#Barely lol

[thelongestwalk]

thinking about The Seven growing up and getting emotional ... normal things

my kofi

[smeedge]

i think he would use his YouTube to post memes but take them very seriously like how markiplier does it

[mediumgayitalian]

prev

———

For some reason the lack of a little jingling bell throws her off.

It’s a quintessential diner thing, she supposes. A little bell above the door. There’s the weird decor and the pressed cotton uniforms and the yelling chef and the little bell. It was in both Back to the Future one and two. That’s how she knows she’s right.

But when she pushes open the door with windows so caked with grime she can hardly see through them, there is no little jingle. And when she looks up at the door frame, eyebrows furrowed, it seems sad and lonely. She’s never been so aware of the lack of a sound, the absence of a noise. It makes the rest of the silence of the diner seem eerie, wrong. Dead.

She takes a hesitant step forward, door swinging shut behind her. She realizes as she approaches the ordering counter that her hand rests palm cupped on her belly, and removes it immediately.

“Hello?”

There are a couple groups of people in the back, talking quietly over their food. It doesn’t make the diner seem any less abandoned, somehow. If anything it feels like a TV playing on mute in a hospital. Saturated static.

“Seat yourself, girl. You ain’t never been to a diner before?”

The woman that speaks is tall and plump and harsh-looking. A very strange mixing of features. They’re at odd with the diner-specific yellow uniform she wears, collar pressed but skirt wrinkled. Apron dusted with flour and streaked with machine oil. Face pinched, eyes hard, black hair resting in dainty ringlets along her shoulders. Her name tag only reads the name of the business.

“A couple,” Naomi defends. “One even had a hostess.”

The woman — who must be a manager — raises an eyebrow.

“You see a hostess’ station?”

“No.”

“Then why haven’t you sat yourself?”

“‘Cause I’m not here to eat.”

“Well, then, get the hell out of my restaurant.”

Naomi holds her gaze, tilting up her chin. She will not be swayed by orneriness. “I need a job.”

The manager eyes her critically. Naomi’s hands twitch, and the top of her head feels suddenly itchy. Summer before highschool she’d wrote her first resume — Mama’d drawn her a bath and sat behind her and spent two hours slowly untangling the ratty mess of curls on her head with nothing but a bottle of cheap jasmine conditioner and her own two fingers, telling her about lasting first impressions.

“Go home, kid.”

“I’m not a fu —” She stumbles over her words at the last second, catching herself before that eyebrow can climb any higher. It does, and the other eyebrow begins to climb with it, but she rights herself and powers on. “I can vote,” she says finally. “I can throw on a uniform and get blown up across seas. I can — I can adopt a child, if I so choose. Right now.”

The eyebrows reach critical height, brushing the end of her carefully teased hairline. Naomi watches them and their inspiring journey with intensity, instead of noticing how the manager’s eyes drop down to her stomach, linger, and then return to her face.

“You gonna adopt it right outta your womb, or what?”

Naomi snaps her mouth shut.

“Well,” she says, and nothing else.

The manager sighs. “This ain’t a charity.”

Naomi barely manages to bite the snark back from her voice before she speaks.“I’m not asking for charity. I’m asking for work.”

Eyes shifting to the tables in the back, the manager leans over the counter, long fingers wrapping around the handle of a coffee pot so old the handle has worn right down to plain metal, and walks over to a beckoning customer. She fills a man’s mug with her lips pressed thin, offering a napkin to a child in a high chair.

“And why would I hire some pregnant kid?”

The customer pushes over a stack of plates without moving his eyes from the newspaper in front of him. There’s a woman on the other side of the table, holding a spoon out to the little kid, eyes desperate and tight smile slipping when the kid’s pudgy fist hits and sends the scoop of scrambled eggs flying. The man brings the coffee to his lips and waves the manager away.

“It’s illegal for an employer to discriminate against a pregnant person,” Naomi says finally. That had been drilled into her head by her Mama, too. That and how to keep her finances separate. She’ll have real trouble with that, what with the zero dollars she’ll have by the end of the week.

