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#Also Chip has no fear
floofballsammy · 1 year
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Chaos decides it's way to early for this shit.
Short Thoam animatic cause I can.
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sergle · 11 months
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honestly? no collar + no chip = no owner fr fr. i like sometimes cats get out when they arent supposed to and their collars get ripped off. understandablw. but like. if u have an "outdoor cat". and it does not have a collar, and it does not have a chip. how the hell is ANYONE supposed to tell ur lil guy apart from a stray??? literally how??
for real!! sorry, no owner! this cat has no evidence of being someone's pet! no collar, no chip, no missing flyers, nothin!!! and there's nothing to differentiate a missing cat from an outdoor cat from a friendly stray from a dumped/abandoned cat. They Are The Same.
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wundrousarts · 2 years
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nari-writes · 1 year
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I KNOW THIS IS JUST BRAIN ROT. I know it. Judge me not!!!
I saw a summary post of the current Batman arc ((Gotham War)) and my brain is full of bunnies so the panel of Jason having that panic attack (<- litcherally went to go find fic of this concept immediately after because HELL yes I want to see Jason suffering. Messed UP, Bruce!!!!!) BUT. The concept of a chip that makes you afraid whenever you feel adrenaline. Oh my god. Oh my god ❤️ fear toxin is already amazing. BUT THIS?? SO good. My tags have jason fic rambles but unfortunately I am Currently a Tim Drake stan first and foremost so my brain went:
Huh, Fake Anxieté? 👀 and was like concept: young!Tim's parents find out about his forays into Gotham and his slowly expanding Lack of fear to consequences (he's faced scarier in Gotham simply walking home from school! He's a teenager now and no teenager is able to understand their own mortality it's a literal Thing!), and thus he is Not being a Good and Obedient Young Son. They will Fix This. And so Tim gets chipped (oof don't think about the dog and leash metaphor in this thank you :)) and I like the angst of him not realising it. Having to deal with this sudden influx of anxiety, barely wanting to leave the house because he's started to get panic attacks when he goes out to photograph things, the human brain tries hard to protect itself. If you're constantly getting flooded by adrenaline and fear your neurological pathways adapt and tell you everything is bad.
And it's. He knows this isn't normal. Tries to get his parents to help, gets assistance from online pysch self-help, struggles so hard with it, and then Jason dying 👀 Tim deciding he has to do something even if he's terrified of the outside world. Using every trick he can to get Dick back in the game and when Dick scoffs and does that (I can't remember it verbatim) but the vibes of well if you think he needs a Robin so bad why aren't you volunteering? line. Bro. The angst.
ANYWAY because this is an au (even if using more fanon!tim characterisation 'cause. Chip) I'm also like. Make him fight scarecrow as his first bust.
...Tim literally stuck here in: I can't mode, but if he doesn't, Batman and Nightwing die- it's not even adrenaline that gets properly triggered by his chip anymore, as soon as any of it starts he just gets flooded with fear and his brain makes it so much worse. Alfred watching him have a total breakdown 🥰 <- bad. Being like Hm I think something is Wrong With This Child. And managing to help enough that Tim - who has spent YEARS battling his (fake, thanks parents) anxiety - powers through and then shakily collapses when he's home.
Also this is when Tim is like okay. This is so not normal. I just had a three day hallucination. And Also that felt a LOT like fear gas. Figuring out adrenaline is the trigger and trying to suppress it...oof. And the coping mechanism he uses to get through Robin is just. Completely shutting down. It is CREEPY to everyone else. There is a subsection of mooks terrified that Batman bought the old Robin back to life through his dark magic and that's why he goes from bubbly poking-Batman to Completely Silent and Darkness.
Alfred like: this young man has an anxiety disorder
Tim: something is greviously wrong and I can't bring it up with batman yet because this is an InternshipTM until Batman is able to function on his own but as I get better at being Robin I'm sure I'll figure out why my brain is so weird and Also how it is that I'm immune to scarecrow's gas (that's weird right?)
Nightwing: this kid is a wreck how on earth is he managing Bruce's mental health so well- oh yeah wait nevermind he probably has lots of help with his own. Hm. Let's make sure he doesn't get hurt- why on earth does he go through missions like a robot this is supposed to be fun and adrenaline inducing does he not like FUN????
Batman: Jason 😔
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cannibalise · 2 months
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guy who forgot its dads wedding is tmrw
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pisswizard420 · 7 months
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Shoutout to the knack (stormborn) edge beautiful wonderful 10/10 getting so much use
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yokelfelonking · 1 year
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Post 9/11 Trivia
Most folks on this site were either children on September 11, 2001, or weren’t even born yet.  But America went crazy for about a year afterwards.  Here’s some highlights that I remember that might not be in your history books:
There was national discussion on whether or not Halloween should be canceled because…fuck if I know why.  After planes crashed into buildings in NYC it follows that 6-year-olds in Iowa shouldn’t be allowed to dress up like Batman and ask their neighbors for candy, I guess.  (Halloween wasn’t canceled, by the way.)
On a similar note, people asked if comedy - any sort of comedy - was appropriate anymore, ever.
People sold shitty parachutes to suckers “in case your building gets attacked and you have to jump out the window.” There were honest-to-God news reports warning people not to jump out of the window with shitty mail-order parachutes because they wouldn't work.
As a follow-up to the attacks, someone mailed anthrax to some prominent politicians and news anchors - you know, famous people - along with some badly-written notes about “you cannot stop us, death to America, Allah is good” and after that every time some random dumbass found a package in the mail they didn’t recognize they thought that the terrorists were targeting them, too.
Everyone was similarly convinced that their town was going to be the next target, even if they were a little town in the middle of nowhere. "Our town of Bumblefuck, South Dakota (population 690) has the largest styrofoam pig statue west of the Mississippi! Terrorists might fly planes into that too! It's a prime target!"
People started taping up their windows and trying to make their houses or apartments airtight out of fear of chemical and biological attacks. There were news reports warning people that turning your house into an airtight box was a bad idea because, y'know, you need air to breathe.
"[X] supports terrorism!" and “if we do [X], the terrorists win!” were used as arguments for everything.  "Some rich Arab you never heard of donated to his organization that backs Hamas which backs al-Queda, and also owns stock in a holding company that has partial ownership of the Pringles company, so if you eat Pringles you're supporting terrorism!" "The terrorists want to tear down our freedoms and our way of life and rule us through fear! Eating what you want is one of our freedoms as Americans! If you're afraid to eat Pringles, the terrorists win!" (I promise you that this sort of argument is in no way hyperbole.) (This argument is how Halloween was saved, by the way.  “If we cancel Halloween, the terrorists win!”)
People worked 9/11 into everything, and I mean everything, whether it was appropriate or not.  If you went to the grocery store the tortilla chips would remind you to support the troops on the packaging. Used car sales would be dedicated to our brave first responders. You couldn't wipe your ass without the toilet paper rolls reminding you to never forget the fallen of 9/11, and again, this is not hyperbole. My uncle, who lived in Ohio and had never been to New York except to visit once in the 70′s, died of a stroke about 8 months after 9/11, and the priest brought up the attacks at the eulogy.
On a similar local note, on the day of 9/11, after the towers went down, gas stations in my home town immediately jacked up gas prices.  The mayor had the cops go around and force them to take them back down.  I doubt any of that was legal.
Before 9/11, Christianity in America - and religion in general - was on a downward swing, with reddit-tier atheism on the upswing. Religion was outdated superstition from a bygone age. The day after 9/11? Every single church was PACKED. (This wasn't a bad thing, but the power-hungry on the Evangelical Right saw this as a golden opportunity to grab power and influence.)
EDIT: By Popular Demand - Freedom Fries. I initially left these off because they came a couple years after the initial panic and most people thought they were kind of absurd (and I don't recall anyone really going along with it other than maybe some local diners here and there). France didn't want to get involved in our world policing so some folks were like "TRAITORS!" and wanted to call french fries "Freedom Fries" instead, so as to stick it to the French.
Besides dumb shit like that…it’s really hard to overstate how completely the national mood and character changed in the span of a day, or how much of the current culture war is a result of the aftermath. (9/11 was the impetus for the sharp rise in power of the Evangelical Right, who made themselves utterly odious and the following backlash helped the rise of the current Progressive Left, for instance.)
And if all of this seems batshit...well, it was. But I want you to think for a moment how people react today over even trivial shit. People send death threats over children's cartoons. They call for blood if the maker of a video game had an opinion they don't like. If someone made a racist joke a decade ago when they were a teenage edgelord, folks will go after people who even associate with them. "DON'T YOU UNDERSTAND ALL THE HARM THEY'RE DOING!?"
Now take that same level of over-the-top histrionics and apply it to the unprecedented event of passenger planes crashing into crowded buildings in America's most populous city and killing thousands of people all at once. "DON'T YOU UNDERSTAND THAT WE WERE ATTACKED!?"
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readymades2002 · 1 year
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smiling so happily and serenely and kicking my legs a little bit because i can name things in my fantasyworld however i want and no one can tell me not to. la la la
#i don't think i've shared a ton of my writing on here but some of my favorite stuff to write is strings of nonsense text#i should clarify. ive not shared a ton of my FICTION writing on here. though i have shared plenty of nonsense text#and so sometimes i just like to indulge in that while naming things. its fun to me#naming things Mahogonny: Collaborators In Paradise and Fearful Symmetry and Albatrause and Piranesi in the same setting#simply because it is fun to me. purloining words and concepts from works i enjoy and making something new of them. the like#i'm compiling notes on the setting right now just because ive been really into locations lately which is unusual for me#rest assured though i have also designed PLENTY of guys (strange and offputting women and mean gay autistic men) as well#i enjoy many things. i am just kind of slapping everything i like into a setting and well no one has stopped me yet!#its new for me...ive always worked more off a story/character background when making things really#all of my characters have different stories they go to but they're also kind of aimless in that they just live there...#im very bad at imagining characters taking initiative to change their lives which concerns me because it feels like a fantasy#to me so i think it would be cool to like. run this setting as a game for other people to see what it would be like#to be able to animate something like it. idk. chipping away at it slowly (very slowly)(very tired all the time)(job sucks)
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xjulixred45x · 8 months
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I could't contain myself guys sorry--
Bro, do you realize how scary it would be to have Vox as a Yandere?
just imagine it. You could be one of his workers, maybe too good at your job, because not only do you do what Vox tells you without asking questions, but you also know what to say and what not to say to avoid a "tantrum" from him. or rather, when his insecurities attack with force like when Alastor returns.
Vox would probably be a somewhat condescending yandere (as seen with Val) but don't think you can't turn tables easily, if you stroke his ego enough, you can have him around your finger. but that doesn't make it any less dangerous for those around you.
He makes the typical 180 degree turn in attitude when it comes to Other Employees and when it comes to You. Damn, you may be the only one of his employees who gets paid vacations (or even vacations) or even birthday bonuses, things like that. He likes to give you his things or products with the excuse that "they are for testing" even if they have already been released on the market.
Like:
Vox: who the fuck eat My leftovers!?! WHENEVER WHO WAS I'M GOING TO-
Darling: it was me sir.
Vox:--give You the rest and take You out for lunch, You haven't eaten in the whole day AGAIN, didn't ya?
He definitely avoids conflict with you by hypnotizing you, when he starts to feel hostility, fear on your part or that you want to leave, he makes you "out of nowhere" have "ONE MORE TASK" and you can't help but do what he says.
and IT IS NOT just to avoid fights or for you to leave, it is something CONSTANT (once every two days MINIMUM), although Vox is not worried about your brain turning into mush due to its powers, it always keeps nutritious things in your diet and they come out relatively often , as you have to follow him everywhere.
Eventually he becomes more clingy and needy in this case, it's practically not that he's proposing to you or anything, he's just slowly dragging you into a relationship without you realizing it (because you're not lucid enough). Unless you develop a higher level of tolerance to his hypotonic trick, I don't think you'll notice his Red Flags.
I think it would be ESPECIALLY BAD if Darling is also a Sinner, because then they wouldn't even be able to get out of the pride ring to run away from Vox. leaving you with many fewer options and having to avoid all of Vox's technology, which you could only achieve by 1- going to the Cannibal Legion or 2- going to the Hazbin Hotel.
Running away is EXTREMELY DIFFICULT, not only because of his hypnotic trick, but because he literally has EYES EVERYWHERE, on every screen in hell. If you somehow manage to get away with it and run away, Vox would be SO ANGRY and looking for you all over hell with their screens.
Although definitely if you were gone more than a day, he would be more distraught than angry and would begin to despair. Even Val and Velvet would give him a hand because of how bad it would be.
Just imagine, thinking that you finally lost sight of Vox's search drones, without realizing that you stand in front of some store and VOX ITSELF appears on the screens :)
If you made the stupid decision to go to the Hazbin Hotel, Vox would be distraught and would even think that Alastor was somehow holding you hostage, obviously! Why would you go there if you knew his biggest enemy was there? Alastor must be using you as a bargaining chip! How dare he!?
(in this case, fortunately, the punishment is much less severe, but he would definitely monitor you for the rest of your life)
When he eventually gets you back (after a few days or even WEEKS of anguish) expect, first of all, to be in a mortal embrace that lasts AT LEAST 2 days and then receive your "punishment" which would be to be under hypnosis for AT LEAST 1 YEAR to be sure that this NEVER HAPPENS AGAIN.
Although calm down! He gives your mind breaks periodically because 1- he doesn't know if that would ultimate mess with your head and 2- it's nice to hear YOU talk instead of the robotic version.
When that year FINALLY ends, you will be a much more obedient, more terrified, sweeter version of You, according to Vox, like a frightened Deer. It was a long and hard process, but the good thing is that you don't have to do anything anymore! absolutely! Just do what he tells you and everything will be fine.
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Not one of the Best yanderes to have, but Def not the worst
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halemerry · 1 year
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So there's a lot to unpack here but I want to start by talking about the ending and specifically about the Metatron and the calculating moves made at the end of episode 6.
Every single piece of what happened there was a manipulation technique being employed against Aziraphale to an almost brilliant degree and I'm honestly a little obsessed with what this says about the Metatron in particular.
Let's go in order.
First of all. We see him order coffee. In a human body. Something sweet and sugary. He talks to Nina and asks her about her shop name. Does anyone ever ask for death? And when she tells him no they don't his response is to say "so predictable". Our introduction to him here even when everything about him reads like a sweet old man is presented to show us someone who reads the world in terms of being predictable to him.
He then shows up in the middle of Aziraphale's existence being threatened. He immediately cuts down the threat's authority (using outdated language like Az himself would favor) and reemphasizes his own connection to Heaven. When Michael doesn't recognize him and he puts her down and then directly engages Crowley. Crowley who, to Aziraphale, has for centuries at a minimum been someone he thinks is smarter, better, more Good than these other archangels. The Metatron validates these beliefs. Crowley is more Heavenly than these archangels who couldn't even recognize the voice of God when he was standing right in front of them.
The Metatron draws attention to the fact he's in a human body. The kind of body Aziraphale has been in and loved for nearly 6000 years. He then banishes the archangels, implying their morality is in a gray space, and validates Muriel someone we have seen Aziraphale react positively to and someone outside the current power structure. Look at me, he's saying. I see and validate the little guy.
