We didn’t get a S4 announcement, but you know what the absolute best thing about today’s C2E2 Hannibal panel truly was?
For almost the first time since the show ended, Fannibals showed how profitable Hannibal can still be.
C2E2 sold out of their remaining VIP ticket packages with guaranteed panel seating within 48 hours of the reunion announcement. Paid PopVerse subscriptions to stream the panel spiked with previously untapped demos (if socials are anything to go by). The largest event hall at C2E2 was overcapacity 45 minutes before the panel; while that’s normal for cons like SDCC and NYCC, in my experience that’s less common at C2E2.
Not to mention Mads and Hugh making bank with autograph and photo-op sales; a huge component of drawing in good talent to table at cons as well, making sure they make enough over the weekend to justify their presence beyond panel appearances. From a talent booking/event management perspective, this is the absolute dream scenario.
So, here’s the super fun part: ReedPop, the company that owns C2E2, also owns/operates New York Comic Con (NYCC), one of the highest-profile US entertainment conventions after San Diego Comic-Con. Now that ReedPop is aware of the viability of Hannibal programming, it would be extremely surprising if RP didn’t attempt a run at a larger, proper reunion panel at NYCC.
Honestly, great job, team. 2024 could very well be the year we get real buzz going again!
if this comic resonated with you, it would mean the world to me if you donated to this palestinian family's escape fund.
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no creative notes because this isn't that kind of comic.
I know I don’t owe any of you anything but I still felt compelled to write about my long term absence. And I feel far enough away from the dangerous spot I was in to be able to make this comic. I have a therapist now, and she agreed that making this could be a very cathartic gesture, and the start of properly leaving these thoughts behind me. I am still, at seemingly random times, blindsided by fleeting desires to kill myself. They’re always passing urges, but it’s disarming, and uncomfortable. I worry sometimes that my brain’s spent so long thinking only about suicide that it’s forgotten how to think about anything else. Like, now that I've opened that door for myself, I'll never be able to fully shut it again. But I’m trying my best to encourage my mind in other directions. We'll see how that goes.
I am still donating all proceeds from my store to Palestinian causes. So far, I've donated over $15K, not including donations coming from my own pocket or the fundraising streams which jointly raised around $10K. In the time since I made my initial post about where this money would be going, the focus has shifted from aid organisations to directly donating to escape funds.
If you'd like to do the same, you can look at Operation Olive Branch, which hosts hundreds of Palestinian escape funds or donate to Safebow, which has helped facilitate the safe crossing and securing of important medical procedures for over 150 at-risk palestinians since the beginning of the genocide.
does anyone have like an anti aesthetic. like something you look at and can recognize as a complete fashion/interior design/artistic movement and understand it but it makes you shudder seeing it. i am not talking like “its morally bad” “its poorly structured” like just sheerly devoid of joy for you actually invites a repulse response.
Sorry, but having Zuko actually fight back against Ozai during their Agni Kai is just wrong. He was a child, only 13 at the time, afraid to fight his own father and was mutilated as punishment, because Ozai saw Zuko's begging and unwillingness to fight as unforgiveable weakness.
The Angi Kai isn't meant to be a showcase of Zuko's fighting potential (that's what the Zhao fight is for), but to show the utter cruelty of Ozai.
Multiple protestors calling for a ceasefire interrupt Secretary of State Anthony Blinken during a Senate hearing in which he discussed giving $14.3 billion in aid to Israel (via NBC)
I remember discussing Tintin casting choices with a friend from Germany and remarked how it was odd he often has an English accent in adaptations rather than a Belgian one, and my friend just replied "that's because Tintin gives incredibly strong English boy energy (derogatory)"
Here in the UK there's a lot of weird classism tied into accents. Today accent diversity and representation in broadcasting is actively pursued but in Tintin's time there certainly was a preferred accent to have.
imagine this exchange happens between pages 28-29 in The Crab with the Golden Claws
an example of real pixel art and explaining the pixel grid:
Thread on how to spot AI generated pixels by reyhkibanki on twitter!~ Might be a useful read to help you spot common mistakes AI makes when generating pixels. There's also a lot more info in the link!!
An excerpt from a comic I made a couple years ago about fishing in video games. Full comic is on my ko-fi for free (or a couple bucks if you’d like). Happy fishing!
if you post an image in discord itll round the corners, but once you hit a certain smallness it rounds into a circle. so basically if you make an image that is 32x32 and you post it in discord itll go from this
to this.
so you basically can just draw a little face in mspaint or something and paste it into discord and itll look like a little emoji. you can potentially mess around with this a lot, its proportional to your image going smaller and it doesnt have to be a square either.