#Cement Feeding System
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Why Silo Feeding Systems Are Essential for Modern Industrial Facilities
Operational efficiency, accuracy and reliability are key in the ever-changing industrial operating environment. Silo feeding systems emerged as indispensable tools for companies handling bulk commodities such as cement, fly ash, and fine powder. Whether you are looking for a Silo Feeding System Manufacturer or looking for the benefits of a Cement Feeding System, understanding its importance can help your facility run more efficiently
The Role of Silo Feeding Systems in Modern Industry
The silo feeding system ensures maximum transfer, storage and utilization. From manufacturing facilities to construction sites, these systems are designed to handle large volumes with the involvement of a handful of hands. This not only improves efficiency but also reduces waste and downtime.
In industries such as cement manufacturing, where accuracy in material handling is essential, the cement silo fly ash feeding system manufacturer offers customized systems to ensure material continuity regular This solution to ensure the quality and uniformity of end-use products is imperative.
Key Benefits of Silo Feeding Systems
Enhanced Efficiency: Silo feeding systems automate material handling, allowing facilities to streamline operations and focus on core tasks. Partnering with a trusted Manufacturer of Feeding Systems ensures that the equipment aligns with specific operational needs.
Optimized storage solutions: provide more advanced storage than modern systems such as cement storage silos or cement floors. These silos prevent contamination, protect products from the environment, and facilitate retrieval when needed.
Material reduction: Systems such as mechanical cement dispensers or fly ash silos ensure precise material handling, reducing spills and waste. This not only saves costs but also reduces environmental impact.
Scalability and Customization: Whether you need a compact silo container for a small office or a large feeding system for industrial plants, manufacturers offer scalable solutions to meet a variety of needs
Common Types of Silo Feeding Systems
There are silo food systems, each tailored to specific technologies. Some popular options are:
Cement Feeding Systems: Designed for the movement and storage of large quantities of cement, ensuring a constant flow of water along production lines.
Fly Ash Silo Systems: Ideal for handling fly ash and other particulate matter, these systems prevent dust waste and improve material flow.
Horizontal Cement Silos: Compact and easy to transport, these are perfect for temporary or mobile operations.
Understanding the unique features and applications of each system can help businesses choose the most appropriate solution.
Applications Across Various Industries
Siled food systems are not limited to the cement industry. It is widely used in many fields, e.g.
Production: To store and maintain raw materials such as cement and fly ash.
Chemicals: For better handling of powders and granules.
Agriculture: The gathering and distribution of grain or food.
Investing in a reliable system from a reputable feeding system manufacturer ensures versatility and longevity in this application.
Applications in the Cement Industry
The cement industry heavily relies on advanced feeding systems for operations like material blending, grinding, and storage. A Cement Feeding System plays a vital role in maintaining the integrity of materials during production. Additionally, the use of Horizontal Cement Silo systems enables easy transport and installation, making them ideal for temporary or remote sites.
A leading Cement Silo Fly Ash Feeding System Manufacturer ensures these systems meet industry standards, providing durable and efficient solutions that withstand demanding environments.
Choosing the Right Manufacturer
When choosing a Silo Feeding System Manufacturer, prioritize companies that have a proven track record of providing reliable innovative systems. For example, manufacturers outside of RCMPL offer a variety of feeding solutions to suit technical needs. From robust cement dispensing machines to versatile silo containers, their products cater to a wide range of applications.
By choosing the right partner, companies can ensure seamless integration of food systems, improve efficiency and maintain industry standards.
Conclusion
In today’s competitive industrial environment, the adoption of efficient material handling systems is non-negotiable. Silo feeding systems not only enhance operational efficiency but also play a crucial role in maintaining product quality and reducing operational costs. Whether you’re in the market for a Cement Storage Silo, Fly Ash Silo, or a comprehensive feeding system, working with a trusted Manufacturer of Feeding Systems is key to achieving your goals.
Explore innovative solutions at RCMPL to take your operations to the next level. With a range of cutting-edge feeding systems, you can ensure that your facility stays ahead in efficiency and performance.
#Silo Feeding System Manufacturer#Manufacturer of Feeding System#Cement Feeding System#Cement Silo Fly Ash Feeding System Manufacturer#Cement Feeding Machine
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i really dislike the idea that marginalized people "being mean" is a more pressing contributing factor to their oppression than the fact that bigoted societies are prone to rewarding people who choose to perpetuate bigotry
#maddie meows#like idk for some people it does not matter how “nice” members of a disenfranchised group are to them#what matters is that feeding into systemic inequality grants them a place of power#also: “mean” and “nice” have quotations around them bc sometimes i think people define those terms differently in this context than i would#as in sometimes being “mean” just constitutes challenging someone's worldview.#something being hard to hear does not necessarily make it mean.#and i am speaking from experience here btw!!! i do like to be kind to people where possible#sometimes i think slash hope i have contributed to people choosing to become better people#other times i have just been cemented as “one of the good ones” in peoples' minds so they could continue justifying their cruelty#kindness is important but it is not a panacea for all the world's ills. if you'll allow me some purple prose lol#man idk i think the opinion i'm frustrated by is ultimately fringe + probably a flanderized version of a more reasonable one#at least i certainly hope so#but it bothers me
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analysing less spoken about whc1 ep2 scenes that symbolise Suho & Sieun's relationship + how food is a symbolism of integral sustenance, to which what Suho’s existence means to Sieun:


ah yes, ep2, wherein suho famously asks if they're (him & Sieun) were "a married couple in a previous life".
But more than that scene, I want to bring attention to the following scenes afterwards, where the camera brings us through Suho and Sieun's separate lives. These scenes juxtapose how Sieun returns to a lifeless home while Suho goes about his livelier delivery job. They too, shed light on the symbolism of food in Sieun and Suho's relationship.


At home, Sieun sits and eats pre-packed convenience store food that he heats up in the microwave. The way the sequence is filmed, it indicates that he’s been doing this and eating cold, lifeless food for a while now. Food in many cultures across the world is supposed to reflect genuine warmth and human touch, but him eating these manufactured, quick solutions to hunger further reflects how empty and emotionless his life is. It’s almost like he’s part of the robotic system his parents and society have made him apart of.
I'd also like to draw attention to how the microwave's design is shaped like an egg, to which I then draw a link to the line that defines Sieun's story in whc1:
The bird fights its way out of the egg. - Demian
This quote is flashed in the beginning of Ep1, and it foretells Sieun's eventual coming of age story and breaking out of his shell. It is poetic that he heats up the aforementioned soulless, cold food in that microwave. This foreshadows that through food which is very much a character trait associated with Suho, Sieun will experience the pain of youth as much as it brings him light, both of which Suho gives him.


Next, as for Suho, we see him going on food delivery jobs. He loves eating and even works as a food delivery driver, which cements his character association with food. He sends these more sincerely (more or less), but definitely warmly cooked food to people who wants them. This act of delivering warm food is very much a representation of what he is to Sieun. He delivers warmth and company to Sieun, which is what food should do when done and prepared the right way. And Suho is a warm person — he gives a sweet in secret to a child at one of his delivery addresses.


His food delivery scenes allude to a later part of Ep2, where we see this symbolism of Suho being the person to deliver warmth to Sieun, finally materialise into a physical act and therefore breathes a tactile/physical manifestation into their relationship dynamics.
He feeds Sieun the ssam wrap, gently pushing through Sieun's resistance as he always does. Metaphorically, and recalling Demian's quote, he breaks through Sieun's shell. In return, Sieun smiles with his eyes — his eyes are so soft and fond after Suho feeds him. Because for the first time in a while, Sieun is eating warm food and it’s given to him by Suho. From a more retrospective angle, Suho has given Sieun the life, attention and warmth that he wishes for.

Suho is Sieun’s sustenance.
Regardless if you view them platonically or romantically, this entire sequence revolving around food and how it symbolises Suho’s role as a giver of warmth and substance, exemplifies just why Sieun is so attached to Suho. After all, Sieun’s always been cold and lifeless. He just needs someone to show him that he can be loved. He needs someone who is willing to put in the effort, break his shell, to show him that he can be loved.
#oh how much Ive missed literary and film analysis#I adore shows that feed me good relationships and film/literary thematic concerns#whc1 is just that bitch#weak hero class one#weak hero class 1#whc1#weak hero class two#weak hero class 2#whc2#kdrama#I miss fangs of fortune btw#fuckin fever dream of analyses
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Yes, Boss
AN: Just felt like writing, very little editing, based on a concept @comatosebunny09 (ily btw) has written (working for Sylus). Expect angst & devastation. 18+ MDNI just in case I write some dark shit.

"You bastard! You can't do this!"
Your pleas were useless, your partner - ex-partner now - had made up his mind. He'd taken this job on purpose, to get rid of you. How could you have missed the signs? His disinterest in your planning. His constant nagging about the job offer you'd "hastily" declined. This was how he'll get the job. By feeding you to the beast of the N109 Zone, he proves himself.
"Sorry, sweetheart. I tried to change your mind, but you've never listened to reason."
"All this for a quick buck? And the shallow promise of job security?"
He finally pries the flash drive out of your hand, the handcuffs tightening as you struggle. He holds it up, his haughty grin makes you sick.
"After I deliver Sylus's coding system? I'm pretty sure Ever will keep me around for a long while."
Alarms blare, your override has been detected. The handcuffs cut off circulation, but you don't stop fighting. Your heart beats wildly in your chest, your eyes watering.
"When I find you, I'll -"
"You and I both know you won't be walking out of this. Not once Sylus finds you."
He stands, leaving you writhing on the floor against your restraints. He kicks your gun away and stoops to pick up his own. He waves as he walks backward towards the exit. There's no point in begging.
As his figure fades, you try once more to free yourself. As the cuffs dig deeper, you cry out and collapse. The cool cement floor against your cheek is a welcomed reprieve. But your moment of peace is quickly interrupted.
Two sets of black boots sprint into view. You close your eyes, waiting for the gunshot that never comes. When you open your eyes again, a pair of dress shoes approaches. You instinctively struggle, which only makes you groan in pain. You crane your neck to look up at the shadowy figure. The gun in his hand twitches at his side.
"What do you want to do with her, boss?"
The voice was far too chipper, almost eager. You wince as the figure crouches. His calloused fingers grab your chin, forcing you to look up at him. Through the darkness, all you see is a faint red glow. Your mind races as you feel a presence probing at the walls of your memory. Just as the pressure becomes unbearable, it stops, and the man releases you.
"Search her and put her in a room."
His voice is dark and unyielding. His henchmen help you stand and usher you down the hall to an elevator. As it ascends, you finally reach your limit. Your body goes limp, and the men holding you up stumble as the try to catch you.
As everything fades to black, you swear you can hear his voice again.
"Careful, this one has claws."
It must have been hours since you passed out in that elevator. When you wake up you're alone in a room, a rather ornate one in fact. A plush comforter beneath you, pillows so soft your neck has finally learned to relax. Sitting up, you take a moment to find your center. You're in an unfamiliar room, in new clothes, with no weapons. Fuck.
Click
The door knob turns and sends a jolt of panic through you. Standing beside the bed, you search for anything that could be a weapon. Settling on the lamp, you yank the plug free from the outlet and wield it like a sword. As the door swings open, that faint red glow appears again. Your mind goes numb and the lamp shatters at your feet. Just as your about to fall, arms wrap around you.
"You really are stubborn aren't you?"
That deep, rich voice from before, he's here. Who is he? What is he doing to your mind? And more importantly, why are you still alive?
He directs you to the edge of the bed and sits you down. The mattress dips beside you as he sits. You hesitate before looking over at him, afraid you'll walk into some kind of trap. But instead of a trap, you're greeted by crimson eyes that are no longer glowing. The man before you is stoic, broad shoulders, firm jaw, devastatingly handsome by all accounts. If you weren't worried about dying, you'd be intrigued.
"Why am I here?"
He chuckles, low and almost forced.
"You're the one who broke in, remember?"
You tense, you bring your knees to your chest and shift back on the bed away from him. Your arms coil around your legs and you stare.