“Good thing I’m not your employer, then.” The manager sets the plates by a soapy sink, putting the coffee pot back on the hot plate. “Get lost.”

I am lost, Naomi almost says, almost slamming a hand in the counter to catch herself from her suddenly weak knees. She watches the manager watch her, tight little frown furling the corner of her mouth, through the blur of her eyes, swallowing hard around the lump in her throat.

“Please,” she says, too quiet, then tries again: “Please.”

The manager disappears behind a short half-wall, following the sound of an oven dinging. Naomi gasps silently, bowing over the counter, breathing heavily. She curls her hands into fists and presses them, hard, one to her chest and one right under her ribs. Ka-thump, ka-thump, kickkickkick. Kickkick ka-thump, ka-thump, ka-kickthump.

There’s an echoing clatter as a hot tray slams on a stove top. Scrambling upright, Naomi lifts the little door on the counter, scanning the space. The register is ancient and yellowed, buttons so worn with use the labels have worn away. There’s a thread-thin mat at the base of it. The counters are clean but scratched, walls stained but dust-free. The coffeemaker gurgles pathetically. An apron hangs from a hook nailed to the wall by the kitchen window.

As quietly as she can, Naomi slips it over her head. It’s tight around the waist, so she folds it once and ties it around her ribs, instead, letting the straps dangle loosely at the butt of her jeans. She ties her hair quickly behind her head and steps up to the creaky sink, silently moving the pile of dishes to the empty counter. When the clatter in the kitchen starts up again, she turns the water on as quick as she can — hack gurgle rush — and squeezes the mostly empty soap bottle as hard as she can to make up a lather.

“Hell are you doing?” says the manager gruffly, two pies balancing on her oven mitt hands.

Naomi shrugs.

“You deaf, or stupid?”

She thinks if laughter like a lyre and sun golden hair, plucking at her out-of-tune guitar string and asking a similar question. The ghost of a smile pulls across her face.

“Not deaf. And that’s rude.”

A pie plate crinkles under the press of a knife, and the scent of candy cherry mixes with slightly-burnt coffee. Makes her think of Grammy’s house, the smell of the jams she spent sixty years making soaked permanently in the wooden foundations. The manager finishes plating the pie slices and sliding them under the display glass around the same time Naomi suds up the last dirty mug. She watches her red-painted finger tap, tap, tap on her bicep out of the corner of her eye as she rinses it off.

Unplugging the sink, dirty water gurgling as it drains, she points a hesitant elbow at the dishtowel tucked into the managers pocket. She grabs it, threading it around her fingers, twisting the worn pink tail.

“Freezer broke two days ago.” She picks at a loose thread ‘til it pulls clean from the rest of the fabric, balling it up and sliding it into her pocket. She tugs on the fabric one last time, then tosses it, bundled, into Naomi’s waiting hands. “Tables in the back better have their bill by the time I get back from fixin’ it.”

Naomi hunches over the sopping dishes to hide her smile, listening to the scritch scritch click of the manager’s shoes as she stomps away.

———

Di doesn’t believe in paycheques.

“Great way to get ripped off,” she likes to grumble, slapping a stack of 20s bundled in a stapled piece of notebook paper into Naomi’s hands every Friday. She doesn’t think much of taxes, either, or lawyers, or racecar drivers. Naomi doesn’t quite understand that last one, but she knows better than to ask. As far as she’s concerned she’s still on probation, and probably will be if she works at the diner for another four months. Or the rest of her life.

On one hand, Naomi doesn’t have a bank account, so a cheque would be useless to her anyway. The cash she can use immediately and whenever she needs it. On the other hand, which is currently occupied with sewing back closed the hole she gouged in her backseat for the seventeenth week in a row, she has nowhere exactly to put that money, so it stresses her out.

Maybe she should look into an apartment.

Of course there are no apartment buildings in Sheffield. But she’s pretty sure Iraan is a big enough town to have a couple, as squat as they may be, and it’s only a twenty minute drive. There’s more to do there, too, so maybe she’d actually have a reason to take a day off every week. It’s not like she can buy a damn house with the less-than 3000 dollars she has saved up.

