#But just in case it's not something you want to read because it makes you uncomfortable I guess?

[aperrywilliams]

That Wasn't Fake (Spencer Reid x Fem!BAU!Reader)

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Author Masterlist

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Pairing: Spencer Reid x Fem!BAU!Reader.

Request: Can you write a Spencer fic where the reader is kind of quiet and shy when she begins working at the BAU, and Spencer has a crush on her, and then they have a case, and she has to like to seduce the unsub lowkey and everyone kind of like...how is she going to do this shes not very outgoing but when she does shes really good at it, and everyone is surprised and impressed.

Summary:  You're shy and reserved. Spencer has a crush on you, and unbeknown to him, you have a crush on him. Maybe the cat can get out of the bag when you have to step aside of your comfort zone to catch an elusive unsub.

Word Count: 4.2k (no self control here)

Warnings: Words like 'fuck' and 'bitch'. A rant about self-doubt. Typical CM stuff: unsubs, killings, etc.

A/N: Another request I loved! It should have been a little shorter, but I'm having a hard time getting to the point these days. Please keep sending requests!

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Spencer knows it is inappropriate, but he can't help it. You're coworkers, and that itself sets a boundary, so he shouldn't be thinking of trespassing.

But the crush he has on you seems to grow every day.

He doesn't know if it is your beautiful smile, the kindness you show in everything you do, or the enthusiasm you put into every task you are committed to. Since the moment he saw you pass the bullpen glass doors, Spencer knew he was damned.

From that moment, Spencer knew he wanted to know you and learn everything about you. About what you liked, what you hated, and what your fears and dreams were. Everything.

But not much after that revelation in his mind, he understood it wasn't going to be easy to get to you.

You were extremely shy and reserved.

In fact, your first interaction - when Emily introduced you both - consisted of a wave of your hand and a timid 'nice to meet you.'

He thought as time went by, you would loosen and become less bashful and quiet. And in part, he was right. As the months passed, you began to feel more comfortable within the team. You laughed at Luke's jokes, you commented on Rossi's stories, and you could even - when the stars aligned - crack a joke yourself to Tara or Matt.

But beyond that, no one knew much about your life outside of the BAU, unlike JJ, who always talks about her kids and her husband, or Matt, who talks about his kids, too. Or Tara, who recounts her failed dates. Or the same Luke who always shows photos of Roxy.

You, on the other hand, seemed to be an enigma. But Spencer Reid loved decoding enigmas.

At first, he turned his interest in you out of mere scientific curiosity. However, internally, he knew it wasn't just that.

It started with small random questions about the times you worked together: Is this coffee okay? What was the last book you read? Do you think we should buy some donuts for the team?

If you were honest, it picked your interest why, from all people, Dr. Spencer Reid was so adamant in making conversation with you.

From what you knew and from what the team said, Spencer was not a person very interested in things other than work or books. But suddenly, out of nowhere, he asked you what the last movie you saw was or something like that.

You always answered his questions; however, you would have liked to be much more talkative and engage in longer conversations, but your nature stopped you.

'What if I don't have anything more interesting for him to say?'

'Does he just talk to me because he feels sorry for me?'

And that was the big issue: you have never had problems with the way you live your life. You're pretty satisfied with what you do in your job and out of it, too. But you have always thought you are too 'simple' to entertain people's interest.

And to be honest, being surrounded by people with so much experience and big things happening in their lives still intimidates you a bit. So, you usually refrain from talking too much about yourself or anything for that matter.

But with Spencer, things are a bit different. He's always checking on you but respects your boundaries. He has learned that sometimes you just don't want to talk, and he doesn't push.

Despite his interest beyond the professional, Spencer would never do anything to make you uncomfortable. Being able to share time with you will have to be enough for him.

In a way, he has become your protector. He is your backup during interrogations or in situations where you can feel awkward, like the times when some police officers tried to flirt with you and got too close. Sure, you know how to turn them down, but sometimes guys don't get the memo and keep pushing. You're too shy to yell or be aggressive about it.

The team also understands the way you are, and they know it does not make you any less professional. However, they have always been careful not to take you too much out of your comfort zone.

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A whole two weeks and five murders later, the team is stuck trying to catch an unsub who has preferences for killing women after club nights. The profile says he is not interested in just any woman but in those between 25-30 years old who like to flirt with several men in the clubs. But it is not just any type of flirting; it is the type that is initiated and dominated by them. In short, he likes to kill women who are the opposite of submissive. He sees them as predators on a hunting ground.

Another finding in victimology is that the women he kills, in addition to having a specific age range, have very similar physical characteristics. And similar to you.

All his victims have your build, eye color, hair color, and height. It gets to be creepy to a certain point. And it's something difficult to ignore.

Bouncing information and possible strategies, the team agrees they need to be proactive to get him to show up before another killing happens.

"Okay, what options do we have?" Emily asks.

"The witnesses haven't gotten us anywhere," Luke complains.

"Although we've narrowed down his hunting grounds," Rossi shrugs.

"Yeah, we know the clubs where he likes to hunt," JJ backs Rossi.

"But although the profile, we have yet to learn about what to look for there. I mean, we know what the unsub wants, but not how he looks like." This time, it's Tara who speaks.

You've rarely seen Emily bite her tongue when she wants to say something, but it's clear that she has something on her mind, and she doesn't know how to put it, or maybe the problem is something else. You look at her out of the corner of your eye, and she looks back at you; what do those eyes say? They look like they're even apologetic.

It's a fraction of the time before she comes back to behave like herself.

"We need to lurk him. It's the only way," she says. And everyone's eyes - yours included - are on her immediately.

"Lurk him?" Matt repeats.

"Yes. And all we know who should be the one going undercover to do that," Emily adds, looking at you this time.

That's it—the elephant in the room.

Of course, you're the ideal candidate. Well, you're perfect in the physical aspect because if we talk about the victim's personality and yours...

There's silence in the room, and you can feel like the team's eyes are all on you.

Do they expect you to say no? To refuse? From your perspective, it's not a question; it's more like the option you all have to catch the guy.

"It's true (Y/N) would be the closest to the unsub type, but there are a lot of things to take into account," Matt says. And you know perfectly well what's behind his words, even if he doesn't say it directly.

And that's okay; it's perfectly plausible they have their doubts. It is not enough to look like the victims for the operation to work.

But if there is one thing you are sure of, it's that you will always give your all to your job, even if that means becoming a completely different person.

"I can do it," you mumbled so quietly that if the AC weren't in the lower setting, people wouldn't have heard you.

"But (Y/N), you know about this guy. It's dangerous," Matt points, a frown on his face.

"Not to mention he likes rough interactions," Luke adds.

"You don't have to do it if you feel uncomfortable." This time, it is JJ who voices her opinion. And you know, that's the closest reason to the team's main concern.

And the fact you can blow up the entire plan.

Spencer stays in silence. Internally he's freaking out thinking of you having to lurk on the unsub, but he knows you are a professional. And he feels a kind of deja vu.

When he was younger, the team would have said the same about him doing something like that. Spencer knows what it's like when people baby you, making you feel insecure. Sure, he hasn't had to worry about that anymore. Spencer is almost forty, and no one would dare to tell him he can't do something. Not after all the things he has been through.

"JJ is right, Bella. You don't have to do it. We can think of another way," Rossi backs JJ.

That's when Spencer notices the slight frown on your face. It's invisible to everyone but him. He knows it's there.

You stay collected, even when everyone on the team has something to say about how bad the idea of you going undercover to lurk the unsub is.

Emily is who stops everyone's rant.

"Guys, hey. If (Y/N) is telling us she can do it, we're going to do it. Of course, we'll be there to back up her and catch this unsub."

And this is how the discussion is settled.

Emily sends everyone out with a task to prepare for the night. Today is Friday, and the unsub will surely be stalking some new victim. The chances are high.

When it's just you and Spencer in the room, he still looks at you in silence.

"Do you also think I'll not be able to pull off this mission and I'm going to ruin everything?"

You downcast your gaze, exhaling deeply.

"No. I don't think that," Spencer clarifies, and you raise your gaze to meet his eyes. "You are more than capable, (Y/N). The team is worried because you'll be out of your comfort zone in a dangerous situation."

"The team? Not you?" You narrow your eyes to him.

You try not to sound accusatory, but if you're as scared as everyone, you also are fed up with the other's doubts.

Spencer closes the distance between you both but doesn't invade your personal space.

"Of course, I'm worried too! I don't want anything bad to happen to you. But I trust you and your judgment."

Your heart does flip-flops, and you're not sure if it's because Spencer is worried or because, despite that, he trusts you—or both.

"You do?" You ask, not so convinced.

Spencer nods and smiles at you.

"And we'll be there when you catch the guy."

If that is the reassurance you need, you don't mention it. Instead, you grin at Spencer as a promise you'll do your job just how you are supposed to.

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You insist on getting ready in your hotel room. The only assistant you ask for is Emily. She was the one who trusted you first in this, so you'll take every piece of advice she can give you before this night starts.

Everyone has a role in the plan.

Rossi will be the chauffeur who will drive you to the club.

Luke and Spencer would be in the club, mingling with the patrons. JJ, Matt, and Emily would be in the van monitoring the whole situation with cameras and earpieces. Rossi would keep his facade as a driver so he could be at one of the entrances. Tara would be at the club, too, eyeing nothing suspicious going on in the bar because there is a chance the unsub is getting help from the bartender.

When you are in front of the mirror applying the last touch of makeup, Emily is looking at you with a stare you can't decipher.

"What?" you ask, and Emily chuckles.

"Please, don't take this in a bad way, but I never thought I would live the day of seeing you using clothing like this. And Jesus, you look so hot!"

Your cheeks redens.

"It's a little bit odd coming from my boss, don't you think?" you muse, smoothing the fabric of your dress.

"Point taken," Emily raises her hands in defense. "Although I know someone who is going to run out of breath after seeing you."

You let out a scoff. It's not a surprise for you. The BAU girls - boss included - have been trying to set you up with Spencer since forever. You don't entertain the idea only because you don't think it's possible and not because you don't like the concept.

"Come on, don't say that. You are not helping to my nerves."

"Sorry, I'll shut up. We should go, though," Emily says, checking her watch.

One of the SUVs drives you to the van parking point. You needed to review the operation details.

At the back of the van - or commander point - JJ, Luke, Tara, Rossi, Matt, and Spencer see you come up with Emily.

For the best US profilers, they're not doing a good job hiding that they are gawking at you. Surely, no one imagined seeing you in such a revealing outfit. Outfit that, without a doubt, suits you extremely well, highlighting all your body attributes.

Spencer feels like he died and was resurrected after seeing you.

"Okay, guys, we need to check the details again," Emily announces.

The plan is in motion, and everyone is in position.

As expected, you arrive with Rossi at the club, who opens the door for you and helps you descend from the car. Rossi gives you a reassuring smile before letting you go.

Like a switch, you are no longer the shy SSA (Y/L/N). Now you are the woman who is going to take what she wants and attract the unsub attention doing that.

Your walk is determined, and your eyes send out flames of confidence to those who look at you. The music is very loud, something that would usually bother you, but not now. This needs to feel like your environment. That's how you like it, you tell yourself.

Almost instantly, you start to attract the looks of men who are eager for a woman like you.

You exude determination, and you don't go unnoticed.

Walking into the club, you make brief eye contact with Luke, who is on the dance floor. You see Spencer perched in a booth, nursing a beer.

At the same time, Tara is stationed at the bar.

"Remember (Y/N); the unsub expects the woman to approach men. The flirt needs to come from you," Emily reminds you by the earpiece hidden in one of the earrings you're wearing.

"Show time," you mumble to yourself.

You walk seductively to the dance floor, where a young man is dancing with a blonde. You approach and whisper something in his ear. That makes the boy completely lose interest in the blonde and start dancing with you. You smile and cling to the man's body, who wastes no time and takes your hips as if they were his possessions.

That dance certainly has nothing innocent about it. You continue whispering things in the boy's ear, and he looks more and more excited. Once you consider it a reasonable amount of time to have attracted attention, you leave the boy alone and head to the bar. Just a few meters away from Tara, a suspicious man is staring at you. You see him out of the corner of your eye as you order a drink. When the bartender passes it to you, you make subtle eye contact with Tara, who nods, indicating that the drink is clean.

You look next to you and see another man not so subtly looking at you. You know the unsub's profile, and you can't be intimidated or dominated by another man. You are the one who calls the shots. Otherwise, this will not work.

Before the man makes his attempt to seduce you, you turn to him, and with a penetrating look and disdainful voice, you stop him.

"Sorry, honey. Don't waste your time. You're not my type," and with that, you leave to move to the opposite side of the club. The guy huffs, and you're almost sure hearing him call you 'bitch' under his breath.

JJ, who's following the cameras inside the club, sees someone who looks suspect.

"Hey, this guy has been peeking at (Y/N) the entire time, and look, he clenched his fists when (Y/N) turned down that guy at the bar."

Emily confirms JJ's observation before giving you the next instructions.

"(Y/N), you're doing great. We have a possible target. So we need to raise the bet."

You know exactly what Emily means. You both had talked about the strategy to follow, having more details about what you should do than the rest of the team.

Matt and JJ look confused at each other but say nothing.

Your next step is to find another dude to seduce before delivering the coup de grace.

Luke and Spencer keep an eye on you. And while Luke is pleasantly surprised by your audacity, Spencer can't help but feel his stomach tighten. He tells himself it's because he is afraid something bad could happen to you, but inside of him, it's that and the fact of seeing you flirt with other men.

Just like you did with the guy on the dance floor, you attract the attention of another man; this time, you take his hand and pull him to the dance floor.

JJ and Matt's jaws drop to the floor. If Tara, Luke, and Spencer could do the same without giving themselves away, they would have done it, too.

As if it were your second nature, you laugh and move to the music. The man seems to enjoy the moment so much that he takes a bold step by leaning in to kiss you. You let him get closer until his lips are almost on yours. But before touching each other, you pull back with a malicious smile.

"Naughty boy. I'm who says if you can kiss or no," you pout, faking disappointment. Dizzed, the guy cocks his head and sees you walk away.

Matt chirps now. "It's him. Look boss," he tells Prentiss, pointing to the same guy JJ saw before.

There is no longer any doubt that it is him. Now you just have to catch him red-handed.

"(Y/N), we got him. It's time for the last play," Emily tells you.

With Emily's instruction, you go to the bar for another drink before heading over to where Spencer is sitting.

He tries to play it off, but he has no idea why you're approaching him.

"Is this seat taken, handsome?" You ask, with your drink in hand.

"N- no. Please," Spencer gestures to the booth on his front, but you opt to perch to his side. Spencer thinks he never has been this close to you. He looks at your eyes, and it's like you are a totally different person. It's a little bit contradictory for him, to be honest. He already likes you just as you are, but this version of you? It's driving him insane.

Some resemblance of your true self looks with a kind of curiosity the nervousness on Spencer. You don't think much about it; you assume he's playing the nervous guy who is baffled by you.

The thing is, Spencer isn't playing. He's definitely baffled by you.

"Are you okay?" You ask him, masking your question with a seductive smile.

"Yeah. Are - are you?" Spencer stutters a bit—something that is perfect for the plan but embarrassing for him.

You get closer to him to speak in his ear.

"This was Emily's idea," you tell him before kissing his ear and gently biting his lobe.

Spencer's breath hitches in his throat, and he thinks he's going to pass out any second. You're not doing it better: your heart is also pumping hard from the adrenaline. Of course, you had imagined something like that with Spencer, but only in your erotic dreams. You wouldn't dare do this on any given day.

You keep teasing Spencer, who, despite the nervousness, tries to play along. If this is the closest he will ever have you, he wants to engrave this in his memory.

"Just a little push, (Y/N). We almost have him," Emily instructs by the earpiece.

You swallow as subtly as possible as you wrap your arm around Spencer's neck, pulling him closer to you.

It's only a second between that action and the fact that you're kissing Spencer like it's your last meal.

Spencer doesn't know how to respond, and you were counting on that; it was enough time for the unsub to notice that you were the one who chose her last prey.

When Spencer is about to reciprocate the kiss, you murmur a 'sorry' into his lips and quickly pull away, giving him a disdainful look—which you hope he understands is fake—before getting up and walking toward the back exit door.

As expected, the unsub follows you towards the back door, and while your back is turned, he believes he has the advantage to attack you. What he doesn't know is that Matt and Luke are ready to lunge at him the moment he tries to touch you.

Everything that happens after is too fast.

The unsub is detained and taken to a patrol car while the team gathers around you, congratulating you on the successful operation. They all apologize to you for their previous apprehensions. You tell them that you understand and that there is no need to apologize. And it's like the switch has been flipped again since you came out of the femme fatale role.

But something is wrong. Spencer is not in the group. You see him a little further away, near the exit door of the club. Emily notices the looks between you both, and she sends the team on different tasks to close the case, leaving you and Spencer there.

There's something in his eyes that you can't decipher. You think it's resentment for using him without warning him what you were going to do.

You shyly approach him.

"It's me again," you tell him, pulling a face. You don't know what to say to make the situation better. Spencer nods.

"Yeah. You did it great, by the way," he compliments you. But it doesn't feel good like Spencer's compliments usually do.

"Look, about the kiss back there-" you start. He needs an explanation as a bare minimum.

"I know. It was fake," Spencer cuts you off.

Those words shouldn't hurt you as they do now. But isn't that the most reasonable thing to believe? The you in the club weren't you, so all you did inside was pretend.

Everything except that kiss.

If it's true you couldn't enjoy it the way you would have liked, you will never forget his lips on yours.

A tense silence takes over the moment. This is not okay.

You can't afford to lie to one of the most important people in your life, even if telling the truth takes you out of your comfort zone.

What the hell! Tonight has already been a total of 180 from a usual day for you.

"It wasn't," you mumble, and you see his eyes flicking to yours in a second.

"What?" Spencer asks, narrowing his eyes at you.

"Everything was fake, but not the kiss," you say with a stadied voice this time.

Spencer's heart races again. If you say you didn't fake it, then what he felt on your part at that moment was real?

"It wasn't fake?" He asks for clarification. You nod.

A smirk forms on Spencer's lips, seeing your cheeks redden.

There you are. The girl he had fallen for in the past two years.

"Well, you know that I am a man of science, right?" he tells you, and you frown because you have no idea where this is going.

"I know," you say with some hesitation.

"And as a man of science, I need evidence of things, you know?"

Now, you are the one who smirks at him.

"Evidence, huh?"

"Yep," he says, emphasizing the 'p' and swaying his body on his feet. You hum.

"I believe I can provide the necessary evidence if you need them," you concede, and Spencer's eyes sparkle with excitement.

Now, he is the one who reaches out and cups your cheeks. Your breathing quickens, but that doesn't stop you from standing on your tiptoes and connecting your lips with his.

This time, there is no unsub, no curious eyes are looking at you, there is no rush, there is no femme fatale role, and above all, this is not fake; it's as real as the fact that your heart beats for him, and his for you.

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Spencer Reid's Taglist: @dreatine @nomajdetective @jayyeahthatsme @rosalinasam2 @averyhotchner @lovelyxtom @princessmiaelicia @pastelbabygirl19 @reidsbookclub @alexxavicry @gspenc @spencerreidisbae123 @calmspencer @pauline5525mgg @anamiad00msday @milivanili99 @laylasbunbunny @leahblackk @miaxx03 @missabsey @taintedstranger @khxna @hiireadstuff @pleasantwitchgarden @dysphoricsanity @levi-of-starz @themoonchildwhofell @silver138 @lovelybaka @shinytinywhispers 

[iamthedukeofurl]

Discworld is an interesting beast in the age of ACAB. Like, the city watch books are a story about police and the way in which a good police force can help and protect people. Which would make it copoganda. And I'm not going to say that the City Watch books are completely free of copoganda, but they also do something interesting that fairly few stories about heroic police officers do, and I think it has a lot to do with Samuel Vimes. A lot of copoganda stories like, say, Brooklyn 99, are perfectly capable of portraying cops as cruel, bigoted, and greedy, but our central cast of characters are portrayed as good people who want to help their communities. The result is that the bad cops are portrayed as an aberration, while most cops can be assumed to be good people doing a tough job because they want to help protect people from the nebulous evil forces of "Crime". The police are considered to be naturally heroic. Pratchett does something very interesting, which is provide us with Vimes' perspective, and present us with an Unnaturally heroic police force. In Ahnk-Morpork, the natural state of the watch is a gang with extra paperwork. It's the place for people who, at best, just want a steady paycheck and at worst want an excuse to hit people with a truncheon. Rather than be an army defending people from the forces of Crime, the Watch is described as a sort of sleight-of-hand, big burly watchmen in shiny uniforms don't stand around in-case a Crime happens in their vicinity, they stand around to remind people that The Law exists and has teeth. The Watchmen are people, when danger rears it's head, their instinct is to hide and get out of the way. When faced with authority, their instinct is to bow to it out of fear of what it might do to them if they don't. Carrot is a genuine Hero, but his natural heroism is presented as an aberration. Normal Cops don't act like Carrot does. The fact that the Watch ends up acting like a Heroic Police Force is largely due to the leadership of Sam Vimes, but Vimes himself is a microcosm of the Watch. The base state of Sam Vimes would be an alchoholic bully of an officer, one who beats people until they confess to anything because that makes his job easier. Vimes The Hero is a homunculous, an artificial being created by Sam Vimes fighting back all those instincts and FORCING himself to behave as his conscience dictates. Vimes doesn't take bribes or let his officers do the same because, damnit, that sort of thing shouldn't happen, even if doing so would make things a lot easier. Vimes doesn't run towards sounds of screaming because he WANTS to, he forces himself to do so because somebody needs to. It's best summed up in Thud “Quis custodiet ipsos custodes? Your Grace.” “I know that one,” said Vimes. “Who watches the watchmen? Me, Mr. Pessimal.” “Ah, but who watches you, Your Grace?” said the inspector with a brief little smile. “I do that, too. All the time,” said Vimes. “Believe me.”

In the hands of another writer, or another series, this exchange would be weirdly dismissive. To whom should the police be accountable to? Themselves, shut up and trust us. But from Vimes, it's a different story. Vimes DOES constantly watch himself, and he doesn't trust that bastard, he's known him his entire life. The Heroic Police are not a natural state, they're an ideal, and ahnk-morpork only gets anywhere close. Vimes is constantly struggling against his own instincts to take shortcuts, to let things slide, but he forces himself to live up to that ideal and the Watch follows his example. Discworld doesn't propose any solutions to the problems with policing in the real world. We don't have a Sam Vimes to run the NYPD and force them to behave. We don't have a Carrot Ironfounderson. But it's at least a story about detectives and police that I can read without feeling like I'm being sold propaganda about the Thin Blue Line.

[hazelfoureyes]

A Doe in Fall (part 7)

⟢HumanAlastor x FemaleBurlesquerReader - A Doe in Fall

Part 1 - Pretty in Red smut💦 Part 2 - Liar smut💦 Part 3 - A Tragedy smut💦 Part 4 - Enough Part 5 - Too Much Part 6 - Learning smut💦 Part 7 - Recognition smut💦

Part 7 Recognition

It was time to start again. Alastor couldn't forget what his mother had wanted, even if she didn't ask it of him directly. And while he finds his comfort again in killing, Detective Brady finds a lead.

「Warnings/Promises: Human Alastor x Fem Burlesquer reader, smut, reader's thighs as ear muffs, referencing cruel racists in the early 20th century south, reference to marital violence, pussy eaten, p in v sex, no creampie BOO, bad dancing, Alastor's southern accent, Alastor's mother, gossip, murder, greed , two idiots pretending they aren't madly in love, poor family planning, lots of 1920's slang with notes for your ease」

I think I fixed the broken tag list!

....it's been over a month. Here's nearly 9000 words of our favorite idiots. I feel weird labeling this smut now as...we are...kinda past the smut point and just making sweet sweet love. lol ugh gross. thank you to everyone whose offered help, donated, and shared the word about my mom! It’s been an immense help and has made her a little emotional (in a good way) <Florida stole my moms teeth— explanation and donation link> unrelated, anyone want some RadioDust?

Minors…. Minors. My inbox counts as interacting when you’re literally in there requesting smut. I know your bio has no age but baby honey darling I can tell by your writing. 🔞 Do Not Interact 🏠🚗

A development he knew was coming even if no one else believed him. A drug addict with debts to the local crime syndicates disappearing was neither suspicious nor a mystery. Everyone was confident it was obvious Tommy was at the bottom of Lake Pontchartrain or halfway to California.

But not to him, not for Detective Brady. He had been on the beat for the better part of a year, convinced there was a connection between some of the disappearances in town.

No one wanted to hear it though, most people didn’t even care the people were missing. Only the occasional wife, concerned how she would keep a roof over her head and food in her kid’s bellies with the man of the house gone. But other than that, no tears or chest beating for the missing men and women.

Which made him confident there were countless more unreported cases. Just because no one missed them, a crime is a crime.

But, no bodies, no blood, no crime scenes… he looked like he had lost the fucking plot to his colleagues.

The city didn’t want the bad press, not to mention the fact there was no actual crime to be reported. Someone up and left down? Okay, he was a wife beater? Probably left with his mistress. The cruel den mother of the home for unwanted kids? Her assistant takes the lead and she moves onto a new town to menace. Probably running from the people angry with her.

But he finally had something. Tommy was pimping out dancers, and even laid hands on one. Surely there was a man looking for revenge for that. Can’t knock around a man’s woman and have it go unanswered.

So he tried again to find the woman whose only name he knew was a moniker. Autumn Hind.

Every time Brady came to the theater, another excuse. You left early. You were on the roof smoking—- oh, you slipped out the back. Weekends were your off days, so that was useless.

“You’re obsessed.” Detective Freeman threw an eraser he’d picked off his pencil at Brady. He had seen the man devolve slowly over the past couple months.

“Thanks.” Brady was staring at his notes.

“Not a compliment, Kenny. Shit happens, people leave town. You’re acting like a handful of no shows are some conspiracy.” Freeman came to stand behind Brady, leaning over to read his notes, “How can you even read that chicken scratch?”

He clapped the notebook shut, “Every report was a person less than liked. What are the chances they all leave town in the middle of the night, last seen in the same general area?”