"Why am I alive then?" You mumble, bracing for the answer.
"Because you impressed me."
Your mouth falls open and he laughs, more genuine this time.
"And... I'm giving you a chance to fix your mistake. You work for me now. Until you get my coding system back. And wipe all traces of it from Ever's database."
"I work... for you? So you're...?"
"Sylus."
"And you expect me to what? Walk into Ever's building and yoink your shit back? How do you expect me to do that?"
"That's for you to figure out, kitten."
The nickname takes you by surprise. Your eyes widen, partially to rebuke his audacity and partially because you're not sure you hate it.
"If you could bypass my security systems, I'm sure you can do it. Oh, and you'll be upgrading that. Seems it isn't so impenetrable after all."
Get his coding system back, destroy all traces in Ever's database, upgrade his whole security system... This could take weeks. This is why you freelanced, you hated being told what to do.
"You'll live here, at the Onychinus base, until further notice. I sent Luke and Kieran to your apartment to fetch your belongings. Until they get back, there's clothes in the closet. I'll provide you with a new phone and gun."
A live in job. Fantastic. You don't even question the fact he knows where you live. As you open your mouth to protest, Sylus swiftly stands and strides to the door.
"I leave for a business deal in 25 minutes. Since Luke and Kieran are busy, you're my plus one. Change if you want, just be ready when I come back."
"I really don't have a say in this, huh?"
Sylus turns and leans against the door frame, tucking his hands in his pockets. His smirk is mischievous, but there's a danger to it nonetheless.
"Your other option is I kill you. What would you prefer?"
You blood runs cold and you bite your lip until you taste blood. Guess this is your life now. Working for the leader of Onychinus until you can figure out how to infiltrate Ever's computer science department. But this new arrangement won't change the fact when you find your ex-partner, he'll suffer in every way imaginable.
𝕿𝖆𝖌𝖑𝖎𝖘𝖙: @trishiepo0 @not-so-quite-human @kitsunetori @babyx91 @libriomancer @lilyadora @crowskitten22 @letharue @silverbrain @alastor-simp @drama-trauma @0tterteeth @mysticcollectionvoid @godzillaglitter @godoffuckedupcats @klmpun @ariallaisawesome @spidy-spider01 @m00nchildwrites @plsdonttakemyname @hauntedbysmutm0 @withering-dream @lostwingz2236 @simpfortheseven @bubbleteakittyy @freddy-2002-blog @plsdonttakemyname @sylus-hunter
#love and deepspace#lads sylus#lnds sylus#love and deepspace sylus#sylus (love and deepspace)#sylus love and deepspace#l&ds sylus#qin che#sylus#sylus x reader#sylus lads#lads x reader#lads fanfic#lnds fanfic#lnds#l&ds#sylus angst#sylus drabbles#sylus fanfiction#sylus fanfic#sylus hurt/comfort#sylus x y/n#sylus x you#sylus my love#sylus my beloved#onychinus#mafia boss sylus#mafia trope
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Glinda mentions to Elphaba how Fiyero can't stop thinking about that moment in Dillamond's class, or that he's having thoughts in general and how it worries her because it's not something she's used to from him (which is him thinking about actual things), in contrast to Elphaba, who doesn't seem all that bothered and, even more so interested in the manner when Fiyero brings up how he can't stop thinking about when they rescued the lion cub. I don't know about everyone else but for me, even with this scene probably being added for lighthearted value, I also see it as another piece in the puzzle cementing how Fiyero's and Glinda's actions will, eventually, either pull them closer or further away from Elphaba. I lowkey don't like it when people act surprised or confused as to why Glinda was spelled or get annoyed that Fiyero is in her place but I, personally, don't think she would have helped in that moment, specifically in the movie.
Prior to the train scene, Glinda is shown to, not only, be completely rude and spoiled (as shown with her literally fainting over not getting her way), when in class, she publicly points out Dillamond's inability to pronounce her name correctly even though it's an obvious struggle, parading in front of the class how easier it was for her other teachers to do it, then being dismissive during the rest of the lesson when learning the importance of history and why to learn from it (correct me if I'm wrong, as it has been a minute since I've seen the movie). All that already tells me that she doesn't really care for the animals' cause, let alone enough to follow Elphaba and Fiyero into the woods after stealing the lion cub and I think, subconsciously, Elphaba knew that. In fact, I can only see Glinda trying to sway them to leave the cub and how what their new professor wanted to teach probably wasn't all that bad (not saying that she would want the cub to be harmed, just that she would try to rationalize what's going as we've seen her do before). This is the same woman who, after learning that the Wizard was a fraud and responsible for the missing and harmed animals, still tried to justify his actions and berated Elphaba for not "acting accordingly" to the news, but yet we still think she should have been there to save the lion cub? That she would have helped those animals alongside Fiyero and Elphaba? I think it could allude to how Glinda could/will be used to help further push propaganda for the Wizard, especially given how it benefits her socially, as figures of propaganda often don't think too hard, or enough to critique the system around them not because they aren't smart enough too (for the most part), but more so because they understand how their world works and understand the consequences that follow when stepping out of line.
You don't have to like Fiyeraba or even find Fiyero interesting, but to purposely ignore what the movie is presenting you is such a cop-out. Fiyero enters the film being a sort of anti-establishment-like character, caring little if he gets kicked out of Shiz for breaking the rules, or just hardly caring in general (something Elphaba calls him out for), and so on. Why wouldn't he be down to rescue the lion? Even if it was to just feed his rebellious streak, he still would have gone, but when he and Elphaba meet, he's on a talking horse and they are conversing like lifelong friends. That might add another layer to the pair saving the lion. Even if he wasn't on the same level as Elphaba at that moment, the train scene shows that it had a profound impact on him that he couldn't shake. I think, had he been presented with the choice of joining Elphaba or staying, he would have gone, not only for her but also because he now knows that the Wizard is a fraud and most definitely wouldn't stand for what he [Oz] is doing. This is what sets him apart from Glinda which, isn't necessarily me hating on her but just stating facts. Glinda isn't/won't be willing to sacrifice her position and what it brings her, until it's too late (which is the tragedy of her character and her relationship with Elphaba), while Fiyero risks everything, even to some extent his own body (Scarecrow) and, in the end, gets to stand with Elphaba.
#i don't want to ship tag this bc im sure if either would necessarily fit but also bc i don't want to attract a certain audience#but idk we'll see how it goes#this was just my perspective giving an analysis to both the train scene and the lion cub scene#it's not an attempt to paint one character as better than the other (in a way bc glinda was acting wild ngl)#i also notice some in this fandom get touchy when you say glinda didn't change until the last minute (which is true)#but lost everything by that point and how tragic that is it's okay to admit that#while i do think fiyero could of had more character development in the movie i don't think he's completely pointless like some try to paint#him as and i hope act ii gives us more of him#dni if can't have a calm conversation#glinda upland#glinda the good witch#elphaba thropp#fiyero tigelaar#wicked spoilers#wicked#wicked 2024#even my friend who just got into the wicked fandom was like “yeah glinda wouldn't do shit for them animals”#so i know im not tripping
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How Obama Transformed the U.S. Intelligence System into an Untouchable Force
The sprawling U.S. intelligence apparatus wasn’t Barack Obama’s invention, it emerged in the wake of 9/11 under George W. Bush, who laid the groundwork with the Patriot Act and a retooled security state. But Obama didn’t just inherit this system; he refined it, expanded it, and entrenched it so deeply into the fabric of American governance that it became nearly impossible for anyone, even a president, to rein it in. His tenure marked a pivotal shift, normalizing a decentralized, privatized, and largely unaccountable intelligence leviathan. Here’s how it unfolded.
The story begins in the early 2000s, when the Bush administration responded to the September 11 attacks with sweeping surveillance powers and a new security architecture. The Patriot Act of 2001 granted agencies like the NSA and FBI unprecedented authority to monitor communications, often sidestepping traditional oversight. By the time Obama took office in 2009, this framework was already in place, but it was still raw, controversial, and subject to scrutiny. Obama’s task wasn’t to build it from scratch; it was to polish it, protect it, and make it permanent.
One of his earliest moves came in 2011, when he signed a renewal of the Patriot Act with a Democratic-controlled Congress. Rather than scaling back Bush-era policies, he leaned into them, signaling that the post-9/11 security state wasn’t a temporary overreach but a new baseline. That same year, he authorized the drone strike that killed Anwar al-Awlaki, a U.S. citizen, without judicial review—a decision rooted in a secretive “Disposition Matrix,” a kill-list system driven by CIA intelligence and insulated from external oversight. Over his presidency, Obama would greenlight over 500 drone strikes, far surpassing Bush’s tally, establishing a precedent for extrajudicial action that relied heavily on intelligence feeds.
Surveillance took a leap forward under Executive Order 12333, which Obama expanded to allow warrantless collection and sharing of raw signals intelligence (SIGINT) across federal agencies. What had once been concentrated in the NSA and FBI now seeped into every corner of the government, from the Department of Homeland Security to the Treasury. This decentralization diluted accountability, as data flowed freely between departments with little public scrutiny.
The 2013 Snowden leaks threw a spotlight on this system. Edward Snowden, a contractor for Booz Allen Hamilton working with the NSA, exposed illegal mass surveillance programs like PRISM and bulk metadata collection, revealing how deeply the government had tapped into private tech giants, Google, Facebook, Microsoft, Apple. Obama’s response was telling: he defended the programs, prosecuted whistleblowers like Snowden, and declined to hold the architects accountable. PRISM became a blueprint for a public-private surveillance partnership, unregulated by Congress, immune to FOIA requests, and beyond democratic reach. Meanwhile, the reliance on contractors like Booz Allen ballooned, by the end of his tenure, 70–80% of the intelligence budget flowed through private firms, funneling billions into an opaque ecosystem.
Obama also shielded the intelligence community from legal consequences. In 2014, the Senate’s Torture Report laid bare CIA abuses, black sites, waterboarding, and even spying on the Senate investigators themselves. Yet Obama refused to prosecute, famously urging the nation to “look forward, not backward.” This stance didn’t just protect individuals; it cemented a culture of impunity, signaling that the intelligence apparatus operated above the law.
Beyond surveillance and legal protections, Obama supercharged the bureaucracy. The Office of the Director of National Intelligence (ODNI), created under Bush, gained sweeping coordination powers under his watch, but rather than centralizing control, it added layers of insulation between the president and field operations. He also empowered hybrid units like Joint Special Operations Command (JSOC) and CIA task forces, which blended military and intelligence functions. These shadowy outfits operated in dozens of countries with lethal authority, secretive chains of command, and minimal oversight from Congress or even their own headquarters.
By 2017, as his presidency wound down, Obama made a final play: he authorized a rule change allowing the NSA to share raw, unfiltered data with 16 other intelligence agencies, stripping away privacy safeguards. This move ensured that the system he’d built could hum along without presidential intervention, its reach embedded in local “fusion centers,” secret courts, and corporate data pipelines.
The outcome was staggering. By the time Obama left office, the intelligence network spanned 17 agencies, leaned heavily on unaccountable contractors, and fused with private tech infrastructure. It wasn’t just bigger, it was untouchable, legalized through executive loopholes and shielded from reform. Obama became the first president to weave intelligence into every layer of government, from foreign policy to law enforcement, but in doing so, he relinquished control. The republic did too. No future leader would easily dismantle this machine, not because it was too strong, but because it had become too diffuse, too ingrained, too essential to the modern state. Obama's Intelligence Policy
#obama#democrats#nsa#surveillance#Snowden#cia#republicans#donald trump#jd vance#robert kennedy jr#tulsi gabbard#maga#joe biden
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Palmetto Tortoise Beetle: the larvae of this species produce long, thin strands of feces that are gradually woven together to form protective "fecal shields" around their bodies

During its larval stage, the Palmetto tortoise beetle (Hemisphaerota cyanea) uses its own feces to create a defensive layer known as a "fecal shield" or "fecal thatch."