Waddling out of her car, she ducks into the diner. You’d think she’d be used to the lack of bell, now, but she finds that she still anticipates it; finds that her brain still quietly signals to her ears to prep for it. It always sets her off, a little.

“You’re late,” says Di critically, uniform hanging over her arm, foot tap tap-ing on the linoleum floor.

“I don’t have a starting time,” Naomi says lightly. “On account that I am not your employee.“

Di huffs, rolling her eyes. Naomi rolls them right back, snatching the uniform from her arms on the way to the bathroom. She has to wear Di’s, now, because she doesn’t fit into her old one. Di is much taller and broader than her and the stupid thing hangs down to her mid-calf, awkwardly drowning her shoulders, but it’s the only thing wide enough to cover her belly and Di refuses to let Naomi just wear her regular clothes.

(“You’re indecent,” she always says, sneering at her jean shorts, but Naomi has learned to translate you’re indecent but also you can’t have bare legs around hot oil, which she’s come to appreciate. Sure, Di makes her clean the bathroom whether or not she needs to crawl around in her knees to stay balanced, but she doesn’t want her burned to death, at least. That’s something.)

“And your hair’s unwashed,” she adds, as if Naomi had not walked away. She reaches up and adjusts Naomi’s collar, like that is going to do anything to change the fact that she looks like she’s wearing a collapsed tent. “You’re going to drive customers away.”

Naomi doesn’t say, you open before the community centre does, so I can’t shower in the mornings. She does not say, I spent last night trying to change the oil on my car when I couldn’t lie down to reach it. She doesn’t say, I’m too scared to sleep in the community centre parking lot, because my windows aren’t tinted and I don’t know what’ll wake me up.

She says, “The only thing scaring customers away is your busted attitude,” and scurries into the kitchen before Di can order her to clean the friers.

———

Naomi’s favourite part of the diner is the radio.

She can’t believe that Di allows it, what with her general distaste for joy in all of its forms. But it’s balanced on the window sill watching over the oven, antenna extended out the torn screen, dials permanently stuck on an old forgotten country channel. Naomi likes to hum along as she works, frying potatoes or kneading dough, twirling around the kitchen with a mop or a broom. It’s nice even when she’s cramping, even when her feet are sore — she likes hollering along to Dolly Parton when she knows Di is listening, want to move ahead, but the boss won’t seem to let me, likes the way her little parasite goes absolutely buck wild whenever Willie Nelson comes on. She can hear it even when she’s in the dining area, plates balanced all up her arms (and on her belly, too, which is one of the many things she has discovered it’s useful for), humming along to scratching dorks and scritching napkins, working 9 to 5, what a way to make a livin’.

She amuses herself often by making up lives for the various patrons. They’re close enough to the main highway that they get all sorts driftin’ in, from families with bratty kids who upend their food on the floor for Naomi to clean to men in starched suits who never leave a tip. The regulars she’s gotten to know, like the older, stocky, short-haired woman called Bella who smiles softly at her and leaves more than double her bill every breakfast. Or the two young men, college seniors, she thinks, who come in every Saturday afternoon and laugh loudly and talk about strange subjects and rope her into their conversations when there’s no one around and she’s bored.

Other patrons, though, strangers, she speculates. Like there’s a man in the farthest back corner, now, hunched over in the peeling green vinyl seats, scrawling frantically in a tiny notebook. She imagines he’s a private investigator, chasing a lead, about to discover that the woman on a date on the other end of the diner is cheating on her husband of fifteen years.

“Naomi, if you don’t get your ass back to work.”

She throws her hands up. “There’s nothing to do!”

Di observes the half-empty diner, noting the clean tables, neat counters, sparkling kitchen. Each customer sitting satisfied in their table, coffee mugs full, plates still hefty with food.

“Clean the grout.”

Scowling, Naomi stomps to the kitchen, wrenching open the cupboard under the counter and yanking out the Mr. Clean and scrub brush. It’s an ordeal and a half to get on the floor, wincing at the extra weight on her knees, sitting back on her heels with every spray and keeping one hand on her belly while the other scrubs. I Got Stripes by Johnny Cash starts playing through the radio, and she grits out the lyrics with every drag of the brush through the tiles.