Freeman patted his shoulder, “Did you just ask me why a bunch of assholes,” he stood up and made a show of stretching out tired muscles, “who liked illegal hooch* and jazz with plenty of enemies disappeared?” (*booze)

Brady slapped his desk, “There! You said it! They had enemies. But what— what if they had one enemy in common. A bar manager or — or a,” he was still looking for that link.

“Kenny, the boogeyman isn’t roaming New Orleans killing people. If the higher ups don’t care, if the families don’t care, it doesn’t matter. Let it go.”

The sleep deprived detective sunk into his wooden chair, swiveling side to side anxiously, “Tommy’s mother cares.”

“Yeah well mom’s are famously bad judges of character.” Slipping on his jacket, he shot a worried look to his partner, “Ya gonna go home? Janet’s probably a mess. You’ve been keeping late hours.”

“Nah not yet. I gotta get to the theater before this dame goes ghost on me again.”

“Yikes, still? You’ve been chasing her for a while.” He was making a slow inching walk to the door.

“It’d be easier if I had some support. I gotta do this on my own time.” A deep sigh, well past the point of hiding his frustration with his colleagues and bosses. Freeman looked over the wrinkled shirt and wilted tie, evidence of a man losing his grip.

“Welp, good luck buddy. Hope you get to the bottom of whatever this is.” He gestured at the messy desk and disheveled man, “See ya tomorrow.”

Brady waved without looking up. His eyes were staring into the black leather of his notepad. Tommy was the only recent assumed victim with any real suspicion. The woman whose husband disappeared after going to see a show? Only enemy to him was her, and she wasn’t strong enough to take him down. Deadend.

Most recent, nice young man from up north. Went out for a good time, hoping to catch a little lady for some stress relief, according to his coworkers. Never showed up at work the next day. No one had a bad word to say about the man. Making him an outlier, but still. He was young, strong, soft spoken. Not an enemy in sight but no family to worry, either. Deadend.

But Tommy. Someone cared he was gone. He was in the jazz game, the drug dens, the illegal drink business, and had a heavy hand. He was the perfect bad man, right?

He looked across his desk. Bad men. The occasional unsavory woman. Maybe it was just their time. They pissed off the wrong people.

Or the wrong person.

Someone who worked downtown, someone into dance and drink, someone with nights free to do his work. Maybe a hired gun? No, some of these people didn’t have the money for that.

Plus, one person and so many missing? That would be unheard of, it’d be some kind of record for Louisiana.

A record Brady could claim.

When he entered the theater James, the manager who replaced Tommy, noticeably rolled his eyes, getting in front of the man. “It’s real bad for business to have a cop in here all the damn time. Come on, if you’re not here for a raid then could you be a little less obvious.”

Brady looked past him, “What do you mean?”

“You’re— what is it? What can I do for you?”

“Here again for Miss Autumn. Care to give her real name yet?”

“No can do. Ain’t my business to tell. She’s finished her set, asked to head home early.” Brady turned and kicked a chair over, a large man approaching behind the manager before seeing the hip badge and backing up. “Nah we’re not doing that. We’ve told her you’ve come by but she’s a busy lady. Several gigs here and there. Enough, you’re harassing the dancers now.”

With a snap, Brady had his finger in the manager’s face, “Whatcha gonna do? Call the cops?”

“She. Isn’t. Here. What the fuck do you want? For me to tie her up and bring her to your station?”

That’d be ideal.

A month, nearly. Coming once or twice a week to try and speak to you but every time he missed you. He was going to snap if he heard one more time you were gone. Maybe everyone was in on it. Maybe you werenin the back right now laughing at him.

Brady scanned the room, “Where’s she live?”

“How the fuck would I know— please, leave.” James gestured to the doors.

He lifted his badge up, waving it at the patrons seated closest to him, “Yall know it’s still illegal to partake-,”

“Jesus! Enough!” The manager pushed him back, flashing an apologetic smile to the guests, “She moonlights Sundays at The Dime near the park on 5th, singing for a friend. That’s all I got about her life off stage. Will you fucking go?”

The detective perked up, “See, was that so hard?”

Finally, he could feel his fingers grasp the shifting shadow that was his only lead.

✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦

“I never said sorry.”

You turned your head, not expecting him to say something serious. Waiting, he didn’t add explanation. Sorry? What had he done… ran out of milk? Forgot to bring in the towels before it rained last week? A quick search of your memory yielded nothing.

“For what?”

He was staring off in front of him. “For putting you in danger before. In the park. I am sincerely sorry.”

You’d somehow almost forgotten. It’d been weeks. Every bad feeling that night had brought you had been carried away by good morning kisses and gentle words before sleep. Nearly every night was spent in his bed, Alastor dropping you off at your apartment when he went downtown for work. The incident in the park was a different lifetime already.

Had he really put you in danger? Or had you rushed into the danger of his hobby to feel closer to him?

“I put myself in that situation. You didn't throw me at that guy. I don’t do a damn thing I don’t want to do. You should have learned that by now.”

Tough act for a woman who jumped up to pour some man’s coffee.

You shook your head, you had to stop equating doting on Alastor as a show of weakness. It wasn’t. Even if admitting that meant admitting you were wrong.

But he had put you in danger’s way, he knew it. “No, you wouldn’t have ever been in that situation if it wasn’t for me.”

Your laughter bounced off the car windows, “Alastor, you met me getting choked to death by a strange man. People will always make dangerous situations for women to be in. Don’t act like you’re special.” A sly smile to ease his anxious heart. “I’d rather be in danger for you than just because I’m a woman. If it’s gonna happen anyway, might as well be worth something.”

His hand slipped onto your thigh, expression softening before his own smile grew again, “Don’t lie to my face so easily. I am very special, we can all agree.”

You looked around, the two of you alone in his car on a side street, “All? You know the trunk is still empty, right?”

“Oh, is that so? You’re quite dangerous yourself, I nearly forgot why we were here.” He patted his pockets to make sure he had what he needed. “When I give you a wave, back up to me, okay? Don’t leave the car. Just drive off if-,”

You kissed his cheek, “Shut it. Not a chance. Go give em hell, baby.”

Alastor crumpled against his steering wheel momentarily, your words cutting his heart open in a most wonderful way. He could never have predicted getting kisses before beginning his dark work. What had he done to deserve this? Perhaps proof someone in hell was in full support of his actions. Straightening his back and checking his hair and glasses in the mirror, he flashed you a smile before slipping out of the car.

When Alastor said he was ready to begin killing again, you were a mix of excited and scared. Excited for normalcy to return but scared of the dangers presented there in. You’d been dodging the blue eyed detective for a while already, and moving forward meant possibly making mistakes he could grab a hold of. Not mentioning the risk of someone hurting Alastor again…but for your part in everything, you and Alastor found a compromise.

A deal had been made. You’d stay in the car and bring it to him when he was done. He had asked you flee if something went wrong but you both knew that wasn’t going to happen. Crawling into the driver’s seat, you tried to remember what he had taught you. How to get it started up, how to make it go backwards. How to make it go, in general. You’d never driven a car. Well, not until Alastor insisted on teaching you. Driving up and down the long stretch of road he lived on, Alastor white knuckling the door handle as you jerked the car forward with every failed shift. You had started on his land, but he feared for his home's safety with you behind the wheel.

Your hands slipped down the steeling wheel, big and round. Your mother would’ve had a hoot had she seen you in the driver’s seat. Clearing your throat, you leaned into the back of the car and double checked the canvas was properly secured.

Another man tonight. The few times you’d both gone out for leisure, having preferred to spend time alone at home, Alastor had gotten gossip that piqued his interest.

You remembered the way the woman’s hand touched his arm when she leaned in. “You didn’t hear it from me but it’s best to avoid French Study on Thursdays. Real piece of work slipping something in drinks and robbing people.” He reported what she had said back to you. It’d panicked you, realizing you were closer to being on Alastor’s list than you’d realized.

“No, the issue isn’t the stealin’. It’s what he does with the people with,” he had been delicate as he said it, taking another long sip of whiskey, “other things of value. And the fact this man has no need to steal. It’s ridiculous! His family has been land ownin’ and well off for generations.” Alastor was always impassioned when discussing the things he hated, even when slipping into drunkenness. His accent came through when he had too much to drink, his real accent. The accent his mother had. “You robbed men for power balance, for their assumptions you were easy to manipulate to begin with. He? Uh, Him? He’s just a piece of shit. He thinks he’s better than everyone else. And no one would report him ‘cause his family name.”

His drink spilled a little, when you had offered to clean it he just slipped the button up off. He lost his usual classy air as the bottle emptied. Which you actually liked.

The benefits of drinking on his back porch was no need to worry about decorum. Music was softly spilling from the open window behind you, Alastor’s prized record cabinet spinning the newest presses.

“It’s like there’s a little bug under my skin,” he wiggled his fingers over his sternum, “It’s gonna dig into my bones if I don’t cut it out.”

Despite your own drunkenness, you nodded and followed along, “So, ya gonna kill ‘em?”

Alastor pouted, making you snort, “I don’t want to think about that right now.” He enunciated every word clearly in his practiced and professional voice.

You’d ended the evening playfully arguing the merits of prohibition on the jazz scene and watching Alastor dance around the wrap around porch. But the conversation hadn’t ended for him.

Little hints he was still focused on it popped up over the following week. Alastor randomly asking you how it felt to be drugged, did you wake up in pain? Embarrassed? Scared? You caught him staring at the greenhouse from the window one morning, lost in thought. Before he had finally said he wanted to go out again, you understanding what that meant, you’d seen him turning a dinner knife over and over in his hand impatiently.

And now here you were. In the car beside a park late Thursday, Alastor having done some scouting while you’d finished up early at the theater.

It took hours. Which was good, it meant Alastor wasn’t rushing. He liked the stalking aspect of killing, of watching someone from across a room knowing exactly how their night would end. And as that man whose name would soon be buried with him alternated smiling and barking orders at staff, Alastor felt his stomach flutter. Like watching a slab of meat slowly turn over the fire. The crueler he was, the worse he acted, the more Alastor found his fingers tapping on the bar with anticipation. Perfect. Damn yourself more. No fake smiles or double faces, no, people like him didn’t even try to play the game others were forced into. Born with money and land already theirs, they didn’t even know the rules.

But Alastor did. Alastor mastered them at the tender age of 14. When he realized his father’s features were a shield. His mother’s lessons on manners and charm his weapons. The first time he was in mixed company, when someone leaned in and whispered a cruel “prank” he had planned for a young dark skinned woman on the other side of the room, he understood. They pulled back and smiled at him, and he managed to muster one of his own. Just smile, they’d take it to mean whatever they wanted it to mean because they thought he was of the same mindset. They assumed it. Like so many other things people would assume about him as he grew.

When he told his mother the story after getting home, she shook her head. When he had asked her what he should have done, she set down her book.

“Well, I’d love to say you should have stood up for her. But I’d also like to have my son above ground.”

He asked her why she couldn’t have both.

“Sweetheart, we don’t usually get the choice to do either, let alone both.”

He offered a solution, after a moment of thinking, “I shoulda buried him first then.”

“Wouldn’t it be nice if that was how the world worked?” She returned to her book, “If God just struck em down dead as soon as they hurt people. Better yet, before.”

It would be nice. It was nice. Because Alastor couldn’t wait for God to make the world his mother mentioned. He grinned ear to ear, gloves a second skin, as the man crawled backwards in the grass like an animal cornered. His heart was pounding in his ears. Where to cut first? The gut, his family fat and soft from the money they made off the labor of others? The pale neck of a man who never spent a day outside, instead indoors drugging strangers for sport? The chest covered in a fine cotton shirt he didn’t appreciate?

He wished he had many arms, as many as he could imagine, to slash and tear in tandem.

“What do you want? Money?” the animal asked him.

Alastor shook his head no. No, he didn’t want money.

“Do you know who I am?”

Alastor nodded. “That is precisely why I am here.”

Would he beg? Cry? Bargain? Experience told him it’d be the latter.

“Alright well, if you know who I am you know you’re making a mistake. Here.” The man opened his wallet and pulled out a few greenbacks, holding them out for Alastor. Alastor’s smile softened slightly, remembering tossing you a wallet once before.

He reached down with his left hand to take the money, but instead grabbed the man’s wrist. Swiftly, quicker than the man could process, he took the knife tucked into his belt behind his vest and stabbed the man in the stomach.

Staring into his eyes, he could see his own image looking back at him. Smiling.

Alastor grabbed your face with both wrists, hands bloody and one still holding the knife, and kissed you when he’d flagged you down.

“Is this for bringing the car around without running you over?” Your eyes glanced at the knife beside your head. He apologized, tossing it into the trunk.

“No, just happy to see you.” A mischievous grin that made your knees weak, his body shimmied closer until he was pressed against you, stealing another kiss. His arms stretched out to keep from bloodying you. Your fingers slid up his cheeks to return the kiss. “Thank you, dear.”

When you returned home, to his home, that is, you took to task bringing in the laundry he’d left on the line and putting away the things still on the counters from breakfast. You couldn’t resist going to the second floor room and looking down into the greenhouse. You couldn’t see perfectly well, but you could see nonetheless. Alastor didn’t want you in the greenhouse yet when he was working. He said it was the ugliest parts, the kind that would sure give you nightmares or rob you of your appetite.

Considerate. But, it only made you more curious. Would you be sick if you saw? Would you never eat meat again?

What would you do if you didn’t have any reaction at all?

You watched Alastor leave the greenhouse and lock the door behind him, so you hopped down the stairs to meet him in the hall beside the kitchen.

He’d been sweating, shirt open to reveal a thin white undershirt, and under his arm was a canvas roll. He lifted it up, “Tools. Rinsed them off but I’d like to dry them under the electric lights.” You grabbed the aprons from the wall hooks, Alastor letting you slip it over his head and tie it for him. “Why so tight?”

“I like the way it makes your waist look.” You’d seen him wear it when making biscuits. It made his shape so clear. It reminded you of watching water drip down his sides and roll off his hips in the shower.

He beamed, “I’m listening. What exactly do you like about my waist?” Sharp brows raised as that friendly tongue peeked out at you.

“Hush.” You cooed.

You stood on the long side of the table, him at the short, and took turns wiping the tools dry and checking the other’s work.

As he grabbed each one he would tell you what he used it for. Holding up the garden shears and explaining the point along the blade that had the strongest force. The advantage of curved pruning blades when used on a human body. His eyes were gleaming as he spoke, looking so lovingly at each item like it was a loyal pet.

He finally noticed you were grinning and chuckling softly, so he dropped his smile for dramatic effect, “What? What’s so funny?”

Shaking your head, you set down the next item for him to inspect, “Nothing. You’re just so cute when you’re talking about your passions. Your face lights up from the inside out.”

His breath hitched, smile actually lost as he processed every syllable. Your turn now to notice him staring as you looked up from your work. You recognized that look though, the wide eyes and serious lips. The air of the kitchen felt like the atmosphere before a thunderstorm rolled in.

Alastor set the tools back onto the canvas one by one and carried them to the counter. Before returning he picked up a small knife and set it near the edge of the table.

“Come here.” He nodded his head to space in front of him. The way he said it, that tone, made your heart begin to skip beats.

You slid between him and the table, Alastor lifting you up with a startling ease and setting you onto cool wood. Kicking your legs a little, you set nervous hands onto your lap. You wanted to touch him. To pull him by the apron straps into you.

“How do you always say the right things?” He closed the distance between you, one hand on your neck while his mouth came to your ear. “The things I didn’t know I wanted to hear?”

Swimming. Your mind was swimming. “Why is your idea of right the same as my idea of the truth?” You could feel the grin. Sighing into your ear, down your neck, his hands grabbed your hips and pulled you off the table enough to press your core into his clothed erection. Even through his pants and the apron, you could feel him clearly. When did he get so hard? You always wondered in those moments if it was the topic of discussion. Or the knives. Or your need. Biting your lip wasn’t a thought out action, but Alastor loved to see it. Rolling his hips into you in response.

“Wanna go upstairs?” you asked.

He shook his head, slipping off his glasses.

“Oh no, don’t even wanna see me?” You teased, but firm hands held you tighter to him in response.

“I won’t be letting you get far enough away from me for that to be a problem.”

When he leaned down and his lips so very gently pressed into yours, you could feel it. That missing something from before. It was in the air, it was rolling off of his body and dampening your senses. A desire, a drive that you felt that first time you had sex with him in that apartment above the theater. A motivation that was lacking last time in his bed.

His eyes were staring down into yours, waiting for your response. Eagerly you replied by chasing his mouth with yours. A chain of kisses as you tried to ever remember enjoying kissing another person as much as him.

Not a single soul. Why did it feel like this was all you ever needed? Eyes closed and lips on lips, hands in his hair, it felt like you’d been holding your breath all of your life. His body on yours was a gasp of air.

For Alastor, he couldn’t even think of breathing when around you. Let alone when your mouth was on him. Every time you touched him all he could think about was the word ‘affection’.

So when your tongue swiped up his lips, he moaned as he opened for you. Not because he was new to kissing someone with so much lust. He’d grown accustomed to the things you did to him. No, because you were a fever that had taken hold of him and your kiss the medicine that soothed his delirium.

He wondered, was that why people called it ‘love sick’?

“You really like me, don’t you?” He asked, nose sliding up your jaw.

An opportunity presented to you. A chance to spill over the edges.

You pushed it away, legs wrapping around his waist and pulling him closer.

“Something like that, yeah.”

His hands pressed flat against the table to balance the deep roll of his hips against you. One of your own fell behind you to keep from falling backwards, the other flung over his shoulder. When you moaned into his cheek he captured the sound with his mouth and slipped his tongue back into you.

You liked him. He’d known people to love and not like their partner an ounce, but the way you appreciated his quirks made his heart sing in its brittle cage. You never ceased to see him. The issue with always putting on a show is people tend to be disappointed when the actors become human again. But you never met his persona. He was knife wielding, bloodlusting Alastor from the first word. So when he was himself, you recognized him clearly. Because he was all you ever knew.

And you liked him

You appreciated him.

He dared to think maybe he could inspire more from you. A thought that made him twitch below the belt.

Closer. He needed you closer. He needed you so near to him that he’d never forget the feeling of being wanted. It’d be imprinted on his chest and his arms and his lips.

Impatient hands slipping up your sides, along your neck, down your chest. His greedy mouth suddenly understanding the same greed he once marveled at in your own kisses. Hot tongue sliding over yours, delving deeper into you with every return.

When his hands seemed to come to an agreement, they yanked you forward again. You’d fall off ass-first if he pulled you any further.

You watched with only slight horror has he grabbed the small knife and hiked up your dress in tandem. A gulp, worried the other shoe had finally dropped on a too-good situation.

“Are you particularly attached to these panties?” His eyes were looking up and over his glasses.

“No?” Did you really need panties, you wondered. Ever? Girdles we’re falling out of fashion perhaps you’d all be naked again soon enough. Maybe you two could start another Eden. A pomegranate’s juice the new red staining his skin.

Not even a tremble, his hands lifted each side and sliced them free.

“Oh?” You didn’t have a real question in mind when he tucked the panties into his back pocket. Just a need to express you saw it and didn’t understand it.

Alastor took your hand and pressed it against his hardened length, eyes locked onto yours with a sharpness to them. But when your hand took hold of him and squeezed, everything softened in his features. Funny how where one area grew stiff another melted.

He rolled his eyes closed as you finally undid his belt and pants. A struggle you didn’t see, Alastor trying to keep from pouncing on you like a horny virgin. He didn’t want to rut into you, he didn’t need the pleasure. He needed something he couldn’t see or explain. He just knew you held it behind your teeth.

When your skin pressed into his and you both moaned together he was sure you were the same. One person, split into insufficient parts. Finally lined up flush in place.

When you circled your hips against his aching cock, he wondered what you were chasing after. Was it the pleasure? He’d give it to you in spades.

He was on his knees with his face between your legs before you could close your thighs in surprise.

You needed both hands now to keep from falling back onto the table. “Alastor,” a whine.

He knew better than to talk with his mouth full, so he let two fingers work their way into you with shallow thrusts. Easing you open for him.

“Yes?” His eyes didn’t leave his fingers, glistening under the kitchen light. You hadn't thought much ahead past his name, once his fingers were in you and curling up to find your spongy and soft bundle of nerves your mind had gone empty.

“We can just fuck, if you’re horny.” You watched him watching himself.

“Where’s the fun in that?” His mouth returned to your mound, broad tongue forming a point and finding your clit.

A lazy moving tongue would be frustrating if not for his fingers punishing your g-spot. Consistency was key, and his hand was focused and skilled.

Suddenly you remembered the piano in the sitting room. That’s where you knew that movement from. That clearly practiced muscle memory.

Alastor felt confident everywhere but rarely did he feel comfortable. When your thighs came together and squeezed him at the ears, he felt positively cozy. Would you be so kind as to be his ear muffs come winter? He’d have to remember to ask when his mouth was free. How many cold nights he could now rest assured he would have warmth just a little dive of his head away.

Lowering his mouth, nose buried in your muff, he wriggled his tongue in with his fingers. Not enough, rarely was anything enough any more. He stilled his hand and prodded at your sensitive walls with that intrusive tongue, relishing the little movements you made in response. Taking his digits out entirely, he buried his wet muscle as deeply as he could reach.

The huffs of exhales you were making triggered a moan from him that you felt through your skin. His enjoyment was tripling your pleasure.

Goosebumps ran up your arms at the combine sensations of his moaning and prodding.

When his lips and tongue returned to their uneven teasing of your clit, three fingers now swiping past your inner spot with every thrust, your hands came to his head. Fingers slipping through his hair and gripping every time your body shook. Encouragement, the more you tugged the surer he was he was doing the right things.

And oh, he was. You said the right things but Alastor always seemed to act on them. Your senses lodged themselves between the even stroking of your g-spot and the unpredictable movements of his tongue. One kept the pressure rising as your orgasm climbed, the other pushed you along jolt by jolt.

Curious thing. That night in the park he didn’t have much reaction to your enjoyment, but he found himself not fully softening in his lap as he continued. Normally, unless still physically stimulated or the rare time you stirred something in him, he wasn’t very… battle ready.

But the feeling of you pulling him in by the head, fingers in his hair and thighs at his cheeks; this was different than the others. He was sure now it wasn’t just physical pleasure you wanted. His pride said it was more.

Dozens of times before— he truly was a rake in some aspects, though admittedly it was all in the pursuit of avoiding “sex”, as defined by most, not chasing it — he helped a date find release with his tongue. But it never did anything for him. They moaned and said his name and screamed. Which was lovely. Who doesn’t enjoy recognition?

When you said his name, it was heavier. It was material, it had mass and as its gravity began its pull he found his mind circling that sound. He was pleasing his darling, not placating. And it made him react in that unusually crass way.

He felt like an apex predator when killing, tearing open animals made for him to hunt. But you made him feel baser. Prey in your gentle bite.

As your orgasm mounted, you began tugging at his hair to pull him off. You didn’t need him to stop, but everything was suddenly too sensitive. It was alarming to feel your body rocking from overstimulation. A strident cry filled the kitchen as your back arched off the table. He didn’t let up, despite how much you thrashed under his mouth. Rolling pleasure, muscles electrified and shaking beyond your control.

You patted his head harshly, “Good, I’m good. Alas—tor! Fuck!”

Ah, he loved when you swore. It punctuated your otherwise preternatural aura with a touch of humanity.

He stood and leaned over your now reclining body. Your pussy still clenching and legs shaking as he admired his work. You admired his shape in his apron, his broad shoulders and sharp eyes. Caught between your legs like a lion in a mouse trap; he acted like he had no way free of you. His grin widened and he made a display out of licking each finger clean. Eyes never leaving yours.

You knew many men to squawk at going down on a woman. To balk at wearing an apron. To grimace at the suggestion of cooking a meal while their lady took a nice bath or enjoyed a coffee. Alastor seemed to not think twice about any of it. How nice it would be. To have a partner beside you, to not be the woman in the often referenced “behind every great man is a great woman.”

“Alastor, I want you.” You pulled him down by the neck and stole a kiss. When he began to stroke himself fully back to life you pressed that hand to his chest. “Not like that. Though I’m not declining the offer.”

His eyes saw something in yours. “Sweetheart, you have me. There is no part of me that isn’t possessed by you. I know we keep things relatively… tightlipped for safety but I’m your fella and you’re my gal.” His nose touched yours. “But if you want more, I’ll become more. I’ll break myself apart and make myself better.”

Your heart sank. Sitting up to command a little authority, a feat given you were sitting panty-less on a kitchen table, “Don’t you dare. I’ll always meet you where you are, got it? Don’t go… groping around in the darkness for me; trying to find what I need. I’ll always come to you. Because you’re more than enough as you are.”

A little cough to clear his tightening throat, “I’ve not had a day of darkness since you arrived.” A kiss to your forehead before a soft thumbpad wiped at the corner of your eye. “Did I make you sad?”

You wanted to say it. But not now, not like this. You didn’t want Alastor to connect love and sex. To think one was necessary for the other.

While you were coming to learn how lovely it was to pair the two together, it was a fact they were wholly independent things. And you couldn’t allow him to think they were a set.

“You’ve made me too happy. It’s absolutely terrifying.”

But Alastor had found your expressions of acceptance always tumbled the circle of Love to overlap with that of Sex. It was only in that mixed space did he find desire in pleasure.

A wicked smirk, “Let me pile on my affections and drown out your fears.” His hips rolled into you again, a surprising eagerness returned to his lap. “Can I continue?”

With a nod and a smile, “But not another word of change, buster.” You leaned back on your hand for support. Alastor was happy to return to your heat, lining up and sinking into you. An embrace like no other, one he found particularly earnest when with you.

Close. Finally. You began where he ended, a natural extension of who he was and who he could be. The things he could have. A relieved sigh he didn’t try to hide before he began moving, a moment when his tension could melt. You were both an unseasonably warm autumn day and the cool comforting shade of an unfamiliar tree. Both the heat and the relief.

He watched your body rock against the table, even fully dressed you managed to look more scandalous than any show he’d seen downtown. He was grateful he didn’t seek this comfort often in others, the way his mind melted made him feel vulnerable. He couldn’t think straight. And then you began to make those lovely little groans, high pitched and needy, and he was sure his soul was errant.

As his thrusts deepened, cock no longer kissing your cervix but ramming into you with good intentions, you dropped back as you lost the battle against his hips.

Alastor’s arms slid up our waist and pulled your arms towards him, “Too far, I can’t see your face.”

