#But i will probably write this anyway

[guessfuckingwhatbitch]

Interest Level

Hello, Solo Leveling fandom.

I have a fic in mind I want to write but I need to gauge interest before signing myself up for a multi-chapter fic again because I have no fucking sense of control in my life, and apparently I wanted to suffer more than I already am.

De-aged Sung JinWoo has all his grotesquely overpowered skills but is WAY too young to be trusted with them - and his sister is freaking the fuck out because here is South Korea's 10th S-Rank, National Level Hunter, and she's wildly unqualified to handle this let alone raise a child. He's aged 7 or some shit, emotionally just as stoic, but she's unawakened and can feel an unsettling power rolling off him that she can only assume is his mana.

I plan on having their mother still in the midst of Eternal Sleep (I don't really care about sticking to canon timelines unless it's a Thing people want, might have Jeju Island Arch already happen. Might give Igris the ability to talk already, maybe he can already transform and has Ruler wings but is the Shadow Monarch so the colours are Gothic As Fuck, who's to say, not me that's for sure), so she does the only reasonable thing and panic calls the Korean Hunter's Association from JinWoo's phone. She can't be trusted to keep herself alive she should NOT be responsible for the world's strongest, and she's pretty sure the shadows shouldn't be trusted either. They are Monsters - literally - and if JinWoo is meant to be among Human Society and is Expected To Act Like A Human who better to call than the people in charge of Hunters?

They managed to wrangle her brother's reputation into something respectable, and they are strong too right? So if he throws a tantrum like the kids on their street do they can find a way to contain the damage. They basically do that with the current S-Rankers! What's one more????

Anyway, Woo JinChul and Go GunHe end up with a mini Sung JinWoo on their hands, and morbid curiosity leads them to try to find out what his actual skill sets are. Like hey! What could possibly go wrong?

Here lies KHA's collective sanity - death by Actual Cryptid Sung Jin-Fucking-Woo, Child Of Shadow's.

I hope for Chaos and Chaos only.

idk if you're interested in someone writing absolute bullshit where all I can promise is Shadow Gang Shenanigans and wishing desperately that this wasn't in their paygrade KHA members just like - like this fucking post or something. If you have a terrible, wondrously horrific idea you've always wanted to see comment it. I want to see that shit

I'm casual as hell so I don't care how you want to interact with me. So if you go "Hey you weird ass bastard I wanna see Sung JinWoo absolutely demolishing S-Rank gates solo", sure thing buddy that's fine

Have a day or whatever

[nonebinary-leftbeef]

DEVASTATING the lyric you've been mishearing is better than the real one

[eddiethebrave]

ocean of flavor

334 words

Steve’s bent over the counter that separates the front of the store from the back when he hears a low whistle come from behind him. 

“God bless Corporate America for those shorts and God bless you for that ass.”

Steve feels his face heat up and heart rate quicken. He straightens his posture before turning around only to come face to face with Eddie Munson. He should’ve known - he can’t think of anyone else bold enough to say that, especially as an opening to a conversation, and especially to a retail worker. 

Steve lets his gaze trail over what’s visible of the man from the other side of the counter. He’s dressed much the same as he usually is at school, except instead of layers upon layers of dark clothing, he’s wearing a faded black band tee that has the arms cut so low that you can see the waistline of his black jeans through them. 

Steve’s mouth waters and he doesn’t try to hide his ogling - god knows Eddie didn’t. 

Their little game had confused everyone in high school, but Steve couldn’t help himself. He’d flirt relentlessly with Eddie - maybe even more than he did with anyone else - and eventually the boy began to reciprocate. 

After weeks of striking out, Steve was kind of flustered by the attention. He was even wearing the hat, for Christ’s sake. 

Steve bites his lip to stop a goofy grin from taking over. 

“Ahoy,” he says, licking his lips and watching Eddie’s eyes flicker down to track the movement. “Would you like to set sail on this ocean of flavor with me?” He tilts his head and leans forward so his forearms are resting on the counter. It’s kind of sticky but worth it to see Eddie’s face flush when he looks up at him through his lashes. “I'll be your captain.”

Eddie seems to shake himself out of it then. “They don’t really make you say that, do they?”

“They do,” he confirms with a pout.

[disastersareajoy]

Pussy Drunk Thomas Hewitt - Drabble

Thomas Hewitt x FEM!Reader

Tags: established relationship, cunnilingus, forced orgasms, talk of bruises, wet and messy, squirting, dacryphilia, overstimulation

Word count: 1.1k

fucking obsessed with the idea of Thomas getting absolutely, down bad, pussy-drunk as soon as he gets a taste

like his virgin-ass being too afraid of hurting you to fuck you at first and getting on his knees for you. he gets a taste, kind of pulls back and licks his lips and you can see his pupils dilate and his eyes fucking glaze over and he just falls face first into your pussy

sloppy, wet, spit slick, hungry oral from that man. his teeth bump into you in all the right ways sometimes. one moment he's whimpering into you and the next he's grumbling and trying to get his tongue deeper and deeper into you to taste more

and it does not matter to him when you beg for him to slow down and how you can't cum anymore. because you keep dripping on his face and tongue and making wonderful noises and you just taste so fucking good, how could he stop??

his arms wrap around your thighs and he holds onto them hard and firm and keeps you pulled close to his face. you can feel that it's gonna bruise and you're going to cherish those bruises for days

he doesn't even notice how hard he's gripping you because he's trying to get all of his senses filled with you. he tastes, smells and feels nothing but you. the only thing his ears can focus on are your moans and whimpers. his hands massage your thighs periodically and when he opens his eyes it's just to look at your face, thrown back in pleasure. the only thing better is when you're looking down at him with tears in your eyes, still moaning for him

Tommy is completely drunk off your taste. he loves the feeling of your pussy on his tongue and he loves the little whining groan you let out when he sucks on your clit

now, when he keeps going and going and your hand in his hair trying to push him away finally falls to your side, he doesn't even realize what he's doing next. it's all out of instinct when his hands readjust so his arms stay wrapped around your thighs but his thumbs are spreading open your folds. that's when he really loses it

because he can get his tongue even deeper like that. he can bury it inside you and find the spot that makes you drip a little more and that makes you moan all broken and needy. once he finds it he abuses the fuck out of it. keeps licking over it, poking at it with his tongue and savoring every drop of you that spills into his mouth

and then. his holy grail. you grab his hair again and moan louder. you're sobbing and begging him to slow down because it feels different this time. he doesn't listen of course. all he knows is you're about to do that thing again where he can feel your pussy flutter and twitch and your thighs squeeze around him and your moans get all whimpery

he keeps going until your hips lift up into him. he stays attached to your pussy and keeps doing what he's doing, knowing he can't stop. needs to keep going to get you to do that thing

suddenly you gasp and go completely quiet. then you moan so loud it's almost a scream. a sobbing sort of thing that's absolutely gorgeous to him. on top of that your hips start wildly shaking along with your legs and your pleasure starts gushing out of you

