#Also for people who actually have more than my very passing knowledge of Star Wars

[inthegardensofourminds]

May the Fourth be with you!

[howtofightwrite]

Speaking of martial competence, do you have any examples of characters that are actually written with this in mind?

Loads. Some actually even make good on that.

So, there's different kinds of martial competence. There are characters who are proficient in combat directly, there are well written strategists, there are characters who excel at military leadership, and when they're written well, you can actuallylearn some things from them.

I'm going to give some examples, and at least one cautionary example.

For, just, raw combat prowess, I still go back to Robert E. Howard's Conan short stories. It's easy to meme on the character, especially 90 years after the fact, with the cultural persona that's grown around him, but Howard's original writing is excellent. The character would not have survived Howard's early (and, frankly, tragic) death if it was just the one note gag you might expect, if your only exposure to the character was through cultural osmosis and the films.

Howard's fight scenes were shockingly well written. To the point that it is still absolutely worth reading if you want to write a fantasy fighter.

For strategists, three characters come to mind, but only two are literary, and all are Science Fiction.

Grand Admiral Thrawn is probably one of the best villains Star Wars has ever produced, it's part of why he's one of the few characters that's migrated from the original EU to the Disney era. My personal take is, as a character, he's lost a lot over the years, but the original incarnation from the early 90s novels is a very solid model for a strategist. Particularly in how he takes time to understand his opponents while looking for potential weak points to exploit.

His practice of studying a culture's art to understand their psychology might sound a bit goofy, but the concept does have a real basis. (At least, until it metastasized into a superpower, in later adaptations of the character.) Being able to psychologically assess your foe is an incredibly valuable element of strategy, and one that you probably want to consider when you're writing a character who is supposed to be a “strategic genius.”

When writing fiction, you want to consider all of your characters as if they were people, rather than as hollow, plastic toys. And, yes, the obnoxious villain who knows exactly what your heroes will do because of authorial fiat is going to be a more compelling character than the ambulatory goldfish villain who exists as a prelude for your heroes showing off how badass you think they are.

Granted, even in Heir to the EmpireThrawn was already drawing strategic insights that strained credibility, but understanding your foe is an element of strategic thinking that is often forgotten in literature. So, even as a villain in a tie-in novel (we're not done with tie-in fiction yet), he is worth looking at. At least when written by Timothy Zhan, Thrawn was a well written character, and even if he bordered on a Mary Sue at times, he escaped a lot of that stigma by justifying his competence.

It's also probably worth mentioning in passing that he's one of the few Imperial leaders in Star Wars who isn't also criminally incompetent.

The non-literary example of a strategist would be John Sheridan from Babylon 5. Unlike Thrawn, Sheridan's main strategic focus is on situational exploitation. A little of that comes from his knowledge of enemy procedures and psychology, but at lot of it comes from a rather ruthless approach to technical limitations. An alien race is using technology that blocks human targeting systems? Set up a nuclear mine and then send out a fake distress single to lure them in. Need to deal with a significantly larger, more dangerous ship? Lure them into a gas giant and and let the planet's gravity well drag them past crush depth. Bruce Boxleitner's performance helped sell the character, but Sheridan is a really solid science fiction strategist, who really exemplifies how technical limitations can have enormous strategic considerations.

I'm not citing Sheridan as an excellent example of a leader per se,it's certainly there, but it is harder to unpack from Boxleitner's performance. It does have some good payoffs much later in the series when he starts making some orders that cause his subordinates to sit up and stop what they're doing. And that is a consistent theme even back to his introduction, but, it's a tangible consequence to an intangible cause.

The last example is a negative example, both for strategy and leadership. And, as much as it pains me to say this, at least Orson Scott Card understood that Ender was a bad leader. At least in the original novel. To be blunt, Ender is a mediocre strategist at best. His highlights in the book involve, “inventing armor,” and creative movement in micrograv. That's setting the bar exceptionally low, and while it is reasonably within the range of what you could expect from a pre-teen, that's not much of a justification.

Again, I'm not a fan of Card, and I'm reallynot recommending Ender's Gameto anyone. However, if I didn't mention it, you know there'd be a reblog going for twelve hundred words about how Andrew Wiggin is the best strategist in literature, which, yeah, no.

Do you want a goofy, tie-in fiction, literary suggestion for the best leader in sci-fi? Too bad, because I'm pretty sure Ciaphas Cain is not that person. The Ciaphas Cain novels by Sandy Mitchell are unusual as leadership recommendations, because of how much Cain internally processes the social manipulation involved in military leadership. He's not a great leader, but he is exceptionallygood at explaining to the reader how he's creating that illusion to motivate the soldiers around him. In fairness, some of that is an intrinsic character flaw, he is incredibly insecure, and desperately trying to hide that fact. And the difference between being a great leader, and effectively creating a comprehensive illusion of a great leader is: There is no difference. As a serious complement, it is one of the few times I've seen an author treat leadership as an actual skill, and not simply an extension of a character's charisma. Which is why I'm singling this one out. It might sound like a joke inclusion initially, and the books are quite funny in a Warhammer 40k kind of way, but there is quite a bit of  value to be had.

-Starke

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[thecarnivorousmuffinmeta]

Do you think they should have went with the Chosen One plot for Anakin when they made the prequels? I've been rewatching the original trilogy and there is no mention of any prophecy. It seemed more like Anakin was a very powerful Jedi, but nothing grander then that.

Then, all of sudden the prequels are saying that he is the literal messiah of the Galaxy, destined to bring balance to the Force.

I mean, this isn't the blog for that, anon.

It's really not the blog for it not just in the sense that we talk about how things are here not how we want them to be but also because I think the Original Trilogy are also incredibly bad movies. They're not winning awards for being any better than the rest of the gang or any more righteous, they just have nostalgia, a few great actors carrying the weight (but only a few and not even some of the most important ones), a fantastic soundtrack (that admittedly is strikingly similar in parts to Holst's The Planets), and some great special effects and editing as of the time that George has tried to strip away with every passing year. It's no skin off my nose if the Prequels took some liberties to make things better (and... the thing about The Prequels is that they're not better, of course, but the plot is a lot more compelling than 'the Death Star blew up once' followed by a short break then 'the Death Star blew up twice')

But as for your question, it didn't strike me as too odd we didn't hear of it, because that's the whole thing: Jedi culture is wiped out to two known survivors (that we see anyway). And per those Jedi survivors, Anakin was very clearly not the chosen one as he did anything but bring balance to the Force.

So, you have Obi-Wan who doesn't want to talk about fucking any of it and lies through his teeth multiple times to Luke because he just doesn't want to talk about any of it. Then you have Yoda who wants to talk about it even less.

Neither is bringing up "did you know there was this prophecy where your father was supposed to bring balance to the Force? Boy, did he sure not do that".

Vader certainly isn't bringing it up either as, well, look at his miserable life and how much he hates himself and the Jedi. He's not bringing up their stupid prophecy that clearly wasn't true.

Remember very little is known about the Jedi for the common people, especially after Palpatine's taken over and spread propaganda and such. Han doesn't even think the Jedi are real and if he does it's "that weird space religion cult thing that died out???"

That is to say the prophecy is not common knowledge and especially not for people like Luke, Han, or even Leia for that matter for all she's a little more Jedi adjacent.

Even within the Jedi we see that people don't take the prophecy seriously. That was a Qui-Gon thing. He was super into that prophecy, yo, and the other Jedi (Yoda, Mace, Obi-Wan even) all sort of stared at him looking very upset for insisting on this.

And in the war, while Anakin was an exceptionally talented Jedi, he wasn't really used as a propaganda piece/seen as the only Jedi who would save them all.

The prophecy was just the reason Qui-Gon insists on training him despite his age and is one of those things that seems to have actually been correct for all that no one will ever admit it.

(@therealvinelle can correct me if I'm wrong but I'm going to lay down something that will make people very upset: Anakin being "The Hero with No Fear", seen as one of two great Jedi in the war who are doing so much for the cause more than anyone else, and the extra focus on this prophecy was an invention of Disney's 2008 The Clone Wars, not the films.)

[pelideswhore]

the horror and the wild (and achilles)

basically i’m trying to explain why the songs that are in my iliad playlist are there at all and ofc i’m starting with none other than achilles. I’m gonna do this line-by-line so you can listen as you read but i won’t be doing repeated lines. enjoy <3

also, yes, i am aware that the song is written about an abusive relationship between father and child, and i love listening it to it in that sense (yes i’m traumatized) but in this context it’s obvs different. my ability to make everything about achilles is a gift that keeps on giving. if you don’t want this song to have different meaning than what it’s actually about, just stop reading.

You were raised by wolves and voices, every night I hear them howling deep beneath your bed —

The ‘you’ in this line is Achilles, who knew from a very young age that he was destined for greatness. He based his entire personality around the fact, hence the having been ‘raised’ by voices. The ‘wolves’ also remind me of the fact that he a) spent many years in a cave with Charon and b) had many father figures. I mean it. Count them.

They said it all comes down to (you) —

This ties in with the previous line. Achilles really was told that the fate of the war and hence the entirety of Greece depends on him, when he was literally a child. That’s way too much responsibility for a five-year-old if you were looking for parenting tips.

You’re the daughter of silent watching stones, you watch the stars hurl all their fundaments in wonderment at you and yours, forever asking more —

I mostly connect the female part of the song to Thetis. Firstly, I feel like this segment already makes her feel like an ethereal, divine being (although Madeleine’s voice does that well enough ngl), at the same time it also describes her character very well. The fact that the stars ‘hurl all their fundaments’ reminds me of Book (idk what book it is), where Zeus fulfills Thetis’ wish on Achilles’ behalf, no questions asked. I also feel like some people forget that Zeus literally wanted to marry her, she was that gorgeous, so ya.

You are the space that’s in between every page, every chord and every screen. You are the driftwood and the rift, the words I promise I don’t mean —

I don’t know what this means. Love it tho.

We’re drunk, but drinking; sunk, but sinking —

I love this line so much, you have no idea. It brings up the idea that while they all know that they are fated to die and it is guaranteed, there’s still living it in real time. They’re eating, laughing, speaking, with the knowledge that tomorrow they won’t be able to. They’re dead men walking. Also, on a less existential note, it reminds me of the fact that they’ve doomed themselves by starting the war and yet they continue it. They’ve dug themselves a hole and instead of hopping out, they dig deeper.

They thought us blind, we were just blinking —

Patroclus and Achilles now: Their decision to put the war on hold, a momentary action, is the blinking, in relation to “blindness” which would’ve been leaving. The ‘they’ who thought them blind could really be Agamemnon, who underestimates and insults Achilles with the little party he sends to him. Or it could be Hector and the Trojans who believed they were safe … and then Achilles came back.

All the stones and kings of old will hear us screaming at the cold —

The stones are a perfectrepresentation of the Trojan wall and the kings, well, that’s the current Trojan royal family but also all that have passed. They will hear Achilles screaming at the cold, which could be the sea or Patroclus’ corpse if you want to take it literally. When he hears the news of Patroclus’ death, his screams do in fact reach Troy.

Remember me, I ask. Remember me, I sing —

Yeah. Remembrance for Achilles is obviously a big thing, so I’m not going to go super deep here, however the switch from ‘ask’ to ‘sing’ is really nice, considering we’re taking about an epic that was sung in remembrance of Achilles. The first word of the Iliad is literally ‘sing’.

Give me back my heart you wingless (thing) —

This could very much be about the fight for Patroclus’ corpse, but Achilles didn’t even know that was happening at the time, so instead I just make it about Achilles wanting Patroclus to be alive again. He does in fact refer to him as “his soul’s far dearer part”.

Think of all the horrors that I promised you I’d bring —

To me, this sounds like Achilles referring to threats he made to Hector about killing him and bringing destruction to his people. While the threats were empty at the time, now, after Patroclus has died, he takes them very seriously.

I promise you, they’ll sing of every time you passed your fingers through my hair and called me child —

In the song, this is the same person as in the lines before and after, considering it’s a song about a father and his son, but to me, this line is about the fact that Achilles wants the affection Patroclus showed him to be remembered. He doesn’t want the love they had to go forgotten. This is 100% caused by the fact that in my writing, Patroclus and Achilles’ hair is a huge thing you might want to look out for if you read it lols. OH also, the fact that he cuts it after Patroclus dies is like a “if you can’t touch it, no one can” moment.

Witness me, old man, I am the wild —

Back to the Trojans. ‘Old man’ here obviously means father but we’ll just ignore that and apply it to Priam, specifically to the scene where he comes to Achilles’ tent and asks for Hector’s corpse back.

You are the son of every dressing up box —

Honestly, I have no idea what this means. It definitely does remind me of Achilles hiding in a costume among the princesses in Skyros, but that doesn’t hold all too much significance. Dressing up is also usually a kids’ game which reminds you that he’s really just a kid pretending to be someone he’s not.

And I am time itself, I slow to let you play. I steal the hours and turn the nights into (day) —

Instead of giving the female voice just to Thetis, I could classify it as divine interference as a whole. This line specifically is giving me Athena vibes, though she is not time itself. The way she refers to what would be battling in this context as ‘playing’ shows how superior she is and how much she looks down upon even her favoured soldiers. It also reiterates for the millionth time that these soldiers are really just children. The fact that Athena has to ‘let’ him or allow him to play illustrates that Achilles is dependent on divine interference to win his battles, but specifically the duel with Hector.