As this article explains:
Most remarkable, perhaps, is the fecal “thatch” of Hemisphaerota cyanea. In the larva of this beetle, the feces are emitted in strands, which, as they build up over the course of larval life, form a loose assemblage that totally hides the larva from view.

The construction of the "fecal thatch" begins almost immediately after the larva hatches. Each larva begins to feed within minutes of hatching, and the very first fecal strands emerge from its anal turret just a few minutes later. Subsequent strands are then produced in quick succession, and they begin to accumulate around the larva's body; as each strand emerges, it is made to curve around the larva's left or right side depending on whether the anal turret is flexed to the left or right. The direction of the curve usually alternates from one strand to the next, ensuring that a nest-like structure is formed around the larva's body.
As they emerge, the fecal strands are gathered together and then cemented into place with the help of an anatomical feature known as a caudal fork. Once an individual strand has been extruded to its full length, the anal turret is rotated upward until it comes into contact with the caudal fork, and the larva then pinches off the strand while secreting a droplet of "glue," which effectively cements each fecal strand into place against the caudal fork.
It generally takes about 12 hours for the larva to finish building its very own "fecal shield."

As an adult, the Palmetto tortoise beetle has another unusual defense mechanism: its tarsi (i.e. feet) are each lined with 10,000 tiny adhesive bristles, and when the beetle is attacked, it can press its feet flat against the surface of a leaf and secrete an oil that allows it to adhere to that surface with an enormous amount of strength. The adhesive mechanism is strong enough to resist pulling forces that are up to 60 times greater than the beetle's own weight for a full 2 minutes; it can resist even greater forces (up to 230 times greater than the beetle's own weight) for shorter periods of time.

According to this article from the University of Florida:
Each of the greatly enlarged tarsi is equipped with approximately 10,000 adhesive bristles. Each bristle has two terminal pads. When walking, only a few of the bristles touch the leaf surface. However, when attacked by a predator, the beetle puts all or nearly all of the bristles in contact with the surface and secretes oil onto the pads. With the adhesive force created by the oil between the leaf surface and tarsi, the beetle is able to clamp its hemispherical shell down tightly against the leaf and has been demonstrated to withstand pulling forces of approximately 60 times its own weight for up to two minutes. This time period is sufficient to thwart the efforts of predatory ants attempting to pry the beetle from the leaf.
Palmetto tortoise beetles are native to the southeastern United States, and they're especially common in Florida (which is why they're also known as Florida tortoise beetles).
Sources & More Info:
Proceedings of the National Academy of Sciences: Defensive Use of a Fecal Thatch by a Beetle Larva (Hemisphaerota cyanea)
Earth Touch News Network: By the Power of the Poop-Shield: Beetle Defenses of the Faecal Kind
Cornell Chronicle: Fecal Defense: This Beetle Uses 'Overhead Sewer System' to Ward off (most) Predators, Cornell Biologists Discover
Proceedings of the National Academy of Sciences: Defense by Foot Adhesion in a Beetle (Hemisphaerota cyanea)
University of Florida: Palmetto Tortoise Beetle
Bug Guide: Hemisphaerota cyanea
#entomology#arthropods#coleoptera#palmetto tortoise beetle#hemisphaerota cyanea#insects#beetles#bugs#animal facts#tortoise beetles#larvae#fecal shield#evolution#defense mechanisms#nature is weird
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What Remains | Chapter 19 Arms of Iron (Tony Stark x M! Reader)
TW : Depictions of revenge and moral ambiguity. Near-death experience Summary : Tony Stark rescues you from the edge of death, carrying you in his arms through a ruined warehouse soaked in blood, silence, and trauma. As your broken body clings to life, Stark becomes a living shield, absorbing a bullet meant for you. In the heart of chaos, faced with your attacker’s last desperate attempt to kill, Tony comes terrifyingly close to delivering final, lethal justice. But a single breath from you , a whisper of his name pulls him back from the edge. He chooses restraint. He chooses you. Amidst the rubble, the blood, and the unbearable weight of vengeance, he carries you out not as a hero, but as a man refusing to let you die. Not today.
word count: 17.5k
Previous Chapter - Next Chapter
His voice had dropped like a blade, but it wasn’t the question that mattered. Not really. It was what he was trying to cover. What he was trying to hide. Because it wasn’t a real question. It was a decoy, a fog cast between him and reality. A desperate attempt to keep control. To pretend there was still a conversation to be had, an exchange, a world where words could hold a bullet at bay.
You don’t answer. You can’t. There’s no word that could answer that.
No breath, either. Just a suspended tension, suffocating, sticking to your skin like cold sweat. Your body doesn’t belong to you anymore. It’s frozen, cemented in place. Everything is focused on the barrel of that gun. On the potential trajectory. On that fraction of a second you might not get. The silence that follows isn’t a lapse — it’s protection. A refusal to feed the scene he’s playing out for himself.
And he doesn’t care. He doesn’t even acknowledge your silence. Because he’s not really waiting. It’s not a request. It’s a game. A demonstration. Raw, brutal, sordid domination. He stares at you without truly seeing you. He talks just to hear himself exist. To convince himself the world still revolves around him, even on the edge of collapse. He keeps playing the role of master even as the stage crumbles beneath his feet. But what he doesn’t see, what he refuses to feel in the room, is the shift. Subtle, at first. Invisible to someone who can’t read silences. But it’s there.
Thick. Dense. Electric like the air just before a storm tears open the sky. A silent pressure, suspended in the atmosphere, ready to burst. Something has changed. It’s not a feeling — it’s a certainty. An invisible but undeniable shockwave. The air has grown heavier. Every particle seems frozen, waiting. And you, even without turning your head, you feel it. You know. Because at that exact moment, Stark isn’t looking at you anymore.
The shift is imperceptible, but total. The slightest movement of his armor, the way the angle of his helmet adjusts, the way he straightens by a single millimeter… everything changes. It’s a silent, surgical mechanism. There’s no sound, no word, but the impact is stronger than a scream. He’s no longer here to cover you. No longer waiting for a move. He’s not gauging the situation. He’s read it. He’s decided.
And now, every fraction of his attention is aimed at the one holding the gun. The barrel hasn’t moved. But he’s no longer holding the scene. Not really. Because in this closed space, now sharp as glass, a new force has emerged. Not loud. Not theatrical. But absolute.
Stark is motionless.
But that calm is a lie. It’s the calm of predators. Of intelligent weapons. Of rage that’s learned to disguise itself as silence. The red light in the center of his chest pulses softly, like a heart that’s learned patience. But you know that light. You’ve seen it glow fiercer, sharper, when it switches into combat mode. And now, it’s changed. The angle of his helmet is fixed. Too fixed. His gaze, hidden behind the golden visor, is locked onto Matthew like a targeting system. He’s not watching the gun. He’s watching the arm. The shoulder. The center of gravity. He’s calculating. Anticipating. Waiting for the exact fraction of a second.
Matthew, for his part, doesn’t seem to have realized yet. He’s still talking. Or pretending to. A sentence. A half-taunt. Maybe a threat. You don’t hear the words anymore. Only the void around them. The tremble in his voice he thinks he’s hiding. The barely visible tension in his fingers. His clenched jaw.
Stark moves. No warning. No cry. No signal.
It’s not an attack. It’s a sentence. The motion doesn’t come from a jolt, or a desperate reflex. There’s no panic, no sign of improvisation. That move — he had it in mind before the scene even started, before Matthew spoke a single word. He knew. He’d seen your body. Noted every visible contusion, every barely contained tremor, every micro-fracture in your expression. He’d heard that voice, flat, disconnected, and recognized that tone — the one that still believes it holds power because it holds a gun. But what he didn’t know was that Stark wasn’t here to negotiate.
Inside the helmet, the interface deploys with a blink barely perceptible. Holographic markers tighten around Matthew’s silhouette. The thermal scan pulses one last time, the heat of the live barrel flaring in bright red. An angle appears. A firing arc. A margin of error. Everything syncs with icy fluidity. A choreography of lethal engineering. And the right glove moves. Not a punch. Not yet. Nothing showy. Just a pulse. A quick pivot of the shoulder. A millimetric rotation of the elbow. The metal plates glide over each other without a sound, as if the suit itself is holding its breath. The palm shifts slightly, in a gesture of unnerving restraint. It doesn’t promise violence. It delivers it.
The beam fires. A flash, red and sharp, searing. Barely visible. Not a burst. Not a shot meant to kill. Stark isn’t aiming to kill. He’s aiming for certainty. For neutralization. For total control. The impact is instant.
A dull thud, a muffled snap — and Matthew’s hand jerks. His fingers splay open in pain like twigs crushed in an invisible vice. If he cries out, it’s swallowed by the shock. He doesn’t fall. He staggers. And the weapon drops from his grip.
It spins through the air, in a grotesque arc, almost slow despite the speed. You see it, suspended for a heartbeat, before it hits the ground with a sharp clack. Metal on concrete. A cold sound, final. The pistol slides a few inches. It doesn’t smoke. It didn’t fire. It won’t again. Matthew looks down. As if he doesn’t understand. As if he needs to see the absence to believe the loss. His injured hand trembles slightly. A red glow rising along the tendons, a burning pulse, almost invisible unless you know how to read pain. But Stark doesn’t move.
He doesn’t speak. He waits. His arm is still raised, half-extended, ready to correct if needed. His silhouette is upright, locked onto one point: him. The attacker. The one who thought holding a gun was enough to control a scene. The error has been made. And in the air now, there’s no threat. No imbalance. The error has been made.
And in the air now, there’s no threat. No imbalance. Only this residual tension. This silent vibration, like a chord suspended. Like a question that only has one answer left. The answer to what Stark will do, now that the gun is on the ground. He straightens in the same motion, fluid, sharp, as if the previous action was only the first step of a prewritten sequence. And now he moves forward. Slowly. Relentlessly. Each step is a sentence, made audible by the dull thud of alloy striking concrete. He’s no longer just a man. He’s no longer Tony Stark.
He’s Iron Man.
The cadence of his steps is metronomic, unalterable, like a war clock. Each metallic impact vibrates in the air, echoes through the walls, shakes the silence itself. There’s no hesitation, no visible fury. Just that cold, determined mechanic that knows neither pause nor mercy. He doesn’t walk — he devours the space between them. He still doesn’t speak.
There’s nothing left to say. Words belonged to before. When balance was still possible, when the weapon still rested in an outstretched hand. Now, the language is metal. Impact. End. And it’s that absence of voice that breaks Matthew. He screams. But it’s not a cry of pain or submission. It’s raw, deformed, warped by shattered pride. A guttural burst, spat like an injured beast. It comes from the gut, from panic, from that sudden fear of never having been anything more than a fragile puppet, losing the stage. His injured hand, the one that held the weapon seconds earlier, hangs limp, fingers twisted, trembling, unable to grasp anything. But his other arm remains free.
And he raises it.
It’s a gesture without calculation. Without tactic. An animal reflex, one buried in marrow, triggered by terror. He charges. The scream that comes with it has nothing human left. It’s a tear. An implosion. A desperate attempt to reclaim dominance, to erase humiliation with a single punch. He runs. Not fast. Not straight. But with that blind rage that keeps cowards standing a second too long. His legs drag on the filthy floor. His boots slide across debris, his shoulder slams into a metal crate he doesn’t even see. But he keeps going. He rushes toward him, arm out, fist closed. He still believes. He believes that punch will bring him down — the man of metal. As if you could topple a wall with an insult. As if armor could feel the weight of an ordinary man.
But Stark doesn’t back down. He doesn’t need to.
He’s anchored to the ground, center of gravity locked like a rupture point. He doesn’t flinch. Doesn’t raise his voice. He stands there, upright and threatening, expected like an answer forged in iron. And deep down, even in panic, even in his charge — Matthew knows. He already knows he’ll strike only air.
He dodges.
It’s not dramatic. Not a heroic leap, no cape fluttering in the wind. It’s a half-step. A minimal shift. A slip barely noticeable, like a breath moved aside. Like a musical note just off from the last. A cold elegance, almost dance-like, fluid as if gravity itself hesitated to impose on him. The suit follows silently. No creak. No stray sound. Flawless engineering. And in that slight movement, his elbow rises.