Tommy moans into your juices and gets closer if that's even possible at that point. he shakes his head so he rubs over your clit side to side while he keeps his tongue abusing that spot inside you. and fuck does he get drenched. he swallows down as much as he can of you and whimpers into it. anything he can't get, drips down his face and drenches his shirt and lap

once you come down you realize he's still going and you can't handle it anymore. you start crying more and weakly kicking your legs out which finally makes Tommy look up. he sees your devastated face and while he thinks the sweat mixed with tears and drool, as well as the tortured pleasure in your eyes is a heavenly sight, he listens to your weak pleas

he finally pulls away and you sigh in relief. Tommy stays away from your pussy (as much as he hates it) and spends his time licking your thighs clean. just a minute away from your pussy makes him whimper and look up at you pleadingly. your legs are still shaking and you shake your head at him

so Tommy whines and starts biting your thighs instead, getting closer and closer to your pussy until he's mouthing right next to it. you're shaking and sweating and still losing a coupe tears when he licks flat over your clit once. then your back arches and you gasp, trying not to make too loud a noise

you know if you moan he's gonna start again and you think he might actually kill you that time. he softly licks over your clit again, wraps his lips around it and you slap a hand over your mouth. but Tommy sees your lack of noise as a sign to keep going and starts sucking on your clit. when his teeth graze over it your hand whips away from your mouth to his hair and you yell out a moan that ends with a broken whine

immediately you know you're in for it. Tommy moans happily and grabs your thighs hard once more. he dives into you again and gets back to his sloppy, needy and enthusiastic pace without hesitation. all you can do is moan, whimper and whine as Tommy makes you see stars over and over again

he's obsessed with making you squirt on his face and listening to your whimpers as he tastes you. he loves the feeling of your heartbeat in your clit, pounding against his tongue

sometimes you can't get him off of your pussy until he's had at least a couple hours of his way with you. he's obsessed with your pussy and a single taste makes him entirely lose his mind. he'd do anything to fall to his knees in front of you

he would spend forever between your thighs if it was up to him

your pussy is his paradise and his salvation. every gush of your juices is a baptism of wonder. you are his goddess and he worships you at every turn

[egophiliac]

another one that I'm not super happy with, but continuing to mess with it isn't going to help! so here he is! 🦇 there was a lot I was trying to get across in this one, so uhhhhh hopefully it reads.

we're almost out of unique magics now...just Ace (and maybe Grim?) left!

[inkskinned]

you have to go to work so you can pay for your doctor, who is not taking your insurance right now, and if you say i can't afford the doctor's you are told - get a better job. it is very sad that you are unwell, yes, but maybe you should have thought about that before not having a better job.

(where is the better job? who is giving out these better jobs? you are sick, you are hurting - how the hell are you supposed to be well enough for this better job?)

but you go to the doctor because you had the nerve to be hurt or sick or whatever else. and they tell you that it is because you have anxiety. you try your best. you are a self-advocate. you've done the reading (which sometimes pisses them off worse, honestly). you say it is actually adding to my anxiety, it is effecting my quality of life. so they say that you are fat. they say that all young people have this happen to them, isn't it a medical marvel! they say that you should eat more vegetables. they say that you probably just need to lose a little more weight, and that you are faking it for attention.

(what attention could this doctor possibly give? what validation? that's their fucking job, isn't it?)

there is always a hypochondriac, right. someone always tells you about a hypochondriac. or someone who is unnecessarily aggressive during the worst days of their life. or someone looking "for a quick fix". or some idiot who wasn't educated about how to properly care for themselves who just abandons their treatment. and again, the hypochondriac, the overly-cautious hysteric. these people don't deserve to be treated like humans (right), and since you might be one of these people, you also don't get treated like a human. because those people can really fuck with the system, you now have to pay for it. and besides. you're actually probably faking it.

(more often than not, you find a 2:1 ratio of these stories. for every "hypochondriac", there are 2 people who knew something was wrong, and yet nobody could fucking find it. the story often ends with pointless suffering. the story often ends with and now it's too late, and it's going to kill me.)

you are actually just making excuses. someone else got that procedure or that diagnosis and he's fine, you should be fine too. someone else said they watched a documentary about other inspirational people with your exact same condition, maybe you should be inspirational, too. you're just too morbid. your pain and your experience is probably just not statistically concerning. it is all self-reported anyway, and you're just being a baby.

(once, while sitting down in the middle of making coffee, you had the sudden, horrible thought - i could kill myself to make the pain stop. you had to call your best friend after that. had to pet your dog. had to cry about it in the shower. you won't, but that moment - god, fuck. the pain just goes on and on.)

you know someone who went in for routine surgery and said i still feel everything. they told her to just relax. it took her kicking and screaming before they figured out she wasn't lying - the anesthetic drip hadn't been working. you know someone who went in for severe migraines who was told drink water and lose weight. you know someone who was actively bleeding out and throwing up in the ER and was told you're just having a bad period.

in the ER there are always these little posters saying things like "don't wait! get checked today!" and you think about how often you do wait. how often the days spool out. you once waited a full week before seeing the doctor for what you thought was a sprained wrist. it had actually been broken - they had to rebreak it to set it.

but you go into the doctor. the problem you're having is immediate. the person behind the counter frowns and says we're not taking your insurance. you will be paying for this out-of-pocket.

they send you home with tylenol and a little health packet about weight loss or anxiety or attention deficit. on the front it has your birthday and diagnosis. you think about crying, and the words swim. it might as well say go fuck yourself. it might as well say you're a fucking idiot. it might as well say light your money on fire and lie down in it. and the entire fucking time - the problem persists.

it's okay. it's okay, it's just another thing, you think. it's just another thing i have to learn to live with.

[psychotic-nonsense]

In October of 1967, Steve Harrington is born in Hawkins, Indiana.

He's raised there, forced to live under the strict expectations of his parents, Richard and Samantha. Barely escapes their clutches, freedom fueled by the kids and adults that take the role of guardian and family when the time is right. Keeps himself in check with the always impending apocalypses that arise beneath his feet.

In June of 1985 - when Steve Harrington is 18, while Richard and Samantha Harrington are visiting New York for an extended work trip - Veronica Harrington is born.

She was carried and raised in secret from their hometown. They take care of her between their business hours, dropping her in the hands of nannies and babysitters galore. They don't even think of Indiana during Veronica's early childhood, too focused on work and making sure their daughter starts up right.

In October of 1986 - when Steve Harrington is 19, aged further by ending the Vecna War, yet tamed by his newfound love in Eddie Munson - Richard and Samantha Harrington return to Hawkins.

They don't ask about what happened to their son. They don't ask about the town. They don't ask questions, just give responses to them. Sneering at Steve's friends, complaining about the state of the house, commenting at the disfunctional chaos their home has become.

In November of 1986, Richard and Samantha Harrington disown Steve.

They just let him go. They at least give him a folder of his legal documents, but otherwise just tell him to get out of their house and never use their name again. Claiming Steve doesn't need anything from the room because the Harrington's own everything in it. They don't call him son, they don't say goodbye, they don't acknowledge who's actually taken care of the house, they don't admit most of Steve's former room has changed with money Steve earned himself, they don't dare to give him any money or care where he goes. They just say they're sick of dealing with an unworthy mistake of a child, and force him out of their house.

In November of 1986, the Party's adults adopt Steve.

He runs to them first after everything happens. Held himself together at the start, but broke down the second the words were out. While everyone was trying to comfort Steve, Wayne Munson and Jim Hopper were the first to succeed. They know firsthand that this family would never be the same as blood, no matter how much that blood has boiled and burned before, but the love will be stronger and it will be here. When everyone seconds it, Steve finally accepts it. He becomes a child of the Party - he's everyone's son and everyone's brother, taking whatever surname he sees fit.

