrils softly tightens around you in a tender crush of affection. A little nibble along your bottom lip teases his dangerous jaws, but you only gasp softly, pleased.

He releases you, unwinding from around you to slip behind your back. You, in a near daze, press towards the door and push it open. A soft hiss at the candlelight aggravates Moon for a moment before he adjusts and slithers into the living space. You catch your breath. Sun stands before the cauldron, feeding it logs but leaving it scorched with marks in the shape of his hands.

“Oh, Moon!” Sun turns around with a sharp clap of his hands. Moon hisses when his golden flames spread their light, eating away at the heavy pools of shadow at Moon’s feet. “You have been held up in that dreary room all day! Some company will do your shadows some good.”

“Ease your light,” Moon growls then slinks to a corner near the dark window overlooking the mountain peak. Pale red eyes glare before Sun inclines his head with a mischievous glint, but draws down his flames to a deep orange simmer over his charcoal body.

“That’s better, isn’t it?” Sun asks with a much gentler tone.

“Yes,” Moon mutters but eases, the coils of shadows at his feet twisting with a relaxed aspect. “Are you going to sit with us while we dine?”

“Sit? I’m going to dine with you—I’m afraid I haven’t been given a choice!” Sun drops against your shoulder—a feat that would otherwise push you to the ground if he wasn’t holding himself back while maintaining the illusion of slumping over you. His hand immediately takes your own and squeezes it. “Our darling potion maker insists the only options are to starve or eat soup!”

“How can you eat soup?” Moon asks in a curious rasp. His straw hat swivels slightly to focus on you. Playfully, you roll your eyes and reach out to take a small stack of bowls from the cupboard.

There’s so little difference between cooking and the science of potion making, you’ve found.

“Are these doubts for my craft I hear?” you question.

Two sharp objections follow one loud and crackling, the other low and gravelly, causing you to laugh and break away from what was supposed to be a stern facade.

“Good. I won’t hear any more complaints then.” You pat Sun’s cheek though you weren’t certain what part of him you’d end up touching. He’s still hanging onto you with the clinginess of a burr. You fish within the basket to snatch up a paper-wrapped and chilled pound of beef.

“Sun?” You hold up the meat, “If you don’t mind?”

“It would be my pleasure, darling!” He snatches it up, his flames immediately eating away the paper concealing it. He cradles the meat in his palms. You feel his heat shift, concentrating to a steady and low red crackle in the black coals of his hands.

“Please remember to not burn it.” You turn away to search for a sharp knife in the drawers and withdraw one. Sun’s light sheds much-needed aid over the drawers.

“I would never! Well, maybe a little, to make sure it’s cooked and blackened as it crumbles to ash—”

“Sunny.”

“Yes. Not burnt. As you wish.”

“Thank you, sweetheart.”

The light flares for a moment, brighter and brighter, before calming down for poor Moon’s sake. He hisses once. Sun flashes a cheeky grin.

You smile as you turn around, only to jump slightly when Moon is already standing before you, reaching out to take the knife. His half-silver face, reflecting even sharper in Sun’s light, winks. His pale red eyes stare into your own. You shiver in his presence, caught between a revolving world of hot and cold.

“Potatoes, celery, and carrots, Moon, if you don’t mind,” you ask softly.

“Of course,” he answers in a murmur and takes the basket away to work on the opposite end of the counter. You study the kitchen for a moment, pleased.

Moon and Sun both hum a low song they both seem to know. A lullaby of fey beings, you suppose.

Now, you’re missing someone.

A soft woosh sounds outside, right on time. You jump slightly when a metal clank follows as if you haven’t heard his arrival a hundred times.

“Please continue what you’re doing,” you say while dusting your hands on your apron. You rush for the stairs. “Eclipse and I will help when we return.”

“I hope the buzzard isn’t freezing to death,” Sun exclaims, “It’s a brutal night in the cold.”

“He shouldn’t have left,” Moon mutters in an ominous but concerned tone.

You don’t stop to answer them both as you take two steps at a time. He was gone all day. Your heart has been wrung like wet laundry before being hung out to dry. The fool—the wonderful fool.

The howl of the wind grows as you near the outside of the moving daycare. The top of the stairs leads into a long hallway, doors branching off to yours, Eclipse’s, and Sun’s rooms, but you continue forward until you reach the end. There, you push open two frosty glass doors to see who stands on the balcony but Eclipse himself.

The wizard of the moving daycare. The balcony is dusted in snow and the metal gate separating you and him from a severe drop down the mountain face is dark and wrought. You sweep your gaze over him from head to toe and wingtip to wingtip until you’re satisfied. He’s back in one piece.

His wings are intricate mechanisms of bronze and black iron that click softly as gears whirl within the joints and settle at his back. Deep and dark feathers cover the internal workings of the frame, but sometimes, you can catch a metallic glint when he shifts just slightly. A deep red hat, pointy and rumbled, sits upon his disk-like head with bursts of yellow in the fabric. His expression is carved into two—one bright and sunny, the other lunar and dark. His eyes flash, two-toned with yellow and red, upturn in relief. Tall, even taller than Moon and Sun, he bears a willowy aspect in his white shirt and dark trousers. Robotic arms softly click with his movement.

“Eclipse, you’re back,” you say softly. Your breath mists the cruel wind and fierce cold of the mountaintop. You immediately hug yourself, the thin sleeves of your tunic doing little against the blizzard.

“Hello, dearest. I’m terribly sorry for being away all day.” He opens his arms wide. His wings flutter, clicking and clunking with thick sweeps of dark feathers. The electric glow of his eyes softens. “I missed you.”

You run into his arms. Catching you as if you were falling, Eclipse spins you around once before spreading his wings. His plumage falls over you with a gentle breeze and all at once, the wind howls and the bitter cold dies. It is you and him, again.

“Did you find any children in need?” you ask against his chest. He’s terribly cold but you don’t mind as you rest your cheek on his wind-tugged shirt.

“I did. We should make it to the village in two days.” His fingertips stroke the back of your hair, softly scratching against your scalp in a way that lulls you into forgetting every dangerous and terrible thing that could take your loved ones away.

“That’s wonderful.” You press your smile against the metallic plates of his chest. “I’m so glad you came back safe and sound.”

“As I am. Oh! How’s our family?” he asks.

“Sun has missed playing with the children and Moon has more dolls to give away. They were worried about you. Both are helping me make soup.”

“ Helping ? Oh, I’m afraid to see what they’ve done!”

“All three of you are the same,” you snicker, “believing you can’t help me when that’s what all three of you do!”

“Hm, dearest, I don’t believe you understand.” Eclipse’s feathers ruffle when he leans low to press his forehead against your own—the frigid metal sends a great shiver down your back. His eyes glow as soft as starlight. “You are the one who keeps our heads on our shoulders. Without you, Sun would still be running away from angry villagers, Moon would still be trapped to that scarecrow pole, and I… well, I shouldn’t have to tell you how lost I’d be without you.”

His hand takes your own and gently lays it over his chest. Underneath your palm through the fabric of his shirt, a great thrum of a machine pulsates with timed clicks as quiet as a clock. His bronze and geared heart. You did put it back in his chest.

“Both can be true,” you whisper. You close your eyes. “You and Sun and Moon mean so much to me.”

The alternative is desolate. The vision behind your eyelids is sad and abandoned, a little rundown shack in the middle of dirt and rocks, and you, all alone, believing that’s what you deserved for so long. None of your potions would cure you of this wretched existence. You sunk into the numbness.

Until one day a wizard with wings swept by in his moving daycare, cruel and cursed until you found his bronze heart. Then along his adventures, you discovered a fire demon in need of fuel and comfort from running, and a poor shadow demon cursed to be blistered by the sun in his stationary pose, begging for aid and a kind hand.

You found your family, and you found you deserve their love, too.

“We know.” He draws back slightly. Squeezing your hand tenderly, Eclipse holds your gaze with the softness of a gentle night and the hope of rest. “We might not believe it, but we know.”

Despite the freezing temperatures, your heart melts inside your chest. A deep flush heats your cheeks. You wrap your arm around his waist and duck slightly to hide your face.

“Come in before your joints freeze,” you gently insist. Eclipse allows you to drag him inside before he flicks a metallic finger. The door shuts away the brutal winds and the screaming rush. You, at last, sigh, much more content to linger in the slightly warmer hallway and feel his feathers and arms become less frigid, easing your concern.

“Ah, that is immensely better,” Eclipse hums.

He shifts, allowing his wings to lift and tuck behind his back. The beautiful feathers catch on the bit of firelight cast up the stairs, no doubt from Sun’s determined will to cook the meat without burning it. Distant chops of a knife against wood echo in rhythmic knocks, sounding of Moon tending to the vegetables.