Your arms were slung over his shoulders as your back curved for him, “You don’t need to see my face.”

“Tsk, wrong.”

Your new favorite place was right in front of him, wherever his line of sight was you wanted to be in it. Nose to nose, heads tilting to recapture soft lips and softer moans.

Until the softness left, Alastor’s skin slapping against yours as he dragged those lovely sounds from you. He watched your eyes roll closed, mouth open as you moaned with the safety of the seclusion of a country home. A thought bubbled up, inspired by you.

“I want the neighbors to hear you.” That smile half cocked across his upsettingly handsome face. His hand slipped between you both to repeat the motions he learned before. Hard and fast, no choice but to raise your voice.

Your head fell back, clit still sensitive, “You don’t have neighbors!” A new moan hitting the walls.

“I do— just a few miles down the road, dear.” His mouth latched onto your neck but he didn’t suck like he wanted, he couldn’t bite. Your skin was your job, your body not his to mark. Suddenly he remembered, “Do you still have that make up? For your bruises?”

You couldn’t understand why he would bring that up while balls deep in you but you nodded.

“Would it work on your neck?” He nipped lightly.

It clicked, “Absolutely.”

You felt like a teenager again. When his tongue swiped over your soft flesh before he began to suck on the skin there you could feel the heat rising off your chest. You could feel him everywhere, and with the knowledge he wanted to hear you, you tossed your shame out of the kitchen window and relaxed into the pleasure.

As he moved up your neck he left little marks behind. There was no sense left you didn’t occupy. He could smell the soap and sweat of your skin, taste your cunt still on his tongue, your sights and sounds a decadence he couldn’t get used to. And the feeling of you… velvety walls, a feeling finer than silk as he slipped in and out of you. So incredibly hot on his most sensitive areas, pulling him back in with admirable strength.

He felt his orgasm ratcheting up but tried to hold back. He wanted more time to experience your ecstasy, to wallow in your openness. Even pressed skin to skin now wouldn’t satisfy that deep desire for this unique level of intimacy. So he wanted to enjoy it for as long as he had it.

But, he knew he should prepare. “I don’t want to dirty your dress.” A lust heavy voice penetrating the nap of your neck. He’d made a risky release before at your urging, something he often thought about when work got quiet. But he knew he needed to think clearer now.

“Then don’t.” A terrible reply but you wanted all of him, every drop of his hunger for you. “Keep the mess in me.”

“My dear,” he slowed his hips, autopilot keeping them moving at all, “I don’t think now is the time for,” you tightened around him to trip him up, which worked spectacularly. Alastor had take several seconds before continuing, “talks on family planning.”

A pang of nausea and fear, small and sharp in your abdomen. It wasn’t that you weren’t aware of biology, just that Alastor brought out your baser animal instincts, too. And before, when he came buried as deeply as he could reach, it felt like you’d actually completed some ritual. Bears hibernated, birds migrated, Alastor came in you.

You’d never let a man do that before Alastor. “I just want to… accept everything you are willing to give me.”

He bit his bottom lip to redirect some attention away from his now throbbing member, “And when you’re sure on me, I’ll always provide.”

A pout that he kissed, you accepted the terms. An argument could be made you were already very sure, but you were well aware how naive that sounded when you’d known each other for so little time. Had a coworker told you she’d met a guy and within three months was ready for… the consequences, you’d have laughed and asked if she was drunk or just stupid.

Alastor wanted to provide. But he knew you’d be the one with the raw end of the deal, he couldn’t risk coercing a decision in the heat of the moment. If your mind was half was addled as his with pleasure then you were in no state for big decisions.

Life changing decisions.

Decisions that filled empty homes.

Fuck, why wasn’t he a less considerate man?

When his kiss deepened, so did his ministrations. He was fully sheathed and so unwilling to draw back more than a couple inches you wondered if he had changed his mind. It felt like a man not wanting to stray too far from home. One hand on the small of your back, his other other on the back of your neck. When he pulled out he pressed his tongue further, only stopping the kiss when he came onto the little space of table between your thighs. Soft and swollen lips parted as his breaths ran ragged. A smile spread across your face as you watched his eyes open, witnessing a pleasured blow out of his pupils.

When he grabbed a kitchen towel and cleaned the table, you chuckled at his grimace. “See? My way is cleaner.”

He didn’t reply at first, taking the cloth and hovering over the sink before tossing it into his trash. “Only in the short term. We can finish up tomorrow with the tools?”

Your legs kicked again, not ready to slide off, “Mm, it’ll be easier in the daylight.”

“Instead,” he zipped his pants but removed the belt and set it on the counter, “Let’s get zozzled* and sway around the sitting room? Crash where we land.” (*drunk)

“I’ll pour if you get the music on.”

He turned to leave but paused, “No, I’ll handle the drinks. You always have too heavy of a hand.”

“I didn’t hear you complaining last time…”

“I’m not sure I remembered I was at home and not at a drum* last time…,” He uncorked the label-less whiskey, grabbing two glasses with one hand. “Didn’t wanna insult the pretty waitress.” (*speakeasy)

Fair. You weren’t much for drinking and always underestimated the strength of illegal hooch. Some were weak and some could kill you. But fancy Alastor had connections with the kind of people no one dared to risk harm to, so he always had the most trustworthy goods.

Good music, great whiskey, and even better company. You thanked him for being safe while working, he praised your ability to learn new skills so quickly. After a few drinks he pushed the coffee table against the wall and you drunkenly swayed around the room to something playing smooth and low. As much as you enjoyed your conversations, having your head tucked under his chin as neither of you said a word somehow filled in the little cracks of your heart more so than any talk. For him too. No tension after sex, no stress of how long he’d get to breathe before the next instance of prodding to do it again. He could smile and close his eyes and feel the room swing and sway in total safety.

A safety neither of you knew was being threatened from afar.

When you woke, Alastor was gone. A note on the table letting you know he’d run out to grab some things for breakfast. Telling you to relax and recover.

You put the furniture back, bringing the glasses to the kitchen and his belt to the bedroom.

Coffee and a slow perusal of his home. Intimate details you tried to not stare at when he was there. The rare photo of his mother, a woman you didn’t speak about, a conversation you didn’t need to have, but someone you knew existed fondly still in his life. A silent thank you to her.

No photos of a man to give thanks to you so you turned to the little curios and mementos. 

Little seashells and sand dollars, a small gator’s skull. Books, about anatomy and history. Novels about crime and love and mystery. Ticket stubs for films he’d seen. Little bits of his mother scattered in. A woman’s necklace. A chatelaine* with all of the accessories and tools. (*wikipedia page)

When you felt you’d spied enough, you crawled into his side of the bed and inhaled as deeply as you could. His pillow smelled like him. You let yourself sleep off the hangover surrounded by pieces of Alastor.

Pieces you couldn’t contain. Pieces left around town as a dick* hunted for his personal monster. (*a detective, but also, a dick, fuck this dude?)

Beth, or Betty as you called her, the friend you often sang for, was cleaning up from the previous night when Brady walked in. She tried to tell him they were closed, but he took a seat at the counter anyway.

“I’m looking for a singer named Autumn. She been around lately?”

She paused, knowing the name was tied to your work. This man didn’t know you. “Whose asking?”

“The city of New Orleans”, he set his badge on the counter top.

“Is she in some kinda trouble?”

“She the kinda dame to get into trouble?”

Beth laughed, “She doesn’t try to but men, liquor, and jazz tend to make it happen. She’s okay, right?”

He took a deep sigh, trying to blink away the exhaustion and remember he needed to be someone strangers trusted. Being honest hadn’t been working and being rough barely got him a lead. “Well I was hoping you’d know. Found out someone roughed her up a bit ago and just wanting to make sure she’s okay. But I don’t have her legal name, no address, nothing to track her down.”

Shaking her head, she leaned onto the counter, “What? Some egg* forget it’s just a show?” Brady shrugged. “I can’t say. She hasn’t been by in a couple weeks.” (*man)

He asked why. Feeling the deadend approaching.

“She was just doing me a favor. Once she got a guy she didn’t have much time.”

Fighting the urge to slam his fists against the wood and sling his notebook across the bar, Brady took slow breaths. Jaw clenched as he grabbed his pencil, “That is wonderful news. Hopefully a fit guy who can… keep her safe.”

Beth laughed a little, “I don’t know about that. He’s kind of a daisy*, but real kind.” (*a non-masculine man)

“Could I get a name? Or her address? Wanna follow up. See for myself that she’s doing well.”

She tapped the bar with two fingers and winked, “Ah no can do. Flatfoot* or not, I don’t tell men where to find sleeping ladies. But her fella is in radio though. I recognized his voice right away. Popular too, really ritzy air about him.” (*cop, detective)

As he left, he slapped the notebook against his palm over and over. When he stopped to take a second to congratulate himself something caught his eye. Across the street was a park he knew well. Following the block and turning, he could see the white and green awning of the cafe he’d seen you at before.

Had he been there? He hadn’t questioned why you were alone on such a nice day. But maybe you weren’t. Maybe you’d been playing him from the start.

Enough games.

When you took the stage that evening, a Friday show with a promising crowd, you felt like solid gold. Alastor would be there to pick you up in a few hours, you had every need met. And now you had the adoration of strangers to pump up your chest.

Until you passed your come-hither eyes over the crowd and a striking ocean blue pair knocked the wind out of you.

James was standing behind Brady, mouthing an apology. You missed a beat in your routine but forced your smile back. It took a second, to slide back into the actress you were when away from Alastor. Every time it got harder and harder to fall back into that role but you managed. His eyes never left your face, and you thanked God your heaving chest could be seen as fatigue and not the sheer panic that had taken ahold of your body.

When you were on the other side of the curtain you considered rushing out the side door, into the alley and down the street. But you couldn’t. You’d successfully brushed him off for so long but now that he had seen you, had made it clear he was there for you, you couldn’t flee. Innocent people don’t hide from cops.

Feet dragging, you saw some of the dancers standing around the dressing room door. “He’s out of his gourd if he thinks I’m changing with him in there.” One said loud enough to ensure Brady heard. When you entered the room he was sitting at your make up table, legs spread and your shoes in his hands.

“There she is!” standing, he extended the shoes to you, “Don’t stare like a deer in the lights. I’m sure you knew I was coming. Slip these on, we’re going for a ride.” He gave them a shake, “You can call your mac* from the station and let him know you’ll be late.” (*man)

˖  ݁𖥔.Summoning the Horny Little Deer Cult.𖥔 ݁ ˖

@cxrsedwxrlds , @nonetheartist , @tsunaki , @janchei ,  @moonmark98 , @hoebihoeshi , @pansexual-opera-house , @polytheatrix , @lorddiabigmommymilkers , @backinthefkingbuildingagain , @harley2223-blog  , @poinappel l , @midnightnoiserose , @spookieroz , @missmidorima a , @ivebeenthearchersstuff , @downbadforfictionalppl , @xx-all-purpose-nerd-xx , @sleepylittledemon , @aether-th3-enby , @dontfuckbutimfab , @breathlessaura , @aperfectidiot , @certainlygay , @jth12 , @star-kujo-platinum @ivebeenthearchersstuff , @rubyninja1 , @simphornies

, @readergirlstuff , @berry-demon , @chirimeimei , @fairyv-ice , @olive-frog , @thonethatflies620 , @tiredkiwiii , @ilikemyteawithmilk , @whateverlololo , @psipies , @howabouticallyou , @roxxie-wolf ,  , @fizzled-phoenix ,  @phobophobular  , @mariaclarade-la-cruz1 , @whateverlololo    , @a-case-of-attachment , @multifandomfanatic02 @watereddownmilk   , @bontensbabygirl 

[weirdly-specific-but-ok]

pt II sandman but i've never watched or read it

It's happening again I'm being kidnapped again there's no hope left for me god I'm so in love with Dream he's such a cutiepie uh right this post okay. I'm uh the Good Omens Mascot and I'm losing my mind here have part two based on whatever I have understood from y'all's replies to my first post.

It's Neil's baby and a lot of amazing artists are involved. One of whom made Dream look like a gooey pile of sad adorableness in volume 1.

Dream is a sad wet lonely repressed cat of a man. No I do not have one type.

There's this dude whom I think is named the Corinthian. He's a dream (but not Dream) and he can see things.

His eyes are mouths and his teeth are apparently Very White and any dental hygienist would orgasm at the sight.

Dream was kept prisoner for a century. Where? I don't fucking know. Why? I don't fucking know. How? Er there was some kind of. Glass (?) case.

There's a sleeping sickness while he's gone coz things got weird.

His raven is killed by someone and maybe he should have forgiven him but he could not.

Something happens at the end of Volume 7 that people need to recover from.

There's someone with glasses who keeps telling Dream stuff and they're Very Important and I have no fucking clue who they are.

There's someone named Freddie and people are feral for him and I don't know who he is.

Dream is just constantly on the verge of tears. Always. Just fucking always. Poor baby.

Sandman more like Sadman amirite.

He thinks everything ever is his fault. Mood.

EVERYONE KEEPS REASSURING ME THERE IS NO CANONICAL INCEST BUT APPARENTLY BOTH DREAM AND DESIRE HAVE SEXUAL TENSION WITH EVERYONE INCLUDING THEIR FAMILY AND EACH OTHER AND THEY ARE SIBLINGS AND AAAAAAAAA.

The family is Endless btw and I don't know what that means but they are.

Dream has a boyfriend (long distance? idk they keep meeting each other every 100 years) named after a cooking stove who calls Dream out for being lonely and Dream doesn't like that and they fight and then they go into the rain etc etc.

Hob is immortal because he does not want to die and he is convinced that humans only die because they uh think there's no other option. It's giving just think positive thoughts.

Dream almost stands him up but then doesn't some bar is moved.

There are keys to Hell and Dream doesn't know what to do with them.

There are tools and they make you weak.

Desire has all the genders.

I am apparently exactly like Delirium.

Dream is a sad wet cat at one point and then he turns into a shadowy being with cute bright eyes.

Dream is fucking pretty in every single fucking century like oh my fuckING GOD I AM SO GAY

Tom Sturridge (?) is Dream's actor and he has chemistry with everyone on screen apparently which leads to incest vibes

There's some kind of fucking Grape Incest scene

Despair is played by Mrs Sandwich

Death is kind and cuddles a dead baby at one point

It's gay but I do not know HOW it is gay but I am assured it is Gay

Er. Feel free to correct me.

[syoddeye]

sy's reading recs

hi. i read a lot of fanfiction for COD and i love spreadsheets. i try to track my reads, and thought i'd make two reading rec lists. you are currently viewing the non-darkfic list. i've included blurbs from yours truly. the blurbs are short because there are a LOT of recs below the cut. now then.

beyond the read more, you are responsible for reading tags, warnings, and summaries.

pairings are indicated where applicable, although these may change or may not be established yet.

similarly fic ratings may change! again, it's your responsibility to read tags and warnings.

i've checked all the links, but if they're broken, i blame tumblr. there's enough info to find the fic if need be.

do not harass authors with "next part when" bullshit. it's tacky and i hate you.

previous lists: one, two | banner by @/cafekitsune

gaz x reader

Lavender Skies by @yeyinde

Late to the party but gd if you haven't read this, put it at the top of your list. Kebabs, back-up shoes, the feeling of someone knowing you, the pain and sublimity of being in your late 20s...Chef's kiss.

childfree!reader thoughts by @pfhwrittes

Tooth-rottingly sweet bit about finding someone with the same priorities and not being made to feel bad about it. Love it when the boys match-make a lil bit.

The Gym by @secretsynthetic

Very cute piece about meeting trainer!Gaz at a workout class. Kudos to Reader for making it through the class because I would've had to bail if Gaz perceived me for half a second. Love how observant and sweet he is in this.

Pluto by @groguspicklejar

Late to yet another party, but I got sucked in by the premise: 'vampire!Gaz is smitten with a girl who has no desire to be around his kind'. I love how the relationship progresses, the later chapters had me gigglin'. Except for that last chap. I got GOT.

ghost x reader

child free @391780

I tag it from time to time but one of my favorite things to see in fanfic is the love and intimacy of caring for someone. And that's what this is. Among my favorite oneshots I've seen shared in this fandom.

Roommate Simon by @tacticalgirlboss

Roommate Simon could go in so many directions, but I love this particular take. The slow evolution of the relationship from roommate to something else. Made me feel mushy as hell by the end.

Through Me (The Flood) by @peachesofteal

Another drop everything to read fic. Seeing Simon embrace a role he was not expecting to ever fulfill is both heartbreaking and heartwarming at the same time. Me with every installment.

soap x reader

mic work by @glossysoap

I have four words for you: Erotic audio artist Soap. Soap's hard at work (🥁), imagining best friend!Reader as the subject of his latest scripts. He is COMMITTED to his job. submissive Soap by @doeidawn

Dizzying. Schedule time to take a lap after reader. Something about that man begging. It needs to be studied and somehow distilled. Into what? I don't know, don't ask me, I can't think straight after re-reading this. bad reservation by @the-californicationist

I think I summed up my reaction to this in my tags: "reader's getting that michelin star dick". A prompt filled by Cali that made me giggle furiously for a smooth ten minutes after reading.

price x reader

Storm Chaser by @/the-californicationist

Save me, biker!Price...save me... Caution: You may need to lie down after reading. Truthfully, I'm terrified of motorcycles. But I would reconsider for this Price.

A Case of You by @alittleposhtoad

One of my favorite new series. A zombie apocalypse where you're hiding out on a remote island in Canada, and who finds you? Just my favorite man. Really enjoy the pieces of worldbuilding and seeing Price interact with what's left of Reader's community.

Words Like Violence by @deadbranch

BodyguardxBodyguard. Two professionals wanting one another and their jobs kind of getting in the way. Suits. Gear. Gloves. Pure catnip. An appearance from Simon that made me laugh, re-read, then rub my hands together like a raccoon.

141 x reader and other pairings

GhostGaz Week by @dragonnarrative-writes - gaz x ghost

Dragon knocked it out of the park on GhostGaz week. I love all of them, but 'afraid of the dark' and 'sweet talk' are two of my favorites.

An Offer You Won't Refuse by @lovifie - gaz x price

You know that clip of Kylo Ren screaming more? That's me, because this makes me want more GazPrice in my life. Delectable. Mean!Price and Gaz calling in a victory.

SCP!141 by @ghouljams - gen tf 141

Incredibly fun and freaky AU that I think has half of my lil circle of friends on here willing to overlook their personal safety to get at SCP-141....I may or may not be among them.

Fancy by @swordsandholly - 141 x reader

Subtle delicious morsels of worldbuilding and bleak, dystopian vibes with vampires. That should be enough to get you started. Had me at the Reba reference.

Tradie 141 by @/pfhwrittes - mix

The way I would be quickly banned from any worksite if they were real. The Tradie!verse is very, very important to me and I eat up every piece that comes out of P's big brain.

Autumn Embers by @/dragonnarrative-writes - 141 x reader

One of the most nuanced takes on the omegaverse paired with some of the hottest smut. The meta is a good place to start, imho, as it underpins the fic and bolsters the plot.

Mission Shenanigans by @kyletogaz - gazsoap x reader

Here's a taste: “You’ve got your tongue shoved in my pussy and you expect for me to be quiet?” Got it? Scurry on over for the oneshot that made me bluescreen at the end.

Service Dog Johnny by @void-my-warranty - ghoap x reader

Interesting spin on Ghoap x Reader that shows a level of intimacy between Simon x Reader (and by extension, Ghoap x Reader), that goes beyond the sex. Yes, the smut is fantastic, but the relationship dynamic hooked me.

Cool Girl x @/peachesofteal - ghoap x reader

As a former 'Cool Girl', reading this is both therapeutic and painful, and fuck me if I don't run to read every update. You will cry, laugh, tear your hair out, and enjoy it.

Fuck-ass mohawk by @sentientcave - ghoap x reader

Reader finally saying what I'm thinking. Fuck-ass mohawk. Hilarious piece. I definitely didn't finish this and think "oh dang I want Reader to be mean to ME". 👀

"romance" in the age of technology by @/pfhwrittes - soap x gaz

Let it be known that Johnny MacTavish is a giver. A good friend. So thoughtful of others. So while Gaz recovers from top surgery, obviously our Scottish saint takes it upon himself (literally?) to cheer him up. Funny and WHEW.

[cepheustarot]

What awaits you in June?

Attention! This reading is for entertainment purposes only. This tarot reading does not give a 100% guarantee that all the described situations will occur or being ultimate truth. You build your own life and destiny and only you know yourself best.

✧ Masterlist ✧ Paid readings

Pick a pile. Choose one or more pictures. Trust your intuition.

Pile 1: Now you may feel that you are in an indecisive state, in a situation that has not developed for a long time. Because of this stagnation you could not do anything, find a solution, you could generally feel at a dead end, as if you had no answers to the questions that have been tormenting you for a long time. In June you will finally be able to get out of this state, an opportunity will open up for you to do this, perhaps the situation will move forward and you will find some kind of solution or they will help you, lend a hand. The cards show that to a greater extent your condition is related to the situation with a person dear to you, it can be someone from your family or close circle, a friend or lover. In any case, here you will resolve the impasse, everything will be solved safely for you. The cards also show that your decision will affect your life and your well-being for the better, you will finally feel like a  stone fell from the soul, you will feel easier to breathe, you will feel happiness, some freedom, peace, tranquility, background anxiety will disappear. 

This month you will also meet a new person, they will be very friendly, open to you, sociable, quite attractive, has an alluring charisma, handsome enough, knows his stuff, is quite capable and not someone who worries about little things. As the cards show, it will be a good acquaintance, you will have a good time together, it will be interesting for you to talk to each other, however, from your side I see a certain distance, as if you are distrustful of a person and are in no hurry to open up to them, share something personal. Here is about the initial stage of acquaintance, when you just get to know each other, make up the first impression of a person, here we are talking about a slow rapprochement with each other. 

You will spend the remaining days of the month quite calmly and peacefully, you can often see your close friends, family or your siblings. It will be a good time, without quarrels and misunderstandings, you will really feel comfortable and safe.

Pile 2: You will be "in great demand" at the beginning of the month! Not a day will pass without meeting someone, a lot of people will want to spend time with you and will often invite you to meetings and, judging by the cards, you will accept their invitations. The maps show that you will often gather with a group of close friends but I can't say that you will have a big company, rather only those people whom you have known for a long time and with whom you have built a strong connection. You can also be invited on a romantic date! Someone can make a marriage proposal this month and someone can be invited to a wedding. In any case, you will have busy days here at the beginning of summer. 

Also this month, you will go on a trip that you have planned with another person. For some, it will also be a business trip. As the cards show, all the goals that you planned to accomplish during this trip will be fulfilled, all the places that you would like to visit will be visited, in a word, your plans and wishes will be realized. But there may be a quarrel, misunderstanding with the person with whom you went and partly this will spoil your mood and positive attitude, take this into account!

At the end of the month, you may have a joint project with people that will need to be done and submitted before the deadline. Some may have exams during this period or final tests. As the cards show, you will throw all the forces into solving these tasks, preparing and your efforts will be justified, you will get a good result, the one you wanted to see! But at the same time you will feel a lot of fatigue and some apathy, so you should pay attention to your rest and recuperation. Moreover, you had quite busy days before that.

Pile 3: At the beginning of the month you will have thoughts about changing something: this may concern both your social circle and your environment, you may want to settle in a new place, you will want to change your job, field of activity. But mostly the cards show that many will move and for some it will be a forced move when you are already happy in this place, but by coincidence and for certain reasons you need to move. You will leave past connections, past friends, you may feel sad because of this, but there is no feeling that you will now be alone in a new place. On the contrary, you are driven by curiosity, interest, since you are essentially expanding your horizons, it will be interesting for you to explore your new place, you will adapt relatively quickly. 

However one of your loved ones will not tolerate such a distance between you, perhaps it will even be your lover. This person will begin to respond coldly, will tell little about himself and little ask about you, will often disappear. It is very difficult for them without you, they are sad and worried, worried that your relationship will get worse, will not be so strong. You may also feel tired because of moving or some other kind of change of things, as it is emotionally and physically exhausting, you may not be able to keep in touch with your loved ones because of this condition, as you need to regain strength, adapt to a new place. 

At the end of the month, you will feel that it is very difficult for you but you will be able to get out of this difficult state. Remember that the transition to a new stage of life is always difficult and need time to deal with this, do not rush yourself and give yourself time to get used to it. As the cards show, you will definitely cope with everything and feel better, you will begin to feel a surge of vital energy, some activity will appear in you, a desire to do something. The cards also show that you will devote enough time to work or your hobby, you will be satisfied with what you are doing and you will feel pleasure. It will also help you improve your condition.

Thank you for reading! I will be glad of any feedback 🖤

[anominous-user]

Double Indemnity, Veritas Ratio and Aventurine

This was originally a part of my compilation post as a short analysis on the Double Indemnity references, linking to this great thread by Manya on Twitter. However, I've recently watched the movie and found that the parallels run much deeper than just the mission name and the light cone itself, plus as the short synopsis I've read online. Since there isn't really an in-depth attempt at an analysis on the film in relation to the way Aventurine and Ratio present themselves throughout Penacony, I thought I'd take a stab at doing just that. I will also be bringing up things from Manya's thread as well as another thread that has some extra points.

Disclaimer that I... don't do analyses very often. Or write, in general — I'm someone who likes to illustrate their thoughts (in the artistic sense) more than write. There's just something about these two that makes me want to rip into them so badly, so here we are. If there's anything you'd like to add or correct me on, feel free to let me know in the replies or reblogs, or asks. This ended up being a rather extensive deep dive into the movie and its influences on the pairing, so please keep that in mind when pressing Read More.

There are two distinct layers on display in Ratio and Aventurine's relationship throughout Penacony, which are references to the two most important relationships in the movie — where they act like they hate/don’t know each other, and where they trust each other.

SPOILER WARNING for the entire movie, by the way. You can watch the film for free here on archive.org, as well as follow along with the screenplay here. I will also be taking dialogue and such from the screenplay, and cite quotes from the original novel in its own dedicated section. SPOILER WARNING for the Cat Among Pigeons Trailblaze mission, as well.

CONTENT WARNING FOR MENTIONS OF SUICIDE. YOU HAVE BEEN WARNED.