In November of 1986, Steve Henderson and Eddie Munson leave Hawkins.

Despite all this good, Steve can't bear to stay in this damned town a second longer, where everyone knows who he is and will soon know everything he isn't. And it's not like Eddie was looking forward to sticking around Hawkins either, especially without his Steve. The kids are the first to agree, surprisingly, and the adults promise to find a way for the boys to get out. Later that week, when Richard and Samantha leave the house to prepare for Veronica, Steve and Eddie break in to take everything that's rightfully theirs. While they're there, not sure what prompts him, Steve makes a bag of his clothes with shoes and his wallet tucked within it, shoving it into his closet. Dustin's mom uses an old favor to get the boys an apartment in Chicago, the Party has one last farewell, and the two boys are gone.

From 1986 onward, Veronica Harrington is raised in Hawkins, Indiana.

Richard and Samantha are adamant in their daughter coming out exactly how she should. They steadily convince the town to forget the Harringtons ever had a son and lock the room on the second floor next to the stairs without ever touching the inside. They raise her with formality and pride at the top of their expectations, wanting at least one child to come out right.

But Veronica is the spitting image of Steve's honesty and care. She puts on a facade when needed, but even at a young age, she wants nothing more than to be someone's light in the darkness. She plays with every lonely kid at school, and tries to make people laugh at the business parties she's dragged to. It's not received well by her parents, but Veronica is much too strong willed and stubborn to let it phase her.

In April of 1991 - when she's 6 and they're so much stronger around their hearts - Veronica Harrington meets Steve and Eddie Munson for the first time.

It's the year Erica is set to graduate high school. Steve and Eddie have been making the drive for every holiday this year, ordered determined to give her the best senior year she could have. It's Easter Sunday, and Wayne somehow managed to drag his boys away to church - a Munson custom, as even Eddie insisted they go.

While at the snack table post sermon, a little girl comes up to Steve, mistaking him for her father. He and Eddie gently comfort the girl, introducing themselves and offering to help the girl find her parents. That's when Veronica introduces herself, striking Steve deep in his heart. Still, he keeps quiet, even gifting her a little origami crane made from napkins at the table. He calls her "chickpea" for the color of her dress, tells her to keep the crane secret and safe, "If ever you need to find your way back home, you hold that close, and it'll tell you."

Meanwhile, Wayne has come across Richard and Samantha in the crowd opposite the kids. Exchanging formalities, Wayne mentions his son and nephew are in town, news the Harrington's are surprised at, as Wayne didn't seem like the father type. However, trying to keep face, they remain civil and insist on introducing their daughter.

Cue Veronica running to her parents with Steve and Eddie in tow. Cue Steve calling Wayne dad right to Richard's face. Cue the Harrington's immediate leave from the church, Veronica waving behind her with a crane placed carefully in her pocket.

From then on, Veronica Harrington's life changes indefinitely.

Her parents' expectations grow tenfold. She finds out she's horribly allergic to chickpeas. All of her friends must be approved by her parents, and any that don't fit their image are ordered to leave her.

Veronica takes these changes in stride - is her class's top student, captain of the softball and volleyball teams in junior high, keeps the friends she wants in secret from her parents - but she can't help but keep the crane in a little box in her room. Gets a necklace with a little origami crane pendant, holds it whenever she needs to make a hard choice. Can't help but expand herself in secret, learn things her parents would never approve of - lock picking, other languages, sleight of hand, a clothing style that's nothing like the dark blues of her family, all warmth and light. She explores every room in her house, yet is unable to find her way into that room upstairs next to the steps.

In May of 1998, Veronica Harrington discovers the truth about her brother.

She's about to be a freshman. Her class was touring the high school in preparation, and while passing the athletics hall, her eyes hit the swimming trophies. Each row stuffed with trophies, and each one with a name that stabbed her right in the stomach: Steve Harrington.

After that, she couldn't bear all the secrecy anymore. Late that same night, she finally uses her lock picking skills to break into that room. And though it's devoid of life, it is a bedroom, so evidently lived in. It's frozen in time, twisted sheets covered in dust, old papers crinkled from being stepped on but not picked up, old clean clothes still sitting in the hamper. It's a boy's room, clearly, and Veronica is careful walking around this place of memories.

She does still explore, quietly clicking on lights around the room, too cautious to touch the overhead lights. She looks under the bed, finding a bat and a trash can lid, both embedded with rusty nails. A shirt that still smells like fresh laundry yet has a back stained permanently with long red lines down the shoulders. Dozens of stapled documents labeled NON-DISCLOSURE AGREEMENT, detailing horrific events that each have that same name signed at the bottom.

With shaking hands she checks the closet, and finds it mostly empty. All except for a deep green graduation robe and cap, a cream Hawkins High letterman, and a duffel bag hidden in the back corner. The cap has a 1985 tassel, and the letterman has Harrington branded on the back with basketball and swimming patches galore. And the bag, when she checks it, looks like a survivalist pack someone would make in an apocalypse. At the top sits a wallet, and inside is an ID for a Steve Harrington, who has the same face as the one in her origami memories.

And Veronica is done. She wakes up the next morning and throws Steve's jacket on the kitchen table, startling both her parents mid sip of coffee. She finds herself in a screaming match with her father, demanding them to quit lying to her, begging to know who her brother is.

In a fit of rage, Richard tells her. Tells her everything Richard and Samantha never saw in Steve, about Veronica's secret birth, the disownment, Steve's disappearance from the Harrington house and Hawkins. She's reminded of that one Easter Sunday, and is told how Richard and Samantha faked Veronica's allergy to keep her mind from being tainted by whatever curse befell their bloodline before. Orders her to never say that name again.

In a fit of rage, Veronica bites back. Calls her parents cruel and overly expectant. Comes clean about her secret freedom. Says she'd rather be nothing than ever carry the burden of the Harrington name ever again.

She hides away in her room after the fight. Cries in her closet with her origami box cradled tightly to her chest, begging it to take her home because this place isn't anymore, maybe never was. Cries for the brother she never even got to meet, who went through so many horrible things yet still got put through this same punishment. Cries for the future she won't get to have, losing her hope for a new beginning that will now never be.

At the start of June, 1998, Veronica runs away.

She makes it through the rest of May in near silence. She writes notes for all of her friends at the end of the school year, and one for her parents to inevitably find. Finds 75 dollars in Steve's old wallet, stuffs the duffel bag the rest of the way with her belongings, and says goodbye to Hawkins.

She takes the first bus she can find out of town. Doesn't care that it's going to Chicago, doesn't really care where she's going now. She befriends an old homeless man riding the bus as well, becomes another interesting name in his "Book of Wanders (Pronounced as Wonders)." As Veronica's telling the story about unknowingly meeting her brother, she remembers the crane in her bag. She reaches in to retrieve the little box, then the crane, nearly crying seeing how disheveled and unfolded it is. Broken and doomed, just like her. But looking at it now after so long, she thinks she sees something written inside it. Despite it shattering her heart pieces, she carefully unfolds the little crane.

At its center, in old, bleeding blue text, reads, "Find the Swooping Bat if you've lost your way."

The old man laughs then, taking Veronica's hand and placing it onto her chest, over her heart. "It's fate," he whispers in the dark bus. "There's a place called that in Chicago."