He then tries to talk to Aziraphale. Aziraphale says "I've made my position quite clear." And then the Metatron offers Aziraphale the coffee. This bartering chip, consuming sustenance, is a thing that Aziraphale and Crowley have used as their connective tissue for centuries. It's an olive branch for them. It's giving Aziraphale bodily pleasure and the Metatron implies that he himself has partaken also - a thing we know that Aziraphale has struggled historically with moralizing. He is seen by the closest thing he has left to his parent and he is having old fears validated as safe and old habits being played upon to make him feel secure
He then REMOVES Aziraphale from his home turf. Not only does he remove Crowley from the equation but he takes Aziraphale from the place that has stood as a place of sanctuary throughout the entirety of the season. The shop is Safe and Aziraphale is leaving it and he is leaving the one person who might be able to smell the bullshit coming from the Metatron. The music notably turns absolutely dire here.
The next time we see them the Metatron tells Aziraphale that he doesn't need to answer instantly. He can take his time, if he likes. All the time he needs. And then tells him to go tell Crowley. Once again bringing Crowley in as a valid part of this while manufacturing a scenario where he can't possibly be.
Az ends up in a place where he's overwhelmed and confused and he wants so badly to believe what he's being told. It's an appealing thing from his perspective! He feels off kilter like he's made a mistake in judging the Metatron. He can't even fully articulate what happened to Crowley at first and he's had absolutely no real time to actually think it through. He's running on sheer reactive energy.
The Metatron starts their conversation by asking Aziraphale's opinion. Who should rule Heaven? This is once again playing into making Az feel validated and like he's a part of this decision making process. The Metatron corrects him, complimenting Aziraphale and making him feel capable and in control. He reassures Aziraphale's bafflement. And draws attention to some traits that, while true of Aziraphale around Crowley, are not his defining traits in the eyes of Heaven. You don't just tell people what they want to hear I find particularly notable in this regard given Aziraphale spent most of his time on earth actively lying to Heaven and doing just that. But it fits into the narrative Aziraphale has built around himself, especially post Apocalypse. The Metatron then says I need you (a phrase Az will use much more painfully here in a minute).
And even after all this Aziraphale says no. He says flat out he doesn't want to go back to Heaven. He says this!!! And then the Metatron sweetens the pot. He swaps tactics. Not once has this come up until Aziraphale pushes back against the idea. If the Metatron could've gotten him without using it I have no doubt he wouldn't have bothered with it. Come to Heaven and we can save Crowley. Aziraphale loves Crowley. Aziraphale thinks Crowley is better than any of the angels he's interacted with. Crowley is Good and Nice and Kind and always saving him and now he's being presented with a way to return that. He can Forgive Crowley - a thing Crowley has always presented to Aziraphale as something he struggles with. All of these things Aziraphale has watched Crowley react to in a way that belittles himself or distances them from one another. Of course he wouldn't consider that maybe what he was actually saying is "I'm unforgivable and I don't want that forgiveness."
The Metatron offers Aziraphale a Dream Offer for the pre Armageddon Aziraphale. You can keep your Crowley. You can heal him like you have always thought he deserved. You can have power and control the people who for your whole existence has beaten you down. It can go back to how it was but BETTER.
When Aziraphale leaves he still hasn't answered. He goes and has the conversation they have. It's intense and emotional and the Metatron comes in after the Moment all casual and asks how it goes, knowing fully well the shitstorm he had just set up to get created. And then he turns around and says "always did want to go his own way" which is not only true of Crowley but framed as a bad thing despite the fact that he has just spent twenty minutes or so telling Aziraphale that he's done his own thing and that is Good. He is playing both sides of this perspective as it suits him. And then he cuts down Crowley asking questions, pressuring Aziraphale to avoid doing the same. He then proceeds to ask Aziraphale not if he's made up his mind but if he's ready to get started. He is one by one closing off exit routes to this thing as Aziraphale starts to look more and more panicked and indecisive. He makes sure the bookshop is in good hands and asks Aziraphale if there's anything he needs to take with him. Letting Aziraphale have the illusion of choice while cutting down "I don't want to" as an option altogether.
And Az, as soon as the Metatron is out of shot, tries to express this. And then he falls back right on old coping methods. The Metatron pats him on the head. Reassures that he's the right one for this. That he is Good. That his particular skillset is needed here.
It is a masterstroke of manipulation. A very dark twist on what we see Crowley do time and time again with Aziraphale throughout the millennia. Familiar in a way that makes Aziraphale feel safe. Except this time this is being used to put him back in line. It's brilliant and painful and it fucking hurt and I need a season 3 to see the Metatron get what's coming to him stat.
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stealthetrees · 2 months
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I want Fox to be unhinged and obnoxious, but in a way that means he gets progressively worse. Like, on Kamino those certain qualities like audacity and insanity would be deemed unacceptable in a soldier, so he’s gotta shove those urges down and be normal. Then he gets to Coruscant, and is put in charge of thousands of trusting, impressionable very young adults and now they’re all looking to HIM for ideas and comfort and protection instead of Fox competing with others he’s gotta lead them all. And he’s great at it.
But those things he repressed start to come out. His plans get crazier. He becomes weirder. It takes time, but eventually he will have the self confidence to walk around the senate building wearing civilian clothes he dug out of the trash with sunglasses and a margarita claiming he’s hunting a separatist spy.
Palpatine once tried to fix him using the chip in his head but it sent the Guard into a frenzy cause their quirky, smart-mouthed big brother they know and love is acting completely different. Fox somehow found out someone in the senate building is always talking to Dooku, but he doesn’t know who. Thorough investigations are carried out and Fox puts the fear of god into the senate.
The man becomes a menace and uses the fact that he’s not considered sentient to get away with fraud, manslaughter, bribery, assault, intimidation, stealing, identity theft, and so much more. Clones are given rights and pay only to take way Fox’s most convenient excuse.
His batch mates are bewildered by the developments, not having lived with him since Kamino and only seeing him briefly, believing it to be some side affect of working closely with government, or perhaps that they where ment to be fighting a war. That argument doesn’t hold water when acknowledging the number of fights Fox gets into on a weekly basis.
(The Guard has a lot of videos of Fox beating up an unreasonable number of people by himself bc Corries have a bad habit of just watching Fox kick ass instead of helping him. Also videos of Fox doing shit like breaking into a safe or forging signatures or pickpocketing. Like how ur dad asks for your help with things in the garage but you end up just holding the flashlight.)
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skbeaumont · 18 days
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Honey and Whisky | Joel x F!reader oneshot
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Summary: You've been watching him for months, orbiting each other as you both try to deal with the demons you should have left behind when you arrived in Jackson. It's only when you see Joel with another woman that the tension between you finally grows into something palpable.
Tags/warnings: smut, explicit content, MDNI, resolved sexual tension, PIV, oral (m receiving), fingering, dirty talk, a little bit of angst but mostly filth, mentions of trauma but nothing explicit, Jackson!Joel, F!reader, reader is not explicitly described, no use of Y/N
Word count: 3.6k
You’ve been watching him for months.
His broad back ahead of you in the queue for work duties; the side of his face in the canteen, strong jaw casting shadows on the tanned expanse of his neck under his open-collared shirt; dark eyes passing over yours as you both line up for the cinema, his kid at his side. He never seems to pay you much attention – never seems to pay anyone much attention – but you’re sure you’ve seen a hint of recognition in his expression each time you cross paths, a sort of unspoken “you again” that passes between you.
You never hold his gaze for long, never make conversation or attempt to get to know him, because you’re sure he’d brush you off. It's not that he’s unfriendly, exactly. He’s gruff and intimidating and more than a little rude sometimes, but he’s also eager to help anyone who needs it, chipping in with repair work and patrols without complaint. He never smiles or passes false niceties like most other folk do, preferring instead to offer terse, grumbled words of advice. He shows the Langstones how to properly repoint the grouting on the damaged side of their house, his shirt sleeves rolled up, the hot summer sun causing sweat to bead in the spaces between the curls on his forehead. He helps old Mrs Lopez with her hanging baskets, carefully raising them into position as she stands below and calls out instructions to him. When he stretches up to secure the last basket his shirt pulls up, revealing a strip of tanned skin and dark hair dipping beneath the band of his jeans.
So, yeah, you watch him. You watch him because he carries tension in his shoulders, unspoken fear in his eyes. There is something cold about him, something that suggests he’s trying hard to leave the man he was on the outside behind but hasn’t quite managed it. It’s a feeling that’s familiar to you, too. Five years on the road hardened you into something you don’t quite recognise in the mirror, the kind of person who flinches if someone gets too close, who can’t stand to have strangers approach from behind even on the safe streets of Jackson. It’s a deep-seated fear that has settled in your bones and seems unwilling to leave. Joel Miller is a man whose ghosts seem to mirror your own, and that makes him hard to look away from.
*****
By late March the snow has finally started to thaw and that’s enough to warrant a gathering in the Tipsy Bison. It’s unofficial, a quickly thrown together occasion that’s passed round by word of mouth that afternoon, but it still seems like everyone in the town is packed into the small tap room. There’s hardly room to navigate your way to the bar, elbows pressing into your sides, shoulders rubbing against your own. The early spring evening light is waning, soft dapples of sunlight casting pretty patterns on the table tops and worn leather seating.
He's at the bar. You don’t see him at first, too lost in your own thoughts, your head filled with the afternoon’s work, hands still sore from the handles of the buckets. But there he is, one elbow propped on the countertop, hip popped out, knee bent. He looks relaxed, for once. There’s an easy smile on his face, his lip curved up to meet the dimple of one cheek, and he’s talking to a blonde woman. Something like jealously flares up in your chest, hot and uninvited.
She’s pretty. Long, sleek hair tied up behind her neck, plump lips, a delicate, pointed nose. You know who she is, vaguely. Rose or Rosa or something, a woman who’s been in Jackson since the start, her eyes unplagued by visions of what you and Joel have both seen on the outside. She lives next door to Joel, a street away from you, though you can see her garden from your bedroom window. She and Joel are talking quietly, their voices lost in the hubbub of the bar, but you still see when she throws her head back and laughs, hand reaching out to clutch at Joel’s shirtsleeve, catching the bulk of his forearm with her slender fingers. His eyes trace the long expanse of her neck, pupils wide despite the bright light of the bar and you know he’s thinking about fucking her, thinking about how she’d look spread out underneath him in his bed, propped up against his pillows.
Then his eyes leave hers and catch yours, and there’s that familiar swoop in the pit of your stomach, that passing glance between you and Joel that always seems to linger. “You again,” it says, sending sparks between the twin points of your pupils, disrupting the reverie of Joel and Rose, pulling him suddenly and violently away from his fantasy.
You look away and hear him clear his throat, feel rather than see him shift where he's stood, imagine the frown that crosses his forehead as he continues to watch you. By the time you’ve got a drink from the bartender – a young guy who can only be a few years older than your sister, maybe twenty-three or twenty-four – Joel’s eyes have left your face and he’s chatting to Rose again, or at least letting her talk at him. Her voice is sweet, like honey and sugar and iced tea, and you almost don’t blame him for wanting to sleep with her, almost understand why he’d let himself be seduced by her niceties, her innocence.
Then you take the first sip of your whisky, feel the harsh, grating pull of it against your tongue, and think no. She’s honey and he’s whisky, and there’s no way you can stand here, in this crowded bar and let her have him when what he needs is the recognition of your own haunted eyes. So you throw back the rest of the bitter drink and slam the glass onto the bar. It startles Joel, despite the busyness and the loud chatter all around, but Rose doesn’t even flinch. Why would she? She doesn’t know that a slammed glass against warped wood sounds the same as the snap of a rifle, that the friction of the contact through your fist against the countertop makes you and Joel both think of the kickback a pistol will give if you don’t hold it square enough.
Rose giggles with something like nerves, all light and high-pitched, her hand smoothing the wood beneath her hand, but Joel’s looking at you again, pressing himself further into the bar top so that he can keep his gaze on your face when Rose leans forwards. And you let yourself turn to him, let the side of your mouth lift up into something like a smile.
Rose’s eyes flick anxiously from Joel’s face to yours. She thinks you’re about to have an argument, you realise, and that makes you smile for real, laughter almost bubbling up in your throat. There’s heat between you and him, and she’s caught between it, feeling the licking flames that in her innocence, her wholeness, she’s misinterpreting as conflict. But Joel’s pupils are blown wide where they hold yours, and he swallows, tongue dipping out from between his lips to wet them. He’s thinking about you, now. You, in his bed, pressed against his pillows, and while the image isn’t as clear as the one he had of Rose, it’s settling deep in his gut in a way that she hasn’t, sending hot coils of pleasure blossoming out to the tips of his fingers.
He’s a lost cause, he thinks. Damaged goods, probably, from the soles of his weary, blistered feet to the ends of his greying hair, but so are you. So it’s easy to push himself away from the bar without a word to Rose, easy to force himself through the throngs of writhing bodies, his broad shoulders turning this way and that to ease his path. It’s easy to pretend he isn’t aware of you following him, that he can’t feel the heat of your eyes on his narrow waist, watching every movement of his hips as you both leave the crowded bar, Rose forgotten behind you.
Outside, the cold is still enough to catch in your throat, but by the time you reach the alleyway that runs between the bar and the first row of houses Joel is crowding you against the wall, pressing himself to you like a man possessed. You let him, fist your hands in the thick expanse of his coat, trying to feel the solid mass of him beneath it. One large hand comes up to your jaw and he tips it to the side, presses his nose into the gap between the hollow of your throat and your jacket and inhales deeply, pulling the smell of whisky from your neck.
“Have me,” you say into the quiet of the alley, and he pulls his head back, looks at you hard, questioning.
“Have me,” you repeat, adding, “not her.”
“You jealous?” He asks, his voice gravelly. He lets his hand follow the curve of your neck into your hair, his calloused fingertips rough against your scalp.
“No,” you lie, “but she should be.”
He chuckles at this, a huffed breath of a laugh that in the cold sends a plume of hazy condensation into the narrow slice of air between the two of you.
“Okay.” He says then, his mouth curving into a grin that he presses against your own lips.
The kiss is rough, needy from the first point of contact. But then he opens up to you, groans into your mouth when you pull his tongue into the wet heat of yours. He brings his other hand up to cup your jaw, huge hand spanning the full length of your face. The air around you is still cold but there’s a fire somewhere deep in your belly, Joel’s chapped lips moving against yours, his broad body pressing you into the rough brick. You jolt against him when he shifts, a thick thigh moving to slide between your own legs. The friction then is delicious, tensing muscle pressing to the centre of you, slick pooling on rough denim. 
It’s a shock as he pulls himself away suddenly, cold air swooping in to replace the heat of his body.
“C’mon,” he says, “my place is closest.”
And then he’s striding away, not waiting for you to follow because he’s so confident you will, disappearing around the corner of the street. You stumble after him, legs weak.
The streets are empty, and that’s probably the only reason he wraps an arm around your waist when you catch up with him. He holds you to him, hard, fingertips digging into the flesh of your hip like he’s trying to mark you. Your thighs bump together, his so much larger than yours, coiled strength wrapped up in corded muscle. The walk is only short, and neither of you speak, too set on reaching your destination.
Up the steps, his arm leaving your waist to rummage in the pocket of his jeans and pull out a key tied on a worn piece of string. The lights are all off – his kid is obviously out somewhere – but he pulls you inside without turning them on, the darkness of the evening now fully settled over the town.
Crowded against the front door, you fist your hands into his hair, relish the soft thickness of his curls, the way they glide through your fingertips, his mouth seeking yours out, lips barely skimming your own before pulling back, making you chase him.
“Didn’t think you were interested,” he says into the narrow gap between you, “always avoiding me, seems like.”
“I’ve wanted you since I first saw you,” you tell him, pulling him to you by the nape of his neck, fitting your lips together so that your teeth clash, mouths colliding messily.