Not in a burst of rage. Not in a violent explosion. A sharp, calculated pivot. The arm lifts, the shoulder locks, and the elbow draws its arc through the air with the precision of a blade. No need to look. No need to aim. He knows. He’s already read every trajectory. The strike lands — surgical, clean, mute.
And it hits.
The contact is brutal. Metal crashes into Matthew’s temple with a dull, horrifying crack. A clean snap, like a branch broken with firm hands. No scream. No outburst. Just that bone-deep sound, final, undeniable. Matthew’s body reels from the impact, his skull whipped sideways like a puppet cut loose. The violence of it freezes the air, slows time. But he doesn’t fall.
His foot stumbles back, his shoulder hits a decayed pillar, he staggers. His breath hitches, torn into ragged shreds. He gasps. One hand clawing at the air for support, the other clutching his temple, already swelling, purpling. Blood drips from his mouth, darker than red beneath dying lights. He shakes his head once, twice, as if he could snap his thoughts back into place. He spits. A thick, viscous string staining the floor between his boots.
He growls. A sound that’s neither human nor alive. A vibration. A primal whimper. A wounded beast not yet finished. And he comes back.
Not with intelligence. Not with plan. Just with that filthy rage that eats through guts, screaming that losing isn’t an option. His eyes drop. Searching blindly. His trembling fingers graze dust, shards, rubble. Then close on something. A piece of rusted metal, thick, heavy — a collapsed beam fragment, filthy and scarred. And he rises, swaying, holding this improvised weapon like a sacred axe.
No thought. No measure. He lifts it over his head in a shaky arc, trembling, but loaded with brute violence. And he swings. A wide strike. A gesture of desperation, a frozen scream in motion. Like a drunk lumberjack swinging at a storm. Metal slices the air. It’s the attack of a man who has nothing left. Nothing to lose. Nothing to prove. Nothing to save. The impact rings out in the silence like a shattered drum.
The metal smashes into the armor with all the force Matthew can summon, every ounce of rage, hate, and desperation. But this isn’t ordinary armor. Not just a shell. It’s a wall. A mobile fortress. The alloy doesn’t budge. Not a crack. Not a vibration. Not even a flicker on the surface. The hit makes a dull, almost mocking sound. A muted clong, as if the suit swallowed the blow just to show how meaningless it was. The improvised weapon rebounds, hits the dust with a pathetic thud. Matthew stumbles back, disoriented. And in front of him, Stark doesn’t move a single inch. No reaction. No hesitation. The armor renders him unreachable, nearly inhuman. He doesn’t even flinch.
And this time, he gives no more leeway. He strikes back. His arm lifts in a fluid motion, almost slow. No haste. No rage. Just a logical response, mechanical. A blow delivered with the force of a motor and the cold of a verdict. The fist strikes true, direct, into Matthew’s abdomen. Not to the side. Not to injure. To take the breath. To break the core.
The impact is brutal. The sound, a muted burst, like a sandbag tearing open.
Matthew’s body lifts from the force, thrown back a few centimeters before crashing to the ground. His feet give way. His chest folds. Air is torn from his lungs in a horrific wheeze, like the world collapsing inside him. His mouth opens, but no sound comes out. Just a silent gasp, a stolen breath. He wavers. His arms wrap around his belly in a reflexive, pathetic gesture. His legs tremble, buckle, fail. And he falls.
First to one knee. Then the other. Slowly. Inevitably. He stays there, kneeling in the grime, back hunched, breath shattered, racked by small spasms. Dust clings to his palms, his knees, his sweat-slicked cheeks. He trembles. He gasps. He’s nothing but an emptied body, a rattled shell. A man reduced to silence by a blow too precise, too well-placed, to be mere defense.
Stark still says nothing. He watches. Fixes his gaze. A statue of metal and contained fire. And you, now lying on the floor, finally discover what it feels like to no longer be in control. But even there, even on his knees, breath ripped away and ribs bruised, Matthew doesn’t let go.
He pants like a wounded dog, but he still spits. Blood at first—thick, dark red, sliding down his chin and hitting the floor with a dull splat—then words. Fragments of sentences, scattered, without logic or structure. Formless curses, guttural growls, syllables vomited in a mix of rage and bile. His voice is broken, trembling, but still carries that brutal hatred, that venomous bitterness that seems to rise from a bottomless pit. He clings to that anger like a lifeline, even if it won’t save him. Because that’s all he knows. Destruction. Defilement.
He raises his head in a painful effort, features contorted, jaws clenched. And despite the blood in his eyes, he searches for Stark’s gaze. He wants to be seen. He wants to be understood. And in that twisted, feverish stare, there’s still that spark. Sick. Obsessive. A flame refusing to go out. He won’t surrender. He doesn’t want to. He wants to keep going. To hurt. To wound. To kill, if he can. Even if his body no longer follows. Even if reality is already closing in on him like a cold jaw.
And Stark sees it. He doesn’t need a scanner. Doesn’t need analysis. He reads that hatred like a red warning signal on a screen. He knows what it means. What it demands. What it justifies. So he steps forward. One step. Then another. The metal of the suit echoes on the soiled ground, a dull, regular sound, implacable, like an endgame clock. He no longer needs to speak. No need to aim. No weapons, no blasts. Technology fades, unnecessary. He has become the weight itself. The answer. The wall.
Reaching Matthew, Stark stops. A dense silence falls, interrupted only by the man’s broken wheezing. Then, he raises his arm. His glove clicks gently as it tightens. Slowly. Like a lock closing. He doesn’t grab violently. He doesn’t strike. He simply closes his hand around the collar of Matthew’s shirt, where the fabric is torn, damp, clinging to skin. He grips—not excessively, but with terrible constancy.
And he lifts him. Not in a snap. Not with violence. He hoists him. Like lifting an empty sack. A body already drained of power, of authority, of threat. Matthew’s feet leave the ground in a pitiful scrape. His arms flail weakly, his breath whistles, trapped somewhere between terror and exhaustion. His feet kick the air, in an irregular, desperate rhythm. Frantic jerks, twisted knees, heels searching in vain for support, for grip, for a way to find the ground. But there’s nothing. Nothing but the void beneath him, and the iron grip suspending him like a useless, dismantled puppet.
His breath cuts off. Brutally. Clean. The collar of flesh and cloth tightens around his trachea, and the world becomes narrow, trembling. His lungs scream for air they won’t get. A sharp whistle rises in his throat, strangled, pitiful. He tries to cry out, but the scream chokes on nothingness. Matthew’s hands, already wounded, claw at Stark’s wrist. His fingers cling like a man grasping a cliff’s edge. He scratches, pulls, slaps ineffectively. His knuckles whiten, his skin slips against smooth metal, no grip. He struggles with all the misery he has left. But nothing moves. The arm holding him is fixed, unshakable, sculpted from brute will.
And yet, Stark isn’t squeezing to kill. Not yet. He could. With a simple gesture. He knows it, and so does Matthew. It would be so easy. A bit more pressure. A sharp move. And it would all end. But that’s not what he does. He holds him there, between heartbeats. Suspended. Halfway between punishment and sentence. And above all, he looks at him. Not with anger. Not even with hate. He stares. Straight into his eyes. An implacable gaze. Silent. Charged with something infinitely colder than rage. And what Matthew sees in that frozen instant has nothing of a hero. Nothing of a savior lit by glory.
It’s the gaze of a man emptied out. A man who’s lost time, peace, sleep, faith in logic. A man who’s been forced to act. To cross his own lines. To choose between containing horror or erasing it. What he sees is a vast fracture behind the steel. A calm darkness. A silent abyss. And above all, he understands, at last, there will be no mercy. Not tonight. Not for him.
Then Stark throws him to the ground. Not like shoving an obstacle. Not like dropping a sack. No. It’s a calculated, measured motion, still carrying all the force of a verdict. A cold, controlled trajectory—no unnecessary excess—but no softness either. The dull thud of impact echoes like a hammer on concrete. Brutal. Sharp. Irrevocable.
Matthew’s body hits the ground in a crash of flesh and bone, a grotesque shockwave folding him in half. Some limbs tuck beneath him at awkward, almost absurd angles, like a puppet with cut strings. His head hits the dust, breath shattering in his own chest. He groans. A hoarse, painful, strangled moan, more like an expelled breath than a voice. Every breath is a tear. A wheeze. A rebellion of the body against what it’s enduring. His chest lifts in jerks, unstable, uncertain. He gasps, mouth open, pulling air through a burning throat. The sound he makes is no longer human—a choked, rattling sob. His fingers claw the ground without really feeling it, his legs tremble, curling in on themselves. He tries to move, to rise, but every muscle screams its own fracture. He doesn’t get up. He collapses further with every attempt.
This is no longer resistance. Not even survival in the noble sense. It’s instinct. A primal urge. Not to die here, in the dirt, in front of him. And despite it all, despite the obvious failure of every gesture, there’s still breath in his throat. A twisted, crawling will, clinging to the ruins of his pride. A sick spark, refusing to go out. He still wants to believe he can resist.
But Stark isn’t finished. Not yet. He doesn’t move right away. He observes.
His eyes, invisible behind the mask, analyze every spasm, every breath, every millimeter of the collapsed body before him. It’s not the look of an executioner. Nor that of a savior. It’s the look of a man deciding. A judge. An enforcer of truth. The silence that follows is more threatening than any scream. And Stark, standing over him, is the shadow that remains when all light has been torn away.
He tries to crawl.
His elbows slip on the sticky concrete, drawing a dirty trail through the dust, like a wounded slug. His muscles tremble, too weak, too dislocated to truly support his weight. Every movement is agony. A slow, painful, desperate friction. He barely moves a few centimeters forward, crawling more than progressing, his ragged breath echoing like a muffled whimper against the floor. Mouth open, he gasps, sucking in air like a drowning man.
His face, contorted by pain, is smeared with blood — from his temple, his split lip, his shattered teeth. He blinks, grimaces, pulls his injured arm forward. The other hand dangles lifelessly, broken earlier by the surgical shot. But that one arm... still clings on.
And his gaze. That wild, sick, incandescent look. It scans frantically around him until it stops. There. Just a few inches from his bloodied fingers, just out of reach: a blade. His blade. Thrown earlier in the chaos, abandoned but not forgotten. A metallic silhouette, half hidden in shadow, lit only by the flickering reflections of unstable neon lights.
A breath. An impulse.
He stretches, slowly, painfully, every centimeter gained at the price of a groan, a gasp, a shiver of pure suffering. His fingers reach, extend, almost brushing the handle. He believes. He still believes. One last chance. One last act. Maybe with that knife, he could still change the course. Hurt. Scare. Leave a mark. Regain a fragment of control. Even a sliver.
But it's too late.
The shadow above him never left. Stark saw him crawl. Saw his gaze latch onto the weapon. He anticipated. As always. He waited, patiently, unhurried. Until the exact moment. And when it comes, he acts.
A simple weight shift. A servo impulse in the leg. Clockwork precision. And the boot slams down. A dull, sharp noise, a thick snap. Like an overripe fruit crushed, like a dry branch giving under a heel. It's clean. Absolute. Metal meets bone. And bone loses.
The scream erupts immediately. Raw, tearing. It shatters the air like an animal alarm. Not a man's cry. A child's, almost. Something broken, beyond anger, beyond hatred. A naked sound, ripped from the throat like a primal scream. The echo bounces off the walls, pure, raw, unfiltered. He doesn't even beg. He screams because he can't do anything else. Crushed fingers twitch uselessly at the void. The knife is there, still there. Within reach. Untouchable. Pain wipes out everything.
Matthew writhes on the floor, shaken by uncontrollable spasms. His body still tries to resist, but it's a lost cause. Everything in him screams — with pain, with fear, with shattered rage. His face is wrecked — no longer by hatred, but by naked suffering, the kind that can no longer hide, the kind no pride can silence. His features twist into a grotesque grimace, deformed by agony. His eyes, bulging so wide they look ready to pop, are flooded with tears he no longer controls. They run in filthy streaks down his hollowed cheeks, mixing with blood, with sweat, with the metallic taste clinging to his cracked lips.
