#Azula?? Let’s go get the boys | Explore Tumblr Posts and Blogs

linkspooky · 4 months

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DOOMED SIBLINGS: THE TODOROKIS VS. THE FIRE NATION ROYAL FAMILY

I received an ask in my inbox about how Zuko doesn't owe Azula any forgiveness. Truthfully I wasn't even going to respond because this isn't an avatar blog, but then I watched this video.

Not only do I disagree with the basically everything in this video, but I am going to make the argument that both Zuko' and Azula's arcs are both incomplete with the way the show left the two of them in the final showdown.

In order to make my argument I'm going to compare Azula and Zuko's relationship in avatar to Shoto and Toya's relationship in My Hero Academia and use the latter as a more positive example.

Unnecessary Redemption Arcs

The common fandom opinion I want to argue against is this idea that Azula's ending is a perfect tragedy, and therefore doesn't need to be expanded upon. There's also a sentiment that redeeming Azula would somehow ruin the impact of this perfect tragedy.

I'm about to argue against both of these points.

Azula's arc doesn't work as a tragedy.

Because of this her arc is unsatisfying and unfinished.

I'm going to address the first bullet point but before that let me add another disclaimer. The reason why I think Azula's arc isn't an effectively written tragedy isn't because I like Azula.

Before we even get into the My Hero Academia comparison let me bring up something completely different. I do like Azula, but I like Terra Markov from Teen Titans a lot more and I would not change a thing about her tragic end.

AZULA'S ARC IS NOT A WELL-WRITTEN TRAGEDY

Terra in the comics is what a lot of people accuse Azula of being. She is stated in the text and by her creators to be an unfeeling sociopath. She was also never intended by her creators to be redeemed.

[About Terra] The very first time we see her, she’s trying to blow up the Statue of Liberty. It’s just that all the fans assumed because we went out of our way to make her cute — but not too cute, with the buck teeth and everything — everyone would assume that she was gonna become good by the end and that was never the case. First thing, we made a promise that day that we would never renege on our view that she’d never become good. It’s sometimes hard to do that with characters you like. You want them to become good or something like that. But we never liked the character enough—because we knew what we were doing with her—we never allowed ourselves to fall for the character. Because that’s bad. That’s bad storytelling. You’re doing what you want as a fan at that particular point, not as the creators. T

Now let me clarify, both creators of New Teen Titans say some nasty things about Terra and don't recognize her sexual abuse, but here's the thing. You don't have to read a story 100% the way the author intended, sometimes the story says one thing and the text says something different.

I am going to use Judas Contract as an example of a story where the character from the start was never intended to be redeemed and why that's a positive in this case.

Terra is a teenage girl, the bastard daughter of the king of Markovia and a random American woman who presumably has had no stable home her entire life because she's working as a mercenary at fifteen. She teams up with a man that is in his mid fifties and even starts a sexual relationship with him (this is statutory rape she cannot consent) and Deathstroke uses her to infiltrate the Teen Titans and learn as much as possible.

Terra is sent to live with the team and spy on them for several months. The whole time she only ever engages with them in a fake spunky persona, and never shows her real cutthroat self. She leads Beast Boy on in a fake romance to make him trust her and secure her place on the team. The way you'd usually expect this arc to go is that Terra would grow fond of the team and be torn in her loyalties.

Yeah, that never happens.

Terra loathes the Titans. In fact she's developed a superiority complex about her meta human abilities and she doesn't understand why anyone would use their powers to help others. She despises the concept of superheroes in general, and because of that never bonds with any of the Titans. Her feelings never change from start to finish, because her creators intentionally wrote her as a character that can't be redeemed.

Terra is written to be a psychopath, but even with that intention in mind there are scene that shows a greater range of emotions. She has what could amount to a trauma flashback when Beast Boy too aggressively flirts with her and tries to kiss her and she reacts violently, trying to bury him under the earth.

Let's go ahead and interpret Terra as what is used as the fictional definition of a "sociopath" that is someone who feels no bonds with other people, someone with shallow emotions and someone devoid of guilt. Even if we interpret her that way, her story is still meant to be read as a tragedy.

Terra succeeds in her mission of infiltrating the Titans. Slade captures most of them, and the only remaining member Dick Grayson goes missing. Dick Grayson then unites with Slade's son Jericho, and the two of them team up in order to rescue the rest of their friends.

Even after all she's done the Titans try to make pleas to Terra during the final battle, which she not only rejects but responds to with violence. Which only confirms what I said above, Terra never grew to love them, she never regretted her actions, she only ever engaged with them with lies.

(Terra always lies, Terra always lies, Terra always lies).

Terra is declared by Raven to be devoid of emotions: "Her thinking is unlike ours. She feels no true love or hate. Her soul is corrupt. What she does is done without remorse."

Even after Raven declares this, however she still pleads with Terra to stop because she's going to hurt herself. Terra feels Slade betrayed her because he favored his son Jericho over her, so she decides to take both Slade and the Titans down. As the Titans fight her she begins to mentally fall apart ignoring their appeals to her and lashing out at everything around her. Eventually she makes one last attempt to everything around her, but the Titans escape and she only manages to bury herself.

At no point in the fight do the Titans give up on trying to reach her even as she's loudly screaming how much she hates them. Even after she's buried and it looks like she's dead, Gar and Donna both try desperately to dig her up on the slim hope she's still alive. When they find the body they even give her a funeral afterwards, even though they all think that Terra was beyond redemption.

Even the prose narration that accompanies her death is incredibly melancholy and bemoans her fate, at the same time as it calls her a outright sociopath.

There's no reasoning with her now. However slim, whatever sanity Tara Markov possessed is gone. Now there is only primal hatred! Hatred born, nurtured, and fanned. Hatred that festers and grows without care, without feeling, without plan. her pursed lips part and the sounds which echoes force are garbled and inhuman. Hot, boiling blood gushes wildly from the earth's open wounds, its skin fractures and cracks, and if a world could cry, it surely would. Her name is Tara Markov and she is little more than sxiteen years old, and due to the fault of no one but herself she is insane. No one taught her to hate, yet she hates without cause, without reason. No one taught her to destroy, yet she destroys with glee, with relish. Don't look for reasons which do not exist, plainly Tara Markov is what she is, and she has taken a great power and made it as corrupt as she. Hers was the power over the earth itself she could have brought life to deserts, hat to the frozen tundra, food to sraving millions. She could have damned raging rivers, and tunneled water to packed lands dry and dead. her powers were limited only by the mind which controlled them. A mind which sought not hope, not love, not life, but death.

If you go with the text that she is just a sociopath beyond redemption who hates and hates and hates for no reason, the narrative still mourns her because a sixteen year old with her whole life ahead of being consumed by hatred and then dying because of it is in fact sad.

If you read into the subtext then you can argue that the events of the story, contradicts what the narration is telling us. Terra is being sexually groomed and groomed as a child soldier by a man who is much older than her, even if she thinks he's a partner he clearly has all power in the relationship.

If you think about it that way then Terra is the ultimate bad victim. She doesn't cry and call for help as a victim of sexual abuse, instead she tries to claim power for herself, she manipulates, and she destroys any chance she had for a genuine relationship because she only sees all relationships as transactions she can gain or lose from.

Even if you only go with the first interpretation, the narrative still remains tragic because the Titans themselves did not want to give up on her, they did not want to watch this sixteen-year-old girl destroy herself. They never stop reaching out for her and it doesn't work, because there was no way out for Terra but death.

Here's the thing I don't think Terra's status as a sexual victim automatically means an ending where she dies is offensive. It reflects a reality that victims like Terra often go unseen because they don't present their victimhood in palatable ways, and by the time anyone notices it's far too late. Sometimes tragedies are meant to reflect a reality where many people do not get saved.

There's two reasons that Judas Contract works as a tragic story. Number one the creators planned Terra's ending right from the beginning. Which meant they never gave her any moment where she shows that she's redeemable. There's no genuine bond between her and the titans, no wrestling with the guilt of her actions, nothing.

Number two, Judas Contract is Terra's story from beginning to end. It begins with her betrayal of the Titans, and ends with her death. The death is also brought upon herself by her fatal flaw her hatred, which is what makes her the protagonist of a tragedy. Tragedies are stories where heroes are undone by their flaws. Terra also goes out on her own terms. She buries herself underneath her own rocks. Her death is a direct consequence of her inability to let go of her hatred. Terra's not fridged for anybody else's arc, she retains her agency until the exact moment of her death.

To simplify into bullet points, Judas Contract works because:

The creators thought out what they wanted to do with Terra.

Judas contract is Terra's story.

Now, getting to the part where we actually talk about Avatar, and I start complaining about that awful, awful video.

AZULA'S ARC IS NOT WELL THOUGHT OUT

I just went on a long tangent on how Terra, a character written to have no redeemable qualities can still be tragic. How the creators marked her as clearly doomed from the start, and how she brought about her end on herself, how there no redemption for Terra. How this girl had no real chance, and how regardless of the fact Terra is a lil baby sociopath her fall is still tragic because of how well structured the tragedy is surrounding her.

It's awful to kill off a sixteen year old victim of sexual abuse, but the ending just fits because Terra represents a certain type of bad, unsympathetic victim who doesn't get saved.

Azula's arc isn't as well structured. The ending does not fit. I'm going to start by refuting some points in the awful, awful video I did not like.

"Maybe it's okay if Azula's story ends where it does in the series we would separate how we would treat a real 14-year-old girl from a villain in a series, ad that's why any redemption arc isn't need i a story after all. A character needs of deserves a redemption arc when it becomes the most meaningful way to explore their character and place in the story, but a character deserving redemption usually comes before the story really needing it, and I don't think Azula's done anything to deserve it yet. They've got to exhibit some willingness and action to change..."

So the main reason I'm using Terra as my first example is because Terra is the kind of character that Hello Future Me is describing. Terra was written with the specific intention she'd never experience a change of heart, all of the friendships she makes with the Titans are fake, she very loudly experiences no remorse, or even self-reflection over what she is. Terra's pretty proudly a monster and she never experiences any kind of self-doubt or regret over what she's become.

I can disprove right away Hello Future Me's blanket statement (with no actual cited examples, just trust him guys) that Azula never did anything to hint she may deserve redemption. That suggests Azula is an entirely selfish character who uses, manipulates and thinks she's right and worst of all is comfortable being the way she is, and therefore incapable of doing the self-reflection necessary for change.

Azula does show the capacity to do selfless actions several times in the narrative, and even consider the feelings of others. There's the apology scene with Ty Lee and the way she interacts with her friends in general with the Beach where when she's not fighting in a war or trying to complete a mission for her father Azula 1) interacts with her friends in a normal way and 2) seems to express a desire to experience normal relationships not the hierarchical ones she's experienced all of her life.

However, that's not the example I'm going to use as her save the cat moment. I generally intend to interpret that as a sign that even though she treats Mai and Ty Lee as subordinates and that power she holds over them eventually leads to them leaving her, their friendship isn't just Azula abusing them and lording her authority over their heads 24/7.

No, Azula's save the cat moments all revolve around Zuko. Which is funny, because the entire fandom seems to regard Azula as Zuko's evil little sister who exists to do nothing but torment her.

The first and biggest is Azula deciding to bring Zuko home in Ba Sing Se, and telling a lie to her father that he was the one to slay the avatar.

Ozai: I am proud of you, Prince Zuko. I am proud because you and your sister conquered Ba Sing Se. I am proud because when your loyalty was tested by your treacherous uncle, you did the right thing and captured the traitor. And I am proudest of all of your most legendary accomplishment: you slayed the Avatar.

Zuko: [Shocked.] What did you hear? Ozai: Azula told me everything. She said she was amazed and impressed at your power and ferocity at the moment of truth. [Inspired partly by this post]

Now the show seems to regard this action as Azula being an evil temptress who is there to tempt Zuko back to her side with everything he thinks he ever wanted.

That's only if you regard it from Zuko's perspective.

Think for a moment from Azula's perspective. Number one, Azula is someone thoroughly indoctrinated into Fire Nation propaganda who measures her self-worth based on 1) military achievement and 2) her father's approval and assessment of her talents. In Azula's own logic (wrongheaded as it is) she's helping Zuko. She's bringing him back home with his place in the line of succession restored and his father's approval.

Azula doesn't benefit from this gesture at all, in fact if her father discovers the lie she has as much to lose as Zuko does.

Now Zuko insinuates that Azula only brought Zuko along and told her father that he was the one who killed the avatar so she could let him take the fall if the avatar turned out to be alive.

However, if you look at the actual order of events that doesn't make sense. Azula saw the avatar die, she didn't know about the spirit water, and therefore had no way of knowing Aang could come back. In fact, it's Zuko who 1) knew about the spirit water and 2) decides to keep the spirit water and the fact the avatar might have survived a secret that is throwing Azula under the bus. After all she has as much to lose as he did and instead of sharing that information with her he decides to keep it all to himself.

Now Azula does imply that if the avatar were to turn out to be alive all of Zuko's glory would dry up, but this is only after Zuko 1) throws accusations at her and 2) makes it's pretty clear he's lying to her putting her on the defensive.

This is also a scenario where Azula doesn't have much to gain by bringing Zuko back, if you look at it from her perspective. If Azula just lets Zuko rot in a ba sing se prison, then her claim to the throne is secure. With Zuko back he's restored in the line of succession. She also, when making the decision to invite Zuko to her side probably didn't need him for her plan to succeed.

There is a dramatic moment of Zuko choosing to side with Azula over Katara which turns the tide in Azula's favor, but Azula can't see into the future and therefore wouldn't be able to predict that happening. If you look at it from Azula's perspective she 1) successfully infiltrated the city, 2) already had the Dai Lee in her pocket. She likely already thought she had the city secure at this point so her decision to extend a hand out to Zuko is therefore likely motivated by selflessness instead of self-interest.

That's important because usually when Azula usually only gives her help to others if it also benefits her in some way. Azula might genuinely see her recruiting Mai and Ty Lee to her side as a member of the royal family extending her favor and giving them status and security in their positions but it has the underlying motivation of 1) she keeps them in a position to beneath her and therefore in her complete control.

Azula will interact with Mai and Ty Lee like friends on the surface, as long she maintains control over them, but if they do anything to something that displeases her she'll do anything to regain her control.

Mai: I thought you ran off and joined the circus. You said it was your calling. Ty Lee: Well, Azula called harder.

This is set up in Azula's very first interaction with Ty Lee. Azula greets her like an old friends, Ty Lee even seems happy to see her, but the second Ty Lee tries to say no to her Azula goes to extreme lengths to "persuade her". Azula's friendship with Mai and Ty Lee is an abusive friendship because there is a power differential and even if Azula feels genuine affection for them both it's clear they're not allowed to say no. Mai and Ty Lee are put into positions where it's in their best interest to please her, and live in fear of the consequences if they don't do just that.

Here's the thing, I'm not arguing that Azula didn't deserve any consequences for her actions. I'm arguing that the setup doesn't match her eventual ending. Azula is set up to have Mai and Ty Lee leave her from the very first scene that Azula interacts with Ty Lee. It's satisfying because the set up matches the pay off.

It's also tragic because it's Azula continuing the chain of abuse. The video isn't entirely wrong (which is why they came to the wrong conclusion frustrating).

Azula's fall is about how differenting parenting styles can a child. Ozai's affection is exchanged for being useful. Something Azula would go on to repeat with her friends, whereas Iroh's affection is something freely given with patience for imperfections and failures, something Zuko goes then on to repeat.

It's like... there it is it's so close. Here's the thing, Azula is set up for a tragic falling out with Mai and Ty Lee (and one she deserves) but the set up is different with Zuko. Azula's save the cat moment revolves around Zuko, and her genuine attempt to bring her brother home.

Yes, the first time Azula interacts with Zuko in season 2, she tries to take him home by force. However, by the ending of the season Azula's perspective on the matter has obviously changed because she begins by trying to bring him back as a prisoner, and by the end of the season invites him back as an equal.

There's no moment in Season 3 where Azula treats Zuko the way she does Mai and Ty Lee (unless Zuko provokes it first and puts her on the defensive) in fact most of her interactions are either them interacting normally (such as when Azula goes to find Zuko at their old beach house because she knows he'll be there and advises he leave instead of dwelling on their depressing memories) or Azula deliberately trying to look out for Zuko such as when she advises him not to go visiting with Uncle because it'll make others suspicious.

On the other hand, Zuko never at any point looks out for his sister the way Azula is demonstrated looking out for him. He doesn't say, try to tell her where he's going on the Day of Black Sun, or try to convince her the fire nation is wrong. There's a scene in the later part of Season 3 where Zuko is watching Azula fall to her death while sitting on a flying bison and not only sits there and does nothing about it, but sounds disappointed when she doesn't hit the ground and become an Azula Pancake.

That's pretty much the opposite of a save the cat moment. It's a "let the cat fall to their death" kind of moment.

Yes they were enemies at that point, but Zuko's the one who's supposed to learn that affection is something freely given with patience for imperfections and failures, something Zuko goes then on to repeat.

How exactly is he doing that in this scene?

The thing is... this setup doesn't have to be bad. Of course Zuko has trouble has trouble empathizing with Azula, he doesn't even think about sending a letter to Mai, Zuko's shown at this point to be like a healing abuse victim who's understandably focused on himself.

This in fact could be excellent set up with step 1) learning what genuine love and forgiveness is and 2) demonstrating those two things by applying it to others.

However, that's not where we got. We got Zuko watching his sister have a complete emotional breakdown, crying and screaming while chained to a grate and looking somewhat sad.