“Next time, wait until after the storm, won’t you?” You fix his shirt so that it doesn’t fall so low down his chest—not that you don’t mind the intricate design of his bronze and steel frame, but you do intend to feed him a civilized meal. “I had worried I would have to send Moon to fetch you then thaw you out in Sun’s fire.”

“I apologize again, my dearest heart.” He bends low to cup your cheeks in his cold hands. You shiver once, eyelids trembling. In gentle regret, he strokes your cheekbones. “You worry too much, but I do adore how much you think of me.”

You glance away, frowning. Of course, you think of him and Moon and Sun too much for your own sanity, but how could you not? They’ve captivated you wholly.

He leans closer, drawing your eyes back to his mournful expression. The brim of his deep red hat almost touches your hair.

“Forgive me?” he breathes.

You slowly reach up to cover his hands, rubbing your thumb over the delicate yet strong design of his metallic wrists. The sleeves of his loose shirt are beginning to warm, too.

“I forgive you, always.” You press under the intimate shade of his wizard hat, and Eclipse stills at your smile. “I missed you, too.”

Before he can answer in relief, you lay your lips upon his face plate, over the grin that mystically shifts about his expression as if he were human and not a machine. A taste of the sweet crispiness of apples and the chilly darkness of twilight slips into your mouth. The large hands that cradle your face softly spasm once. Eclipse then captures you, pulling you deeper against him as the teeth of gears and the tangy metal of his mouth give into your affections entirely. Feathers flap softly, and you are concealed in the eclipse of his wings.

He allows you to break briefly away to breathe—he once took your kiss for so long that you fainted in his arms (for which he never stopped apologizing)—and the living hum in his body harmonizes with the great pulse in your chest.

“There,” you murmur. You look up into the wizard’s gaze and how much he’s softened in your embrace. “Come downstairs and let’s eat.”

Eclipse taps your bottom lip once before straightening. A black feather slips from his back but you catch it beside his shoulder before it can slip to the ground. You carefully tuck it into your apron pocket. His eyes upturn into crescents.

“Lead the way, dearest.”

You take him down and into the warm, bright living space, cast in comfortable shadows. The scent of cooking meat causes your mouth to salivate. Eclipse’s wings relax when he views the sight. Moon and Sun lift their heads from their tasks and greet Eclipse with gladness and relief. Their family member is back safe.

“Did you find any children?” Moon rasps low but his eyes wink with piqued interest.

“Yes, several. They’ll need our help once the daycare arrives in a village in two day’s time,” Eclipse nods.

Moon and Sun exchange wide looks of excitement. The shadows below the dark demon stir and flicker. In contrast, the fire demon’s body burns brighter.

“Eclipse, won’t you gather my tiger’s chaudron jar?” you ask with a soft squeeze of your hand around his, “Be very careful. It’s temperament and might fizz and overflow if it's upset.”

“He’s helping with the food?” Sun mocks a great gasp of incredulousness. “I was under the impression you wanted to eat tonight!”

“Oh, stop it, you,” you chastise before leaning over the table to press a kiss to his hot cheek. Straightening, you release Eclipse’s hand to stand close behind Moon and slide your hand over his arm to gather a few chunks of potato he’s cut for you. “Thank you, dollface. Here, let me take these to the cauldron.”

“I will do my best,” Eclipse promises in amusement before flitting back upstairs with a soft breeze under his wings.

“Oh, he’s far too cold. I can feel how much heat he’s lacking,” Sun chitters in that rapid-fire concern of his. You silently direct him to add the meat to the cauldron.

“You’ll sit beside him while we eat, won’t you?” you plead softly. Nabbing a wooden spoon, you begin to stir the contents. Sun wraps an arm around your waist and presses his blissful warmth against your side.

“If he won’t mention anything about me setting his wings on fire—which was once, mind you!”

Moon snickers. You press a hand over your mouth to stop a chuckle.

“Yes, I’ll make sure he doesn’t,” you nod. “Moon, can you bring the rest of the vegetables?”

He slips behind you silently. When you turn your head to find him, you jump slightly at how little distance is between you and his dark form. Smiling wide, he reaches a hand over your shoulder and plops the remaining carrots and celery in.

“Oh. Thank you.” You quickly catch his chin and plant a kiss against his cool, smoky jawline. Moon becomes still as night. His eyes gleam with quiet delight before he slips his hand under your elbow and begins softly caressing his long, inky fingers along the sensitive underside of your arm while you stir.

A gentle ruffle of feathers glides in behind you. Before you can turn your hand and break away from the two demons, metallic arms slide over your shoulders and gingerly uncap one of your potion jars. A green clump of flowers falls into the cauldron. The concoction briefly throws small emerald flames about the surface—the key ingredient to allow Sun to consume it, as well as providing a slight spice to the dish. It will feed you all.

Eclipse’s hand withdraws only for a moment before reappearing to gently slide underneath your jaw and trace the bone tenderly. The familiar presence of the wizard with his chin resting on the crown of your head warms you, and you sigh softly.

Surrounded by fey beings and their great powers, they attach to your presence as if you were a great sorcerer and not a humble potion maker. Their hands warm and cool you. Their bodies softly press against your ribs and spine. They don’t mind sharing.

You have your family, and they have you.

You take out the spoon with one satisfied tap against the rim of the cauldron.

“Soup’s ready, my sweethearts.”

#DCASS23 #darthsuki #eclipse x reader #moon x reader #sun x reader #eclipse's moving daycare #Merry Christmas from an automaton angel #a scarecrow demon #and a fiery pyromaniac!#ao3 link

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relicsongmel · 1 month

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Thinking about Iris' very open disdain for spirit channeling and how it seemingly contradicts many other elements of her character.

Let me explain—Iris prior to the end of BttT is a woman who only knows facades, covering up the truth, and only presenting herself exactly as she wants others to see her. We see this over and over again throughout the course of the story: she hides her real identity while dating Phoenix, she does damage control for Dahlia and Godot to help them avoid blame for their crimes, and she is extremely selective about which information she chooses to disclose to specific people depending on whatever role she finds herself playing in that moment (daughter, girlfriend, accomplice, etc). Her demeanor as a whole is also rather meek and unassuming, and she's shown to be exceptionally kind; she expresses favorable opinions on most everyone she meets, even those continuously treated poorly by other characters (like Larry) or those that have objectively done reprehensible things (like Dahlia).

All of this stands in stark contrast to her saying in no uncertain terms that she hates spirit channeling:

This stands out to me because it is one of very few things that Iris is completely forthright honest about in the early portion of this case. After spending all day avoiding Phoenix and now carefully dodging his questions towards her in hopes of preventing the truth of her deception from coming out (all of this while actively avoiding her responsibilities at the Inner Temple because of Larry's "blackmail" letter which also threatened to expose her "secret"), why is this the one bit of truth she chooses to divulge here? Or rather: why is this the one thing she seemingly cannot lie about?

Obviously the answer lies in Iris' past and the permanent damage that was done to her and her family due to the politics of the Fey clan, with the Kurain Channeling Technique at the root, and the DL-6 incident as the event that brought everything to ruin. Iris bore witness to her mother Morgan losing the title of Master of Kurain due to her inferior powers and the despair that caused her, then three years later saw her aunt Misty who, despite purportedly being so much better than her mother, made a mistake while channeling that led to an innocent man's conviction, disgracing the Fey name and causing her to flee the village in shame. With this in mind, it makes sense that Iris would feel so strongly about spiritual powers doing more harm than good; after all, she has firsthand experience of the damage that can be done to the women that have it.

But what of the women that don't have it—namely, Iris herself? What happens to a spirit medium, born of the Fey bloodline, daughter of the then-master of her channeling school, when she's shown to not have any spiritual powers? I'm of the opinion that Iris' hatred is not only a product of what she's seen happen to her mother and aunt, but also very closely tied to what is, essentially, her earliest failure in life—after all, what good is a medium who can't channel? Fey women are raised to believe that their worth is linked to how well they can perform the service of their clan, which is the same reason why Maya beats herself up for failing to channel Mia in Turnabout Goodbyes and Pearl does the same with Dahlia later in this case. In a sense, Iris' hatred of spirit channeling is an externalization of her own self-hatred—unlike Dahlia, who mainly copes by lashing out and seeking revenge on those who wrong her, Iris is far too gentle and loving to lay blame on any one person. But all that repressed guilt and anger still has to go somewhere—and it manifests through this one small crack in her otherwise flawless facade. The one thing she cannot bring herself to find beauty in no matter how much she tries. The one thing that should have given her purpose but didn't—leaving her no choice but to mold herself beyond recognition over and over into roles that aren't truly her own, but at the very least give her meaning where she was denied it before.

And knowing her? She probably hates that flaw more than anything.