He groans into you, pulls away again, asks, “what do you want, pretty girl?”
The nickname shouldn’t make you grin against his lips, shouldn’t send a somersault of ecstasy through you, but it does. You’re not pretty, you know. You’re damaged and rough and so fucking needy. Needy for his hands and his mouth and his lips, that he leans down to press against the column of your throat,  teeth just grazing the skin there.
“Hmm?” he mutters against you, “tell me what you want.”
“You,” You tell him, nails scratching into the delicate skin just above his ears.
When he lifts you, hands gripping the meat of your thighs and pulling you up to rest against his chest you gasp, shifting your hands to link your fingers behind his neck. He carries you up the stairs like that. It’s a little uncoordinated and messy, his hip bumping the banister, your foot catching on the door frame, but then he drops you onto his bed and covers your body with his own, his hands seeking out the flesh of your breasts. He pushes the hem of your top up, kneads at the soft skin there with a practised hand, forefinger and thumb pinching your nipple in a way that has you arching up off the bed.
“This okay?” he asks, voice gravelly and rough, and you nod, but he tsks from between his teeth, “gonna need words, baby,” he says.
“Yes, Joel, please,”
He pushes your jumper the rest of the way up and off, does the same to your t-shirt so that you’re half-naked and writhing under his hands. The sudden hot heat of his mouth over your peaked nipple makes you hiss out a breath, and he chuckles from somewhere deep in his chest, using his teeth to bite down against your skin. Then his hands are pulling at the button of your worn jeans, dragging them and your underwear down off your thighs. He lets them fall onto the rug-covered floor of his bedroom and then his fingers are moving to where you’re wet and needy for him.
The pleasure of his fingers sliding against you is overwhelming and all-consuming, so much so that you hardly notice the way he’s grinding his hips against you, pressing his covered cock into your thigh, chasing friction. You feel him twitch against you as he presses two fingers into the tight heat of you, lips settling at your pulse point, teeth grazing the delicate skin there. It’s enough to tip you over the edge and you come hard, stars blossoming across your vision, limbs shaking with the exertion of it.
“Look so good like this, baby,” Joel says into the side of your neck, “spread out against my sheets like a fucking angel.”
He pulls his fingers from you, drags them up through your folds and then into the heat of his mouth, groaning around them as he sucks your juices from his own skin. Something snaps in you and suddenly you’re pushing him off you, onto his back, straddling his denim-clad thighs and tugging at the buttons of his shirt. The fastenings open easily, buttons worn and shiny with age, revealing a broad chest and softer stomach, a light trail of hair disappearing under the waistband of his dark jeans, the scene illuminated by the orange glow of the streetlight outside the window.
He's big; you can see the contour of him against the denim, a solid, thick line that twitches against your palm when you press it into him. You pop the button on his jeans, unsurprised to find he’s not wearing underwear. The jeans join yours on the floor and his cock bobs before you against his stomach, head dark and shiny in the low light, a bead of precum that you kitten lick from him. The movement has Joel bucking his hips, a deep groan rumbling through his chest. When you take him into your mouth he threads his hands into your hair and grips, not pushing you down but just holding you there, grounding himself with his fingers against your scalp. You work your tongue over him, using your hand to cover the part of him that you can’t fit into your mouth and he moans and curses above you.
“Fuck, darlin’, m’not gonna last if you keep going,” he tells you, voice cracking with the effort of it, and you pull away regretfully, moving yourself up to straddle his thighs.
Joel’s hands find your hips and drag you up, up, up so that the head of his cock catches against your clit, slick pooling on his belly as you rock against him. It’s messy and filthy and goddamn incredible, the solid ridge of him pulling against you just right, pleasure building up and up and up so that your thighs tense around him and you’re coming again, Joel’s fingertips digging hard into the flesh of your hips, pain dulled by the pleasure of it.
As you come down he takes the opportunity to roll you both over, slotting himself between your thighs and pressing the blunt head of his cock to your entrance, not pushing in yet, just holding you there, pinned beneath him, dark eyes seeking yours in the relative darkness.
“Please, Joel,” you keen, fingernails scratching a path down the broad expanse of his back.
The kiss he gives you then is soft, almost gentle, but you chase his lips, drag the bottom one between your teeth and bite down hard. He growls as he sinks himself into you, a choked-out moan painting hot air across your cheeks. You’re both lost then, gripping onto each other as heat and pleasure lick a steady flame through you.
The only sounds in the dimly lit room are the hot pant of Joel’s breath and your own breathy sighs. His silhouette is like a marble statue above you, holding himself still on two propped elbows, hard-set jaw working with the effort of keeping himself from thrusting into you carelessly.
“Fuck- Joel, please, fuck me,” you say into the stillness and he dips his head, buries his neck in the space between your shoulder and jaw, rough stubble licking at the skin there.
“Okay, baby,” He whispers, and then he pulls himself out and surges forward again, stretching you around his cock, reaching deeper this time than before.
He sets a punishing pace, one fist gripping the hair at the base of your neck, the other holding himself up so that he can watch where you’re joined. You think about Rose then, wonder if he’d have fucked her like this, fast and hard and needily – no, he wouldn’t have, you decide. This is something that only you and he have a need for, something dark and unrepentant and all-consuming. There’s nothing else in the universe in this moment but Joel’s thick, strong body above yours and the delicious stretch of his cock inside you.
“You feel so fuckin’ good, darlin’,” he tells you, “wanna pin you down and keep you here forever.”
He adjusts the angle, shifts his hips so that his cock hits the spongy spot inside you that sends pleasure shooting up your spine and you can’t help the whimper that escapes your lips.
“Bet you’d let me, too, wouldn’t you?” Joel says, voice hard, hips dragging as he slows his thrusts to press his pelvis against yours, “Let me do whatever the fuck I wanted with you and you’d thank me for it, huh?”
“Yes, God, yes,” Your voice sounds pathetic even to your own ears, high-pitched and breathless.
Joel chuckles darkly, wraps a broad hand around the base of your neck and holds it there, not squeezing but just keeping you in place.
It’s warm in the small bedroom and you watch sweat bead in the creases of Joel’s neck, on the tips of his curls where they rest on the side of his face and forehead. His eyebrows are furrowed, face contorted with pleasure and concentration and when he flicks his eyes up to catch yours there’s that familiar electricity between you. “You,” it says, “it’s always you.” It’s enough to tip you both over the edge. You come hard, cunt clenching and fluttered around Joel’s cock and he lets out a rumbling groan as his hips stutter, his rhythm lost. He slams his hips to yours one last time and then you feel him twitching inside you, painting you with ropes of come. He curses through it, little half-choked mutters of Jesus Christ baby, fuckin’ tight, perfect cunt and then he collapses against you, his sweat-slicked chest hot against yours, both of your gasping in desperate breaths. Joel rolls off of you but pulls you tight to him, arm wrapped possessively around you waist, hand firm on the tender flesh of your hip.
In the aftermath, the orange glow of the streetlight looks like fire against Joel’s white bedsheets. The flames of it lick up the breadth of his chest to his collarbone and you think of a different fire, the one that burned down the last haven you found, over five years ago. You think of the death and destruction of that night, squeezing your eyes tight shut to try to block it out. When you open them Joel’s looking at you, dark eyes holding yours, but his expression is a little distant. The crease between his eyebrows is deepened by the way he’s frowning and you’re sure he’s thinking of his own fire-struck night, his mind perhaps decades away. The sex-sweet haze is already slipping away, but he’s a firm presence beside you and when you take a shaky breath, trying to slow your hammering heart, his arm around you tightens reassuringly.  
Maybe the ghosts can be kept at bay for a while, at least.
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Chemical Override (bonus chapter 2) - August!
Ewan Mitchell x actress!reader
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a/n: this sweet one is set just before they broke it off (or rather, before the reader stomped all over his heart) in part five!
series masterlist ▪︎ main masterlist
August! (... slipped away into a moment in time)
It's a fine morning, albeit lazy, you and Ewan having done nothing but lay in bed and talk and cuddle.
Granted, you did a lot more than talk over the course of the night. And this continued in the morning, with Ewan gently coaxing you out of sleep in need.
He's been insatiable, not that you can blame him. You two are finally together, after months of dancing around each other, your friends in eager anticipation to see how the 'will-they, won't they' dynamic will culminate.
They'll be pleased to know that it all led up to the best date you've had so far, followed by a night of bodies burning for the other, marking their territory in the throes of pent-up desire.
Ewan was sure he would remain the gentleman, merely driving you back to your hotel and calling it a night.
But you had invited him upstairs for a nightcap. Maybe some tea, as the Brits do. Needless to say, the tea was quickly forgotten, along with any reservations he might have about simply having you.
The haze of it hasn't subsided. Clad in nothing but undergarments, your limbs are tangled with his under the sheets as you watch the newly released New York foods video he did with Tom a while back.
"Baby?" you say, running your fingers through his hair as he has his head propped on your thighs. The screen plays on, showing the lads thoroughly enjoying some New York City hotdogs.
"Hmm?" he responds, his voice hinting at how soothed he feels from your touch.
"You're such a baby."
"What?" He twists his neck to shoot you a look of betrayal. Adorable.
"I bet those chips weren't even that spicy," you say, rolling your eyes. "I would have devoured those jalapeño chips."
"They were spicy!" He leans against his forearm, which he quickly positioned on your thigh without thinking, causing your muscle to spasm from the sudden weight.
"Ahhh, Ewan!" you wriggle your legs. "Get off, get off..."
"Shit!" He bolts upright, immediately kneading the flesh with his palm. "Sorry, baby. Here, where does it hurt?"
You sigh audibly. "Oh, you." You narrow your eyes at him playfully, trying to look all tough, but apparently he takes it as a cue to press his lips to yours.
It's warm, a bit sloppy, your breaths stale from wine drank over the course of the night. And you don't mind at all.
He croons in your ear, "How do I make it up to you?"
"It's fine, I was only kind of messing - "
"Come now, darling, anything."
He gazes at you, awaiting an answer. In the background, you hear his voice saying, The Fuegos... I didn't like them, as the video comes to a close.
I saw your eyeballs sort of pop out your head a little bit, Tom says in response.
This is going to be fun, you think, smiling evilly to yourself.
Rising to your knees on the bed, you loudly declare, "Today, my love, you will conquer your fears and eat my favourite spicy food."
"Nooo!" He shakes his head right away, already plotting how to get out of this predicament. "Baby, please make me do anything else. I can't handle my spice!"
"My mind is made up."
"What if I do that thing that made you scream last night? When I buried my tongue insi - '
"Ewan!" Your face reddens, but you carry on. His face will soon have the same reaction, but for different, more savoury reasons. "I mean, I would like that but - "
"Alright, let's go baby, spread your knees - " he nods, desperate to placate you and your challenge, but also eager to get down to business.
You shuffle away when he tries to pry your legs open. " - I said I made up my mind! We're eating spicy food. We gotta eat anyway, I'm starving."
He groans, collapsing back on the bed. He runs his hand tiredly over his face, mulling it over. As if he actually has a choice. He wants to do this for you, seeing as how excited you're getting.
"Get up, ol' sport," you crawl on top of him, perching above his stomach. "We're gonna go get the goods."
"Hmm," he sighs contentedly, one look at you more than enough to quell his worries. For now.
"Okay, darling," he relents, then his eyes flash in mischief. "But before we get out of bed... how about I do that thing anyway?"
There is not a single chance in the seven hells that you could ever say no to that.
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An interesting spread is laid out on the round dining table in your hotel suite.
Your stomach growls in anticipation, while Ewan is stiff as a board as he sits beside you.
"I'm hungry, aren't you?" you nudge him, but he only moans, throwing his head back in his chair.
"What if I'd already eaten? I can skip this?" he tries.
"And what the hell did you eat?"
He smirks, and even though his answer won't save him from what follows, it renders him gleeful all the same. "You," is his reply.
That prompts an eye roll, but you shake your head at him fondly. "What should we start with, baby?"
"Water."
"Come on."
"How about the strawberry milk?"
"Okay, then I'll pick." You clasp your hands, surveying the options. "Let's start with something easy." You settle for the bowl of Flamin Hot Cheetos and place it right in front of him.
You help yourself to a few pieces, before noticing that he hasn't moved a muscle, so you take one and bring it to his lips. "Open up, handsome."
"Mmmm," he tilts his head away on instinct, but he gives in after a second. He makes a face as the snack crunches in his mouth. "Not... bad, I suppose.... Urghhh - " he coughs a little, making you snicker at him between bites.
"That's not spicy at all," you say. "At least, it's nothing compared to what we'll have next."
The chicken wings are an unnatural bright red colour, covered in hot sauce and dotted with flecks of chili. You lean down and take a whiff, your nose scrunching as the strong hint of spice hits your senses.
Your placating smile does nothing to ease Ewan, who only looks like he is regretting his life choices on the spot.
"O-kay, dragonblood. Time to breathe fire," you remark in an attempt to inspire some confidence in him. Didn't he take pride in playing a Targaryen dragonrider? Surely some part of him would want to overcome the big, bad opponent that is known in our world as spicy wings.
"Breathe fire?" he exclaims. "That does not make me feel any better!"
"Do it for Vhagar, my love. Do it for Vhagar."
"I'm doing this for you," he corrects, before gingerly taking the smallest bite of a wing. He waits for the impact, confused when nothing unpleasant occurs.
So he bravely takes another, heartier bite.
Big mistake.
His hand gravitates to the glass of water, and he chugs it down like a lifeline. His once pale face becomes the same hue as the fiery culprit.
"Fffuck, ba...by," he hiccups. "I didn't like that at all."
You have a bite, wincing just a little when it hits your throat. It wasn't too bad, so you tell him to calm down.
He complains anyway, "I think I just saw my life flash right before my eyes."
You chortle at that, which unfortunately makes some of the spice travel up your nose. "Oh god!" You instantly take a huge gulp of milk. "Don't make me laugh!" you say, when the heat dies down.
"See?" he cries out in vindication. "Why must we torture ourselves, darling?"
"The food's tasty," you counter.
"Yeah, but is it worth the price?"
You grip his shoulder, dramatically saying, "We have to keep going, soldier."
"No."
"Yes."
"You won't break up with me if I refuse, will you?"
You pause, making it seem like you are seriously deliberating it. "Maybe."
"What?!" His expression takes on a more real sense of alarm.
"I'm kidding," you giggle, nudging his leg with yours. He leans his head against your shoulder, responding with, "You're mean."
"And you're dating me. What does that say about you?"
He lets out a weary laugh, "That I'm just really in love, I guess."
That almost makes you give up on the challenge entirely. You could just let him eat the pepperoni pizza you have saved as the actual meal. But it wouldn't hurt too much to tackle the grand finale. The final boss. Maybe it will even get his taste buds to crack and cross over to the dark side.
"Baby?" Here goes everything.
"Hmm?"
"It's time for the spicy ramen."
He sighs a true sigh of defeat and acceptance. "If I survive this, you have to swear you're never letting me go."
"That's your bargain? Easy, baby."
His blue eyes bore into yours. His cheeks are still red and he's still sniffling from the spice, but his sentiment holds weight. He shrugs, before his arm reaches out for the bowl of ramen, making it known that he has already accepted his fate.
You slide the glass of milk closer to him.
"Try not to get it on your lips as much as possible," you advise him, growing worried as the ramen pack did warn that it was '2x Spicy'.
You cringe inwardly as a forkful of noodles enters his mouth. He drops his arm, chewing slowly, and finally the food gratefully slides down his throat.
"Mmm," he clears his throat, trying his hardest to remain calm. His forced, blank expression is even more alarming than the alternative.