To start, Double Indemnity (1944) is a film noir by Billy Wilder (and co-written by Raymond Chandler) based on the novel of the same name by James M. Cain (1927). There are stark differences between the movie adaptation and the original novel which I will get into later on in this post, albeit in a smaller section, as this analysis is mainly focused on the movie adaptation. I will talk about the basics (summaries for the movie and the game, specifically the Penacony mission in tandem with Ratio and Aventurine) before diving into the character and scene parallels, among other things.

—

[THE NAME]

The term "double indemnity" is a clause in which if there’s a case of accidental death of a statistically rare variety, the insurance company has to pay out multiple of the original amount. This excludes deaths by murder, suicide, gross negligence, and natural causes.

The part of the mission in Cat Among Pigeons where Ratio and Aventurine meet with Sunday is named after the movie. And before we get further into things, let's get this part out of the way: The Chinese name used in the mission is the CN title of the movie, so there's no liberties taken with the localization — this makes it clear that it’s a nod to the movie and not localization doing its own thing like with the mission name for Heaven Is A Place On Earth (EN) / This Side of Paradise (人间天堂) (CN).

—

[SUMMARY OF THE 1944 MOVIE]

Here I summarised the important parts that will eventually be relevant in the analysis related to the game.

Insurance salesman Walter Neff, wounded from a gunshot, enters his office and confesses his crime on a dictaphone to his boss Barton Keyes, the claims manager. Much earlier, he had met Phyllis Dietrichson, the wife of Mr. Dietrichson and former nurse. Neff had initially wanted to meet Mr. Dietrichson because of car insurance. Phyllis claims her husband is mean to her and that his life insurance goes to his daughter Lola. With Neff seduced by Phyllis, they eventually brew up a scheme to murder Mr. Dietrichson in such a way that they activate the "double indemnity" clause, and the plan goes off almost perfectly. Initially, the death is labeled a suicide by the president of the company, Norton. 

Keyes finds the whole situation suspicious, and starts to suspect Phyllis may have had an accomplice. The label on the death goes from accidental, to suicide, to then murder. When it’s ruled that the husband had no idea of the accidental policy, the company refuses to pay. Neff befriends Phyllis’ stepdaughter Lola, and after finding out Phyllis may have played a part in the death of her father’s previous wife, Neff begins to fear for Lola and himself, as the life insurance would go all towards her, not Phyllis.

After the plan begins to unravel as a witness is found, it comes out that Lola’s boyfriend Nino Zachette has been visiting Phyllis every night after the murder. Neff goes to confront Phyllis, intending to kill her. Phyllis has her own plans, and ends up shooting him, but is unable to fire any more shots once she realises she did love him. Neff kills her in two shots. Soon after telling Zachette not to go inside the house, Neff drives to his office to record the confession. When Keyes arrives, Neff tells him he will go to Mexico, but he collapses before he could get out of the building.

—

[THE PENACONY MISSION TIMELINE]

I won’t be summarising the entirety of Aventurine and Ratio’s endeavours from the beginning of their relationship to their final conversation in Heaven Is A Place On Earth the same way as I summarised the plot of the movie, so I will instead present a timeline. Bolded parts means they are important and have clear parallels, and texts that are in [brackets] and italics stand for the names of either the light cone, or the mission names.

[Final Victor] Their first meeting. Ratio’s ideals are turned on its head as he finally meets his match.

Several missions happen in-between their first encounter and the Penacony project. They come to grow so close and trusting with each other that they can guess, understand each other’s thoughts, way of thinking and minds even in high stakes missions. Enough to pull off the Prisoner’s Dilemma (Aventurine’s E1) and Stag Hunt Game (Aventurine’s E6) and come out on top.

Aventurine turns towards Ratio for assisting him in the Penacony project. Ratio's involvement in the project is implied to be done without the knowledge of Jade, Topaz, and the IPC in general, as he was only sent to Penacony to represent the Intelligentsia Guild, and the two other Stonehearts never mention Ratio.

Aventurine and Ratio cook up the plan to deceive Sunday before ever setting foot on Penacony. Aventurine does not tell Ratio the entirety of his plan.

Aventurine convinces Topaz and Jade to trust him with their Cornerstones. Aventurine also breaks his own Cornerstone and hides it along with the jade within a bag of gift money.

[The Youth Who Chase Dreams] They enter Penacony in the Reverie Hotel. Aventurine is taken to the side by Sunday and has all his valuables taken, which includes the gift money that contains the broken aventurine stone, the jade, and the case containing the topaz.

Aventurine and Ratio speak in a “private” room about how Aventurine messed up the plan. After faking an argument to the all-seeing eyes of Sunday, Ratio leaves in a huff.

Ratio, wearing his alabaster head, is seen around Golden Hour in the (Dusk) Auction House by March 7th.

[Double Indemnity] Ratio meets up with Sunday and “exposes” Aventurine to him. Sunday buys his “betrayal”, and is now in possession of the topaz and jade. Note that this is in truth Ratio betraying Sunday all along.

Ratio meets up with Aventurine again at the bar. Ratio tells Aventurine Sunday wants to see him again.

They go to Dewlight Pavilion and solve a bunch of puzzles to prove their worth to Sunday.

They meet up with Sunday. Sunday forces Aventurine to tell the truth using his Harmony powers. Ratio cannot watch on. It ends with Aventurine taking the gift money with his Cornerstone.

[Heaven Is A Place On Earth] They are in Golden Hour. Ratio tries to pry Aventurine about his plan, but Aventurine reins him in to stop breaking character. Ratio gives him the Mundanite’s Insight before leaving. This is their final conversation before Aventurine’s grandest death.

Now how exactly does the word “double indemnity” relate to their mission in-game? What is their payout? For the IPC, this would be Penacony itself — Aventurine, as the IPC ambassador, handing in the Jade Cornerstone as well as orchestrating a huge show for everybody to witness his death, means the IPC have a reason to reclaim the former prison frontier. As for Ratio, his payout would be information on Penacony’s Stellaron, although whether or not this was actually something he sought out is debatable. And Aventurine? It’s highly implied that he seeks an audience with Diamond, and breaking the Aventurine Cornerstone is a one way trip to getting into hot water with Diamond. With Aventurine’s self-destructive behaviour, however, it would also make sense to say that death would be his potential payout, had he taken that path in the realm of IX.

Compared to the movie, the timeline happens in reverse and opposite in some aspects. I will get into it later. As for the intended parallels, these are pretty clear and cut:

Veritas Ratio - Walter Neff

Aventurine - Phyllis Dietrichson

Sunday - Mr. Dietrichson

There is one other character who I feel also is represented in Ratio, but I won’t bring them up until later down the line.

For the sake of this analysis, I won’t be exploring Sunday’s parallel to Mr. Dietrichson, as there isn’t much on Dietrichson’s character in the first place in both the movie and the novel. He just kind of exists to be a bastard that is killed off at the halfway point. Plus, the analysis is specifically hyper focused on the other two.

—

[SO, WHAT’S THE PLAN?]

To make things less confusing in the long run whenever I mention the words “scheme” and “plan”, I will be going through the details of Phyllis and Neff’s scheme, and Aventurine and Ratio’s plan respectively. Anything that happens after either pair separate from another isn’t going to be included. Written in a way for the plans to have gone perfectly with no outside problems.

Phyllis and Neff —> Mr. Dietrichson

Goal: Activate the double indemnity clause by killing Mr. Dietrichson and making it look like a freak train accident

Payout: Twice or more of the face value of the life insurance ($100,000)

Main Actor: Walter Neff    |    Accomplice: Phyllis Dietrichson

During the entire time until the payout, Phyllis and Neff have to make sure to any outsiders that they look like complete strangers instead of lovers in an affair.

Step-by-step:

Neff convinces Mr. Dietrichson to sign the policy with the clause without him suspecting foul play, preferably with a third party to act as an alibi. This is done discreetly, making Mr. Dietrichson not read the policy closely and being told to just sign.

Neff and Phyllis talk to each other about small details through the phone (specified to be never at Phyllis’ own house and never when Neff was in his office) and in the marketplace only, to make their meetings look accidental. They shouldn’t be seen nor tracked together, after all.

Phyllis asks Mr. Dietrichson to take the train. She will be the one driving him to the train station.

On the night of the murder, after making sure his alibi is airtight, Neff sneaks into their residence and hides in their car in the second row seating, behind the front row passenger seat. He wears the same colour of clothes as Mr. Dietrichson.

Phyllis and Mr. Dietrichson get inside the car — Phyllis in the driver’s seat and Mr. Dietrichson in the passenger seat. Phyllis drives. On the way to the train station, she makes a detour into an alley. She honks the horn three times.

After the third honk, Neff breaks Mr. Dietrichson’s neck. The body is then hidden in the second row seating under a rug.

They drive to the train station. Phyllis helps Neff, now posing as Mr. Dietrichson, onto the train. The train leaves the station.

Neff makes it to the observation platform of the parlour car and drops onto the train tracks when nobody else is there.

Phyllis is at the dump beside the tracks. She makes the car blink twice as a signal.

The two drag Mr. Dietrichson’s corpse onto the tracks.

They leave.

When Phyllis eventually gets questioned by the insurance company, she pretends she has no idea what they are talking about and eventually storms off.

Phyllis and Neff continue to lay low until the insurance company pays out.

Profit!

Actual Result: The actual murder plan goes almost smoothly, with a bonus of Mr. Dietrichson having broken a leg. But with him not filing a claim for the broken leg, a witness at the observation platform, and Zachette visiting Phyllis every night after the murder, Keyes works out the murder scheme on his own, but pins the blame on Phyllis and Zachette, not Neff.

Now for Aventurine and Ratio. You can skip this section if you understand how deep their act goes, but to those who need a refresher, here’s a thorough explanation:

Aventurine and Ratio —> Sunday

Goal: Collect the aventurine stone without Sunday knowing, ruin the dream (and create the grandest death)

Payout: Penacony for the IPC, information on the Stellaron for Ratio, a meeting with Diamond / death for Aventurine

Main Actor: Aventurine    |    Accomplice: Veritas Ratio

From the moment they step onto Penacony, they are under Sunday’s ever present and watchful eyes. “Privacy” is a foreign word to The Family. They have to act like they don’t like each other’s company the entire time and feed Sunday information through indirect means so that the eventual “betrayal” by Ratio seems truthful to Sunday. Despite what it looks like, they are closer than one would ever think, and Ratio would never sell out a person purely for information.

Step-by-step:

After Sunday takes away the bag of gift money and box, Aventurine and Ratio talk in a room in the Reverie Hotel.

Aventurine establishes the Cornerstones’ importance, and how he lost the gift money and the case containing the Cornerstones to Sunday. Ratio turns to leave, saying “some idiot ruined everything”, meaning the Cornerstones were vital to their plan. (Note that Ratio is not wearing his alabaster head while saying it to said “idiot”.)

Aventurine then proceeds to downplay the importance of the Cornerstones, stating they are “nothing more than a few rocks” and “who cares if they are gone”. This lets Sunday know that something suspicious may be going on for him to act like it’s nothing, and the mention of multiple stones, and leaves him to look up what a Cornerstone is to the Ten Stonehearts of the IPC.

Ratio points out his absurd choice of outfit, mentioning the Attini Peacock and their song.

Ratio implies that without the aventurine stone, he is useless to the IPC. He also establishes that Aventurine is from Sigonia(-IV), and points out the mark on his neck. To Sunday, this means that Aventurine is shackled to the IPC, and how Aventurine may possibly go through extreme lengths to get the stone back, because a death sentence always looms above him.

Aventurine claims Ratio had done his homework on his background, which can be taken that this is their very first time working together. (It isn’t, and it only takes one look to know that Aventurine is an Avgin because of his unique eyes, so this comment does not make sense even in a “sincere” way, a running theme for the interaction.)

Ratio mentions how the true goal is to reclaim Penacony for the IPC, establishing their ulterior motive for attending the banquet.

Ratio asks if Aventurine went to pre-school in Sigonia after saying trust was reliant on cooperation. Aventurine mentions how he didn’t go to school and how he doesn’t have any parents. He even brings up how friends are weapons of the Avgins. This tells Sunday that the Avgins supposedly are good at manipulation and potentially sees Ratio possibly betraying Aventurine due to his carelessness with his “friends”. Sunday would also then research about the Avgins in general (and research about Sigonia-IV comes straight from the Intelligentsia Guild.)

Ratio goes to Dewlight Pavilion in Sunday’s Mansion and exposes a part of Aventurine’s “plan”. When being handed the suitcase, Ratio opens it up due to his apparent high status in the IPC. He tells Sunday that the Cornerstone in the suitcase is a topaz, not an aventurine, and that the real aventurine stone is in the bag of gift money. This is a double betrayal — on Aventurine (who knows) and Sunday (who doesn’t). Note that while Ratio is not officially an IPC member in name — the Intelligentsia Guild (which is run by the IPC head of the Technology Department Yabuli) frequently collaborates with the IPC. Either Aventurine had given him access to the box, or Ratio’s status in general is ambiguous enough for Sunday not to question him further. He then explains parts of Aventurine’s gamble to Sunday in order to sell the betrayal. Note that Ratio does not ever mention Aventurine’s race to Sunday.

Ratio brings Aventurine to Sunday. Aventurine offers help in the investigation of Robin's death, requesting the gift money and the box in return.

Sunday objects to the trade offer. Aventurine then asks for just the bag. A classic car insurance sales tactic. Sunday then interrogates Aventurine, and uses everything Ratio and Aventurine brought up in the Reverie Hotel conversation and their interactions in the Mansion, as well as aspects that Ratio had brought up to Sunday himself.

Aventurine feigns defeat and ignorance enough so that Sunday willingly lets him go with the gift bag. After all is said and done, Aventurine leaves with the gift money, where the Aventurine Cornerstone is stored all along.

Ratio and Aventurine continue to pretend they dislike each other until they go their separate ways for their respective goals and plans. Aventurine would go on to orchestrate his own demise at the hands of Acheron, and Ratio… lurks in the shadows like the owl he is.

Profit!

Actual Result: The plan goes perfectly, even with minor hiccups like Ratio coming close to breaking character several times and Aventurine being sentenced to execution by Sunday.

This is how Sunday uses the information he gathered against Aventurine:

• Sunday going on a tirade about the way Aventurine dresses and how he’s not one to take risks — Ratio’s comment about Aventurine’s outfit being peacock-esque and how he’s “short of a feather or two”. • “Do you own a Cornerstone?” — Ratio talked about the aventurine stone. • “Did you hand over the Cornerstone to The Family when you entered Penacony?” — Aventurine mentioned the box containing the Cornerstones. • “Does the Cornerstone you handed over to The Family belong to you?” — Aventurine specifically pluralized the word Cornerstone and “a bunch of rocks” when talking to Ratio. • “Is your Cornerstone in this room right now?” — The box in the room supposedly contained Aventurine’s own cornerstone, when Aventurine mentioned multiple stones. • “Are you an Avgin from Sigonia?” —Aventurine mentioned that he’s an Avgin, and Ratio brought up Sigonia. • “Do the Avgins have any ability to read, control, and manipulate one’s own or another’s minds?” — Aventurine’s comment on how friends are weapons, as well as Sunday’s own research on the Avgins, leading him to find out about the negative stereotypes associated with them. • “Do you love your family more than yourself?” — His lost parents. “All the Avgins were killed in a massacre. Am I right?” — Based on Sunday’s research into his background. • “Are you your clan’s sole survivor?” — Same as the last point. “Do you hate and wish to destroy this world with your own hands?” — Ratio mentioned the IPC’s goal to regain Penacony, and Aventurine’s whole shtick is “all or nothing”. • “Can you swear that at this very moment, the aventurine stone is safe and sound in this box?” — Repeat.

As seen here, both duos have convoluted plans that involve the deception of one or more parties while also pretending that the relationship between each other isn’t as close as in reality. Unless you knew both of them personally and their histories, there was no way you could tell that they have something else going on. 

On to the next point: Comparing Aventurine and Ratio with Phyllis and Neff.

—

[NEFF & PHYLLIS — RATIO & AVENTURINE]

With the short summaries of the movie and the mission out of the way, let’s look at Phyllis and Neff as characters and how Aventurine and Ratio are similar or opposite to them.

Starting off with Aventurine and Phyllis. Here is where they are the most similar:

Phyllis is blonde and described as a provocative woman. Aventurine is also a blond and eyes Ratio provocatively in the Final Victor light cone.

Phyllis was put under surveillance after Keyes starts figuring out that the so-called accidental death/suicide may have been a murder after all. Similarly, Aventurine was watched by Sunday the entire time in Penacony.

Phyllis never tells Neff how she's seeing another man on the side to possibly kill him too (as well as how she was responsible for the death of her husband‘s previous wife). Aventurine also didn't tell Ratio the entirety of his plan of his own death.

Phyllis puts on a somewhat helpless act at first but is incredibly capable of making things go her way, having everything seemingly wrapped around her finger. Aventurine — even when putting on a facade that masks his true motives — always comes out at the top.

Now the differences between Aventurine and Phyllis:

Phyllis does not care about her family and has no issue with killing her husband, his previous wife, and possibly her daughter Lola. Opposite of that, Aventurine is a family man… with no family left, as well as feeling an insane level of survivor’s guilt.

Really, Phyllis just… does not care at all about anyone but herself and the money. Aventurine, while he uses every trick in the book to get out on top, does care about the way Jade and Topaz had entrusted him with their Cornerstones, in spite of the stones being worth their lives. 

Phyllis also uses other people to her advantage to get what she wants, often behind other people's backs, with the way she treats Neff and Zachette. Aventurine does as well (what with him making deals with the Trailblazer while also making a deal with Black Swan that involves the Trailblazer). The difference here is Phyllis uses her allure deliberately to seduce men while Aventurine simply uses others as pawns while also allowing others to do the same to himself.

Phyllis makes no attempt at compromising the policy when questioned by Norton. Aventurine ends up compromising by only taking the gift money (which is exactly what he needs).

The wig that Barbara Stanwyck (the actress of Phyllis) wore was chosen to make her look as “sleazy” as possible, make her look insincere and a fraud, a manipulator. A sort of cheapness. Aventurine’s flashy peacock-esque outfit can be sort of seen as something similar, except the outfit isn’t cheap.

Moving on to Ratio’s similarities to Neff… There isn’t much to extrapolate here as Ratio is more of a side character in the grand scheme of Penacony, however this is what I’ve figured out.

Neff has dark hair. Ratio has dark purple hair.

Neff almost never refers to Phyllis by her name when speaking with her, only as “baby”. The few times he refers to her as Phyllis or Mrs. Dietrichson is during their first conversations and when he has to act like he doesn’t know her. Ratio never calls Aventurine by his name when he’s around him — only as “gambler”, sometimes “damned” or “dear” (EN-only) gambler. Only in the Aventurine's Keeping Up With Star Rail episode does Ratio repeatedly say his name, and yet he still calls him by monikers like “gambler” or, bafflingly, a “system of chaos devoid of logic”.

Both Neff and Ratio committed two betrayals: Neff on Mr. Dietrichson and Keyes, and Ratio on Sunday and Aventurine. With the former cases it was to reach the end of the trolley line, and with the latter it was on a man who had put his trust in him.

As for the differences…

Neff is described as someone who’s not smart by his peers. Ratio is someone who is repeatedly idolised and put on a pedestal by other people.

Neff is excellent at pretending to not know nor care for Phyllis whenever he speaks about her with Keyes or when he and she are in a place that could land them in hot water (the office, the mansion when there are witnesses). His acting is on the same level as Phyllis. With Ratio it’s… complicated. While he does pull off the hater act well, he straight up isn’t great at pretending not to care about Aventurine’s wellbeing.

Instead of getting his gunshot wound treated in the hospital like a normal person, Neff makes the absolutely brilliant decision of driving to his office and talking to a dictaphone for hours. Needless to say, this is something a medical doctor like Ratio would never do.

Now here's the thing. Though it's very easy to just look at Phyllis and Neff in the movie and go "okay, Aventurine is Phyllis and Ratio is Neff — end of story" and leave it at that, I find that they both take from the two leads in different ways. Let me explain. Beginning with Aventurine and Neff…

Neff is the one who hatches the plan and encourages Phyllis to go through and claim the double indemnity clause in the first place. He is also the key player of his own risky plan, having to fake being the husband to enter the train as well as fake the death. Aventurine puts himself at great risk just by being in Sunday’s presence, and hoping that Sunday wouldn’t figure out that the green stone he had uncovered wasn’t the aventurine stone.

Adding onto the last point, Neff had fantasised about pulling off the perfect murder for a long time — the catalyst was simply him meeting Phyllis. Aventurine presumably sought out Ratio alone for his plan against Sunday.

Neff makes a roulette wheel analogy and talks about a pile of blue and yellow poker chips (the latter in the script only). I don‘t even have to explain why this is relevant here. (Aventurine’s Ultimate features a roulette wheel and the motif is on his belt, thigh strap, and back, too. And of course, Aventurine is all about his chips.)

Neff has certain ways to hide when he’s nervous, which include hiding his hands in his pockets when they were shaking, putting on glasses so people couldn’t see his eyes. Aventurine hides his left hand behind his back when he’s nervous: Future Aventurine says that "they don't know the other hand is below the table, clutching [his] chips for dear life", and in multiple occasions such as the Final Victor LC, his character trailer, and even in his boss form in the overworld you can see that Aventurine hides his left hand behind his back. And he is also seen with his glasses on sometimes.

Neff says a bunch of stuff to make sure that Phyllis acts her part and does not act out of character (i.e. during their interactions at the market), like how Aventurine repeatedly tries to get Ratio back on track from his subpar acting.

Neff is always one step ahead of the game, and the only reason the plan blows up in his face is due to outside forces that he could not have foreseen (a witness, Keyes figuring out the plan, the broken leg). Aventurine meanwhile plays 5D chess and even with the odds against him, he uses everything he can to come out on the top (i. e. getting Acheron to kill him in the dream).

Even after coming home on the night of the murder, Neff still felt that everything could have gone wrong. Aventurine, with his blessed luck, occasionally wavers and fears everything could go wrong whenever he takes a gamble.

Neff was not put under surveillance by Keyes due to him being extensive with his alibi. After witnessing Robin’s death with eyewitnesses at the scene, the Family had accepted Aventurine’s alibi, though he would be under watch from the Bloodhounds according to Ratio.

Neff talks about the entire murder scheme to the dictaphone. Aventurine during Cat Among Pigeons also retells his plan, albeit in a more convoluted manner, what with his future self and all.

Continuing with Ratio and Phyllis, even with their personalities and motivations being quite different, they do have a few commonalities.

Phyllis was a nurse. Ratio is a medical doctor.

Her name is Greek of origin. Veritas Ratio, though his name is Latin, has Greco-Roman influences throughout his entire character.

The very first scene Phyllis appears in has her wearing a bath towel around her torso. Ratio loves to take baths to clear his mind.

Phyllis was instructed by Neff to be at the market every morning at eleven buying things. Ratio is seen in an auction house with his alabaster head on so no one could recognize him.

Phyllis mostly acts as an accomplice to the scheme, being the one to convince her husband to take the train instead. She is also generally seen only when Neff is involved. Ratio plays the same role as well, only really appearing in the story in relation to Aventurine as well as being the accomplice in Aventurine’s own death. Even him standing in the auction house randomly can be explained by the theory that he and Aventurine had attempted to destabilise Penacony’s economy through a pump and dump scheme.

With these pointers out of the way, let’s take a closer look at select scenes from the film and their relation to the mission and the pair. 

—

[THE PHONE CALL — THE REVERIE HOTEL]

Before the murder, there is a scene with a phone call between Phyllis and Neff discussing the plan while Keyes is in the same room as Neff. Neff has to make sure that Keyes doesn’t think of anything of the phone call, so he acts like he’s calling a “Margie”, and says a bunch of stuff that sounds innocent out of context (“Can’t I call you back, ‘Margie’?” “What color did you pick out?” “Navy blue. I like that fine”), but are actually hinting at the real plan all along (the suit that Mr. Dietrichson wears.)

In a roundabout way, the conversation between Ratio and Aventurine in the Reverie Hotel can be seen as the opposite of that scene — with the two talking about their supposed plan out loud on Penacony ground, a place where the Family (and in turn, Sunday) has eyes everywhere. Despite being in a “private” room, they still act like they hate each other while airing out details that really do not make sense to air out if they really did meet the first time in Penacony (which they didn’t — they’ve been on several missions beforehand). It’s almost like they want a secret third person to know what they were doing, instead of trying to be hushed up about it. The TVs in the room that Sunday can look through based on Inherently Unjust Destiny — A Moment Among The Stars, the Bloodhound statue that disappears upon being inspected, the owl clock on the left which side eyes Ratio and Aventurine, all point to that Sunday is watching their every move, listening to every word.

Rewinding back to before the phone call, in one of the encounters at the marketplace where they “accidentally” run into each other, Phyllis talks about how the trip was off. How her husband wouldn’t get on the train, which was vital for their plan, because of a broken leg. All this, while pretending to be strangers by the passersby. You could say that the part where Ratio almost leaves because Aventurine had “ruined the plan” is the opposite of this, as the husband breaking his leg was something they couldn’t account for, while Aventurine “being short of a few feathers” was entirely part of the plan.

—

[QUESTIONING PHYLLIS — THE INTERROGATION]

This section is going to be a little longer as I will cover two scenes in the movie in a more detailed manner — Mr. Dietrichson signing the policy, and Phyllis being questioned — and how they are represented in the Sunday-Aventurine interrogation and the prior conversation between Ratio and Sunday in multitudes of ways.

Going about their plan, Neff has to make sure that Mr. Dietrichson signs the policy with the double indemnity clause without him knowing the details, all the while having Phyllis (and Lola) in the same room. He and Phyllis have to pretend that they don’t know each other, and that this is just the standard accidental insurance process, instead of signing what would be his downfall. To sell it, he gets Mr. Dietrichson to sign two “copies” of the form, except with Mr. Dietrichson’s second signature, he’s duped into signing the accident insurance policy with the respective clause.

You can tie this to how Ratio goes to Sunday in order to “expose” the lie that the suitcase didn’t actually contain the Aventurine Cornerstone, as well as there being more than one Cornerstone involved in the scheme. Ratio must make sure that Sunday truly believes that he dislikes Aventurine’s company, while also making sure that Sunday doesn’t figure out the actual aventurine stone is broken and hidden in the gift bag. The scheme turns out to be successful, as Sunday retrieves the two Cornerstones, but not the aventurine stone, and truly does think that the green stone he has in his possession is the aventurine.