Veronica uses her money to rent them both a hotel for the night, giving the old man a warm bath for the first time in weeks. She gifts him the clothes as well, saying it's, "an honorary thanks from my brother, for helping me get here." They bid each other farewell in the morning, the old man telling her to keep hold of fate.

She finds her way to the Swooping Bat easily, hand on her necklace guiding her way. It's a quaint little diner, popular enough to be comfortably warm when she walks in. A young lady in a wheelchair - Max, says her nametag, with pins saying things like, "Summer work blows" and "USC grad or bust!" resting on her collar - guides her to a booth next to the sunrise.

"Anything I can get you today?" Max asks when Veronica's seated.

Veronica's fully ready to order everything on the menu, what with how delicious this place smells, but then she remembers her funds. 5 bucks, if she's lucky. "Just a chocolate milk, for now. Biggest one you have, please." She somehow plays off Max's skeptical look, her eyes sweeping over Veronica's no doubt disheveled and no-food-in-36-hours appearance.

It somehow works out, and Max is wheeling away. Veronica allows herself a moment to collapse, stomach growling in pain and eyes burning with the realization she has no idea what she's going to do now. She just has this last bit of hope to hold onto, and without it, she'll be nothing but a husk.

She's not sure how long she sits there, staring at the sunrise and letting sound and AC whisk her mind away, but there's suddenly a little knock on her table. Her head snaps up, and there's Max again, setting down a giant glass of chocolate milk... alongside a loaded breakfast plate.

"It's on the house," Max rushes to explain, all fondness when Veronica scrambles to get her wallet. "Courtesy of the owner. And between you and me," she whispers with a wink, "just take the damn food, kid."

Veronica stumbles over herself for a moment, rendered near speechless, before she finally comes back. She begs Max to thank the owner profusely, before rushing to dig into the pancakes before her. She's halfway done dousing the stack in syrup by the time Max wheels away, when there's suddenly someone laughing.

"Of course," says a choked-up voice behind her. "Can't have any chickpeas starving in my booths."

Veronica nearly drops her fork. She turns so sharply she gets dizzy. Seven years can't change a person that much, surely, because though he's bigger in the torso and he has glasses on the bridge of his nose and his hair is cut so close, he still has the same softness in his voice and the same slouch in his stance and the same moles around his eyes and his smile is so bright despite the tears in his eyes, and though Veronica can barely see through tears herself, it's not like she needs them anyway to know it's-

"Steve!" she cries, scrambling out of the booth to meet her brother halfway. The relief of it all working out has the rest of her restraint collapsing, forcing harsh sobs out of her and into Steve's shoulder. The siblings hold each other in the middle of a restaurant, a voice in the background asking everyone to leave them be. Steve doesn't stop whispering, even as his chest heaves with broken gasps between tears, "You're save, Veronica, I got you, I got you, it's gonna be okay, you're safe here, it's okay, sis, it's okay..."

"That you, lil' chickpea?" whispers a different voice once they've calmed down. Veronica reluctantly pulls away and finds a man kneeling beside them, a hand on Steve's shoulder and similar tears in his eyes. His hair and tattoos remind her of the tamed wild from seven years ago, covered in black in the middle of church yet glowing brighter than the stained glass, the one that Steve looks at in past and present with a glowing love Veronica never saw between her parents.

"Yeah," she whispers, wiping her tears away before placing a hand atop her necklace. It catches Eddie and Steve's eyes and make them beam with pride and relief. "Yeah, it's... it's me...."

[estrellami-1]

If I Should Stay

Part 1 | Part 2 | Part 3 | Part 4

He’s staring at him.

Steve Harrington is staring at Eddie Munson.

The thing is, people don’t just stare at Eddie. Not for any reason that means anything good for Eddie. So when, completely unprompted, the fucking King of Hawkins High walks up to Eddie and says, “I need to talk to you,” Eddie thinks he’s entirely justified in the squeak he lets out.

“You? Talk? To me?” Wow. Great job, brain.

“Please,” Harrington whispers, and Eddie thinks desperately this must be some kind of joke, except he’s good at reading people, and he knows the desperation in Harrington’s eyes.

“Okay,” he says, stammers. “Um. There- there’s, behind the school, a, uh-”

“Table,” Harrington nods. “That works. Just…” he sighs, rakes a hand through his hair. “Leave the lunchbox at home.”

Eddie’s eyebrows hit his hairline. “Then what the fuck do you want with me, dude?”

“I can’t explain. Not here, not now. Just. Please. After school, okay?”

Eddie looks at him. Really looks, studies his face, understands the lines by his eyes, the tightness of his mouth. His heart thumps as he realizes. He’s scared. “Okay,” he says, and means it.

Eddie’s a man of his word, so after school he makes his way to the table, pausing when it comes into view. Harrington’s already there, sitting with his head in his hands. Eddie calls out from a couple of paces away. “You sure you don’t want anything from the lunchbox?”

Harrington jumps, hands up, eyes round. Relaxes a little when he sees Eddie. “No. I- I’m good. I can’t, actually.”

Eddie frowns. “What, like, a sports thing? No one’s gotta know, dude, I’ve never been busted, I can keep a secret.”

Steve gives him a half-smile. “No. It’s- it’s not a sports thing. Just… sit down? And promise to listen?”

“Okay,” Eddie says, because he knows how comforting it can be to just have someone there, and he’s not a dick; clearly Harrington’s going through something. Though why he approached Eddie, of all people, he doesn’t know.

“Okay,” Harrington repeats back, taking a breath before starting. “If I were to tell you I’m from the future, a future in which we know each other, how would you ask me to prove it?”

Eddie blinks. He was ready for a lot of things, but not time travel. “Um. I dunno, man, I haven’t really thought about it.”

He takes another deep breath. “Can I try?”

“To- to prove you’re from the future?”

“Yeah.”

Eddie laughs, a little hysterically. “Man, where the fuck do I get the strain you’re on?”

He blinks. “What?”

Eddie gestures at him. “Come on, man, you have to admit you’re not really making sense here.”

Harrington sighs. Takes another breath. Says, “You live with your uncle Wayne. Your father taught you to hot wire cars when you were nine. You listen to Dio and Metallica and Ozzy Osbourne but your favorite song is I Will Always Love You, by Dolly Parton, because it was your mom’s favorite. The guitar pick you wear around your neck was hers. She taught you guitar. You love The Hobbit. Stop me when I’ve said enough.”

Eddie’s never been more scared in his life. “Listen, man, I dunno where you heard all that-”

“Eddie,” he says, implores, and digs something out of his pocket. Opens his hand to reveal a ring.

A ring Eddie already has on his finger.

“What the fuck,” Eddie whispers. Grabs for the ring before he can tell himself it’s a bad idea. Examines it, sees the dent from where his finger had gotten smashed in a door.

His hands start shaking.

“I’m from 1987,” Steve Harrington says, sure as anything. “And I’m trying to stop something terrible.”

“And what would that be?” Eddie asks, feeling strangely detached from the whole thing.

“Your death,” Steve Harrington says, still sure as anything.

Permanent Taglist: @justforthedead89 @ilovecupcakesandtea @madigoround @bookbinderbitch @suddenlyinlove @nburkhardt @artiststarme @paintsplatteredandimperfect

[coffeebanana]

Sorry if some of these overlap a little/if I left out something obvious kajbdsjkd I tried my best haha. And that's why there's an "other" option!