And once again to bring Terra into this, Terra is what Stay at Home and parts of fandom argue that Azula is. Terra screams at the top of her lungs how much she hates the Titans, how much she was always lying to them, and the Titans STILL try to reach Terra with words, try to de-escalate the conflict, when she's about to bring the rocks falling down on herself warn her she's going to hurt herself, and then when she's buried under rubble try to dig her out begging for her too still be alive.

Terra who's intentionally created by her writers to be as hatable as possible, is shown more compassion by the heroes in her ending than Zuko ever does to Azula. They also give Terra multiple opportunities to change until literally the very last minute, which Zuko doesn't do either.

What's set up is Azula has this save the cat moment with her brother, that Zuko is pretty much the only person she doesn't treat like a subordinate in the story (because she just like Zuko has a craving for familial love she tries to earn from her father). However, her ending with Zuko just taking her down doesn't fit that setup.

Azula's ending only fits if you consider her arc entirely from Zuko's perspective, which is the underlying issue. Azula's not the protagonist of her own tragedy, she's a plot object that's used to benefit Zuko's arc.

Azula's is written to have a downfall, the same way that Zuko loses everything at the ending of season 1 b/c of his inability to give up on the obsessive search for the avatar (and his father's love with it). Azula is written to be left by Mai and Ty Lee (this is the strongest point of writing when it comes to her since it comes from the beginning).

However, she's not written to be left completely alone and insane with the only empathy being shown is that her brother looks kinda sorta sad. That's only good if you view her as an object to further Zuko's arc, because isn't the ultimate culmination of Zuko beating his sister who has always been ahead of him at life? Azula needs to torn down completely without even some small glimpse of a hope of recovery so Zuko can be built up even moreor at least the writers of avatar seem to think so.

However, even Azula just existing for Zuko's growth and character development doesn't have to necessarily be a bad thing. This is where we get to MHA, which does the tragic siblings and the final Ag Ni Kai about 1000 times better with Shoto and Dabi.

THE GOOD

The comparisons between Shoto and Dabi to Zuko and Azula are made pretty often by the fandom. Shoto has a scar, Dabi has blue flames. Shoto has an arc about healing and learning what it means to be a hero, Dabi's arc is about self-destruction.

Dabi's not the center of his own story, he exists to foil Shoto and help Shoto reach the endpoint of his character development however that's not necessarily a bad thing. These are both two pairs of tragic siblings, the main difference is that MHA doesn't feel the need to tear down one sibling in order to build up the other. In fact, the final step to Shoto's arc is HELPING Dabi, not PUTTING HIM DOWN.

Not only that but the decision to help Dabi is a decision that Shoto makes on his own, and him going against the tide of a society that has already given up on Dabi and would much rather have Shoto shoot Dabi like a mad dog. Which makes the decision to do so even more powerful and emblematic of Shoto's growth.

Now you could say that Shoto and Zuko are too different to compare their arcs, Zuko has a redemption arc, and Shoto has what most people would probably term a healing arc. Shoto starts out the series as a hero.

However, this is what annoys me about the redemption arc debate. A redemption arc is really just a normal character arc. However, calling it redemption drags things like morality and forgiveness into the debate. if you take remove the discussion about moral philosophy both Zuko and Shoto have character arcs where they start the story defined entirely by their home situations and their father's abuse (hence why they have big obvious scars on their face), recover from their trauma, and go on to find an identity outside of their father and form healthy non-abusive connections with others.

In fact I'd see the theme of both arcs are the same, to literally find balance within themselves. Shoto is divided quite literally into right and left sides, fire and ice, and even seems to view himself as half of his father and half of his mother. Zuko is someone who's permanently marked and dishonored by the burn scar on his face. He suffers from an internal imbalance as well. Iroh says that Zuko is the descendant of both Roku and Sozin and therefore both pathways are open to him (but wouldn't that apply to Azula too). Zuko says to his father that the fire nation has destroyed the balance to the world and he's going to leave to assist the avatar in order to fix it.

Shoto's balance isn't just about fixing his internal trauma though, it's also about finding a balance between his family which has defined his entire life up until this point, and his desire to become his own hero not the hero his father groomed him into.

It's why the culmination of his arc is Shoto reaching out to save his family member Toya, because it's the ultimate balance in wanting to heal his family, and also the kind of hero he wants to be, someone who saves and brings peace to others instead of just violently putting down villains. He can bring peace to his family and become his own hero in one action.

However, let's go back to the beginning of Shoto's arc, because saving Toya as an endpoint to his arc is set up pretty early on.

Shoto's arc begins with Deku, a stranger breaking down Shoto's walls as an outsider in order to allow him to look past his own trauma and recall for the first time what he wanted outside of his resentment towards his father. This sets up the idea early on for Shoto that sometimes you need outside interference, help you didn't ask for, especially when you can't see outside of your own problems.

What Deku brings about ultimately is a change of perspective, Shoto's so hurt by the memory of his mother throwing boiling water in his face and everything that came after that he can't recall the memory of her telling him he could be who he wanted to be.

But, you want to be a hero right?

Shoto takes away two things from this arc, sometimes you need help even when you're not asking for it, and sometimes a change in respective is required in order to take the first step forward.

He goes to demonstrate these things multiple times, but here's two exaamples. The first Shoto demonstrates immediately after the tournament arc. When Iida is about to go down a dark path and commit a revenge killing on Stain. When, as a result of that IIDA is paralyzed and about to die in an alleyway, it's Shoto who both notices Midoriya and Iida are missing and shows up in the clutch. He's practicing the same thing that Deku taught him in the last arc: Giving help that's not asked for is what makes a true hero.

He even mentions the second idea, that a small change in perspective can be all it takes to save someone, and he wants to do for Iida hat Deku did for him. His words are the one who convinces Iida to stand back up again when he's paralyzed.

If you wanna stop this, then stand up. Because I've got one thing to say to you. Never forget who you want to become!

However Shoto's arc doesn't end here, because one of the major conflicts in MHA is that heroes don't pick and choose who to save and a true hero will give help even to those people who don't ask for it.

This is a point which further develops when Shoto's abusive father starts to show a change of heart at the end of the Pro Hero Arc. Shoto still holds his father accountable for what he did in the past, but he also acknowledges that if he had the capacity to change then so does Enji. This isn't about whether or not Enji is forgivable, this is an extension of what Shoto learned. Shoto originally believed he was controlled by the circumstances of his birth, that his fate was set in stone, but a change in perspective allows him to realize he can determine who he wants to be. So, Shoto is just applying what he's learned, Enji has the capacity to grow.

There's one final piece of setup that I want to cover before showing how these separate dies all culminate in saving Dabi. Shoto's not only someone who has to find balance between his family and his desire to be a hero.

The theme of balance is written into the quirk itself. Enji basically practiced eugenics to create Shoto as his masterpiece. He noticed a flaw in his own quirk where he could only make his flames so hot without overheating. So he arranged a quirk marriage with Rei who possessed an ice quirk to create a hybrid ice and fire quirk that he could use to cool himself off to prevent him from overheating.

Enji only ever cared about the fire half of Shoto's quirk. His ice quirk only exists for his flames to grow stronger. This is shown when Enji is trying to force Shoto to learn all of his signature moves, because he only cares about Shoto's flame quirk. Shoto was created to carry on his father's legacy, and surpass him with an even more powerful flame quirk. Part of his character development is him learning how to use his quirk in his own way.

This is a theme that continues in the class training arc where Enji is still repeating the behavior of trying to force Shoto to learn his signature moves instead of considering what he wants at all, because still Shoto only exists in Enji's mind to carry on his legacy.

This all culminates in Toya's decision to save his brother. The first is his action in choosing to identify with his brother. If Shoto believes in his own capacity to change, and even his father's, then why would he deny Toya that same chance to change?

The foiling between Shoto and Toya isn't supposed to reduce the two of them to "Shoto is the good one, and he's the bad one", but instead Shoto and Toya were both in a point where they were consumed by hatred and couldn't see any other path in life. Therefore if Shoto was able to change because someone gave him help when he didn't ask for it, then Toya not only has the capacity to change - but in order for Shoto to stick to his stated beliefs that the smallest of things can bring about a change in people he has to be the one to give his brother that chance to change.

It's not about whether Dabi is worthy or not, it's about the themes in Shoto's arc finally being paid off.

Shoto's identifying with Toya, and even parts where he tells Bakugo he'll make Toya sit down and make Toya tell him his favorite food indicate that from the beginning Shoto's intention was to find a way to stop Toya without killing him (which is what several of the adult heroes were encouraging him to do).

@stillness-in-green does a more succinct summary of this plan.

Just me?

Because, like, Shouto had a plan. He spent the time between the two war arcs specifically developing a brand-new combat technique that he planned to use to shut down Dabi's combat advantage without killing him. He convinced his dad not to change the plan like Endeavor was hesitantly sounding him out about[1]; he went out and talked and asked questions, and even if they weren't the right words every single time, he did his best and he did it with intention. If Dabi proves to be dead, it won't be because of anything Shouto did to him; it'll be because Dabi himself chose to stand back up, take a warp gate across the country, pick a fight with the guy who doesn't have the power set to shut him down without unduly hurting him, and trying to replicate an Ultimate Move specifically tailored for someone with a balanced power set Dabi doesn't have. And if Dabi lives, it's still going to be because Shouto booked it across the country and used that same technique to stop him again.

Shoto's decision to save Shoto is also a continuation of his decision to help save Iida from Stain. It's not enough for Shoto to experience a change of heart about his own life, he's got to take what he learned about people's capacity to change, and the importance of connections and then put that into practice and help others the way he was helped.

However, it also further develops the theme of giving help that's not ask for from Iida because Shoto's not saving a mostly heroic kid, he's saving Toya to help break a familial cycle of abuse (because murdering the abuse victim isn't how you end the cycle of abuse... actually).

Shoto's last lines to Dabi are also a refutation of this idea of destiny that he once thought he was ruled by. It's once again, Shoto teaching someone else the lesson he learned. Toya says a warped rail can never mingle with a straight and narrow one! In other words Shoto can never understand or get along with Dabi, because Dabi will forever be defined as the failure because of the circumstances of his brith, whereas Shoto will always be the success.

His final action is a decision to break the cycle they were born into: no, we're gonna mingle whether you like it or not.

Shoto's ultimate move Phosphor is not only a move he designed far in advance to take down Dabi non-lethally, it also is a rejection of his father's teaching method. Toya says he only ever taught me how to turn up the heat. Enji only valued both Shoto and Toya for their flame quirks. Developing his own quirk and breaking away from what his father wanted, specifically in order to save his brother. It's Shoto rejecting what his father created both of them for (a successor to his quirk) and finding his own path. By using that move to take down Dabi he's not only teaching Dabi their flame exists for more than just destruction, he's also by letting Dabi live giving Dabi a chance.

From a conversation with @class1akids

Dabi was the last push to unlock Shoto’s full power. Until then he was on the track of mastering flashfire like Endeavor planned for him (except for his own reasons) but realising the fighting Dabi with fire was gonna kill them both and also he’s simply no match fire only helped Shoto to fully take control of what his quirk is Like his quirk development goes parallel with how he faces each member of his family and finally meeting Toya is like the last piece of his puzzle to find his own full power and identity.

It's not just Shoto decides to save his brother because he's just that nice, his arc is literally incomplete without it. The act of creating phosphor a move specifically to save Dabi is both him unlocking the full power of his quirk (by balancing the fire and ice sides of his quirk) but also achieving balance between trying not to leave his family behind while at the same time becoming his own person and hero outside of his family circumstances.

Citing my conversation with class1akids again:

Toya is endangering everyone at Gunga. Endeavor has no means to stop him and when he tries to murder suicide Rei interrupts and his “hero way out” is taken. All he can do is watch helplessly as his family is about to burn to death with a bunch of strangers he tried to protect. But it would do Shoto dirty to use his heart technique to kill his family and the strangers so he comes in a clutch and I see that confrontation as the power trauma vs the power of healing in the family. With Shoto who is a true hero, they can put the fire out and save the family and strangertoo. Shoto become a balanced hero and bring relief and reassurance, Endeavor was completely helpless, and Toyas inner child got the attention he wanted, plus depending on how you read it, he may have become less suicidal.

Shoto also, and I want to point this out desires to stop his brother not to take him down but because he doesn't want him to hurt any more people. He's again finding a balance between two ideas 1) Shoto needs to stop his brother in order to stop him from creating more victims and 2) Shoto needs to find a way to stop him that's not just putting him down because Toya himself is a victim.

Shoto also, and I must point this out for the comparison between Zuko and Azula goes out of his way to engage Dabi in conversation, ask him why he didn't come home and what happened to him in the years after he died. This is especially poignant because unlike Zuko and Azula who grew up together, Shoto basically had no relationship with his brother (and the rest of his siblings really) before Toya died because Enji purposefully kept Shoto separate from all the "failures."

So yes, the act of saving Toya is more for the completion of Shoto's arc than any redemption arc for Toya but Toya's not just a plot object to move around for Shoto's arc, Toya has his own agency all throughout. In fact it's the fact that Toya resists being saved every step of the way that provides the challenge that Shoto needs to grow in order to be able to save him.

Toya's not just after revenge against his father that's the surface reason, Toya is also just blatantly suicidal. Toya's birth is marked as a failure, his death wasn't even acknowledged by his family and everything stayed the same in his absence, so he created Dabi while praying at his own shrine in order to mourn Toya. Dabi can't find any meaning in his life where he was born as a failure, so he'll use his death taking revenge against Endeavor for having been born in order to give his life meaning.

What makes Avatar look especially bad in its treatment of Azula in comparison to how MHA treats Dabi, is that Dabi is way, way less redeemable than Azula. For one Azula has clearly proven affection both her friends and her brother (and I don't think she even deserves Mai and Ty Lee's forgiveness they had every right to walk out on her and want nothing to do with her again.)

Dabi is probably the ugliest victim of the League of Villains. The rest of the league have far more moments in their bonds with each other. Toya is the outsider to the league even if there are some subtle hints to his affection (he tries to show up to save Twice, and also burns down Toga's family house to comfort her). The villains are mostly shown to be redeemable by their positive friendship with each other, and Dabi at several points denies the league's bond (he pulls a Terra and yells out loud at the top of his lungs none of the league matter to him). Unlike with Terra you can argue this is most likely Dabi trying to cover up his real feelings. However, the fact that he feels the need to hide his affection from the league shows he's purposefully distancing himself from any bonds whatsoever.

Unlike Azula who has gone out of her way to help her brother in one major way, and also shows hints in early season 3 of having that sibling bond with him Dabi just straight up wants to murk Toya. Azula also tries to murk Zuko, but that's only when Zuko leaves on the day of Black Sun (one without telling her, and two something that probably left her alone to deal with the consequences of lying to her father for his sake). Either way, Azula's behavior in early season 3 is setup for the fact that their sibling bond can be salvaged.

Dabi is way worse to Shoto in comparison. Dabi in the first part never saw Shoto as his own person, just a puppet of his father (puppets have no autonomy or personhood). His feelings towards Shoto only went so far as Shoto was someone who could kill in order to upset Enji. Dabi also doesn't particularly care for the rest of his family as well (only calling out Natsu's name when his brain is literally melting), they're either ways to hurt endeavor, or he wants to drag them in hell with him. Heck his last words after being saved is telling everyone to die and go to hell.

Dabi doesn't bother to make bonds with the league or have any lingering affection for his family because Dabi's determined to seslf destruct. He's given up on life the moment he saw that he died and nothing changed in that household, now all that's left is for him to create a meaningful death by dragging his family to hell with him.

Dabi is also even as a child made out to be an unpleasant victim. He attacks baby Shoto with his flames early on out of jealousy (even though he later admits that he was being unfair to Shoto). He makes the situation in the house worse by loudly screaming and demanding his father's attention. He screams at his mother and throws her complicity in Enji's abuse in her face.

This is in comparison to Shoto who in childhood flashbacks we are only ever seen either 1) crying, and 2) trying to comfort and protect his mother. Toya's even made out to be difficult to empathize with as a child - which like flew over half of the fandom's heads because he got accusations of somehow abusing his father and the rest of his family in that chapter at 10 years old. However, that in a way illustrates my point.

The fact that Dabi is so disliked by a certain portion of the fandom is because Horikoshi paints such an ugly portrait of Toya in the way he expresses his victimhood. It's done deliberately too, because number one Toya by resisting Shoto's attempts to save him and trying to self destruct instead retains agency as a character. He makes decisions even though they're bad self destructive ones, he's not just a prop. Number two, the fact that Toya is intentionally portrayed as such an ugly victim makes Shoto's decision to break the cycle of familial abuse by saving Toya and not leaving a single family member all the more poignant.

Toya is an uglier victim than Azula, actively trying to kill himself in a way that Azula isn't, and treats Shoto way worse than Azula ever treated Zuko and yet Azula isn't shown the sympathy or given the salvation that Toya is.

Because once again, the writers didn't think about the ending of Azula's arc or of Azula as her own character. Shoto defeating Toya is the culmination of his desire to break the cycle of abuse in his family. Zuko putting Azula down is just to make Zuko look better. It's in service of Zuko's character instead of both of their characters.

THE BAD

Avatar isn't setting up some gritty ending where the bad guys can't be stopped, they can only be killed. In fact it's pretty close in tone to MHA.

Season 3 especially is the season that really begins to hammer in on the themes that even the people on the enemy side are still human after all. The headband shows that Fire Nation children are indoctrinated into the war, but they are in the end still children. There's the story between Avatar Roku and Sozin, and once again Iroh saying that Zuko has both options becoming like Roku or becoming like Sozin available to him (but not Azula I guess). There's Zuko joining Team Avatar, even after he betrayed Katara in Ba Sing Se and should have burnt that bridge then and there. There's Zuko working to earn their trust again when no one on the team really owe it to him.