#ace attorney #pwaa #ace attorney trials and tribulations #aa #iris hawthorne #iris fey #iris of hazakura temple #phoenix wright #dahlia hawthorne #morgan fey #misty fey #aa3 spoilers #meta #my meta #i still have a BIT more to say about iris choosing to stay at hazakura temple in spite of this hatred #and what that says about her. but that'll have to wait for another day bc this post is already quite long #guys i love iris soooo much did you know that #local woman going feral over sister iris ace attorney for the 261478th time. more at 11

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bbcphile · 25 days

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WIP Wednesday

Happy Wednesday! Have some more of LLH's POV, specifically, some lighthearted banter covering up some secrets and a whole lot of angst.

(You can find earlier excerpts here.)

Li Lianhua opened his eyes, refusing to meet either of the sets fixed on him, and tried to scrape together whatever remained of his dignity. He scratched a spot by his nose and cleared his throat. “I know you and Xiaobao like to fight, but don’t you think using my qi to blast him across the room is a touch excessive?”

A-Fei scoffed, an eye roll made audible. “He was being annoying.”

Li Lianhua tsk’d at him. “You really must learn to control your temper, Di-mengzhu. What kind of example are you setting for him?”

“Very funny,” Xiaobao said. Li Lianhua sneaked a look out of the corner of his eyes in time to watch that bright mock smile fade into an impressive pout. “As if we didn’t all know how impressive a-Fei’s rein on his temper is.”

Li Lianhua blinked at him. Xiaobao sounded almost offended on a-Fei’s behalf. What on Earth had happened while he’d been asleep that could have wrought a change like that? He risked a glance at a-Fei to see how he was taking it. It was hard to see with his vision this blurry, but a-Fei’s eyes looked slightly narrowed and from the set of his jaw, it looked like he was deliberately trying not to react. So either he was surprised, too, or he was looking for the catch.

“That is,” Xiaobao continued, a mischievous glint lighting up his face, “as long as it doesn’t involve doors.”

A-Fei rolled his eyes. “I didn’t have a key. And my arms were full.”

“That’s no reason to step on them! Twice! And right on the design!”

A-Fei shrugged. “It was in the way.”

“What doors? What design?” Li Lianhua asked, straining his eyes to try to bring any of the entrances to his home into focus. “My doors? But they don’t have locks!”

“They do now,” a-Fei muttered.

“Xiaobao? Care to explain?”

“I just didn’t want anyone to break in! I didn’t realize he’d blast it off its hinges instead!”

“Your lack of imagination is not my fault.”

“Hey!”

Li Lianhua rubbed at the bridge of his nose as though to ward off a headache and tried not to smile. It was a relief to have these two bicker again. “Alright, alright,” he said, waving a hand to dismiss the argument and trying and failing to suppress another smile as they instantly stopped to listen to him. “Just fix it later, alright, a-Fei?”

The atmosphere instantly changed. A-Fei’s expression became a neutral mask and Xiaobao’s eyes darted anxiously between a-Fei and Li Lianhua.

“I can do it,” Xiaobao said, plastering on an incredibly unconvincing smile. “I had started it earlier anyway, so I don’t mind finishing.”

Li Lianhua’s stomach sank. “And why exactly are you fixing it if Di-Mengzhu broke it? Shouldn’t he take responsibility?”

Xiaobao hesitated, glanced guiltily at a-Fei, then held his sword more tightly. “He was . . . busy. Keeping you warm while you both slept. So I volunteered.”

Li Lianhua’s heart began to race. Xiaobao had never taken on a-Fei’s chores before, not once in the months the three of them had lived together. If a-Fei had ever convinced Xiaobao to do so, he would have gloated about it. Insufferably. And for a-Fei to even consider sleeping while Xiaobao was still awake and moving about, something was very wrong.

Something that would have affected a-Fei’s health to such an extent that he needed to sleep in front of others and was too weak to repair a door.

He pushed his rising panic down, along with images of the the spiritual cave snakes, shriveled and dead from his poisonous blood, of Li Xiong, groaning and twitching in pain as Bicha coursed through his veins from receiving Yangzhouman, and pasted on his own innocent smile. “Really? So very generous of you, Xiaobao!”

Xiaobao’s answering grin was a touch too bright to be believable. “That’s me! Always ready to help.”

“Naturally,” he agreed, nodding. He waited until they both relaxed, until some of the suspicion lurking in a-Fei’s posture had waned. “And why exactly does a-Fei need help?”

A-Fei froze.

#mysterious lotus casebook #my fic #WIP Wednesday #lhl #lianhua lou #Li Lianhua #Di Feisheng #Fang Duobing #Difanghua #humor and angst #Special thanks to momosandlemonsoda for suggesting the excerpt #and to the-surreptitious-albatross for finding the twin's name

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insanityclause · 3 days

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“It must have been in about 1979, I was in New York on holiday. I was sitting up with a friend, and we were both stoned as owls.” Jane Wymark was retelling her brush with a piece of theatre history. She recalled the sound of a telephone cutting through the sour, rising smoke. Wymark answered. Distant and absurd on the other end of the line, a telegram message from her mother. “It said something like: ‘Wonderful job. Hamlet, please come home.’”

After several minutes of laughter, it occurred to Wymark that the call might not be a joke. “So I rung my mother up, and said ‘I’m really sorry if I’m waking you up in the middle of the night for no reason, but is this real?’ And she said, ‘Yes, come home right now, because they want you to play Ophelia.’”

Wymark was being parachuted into a production of Hamlet that was being talked about as among the best of the century. Derek Jacobi, a Shakespearean actor then in his forties and recently made famous by his star turn as the Roman emperor in the television series I, Claudius, was in the title role. In some quarters, Jacobi’s poetic, volatile performance was being talked about as the Hamlet of his generation.

A film of the production would be broadcast in America and viewed by more people at once than any in history. When The New York Times asked Jacobi how he felt knowing that a generation of viewers would come to consider his interpretation definitive, he replied: “That way lies madness.”

One night, Wymark recalled, the cast were taking their bows in the furnacelike auditorium. “By the time we got to the end of the show we were pouring sweat,” she said. “Well I wasn’t, because I’d been dead for a while, but Derek and the guy playing Laertes were just sopping. We’d done all the usual curtain calls and everything, and then Peter O’Toole comes wavering on to the stage.”

O’Toole, then almost 50 and skeletal-gaunt, was carrying in his hands a little red book. As the audience hushed he explained that the book was given to the actor who was considered the definitive Hamlet of his generation. When O’Toole had played the part in 1963, the actor Michael Redgrave had given him the book. Redgrave had been given it by someone else, a great actor of the previous generation, and now O’Toole was passing it on to Jacobi, who in turn could give it to whomever he pleased.

The notion that each generation has its definitive Hamlet is a critical will-o’-the-wisp that has dogged the play almost since it was written. The Edwardian essayist Max Beerbohm called Shakespeare’s most famous part “a hoop through which every eminent actor must, sooner or later, jump”, but only one actor in thousands gets to “give” his or her Hamlet in a professional production. “Everyone — great, good, bad or indifferent — wants to play Hamlet,” the actor Christopher Plummer once said.

Why? The question feels redundant. If you are someone who needs to perform, you are someone who needs to perform Hamlet. In Withnail and I, the 1987 cult comedy film about actors and their ambitions, the bloated, fey, lecherous character known as Uncle Monty has a short speech on the subject: “It is the most shattering experience of a young man’s life when, one morning, he awakes and quite reasonably says to himself, ‘I will never play the Dane.’ When that moment comes, one’s ambition ceases.”

Earlier this year, I set out to find the red book.

As a trophy, a tradition, a secret succession, it seemed to embody some of the most romantic ideas about the part. I felt that in mapping its passage from player to player, I could trace a shadow history of the thing that has been driving the whole theatrical world for centuries: ambition.

This is what brought me to ask the retired Wymark about her encounter with the book. And this is how I eventually came to be standing outside a rambling, gabled cottage in north London, uncertain about whether to ring the bell until a vast Shakespearean sneeze told me I was at the right place. The door opened and I shook hands with a neat, elderly man who looked just like Derek Jacobi. The living room, decorated with antique furniture and hung with flower paintings, left an impression of a precisely chosen life. I said that I wanted to ask him about a red, leather-bound book, handed down from actor to actor, that had passed through his hands decades ago. I said he might be the oldest living actor to have held it in his hands. He furrowed an alpine brow and fixed his pale blue eyes on a tiny point just past my left eye. “Oh God,” he moaned, in an agony of remembrance. “It was a little copy of Hamlet . . . ”

Of course, there is no definitive Hamlet. This is true, and so obviously true that people have been saying it for hundreds of years. “There is no such thing as Shakespeare’s Hamlet,” wrote Oscar Wilde. “There are as many Hamlets as there are melancholies.” This is true! Hamlet is sour, obedient, suicidal, sarcastic, self-indulgent, flip and outright murderous before the end of his second scene. Modern scholarship has been wincingly keen to stress the heterogeneity of possible responses. As I once heard a professor say in a university seminar, should we be speaking of Hamlets, rather than Hamlet?