Day by day, oh lord, three things I pray, that I might understand as best I can how bold I was, could be, will be - still am, by god, still am —

Here we get to the self-reflection where Achilles realizes that he was never as great as he thought he’d be, and that he had failed his people by not using that greatness to its full potential. The ‘will be’ and ‘still am’ parts are just him hyping himself up to take revenge on Hector, reminding himself that he does have the strength to do it.

Fret not, dear heart, let not them hear the mutterings of all your fears, the fluttering of all your wings —

I don’t know how deep I can go into this beyond what it literally means. He simply can’t let on that he’s scared. I guess the wings do represent his inner demons, but it’s also kind of funny when you think of him being Podarkes aka. having “winged feet”.

Welcome to the storm, I am thunder —

In the storm that is the war, Achilles is the thunder, the loud thing everyone fears. It’s quite interesting to consider that in reality, thunder is safe. The danger is the lighting. In my mind, Achilles considers Patroclus to be the lightning, which makes sense when you remember that after his death Achilles admits that he is not the best of all Greeks, but Patroclus. This leaves Achilles to be the thunder, the echo of what truly mattered.

Welcome to my table, bring your hunger —

This is similar to the line before. It’s his table, his war. Hector is the one that has to come prepared, ready to fight, but also ready to be served, ready to die.

[ainulindaelynn]

[20 Question Fic Writer Tag]

Thanks for the tags, loves! @brasideios @whereforartthoumisthios

1. How many works do you have on AO3?

1, technically, as they’re all connected.

2. What is your AO3 word count?

Currently 12k-ish. I pulled a bunch down a few months ago to rework things that were half-edited and bothering me. They haven’t returned yet, but I’m optimistic.

3. What fandoms do you write for?

AO3 will tell you only AC Odyssey, but in my active drive I have WIPs for AC Valhalla, Red Dead Redemption 2 (which I need to lure more of my AC mutuals into playing... ;)), Stardew Valley, and BG3. There maaay be a few pieces I'm reworking from fanfiction.net also. Those ones are for Knights of the Old Republic, Dragon Age Origins, and maybe even a Snow White & the Huntsman (xD). As a teen I wrote a bit of LoTR and Star Wars (old republic era OCs mostly), but that's been ages.

4. What are your top five fics by kudos?

Fewer than five posted, so I'm skipping this one!

5. Do you respond to comments? Why or why not?

Yes, mostly because I know most writers love comments, so I try to reward people who take the time. Honestly, if not for that I would blind-post everything and opt out of seeing kudos/comments. I love them, but it's too easy to depend on the reassurance. I'd rather drop them into the internet abyss and interact with people who seek me out on tumblr. I’d never give up the chance to connect over them though. You all are too kind and awesome <3

6. What's the fic you wrote with the angstiest ending?

KotOR probably. It’s about Revan recovering her memory and reconnecting with the purpose of her fall, which leads her to walk the same way again, but with more care and less hope. Also going alone, as repentance for Malak’s fate.

ACO's has an angstier storyline (Brasidas Dx), but the actual ending is long after that wraps up, so it doesn’t quite count ;)

7. What's the fic you wrote with the happiest ending?

SDV probably. How could anyone write Shane without giving him a happy ending? That guy needs a happy ending!

8. Do you get hate on fics?

Not so far.

9. Do you write smut? If so, what kind?

Yes, mostly by accident. There's a lot of chemistry exposition there and I always cave to that. Probably equal parts F/F and F/M.

10. Do you write crossovers? What's the craziest one you've written?

Nope! Open to it, but my brain doesn't leap like that.

11. Have you ever had a fic stolen?

Not to my knowledge. Although if anyone wanted to take my old ideas and run with them, I' it'd save me a lot of work reconfiguring! xD I also love re-writes. Everyone picks up on different nuances and I love to see the same idea expressed different ways. Direct theft not so much.

12. Have you ever had a fic translated?

Not to my knowledge.

13. Have you ever cowritten a fic before?

When I was a young teen, but not since. My co-writer and I reconnected last year and its funny the kind of bond (and friction) that forms.

14. What's your all-time favourite ship?

I'm not capable of answering that question. Genuinely. Pass!

15. What's a WIP you'd like to finish but doubt you ever will?

I'm happily in denial about all of them, thank you very much. Leave me and my 25 fics alone! xD

16. What are your writing strengths?

Oh gosh. I've been told action, but if that's true it's entirely by luck. Writing it is like pulling teeth. I'm going to join this question with the next, because I think strengths and weaknesses are often two sides of the same, and say introspection and body language minutia, because I LOVE those, but could easily write entire chapters of that, so I'm constantly cutting that down. Blessing and a curse, ya know?

17. What are your writing weaknesses?

The above, because it's to excess, but also OCD editing tendencies. I have a thing about cadence, varying paragraph and sentence-length, and (most oppressively) magnetizing my sentences. I'm not sure what the actual term for that is, but when you tie the end of one sentence to the beginning of the next with a common thought or word. We’re taught to do it with paragraphs, obviously, but on a tighter level. Every sentence. It's fun for reader fluidity, but way too much work.

18. Thoughts on writing dialogue in another language for a fic?

I have no skills for it, but as long as it's translated, I enjoy reading it!

19. First fandom you wrote for?

Probably LotR. I had an OC who insisted on following two steps behind the fellowship, intersecting with them a few times. Third Age, the game, was built on the same premise, so I eventually abandoned it in lieu of that.

20. Favourite fic you've ever written?

Imagined or written? Because the answer is different. Imagined is probably DA:O. Written is ACO, by far. I've never put so much time in on a story. Someday I'll make it cohesive enough to post! xD

I’m still emerging from my hermit cave and don’t know who’s done what, so I’m going to skip tagging this time, but I missed you all and am glad to be back(ish) 😂

[lunar-years]

Re: that ask about Jamie being a team player under Pep and your answer - it's actually not that new, referencing Pep, which is the weird part. The team notes from season 1, the stuff the writers gave Arlo White to make his "cheat sheets" for the season 1 finale match where Jamie makes that extra pass? They list Pep as the manager, and Ted and Jamie both mention him in their interviews in the episode as well. So when giving Jamie that extra pass moment, they did it with full concurrent awareness, in writing the season 1 finale, that Pep was Jamie's manager. Creating a fictional manager was never going to happen- Sudeikis is a big Pep fan, and obviously the show's production had to have struck up a good deal with Man City to feature them so much before they had rights to other teams, so they tend to show the team in a positive light even if they're Richmond's adversary. Anyway my point is, Pep as Jamie's coach isn't retrofitted or retroactive, rather, they knew Pep was Jamie's coach even when they had Jamie make that extra pass. So it IS a weird hole they've dug, because they're never going to claim Ted is a better coach than Pep (not only tactic wise but personally/how he treats players, he is beloved) but the implications of that about Jamie's career are very weird in that regard! But they've known it all along, and I can't imagine they don't consider the impact of it on Jamie given the way Sudeikis has talked about Pep before and also given how much backstory they've been said to have imagined, like how much Sudeikis apparently thinks about what informs all these characters. Theyve painted themselves into a corner where the text of the show confirms that Pep informs Jamie massively. Which I personally enjoy, but does detract from Ted's alleged influence on Jamie which I frankly have never massively cared about anyway. I much prefer Pep 😂. I do think they absolutely know Jamie was a small fish in a big pond at City and things changed for him at Richmond - he was top dog for the first time ever there, is what I think they were going for. But maybe we will learn more when they play City away.

Okay I know this was so not the point of your ask so sorry for the pivot lol but how on earth did the show convince the irl West Ham to agree to having their club portrayed on the show as the evil Rupert Mannion run Star Wars Death Star club ??? how do the West Ham fans feel about this? lmao.

To address your actual ask I just feel like they included Pep without thinking it through, because the narratives of what they're trying to do with Ted and what can be reasonably inferred about Jamie's backstory with Man City just are not adding up for me, lol. Definitely agree they're not going for "Ted is better than actual irl coaches," but they're certainly trying to portray that Ted was the exact right person for this particular group of guys at the particular time he landed in their lives. I do think they want us to believe there's something special about Ted that cultivated the team's success in a way other coaches couldn't have done in those particular circumstances of what Richmond was at that time. (And yeah it doesn't necessarily make much sense, but I just suspend my belief on that bit, because what about a goofy Kansas man with no prior knowledge of football and seemingly little desire to dig into it further leading a professional football team to victory does? )

wait edited to add: I also think you're 100% right about Jamie being a small fish in a big pond at City and things changing for him at Richmond in that it was the first time he was really in the position of being the best. Definitely!!! And that is such a good point. There were really excellent tags on a reblog of that last ask that were basically paralleling Jamie to Nate in that it's how you treat people who are powerless when you're in a position above them (whether that be actual authority or, like Jamie, just being the best player on the team) that is most telling.

[thedivinecalamity]

I just want to ramble a bit on my thoughts on James Somerton before I watch Hbomberguys video on it so I can look back at this post (and feel totally validated on getting weird vibes from him) and see If my feelings were onto something. (Also I'm not pretending like I knew all along just how bad he is and trying to feel superior, sometimes I get bad vibes from channels and am right, and sometimes I'm totally blind-sided like with Gus Johnson who's videos I used to like)

One of the things that made me stop watching him was when he talked about anime/manga. The guy very clearly had a very western biased perspective on it (or at least whoever he was plagiarizing from) and never seemed to look for perspectives from the people of that actual culture, and also just seemed racist towards it in general.

Along with saying that most women who write/enjoy gay anime/fanfic are straight and fetishizing the relationships and gay men need to 'reclaim' the medium (after all, women aren't allowed to have anything, it all needs to belong to men). A lot of those women turn out to be queer, or later identify with a different gender/no gender.

Like I won't deny that fujoshis exist and that a lot of them are annoying and it is a problem, but I feel this issue goes so much deeper that people just don't seem to think about.

I'll try to articulate this point well even if no one is reading this cause I feel like screaming into a void.

Everyone jokes about whether some piece of medium would pass the betchdel test, cause women in a lot of media barely interact with men in a non-hetero way, let alone talk to other women. Which is why I think a lot of people, especially women, gravitate towards the relationships between the men. Often cause we have nothing to work with for the women. Like in the media I consume, which is a lot of manga I will admit cause I tend to prefer non-fiction for straight up literature, I will see a lot of interesting male dynamics, but often have to go out of my way to find any female dynamics at all. I genuinely like wlw relationships more than mlm but it can be hard to find especially if you're not going out of your way for it.

I think women also write a lot of gay porn because of how they are viewed/portrayed by society. Women are often so sexualized/objectified that I think a lot of them don't want to repeat that because they're tired of their bodies being seen that way. So I think they often flip it and try to sexualize men more in a bit of a middle finger way (like the rise in art of men in bunnysuits poledancing, which decades ago would probably seem ludicrous to hear a man in that situation, or taking comic book art and swapping the genders).

I will probably need to do more research on this next point, but I hear this may be a theory on why a lot of women have rape fantasies. I'm not speaking about rape victims having those fantasies cause I am just not knowledgeable enough about that and don't want to be hurtful with uninformed opinions. It's been stigmatized that women should not enjoy sex, and made the idea that females masturbating is shameful. So these fantasies can be seen as a way to enjoy the pleasure without having the guilt that you actually want sex. Ofc I know rape victims are stigmatized just as much if not more, so maybe this point is bunk. I hope nothing I said in this paragraph is hurtful, feel free to correct me otherwise.

Also just the fact that fandom spaces have often had a lot more women than men, and are often mocked for their interests. I won't deny that men haven't also been bullied decades ago for having 'nerdy' interests like Star Wars, but those people often tended to push women out of trying to join their groups. So women go on the internet and start forming these communities, and James now says that men need to 'reclaim' these spaces from women, that often were created because men pushed them out in the first place.

(I won't deny however that fandoms do have a misogyny problem. So many people do not seem to care about female characters. I won't deny that female characters can often be more poorly written, but I've seen people on here create entire personalities for male characters with none/not even having any speaking lines with none of that energy dedicated towards female characters. Skill issue.)

[cosmermaid]

So I usually give fantasy swordfighting a pass for almost everything. Your character is doing stunts with sparks flying off of their sword and doing backflips while cutting through skyscrapers? Sure. I can forgive that, it’s cool to watch.

What grinds my gears in fiction is usually when one character is teaching swordplay to another. This is when it really shines through that the writers don’t know anything about swordfighting, didn’t bother to research, and they aren’t just bending the rules for entertainment. They’re making shit up and hoping that nobody notices.

I was watching the Kirby anime with a few friends the other day and the most common mistake I see showed up here. (Meta Knight isn’t the only offender I see this line in almost every fantasy scene of somebody learning sword-fighting.)

Nobody who first picks up a sword is ever going to feel like the sword is an “extension of themselves” and telling them that they need to do this is poppycock. This only comes with practice and proficiency, and it’s not just with swords either. This is when you learn to do anything that involves a tool.

How would you have felt if somebody told you to view the car as an extension of yourself during your first driving lesson? Music lesson? Art class?

My sword fighting teacher has never used any lines regarding seeing the sword as a part of your own body. The closest he ever came is talking about “having knowledge vs owning it” in regards to knowing what to do in a fight vs having the muscle memory and doing something by instinct. And he teaches that practice is the only way to own it. Again, this goes for just about anything you can possibly learn.

I’ve seen some other nonsense advise in fantasy, but not as commonly as the “part of your body/extension of yourself” crap. Other offenders include: “Make sure to not grip the sword too tight or too loose!” Of all the mistakes a new person can make, gripping the sword is not really a problem. People know how to grab things.