The main character of the show is a pacifist, who deliberately learns a way to stop Ozai without killing him before the final battle because he doesn't want to break the values taught to him by his culture.

If the entire theme of season 3 is redemption, healing and that the fire nation are not inherently evil then why does Zuko's sister and character foil end the last shot of the series screaming and crying with no one comforting or even attempting to sympathize with her. Why is this one character marked for tragedy in a show that is about redemption and healing and showing compassion to your enemies and very specifically not a tragedy.

Toya literally burns all of the flesh off of his body, and somehow he has a gentler ending than Azula, because at least Toya's arc ends with all the members of his family showing up to try to cool down his flames, and when he's on the ground burnt to a crisp his father finally apologizes to him. Toya is a skinless burnt chicken wing, my boy has no skin, and somehow he's better off than Azula.

I don't think the writers gave Azula such a cruel ending because they don't like her, but rather because they just didn't think about her ending outside of what it meant for Zuko. Which is why you get moments like Aang who is apparently a pacifist who doesn't want to kill the Firelord, watching his daughter fall to her death while sitting on a flying bison and doing absolutely nothing to save her. ALL LIFE IS PRECIOUS (except for Azula I guess).

It's not bad because a victim doesn't get saved, it's bad because it doesn't fit in with the rest of the story.

Not only is Zuko saving Azula a very natural conclusion to his arc, but there's far more setup for Zuko reaching out to his sister and saving her than there ever was for Toya and Shoto. Both Toya and Terra are screaming at the top of their lungs "I HATE EVERYONE, YOU SHOULD ALL JUST GO TO HELL." They're both making decisions and committing to their self destruction while Azula is a 14 year old girl having a mental breakdown.

Anyway, time to quote the bad bad video again.

"When does a villain deserve a redemption arc? When do we deserve a redemption arc? I know this is gonna hurt, but characters are not people. They are tools. They are represetations of people. They can be used to say other things. They can be symbolic representation of other ideas. Azula's story is not just about a fourteen year old defeated by her brother for the throne, Azula is Zuko's character foil, where she is ruthless and practical, Zuko is empathetic and emotional. Where Azula's a prodigy, Zuko has to work hard to earn eve a fraction of her power.

I specifically chose to cite MHA, because of how differently it decided to use Shoto and Toya's character foiling. Shoto recognizes himself in Toya, and how different their paths were in life. This is explicitly motivates him to save Toya. It's also the culmination of everything that Shoto has learned because Shoto is a hero who believes that actions speak louder than words. It's not enough for Shoto to resolve his own inner struggle, he also has to help Dabi with his because that's showing Shoto has grown rather than telling us.

I think that is where the major difference lies between Shoto and Zuko, we're told that Zuko has chosen the path of empathy and healing, that he's learned to give people love and patience like Iroh has but instead of showing that the culmination of his arc is having a fist fight with his sister in a denny's parkinglot.

Azula is Zuko's character foil, where she is ruthless and practical, Zuko is empathetic and emotional. Where Azula's a prodigy, Zuko has to work hard to earn eve a fraction of her power.

If Zuko is empathic and emotional and that is why he's gained friends while Azula is now alone after having lost her friends due to the way she treated them, then like... what a great opportunity for Zuko to SHOW that quality of empathy.

However, Zuko doesn't do anything that Shoto does in the final fight. He's not even here for Azula, Azula's just an obstacle for taking back the crown. He doesn't talk to Azula, engage her in any way, try to de-escalate and avoid the fight.

If you want to make the tragedy that Azula and Zuko have taken such different paths in life that that Zuko fighting with his sister is unavoidable you could um... at least show Zuko being sad over the prospect of fighting his sister or being reluctant in any way.

(Before you come in here with "Zuko doesn't owe Azula anything take" this isn't about whether or not Azula is a terrible sister to Zuko, this is about the story that avatar is attempting to tell. Shoto and Dabi's fight is tragic because Shoto doesn't want to fight Dabi, he wants Dabi to come home and for their family to be complete. Zuko never expresses anything like that so where does the tragedy come from?)

If it were 100% committed to a tragedy like Terra's death then I wouldn't mind. if it were 100% committed to a story of redemption like Shoto reaching out to Toya then I wouldn't mind. My issue arises from the fact they want to have their cake and eat it too.

They want to give this tragic end to Azula, and use it to illustrate how Zuko has grown as a character. However, you can't have both.

If Zuko's growth is about learning that his father's love based on achievement and 2) learning he needed to get lost in life in order to find himself then why doesn't any of Zuko's actions demonstrate this lesson Zuko has learned about love, and about how you can be your own person outside what your father expects from you.

If Zuko has grown as a character he should be able to show those actions. He does show his new understanding of love and friendship to Team Avatar, but as I said that's easy mode. That's Shoto's attempts to save Iida, it's a step in the right direction. It's also not really Zuko demonstrating a selfless love, because he's also at the same time trying to earn their trust and earn his way into the group.

It's also not Zuko breaking the cycle of abuse in their family in any way. Shoto is trying to break free from his role of his father's masterpiece, and at the same time helping Dabi break free from his view that he's the failure.

It's also such a natural ending for Zuko's arc, to take the lessons he learned from Iroh and give them to his sister who needs them so they can both break away from their father's parenting. As I said Zuko does solve the internal conflict within himself, but he doesn't really demonstrate that by helping someone else find their balance.

If you wanted the tragic end, then it would have to be about Zuko's failure to reach out to his sister, because he hasn't learned how to reach out to her. Or because he tries and is unable to. The writers don't seem to understand that though, they think the tragedy is about Azula bringing it all on herself, and not the inherent tragedy of a fourteen year old girl being unable to be saved.

The set up is right there too, because number one avatar is about balance. So, wouldn't the true ending be finding balance between the siblings, not having Zuko rise and Azula fall. Number two, Azula being alone and friendless because of her own actions is again a parallel to where Zuko was in early season 2 at his lowest point. Except Zuko can be the better person in this situation by reaching out to her.

Zuko doesn't break the golden child / scapegoat dynamic, he just flips it so now he's the success and Azula is the failure.

While Azula's fall comes from cruelty and rejection from friends and allies it is Zuko's humility and kindness and friendship that ultimately wins the day. Him sacrifcing herself for Katara and her bringing Azula down and then her healing him. Azula ending up imprisoned isn't something happening to a real person, it's a deliberative narrative choice by the author to say something about how people like this isolate themselves and end up alone. "

As I've stated above, I'm not saying Azula didn't deserve to take a fall. Her fall is actually set up from the first moment she met Ty lee. However, there's no set up for her fall being permanent.

Azula's given way more humanizing moments than characters like Terra or even Dabi. Which is why Azula being in an insane asylum for the rest of her life doesn't fit as an ending at all.

Azula is one link in the chain of abuse. Her father only gives out affection in regards to her usefulness. No matter what Azula is an asset first and a daughter second. Azula then repeats the cycle and treats her friends the same way. She has been shown through an improper model of parenting of using fear to dominate others with power and control and she replicates that in her other relationships.

Therefore, Ty lee and Mai leaving her is not only deserved, it's the perfect opportunity to pull the rug underneath Azula and to show her that her understanding of how relationships work is completely wrong.

This also mirrors Zuko's arc, because part of Zuko's arc is realizing just how wrong Ozai is for making both children earn his love, and that he doesn't need to measure his self-worth based upon his father's approval. He also learns about healthy expressions of trust and friendship from the gang.

Azula loses in part due to her own inability to form healthy relationships is losing people rapid fire, her brother leaves and joins the enemy side, Mai and Ty Lee betray her in favor of her brother, then her father in one action of leaving Azula behind and throws the title of Firelord to her after it's become completely meaningless reminds her of her place. Azula learns in about five episodes what Zuko had in 3.5 seasons to process that her father's love was always conditional and no matter what she did she would never truly "earn it."

People leaving Azula isn't exactly the problem, the problem is that Azula ends up alone permanently without being given the same chance that Zuko is. Terra, and Toya both get opportunities to turn back. They both refuse the hand that's reaching out to him. Mai and Ty Lee leaving is caused by Azula's own choices, but her ultimate end isn't. She's not even given the chance to turn away being saved like Terra and Toya do because Zuko doesn't even bother to try saving her. Her ending is not entirely brought about by her own choices, because the writers need her to take a fall to uplift Zuko.

Azula ending up imprisoned isn't something happening to a real person, it's a deliberative narrative choice by the author to say something about how people like this isolate themselves and end up alone.

I think once again it comes from the author's misunderstanding things because they don't want to look at the story from Azula's perspective, only Zuko's.

Stay at Home almost had it when he said the tragedy of Zuko and Azula was there to show how two different parenting styles affected these children.

The tragedy is that Zuko and Azula started in the same place, but Zuko had persistent guidance and someone who modeled for him a healthy kind of love. The difference is that Azula has never experienced any kind of healthy love or support on the level Zuko has, so she models all her relationships on the way her father treats her. It's not that Azula is offered some chance for change and rejects it, it's that Azula isn't even aware of the fact that there's another way because no one is there to show it to her.

Which is why I said once again, Zuko being the first one to show Azula the lessons he himself was shown by Iroh is such a natural place for his character to end.

Azula also even while completely alone and with no idea what healthy love is, knows that there is something wrong with her and is troubled by that fact in a way Dabi and Terra aren't.

Azula: I can sit here and complain about how our mom liked Zuko more than me. But I don't really care. My own mother... thoguht I was a monster... She was right of course, but it still hurt.

Then there's the famous mirror scene:

Ursa: I didn't want to miss my own daughter's coronation. Azula:Don't pretend to act proud. I know what you really think of me. You think I'm a monster. Ursa: think you're confused. All your life you used fear to control people, like your friends Mai and Ty Lee. Azula: Well what choice do I have?! Trust is for fools. Fear is the only reliable way. Even you fear me. Ursa: No. I love you, Azula. I do.

Both of these scenes indicate that Azula thinks of herself as a monster and is deeply uncomfortable with the idea. Considering Ursa is a voice in Azula's head and not a ghost, it also shows on some level Azula knew what she did to Mai and Ty Lee was wrong and feels conflicted over it.

Once again she's much more in conflict with herself than Toya and Terror ever are, and who's someone who's constantly warring with himself? Who's someone who could help resolve her inner conflict... Zuko (too bad the way the show's written he never does).

Azula doesn't choose to self-destruct the way that Terra and Toya did. Azula's ending isn't brought about by her choice not to change, because she's never given the chance to change in the first place. Her tragic ending would make sense if it was entirely of her own choices, but Azula doesn't retain her agency in the end it's literally taken away from her. She loses control of her mind, and her ending is being chained to a grate screaming and then thrown into an asylum.

I'm not arguing against Azula's ending because she's my favorite character and I don't want bad things to happen to her. It's because her tragedy isn't about her it's about Zuko, and her ending actively takes agency away from her where at least Toya and Terra both retain their agency up until the end. It's not good writing because the tragedy doesn't fit in with the rest of the story which is about balance and healing - and it's also ableist as hell.

THE UGLY

Azula's ending is unfitting to the tone of the story she's in, makes her and Zuko's arcs feel incomplete, and also is ableist as hell.

Here's yet more evidence that Azula's tragic ending is poorly thought out. Azula's mental breakdown doesn't exist in service of her character, but Zuko's.

Azula's issues pop up out of nowhere after episode 15, and take place over the last 6 episode of the series. The idea of Azula having a mental breakdown isn't necessarily a bad concept, but it's executed poorly.

The first way it's executed poorly is just how rushed it is. There's basically no hints of any mental instability beforehand. Of course people can have mental breakdowns spontaenously like that in real life, but this is a story and stories require foreshadowing. Azula spontaneously developing mental issues doesn't feel like it's planned as a part of an arc. First off, because the writers don't seem too sure about what Azula's symptoms even are. Hallucination, paranoia, manic laughter, but apparently she's still able to bend lightning just fine. Secondly, the writer's intentions for giving Azula a mental breakdown are pretty transparent.

The writer's room needed to come up with a believable reason why Zuko would suddenly be able to fight on equal terms with Azula, so boom sudden mental illness. The intent was not to create a sympathetic portrayal of a young girl struggling with both paranoia and delusions. The intent was to nerf Azula because they couldn't think of any other way this plot could end, other than Zuko and Azula fighting in a denny's parkinglot.

As I said they use mental illness as a plot device to take Azula's agency and choices away from her. It's not done with the intention of humanizing her, and in fact except for one small scene with her talking to her mother in the mirror it's a pretty negative and unsympathetic portrayal of mental illness. Not because the writers hate mentally ill people, but because they needed Azula to have a mental breakdown in order for a plot point to happen. Which is why they didn't think of the potential implciations of such a writing choice at all.

Now, people are going to argue about me so I'll use one final example. Azula's ending may be controversial but it's universally agreed upon that the Game of Thrones Ending was bad, right?

Game of Thrones uses mental illness as the exact same plot device, to explain why Daenerys Targaryen turns from a hero to villain in the last few episodes with absolutely no foreshadowing. In fact, the all of the show director's interviews about that choice are just blatantly ableist.

Rant from @hamliet

This quote is (likely unintentionally) gaslighting, ableist, terrible logically, and downright offensive.

First, ableism: why, why, why are we conflating madness with evil? She was driven to madness so she killed a bunch of people and had to be put down? And you think this is a great message in the year of our Lord 2019? [...] Additionally, while good writing is to an extent subjective, there are general consensuses on what make good writing--and Game of Thrones hit all the general consensuses for bad writing, from bad pacing to confusing character assassination. Critics are like, pretty united on this front. No one thought Dany’s turn made sense, even the ones who expect Mad Queen in the books. Maybe if people love a character who is meant to be evil you're not writing them correctly... or maybe they aren't meant to be evil.

Daenerys and Azula are incredibly similiar characters. They're both dragon themed, alligned with the element of fire, they're both colonizers they both represent the warrior princess archetype.

I'd say Daenerys is more of a tragic heroine though, because while Danerys is essentially doing the same thing as Azula, waging war in a foreign land and a culture that's not hers, for the purpose of then bringing back soldiers to her home continent so she can wage war again - while she is definitely a war mongerer she has good intentions. Daenerys for all of her faults, genuinely wants to break the chains and help out people.

I think Azula definitely sees herself as the hero for winning the war for the fire nation's sake, but she's completely uncritical of her own culture and she doesn't really have the good intentions that Dany has. She does it more out of a sense of duty, and her belief of divine right, not because she wants to break people free.

Daenerys's problem is that she doesn't understand the culture she's invading and the complicated world she lives in and despite all good intentions, is as I described above, invading a foreign power so she can go back and wage a war to reclaim the throne. Even if Daenerys would then proceed to go on to be the bestest queen ever that wouldn't change the fact her methods to get to the throne were incredibly violent, and she's sort of failing to break free from the cycle that led the Targeryen rule to fail in the first place.

Azula's problem is she sees herself as the hero and is therefore uncritical of fire nation values. She doesn't have any nobler intentions either other than service to her country, she just like Zuko is just trying to fulfill her duties as daughter and believe her birthright puts her above others. (I mean Dany does too but digressing).

Azula's more of a tragic villain who plays the antagonist role in the story, Danerys is one of the three heroes. However, she's more of a tragic villain in the sense that she's first season zuko pre character development just way more competent.

However, while Daenerys is a much more heroic character than Azula, here's the thing. I still think she's going to die. She is foreshadowed pretty heavily to die, and fail for her quest for the throne, because her entire story is a deconstruction of the warrior princess and the liberator archetype.

However, the story that GRRM is building throughout his books with Dany as an incredibly flawed heroine is different from what we got in the show, which was Daenerys going crazy and starting to murder people. That's because Daenerys turn to darkness wasn't about her character at all, it was just making her into a plot device to move their bad idea for a plot forward. That's why the turn is so unnatural and makes little sense with her character, that's why it's so rushed.

That's also why it's ableist, because it's using mental illness as a plot device to make a character unsympathetic and monstrous and give the other characters a reason to put them down.

The same for Azula, outside of one scene where he's talking to her mother, Azula's mental illness manifests in her screaming, maniacally laughing, looking like the joker did her makeup, and her instability also makes her violent and dangerous to be around. (Ignoring the fact that most people who experience delusions in real life are harmless, and more likely to be the victims of violence).

Her sudden mental illness isn't even used to make her more sympathetic in say Zuko's eyes and make him realize she's a victim, no it's just there to nerf her so she can be violently put down. The way she's drawn, the way she acts, it's to paint her as monstrous as possible. Her last action is like sobbing and screaming while being drawn as ugly as possible. She's not even given a small hope for recovery, because it just ends there. That's a pretty great message to send people that experience delusions, not only will you not recover or be shown sympathy, you'll also get sent to a mental asylum for the rest of your life. The choice for both Azula and Dany is not to portray any kind of mental illness in a respectful way, but to make a plot point happen.

As I said I expect Dany to die in the books, but there's a difference between dying as a tragic hero succumbing to your flaws but still having your good intentions acknowledged and just turning into a villain for no reason and being put down like a rabid dog.

(This is a quote I stole from a Shigaraki post but): "Why does she need to be put down in the first place, she has trauma, not rabies."

The problem isn't bad thing happened to my favorite character, the problem with the ending is it doesn't take Dany's setup into consideration.