Perhaps. But we should also be honest: that sucks and we hate it. We also can’t ignore the genealogy of great Hamlets that exists, stretching all the way back to Richard Burbage, Shakespeare’s star performer and business partner, for whom the role was written. That the character and the play are both radically unstable and look totally different in different hands seems to have made us more eager to pinpoint a single actor’s performance as the one. Producers, theatre managers, actors and journalists have connived to reinforce that idea.

Hamlet does offer an actor a scope and centrality that no other part does. “It’s the great personality role in Shakespeare,” Jacobi explained when we were sitting down, his hands conducting the silence around him as he spoke. He had settled in a winged leopard-print armchair, like a portrait of himself. On the side table was an Olivier Award, a small bronze sculpture of the great Laurence Olivier himself, the man who won both Best Actor and Best Picture for his 1948 film of Hamlet, and then launched the National Theatre in 1963 with a production of the play. “You use much more of your own personality as Hamlet,” Jacobi said, “rather than becoming Hamlet by going out and acquiring things. . . Hamlet will look how the actor looks, sound how he sounds, move how he moves. You play yourself as Hamlet.”

Jacobi first came to prominence as a teenage Hamlet, in an eye-catchingly serious schoolboy production at the Edinburgh festival fringe. In his early twenties he joined the germinal National Theatre and played opposite O’Toole’s Hamlet as Laertes. In his forties, he was given the red book by O’Toole, filmed in the role and toured the world. He was sworn to revenge under sheets of pelting rain outside the real Elsinore castle in Denmark. He soliloquised and played mad by the Egyptian Sphinx as the sun set.

A particular challenge of playing the part, Jacobi told me, is delivering lines so famous they risk breaking the audience’s suspension of disbelief. In his production, the second act began with Hamlet’s most famous soliloquy. Unusually, it was played as a speech delivered to Ophelia, rather than on an empty stage. In Sydney, at the end of the tour, Jacobi was waiting nervously in the wings. “I thought, ‘This is probably the most famous line in all drama. What if I forgot it? What if I went on and my mind went blank?’ And I went on, and I started . . .

“To be, or not to be, that is the question/ Whether ’tis nobler in the mind to suffer/ The slings and arrows of outrageous fortune/ Or–

Or–

Or–”

Blinded to the astonishment of a thousand spectators by the force of the footlights, Jacobi realised he’d dried. Dried completely. It wasn’t like he’d forgotten the words. It was like he’d never known them. An entire minute of silence passed, until he was audibly given his line by Ophelia. Somehow, he got through the performance and the rest of the run. Afterwards, Jacobi didn’t go on stage again for two years. When I mentioned the incident, his eyes turned tight and hooded. He asked to talk about something else. Sensing my cue, I returned to the red book.

“Oh God. Rich!” he called into the next room. “Who did I give the book to?”

“You gave it to Ken Branagh,” called Richard Clifford, Jacobi’s partner, from offstage.

“Ken! I gave it to Ken,” said Jacobi. Then, calling back: “Who did Ken give the book to?”

“Tom Hiddleston!”

“Tom! He gave it to Tom.”

I asked how he had received the book himself and he went back into the trance of remembrance. “Now, I was playing Hamlet at the Old Vic. And at the curtain call one night, Peter O’Toole came on to the stage with this book and gave it to me. And he had originally been given it by . . . Oh . . . ” He trailed off, unable to remember Redgrave.

“Oh!” cried Clifford from the kitchen.

“Oh!” cried Jacobi in the living room.

Johnston Forbes-Robertson. That was the name of the first owner of the red book. Forbes-Robertson was a legendary Victorian actor who played Hamlet into his sixties. The book itself was a Temple Shakespeare, a handsome reader’s edition of the play printed around the turn of the century and bound in red leather. He probably bought it in a West End bookshop, pacing around between rehearsals. Or so I’m told by Russell Jackson, an emeritus professor at the University of Birmingham. “It would have been instantly recognisable,” he told me. “You can hold it more or less in the palm of your hand.”

In 1996, Jackson was working as a script consultant on a film of Hamlet directed by Branagh, who was then in the middle of a hurtling, flame-tipped ascent to near-unprecedented eminence among Shakespearean actors. As a leading man who had run his own theatre company and could direct and star in internationally released film adaptations of the plays, there was no one to compare him to but Olivier. He was now at work on a princely four-hour fantasia, shot amid fake fallen snow at Blenheim Palace with himself in the starring role.

He had cast his old hero, Jacobi, as Hamlet’s murderous uncle Claudius. On his last day of shooting, after the traditional applause that follows a final take, Jacobi asked for silence. Jackson kept a diary at the time: “[Jacobi] holds up a red-bound copy of the play that successive actors have passed on to each other, with the condition that the recipient should give it in turn to the finest Hamlet of the next generation. It has come from Forbes-Robertson, a great Hamlet at the turn of the century, to Derek, via Henry Ainley, Michael Redgrave, Peter O’Toole and others. Now he gives it to Ken.”

Hamlet had been a pivotal document in Branagh’s life. As a teenager in 1977, he had seen Jacobi play the role at the New Theatre in Oxford. In his memoir, he remembers it as one of the moments that inspired him to become an actor. “I didn’t understand it at all, but I was amazed by the power of it because it seemed to be affecting my body. I got the shakes at times.”

Two years later, Branagh went to interview Jacobi, who was then playing Hamlet at the Old Vic. “I got a note from someone called Ken Branagh, saying, could he interview me for Rada’s magazine?” Jacobi told me, referring to the prestigious London acting school Branagh attended. “He was a personable young man. He asked good questions. As he left, he said: ‘I’m going to be playing Hamlet one day, and you’re going to be in it.’”

“Ken,” Jacobi added with a smile, “wasn’t slow in coming forward.”

It was no secret that Branagh had set his sights on matching, even reanimating, Olivier’s career. With his movie of Hamlet, he was threatening to run away with the crown. But while the film won plaudits from some critics, it made back only around a quarter of its budget, and Branagh was nominated only for best adapted screenplay at the Oscars, a curiously backhanded compliment for a Hamlet that advertised itself as the complete text.

Branagh held on to the book for more than 20 years, passing over several acclaimed Hamlets (David Tennant’s agonised spectre foremost among them) in that time. “I took special pains to make sure it was preserved,” said Branagh, who was reached with written questions via an agent and an aide during the shooting of his new film. “I felt the book was something rather treasured and private, and not something that you in any way crowed about. You were a temporary custodian.” In 2017, he finally handed the red book on to the actor sometimes thought of as his protégé, Hiddleston.

So there it was. Redgrave to O’Toole to Jacobi to Branagh to Hiddleston. But still, something wasn’t adding up. I began desperately ringing round old actors asking for snippets of information about the red book, and started reciting the list of names from Jackson’s diary entry: Forbes-Robertson, Ainley, Redgrave, O’Toole, Jacobi, among others. Every time I read the list, everyone said the same thing. Where the hell is Olivier?

Here is a story about Laurence Olivier. Once upon a time, in the early 1800s, there was a great Shakespearean actor called Edmund Kean. He was the Hamlet of the Romantics. Samuel Taylor Coleridge wrote that watching him was “like reading Shakespeare by flashes of lightning”. Kean was also renowned for playing Shakespeare’s other great soliloquist, Richard III. As the hunchbacked villain, Kean would rage and swagger and strut about, swishing a great sword in his hand. That sword was passed to William Chippendale, a member of Kean’s company. Chippendale gave it to an actor called Henry Irving, who gave it to the great Ellen Terry who, we understand, gave it to her great nephew. His name was John Gielgud. Gielgud gave the sword to his contemporary, Olivier, telling him to pass it on to the great actor of the next generation. And Olivier kept it.

He is rumoured to have been buried with it. Certainly, the sword has not been seen since his death. (One of the last people to see it was Jacobi, who confirmed to me that Olivier still had it as a very old man.) Is Olivier really lying in his grave with no tongue between his teeth and Kean’s sword beside him? If he is, it feels like a little parable about the sharp, inward points of ambition. Here was a man who got everything and more from a life in the theatre. But he couldn’t bear to part with a prop sword.

The question of why Olivier never received the book becomes more pressing when you read the letters he received playing Hamlet from the Edwardian actor Henry Ainley, the book’s second owner. On opening night, January 5 1937, Ainley telegrammed Olivier in his dressing room: “THE READINESS IS ALL.” Later that night he wrote: “You, my sweet, are the Mecca . . . Pay no heed to the critics, they do not know. You are playing Hamlet; therefore you are a king [ . . . ] You rank, now among the great.”