[moongothic]

Crocodad AU where immidiately after having left Dragon and his baby boy Crocodile finds an 11 year old Robin. And while he's 100% only recruiting her so they can make a beeline for the Poneglyph and Pluton in Alabasta by the two of them... Crocodile accidentally sorta kinda adopts Robin.

At this point Robin's been running for her life from the Government for three years so her deep trust issues and fear of betrayal are starting to take root in her little heart. Like perhaps they haven't taken fully over yet, and being still a child I'm sure Robin might've still had that genuine hope that she could find a safe place to stay in. But I'm sure the though of "what'll he'll do with me once he gets what he wants?" would be nagging at her at the back of her mind. Meanwhile Crocodile's struggling between the pain and hurt he's already gone through and given him his trademark trust issues, as well as the aftermath of The Dragodile Divorce. But he also has his Fresh Paternal Instincts and probably misses his baby. So when given a small, scared child who is running for her life, being chased by the very same Government that'll want his son dead if they ever find out about him... Yeah that might fuck with your brain a little

You know this post was supposed to be just that first paragraph and just a few footnotes from the following two paragraphs. And then I kept on Having Thoughts. And I kept on writing them down. And oh no what happened when did this post get so long (Look I was going to either kept on writing my Additional Thoughts in the tags or I just put them in the actual fucking post)

Like considder this: based on this one SBS, we can kinda tell that if Crocodile was given a chance to raise a child, that child would be a spoiled little shit, right

So in this scenario, where Crocodile's looking after lil Robin, would he be kind of torn? Unsure how to feel about her?

Because on one hand, this strange child would have the potential to not only ruin his plans, strip him of his Shichibukai Privileges by outing him and his plans to the World Government, but also put his son in grave danger by extension (if she found out about him having been involved with the Revolutionaries and/or having a child). But on the other hand, his paternal instincts could make him want to spoil this poor little girl rotten. But only because he needs to (perhaps literally) buy her trust so she'll behave. No other reason, he doesn't feel sorry for her one bit, no sirree. (But maybe he did feel sorry for her, since his son could very well end up exactly like her. Poor little thing) (Which is why he needs to nuke Marijoa out of orbit as soon as possible, no matter the cost, and this child can't get in the way of Crocodile protecting his son) (But also this is a child. Like how bad could she be. Besides all he really needs to do to win her trust is be nice and make her feel safe, right?)

Of course, while I'm suggesting Crocodile could have some parental instincts, realistically, he hasn't actually spent any time being, you know, a father to a child (looking after his newborn for an unknown though short amount of time aside), so it's possible he wouldn't even know how to parent Robin even if he wanted to, would he? (Like taking care of a newborn and an 11 year old kid aren't the same either) So if he was kind of just emotionally flipflopping between No Trusting Ever and It's Just A Kid for God's Sake, Crocodile trying to be nice to Robin to make her feel safe and then telling himself to stop being so soft and vunerable... Yeah that would make for an absolute mess of a relationship. (Not to mention, let's be real, dude's a scary motherfucker too, and a bloody giant compared to itty bitty baby Robin. He could keep on accidentally scaring the shit out of Robin (who would be On Fucking Edge To Begin With) by just Being Himself. Like for example, can you fucking imagine if he caught Robin trying to cheer herself up with a little "dereshishishi" only to tell her to stop because "it was stupid"? 'Cause I can imagine him doing that, and boy howdy would that make Robin feel bad)

Or who knows, maybe Crocodile was just Born To Be A Dad, maybe he just Fucking Gets It. Like Crocodile is canonically pretty good at manipulating people to do what he wants them to do (see: how he played Vivi like a fiddle), so knowing Robin's position and understanding how she feels, maybe he COULD completely nail how she needed to be treated. Not being too familiar but still making her feel safe and happy, knowing exactly when to be stern and when to spoil her, etc. Dude just goes off and wins the Dad of the Year Award while being a deadbeat dad himself. The only thing Crocodile would have to worry about then would be making sure HE doesn't get too fond of her. And certainly that could never happen, he's so in-touch with his own feelings and so grounded, he's not a softie, get outta here. Or maybe he does but never realizes until it's too late and good luck backpedalling on those emotions now dumbass

Alright so, the reason I went on that whole rmble is just that like. I'm so interested in the relationship Robin and Crocodile already have in canon. I'm so facinated and curious about how the two feel about each other, considdering they did spend 4 whole years of their lives together as criminal business partners, though neither ever trusted the other. A partnership that was only ended because Robin betrayed Crocodile, out of her own trauma. (God, I want to see these two "reunite" so bad, I want to know how they feel about each other now after the timeskip and Robin joining the idiot in flipflops who foiled Croc's plans)

My question here is just that... if they had met 13 years earlier, would things have been different? Especially if Crocodad Real? Because as I mentioned in the begining, Robin would've been on the run for only 3 years by this point, as opposed to 16 years before running into Crocodile. Simultaneously, this would be before Crocodile went onto spend an entire decade all alone, slowly losing his marbles in his emotional solitude. They'd both be emotionally traumatized, yes, but would it have been as bad in this scenario? Like I did start this post kind of joking about Crocodile adopting Robin, and for clarity's sake I don't think they'd have like a father-daughter relationship nececarily. But it would be a strange relationship still, because we'd have two broken people, both struggling to trust anyone. One who had lost her mother and her only friends, leaving her all alone and afraid while running for her life. The other a father who had just given up his son whom he probably missed dearly. Both having these holes in their hearts from loss of family, holes that could not be filled with replacements. But could they find comfort in each other anyway, because they still as people occupy similar roles to their respective loved ones? If they both could just get over those trust issues?

Okay I've been going off on the Emotional Side Of Things for this AU Concept, THERE'S PLOT TOO

So if Crocodile did pick Robin up like 19 years ago, that should be before he set up base in Alabasta, long before he had built is homebase and financial empire etc.

Now the thing is, while we don't know when, where and how Crocodile learned about the Ancient Weapons, Pluton specifically and how the lead on it would be in Alabasta... Considdering Crocodile did once upon a time aim to become Pirate King, it would make perfect sense if he had learned about Poneglyphs during his past adventures, as he would have needed to get the Road Poneglyphs to find One Piece. And while the World Government did bury the truth about why Ohara had been burned down and why Robin had been given her bounty (remember, the WG claimed it was because she had sunken a fleet of battleships, which she had not, it was because she could read the Poneglyphs), considdering this is a Crocodad AU specifically, you could totally make an argument Crocodile could've learned about what actually happened to Ohara from Dragon and co. So, just to make this AU work, you could just assume Crocodile learned about the concept of the Ancient Weapons from Dragon. And who knows, maybe he overheard the truth about why Robin had been given her bounty from Dragon too (maybe Dragon was able to get intel from Garp in secret) or while going to Marijoa himself to attend a Shichibukai meeting or something IDK.

Maybe he learned about Pluton being in Alabasta before finding Robin by accident, and maybe they made a beeline for Alabasta the second Croc recruited Robin. Travelling takes time and the guy would've most likely had to find an Eternal Pose to Alabasta just to get there (also canonically Robin didn't enter the Grand Line until her 20s so they should've met in West Blue probably, since that's where Ohara was) Or maybe Crocodile had to haul Robin around for a few months while looking for That Missing Piece of Information that would lead him to Alabasta. (Imagine the two travelling from like island to island, library to library, Crocodile trying to find that leads while Robin's just so excited about ALL THESE BOOKS (she's helping too with the research) (but to her, research is playtime, so she's just having the time of her life) (Also, notice how Crocodile's Theoretical Child is a fucking loser ass nerd? Yeah Crocodile would encourage Robin reading and studying, surely. And that would be fucking cute))

But like, once they set sail to Alabasta...