Stealing from @hamliet again:

The thing about tragedies is that you have to manage expectations and clearly show that your tragic hero is doomed from the very early on–ie you have to show them making steadily worse and worse decisions (see: Eren Jaeger in SnK), if not directly tell your audience at the very beginning that this is a tragic story (ie see Greek choruses and Shakespeare, the prequels from Star Wars because everyone knows Anakin is Vader–plus I’d argue Anakin’s arc only works because we know he comes back to the light in the end. Audiences don’t like reversing on set up/undoing structure. To make Dany a tragic villain is to go against the structure of her arc in both show and book. That’s why people don’t like it, even if the books makes it seem more believable.

Kate then goes onto describe a character that's much more comparable to Azula's. Honestly Arianne is closer to Azula than Daenerys is.

You know who is set up as a tragic heroine destined to descend and die because of her flaws in the books, whose arc has almost certainly been combined with Dany’s in some sense in the show? Arianne Martell. (and another character known as f!Aegon) In the books, Arianne is incredibly ambitious, and especially resents her brother and his quest for power. Like Margaery (another tragic character), Arianne seeks power and is intelligent and manipulative in her quest for it. But Margaery’s fatal mistake is that in seeking power and prestige, she’s become more a pawn than anything else for a villain (Cersei). She chose to play with lions, and she’ll be torn apart; that’s not surprising. Arianne, as her chapters hint, is going to almost certainly marry f!Aegon, playing with fire, and die burning for it. Arianne’s grasping for her own power is never portrayed as cruel or stupid like the main human villain (Cersei); on the contrary, we empathize with a girl who truly cares about her people, but resents her father’s preferential treatment towards her brother. That’s the difference between Arianne and Cersei: Arianne cares. She is not cruel. But her pride is still going to get her killed.

There's a lot of game of throne females you could compare Azula to because GOT is full of queens, but like. Azula may be a tragic villain firmly on the side of the antagonists but she's not Cerseie. She's not queen, she doesn't wield the power that Cersei wields. In fact one of Azula's downfalls is finding out she doesn't have as much power as she thought she had, and ultimately was just a tool of her fathers.

She's not Rhaenyra or Alicent, because yes she may be grabbing for power but her character isn't affected by misogyny. Because once again, the writers simply didn't think about misogyny except for a really surface level "girls can be just as strong as boys" way so we really have no idea how women are seen in the fire nation. The show doesn't really explore if being a woman makes things harder, or makes people treat her differently than Zuko because the writers just didn't consider Azula's perspcetive on that matter.

Azula is alike to Danaerys in several ways, but as I said I think her ultimate end comes from Azula understimating her own importance in her father's eyes, and quickly realizing when her father is her only family left she never had his love or loyalty in the first place.

But Margaery’s fatal mistake is that in seeking power and prestige, she’s become more a pawn than anything else for a villain (Cersei). She chose to play with lions, and she’ll be torn apart; that’s not surprising.

Azula's most famous quote is about how Long Feng isn't even a player, only to find out her father considered her a pawn from the beginning and be broken by the revelation.

The difference being of course that Avatar is not Game of Thrones and it won't even kill the evil fascist dictator so it doesn't make a lot of sense to hand Azula the ending that Arianne got. They have the same fatal flaw.

Anyway, I made this big post but I can explain why Azula's tragic ending down't work in one sentence.

AVATAR THE LAST AIRBENDER IS NOT A TRAGEDY.

Maybe the reason Azula should get redeemed is because THE SHOW IS ABOUT F&%CKING REDEMPTION.

#bnha meta #mha meta #atla meta #azula meta #azula #princess azula #dabi #toya todoroki #shoto todoroki #azula redemption

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bluespiritshonour · 8 months

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Water Siblings and Fire Siblings as Foils

Katara and Sokka are peak sibling rep: they bicker, they hurt each other, they take turns being the voice of reason while the other goes batshit crazy—and they'd die for each other.

And very clearly Sokka's daddy's boy and Katara's momma's girl: and for most parts, they seem to be content with that dynamic.

Look, parents have favourites, let's establish that first: don't come at me for it.

But in a healthy environment, where all of the kids’ emotional needs are met irrespective of which kid gets along with which parent, they're less likely to tear themselves apart yearning for parental affection.

Sokka and Katara's family was a normal one, a healthy one—as healthy as one can be in a war ravaged world—and Sokka and Katara are normal siblings. Even after their mother died Katara doesn't seem to care much that Sokka gets more time with their father. And everytime she brings up their mother Sokka gets this weird look on his face, which, I think is later explained by the fact that he feels guilty that he doesn't even remember what their mother looked like. And it's not because Katara seems to know more about their mother despite being younger.

Neither of them grudge the other for having been close to one of the parents—let's call it ‘being close to’ instead of ‘dad/mum loved you/me more’ because that's what would come up with Azula and Zuko.

One can say that Azula's daddy's girl and Zuko's momma's boy... Except it isn't like that.

Azula wasn't loved by her father; neither was she close to him. If anything she had the illusion that she's close to him. But children can sense when they aren't loved, which can explain why she took her mother being close to Zuko so hard. Because she didn't get that from her father and isn't she supposed to be daddy's girl? But dad's good to her; mum... isn't. Dad lets her do what she wants... As long as she obeys him or she'd end up like Zuko.

For Ozai, both his children are pawns. He uses Azula to abuse Zuko, which in turn is to get at Ursa. And honestly, Ursa was a bad mum and an abuse victim and not the villain are takes that can co-exist.

A lot of mums in primarily patriarchal cultures end up abusing their own kids while trying to protect them in an environment where they themselves hold little power.

Ursa and Hakoda can be compared in this.

Katara haters can look away: she isn't whiny. And even if she is, well, she takes responsibility when no one else does so I guess she deserves to complain if that's what it takes. Katara is extremely mature. When she was mad at Hakoda, she still had the critical thinking skills to point out that yes, she understands why he left. He had to! She doesn't blame him for that, it wasn't his fault that there was war going on—but it still hurt!

And what does Hakoda do? He hugs her and apologises. He doesn't defend himself, because he doesn't need to. She understands! She said she does and he doesn't insult her by making excuses. He acknowledges and validates her pain.

Unlike Katara, who grew up in a healthy family with parents and grandparents and a whole community—Azula was isolated and under the influence of Ozai. And she was so young! If you remember being that young, you'd remember thinking that parents are always right. You don't realise that parents make mistakes too—and while her emotional needs weren't being met by Ozai, she turned to Ursa—but Ursa was at her wits end trying to undo the damage of Ozai's abuse on Zuko.

If she had given attention to Azula, Zuko, who thought that Azula was perfect and already had father's approval would have gone off rails—and since she didn't... Azula went off the rails.

Which was exactly how Ozai would want it. I don't like the comics much but it made sense that Ozai would hold both the children as bargaining chips against Ursa. Ursa made her choice, or rather, the illusion of her choice and Azula had to pay for it: the real reason Zuko could turn over a new page while Azula couldn't was because from the very beginning, Zuko had his mum and uncle.

Azula had no one!

Like Hakoda had to go to war and leave his children behind, Ursa had to choose between Azula or Zuko; Ozai orchestrated it as such.

But while there were people to pick up Hakoda's slack, there was no one to guide Azula. Sokka and Katara raised each other and they had Gran Gran.

Zuko and Azula were constantly pitted against each other by a war-mongering father.

I don't like this unrealistic expectations that fandom has of a family where both the siblings not only love each other equally, they also process emotions similarly (see: the Sokka vs Katara debate on how they both react to trauma) and parents who love all the kids equally.

Katara and Sokka are normal and realistic in the way that they are both different people: they process grief differently. Katara takes up responsibly and grows up too fast, it takes a toll on her and she's vocally expressive. She turns her grief into anger. Meanwhile Sokka internalises it in a survivor's guilt kind of way.

There's also gender involved in the way both pair of siblings interact. It's more subtle for the fire siblings than the water sibling. Plus, Suki makes Sokka drink his respect women juice, please y'all don't call Sokka sexist. That was character development for him which was addressed. I could make another post for gender and A:TLA.

And they both love each other dearly and they're okay with the fact that one is daddy's boy and the other is momma's girl. It's okay.

In contrast Zuko yearns for his father's affection and Azula yearns for her mother's. And while Zuko feels inadequate, for Azula it's “behave or you'll end up like your brother.”

She also learns to derive a sick sort of pleasure from watching Zuko suffer—which is entirely her father's doing. Because in rare moments when she doesn't have anything to gain by getting Zuko into trouble...she actually kind of looks out for him. It's extremely rare and sprinkled here and there to show us the Azula that could have been.

And I don't think Zuko really realised that Azula was abused too—not until he lets go of his father. Until the final Agni Kai. What I love about it is that despite portraying Azula as Zuko's tormentor for 3 seasons (and she was his tormentor) they did not frame the Agni Kai as some epic good vs evil shit.

Because from Zuko's point of view Azula was perfect. He's out here vying for his father's affection while she gets it freely. She's so lucky!—until he lets go of his father and realises what a monster he was... And he also realises that father never really loved Azula either...

They didn't say as much in words. But the final Agni Kai is proof enough. Zuko doesn't rejoice bringing Azula down (technically Katara did it). At this point, I guess, he realises that Azula's a kid too. Even younger than him—that their father couldn't care less about either of them.

Okay. I really do think that Zuko suddenly becoming invested in Azula's redemption would make sense after the Agni Kai. I also read this Twitter thread by Aaron Ehasz where he says he had plans for Azula's redemption and it was fantastic.

So yeah. Without being overt, the water siblings and fire siblings are contrasted by each other. Which is why I don't like the comics trying to do this brother-sister thing where they put Sokka and Katara and Zuko and Azula in back-to-back panels like... Even if I'm a huge supporter of Azula-deserves-redemption I didn't like those panels in the comics.

P.S. don't pit Sokka and Katara against each other. You aren't Ozai. They're different people who process trauma and loss differently and hence, react differently.

Adios.

#atla #avatar the last airbender #ink rambles #katara #sokka #zuko #azula #azula deserves redemption #katara defence squad

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wilcze-kudly · 2 months

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Aang is great because almost every ship you can put him in instantly becomes top-tier.

Like:

Kataang- they literally make me cry every single time I think of them. Their love story is wonderful and genuinely heartwarming. It symbolises healing and peace for both of them and the literal world. He showed her the world and he's her biggest supporter and she always defends him and they find solace in each other because they understand what it's like to be the last of their respective kind. And they're each other's hope and just... ahhh. They're so much more than the vanilla hero gets the girl ship people paint it as. Haters stay mad or smth.

Zukaang- the symbolism? They're the actual Ying and Yang of the show! The Rozin parallels? Them standing in a vortex of rainbow fire as two dragons (the blue one like Aang's tatoos facing zuko and the other one, red like Zuko's general colour scheme facing Aang) forming a heart shape around them? Zuko was literally searching for Aang and found his redemption in Aang and Aang made him a better person and Aang is literally the only person who genuinely experienced Fire Nation culture before the war and he clearly values it and he's helping Zuko bring peace to the world and the nation...

Taang- The og tomboy x soft boy dynamic. He's literally the person that helped her free herself from her parents and Air is the element of freedom? And she teaches him when to stand firm like the Earth? And I love when they do synchronised earthbending it's so satisfying and they work so well together. Toph having lost her face in one of Aang's nightmares is also a nice parallel to Ummi and Kuruk. (One caveat though: i hate taang being used as a "get Aang out of the way" side ship to Zutara)

Sokaang- they kinda come out of left field for me but the more I think about them the more obsessed I become. It's all about a teenage boy who has been forced into a role that demanded way too much of him finally learning to trust and rely on others. It's about Sokka finally living out the childhood that he was forced to grow out of. Sokka also has such a cute bond with Momo and more importantly, Appa, Aang's animal soulmate. The fics write themselves.

Sukaang- ok, I know Suki and Aang barely interacted in the show but like Hear me out.Suki is so connected to one of Aang's past lives. And she saved Appa, which would totally bond her and Aang (genuinely distressed that this was never discussed in canon). And they both value a sense of community so much, and Aang was one of the people who inspired Suki to leave Kyoshi to help others. Plus, there could be some amazing Rangshi parallels if Suki became Aang's bodyguard instead of Zuko's, which could be very plausible.

Azulaang- I adore this ship because I genuinely think Aang could really help Azula find her redemption. Hell, he was so nice to her in The Search and she literally killed him. Plus I've already laughed about how it would absolutely kill Ozai. The mental crisis Azula would go through due to fallingin love with Aang would be hilarious, and also the guilt over everything she's done, as Aang's kindness makes her realsie she was on the wrong side this whole time. He's one of the only people who can beat her at her prime and he doesn't seem to fear her at all, which is rare for her. Aang could give her the unconditional love she so desperately craves and needs.

Maiaang- genuinely adorable to me. Other than the obvious grumpy x sunshine trope, Maiaang has a lot of potential. Mai seems to genuinely like Aang in the comics, which is really cute. I also think Aang would be able to help Mai express her more positive emotions, other than just anger. Also something about the girl who was forced to remain silent and passive her whole life learning to finally let go and allow herself to just live with the help of probably one of the most active and expressive characters of the show has me by the throat. Plus, he got along great with her lil bro!

Tyaang- They're so similar and cute and bubbly! They'd have tons of fun together and I just know Ty Lee would teach Aang some gymnastics and he really enjoy it! I think he can also find Ty Lee's chiblocking very cool, since it is essentially a great way to deal with a conflict without causing permanent damage. Very airbendery. Speaking of which, Ty Lee is also very airbendry herself. I can genuinely see her finding herself in Air Nomad culture and be excited to help revive it.

Onjaang- i just find this ship so funny because imagine being a random schoolgirl in the fire nation and not only rizzing up a demigod but rizzing that demigod up successfully. This ship can also go so many ways depending on On Ji's reaction to that random cute guy who threw a cool dance party is actually the Avatar, so it's certainly interesting.

Yuaang- the ultimate cinnamon roll x cinnamon roll ship. But more than that, there's of course the Yue becoming the Moon Spirit and Aang getting lowkey possessed by the grieving Ocean Spirit. There's Yue appearing when Aang needed her most, while he's stranded in the middle of the ocean and helping him. They both understand sacrifice and responsibility, and maybe they could comfort each other through it. Also Aang being the bridge between the spirit worlds and Yue being a Spirit could lead to a very interesting romance, depending on how much the Avatar could interact with the Moon Spirit.

Jetaang- ok, Aang was just as infatuated with Jet as Katara was, right? And I think Aang was heavily affected by Jet's actions and behaviour. Also Aang really not wanting to hurt Jet while fighting him (twice!) was really cute. And Aang helping Jet snap out of the Dai Li brainwashing could be a really cool ship moment the more you think anout it.

Teoaang- Honestly their little one sided rivalry at the beginning of the episode was really cute. And I think there could be some interesting symbolism between them. Aang symbolising the old and Teo symbolising the new. They compliment each other like that. Teo comforting Aang by showing him that the critters of the temple are still alive and well is also sweet. And Aang admitting that Teo has the spirit of an airbender is so sweet.

Kuzaang- they're adorable. I loved the comic about them. Aang calling Kuzon "Hotman" is really funny. Aang helping Kuzon make a bigger flame with airbending is also really sweet. I especially like this ship in combination with Zukaang. It's such tasty symbolism.

Aang may just be the most shippable charater of this franchise, argue with the wall. He's so filled with love I have no choice but to multiship.

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theofficialpresidentofmars · 3 months

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zuko and katara have genuinely SUCH an interesting dynamic and relationship to explore when you don’t have a bitch in your ear trying to tell you they should kiss.

like there’s nothing objectively wrong with shipping zut4ra but i CANNOT find any proper duo content of them that isn’t romantic or romantically implied and it annoys me. no i don’t think they would work. no i don’t think Katara would give up her man for that guy of all people. no I don’t think Zuko would be romantically interested in Katara. yes i do think that reducing all of their feelings towards each other into ‘romance’ oversimplifies and undermines the depth of the platonic relationship that they actually do have in established canon. yes whatever I’m sure there’s something sweet about a boy trying to get a girl to forgive him by helping her get revenge on the guy that killed her mom but don’t you think that it’s actually much more profound if there are no romantic ulterior motives whatsoever and it’s actually just a demonstration of the lengths Zuko will go to because he cares deeply about his friends and their feelings and what they think about him and he wants Katara to like him and he’s genuinely sorry that he broke her trust by warming up to her slightly before betraying them and to make sure she knows that he was being sincere and he actually was touched by what she said he tries to find a way for her to heal a wound that he knows tears her apart and it’s a wound he wishes he could heal in himself. and he does it because he’s trying to earn her forgiveness, not her love. he’s trying to earn himself the right to look her in the eye, not to hold her hand. he’s trying to amend for the mistakes of his people for nothing but the better of others.

and when Katara offers to heal him in the cave, it’s not because she’s fallen head over heels at all, or even in the slightest. she’s the first to see the light in him, and she sees a boy who’s been hurt by the fire nation in a similar way to her. she recognises that if she can convince him to come with her now, the gaang is up by a firebending teacher and a friend at best, and down an enemy at least at worst. for a moment she sees him for who he is and what he’s been through and it’s not because she likes him. the thought doesn’t even cross her mind, it’s just in her nature as a person to be caring and understanding and she has the help she can tell he needs, so she extends a hand.

and when they face Azula together? Katara was the first to reach out when it was almost the right time, and she’s the one who’ll be there to help him see it through. When he takes a bolt for her, isn’t it more profound that he jumps in front of the bolt not out of romantic love, but because Zuko is the kind of person who would put himself in mortal danger for anyone he cared about? Because his heart’s too big and because he’s seen those he love get hurt too many times to stand there and let them take it?

anyway I’ve spent too much of this post refuting romance but not actually expressing what it is i do like about their platonic dynamic but it’s late and i don’t have the words. so i’ll just say it’s such in that it would be really funny if Zuko instead dated Katara’s brother. and they yap together and she gives him a list of interests and he tells her embarrassing date stories. they also yap a lot about Aang because like. Zuko’s bff and Katara’s bf he’d probably come up a lot. also Maiko’s platonic shit-talking exes/close friends dynamic solos their romantic dynamic but that’s a discussion for another day ^-^

ship name censored because I don’t intend for any negativity to actually intrude upon certain shipping spaces lmao. i’m rarely opinionated but i don’t really care tbh i just wish there was more platonic stuff out there or i saw less romantic stuff el oh el

#atla #zuko #atla zuko #avatar the last airbender #atla katara #katara #atla zukka #kataang

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frost-queen · 1 month

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My mortal flaw // part 6 (Reader x Zuko)

Forever tag:@missmelodramatic, @merlin-dahlia, @alex--awesome--22, @elllie-does-the-posts, @floatlosers, @merlieve, @queen-of-books, @glimmering-darling-dolly @denkisclown, @wildieflower, @meyocoko, @bubblybrianna, @justanothercoco, @subjecta13-thefangirl, @m-rae23, @harleyquinnswifeyfrfr, @swampthing07, @melsunshine, @panhoeofmanyfandoms, @venomsvl, @the-uncoordinated-house-cat, @rosecentury, @imagines-by-her, @evilcr0ne, @vviolynn, @iixchloee, @cherrysxuya, @zhochikennugget,

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Summary: Reaching the city of Ba Sing Se, Zuko hopes his sister wouldn't find him here. When you get mistaken for Katara, an unfamiliar boy wages his presence in your life to the dislikes of your prince. How will the great city of Ba Sing Se work out for you? [ part 1 & part 2 & part 3 & part 4 & part 5 & part 7]

Iroh was fanning himself, craving for some water… or tea for that matter. Up ahead he saw his nephew pushing forwards. It wondered Iroh, how Zuko could go so long without something to drink. Not able to take another step, Iroh stopped, leaning against a rock. Puffing loudly from walking for almost days now through the Earth kingdom.