Ainley’s hornily free-associating letters seem to imply a physical affair at times. “Larry darling, I have been tossing (now now) about at night thinking of you,” he writes in one of the letters, currently kept by the British Library.

“Well, you know what you did. I can’t walk [ . . . ] And the child has your eyes.” Yet it is Olivier’s fame that Ainley most obviously covets. “Soon you will be like [me],” he writes in another. “Your public, your following all gone, dear old boy! The harlequinade. We do not endure!” There is no mention in their correspondence of the red book. Whether Ainley had already given the book away, or felt compelled to hang on to it, or simply had forgotten it, remains a matter of speculation.

It’s not the only agonising gap in the archive. In 1963, an older Olivier cast Peter O’Toole in the production of Hamlet that would open the National Theatre. O’Toole had already played a wild, revelatory Hamlet at the Bristol Old Vic in 1958, in which he famously climbed the proscenium arch mid-performance. It was an interpretation that harnessed the young actor’s modernity. “He’s a lean, lank, individualist Teddy Boy!” one reviewer enthused.

But in 1963, Olivier had other ideas. “It was very strange,” remembers Siân Phillips, O’Toole’s then wife, now aged 91. “Larry [Olivier] had talked him into this terrible costume. He looked like Little Lord Fauntleroy, with a Peter Pan collar and clean, beautifully cut dyed blond hair.”

Phillips thought Olivier seemed to want to trim the edges off her husband. “Larry had this new kind of concept of a very tidy Hamlet, which was the opposite of what [O’Toole] did best. But he had such regard for Larry, who was flattering him enormously. He just did everything asked of him.” Phillips had put her own starry career on hold to let O’Toole have the spotlight. She did his filing and kept track of gifts he had been given, making sure people were thanked, which was why she found it strange that she’d never heard of the red book.

Together, we wondered if the unhappy production had made it a sore point for her husband. “The thought did cross my mind once or twice that Olivier might be trying to sabotage him,” she said. “But how could he want to do that on the opening night of the National Theatre?” On the other end of the phone, I thought of Kean’s sword.

Perhaps this is harsh. Perhaps we can understand the desire to have and hold on to a physical token of fame, strength, adulation, applause, youth — the things that slip away from even the greatest artists. All performers live in fear of unemployment and redundancy, and even the successful ones are loved, fiercely and temporarily, for being someone they’re not. “Today kings, tomorrow beggars, it is only when they are themselves that they are nothing,” wrote William Hazlitt, the English essayist.

“British theatre has traditionally privileged innovation,” the Shakespearean scholar Michael Dobson told me. In France, he explained, you could see Phèdre performed with the same gestures, the same intonation, for hundreds of years. “The British are always inventing new things, like gas lighting and ways of doing ghosts with mirrors. It’s never the old, boring Hamlet your parents used to like. It’s always got this young, original, absolutely real actor in it, instead of those stylised old geezers.”

In which case, let us sit upon the ground and tell sad stories about great actors who fell from fashion. It was Burbage who first delivered Hamlet’s acting advice to the players: “O’erstep not the modesty of nature: for any thing so overdone is from the purpose of playing, whose end, both at the first and now, was and is, to hold, as ’twere, the mirror up to nature.”

Until the modern day, actors didn’t play big roles just once or twice in their careers, in a long run of performances. They performed them frequently. Even in Shakespeare’s time, actors became associated with certain parts in the minds of spectators. Burbage died in March 1619, and the funeral baked meats were hardly cold when he was replaced by another actor, Joseph Taylor.

An unreliable but enticing story has it that Burbage taught Taylor, and Taylor taught the next great Hamlet, Thomas Betterton. Betterton was the Hamlet of Restoration theatre, among the first to play opposite women. Confronting his father’s ghost, Betterton’s Hamlet could “turn his colour”, as though his face had drained of blood with fright. Betterton made his face “pale as his neck cloth”.

Betterton died in 1710, immortality assured. Within a few decades his reputation had been all but vaporised by the greatest actor of the century, David Garrick. Garrick was almost a religion among theatregoers. “That young man never had his equal as an actor, and will never have a rival,” was the poet and critic Alexander Pope’s verdict. Garrick was both a shameless showman and pioneering realist. He played Hamlet in a mechanical fright wig that made his hair stand on end when activated.

Garrick was replaced by John Philip Kemble, a severe and statuesque Hamlet. In the early 19th century, Kemble was outmoded by Kean, whose ascendant star was quickly selling out theatres. “Places are secured at Drury Lane for Saturday, but so great is the rage for seeing Kean that only a third and fourth row could be got,” wrote Jane Austen, struggling to get seats. Out with the old. Next came Samuel Phelps, the actor-manager who first made a point of performing the original texts of Shakespeare’s plays. He was toppled by Henry Irving, a drawn and gothic actor. Irving was supposedly the inspiration for Dracula; his theatre manager was Bram Stoker.

Enter the melancholic, effeminate figure of Forbes-Robertson, the first owner of our red book. His Hamlet, first performed in 1897 and still being revived into his sixties, was in some ways the last definitive stage performance in this unofficial, highly debatable but surprisingly enduring tradition. “Nothing half so charming,” George Bernard Shaw wrote of his performance, “has been seen by this generation.” Orson Welles described one recording of Forbes-Robertson as the most beautiful Shakespearean verse-speaking he ever heard. You can still listen to it on YouTube, uploaded from an ancient LP.

“The next reference to the actor’s art,” creaks the old voice above the hiss of imperfectly transcribed sound, “is Hamlet’s advice to the players, written, obviously, by an actor who has complete command of his calling.” In a voice ponderous with time but still capable of lightness and precision, he begins the passage in which Hamlet gives notes to a theatrical troupe. “Speak the speech, I pray you, as I pronounced it to you, trippingly on the tongue.”

Forbes-Robertson would have seen more clearly than many of his successors how rapidly the galaxy of theatrical ambition was expanding. He was the first great Hamlet to play the part on film, in a lumpy silent production in 1913. If that film looks stagey and stylised to modern eyes, then looking back at these nested revolutions in realism, it’s also obvious that old actors have always looked that way in the eyes of their successors. Naturalism is just the style each era brings with it.

Hamlet’s advice was itself part of this reach towards the endlessly receding goal of the real. To an Elizabethan audience, the travelling troupe with their heroic verse and stagey couplets would have seemed obviously to belong to a previous generation of players, one playwrights like Shakespeare, and plays such as Hamlet, were making redundant. Hamlet says to the players what the theatre is always saying: be young, be modern, be new.

You can’t ask too much of very famous actors. Basic professionalism demands that they don’t tell you anything too interesting. They live like criminals, travelling under pseudonyms and booking the front seat on aeroplanes. We abhor in their personal lives the basic human latitude we praise in their work. “I am myself indifferent honest yet I could accuse me of such things that it were better my mother had not borne me,” Hamlet says to Ophelia. “What should such fellows as I do, crawling between heaven and earth?”

I had hundreds of questions for Hiddleston, the 43-year-old star of the Marvel Cinematic Universe and current holder of the red book. Unfortunately, Hiddleston is not an easy man to reach. As the man who plays Loki in the Marvel series (global gross about $30bn), he has been watched at his craft by an unimaginable number of human eyes. He does his work in green-screen and widescreen settings that would also have been unimaginable to 90 per cent of the people named in this article. Where Burbage played Hamlet without an interval, Hiddleston’s fame is a postmodern mosaic, put together in franchise films with an average shot length of two seconds. Given that he commands multimillion-dollar fees for these acts of cinematic pointillism, you may imagine his time is precious. I was able to reach him by phone for 15 minutes during press week for Loki season 2’s Emmy campaign. “Good morning,” he said, dialling in from Los Angeles. “I mean, sorry, good evening.”

Hiddleston played Hamlet in a fundraiser production for Rada directed by Branagh in 2017. He told me how he had left drama school and joined Declan Donnellan’s Cheek by Jowl theatre company, standing out as Cassio in a somewhat legendary modern Othello, in which Ewan McGregor played Iago opposite Chiwetel Ejiofor in the lead. Branagh saw the production and persuaded Marvel studios to let him cast this relative unknown in Thor, which then grossed almost half a billion dollars. Afterwards, they sat down for lunch and Branagh suggested Hamlet. “And I said, ‘I would absolutely love to do it with you. What an honour.’”

The production played for three weeks in Rada’s tiny theatre, with tickets that were won by lottery. Among the critics, Michael Billington, Britain’s most decorated theatre writer, was one of the few to have got a seat. “If I had to pick out Hiddleston’s key quality, it would be his ability to combine a sweet sadness with an incandescent fury,” Billington wrote in his review. On Saturdays, Hiddleston remembered, there were gala performances for graduates and theatrical somebodies. “I think at the first one almost everybody with the last name ‘Attenborough’ in the UK was in attendance.”