His mouth opens and closes in ragged, arrhythmic gasps. He chokes. He coughs. He tries to breathe, but air refuses to come. And through this suffocating panic, torn sobs escape. Harsh, broken, humiliating. Nothing noble, nothing dignified. Just the desperate cry of a cornered animal, reduced to a raw state, incapable of hiding its collapse.
And Stark moves.
Not abruptly. Slowly, even. He leans down, with mechanical control, almost ceremonially. The armor barely groans under the tension. The sound of metal sliding on metal, quiet, chilling. He doesn't rush. He doesn't need to. He comes down to Matthew's level not to lower himself, but to dominate. So that Matthew has no escape, not even visually. So he can't look away, can't flee, even in thought.
The slits of the helmet glow with a dark light. Behind the visor, Stark's eyes are invisible to the world. But Matthew feels them. He feels them on him. Cold. Fixed. Merciless. There's nothing human in that gaze. Only judgment.
Judgment without appeal.
At this moment, Stark no longer sees an adversary, or even a criminal. He doesn't see a man. He sees a mistake. An aberration. A parasite. An anomaly to be eradicated from the system. His breath, inside the helmet, stays calm. Steady. Not a word has been spoken in long seconds. And that silence weighs the most. It crushes.
Then, finally, the voice falls.
A sentence. Simple. Relentless.
— "You made a monumental mistake."
The words are cold, sharp. No emotion clings to them. No anger, no contempt. Just the icy neutrality of a verdict already rendered, already weighed, already written. It's a condemnation. Not a threat. Not a promise. A bare truth, spoken like a knife sliding into flesh.
Matthew gasps, each breath a stab to the chest. His torso rises with difficulty, shaken by painful spasms, and his blurry eyes seem to drift without anchor. His pupils flicker in their sockets, swinging between raw panic and the numbness of pain. It looks like he no longer really sees. That everything around him is a blur of light and noise, that reality slips away under his clouded gaze. But deep in that chaos, something still crawls. A toxic impulse, a habit rooted in his bones: arrogance.
And then, despite everything — despite the blood on his chin, the nerves snapping under his skin like broken cables — he tries to smile. A rictus. Abominable. Twisted. More a grimace of pain than a true smile, but the intent is there. Split lips stretch into a parody of defiance, revealing teeth stained with red. It's not bravery. It's provocation. Pure vice. A last reflex of a pitiful player refusing to fold even when the game has long been lost.
— "Fuck... Stark..."
His voice is raspy, strangled, barely more than a whisper. It slides out of him like a malformed sigh. The words bounce off his broken teeth, drown in iron-tinged spit. He spits, a thick thread of blood spurting from his open lips, splattering the cracked concrete beneath him. But he goes on.
— "I can still negotiate..."
And in that phrase, everything tips. The tone, the intention, the subtext. There's nothing rational. Nothing intelligent. It's a pathetic instinct — that of the manipulator who still believes words can reverse the tide, even when drowning has already begun. He may think it's still a game. That naming the right cards can change the outcome.
But he's wrong. He just made the worst possible choice.
In front of him, Stark doesn’t answer. No word escapes his lips. No sarcastic line, no judgment. Only a subtle, glacial shift in the tension of his body. The jaw tightens under the mask. A brief tic of disgust. Of revulsion. Then silence. And that silence says more than all the threats in the world.
Stark doesn’t need to speak. His body speaks for him.
The arm lifts. Fluid. Natural. As if the motion had been restrained too long. And the fist comes down. Without flair. Without performance. Without explosive anger. It’s a dry fall, a verdict dropped straight from the sky. Alloy meets flesh with a dull, muffled sound, almost silenced by the weight of the impact. A pure hit. Clean. Devastating. The kind of blow not measured by strength — but by finality.
Matthew's head jerks violently backward under the force of the blow, as if torn by a titanic force. A dull thud echoes through the warehouse when the back of his skull slams against the ground — but he doesn’t get the chance to fully collapse. Stark’s hand catches him. The metal glove, clenched like a hydraulic clamp, grips him by the collar and holds him there, suspended at the edge of the void, keeping him from crumpling completely. Not yet.
It’s a cruel suspension. Deliberate. As if Stark refuses to even grant him the relief of surrender. As if he wants him to stay right there, conscious, lucid, to hear every word. To feel the slow sting of each second that follows. And Stark speaks. Finally. His voice comes from the helmet like a glacial blade, perfectly controlled. Without apparent hatred, but with a firmness that crushes everything in its path.
— "That was for daring to touch him."
No need to specify who. The tone, the density of the word, is enough to make the absent name echo. It’s a sentence. A judgment carved into speech. And before Matthew can utter even a defense, Stark’s fist rises. Not in rage. Not in excess.
It’s a mechanism.
A movement of clinical precision. The elbow bends, the shoulder pivots, and the fist comes down with relentless regularity. A hammer falling on a living anvil. The point of impact is the jaw. Right there, on the edge where the bone is vulnerable, where the shock can shatter the balance of the entire skull. The sound is sharper, more targeted, a contained crack within a muffled vibration. This is no longer a blow of anger. It’s an operation.
Matthew’s head bounces against the concrete, shaken like a dislocated puppet. His mouth opens in a disjointed groan, without a scream. He doesn’t scream anymore. He can’t. He moans. A low, hoarse sound, no longer human. A muffled, slippery whimper, like the breath of a wounded animal, cornered, emptied of hatred but not yet of fear. His body trembles. Not a shiver from cold, nor conscious fear. It’s a spasm. An uncontrolled nervous discharge. His arms buckle, his legs twitch as if still trying to flee, but there’s no direction anymore. No logic. Just a series of convulsions, a visceral, animal panic shaking his muscles in a last reflex of survival.
Dust floats around him, stirred by even his slightest movements, as if the air itself refuses to cover him. And Stark, standing over him, doesn’t move yet. He watches. He measures. He decides. He doesn’t need to rush the next step. Because in this chaos, he sets the rhythm. Stark straightens. Slowly. Like a mechanism returning to its default position, a war machine whose systems haven’t powered down. Every movement of his armor produces a subtle metallic creak, the scrape of advanced alloy against itself. It’s not a jolt. It’s not rage. It’s a verdict concluding.
His shadow stretches across the cracked concrete, immense, shifting, elongated by the artificial lights overhead. It spreads like a wave, engulfing Matthew’s curled form effortlessly. It covers him entirely, surrounds him, erases him. It leaves no doubt: here, now, Stark is everything. The ground, the ceiling, the sky. The authority. The unrelenting. His shoulders square, locked into a stance both defensive and predatory. A cold tension animates his neck. His chest rises in a perfectly measured rhythm. He breathes. Calm. Controlled. But his eyes, behind the visor, still burn. Two embers that refuse to die. Two centers of judgment still ablaze.
Then his voice drops. Low, calm, composed. But every word is weighed down with deep gravity, a tone that leaves no doubt about the sentence:
— "You thought you’d get away with it."
No emphasis. No shouting. Nothing theatrical. Just the raw truth, brutal, sharp as a blade.
And suddenly, movement. Direct. Sharp. Without warning. Stark lifts his foot. And brings it down into Matthew’s ribs with surgical precision. Not a wild strike. A controlled blow, measured to hit where it breaks but doesn’t kill. The noise is muffled but heavy — a dull, organic thud that resonates through the space like a sinister drum. Matthew’s body folds instantly under the impact, thrown onto his side like a marionette with snapped strings.
A rasp tears from his throat, hoarse, twisted, strangled. He opens his mouth, but no words come out. Air seems to escape him, snatched away, ripped out by pain. His chest rises in a brutal spasm, his arms curl around himself, seeking protection that no longer exists. He chokes. He can’t see anymore. His eyes flutter into the void, roll back. His body still searches for meaning, direction, escape. But there’s nothing.
Stark doesn’t lean in. Doesn’t yell. He watches. His armor, dust-streaked, stands firm in the heavy air like a rampart. He is the silence after the storm. The echo of judgment. And even without moving, even without another word, he places over Matthew a threat greater than all the blows already dealt. Because at this precise moment, it’s not just the man he’s facing. It’s what he represents: consequence.
He stares.
Coldly. Motionless. No hesitation. No visible emotion filters through the metallic mask. And yet, in the silence that settles, it’s clear everything inside is burning. That everything he’s held back so far pulses, swirls, seeks a breach. But he doesn’t give in. He doesn’t move. He simply watches. Steady. Unyielding. Like a judge staring at the condemned before pronouncing the sentence.
At his feet, Matthew is nothing more than a disjointed body. Chopped breath. A carcass drenched in sweat and blood, incapable even of lifting itself. He trembles. Shudders. But still exists, still takes up space, still soils the air. A crawling presence, still here, still alive. And that’s the worst part. Stark could end it. Right here. Right now. A simple move. A command to his armor. A shift of his heel. That’s all it would take. He could silence him, crush that grotesque groan, smother that breath of hate and poison like erasing a mistake on a board. He could erase all trace of that face, those hands, that voice.
He could let it all go. Let the anger he’s swallowed for far too long erupt. Release the tension coiled into every fiber of his being. Let out a war cry against the injustice of having watched that child — that fragile, broken being he’s seen fall, stand again, fight — be hunted, beaten, shattered all over again. He could strike in your name. For the fear he felt. For the dread that gripped him. For that image he will never forget: your body on the ground, your scream in the night, your silence ever since.
But he doesn’t. Not yet. Because he knows it wouldn’t be enough. It would be too easy. Too brief. A flash, an end, a hasty conclusion. No. What Matthew deserves isn’t a quick death. It’s not an immediate outcome. Not an end that would free him. What he deserves is to understand. To feel the weight of his choices. To see his own failure reflected in every passing second. He needs to feel fear seep in slowly, shame settle in, pain grow dull, heavy, unbearable. He needs to understand that he lost. And not just physically. Not just because of the blows. But because he holds no power anymore. Because he never truly did. Because everything he thought he held in his hands vanished the instant Stark walked in.
Tonight, vengeance must not be swift. It must be methodical. Cruel in its slowness. Complete. And Stark, a statue of metal with eyes of burning light, knows exactly how to do it.
A little farther away, removed from the incandescent chaos left behind, in that zone where the light barely flickers, where the walls seem to close in under the weight of night, a sound breaks the silence. Faint, nearly absent. But it’s there. A minuscule vibration. An anomaly in the weightlessness of fear.
A breath.
Shaky, disordered, clinging to life by a fraying thread. It rises from a corner where nothing had moved, where everything seemed frozen by violence. At first, it's a rattle. Coarse. Uneven. The sound of a body trying to surface while still buried beneath the black waves of shock. A breath that falters, stumbles at the threshold of the lungs. Then another. Sharper. More urgent. Like a jammed engine sputtering a cloud of pain before restarting. A raw survival impulse cutting through the space without anyone noticing right away. Not even you.
Because it’s you.
You, curled up in the shadows, erased by the brutality that just unfolded before you. You didn’t move. You couldn’t. Your entire body froze under the threat, reduced to a paralyzed observer. A spectator of your own impending end. Prisoner of terror, pain, and vertigo.
And now, slowly, you resume. A breath, a spasm. Your chest rises, but it’s an immense effort. As if every breath scrapes the bottom of a burning well. You gasp, like someone dragged too late out of the water. Your ribs protest. Your stomach tightens. A wave of pain ripples all the way into your clenched jaw. Your hands clutch at the floor, seeking anchor in this trembling reality. You feel the filth, the blood—yours, someone else’s. It’s all mixed. Your throat, burning, emits only a muffled sound. You want to scream, but you can’t. You want to speak, but your tongue is stuck to your palate like cloth forgotten in the rain.
A viscous liquid rises up your trachea. Blood. You know it even before you taste it on your tongue. It tastes like metal, iron, impact. You half-swallow it, half-choke on it. Then you turn your head. Slowly. One centimeter, two. As if each degree stolen from your stillness sets fire to your tendons. Your cheek grazes the floor. Your eyes try to open wider, but the light is too harsh, too raw after the darkness where you’d sunk. You make out shapes, distant movements. Sounds, distorted, reach you in waves: the breathing of the armor, metallic clicking, ragged breathing further away.