“Let me help you.” – you said, jogging up to him from behind. Barely having any strength in your legs as well. The weight of travelling for days on foot without much food or water heavy on you. Joining his side, you moved his arm over your shoulder, to keep him upright. Iroh waved his hand at you, letting you know it was alright.

Iroh nearly sunk through his knees as you kept him upright with all your might. – “Perhaps we should rest.” – you suggested helping him gently down. Iroh exhaled deep sitting against the rock. – “Get up!” – Zuko’s voice startled you. He stared at his uncle, having walked back. – “Zuko surely we can…” – you began gesturing at him.

Immediately silenced by him. – “I said up!” – Zuko cut through. The rest of your words swallowed back in. Iroh was already making his way to get up as you had enough of it. – “No!” – you called back. – “We’ve been walking for days now without proper food or water.” – you reminded him. – “Give us a moment.” – begging as you approached him.

“We don’t have a moment.” – Zuko replied, gesturing behind you. Without any other words, you knew what or rather who he was speaking off. His sister Azula. Ever since he knew she was hunting him down, he had been fixated on moving forwards. If anyone allowed him, he’d track the entire length of the Earth Kingdom just to stay way ahead of her.

Reaching for his hand, you clasped your hands around it, lowering his arm. – “I know you worry, but look at your uncle.” – you told him, forcing him to take a look. Zuko shifted his gaze from you to his beloved uncle. Seeing him puff to catch his breath. – “Give him a moment… that is all I ask for.” – surely the sympathy for his uncle would make him fold.

Zuko closed his eyes with a soft sigh. – “We’ll leave in three.” – he outed pulling his hand away. You bowed your head to him out of gratitude. Turning around, you rushed back to Iroh. Kneeling before him as you took out your flask. Taking the top off it, you offered him the little water it carried. –“No… I cannot take this.” – Iroh said, knowing it didn’t hold enough for the three of them. Shaking your head, you didn’t want to hear it. – “Take it Iroh. I’m not thirsty anyways.” – you lied to not make him feel so guilty.

You offered him the flask once more. With a little persuasion, he accepted the water. Drinking the little from it with some guilt. Iroh gave you back the empty flask as you putted it away. – “Can you go a bit further?” – you asked him, wanting to be sure he was strong enough to continue the journey. Iroh nodded. You made some way for him, getting up so there was room to help him up to his feet.

You dusted Iroh’s clothing, taking him by the arm afterwards. – “One step at a time.” – you told him. Iroh smiling back at you. Zuko waited for the two of you to join him before taking the heavy lead again. Forcing a way through the Earth kingdom with nothing but trees, rocks and ground around for miles. You so hoped you’d encounter a little village soon, just to have a proper meal and sleep.

You were relieved, feeling blessed when you finally saw the city rise on the horizon. It gave you so much strength, you could practically run to it. The three of you walked through the city gates worn out. Iroh looked curiously around. – “I know this city…” – he said taking an observing eye. – “Ba Sing Se.” – he finished.

It made you widen your eyes a bit, having read so much about the great city of Ba Sing Se in books. Never being able to visit it. In truth when you still lived with your tribe, you weren’t able to visit much things. Never going further than your own tribe. Now you were seeing the world with the fire prince you were promised too. All in pursuit of the Avatar. – “Now where can we eat?” – Zuko asked, secretly being hungry for a while too. Iroh chuckled when he heard Zuko’s stomach grumble. Iroh motioned for the two of you to follow him.

You noticed Zuko looking wary over his shoulders. Placing a comforting hand on his shoulder, seemed to startle him. – “She wouldn’t dare come here. We’re save here.” – you reassured him. Zuko took your hand from his shoulder, holding it for a few seconds before he let it drop at your side once more. – “For now.” – he replied, going after his uncle. Taking a deep breath, you waited a second before going after them. Iroh and Zuko walking into a place.

You were about to head in as well, feeling a sudden hand on your shoulder, put you to a stop. – “Katara.” – a male voice spoke, turning you firmly around. The gesture made you gasp. The boy blinked surprised, then his expression faltered. – “I’m sorry… I thought you were someone I know.” – he said lowering his hand on you. – “You mean Katara?” – you asked seeing him nod.

“You…you kind of … I thought��there aren’t many water tribe girls walking around the Earth Kingdom.” – he told you with a chuckle. It made you look down at your own clothing. They had been through hell, but they were still significant Water tribe clothing. – “If you know Katara, then you must know the Avatar?” – you asked thinking back of when you first heard that name. Kyoshi island. Where the Avatar’s friends nearly ripped you away from Zuko.

Thinking you might be a prisoner, when in fact you aren’t. The boy quirked up an eyebrow at you. – “Do you know where he is?” – you wanted to know. Just curiously, not even sure if you would give the information to Zuko if he did tell you. – “Why so curious about him?” – the boy curled up a smirk. You smiled sheepishly back at him, pulling your shoulders up.

Hoping it didn’t came over as obsessed. The boy than laughed loud. – “I was only teasing. So not Katara what are you doing so far away from your tribe?” – he asked slipping an arm over you. – “First of all, it’s Y/n. Princess to you” – you told him with an elbow punch to his stomach.

The boy felt the air being sucked out of his lungs, coughing, holding a hand on his stomach. – “Second that is a long story I’m not sharing with you.” – you finished crossing your arms. The boy chuckled again, straightening his posture. – “Royalty. I see now.” – he laughed out. – “The name’s Jet, princess.” – he dramatically bowed before you, making you roll your eyes at him. Jet looked all smug at you. – “Shall I treat your highness to a meal?” – he asked speaking so annoyingly sweet.

“I will provide my own meal.” – you told him, remembering your company. Looking over your shoulder, you wondered why anyone hasn’t started missing you. Surely one of them must have come to look? Shaking the awful thoughts away, you turned around, seeing Jet fall in line with you. – “I will eat alone!” – you called out, shutting the door behind you. The establishment was not overcrowded. Looking around, you searched for your company.

You sighed disappointed, seeing them sit in the corner, already enjoying their meal. Making your way over to them, you came to sit in front of them. – “How sweet to wait for me.” – you said with a sarcastic undertone to Zuko. – “It’s getting cold.” – was the only thing he replied. Too busy slurping his soup with noodles.

Sighing softly, you picked up the spoon letting it swirl in the bowl. Your gaze got drawn to the doors, seeing them open. Seeing Jet enter almost made you spew your soup out on Iroh’s face. Coughing loud, you nearly choked as Jet made eye contact with you. Looking questionable at the company you were with. Zuko gave you some hard slaps on the back to settle down.

Pushing his hand away, you watched Jet come to sit at a table, giving him enough clearance to stare at you. – “Yuk.” – Iroh’s disgust pulled your attention away. – “This tea is cold.” – Iroh said trying to get the taste of his tongue. –“Just drink up old man.” – Zuko replied annoyed, not caring one bit about tea.

Iroh wrapped his hands around the cup. You watched, blinking in wonder as there emerged a warmth from the tea. Eyes widened as you knew Iroh had just heated the tea up in his hands. He blew the steam away before taking a careful sip. It made you look around, hoping no one had seen it. The last thing you wanted was another chase.

The three of you stepped out, fully satisfied. Now all you wanted to do was rest and sleep for days. Iroh was mumbling to Zuko, probably about looking for a place to stay as you followed behind them. Mindlessly looking around at your surroundings. – “Y/n!” – you suddenly heard, eyes widening as it only could be Jet. You turned around, seeing Jet jog up to you. Iroh and Zuko turning curiously around as well.

“I mean princess.” – Jet teased once he was near you. Zuko looked over at his uncle, trying to get some validation that what he was seeing was true. And not some hallucination. – “Are those your protecters?” – Jet motioned with his head at Iroh and Zuko behind you. – “I mean as a princess I figure, you must be protected well.” – he curled up a smile as you laughed sweetly.

Zuko took an annoyed step forwards. Uncle Iroh quickly grabbing him by the arm, pulling him back. Zuko stumbled back, looking confused at his uncle before slapping his hand off. – “No, they are my…” – you paused, not sure how to phrase it. Shaking your head, you didn’t want to go further into detail, not wanting to risk revealing any identities.

“I can show you around? Are you looking for a place to stay?” – Jet asked ruffling his hand shyly through his hair. Zuko looked disgusted at Jet’s gesture. – “We are. Do you know any good places to stay?” – you asked feeling a sudden pull on your arm. Stumbling back as Zuko stepped in. – “We’ll find our own place.” – he made clear with a glare. Jet took a step closer to Zuko, getting toe to toe with him.

“Where I come from, we show princesses more respect.” – Jet said, angering Zuko. Both men glaring at each other. – “She has my respect.” – Zuko made clear. Jet scoffed. – “Clearly.” – he answered smug. Zuko felt his anger boil, wanting to throw hands with him. – “Nephew.” – Iroh said to break things apart. Zuko huffed annoyed, turning round as he grabbed you firm by the wrist.

Pulling you away. Jet took out his sword. – “Hands off her.” – Jet shouted as Zuko paused at the subtle sound of Jet’s sword getting pulled out. Zuko turned glaring at the sword pointed at him. – “Let her go!” – Jet called out. – “Don’t worry princess, I’ll show you respect.”

You stared between Zuko and Jet. – “Let’s… let’s settle down. There is no need for swords.” – Iroh started. – “Shut up old man.” – Jet shouted, silencing him. – “Don’t tell him to shut up.” – you answered bothered at Jet’s tone. You stepped away from Zuko, coming to stand in the middle of them. Zuko wanting to pull you away, but you slapped his hand away. – “You should be treated with respect.” – Jet told you, taking a step back, yet his sword was still up pointing at you.

“You should be taken care of. By somehow who treats you right, princess.” – he finished. – “Like you?” – Zuko shouted with mockery at him. It made Jet clench his jaw. – “Clearly he doesn’t!” – Jet shifted his sword towards Zuko. Zuko inhaled deep, readying himself to launch at Jet if Iroh hadn’t stopped him. Stopping him by his shoulders. – “Enough!” – you called out losing your patience. You were too tired to handle this.

Not wanting to spend another second with these bickering men over respect, you walked off. Iroh coming quietly after you, not wanting to stop them any longer. Jet lowered his sword, gazing at your departure. He got startled when Zuko was up close with him. – “Leave my betrothed alone!” – he threatened before going after the two of you. Jet blinked stunned.

Iroh found a place to stay. A room shaped like a square. On three sides there were beds, curtains pulled before them for privacy. You went straight to one of the beds, pulling the curtains behind you. Zuko sat down annoyed in the middle of the room. His uncle joining him across from him. Iroh set his freshly set cup of tea down on the low stand between them. One look of his uncle, made Zuko sigh loud. – “I was civil.” – Zuko snapped at his uncle. Iroh quirked his eyebrow up. Communicating in silence as he knew how to handle Zuko.

Zuko sighed loud placing an elbow on his knee, chin resting on his knuckles. – “Who was he even?” – Zuko called out annoyed. – “How did he even know Y/n? Y/n’s never been here. Where did he even meet her?” – Zuko said bothered to his uncle. Whining about the fact another boy knew you. – “And the nerve he had.” – Zuko slammed his fist on the table, startling Iroh as it nearly spilled his tea.

Iroh quickly picked his cup up to protect his tea from any further stomps. – “Are you perhaps jealous nephew?” – Iroh casually spoke. – “No!” – Zuko replied, slamming his fist again on the table. – “Why should I be jealous? She is my betrothed. I’m not jealous over some guy taking an interest in her. She’s not going to abandon the agreement for him.” – Zuko let out clearly agitated.

“Then why are you getting so worked up over him?” – Iroh asked knowing just how to nudge his nephew just that little more. – “He’s a guy!” – Zuko shouted getting up annoyed. He stormed over to his side, pushing the curtain out of the way. Iroh chuckled amusingly.

Laying down on your bed, you smiled bashful, having heard it all. Jealous Zuko was something you never thought you’d encounter. Here he was getting all worked up over Jet. It didn’t take you all to fall asleep. Having been too tired to go on for any second longer. Day making way for night. Sudden noises made you wake up from your slumber. Moving restless in your sleep.

The noises getting louder as it made you jump up. Afraid it might be anyone to rat you out. Getting out of bed, you moved the curtains aside. Seeing the room was empty. Both Zuko and Iroh’s curtains still closed. Taking a calming breath, you ventured into the room. Sneaking out to see what those noises were. With one last glance at the others, you left the room.

Sneaking your way into the corridor to where the noises were coming from. Getting closer to it. Hearing it come from just around the corner. Ready to peek around the corner and be faced with the noises. A sudden grip on you, made you spin rapidly around. A hand getting pressed against your mouth to deafen out any screams. Eyes widening as he brought a finger to his lips, shushing you. Jet.

---------------------------------------------------

Read more of my fics on my Masterlists!

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seetangus · 10 months

Note

How about azula realizing she really likes the reader after they take a life-threatening injury for her?? Love me some angst

Fiery Care - Azula x Reader os

[masterlist]

Azula x gn reader, tw: blood, heavy injury

1.340 words, please tell me if you find any mistakes!

I hope I got the request right, enjoy :)

No-one had prepared you for this. Rocks were being thrown at you by an earthbender, accompanied by the combined magic of a waterbender, the treacherous, disgraced prince, some incompetent boy with a sword and the Avatar himself.

You had trained firebending a lot, because, even considering that you were born into them, one only got accepted in the upper circles of the fire nation if one was a good fighter, but normally you were kept far away from any actual, real fights by your family, as they valued you - or rather your appearance; they wouldn't want their "little prodigy" to enter the service under the fire lord with any "flaws" that originated from missteps in battles.

However, you had insisted on taking part in this battle for a very special reason.

< • ◇ • >

A few hours earlier:

Azula walked, or rather marched, through the courtyard, straight towards you. That was a very rare sight and an unnerving one too, as you had long been plagued by strong unrequited feelings towards the princess. You quickly arranged your armour to look even more orderly and clean than it already was, acting with a nervousness and anticipation that would have told anyone who saw you that it was not just, like with anyone else, fear, that Azula ignited in you, but also some much warmer feelings.

Well, it might have told anyone, but Azula wasn't anyone, was she?

Her two friends who always escorted her probably knew, but that was no matter to worry about as they seemed pretty reasonable and pitied you, because of your feelings, to a degree at which they didn't feel the need to worsen your emotional state anymore by telling Azula about your feelings.

Now Azula stopped pretty close in front of you - she could probably feel the heat your reddened face emitted, but she did not seem to care.

"Y/N. Our scouts have tracked down the Avatar. We will leave in a few minutes to confront him and his companions. Father says it would be a good first fight for you, but honestly I don't care wether you accompany us as it likely won't make any difference. So you can stay here if you want to."

With much more energy than fitting you immediately responded that there could be nothing more delightful for you than joining her in battle. Ty Lee grinned at you from behind Azula, making you blush even harder.

Azula seemed unimpressed at your enthusiasm, but you didn't care. What mattered was that you would be close to her - or at least closer to her than normally - for a little while.

Also, you should be able to convince your parents to let you go if you mentioned that the fire lord himself thought that it was a good idea.

< • ◇ • >

Well, maybe the reason you took part in the battle wasn't even that special. You wanted to impress Azula, that was about it. A pretty dumb thought, if you thought about it - she was more or less infallible, how was one, especially you, to impress her?

However, there was not much time to think about such matters, as the attacks coming from the people you were facing seemed to become faster by the second.