On one of these evenings, a glass was clinked with a spoon. Jacobi began to speak, explaining something about a book that had passed from actor to actor. “And then Ken was at the microphone, explaining that the responsibility of the keeper of the book is that they pass it on to the next generation. And suddenly Ken said, ‘I’d like to present it to Tom.’”

We were 10 minutes into our 15. I looked at my list of questions — on frontispieces, annotations, signatures, printing quirks — about the red book. Hiddleston was in LA. The book was in London. He was not contractually obliged to talk to me, as he was to the other journalists who were waiting on iPhones all over the world. All that was sustaining this conversation was the actor’s private enthusiasm for the kind of acting he is rarely, if ever, able to do anymore.

Hiddleston began to talk at length. He said the gift of playing the part was to be presented with the most beautiful, profound poetry written in English about the question of being alive, of death, of the possibility of spiritual life after death.

An email arrived saying our time was up. “It has the effect of making me feel more alive,” Hiddleston was saying. “Learning and internalising those great soliloquies, and having to perform them, there is no escaping those big questions of what it means to be alive,” he went on, the minutes ticking by. “And actually I find it very reassuring to ask those questions. I find it repetitively reassuring to say those words. Because it actually makes your life mean something.”

#tom hiddleston #kenneth branagh #Derek Jacobi #hamlet #the red book

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science-lings · 18 days

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Elaborations under the cut

1- based off of the official art where half the time he's drinking he's just passed out or he's just smiling at nothing. I can see him becoming a functioning alcoholic who drinks mostly because it helps him sleep but I don't think he would want to be that vulnerable in his daily life, especially when hanging out with Kristoph.

2- He was just as spikey as a baby, but also the style seems intentional rather than just how it grows.

3- PW vs PL reference? idk the vibe that in an alternate timeline where he forgets that he's a lawyer he becomes a baker with Maya is just fun so I think he just likes baking in general. Also, I'm a sucker for those AUs where he's a baker. He seems like the type to get stuck in his head while kneading bread dough and regularly makes those kinds of breads that have to basically be beat up to get his anger out. No therapy, only bread.

4- This feels self-explanatory, he can also dance, at least in the way that he can pick up choreography and bullshit his way through any performance. I also think it would be sweet if he sang lullabies to Trucy while she was growing up.

5- There are multiple instances where he passes out from stress and his internal dialogue mentions that he's 'feeling lightheaded' like GIRL... GO TO THE DOCTOR. And he did but that meant that he can't drive in case he gets too stressed driving and passes out... which would not be good.

6- Again, self-explanatory, this man has an abnormal brain, good for him.

7- I don't exactly know what he has tattooed on him but I can see this guy, who is unaffected by pain and also an art major, having a few designs on him. Maybe a dragon winding around his shoulder or a few little silly things on his legs and arms. He doesn't really flaunt them and everyone gets surprised when its the combined prosecutors office and WAA beach day.

8- The magatama should make him look a little spooky, I think it would be fun. Also, I think he should use it to jumpscare anyone who is around while he is sneaking into his kitchen to eat baby carrots when he wants a midnight snack.

9- I've spoken about this before and I will probably do so again, I just think he needs an awful cat as a pet project when Trucy moves out and he gets lonely. It's a better outlet than trying to fix a person who might fake their death or try to poison him.

10- You cannot tell me that undefeated poker player extraordinaire isn't completely in control of his tells as much as he possibly can be. He can dodge questions and provide perfectly true but vague answers. I just think he can be so incredibly cagey and secretive when he has to be, even though he's typically pretty emotionally open. He learned it from Mia (Ms. 'didn't tell Phoenix she had a sister even though they've known each other for years' Fey)

#lmk if you want me to do this for other characters #i just had to start with the guy of all time #andromedas poll hell #ace attorney #phoenix wright

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everlastingdreams · 5 months

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The Weeping Monk x Reader : Born In The Dawn Chapter 28

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Story Summary: Locked inside a dark room in a dungeon, kept alive only for your power, you believed you’d never see the daylight again. That is until the Weeping Monk finds his way down and steals you from your captors. It is the beginning of a journey that leads you through hardship and newfound hope, but nothing is assured in a world that is changing for the Fey. The magic that runs in your veins is drawing out the worst the world has to offer, does it include the man who pulled you from the dark?

Chapter Title: Burning Hearts

Notes: /

Warnings: Grief. Violence. Torture. Sexual Assault. Rape Threat. Gore. Enemies To Lovers. Pining. Trauma. Flagellation. Manipulation. Strong Language. Blood. Gore?. Misogyny. PTSD. Spicy and smut parts. Slight redemption arc.

Other warnings: Jealousy. Forbidden Love. Romance. Slow-burn…

Word count of this fic: +200K

Chapter: 28/ It’s a secret.

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A joining?

A joining?!?

Matthew had always been someone you were enamored with. Yet, seeing the honey-eyed man now did not cause the same response in you that it used to. Especially not after what you had just learned.

Helio was blind to the shock on your face, and continued to sing Matthew’s praises, “He is a decent man. And I believe his affection for you has grown to match yours.”

It had you lost for words for a while.

He mistook it for being too overjoyed to respond. “I always hoped you would find a love as true as the one I and your mother share.”

It came out louder than you intended to, “No.”

Helio paused, “No?”

“No.” You said again, taking a step back. “There will be no joining.”

He clearly did not expected the response. “I thought you would be happy.”

The betrayal from Matthew was still fresh and this could not have come at a worse time.

“I am sorry, father.” You meant it, he was trying to make you happy and now you had to disappoint him.

You gave him no reason for the change in your feelings towards Matthew, and walked away alone towards the fort.

~~~♡~~~♡~~~◇~~~♡~~~♡~~~

After all that had happened, Matthew sharing your private matters with others was the final straw of your patience.

A joining? With him? You were so upset that you didn’t even want to speak to him again. But you wanted to get this off of your chest first and not let him think that what he did was proper. You found Matthew speaking to a few of the knights in the entrance hall and marched right over to him. They were chuckling among each other amicably, but quieted down when they saw the storm in your eyes.

“How is your nose?” You didn’t actually care in that moment.

“It doesn’t hurt any-” Matthew’s answer was cut short by the slap he received across the face from you. His cheek turned red from the impact.

He was absolutely baffled by the slap that had made the pain in his nose return with a vengeance. “What… why-”

Some of the knights had flinched.

You wasted no time bringing the matter up to him, your voice was loud in the large hall, “Are you telling them about my personal matters too?”

Matthew was quick to understand where your anger was coming from, he got visibly uncomfortable and asked the others, “Gentlemen, will you gave us a moment?”

They didn’t need to be told twice and left the hall before the storm could crash down on them as well.

“Y/n… I-” He stammered.

“Shut it!” You didn’t want to hear it, you didn’t care that you were shouting at him either, “How could you?! You promised never to tell, and now I learn that you have broken your promise! It was not your secret to share!”

Matthew’s expression filled with remorse. “I am so sorry. It was just talk among men, nothing else.”

It was infuriating how he tried to make it sound like it was nothing. It wasn’t nothing, not to you. Trust was hard for the Dawn Folk, especially for yourself, and to be treated like this… “For you it was just ‘talk among men’, for me it is my personal affairs, that I trusted you with!”

He remained quiet for a moment, not knowing what to say.

“I’m sorry.” He said again. “I did not know it would hurt you.”

Was he so inconsiderate?

Bitterly you told him of what your father had said, “My father thought it would be a good idea to have you as a knight, not just for your competence, but because he wanted to make me happy by having you live in our home.”

Matthew was pleasantly surprised, “Really?”

You crossed your arms over your chest. “But ever since I’ve arrived here, you have been different to me. I am not one of your conquests, Matthew. We were never more than friends, even when I wanted to be more.”

He tried to touch your arm but you recoiled from him. “We can be more, y/n. I want us to be more.”

“I DON’T! I can barely look at you now!” It was unbelievable that he could act like he had not betrayed your trust severely. “You didn’t see me. I was so infatuated with you and you never looked in my direction with the same interest. I do not think you even really care for me, I cannot even trust you anymore. Where did my friend go? The one who respected me as I was, because I was me.”

The memories of childhood, when you played together by the creek, were painful now.

Matthew went down to his knees, sensing that this conversation was going the bad route. “I do respect you. I do care for you. Please, forgive me. I am a fool.”

“That, you are.”

A voice came from behind you. Matthew looked past you to see the Ash Man watch him be down on his knees for forgiveness. If that not dented his pride…

You gestured with your hand for Lancelot to leave. He reluctantly walked passed you and Matthew, and left the hall.

Matthew was not happy with the interference but kept it to himself. “I respect you, you must believe me.”

Slowly you shook your head. “No, you don’t. And I… I don’t think I want to be friends with someone who saw me as just another conquest. I thought I was more than that to you, I was wrong. I can feel how you are trying to see me as someone I am not.”

You stepped back and heard the door of the fort open again, this time your father walked in and saw the knight on his knees.

Neither of you looked happy now, you had known Matthew for years, but maybe you never truly knew him at all. Or maybe you were not the only one who had changed.

You walked away before your father could ask questions that would only make it worse. If he needed answers, Matthew was free to give them.