This whole scene with Sunday is also reminiscent of the interrogation scene in the middle of the movie, where Phyllis was questioned by the boss (Norton) who was deducing that Mr. Dietrichson's death was a suicide, not accidental death. Neff, Phyllis, Keyes and Norton were all in the same room, and Neff and Phyllis had to act like they never knew the other. Phyllis acts like she knows nothing about what Norton insinuates about her husband and eventually, Phyllis explodes in anger and storms out the room, even slamming the door. Her act is very believable to any outsider.

Now back to the Ratio and Sunday conversation. One glaring difference between the movie and here is that his acting isn’t great compared to either Phyllis nor Neff. It never was throughout the Penacony mission. He even comes very close to breaking character several times, and is even defending Aventurine in a somewhat aggressive manner during his one-on-one conversation with Sunday, as in he literally tells Sunday to see a shrink. It’s very different from the way he was acting in Herta Space Station — like Ratio cares about Aventurine too much to keep his hands off.

It's also worth pointing out that Neff doesn't speak a word when Phyllis was being interrogated. Similarly, Ratio is silent throughout the entire scene with Sunday and Aventurine, with his only “line” being a “hm”. When Aventurine calls him a wretch to his face, all he does is look to the side. In fact, he can only look at Aventurine when the other isn’t staring back. Almost like him uttering a single word would give them away. Or his acting is terrible when it has to do with Aventurine, as he has no issue doing the same thing in Crown of the Mundane and Divine (Mundane Troubles).

So, Sunday finds out about the Cornerstones and reveals them to Aventurine, and reasons that he cannot give them back to him because Aventurine had lied. Note that in that same scene, Aventurine attempted to use the two murders that had occurred beforehand against Sunday to retrieve his own cornerstone. Similarly, when it was revealed that Mr. Dietrichson did not know about the accident policy and that the so-called “accidental death” was not, in fact, accidental, the insurance company refused to pay out the money.

Unlike the movie, this was all planned, however. The double-crossing by Ratio, the gift money being the only thing required for Aventurine’s real plan. All of it was an act of betrayal against Sunday, in the same manner as the meticulous planning as Mr. Dietrichson’s murder — To sign the policy, get him to take the train, kill him on the way, and to have Neff pose as the husband on the train until the time is right to get off and lay the body on the tracks. A key difference is that they could not have expected their scheme to be busted wide open due to forces outside of their control, while Ratio and Aventurine went straight down the line for the both of them no matter what.

From here on out, we can conclude that the way Ratio and Aventurine present themselves in Penacony to onlookers is in line with Neff and Phyllis.

—

[“GOODBYE, BABY” — FINAL VICTOR]

And now for the (in)famous light cone, Final Victor. The thing that truly kickstarted the Ratio and Aventurine ship in the fanbase, and the partnership between the two in general. It’s a direct reference to the final confrontation between Neff and Phyllis in the movie.

I’ll fire through all the similarities between the two scenes.

During the respective scenes, Aventurine and Phyllis both outsmart their partner one way or the other: Aventurine with his one-sided game of Russian Roulette, and Phyllis hiding her gun underneath the cushions until Neff turned away.

The guns are owned by Phyllis and Aventurine, not Neff and Ratio.

Phyllis couldn’t bring herself to fire any more shots after she realised she truly did love Neff. Ratio could do nothing but watch as Aventurine did what he did — he couldn’t even pull away if the LC animation is anything to go by him struggling as Aventurine firmly keeps the gun to his chest.

Neff says he doesn’t buy (believe) that Phyllis loved him. She then goes “I’m not asking you to buy […]”. The LC description has Aventurine ask Ratio “You don’t believe me?”, while in the LC animation Ratio straight up says “You expect me to believe you?” and Aventurine answering “Why not, doctor/professor?”

The visual composition of the LC and the scene are nearly identical, from the lighting to the posing to the way Aventurine looks at Ratio — Aventurine and Ratio are even wearing different outfits to fit the scene better. The background in the LC is also like the blinders in the movie, just horizontal.

In the shot where Phyllis’ face is more visible, the way she looks at Neff is strikingly like the way provocatively looks at Ratio. Even their eyes have a visible shine — Phyllis’ eyes brightly shining the moment she realised she really fell in love with Neff, and Aventurine having just a little light return to his eyes in that specific moment.

And now the differences!

Neff holds the gun in his right hand. Aventurine makes Ratio hold his gun in his left.

Neff is the one who takes the gun from Phyllis‘ hand. Aventurine is the one who places the gun in Ratio’s hand and fires it.

Three gunshots are fired. In the movie, Phyllis shoots the first shot and Neff the second and third. Aventurine unloads the gun and leaves only one bullet for this game of Russian Roulette. He pulls the trigger three times, but they all turn out to be blanks.

Phyllis does not break her façade of not smiling until the very last moment where she gets shot. Aventurine is smiling the entire time according to the light cone description, whilst in the animation, it’s only when he guides the gun to his chest that he puts it on.

So, you know how Neff meets Phyllis and it all goes off the rails from there. The way Neff goes from a decent guy to willingly involve himself in a murder scheme, having his morals corrupted by Phyllis. His world having been turned upside down the moment he lays eyes on Phyllis in that first meeting. Doesn’t that sound like something that happened with the Final Victor LC? Ratio, a man all about logic and rationality — a scholar with eight PhDs to his name — all of that is flipped on its head the moment Aventurine pulls out his gun in their first meeting and forces Ratio to play a game of Russian roulette with him. Aventurine casually gambles using his own life like it’s nothing and seemingly without fear (barring his hidden left hand). All or nothing — and yet Aventurine comes out alive after three blanks. Poetic, considering there’s a consumable in the game called “All or Nothing” which features a broken chess piece and a poker chip bound together by a tie. The poker chip obviously represents the gambler, but the chess piece specifically stands for Ratio because he plays chess in his character trailer, his Keeping Up With Star Rail episode and his introduction is centred around him playing chess with himself. Plus, the design of the chess piece has golden accents, similar to his own chess set. In the end, Aventurine will always be the final victor.

Furthermore, Neff had deduced that Phyllis wanted to kill her husband and initially wanted no part in it, but in a subsequent visit it was his own idea that they trigger the double indemnity clause for more money. As the movie progresses though, he starts to have his doubts (thanks in part to him befriending Lola) and makes the move to kill Phyllis when everything starts to come to light. It’s strikingly similar to how Ratio initially wanted no part in whatever Aventurine had in mind when they first met, but in the subsequent missions where they were paired up, he willingly goes along with Aventurine's risky plans, and they come to trust each other. Enough so that Aventurine and Ratio can go to Penacony all on their own and put on an act, knowing that nobody in the IPC other than them can enter the Dreamscape. The mutual respect grew over time, instead of burning passionately before quickly fizzling out like in the movie.

Basically, in one scene, three shots (blanks) start a relationship, and in the other, it ends a relationship. In the anan magazine interview with Aventurine, he says himself that “form[ing] an alliance with just one bullet” with Ratio was one of his personal achievements. The moment itself was so impactful for both parties that it was immortalised and turned into a light cone.

—

[THE ENDING — GOLDEN HOUR]

The ending of Double Indemnity that made it into the final cut has Neff continue his confession on the dictaphone until he realised that he wasn’t alone in the room. Keyes had come inside at some point, but none had said a thing, only listening to a dead man speak of his crime. When Neff sees Keyes, they talk for a moment, Neff says he plans on fleeing to Mexico. Keyes does not think he will make it. He tries to leave, only to collapse at the front of the elevator, Keyes following just behind him. Neff attempts to light a cigar but is too weak to do so, so Keyes does it for him.

Parts of the ending can still be attributed to the interrogation scene between Sunday and Aventurine, so I’ll make this quick before moving on to the conversation in Heaven Is A Place On Earth, Ratio and Aventurine’s final conversation together. Once Sunday mentions how quickly Aventurine gave up the suitcase, he inflicts the Harmony’s consecration on him, which forces Aventurine to confess everything that Sunday asks of. In a way, it’s the opposite of what happens in the movie — where Neff willingly tells the truth about the murder to his coworker. Aventurine does not like Sunday, and Neff is close to Keyes. Ratio also does not speak, similarly to how Keyes didn’t speak and stood silently off to the side.

Post-interrogation in Golden Hour, Ratio worriedly prods at Aventurine and asks him about his plan. He then gives him the Mundanite’s Insight with the Doctor’s Advice inside when Aventurine tells him to leave. Throughout Heaven Is A Place On Earth, Aventurine gets weaker and his head starts to buzz, until he falls to the ground before he can hand in the final gems. Similarly, Neff progressively grows weaker as he records his confession. Keyes says he’s going to call a doctor and Neff says he’s planning to go to Mexico. And when Neff collapses near the elevator, they talk one final time and Keyes lights Neff’s cigar as the other was too weak to do so himself.

—

[OPPOSITE TIMELINES AND DEVELOPMENTS]

Remember how I said the way certain events happen in the movie and the game are mostly opposite and reverse of one another? 

The Final Victor LC is the first meeting of Ratio and Aventurine, and Neff killing Phyllis is their final meeting.

Between that first and last meeting between Phyllis and Neff’s whirlwind romance, their relationship becomes strained which ultimately leads to Neff not trusting whatever Phyllis has to say at the end point of the movie. As for Ratio and Aventurine, the exact opposite had happened, to the point where Ratio trusts Aventurine enough to go along with his plans even if they went against his own ideals. The basis of the mission involved Veritas Ratio, whose full name includes the Latin word for “truth”, lying the entire time on Penacony.

Aventurine is sentenced to the gallows by Sunday after his unwilling interrogation. The movie starts and ends with Neff willingly confessing everything to Keyes.

It bears repeating, but I have to make it so clear that the trust between Ratio and Aventurine runs incredibly deep. Being able to predict what your partner says and thinks and plans in a mission as critical as the Penacony project is not something first-time co-workers can pull off flawlessly. All the while having to put on masks that prevent you from speaking sincerely towards one another lest you rat yourselves out. You have no way of contacting outside reinforcements from within Penacony, as the rest of the IPC are barred from entering. To be able to play everybody for fools while said fools believe you yourselves have handed your case on a silver platter requires a lot — trust, knowledge of the other, past experience, and so on. With Phyllis and Neff, the trust they had had been snuffed out when Neff grew closer to Lola and found out what kind of person Phyllis truly was on the inside. Phyllis did not trust nor love Neff enough and was going behind his back to meet with Zachette to possibly take Neff and Lola out. And the whole reason Neff wanted to perpetrate the murder was due to him being initially taken by Phyllis' appearance, which single handedly got the ball rolling on the crime.

Now then, how come trust is one of the defining aspects of Aventurine and Ratio’s relationship, when Phyllis and Neff’s trust eventually lead to both their deaths at the hands of the other? Sure, this can be explained away with the opposite theory, but there’s one other relationship involving Neff which I haven’t brought up in excruciating detail yet. The other side of Ratio and Aventurine’s relationship.

—

[NEFF & KEYES — AVENTURINE & RATIO]

Here is where it gets more interesting — while Phyllis and Neff are at the centre point of the movie, there is another character to whom Neff has a close relationship with — Keyes. It’s also the only relationship with no pretences, at least, until the whole murder thing happened and Neff had to hide his involvement from Keyes. Watching the movie, I couldn't help but feel there was something more to the two than meets the eye. I knew that queer readings of the film existed, but I didn't think too much of them until now. And though Aventurine and Ratio parallel Phyllis and Neff respectively, the fact that they also have traits of their opposite means that it wouldn’t be completely out of the question if parts of their relationship were also influenced by Keyes and Neff on a deeper and personal level. Let me explain.

Keyes and Neff were intimate friends for eleven years and have shown mutual respect and trust towards one another. They understood each other on a level not seen with Phyllis and Neff. Even after hearing Neff confess his crimes through the dictaphone (and eventually standing in the same room while Neff confessed), he still cared for the other man, and stayed with him when Neff collapsed at the front door. The only reason Keyes hadn’t deduced that it was Neff who was behind the murder was because he had his absolute trust in him. Keyes is also Neff’s boss, and they are always seen exchanging playful banter when they are on screen together. Neff even says the words “I love you, too” twice in the movie — first at the beginning and second at the end, as the final line. There’s also the persistent theme of Neff lighting Keyes’ cigarettes (which happens in every scene where they are face-to-face), except in the end where it’s Keyes who lights Neff’s.

Doesn’t that sound familiar? Mutual respect, caring too much about the other person, the immense amount of trust… Ratio says he’s even the manager of the Penacony project (which may or may not be a lie), and despite their banter being laced with them acting as “enemies”, you can tell that in Dewlight Pavilion pre-Sunday confrontation that Aventurine genuinely likes Ratio’s company and believes him to be a reliable person. From the way he acts carefree in his words to the thoughts in his head, as seen in the mission descriptions for Double Indemnity. Their interactions in that specific mission are possibly the closest thing to their normal way of speaking that we get to see on Penacony.

Not to mention, this is the way Neff describes Keyes. He even says (not in the script) “you never fooled me with your song and dance, not for a second.” Apart from the line about the cigar ashes, doesn’t this ring a bell to a certain doctor? “Jerk” with a heart of gold?

After solving the puzzle with the statues, Ratio jokingly offers Aventurine to join the Genius Society. Aventurine then goes "Really? I thought you’ve given up on that already", and then Ratio says it was, in fact, a joke. Solving the puzzle through brute force has Ratio telling Aventurine that the Council of Mundanites (which Ratio himself is a part of) should consider him a member. In the movie, where the scene with the phone call with Neff and Phyllis reiterating details of their plan happens, Keyes actually offered Neff a better job (specifically a desk job, as Keyes’ assistant). The two pairs saw the other as smart, equals, and were invested in each other’s careers one way or another.

Because of all this, the character parallels for this side of the relationship are as follows:

Aventurine - Walter Neff

Veritas Ratio - Barton Keyes

With the way I’ve talked about how Aventurine and Ratio take from both leads in terms, it does fit to say that Aventurine is Neff, and Ratio is Keyes in this layer of their relationship. Since we’re on the topic of Keyes, let me also go through some similarities with him and Ratio specifically.

Keyes says the words “dimwitted amateurs” in his first on-screen conversation with Neff. You can’t have Dr. Ratio without him talking about idiocy in some way.

Keyes almost only appears in the movie in relation to Neff, and barring a single interaction in Neff’s house, is also only seen in the office. Same with Phyllis, Ratio also only ever appears regarding Aventurine.

Keyes genuinely wanted the best for Neff, even offering to celebrate with him when he thought the case truly had been busted wide open by forces when Zachette entered the picture. You could say the same for Ratio, as he hoped that Aventurine wouldn’t dwell on the past according to his response on Aventurine’s Interview, as well as telling him to “stay alive/live on (CN)” and wishing him the best of luck in his Doctor’s Advice note.

Whether or not you believe that there was more going on with Neff and Keyes is up to you, but what matters is that the two were very close. Just like Ratio and Aventurine.

—

[THE ORIGINAL FILM ENDING]

Something that I hadn’t seen brought up is the original ending of Double Indemnity, where Neff is executed in a gas chamber while Keyes watches on, shocked, and afterwards leaves somberly. The ending was taken out because they were worried about the Hays Code, but I felt it was important to bring it up, because in a way, you can kind of see the Sunday interrogation scene as Sunday sending Aventurine to his death in seventeen system hours. And Ratio doesn’t speak at all in that scene, and Keyes doesn’t either according to the script.

Another thing that’s noteworthy is that Wilder himself said “the story was about the two guys” in Conversations with Wilder. The two guys in question are Keyes and Neff.

—

[THE NOVEL]

With the original film ending covered, now it is time to bring up the novel by James M. Cain. I bought the book just to read about the differences between the adaptation and the original source material, and to list a few more similarities and opposites I could gather. For this section alone, due to the changes in the (last) names of certain characters, I will be referring to Walter Huff (Neff in the movie) as Walter, and Mr. Dietrichson as Nirdlinger. The plot is pretty much the same as the movie’s apart from a couple of changes so there isn’t a need to recount everything.

From my two read-throughs of the novel, these are the following passages that stood out to me the most. Starting with Aventurine:

Walter, as a top businessman of the company, knows how to sway a deal and to get what he truly wants with what the other gives him. Aventurine is the same, reliant on his intuition, experience and whatever information he has on the table to claim the win. Him luring out Sparkle in Heaven Is A Place On Earth and his conversation with Acheron in the Nihility is indicative of that.

• "But you sell as many people as I do, you don't go by what they say. You feel it, how the deal is going. And after a while I knew this woman didn't care anything about the Automobile Club. Maybe the husband did, but she didn't. There was something else, and this was nothing but a stall. I figured it would be some kind of a proposition to split the commission, maybe so she could get a ten-spot out of it without the husband knowing. There's plenty of that going on. And I was just wondering what I would say to her." 

Phyllis, like in the movie, had been hiding her true intentions of talking to Walter in their first conversations, always saying things that she didn’t actually mean. In a similar vein, Aventurine consistently says stuff but almost never truly means any of it, which is all part of his façade.

• "And I could feel it again, that she wasn't saying what she meant. It was the same as it was the first afternoon I met her, that there was something else, besides what she was telling me. And I couldn't shake it off, that I had to call it on her."

When discussing the murder plan with Phyllis, Walter makes this comment, kind of like how Aventurine seems to operate in a way where he has a plan, but is ready to improvise and think fast when needed.

• "And then it's one of those things where you've got to watch for your chance, and you can't plan it in advance, and know where you're going to come out to the last decimal point."

Remember the roulette wheel line from the movie? In the novel, the gambling metaphor that Walter makes about the insurance business goes on for two paragraphs, mentioning a gambling wheel, stack of chips, a place with a big casino and the little ivory ball, even about a bet on the table. Walter also talks about how he thinks of tricks at night after being in the business for so long, and how he could game the system. Needless to say, insanely reminiscent of Aventurine.

• "You think I’m nuts? All right, maybe I am. But you spend fifteen years in the business I’m in, and maybe a little better than that, it’s the friend of the widow, the orphan, and the needy in time of trouble? It’s not. It’s the biggest gambling wheel in the world. It don’t look like it, but it is, from the way they figure the percentage on the oo to the look on their face when they cash your chips. You bet that your house will burn down, they bet it won’t, that’s all. What fools you is that you didn’t want your house to burn down when you made the bet, and so you forget it’s a bet. To them, a bet is a bet, and a hedge bet don’t look any different than any other bet. But there comes a time, maybe, when you do want your house to burn down, when the money is worth more than the house. And right there is where the trouble starts." • "Alright, I’m an agent. I’m a croupier in that game. I know all their tricks, I lie awake thinking up tricks, so I’ll be ready for them when they come at me. And then one night I think up a trick, and get to thinking I could crook the wheel myself if I could only put a plant out there to put down my bet." • "I had seen so many houses burned down, so many cars wrecked, so many corpses with blue holes in their temples, so many awful things that people had pulled to crook the wheel, that that stuff didn’t seem real to me anymore. If you don’t understand that, go to Monte Carlo or some other place where there’s a big casino, sit at a table, and watch the face of the man that spins the little ivory ball. After you’ve watched it a while, ask yourself how much he would care if you went out and plugged yourself in the head. His eyes might drop when he heard the shot, but it wouldn’t be from the worry whether you lived or died. It would be to make sure you didn’t leave a bet on the table, that he would have to cash for your estate. No, he wouldn’t care."

Returning home from the murder, Walter attempted to pray, but was unable to do it. Some time passed and after speaking to Phyllis, he prayed. Aventurine presumably hadn’t done the prayer ever since the day of the massacre, and the first time he does it again, he does it with his child self.

• "I went to the dining room and took a drink. I took another drink. I started mumbling to myself, trying to get so I could talk. I had to have something to mumble. I thought of the Lord's Prayer. I mumbled that, a couple of times. I tried to mumble it another time, and couldn't remember how it went." • "That night I did something I hadn’t done in years. I prayed."

Phyllis in the book is much more inclined towards death than her movie version, even thinking of herself as a personification of death. She’s killed ten other people (including infants) prior to the events of the novel. Something to keep in mind as Aventurine had mentioned several times that he attempted to kill himself in the dream, plus his leadup to his “grandest death”. Just like Phyllis, he’s even killed at least a few people before, though the circumstances of that were less on his own volition and more so for the sake of his survival (i.e. the death game in the maze involving the 34 other slaves where he was the winner and another time where he murdered his own master). Instead of Phyllis playing the active role of Death towards everybody else, Aventurine himself dances with Death with every gamble, every time his luck comes into play. Danse Macabre.

• "But there’s something in me, I don’t know what. Maybe I’m crazy. But there’s something in me that loves Death. I think of myself as Death, sometimes." • "Walter, The time has come. For me to meet my bridegroom [Death]. The only one I ever loved."

Moving on to Ratio:

Walter says several times that it’s hard to get along with Keyes, and how he says nice things after getting you all worked up. A hard-headed man to get along with, but damn good at his job. Sound like someone familiar?

• "That would be like Keyes, that even when he wanted to say something nice to you, he had to make you sore first."  • "It makes your head ache to be around him, but he’s the best claim man on the Coast, and he was the one I was afraid of."

Keyes sees Walter as smarter than half the fools in the company. Ratio can only stand the company of Aventurine in regards to the IPC.

• "Walter, I'm not beefing with you. I know you said he ought to be investigated. I've got your memo right here on my desk. That's what I wanted to tell you. If other departments of this company would show half the sense that you show—" • "Oh, he confessed. He's taking a plea tomorrow morning, and that ends it. But my point is, that if you, just by looking at that man, could have your suspicions, why couldn't they—! Oh well, what's the use? I just wanted you to know it."

After going on a rant about the H.S. Nirdlinger case (Phyllis’ husband) and how Norton is doing a horrible job, he ends it by saying that it’s sheer stupidity. “Supreme idiocy”, anybody?

• "You can’t take many body blows like this and last. Holy smoke. Fifty thousand bucks, and all from dumbness. Just sheer, willful, stupidity!"

Phyllis’ former occupation as a nurse is more elaborated on, including her specialization — pulmonary diseases. One of Ratio’s crowning achievements is curing lithogenesis, the “King of Diseases”.

• "She’s one of the best nurses in the city of Los Angeles. […] She’s a nurse, and she specialized in pulmonary diseases. She would know the time of crisis, almost to a minute, as well as any doctor would."

As for the murder scheme, they talk about it a lot more explicitly in the novel. Specifically, Walter mentions how a single person cannot get away with it and that it requires more people to be involved. How everything is known to the party committing the crime, but not the victim. And most importantly: Audacity.

"Say, this is a beauty, if I do say it myself. I didn't spend all this time in the business for nothing, did I? Listen, he knows all about this policy, and yet he don't know a thing about it. He applies for it, in writing, and yet he don't apply for it. He pays me for it with his own check, and yet he don't pay me. He has an accident happen to him and yet he don't have an accident happen to him. He gets on the train, and yet he don't get on it."

"The first is, help. One person can't get away with it, that is unless they're going to admit it and plead the unwritten law or something. It takes more than one. The second is, the time, the place, the way, all known in advance—to us, but not him. The third is, audacity. That's the one that all amateur murderers forget. They know the first two, sometimes, but that third, only a professional knows. There comes a time in any murder when the only thing that can see you through is audacity, and I can't tell you why."

"And if we want to get away with it, we've got to do it the way they do it, […]" "Be bold?" "Be bold. It's the only way."

"I still don't know—what we're going to do." "You'll know. You'll know in plenty of time."

"We were right up with it, the moment of audacity that has to be be part of any successful murder."

It fits the situation that Aventurine and Ratio find themselves in extremely well: For the first point— Aventurine would not be able to get away with simply airing out details by himself, as that would immediately cast suspicion on him. Having another person accompany him who not only isn’t really a part of the IPC in name (as the IPC and The Family have a strenuous relationship) but would probably be able to get closer to Sunday because of that means they can simply bounce off each other without risking as much suspicion with a one-man army. Which is exactly what Ratio and Aventurine do in the conversations they have on Penacony. Secondly — they knew how Sunday operates: as a control freak, he leaves no stone unturned, which is how he became Head of the Oak Family, so their acting required them to give off the impression that a. they hated each other, b. Ratio would go against Aventurine’s wishes and expose him in return for knowledge, c. there were only the two Cornerstones that were hidden. This would give Sunday the illusion of control, and lead to Sunday to lower his guard long enough for Aventurine to take the gift money in the end. The pair knew this in advance, but not Sunday. And thirdly — the plan hinged on a high-level of risk. From breaking the Aventurine Cornerstone, to hoping that Sunday wouldn’t find it in the gift bag, to not telling Ratio what the true plan is (meaning Ratio had to figure it out on his own later on), to Sunday even buying Ratio’s story, it was practically the only way they could go about it. “Charming audacity”, indeed.

An interesting aspect about the novel is that the ending of the novel is divergent from the movie’s final cut and the original ending: Phyllis and Walter commit suicide during a ferry ride to Mexico. The main reason this was changed for the movie was because of the Hays Code, and they wouldn’t allow a double suicide to be screened without reprecussions for criminals. There’s also a bunch of other aspects that differentiate the novel from the movie (no narration-confession as the confession happens in a hospital, less characterization for Keyes and instead a bigger focus on Lola and her boyfriend, the focus on the murderous aspect of Walter and Phyllis’ relationship instead of actual romance, Walter falling in love with Lola (with an unfortunately large age gap attached), etc.)

As for the ending, this wouldn’t even be the first romance media reference related to Aventurine and Ratio where both the leads die, with the other being The Happy Prince and San Junipero (in relation to the EN-only Heaven Is A Place On Earth reference), which I normally would chalk up as a coincidence, though with the opposite line-of-thought I have going on here (and the fact that it’s three out of four media references where the couple die at the end…), I think it’s reasonable to say that Ratio and Aventurine will get that happy ending. Subverting expectations, hopefully.

—

[THE HAYS CODE — LGBT CENSORSHIP IN CHINA]

I’ve brought up the Hays code twice now in the previous two sections, but I haven’t actually explained what exactly it entails.