“Being fast is more important than being strong!” Somebody’s speed of movement and how strong their muscles are usually go hand in hand. “Sparing.” Sparring with swords is called fencing.

Anyways, if you’re a writer and you don’t know much about swordfighting, just avoid writing detailed scenes about one character teaching another swordplay. They slow a story down anyways, other martial arts stories just do training montages or time skips and that works fine.

Also you aren’t going to learn anything accurate ever about swordfighting from fiction. I see a lot of people talking about swordfighting in real life about what’s realistic and what isn’t, and it becomes very easy to tell who has actually used a sword before vs who picked up everything they know from anime and Star Wars.

Edit: You know what I do want to point out that Meta Knight did use a real duel technique in this episode though which was cool. So there are cutting methods in swordplay that are meant to cause pain or mild injuries that usually involve hitting somebody with the flat of a sword, which was specifically used for dueling. See, dueling was legal in a lot of European countries way back when (also in the Americas but gunpowder was more common by then so a lot of duels involved pistols. However, throwing away your shot was a real thing, which is why it shows up in Hamilton) but duels were not meant to be to the death. You could still face legal troubles or be accused of murder if you killed your opponent in a duel. Duels were meant to bring satisfaction to a disagreement, not kill the other party. (I’m certain there were people who used duels as a chance to murder somebody while trying to use “I used every way I could to not kill them I promise!” as a defense but that’s besides the point, that’s not what duels are for.) So there are a lot of primary sources for sword manuals throughout the ages that involved hitting somebody with weaker cuts or with the flat of your weapon so you can knock the shit out of them, but not kill them. This commonly refers to hitting somebody with the flat of the blade. They’re a pain in the ass to learn though so I’m not really good at non-leathal dueling swordplay. This is why we wear armored fencing gear.

[kimageddon]

Star Wars Fics

I was challenged by @ashotofspotchka . So I did it.

The Prompt

Made this a Tech x Reader fic. I got inspired. And became a bit longer that intended.

I heard y'like Tech?? @eyecandyeoz @fallenrepublick (tag a fan!)

The Wedding

Well this was a right mess to be in. How had you even gotten into this situation? Oh of course… Cid. As much as you admired her, she was a tricky one. If not for her you would have never been invited to her salon, nor would you have met the most frustrating band of men you’d encountered. And their adorable little sister of course.

Had you not taken that job with them a few months ago, you would not have gotten to know them so well. Not been put in so many ridiculous situations and nearly losing your head. You wouldn’t have that new scar across your thigh… and you wouldn’t have grown to like them so much.

Damn it. Your mentor always told you not to get too attached to people, one never knew when they would find each other on opposite sides of the field so to speak. Casual acquaintances were one thing. Friendship was not a good idea. Anything more was downright dangerous. You told yourself it was alright to have a little affection for them. That it was alright to laugh and make jokes, to share a meal with them, to make them smile. That was alright… wasn’t it?

You let out a sigh wishing the ceremony would soon be over. Not that it wasn’t lovely. Of course it was. The venue was beautifully decorated, from the flowers to the guests, everything was stunning. A perfect picture of romance and love and devotion.

You usually detested weddings. There was one incident when you were young and… well it spoiled the idea of them to you. Though this was… actually rather nice. The group, you included, were tasked with providing security for the wedding as a favour to one of Cid’s associates. It was one of the more ridiculous missions… though even you had to admit, you cleaned up alright in a silken dress and heels. It had been a while since you’d had to go undercover and this was… well it was rather fun.

The downside of course had been seeing the boys in their suits. It wasn’t good for your heart. If they looked a picture of badass intimidation in full armour, then the five of them in suits were just perfect.

Hunter even had his hair swept back, though it took you a second to recognise him without the bandana. Wrecker had been a little grumbly about feeling unprotected but was very pleased when you told him he was very handsome. Crosshair had rolled his eyes at first, but gotten very offended when you snatched his toothpick from his lips. Echo had a moment when he was finally dressed. You’d been tying his bowtie when he’d let out a little huff and gave a small smile, saying he “felt human again.” Your heart broke at these words because even with his brothers he still felt… lesser. You had been quick to assure him that he was more human than anyone you knew and that the prosthetics meant nothing on that. Seeing him puff up with pride again was worth nearly getting shot last week.

Even Omega had a pretty dress on and flats tied to her ankles with ribbons. You and she had picked a dress to match Hunter’s suit specifically, she looked up to her big brother so very much, you often thought he was more like a father really, but kept these thoughts to yourself for now.

The last one to join you was the one that affected you the most of course. Tech stepped out onto the landing platform looking like a million credits and like he should have a hot woman on each arm. Like he could make any woman swoon with just a wink.

Hot damn.

Of course he would not do such a thing, and was just looking around, observing the surroundings for possible points of attack, vulnerability and in general taking in the surroundings. As you were also meant be doing. Internally you swore and after drinking in his obliviously gorgeous self, you’d returned to praising the way Omega had pinned her hair without needing your help.

Tech had of course been one of the members of the self-proclaimed ‘Bad Batch’ that you had found the most interesting. He always knew at least five facts about the planet or target or mission that the others didn’t. Always reading, always observing. His eyes behind his goggles were never still. One could think him cold if they didn’t look close enough. But he had a deep passion for knowledge, for technology… its no wonder he had chosen such a name. Practical. To the point. You liked that about him. You like quite a bit about him as you recently discovered. The way he could fix anything. The way his eyes lit up when he talked about learning new things. The way he was so damn efficient at his job, he knew the Havoc Marauder inside and out. The little smile when the two of you shared an inside joke. Or the way he rolled his eyes whenever one of his brothers exasperated him. The way he was always right there to help Omega over large stones or down the stairs of the ship. He was so thoughtful like that, despite not really talking about it.

Actually no. No, you didn't like that. It was just positive observations. That’s all. He was a colleague… maybe a friend. Maybe. There was nothing more to it, you told yourself. There wasn’t anything meant in the little brushes of your fingers when you two passed items between each other. Or passed in the hold of the ship. Or when you were squashed together when hiding from Imps. He didn’t think like that. Right?

Currently, you were standing on one side of the large room, waiting for the bride to arrive. On one side were you, Hunter and Crosshair, standing alongside the pews. On the other, was Omega, Echo, Wrecker and Tech. You wished Tech was on your side of the room, then he wouldn’t be in your vision at least. Not that it meant anything! You were allowed to admire the handsome technician of course, but that's all it was. He certainly wasn’t looking back at you every minute or so either. You were probably imagining it. You had to keep your eyes out for any breaches in security. Any guests acting strange. Certainly not staring at the drop-dead gorgeous clone in glasses across from you.

“Feeling alright, Feisty?” Hunter asked in a low whisper. You smirked at the nickname, apparently you had made an impression on them in the first mission when the client had gotten too mouthy. “Your heart rate is higher than usual.” He added, and you could hear definite amusement in his tone.

You pursed your lips together, trying not to smile from embarrassment. “I’m fine Hunter.” You replied out of the corner of your mouth. Another sweep of the venue with your eyes-- oh kriff Tech was looking your way. Your eyes met for just a second before you tore them away. You heard Hunter chuckle.

“You sure?” He muttered, folding his arms,

“Shut up, Hunter.” You retorted with a soft huff. He chuckled again and you felt your face grow hot. By the nine moons of Endor you wanted to run. It was then the music began and you steeled yourself. The ceremony was beginning.

It was lovely, really. Very sweet, lovely and romantic. The Togruta and his Twi’lek bride seemed very in love if the look on the groom's face was to be believed. He practically lit up like a beacon on seeing her. You had the brief thought... would anyone do that for you? Before immediately pushing it away. Those sorts of thoughts were dangerous. You were sure that it was going to be boring… but you couldn’t help but get a little distracted when they began to say their vows.

“...my darling. There is so much I want to say to you. So much I have felt and left unsaid, I am sure you know just how I feel just by the way I look at you.”

Your eyes instinctively flicked to the otherside of the room. You glimpsed his eyes on you and was immediately caught in the depths of his soft brown eyes. The gentle and kind look you had seen many times, but thought nothing of. He was just kind, that’s who he was. In this moment though-- you were sure there was… a little more to it.

“...It was not easy to let myself open up… to bring myself to acknowledge my feelings but in one moment I knew they were endless and unrelenting. I love you from the depth of my soul and I never want to be apart from you…”

Oh hells… these vows were so saccharine sweet that normally you would be gagging… but these ones hit a little too close to home. You couldn’t stop your eyes from being tugged toward the suited clone trooper opposite you, no matter how you forced them away, to scan the room for danger, they were always drawn back to him. Always him.

“...When I met you you were just so wild. Such a firecracker…!”

There was a laugh across the room and you almost jumped, reminding yourself you were in a crowd. Though none of them paid attention to you. Only one.

“...It was like seeing the sun for the first time, with you in my world colours were brighter, food was sweeter, I found myself longing for times when we could be together, even in the small moments…”

You recalled the times Tech and yourself had been together, doing maintenance, repairs, listening to the music through the entertainment channels. The little laughs, the simple things.

“...not everything was easy, and there has been so much danger…”

You remembered your last serious injury, the piece of twisted metal sticking out of your leg while you hauled ass back to the ship, firing behind you to cover the boys. The way Tech’s eyes had become as big as moons when you finally collapsed, and they saw how bad the injury was.

“... but I always trusted you to get me through anything. I love you, my darling. With all my heart, and soul and with every beat of my heart and breath in my body. I will be yours even after all the stars in the galaxy burn out.”

You had been unable to tear your gaze from Tech’s for the last minute or so and you could feel your face burn. It was only when the vows were done and the bride and groom kissed, their hands wrapped together in a red ribbon and the other guests clapped in support that you snapped out of your little reverie. You joined, half-heartedly in the applause but you felt… strange. You really wanted this mission to be over. Or a drink. Yeah, a drink would be good.

[9worldstales]

MCU Loki: Why I fear they failed to deliver what they promised

At this point I’m kind of confused by who the “Loki” series is trying to reach or which is the goal/message they’re trying to pass along.

They had tried to intrigue assorted audience but, if you ask me, the series has often failed to deliver what it seemed to promise.

Of course I might be wrong. Or maybe I'm not seeing another type of audience the series aimed and managed to reach.

When the series started I wanted to keep a positive mentality and hope whatever seemed not to work would be fixed along the way or have a reason for existing that I just wasn't seeing because I hadn't seen the full story yet.

However, after 5 episodes I'm starting to lose hope the series will make a genuine effort to reach the fans at whom it seemed to aim.

PART 1 – “LOKI” IS NOT FOR THE OLD FANS WHO PRODUCED META SHOWING HOW HIS TRAUMA DAMAGED HIM

"I think it's the struggle with identity, who you are, who you want to be. I'm really drawn to characters who are fighting for control. Certainly you see that with Loki over the first 10 years of movies, he's out of control at pivotal parts of his life, he was adopted and everything and that manifest itself through anger and spite towards his family." [Loki's Struggle With His Identity Confirmed To Be A Focus Of His Disney+ Series]

What was it about Loki as a character that attracted you? He’s just fun, for one. He has a very playful sense of humor about him. I like how he never quite lets you know what he’s thinking. Beyond that, what I connect to about him is the same thing the legions of fans do, which is his humanity and his vulnerability. This is a guy who—yes, on the one hand, he was the prince of Asgard, seems like a nice life—but his father, in fact, killed his actual birth father, adopted him, lied to him about his heritage and parentage his entire life, he was forced to live in the shadow of his oafish older brother who was born to be king. He’s experienced a lot of trauma, and I think that what he’s looking for is just a little bit of control over his life. Which he feels like maybe he’s never quite had. That’s something I think we can all relate with. [From Loki to Doctor Strange and Star Wars, Michael Waldron Is the New Franchise Whisperer]

Let’s be honest, the audience for the “Loki” series is not really meant to be Marvel movies old time fans who enjoyed “Thor” and “The Avengers”, made countless Meta analyzing Loki’s behaviour and who wanted answers about what happened to Loki prior to “The Avengers” or wanted to see Loki’s family terrible dynamics be discussed, or at least to see explored the wrong dynamics of Loki’s interracial adoption (he’s taken away from his planet, the truth is hidden from him, his look is changed to disguise him as an Asgardian, nothing is done against the racial hate for the Jotuns at which Loki is exposed, even witnessing it from his brother) or talk how much in control of himself Loki was during “The Avengers” (okay, the web said the sceptre manipulated Loki, but what about acknowledging that in his own series? It doesn’t have to come from Loki who had no idea he was manipulated but someone could mention ‘think yourself lucky here the stones don’t work, they’ve the nasty tendency to manipulate people’).

The series has avoided digging into all that as much as they could.

Even when Loki talks with Sylvie, the most we get is a small big about how Frigga was awesome in his eyes and taught him magic, but this isn’t meant to explain any of the issues Loki had with his family, it just make Sylvie feel bad because she can’t remember her adoptive mother, as for the D.B. Cooper born out of a bet with Thor, yeah, fun but completely random. What’s meant to be the message about family dynamics here, that it was the bets between Thor and Loki that caused Loki to decide to conquer Earth? Or what about the Sif loop? Is it there to push on Loki the blame of his poor relation with Sif?

No, clearly not.