“— and then chains, them chains, they’re ‘bout to drag me down —”

A pair of worn black boots come stomping into her line of vision. Naomi finishes scrubbing at a stubborn smear of grease, relishing in how it submits under her power, then rests her weight on her tired hands and tilts her chin up to glare up at her boss.

“I got stripes, stripes around my shoulders,” she sings defiantly, “chains, chains around my feet —”

“I should whip you, you damn drama queen,” Di says darkly, glaring right back. “Had three separate customers come on up to me askin’ me if I’m mistreatin’ ‘that poor young pregnant girl’.”

Naomi smiles triumphantly.

Di scowls, rolling her eyes hard enough to visibly strain her face, and drops some kind of foam pads at her feet. She stomps off without another word, scowling at the radio.

Poking at the pads, Naomi discovers they’re meant to be strapped to her knees. She slips them on, immediately noticing the relief.

For the rest of her shift, she’s an angel.

Di even almost smiles at her.

———

“Naomi, go home.”

“What happened to kid?” Naomi pants, knuckles going white against the counter. She breathes slowly and carefully through her mouth — in, two, three, four, out, two, three, four, in, two — and grits her teeth, staring determinately at the sticky tabletop until the dizziness fades. “I didn’t even know you knew my name.”

“I don’t.” A roughened hand rests on the small of her back, loosening the too-tight apron straps. “You’re sick, kid.”

“I’m fine.”

She tilts forward. Di barely manages to catch her, settling her slowly on the floor without so much as a comment about how heavy she is.

“The diner is empty, Naomi.” The same roughened hand moves up to the back of her neck, untangling the sweaty strands of hair that stick to her skin. Her voice is unusually soft. “You’re nine months pregnant, kiddo. You need to go home. You need to rest —”

“I need to work.”

With great effort, Naomi shoves her away, standing slowly to her feet. The world is still wobbly and bile climbs up her throat, but she pushes forward, hands half-extended beside her. She reaches back for the wet rag, swiping weakly at the table. An onslaught of nausea makes her pause, mouth clamped shut, breathing quick and deep through dry nostrils.

When she speaks again, Di’s voice is hard. “I’m not asking. Get out of my diner. Go home, or you won’t be allowed back. I won’t be accused of killing some dumbass kid who doesn’t know when to quit.”

“I can’t —” she gags, tears springing in her eyes, desperately trying to wrestle back some control of her body — “there’s nowhere, please, Di, let me —”

She slaps a hand to her mouth, heaving. She hasn’t even — she hasn’t eaten all day. The smell of anything makes her want to vomit. The idea of putting anything more in her body makes her want to peel off her skin. She feels — bloated and freakish and ugly; like an unsuspected astronaut on a sieged spaceship.

Like she’s about to burst.

“Oh, for the love of — Naomi, please tell me you are not nine months pregnant and sleeping in your fucking car.”

Naomi says nothing. She squeezes her eyes shut and tries not to think of Mama’s peony-scented perfume.

“Jesus Christ.”

Stomp, click, stomp stomp. Rattling chain, swishing cardboard. Flicking switch. Turning dial, fading music. Stomp, click, stomp stomp.

Two callused hands on her biceps, dragging her upright.

“C’mon, up you get. Where’re your keys?”

A hand digs around in her apron pocket.

“What, d’you fuckin’ run these over or somethin’? The hell’d you fuckin’ do to these things?”

No jingle on the door. A flipped sign.

“No, obviously you can’t — go get in the fuckin’ passenger seat, dumbass. God.”

Di mutters something about stupid kids and stupider adults, for putting up with them. Naomi smiles tiredly. Daddy used to say that all the time, flicking her on the forehead.

“Roll the window down. You need fresh air.”

The slight breeze coming in from the window is helpful, actually. It’s been a disgustingly hot summer, and Naomi has had to sleep with her windows down to avoid suffocating. She wakes up to mosquito bites in places she frankly did not know could be bitten.

“D’you think you’re going into labour?” Di asks quietly, over Dolly’s crooning. Bittersweet memories, that’s all I’m takin’ with me.