The Hays Code (also known as the Motion Picture Production Code) is a set of rules and guidelines imposed on all American films from around 1934 to 1968, intended to make films less scandalous, morally acceptable and more “safe” for the general audiences. Some of the “Don’ts” and “Be Carefuls” include but are not limited to…

(Don’t) Pointed profanity

(Don’t) Inference of sex perversion (which includes homosexuality)

(Don’t) Nudity

(Be Careful) Sympathy for criminals

(Be Careful) Use of firearms

(Be Careful) Man and woman in bed together

What does this have to do with a Chinese gacha game released in 2023? If you know a little bit about miHoYo’s past, you would know that pre-censorship laws being upheld to a much stronger and stricter degree, they had no problem showcasing their gay couples in Guns Girl Z (Honkai Gakuen 2/GGZ) and Honkai Impact 3rd, with the main three being Bronya/Seele, Kiana/Mei (admittedly the latter one is a more recent example, from 2023), and Sakura/Kallen. Ever since the Bronya and Seele kiss, censorship in regards to LGBT content ramped up, causing the kiss to be removed on the CN side, and they had to lay low with the way they present two same-sex characters who are meant to be together. They can’t explicitly say that two female or male characters are romantically involved, but they can lace their dynamics with references for those “in the know” — Subtext. Just enough to imply something more but not too much that they get censored to hell and back.

So what I’m getting at is this: The trouble that Double Indemnity had to go through in order to be made while also keeping the dialogue of Phyllis and Neff as flirtatious as they could under the Hays Code among other things is quite similar to the way Ratio and Aventurine are presented as of now. We never see them interact outside of Penacony (at least up until 2.2, when this post was drafted), so we can only infer those interactions specifically until they actually talk without the fear of being found out by Sunday. But, there’s still some small moments scattered here and there, such as when Aventurine goes near Ratio in the Dewlight Pavilion Sandpit, he exclaims that “the view here is breathtaking” (he can only see Ratio’s chest from that distance) and that Ratio could “easily squash [him] with just a pinch”. Ratio then goes “If that is your wish, I will do so without a moment’s hesitation.” Not to mention the (in)famous “Doctor, you’re huge!” quote.

It’s not a coincidence that Ratio and Aventurine have three explicit references to romance media (Double Indemnity, Spellbound, Oscar Wilde’s The Happy Prince), possibly even four if you take the EN-only Heaven Is A Place On Earth as a reference to Black Mirror’s San Junipero. It’s not a coincidence that the storylines or characters of said references parallel the pairing, from surface-level to deep cuts. It’s not a coincidence that the CN voice actors were asked to “tone it down” by the voice director when it came to their chemistry. It’s not a coincidence that Aventurine has only flirted with (three) men throughout Penacony, even referring to a Bloodhound NPC as a “hunk of a man” inside his thoughts, all the while ignoring Himeko and Robin when it came to their looks — women who are known across the cosmos with a myriad of adoring fans. There are so many other so-called “coincidences” related to the two that you could make an iceberg just based on versions 2.0-2.2 as well as content miHoYo themselves have put out on social media. They absolutely knew what they were doing, and were trying to get their point across through subtle means — the extent they went to with the Double Indemnity reference while also keeping it under wraps from a “surface” level point of view is proof of this — the implications are there if you take the time to look for them, and are simply hard to ignore or deny once you do find them.

—

[CONCLUSION]

This was supposed to be short considering the other analyses I’ve seen were also pretty short in comparison, but I couldn’t get the movie out of my head and ended up getting carried away in the brainrot. I hope you could follow along with my line of thinking, even with the absurd length of this post, and the thirty-image limit. I tried to supplement context with some links to videos and wiki pages among other sources wherever I can to get around it.

I will end it with this though — the love in the movie turned out to be fake and a farce, going off track from what was a passionate romance in the beginning because of the murder scheme. Meanwhile, the whole reason why Ratio and Aventurine can pull off whatever they want is because of their immense trust in one another. What was initially shown to be distrust in the Final Victor LC grew into something more, for Ratio, someone who would have never put faith into mere chance and probability before this, put his trust in Aventurine, of all people.

TL;DR — (I get it, it’s over ten thousand words.)

Not only is the relationship between Neff and Phyllis represented in the deception and acting side of Ratio and Aventurine, but the real and trusting side is shown in Neff and Keyes. They have a fascinating, multi-layered dynamic that is extremely fun to pick apart once you realise what’s going on underneath the bickering and “hatred” they display.

Many thanks to Manya again for making the original thread on the movie. I wouldn’t be here comparing the game and movie myself if it weren’t for that.

By the way, I really do believe that Shaoji totally watched this movie at least once and really wanted that Double Indemnity AU for his OCs. I know exactly how it feels.

—

Other points I'd like to mention that didn't fit anywhere else in the main analysis and/or don’t hold much significance, have nothing to do with the Penacony mission, or may even be considered reaching (...if some of the other points weren’t). Just some potentially interesting side bits.

Phyllis honks three times to signal Neff to go for the kill. That, and the three gunshots in the confrontation. Aventurine is all about the number three.

The height difference Aventurine and Ratio have going on is close to Phyllis and Neff’s.

Phyllis had killed her husband’s previous wife and went on to marry Mr. Dietrichson, pretty much taking the wife’s place. Aventurine killed his previous master, and had taken certain attributes from him like his wristwatch and the rings on his hand and the “all or nothing” mantra.

When calling Ratio a wretch (bastard), Aventurine smiles for a moment. This is exclusive to the EN, KR and JP voiceovers, as in CN, he does not smile at all. (Most definitely a quirk from the AI they use for lip syncing, but the smile is something that’s been pointed out quite a few times so I thought I’d mention it here.)

Sunday specifically says in the CN version that he knew of Aventurine's plans the moment Aventurine left the mansion, meaning that he realized he had been played the fool the moment Ratio and Aventurine talked in Golden Hour

In the description for the "All or Nothing" consumable, teenage Aventurine says this specific line: "Temptation is a virtue for mortals, whereas hesitation proves to be a fatal flaw for gamblers." According to Ratio, this is Aventurine's motto - he says as such in Aventurine's Keeping Up With Star Rail episode. Note that in the anan interview he explicitly says he does not have a motto, and yet Ratio in the video says otherwise. They definitely have to know each other for a while for Ratio to even know this.

A big reason why Neff even pulled off the murder scheme in the first place was because he wanted to see if his good friend Keyes could figure it out, the Mundane Troubles Trailblaze Continuance showcases Ratio attempting to teach the Herta Space Station researches a lesson to not trust the Genius society as much as they did.

In Keyes’ first scene he’s exposing a worker for writing a policy on his truck that he claimed had burnt down on its own, when he was the one who burnt it down. Ratio gets into an Ace Attorney-style argument with the Trailblazer in Mundane Troubles.

Neff talks repeatedly about how it won’t be sloppy. Nothing weak. And how it’ll be perfect to Phyllis, and how she’s going to do it and he’s going to help her. Doing it right — “straight down the line”. Beautifully ironic, considering what happens in the movie, and even more ironic as Ratio and Aventurine’s scheme went exactly the way they wanted to in the end. Straight down the line.

[adora-but-ginger]

Ardently Yours

ardent (adjective): to fall into strong feelings for or to develop a crush; to begin to love

pairing: spencer reid x psychic! gender neutral reader

synopsis: the four times where you almost call spencer by his first name, and the one time that you do

warnings: typical cm talk and discussions, a quick undercover case, spencer reid is NOT straight, honestly assume that any character i write for isn't straight, food mentions, swearing (probably), nervous spencer at the end, me having a bias towards glasses reid

masterlist

word count: ~5k

a/n: here is the next installment for my psychic reader collection! i spent a lot of time and effort on this one, and i have not written something this long in awhile, so i hope you all enjoy it as much as i do!

want to be tagged? let me know!

not proofread whoops again

credit to gif owner!

i.

"Why do you drink coffee when you don't even like it?" You were by the kitchenette as Spencer rolled up for his morning caffeine fix, caught off guard by the realization that he wasn't alone.

He turned to you, adding sugar into his beverage. "Caffeine is a stimulant that increases your brain and nervous system's alertness. We work really odd hours. I don't understand what you're asking." The flow of sugar didn't stop until he was almost done talking, your eyes widening every second he kept pouring.

"Yes but aren't there other drinks that get the same result? Why coffee when you obviously don't like the taste?" You watched as he stirred the sugar-with-a-dash-of-coffee drink together, combining the ingredients.

He shrugged as he pushed up his glasses to sit better on his nose. "It's what's easily available."

"Hmm." You scrunched your eyebrows together. "Do you like tea?"

"I much prefer tea, actually." A wisp of hair fell in front of his face, and you were tempted to push it away. You weren't going to, that was absurd. But you were tempted. You had just reached a truce not too long ago and put your differences aside, meaning you had to make every moment count if you wanted to keep the peace.

Reid surveyed the room before continuing, as to watch for any possible intruders. "Last time I walked in with tea though, Morgan commented on my cup and would only talk to me in a horrible British accent the rest of the day." A small smile crept onto his features. "Learned that lesson quite quickly."

Now that you didn't seethe at the sight of him, you were able to read Reid better. Six months into the BAU now and you were able to have civilized conversations with the genius, progress that you valued as you got to know him. He was skeptical of what you could do with your mind still, but at least he was less vocal about it.

Something was different this morning though, but that may just be on your side. Because at seven a.m. sharp Spencer walked into the bullpen with those frames of his adorning his face, something that he hadn't done since the first month you were here. Why was that a problem? Because you couldn't keep your eyes off of him.

Maybe it was the change, or maybe it was something else, but you were put into a daze the first few seconds you saw him.

You came back to reality just in time for him to make his leave, and you made the collective decision to make a pit stop on the way in tomorrow if there were no cases announced today. You needed a change of pace in your morning routine anyway. At least, that's what you told yourself as you walked back to your desk, getting Emily's attention before striking up a riveting conversation with her regarding her weekend plans.

--

The next day when you walked into the office, you were balancing two drinks, one pastry, and a load of anxiety in your hands. You were the first one there, showing up a half an hour early as Spencer appeared twenty minutes early on the dot without missing a day. You had stopped by the café next to your apartment on your way here, getting yourself a drink and ordering a tea for Spencer that felt right. You didn't know what he usually had, but your mind searched his the day before to get a good grasp of the basics.

You knew that he had a big thing with germs (which was completely justified) and so you delicately laid down a folded napkin as a coaster for his tea before writing a little note of what it was. You signed with your initials before rounding to your own desk, just in the nick of time. You glanced down at your watch as it struck twenty-to, and watched nonchalantly as Reid walked into the office, immediately noting your presence and giving an awkward wave. The rest of the team filed in not too long after, and before you knew it you had lost a few hours to paperwork. It wasn't until midday that you felt a presence near your desk, the energy telling you it was Reid before you even looked in his direction.

"You got me baked goods. And a drink. Why?"

"The tea is caffeinated, and it's green--I know some people have sensitivities to other bases but usually green is a safe bet. It was no big deal, I had a couple punch cards that I turned in for free goodies so please don't think you owe me anything."

He awkwardly leaned against the side of your desk, trying to find a place to stick his hands. "Why did you do it?"

"Why do you think I did it?"

"I'm not sure. I looked up the shop on the cup and it's ten minutes in the opposite direction from here, you didn't go out of your way did you?"

Yes, you totally did. "No not at all, it was on my way."

He squinted at you, knowing you were telling a fib but not confident enough to call it out.

"Plus, I get the feeling you like pastries of the sort."

A smile flashed across his face. "I do, actually, the one you got is my favorite type."

You shot him a wink. "I thought so. You like the drink too?"

His shoulders slumped into a more relaxed response as the conversation went on. "I did, I never had that type before, but it was quite nice. The flavors were all very balanced, and I appreciated the sugar packets you brought along with it." He stood up, beginning to head back to his desk. "Thank you."

"Anytime Reid."

Were you there long enough to use his first name? It was a tricky thing, names, because some didn't mind being on a first-name basis from the get-go, but Reid was different.

It almost fell from your lips just then too, as he was walking away.

Maybe today wasn't the day, but you hoped soon it would be.

ii.

You were called into a case before you could finish your Saturday morning routine, and by midday the jet was taking you to Kentucky. with the woods surrounding you on pretty much all sides. That plus the humidity ever present equaled a very irritable team.

It was two days in when the profile was given, but your focus was on one of the local cops at the department. You didn't want to make it a big deal, but your incessant glaring was clearly making him uncomfortable. He was hiding something. Prentiss was the one to cue you first, nudging your arm after realizing you weren't letting up on your stare down.

"What is it? Everything alright?" She crossed her arms as she followed your line of sight.

"Yeah, it's just something's off."

"What's off?" Spencer appeared seemingly from nowhere and perched himself on your other side.

"Oh, hey Reid." Emily nodded in your direction. "They're reading Mr. Cowboy Boots over there." Sure enough, the cop had a pair on that did not match the uniform at all.

"His aura is different." You squinted as he gathered up some paperwork. "Most of the people in this office have an uncomfortable energy, but his is just...different. Not a good different either." A moment of silence filled the air. "Plus, I hate that toupee of his. It looks like a joke." He turned towards the three of you and you all glanced in separate directions, trying but failing to look like you hadn't just been studying him.

"The way he flows just doesn't match the energy of the others, and I'm going to figure out why."

"How can you tell?" Spencer looked from the man in question to the other locals, trying to understand an inch of what you were saying.

You kicked off from the wall you were slouching against before starting on your way towards him. "I just can. Give me a minute." And off you went.

You just needed to strike up small talk with him, really look into his eyes to try and uncover your rising suspicions. You were in earshot of Emily and Reid still, and it didn't take you long to understand why you were feeling the way you were.

Nodding as an exit cue, you booked it toward your two coworkers. "Call Garcia." You closed your eyes for a second, focusing your thoughts. "He knows the unsub. I don't know how, but either through friendship or familial ties, Boots over there is familiar with these murders.

"All you did was discuss tomorrow's weather, how can you know?" Spencer looked at you, confusion written all over those chiseled cheekbones.

You hummed as you reached out to flick an invisible piece of dust from his sweater vest. "His heart, it tells a story. A story of betrayal, of protecting a secret. Not like a typical hidden truth, but something much, much darker. He's inserting himself into this case as much as he can because of it." He reached for his found to send Penelope your info, no matter how apprehensive he was about it. You could tell he was unsure, but if it meant getting one step closer to catching this killer, he wasn't going to question it. Not now at least.

He picked up his phone, adjusting his glasses as he did so. "Hey, Garcia? We need you to check something out."

Emily went to relay the information to Gideon, and you took a moment to admire the boy genius. You had to admit that ever since you two started getting along, you were seeing him in a new light. A light that you wished minded its own damn business. His awkwardness was adorable, and when he showed up to the case today wearing those glasses of his, well, you had to pencil in a cold shower for later.

Whether he knew it or not, he truly was gorgeous.

You weren't planning to acknowledge those feelings anytime soon though. There was a killer on the loose and this was the last thing you needed to be thinking about right now.

"He hasn't slept since the beginning of the case either. Those bags under his eyes are days old and he--" Spencer stared at you as he telephoned your information to Garcia's side. "He has a grass allergy. That last part isn't important, I just needed to let someone else know that I knew that too." You mumbled the last part of yourself, looking briefly out towards the cloudy evening.

He turned towards you, shooting you a confused look. He covered the phone with his hand. "You can tell if someone has an allergy?"

You shrugged. "Yeah, I guess I can." You squinted your eyes at him, and you two had worked together enough now that he knew you were reading him. "You're allergic to pollen." The lack of reaction from him was reaction enough. "And peaches? Cantaloupe, too."

The corner of his eye twitched, and you smirked at your victory. He resumed his attention to the phone. "Garcia, they're freaking me out again, reading my mind."

Maybe you two were friends. Friends call each other by their first names, right? You silently tested it out on your tongue.

Gideon's voice grabbed the two of you's attention before his name could fall from your lips.

iii.

You were not a fan of going undercover. It was a part of the job that you thankfully didn't have to exercise much of, but whenever the opportunity arose, you did your best to avoid it. It was uncomfortable, especially when you fit the victimology to a tee. You had a weapon tucked away as a fail-safe, but there you were, sitting alone in a bar with a glass untouched in front of you.

Act as though you had a fresh break-up, he's going after people who seem heartbroken.

Make sure not to draw too much attention.

Let us know the moment he leads you out. Click the pen and we'll be sent an alert.

You were a decent actor, but it felt weird knowing that you were practically bait for this case. It didn't help that you hated the bar setting, the sticky floors, questionable seats, and dim lighting. Not to mention they were always overcrowded whenever you went. No, you'd much rather be at home, or honestly anywhere rather than here.

"Any updates?" Reid's voice sounded through your earpiece, relaxing you a little. The team was strategically placed outside the establishment, with Spencer also somewhere within the pool of people inhabiting this bar. Back-up, he called it, though you were pretty sure that you'd be a better shot than he was. Plus, he hated this setting even more than you. So why was he here?

You tried to search for him, attempting to find the brunette in the mass of people. You caught someone's eyes in the process, quickly locking theirs with your own before moving on.

Here we go.

The man fit the profile to a tee, and noticing that you were alone started to make his way to you.

You swirled your drink in your hand as he sauntered up to you. Even if you weren't here undercover, you wouldn't go near this guy with a jousting pole. Time to put on the charm.

"Well hey there, you look lonely."

You put on an overly friendly smile. "Oh, you're too kind."

"Mind if I take a seat?"

One glance at him and you knew. This was your guy. You clicked the alarm disguised as a pen, and now you just had to get him out of the bar. "Go right ahead."

It took ten minutes before you could get anywhere, and by the time you convinced him to leave with you, you wanted to retch--his grubby hands were laying on your shoulder, rubbing it as he walked alongside you, other hand on the small of your back.

You were definitely making sure that as a reward for putting up with this, you had your paperwork covered for at least a week.

One moment you felt the fresh evening air, the next you heard shouts from all sides. But then you felt cold metal against your neck, and you realized this was going to take a little longer than expected. This is exactly why you hated going undercover.

"Put the guns down or they get it." You hadn't been on this side of the job yet, being held hostage with your teammates staring down the possibility of what one wrong move could mean.

"Statistically, killers like you try to take the path of police-assisted suicide in a situation like this, but you can make it out with a life sentence if you're smart about it. Either way, you'll never see what life looks like out of cement walls." Reid's voice sounded from behind you, as you welcomed the wave of relief that swept over you as his voice hit your ears. "Choose wisely."

You sensed it before it happened. You kicked his kneecap in as he went to swipe at you, and though you ended up with pain lightly searing against your clavicle, there Reid was, handcuffing him before handing him over to Morgan.

Spencer noticed your wound and moved towards you. "Is it deep?"

You shook your head. "No, just stings."

"I had eyes on you the entire time. I know it was really busy in there, but I was there. Just in case. I didn't lose you, you were safe." He waited a second before continuing. "Let's go get that cleaned up, it's pretty nasty looking."

You sent a smile at the man. "Thank you. Seriously, Spen--"

Gideon called both of your names before you could finish the sentence, leaving his first name still unknown on your lips.

iv.

The weather was just starting to clear again. It wasn't humid in D.C. and the temperature was at a steady rise, though it was still bearable. You had been talking with Hotch about weekend plans, which you had to admit was a little odd.

It wasn't that you and Aaron didn't get along, per se, but you two had just never sought the other out during non-work hours. He was telling you about his partner, Hailey, who sounded lovely. You'd never seen the man as lively as when he was talking about her.

"And then she offered to go to the art gallery to see the new exhibit, which I didn't even know about."

"You like art?" You were leaning against his desk with a cup of coffee in hand.

"I do. What about you, any events planned?"

You shook your head. "No, just me and my fish catching up on some reading hopefully."

"You know Reid reads too?" Hotch looked over to the man of the hour who was coincidentally staring back, quickly glancing away as if caught.

"Reid reads. There has to be a pun in there." You snorted at your words, shrugging afterward. "He reads books that I have no interest in though, and I distinctly remember hearing about his disdain for fiction, which is my forte."

"I'm sure if you asked him, he would." He paused for a moment before shuffling some papers. "You two could start your own book club."

This was the thing with Aaron, you could never tell if he was joking.

"In fact, he's coming this way now." Surprise scribbled onto your face as you turned to look behind you. Sure enough, like he'd been summoned, there was Spencer striding over. His contacts must have been picked up because he was bare-faced today, which made no difference to you--your heart still skipped a beat. You noticed he was giving off lots of nervous energy as he approached, though from the outside he looked relatively relaxed.

"Why are you nervous Reid?" Never one to beat around the bush, you were.

That relaxation quickly dissipated as he looked towards you and Hotch. His eyes met yours. "How do you--never mind. Do you have a second?"

You nodded. "Hotch, tell me how the exhibit goes, yeah?" With a nod from Aaron, you met Spencer halfway, motioning him to lead the onward. "What's up?"

He didn't speak until you got to his desk. "First, before I say anything, know that I do not mind at all if you say no."

"Okay...?" You watched him skeptically as he fiddled with his hands, looking at you every few seconds before surveying the room. "What, are you about to ask me on a date or somet--"

"I have two tickets to the star show they're hosting at the planetarium on Saturday, and I know that you love the constellations. I've been once before and it was really nice, they tell you all about the patterns and legends behind each one and I think you'd really like it. Penelope suggested I ask you since you usually are relatively free on the weekends, which isn't a bad thing of course. In fact, I don't usually do much on the weekends besides going to the park and playing chess with the regulars there." He was rambling, truly on edge about how'd you respond. A smile started to rise on you. "It's later in the evening so when you leave the planetarium you can see the stars in question, but it's not too far from my place and you do not have to go if you're busy or don't want to, I just thought I'd ask."

His eyes were wide as you ate up every one of his words. His voice was like the harmony of your favorite song--you loved to pick it out and listen to how each of the words he spoke flowed. His face had a tint of rose on it, and a piece of hair had fallen into his eyes. You had to once more withhold from pushing it back into place.

"I would love to go, where would you like to meet?"

Shock was written all over his features at your accepting of his invitation, and you were pretty sure he was already preparing a proper response to a rejection when you said your words.

"You want to go?"

A nod accompanied you. "Yeah, you can teach me all about the science and I can teach you all about your star sign."

He shot you a quizzical glance before relaxing his shoulders. Man, he was really tense. "Okay. Okay, great! I can send you my address. We can walk there from my place, it's only about ten minutes away. It's at 7 pm, does that work?"

"Works perfect for me." A thought popped into your head, one that could make this outing seem to be much more than it really was. "That's a little past when I eat, want to grab dinner beforehand?"

He scrunched his eyebrows at you. Uneasiness started to form in your belly, maybe you were being a little too bold. "What type of dinner? Restaurant dinner or takeout dinner?"

"We could do takeout? You said you know a 24-hour Thai place around here, right? It's one of your favorite places in the area."

He was almost caught in a trance then, looking nearly through you, staring at you with an expression you had never really seen on his face before. "You remembered that?"

"Of course I did, I remember things about the people I care about."

He couldn't speak for a second after your words. Yeah, you were definitely being too bold.

"You--" His voice cracked and you almost chuckled as he cleared his throat. "--I'll grab some food from there before we head out. Want to stop by around six?"

"Six it is. See you there, boy wonder." You shot a wink his way. "And thank you for the invite, I cannot wait to go." His first name was on the tip of your tongue, ready to spill out at the slightest egging on. He looked almost expectantly at you and you had to remind yourself of where you were and who you were with.

This wouldn't be considered a date, would it?

v.

Spencer totally thought this was a date. He could count the number of dates he'd been on on his hand, and most of them were with Ethan. It'd been a while since he'd gone out, and he was nervous.

What if he was overdressed? What if he was underdressed? What even was the dress code for the night? What if you didn't show up?

He tried to not let that last thought get to him because if it did then he would spiral and would all in all not have a good time tonight. This wasn't platonic, right? He didn't think it was. Did you? Did--

A knock at his door interrupted his ruminating. He scrambled to make sure he looked presentable, heart practically thrumming against his rib cage as he did so. There was just one problem.

He couldn't see.

It wasn't that he hated how he looked with his glasses on, but it made him feel self-conscious and he hated to wear the frames outside of his house. The only problem was that the last of his contacts had dried out, and he really wanted to look nice for your guys' outing. He could not see more than five feet in front of him for his life, which in retrospect kind of ruined the whole point of looking at the stars.

That didn't matter in his mind as long as it impressed you. He knew that he shouldn't dress to impress, but you and your alternative methods of profiling had snuck their way into his brain and refused to leave. He thought about whether you'd do the daily crossword with him almost every morning. He made sure to always bring an extra morning snack in the case that you got hungry. Hell, he was writing to his mother about you.

He was in much farther than he knew.

A second round of knocks sounded at the door.

He opened it after looking through the peephole and nearly lost his breath.

You were stunning, and he felt more out of his element than he had in years.

Wow, he was really in deep.

"Phew, I thought I had the wrong address at first. I am so ready for some Thai and stars!" You entered his place, but his mind was still a few steps behind. "This place is beautiful, and so...you!" Neat piles of books were stacked in rows alongside his couch, and as he went to readjust one's positioning his lack of visual clarity made him trip.

Great.

You rushed over to him, careful to keep your distance but still close enough to offer help if he asked. "Woah, are you alright there?"

"Yeah, I-I just must've not seen where I was heading." He could feel the dust adorning his cheeks. He was totally making a fool out of himself. "Please, take a seat at the table, the food is still hot."

You smiled and nodded, taking in the contents of his home whilst sitting down. He went over and grabbed the Thai food, bringing it over to the table. He set the food down and went to sit, not knowing that this was the moment before a disaster. One of the chairs must not have been fully pushed in, and with the combination of his nerves, and his blurriness, his foot got caught right over it as he went to sit across from you.

Now, you fully respected and understood Spencer's hatred of germs, so you'd apologize later for coming to the rescue. That being said, you sensed it a half a second before it was going to happen, stood up, and reached out to catch him.

"Oh my god, are you okay?" His arms were on yours, bracing them for stability. "What's wrong? Are you sick?" He could feel your eyes looking him up and down for any signs of maladies. "We can reschedule and go another night if something's wrong." He really did not want to admit the reasoning behind his clumsiness. "I can take you to the doctor's if you're feeling ill." Now he definitely had to expose himself. How would he even explain this to a medical professional?

Oh hey doc, I got told repeatedly that I look better with contacts and now the one time I need them I don't have them which ironically is the one night in years that I had to chance to go out with someone who I think I'm starting to really like so can you please give me a fake diagnosis so they didn't drive me here for nothing?