In regard to Loki the Frigga flashback is there to remark he had a loving and supportive family while the other two are there to have Loki admit he is ‘a mischievous scamp’, ‘a horrible person’ and ‘a narcissist’.

To put it in Classic Loki’s words: ‘Damn it! Animals, animals! We lie and we cheat, we cut the throat of every person who trusts us, and for what? Power. Glorious power. Glorious purpose! We cannot change. We're broken, every version of us. Forever. And whenever one of us dares try to fix themselves, they're sent here to die.’

In short it’s all Loki’s fault if he does bad, nothing happened to him that could have messed him up, he’s just a horrible person… however…

PART 2 – “LOKI” IS NOT FOR THE OLD AND NEW FANS WHO BELIEVED LOKI TO BE A DANGEROUS, EVIL, PSYCHOPATH VILLAIN EITHER

"Loki is an a**, and that makes my life as a writer, easy." ... "Due to the trauma in Loki’s life, I would even [accept a story] in which he is committed to being all bad." [Michael Waldron on Loki: He’s an a**. That makes things easy]

Considering the series is trying to pin SOLELY on Loki his wrongdoing, completely skipping the toxic way in which he was raised you might think they want to paint him as an evil, psychopath who was just born bad.

But no, that’s not the intention, we see it from the start.

Loki is given a quick briefing on how his beloved family loved him despite him hurting them, a briefing that contains false information which would work if we accept the briefing as manipulative but, at this point I’m not so sure that was the author’s intent. The Doylist purpose of the briefing is clearly to show the audience how Loki cares for his family, how he still has feelings, feels pain at the idea Frigga and Odin died and wish to make up with his brother.

It’s not just they loved him and did nothing wrong toward him, it’s also he who loved them and didn’t mean to harm them. That’s why we’re fed that damn discourse about Loki sending the Dark Elves to kill Frigga, because the series wants to remark that no, Loki didn’t want to kill his family, he loved them.

Tom Hiddleston used to say what Loki is came from a place of pain but the series didn’t explore that place of pain… it just gave him more pain and not just in episode 1. Episode 2 has him discovering Asgard is destroyed, episode 3 has him remembering Frigga, episode 4 shows him believing Sylvie die and watching Mobius being pruned. He doesn’t cry in Ep 5, episode 5 wants us to truly feel bad for Sylvie, not for him, but there’s a lot of bitterness from Classic Loki who commits a heroic suicide so you might say we get a sad Loki anyway.

And this also works as a shock to make him change his mind about his ‘glorious purposes’. Sorta, with Thor reminding us he’s not so bad and Loki explaining his behaviour as “I don't enjoy hurting people. I... I don't enjoy it. I do it because I have to, because I've had to. Because it's part of the illusion. It's the cruel, elaborate trick conjured by the weak to inspire fear.”

Plot-wise, this is completely useless.

The show will prove Sylvie is not Loki and has completely different motivations and Mobius, being an expert in Variants, should know.

What’s more why would Mobius care if Loki enjoys hurting people or not?

His goal is to capture Sylvie with Loki’s help. The most he should care about is how to keep Loki loyal to him, not if Loki has fun hurting people or not which, in fact, is a knowledge that won’t be used in his investigation.

No, this is here for the viewers, to tell them Loki isn’t a sadistic, evil villain, he’s someone weak who tries to scare others so as not to look weak. As Mobius will put in ‘a scared little boy, shivering in the cold’ who has an ‘insecure need for validation’.

What’s more?

The show will try his hardest to establish he’s not even competent.

Let’s talk of him as a fighter.

In the movies Loki is a competent fighter and side material establish he’s pretty strong, definitely much more than a human.

In “The Avengers” we see Captain America needs Iron Man’s help to beat him and, anyway, Loki’s plan was to be captured. Loki manages to walk away on his feet when Coulson hits him with that superspecial weapon and it’ll take him to be Hulk smashed after a fight with Thor and a meeting with an explosive arrow of Hawkeye before he can’t fight any longer.

This doesn’t happen in the “Loki” series.

Loki gets beaten up by various people in 4 episodes, preferably women (B-15, the people possessed by Sylvie, the guards on the train, Sif). You might say in episode 5 he’s not but actually Classic Loki is the one who gets swallowed by Alioth and our Loki instead survives because he has Sylvie supporting him as, on his own he couldn’t even distract Alioth.

Let’s talk of him as a wizard.

He can use magic, impressive magic but… it serves him mostly nothing. In the TVA his magic doesn’t work. Outside of it is mostly useless. It doesn’t help win fights. The Tempad he caused to disappear gets broken. To beat Alioth they needs enchantment, not his own magic. What’s more, when they’ve to go on the train his disguise wouldn’t have worked without Sylvie’s enchantment and, if this wasn’t enough, he got drunk, removed the disguise and wasn’t even able to make tickets appear.

Classic Loki too, with his impressive illusions is ultimately a distraction. Alioth tears easily through his illusions which aren’t even solid.

Let’s talk of him as a planner.

All Loki will accomplish is to escape from the Time theatre for a brief period in episode 1 and figure out Sylvie hides in apocalypses in episode 2. The rest of his plans fails or are not plan or are mocked over and not even put into practice.

Let’s talk about him as a manipulator with a silver tongue.

He can’t even persuade Mobius when he’s telling him the truth, Mobius dismisses it as a lie due to ‘cockroach's survival mechanism’.

And psychologically?

He’s just someone who crave attention because he’s a narcissist scared of being alone. Not a psychopath.

Loki is not meant to be a dangerous, evil, psychopath villain in this series, he’s a not serious man, a clown, a scared little boy in need of attention, a narcissist who needs to be loved.

Welcome to cartoon villain Loki, this Loki isn’t the Variant of “The Avengers” Loki, he’s the Variant of “Avengers Assemble”Loki… only he’s even less competent than him.

PART 3 – “LOKI” IS NOT EVEN HERE FOR GENERAL MARVEL MOVIE FANS

"That's a lot of Infinity Stones. That's true but they are useless there in the TVA, so I don't know. Is that gun loaded or not? We'll see..." [Loki Writer Comments On Whether TVA’s Infinity Stones Will Return In MCU]

“We had to create an insane institutional knowledge of how time travel would work within the TVA so the audience never has to think about it again. It was a lot of drawings of squiggly timelines.” Marvel already made its case for how time travel works in Avengers: Endgame, but that, Waldron points out, “is the way the Avengers understand it.” With a TV show it’s a little different. “I was always very acutely aware of the fact that there’s a week between each of our episodes and these fans are going to do exactly what I would do, which is pick this apart. We wanted to create a time-travel logic that was so airtight it could sustain over six hours. There’s some time-travel sci-fi concepts here that I’m eager for my Rick and Morty colleagues to see.” [How the Man Behind LokiIs Shaping Marvel’s Phase 4 and Beyond]

BC: The TVA is there to clean everybody up? MW: Yeah, Avengers: Endgame… that's how The Avengers understand time travel. 'Loki,' episode one, is how the TVA explains time travel to Loki and we're certainly building on what's come before us. [Loki: Michael Waldron On Gender Fluidity, Mephisto, Time Travel & More]

It’s true “Loki” is focusing on a new corner of the MCU but it interconnects very poorly with the movies before it.

Although Loki escaped with the Tesseract... it just dismisses completely the Infinity Stones.

Despite talking a lot about timelines and creating branching realities it waved away the whole plot of "Avengers: Endgame" as apparently supposed to happen even though it should have created branching realities.

We see Renslayer wave away how the Avengers went in the past causing the Tesseract to end up in Loki’s hands... and all the other things the Avengers did that affected the past goes unmentioned.

Bruce meeting the Ancient, Thor meeting his mother and taking away Thor’s hammer, Rocket being seen as he steals the reality stone from Jane, Tony stealing a suitcase and damaging the place in which the Tesseract was kept then meeting Howard Stark, 4 flacons of Pyn particles missing, an alarm given to the military bases, how Steve managed to bring back the sceptre if that timeline was pruned, how a timeline handled being without Thanos and Co as they went in the future or how they clearly didn’t bring the orb back the second they took it as Nebula remained unconscious there and nobody came and when she woke up Thanos could get her. It didn’t even explain why Steve remaining with Peggy didn’t change anything.

It's not that the audience has all explained... it's that they were told to dismiss it as 'meant to happen' and that was it.

What's more, the TVA apparently didn't list a finger to stop 2014 Thanos from going in the future and causing Tony Stark's death.

As if this wasn't enough, “Loki” just skips any possible connection with the movies, even hands Loki false information about them (he lead the Dark Elves to his mother when Loki had no idea the Kurse was a Dark Elf and they would have found her anyway as they were searching for the Aether which Malekith could sense, he’s born solely to cause pain and suffering and death, overlooks how he saved Jane twice or helped the Asgardian escape Hela) and never discusses them again.

Even with Classic Loki, who’s a Variant of “Avengers: Infinity War” Loki, they don’t talk about what happened after Loki’s supposed dead, apparently hinting it was better if he died, nor explain how Loki knew Thor survived.

PART 4 – “LOKI” IS NOT REALLY OFFERING A GOOD REPRESENTATION FOR FEMALES EVEN THOUGH IT CLEARLY AIMS AT FEMALE AUDIENCE

Let’s make a quick experiment.

Everyone, let’s name all the characters we remember which appeared in more than 1 episode of “Loki” for more than one minute.

We’ve, of course, Loki, Mobius, B-15, Renslayer, Sylvie, C-20 and Miss Minute.

5 females versus 2 males.

What’s more, females are not sexualized, they remains completely dressed, they’re clearly not there to attract male gazes, they’re represented as strong, dangerous, in control, something archived often by showing them beating males either physically or intellectually or in rank.

It seems promising. At first.

Is there someone who’s sexualized?

The “Loki” series takes care to offer us Tom Hiddleston naked.

So since there’s an abundance of females in the cast and Tom Hiddleston is shown naked is it aiming at a female audience?

Very, very likely but… but how’s then handled all this?

When Loki is seen undressed he’s not in a situation of power, like Thor who’s twice shows half naked in his movies but because he’s changing/washing and perfectly comfortable in showing his body and once in a situation which could be a male forbidden fantasy, to have many women massage your naked body, no, he’s shown as he’s powerless while being stripped by a machine. Clearly not a male power fantasy, more like a male nightmare.

And, in a totally not surprising way, pictures of this scene were spread by many female fans because it was aimed at them… though a part of them, was also honestly appalled at seeing this scene in contest, finding the forced stripping humiliating and degrading.

Sure, a naked Tom Hiddleston makes a nice eye-candy but this wasn’t how Loki’s many fans wanted to see Loki naked.

But let’s talk of female representation here, since the show seems to be interested in female audience… only who even though this was the representation women wanted doesn’t understand much of women representation in the first place.

Why?

For start because women here are all the same type of woman.

Strong fighters who’re in control and confident, with no real characterization beyond this to speak of despite the large amount of screen time.

Renslayer is an ex-hunter who can fight one on one against Sylvie and who clearly has the position of power she has because she was good as a hunter and shows her abilities in fighting after that Sylvie had beaten 2 guards at the same time. B-15 is introduced by beating Loki and is the commander of a squad. C-20 is another commander and, albeit possessed, can dispose of a part of her squad members.

Do I need to spend words on how Sylvie is depicted as this awesome fighter who has learnt to fight by herself, can keep at bay more than 1 Minuteman, can use a sword, has learnt enchantment on her own and is feared by all the TVA? Do I?

And it’s awesome to have women who are strong fighters in positions of command/power/control… but why women has to be represented as just that?

Even when they add a female as an one episode cameo, it's Sif, beating the hell out of Loki. And what about the Lady in Lamentis 1 who was too old to be strong but managed to blast away both Loki and Sylvie seeing through their deceptions?

Even the harmless Miss Minute can avoid being hit by Loki and gets she has to pretend to do researches to stall Sylvie and save Renslayer.

Women kick asses here… but that’s all they’re good for.

And so we get to Sylvie, who is the superior Loki Variant… because she’s female.

Kid Loki: You're different. Why? Loki: No, I'm not, you see? I'm the same, really. I'm the same as all of you. Have any of you met a woman Variant of us? Classic Loki: Sounds terrifying. Loki: Oh, she is. But that's kind of what's great about her. She's different. She's not trying to take over the TVA, she's trying to take it down. And she needs me. Now, you said Alioth is what keeps us here. You said it's a living thing. You said it's a shark. Well, if it lives, it dies. So I'm gonna kill the shark. I'm gonna kill Alioth, and I could use all the help I can get.

That’s what Loki preaches to his fellow Lokis who think a woman Loki would be terrific.

I mean, they’ve an alligator Loki, a POC Loki, but the one who has to be different is the female Loki. Because being female is a character trait.

Mobius: Okay. I feel like I'm always looking up to you. I like it. It's appropriate. [Ep 1]

Basically females in the “Loki” series are all representation of the Action girl trope and aren’t even different representation of said trope. I mean, “The Avengers” have 5 actions boy who’re clearly as different as they could be. Girls can be represented as different too, if they really aim at young audience they can take good old “Sailor Moon” as an example. 5 action girls who are strong and determinate AND DIFFERENT, more than just someone who kicks the adversary away.

And it’s not like they don’t know how to characterize people in a different way.