Naomi sighs, shaking her head. Already, the nausea has faded into the background. The sweat cools against her skin, and she stops feeling quite so much like she’s going to die.

“No. It’s only been eight months and a little less than two weeks.”

“…You remember the exact date?”

Well, hello, feverish flush. How I’ve missed you so. Will you do me a favour and cook me alive, while you’re here?

“It was a very memorable occasion,” Naomi mumbles, shrinking back into her seat.

“I see.”

Naomi’s never seen Di look quite so amused before. Her whole face softens, and her brown eyes look warm, for once. Naomi would attack her if she had the strength.

Di cruises slowly down Main St, conscientious of the kids ducking in and out of the shops, laughing with their friends. A tween girl looks over at an older boy and whips back over to her friends when he meets her eyes, the whole group of them descending into delighting shrieks. Naomi watches them with a smile and an ache in her chest. She wonders how Molly’s doing. How Esther’s holding up, how Leela is faring. Jen’s at school, now, all the way up in NYC. She hopes they’re well and tries not to hate them for not being here.

Sheffield’s small, and there’s not a street Naomi hasn’t driven down. She spends most of her free time in the community centre pool or the desert around the diner, sure, but she’s been around. When Di turns on Pine St and follows her all the way down, though, she frowns, looking over and asking a wordless question.

Di doesn’t answer. She’s driven them all the way to the other side of town in less than five minutes, pulling into a gravel parking lot and killing the engine.

“C’mon,” she grunts, climbing out of the tiny car and waiting, arms crossed, for Naomi to do the same.

“Sure, sure, let the pregnant woman crawl out of her own seat. Don’t lift a finger or anything.”

Di rolls her eyes.

As soon as Naomi has struggled her way out of the car, which takes her a good four minutes, Di stalks off. In her harried attempt to follow her, Naomi feels like a duck hopped up on an energy drink.

“What kinda money do you have?”

Naomi looks at her strangely. “Uh, what you pay me.”

“Yes, obviously, I meant savings.”

“What you pay me,” Naomi repeats.

Di purses her lips. “Well.”

She does not finish her thought. Instead, she strides down the gravel driveway, heedless of Naomi’s struggle behind her, until she approaches a squat looking building with ‘OFFICE’ printed on the little window.

“She needs a room,” she says to the clerk sitting behind it, gesturing at Naomi.

Naomi looks at her in alarm.

“Di, I can’t —”

“Fifty a night,” responds the man quickly.

“Try again.”

Di’s response is swift and immediate, ignoring Naomi’s tugging hand. She pulls away, resting her hands on her lower back, swivelling her head between Di and the man.

“Rate’s a rate, Di.”

She’s not surprised this man knows Di — everyone knows Di. But the slant to his eyebrows is unfamiliar, the hands clasped easily behind his head. He relaxes back into a leather office chair, heeled boot hiked up to rest in his knee, whistling absentmindedly in the face of Di’s glare.

“Two hundred a week.”

“Not a chance.”

“I’m not asking, Jed.”

The man — Jed — finally starts to look irate, meeting Di’s jaw-set stare with one of his own.

“I’m sorry, I musta missed something. Did you up and buy this place?”

Di doesn’t answer him right away. She never slouches, always standing at her full height, and she’s mighty tall for a woman. For anyone, really. She has a way of planting herself right in front of the sun, no matter where she is. Jed stares up at her, squinting, cast in Di’s shadow everywhere but where he needs to be sheltered.

“You gotta laundry list of shit you done owed me your whole life, Jed.”

Jed just his chin out.

“I don’t owe her shit.”

Blunt fingers wrap around her elbow. “She’s mine.”

“Ain’t how this works, Di.”

“Says who? You?”

For all her intensity, Naomi doesn’t think Di’ll actually fight anyone. If she would, Naomi would’ve gotten her ass kicked months ago.

(She’s mine. Kiddo. You need rest. Roll down the window.)

(…Well.)

Regardless, a flash of fear flits across Jed’s face. He cuts his gaze from Naomi to Di and then back again, pupils shrinking, and then invariably comes to a decision.