You dodged a fire bolt the filthy traitor prince sent towards you and melted a stone that flew towards you mid air, freeing you up for just one moment of looking around the battlefield.

The first thing you noticed was dramatic. A whip made from sharpened, magical water made its way to Azula and she, who was in any other moment completely aware of her surroundings, was just preparing to defend against an attack from the Avatar-boy - she could get killed by that whiplash!

From one moment to another, your brain was deactivated and your protection-instincts, and maybe a bit of love, took over: in an enormous leap you rushed over to Azula - for one moment, everything was red and pain, but soon relieving darkness enclosed you.

---

With an enormous wave of wind, the Avatar ripped two small trees out of the earth, throwing them at Azula. She laughed at that pathetic attempt to seize her, igniting the wood with such fire that only a drizzle of ashes arrived at her position. But that ominous rain not only consisted of the remains of the burned trees, but also of blood.

She quickly looked around herself to see from where the scarlet liquid could originate - the first thing she found was the origin of the terrible act: the waterbender-girl was retrieving a thread of water she had been bending for it to become sharp and deadly into the bottle she always carried around.

Continuing her search, she found, or rather stumbled upon you. You laid unconciously besides her feet, your shoulder bleeding furiously. Considering that you hadn't stood there a few moments ago and in which direction the whip had been flying, it did not take long for Azula to realise the whiplash had been meant for her.

Driven back by a continuously growing amount of fire nation soldiers, the Avatar and his partners fled the battlefield, giving Azula an oppertunity to lean down to you and inspect your barely breathing body further. The more she realised what had happened, the more irrational feelings rushed through her head.

Naturally, everyone would sacrifice themselves for her, right? She was Azula. She really should not feel bad for you, it had been your duty to save her. In fights, things like these happened. You had to live (or not, in some cases) with it.

Yet, she could not help telling the healers who soon arrived to be extra careful with you if they did not want to experience her wrath.

She also couldn't keep herself from waiting outside the healer's tent, anxiously expecting the moment you would leave it. You would leave it, after all. She demanded you did. There was simply no way you couldn't.

And, what was maybe the worst of all, your face did not want to leave her mind. The face she had seen so many times on the courtyard and that she had always taken for granted - and that had not lost any of its beauty even when tainted through your own dark blood.

Given the size of your wound the process of healing was a long and exhausting one, but each day Azulas hope of seeing you again grew with the increasingly positive reports of the healers she ordered them to bring her.

Quite a few times had Ty Lee told Azula, in a very subtle manner, that it was quite unusual for her to think about someone this much. To care about them, even. That it almost seemed as if she liked you.

Naturally, Azula refused to give such assumptions any credit. Romantic fantasies like this were for children, and she was the very confident princess of the fire nation, not some toddler, wasn't she?

Of course she had to admit that she valued your wellbeing a little bit more than everyone elses, but her liking you? How absurd. Ridiculous, even.

Anyways, the only thing she seemed to do the following days beside worrying about you was to emphasize that she did not in any way worry about you at all. Oh, she couldn't wait for the day you left the hospital so that she could ask you some serious questions about what you did to make her think about you.

When the day of your releasememt from the hospital came, though, any questions were quickly forgot. Alone the sight of your face made her see everything she could have ever asked for.

You too could not believe your luck when Azula was the first person to greet you after leaving the hospital; her inviting you to sit beside her at the royal dinner that evening exceeded all your dreams.

She stepped closer towards you, and your heart fluttered when you saw the same look in her eyes that you had been giving her for a long time.

#azula x reader #atla #atla x reader #azula #azula x y/n #atla azula #azula avatar #azula x gn reader #x reader #anon #avatar the last airbender

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overtail · 6 months

Note

hii can i request you weite zuko x chubby/plus sized reader? specifically just general dating headcanons (and possibly some smut hcs if you feel like writing that). id prefer a gender neutral reader but im not very picky about that type of thing. i love ur writing btw!!

ONG TY FOR THAT! Exposing myself here but I'm actually a chubby person (lore drop im not a girl) so this is very heartwarming for me :33

...

Zuko Headcannons - Dating a Chubby/Plus-Sized Reader

this is not meant to romanticize eating disorders

meeting you ִֶָ 𓂃⊹ ִֶָ

-when you walked into the tea shop, he thought you were the most beautiful person hes ever seen

-'hey uncle, i can serve them'

-immediately wanted to talk to you

-he was extremely nervous, acting like a lost turtleduck

-'what? jas..jasmine tea! oh yeah.'

-gave you an extra cookie

-always waves to you when you come in

-was excited when iroh told him that you asked where Zuko was when he was sick at home

-you're his favorite customer

-'Lee. My name's Lee.'

knowing you ִֶָ 𓂃⊹ ִֶָ

-after a while, Iroh hired you at the Jasmine Dragon when he got the shop

-you and zuko became very close

-you two had sleepovers at his and iroh's shared apartment

-iroh would make you guys sleep in the livingroom

-loved the way your waiter uniform hugged your curves

-would make you food all the time, even when you insisted you werent hungry

-protective whenever you served boys your age

-you came with him and iroh to serve tea at the palace to the king

-'zuko? you're the prince of the fire nation?'

-you werent as angry as he thought you would be

-you were locked up with him and katara in the catacombs

-came with him when he chose to fight alongside azula

dating him (royalty) ִֶָ 𓂃⊹ ִֶָ

-when zuko started living in the palace again, he immediately offered for you to live with him

-a week later, he confessed

-he told you how you were the most gorgeous person he's ever seen

-how you looked like a painting from the renaissance

-held you close at night when you two slept

-assigned a special place in the palace for your special interests

-noticed when you stopped eating much

-tried to offer you as much food as possible

-was confused when he saw you throwing up after dinner

-'(y/n)? did you get food poisoning?'

-consoled you when you started crying about your body

-'it's the one i imagined in my dreams.'

-🔞kissed your arms, your neck, your stomach and your thighs

-he loved seeing your stretch marks

-🔞seeing you naked for the first time was a dream come true

dating him (redemption) ִֶָ 𓂃⊹ ִֶָ

-you refused to let him go work with the avatar without you

-was there when he told ozai about wanting to be better

-comforted him when he learned the truth about his mom

-helped him create his introduction to the gaang

-'hello, zuko here!' *you laugh*

-fully defended him when nobody trusted him

-got angry when katara called you a traitor too

-cooked you lots of food while camping out

-always worshipping your body whenever alone

dating him (firelord) ִֶָ 𓂃⊹ ִֶָ

-immediately proposed to you after his coronation

-🔞got busy as soon as you guys got in your room on your wedding night

-loved getting clothes that hugged your body

-you were always there with him

-'what do mean they shouldn't be in this meeting?

-did anything to make you happy

-got you an extra cookie whenever you wanted a meal to remind you of when you guys first met

-very possesive of you

-beat the shit out of a soldier that made a rude comment about your body

#avatar the last airbender #fandom #fanfic #fluff #sokka #katara #aang #smut #zuko x reader #prince zuko #atla zuko #zuko #chubby

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writermai05 · 6 months

Text

Arsonist's Lullabye

Prologue: All you have is your fire

Summary: Zuko’s bad day gets a bit better after an encounter with an unfamiliar face.

Pairing: zuko x fem! reader (Live Action or Animated)

A/N: I am delusional, and when I had the idea for a zuko x reader modern AU where he works in Iroh’s boba tea shop, I had to follow through with said idea. Let’s see if this goes anywhere, and feel free to leave comments or suggestions on how the fic could play out maybe :)

Word Count: 773

Disclaimer: I do not own the rights to Avatar: The Last Airbender, I am merely a nerd who hyperfixates a lot. This is a modern AU that takes place in the avatar world. Bending still exists. Zuko and the gaang are in college in this series !!

TW!: Physical abuse, burns, Ozai in general, Zuko’s backstory is so sad.

Zuko knew it was going to be a long day as soon as he opened the shop at 12pm.

Within the first two hours, he had run out of tapioca pearls, dropped a container filled with matcha on the floor (which by the way, was a pain in the ass to clean up,) and slipped on the floors he had just mopped. Perhaps he was just born unlucky. Perhaps, most people in life didn’t have to struggle the way that he was, the way that he always had. It wasn’t all bad. He was lucky enough to be here, working in his uncle’s tea shop in the Earth Kingdom, rather than in his father’s company back in the Fire Nation.

The Jasmine Dragon was beloved by many. People from all over the city came to have some of the shops' amazing teas and pastries. It wasn’t too busy, having only three people come in today. perhaps because school at the University of Ba Sing Se hadn’t quite started up yet, outside of the students who had moved in early. The shop was particularly chilly today, but the atmosphere managed to maintain the same warm and cozy feeling, with the dim atmospheric lighting and the sage and emerald hued furniture. Zuko had a second to just relax in the stillness.

He appreciated these quiet moments the most. The moments where he could stop worrying about the shop, and overthinking the worst things he had ever done in his life. Such as when he lashed out at his uncle, multiple times, or about the people he had bullied in high school. He was almost able to forget it all. Forget the fact that his younger sister, Azula, was still stuck in a house with his abusive father, or even forget the feeling of his father��s hand, burning the flesh of his face, leaving a scar in its wake, as well as a near complete blindness in his left eye. His demons may be restless, but boy did Zuko keep them on a tight leash.

Zuko’s reverie was broken by the sound of the door’s bell chime. He immediately snapped out of his thoughts, waiting patiently for his assistance to be needed.

“Um, excuse me,”

A girl, who seemed to be around his age, was standing right in front of him. She wore a navy blue dress with a pale blue lining and detailing around the edges. A belt of the same color was around her waist, with a brown leather cord connecting a bag onto her hip. Her black jacket was cropped to about rib length, with brown leather cords fastening it closed, as well as matching black pants and brown boots.

“This is my first time here…Is there anything that you’d recommend?” She asked politely.

There was something about the way her kind eyes twinkled in the orange lighting that made Zuko fluster. He cleared his throat before opening his mouth to talk.

“Well, Lychee juice is a customer favorite. But personally, my Uncle Iroh’s jasmine green tea is the best in Ba Sing Se.”

“The best in Ba sing Se?” She raised her eyebrows inquisitively.

“The best.” he nodded.

“I’ll take it.” She said, reaching to the tote bag slung over her shoulder. Zuko interrupted her actions with the wave of his hand.

Zuko shook his head. “Don’t worry, It’s on me.” he said, as he began punching numbers, into the register.

“Oh no! I can’t let you do that-” She protested.

He shrugged, a blush beginning to warm his cheeks. “For a first time customer.”

“Thank you so much…” She trailed off, waiting for him to tell her his name.

“Zuko.”

“Zuko. I’ll be sure to come by again. And I fully intend on paying that time.” She said with a playful glare.

The boy smiled slightly.

“Your tea will be ready shortly.”

Zuko had Iroh bring the tea over to the girl. He wasn’t confident in his ability to steadily bring the tray of hot tea without causing more burns to cover his body. The older man made sure to give the girl a complimentary fruit tart to enjoy, but not before looking at his nephew with a teasing glint in his eyes. Zuko groaned.

“Not a word, uncle.” He said as he walked through the staff doors into the shops’ kitchen.

After about 20 minutes had passed, Iroh came into the kitchen, clutching what looked like a napkin and some paper Yuan bills.

“Zuko! The girl left this on her table after she left!”

Zuko carefully took the napkin from his uncle’s hand, reading the message.

“Thanks for the tea! - y/n.”

#arsonist's lullabye #atla #atla live action #atla netflix #avatar the last airbender #prince zuko #zuko x reader #prince zuko x reader #atla x reader #prince zuko imagine #modern au #college au #aang #katara #sokka #toph #zuko

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ozai-the-bonsai · 6 months

Text

Cry for the Moon

Pairing: Zuko x firebender!reader

Warnings: none

A/N: I did end up writing more, thus we get to see our fav boy Zuko in the upcoming chapter - but I quite enjoyed writing this one and digging deeper into the internal struggles of the reader! I hope you enjoy reading this chapter as much as I did writing it ^.^

Taglist: @annonymatic @yoongiesstar @lost-inthe-v0id @lokigodofmyheart @4l3x1s @potato87123 @asciendo @angelruinz @unamused-boss @junieshohoho @yourlivewire @itszzmoon @coolgirl458 @vyliie

Mai’s raven hair was, just as you had last seen her, partly in two small buns and the rest fell on her shoulders. The dark, sleeveless jacket seemed to be a new one but other than that, her maroon clothing and black, fingerless gloves were the same as always.

As soon as your amber eyes found the slim figure of Mai, an uneasy feeling appeared in your stomach. Even the mere sight of her made you uncomfortable for every time you laid your eyes on her, the fact that you were never going to get your former best friend back hit you like a wall of bricks.

Even after Zuko’s banishment, or after you got together with Shuzi, the raven-haired girl insisted on keeping her distance from you. Not that you would easily forgive her, of course, but you found her stubbornness childish from time to time.

[Flashback]

You found Mai sitting on her swing at the backyard of her parents’ house, moving back and forth ever so slowly. The dull expression on her face became duller, as if it was possible in the first place. You felt the heaviness on your heart growing.

“Mai, I know there is something bothering you.” You said as you approached her carefully, you were afraid she would run away just like a cat. “Please, talk to me.”

Mai shook her head. “No, I don’t want to.” She said, it was obvious that she was trying to hide the sorrow away, but she was so heartbroken that made it almost impossible. “I cannot stand looking at you anymore!”

You felt tears rushing to your eyes, but you quickly sent them back. “Why? What have I done to you?” You asked as you sat next to her on the swing. “Mai, you are my best friend. I don’t want to lose you.”

“It just hurts too much,” she muttered while kicking the stones on the ground. “Seeing you and him together all the time.”

She was talking about Zuko.

“Mai, I…” Honestly, you didn’t know what to say. You were aware of Mai’s obvious crush on Zuko for years, but everyone knew that it was decided long, long ago that you were going to be his future wife. “You know that our parents have decided that when we were just babies.”

Suddenly, Mai stood up from the swing with a furious aura surrounding her. “I love him, okay? I should be the one with him! You… You are just acting that way because of this stupid arranged marriage!”

For the first time in your thirteen years of life, you heard Mai screaming.

You swallowed for a few times to destroy the lump in your throat, you were on the verge of breaking down. “What makes you believe that I don’t love him?” You asked with a low voice, trying to keep your emotions under control.

Mai let out a scornful laughter. “Ah, please. Zuko - he is a fool for you, but you are simply with him for the sake of duty and power. It is obvious.”

Slowly, you felt sorrow turning into fury as you stood up from the swing. “You are wrong.” You said with a cold tone. “I do love him. And if you had been really my best friend, you would have known that. You would have seen that.” As you shook your head, you turned back to leave Mai all alone. “As it turns out, you were only acting to be my friend. Out of duty.”

[Flashback ends]

Mai didn’t even look at you as she put her hands together and bowed slightly towards Azula. “Please tell me you are here to kill me.” She spoke with her usual, dull, emotionless tone. Then, she looked up at Azula with a slight smile on her lips.

Azula placed her hands on Mai’s shoulders as she giggled. “It is great to see you, Mai.”

Ty Lee rushed forwards to give Mai a big hug, ignoring the fact that Mai was not a fan of hugs. The gloomy girl gave Ty Lee an uncomfortable pat on the back. “I thought you ran off and joined the circus.” Mai said as she stepped back from the hug. “You said it was your calling.”

“Well, Azula called a little louder.” Ty Lee said, hiding the sarcasm in her tone skilfully, only you knew what she really meant by that. Once again, you found yourself feeling sorry for the poor girl – she only wanted to follow her passion.

Slowly, Mai turned her head to meet your amber eyes. “Hey,” she said with a small nod, her voice lacked even the tiniest bit of emotion.

You, too, had put on your resting bitch face. “Hey.”

Azula rolled her eyes in an exaggerated way. “Oh, come on! It has been three damn years.” The Princess turned her gaze to Mai, pointing at you with her right index finger. “She has been dating someone else for the last six month and none of you have seen my fool of a brother in over three years!” Azula took a deep breath to try and calm herself down. “Just leave that childish drama behind you already!”

Well, I kind of saw him a few days ago … which caused weird feelings and thoughts to arise …

Before you or Mai could say anything, Ty Lee spoke. “Well, technically, the arranged marriage is still on – as long as Zuko comes back with the Avatar, right?”

You let out a scornful laughter. “Ah, please, as if he stands any chance now that we are on the hunt as well.”

Azula looked at you with a smirk on her lips. “That’s my girl.” You winked at the Princess, who turned her gaze to Mai once again. “I have a mission and I need you all.” She said as she laid her right hand on your shoulder, her eyes wandering between all three of you.

“Count me in.” Mai spoke with an annoyed expression on her face. “Anything to get me out of this place.”

[Time Skip]

You shielded your amber eyes from the sun as you approached the three figures standing on the other side of the road. Two of them, who were standing on the sides, were wearing blue clothing that resembled those from the Watertribes.

The boy on the left was holding a baby, probably Mai’s brother, and had his hair in a stylish ponytail. To the right stood the girl with hair loopies and a water bag. The boy in the middle was, unlike the other two, in yellow-orange clothing with an orange hat-like piece on his head. You raised an eyebrow to yourself upon seeing that he was carrying a staff.

As she was the one responsible to carry out the trade, Mai stood forth and the rest of you waited behind her. Meanwhile, a crane was lowering the metal cage that held King Bumi of Omashu as hostage.

Quickly, you eyed Azula up – you were sure she had another motive behind this trade. A baby for a king, eh? I don’t believe this is something Azula would approve of.

“You brought my brother?” Mai asked. The boy with the staff nodded as he pointed to his left, showing the baby.