Yeah, that wasn't going to work. He had to bite the bullet. "I'm not sick." He slowly removed himself from your grasp. "I just can't see."

A concerned look graced your features. "What? Is everything okay?"

"Yes, I just--"

"You just what Reid? You can talk to me. Your energy is super wonky right now. I'm getting a little worried for you."

This was stupid. He was acting stupid. He shouldn't be embarrassed by this. You were just looking out for him, that was all, it was all probably surface level anyway. It was all--

"Spencer, what's wrong?"

His breath stifled to a halt.

"What did you just say?"

Your concerned look deepened.

"I asked what was wrong."

You had never called him by his first name before.

He shook his head. "No, before that." His eyes met yours. "You've never said my first name before."

A flash of...regret? nerves? shot through your eyes. "I'm sorry, I didn't mean to overstep any boundaries. I should've asked--"

"Say it again." He properly sat down. "My name I mean, say it again. Please."

"You're not mad?" You were tentative with your words now, adding his name after a beat. "...Spencer?"

His name formed like the first rain shower after a draught on your lips, falling with the grace of the autumn leaves from your tongue.

"You've never called me that before." His expression was shy, and man he wished he could see more than your blurry figure right now. "I, uh, thought I could go without my glasses tonight, but I also don't have my contacts."

"Would you like me to call you that more?" You were going to make him go into freaking cardiac arrest. He nodded fervently. Your shoulders slightly lost some of their tension. "Why would you do that to yourself? You wouldn't be able to see."

"Statistically those who wea--"

"Spencer."

Oh, he was turning to putty now. You were going to kill him, and he didn't mind.

"I thought I would look better without them."

A scoff emitted from you. "If you need them to see, you need them to see. Don't change your appearance for the approval or interest of someone else." He felt the red rush up his neck, around his ears. "Plus," You added with a quieter tone. "I think you look plenty good with them on." You locked eyes. "Gorgeous, even. There's a reason Morgan calls you pretty boy, you know."

Gorgeous? You just called him gorgeous. No one had called him that before.

"Really?"

"Really, Spencer."

Yeah, he was done for.

taglist:

@alllriseabove @kitty-kei @donttrustlove @jiuseoks

[winstonsns]

the gang with a soc!reader

authors note: sorry the last one was kind of all over the place. i tend to ramble when i write so ill try to stay more on topic this time. in this preference, you and the characters will already be a couple :3 im also wondering if people are clicking the hashtags then they see my posts?? so if that’s what’s happening and you can see my posts when you click the hashtags please tell me because i have no idea if it’s working LMAO

includes: ponyboy, johnny, darry, soda, dally, two-bit and steve

word count: 2.0k

warnings: mild cussing, mentions of fighting/getting jumped

PONYBOY CURTIS

you both are academic BEASTS so you’re somewhat rivals and trying to get to the top of the class

but you’re still together, it’s a healthy relationship

most of the time, you’ll actually walk him home from wherever you are since it’s safe for you to walk home on your own, but since he’s a greaser it’s not safe for him

when you met the gang they taught you how to fight in case some greasers or even some socs tried to fight you

by walking him home, you’ve actually prevented him from getting beat up

you like to take him out to get food or something he wants when he gets a good grade since he gets happy when they’re high

sometimes you’ll get lower grades than him and you two will study together, or reversed

you’ll get him a new book every time he finishes another one, by the end of the year he has a new shelf just filled with books you’ve given him

you occasionally read him to sleep when he’s having a hard time, or again reversed

he falls asleep pretty quickly when you do this and he really appreciates it

you always sit together during assemblies and choose to be each others partner in the classes you have together

if you don’t decide to do track one year you’ll go to his meets, and after you always take him out to eat since you’re proud

if he’s extra tired then he’ll ask to go home so you will

you learned how to cook so he can have big nice meals, along with baking chocolate cake when soda and darry aren’t there to make it

pony thinks you make it better than darry but will never tell him that

he really loves spending time with you and feels like you’re the first person besides johnny to really understand him

you made him think about socs in a different way too, in a good way

yall are just humans doing what you know best, some in different environments and had different parents with different parenting styles

you like to bring him to the best places in tulsa to watch the sunsets

you also get the best polaroids of the sunsets and the colors are so beautiful

JOHNNY CADE

as soon as he told the gang that he was dating someone they were excited for him, then they found out you were a soc

dally told him to break up with you without even knowing you, johnny told him to give you a chance

when johnny invited you to the curtis house to meet his friends, you brought presents for all of them since you wanted to make a good impression

you had your ways about finding what they like and don’t like

they immediately took a liking to you when you gave them presents and a kiss on johnnys cheek

you’d patch him up and give him bandaids to take home after getting beat up by socs or his parents

sometimes you’d give him money and he would use that money to get you something you’ve been wanting for a while

he’s always so thankful for everything you do for him and everything you give him

since your parents don’t really care about the differences between greasers and socs, they let johnny stay over since they know things are rough at home

sometimes they’ll take you and him out for dinner with them and you think it’s so cute

he was nervous your parents wouldn’t like him since most of the socs parents would think he’s gross

he’s always proud of you for naturally getting good grades and seeing the smile on your face when you get your report card

sometimes when he’s upset you two will cuddle in your bed or you’ll drive him to a restaurant or fast food place

he always feels bad about spending your money but you tell him not to feel bad about it since you have more

DARRY CURTIS

things got more financially stable when you came into his life

you’d help him pay groceries and the bills if he was struggling, you also helped around the house

sometimes he’ll wake up to the smell of bacon, waffles, eggs, etc and suddenly its like he doesn’t have to be the responsible one 24/7

having you in his life has improved everything, and his brothers are so thankful to have you there too

you’re like a mother to them and they’re comfortable enough to open up to you

sometimes you’ll ask him out on cute little dates randomly just so he can get a break of hard work

he’ll take the day off and get all dressed up since you told him you were taking him to a really fancy restaurant

occasionally you’ll get your nails done just for your dates and he always notices

you’ll ask him “which color is better” and he’ll say “aren’t they the same?” then you have to explain to him that one is darker than the other

he still doesn’t see the difference but chooses one anyway since he likes to see you happy

he’s literally so in love with you and how you’ll do romantic and domestic things for him

you’re so beautiful and perfect in his eyes, and sometimes he’ll stare at you and his brothers will tease him

he really loves being around you and having you by his side

you also helped him become calmer, that pony and soda have their own problems and darry yelling at them probably just makes them scared

he starts to actually communicate with them and you’ll give him gifts for completing or succeeding because why not

he’s always like “hon, you didn’t have to get me this…” but you can see he’s happy with whatever you give him

he just loves you so much and his brothers love you too but obviously not romantically

SODAPOP CURTIS

people actually think the both of you are socs, i mean they’re half right

they think soda is a soc since he’s so handsome and think you’re a soc because of your mannerisms and how you’re very beautiful

you’ll always visit him at the DX just to hang out with him

your parents love him and how he treats you so they also let him stay over at your house

sometimes when it’s sodas turn to get groceries from the store, you’ll go along with him

he just wants to be around you whenever he can

you’ll offer to pay for the groceries plus stuff he doesn’t need but instead wants

once he got a pimple and he freaked the fuck out

you bought him some cleanser, moisturizer, sunscreen and pimple patches

you taught him how to use them and when, and in which order to use them in

his pimple went away in a few days

since you’re so smart and get good grades, you’ll help pony with his homework sometimes

soda will stare at you helping him from far away, he thinks it’s adorable that you two are bonding

when the two of you are in your room, you’ll play frank sinatra and the little dippers while having a home-date with sweets :3

you two have so much fun and he even opens up to you about his problems

you offer to get him a therapist but he says it’s that bad, you tell him to talk to you if he wants to talk about it again

he legit treats you like a princess and you love it

yall are the most attractive couple EVER no one can tell if they wanna be you or be with you

DALLAS WINSTON

when he realized he liked you he knew he had to protect you with his life

he needed a break from loud and annoying girls, then he found you

you could get quiet at times and you weren’t constantly screaming and acting like an annoying 12 year old boy

you got him to steal less since you could pay for things on your own

he didn’t really listen and still stole money from other people so he could get you things

whenever he got put in prison you could always bail him out due to the money you have

if he had to serve time then you’d give him money so he could spend it and get necessities

you’ll also make diy crafts for him on your guys anniversary and his birthday

he brings you to meetups with the gang, and they love you being there with him

you spoil him rotten and he loves it

makes him feel like a princess, weirdly enough

he’ll steal money to spoil you too, pays for your nails sometimes

you told him you wanted specific flowers once and he got you flowers sometime the next week, he acted nonchalant about it but he loved the happy look on your face

TWO-BIT MATTHEWS

sometimes you’re quiet but he always finds a way to bring you to tears after laughing so hard

he’s literally the funniest person you’ve ever met

he never really expected a soc to get so loud since they were normally reserved and didn’t talk to many people

anyway you brought him to fucking disneyland once and he LOVED it

you booked a hotel and everything so yall saw mickey mouse

two-bit kinda laughed at him but he seemed happy so he didn’t care

he loves traveling with you and brags about it to the gang all the time

they say it’s cool then act like they don’t care but they’re kinda jealous he gets all that stuff

they’re happy for him though

sometimes you’ll get him little mickey figurines and he’ll put them on his nightstand, sometimes even carry it with him if it’s a keychain

he never would’ve expected a soc to be so nice to someone like him

he’s really glad that you love him and you show it

STEVE RANDLE

before you two started dating he tried to avoid you at all costs

he kinda thought you’d beat up him and his friends so he just stayed away from you

anyway when you guys started dating you’d drive him to the DX

you’d give him tips just for fun even if you didn’t buy anything from him

you’d buy him all sorts of little trinkets and such just so he’d have something to mess around with

i don’t have a lot of knowledge on him bro pls bear with me LMAO

he’s almost always with soda so you kind of became his best friend naturally

you’ll buy steve food on his breaks and drive him to restaurants or fast food places and you’ll eat on a bench or in a field together

you talk about some shit that happened at work while he listens

he’ll occasionally get you some food since he knows you like sweets

then you repay him with something he’s wanted for a while that he’s been asking for

whether it’s a book or food or a trinket idk

he loves you so much and is glad soda gets along with you so well

sorry this one’s shorter! i’ll try to make the preference longer next time. i’m gonna try to post at least twice per week but if im feeling good ill try to post more 💗 thank you for reading!

[bluepixiedream]

My brain has rotted after reading @a-b-riddle "Not me imagining medic reader who acts weird around Ghost."

And I desperately need it out of my head. So here is my take/version/homage to such a great idea. I wish I could lick their brain. Thank you for putting out something so downright FILTHY without being filthy at all.

I adore you.

CW: 18+!!!, no explicit smut but jeez…BASICALLY, language, not happy thoughts reader thinks about themselves, just overall 18+ only

Wc: little over 4k…I’m sorry. My brain. It rotted away :(

~

Being a medic on any military base had its ups and downs. Some bases had better food, others had personnel that would leave you alone and others always seemed to be busy.

That seemed to be the case with your current base.

If there wasn’t a training accident, then there was a critical mission gone awry and left you and your other three nurses scrambling for days to fix everyone back up. If it wasn’t either case, then it was a full moon which lead to patience being tested and some downright awful fights.

This week was the full moon and you were l feeling every part of it.

The worst part about this base was that you never seemed to get a full weekend to yourself. And not that you would complain much, you were normally off in your apartment fantasizing and wishing for a tank of a man to grab you and fuck your thoughts out but not getting your alone time had become…troublesome.

It led you into some dark thoughts. Dangerous thoughts. Outright outrageous, ravenous, porn idled thoughts about a certain Lieutenant Simon ‘Ghost’ Riley.

Yes, you were officially losing it, thanks for asking.

You couldn’t help it though. If it wasn’t his size that did you in, it would be his tree trunk thighs. Thighs that begged you to sit between them and be good as he watched football. Maybe you would choke him down too. Swallow him whole. Or just warm him with your throat because you weren’t needy or anything of that nature.

Maybe not his wonderful thighs that were doing it for you? Then it was definitely his arms. Bigger than your head and could easily crush you like a bug. God, you had countless hours of rubbing yourself thinking of him putting you in a headlock and making your dumb brain even dumber.

Perhaps his hands were the most fascinating to you whenever they weren’t covered by his gloves. Big and thick, just like the rest of him. Veiny too, and you hoped it was an indicator of another certain area being extra veiny as well.

And his voice. Whenever you heard him snap at the new recruits or put another private in their place, it absolutely melted you.

It also made you act like an idiot whenever you thought he was around.

Regardless of how hard you tried, and you did because you wanted to be good, he immediately became your whole world. You would accidentally poke your patient too hard while stitching them or keep the blood pressure cup on for too long, squeezing their much needed appendage. One time you almost poked a Sergeants eye out but thankfully, Sergeant MacTavish had thought that maybe the Lieutenant had frightened you after he called out for his Sergeant.

“Don’t worry ‘bout him, lass, he won’t bite.” He chuckled before you reset his arm, dislocated by a training accident, of course.

You wished he did bite. And hard.

But you made it a promise to yourself to never reveal to the infamous Ghost what you thought about him, or to anyone for that matter. The rejection alone would be too much for you and you honestly thought that maybe something was going on between the L.T. and his Sergeant. They were attached at the hip and it was quite cute to see them walk and talk together.

It made your thoughts that much more guilt ridden though.

How dare you fantasize about a man who was happily in a committed relationship. If it wasn’t with MacTavish, you knew it had to be with someone else. Someone had to claim the behemoth of a man because no way would it ever be that easy.

Or maybe he wasn’t what you were into at all. Your thoughts were…careless, some could call it. Disgusting was more the word you were called and were use to. Most men you were into turned out to be batting for the same team or a vanilla cupcake. And you loved them regardless and gladly walked with your head held high until you got your bed and collapsed on it, fighting your pants off and filling your disgusting, worthless cunt with your fingers.

And so far, being four months in at your new base, you didn’t want to know either way what Ghosts deal was. You were content on your thoughts and the little crumbs you would scarf up whenever you saw him in passing.

Everything was perfect.

Except for the eve of the full moon.

Dolores asked you to spend your evening taking stock of the inventory closet and with her being your boss, no way you could have said no, even if you wanted. So, at 6pm sharp, you started with your little clipboard and counter and made your way up and down the rows of medical supplies.

How fun.

Dolores was a stickler for keeping her supplies accurate and fully loaded for any and all events that could occur. You appreciated her thoroughness but it often led you to pulling doubles or overnight shifts since you were the only one she trusted to do this.

Bullshit, you wanted to say but you didn’t.

You wanted to be good and do a good job and you knew your reward for your hard work would be immaculate. Your bed. Twitter porn. A wand and a lengthy size piece you hoped was somewhat accurate to the Lieutenants and your dirty, nasty thoughts.

But that had to wait. And it did as you sat counting the wraps, the bandages, the gauze and the disposable gloves over and over until Nancy, a nurse you worked closely with and could almost call a friend, found you and quickly closed you both in.

“Are we alone?” She asked with a devious sprinkle in her eye. Your own eyebrows knitted together in confusion, the slight headache a few hours ago was a full on rager and your fingers were going numb from the counting and scribbling.

But no complaints from you, of course.

“I think so. What do you mean?” Your eyes shifted towards the linen closet that you swore was open earlier but was now tightly closed.

You figured Dolores wanted to keep it closed so no one would grab extra towels.

She was currently at war with a few privates who snuck her towels for unknown purposes.

Poor Dolores.

“Well,” she dragged on, baiting you into putting your stuff down and give her your full attention, which you did. You learned early not to fight Nancy and things had been smooth sailing for you ever since. “Cory and I were talking earlier and I wanted to ask you about something. Well, about someone.” You had no idea where this would lead but your heart began exploding. A cold sweat covered your forehead. Were you going to be sick? You were going to be sick.

“Okay.” Your voice was timid, dancing around a shark who smelt blood. Your blood.

“So, we noticed you, well, kind of act differently around a certain someone.” Your eyes closed as your palms pressed against them tightly, colors and flashes taking over as the rushing of your blood filled your ears. Nancy took that as confirmation. Poor Nancy. “Please don’t be embarrassed! Soap is super fuckin’ hot.”

What? Soap?

Your head shot up to her and even more confusion landed on your face. You shook your head and regretted every word that came after:

“I don’t like Soap.” Nancy’s face dropped her smile and tilted like she didn’t quite hear you. “I mean, he’s cute. I definitely see why everyone does like him.” Your voice was a little too high for your liking. And apparently, for Nancy’s.

“If it’s not Soap then…?” You promised yourself. You promised yourself…fuck it.

“Don’t tell anyone.” You looked at her pointing. Her eyes widen with the hidden accusation.

“Who am I going to tell?” She faked. Liar.

“Corey. Dolores maybe. Maybe the whole base, I don’t know Nancy.” You huffed in faked annoyance. Nancy laughed. It made your chest feel less tight, which was nice.

You still couldn’t get over the feeling of being watched though…

“Never! Maybe Corey, honestly. But you don’t ever tell me anything.” Nancy pouted while sinking to the floor to join you. “So, tell me! Let’s have girlchat as you work your second triple this week. Jesus, I think Dolores wants you dead.” You couldn’t help but chuckle.

“I think she just wants me insane.” You agreed, your fingers finding a string dangling from your scrubs as you gathered the courage to finally tell someone about your innocent crush. Maybe it would help. Maybe it was time to let your crush get crushed and maybe you could move on and stop being a idiot all the time.

“It’s his Lieutenant.”

Nancy gasped dramatically but her eyes told you all you needed to know: That was not what she expected.

“Like, Lieutenant Riley?” She clarified and you decided to finally come clean.

“I’d jump off Buckingham Palace if it meant that he would fuck me six ways from Sunday.” Nancy snorted, her hand gripping her chest, eyes huge.

You swore you heard a squeak from the closet but you figured it must have came from Nancy.

“Are you-” you cut her off again.

“I would suck his dick for 24 hours straight if it meant he would choke me out with his arms next.” Nancy did yell before clamping her hands around her mouth to keep herself silent. You couldn’t look at her anymore, so your sheet filled with scribbled numbers became center of your attention. “And I get it, he’s in charge and physically fucking huge and always with Sergeant MacTavish and I don’t want to come between them or anyone else he has in his life. I just have…thoughts.”

Nancy chuckled in disbelief.

“Oh, those are just thoughts?” Her face was red. She was loving this and for once, it felt good to let go.

“Just thoughts. Like how would it feel to be a fleshlight for him. Or just sit between his thick thighs as I hold him in my throat as he ignores me. Does he like anal? How long could I fuck him until I cried? Are his balls too sensitive or can I suck on them too? Can I choke myself on his fingers? I don’t want him uncomfortable, so if I closed my eyes, would he spit in my mouth and make me hold it?”

Nancy was dying.

Full blown, laughing and crying, red faced, dying.

“Stop!” She begged, her hands trying to smooth her hair as she desperately tried to get herself together.

“I’d eat his cum out of my cunt so I could taste us mixed together.” You whispered when she finally looked sane enough.

You liked seeing Nancy happy. And if telling her your dirty thoughts did that, then here you were. Being a good dog.

“Oh my god! You perv!” She declared and for once, she as right. You were. You shrugged your shoulders in defeat. “You should tell him!” That got your attention.

“What, Nancy, no! Absolutely not. Not ever!” Horror filled you at the thought of him finding out your simple little crush. Much less, whatever else you think about.

“What? Why not?” She asked confused.

“Because that’s wrong. He’s a Lieutenant.”

“But not your Lieutenant!” She argued back.

“But it could still lead into… I don’t know. Bad stuff. Just…no. He’s probably in a happy relationship with MacTavish or he has his own person in the real world. Or he doesn’t like any of the stuff I like and that’s 100% a-okay with me. I’m just fine thinking about him every waking second and gooning out during my weekends and that’s all.” You shrugged, swearing you heard a snort but Nancy just looked on in confusion.

“Gooning?”

“Please don’t look that up. It’s a gross…thing. Just means I’m gross, gross, gross mammal.”

“But what if he is into everything you’re into? You’ve made up your mind before even talking it out with the man!”

“Did you not hear about him potential being taken?” You looked over at her hard. “I don’t even somewhat like the idea of being a second choice or hidden because of another. I’m…jealous. Irrationally so. It just leads to too much drama and heartache and suddenly you’re being jumped by five women and a man because you were left in the dark and nobody believes that you didn’t know. And trust me, women hit and kick. And hard.” You emphasized. You hated your life three years ago.

You still can’t get over the guilt and shame. It’s a reason why you were the way you were. Nancy gave you a soft, understanding look. Nothing more needed to be said.

“Well, I at least want to get you laid soon. When’s the last time you had fun and not by yourself?” She had a point.

“Thankfully, being taken care of. Well, in the process of.”

“Oh?” Tell me more, Nancy silently pleads with you.

“There is a…website and I matched with them. So, dinner next time I’m free and everything will be discussed then. After that, I’ll be rung out like a wet rag.” You shrugged a shoulder like it was a normal, every day occurrence. Nancy was not happy with that.

“Why does it sound so much like a transaction? Like a business deal?”

“When is sex not a business deal?” You countered, leaving her thinking. “I’m just particular in what I want. And I’m nonstop busy. Even if I go to a bar and meet someone organically, who knows if they like everything I do. Then, you have figure each other out, try to hint at everything until you’re five months in and realize, this isn’t what either of you wanted in the first place. I’m just cutting out all of that nonsense. My life is full of people who need me. And I’m very thankful for that.” You made sure to look at her dead in the eyes as a thank you for everything she’s done. She gave you a gentle smile, which eased some of your panic. “I just also need me time. And when I get that, I want to utilize that me time to the best of my abilities. Which means fucking someone who says they understand fully what I want and all the stipulations that come from that.”

“Oh, like someone who is also in the military and looks the part.” Nancy had a sly look on her face. You rolled your eyes with a chuckle.

“Looks the part and is the part are two different things. Do you know how many men are just big softy’s? Are petrified if they hit you wrong, you’ll explode? Or maybe they so scared of crushing you so everything is as soft as a feather. Or you’re just not big enough, small enough, strong enough, soft enough, easy enough, tough enough, beautiful enough or smart enough and when they finally see someone they like, they explode in your hand like they’re virgins again. And then you dye your hair and try to put on weight and discuss plastic surgery and manipulate the way you walk and talk so they look at you with an ounce that they look at everyone else with. And then you realize you’re tired and worthless and you just drop from their lives and you never speak again. It’s a really cool thing. Especially when you’ve done it a few times over.” You shook your head, embarrassed by your own ranting. “I’m sorry, that was a little too much.” Nancy laughed at that.

“No, not at all! Everyone feels insecure at times. No matter what. Even your girl over here.” You gave her a genuine smile.

“Shut up. But thank you. Sorry, I talked for too long.” You sighed, rubbing your jaw.

“You know what would else would hurt your jaw?”

“Shut up, Nancy.” You laughed and before another word could be said, the linen closet busted open revealing not only Sergeant MacTavish with a red face and a giant smile, but his silent and deadly counterpart: the Lieutenant himself, who stood there with his arms by his side and his face covered by a black balaclava as always.

The same Lieutenant you were just speaking about.

The same Lieutenant who heard everything.

“Don’t go on the date, lass!” The Sergeant called out to you but you couldn’t hear him. Your world dropped from under you as the fires of hell pulled you under.

Not literally, but you wished it was.

“Oh my god. Oh my god!” You had never jumped up so fast or ran from the supply room as quickly as you did. Real, true horror filled your veins as bile threatened to spew out.

You can’t believe he heard.

You can’t believe he heard!

You heard footsteps behind you but knowing Nancy was probably right behind you, trying to get you to stop and look at the man you had been drooling over for the last four months, you weren’t stopping for anything. If anything, it kicked you into a higher gear. Your goal was the surgery room that had access to an outside door for emergencies and you were thankful when you could finally see it. Putting in the passcode and getting an error, your panic rose as you heard the footsteps getting louder and louder.

“No, no, no, no, no,” you cried before the keypad glowed green and granted you entry. “Yes!” You slipped in and slammed the door closed. You knew Nancy would be right behind you so you didn’t stop even for a second. Slipping out to the cold, your shift and the inventory could be damned for all you cared.

You were never going back.

Fuck Nancy, fuck Johnny and fuck his delicious looking Lieutenant.

You eventually stopped running, your side aching as you thought about how badly screwed your were.

You should have listened to yourself.

You should have stayed silent.

You left on foot, regardless of the guards questioning glare but after seeing your tear soaked face, he took enough pity on you to let you go.

Thankfully.

You began your five mile walk to the city before flagging down a cab and taking it back to your shitty apartment. Your perfect safe haven. You just wanted a glass of water, strip your clothes off and never think about tonight again.

Which would be impossible because you couldn’t stop thinking about tonight. About MacTavish’s face. How red he was or how big his smile stretched out. ‘Don’t go to dinner’? Was he serious? Christ, fuck dinner. You were about to show up on your dates doorstep and beg the poor guy to take you right then. Fuck the process.

But that sunk your heart. You couldn’t do that to someone. So, you just went through the motions when you finally got in. Taking off your clothes. Getting a drink. And then chugging on an open liquor bottle to deal with your blinding shame. Quick, cold shower because that’s what bad dogs deserve. And lastly, you wrapped yourself up in your comforter and rolled to the ground and slide under your bed. A terrible habit you started when you were younger and never stopped. It didn’t matter that you shared the space with spiders and dust bunnies. You felt cocooned and safe. Even if someone was to find you, and how could they, but if they did, why would they look under your bed?

It was perfect.

It was perfect for 30 more minutes. Regardless of your bedroom being shut and your front door being locked, chained and deadbolted, you could hear someone try to make their way in. You figured after five minutes of struggling they would go away but much to your horror, you heard the door being shoved opened.

That couldn’t be Nancy…

You wanted to cry again but you kept yourself calm, breathing as even as you could while keeping your ear to the ground. You could hear multiple footsteps make their way in before the door was half shut.

“Are you here?” Nancy called out, her voice rocking you to the core.

Obviously not! You wanted to shout out but you didn’t.

“Can you please talk to us?” Oh my god, you were going to scream. Us. Motherfucker.

Your bedroom door opened but you knew that would happen. That was okay. You could see plain white shoes that went to Nancy stand at your doorway before retreating. Another bigger, louder footsteps fell behind her and again, stopped at your doorway.