“Two fifty,” he snaps, scowling. “Not a penny less, Di.”

Di nods once. “Fine.”

She tightens the hold on Naomi’s elbow, dragging her away from the window. There’s an echoing bang, bang, bang, interspersed with muffled curses, before Jed stumbles out of a door on the side of the scaffolding. He stomps away without looking back, and Di tugs her along to follow.

“Laundry is your own problem. Clean your own shit. If you miss a payment, I’m kicking you out. Clear?”

Naomi stares. Jed standing in front of another low, old building, but this one is much longer, a door posited every dozen or so feet. A plastic chair sits in front of every door, and every door is numbered.

A motel, Naomi realises.

“Clear, kid?”

“Crystal,” Naomi manages, throat dry. Jed practically throws the key at her head, stomping back to the office. Numbly, Naomi slides it in the lock, pushing open the door.

The room isn’t big. There’s a double bed in the middle, a window in the far side and a dresser under it. A TV rests in a dugout shelf in the wall, and there’re two small doors next to it; a closet and a bathroom, Naomi assumes. Smaller than her bedroom back home.

Much, much bigger than her car.

“You’re gonna have to work another ten hours a week to afford this place,” Di says critically. When Naomi looks back at her, she’s lingering at the doorway, staring resolutely at Naomi’s face. Not a spare glance for the room itself.

Naomi does the math fast in her head.

“Twenty hours.”

Di scowls. “Don’t insult me, kid. Ten more hours a week; make sure you’re early tomorrow. I don’t give a shit if you’re sick again, either.”

Naomi swallows. She smooths a hand over the quilt tucked neatly over the bed — it’s soft, if not warm. The pillow is plump.

God, she’s missed pillows.

“Thank you, Di,” she says quietly.

Di makes a small twitching motion with her head that may, in some lighting, be considered a nod, then stalks off. Naomi sinks into the mattress; surprised at how much her feet aches now that she’s off of them.

She swings them up, kicking off her boots, to rest on top of the blanket. She leans against the rickety headboard. She rests her hand on her swollen stomach and slowly, silently, begins to cry.

“You and me and sheer fuckin’ will, kid,” she mumbles, face crumpling. The constant ache in the small of her back lifts, slightly. She stretches her toes as far as they’ll go and cries harder. “We’re gettin’ there. We’re gettin’ there. We’re gettin’ there.”

———

next

naomi art

[popstart]

mkats

[hauntedorpheum]

love these

[spinetrick]

a guilty man

[bonkalore]

I finally took some decent screenshots of the show so people can actually find the character refs and not just my art if they ever tried to look them up!!

Also for anyone who follows along with my art for the Lucy and Jayce ship, I'm sorry, but this is some of the only content that even comes close to shipping material within the canon 😭😭 I have an enemies to lovers, but this is all solely enemies the entire time. The potential was THERE for them to overlap more with how their goals were similar, it just didn't go that way.

[wildogwatching]

THE HAG

[passportclown]

I saw a post about Overhaul being Transphobic a while ago, and I've been thinking about it. I have a tumblr, so I might as well respectfully contest that notion.

When Twice says 'You pulled that crap when we first met, too!!' he's referring to Overhaul being professional and 'It doesn't matter if I kill your friend, I've got plans and you'll help.'

(This is Twice immediately afterwards)

We get a bit more of a reaction from Overhaul in the anime. He stares, absorbs the information, then he moves on to what he considers more important topics.

As far as I'm aware, he doesn't misgender Magne before or after that aside from this singular occasion.

This is the only moment where he might've been made aware that she was a woman. But..

... I think he was busy being disturbed by germs and blood.

I mean, she did call him a bad boy and make heart eyes but he might've just assumed she was a gay man. And he didn't seem affected by that so he's not homophobic either.

So,

I don't think he's transphobic, I just think he doesn't care to remember stuff about people he considers useless (dead people he can't utilize as tools anymore.)

And if he does misgender her after he was corrected, then please let me know! I love Overhaul but I want to acknowledge all of his flaws as a Character. I haven't read the manga or watched the anime in a WHILE. I only went back to parts I remember to get this stuff. So I might not be 100% correct.