“He is here.” The boy said. “We are ready to trade.”

Just as you expected, Azula interrupted. You couldn’t help but smirk. “I am sorry, but a thought just occurred to me.” Azula spoke so naturally, it was impossible to point it out as perfect acting if one didn’t know Azula good enough. “Do you mind?”

Mai turned to Azula. “Of course not, Princess Azula.”

For a moment, it seemed as if Azula was weighing down some options. “We are trading a two-year-old for a king,” she said at the end as she looked up at the King of Omashu with an arched brow. “A powerful, earthbending king?”

The King himself nodded.

Azula’s eyes wandered between you, Ty Lee and Mai. “It just doesn’t seem like a fair trade, does it?”

You kept your chuckling to a minimum to avoid being heard, you had known that exactly this was going to happen. Knowing Azula good enough, it was to await that she would have an ulterior motive in taking the matters in Omashu – or rather New Ozai as the Princess had recently renamed the city – in her own hands.

It was Mai’s call now, she had to decide between family and duty.

“You are right,” Mai said with a voice that lacked even the slightest bit of emotion, even towards her own little brother. Well, one could clearly see that her brother was – at least for now – in good hands since the boy in blue clothing did his best to keep the baby safe and comfortable.

She probably wants to carry out Azula’s part of the plan first.

“The deal’s off!” Mai announced and held up her hand, gesturing the guards to pull the King back up.

However, no one – and especially you – wasn’t expecting the boy in the middle with yellow clothing to start using his glider to fly behind the King. Without even thinking about it, you reacted the same way as Azula and you both sent flames in his direction to block his path. The boy dodged the flames by leaping high into the air.

Did he just… Airbend?

As the boy used his glider with airbending, he lost his hat, leaving his arrow tattoo exposed. You and Azula gasped at the same time. “The Avatar!” You both said simultaneously.

A smug smile formed on Azula’s lips. “My lucky day,” she muttered more to herself, then she called out your name. “Follow me!”

[Time Skip]

The attempt to capture the Avatar in Omashu had, unfortunately, been unsuccessful – but it was something to expect considering that none of you were prepared to face the Last Airbender and a King that could earthbend simply with his face.

As the royal palanquin was being carried out the city; you, Mai and Ty Lee walked besides. You felt yourself sailing from one thought to another, dangerously close to getting lost in the vast ocean that is your mind. Chasing the Avatar made you realise something: you had never thought about how it would make you feel while helping Azula capture the world’s last hope.

You had complicated feelings and thoughts considering the war, the Fire Lord and the Avatar. It was for a fact that you despised Fire Lord Ozai after everything he had done to Zuko and Azula, you held him directly responsible for Azula’s corruption.

Of course, there had been a big Ursa factor as well, but that was a whole different topic.

Even though you were loyal to your nation until the very end, you didn’t really want to see Fire Lord Ozai becoming the supreme ruler over the Four Nations. He was a horrible man, he lacked even the slightest bit of empathy and compassion. A man who was incapable of loving his own children should be, under no circumstances, given such great power over all of humanity and its destiny.

But then, there was Azula.

You had mastered the skill of detaching your emotions from your actions when it came to her, which enabled you to carry out tasks which would otherwise burden you when awake, asleep and even dead. Your loyalty, compassion, and love towards Azula was stronger than everything you had known – well, except for the love you had felt for Zuko, but that was long gone.

You knew you needed more time to reflect upon this dissonance you were experiencing but you believed that standing with Azula was more valuable than anything you could think of at that moment. All these years, you had put in so much effort, time, and tenderness into your relationship with her – even the mere thought of doing the slightest thing to shake her trust brought you on the verge of a break down.

“So, we are tracking down your brother and Uncle, huh?” Mai asked, which caused you to come back to the present moment. You shook yourself.

Ty Lee giggled. “It will be interesting seeing Zuko again,” she spoke teasingly, “won’t it, Mai?”

At first, you kind of waited Ty Lee to divert the same question to you and correct herself but quickly, you remembered that you had been together with Shuzi for over half a year. Whether you would see Zuko again or not didn’t really matter anymore, despite the arranged marriage still not being called off.

“It is not just Zuko and Iroh anymore,” Azula spoke with a serious tone. “We have a third target now. The Avatar.”

You felt knots in your stomach.

As you headed towards the ship to spend the night and plan the rest of your mission, Azula explained Mai and Ty Lee why she decided to leave the royal guards and the navy ship behind. The main problem was to find a means of transportation that was fast, could go over any kinds of terrain without having the need to find a road and was strong enough to overcome any bending.

“What about using a tank train?” You suggested, earning an intrigued look from Azula, who was still sitting in the royal palanquin. “I am sure the army can spare one of them for the Princess’ mission.”

Azula made an approving sound. “That is actually brilliant,” she muttered, more to herself. “They are designed to travel at high speeds over most terrain without the use of tracks, but they can still accommodate many people – we can take some servants with us to run the errands.”

Ty Lee seemed a little bit uncomfortable. “I don’t want to be stuck in a metal machine for days – I need sunlight!” She was playing anxiously with her braid.

“I wouldn’t mind not having to see the sun for a while,” Mai muttered, not much to your surprise. “I don’t like the way it disturbs my eyes.”

“You would rather live in a black hole for the rest of your life.” Ty Lee rolled her eyes at Mai, causing her to shoot an angry glance. You bit the inside of your cheek not to laugh – Ty Lee was more than right in her statement. If you gave Mai a bucket of never-ending black paint and a brush that could be extended as much as one needed, she wouldn’t rest until she painted the whole sky black – setting aside the fact that such a thing is impossible to carry out.

The Princess heaved a sigh. “You can jump onto the roof to do your sunbathing, Ty Lee, as long as the insects flying at your face do not disturb you.” Ty Lee grimaced upon hearing Azula’s words. “And Mai, you are free to lock yourself up in a dungeon, as long as you are there to fight whenever I need you to.”

This time, you couldn’t hold back your laugh. Azula raised an eyebrow as she looked at you, whereas Mai and Ty Lee carried annoyed expressions.

“Do you also have a specific request?” Azula asked you. “And no, you are not allowed to bring your dog to our mission.”

You rolled your eyes at her. “For the last time, Azula, he is not a dog – I am not putting anyone on a leash.” Upon hearing Mai mutter something under her breath, you shot her a warning look and turned back to Azula. “And no, I am completely fine, as long as you leave those two sisters back on the ship.”

It was no secret that you despised Lo and Li, your hatred towards the sisters seemed to both amuse and entertain Azula every time. The Princess let out a small laughter.

[Time Skip]

The whole ship was asleep as you sat on the front porch, watching the night sky while the cool wind played with your hair, which wasn’t in the top not anymore. It was cool outside; you shivered and wrapped your arms tighter around your body – the red gown wasn’t thick enough to keep you warm. Heaving a sigh, you used your breath of fire to get rid of the shivering.

Ever since you had agreed to help Azula on her mission, you found yourself carrying out inner battles more often than usual. They used to be, when Zuko’s banishment was just new, the only thing you had known for a long while; however, after accepting the hard truth, you thought the battles would be finally over.

And they were, for the last two years, you didn’t have to deal with any internal conflict.

Until the thoughts about the Banished Prince and your distant past crept out from the dusty corners of your mind. You thought you had forgot him long ago – everything about him had to be burnt to ashes. As it seems, this had never been the case, the realisation of which was hitting you just now.

There was no compassion for him left in you, this was the truth; however, your past feelings for Zuko were still enough to confuse you, to distract you. It was like a sweet poison: the embrace of those distant memories felt oh so sweet and familiar – it felt just like home – but when you realised that they were in fact chocking you, drowning you – it would be too late.

I should have never let my mind wander off to those forbidden territories of my own memory. You thought to yourself as you breathed out crimson flames, the gentle touch of the wind was making you shiver once again. I cannot allow myself to get distracted. Not now.

Maybe… Maybe I should just face him.

That particular thought seemed to strike interest and excitement within you. Ever since the Banished Prince abandoned you on the deck when he left the Fire Nation, you secretly had been craving to face him and scream at him, tell him all those wicked things you wished he had heard from you.

Tell him how he broke your heart to a million pieces, burnt all your love to ashes and threw them out into the vast ocean.

And thank him for letting you turn into this thing that could disconnect her emotions from her actions simply by taking a deep breath and thinking about the strong bond she shared with his sister.

“You keep lecturing me about getting enough sleep and yet here you are – not sleeping.”

You chuckled as you turned left to look at Azula, who was standing next to you. She, too, was in a red robe, but hers was adorned in gold around the collar and the sleeves. She had let her dark hair down, which looked absolutely pretty either way.

“Do as I say and not as I do, Princess.” You responded, gaining an eyeroll from her. Slowly, you stood up. “I have trouble sleeping.”

Azula nodded, she also seemed thoughtful. “I understand.” She paused for a moment. “You were thinking about my brother, weren’t you?”

You didn’t see any point in lying – Azula knew you good enough to tell when you were hiding something, just like you could do it with her. “He started messing with my head, again.” You spoke with a low tone, avoiding Azula’s amber eyes as you looked at the dark waters ahead of you.

The Princess laid her hand on your shoulder with a soft manner. “I can understand why his presence would confuse you,” the warmth in her tone caused you to meet her gaze. “But I need you in her best form and mind – distractions are not something we can allow at this moment.”

It was quite rare but sometimes, when it was just the two of you, Azula would let her shields and icy walls down. Every time when such a time came, you couldn’t help but adore how much she trusted you – you doubted that even her own family knew this side of Azula.

You nodded with a small smile on your lips. “I am very well aware of that, and I do not intend to disappoint you, Azula.”

The hints of a smile could also be seen on Azula’s lips as well. “You have given me no reason to think you would disappoint me.”

“I really appreciate your words, sweetheart.” Your amber eyes lit up with happiness. “For the matter of your brother, I think I have found a solution – I am going to put an end to these distractions.”

“Exactly what I was hoping to hear,” Azula said as the edge of her lips curled upwards. Then, she gave your shoulder a small squeeze. “Come on now, we both need our beauty sleep – or you are going to end up having eye rings, remember?”

You grimaced as you followed Azula into the ship. “Nobody wants that.”

#prince zuko #atla zuko #zuko x reader #the last airbender #avatar the last airbender #princess azula #zuko #zuko x oc

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aangarchy · 7 months

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Netflix atla live action review ep 4-6

So, they completely ruined Bumi. Spoiler warning.

The more episodes pass by the more confused i get with the choices that were made. I wrote down commentary for the episodes and the thing that i wrote down the most was "why does this happen?". The writing is incredibly confusing and messy, feels too rushed in some spaces and too slow in others. There's just... so much going on and so little at the same time. They brought in elements that in the OG don't get introduced until later in s1, s2, the comics, or even the legend of Korra. The reason these things get introduced so early here is not clear at all, because they don't serve any purpose other than to be an obstacle to Aang, Sokka and Katara on their way to the North.

Mai and Ty Lee are.. there. They get introduced earlier but they don't serve any purpose at the moment other than stand around, watch Azula train, ask questions so that Azula can give us the answers the viewer needs. My guess is they only got introduced for the audience who watched the OG to go "oh we know them!". We get the secret tunnel story earlier too, but it has absolutely nothing to do with love. Somehow "love is brightest in the dark" now correlates to the badgermoles being able to sense a human's emotion. It's a waste of a storyline, doesn't teach us anything about love, gives us Omashu lore which is useless bc neither Sokka nor Katara actually use love to escape the tunnels. Also Oma and Shu are lesbians now, but you only know that bc they changed Shu's pronouns. Wow, so progressive! We have lesbians in the story now! Boy do i feel represented as a sapphic!

We get Koh early on as well, but his entire gig got changed. Now suddenly he doesn't steal faces but he "feeds", and hunts using the fog of lost souls (which is tlok lore mind you) as a tool to trap humans. We introduce the mother of faces (comic book lore!), or rather pendant of her that Koh owns. There's no reason for her to exist in this story though other than to be an easter egg to everyone who read the search (Not even the majority of the fandom!) and to offer a solution to this problem we've created, which is Koh capturing our friends in order to eat them and us not being able to convince him into letting them go. There's no feeling of dread in the Koh scenes at all because the whole problem of not showing emotion is just not a thing now. No suspense, no fear, just a weird cgi clown face worm. The worm doesn't even menacingly circle around Aang to invoke a feeling of being surrounded, it just sits there. I also just don't understand why Koh is here already bc now who is going to give us information about Tui and La?

This decision also creates a problem that Hei Bai's story just isn't about Hei Bai anymore. We get fed a few lines from a talking fox about how the forest spirit got hurt, but there's really no solution? Aang buries a pinecone in front of the statue and tells him not to give up hope but he didn't even really need to do that, because Hei Bai wasn't the one kidnapping villagers! It was Koh. Why did we appease Hei Bai if Koh was the real villain? Hei Bai/Koh's story leads us to Roku, but Roku is completely useless. All he does is undermine Kyoshi's advice to Aang, tell Aang about the mother of faces pendant so he can appease Koh, and then we leave. I knew in advance Roku wasn't going to warn Aang about the comet here bc Albert Kim already told us working with a deadline like that with child actors is just impossible. But with Roku suddenly not being Aang's main Avatar guide he just gets nothing to do. There's no suspense in this part of the story either, bc the time limit of the winter solstice isn't a thing here at all. Aang also ends up flying over Fire Nation borders without issue, and gets led right into the sanctuary without the puzzle of figuring out how to open the door, and without the problem of Zhao's soldiers waiting for him when he comes out. It creates this issue of there not being any excitement, at least for me. I genuinely am getting a bit bored with the show, which was never an issue with the OG for me. There's a reason all of this extra material didn't get introduced until later on. There's too many characters and they all get too little time to really do anything useful, they're not fleshed out, the stories aren't thought through and it ends up getting very confusing and boring. I'm genuinely curious for the perspective of people who have never watched the OG cartoon, bc i wonder if they're even able to follow along without prior knowledge of this universe.

Bumi is just... not Bumi. They completely changed his character to be this bitter old senile man that resents Aang for abandoning the world. This doesn't make any sense because in this version of the story Bumi shouldn't know that Aang is the Avatar at all, because Aang was told right before he disappeared! So why does Bumi immediately know that Aang is the Avatar, and why does Aang immediately recognize him? Also the original point of Bumi's tests is to get Aang to approach fights and puzzles from a different angle, so he can learn versatility as the Avatar. But here the tests are just happening because Bumi is mad at Aang for leaving and wants to get back at him for being gone so long. He says some lines about Aang having to learn to make hard choices and you can't rely on your friends, but Aang ends up proving him wrong in the end! What is even the point of Bumi's part in the story now, except for him just being another obstacle on the way to the North Pole?

There's a lot of instances where I feel like the bond between characters gets completely lost. We barely spend any time with the side characters like the mechanist, Teo, Jet and the freedom fighters, and the people in the spirit village. It makes some scenes feel very out of place. These storylines all happen at once, and they don't get their individual moments to shine. We have no room to feel betrayed by Jet or Sai, because we barely got to know them to begin with. Jet and Sai only spend time with One member of the gaang each, but when their betrayals come to light the rest of the group acts devastated, as if it was their dear friend. Sokka also gets really mad about the Jet thing, but he only met Jet once when he smuggled them into Omashu, and Jet didn't even tell Sokka his name. He said it afterwards when Katara met him again. It makes absolutely no sense why Sokka is yelling at Katara for trusting Jet only bc she finds him attractive, when Sokka wasn't even there during all of that!

The sense of family between the gaang that we get from the original also just doesn't happen here. Especially because these characters so far have spent more time apart than together. Aang constantly gets separated from Sokka and Katara, leaving no room for them to bond. We get Katara and Sokka bonding, but they shouldn't need those types of scenes because they're already siblings (which isn't very clear in the show either btw!). I ended up forgetting that Sokka and Katara were trapped by Koh, bc we spend so much time away from them (a whole episode, which is now an hour!).

I have little to no criticism for the Blue Spirit story. Want to guess why that is? Bc they left it pretty much untouched. We even get a little bit of an extra scene, with Zuko and Aang talking while Zuko recovers after getting hurt during the escape. I liked this choice, especially bc it highlights how conflicted Zuko is.

This is where we get Zuko's backstory. I have one question here: why did they make Ozai more sensible and less ruthless? Was that a Daniel Dae Kim decision? Bc it feels like a Daniel Dae Kim thing to do. They're very on the nose with the way Ozai is abusing Zuko and Azula, but then they turn around and make this man visit Zuko after he burned him and praise Zuko about finding the Avatar. I understand that they did this to show how Ozai uses Zuko's accomplishments in order to push Azula, but even if it were to do that: the original Ozai would NEVER. The problem here as well is that they don't let the viewers draw any conclusions themselves anymore. They're holding the viewer's hand through the whole thing, leaving no room for nuance or doubt.

I just finished episode 7 and 8 and I have Things To Say. None of which are good. Writing it down is challenging so it might take a day or two.