You’re here. You’re alive. But nothing holds.
Your body is broken along its axis. Your mind drifts, still clinging to fear like a lifebuoy. But one thing is certain, indisputable, almost violent in its clarity: you are breathing. It’s not a triumph. Not even a victory. It’s just… a return. A starting point. The spark of a comeback.
And then you spit.
It’s involuntary, uncontrollable. A hiccup, a jolt, a brutal rejection of what’s choking you. The liquid is warm, thick, saturated with that metallic heaviness unique to blood. It slides from your mouth in a thin line, dark and viscous, crawling slowly to the floor. There, it spreads, lazily, flowing into the concrete’s cracks, mixing with dust, oil, filth. It leaves a trace. A mark. Your imprint. A silent declaration of pain, of existence, of survival. A rasp escapes you, hoarse and gravelly, strangled before it even reaches the air. It’s not a call for help. It’s a reaction. A primitive sound, almost animal. The proof that something in you still stands, even if everything else is falling apart.
Your fingers move. First one, then two. Slow, numb, as if your whole body were thawing after a too-long winter. Your muscles protest. Your nerves scream. But they respond. You’re here. Not intact. Not unscathed. But here. Present in this soiled room, in this aftermath. And on the other side, Stark stops dead. It’s not theatrical. He doesn’t freeze to dramatize. He stops because a detail, an infinitesimal shift in the saturated air, just struck him head-on. It’s not a sound he hears. It’s a vibration. A wave. A shock.
You.
It’s as if your breath passed through the walls, pierced the alloy of his armor, struck directly into the fibers of his being. A flash at his neck. A vertigo. The sound of a truth no one expected anymore. He felt it, like an invisible hand on his shoulder. His shoulder pivots slowly. Almost mechanically. The rest of the body follows, in a silence thick with electricity. His arms, still tense, are heavy with contained energy, with rage not yet fully dispersed. His fists, still clenched, vibrate under the weight of restraint. But his breath halts. Just for a second. A suspension of air. As if the world, too, had stopped alongside him.
He looks for you. He doesn’t know what he hopes to see. He fears what he might discover. A slumped form. A lifeless body. A snuffed-out light. And yet. What he feels at that exact moment is neither fear nor relief. It’s something else. A dull wave of relief tainted by guilt. You are breathing. And he knows. Because he just heard you return. Because your rasp, your blood, your spit, your breath… it’s the sound of presence.
His eyes fix on you. At first, you’re just a spot in the scenery. A detail misaligned in the surrounding chaos. A form half-hidden in shadow, covered in blood, dust, silence. Then the illusion shatters. The high-tech armor, packed with sensors, doesn’t react yet. But the man inside falters. He doesn’t understand. Not right away. His visual receptors analyze, measure, compare. But his brain, still charged with the adrenaline of a lawless fight, refuses to connect the data. His mind wants to believe what he sees is a shock residue. A hallucination.
Until he sees the movement.
Tiny. Broken. But real.
Your chest lifts. Unevenly. As if battling an invisible weight, a sea of pain and exhaustion. A breath stolen from the void, torn from asphyxiation. He sees the spasm in your throat, the dull jerk that stirs you, the silent fight to hold the air. And he hears it. That wet gargle, that sound of agony suddenly turned into a cry of life. The breath scraping, rasping, whistling through blood.
Then he moves. Already. Without thinking. Without warning.
A step — heavy, precise, loaded with cold urgency. Then a second, faster, almost desperate. The armor grinds against the concrete at each impact, pounding the floor like a tragic metronome. Every step is a slap to fear. A denial of the impossible. He crosses the space in seconds, driven not by tech, but by raw instinct. That of the man, not the hero.
He falls to his knees. Hard. The shock makes the metal vibrate. But he doesn’t care. He no longer feels the armor’s weight. Not the room’s cold. There’s only you, lying there. Your grayish face, smeared with dust, stained with red too vivid. Your eyelashes stuck with sweat. Your split lips. Your jagged breath. And that puddle growing under your cheek, mixing into the filth of the floor.
His hands, once weapons, now hesitate.
They lift slowly. Unsure what to do. Protect? Stabilize? Support? He wants to rip you from this vile floor, get you out of here, but he knows the slightest move could worsen your state. So he stays, frozen, inches from your face, watching for the slightest twitch, flutter, sound from your throat. Then you move. You move. It’s slight. Barely noticeable. But real. A shiver runs through your arm. A spasm in your hand. Your mouth parts more, letting out a breath heavy with blood. It’s ugly. It’s fragile. But it’s alive. Tony inhales, and for the first time in hours, it’s not out of rage.
It’s a breath cut short by emotion. A tension unraveling inside but refusing to collapse. He feels his own heart pounding against his chest walls like a caged beast. Not panic. Not yet. But a fracture. A wave. Hope. Fierce. Unstable. Twisted, like everything in him. But unshakable. Because you’re here. You’re breathing. You’re holding on. And it’s all he needs to keep going. To believe, even for a second, that he can still get you out. That it’s not over. That despite the blood, the fear, the violence — he wasn’t too late.
Your eyelids move.
Barely. First a tremor, faint, nearly imperceptible. Just a twitch at your skin’s surface, drowned in the general stillness of your broken body. An involuntary spasm that could be a leftover nerve reflex, an empty motion. But it returns. A second tremor, more marked this time. Rooted in flesh, in will. A micro-rebellion against unconsciousness.
Your brow contracts. A line slowly forms, deeply, between your eyebrows. Like a crack on a wall kept too long in tension. Your lashes, glued by fragments of dust, dried blood, acid sweat, tremble with effort. They shake under the weight of the world, of what you’ve just endured. And then, with the painful slowness of a body coming back from the brink, you open your eyes. It’s not a simple gesture. Not a waking. It’s a tear. A raw ascent, wrenched from the darkness where your mind had taken shelter. Your lids part by mere millimeters, each fraction of opening struggling against exhaustion, gravity, and the pain pulsing through your skull. You open them, slowly, against the current of the panic still lurking inside you.
Even dim, even dirty, the light hits you like a shock.
It assaults you instantly. Pierces your retinas like a blade, raw, invasive, unwanted. A white burn. Your eyes, flooded with a surreal blur, struggle to focus. Shapes dance, liquid, inconsistent. Nothing is stable. Everything dissolves. You can’t make out the ceiling above, or the walls closing in.
And most of all, you don’t yet recognize the figure leaning over you.
It’s just a mass of metal and shadow. An imposing blur, haloed in light like a mirage in armor. A presence without a name. You feel more than you see. The heat of a gaze fixed on you, the magnetic tension in the air, the echo of a heartbeat close by — not yours, his. You barely distinguish the muted red of the visor, the cold sheen of steel shoulders. But your body knows. Your unconscious mind recognizes the aura, the weight. Something in you wants to flee. Something else refuses to move. You don’t speak yet. Your throat is ruined, your tongue dry, your chest too painful to make a sound. But you’re here. Present. Pulled to the surface. And that’s already a miracle. An act of resistance.
Your blurry, derailed gaze finally catches a steady light. Two eyes, behind a visor. Two embers locked behind glass. They’re there. Watching you. Worried, maybe. Furious, surely. But they found you. And in this moment suspended between shock and lucidity, that’s all that matters. You breathe. The helmet hisses softly as it lifts, almost solemnly, like the metal knows it must be silent. And suddenly, his face appears. Clearer. Closer. More human.
Tony.
You recognize him before you can truly see. It’s a feeling, an anchor in the chaos. It’s the way his eyes pierce you without violence, but with an intensity that freezes the world. That light in his gaze doesn’t come from the suit or the surroundings — it’s deeper. Older. Fiercely alive. His face is tight, marked by fatigue, by still-burning anger, but above all by silent worry. His features don’t move, but you feel the tension beneath. The stillness isn’t calm: it’s restraint. A dam about to break. His eyes scan you, read you, as if searching for every micro-expression, every twitch of muscle. He observes like he’s afraid to miss a sign. A blink. A breath. An absence.
And he says nothing. No commentary. No panic. He just stays there. Present. Not like a dream, not a last image summoned by a dying brain. Not a remnant before the end. He’s really there. The man. Not the hero. Not the billionaire. Just him. In the silence, in the dust, in the blood. His hands, still covered by the suit, approach. Slowly. Carefully. He doesn’t touch you — not yet. He brushes. He avoids pain. He leaves space. A gesture that could seem clumsy, but is actually perfectly controlled. He doesn’t want to hurt you more. He won’t risk snapping the thin thread of consciousness you’re clinging to.
He waits. He waits for you to be lucid enough to understand. To feel. To know. He doesn’t need to say it. Doesn’t need declarations. It’s in his presence. In how he doesn’t look away, how he kneels despite the armor, despite the blood. He came.
For you.
Your lip trembles. You taste blood in your mouth — metallic, thick, bitter. Your jaw opens slowly, like a door rusted by pain. Every motion makes you flinch, every inch is a battle. Your lips part at last, cracked, dry, nearly fused together. Your tongue, rough and sore, searches for a sound. A word. Just one. Then, in a breath barely audible, more groan than voice, you call him.
— "T… Tony?"
His name escapes like a moan from your core, a syllable broken by pain, doubt, fear. A fractured whisper the air barely carries. You don’t know if he’ll hear. You don’t know if he’s real. You don’t even know if your brain invented that face to comfort you before the end. But you say it anyway. Because you must. Because there’s nothing else. Because that name, in your mouth, is your last link to the world, your last refuge. A desperate call. A reach for solid ground. A lifeline in the wreckage. And you fix your gaze, best you can. Through the blur, through the too-bright light, through tears that won’t fall. You search for his eyes. You want to hold on. You want to see an answer. Proof. Even if the world shakes around you, you feel it: he heard you.
You know it. He looks at you. Long. Deeply. Without once turning away, like his gaze alone could anchor you to the world. Like looking at you could be enough to pull your shattered pieces together. He barely moves, but his silence is thick with unspoken words, searing tension. And then he answers. Not with empty lines. Not with grand declarations. He answers with what he is, what he offers in that instant: a short, shaky breath. A barely visible pulse in his throat. A light in his eyes that has nothing to do with his suit. It’s a promise. Raw certainty. Undeniable truth.
He’s here. And he won’t leave. His face, still tight with fear and rage, softens just enough for you to notice, even through blurred vision. He dips his head, leans his forehead slightly toward you — not too close, just enough so you feel his warmth. And his voice cuts through the space.
— "Hey, kid…"
It’s low. Gentle. A rough caress in the chaos. Nothing sharp left in it, no sarcasm, no defense. Just what matters. Naked vulnerability, stretched between the fear of losing you and the relief of finding you. He doesn’t talk like to an employee. Not like a lost kid. He talks like to someone he almost lost. Someone he searched for. Someone he found. A shiver runs down your spine. Your eyelids flutter shut for a second. You inhale. The air still scrapes. Each breath is a fight, but you continue. You want to stay here. With him. Then your eyes open again. Slowly. Like rediscovering the world inch by inch. Like your body itself needs confirmation. That face, hovering above, is real. That voice belongs to this moment. Not a trick of a delirious mind.
You blink once. Then again. The image sharpens a little. You recognize the contours. The details. The exhausted black eyes. The drawn features. The sweat on his temple. The dust on his cheek. It’s him. It’s Tony. And he came. You want to speak, but your breath is too short. Your body, too heavy. So you stay there, half-conscious, clinging to his gaze like to a rope stretched over the void.
You’re not alone anymore.
Not abandoned in this corner of misery, of cracked concrete and walls weeping grime. The smell of blood, rust, and dried fear still hangs in the air like a second skin — but it no longer traps you. Something pierced it. Someone. He stands before you, frozen in a stance that’s not stiff. It’s contained tension, dense, like a spring stretched to its breaking point. He doesn’t move, but not from hesitation. From total control. Alertness. His eyes lock on you, burning with a fire his armor can’t hide. The metal shell, the articulated plates, the sleek lines of technology — they seem irrelevant now. It’s not Iron Man kneeling there. It’s Tony Stark. A man. Present. Focused. And his sole purpose, his one anchor, is you.