~~~♡~~~♡~~~♤~~~♡~~~♡~~~

Ciro had taken Squirrel to the place he said he often had ‘great adventures’.

The library.

Poor Squirrel was counting on a real adventure but had to settle for the written ones.

While Ciro sat on the floor to read, Squirrel searched the books for something that wouldn’t bore him too much. Your cousin was the first you saw when entering the library, Squirrel was trying to climb a shelf to reach one of the old books at the top.

Of course it had to be those…

“Here, let me help.” You hurried over, before he could break his neck, and plucked the book he was aiming for off of the shelf.

After looking at it for no more than three counts, he handed it back to you. “Mirena is teaching me how to read. But I don’t find it very interesting.”

You couldn’t believe that you were not aware that he could not read yet, “I never knew you couldn’t read.”

Squirrel shrugged his shoulders and walked along the shelves again. “It’s boring.”

Ah, yes. He was the sort of child that needed extra motivation for certain things.

You gave him some encouragement, “You’ll find something to read that you will enjoy. Or maybe you will even write something yourself.”

He didn’t have much faith on the matter, “There’s nothing here for me to read.”

There had to be something there that he might like. “What do you want to read about?”

The boy thought for a moment, then exclaimed, “Moon Wings!”

You recalled a book that had some stories about them. “We have something about them here. Let me look for it.”

“What does it look like?” He asked.

You began to search for it. “It’s a big, heavy book, leather bound. Brown, with golden details on the front.”

Squirrel began his search for this book as well. Minutes passed before you found it at the top of a shelf, what idiot had put it up so high?…

The boy helped you stack some books on top of each other and by standing on the stack you were able to collect the book. A thick layer of dust was covering it and you tried to get it off as best as you could, then knelt down on the floor to look through the pages with him. The small sketch of a Moon Wing decorated a page about a hundred pages in, there was some information on them that you helped him to read. It got Squirrel interested in the rest of the book, so you sat with him for quite some time, in the meantime Ciro was consumed by the book he was reading off in the corner. There were so many pages, it wasn’t until your eyes began to burn that you looked to a window and saw that the sun had gone down.

“I think I should be taking the two of you to get dinner.” You began to close the book.

Squirrel prevented it, now having grown interested in the literature, “Can I take the book with me?”

You saw no issue. “Of course you can, just be careful with it. We do not have as many books anymore since the war.”

He closed the book, picked it up, and when he tried to stand the book slipped out of his hands. It landed on the floor, one or two pages fell out.

Squirrel looked so genuinely concerned for your reaction and gave a sheepish small smile. “Sorry…”

You bend down to put the pages back into the book, then saw the pages the book had fallen open on. A page that held a drawing of something familiar, even the boy saw.

A sketch of an unknown face, with tear-like markings beneath the eyes…

“Those marks, they look like Lancelot’s.” Squirrel pointed it out.

This sketch was of a woman, who’s markings were eerily similar to those of the Ash Man. You picked it up and read some of the text that accompanied the drawing, it spoke of the Ash Folk, of their lineage and the little information that was known of them. There were some names, it mentioned the king of the Ash Folk and his descendant. The book almost fell out of your hands too when Lancelot’s name was written under King Ban’s.

The door of the library was opened, Mirena stepped inside. “There you are, I’ve been looking forever, dinner is getting cold!”

Ciro was on his feet and beside Squirrel not a second later. “Sorry, Aunt Mirena.”

You quickly closed the book and used one of the loose pages as a bookmark for it, you told Squirrel, “I’ll go and put the book in your room. Go on, don’t let dinner get cold.”

With an apologetic look in the direction of your mother, you ushered the children to go with her. Once they were out of the library, you reluctantly ripped the page from the book before Squirrel or anyone else could learn of this and spread the news around. You stuffed the page into the pocket of your vest, then did as promised and brought the book to the room Ciro and Squirrel shared.

Was Lancelot aware of his lineage? Did he even know who his family were?

It dawned on you that he never spoke of them, maybe he did not remember who they were. You decide to get some fresh air after being in the dusty library for hours, the evening wind offered it to you freely outside the fort’s curtain walls. One of the knights stood with his back leaning against the wall, drinking a tankard of last night’s ale, he greeted you.

You returned to the fallen trunk of the tree you had sat on last night. The page in your pocket felt heavy, you would need to give it to Lancelot, he deserved to know. The rapid sound of hooves hitting the ground neared you, and you turned to see a woman ride up the hill on horseback. Her horse galloped into your direction and you knew there was trouble. Your eyes fell on the village next, in the darkness you could see flames light up the night.

The woman halted close to you, panicking as she called out, “Dawn Woman, we need your aid! One of our homes is caught by fire, we fear there will be injured!

“Warn the others!” You shouted to the knight who was coming closer, “Make them bring all the buckets we have and anything that can be used as such!”

You approached her, and she gave you a hand to help you sit behind her on the horse.

She spurred the horse into a gallop immediately, and darted down the hill towards the village down below.

The smell of smoke reached your nostrils long before you arrived at it’s origin. It was one of the larger buildings that was on fire, you knew that it housed quite a few people. Chaos had overtaken the night and villagers tried to help those who had fled the flames. You were helping the first wounded the second your feet touched the ground again. A young woman was crying in agony, the burns on her face were severe. It was a relief to see them disappear when you touched her hand to sooth and heal. She had no time to thank you for it, you were already tending to the next wounded.

The situation was overwhelming, you did not want to run out of energy too quickly, but you couldn’t just let the worst injuries wait. If their situation got worse, it would only take more energy to heal them. You prayed quietly to the Hidden, pleading with them to give you the strength to help your people.

Some stood by and watched the fire consume the building and spread to the one beside it, others cared for the wounded. It was a constant running back and forth of people trying to put the fire out with buckets, with water from the well or of the wagons that hurriedly filled and brought them back from the lake nearby. They needed help, you needed help…

There was too much going on all at once and the panic was overtaking the people around you. An approaching horse darted through the village in your direction like a shadow passing through the chaos.

You knew that horse…

It came to a sharp sudden halt and the boots of it’s rider hit the ground only a few steps away from you. Even with the veil around his face you had recognized him right away, and saw that a part of his cloak was missing, he had used it to make the veil he wore now.

“Lancelot, no! You cannot be here!” You ran up to him, knowing the rules your father had given him. He was not supposed to leave the hill, and broke the rules with his presence in the village.

He had been in the stables tending to Goliath when he heard the woman arrive on horseback to ask for your aid. The call of the Hidden to follow had made him break the rule your father had given him.

Lancelot stubbornly moved past you towards the burning house. “There are still people inside.” He spoke only loud enough for you to hear, “I can smell them.”

Oh gods, no.

Your first instinct was to go towards the flames to save them.

He did not even let you take another step near the burning building. “Don’t! I will go.”

“No, you-” You weren’t willing to let him risk his life.

He saw the fear in your eyes, his hand quickly cupped your cheek, thumb tracing your cheekbone. “Fire cannot burn me.” He let go. “Stay here!”

You feared that the last time you would see the Ash Man, was him entering a burning building. Some had even tried to stop him from doing so to save him from the flames, he fought them off without truly hurting them, then stepped into the fire.

The Hidden made their strong presence known to the village through the burning ashes, they began to collect together and circle the burning building. If it was not so destructive, it would have been considered beautiful, magic hanged in the air. It silenced most of the chaos as people stared at it.

“Please, protect him…” You softly begged the Hidden.

The people around you needed your aid, their shouts for help forced you to spring into action. Finally, the knights of the fort arrived to help, even your parents were present. With tunnel vision you healed one person after another together with them, your eyes never fully left the flames or the presence of the Hidden.

The exhaustion was beginning to take hold on you, but you could not fail them now. Healers from the fort arrived and helped those who could survive waiting for the help of the Dawn Folk.

Mirena healed one next to you and spoke to you loudly, so you would hear her over the noise, “The Hidden is here!”

You saw the people try and fail to get close enough to the fire to put out the flames, the magic of the Hidden was circling it like a barrier.

“Mother, Lancelot is inside!” You cried out in despair.

She couldn’t believe what she had just heard and looked towards the building again. That look in her eyes… you would never forget it. Especially because she looked at you next and you could see the sorrow in her eyes, the pity.

No…

NO.

It was taking too long.