#atla #avatar the last airbender #avatar #netflix atla #atla netflix #natla #netflix #atla live action #atla live action spoilers

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cantdothis-nomore · 1 year

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Avatar Aang, Toph, Sokka, Zuko, Sokka dating a blind reader

Aang

He would try and make it not a big deal while also trying to discreetly help you around and with your bending as much as he could

He'd trust that you knew how to get around without bumping into things and hurting yourself

He'd force someone out of the group to be with you when he couldn't and at the end of every day make sure you hadn't suffered any injurys

You'd bat him away mostly telling him he was acting like a mother hen causing him to laugh but you understood that he was only trying to help

You'd let him help you but also reassure him that you were fine on your own because even though yoy were blind it didn't stop you from bending or anything else

He's just try and mostly be around yoy 24/7 to make sure you didn't hurt yourself but also realised after a while thst yoy did need to have time to yourself and that you were capable of surviving without him for a while

Toph

Didn't make a difference to her and she was used to it because of her being blind too

She taught you how she got around and how to cope without your main sense

She wouldn't smother you because she was used to people doing that to her and she knew how much she hated it

Instead she just checked up on you at the end of the day and made sure you were fine and hadn't hurt yourself

She'd stop the rest of the group following you around to make sure you didn't hurt yourself and tell them you were able to hold your own

She'd understand the struggles and make sure you didn't have to go through them with you guys friends

Sokka

Fuss fuss FUSS

MAMA HEN

Wouldn't leave you alone in fear of you like falling over or hurting yourself with your bending.

You'd have to explain to him multiple times how you were fine without him SMOTHERING you at any given opportunities

Take him a while and a few people saying it for him to believe it but he got there in fhe end

Baby boy only wants the best for you even if he doesn't know how to show it

Zuko

Before being banished he would assign a guard to you for when he couldn't be with you to follow you around constantly

After banishment he'd be with you whenever he could and would look after you and fuss no end

He'd be real protective over you when you finally met aang

Like sokka you'd have to remind him that you were fine without being smothered and if you fell it wasn't a big deal

He'd be worried for your safety especially with Azula out and about

But again he only wants the best for you

Even if that means smothering you in what is meant to be affection

Just cuz he doesn't know how to show it doesn't mean he can't

In private tho ofc

Little baby just doesn't want you to be on your own and maybe he doesn't want to be either <3

#aang x reader #avatar aang #katara x reader #katara #sokka #sokka x reader #toph x reader #toph #zuko x reader #zuko

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zvtara-was-never-canon · 10 months

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you once said that the ZK do not allow the canonical Zuko to show real, sometimes ugly signs of trauma. can you write more about this? because that's what I always felt when I came across their terrible takes, but I couldn't express it.

Gladly! But first, I need to mention the sign of trauma that Zuko usually lacks - and that, for some reason, the fandom insists defines his character:

Fear

Don't get wrong, I'm not saying Zuko never experienced fear. We all saw that poor boy on his knees, crying, begging his father not to hurt him.

But in "Zuko Alone" we also see 10-year-old Zuko get bitter that only his younger sister was expected to show off her firebending skills, and deciding that he would go against his father and demonstrate his own skills to the Fire Lord - that despite the fact that he knew Azula was better at it than he was. Even when it goes wrong, he is upset, but doesn't look afraid of the consequences.

That same episode shows Azula mocking him for playing with knives despite not even being good at it, and even though the fandom insists she was his worst fear ever since he was a child, Zuko responds with a "Put an apple on your head and we'll see how good I am." That little guy has exactly zero chill.

Let's not forget why he was banished either: Despite being considered too young to be in that war meeting, Zuko demanded to be there, eventually got his way, and despite having been told not to say anything, the second he hears a general suggest using their own men as "fresh meat" to lure the enemy, Zuko speaks out against it. And at the start of the Agni Kai, he looked 100% ready to fight a grown ass man with battle experience - until he saw it was his father/Fire Lord.

Let's not forget his Agni Kai with Zhao, which was his idea and that he actually won - and before that, he openly calls Ozai a fool, to which Zhao points out that banishment clearly not teach Zuko to watch his mouth. Or the time he openly challenged Azula in Ba Sing Se and they only didn't fight then and there because Azula knew she'd have the advantage by using the Dai Li. Hell, at the start of that very season, after she tried to lure him to a trap, Zuko's first reaction is to charge at her, fire-daggers in hand. That boy is the definition of "Fuck around and find out."

He has also done things like choosing to save his uncle from earthbenders instead of chasing Aang, crossing a blockade and going into actual Fire Nation territory even though he legally is no longer allowed to do that, and helped rescue Aang from Zhao as the Blue Spirit. It shows us that Zuko doesn't have an issue with temporarely deviating from his mission because of something HE deems important even though his father doesn't, openly disregarding Ozai's orders, and even basically saying "My father will have the Avatar as a prisoner only if I'm the one to capture him"

And, of course, on the day of the eclipse, Zuko grabs his swords and directly threatens Ozai, telling that bastard to sit the fuck down, shut up, and listen to his list of reasons why he sucks as a parent, ruler and person.

Zuko is brave. Unbelievably so. He is fierce, proud, and impulsive to the point of getting himself in situations that he should have known would not go his way (like fighting a waterbender in the snow, in the full moon) because he is very much a "act first, think later" kind of guy. So the fandom's insistence that he is constantly paralyzed by fear is a gross over-simplification of how his trauma affects him.

We only see him genuinely afraid of Ozai twice. During the Agni Kai itself, and then again when he WANTS to speak out against his father's plan to burn the Earth Kingdom to the ground, but can't bring himself to because he remembers what happened last time he spoke out against that kind of horrible thing during a war meeting, at that very room. It took something THAT triggering to make him cower before a challenge.

However, fear wasn't the only reason why didn't speak out during that moment, and that takes us to the first "ugly" sign of trauma that the fandom as a whole likes to pretend Zuko wasn't repeatedly shown to experience:

"My father is right about me, actually"

Zuko doesn't think Ozai was wrong to disfigure and banish him. How could he? Nobody in that entire room stood up to at least try to support him, not even his uncle - who also once said "Why would your father have banished you if he didn't care about you?" because, surprise surprise, nobody in that family knows how to help someone through trauma because they're all dealing with their own shit. Even his crew, who WAS sympathetic to him after finding out how he got that scar, were still 100% willing to not only support Ozai, but risk their lives for him.

Zuko isn't just trying to heal from abuse, he is trying to heal from victim-blaming, and to go against YEARS of indoctrination that say the Fire Lord can do no wrong. That's part of why it was so difficult for Iroh and others to help him: Zuko didn't believe that he needed or deserved help.

And that is also one of his three major unhealthy coping mechanisms. Claiming that HE needs to prove himself to Ozai, that HE needs to make up for HIS mistakes, not the other way around.

It might seem strange that this could be a way to cope, but look at it this way: If it WAS his fault instead of Ozai's, then that means his dad is not an unfair, abusive piece of shit that is unbelievably cruel and impossible to please. Zuko just needs to accomplish this mission of capturing the Avatar and everything will be fine, they'll be a normal family again, and he won't have to be afraid of someone he thought he could trust.

It was like Iroh said: Things are never going to be the same ever agin, but the Avatar gives Zuko HOPE. And that hope that his abuser will one day have a change of heart and be a loving father to him again is both what allows Zuko not to give into despair - and what keeps him trapped in that awful situation.

Misplaced Anger

Another "unpleasant" sign of trauma that Zuko has is how he clearly has an anger problem. Sure, he's a moody teenager with a short fuse, but we see over and over again that he tends to blow things way out of proportion, and that when faced a fact or opinion he doesn't like, he is quick to lash out at someone with VERY cruel words (see him calling Iroh a lazy, shallow, jealous old man in "Avatar State", or calling him crazy and saying if he wasn't in prison, he'd be sleeping in a gutter in "The Headband").

Through the entire show, many people faced Zuko's wrath - Iroh, Aang and friends, his crew, Azula, innocent people of the Earth Kingdom, Mai, Ty Lee, that one rando that talked to Mai, and even Zuko himself.

The one person that usually escapes said wrath is, ironically, Ozai. In "Zuko Alone" he refuses to believe his father would ever be capable of harming him, in "Avatar State" he snaps at Iroh for doubting that Ozai really changed his mind about the whole banishment thing.

He is mad at Aang for being too difficult to capture, and at Zhao for stealing his one chance to come home. He never stops to question if it's fair that his father had him chase someone that was presumed dead, aka an impossible task, as the condition to bring him home. He also never addresses how he feels about the reason WHY said banishment happened until the Day Of Black Sun.

He is mad at Azula for lying to him and trying to take him home as a prisoner. He never gets mad at his father for not only wanting to lock him away forever because ZHAO screwed up at the North Pole, nor how messed up it was that he put Azula in charge of said mission.

For fuck's sake, in the day of the eclipse, we find out that Zuko legit believed his mother was DEAD - and the entire circumstance was shady as hell and put Ozai in a very bad light. Yet Zuko still wanted his love, still wanted to be a "worthy" son.

He HAS to direct his anger at other people, otherwise he'll realize that no, his father, the adult that was meant to care for him, is a complete monster.

Everytime Zuko lashes out at other people before confronting Ozai, he's basically acting like someone who is drowning and, in a panic, is trying to pull the nearest person under so he can try to breathe. It is one of the most accurate and honest representations of trauma and abuse, and it makes me SO mad when people erase it in their fics because "poor, innocent, helpless turtleduck that can do no wrong" makes Zuko look like less of a dick - and also completely strips him of his agency.

And that isn't even the thing that fans ignore the most. That "honor" goes to the simple fact that Zuko, as expected of a child raised to believe the Fire Lord can do no wrong, decided that Azula had the right idea and that the best way to avoid being a victim again was...

Copying His Abuser

Zuko has REPEATEDLY let his "inner Ozai" out through the show.

He is all manipulative by not letting the pirates know he was chasing the Avatar who was worth A LOT more than the scrowl they'd get as a reward for helping him, and by using Katara's necklace as a way to try and get her to say where Aang was.

He repeatedly steals stuff from innocent people (including some who helped him, like Song) because, in his own words "These people should just be giving stuff to us" - aka he's very much an entitled prince.

He betrays his uncle by joining Azula in Ba Sing Se, leading to Iroh being thrown in prison. He also doesn't give a shit when Katara says "I thought you had changed!" and he sends a freaking assassin after the Gaang. Even him refusing to tell Azula that there was a chance Aang could still be alive works both as a "Zuko doesn't trust Azula to not use that against him, and for good reason" and "Zuko did not even stop to think that, since Azula was the one who killed Aang, him coming back also puts HER in danger, because he's too focused on his own problems to notice anybody else's."

More importantly, he rejected a chance of a ceasefire with the Gaang three times (The Blue Spirit, The Chase, Crossroads of Destiny), much like Ozai refused his shot at ending the war in the finale before his battle with Aang, and not only did he challenge Zhao to an Agni Kai and seriously consider burning him, he also threatened one of his crewmen by saying he'd "teach him respect" - which we found out later that episode was what Ozai right before disfiguring poor Zuko.

For fuck's sake, Ozai was literally designed to look like an older Zuko. One without a scar, one that was never banished, one that never had to see first-hand all the death and suffering war brings and reflect on the role he plays in it.

Finally, we have the war meetings in "Nightmares And Daydreams", in which Zuko doesn't speak out against his father's completely inhumane plans to deal with the Earth Kingdom. When talking about it with Mai, he says "I was the perfect prince, the son my father wanted. But I wasn't me."

That is the turning point for Zuko for a reason. It's him finally being forced to acknowledge that, to become Ozai's ideal son, to earn his (conditional) love, to not be his victim he has to be just as bad as he is, just as cruel, just as unfair - and we see in Azula's breakdown how Zuko likely would have ended up if he accepted that path.

But he didn't, and that was not easy because even though it was the morally correct choice, it'd require him to sacrifice everything - his title as a prince, his right to be in the Fire Nation, his relationship with Mai, his (extremelly complicated, sometimes good, often awful) bond with Azula, the "easy" way to get literally anything he wanted at everyone else's expense, and, of course, accept that his father was never going to love him, was never going to change, and was never going to feel sorry for abusing him.

Erasing such a central conflict of his character for the sake of denying he ever did anything wrong is, ironically, removing one of Zuko's most noble character traits: his inability to just live with himself after doing something horrible. There's a reason he is in deep conflict even after getting everything he wanted after the fall of Ba Sing Se - he knows he doesn't deserve it after what he's done.

If you ignore his mistakes and the horrible consequences it had for other people, you also ignore Zuko's growth. This puts him more in the position of a good guy being held hostage by the evil villain, not of a troubled child that redeems himself as he matures.

No flaws, no mistakes, no growth, no arc.

Trauma Doesn't Just Go Away

This one is, by far, the bad trope regarding Zuko's trauma that Zutarians are the most guilt of: assuming that if he just gets enough comforting hugs (mainly from Katara), all of his inner turmoil will suddenly be healed. No more sadness, no more fear, no more of the ugly traits they never acknowledge in the first place. Just a happy, fully recovered Zuko.

But that's just not how these things work. Having the support of a loved one helps victims feel better, but it won't magically make everything okay. Trauma is a really difficult thing to handle. There's good days, bad days, relapses, bad habits that are difficult to move past from. And not only are there cases in which people take YEARS to recover, there are also cases in which they never fully heal, and instead just learn to live with that burden that is still very much present.

I understand the desire to show in fics and headcanons that Zuko will eventually be fully healed and happy, but the way Zutarians make Katara act as not just his girlfriend, but as basically his therapist that needs to find miracle solutions for every single one of his problems, comfort him whenever any minor inconvenience happens until he's gotten enough hugs to be magically okay doesn't just reveal how hypocritical they are, since they insist Kataang is about Katara being Aang's girlfriend/mom/baby-sitter, but also that they legit do not understand a damn thing about trauma and how it works.

Which takes me to:

How Mai Actually Did Right By Zuko

Poor, poor Mai. She gets blamed for "bring out the worst in Zuko", for not being "supportive", for being too cold and unemotional, for not "seeing the real him" - yet she's one of the characters that CONSISTENLY help put Zuko back on his track.

She offers him emotional support and lots of signs of affection over and over again - telling him not worry when they're arriving at the Fire Nation, pointing out she doesn't hate him when she says she's beautiful when she hates the world, explicitly saying she cares about him in The Beach, being incredibly sweet and loving to him during all of Nightmares and Daydreams, and then again in the finale by helping him get dressed up and acting all cute as they get back together.

But she also holds him accountable when he screws up. She doesn't let him use his difficult life as an excuse to be a jerk and calls him out when he's being unreasonable, or when she feels mistreated/like he's making a mistake (see The Beach and Boiling Rock Part 2).

But since the fandom loves to completely erase Zuko's mistakes AND to not let go of a stupid ship war, this completely changes the context, making Mai out to be this awful, bitchy girlfriend, when in reality, she did a great job handling Zuko - sometimes even better than the fan favorite and mentor figure Zuko had through most of his arc.

Uncle Iroh Fucked Up

Before all of you try to kill me, let me make one thing clear here: I love Uncle Iroh. He is one of the most awesome characters in the show, and I fully believe he was trying his best to help Zuko.

But he is still a human being that makes mistakes, and he was raised in the same dysfunctional family Zuko was, meaning he often had NO IDEA how to handle his deeply traumatized teenage nephew/son.

Him spending all of book 1 trying to help Zuko capture Aang so he could go back to living with the guy that disfigured him is already bad enough, but we also have the episode "Avatar State" in which Iroh asks "Why would your father banish you if he didn't care about you?"

Obviously he only did these things because he didn't want Zuko give into despair and depression - but he is still, at best, ignoring the issue, and at worst actively making excuses for Ozai's abuse of his own son. This backfires on him spectacularly, as Zuko sides with Azula over him both in the first and last episode of the season specifically because he believes that appeasing Ozai is the right thing to do, as he was only banished "for his own good."

But THE biggest mistake Iroh made when it came to helping Zuko was his refusal to accept that no, Zuko was never going to be happy by living a quiet, simple life in Ba Sing Se - even after Zuko explicitly said as much to his face.

Obviously, to some extent, Iroh HAS to make Zuko accept that he won't ever be able to come back home after Ozai literally ordered Azula to capture him, but he could have tried to find some kind of middle ground with Zuko, since being a waiter clearly wasn't making him happy.

"Oh, but what about how Zuko started acting after his metamorphosis? He was so happy about working on the tea-shop with his uncle, and that was supposed to reveal his true self!"

Yes, it was supposed to do that. But we saw how Zuko acted after actually dealing with his trauma and redeeming himself. He was obviously in a much healthier place, both mentally and spiritually, but he was still moody, still sarcastic, still as proud as ever, and even Iroh recognized that he was meant to be Fire Lord.

Zuko's arc has a lot to do with identity, with how he sees himself. At that point, the only thing he still had in life was his uncle - so he was acting like him, because there seemed to be no other role model, no other path. Seeing that weird, cheery, relaxed, always-seeing-the-good-side-of-things version of Zuko was honestly unnerving.

And Iroh thought that Zuko basically giving himself the Lake Laogai treatment was okay because he following in his footsteps, doing what helped IROH heal and change - he didn't realize it was never gonna be able to do the same for Zuko.

The very second Azula shows up, even when she's being hostile, Zuko drops the facade, because she's a reminder of both his old life and what he thought his future would be. And when she offers him "redemption" Iroh tried to advice Zuko against joining her by saying "The redemption she offers is not for you" (as in not for someone who is doing better and doesn't need to return to the Fire Nation) and "It's time for you to choose. It's time for you to choose good." How is it a choice if Iroh is explicitly saying which option Zuko cannot pick, essentially making the decision for him?

Iroh didn't just get the way to help Zuko wrong - he didn't realize his nephew didn't believe he needed help. They were not on the same page at all, and that contribuited to Zuko betraying him.

Though, thankfully, it ended up being for the best, as Zuko found his own way to redemption by himself.

Conclusion

This fandom as a whole tends to not understand Zuko at all and just eat up a bunch of fanon while pretending to be so intellectual, which I very much resent it for.

#anti zutara #pro maiko #pro mai #zuko is not an awkward turtleduck

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