“Lass? Please c’m ‘ere.” Johnny tried but you focused on the waves of embarrassment flowing over you and holding you under the water. He eventually left and for a moment, you thought you were safe.

How wrong you were.

The next footsteps were much quieter than before and when you looked at the boots and realized their size, your heart went into overdrive.

Ghosts.

Definitely Ghosts.

This time, the boots didn’t stop at the doorway but walked inside like they had been here before. They stopped walking, landing right towards your head. You wondered what he was looking at before your mind found a new dangerous game to play.

God, what you would give to lick his boots. Would he liked it if you ground your cunt on them? What if you cleaned them up after, would he like it then?

Suddenly you became too hot and without realizing it, your hand traveled to your panty covered mound and slid through your curls until it reached your hidden pearl.

Fuck, you were soaked.

Knowing Ghost was here, he was in your bedroom, where he heard that you masturbated to the thought of him, drew your body into the flames like no other.

You just couldn’t help yourself. And it’s not like he knows where you are so, you didn’t feel so bad.

So you rubbed. And rubbed. Staring at his thick, black boots and all the implications of what it meant.

Before long, he began walking away and even though it was exactly what you wanted, you felt a little sad too.

That is, until the door closed. With both of you in the room. Suddenly, your fingers stopped, and you realized how badly you might have fucked up. That maybe you didn’t have the upper hand like you thought you did.

“If you don’t get out from under the bed then I’ll get you myself. And trust me, little girl, you don’t want that.” Fuuuuck, you were going to cum just from his voice. It didn’t matter that he sounded a bit pissed at you. Or maybe a little…wound up himself. God fucking damn you.

But you refused. Maybe he actually didn’t know where you were. Maybe it was a lucky guess on his part. You didn’t want to give yourself away now, did you?

“One.” Oh my god, could he just marry you and throw you away in his basement for eternity?

“Two. Think about what you’re doing. Think about it carefully.” He taunted but you didn’t care. You weren’t budging. You refused. You would win. You would-

“Three.” A gloveless, thick and veiny hand shot out and wrapped around your arm and yanked you out faster than you thought possibly. You found yourself thrown on your bed, now staring at your ceiling before a leg forced its way between yours and now, before you could even breath, you had Lieutenant Riley between your thighs. You closed your eyes like it would help your current situation.

Ghost barked out a laugh and it only set to flush your cheeks out even more. The rolling heat made its way over your chest and settled over your heaving breasts.

You couldn’t even care that you were only in panties that were still somewhat pushed to the side, showing off your dripping cunt, your light tank top that did nothing to hide to your puffy nipples or ragged breath. And bra? What bra?

You were a fucking mess.

And you never looked so tempting to someone like you did to Ghost.

Fuck, he wanted to worship you right then. Suck on your clit and make you squeal. Pull on your nipples and slap your tits as you cried. Stuff you full of his cock and shove his fingers in your mouth until you couldn’t tell where he started and you began.

Patience, he tried to tell himself.

But patience was so fucking hard when you were practically dripping on him and he didn’t even do anything yet.

Fuck.

“Look at me.” You refused and Ghost loved that.

His hand began lightly tracing your cheek, down to your lips before pushing his way in and hooking his thumb in your cheek and pulling it. Your eyes shot open and found his amused ones staring back at you. Deep and dark, with a hint of green and a twinge of fire that you couldn’t believe.

His eyes were beautiful and you didn’t deserve to be looking at them.

Funny enough, he thought the same about yours.

“There you are, little girl. See? You can listen. Just have to push you right where I want you.” He smiled under the mask but you could only see the way his eyes scrunch up and how his voice was sweetly mocking you. It was going to be the death of you.

His fingers left your mouth but never left your body, still tracing your exposed skin and everything felt electrifying. You felt your whole body relax, allowing your thighs to let him closer to you, so close you could feel his pants pressing against your wet slit. How embarrassing, you wanted to think but you couldn’t help but the feel the bulge that pressed directly against your pulsing cunt.

You must have died, you decided. No way was this real.

“Oh, it’s real, little girl. Absolutely, positively fucking real.” He growled out, making you realize you were talking aloud. “We have some rules to set, don’t you agree?” His eyebrow twitched as a drunk smile laced your lips.

Maybe telling Nancy wasn’t all that bad…

[theaceace]

I know that canonically (show-wise, at least) St Hilarion's worked to cover up Charles' death, and nothing was ever really done about the disappearance of Edwin and the other boys, but even so, do you think the school has a reputation for being haunted??

I'm imagining Niko following various ghost-hunter groups online, especially when the agency doesn't have many cases going on, and occasionally the boys will mirror hop over to an interesting-sounding location, and they'll even get a real case as a result

So when she tells them that one of the teams is planning to investigate St Hilarion's (either it's been closed for a while or they have special permission to go during the summer holidays), Edwin and Charles steel themselves and decide to go, in case there are other ghosts there that need help ('can't imagine a worse place to be trapped for the rest of my afterlife' says Charles, who has been to literal hell. Edwin, who spent 70 years in literal hell, agrees)

So they go, with Niko and Crystal as moral/emotional support, except when they get there they realise they've fucked up and are there on the same day/night as the ghost hunters. They could come back some other time, but what if there really are ghosts here that are suffering? No one wants to take that chance, so Crystal uses her powers to convince them that she and Niko are there for work experience, or are friends of a friend, or are here to replace one of the tech guys who called in sick

Both Charles and Edwin are tense and uncomfortable returning to the place they died - Edwin had gone there after he escaped Hell because he didn't know where else to go, but they've built themselves a home now with the agency. This isn't like before, when it was the closest place to familiar he could find. Charles, meanwhile, feels colder and colder the longer they're there - his hair is wet, there are bruises flaring and spreading, and a faint rattle in his chest that would have become pneumonia if he'd lived long enough

But they need to be sure there aren't any other lost ghosts stuck here that need their help crossing over, so they keep going

(maybe, as a consequence of a door to hell being opened in the school, there are unusual happenings, maybe there's still a place where the line between earth and hell is very thin, maybe there's some fragment of a demon left behind, and they can do something about it)

Anyway, the most important thing is that Charles, either accidentally or in a fit of pique at the whole situation, knocks something over just as one of the paranormal investigators is asking for spirits to make their presence known. In fact, this happens repeatedly - the boys move things, change things around, their presence is detected somehow with the equipment. Crystal and Niko are doing their best to distract the team and ruin as much of the footage as possible, and at least once the boys do something on purpose, maybe because someone is being a creep to the girls (and yes, they both know that Crystal and Niko are more than capable of taking care of themselves, but this way scares the asshole more and is also funnier), and then also to fuck with their readings

Anyway, it's coming to the end of the night, the problem has been identified, and whaddaya knows, of course it's in the attic where they both died. This is fine, why wouldn't it be fine. They get started, draw some (invisible, ghostly) runes and start working their magic when, of course, the paranormal investigators turn up, because this is thought to be the most 'active' area of the school, and the body of a schoolboy was found here in the 80s

Yeah, they try to contact 'any of the boys who disappeared in 1916' and Charles. It would be fine if they weren't so irritatingly loud, Edwin's trying to concentrate, and Charles is now shivering and dripping wet, but they managed to ignore the team right up until they start speculating that Charles was killed by one of the angry spirits from 1916

At which point, Charles - half visible, clearly enraged, looking very much like the half-drowned and frozen kid he was, like a proper ghost - tells them to fuck off already before they get hurt, they don't understand anything, and how dare they give a shit now when it's too late

Which is, of course, the exact moment Edwin finishes the spell, and causes some sort of a magical rebound that fritzes the cameras for a second, throws furniture around, and knocks them all flying. When the cameras start up again, they catch Edwin kneeling by Charles, holding his hand, and softly telling him that it's ok, it's over, they can go now. Charles sniffs and smiles and knocks their foreheads together and says yeah, let's get out of here, and together they fade from view

The investigators think this means gay love can pierce the veil of death and save the day that now that the truth of their story is known the ghosts have moved on, and it's all thanks to them! How beautiful, how wonderful, how affirming! Perhaps one of the boys from 1916 tried to help Charles, and when that didn't work, they both stayed to try and protect other people from these violent spirits, and now their unfinished business is finished! It's so tragic and touching story

Charles and Edwin, who are putting their tools back in the backpack, roll their eyes and smile at each other

On the way out, Charles swipes the memory cards from the cameras, Edwin inscribes a couple of sneaky runes on various pieces of equipment to fuck with it, and Crystal uses her powers to make sure they all remember a couple of details differently, so later they won't be able to agree on a bunch of stuff

The episode they were trying to make can't be released, their social media posts about the experience are full of details that don't match up, and fans are bitterly disappointed

Crystal and Niko watch the footage Charles stole with Jenny and the Night Nurse back at the agency. Jenny turns it into a drinking game. Charles does a dramatic reading of the posts with added commentary while Edwin pretends he's not laughing. They buy t-shirts of the paranormal investigators and wear them ironically. They leave anonymous comments

Just. The dead boy detectives having to work around ghost hunters, in a world where ghosts definitely, tangibly exist

[lovenonymously]

the importance of well-written stories

watching Lovely Runner was like watching 4 K-dramas at once lol

well-written stories are so rare, you only understand that when you watch something exceptional. something unique. a once in a lifetime experience of watching it for the very first time.

this show gave me so many feelings. in truth, it was an experience. I'm glad I put aside my fear of sad endings and watched as it aired. for once, I took the leap and discovered that's exactly what this drama wanted me to learn.

usually, after finishing really good K-dramas or stories in general, I hit a slump where I cannot function. everything feels dull and boring. a different kind of grief at realising this was just fictional.

but not this time.

all I feel is light and happy. like I'm floating. I want to carry this feeling and runaway. I want to remember how this felt and hold onto it when I get down or get bad days.

lifetimes lived.

Sol was sunlight. bright and unwavering and unforgettable. 💛

living vicariously through Im Sol, from feeling her pain in the beginning to her sunny hope that Sun Jae gave her. all her struggles as she jumped through various lifetimes, loved and lived and loved again. crying with her, laughing with her, rooting for her despite all odds. it was a journey.

beyond her love for Sun Jae, Sol's choices changed her family's life too. they were less hurt and much happier in the future she helped them create. even giving her grandmother a chance to return to the past and relive her fondest memories.

Sun Jae was midnight rain. the comfort of a sudden shower in the middle of summer. 💙

apart from being a complete loser in love, Sun Jae was in love with Sol for a total accumulated time of 45 years.

yep. my reaction exactly ^

I won't lie, when they pulled the "he fell first" trope in Episode 2, I was wary. one, because if the writers were willing to pull such a twist in just the second episode, then who knew what else was in store for us? my guess was pretty spot on, the twists that followed had me gasping and yelling out loud. this show was unpredictable from beginning to end.

and two, because I was worried that Sun Jae's character might get reduced to just him being in love with Im Sol.

in that case, I'm glad to say,

I was completely wrong.

despite Sun Jae's love for Im Sol, he had a grounded personality of his own. whether it was OG Sun Jae (ep 1), who lived in the guilt of what happened to the girl he loved, or Timeline 3 Sun Jae (ep 15), who never fell in love at all, he was positive, kind, decisive and striving to live.

and i love that about him.

for two characters whose stories are so deeply interwoven together, having shaped aspects of each other's lives, Sol and Sun Jae displayed their unique traits exceptionally well as individuals.

I cannot emphasize how happy this makes me. Sun Jae is his own person, Sol is her own person, and they are destined to be together. beyond their desperation for each other's safety and well-being, Sol and Sun Jae are genuinely good people who deserved to be together. even fate and time bent to their will to make it happen.

"As you wait for the rain to stop, live another day."

when a story makes you feel happy, hold onto that feeling. bottle it up. write it down. come back to it on the days the world feels against you and when the times feel too bleak.

fictional though it is, for what it's worth, at least the story exists. it means there are still people out there writing and bringing such stories to life. it means artists and creators like you and I haven't yet forgotten what it's supposed to be like to live. it means there are still people who connect to such stories and learn good things from it.

and as you wait for more such great stories, live another day. perhaps, if you get bored, write the story you want to read.

in the end, it's quite simple.

as for me, I'll be here. crying, laughing, screaming, giggling and kicking my feet while being up to my eyes in second-hand embarrassment (because goodness, these two idiots are COMPLETE LOSERS IN LOVE) throughout these past 8 weeks was the highlight of my year ✨ I will always remember that I watched a beautiful modern fairytale romance in the summer of '24 that reminded me that I was young and full of love to give.

good stories truly do make a difference 🤍

[biolumien]

hello!! I loved your rooftop smoke fic so much oh my goodness could I ask for literally anything hoshina I would love to read more of your works... It would make my day if hoshina fell first/if he was the one hopelessly in love but anything that is easier to write for you I would love to read

ALSO PLS FEEL FREE TO IGNORE THIS IF ITS NOT EXACTLY IT FOR U!!! TYSM IN ADVANCE

notes: bwahhhh omg… thank you for liking my first work…  i havent written hoshina before… but uh. i hope this is good. same reader-insert from last time for this one too!

hoshina falls first (or tries not to, because to love is to be known)

soshiro hoshina x gn!reader i turned it into kind of a character study, forgive me word count: 1103

let’s get this right off the bat, to clear any misconceptions. hoshina’s not a romantic. he doesn’t fall for anyone first. he’s built up the demeanor of a sly, wily little fox not because he wanted to, but because he had to. tread lightly around others, and they will never know what lies in your heart, the insecurities that bubble and eat at you alive. never let them know how you feel, because as soon as your inherent, weak-willed intent is shown, you’ll be devoured alive.

well.

that’s what hoshina tells himself, anyway. 

it’s what he has to remind himself of constantly when he sees you.

you’re not allowed, he reminds himself, to get under his skin. not in any mean way, not in the way where you play up his insecurities–except you do, don’t you? you don’t mean to, but he gets the impression that if he were conventionally stronger, more impressive, that he’d deserve your attention, the small smile that crosses your lips and lights up your eyes when you see him, the faint exhale of breath when you see him–he’d deserve that if he were better. if he were just simply better, he’d deserve it. he’d feel worthy of it.

hoshina’s not a romantic.

he signed up for a line of very dangerous, practically suicidal work knowing it might mean the death of him.

all to prove that he was worth something.

he’s not the ashes you throw away, he’s a brilliant ball of fire, can’t you see–but he needed to prove that he could shine alone, under his own merit. he didn’t need anyone, except he needed mina to get him into the third division anyway. 

he didn’t need you, except he kept making excuses to get close to you, and not even in any particular suave way. hoshina practically pines for your affections and attention, but the key thing about it is that he refuses, in a way that’s either very cute or insanely frustrating, to make it seem like he’s making the first move. fleeting kisses he shared with you, he never properly initiated himself–he’d stand there, make a big show of leaving, and you’d pulled him by the collar to kiss him. 

but at the very least you seem to be accommodating about it, in any case. you sometimes end up preparing him a cup of tea when you go on break, as if instinctually expecting him.

hoshina wonders if he’s pavlov’s dog in this case–drawn by you, trained to behave around you.

he doesn’t know how he feels about it.

“you keep coming here,” you say to him one day in the lab. at your desk is a wide variety of papers–notes on chemical formulas for bullets, the blueprints for one of mina’s new absurdly-large guns shoved haphazardly under a stack of notebooks, a coffee cup clasped between your hands, and you blow some of the fresh steam off. “i’m starting to think the captain’s going to find you slacking off.”

there’s a sardonic smile on your lips, but hoshina’s gotten better at reading you. you’re happy to see him–he can see it in the tiny way you fidget a little bit when he takes the spare coffee mug from your desk, finding it full of coffee already. does he feel his face softening, his drawn-up shoulders relaxing? no, surely not. he’s better than that. he won’t be influenced by you–and yet. and yet. 

“you have a lock on your door if you don’t want to be disturbed,” hoshina says simply, taking a sip of the coffee. black with a single spoonful of sugar in it, because as much as it was impressive to drink your coffee purely black, hoshina quite frankly couldn’t take it. and he’d built as much a complex around that, too, as if a simple coffee preference might define how worthy he is of love. respect. the works. he watches you, sees dark under-eyes from days of restless work and the writer’s bump on your middle finger, and feels his heart squeeze.

god, he hates it. does he? does he hate it? is he insecure about that? does he hate that he doesn’t hate it? does he hate that by pining for you, by forcing his way into your life, that he’s created the rumblings of his own downfall? no. the worst part of it all is that he can’t hate you. can’t hate the way you watch him, and he wonders if you’re watching him the same way he observes you–like a prey animal, almost, twitchy and nervous, in an attempt to grasp at feeble understanding. 

“if you keep coming back here, i’m going to assume you’re in love with me,” you say.

and you have no idea what those words do to him, really. you don’t know, because hoshina has learned to obscure most of his emotions, at the very least. 

so why does his face feel so hot?

“hm.”

he can’t even come up with a proper retort. you’re staring at him expectantly, as if waiting for the classic hoshina quip–a cackle or giggle, a casual slap on the table with a you wish! attached to it. but it doesn’t come. hoshina stands there, gagged for a moment–and suddenly his grip on his coffee cup feels a little weak.

“hoshina.”

he wishes the smile on your lips didn’t trigger some gut instinct of delight in him.

he’s better than this, damn it. he’s better than this.

your smile quirks up the corners of your cheeks, and there’s something like a shy flush across your skin. and–

“i wish i could take a picture of your face right now,” you say. “you look like you’re coming down with something.”

hoshina scoffs, the sound a little more high-pitched than he’d like for it to be.

“you wish,” he says. 

“so are you?” you press. “in love with me?”

hoshina stares at you–there’s a sudden tightness in your shoulders that wasn’t there before–you’re worried about his answer. and despite it all–his bravado, his hatred of the mere idea that he might rely on someone else–that he would ever need someone to know his heart, that he might be cowed and tamed like a dog–

he loves you.

he doesn’t want you to be worried about the surety of his answer.

“yeah,” he says. “i love you.” and when that sudden tightness in your body language disappears, he finally finds the strength to quip, “just don’t faint over me, alright?” 

and when you reach out to hit his shoulder, he grasps you by the wrist and pulls you in to kiss you.

[perfectprettypisces]

I try to stay out of tabloids and gossip sites and I'm probably end up deleting this, but something really irked me and I felt like I wanted to share...

⚠️ WARNING: LONG POST INCOMING (BUT IT'S IMPORTANT, I PROMISE) ⚠️

To be completely transparent, I am a big fan of both Glen and Adria as actors and I, admittedly, have not seen Hit Man yet. I also don't know personally (obviously) or as people. But I'm writing this post not as a fan, but as someone hoping to work in the industry one day as a writer. Something that bothered me about Entertainment Tonight taking this quote from Glen and Adria's InStyle interview is that it's almost trying to make cheap gossip out of what was actually a very important conversation that they had with the interviewer about filming the sex scenes in Hit Man.

This is the quote with context. The interviewer asks them: This movie is such a tonal mix: action, noir, comedy. How did you find the right balance? Were there other movies you used as touchstones?

In an industry that notoriously undervalues, mistreats, and silences women's voices, ESPECIALLY women of color, I think it reflects well on this film (as well as on Richard Linklater and Glen) that Adria felt safe enough that she was able to provide her input on these intimate scenes and how they can do it in a way that they're both comfortable.

This has NOT always been the case and unfortunately, still isn't the case for many women in film. Entertainment Tonight taking that quote out of context to make a graphic out of it cheapens the entire conversation because unfortunately, not everyone cares to read the rest of the article and will take that quote and run with it. Some people might not even read the caption. However, their caption wasn't that much better either.

This movie doesn't work without Adria and I know that even without watching. Both Glen and Richard Linklater have stated multiple times that they needed Adria to make this film work. By what they say about each other, it seems like there's a lot of trust there.

I hope my obvious fangirling on Tumblr about Glen and Adria (mostly Glen) doesn't discredit this entire post. Still, as I said in the beginning, even if I wasn't a fan of Glen and Adria, I would still side-eye this post after reading the entire InStyle article. Hollywood has always needed to do better when it comes to the treatment of women on film sets and seeing this important conversation boiled down to an out-of-context graphic is just not sitting right with me.

I highly recommend reading the entire InStyle article. With the way they talk about the film, it's obvious they both worked really hard on it and are proud of the outcome.

This could be me overreacting, but as someone who wants to work in a (hopefully but doubtfully) changed industry, I truly despise narratives like these blocking out bigger issues that deserved to be addressed.

[itmeblog]

Random Audio Drama Writing Tips

The more characters you add to a podcast the more time it's going to take to do anything.

Details: In order to make characters matter, people need to care for them. The more characters you want people to care about, the more people your audience has to meet, grow attached to, and fortunately (or unfortunately) people need time to grow invested. This means more scenes, more interactions, more information.

This goes twice as much for nuanced characters who aren't meant to be immediately likeable.

This is not mentioning that the larger the cast the more logistical issues you are going to face even if you are doing all the voices. Like... doing all the voices, or scheduling, stamina is a big one for me (After Keryth's voice I have to take a break). How much time can you demand of these people or yourself? Are you paying them or is this volunteer?

On a similar note, the more characters you have, the less nuanced you can make them, and the more important it is to give them distinct and memorable personalities.

If you are working on a time limit (due to budget, personal preference, or just how much time you can dedicate to the project) you should decide what story elements you want to prioritize.

Details: Plot, characters, personal arcs, worldbuilding etc. Are all important parts of a story, but they all take time to express. Now you can have a big cast in a limited series but know that you may have to sacrifice bits of lore for character moments (to show/hit emotional beats) , or straight up tell (rather than show) people what the characters are about, in order to move a plot forward. This tradeoff becomes less likely the fewer characters you have or the more episodes you can create. There's probably always going to be some sort of tradeoff somewhere regardless of the set up you choose (I am sitting on so much lore because I tend to prioritize character beats and plot... not necessarily in that order)

Decide how you're going to use sound! (preferably before you even put pen to paper but that might just be a personal preference)

Details: Of course sound is very important in audio drama but how you use it is going to impact your script and the descriptions you have to provide.

I use sfx to represent a set. As in my characters are there, they are interacting with the environment, I have floor plans and objects they are holding/fiddling with, I know the texture of the ground, I know if they fling their arms they might hit a wall, etc. This means that I can often get away with cursory descriptions in dialogue that can come across fairly naturally. "Oh look the beach!" I don't need to describe the way the waves hit the shore or that the sand looks like this or that, because in the background you can hear the waves, and hear the characters in the sand and I can let people fill in the blanks on their own.

Frankly, I'm an extreme case. This takes a ton of time and makes my podcasts a bit difficult for people with audio processing issues.

Other podcasts use sfx to direct listener attention to important objects or places in the story.

An important rattle, the sound of a body hitting the floor, the clicking of a keyboard, music to indicate emotion. It's less about setting and more about overall vibes and keeping track of plot relevant objects. These tend to require a little more description in the dialogue and there's usually some sort of framing device that facilitates this (they're talking over intercom, they're making captain's logs, they're describing something to a friend, they're making a podcast, they're three narrators in a trench coat, the character just likes to talk to themselves, etc.)

And other podcasts just use music, a set soundscape, or a tape recorder background

These tend to be single narrator and they tend to read like prose! Descriptions are often lush and in depth, usually limited POV. They generally have to describe or tell you everything you need to know!

Each one has its merits and there's no rule saying you have to stick to one for the entirety of a project, or that you can't land in between! And these are relatively broadstrokes.

[fumifooms]

I think you made me start shipping Marchil

Your posts got me thinking about their dynamic then I wrote a fic that was supposed to be platonic but midway through I realized it could actually be interpreted as romantic too and now I'm just sad about how little time they'll have together

First of all, you have a lovely icon, second, I’m so honored… I finally read Not a bad way to go and it was soo so good like. My god!!! Pre-canon is underused and you did so many interesting things with it.

It sounded like a cruel joke, that the one who needed her concern the most was also the one least interested in it.

^^^ go read it go read it

Chilchuck was drunk enough that he needed to hold onto the walls not to fall, but apparently still sober enough to remember emotional vulnerability was his worst enemy, as he made sure to avert her eyes and said: “Namari made me come talk to you ” to make it clear he wasn't being nice voluntarily.

Yeah.

“Of course I'm scared of dying.” He scoffed. Did she really think so little of him? “But if I could choose, I would want to die doing something I love, like drinking. Or maybe fucking,”

Maybe you wish you didn’t know but my new favorite HC because of this is that Chil dies yes prematurely not of liver failure though but during coitus. Especially if marchil, the thought of him busting a nut and his heart giving out makes me laugh so hard. My god. Lmao. Oh god. Lmfao. Worst day of her life

Marcille knew Chilchuck wasn't a kid, but she often struggled to take him seriously as an adult because he was just so adorable and small. In this moment, however, she saw them exactly for what they were, even if it was just a glimpse. A sheltered, naive little girl trying to tell a tired, much more experienced man how to live the rest of his life.

Standing ovation

She tried to find an explanation to give him, but she couldn't even find one for herself. Why would she miss him? He was just Chilchuck, her coworker, Chilchuck who was cold, aloof, sometimes crass, evasive, and even outright mean. He who was level headed, reliable, trustworthy, perceptive and clever. He who had the least time left, even in a best case scenario. “I guess that despite your best efforts, there's still a lot to like about you.”

This fic goes so hard, standing ovation pt 2

“I just think it's better if we don't get too close. Don't you agree?” “I… maybe” she said, uncertain as he didn't know how to feel about that. Caring about people would only hurt her in the wrong run, she knew that, but unfortunately she couldn't help it.

I looove how they can be read to be similar on this aspect. My hand clenching around my phone as I rear up to rant about Marcille and the way she does keep people at an arm’s length subconsciously again my god my goood. Obsessed with this obsessed with this, underused for marchil. Terrified of loss through death vs rejection duo I love youuu

Brilliant ending I’m in shambles. I’m not gonna spoil it

You get marchil so much you truly do. The way they mesh, the way their views on mortality clash and both soothe & bruise… He doesn’t have much time left even in best case scenario (which Mr I won’t eat well I’ll drink and smoke a lot I’ll stress all day every day is determined to not make happen) which makes it all the more meaningful for Marcille’s arc when she learns from him to finally enjoy the present moments… It’ll only be a fraction of her life, but to him he’s giving her the rest of his life. What are some decades of love worth? Worth it, surely, if nothing else