"Ewan?" He turns his head toward you, slowly. And you see the full extent of the damage. His eyes well with tears, and his breathing is shallow from an even more congested nose.
"I'm okay," he wheezes, trying to maintain a show of boldness for your sake. "I can do this."
"You don't look okay." You shake your head at him, as his face takes on an even deeper shade of red.
A pained grunt escapes him. "Maybe a kiss will make it better."
A cursory glace at the ramen sauce staining his lips compels you to protest without a second thought. "How about no? You've got it all over your lips."
"Darling, who cares? You're going to eat them too!" he says, scandalised.
"But I've got a technique. I don't let it touch my lips so it doesn't burn!" You inch away as he leans in.
"So you won't kiss me?" He uses his baby blues against you, eyes bright and shimmering as he pouts in disappointment.
"You don't need a kiss." He tries to grab you, making you stand from your chair to get away. With your palm outstretched, you implore him, "Baby, just drink your milk."
"Then I get a kiss?"
"Fine. Then you get a kiss."
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Tom calls you a few days later, his tone animated from the moment you pick up. "Would you look at that! I didn't think I would get a hold of you lovers. Thought you'd be busy doing somethin' else, if y'know what I mean."
"It's noon here, Tom," you reply matter-of-factly, stretching your legs out on the bed.
"So? I reckon Captain Big Balls over there has got it in him."
"Wow," you let out an amused exhale. Tom always did have a way about him, being a Manc and all. "Well, he's in the shower right now if you wanted to speak to him."
"I'm surprised you're not in there with him, love! You guys are all over the news, bloody hell. Even out here, everyone's buzzin' about the hot new couple from House of the Dragon. And no, it's not Matt and Fabien."
You smirk at his last remark, "Are you sure it's not Matt and Fabs?"
"Positive," he says. "But we never know what could happen. Anyway, how in the hell did you convince him?"
You rack your brain for what exactly he could be pertaining to. "Convince him to do what?"
"To create a bloody Instagram profile, that's what!"
Your mouth falls open, and you quickly put him on speaker so you can scroll to the aforementioned app. Sure enough, it doesn't take long for you to sift through your new follower notifications before you find him.
His username is on brand - straightforward and no-frills - just ewanmitchell . Already verified with a hundred thousand followers and counting. In his following list, however, there is only one - your profile.
If the papparazzi pictures and tabloid stories and fan encounters hadn't convinced everyone yet, likely this will.
Ewan, notorious not only for his charisma and pure talent, but also for being steadfast in staying off social media, has sent the entirety of Ewan Nation into a tailspin with his profile.
Icing on the cake - he only follows you.
"You see, this is what convinces the public that you two are not PR," Tom says. "Because Ewan would never, ever get on the socials for just anyone."
"I didn't even know he made this. I haven't been online in quite a bit."
"Been busy, huh?" he asks.
"Yeah."
"Doin' a lot of stuff out there?"
"I guess."
"Like Ewan?"
"Tom, I'm going to lynch you when I see you."
He only laughs, having gotten his desired outcome from prodding at you.
The bathroom door slides open, and Ewan steps out with nothing but a towel haphazardly wrapped around his waist.
"Who's that?" he mouths at you.
"Tom," you answer loudly, prompting Tom to greet Ewan from the speakerphone.
"Aemond the Fierce!" he bellows, the long-distance call doing nothing to stifle his personality. "I always knew you had it in ya. Ever since you laid eyes on her during the table read, I knew it was only a matter of time."
Well, isn't that a revelation. You had thought it was just you harbouring a crush in the beginning. "The table read, really? I just remember being so nervous," you say.
"I thought you were attractive," Ewan admits, scratching the back of his neck. "And you were reading your lines with such passion that I... "
Tom interrupts, "He ran over to me and told me to show him your social media."
"Not just that, I - "
"He wanted to see whether you had any pictures with a boyfriend or something."
"Alright, alright." Ewan snatches the phone from your hand, as if that will keep Tom from exposing him even more. "How are you, mate?"
"I'm good, lad, and yourself?"
Ewan glances at you, seeing that you've gone back to reading a script, your brow furrowed in concentration.
A smile tugs at the corners of his lips.
"I'm great. I'm happy."
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"Over here! Over here!"
"How's your evening going, you guys? How are you enjoying LA?"
The papparazzi needlessly try to make small talk and they flash their cameras in your face. You and Ewan barely have time to grimace at each other once you get inside his car. The restaurant where he took you to dinner hadn't been crawling with paps when you arrived. Someone must have tipped them at some point.
Ewan instinctively reaches for your hand when you've driven some distance away from the restaurant, a breath of relief exiting his lungs.
"That's Hollywood for you, baby," he says amusedly, putting on his best standard American accent.
The car speeds through the streets of LA. Heading to Mount Hollywood, you have the famous Griffith Observatory set as your destination.
You have always wanted to go, and it only took one mention to Ewan before he planned it for your next date.
It doesn't take long before the observatory's iconic structure comes into view. Its white domes seemingly gleam under the night sky, a sentinel watching over the city of Los Angeles.
Stepping out of the car, you take in the scene in awe. The resulting look on your face lets Ewan know he made the right choice in taking you here. He'd take you here everyday if it meant seeing you in a spell of childlike wonder.
The observatory itself is just a bonus.
The outer balcony stretches like a vertice into the vastness of the city, a sea of lights glistening down below. It seemed to sprawl on endlessly, a labyrinth of hopes and pains and dreams.
You stand there, drawn to the view like a moth to a flame. The evening breeze dances through your hair, and your face is aglow from the illuminated city.
Smiling widely, you turn and find Ewan lingering just behind, watching you.
"Come and look at this, my love," you wave him over.
He wants to capture the moment, so he does. He subtly points his camera in your direction. Your profile is partially visible, with your face turned out into the horizon. Your silhouette stands before a mosaic of the shining city.
But it's you that has his attention. You that pulls all of his focus into the frame.
He never thought he would have much use for a public social media profile like the one he created on Instagram, but hours later, as you're sound asleep beside him, he finds purpose for such a thing.
He uploads the first ever photo on his profile - the one he secretly took of you at the observatory.
Too conscious to think of a caption, he doesn't type in any, content to let the photo speak for itself.
Putting his phone away, he presses a soft kiss to your forehead and falls into blissful slumber.
Ewan hadn't been aware of the phrase breaking the internet, and he's in for quite the rude awakening.
Even so, he doesn't let it faze him.
You're in shock when you discover the amount of comments under the photo, well past the twelve thousand mark when you wake up. Positive, negative, and everything in between.
Almost unheard of for an Instagram debut.
His reaction?
"At least everyone knows that you're mine now. What's wrong with that?"
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The sad, angsty bits will be saved for the next proper chapter! What happens to Ewan's Instagram then? What happens to him?? 🥲💔
I was going to include the double date idea, but alas, my ideas ran dry.
I've got nothing but love for all of you that have followed this story to this point! If you've got scene requests, just let me know!
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dandylovesturtles · 1 month
Text
It's time! For Room Fic Part 4 Part B! Of how many parts? IDK ANYMORE
This is the longest part of the fic yet, and it's also the most... talky. But I felt like this was a part of the recovery everyone wanted to see so I thiiiink it's fine.
Content warnings: vomiting, HEAVY discussion of eating issues (including calorie counting, done purely as a recovery mechanism in this fic but still worth noting), mentions of the non-consensual voyeurism that happened in the first part, and as always, anxiety and aftermath of torture
If you're lost, start here!
I'm soooo tired I only proofread like half of this. it'll go through full editing when it goes on AO3
-----
Leo crashes into his room and grabs anything within arm’s reach to pull over himself. The blanket from his bed. A cardboard box, contents dumped on the floor. His skateboard, a beach towel, a plank of wood used to prop up action figures.
He cowers into his claustrophobic, makeshift nest, clutching his ill gotten gains to his chest. He doesn’t know why he bothered, because there’s nowhere to hide in here, and then they’ll…
They’ll do what? It’s his family. And if they’re upset with him for stealing the chips, well, he deserves that. Who is he to take food, when they’re running low already?
That’s what he expected, actually, when the lights flipped on and Raph was standing there. To get yelled at, chewed out, dressed down - the way he’d been waiting for Raph to do this whole time. Why can’t he just do as he’s told? Why does he always make the wrong decisions?
But Raph hadn’t yelled. He ran off. And now Leo doesn’t know what to expect at all.
He assumes Raph went to get their dad, or even Draxum. He waits in his hiding spot, heart pounding in his ears, and listens for the call of his full name, the surefire indicator that he’s in Big Time Trouble. He stole food, food he isn’t even allowed to eat, and when they’re running low, too. He doesn’t know what the punishment is going to be, and the fear of not knowing pulls him deeper into his nest.
He wants to know. He dreads finding out.
Time passes. He has no idea how much. There’s no clocks in here (there hadn’t been any clocks in there), and his phone is on the nightstand, hooked to its charger. To get it he would have to leave his hiding place. And he’s scared.
So he waits and waits and waits. Until his limbs grow uncomfortable and cramped, until no amount of shifting dulls the pain. His heart is still rabbit quick in his chest. (He may be a turtle but call him the hare-)
No one comes for him.
Finally, finally, when his body physically can’t take this position anymore, he scoots out of his hiding spot and gets to his feet, bag of chips clutched in his fingers. He walks to the curtain over his doorway - though “walks” is really overselling it, with the way he pauses for hours between every step.
When he makes it to the doorway, he peeks out.
The lair is quiet. Everything is dark. No one is stirring.
He makes his way back to his bed, and looks at the bag in his hands. He feels so anxious that he’s nauseous. And he can’t eat if he’s nauseous or he’ll lose his dinner.
So he can’t even eat the damn things. The irony would be funny if he could laugh.
He kneels down and fishes around under his bed for a box he knows is there. It’s full of little toys and trinkets from childhood - things he saved from the old lair that he couldn’t bear to throw away, but is too embarrassed to be seen with.
He dumps the contents of the box into the bigger one he hid under earlier. This is more important.
Then he hides the chips inside and scoots the box under the bed.
He climbs back onto his mattress, cringing when the bed springs creak. His blanket is still on the floor, but he doesn’t want to get up and risk making more noise.
So he curls up on his mattress and stares at the wall and tries futilely to sleep.
Donnie’s brand new curtains don’t even help. Maybe that’s part of his punishment.
-----
Somehow, he manages to make it to breakfast. He doesn’t remember who poked their head in to tell him it was ready, or how he picked himself up and walked to the kitchen. He just ends up there.
Mikey greets him with a sunny grin and the announcement that he gets oatmeal today, along with his scrambled eggs. There’s even some banana on top of the oats. He should be excited for the variety, but he feels numb. Still, he smiles as he’s expected to and thanks Mikey and hopes it passes scrutiny.
Draxum comes in, and then his dad. He stiffens up for both, muscles tense while he waits for the yelling to start. But no one starts yelling. Draxum sits and eats and Leo hears him give a reminder to take vitamins. Splinter reads out the shopping list, and everyone scrambles to add last minute items. 
Normally, this is where Leo would be chiming in with all the snacks and junk food he wants, but he knows if he says anything he’ll be turned down, so he doesn’t. He can feel the weirdness of it, but he doesn’t take his eyes off his food to see anyone’s appraisal.
Donnie’s last in; he drinks his coffee fast and tries his luck with adding uranium to the list. He grabs a granola bar instead of eating what the rest of them are having, then tells Mikey to meet him at the entrance in five minutes and leaves. Mikey piles the dishes in the sink, then rounds the table to give everyone a hug goodbye, Draxum included.
Leo smiles when Mikey gets to him. Says, “Have a good day, Mikester.” Swallows down the impulse to grab on and beg him to stay.
He finishes breakfast, then goes to the TV room and settles into the recliner. Raph comes by and pats his shoulder and tells him to call if he needs anything. Splinter hops up and pats his head before following Raph away.
He’s alone now. Alone, with Draxum, who’s currently in the kitchen doing who knows what.
(Leo doesn’t like leaving him alone in there. All their food is in there.)
(Well, not all of it. Leo’s made sure of that.)
He lays in the chair and pretends to be asleep. And he listens. 
To be sure that his brothers and dad are really gone, and aren’t coming back for a forgotten wallet or phone.
Until Draxum leaves the kitchen and moves for the train car he’s taken over as his own.
Until he’s sure no one is watching him.
Then he gets up. He goes to his room. He’s not sure why he feels like he’s sneaking, when he’s obviously allowed to be there.
He makes sure all his windows are covered, curtains or otherwise. Makes sure the curtain over his door is stretched as far as it will go.
Then, as silently as possible, he reaches under his bed and pulls out the box. Opens it to reveal his stolen goods.
He unrolls the top of the bag, wincing at each crackle of the plastic. His eyes dart to the door, to the windows, to make sure no one is there, no one is watching him.
Then he reaches his hand in and grabs a chip in his fingers.
He’s not sure if he should do this now. Maybe he should wait, save this when things get dire. But everyone is gone. They’ve left him alone, with Draxum. What if Draxum doesn’t let him eat, with no one here to step in?
He’s scared of being hungry again. He doesn’t want to go back to that place. 
Just a few, he tells himself. Just a few, and then he’ll stop.
He pulls the chip out of the bag, and takes a bite.
-----
They’re at the local grocery where no one asks questions, basket half full and three minutes in to Splinter trying to decide if the Buy One Get One Half Off deal for frozen dinners is really worth it or not, when it occurs to Raph that maybe they shouldn’t have all left at the same time.
Of course, in normal times this wouldn’t have been a big deal at all, especially with a nominally responsible adult in the lair. But times haven’t been normal for over two weeks now. The thin shell of his little brother, once always the biggest and loudest in the room, now trying to make himself as small as possible, isn’t normal. 
They got Leo back, but it still feels like someone else has him.
And now Raph feels guilty. He’d been so desperate to just get away, from the feeling of being inadequate, from the fear he’d make things worse, that now he’s probably made them worse anyway by leaving Leo alone with a guy he does not like. Raph should have stayed home. Or told Mikey and Donnie to wait until he and Splinter were back before leaving.
(That worries him too, for different reasons. He knows he can’t lock his brothers up in the lair to keep them safe. But he kinda wants to.)
But he didn’t do any of that, and now they’re out and Leo is alone. Raph thinks of the chip bag and sighs. He just can’t seem to make the right decisions. The calculus is overwhelming, and Raph’s always left math to Donnie.
“Hey Pop,” he says, watching Splinter flip his fourth TV dinner over to look at the nutritional information. “Do you think… Leo is gonna be okay?”
Splinter pauses, then gingerly puts the box into their basket. He pats Raph at the knee, and Raph feels the overwhelming desire to be small again. 
“...Yes, I do. It will take time and care, but I think, one day-”
“No,” Raph cuts in, “I mean, do you think Leo is gonna be okay today? I mean, we kinda just ran off and left him alone.”
“He is not alone.” Splinter makes a face, at odds with his words. “Baron Draxum is the most annoying man in the world, but he would not let harm come to you boys.”
Raph rubs his neck. “Sure, but… Leo’s not exactly Draxum’s biggest fan. Especially not now…”
“Blue does not have to like him,” says Splinter airily. “He just has to eat the food Draxum gives him.”
“Yeah, but that’s the whole problem,” Raph insists. “He’s bein’ a huge jerk about it.”
“Ah… I know. I have spoken to him about his… tone.” Splinter waves a hand. “He is trying to be more polite.”
Raph thinks back to breakfast this morning. He’d laugh if anything were funny right now. “Is that why he was all “please” and “thank you” and “sorry” this morning? He looked like he ate a lemon.”