Sure, Crocodile could try to do it The Slow Way that we know he tried in canon, building trust and creating his little empire etc. But also, in canon, Crocodile couldn't have jumped into action head first because without Robin, even if he had found the Poneglyph he couldn't have read it and found the location of Pluton. Crocodile choosing to do it the slow way may have been partially because he didn't have much of a choise and it could've felt like the smarter move long-term.

But in this scenario, he already has Robin. Yes, he could do it the slow, secure way.

But what'd be there stopping him from infiltrating Cobra's palace and kidnapping him (in the night, when nobody suspects a thing), demanding Cobra to spill the beans lest Crocodile kills him and/or his pregnant wife* (*Vivi was born 10 months after Luffy so depending on how long it's been between Crocodad leaving Luffy behind and this scenario... Yeah either the wife is there, still pregnant, or there's a newborn Baby Vivi)

Like it'd be a risky move but depending on how ballsy Croc's feeling and how confident he feels in being able to kidnap the king without being noticed... Yeah he could probably do it. And I'm sure he'd have no problem killing Cobra either, if anything it'd be required if he didn't want the Government to find out he was out to find Pluton, and god knows Cobra would tell on Crocodile if left alive. I could see Crocodad being maybe a little iffy about killing Baby Vivi though (it's not like the newborn baby could report him to the WG anyways), but if nothing else, he just needs to be able to pull off the bluff of his life to convince Cobra to do as he's told. And we all know Crocodile's good at convincing people.

The only question is, how would Robin take that?

Watching Crocodile go into Full Murder Mode, hearing him say he'd kill a pregnant woman/a newborn baby if he didn't get what he wanted? Like yeah, I'm sure 11 year old Robin would be fine with that, that wouldn't make any alarm bells go off in her head at all, it'd be fiiiine. IT WOULD NOT BE FINE, SHE'D BE SCARED SHITLESS. That fear of "what will he do with me when he gets what he wants"? Well, Robin may not have found the answer to that question in particular, but she certainly found the answer to the opposite question, and it's not good

So say Cobra, kidnapped (perhaps with Baby Vivi) by Crocodile in the night, guides the two to the Poneglyph under the tombs. Crocodile puts Cobra out of his misery because he's not needed anymore. And he asks Robin to read the Poneglyph for him.

Robin, who has spent the last little while, be it weeks or months with Crocodile, him having become her "guardian", the thing keeping her safe. Crocodile, who has now shown how cold blooded and cruel he can be. Robin, who might be scared out of her mind. Of him.

And the Poneglyph says Pluton, the thing Crocodile wants, isn't there. It's in Wano.

What's she going to do?

EDIT: I wrote a sequel post, enjoy

[bixels]

The Ryoko Kui interview's reception is such a disaster over a pretty normal (yet still flawed) interview between a non-Japanese fan and Japanese artistic. This is discourse for discourse's sake, and it's no surprise that almost every Twitter user I've looked at who's using this interview to parade Kui around as a goated mangaka standing strong against Western ideology is anti-trans.

Like, I do think the interview was kinda wonky with its focus on fandom culture, which Kui clearly didn't have much interest in. But sometimes that happens. Sometimes interactions between two people, especially a fan and a creator, two people who view and interact with a piece of media in completely opposite perspectives, don't click. Does this really need to get blown up into a "West vs. East culture war" issue.

Anyways, Kui saying "I don't consider my audience's interpretations when writing. I leave it to their imaginations, but I have my own read on things too" is the healthiest, most normal thing an artist/writer who wants a non-parasocial audience could say. Artists and writers use this line all the time. If Kui didn't enjoy autistic Laius or Farcille headcanons, she would have probably voiced/signalled her discomfort, like she did on the topic of Senshi fanservice. Overall, Kui handled the interview really well. Props to her to sticking to her guns and keeping a healthy disconnect from the fandom. While I think the interviewer could've/should've been more tactful and restrained, the flaws in their questions is not a symptom of the woke mind virus trying to wriggle its way into the pure Japanese psyche. It's the sign of an over-eager fan who sees a piece of fiction differently than its creator.

[hypewinter]

Hal bent down as the little girl approached him. Even then, he still managed to tower over her with how small she was.

"Hey there little lady," he said. "Anything I can help you with this fine evening?"

The little girl looked at him anxiously, fiddling with her hands. Ok so not a nervous fan. Hal immediately switched to serious mode, scanning the crowd for anyone who could be her parents. He didn't see anyone running up to the two of them or even so much as keeping a watchful eye from a distance.

"Is something the matter?" Hal questioned, making sure to keep his voice even and calm.

The girl continued fidgeting, her big blue eyes scanning from side to side. Finally she spoke. "You wiff da space po-eece yes? Not da am-ear-ree-ca one?"

Hal smiled at the girl. "Yes, I'm with the space police." Honestly that was oversimplifying the Corps a little but he had long since gotten to citizens calling him a space cop.

The girl offered up a small nervous smile of her own. "So you won't tell da gov-ment what I tell you wight?"

Hal was on high alert now. Just what was this little girl trying to tell him? "I won't tell. I promise," he said after a second.

The girl broke into a big smile at this. "Really? Dis way den." She started tugging Hal along and he began to follow.

"Where exactly are we going?" he asked.

"You see," was all she replied.

Hal was led down a couple different alleyways and was beginning to think he was walking into a trap when they reached an abandoned building. The girl dashed in and up the old rusted stairs, with Hal following closely behind her.

If this really is a trap, I'll never hear the end of it from Batman, he thought morbidly as he cleared the last step. Instead of finding himself facing an ambush however, he saw a boy curled up on an old mattress. The girl was already by his side as Hal approached.

"Don wowee Danny, I got help. Like I said I would," he caught the little girl whispering as he knelt down next to the boy. He had to have been older than the girl. Three years older maybe? Yet he was still so small. Hal took sight of his condition. He was in pain. That much was certain by his little face scrunched up in agony and his quiet moans. He was also sweating profusely. His raven black hair sticking to his forehead. Fever maybe?

Hal continued his observations as he scanned down the boy's body until he got to his stomach. The boy was clutching it and Hal could make out blood bleeding through from underneath. Oh no.

He quickly yet carefully removed the boy's arm to get a better look at the wound. The kid let out a groan as his arm was peeled away. Hal couldn't help but thank Oa for all his training that helped prevent him from letting out a gasp.

The boy's chest was covered in blood. Dark red mixed with flecks of green soaked through his shirt and there were bandages that had been amateurishly tied around the wound.

"How did this happen?" Hal asked, turning back to the girl. He did his best to keep his tone as gentle as possible.

Her smile was gone now, and her eyes welled up with tears. "He pwotected me," she said. "Dey wanted to huwrt us. Dey shot at us. Danny pwotected me."

Anger boiled within Hal. Who would shoot at these children? They were only little kids. If what the girl had said earlier was anything to go off of, the answer had something to do with the government. He would have to take care of that later though. For now, this boy needed medical attention.

"Let's get Danny to a hospital," Hal said resolutely, as he got up.

"No!" the little girl screeched. "No has-pee-tail. Too dan-er-us!"