— "We’re getting out of here."
His voice is low. Flat. Not a shout, not a command. A clipped phrase, direct, nearly hoarse, like it was carved from stone. He’s not trying to joke, not defusing the moment with a quip. He’s not trying to sound heroic. What he says isn’t a promise — it’s a fact already in motion. You won’t stay here. Not while he still breathes. You want to answer. To tell him you can handle it. That you can walk, or at least try. That you’re not just dead weight. You want to move, prove you still exist, that you’re more than this broken body he has to carry. Your arms try to bend but collapse. Your legs are just pain, tension, inertia. Every nerve screams. Your back tears out a silent cry at the slightest motion. You claw at the air like a man condemned — but nothing responds. You want to help. But your body has deserted you.
And he sees it. Every flicker of your jaw, the smallest twitch of your fingers, your chest struggling to pull air like a rusted forge. He reads the effort. The wounded pride. He understands you want to fight, even now. And he doesn’t laugh. Doesn’t sigh. Doesn’t say anything to shame you. He just moves closer.
— "Let me handle it, kid."
His voice is different this time. A softness in the rough. Almost a whisper. Not a command. An accord. A hand offered over the abyss. Then he acts. His movements aren’t mechanical, despite the suit. They’re precise, controlled, but hold a tenderness that feels almost unreal. He lifts you slowly, as if he feels you are far more fragile than you appear. One arm slips behind your back, dodging pain with surgical care. The other cradles your neck, supports your head without pressure, just enough so you won’t fall.
You feel his chest against you — smooth and cold under metal, yet oddly reassuring. You hear, against your ear, the low hum of his artificial heart. That steady sound becomes a reference point. An anchor. And in this suspended moment, where everything still teeters, you understand he’s truly holding you. Not just your weight. Not just your body. You. Your existence. Your pain. Your damaged breath. He holds them all. Without flinching. Without backing down.
You let go. Without shame. Because this isn’t weakness. It’s finally safety. You feel yourself floating. Literally. Like your body gave up all structure, all logic, all will. You’re nothing but a suspended weight, raw flesh battered by pain, consumed by exhaustion. Your breath is short, choppy, erratic. You don’t know if you’re inhaling or exhaling — just that air moves, barely enough to keep you between two heartbeats. And in that drift, there’s him. Tony. An anchor. A presence. A weight unlike any other.
His arms hold you, firm and sure. He doesn’t shake. He doesn’t waver. And even through the suit, you feel something human. A strange warmth. A steady calm. The metal is warm against your skin, as if it’s absorbed some of you — the panic, the blood, the fever. And his gestures... they aren’t those of a man in a hurry, or a soldier on a mission. They belong to someone who’s careful. Who adjusts every step to keep from jarring you, every shift to avoid worsening your injuries. He wraps you in a silent promise: that he won’t let go.
You want to thank him. But your tongue won’t work. You want to open your eyes, keep them open, show him you’re still here, holding on. But the light becomes an assault. It pulses, wavers, dissolves into white blots, then black. Glare, halos, as if reality itself melts into patches of filthy light. Your vision narrows. Everything wavers. Even sound changes. Footsteps, the scrape of armor, the breath in your ear it all blurs into a hazy echo your mind can’t hold.
You’re slipping. Softly. Slowly. And yet, in the void, you still feel. His arms around you. The curve of his forearm beneath your head, the hand steady on your shoulder, the way he cradles your neck without weight. You feel the steady hum of his chest reactor, like a second heart — mechanical, faithful, unwavering. You feel the control in his fingers, the calculated support of your body, as if every angle, every contact, was planned to spare you pain. And you feel something else a tension, a mute urgency, beating against him like a restrained fear.
So you hold on. To anything you can. To that warmth. That metal. To him. You don’t need to fight anymore. Not really. Just stay. Present. Conscious, even a little. Because now, you can let go. Just a little. You can surrender to that grip without fearing the fall. You can sleep knowing he’s watching. He’s here. And he won’t let you fall again.
Then a noise. Sharp. Distant. A metallic crack. A vibration too precise to belong to the empty space of this room. The sound of a mechanism. A lock. A step that doesn’t come from him. Something is coming. The sound slices through the air like a blade. Distinct from everything else. Not a groan. Not a sigh of pain. Not even the crash of something falling. No. It’s sharper. More precise. More intimate. A click. Pure. Cutting. Like a guillotine dropping. The familiar sound of a safety catch being disengaged, slowly, methodically, as if it had been anticipated. As if it heralded what’s to come. It’s a sound you never forget. A promise folded into metal. A threat spoken by a machine only the hand of a dangerous man knows how to wield.
It’s not just a sound. It’s an ultimatum.
And immediately, the silence — that fragile tension stretched out for long minutes — shatters like glass under a blow. The moment freezes. Every molecule of air locks into deadly stillness. Stark stops. Instantly. A block. His whole body locking like a defensive system on maximum alert. The suit doesn’t creak, doesn’t shake. But you feel the tension, everywhere. In the angle of his shoulders. In the sudden curve of his back. In the way his head stays immobile, as if the slightest move could trigger what’s next.
And you. Even you. Even in this dissociative state, this blurry space between consciousness and collapse, you feel it. You recognize it. That sound. That chill. You don’t know exactly where it comes from in the room, but your body knows. It remembers. It contracts. Instinctively. As if every nerve, every cell, every bone recognized that frequency. That message. That danger signal etched into your flesh.
It’s not an ordinary sound. It’s a silent scream. The scream of fractured memory. Of a body that hasn’t forgotten what fear is. Real fear. The kind that freezes. That anchors you. That always comes back through the sound of a weapon being cocked — above your head, behind your back, or in the middle of the night.
And then, the voice.
It scrapes the walls. Twists the air. It’s there, too close, rising from a poorly extinguished corner of shadow. Broken. Hoarse. Soaked in bile. Strangled by hate. It stumbles on the words but doesn’t die. A voice you’ve heard scream, laugh, whisper, bite. A voice capable of everything. And nothing. A voice that hurts even without strength.
"Put him down."
Not a scream. Not a command. An order. Spat through clenched teeth. A groan of frustration, of muffled rage, but still standing. He’s there. Still. Standing. Armed. And what he demands, what he insists on, is unthinkable: that Stark lets you go. Puts you down. That you return to the floor. That the pain starts again. That the terror returns.
And all at once, you feel the cold. Not the cold of the metal. The cold of possibility. Of threat. Of fear. Stark doesn’t turn his head. Not yet. He doesn’t need to.
He knows. He’s always known that a man like Matthew doesn’t vanish without resistance. That he never really falls. Not as long as he has breath, a pulse of hate, a muscle left to bite with. That’s a rule, a constant for that kind of filth: they don’t go out — they detonate. And Tony understood that from the first second. From the moment he saw that flicker in his eye, that twisted thirst for power, that sick need for control.
So he stays still. Not out of surprise. Not out of hesitation. But calculation. Perfect read of the moment, the trajectory, the danger. His body remains locked, like a beacon rooted in the ground. But inside, his sensors activate. His instincts too. And in that short lapse of time, in that suspended fraction of a second, he measures what’s coming. Matthew is still there.
Behind him. A few meters away. Maybe less. Standing — or something close to it. A grotesque, fragile balance. His silhouette flickers like a sick flame, shuddering with spasms and tremors. His legs are bent, unstable, like two shattered stakes too proud to collapse. One arm hangs useless. The other, armed.
His face is a shredded mask of flesh. One eye almost shut, purpled to the bone. His mouth barely bleeds now, as if his body no longer has the strength to bleed properly. A raw gash cuts across his temple from a blow poorly absorbed. He looks like a ghost. A leftover human who should’ve been buried long ago. And yet, he’s here. Alive. Threatening.
And in his right hand the only one still mobile glints a compact shape. The other weapon. Not the one Stark knocked away earlier. Another. Kept warm, hidden in a boot, a pocket, a sleeve. Plan B. Last trick. Final venom. The barrel trembles, blurry, but aligned.
Not at Tony.
At you.
At your weakened body, leaning against the suit, clinging to what’s left of consciousness. You don’t see it — not yet — but you feel the shift. You feel the silence twisting around you, like the world holding its breath. And Tony too. Just for a second. Enough to calculate. Enough to confirm. The barrel is aimed at you. And in Matthew’s eyes, despite the pain, despite the exhaustion, despite the blood dripping into his collar, there’s that fire. Weak, but there. A wild ember. A sick rage. A blind, desperate fury. He doesn’t want to win anymore. He wants to destroy. He doesn’t want to flee anymore. He wants to mark you. One last time. To erase you. To own you all the way into your fall.
Even if it kills him.
Stark feels his pulse pounding against the inside of the armor, stronger, more brutal, like a deafening echo reverberating off the metal. Each beat is a war drum hammering in the hollow of his chest—heavy, steady, ready to explode. His jaw tightens slowly. He doesn’t move yet, but every nerve in his body is on high alert, every joint primed to unleash lethal force in a fraction of a second. He has become silence. He has become steel. He has become threat.
His arms tighten around you with an almost unreal slowness, millimeter by millimeter. Not to suffocate you. To hold you. To shield you. He pulls you closer against him, as if the armor isn’t enough to protect you anymore, as if his own body must become the barrier, a living rampart, a fortress between you and the bullet. He knows where the barrel is aimed. He saw the trajectory, the shift, the alignment. It’s not him he’s targeting. It’s you.
He says nothing. Not yet. Words would be a luxury. A useless noise in a scene that has become too fragile, too saturated. There’s no more room for banter, no more space for sharp retorts he knows so well. There’s only this short, held breath, and this heat in his throat, this growl, this fire rising and threatening to overturn everything.
And he knows that this time, if he acts… it’ll be to kill.
The gun is there. Raised. Steady. A black cylinder aimed at them like a sentence, a final injunction. Matthew’s arm trembles slightly, but not enough to make him doubt. It’s not weakness shaking his muscles. It’s adrenaline. Excitement. Hatred. His fingers, clamped to the grip, are clenched so tight they’ve gone white, every joint taut like a cord about to snap. It’s the final spasm of a mind refusing to go down without leaving a last scar.
And his eyes.
They’re not looking for Tony. Not even for fear or recognition. They’re looking for damage. For the impact. For the end. Bloodshot, swollen with rage, they gleam with a sick, icy intensity. A raw hatred, ancient, visceral, almost religious in its obsession. A hatred without aim, without meaning, just one need: to scar. To erase you.
Then he speaks.
— "You really thought it would end like this?"
His voice rises, rasping, strangled. A thin thread of sound scraped from damaged vocal cords, saturated with bile, blood, pain, and crushed pride. Each word seems to cost him a bit of life, but he doesn’t care. It’s not a line for dialogue. It’s not a question. It’s a bite. A spit. A final provocation. He growls more than he speaks, a kind of dying breath, a defiant snarl from a beaten dog who refuses to die without biting one more time.
And Stark, still frozen, knows. He knows this isn’t a scene. Not a confrontation. It’s the moment. The one before. The one where everything can flip.
Stark exhales.
Not out of fear. Not even anger. A heavy sigh. Worn out. Bone-tired. Like a father at the end of his rope facing the same mistake for the hundredth time, one he doesn’t even bother correcting anymore. The kind of sigh you let out when everything has already been said, when words are too light to hold the weight of the obvious. It’s a breath that stretches. That rasps along the edges of his helmet, infiltrating the tense silence like a crack.
Then, slowly, Tony closes his eyes.
Not for long. A second, maybe two. But in that brief instant, everything in him closes. Resets. He pushes away emotion. He buries it. He stores the fire, the panic, the protective instinct that’s devoured him since he saw you on the ground. He shelves it all to become what he’s always known how to be when it counts: a damn machine. Efficient. Surgical. Unstoppable. When he opens his eyes again, they’re void of compassion. Just a glint of steel. Sharp. Cold.