And judging by how distant Leo was acting, he doubts any of it made an impression. 
“It just proves that the man is incapable of being nice!” Splinter chuckles. “Do not worry, Red. We will only be gone a few hours. Most likely, Blue will sleep until we are back.”
“Raph hopes so…”
They continue moving around the aisles, crossing things off their list as they do. It’s normal and boring and Raph thinks he needs that right now. If only it distracted him from the thoughts in his head…
There’s so many questions to dwell on. And the biggest one looms over them all, constantly drawing Raph’s attention back to it.
They’re in the soup aisle when he speaks up again, saying, “Hey, Pops, do you think…” and then flagging out before he can voice it.
“Often,” says Splinter, reaching for a can of tomato bisque. “But at my age, it can be difficult!”
Raph snorts despite himself, grabbing the soup can and passing it to his dad’s fingers. “Come on, Raph’s trying to ask a serious question here!”
“Hm.” Splinter puts the can in their basket. “Then I will give a serious answer.”
“Do you think…” Raph shifts the shopping basket from one hand to the other, and resolves not to chicken out this time. “Do you think Leo did the right thing? Not talkin’ to that Bishop guy?”
Splinter goes quiet for a long time. He points to a can of alphabet soup, the kind Leo insists he’s too old for but will happily eat when he’s sick, and Raph dutifully puts the can in the basket.
“…I think he did the brave and noble thing,” he says at length.
“That ain’t the same,” says Raph.
“I do not know if there was a right thing.” Splinter’s voice is sad, fingers idly stroking one of the soup cans. “It could be that if Blue had talked, he would not be as hurt as he is now. Or it could be that Bishop would have… disposed of him, once they had what they wanted.”
The idea of Bishop “disposing” of Leo steals Raph’s breath. But it’s not like he hasn’t thought of this before.
“April said pretty much the same thing.”
“Oho! April is very wise.” Splinter nods in satisfaction, affirming for Raph once again that his favorite kid is definitely April. But then he looks up at Raph sidelong and says, “But that answer does not satisfy you.”
Raph sighs. “It’s just… what if he thought he had to stay quiet, because of something I- because he thought it’s what he was supposed to do?”
A furry hand lands on his. Raph takes a deep shuddering breath, and uses his free hand to scrub at his eyes. They’re damp, suddenly, and he’s not sure when that happened.
“…I often worry the same thing,” says Splinter, “about all four of you.”
Raph doesn’t know what to say to that. He already knows that their dad would give anything for the four of them to not have to fight; he also knows it’s out of his dad’s hands.
Why can he accept that, but not accept the same for himself?
“I’m afraid I do not have an answer for your question,” says Splinter, pulling Raph back to the grocery store. “I want you boys to be safe. But the situation Leonardo was in afforded him no safety. I’m not sure there is a choice he could have made that would have helped him. Still…” Splinter sighs. “It could be the reasons he made the choice he did are troubling.”
“Yeah,” says Raph. “That’s what I’m afraid of.”
“Mm.” Splinter pats Raph’s hand. “Your questions and worries are wise ones, Raphael. Meditate on your answer, and when you are ready, share it with Blue. You will find your path forward together.”
Raph chews on his lips. “I’m scared I’m gonna mess up,” he admits.
“Sharing the truth in your heart is never a mistake,” says Splinter, “so long as you are doing it with love.”
Raph blinks at him. “Pops, isn’t that a line from one of your movies?”
“It is a good line! Very heartfelt.” He picks up another can of soup and tosses it into the basket. “As long as you are talking to Blue with love, you will do just fine, Red. And remember, this is not your sole responsibility. We are all here to help each other.”
It should be self-evident, but the reminder pulls some weight off Raph’s shoulders. It’s not just up to him. Everyone is coming together to help Leo. That’s why Donnie and Mikey are at the scrapyard, to finish making curtain rods for Leo’s room. That’s why Draxum is always researching and scribbling in his notebook, refining his meal plan for Leo’s recovery.
It’s not just Raph against the world. He isn’t alone, and neither is Leo.
“Yeah, I know. Thanks, Pops.”
“Of course, Red. Now, let’s keep moving or we’ll be late getting back!”
On their way to the checkout line, Raph spots the candy aisle, and a bag of hard, sour candies. He stops, reaching out and brushing the bag with his fingers.
“Mm… that is Blue’s favorite, isn’t it?” asks Splinter.
“Yeah.” Raph pulls the bag off its hook, holding it over the basket uncertainly. “I know he can’t have ‘em yet, but he’ll be able to eat normal stuff soon, right?”
“Right.” Splinter nods. “Put them in! We will hide them until Draxum says it is okay, then give them to him.”
Raph grins and drops the bag into the basket. At least it’s something to look forward to.
-----
Leo is halfway through the bag of chips when the curtain to his room is pushed aside and Draxum is standing there.
He was saying something about the vitamins Leo forgot to take as he came in, the little blue pill organizer clutched in his hand. But now he freezes, taking in the scene: Leo with a handful of sour cream and onion chips, his cheeks bulging slightly, the salty evidence tracking up the sleeve of his hoodie.
He’s crossed the room before Leo can blink. He grabs Leo’s wrist, and Leo cries out, twisting his arm to try and free himself.
But he can’t, he’s weak, he’s so weak-
“What are you eating!?” Draxum bellows. He tosses the pill organizer onto Leo’s bedside table; one of the lids pops open and there’s little plinks as vitamins scatter. “How much of this have you had!?”
He wrenches the bag out of Leo’s grip, and Leo yelps again as he loses the food. The only food he had, and now Draxum has it and Leo is going to-
“This bag is over half empty,” snarls Draxum, waving it in Leo’s face. Leo doesn’t have the presence of mind to defend himself, because he’s still trying to wrench his wrist free. He claws at Draxum’s arm with his free hand, and somehow it gets Draxum to let go; he jerks away with a gasp, dropping the handful of chips to the floor, and at the same time the ones already in his mouth leave painful scratches down his throat and lodge there. Leo doubles over and wheezes in a desperate attempt to get air.
“Are you- Leonardo!” Draxum looms over him, and Leo doesn’t have the strength to flee. He can’t do anything as Draxum strikes him, once, twice, three times on the shell in big, open-palmed slaps.
A white-hot cough rips up Leo’s throat, and he spews the half-chewed potato chips across his blanket, bits of drool and spittle dangling from his lips and tears rolling down his face. He sucks in a deep breath as feeling returns to his limbs.
The hand that hit him moves toward him again, and Leo dodges this time, flinging himself off his bed and into the floor, scrambling backwards to put distance between himself and his attacker.
“DON’T TOUCH ME!” he shouts, hand flailing for his swords and not finding them. Where did he put them? Where did they take them?
“Leonardo-” 
Draxum takes a step toward him, and Leo pushes to his feet, grabbing for anything nearby to defend himself. But there’s nothing, nothing, where are his swords-
“Leonardo,” says Draxum more firmly, and he takes another step forward. “Stop this, you’re going to hurt-”
“No!” Leo presses himself back against the bookcase on the far wall, the metal shelves biting into the skin of his arms. “No,” he repeats, and a high, manic laugh bubbles through his throat. “You took my food.”
“This,” Draxum shakes the bag, “is all empty calories. This is not going to help your recovery! Why can’t you just do as you’re told-”
“You’d like that, wouldn’t you?” Leo spits. He feels stronger than he did a moment ago, pushing himself off the bookshelf and standing on steadier legs, squaring up against Draxum. “Just do as I’m told?” He laughs, a cold sound. “Just like Bishop wanted.”
Draxum stiffens. Something about his expression is… weird. If Leo didn’t know better, he’d almost say Draxum looks scared. “Do not compare me to him,” he says, and his voice is much lower than it was a moment ago. “I am trying to help you.”
“Help me?” Leo holds out his hand, taking a step forward. “Then give me my food back.”
Draxum watches him, gaze unwavering. He holds the chip bag closer to his chest. “I cannot.”
Leo barks out a laugh, high and cold. “I knew it. You’re just lying to me.”
Now he’s the one advancing on Draxum, slow but strong steps, one at a time. Draxum does not move.
“Leonardo-”
“I’m on to you,” says Leo. His voice is a chilly sing-song. “You’re sooo happy to have everyone out of the house. Now there’s no one to stop you from torturing me. Now you can watch me suffer.”
“I do not want you to suffer,” says Draxum, his tone measured. He still hasn’t moved an inch, even though Leo is right in front of him now, within striking distance. 
“Then why did you take my food!?”
“This is not good for you,” says Draxum. “I’ll feed you a healthy lunch in two hours.”
“Yeah?” Leo shakes his head. “What do you want me to do for it?”
Draxum’s eyes widen. “What do you mean?”
“Come on. Tell me.” Leo grins. It hurts his face. “Want me down on my knees? Want me to beg?”
Draxum’s face goes a shade paler. “No,” he says, firm. “You don’t have to do anything.”
“I don’t believe you,” says Leo. He laughs again. “I don’t. I don’t BELIEVE YOU!”
His fist connects with the glass- but it’s not glass, it’s Draxum’s face, and he goes sailing across the room like a rag doll. He slams back first into shelving, and there’s a clatter as Leo’s possessions tumble and fall around him.
He looks at Leo, eyes wide but expression steady, despite the fact that Leo just…
Leo… doesn’t know what just happened.
He shouldn’t have been able to hit that hard. He shouldn’t have been able to hit at all- Draxum should have blocked that, should have fought back, should have… should have…
“...What?” says Leo, and it comes out with a crack down the middle.
Draxum watches him a moment longer. Then he sighs and pushes himself off the shelves, getting back to his feet. He doesn’t come closer. “I cannot give you these,” he says, indicating the bag. “But I will not fight you.”
“...Why not?” Leo asks, because it just doesn’t follow anything he thought was happening here.
“Because I care for you,” says Draxum simply. Like it’s obvious.
“...I don’t understand,” Leo says, because he doesn’t.
Draxum nods. “That’s because I haven’t properly explained it to you. I didn’t think it was necessary… but it was. Is.” He sighs, rubbing his cheek, starting to glow red from Leo’s punch. “I’m very sorry for that, Leonardo.”
Leo stares. Draxum is… apologizing? He should be attacking, fighting back, not apologizing!
The adrenaline leeches out of Leo, leaving him sagging in the middle of his room - his messy room, with everything thrown around like it’s in an active war zone. A million emotions are running through him, his dying rage warring against the confusion and the beginnings of remorse, a roiling mix that leaves him feeling sick to his stomach.
…Oh wait, no. He’s actually sick to his stomach.
Leo clamps a hand over his mouth, and Draxum is moving again - more calmly, this time. He drops the chip bag on the floor and grabs the wastebasket Leo has sitting by what could generously be called a desk. He holds it out, just in time for Leo to lose his breakfast and all the chips he just downed.
Leo hovers over the wastebasket until he’s empty, until he’s spit a few times to try and get rid of the taste. Then he wipes his mouth on his palm and looks up at Draxum warily.
“Are you finished?” Draxum asks.
Leo shrugs. Draxum takes that as an affirmative and lowers the wastebasket to the floor by the doorway.
“Why are you helping me?” Leo asks.
“I’ve been helping you this whole time,” says Draxum, and it’s only the exasperation that manages to break through that makes Leo think it’s - maybe - not a lie.
“Why?” he repeats, more urgently. 
“Because you are my son.”
Leo steps back, his knees knocking into his bed. He sinks down onto the mattress, balling himself up until he can wrap his arms around his knees. 
“No,” he says. “Mikey’s your son. Raph and Donnie, they’re your sons.”
A look passes over Draxum’s face. It’s… sad.
“You are my son, too.” Draxum takes a step toward him, then seems to second guess himself and stops. “I know we don’t get along. But the fear that froze my chest when they told me you were gone couldn’t mean anything else.”
Leo stares at Draxum, searching every part of his expression for any hint, any suggestion, that he’s lying. He waits for Draxum to change his tune, to start yelling again, to hit him, to do something.
Draxum doesn’t. And Leo sags on the bed. The feeling of fear with nowhere to direct it leaves him floating.
“I’m going to explain everything to you now,” says Draxum. “But I need to get a few things first. Will you be alright on your own for a few minutes?”
Being alone for a few minutes sounds great; Leo needs to pull himself together. He nods.
“Good.” Draxum stoops and picks up the wastebasket, then the bag of chips, and the chips that fell on the floor. “Answer your phone,” he says, “before your brother comes back to skin me alive.”
Then he leaves the train car. It’s only then Leo realizes his phone is ringing - has been ringing.
He scrambles to pick it up, seeing Raph’s name and picture lighting up the screen. Raph, who is supposed to be getting groceries, because they’re running low.
Raph, who apparently didn’t rat him out about the chips.
Leo shakily presses the answer button. Then he takes a deep breath and swallows to try and calm his voice.
Then he does what he does best and starts talking.
-----
“Heeey, bro,” says Leo, and Raph wants to weep with relief.
He’s two full blocks away from the grocery now, headed for the manhole cover closest to the lair. Their groceries are somewhere on the street behind him, and Splinter is held tight in his other arm. When Leo didn’t pick up right away, Raph started moving.
He felt it, after all: not as strong as the first time, not as desperate or afraid, but still there. Leo, terrified and alone and angry, crying out for help.
Leo hadn’t answered the first four calls, and the worst scenarios are still playing out in Raph’s imagination, even though he can hear Leo now.
“Leo!” he cries, and nearly fumbles the phone. He hits the speaker button, lowering it so Splinter can hear, too. “What happened!? Are you okay!? We’re on our way back right now!”
“Whoa, whoa, whoa,” says Leo, and his voice is scratchy and hoarse, but trying to be placating. “What are you talking about, big guy?” He sounds shaky, like saying those words in that tone is taking so much effort, and Raph wants to hit something until it breaks. 
“Just tell me what happened,” he says, trying to sound calm and failing. Splinter pats his arm and speaks up.
“We just need to know if you are alright, Blue.”
“Yeah, I’m fine,” says Leo, his voice cracking a bit on the last word. He clears his throat. “Why wouldn’t I be?”
Raph falters, staring at the phone. Does Leo not know? Could Leo really not feel himself doing that?
He gives his dad a helpless look. Unfortunately, Splinter looks just as helpless. Raph dithers on his answer too long, finally choking out, “Raph just… got a bad feeling.”
“You get bad feelings over everything.”
(Raph wishes he did. Then he would have gotten a bad feeling when Leo went to Run of the Mill on his own.)
“This was just… a real bad feeling.”
“Leonardo,” says Splinter softly, “are you certain you are okay?”
“Yeah,” says Leo, and he doesn’t sound like he’s okay, but like an actor pretending to be someone who’s okay. “It’s… Look, me and Drax got in a fight, but it wasn’t a big deal.”
“He fought you!?” Raph shouts. Someone across the street gives him a weird look.
“Not physically!” says Leo hastily. “Not- I mean- he didn’t- it’s not like he would hurt me, right?”
It sounds a little too much like an actual question, and Raph feels queasy.
“He better not, or Raph’ll hurt him.”
“Red,” says Splinter softly. Then he says, into the phone, “No, Blue. He will not hurt you.”
“...Right,” says Leo quietly. “Yeah. He won’t.”
Raph breathes shakily, trying to quell the urge to pummel a car parked on the side of the road into scrap metal. “Listen, we’re on our way back right now, okay? Just give us-”
“You got the groceries already?” Leo interrupts. He sounds so fragile.
Again, Raph looks helplessly at Splinter. This time, Splinter steps in.