[house-of-frangus]

caption writers, we salute you

[cowboyhorsegirl]

wait why did the very first line of the very first video in that destiel comp have to come for my throat

[methvapes]

dave

[autthesnot]

Heed my warning...

[children-of-subcon]

HAPPY ANNIVERSARY TO GHOST MCDONALD'S!!!!!! Or, well,,, happy late anniversary! It was actually on May 31st, but uh... better late than never? (Nervous glance at the dilapidated corner where the corpse of last year's project lies)

Anyways!!! I think this turned out pretty much how I hoped it would! Ever since I heard this song I've been wanting to make an animation with GM, so I'm glad I got to!! And actually finished it -w-;;;

Hope you enjoy!!!

Ghost McDonald's is a collaborative comic between myself and @s0ckh3adstudios and @twipsai!!!

Uhhh so,, not to get sappy on main but I guess I can't get any sappier than I already did making this so. Sock and Twip, when I drew that HH fanart TWO whole years ago now I had no idea it would end up changing my life,,,but I'm so glad it did!!! You guys are the best friends and siblings I could ask for,!! I love you two!!!!

Thanks for Ghost McDonaldsing with me :D

[goldentrout]

trout i painted :)

(click for higher resolution)

[salsa-di-pomodoro]

I just had the absolute worst idea for a submas au.

WARNING LONG POST I DONT KNOW HOW TO USE READ MORE

Like. Ingo disappears, as usual. But people think Emmet killed him because of someone spreading misinformation that is taken as truth (no it's not volo i don't believe in evil volo. He's not immortal in this otherwise he would have come forward).

Emmet gets taken to prison while waiting for a trial and he has a rough time there for the little time hes in (i can't bring myself to leave him there for too long) because prison wouldn't be kind to a man like Emmet (autistic). But that's not even the main angst.

So unova is basically Pokémon America, right? I don't know about new York, or even how it works, but... There's death row in America isn't there?

Whatt if Emmet ended up on death row over false accusations? (HE DOES NOT DIE, I CAN'T HANDLE THAT.)

Ingo comes home with some of his memories on the day of his execution. He remembers Emmet, a little bit, and he's excited to see him again. He reappears at the station, and the depot agents are ecstatic to see him, before they remember what day it is and they realize Ingo has no idea. The very second Ingo realizes Emmet's in danger he starts sprinting across nimbasa towards the direction they pointed him in, hoping he isn't too late.

People who are gathered in front of the building, to say goodbye to Emmet, to protest, or even to get a good scoop, they see him coming and move to clear the way.

The security guards can't really do anything but yell at him when he climbs over the gate, there's too many people to shoot (tranquilizers. Pokémon police is only a little bit better ive decided) safely.

Ingo's coat becomes even more of a rag than it already is after that, but he doesn't really care. Be needs to find his brother.

Meanwhile Emmet is talking to his family for what he believes to be the last time. He is, understandably, a wreck. He's gone non-verbal, they took his clothes from him an the ones he's wearing now have a horrible texture and he's obviously inconsolable. Drayden and Iris (and Elesa, if friends are allowed in) don't say anything either. They know it wasn't him, that he could never do that but they couldn't prove it. How do you reassure someone who's going to die for no reason? There's still the matter of missing Ingo, too.

When an officer says their time is up he wordlessly gets up to follow her as his family is herded out of the room. Iris starts crying and he feels nothing but dread and grief.

Suddendly, they hear a door bursting open at the end of the hall, and yelling. And then someone tackles Emmet with enough force to break him out of the officer's grip, and then they've dragged him to the other end of the room, far away from anyone else, and then his vision is covered by a familiar, albeit tattered coat, and then several Pokémon burst out of their pokeballs to protect them, and then he finally, finally lets himself realize who tackled him, because despite how they're clearly out of breath they shout, at a volume he hasn't heard in years:

"DON'T YOU DARE TOUCH HIM!!!"

Emmet looks up to his savior. "...Ingo?" When did he start crying? It doesn't matter. Ingo is here now and everything will be alright again.