Mobius is an analyst who shows sympathetic traits toward the Variants and a certain level or intelligence. U-92 and D-90 are hunters who are shown to held Variants in little regard (U-92 wanted to attack the boy they found in the church, D-90 mistreated the scared people in the shelter). Casey is an harmless and naïve guy who had never seen a fish. The guy who made Loki sign the papers about what he said seemed emotionless but he clearly loved cats as not only he had one but on his cup there was also the image of a cat. Martin is clearly a bossy daddy’s son, who think too high of himself to the point he can’t respect rules. The boy in the church, despite thinking Sylvie was a demon, accepted and ate food she gave him and remained in the place despite the crime. He’s clearly more brave than he looked like but he’s also naïve as he easily trusted ‘the demon’ and Mobius.

What’s C-20 character trait when she gets described by Sylvie?

Sylvie: Yeah. She was just a regular person on Earth. Loki: A regular person? Sylvie: Loved margaritas.

She’s a regular person who loves margaritas. Liking a drink is not a character trait!

There’s a more diverse female representation in “Thor” than in “Loki”.

In “Thor” we’ve Frigga, queen of Asgard, loving mother and wife who’s powerless to erase Thor’s banishment. We’ve Sif, a dangerous and loyal warrior. We’ve Jane, the amazing scientist with a lot of enthusiasm. We’ve Darcy, who’s funny and who seems focused mostly on herself but who, when the city is attacked, worried to save all the animals at the pet store.

But maybe the one who gets the worst treatment is the supposed heroine, Sylvie, because the poor girl is turned into a Mary Sue.

In case someone isn’t familiar with the term:

“The prototypical Mary Sue is an original female character in a fanfic who obviously serves as an idealized version of the author mainly for the purpose of Wish Fulfillment. She's exotically beautiful, often having an unusual hair or eye colour, and has a similarly cool and exotic name. She's exceptionally talented in an implausibly wide variety of areas, and may possess skills that are rare or nonexistent in the canon setting. She also lacks any realistic, or at least story-relevant, character flaws — either that or her "flaws" are obviously meant to be endearing. She has an unusual and dramatic Back Story. The canon protagonists are all overwhelmed with admiration for her beauty, wit, courage and other virtues, and are quick to adopt her as one of their True Companions, even characters who are usually antisocial and untrusting; if any character doesn't love her, that character gets an extremely unsympathetic portrayal. She has some sort of especially close relationship to the author's favourite canon character — their love interest, illegitimate child, never-before-mentioned sister, etc. Other than that, the canon characters are quickly reduced to awestruck cheerleaders, watching from the sidelines as Mary Sue outstrips them in their areas of expertise and solves problems that have stymied them for the entire series.” [tvtropes.org]

So let’s see how she fits this checklist:

1) She's exotically beautiful, often having an unusual hair or eye colour: Sylvie painted her hair blonde even though the Lokis are supposed to be black haired

2) has a similarly cool and exotic name: She is the only Loki Variant who has changed her name from Loki to Sylvie.

3) She's exceptionally talented in an implausibly wide variety of areas, and may possess skills that are rare or nonexistent in the canon setting: Awesome at fighting she can enchant people, an ability the Lokis don’t posses, that she magically learnt on her own and that is necessary in the story. Also she figured out how a Tempad worked BEFOREseeing it in action.

4) She also lacks any realistic, or at least story-relevant, character flaws — either that or her "flaws" are obviously meant to be endearing: No flaws, all her plans involve fighting and brute force is no substitute for diplomacy and guile, which could be a flaw… if it wasn’t for the fact that the series will prove Sylvie can plan just fine without using fighting and brute strength and also be successful at it.

5) She has an unusual and dramatic Back Story: She was taken by the TVA when she was younger than Kid Loki but managed to escape them and had to live alone and on the run till then.

6) The canon protagonists are all overwhelmed with admiration for her beauty, wit, courage and other virtues, and are quick to adopt her as one of their True Companions, even characters who are usually antisocial and untrusting: Loki, who has never loved anyone, falls for her, Mobius saves her and apologizes to her, B-15, who used to look down at Variants, basically asks her what should they do and is shown admiring her, the Lokis don’t criticize her plan, Classic Loki dies to save her, everyone views her as the superior Loki Variant.

7) if any character doesn't love her, that character gets an extremely unsympathetic portrayal: Renslayer, the hunter who has arrested her, is currently playing the part of the antagonist who’s fascist and believes in a murderous, lying cult.

8) She has some sort of especially close relationship to the author's favourite canon character — their love interest, illegitimate child, never-before-mentioned sister, etc.: She’s the Variant and love interest of the titular character.

9) Other than that, the canon characters are quickly reduced to awestruck cheerleaders, watching from the sidelines as Mary Sue outstrips them in their areas of expertise and solves problems that have stymied them for the entire series: Loki, the title character, has conveniently been turned into someone who’s a weak fighter and incapable of planning which Sylvie has to save by enchanting guards or giving him her sword or pruning herself or teaching him how to enchant and coming up with all the plans.

Now all she needs in order to be a perfect Mary Sue is to know how to sing well as Mary Sue usually do this as well, though I’m sure she can do it because Loki could so she surely can.

Sylvie is amazing, Loki himself said so:

Loki: No. We may lose. Sometimes painfully. But we don't die. We survive. I mean, you did. You were just a child when the TVA took you, but you nearly took down the organization that claims to govern the order of time. You did it on your own. You ran rings around them. You're amazing!

There’s nothing inherently wrong in having a new female character who’s competent, for whom the hero falls and who changes him… if all this is built around a solid plot.

Think at “Iron Man”.

Tony Stark is, to quote Tony Stark himself a “genius, billionaire, playboy, philanthropist”.

It’s amazing, isn’t it? But the movie shows us why he’s that.

It spends time setting up his pedigree, how he inherited the money and intelligence from his father, how he was supported as he grew and studied becoming always a greater genius. Tony shows himself to be charming before seducing his first woman onscreen so that when he does it makes sense. His philanthropic activities are, at first, just mentioned but seems rooted in how his father was a hero who helped fighting Nazi and then they became his mission. He felt guilty he was a merchant of death and tried to make up for it.

Sylvie too could have a solid plot behind herself.

Instead than magically knowing what a TemPad does and how it works and managing to escape with it, she could have escaped with, let’s say, a hunter that discovered the truth and decided to rebel to the TVA or just had pity of her. Maybe another Mobius Variant who used to work at the TVA prior to Mobius and that, instead than an analyst was a hunter. She might have learnt fighting from him and then he too died and she was left alone.

Enchantment might have been an ability she might have learnt coming in contact with a mind stone. It could have been an occasion also to talk how mind stones can influence people negatively. Or it could have been taught to her by Frigga who, with a female daughter, decided to teach her a different type of magic than Loki.

Her past could have been explored more instead than being tragic for the sake of tragic. We might have seen her fall in love and either be betrayed or have to say goodbye to her loved one because that reality got pruned. We might have seen her being interested in males and females alike as she’s supposed to be interested in both.

She could have had discussions with Loki that weren’t just about Frigga or about how the TVA kidnapped her from Asgard, she escaped and from that point on she was always on the run, or about how love didn’t feel real, but more about how they were, how they felt, what hurt them and what made them happy, what they liked and what they disliked, their ideals and their fears, things that can built up a relation.

Loki basically fall for her because she’s on a mission for revenge instead than power and seems confident. That’s his reasoning.

She falls for Loki… because apparently he’s the person who spend time with her who praised her. That’s not a solid love story, that’s desperation.

SYlvie could have flaws, she could have learnt diplomacy or persuasion from Loki or could have something she lacks and Loki has so that they would complete each other.

And since the purpose was to have Sylvie and Loki fall for each other… they could have let Loki have characteristics that can motivate the exceptional heroine to fall in love for him PRIOR to him falling in love for her. He might be shown good at something, instead than just a clown.

Even if we say the real purpose of this series was to turn Sylvie into the protagonist, the heroine, a good Loki character was still needed to explain why this awesome girl would fall for him.

So okay, there will surely still be women who can see themselves in Sylvie and imagine they got Loki… and it’s not bad really… but I think we deserved more.

Long story short, yes, “Loki” has many females in its cast and this is meant to draw the female audience… but the representation is poor as almost all of the females have no character traits and Sylvie is just a Mary Sue with no realistic characterization.

A good female representation is diverse and solid. Women don't need to be born irrealistically perfect out of nothing to be good, they can inherith and grow and learn to be as such like any human being.

Last but not least…

PART 5 – DOES “LOKI” REALLY OFFERS REPRESENTATION TO THE LGBT COMMUNITY?

BC: There is a lot of talk on social media about Loki being gender fluid. Wouldn't that actually be a natural fit for the character? MW: Yeah, I guess as, with all questions pertaining to that stuff, I think those answers, truly, are best experienced in the watching of the show, as opposed to me trying to answer them. Because it's just watching it and the way that's addressed and everything will just be more fulfilling. BC: Why do you think it's important that Loki is gender fluid? MW: I think that Loki is a character that a lot of fans see representation in. People that haven't felt represented before, and they see themselves in Loki and everything. So we want to do justice to the character, to who the character is in the comics and in Norse mythology as well. And you also … you know you want folks to feel represented, and everything. That's why it's important. It always has been. It comes from everybody on the creative team. [Loki: Michael Waldron On Gender Fluidity, Mephisto, Time Travel & More]

The series hugely spread the info that this Loki would be fluid and Bisexual. The news were welcomed with delight and it’s awesome how the series didn’t hesitate to put it on paper.

Loki being fluid was written for everyone to see, and Loki having male and female interests was spelled out for everyone to hear.

IT’S A GREAT THING!

However…

It’s all we got.

It had no relevance into the plot whatsoever, it’s just a random info we’re given.

Him being fluid was on a paper along with his other data like eye colour and birth planet.

Him being interested in males and females seems to be put there just to imply he tried a large amount of people before deciding love didn’t feel real.

Assuming the other Lokis too were fluid, they actually found terrific the idea of a woman Loki in a not positive way. They weren’t interested or asking for clarifications about what Loki meant.

Loki’s bisexuality doesn’t even get a side story, them sending Fandral to beat Loki instead than Sif because Loki cheated on him or something. I’m not upset Loki ended up with a female, this is one of the possibilities of a Bisexual person. I’m upset that this was used merely to attract the audience but then wasn’t explored. They could have said Asgard was open minded with it, or disapproved it so Loki had to keep it hidden, or it could have been Sylvie who discussed some experience in that regard.

We were told over and over it was a show about identity. We expected it to be explored instead we were just told ‘ah, by the way, Loki is bisexual, let’s move on.’ And that was all.

Having representation from an important Marvel character is always important, especially considering the shortage of representation. But honestly I expected more.

PART 7 – TO SUM IT UP

Many of the people who worked in “Loki” are fantastic actors. They worked hard for this series, I can see they tried their best.

The premises for the “Loki” series are interesting.

We get a Loki who hadn’t experienced most of what happened in the movies yet, we make him confront with someone who knows his life, the one he lived and the one he was meant to live and we also make him confront with Variations of himself.

Loki has the Tesseract and the TVA has plenty of infinity stones, we could explore them.

The TVA itself have a fascist organization that dictates people’s lives and murders whoever tries to do differently, that goes so far as to brainwash the people working in it, which mistreats and belittle the Variants and establish a manipulative cult around the Time-Keeper with elements of police brutality which could be very actual.

Time travelling was the plot of "Avengers: Endgame" they could have tied the movie to the series, esplore the why some time travels were allowed and some weren't or their effects.

There were references to plenty of awesome comics they could take inspiration from.

But unless it redeems itself with the last episode… well, so far it’s failing to deliver what it promised due to a really poor plot which doesn’t give the characters a chance to be themselves or to be characterized as they’ve no real story nor real differences to speak of.

They’re given more time than a movie as they’re a series… but that’s no good excuse for wasting said time.

I’m still hoping the last episode will be spectacular, that it’ll manage to erase the messes of the other 5… but, as of now I’m disappointed.

I’ll just keep my fingers crossed and hope they’ll surprise me.

[vaelitis]

SPECIAL 200 FOLLOWERS

Zhongli x Fem!Reader

Thank you so much to all of you, even if i’m not very active due to school work I still managed to hit 200 followers, i’m sending virtual cookies to you all 💞

To celebrate, i’m happy to announce the release of “ One Hell of A Glaze Lillie” Chapter I

Roaming around the once busy streets of Liyue Harbour now lulled in a comforting and peaceful silence, you found yourself bewitched. Your eyes reflected the starry sky while the soothing moonlight, swathed the ancient buildings around the sidewalks of a gentle blue hue.

Never did your irises harboured a hint of boredom as they faced the ever so fascinating sight of this land, no matter how many strolls you took upon those paved roads.

Only your footsteps and the distant swell of the ocean reached your ears, as you let your legs wander wherever they pleased along the city center.

Raising your head slightly, eyes now closed, you took a moment to appreciate the delicate caress of the fresh breeze grazing your cheeks, covering your flesh in a light veil of coldness in which triggered a pleasant shiver to run down your spine.

Liyue never felt cold to you. Even from the late evening, to the moment when the sun decides to lavish the city of its warmth.

Your senses and lungs were filled with the ever so appeasing scent of autumn leaves and spices flooding the entire city, and as you relished in this feeling of pure bliss, a thin smile graced your face when you realized that this moment could be even wondrous in his presence.

Though you quickly put this idea aside, for the poor old grandpa as you loved to call him as such, certainly fell into a deep slumber at this hour. You were aware that he had important duties to fulfil in the next early morning, he told you as much when you came to visit him today, like you always do after clearing your daily missions. The two of you gathering around a warm cup of tea brewed by his careful hands in his office, at Wengsheng Funeral parlour.