"But he needs-" Hal started but then he met the girl's eyes. There was abject fear in them. As if going to the hospital would be a death sentence for both children. Where else were they supposed to go though? The boy- Danny needed medical attention stat. That much was certain.

Hal paused. There was one place. He sighed. Batman was going to kill him for this.

"Okay okay. No hospital. But what about space?"

"Space?" the girl repeated.

Hal nodded.

The little girl smiled. "Danny lobes space!"

"Well then. That's perfect."

Hal constructed a new bed for the boy, carefully easing him onto it before putting a protective dome around both children. The little girl giggled as he lifted them up. He then turned to the wall where he created a giant hammer to knock it down. Then they were off. Flying higher and higher, towards the atmosphere. As the Watchtower got closer in sight, Hal couldn't help but groan. Taking civilians to the Watchtower? Oh yeah, Batman was definitely going to kill him.

[stevebabey]

totally didn’t expect the other part to do well at all but 😳 apparently i don’t know steddie fans. as such, have a part two <3 part one is here again, look out for the borrowed hunger games lines

“You’ve ruined your life, you know that, right?”

The kitchen had been basking in the lull of the quiet morning before Eddie had spoken up, breaking the silence. Steve blinks, realising he’s been zoned out staring at the swirling bubbles atop his mug of coffee and look up at Eddie across the table.

“Doing what you did.” Eddie continues. There’s this slight in his voice. Steve figures it’s not really aimed at him.

Chief Powell had agreed to not release the details of the case to the public for obvious reason. However, it went without saying that of the cops working the case, not all would be so free-thinking. There were plenty who deemed leaking the alibi and letting the town devour Steve’s reputation a more than fair consequence.

And, well, Eddie didn’t have any reputation left to tarnish or save.

Steve takes a sip of his coffee and lets the warm flavour coat his tastebuds as he tries to puts his thoughts in the right order.

He knows how Eddie sees this— sees it as this burden that he’s imposed on Steve’s life. That he had been able to accept it at first, the whispers of freedom tempting enough that he could be selfish enough to gasp them.

Then yesterday afternoon, Steve had come back from Bradley’s Big Buy with dried yolks splattered across the windscreen and regret howled through Eddie like a hurricane, fierce and wild. Realisation of what Steve had condemned himself to— no- what Eddie had condemned him to finally sunk in.

Steve can tell he’s been stewing on it all night. In the couple weeks he’s been here, staying in under the Harrington roof just down the hall from Steve, he’s surprised by how easily his brain has tacked on to Eddie’s habits. His little Eddie-ism’s. That’s what Steve calls them.

Like how Eddie’s nose will twitch if there’s something on his plate he doesn’t like, but he’s too polite to say it.

How he thumbs up and down the edge of a book when he’s reading, completely entranced. Doesn’t even notice his moving, twittering fingers.

How he’s always so much twitchier the morning after a sleep laced with terror after terror. It gives him away before Steve even see the bags under his eyes, the hollowness of his face.

Steve recognises that one from himself, from back when he’d gone through it all for the first time. The flinch is unshakeable when you’re convinced it’s all going to come back— that the world is going to tear itself up and spit out monsters you haven’t even dreamed of.

Today, Eddie isn’t twitchy like that. He’s tired, a sunken in face that comes from a bone-deep aching tiredness. He picks at his breakfast, bitterly avoiding the eggs on his plate.

And Steve can’t pretend to understand how Eddie grew up — can take his guesses but ultimately won’t get near the experiences he knows Eddie has lived through. Steve has only ever been on the other side. Stayed silent while someone else through snide comments and used the word fag like a jagged blade, to cut someone down.

So, he doesn’t know. Not even a year with Robin as his best friend and all her knowledge could’ve prepared Steve for the startling fear he’d felt when coming out of the store to the sight of a group of boys around his car, cartons of eggs in hand. One with a crowbar.

They would’ve smashed his windows if he had come out a minute later, he’s sure of it.

It had been like getting doused in icy water — the Letterman jackets on all of them, the sneers, still jeering taunts as they’d scattered across the parking lot. Steve had felt the bile rise in his throat as he got in the car and sat, staring at the steering wheel, his slimy fear melting and mixing with his anger.

Eddie’s point of view suddenly resounded within Steve in a way he hadn’t known before. Standing on tables, hollering about conformity, leaning in to every foul rumour about him— like a person drawing to full height, making himself as big as possible, to scare off a bear.

Steve gets that a little more now.

So, when Eddie tells him you’ve ruined your life he knows what he’s trying to tell him. Except, Steve doesn’t know how to say lightly that he’d gladly ruin his life to save Eddie’s. It’s too much — but Steve always is. Always loves in these big heavy ways that are too hard to handle.

So instead, he shrugs and says, “Consider it a trade.”

Eddie cocks his head, like a dog, just an inch.

“For following me into the lake and saving my life.”

Eddie scoffs and his head lolls back dramatically like what Steve’s said is ridiculous. “Jesus H Christ, dude, you saved yourself. I told you that I would’ve been too cowardly to come after you if Birdie and Wheeler hadn’t gone in first.”

He mutters the word cowardly with a hiss.

“Well then, a trade for drawing the bats away.”

“You mean the time I nearly became hamburger helper for the bats?”

“Christ, Eddie,” Steve scoffs. “I didn’t take you as someone who fished for compliments so hard.”

Eddie frowns, dropping his fork with a clatter on his plate. “I— what? I’m not- I don’t even—”

Steve cuts in. “You helped us and you saved my life, whether your horrible little brain can admit that or not. So,” He sits back in his chair with another little shrug and sips his coffee. “Equal trade.”

Eddie frowns, a crease forming between his brows. “No, not equal, Steve. You don’t get what you’ve done you— ugh, you just don’t—”

He huffs, cutting himself off, clearly unsure of how to voice his frustrations. He slumps back in his chair and eyes the eggs on his plate again with a glare this time.

Steve waits a moment and hopes he isn’t overstepping when he says, voice quiet, “I know, Eddie.”

Across the table, Eddie’s eyes raise to meet Steve’s and he doesn’t sound smug, he doesn’t sound angry, he just sounds defeated when he speaks.

“Do you?”

“Maybe not quite the extent of it until yesterday but, yes… I know.”

His words sink it and Eddie looks… affronted. His eyes get a little wide and a tremble finds his lips. Like the whole time he’d been convinced Steve wasn’t sure what he’d been getting into, that the reality hadn’t set in— that any moment he would rescind his alibi and throw Eddie to the cops and let them snap the cuffs back on him.

Steve hates that expression. Loathes that Eddie is so surprised that anyone would do this for him — something as important as keeping him alive and out of prison. Steve hates it because he knows it means that somewhere along the way, somebody had convinced Eddie that nobody would.

So, if he’s got to be the one to convince Eddie that someone will— that he will make the effort, will put his neck on the line because… well, isn’t that what Steve does best?

He’ll do it gladly.

Eddie picks up his fork and stabs his fork into the egg, the buttery yolk spilling onto the plate. Steve takes it as a truce, as him meeting him in the middle.

"So,” Steve swirls the mug in his hand and swills another sip back. Swallows it and takes a page out of Eddie’s book and goes the joke, leaning forward, forearms on the table. “If I’m gonna be your boyfriend for the foreseeable future I should probably know more stuff about you. Y’know, like, uh, the deep stuff.”