“We’re getting them right now, Blue. Then we’ll be on our way back.”
“...Yeah. Cool. Good.” Leo clears his throat again. “Then… see you guys in a few?”
“...Yeah,” says Raph, at a loss. “A few.”
“Okay. Well. Bye.”
He hangs up. Raph doesn’t move the phone, staring at it long after the screen goes dark and Leo’s smiling face disappears.
“Pops, we’re not really going back for the food, are we?”
“He’ll be upset if we come back without it.”
Raph knows he’s right. He knows that. But everything in his body is screaming to get back to Leo right now, not to leave him alone for another second.
“We can’t all run off and leave him again,” he says.
“Yes,” agrees Splinter. “You are right.”
Raph nods. Then, even though it tears him apart, he turns around and starts walking back to the grocery store. He hopes no one spotted their bags and took them, or they’ll have to start over. They’ll have to leave Leo alone even longer.
“He hated being alone as a kid,” he says.
“I know,” says his dad.
“We shouldn’t have left him today. I knew it.”
“Yes. You were right.”
Raph feels a little mad at Splinter then, that he didn’t think through the consequences. Splinter said this isn’t on Raph alone, but if he’s the only one thinking about the wellbeing of his brothers…
His brothers.
He puts Splinter down, then unlocks his phone again. “I’m gonna call the other guys. They probably felt that, too.”
“A good idea,” says Splinter. Raph nods at the approval, then clicks Donnie’s contact.
Thankfully for Raph’s anxiety, he answers on the second ring. “Hello you are now conversing with Donatello,” he says in a rush, following up with, “What happened to Leo!? Are you home!?”
“No, but I talked to him,” Raph reassures him quickly. “He says he and Barry got in a fight.”
“A fight!?” Donnie echoes. “Aha! I knew he’d turn back to supervillainy one day! You owe me twenty bucks!” A pause, and then Donnie says, “Wait, is Leo okay!?”
“No,” says Raph honestly, “but I think it’s just a normal sort of bad. It wasn’t that kinda fight.”
“Ah. An emotional fight…” Donnie sighs. “But it was bound to happen, I suppose.”
“…Yeah,” Raph agrees, even though he thinks there must have been something they could have done to prevent it. He thinks about the chips again. He doesn’t know what the right thing was, still. “You felt it, right?”
“Yes. It wasn’t as strong as the first time, though.”
“What about Mikey, did he feel it, too?”
“Probably.”
Raph frowns. “You don’t know?”
“I am not Micheal.”
“…So can you ask?”
“I suppose I can text him for you.”
Raph nearly drops the phone. Then he glances down at Splinter, looking for any hint that he’s listening into Donnie’s half of the conversation.
“Why don’t you ask him, since he is right there with you where he is supposed to be!?”
“H-huh? Oh. Oh, yes!” Donnie chuckles nervously. “The buddy system, where he is my buddy, and stays in the same place as me and doesn’t go anywhere else.”
“Right,” hisses Raph. “That buddy system.”
“Yes! Well. He iiiis…n’t with me, but! He is. Here. On the other side of the junkyard!”
Raph rubs the bridge of his nose. “Well, tell him to get back from the other side of the junkyard right now so he can be with his buddy!”
“Yes, I will do that. Right now. And then we’ll be together because we’re in the same place, haha, but I’m so very busy right now goodbye Raphala!”
He hangs up the phone. Raph scowls at it.
“Is everything alright?” asks Splinter, and Raph wants to rat them out, just for a moment, but he ain’t a snitch. Even when he thinks his brothers are being unbelievably stupid.
“Everything’s fine, Pops,” he says, quickly opening his text thread with Mikey.
boy you better get your butt back to D right now or so help me you will NOT like what comes next
Then he gives Splinter a strained smile and repeats, “Everything’s fine! Let’s get those groceries!”
-----
When Draxum comes back, he’s carrying a plastic baggy, a bottle of Gatorade, and a whiteboard under his arm. He requests permission to sit on Leo’s bed, and Leo nods reluctantly.
He sets the whiteboard to the side, then opens the Gatorade and passes it to Leo. Then he opens the plastic baggy and holds that out, too.
There’s crackers in the bag. Leo takes them, a little stunned.
“I can eat these?” he asks.
“They’ll help settle your stomach,” says Draxum. “It’s not good for you to eat too much, but it’s also not good for your stomach to sit empty.”
Leo cautiously takes one of the crackers out, watching Draxum as he does. When no hand reaches to stop him, he takes a bite, chewing slow. He still feels a little nauseous, but the familiar texture and taste of the cracker soothes him somehow.
“Good,” says Draxum, propping the whiteboard on his knees and popping the cap off a marker. “Take sips of the drink, too. You need the electrolytes.”
Leo does as he’s told, alternating bites of the cracker with sips of the Gatorade. His stomach slowly unknots, and the tension in his shoulders relaxes.
He wasn’t expecting a snack, but Draxum brought him one.
On the board, Draxum has written the days of the week, and drawn out a grid underneath them. Leo eats his snack and watches as Draxum fills each square on the grid with a number.
“Where’d you even get that?” he asks after a minute.
“I borrowed it from Donatello’s lab.”
Leo whistles. “Without asking?”
“I don’t think he will mind.”
“Whatever helps you sleep at night.” Leo points at the numbers. They aren’t times, or prices, so… “What are these?”
Draxum lowers the board, turning to look at Leo. “Do you know what refeeding syndrome is?”
“…Should I?”
Draxum shakes his head. “No, there’s no reason for you to have known. I should have explained this sooner, but it didn’t feel necessary. …And I thought it might scare you.”
“Scare me?” Leo repeats. He’s not sure what could be even more scary than the fear he feels all the time now.
“I am not telling you this to scare you,” Draxum stresses. “I am telling you this so you understand what is happening now.”
Leo slowly nods.
“Right. So, do you know that when a person is starving, their body changes how it processes nutrients?”
“Yeah, it’s like, starvation mode.”
“If you must call it that,” says Draxum with a nod. “The body stops relying on carbs and glucose and uses fatty acids instead. This helps preserve the muscles, but causes a severe depletion in intracellular minerals.”
That sounded like a Donnie-level infodump to Leo. He stares at Draxum blankly. “Can you say that again, en Ingles por favor?”
Draxum actually makes a noise that could almost be a laugh. “Alright, think of it this way: a painter wants to use purple, but their purple paints are running low. So they start using red and blue mixed together, which solves the problem of preserving the purple paint, at the cost of running low on red and blue.”
Leo raises his eye ridges. “Is this how you explain stuff to Mikey?”
Draxum shrugs. “He understands art metaphors.”
Leo settles back a little more comfortably on his bed. He munches on a cracker. “It’s fine for today. Think of a comic book metaphor for next time.”
Draxum gives a long suffering sigh and says, “Fine. But do you understand now?”
“Yeah, I think so.”
“Good. So when a person eats again after a long term starvation event, their body won’t start relying on glucose again right away. It’s still in “starvation mode,” as you called it, and switching isn’t easy. The painter buys a new purple paint, but the color is different enough that they will have to use more red and blue to blend the two together.”
“I’m starting to lose track of the art metaphor here. We added purple, but we’re still low on red and blue, right?”
“Yes, precisely. Your body is low on critical minerals, and those need to be replenished at the same time it is given more carbs to convert to glucose.”
“But I still don’t understand why that means I have to eat less,” says Leo.
“Digestion itself takes energy,” says Draxum. “And the body isn’t using the tools it’s being given properly yet. So it is using more and more minerals without replacing any. The imbalance leads to stress on the body, which has negative downstream effects.”
“So, TLDR, if I eat too much right now, my body can’t handle it and I’ll get sick.”
“I have no idea what TLDR means, but yes, simply put.”
Leo looks at the cracker in his hand thoughtfully. “So all the times I’ve puked are refeeding syndrome?”
“No,” says Draxum with a shake of his head. “That is because your stomach has shrunk, and you’ve overstuffed it.” A pause, then Draxum adds, “Though I believe what just happened was a stress response.”
“I’m not stressed,” says Leo. The look Draxum gives him is not convinced. “Sooo then what is refeeding syndrome if it’s not barfing?”
“The lack of minerals causes severe stress on all parts of the body, especially the organs. This can lead to a number of disorders… including organ failure.” Draxum pauses, like he doesn’t want to say more, but he still adds, “In extreme cases, it can lead to heart failure.”
The cracker Leo is holding slips through his fingers. He feels his pulse speed up, something cold and terrible sliding through him.
“If I eat too much my heart could stop?” he asks, and his voice is small.
“In extreme cases,” Draxum repeats. “If you began showing symptoms, we would take you to a hospital. Even in the Hidden City there is no mystic cure-all for this, but they could at least reduce the stress on your organs.”
Leo shakes his head. His hands are trembling. The words feel like they’re coming to him through thousands of feet of water.
“Why didn’t you tell me this sooner?”
“I did not want to scare you,” Draxum says again. “And I did not think it was necessary. Refeeding syndrome is entirely preventable, if precautions are taken.”
It barely penetrates. All Leo wants is food. All he wants is to eat. But now food somehow feels like the enemy. He suddenly queasy again. Should he even be eating these crackers? What is safe? What isn’t?
“Is this forever?” he manages to ask. 
He doesn’t know how to take it, if it is.
“No,” says Draxum quickly. He raises his hand and reaches toward Leo, but Leo flinches. Draxum lets it drop again. “…No, Leonardo, it is not forever,” he says, and his voice is more soft than Leo has ever heard it - more soft than he thought Draxum capable of. “The most critical time for refeeding is the first five to seven days. You are almost clear of the danger zone now. And your enhanced biology may even mean we’re already past it… though I am still being cautious.”
Leo lets out a breath. So it’s not forever - it may even be over. It doesn’t calm the racing of his heart (at least he knows it hasn’t stopped, ha ha), but it does make him feel like he can pick up the cracker again.
“Then what happens once we’re past it?”
“That is what this is for.” Draxum lifts the whiteboard again, perching it on his knees. “Even once you’re out of danger of refeeding syndrome, we’ll still need to build your daily food intake up gradually, until you can eat like you once did. These,” he taps the board with the marker, “are my calorie goals for each meal and snack. As you can see, every day it goes up.”
Leo looks over the counts. They don’t really mean anything to him, but he can at least see how the number increases across the seven days on the board. “How many calories is normal?”
“Based on calculations I have done, going off what I have seen you boys eat as well as my own estimates for your growth, you and Donatello eat roughly five thousand calories a day, sometimes going as high as six thousand when you are particularly active.” Draxum scribbles the number in the corner of the whiteboard. “It’s high compared to humans, but within perfectly healthy limits given your mutant biology and high metabolism. Raphael eats more, and Michelangelo eats a bit less, though not by much.”
“Yeah,” Leo gives a chuckle, “kid can put away a whole large pizza by himself when his blood sugar’s low.”
“Unfortunately, I have seen him do it.” Draxum sighs. “But right now, you are averaging much less.” He taps the numbers. “Our goal right now is to get to where you are eating around twenty two hundred calories a day steadily, without getting sick.”
Leo has never been the math guy, but even he can handle some simple division. “Less than half? Seriously?”
“Yes, seriously. That is why ensuring that your meals are as nutritious as possible is important.” He nods at the pill organizer. “And why the vitamins are important.”
Less than half as much as he used to eat… It leaves Leo feeling a little dizzy again. Nine days without food wrecked his system this hard?
“Don’t panic,” says Draxum in that soft voice again, and Leo feels a little resentment for how it pulls him out of his ensuing spiral. “You can see that your counts are going up steadily, and as we reintroduce solid food it will get even easier. And this is not hard and fast. Going a little above this is not an issue. And I am constantly readjusting as we go. It will take time before you are… putting away entire pizzas.” Draxum scrunches up his face in distaste. “But in a few weeks, you will be eating a much more normal diet than you are now.”
Leo rubs his hand up and down his arm. “Normal like, I can eat potato chips without getting yelled at?”
Draxum sighs. “I’m sorry. I shouldn’t have yelled at you to begin with.”
“Yeah, well…” Leo fishes his last cracker out of the bag and rubs it between his fingers. “I gave you a black eye, so I think we’re even.”
“Hmph.” Draxum almost sounds amused, though he doesn’t let his lips quirk up even a tiny bit. Leo thinks he might be allergic to smiles, unless he’s doing something evil. “Still, I hope you understand the situation now.”
“Yeah, I guess.” Leo takes a small bite of the last cracker. Takes his time chewing and swallowing it. “The main thing is you’re going to keep being a pain in the butt for the next few weeks, right?”
“Yes, you’re stuck with me.” Draxum watches him take another bite of cracker, then says, “There’s something else you need to understand, Leonardo. The goal of this,” he taps the whiteboard, “is to keep you from getting sick. It is not to keep you hungry.”
Leo stares at the board, and the calorie counts, all laid out neatly. “Sure,” he says, and he doesn’t feel it.
Draxum hesitates, then taps each row, reading off, “Breakfast, lunch, snack, dinner, snack. Smaller amounts of food more frequently, to keep your stomach full without overstuffing.”
“Makes sense, I guess.”
“And this can be moved around. If you eat breakfast earlier than normal, you can have a snack in the morning instead. But you tend to sleep in, which is why I structured it this way.”
“Nine’s not sleeping in,” Leo grumbles.
“Nine is- no, this is not the point.” Draxum gives his head a shake. “The point is, if you want to move your eating times around, we can. The goal of this is to keep you from getting sick. It is not to keep you hungry.”
“I heard you the first time.”
“No, I’m not sure you did.” Draxum again uncaps the marker, then writes across the top of the board five simple words:
If you are hungry: eat.
Leo stares at those words. It feels like a trap, a trick - Draxum’s being all nice right now, but the way he ripped the bag from Leo’s hands…
“I was hungry when I ate the chips,” he says, and it’s a little bit of a lie, but that’s not the point. He watches Draxum carefully, for any sign that this is all fake, and Draxum really does want him to suffer.
Draxum’s brows furrow. “You are not in trouble for eating,” he says. “You’ll never be in trouble for eating. It is just good for you right now to eat healthy things. 
“I know it isn’t fair,” he adds, voice blunt, “but life rarely is.”
Leo studies his face. And the amazing thing is, he doesn’t think Draxum is lying.
“So… if I want a late night snack, I can eat some crackers?” he asks, waving the empty baggie.
“Yes. Or a banana, or some yogurt… If you feel very hungry, you could even eat some egg, or leftover soup.”
“And you’re fine with me just eating… whenever?”
“If you are so hungry you need to eat an extra meal, I just ask that you let me know, so I can adjust.” He taps the board. “But yes, I am. You know the stakes now. I trust you.”
Trust. Leo’s never had much of that from anyone. He looks down at the empty bag and wonders if it’s really true.
“…Is there anything you need right now?” Leo lifts his eyes back to Draxum’s face. “I can get it for you.”
Leo thinks about it. “When did you say lunch is?”
“About an hour and twenty minutes, now.”
“Then… I’m fine.” Leo pushes himself further back on his bed, dropping his trash into the space between them.
“Hm. I will bring you some more juice to drink.” Draxum nods at the pill organizer. “You still need to take those.”
Leo shoos him off. “I will, sheesh.” Now that he knows how important it is.
Draxum rolls his eyes and gets up. He takes the trash, but leaves the white board propped against the wall at the foot of Leo’s bed.
He’s almost to the door when Leo clears his throat and says, “Hey Barry?”
Draxum pauses, hand grasping the curtain. “Yes?”
“Any chance we can skip telling my dad and brothers about… everything?”