Yet, you thought to yourself that it would be far too egoistic, not to share this breathtaking show that the stars were displaying tonight.

The only thing you weren't aware of, was how the same flow of words rolled off his tongue,and how his eyes usually swimming in a pool of warm amber, remained thoughtful as the mystical glow of the moonlight seemed to have cooled their fiery hues.

The lantern rite was in full swing, and that was particularly why you’ve decided to take a refreshing stroll tonight, which apparently lasted longer than expected. Though no wonder, after all, Liyue was indeed a ravishing sight to behold.

Even more so, when the silken whispers of the wind were cradling along with their freshness, the last singing chirps o birds which have yet to succumb into the pleasure of an undisturbed slumber.

How could you not find yourself entranced ? It seemed like the purest assault. Beautifully crafted lanterns made of the finest materials, painting the night sky with their appeasing light like billions of baby sun, reflecting in your bewildered eyes.

You hoped this overwhelming beauty could have engulfed the echoing pleas of your heart. However lately it seemed to find peace in its pace, only by the side of a certain retired Archon.

A bittersweet smile mad its way to your face, lost in thought. There was no point in denying it now was it ? As time passed by, your fondness for him along with the fear of facing your own feelings inevitably grew. At first, you were in complete denial. From the moment your eyes landed upon his majestic stature and charming smile, you swore not to surrender to the sweet temptation named love. Unfortunately for you it is not for nothing that we relate this dangerous feeling to doves, for as freely as the flapping of a wing, love can nestle its flame within the depths of your heart.

So you couldn't help but hear the deepness of his voice swaying among your thoughts, as lanterns floated by you ;

"Have you heard of the origins of the lantern rite ? In the war, long ago, the people of Liyue would release lanterns to remind their soldiers of the way home, and to never lose sight of themselves. Though, I doubt that there are any that remember."

It quite surprised you how easily you registered any trivia (as he loved to call his impressive knowledge as such) he would generously share with you, denouncing how even your mind was infatuated with your recent acquaintance..

A true, amused smirk graced your features this time, as a glint of mischief swirled in your irises.

The guilt of disrupting any of his occupations soon died down and was replaced by the urge of a playful revenge. After all, he was the one invading your every thought...It would only be a matter of fairness, a value that you have soon noticed was the highest in his standards, to invade him in return.

That was enough of an excuse to find yourself right before his front door.

One would have believed such a gentleman to possess more than a simple modest place to live in, yet you were part of the few aware that the great Mister Zhongli wasn't bound by Mora. As such... you grew used to pay for the meals he "treated" you to.

You were also part of the rare ones, to know about his identity. The former overpowering God of War, who has crushed ancient gods under his giant spears made of unbreakable rock, now known as Guyun Stone Forest. The infamous Rex Lapis, who took upon the form of a lordly, breathtaking Dragon, ruling over Liyue that he created with his own hands. Advices full of wisdom that he gained over the span of millennia, were carefully given to the common folks out of everlasting devotion to fairness.

...Yet, he wasn't even able to afford fermented rice balls.

A snort escaped your smiling mouth, not that you actually wanted to suppress it. To say he was the epitome of enigmatic would be an understatement, even if the mysterious aura surrounding him was what inevitably drew you into his world.

Little did you know that, once you get entangled with Zhongli, there is no getting away from him at all.

A sultry, familiar voice interrupted your flow of thoughts. You swiftly looked up, eyes wide, to the source of it.

-" Why is it that..once you finally get a break, instead of taking a rest, you instead come to me?"

Your ears relished in how every syllable that rolled off his tongue were coated in such a voluptuousness. You stopped counting the times you almost fell asleep on the spot while he was calmly reciting his old memories.

There he was in all his glory, leaning against the wooden door frame wit crossed arms. Time had almost stopped, he stared fondly down at yo r timid form, a mix of shyness and excitement bubbling up your chest as your lips stretched on their own.

It was getting more and more arduous to hold his intense gaze, and as your eyes drifted away, he tilted his head to the sid an spoke once more.

-“ Or, is it that you want to hear one of my stories ?”

Your soft chuckle answered his sarcasm

-“ Actually...”

Still looking down, you took several steps forward until you were able to see his own feet.

-“ I honestly just wanted to go stargaze with you.”

I wasn’t supposed to post it now that’s why it is not very long, but i did not expect to hit 200 followers that quickly! 🥺

Rendez-vous to the next chapter 💓

[starfire-s]

here’s a list of the best, mediocre and worst kdramas i watched in 2020

no one asked for this but it’s happening because i have thoughts (also all opinions are my own if you disagree then get well soon i guess... no i’m kidding make your own posts about it don’t hate me please) ahsjsj anyways click to read a lengthy post and if you actually read the whole thing then thank you i hope you enjoy this wild ride! 

THE BEST KDRAMAS -

mystic pop up bar - this show had everything i ask from a kdrama literally i can name it all found family (to real family), well thought out characters, a mystery plot, special effects, soft romances that were well written, a happy ending! no show in 2020 even comes close to how good this one was! the writers literally guided you throughout the whole thing so you could come up with theories and didn’t do a ‘aha! gotcha’ thing where they want to prove the audience wrong but they wanted us to be right and satisfied! the worst part about the drama is that it’s still so underrated and people just brush it off as some random fantasy show but it’s so much more than that! 1000/10

flower of evil - who doesn’t want to see lee joon gi being the son of a serial killer, living with the name of a man who is in a coma, and hiding his real identity from his wife who is a detective? this show constantly had me at the edge of my seat on a weekly basis so the emotions i went through while watching this are unparalleled! the writers also did such a good job on writing a coherent story that made sense and tied up all the plot points in the end. just a really satisfying show to watch! 10/10

where your eyes linger - i literally bought a $8 viki pass to watch this show so it should tell you everything you need to know about how i feel ahsjsj the episodes were 10 minutes long but we got a good story with well written characters who got character development in a total of 80 minutes it’s insane! honestly it’s still hard to believe this show had rookie actors because they were just so emotive that you could feel all the happiness, sadness, yearning and pining! probably one of my fave kdramas this year because of the acting that i always constantly rewatch! would recommend 10/10

crash landing on you - okay so this drama was actually released on my birthday last year and it was a time in my life when i was going through a lot so maybe it’s the comfort this show provided me through that time this is why i have such a soft spot for it? like the romance was good, it was funny, there was found family, the nk soldiers were all softies, there were strong female leads, soft male leads!!! ahh!! no other show on this list made me think about the unification of south korea and north korea irl because i wanted se ri and jeong hyeok to be together 4ever! but the only issue i had with this show was the ending they gave seung jun if they didn’t do that i’d give this show a 10/10 but just for that they get a 9/10

psycho but it’s okay - this was one of those shows where you’re literally like ‘wow everyone here needs therapy’ but this show was amazing i loved the story telling and how each episode related to children’s book/fairytales! the writers also did a good job with how carefully they talked about mental health in depth without villainising their characters but actually tried to make the audience understand why they were this way which included all the side characters too who had a well thought out story in each episode! also the dynamic between moon young, kang tae and sang tae was everything to me the actors all did an amazing job portraying their characters, it truly was a healing drama. the only thing i didn’t like about this show was the whole plastic surgery plot with the mother like that was very far fetched but it provided drama so i’ll let it slide because the rest was amazing. this show is a solid 8.5/10

18 again - another underrated gem! who would’ve thought a remake of that zac efron movie could be this good!! lee do hyun stole this show for sure the way he portrayed his character and gave heart eyes to his kids (when he’s only 25 irl was the best thing i saw this year ahsjs) i loved the family dynamics in this show, i loved how it talked about what it’s like to be young parents and how society still think it’s taboo to be divorced! it’s a show that makes you laugh and cry at the same time and that’s why everyone should watch it! however, the biggest clown thing this show did to me though was that i got sls for the first time while watching a kdrama... hwang in yeop if u’re reading this i love u and u deserved better 🤡 that aside this show was a 8/10

itaewon class - i actually didn’t watch this drama as it was airing because i thought i wouldn’t enjoy the plot but when i watched it i binged the whole thing in 2 days and my biggest regret is i didn’t watch it sooner! everyone knows i have a soft spot for park seo joon since he’s my favourite actor i’ve literally watched all his dramas like he could star in the trashiest drama out there and i’d still watch it and be like wow (looking at she was pretty 👀) this show aside from the acting had one of the best revenge plots in a kdrama! just watching a character realistically hustle his way to reach the top while fighting the corrupt man whose son killed his father was so so satisfying to watch! however, the love triangle in this show was questionable idk what they were trying to do with that but it personally annoyed me! but still i’ll give this show a 7.5/10 because i enjoyed it a lot!

do you like brahms? - kim min jae and park eun bin.. that’s all you need to know about why this is a good kdrama! i’m usually not a big fan of melodramas and everyone knows i prefer rom coms but this show was just so perfectly melo that i loved all the angst and pain we got!! also just watching two introverted people awkwardly fall in love was amazing! the characters story arcs were also handled pretty well with song ah finally learning to speak up for herself and joon young learning to express how he truly feels! but... the love square? was probably the most annoying thing the rest in my opinion was nicely done! i know people had mixed feelings about the ending but i loved that after all the pain joon young and song ah went through they got a happy ending together! 7/10

find me in your memory - okay this show started off very slow and it was confusing at the start but as it progressed everything in the plot started to fall into place! i mean this show really took opposites attract to a new level where the male lead could remember every single detail from his life but the female lead had to forget some of her traumatic memories to help her cope with her life! they were also tied together through a mutual character who was a big part of their lives in a different way! just an interesting melodrama with interesting characters i liked it! and moon ga young... i love you queen!!! 7/10

THE MEDIOCRE KDRAMAS -

more than friends - was the storytelling in this show groundbreaking? no. was the acting decent? yes. also probably the main reason i stuck with this show until the end! i think we can all agree lee soo had the best character development on this show he started off as a bad boy who wore one ear stud to actually becoming a well liked character... who else did it like him? no one. also the chemistry between the mains was 🔥 but the second male lead was so annoying is there a opposite word for second lead syndrome because i had that for sure! i think the best part about this show was the people i watched it with on here... shoutout to the five of us ahsjsj also this show introduced me to a talented actor/singer like ong seong wu (y’all know my kpop knowledge is nonexistent so no i didn’t know he was in a band called wanna one) all in all a predictable show but i had fun watching it so 6.5/10

tale of the nine tailed - i didn’t actually watch this show i watched it through gifs and instagram posts ahsjsjs so am i qualified to talk about my opinion definitely no... will I talk about it anyways yes lmao. lee rang deserved better that’s all goodbye and take care. 5.5/10

start up - probably one of the most awaited opinions. y’all thought this would be in the worst kdramas section but i decided to give this show some rights. the show started off strong, lost it’s way after episode 6 and then the last episode gave me what i wanted so i have mixed feelings. the writing was not the best i think we can all agree, love triangle as a plot device? wow so groundbreaking 🤡 the characters on the other hand... i loved every single one of them i mean ship wars? i don’t know her. the show had a lot of potential that was wasted but we also got some cute moments between the characters so there was really no winning or losing with this show? but in all honesty you can’t put a talented cast together like this and then just decide to give the audience a mediocre plot but the writers did exactly that! i think i can redirect y’all to my ‘crimes this show committed’ post for a in-depth analysis. lastly nam do san was a GOOD and REFRESHING male lead and ji pyeong was also a GOOD and FUN second male lead!!! this show gave me the ugliest ship war ever that i was transported back to my high school tvd days so thank you for that!! but the cast was loveable and all had a lot of chemistry together so here’s a 5/10 maybe that's too generous but... i think the reason why i didn't enjoy watching this show as much was definitely because of the tag on here lmao

THE WORST KDRAMAS -

the king eternal monarch - i miss clowning this show so much. the amount of braincells i lost while trying to understand this plot... i should be compensated by the writers. however, woo do hwan was a treat to look at on a weekly basis... however the writers kept decreasing his screen time even though he had a dual role... make it make sense? and i cannot comment on the plot of this show because i still don’t understand anything? also in my opinion tae eul and lee gon were the most bland couple of 2020, there was no chemistry between them and there was just a random kiss in episode 5 and they randomly said i love you... where was the development? also lee gon was soooo boring and such a one dimensional male lead! literally all the side characters were so much more interesting and the cast was good... but this plot. 2/10

do do sol sol la la sol - i wanna fight the writer who decided that the plot twist on the show would be that jun is a minor? i had no expectations from this show but it looked cute and nonsensical but that plot twist made me run the other way so fast that i never looked back! just because jun is a boy they really thought this would be excused like lmao we all have critical thinking skills???? the clown behaviour. a solid 1/10

record of youth - i hate this show so much. imagine not utilising park so dam who just starred in the biggest oscar winning movie to her full potential. imagine just making her a love interest to park bo gum’s character in the year 2020. i watched it up until episode 6 and i kept waiting for her character to get development... but it never happened so i dropped this show. also this show featured the MOST useless love triangle i have ever seen in my life like what was the point? also park bo gum’s characters family was straight up annoying (minus the grandpa) but they got so much screen time like that should’ve been given to park so dam... also villainising a gay side character for no reason at all in the year 2020? this show was a waste of my time i want the 6 hours i spent watching this back. -100/10 

backstreet rookie - i watched one episode of this and literally wanted to rip my eyeballs out of my head. idk what ji chang wook was thinking when he signed this drama i think he lost his ability to read because that's the only reasonable explanation for why he chose to star in such a dumpster fire show! this show had a racist character... had a high schooler kiss an adult... sexist jokes... just the worst things you can think of in a drama... this show had it. i still can’t believe so many people watched this show to the point where it had better ratings than pbio... really made me question everyone’s taste? but sorry can’t relate my taste is excellent so here’s the rating this show actually deserves -1000/10

if you made it this far... thank you for reading. let’s continue to love some kdramas together and get clowned by others in 2021! looking forward to it 😅