Now that you were a summoner, would the old gods not protect you from harm too? Did it even matter, when you feared that he was burning? It did not.

Mirena must have seen something in your eyes, because she tried to grab your arm when you jumped up to your feet, she failed to do so and called out to your father. “HELIO! STOP HER!”

You ran to the building, to the scorching flames, the heat of it struck your skin once you got close. And then you were on the ground, Helio held you down as you tried to fight your way back to your feet again.

“LET GO!” You did not even hear what he was saying, you screamed it so many times that your throat went sore.

Helio’s attention left you all of a sudden, a woman emerged from the flames with a crying babe that had not seen a blue moon yet. Matthew came to her aid immediately, as those around witnessed how the flames around her never touched her or the child, instead they turned to ashes once they got too close. He led her away from the danger.

The woman refused to go much further than a few feet from the fire and cried out to the flames, “My child!”

You pushed yourself free and got to your feet, Helio caught you by the sleeve. The flames folded open and away from the entrance of the building.

The Ash Man emerged, took some steps away from the fire, then dropped down to his knees. In his arms he held a babe, the other half from the set of twins belonging to the distressed mother.

Exhaustion struck him now that the power of the Hidden was released by him. He did not let it go fully just yet, the flames that perished turned to ashes much faster than it could naturally happen. The ashes were born from within the flames themselves.

The lack of crying made him fear for the infant’s life. When he looked down, he saw that the infant was staring up at the red glowing marks beneath his eyes, and reaching their tiny hands up to touch.

The moment of innocent joy slipped away when he realized. The veil…

There were whispers shared, and looks of shock. They knew who he was, his markings had betrayed him. And yet… no one attacked him. They had seen a man run into fire to save another. The man who had sought to kill them, was now risking his life to save them. He looked to Matthew, to come and take the babe from his hand, which the knight did and the child was returned to it’s mother.

They saw that he was one of them.

He removed the swords from at his side, and while kneeling in submission, laid them out in front of him.

A surrender. His life in the hands of his people, as it always should have been.

You ripped yourself free from Helio’s hold and hurried over to Lancelot. He lifted his head and shook it, signaling for you to stay back, fearing the reaction the people would have to your action.

Fearing you would be seen as a traitor.

A fear struck woman shouted, “It’s the Weeping Monk!”

“He is Fey!” A man called out loud.

Oh no…

You were standing between him and the crowd that grew louder by the revelation. There were weapons being drawn, you could hear and see it.

You reasoned with the shocked villagers, “Killing him will not bring your loved ones back!”

A woman wished for vengeance, “It will bring them justice!”

The war had made many of them colder, it was understandable yet saddening to see. There had to be a way to make them less apprehensive to give him a chance.

If they wanted this to be a trial, then you would give them the true facts, “Justice? He is Ash Folk! If you kill him, you take the last of them away from the Fey! This is exactly what the Church wants, for the Fey to turn against one another! This is why they stole him, as a Fey child, to torment his mind into believing he and any Fey is evil!”

Mirena kept an eye on all of those around, fearing for an escalation to come.

You continued with your pleads, “His death would mean a gift to the Church and a great loss to our people. If the Green Knight saw the good in him, if the Hidden chose him as a summoner, how can we not give him a chance?”

Some of them were willing to listen to you, some were not.

“He did not give us a chance!” A woman shouted and the roaring of the crowd began again.

“He spared the children.” You countered, “And our future by doing so.”

Lancelot did not move from where he knelt on the ground, letting his fate be decide by his people. Often you looked back at him and saw the shame and guilt he always tried to hide from you. There was murmuring among the villagers, they must have heard the stories from children who survived the cleansings the Weeping Monk had attended. Your father surprised all when he came to stand at your side in this, and risked his reputation as protector of the Fey to help Lancelot.

Helio spoke to the people he had protected for decades, “Is this the message we wish to bring our children?! For when they are taken, they are not to return to us?” He gestured to Lancelot. “This could have been any of us!”

He walked over to a Faun Man nearby. “It could have been your boy, Thomas. The Faun Folk’s gift for archery would have served the Church well.”

The man looked to the people beside him and then to the ground.

Your father walked to a Snake Folk woman and spoke to her, “Or your little ones, Hildegard. The Snake Folk’s talent for making poisons would be very desired by our enemies.”

She put her arms around her children and brought them closer.

Helio looked at the submitting Ash Man. “He was just a boy. Someone’s child, stolen from their arms and thrown into war. Break the child, build the monster.” He turned to the crowd once more and gestured to you, “It could have been any of us, it could have been my child.”

Mirena stepped to Helio’s side while speaking to the crowd, “The Hidden has returned the Ash Folk to us. Who are we to question their decision? We are not paladins, we are not Trinity Guards, we are FEY.” She looked at Lancelot. “If you believe he deserves to die, that he cannot be forgiven, I fear for what we have become.”

The mother of the children he had saved came forward from the crowd and slowly approached the kneeling Ash Man. You let her walk past you, seeing how the villagers watched her with silent awe. The Sky Folk woman stopped a step away from him, and for a moment she only looked at him in silence. The Ash Man lifted his eyes to her face when she put a hand on his shoulder.

“I forgive you.” Her words placed the next brick on his road to forgiveness.

This woman could not have thanked him in a more meaningful way than to give him what he so searched for. It was as if he could not believe she had truly spoken the words out loud. She returned to her children, the forgiveness within her was an inspiration to others.

Helio saw the change in the crowd’s attitude towards the Ash Man and approached him quickly. He grabbed the leather of Lancelot’s jerkin at the shoulder and pulled him to his feet. “Get up!” The poor Ash Man was startled by it. “Walk with me before they change their minds on sparing your life.”

“Father.” You didn’t expect him to help Lancelot at all.

Your father gave you the order as he led Lancelot back to Goliath, “Stay with your mother!”

Helio called out to two of the knights, “See to it that he is back at the fort.”

“Yes, Ser.” They responded and mounted their horses.

There was a strange silence creeping into the villagers as they watched the unburnt Ash Man mount the steed that no longer bore the symbols of the Church.

Helio gave him a low warning, “Leave the hill again without my permission and I will let you rot in the dungeon!”

All he could do was respectfully nod.

When Helio had turned his back and returned to see who else needed healing, Lancelot looked at you.

‘Go’ You mouthed to him.

The knights who were to accompany him urged him to follow, and after seeing your reaction he followed them back to the fort.

You were left somewhat shaken, and you were grateful for the help around you now. Mirena wasn’t too happy after having seen you run towards the fire, and managed to successfully give you a scolding whilst she healed people with you.

The fire had perished with the collective efforts of the village and the knights. And maybe the Ash Man had a hand in getting the fire under control as well, even if he was not aware of it. It was only a few hours before dawn when you returned to the fort, with the help of villagers who so kindly afford to bring you and your family back by wagon. Fortunately so, because this night had taken a toll on the Dawn Folk.

By the time you arrived back at the fort, you headed to your room without detours. You opened the door and by the time it fell shut behind you, you were already lying down on the bed, not even bothering to put the sheets over you even if it was a bit cold.

Faint knocking prevented you from slipping into the world of dreams. You called out quietly for them to enter, it even sounded incoherent to your own ears. The door creaked open, and clicked shut again.

There was no need to look, by now you could identify him based on the sounds and pace of his walk. Lancelot knelt beside the bed and touched your shoulder, “Is there anything you need?”

“Sleep.” You mumbled into your pillow.

A warm quiet chuckle passed his lips, then he was silent for a moment. Almost did you doze off to sleep when he remained quiet.

“Thank you.” He almost whispered, “For what you did for me tonight. I could not have faced them alone.”

You forced an eye open to look at him. “I’m with you, even if it is against an angry crowd.”

A yawn escaped and you closed your eye again. From your pocket, you retrieved the folded page of the book and waved it at him a bit.

Tentatively, he plucked it from your fingers, “What is this?”

“Ash Folk.” It was more mumbling.

He was silent again, probably reading what the page contained.

“Does anyone else know of this?” He sounded rather concerned.

Your eyes opened again. “I do not know for certain. I don’t think anyone has bothered to read the book it came from in years, it was covered in a layer of dust.”

The admission came from him, “What is written here. Is true.”

“About your family?” You risked asking.

He gave a slow nod, “Can we keep this between us? I am not who I once was, here and now is what matters most to me.”

“I promise I won’t tell a soul.” You vowed.

Your eyes grew heavy, all the healing had exhausted your body and it demanded rest. You let your eyes fall shut, feeling how hard it was to keep them open. “I’m so proud… of you… for saving that family. You were incredible.”

Another silence fell, this one lasted for a while. The warmth of his hand landed on your upper arm, it passed on to your skin when he rubbed in soft circles. It was terribly relaxing to experience. The last thing you registered before sleep took you, was the sheets being placed over your form.

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