Draxum looks back at him. “Trust me when I say that I would like to omit this as much as you… But I am going to have to tell your father, at least.”
Leo groans, letting his head fall back on his pillows. “This sucks.”
“Then I will try to think of ways to make it suck less.” Draxum pulls the curtain aside. “Rest, Leonardo. I’ll bring your juice.”
Then he’s gone, leaving Leo alone.
-----
Raph puts the groceries down in the kitchen, then looks toward the escalator leading down. He should stay and help put everything away, but all he wants to do right now is rush to Leo’s side.
“Go,” says Splinter beside him. “I can take care of this.”
That’s all the permission Raph needs; he takes the escalator steps two at a time and crashes down onto the lower level.
Draxum is there, standing outside Leo’s train car and looking at one of his notebooks again. When he hears Raph, he closes it and looks up.
Raph’s eyes catch on the bruise forming on Draxum’s cheek and eye - it’s just starting to darken, but Raph can tell it’s going to be a plum shade of purple by the end of the day.
“He told me it wasn’t physical,” says Raph immediately. A little dangerously.
“It wasn’t, on my end,” says Draxum.
Raph finds that he believes that, and he can’t help the way his lips quirk up at the news.
Draxum scowls. “Yes, yes, very funny.”
Raph claps him on the shoulder. “Come on, Barry. You know you deserved it.”
“We can debate that later,” says Draxum, dry. He nods at the train car. “He’s in his room.”
“Raph figured.” He locks eyes on the room, wishing he could see past the curtains to know Leo’s state. “When you guys were fighting, he… called for us again.”
Draxum’s expression turns more concerned - nearly imperceptibly so, but Raph knows him well enough by now to see it. “Yes, I know.”
“You felt it?”
“No.” Draxum pulls away. “I have things to discuss with Lou Jitsu. Is he in the kitchen?”
“Yeah.” Raph wants to know what Draxum saw, but he always wants to get to Leo as fast as possible. In the end, the draw to his brother is stronger, and he steps forward. “Help him put the groceries up.”
“If I must,” says Draxum, and then he walks away toward the escalator. Raph doesn’t hang around to watch, instead hurrying to Leo’s room.
The room is a mess, even more than normally. His action figures are scattered everywhere, comic books have been knocked from the shelves, his blankets are on the floor. Leo himself is in bed, vacant expression staring at nothing Raph can see, and it’s an eerie way to see his little brother, usually never without his phone or a comic book in his quiet moments. 
He clears his throat, and Leo’s eyes flick his way. “Hey, Leo.”
“Hey.” Leo rouses himself to alertness, like he’d been sleeping with his eyes open. He shifts on his pillows so he can better see Raph. “You guys got the groceries?”
“Yeah, we did,” he assures Leo. He walks in, standing over Leo’s bed. He’d been so anxious to get back here, but now he finds himself trapped in the same place as always, unsure what to say or do.
Leo stares up at him. “…Everything okay, hermano?”
“I came to ask you that.” Raph sits down on the edge of the bed, then startles when something hard falls against his arm. He looks and finds a whiteboard, with numbers that make no sense to him written in neat columns (not Leo’s handwriting), and, across the top:
If you are hungry: eat.
Raph can’t help but stare at those words a few seconds longer. Is this something Leo needed to be told?
Beside him, Leo is saying, “Me and Drax got in a fight, but we worked it out. It’s fine.”
“Yeah.” Raph grins, tearing his eyes away from the whiteboard to look at Leo. “I saw the shiner you gave him.”
He’s expecting a grin back; for Leo’s expression to turn mischievous, or cocky. For Leo to proudly take credit for punching Draxum right in the eye.
He’s not expecting Leo to flinch and look away. “I thought he was better at dodging than that,” he says.
Raph falters, not sure how to respond. He knows Leo; his little brother would never hit anyone for no reason, even someone like Baron Draxum. Leo might playfight, Leo might even throw things at them from time to time, but he never aimed to hurt, only to irritate. 
Once again, Raph doesn’t know the right way to approach this situation. Should he try to talk to Leo about this? Is he the right person to try? Would Leo even want to hear it from Raph, who so often struggles with his own anger responses?
(He thinks about the fight again, and feels a rush of shame.)
He’s still trying to work it out when Leo changes the subject.
“Why didn’t you tell him?” Leo picks at some fuzz on his sheets. “About the chips.”
That’s something else Raph has been trying to figure out. But now, for this question at least, he has an answer.
“They didn’t have anyone’s name on ‘em.”
Leo’s fingers pause. “But you know I’m not supposed to eat those.”
“Yeah, well… I still wasn’t gonna tell. Raph’s not a snitch.” He shrugs. “Look, I know Barry’s right and you gotta be careful about what you eat so you don’t get sick. But this is still your house, Leo. We agreed a long time ago that unless food has someone’s name on it, it’s fair game.”
Leo actually smiles just a little at that, and Raph feels his heart leap at the sight. It’s not quite a full, big Leo smile, but it’s something. “And sometimes the name doesn’t stop us.”
Raph laughs. “That’s just because I got three little brothers who are a pain in the shell.” He reaches out to rub Leo’s head, and is a little surprised and a lot pleased when Leo doesn’t duck it. 
(It wraps around to concern again, when Leo seems to chase the touch like he’ll drown without it.)
“Listen,” he says, “Draxum gives you any more trouble and you just come tell me, okay? I’ll deal with it. We’ll get it worked out.” He moves his hand down to scratch the ridge of Leo’s shell, right where he can’t easily reach himself. “Raph’s got your back.”
Leo goes tense under his fingers, and Raph thinks he’s said something wrong. But the soft little, “Oh,” Leo says after isn’t upset. It’s just… surprised.
But why would he be surprised by that?
But when Raph thinks about it… when’s the last time he told Leo that? When’s the last time he felt like Leo had his back, too?
Somewhere along the way, he and Leo lost what made them them. Best friends, friendly rivals, brothers through thick and thin. It all got swallowed up by their fights and disagreements. And then Leo was taken from him.
But Leo isn’t gone. Leo is right here.
And suddenly Raph doesn’t know how he’s made it this long without hugging his little brother. He should have already. That should have been the first thing.
He moves the hand that’s scratching Leo’s shell to more firmly grab his back, watching close to see Leo’s reaction. Leo’s eyes flutter closed, like he feels totally safe, and Raph doesn’t waste the trust that’s been given to him.
He lifts Leo up and pulls him into his lap, wrapping his arms around in the safest bear hug he can give. Leo melts into it, his head leaning against Raph’s plastron, his arm coming up to loosely hook itself around Raph’s neck. 
“I gotcha, Leo,” he promises, cradling him close. “I gotcha.”
“I know,” says Leo, but Raph wonders if he really does. Raph hasn’t done a great job of showing it.
He still doesn’t know his answer. He still feels a stab in his heart when he thinks of Leo saying he did what a hero would. But April was right. Leo doesn’t need big emotional confrontations right now. He needs his big brother.
And Raph can do that. It’s the thing he’s best at.
“Hey,” he says, “wanna come watch Jupiter Jim: Venture to Venus with me?”
Leo opens his eyes to squint up at him. “Dee’ll hate it if he misses the sing-along parts,” he says, but now, finally, a little bit of his mischievousness is back.
Raph grins. “What Donnie doesn’t know won’t hurt him.”
Leo laughs then, small and tired and hoarse but there. Raph gives him another squeeze, then stands up and takes Leo with him.
He’s still unsettlingly light, like he was when Raph lifted him from the cot. But there’s a little more of him back.
If they get a little more of him every day, eventually, his little brother will truly be home.
-----
Leo stays in his lap for the movie. He makes no attempt to leave and Raph makes no attempt to remove him.
Splinter brings them lunch around the halfway mark: the alphabet soup they bought at the store for Leo, with bread and more banana for after. Leo complains that he’s not a little kid, but out of the corner of his eye Raph catches him industriously fishing around for the letters L, E, and O. He gets a little, self-satisfied smile on his face at his accomplishment, and Raph has to force his eyes to focus on the screen before he squishes Leo like one of his teddy bears.
After lunch, Leo dozes off. It’s not a surprise, especially given how eventful the morning was. Raph’s just glad it’s actual sleep and not that scary, blank-eyed stare he saw Leo with earlier.
Raph stays there after his arms fall asleep, after the movie ends, after he hears Donnie and Mikey come home (together, at least). He’d stay there all night, but Splinter comes in and puts a hand on his arm. He’s carrying a plate with a snack for Leo.
“Draxum wants to talk to you and Purple and Orange.”
Raph looks at Leo, still curled up against him, and shakes his head. “I don’t wanna leave him.”
“It’s alright. I will be here with him.” Splinter pats his arm again. “Take a break and stretch. You can sit with him after you’re done.”
Reluctantly, Raph gets up. He shifts Leo to the chair as carefully as he can (Leo murmurs in his sleep but doesn’t wake), then looks back at Splinter.
“You’ll be here when he wakes up, right?” he asks again.
(Maybe he’s still a little mad.)
“Yes,” Splinter promises. “I’ll be here.”
So Raph leaves. He shakes out his arms and legs, stiff from holding Leo, then swings by the bathroom before making his way to the kitchen. He can hear Mikey there already.
“-tell us what happened,” Mikey is saying, standing with his arms crossed and face angry. This is the most frustrated Raph can remember seeing Mikey act toward Draxum. Beside him, Donnie looks equally agitated.
“I have told your father what happened,” says Draxum, looking much more calm by comparison, “and we have agreed to maintain Leonardo’s privacy for now.”
“Is it about Leo’s privacy or do you think we just don’t deserve to know?” Mikey snaps. Raph knows that tone, and he knows this is about to turn into a fight.
He steps into the middle before it can. “Hold up, Mikey. Let’s hear him out.” His little brother does not seem happy with that, and he opens his mouth to argue, but before he can Raph refocuses on Draxum. “Tell us what’s goin’ on, Barry.”
Draxum’s eyes move slowly between all three of them before landing on Raph. “As I was telling your brothers, Lou Jitsu and I have agreed not to tell you all the details of what happened earlier, primarily because we are not sure how much Leonardo himself is comfortable with you knowing.”
It stings, but Raph knows he’s right. It’s like the security tapes Donnie chose not to watch. They have to let Leo decide how much they know and how much they don’t.
Still, Raph has his concerns. He folds his arms, mimicking his brothers behind him, and stares Draxum down. “Alright,” he says, and ignores the indignant noise Mikey makes behind him, “but did you tell Pops everything?”
“Yes.”
“Everything?”
“Yes,” Draxum repeats. “He needs to know, so we know how to care for Leonardo going forward.”
Raph isn’t as good at reading people as Leo, but it’s not like Draxum is an enigma, either. He doesn’t think the old goat is lying, so Raph relaxes his posture.
“Okay,” he says. “As long as Dad knows.”
“He did something so bad Leo punched him!” Mikey argues. “Leo doesn’t just do that!”
“In his defense,” says Donnie, “Draxum’s face is very punchable.”
Raph snorts at the indignant look Draxum gives that remark.
“Honestly,” says Draxum with a sigh, “all four of you boys are the same… But I can tell you that much.” He looks down, not meeting their eyes now. “I took food from your brother’s hands, before I realized what an error that is.”
All of them stiffen. Behind him, Raph senses Donnie shifting his weight in agitation. 
“You took food from him!?” cries Mikey. He sounds so betrayed. “Why!?”
“I was worried about him making himself sick,” Draxum explains. “But I did not handle it well. I have already apologized to him.”
“You better have!” Ah, there’s Doctor Delicate Touch.
“I have,” Draxum repeats. “And we have reached an understanding… which is what I need to talk to the three of you about.” He looks at them now. “There are going to be some new rules around here, at least for the duration of Leonardo’s recovery.”
“What rules?” asks Raph. “Besides don’t yank food out of Leo’s hands?”
“Well, that is an important one.” Draxum nods. “But we have also decided to adhere to a more strict meal schedule than you do normally. If meals are coming at regular, predictable times, we think this will reduce a lot of stress for Leonardo.”
Raph thinks of the words on the whiteboard. Of the neat rows of numbers. Does Leo wonder when he’ll be fed next? Does it scare him, not knowing?
Doesn’t he know his family would never let him go hungry?
“It makes sense,” says Donnie behind him. “We usually eat whenever we feel like it, but if Leo has to be careful with his diet, having a routine will make it easier.”
If Donnie thinks so, it’s probably right. Raph nods. “Yeah, sure. Whatever we gotta do to help Leo.”
Draxum nods back. “Right now, we’re planning for breakfast at eight, or whenever he wakes up, lunch at noon, and dinner at six. Leo will get regular snacks as well; smaller, more frequent meals are better for him right now than three large ones. Of course, the three of you can still do what you feel like; if you want your own snack, or want to eat later, you can.”
“Let’s all try to eat with Leo,” says Raph, looking back at his brothers. Donnie nods immediately; Mikey hesitates.
“Will Leo be in trouble,” he asks, “if he eats snacks when you didn’t tell him to?”
“No,” says Draxum. “I have already told him this. If he’s hungry, he can eat; he doesn’t need anyone to tell him he can.”
Raph’s glad to hear that; he knows he wouldn’t have been able to play food police. Mikey seems to calm down at this reassurance, too, and he nods.
“Okay. Then, we’re starting tonight? Dinner at six?”
“Yes.” Draxum seems relieved, that Mikey doesn’t look so angry anymore. “You can help me, if you want.”
“Duh,” says Mikey, and Draxum cringes. “I’ll be here!”
He and Donnie leave then; Donnie says he’s going to finish Leo’s curtains, and Mikey goes to his room. Raph hangs back, watching Draxum.
“You sure you didn’t touch him?” he asks, once he’s sure his brothers are out of earshot.
Draxum looks at him, open, not hiding. “I did not. I acted rashly, but I would not lay a hand on him.”
“…Okay. I believe you.” Raph folds his arms. “But if Leo ever tells me anything different, you know what happens next, right?”
“I do. But I would not hurt him.” Draxum looks nonchalant, despite the conversation. “Despite my best efforts, I’ve grown fond of all of you. I’m here to help him.”
Raph can’t help but smile at that. It’s probably as close as Barry will ever get to being affectionate.
“Thanks, then. For all you’re doin’.” Raph turns to leave. “But don’t yank food out of his hands again.”
“I won’t. You have my word.”
Raph decides to take it.
-----
“Blue…? Are you awake?”
Leo blinks his eyes open to find Splinter peering down at him, a plate in his hand. Blearily, he sits up in the recliner. It takes him a moment to realize he’s by himself now - Raph has gone.
It makes him feel a little sad. He knows Raph still has something he wants to yell about, but there for a short while, it was really nice to just be his little brother.
Now his dad is here, with food. Leo remembers the chart Draxum gave him - breakfast, lunch, snack, dinner, snack - and feels his heart relax.
“Hey, Dad. Yeah, I’m awake.”
“Very good. I have brought you some more yogurt and fruit.”
“Yippee,” says Leo, tone flat. “I’m gonna be the most regular guy on the planet after this.”
Splinter laughs at that, and it makes Leo feel a little sense of triumph. “Cherish it while you’re young.”
“Ew, gross,” he says, and Splinter laughs again.
Leo eats his snack. The projector skips on the screen, still on but with nothing set to play. Splinter settles in on the arm of the chair and waits until Leo’s almost done.
Then he says, “Draxum told me what happened earlier.”
Leo goes stiff. He swallows his bite of banana around the knot in his throat. 
“Yeah, he… said he was going to tell you.”
“I’m sorry that he was so harsh with you. You are not in trouble for taking the chips. The food in this lair is as much yours as it is any of ours.”