[aerltarg]

Maybe this is a stupid question, buuuuut:

I just can't imagine a world that Rhaegar comes back from the Trident, wins the war and becomes king. No, I'm not a anti Rhaegar, matter of fact I like him very much, I'm just can imagine how would Lya, little Jon, this whole affair, would settle in the capital. The norm that fics (at least those I read) tend to follow is to make Rhaegar:

1. A douche, paranoid and destiny-obessed king.

2. Completely incompetent, aloof monarch, that deep down has a heart of gold, but can't really be understood.

I mean, isn't he supposed to be a scholar since he was a kid? What's are your thoughts about it?

oh, yeah, i can totally understand this! it's is the whole point in canon actually, "the wrong man came back from the trident". you would expect a hero win against his antagonist and have a happy ending w his lady love but it doesn't happen. instead the subversion happens to them with rhaegar being killed by robert who becomes obviously a shitty king and lyanna dying after him. they were never supposed to have happy ending, they were created as tragic and doomed and dead from the beginning for the whole plot to start, jon to have his parentage mystery and dany to take the passed baton as the last dragon, prophesied savoir and the heir who has to carry entire house on her back now.

as for the realistic rhaegar wins aus that's the difficult question. tbh we just don't know enough abt their situation, plans and wishes. you see, e.g. in agot we can be right in ned's head and see his motivations, what he was thinking abt, what he was planning, what he was hoping to do. but if his story was told the way rhaegar's was i bet he would have his own crowd of haters and ~intellectuals~ jumping out every two seconds w their "hot takes" how actually all hints abt what rlly happened (ned being a good man w his own sense of honour, justice and experiences affecting him and the deal w cersei's children) doesn't matter and he was an ambitious prick, planned to grasp the power by being joffrey's regent and make his daughter sansa queen. (you can actually insert there any bullshit and still don't reach the level of stupidity of such "hot takes" this fandom loves so much lmao). also he would be blamed to the hell and beyond for being too stupid and not foreseeing the future and actions of other ppl bc ofc after everything happened it's so easy to say what was so obvious to notice. also they would say that the deaths of his men and horrible fates of his kids are 100% his fault and even straight up say he killed them lmao. i can rant abt it for hours so yeah. this is a situation w too many unknown variables bc it depends too much on actions of too many characters we don't know enough abt. the only thing it's possible to tell for sure is the fact that there couldn't be any perfect solutions since things got too complicated at this point.

such fics as you've mentioned tho are just a part of this dumb fanon where rhaegar is "too prophecy obsessed"/"incapable of love"/shrodinger's rhaegar both smart and stupid at the same time/whatever/all of this combined lmfao. the man was notably intelligent from the early age as you've absolutely rightly mentioned, his guesses abt himself being tptwp have nothing to do w egocentrism as some parts of the fandom would want us all to believe unless he wouldn't be so reasonable abt it and later on, after so many years, wouldn't have changed his mind and thought his son could be tptwp.

and literally fuck all antis that think you shouldn't consider prophecies that hold real power in this fantasy world lol. you know, aegon the conqueror was said to be motivated (or at least partly) to unify westeros by the prophecy and still got the treatment of perfect/maximum close to perfect figure of a leader everyone should look up to from the narrative and grrm. prophecy obsessed much, huh? i don't even talk abt all these parallels between him and rhaegar grrm put there not for bitches to ignore them completely! and i will never get tired of reminding that dismissing prophecies is UNWISE for targaryens of all people. the house whose story is built on the dream of young daenys and her father aenar that listened to her despite common sense (or what local "anti magic"/"anti prophecies" clowns consider to be common sense). targs would be as dead as the rest of dragonlords if not for daenys the dreamer. who else in the world has as many reasons to take prophecies seriously as them?

yet antis out there act as if rhaegar is one dimensional weirdo whose every character trait is abt mf ~prophecy obsession~. like how can they miss one of the main points so badly?? the game of thrones distracts ppl from the real danger beyond the wall, yk, the one rhaegar was aware of and meant to deal with. there wouldn't be such a problem if he became king and had as many years of head start before ice zombies apocalypse as ignorant bobby b did. rhaegar had to die just for westeros to sink in shit and our main heroes to save everyone to make this story more epic LMAO

so yeah, too many ppl portray rhaegar as this one dimensional robotic creature without any knowledge of what feelings are idk even for what reason. it seems these ppl can't read for real bc rhaegar was not only intelligent af as well as dutiful ("it seems i must be a warrior" but "he loved his harp more than his lance") but also. ugh emotional?? my boy had constant emo sessions w brooding at ruins of summerhall, sleeping out there beneath the stars all alone and writing songs that made all women cry. does it sound as someone who "isn't capable of love" lol? folks act as if he was completely heartless from the day he was born (bc he didnt play w other kids ig??) but in reality their emotional range is less than the one of a spoon in comparison to rhaegar's lol. i'm not even gonna address the horrible attitude of demonizing him for his implied depression, vile clowns never listen to themselves when they talk abt targaryens and their "madness".

tldr; these fics are mostly lame af and suck at characterization if they're making rhaegar like that lol. anyway his character isn't abt being a good or a bad king, it's abt being a would-be-king for characters in books and readers in reality to sigh over his tragic aura and pretty aesthetic abt how it could've been. however, grrm clearly doesn't write rhaegar as evil or incapable as some parts of the fandom would want to try to persuade others. realistically speaking in the scenario where he wins there couldn't be any perfect decisions but it's a territory of speculations on thin air and lit nothing more since canon doesn't provide us with enough information to rlly theorize anything instead of building biased headcanons some ppl call "analysis".

but remember what barristan said about rhaegar while practically watching him all his life, from a literal baby to the man grown:

“I know little of Rhaegar. Only the tales Viserys told, and he was a little boy when our brother died. What was he truly like?”

The old man considered a moment. “Able. That above all. Determined, deliberate, dutiful, single-minded.” (ASOS, Daenerys I)

“Prince Rhaegar’s prowess was unquestioned, but he seldom entered the lists. He never loved the song of swords the way that Robert did, or Jaime Lannister. It was something he had to do, a task the world had set him. He did it well, for he did everything well. That was his nature. But he took no joy in it. Men said that he loved his harp much better than his lance.” (ASOS, Daenerys IV)

[wanderinginksplot]

If you're still taking requests, can I request either Echo or Tech with hurtReader + fluff? 👀

(your writing is amazing and it melts my heart sndnfjdjdb)

Hi, friend! Thank you for the compliment - you're so sweet! I went a little lighter on the fluff than I meant to, but this is what I ended up with. Thanks for the request! Enjoy!

Tech + Injured Reader + (Minor) Fluff

*WARNING: Slight mention of gore. Nothing graphic, but a head's up.*

Watching the Havoc Marauder touch down was a ritual you followed every time the Bad Batch went anywhere without you on board. Tech liked to believe he was an excellent pilot, but you were of the opinion that flying took more than encyclopedic knowledge of a ship’s internal systems. It took instinct, a feel for the ship’s personality, and a good bit of luck to fly in a war zone.

Tech disagreed vehemently, but you had been assigned to them for a reason. Even if he had found your belief in luck - okay, slight obsession with luck - to be ridiculous, Tech admitted that you were an excellent pilot. It hadn’t been enough for you to accompany them on their mission, but it was something.

The real problem was that the members of the Bad Batch were insanely protective of anything or anyone they saw as ‘theirs’. Privately, you thought it was because they hadn’t had any personal belongings on Kamino. And they definitely hadn't had friends outside of their group. Unfortunately for you, you were also considered ‘theirs’ now and the Batch could be… restrictive when they felt you could be in danger. And since you were assigned to help them fight a literal war, you were always in danger and they were always protective. Especially Tech. You had been dating in secret for a few weeks now - too short a time for anything serious, but Tech let you take absolutely zero chances.

“Sir, we need to get you inside,” one of the troopers on deck told you, his light touch to your arm pulling your attention away from scanning the star-littered space above the hangar bay. The trooper's regulation armor looked oddly plain to you, even with the medic's symbol and the touches of gray that told you he was a member of the Wolfpack.

“I’m sorry, what was your name again?” you asked, partially to stall and partially because your luck senses were tingling.

“That isn’t important right-”

“Please?” you asked again. It was another quirk of luck. If a trooper touched you, you needed to know their name or they ended up dying. Statistically, you knew that probably wasn’t true, but who really wanted to mess around with fate if they didn’t have to?

The trooper blew out a sigh that crackled his annoyance through the speakers of his helmet. “Curl, sir. We really should be-”

“I’m sorry, Curl,” you apologized, interrupting the poor medic again. “I got separated from my team and I need to see that they’re back okay before I can leave. Does that make sense?”

“What team isn’t back yet?” Curl asked, seeming concerned. “I thought Commander Wolffe said that everyone had checked back in?”

“I’m with the Ba- with Clone Force 99,” you told him, changing your explanation to use the group’s official name at the last minute. Professionalism never hurt anyone.

“You’re with the Bad Batch?” Curl asked, sounding impressed despite himself. Without waiting for an answer, he gave a curt nod and lifted his wrist toward the speakers of his helmet. “Sergeant Sinker, Medic Curl.”

“Sinker here,” a voice answered immediately.

“Do we have an ETA on Clone Force Nine-Nine?”

“Hold.”

“Copy.” Curl glanced at you and you nodded to show that you were following the conversation.

“Curl, bridge says they’re inbound, expected to hit the hangar in about a minute.”

“Copy,” Curl said again. “Thanks, Sarge.”

“I’d stand clear,” Sergeant Sinker warned. “The good pilot isn’t on.”

“Are you the good pilot?” Curl asked you. You swore you could hear a smile in his voice.

You smiled back and nodded. “That would be me.”

“Understood, I’ve got the good pilot with me,” Curl replied over his comlink. “We’re gonna spectate, make sure they don’t scratch the paint job.”

“There’s no reason to worry,” Sinker said consolingly. “The GAR stopped springing for paint two months ago. There’ll be none left on that ship.”

Curl laughed aloud at that, shaking his head.

“Cut the chatter,” a harsh voice reprimanded. “This is an official channel. Save your jokes for the clubs on the Triple Zero, Sergeant.”

“Yes sir, Commander,” Sinker agreed chipperly.

The Solidarity’s deck shuddered as the hyperdrive activated, ready to take off as soon as the Havoc Marauder landed, and you stumbled with the movement. Curl caught you - his grip uncomfortable given the harsh plastoid planes of his armor - and shook his head.

“We really need to get you inside, sir,” Curl said again, sounding reluctant but concerned. “You have an appointment in the medbay with me, and I’ll be very offended if you’re late.”

You were about to point out that he would be late, too, when the Marauder zoomed up and around the Solidarity, clearly following a path to land.

“Wait, they’re right there,” you protested. “Give ‘em ten seconds to land and a bit longer for me to gloat, then I’ll gladly go to the medbay.” Curl hesitated and you pressed your advantage. “I’ll be a model patient, Curl. No arguments, no debates, no complaining.”

“I never believe anyone when they say that,” Curl said dryly, “but I guess you’ll survive without treatment for a little while longer.”

“Thanks, Curl!” your enthusiasm was a little… off… but you blamed it on the pain you were finally beginning to feel.

Tech was flying, you knew that beyond a doubt. Not only was he the only person allowed to fly, but the landing performed by the small cruiser was proof that the wickedly intelligent trooper was behind the controls.

As soon as they had landed, Wrecker burst out of the side door. “Ha! Told ya we would make it back in one piece.”

“More luck than skill, that,” Crosshair countered sourly, slouching from the door as well with Hunter behind him.

“As I said multiple times, everything was under control,” Tech disagreed. He caught sight of you and started in your direction, eyes taking in the way Curl’s gloved hand was still gripping your bicep.

“There, you saw ‘em,” Curl muttered to you. “We really need to go now.”

“I beg your pardon, but where exactly are you trying to go?” Tech asked sharply, glancing between the two of you.

“Medbay,” Curl replied, slipping into the vocal brevity of a career soldier. “Your pilot was injured, but wouldn’t accept treatment until you had touched down.”

“Luck, you know,” you told Tech, who was already scanning your form with his goggled gaze. You smirked at him and shrugged off Curl, who seemed ready to tow you to the medbay himself. “Also, statistical likelihood be karked! I stayed in the ‘safest possible place’ like you told me and I’m the only one who ended up injured! You should listen to me from now on.”

“What?!”

“Injured?”

"How? Where?"

The rest of the Bad Batch had surrounded you and Curl in a moment, all asking different variations of the same question. Hunter’s voice cut through them all. “Trooper, why is she not in the medbay?”

Curl held up his hands as if despairing of the entire situation. “Sorry, Sergeant. Your pilot refused to leave until we saw your ship land. It would be a big help to me if you would just issue an order to report to the medbay so I can start treating the injuries.”

For all that he liked to take a laid-back approach to non-combat leadership, Hunter took the safety of his team seriously and you knew he was about to do as Curl had suggested.