Eddie’s sunk back down in his seats but at Steve’s final sentence, he perks up. A smirking sort of grin crossing his face and Eddie twists a piece of his hair in front of his mouth. He hasn’t kept eating yet, too focused on the conversation.

"Uh-oh, the deep stuff.” He’s got that teasing tone in his voice. “Like what?"

"Like...” Steve scrambles to pull something from his brain. “Um, what’s your favourite colour?"

“Oh well, now you've stepped over the line."

Eddie’s sarcasm melts into a chuckle as Steve laughs, ducking his head instinctively. When he lifts his gaze, he’s relieved that Eddie looks a little lighter. Not much but a smidge of difference — Steve can see it if he squints. He’s sure it won’t be the last conversation they’ll have about this but for now, it’s settled.

Curiosity piques in Steve and he tries to sound casual when he says, “No, really, what is it?”

Eddie blinks and curls his hair around his finger once more, tugging it lightly. He seems to be considering his answer, eyes dropping to the sweater Steve’s donning.

“Yellow.” He finally says. “Not mustard but, y’know, lighter. Colour of the moon on Halloween or…”

“Cheese?” Steve suggests.

Eddie laughs. “Yeah, the right kind of cheese, sure. What about you? Favourite colour?”

Steve considers it — for the longest time, it had been red because Tommy had told him that red or blue were the coolest colours to like, way back in third grade. No one has asked him since then.

“Pink, actually.” Steve admits, hand coming up to brush across his nose, trying to hide behind the motion. He envies Eddie’s long curls suddenly. He feels the need to explain, more words rolling off his tongue. “Like, y’know, when the sun starts to set, like all dusky, it’s just… nice.”

Eddie’s staring at him peculiarly, his lips parted yet quirked up in this faint smile. If Steve didn’t know any better, he’d call it awe. Breaking his stare, Eddie chuckles again, finally properly picking his fork up to finish his meal.

“Steve Harrington.” He murmurs warmly, more to himself. His lips twitch with a smile. “You just keep surprising me.”

—

some people wanted more 🤲 uh get tagged idiot - normally i don’t do taglists but u were all so kind as to reply to the post & i didn’t get a chance to say thank u for ur lovely words! this is my thank u! have sum more!

@friendlyorange @imhereforthelolzdontyellatme @lostinadmiration @life-love-musicaltheatre @oldlovershippiemusic5 @phoeniceae @catateme9 @lolawonsstuff @justagaypanda @pluto-pepsi @whoopstie @scenesofobx @justforthedead89 @musical-theatre-gay @theperksofbeingstjimmy @ikilledabuginthewall @imauselessartist @fridgebaby @lingeringmirth and uhhh @corrodedcoughin cos i still do a little squeal when u rb my tings even tho we’re mewchies :D

[inkskinned]

you're grabbing lunch with a nice man and he gives you that strange grimace-smile that's popular right now; an almost sardonic "twist" of his mouth while he looks literally down on you. it looks like he practiced the move as he leans back, arms folded. he just finished reciting the details of NFTs to you and explaining Oppenheimer even though he only watched a youtube about it and hasn't actually seen it. you are at the bottom of your wine glass.

you ask the man across from you if he has siblings, desperately looking for a topic. literally anything else.

he says i don't like small talk. and then he smiles again, watching you.

a few years ago, you probably would have said you're above celebrity gossip, but honestly, you've been kind of enjoying the dumb shit of it these days. with the rest of the earth burning, there's something familiar and banal about dragging ariana grande through the mud. you think about jeanette mccurdy, who has often times gently warned the world she's not as nice as she appears. you liked i'm glad my mom died but it made you cry a lot.

he doesn't like small talk, figure out something to say.

you want to talk about responsibility, and how ariana grande is only like 6 days older than you are - which means she just turned 30 and still dresses and acts like a 13 year old, but like sexy. there's something in there about the whole thing - about insecurity, and never growing up, and being sexualized from a young age.

people have been saying that gay people are groomers. like, that's something that's come back into the public. you have even said yourself that it's just ... easier to date men sometimes. you would identify as whatever the opposite of "heteroflexible" is, but here you are again, across from a man. you like every woman, and 3 people on tv. and not this guy. but you're trying. your mother is worried about you. she thinks it's not okay you're single. and honestly this guy was better before you met, back when you were just texting.

wait, shit. are you doing the same thing as ariana grande? are you looking for male validation in order to appease some internalized promise of heteronormativity? do you conform to the idea that your happiness must result in heterosexuality? do you believe that you can resolve your internal loneliness by being accepted into the patriarchy? is there a reason dating men is easier? why are you so scared of fucking it up with women? why don't you reach out to more of them? you have a good sense of humor and a big ol' brain, you could have done a better job at online dating.

also. jesus christ. why can't you just get a drink with somebody without your internal feminism meter pinging. although - in your favor (and judgement aside) in the case of your ariana grande deposition: you have been in enough therapy you probably wouldn't date anyone who had just broken up with their wife of many years (and who has a young child). you'd be like - maybe take some personal time before you begin this journey. like, grande has been on broadway, you'd think she would have heard of the plot of hamlet.

he leans forward and taps two fingers to the table. "i'm not, like an andrew tate guy," he's saying, "but i do think partnership is about two people knowing their place. i like order."

you knew it was going to be hard. being non-straight in any particular way is like, always hard. these days you kind of like answering the question what's your sexuality? with a shrug and a smile - it's fine - is your most common response. like they asked you how your life is going and not to reveal your identity. you like not being straight. you like kissing girls. some days you know you're into men, and sometimes you're sitting across from a man, and you're thinking about the power of compulsory heterosexuality. are you into men, or are you just into the safety that comes from being seen with them? after all, everyone knows you're failing in life unless you have a husband. it almost feels like a gradebook - people see "straight married" as being "all A's", and anything else even vaguely noncompliant as being ... like you dropped out of the school system. you cannot just ignore years of that kind of conditioning, of course you like attention from men.

"so let's talk boundaries." he orders more wine for you, gesturing with one hand like he's rousing an orchestra. sir, this is a fucking chain restaurant. "I am not gonna date someone who still has male friends. also, i don't care about your little friends, i care about me. whatever stupid girls night things - those are lower priority. if i want you there, you're there."

he wasn't like this over text, right? you wouldn't have been even in the building if he was like this. you squint at him. in another version of yourself, you'd be running. you'd just get up and go. that's what happens on the internet - people get annoyed, and they just leave. you are locked in place, almost frozen. you need to go to the bathroom and text someone to call you so you have an excuse, like it's rude to just-leave. like he already kind of owns you. rudeness implies a power paradigm, though. see, even your social anxiety allows the patriarchy to get to you.

you take a sip of the new glass of wine. maybe this will be a funny story. maybe you can write about it on your blog. maybe you can meet ariana grande and ask her if she just maybe needs to take some time to sit and think about her happiness and how she measures her own success.

is this settling down? is this all that's left in your dating pool? just accepting that someone will eventually love you, and you have to stop being picky about who "makes" you a wife?

you look down to your hand, clutching the knife.

[literallyjusttoa]

"Sunny!" you cry, "Why did you draw the entire Trojan royal family from oldest to youngest in two days? That seems wildly unhealthy!"

"hurghhhhhhhh" I reply.

Anyways here's the full family portrait

(Only four of these people survive the Trojan war btw :D)

[russell-crowe]

house and wilson seeing each other for the first time in months in s08e02