“I know,” says Leo, even though he’s not sure of anything anymore. But it’s what Splinter wants to hear.
“I won’t be leaving you alone with him again.” Splinter pats his arm. “He may be reformed, but he is still stupid, and not at all fit to take care of children!”
“Which is what makes him perfect for a public school lunchroom,” says Leo, and grins when it gets another laugh out of his dad.
Leo finishes his snack. The projector is still skipping. It makes a little clicking noise every few seconds.
“...Leonardo,” says Splinter, and Leo tenses up again.
“Oh no, full name…”
“You are not in trouble,” says Splinter again. Leo wonders why he keeps saying that. “But I have to ask you this again. When you were… with the EPF. Did anyone touch you in any way?”
Leo stares at him. Why are they having this conversation again?
“No. I told you that, remember?”
“I remember. But I have to make sure.” Splinter puts his hand on Leo’s. Leo stares at it. “Did anyone… make you do something you didn’t want to do?”
“Uh… besides stay there?”
“Leonardo.” Splinter’s tone is not angry, but Leo still winces. “I understand that this is uncomfortable to talk about. But I need to know for your safety. Did any of them do anything to you? Or make you do something to them? To yourself?”
Leo stares at his dad’s hand. He thinks of getting down on his knees and begging.
“...No.” He gives his head a shake. “They didn’t even hit me or anything.” And it’s the truth.
They didn’t really do anything to him at all.
“...Alright.” Splinter leans over and presses a kiss to the top of Leo’s head. Leo keeps his eyes on their hands and listens to the skip of the projector. “Thank you for telling me.”
“Yeah. Sure.” He hands the empty plate over and sinks further into the recliner cushions. He wishes the conversation hadn’t curdled the snack in his guts. “Uh, can we… turn on something so the projector isn’t making that sound?”
“Oh, yes!” Splinter sets the plate aside, then grabs for the remote. “It is aaalmost time for Scorpion Treadmill!”
Leo snorts despite himself. “Sure, sounds great.”
Splinter finds the channel and settles into the chair next to Leo. Leo closes his eyes and listens to the Japanese he can barely understand and his dad’s laughter, and tries to ignore the way his own skin feels slimy.
-----
After dinner, and after his snack, Donnie shows him the new curtains.
The new rods are just as makeshift as the ones from the day before, with the same color and the same details. Leo loves them. He tells Donnie so, and Donnie grins big and happy, and Leo feels happy, too, that he can still make at least one brother look like that.
“Oh, I’m so glad you like them!” says Donnie, for what must be the fifth time. “But seriously, if you want me to add some smart tech to them, just say the word.”
“Thanks but no thanks, Dee. I don’t want my curtains to gain sentience on me.”
Donnie pouts, but it’s good natured. He comes over and sits on the bed next to Leo, the two of them looking around his room. It’s crazy to Leo, how different it looks now. Though, maybe the mess is contributing to that feeling…
“It’s so dark in here now,” Donnie observes. His tone is totally neutral in a way Donnie could never hope to fake, so Leo doesn’t take it as a judgment.
Which is good, because Leo doesn’t know how to explain that he likes it that way. That the dark makes him feel calm and safe. Hidden.
“I could always add more lighting,” he says instead. He has his lanterns and a desk lamp, but he has to admit, some things will be harder without the ambient lights from outside.
“Oh, I can do that next!” says Donnie. “What kind of lighting do you want? I can see what I have in the lab-”
“Whoa, hey,” says Leo quickly. He reaches over and flicks Donnie on his big forehead. (It lacks any force, because Leo is still weak, but Donnie says, “Ow!” exaggeratedly anyway.) “I get that you’re trying to help, but you’ve done enough. I know you must have some battleshell or robot or nuclear bomb you’re dying to work on instead.”
Donnie falters at that. He eyes Leo, the same way everyone does lately, like he’s some kind of timebomb that might go off.
“I just want you to be comfortable,” he says.
“What do you mean? I’m super comfy!” Leo waves the sleeve of his hoodie in demonstration. “It’s the lair, Don-ton. Same as always.”
Donnie’s expression goes even flatter. He turns his eyes on the train car walls. “Same as always? It hasn’t even been a year.”
Leo flinches. Right, well… So it’s not the same as ever. But it’s the same as the one he was stolen from, and that’s all that matters, right?
“You know what I mean.” He bumps their shoulders together. “It’s home. It’s where you guys are. I’m totally fine.”
And he means that.
He means it, he means it, he means it.
“...Right.” Donnie is trying to sound like he believes Leo. “Well, if you change your mind about the lighting, you know where to find me.”
“I sure do, hermano.” He bumps their shoulders again. “Thanks, though.”
They sit for a moment in silence. Leo wonders if he should offer a late night movie session, or if he should send Donnie on his way. He’s torn. He doesn’t really want to be alone. But he doesn’t want to bother Donnie more than he already has.
Before he can decide, Donnie’s phone dings. He picks it up and clicks something on his screen.
“What’s up?” asks Leo.
“Oh nothing.” Donnie waves a hand. “Draxum just finally decided to leave. About time…”
“Huh? How do you… know…”
Leo leans over on his shoulder to look, and answers his own question.
Cameras. Of course Donnie has cameras. This one is outside the entrance to the lair from the sewers, and Leo can see Draxum’s retreating back as he heads for the nearest manhole.
“The camera alerts me whenever anyone other than one of the five of us leaves,” Donnie is saying. “It’s part of the security upgrades I’ve been working on.”
“Security upgrades,” Leo repeats, feeling a little faint.
Donnie doesn’t notice, jumping on the chance to infodump. “Yes! I’ve added more cameras, and proximity alarms, and I’ve been working on more upgrades to our trackers, like I told you. Oh, and new security measures for my baby, of course. And once Shelldon’s new body is complete, I’ll integrate him with the system as well, and…”
Donnie’s still talking, but Leo can’t hear it. His eyes are tracking all around his train car - the dark corners, the shelves, the nooks and crannies.
Donnie has cameras all over the lair.
Where are the cameras in here?
-----
For another night in a row, Leo doesn’t sleep.
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drchucktingle · 8 months
Note
Hi Dr. Tingle,
I just wanted to say, as someone who has been in the Homestuck fandom for a long time, that I'm so sorry people connected to the game and the comic have been so unnecessarily unkind to you, and that they've carried on this bit so far past the point of decency. Homestuck as a piece of media is deeply saturated with a very particular brand of early 2010s online irony, and there are some folks in the fandom who just refuse to let it go.
I think there are a lot of people out there who choose to take your sincerity as mockery, because to do otherwise would force them to confront their own cynicism and irony-poisoning and commit to self reflection in a way that they're not willing to do at this point in their lives. I'm not saying they're inherently bad people, because I don't believe that and (based only on the limited snapshot of yourself that you give to the world) I don't think you would either, only that they're making unkind decisions out of a fear of difference. Your work is both delightfully fun and incredibly meaningful, for me and a lot of others, and I just wanted to say that.
I'm not entirely sure where I'm going with this, so I'll just say that I hope your day is going well if/when you're reading this.
Respectfully,
Ray/cultivating-saplings
P.S. I would classify Hussie as a light scoundrel, in a 'season 1 villain who you can tell is eventually going to move into the heroes' apartment later in the show and hang out eating all of their chips' sort of way.
P.P.S. I like your lab coat :]
i do not have a lot to respond with other than I LIKE THIS MESSAGE and i think you are correct not just with this way of a specific fandom but with a HUGE PORTION OF THE INTERNET and a certain age range who trotted up in online forums and various websites.
there is a deep deep deep irony poisoning going on with some of these buckaroos and i think my trot kind of short circuits that and it is difficult for these folks to grapple with it. i think when you are used to every single thing on the internet being drenched in irony and every big reveal of an online presence being some keyboard goofball 'trotting for the lulz' it can be very difficult to see chuck and just accept that i am sincere. i have empathy for this.
i should also add that, of course, not all irony is bad. too much can be very destructive though.
all i can do is keep creating my art and being sincere about it, and i think the longer that continues to more irony poisoning will drain from some of these veins. that is one way i can prove love is real i think.
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alchemistc · 4 months
Text
"Any plans for your days off, Buck?"
Buck knows his grin is a little feral, but he's kind of hoping that'll throw them off the trail. It's barely been a year, and in that time they've had three natural disasters, one copter crash, a boss intent on making Buck's life a living hell, and two almost break-ups.
It's too soon, to know for sure, except Athena and Bobby had known, and Hen and Karen had known even if they were too scared to admit it at first, and Chim and Maddie may have taken a little longer to get there but they'd known.
And Buck knows. He knows he's never felt like this about anyone before. Knows no one has ever had the ability to infuriate him and calm his fears quite like Tommy Kinard can. Knows they could have done this like they joked about six months ago and they wouldn't have regretted it.
Hen is making a face like she's trying to decide if she wants to know whatever head-tilt-cheek-bite sexual innuendo Buck's got in the barrel, because she only appreciates that about half of the time and Buck's praying she decides on no because he's a terrible fucking liar and he doesn't like keeping things from people. But it's sort of a secret, for the next 48 hours, and Buck also wants to bask in it, wants to enjoy keeping it to himself for just a little while.
"Our Buckaroo is all grown up and refusing to over share about his sex life, praise be," Chim chips in, and Buck tucks his chin to his chest and hopes his pink cheeks read as embarrassed.
His phone buzzes in his pocket, and around him lockers slam and voices drift over him. He's only got eyes for the text that just came through.
Bird's ready, suits are pressed, room is paid up. You wanna go to Adele, after? I think I know one of her people.
You know everyone, stop bragging, I'm already impressed
I'm always gonna try to impress you. You still at the station?
Yeah but not for long. I'll see you in like forty
"--right Buck?"
Buck blinks, hums, stares across at Chim.
"Please tell me you're not sexting at work right now."
"Technically, we are off the clock."
"I'll remind Clipboard Buck of that next time he shows up."
He's zipping up his bag when his phone buzzes again.
See you soon, baby.
He's pretty sure he's gonna get away with it - Hen and Chim are arguing about some reality show as they all trudge toward the open bay doors, and though he can hear their voices further back, Eddie and Bobby still seem to be deep in conversation.
Ravi comes out of left field, because of course he does, just finished inventory still clutched in his hand as he rounds the engine closest to Buck. "Hey, Buck, you and Tommy wanna catch that movie tomorrow night? I picked up a shift but I've got like twelve off in between."
Buck winces. Damn, so close. "Sorry, bud, we actually won't be in town."
Which he's realizing now is pretty uncharacteristic of the both of them, and Hen and Chim have clocked it, so he's gonna have to make a run for it, but he catches sight of raised brows and questioning expressions and he can't give them nothing.
"Tommy's taking me to Vegas, we might see Adele, okay bye!"
They absolutely let him make a break for it, let him scramble into the Jeep, let him send them all a quick wave before he peels out of his parking spot, and Buck spends the drive to Harbor viscously ignoring the steady buzzing from his phone.
---
Tommy snags the backpack from his shoulder before he's fully out the door, and tugs a belt loop to pull him close. Buck is pretty sure he'll never get over how much he likes being manhandled, just a bit.
"You wanna tell me why Chim and Hen both wished us a good flight?"
"Ravi ambushed me on my way out the door. Technically, they don't know anything about anything, except maybe Adele."
Tommy's fond smile makes Buck feel all warm and tingly inside, and he basks in the glow as Tommy nudges a knee between the open bow of Buck's legs.
Tommy's expression morphs, a bit, lips dropping as he tilts his head. "You having second thoughts? We don't have to-."
"No. No second thoughts."
"Evan, I know how close you are to your family. If you want to wait, make this something you can share with them, we can hold off."
He's so goddamn charmed by this man - by how he cares, by how well he knows Buck, by a million and one tiny things that Buck gleefully hoards his knowledge of like a dragon over his caverns of treasure.
"I kinda don't want to share you, for this." It's the first time since Tommy's brought it back up that Buck's been able to express exactly why the prospect makes him so giddy, but there it is. Possessive jealous Buck rears his ugly head again, only Tommy has always been a little charmed by that. At least when Buck expressed it in a healthy way.
"The moment they know, it's gonna be a spectacle," Tommy agrees, fingers curling over Buck's side.
"Exactly. So. Take me to Vegas and wife me up before one of them shows up trying to tag along."
He expects the dramatic eye roll, and Tommy's fingers digging into his sides. He doesn't expect the ear-ringing whistle echoing through the bay door to their left, or the smirk on Lucy Donato's face when she lets her looped thumb and pointer finger drop from her lips.
"We should definitely go before any of them remembers to hit her up for more details."
"Why would she -."
"Yeah she caught a look at the manifest and snooped until she found the rings."
"So you're actually worse at keeping a secret than I am."
"They're all gonna know before we land back home."
"Hen's gonna break like thirty bylaws trying to decorate a county owned chopper."
"Evan, seriously, we can still -."
Buck only knows one sure-fire way of stopping Tommy from spiraling too much - he uses the little bit of leverage he has plastered to the open door of his Jeep to catch Tommy's lips, and the resulting pleased hum shivers down his spine. Evan takes a moment to be pleased that Tommy hadn't shaved this morning like he'd threatened, and then he's tilting his head for a better angle and losing himself in it long enough that a few more wolf-whistles make their way across the tarmac -- Wendell and York, most likely, but when Buck finally breaks the kiss to dart a look over Tommy's shoulder, everyone has made themselves scarce.
"You gonna marry me or not, Kinard?"
It's a rare thing, but sometimes, when Buck makes him a little extra wild, Tommy does this growling thing that Buck always feels down to his toes. Tommy kisses him breathless again when Buck responds to this growl with a satisfied smirk.
---
"How much you wanna bet Hen convinces you to do a vow renewal within six months."
Buck's busy nipping at a spot of flesh just above Tommy's transverse abdominis, so it takes a second for his brain to catch up with the words.
"It's gonna be Maddie, and she's gonna rope you into it before you realize what's happening."
Tommy hums, pleased, not denying it, and runs a hand through Buck's hair, palm curling over his crown. It takes Buck a moment to figure out why it doesn't feel quite as familiar as it always does, and then he's reaching for it with a hand of his own, the tips of two fingers sliding along the smooth metal surface of Tommy's ring.
The smile he shoots up from the general area of Tommy's groin is all puppy-dog grin, and he basks in the soft, warm grin Tommy sends back. Buck tracks the crinkle of Tommy's eyes like a lifeline.
"I'm gonna lord it over everyone's head that we didn't get married because of, during, or after a health scare or a natural disaster."
"You asked me two days after we made up because of a flash flood we both thought we were gonna lose each other to, but okay."
Tommy's smile is soft. The fingers that slide around his scalp to brush reverently over his birthmark are even softer. "That time doesn't count, because we didn't follow through. You thought I was joking."
He had, honestly, at first, because they'd technically still been broken up at the time and the adrenaline and the terror at nearly losing one another had still been close. It'd taken him three days and Tommy angrily re-ringing his house key back onto Buck's keychain to realize Tommy maybe hadn't actually been joking about hopping in the chopper the next time they both had 24 off.
He's glad they'd taken the extra time, though. Glad they'd had time to drive halfway across the state in search of a ring shop they could be sure they wouldn't run into anyone at, glad they'd had the time to get new suits tailored, glad he'd had time to fuss over vows he'd still cried about while he was saying them, glad they'd done it without an Elvis impersonator standing just off to the side.
"You're stuck with me now," Buck tells him, and Buck knows Tommy's delighted bark of laughter will keep him warm for years.
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