“It’s not even that bad an injury,” you argued before Hunter could speak. “I just got hit with some debris."

You tugged up the rough, canvas-like material of the uniform pants you wore while you weren’t actively flying and showed them your lower leg. You were busy looking at the faces of the Batch rather than the injury, but you knew something was wrong when Tech swore. Tech never swore.

With a frown, you glanced down at your leg. Your mind refused to make too much sense of things, but you saw smears of crimson and a pale flash of something before the dizziness returned worse than ever.

Fortunately, Curl caught you before you could actually fall and Wrecker scooped you up a moment later. He was already muttering soothing nonsense as he lifted you, and it was almost enough to keep you from noticing the pain. “All right, here we are. Everything is fine. Just don’t puke on me.”

“Medbay,” Hunter ordered severely. “Now .”

“Yes, sir,” you agreed, your voice more weak than you liked.

“Finally,” Curl muttered.

“Tech, go with them,” you heard Hunter say from a rapidly growing distance.

There was a sound of jogging steps, but when you tried to look for Tech’s familiar face, the Solidarity leapt into hyperspace and you felt like you might actually pass out.

“What will treatment consist of?” Tech asked. He was trying to mask his worry by being professional, but you could hear a hint of it in his voice.

“Some stitches, probably an antibiotic shot since the debris was metallic, and a check of the nerves in the area of injury,” Curl answered easily. The lack of concern from the medic was comforting in a strange sort of way.

The silence hung for a few moments, interrupted only by the sound of everyone’s footsteps. Eventually, Tech admitted, “I should have been able to calculate the risks more closely. This never should have happened.”

“Aw, how were you supposed to know?” Wrecker asked loudly.

“That’s right,” Curl agreed. “This is war. Unexpected variables are the norm and there are no safe spots. My only advice is to take all of your people with you. After all, your pilot accepted the assignment to be part of your team. Trying to keep people out of the action never works. Take the lesson, learn from it, and make adjustments in the future. You don’t need to do anything more than that.”

“He’s right,” you agreed, the sentiment muffled against Wrecker’s broad chestplate. “Let me do my job and trust that I’ll do everything I can to keep us all out of danger.”

You blindly stuck your hand out behind Wrecker’s back, searching until you connected with Tech’s familiar fingers. His grip was hesitant but steady, and you gave his hand a squeeze of reassurance.

“It’s probably true,” Curl said, apparently backing you up. “Pain is like a truth serum. And with that gash… it’s probably the truth. Even if you did lie about being a perfect patient.”

You chuckled at that, despite the discomfort from your injury, and relaxed a bit as you felt Tech press a kiss to the back of your hand.

---

A/N - This chapter could realistically be called 'Ink will do anything to avoid using the y/n designation'. For those who are unfamiliar, Curl is my OC medic for the Wolfpack and you can read more featuring him in Just for Kix on my masterlist. As always, I'm still taking requests! Thanks again, Anon, for this idea and I'm sorry again about skimping on the fluff! If you want me to rewrite or expand on it, please feel free to let me know.

[sineala]

The gay Invaders

Hi, internet! Today I'd like to talk about one of the chronologically-first canonically-gay couples in Marvel Comics history: Brian Falsworth (the second Union Jack) and Roger Aubrey (The Destroyer). (I mean "chronological" in terms of in-universe timeline rather than RL publication date; I'm pretty sure Northstar is still the first to publication as far as unambiguously-gay Marvel heroes go.)

If you are a fan of reading or writing about Captain America being queer, you should care about Brian and Roger, because they were two of Steve's fellow Invaders in the 1940s, meaning that they are two of the people on the list of Steve's Old Gay Friends And Teammates, because, yeah, Steve sure had a lot of canonically gay friends during the war. Probably more than you'd think he would have had in the forties! (The other two are Percival Pinkerton, who's part of Nick Fury's Howling Commandos, and of course Steve's childhood friend Arnie Roth. Pinky is gay by word of Stan Lee, IIRC; Arnie was as canonically gay as DeMatteis could make him in the early 1980s, so they didn't say the word "gay" but it's really, really not subtle. Steve compares what Arnie feels for his "roommate" Michael to what Steve feels for his girlfriend Bernie. Yeah.)

I previously made a Tumblr post about Brian and Roger, rounding up some of the canonical evidence of their relationship, but that post is six years old now, and in the intervening years, Marvel has thoughtfully put the rest of the 70s Invaders run on Unlimited as well as the two Citizen V miniseries that star Roger and retcon his relationship with Brian as romantic. So I've read them now, and I've got panels.

Okay. I should probably begin by saying that Brian and Roger are not canonically gay in their first significant appearance together, which is in Invaders vol 1 #19 and #20, published in 1977. Roy Thomas does not seem to have intended them to be a couple, and they aren't canonically one in any of the original Invaders run. However, if you enjoy gay subtext, it's very nice.

This whole arc is the one that introduces Roger in modern canon. He's been brainwashed by the Nazis and the Invaders rescue him and get him back to his normal self. But in #19 we get his backstory in flashback, as related by Montgomery, Lord Falsworth (Brian's father; yes, MCU fans, the name should look familiar) and it turns out that Roger and Brian were basically best friends since childhood:

They were the dearest of friends!

Anyway, they both ended up captured by Nazis, they presumably changed their minds about appeasement as a policy, Brian got out and joined the Invaders, then they had to rescue the brainwashed Roger, and it's a fair amount of fun in a two-issue arc.

The subtext is even more prominent in Invaders #34, in which they find out that someone going by the Destroyer (which is Roger's codename) has been doing villainous deeds, and the Invaders worry that Roger's gotten himself brainwashed again. Brian immediately insists that it can't really be Roger because he knows Roger and Roger Would Never:

Unsurprisingly, Brian is right. It's not really Roger; Master Man is impersonating the Destroyer, and the villains have taken Roger captive, and the Invaders break him out and there is an extremely significant moment where it just so happens that Roger has to catch Brian, saving his life for a change, and they stare deeply into each other's eyes and Brian seems to be having difficulty finishing his sentences:

Some people who read this therefore concluded that Brian and Roger were extremely gay for each other. While ordinarily this sort of shipping is mostly confined to fandom, in this particular instance, one of the people who started shipping Brian/Roger was Fabian Nicieza, and Fabian Nicieza, as you probably know, writes comics for Marvel. I think you see where this is going.

However, first I must inform you that, sadly, Brian has been canonically dead for years. Captain America vol 1 #253-254 -- the two-parter about Baron Blood in the Stern/Byrne Cap run in the 80s -- establishes that Brian died in a car accident in 1953. (This is also the run where Joseph Chapman -- a friend of Jacqueline Falsworth's son Kenneth -- becomes the third (and current) Union Jack.)

(Roger then appears in a bunch of T-Bolts issues; I assume there's nothing interesting there on the gay front because I feel like someone would have told me. I should probably read more than three T-Bolts issues someday.)

So, anyway, in 2001, Fabian Nicieza wrote a miniseries called Citizen V and the V-Battalion. Roger, who is still superheroing as the Destroyer despite being pretty old by this point, is part of the titular V-Battalion, and he has a very prominent role in this miniseries. And in #1, we have the usual splash page of character backstory, and there's a very, um, interesting line there:

Regarding Brian and Roger's relationship, the narration informs us: "It sounds much gayer than it probably was."

This is interesting, obviously for a couple of reasons. One is that, up to this point in canon, as far as I can tell, literally nobody thought any of this sounded the slightest bit gay at all. (Other than, I guess, Fabian Nicieza.) The other reason is that, as we soon find out, it actually was as gay as it sounds. Thanks, Fabian!

In 2002, Nicieza wrote a second miniseries, Citizen V and the V-Battalion: The Everlasting. Issue #1 opens with a flashback set in 1953; specifically, we see Brian's funeral:

Roger is extremely sad, and when Lord Falsworth expresses his sympathy about the death of Roger's "friend" and saying that he knows how much this hurts him, Roger mutters under his breath that he doesn't have the slightest clue:

All is revealed on the next page, when one of the other characters tries to ask Roger about superhero business and Roger snaps at him because, as he says, "I just watched my friend die in my arms."

Except "friend" isn't the word he starts to say:

Yep. That would be "lover." So Roger nearly outs himself. So, yes, now it's absolutely canon. Hooray.

Later on in the issue, which is set in the present day, we have a couple pages of Roger staring at pictures of the two of them and continuing to be sad:

Yeah. They were a couple.

So the question you -- being a Captain America fan -- might ask yourself is, okay, did/does Steve know about any of this? (The reason I started looking all this up was because I wanted to know if Steve knew.) I don't know if we have a panel of Roger specifically admitting any of this to Steve (and if we do, I would like to know about it), but I would be comfortable saying that Steve probably knew back then -- because, well, he seems like the kind of guy who would actually have been fine with it in the 40s, what with all his gay friends -- and also that I can't think of a reason why he wouldn't know now. Because he's definitely worked with Roger again in fairly recent comics, and also Roger is very much out, these days.

In fact, New Invaders #4 (2004) opens with Roger attending Pride:

So, yeah, he's out.

(Then he has to fight, as far as I can tell, homophobic Nazi vampires. They're yelling slurs in German. Great.)

In All-New Invaders #10, which is from 2014 (and which is not the same series as New Invaders), Roger shows up to help out the Invaders, and in passing, he just happens to mention to another character (Joseph Chapman, the current Union Jack), that he is in fact gay:

He and Joseph don't really like each other much; as far as I can tell, their acquaintance in New Invaders consists of Joseph being vaguely homophobic and Roger being bitter about him being Union Jack because he actually wanted to be Union Jack himself to honor Brian's memory -- you know, that thing superheroes sometimes like to do to honor their dead superhero significant others, viz. Hank when Jan was dead after Secret Invasion -- and now Union Jack is this annoying kid and not, y'know, the love of his life. This exchange from New Invaders #4 seems pretty representative of their relationship:

Anyway, yeah, he's pretty obviously out.

Steve isn't actually present for this conversation in All-New Invaders, but he mentions in a later issue of this run that he knows what Roger and his pals have been up to, plot-wise, so I feel comfortable assuming that he's talked to Roger at some point in the previous ten years or so, and therefore, since Roger is completely out at this point in canon, there's no reason Steve shouldn't know now.

On an unrelated note, it's also a fun issue if you're a Steve/Tony fan because this is clearly running in parallel with Hickman's Avengers run, which means that he spends half a page telling Namor that he's mad at him and the rest of the Illuminati (but mostly mad at Tony because... he's just obsessed with Tony in this run, I guess?) about the mindwipe:

This is the sum total of my knowledge about Brian and Roger. No, wait, I know one more thing, which is that Brian was a character in the late, lamented mobile game Avengers Academy, in which he was also actually gay; Roger does not seem to have been there. There's a CBR article that you can read about the whole thing, which mentions some of these details from the comics in passing. (I have no idea why it says that their relationship was alluded to in the Stern/Byrne run; unless I missed something big, the only thing those issues do is establish Brian's death. As far as I can tell, no one is gay in them.)

So, yeah, that's Brian Falsworth and Roger Aubrey, the two gay Invaders. Steve sure has a lot of gay friends.

[redwinterroses]

I totally get you! The only reason I said my age was because I was on anon haha being old enough to remember when you told nobody anything about yourself online is a curse

For me, I was into mcyt back in ye olde yogscast and mindcrack days, fell off for a bit, and came back into mcyt around 2 years ago! These block people make my neurodivergent brain go nuts as well lol

But as I stuck to mainly hermitcraft, it's been really interesting to see the bleed-off from the dsmp side when they come over here and see these "old" creators. Especially because dsmp wouldn't be as popular as it got without an older CC like Wilbur, who had the life experience and knowledge to pull together a semi-coherent narrative.

And this is just coming from previous fandom experience here, but if you don't have a wide range of ages within the fans, the fandom tends to die as people age out and move on. So having older fans is just as important as younger ones, but people act so weird when it's mentioned that older people exist in the mcyt space.

In regards to your tags, oh boy don't get me started on the infantilisation of older, more popular CC's! Like these are grown-ass adults and it's so strange to see them constantly represented as teens or young adults. I get art styles are all different and some stylizations lean younger but I don't know, I'd love some older hermit representation.

But I suppose that's just an experience thing that happens when you get older, and you realise that people that you relate to (like a fav CC) aren't going to be the same age as yourself.

Look at me still ranting haha I think I might need that rocking chair actually :P

I'm just posting this mainly without comment because YES all of this. Look at the most long-lived fanbases -- Lord of the Rings, Sherlock Holmes, Star Trek, Star Wars, Marvel... you know what they all have in common? A wide age-range of fans. Parents who love it passing it on to their kids. Young people discovering the massive backlog of content that fans before them have created. It's beautiful and a self-sustaining fandom ecosystem needs all ages to survive and thrive.

Honestly age-segregation is stupid. Obviously there are limits, let's not ignore that, but kids should be able to have friends who are adults -- "mentors" are just "friends" who also happen to be able to impart life advice lol. It's very healthy to interact with people who have more life experience, rather than just your own peer group who's all trying to figure it out together, and from the opposite end it's very healthy for "grown ups" to remember what the heck being a kid is like. Good luck trying to maintain a childlike sense of wonder in the world if you never actually interact with real kids lol.

...okay anyway, happy Thanksgiving to all my American followers; I'm getting off the internet and letting the queue take over for the rest of the day. XD