— "You really are a fucking idiot."
His voice is flat. Slow. Devoid of any emotion, except for the weariness hanging from every syllable like a silent threat. No need to raise his voice. No need to get angry. He doesn’t even need to say he’s about to act. It’s all there already, in the way his body shifts balance. Subtly. A shift in stance. A micro-adjustment. Just enough to strengthen his footing, to restore gravity around him, to calculate.
But he doesn’t let go of you. Not for a second. Not an inch.
His arms remain closed around you, held with infallible precision. He holds you like one would hold an answer. A promise. Like he refuses to abandon you, even for a heartbeat. Like the idea of laying you down on the ground — that ground soaked in blood, fear, agony — is an offense he won’t tolerate. Not after all this. Not now.
Across from him, Matthew wavers.
His legs buckle beneath him, stiff, tense like two rusted metal rods about to snap. He clutches his side, fingers clenched on his ribs as if trying to hold himself together, keep his body from collapsing. His breathing is a rusted saw, wheezing, chopped into irregular, painful segments. He tastes blood on his face. Along his cheek. On his split lips. The taste of metal and dirt, acidic. He trembles.
But he still has the gun.
And he feels it, that last sliver of power. That fragment of unstable balance in the hollow of his hand. He grips it like someone clutches a grudge. He’s not shaking from fear. He’s trembling with tension. With pride. With the refusal to bend, even on the edge of the end. He straightens slightly, still swaying, but raises the barrel toward you both.
And he spits:
— "I swear if you move another inch, I’ll blow his head off."
His words fall like stones into an empty well. Raw. Warped by pain. Loaded with a filthy, childish rage, almost pathetic. He throws in everything he has left: his anger, his fear, his illusion of control. He wants to be taken seriously. He wants to inspire fear. But Stark doesn’t respond. Not yet. He stays still. Silent. And that silence… is worse than a threat.
Stark does nothing — or so it seems. He doesn’t move. He doesn’t yield. He stays rooted to the floor, in the moment, in this suspended second where everything can fall apart — but nothing is lost yet. He’s still holding you, firmly, with a precision that defies pain, fear, even logic. And yet, in this perfect stillness, something shifts.
He simply raises an eyebrow.
Nothing theatrical. Nothing ironic. Just that small, barely perceptible movement, almost mechanical, as if he had just decoded the utter stupidity of what he just heard. As if Matthew’s words were nothing more than a distant echo, a threat already dissolved before it even hit. Then, with calculated, glacial slowness, he finally turns his head. Not in surprise. Not in a flinch.
No, he turns his head with the calm of an ancient god. With that silent authority only men tired of violence can carry without trembling. And when his gaze lands on Matthew — direct, sharp, total — it’s no longer Tony Stark standing there. It’s something else. A stripped entity, devoid of humanity. It’s no longer arrogance. No longer exasperation. Not even rage. It’s emptiness.
Not a hollow void, not a fragile nothingness. No. A void of steel. An absolute absence of emotion, so sharp, so dense, it seems to suck the air around it. A gaze where everything is already over. Where the verdict has fallen, irrevocable, final. A gaze that doesn’t threaten — it condemns. That doesn’t kill — it denies existence. Denies the right to be.
And Matthew feels it.
Oh, he feels it. In his gut. In his bowels. In his knees that, despite himself, begin to give way. He takes a step back. A tiny retreat, almost imperceptible. But it’s too late. Stark saw it. And that movement, that simple body shift, that instinctive micro-defense, is worth more than a thousand confessions.
Then Stark speaks.
— "You really wanna play this game?"
The question is asked without emphasis. Without drama. Like a blade laid on a table. Sharp. Cold. Needlessly polite. And the sound of his voice cracks the air with the same intensity as glass shattering in a silent church. No need to raise the tone. No need for added threat.
Because everything is already there.
Matthew straightens his shoulders. Or tries to. His back bends under the pain, but he wants to give height back to his body, pretend he hasn’t flinched. He tries to swallow the step he took back, erase the gesture. He tightens his grip on the gun, grits his teeth between jagged breaths. And he speaks, louder, to cover the wavering.
But in his eyes, the confidence is cracking. His breathing is too fast. Uneven. His forehead drenched in cold sweat — not from effort, no — from fear creeping in, drop by drop, down his spine. His fingers tremble. Barely, but just enough to throw off the aim. And his movements, suddenly, become too much. Too jerky. Too erratic. He flails like a puppet whose strings have been yanked too hard.
He’s no longer in control. Not of the scene. Not of the pace. Not even of himself.
And Stark feels it. Not just through the suit’s sensors, not only via the micro-vibrations of the ground under his feet or Matthew’s thermal signature burning from the inside. No, he feels it like an animal senses a storm, like a predator senses the irregular heartbeat of prey. It’s visceral. Primal. Obvious. Because he’s learned to recognize it — that vibration, that nervous derailment, that fault line running through a man when he loses control.
Because everyone, sooner or later, has felt that terrible thing when Tony Stark closes up like this. It’s not explosive anger. Not a roar. Not a flare of rage. It’s an internal collapse, controlled, contained, a thousand times more terrifying. It’s the void settling in. The absolute silence before a surgical strike. It’s the moment when humanity fades to make way for something else. Fear. It’s there, in the air, suspended between the grimy walls of this room, between the debris on the floor, between each irregular heartbeat. And Stark, without a word, moves. Almost nothing. A bend of the knee. A subtle weight shift from one foot to the other. A barely perceptible adjustment in posture. But enough. Enough to shift the scene into another register. The gun barrel rises instantly.
— "DON’T MOVE!"
The scream cracks. High-pitched. Nervous. Hysterical. An explosion of panic, a pure fear discharge, vomited into the space like a desperate reflex. Matthew’s voice, already broken, tears itself into a lopsided shriek, too shrill to be solid, too shaky to be dangerous. And in his eyes, you can see it. The moment of terror. The crack.
He wavers.
His pupils dart from Stark to you, and back to the gun. Then to his own hands. As if suddenly realizing he no longer controls anything. That he’s just a link dangling in a mechanism that no longer belongs to him. His breath accelerates, grows loud, almost wheezing. His chest heaves with difficulty. He tries to compensate. To keep face. But the tension betrays everything. His arms tremble. His fingers, clenched on the grip, vibrate despite him. A shiver runs through his shoulders, derails the aim, throws off his center of gravity. He tightens his hold on the weapon, but it’s too late: the doubt is there. The instability. The obvious. He knows.
He knows he’s losing. Not just the upper hand. Not just the battle. But everything. The scene. The power. The narrative. And he feels it, in his broken bones, in his exhausted muscles, in the clammy heat of his blood spilling too fast: this part right here — it’s the end. There will be no glory. No final revenge. Just the fall. And like all cowards, like all monsters too weak to fall alone, he wants to drag you down with him.
— "Put him down. Now."
The phrase comes out in a rasp, between clenched teeth, like a final desperate plea for a balance that no longer exists. It’s no longer a command. Not really. There’s something fractured in the tone, a tremor, a break. He’s begging without admitting it, panting, lost. His voice is jagged, unstable, stretched to the extreme, oscillating between threat and collapse.
But Stark doesn’t answer.
He doesn’t need to speak. You watch him think. Calculate. With surgical precision deployed in perfect silence. Every microsecond becomes a world; each fraction of a moment an equation. He reads everything — the tension in Matthew’s shoulders, the subtle twitch of his arm, the increasing pressure of his index finger on the trigger. He analyzes the angle, the velocity, the firing radius. He isolates trajectories. Assesses the margins. Corrects for the unforeseen. The right moment. The only moment. The one where everything can tip. And then, Matthew screams. A shout. A spasm. A total rejection of lost control. A dying man’s order, a final command hurled like a stone into a storm he can no longer stop.
— “STARK!”
And the shot is fired. A flash. A tear. A sonic implosion in a room saturated with tension. The detonation isn’t just a noise. It’s a shockwave. A blade of fire that lacerates space, rips the air, splits the scene in two. The yellow flash spits its light into the gloom like lightning dropped into the heart of silence. The barrel flares, violent, blinding, and the bullet flies. A sharp whistle. Shrill. A vibration that pierces the eardrums like a scream of metal. A shiver of steel. A heartbeat. Not even a second. Not even a full breath. If Stark’s inhale had been different, if he’d hesitated, if he’d blinked, if gravity had been heavier by a single milligram... the bullet would’ve hit you. Split your throat, your chest, your skull. It would’ve ended everything — brutal, filthy, final.
But it didn’t. Because he left no room for error. Because he saw it coming, sensed it, anticipated it. Because the exact moment Matthew’s finger twitched, the moment the gun’s internal mechanism clicked, Tony Stark had already moved. Already shifted his center of gravity. Already pivoted half a step, his arm pulling you in, shielding you with the armor, ripping you from the line of fire in a motion so swift the world didn’t have time to react. The steel wall intercepted the bullet. An impact. A spark. A tiny burst of light on the reinforced chestplate. The dull sound of a bullet meeting a world it cannot pierce. You didn’t feel a thing. Just a breath. A warmth. Then a tremor through Stark’s entire body — the shockwave he absorbed for you.
And for a fraction of a second, he doesn’t move. He remains frozen. Not out of fear. But to make sure. To listen to your breath. To confirm that you’re alive. Then he slowly lifts his head. And this time, it’s not a look. It’s a sentence.
The impact tears through you like a silent thunderclap. You didn’t understand at first. You felt a warm gust skim your cheek, like the scrape of an invisible fire. Then the rumble echoed inside Stark’s chest — the one cradling your body, limp and suspended between terror and exhaustion. The metal vibrated. His armor took the hit. And you — you couldn’t do anything. Not even scream. Your breath locks in your throat, ripped away by the violence of the moment. You want to speak. To move. To cry out. But your vocal cords are tied, your muscles unresponsive. Your fingers try to cling to him, to seek an anchor, anything — but they slip, powerless, drained of strength. Your entire body is dead weight, suspended by another’s will.
And him… he moves. Slowly. Deliberately. Like an ancient statue waking after a thousand years of silence. No panic. No rush. Just chilling, methodical, surgical precision. His head pivots on a perfect axis. A single angle. His gaze finds Matthew. And something shifts in the air. It’s no longer that abyssal void that burned seconds ago. It’s not flaming rage, ready to consume. No. What emanates now from his eyes, his movements, every line of his face… is worse. Older. More fundamental.
It’s the total absence of forgiveness. An implacable, cold, silent force that seeks nothing but a conclusion. He’s no longer looking at you. Not really. But he hasn’t forgotten you. And yet his movements remain gentle. Tender, incongruously so. He lays you down with surreal slowness, as if afraid to break you more. Every motion is measured. Controlled. Deliberate. His arm slips behind your back, supports your descent, holds you until the last moment. And then, with the care of a surgeon, he slides you against the wall.
You feel the concrete against your back. Rough. Cold. It almost burns. But his fingers linger a moment longer. Just long enough to keep you from falling. Just enough to offer a last anchor. Then his gaze tears away from you. For a second. Just one. Like a parenthesis. Like a temporary farewell. He entrusts you to the ground. And from here on, everything that follows is no longer about you… it’s about him and Matthew.
Then, he rises.
The metal groans softly, as if the suit itself were holding its breath. A low vibration escapes the still-warm joints. A deep murmur, almost organic. A beast waking up. The lights embedded in the joints shift — first imperceptibly, then abruptly: the bright white turns to pulsing red. Combat red. Retribution red. Judgment red. Every LED becomes an ember, each glowing point a silent siren screaming the irreversibility of what’s coming.
Matthew sees it. And he understands.
He tries to back away. A step. Then another, stumbling, uncertain. His body won’t follow. His legs buckle beneath him. His arm lifts again, but the gun in his hand shakes more than he does. The barrel wavers, dances in the air, uncertain. He still believes. In one last chance. One final shot. He tells himself he can fire. That he can take Stark down, or at least slow him. That he can hurt him.
But Tony gives him no time.
The roar of the thrusters splits the space. The armor launches, carried by raw, thunderous force. A comet of metal and fury. The distance between them vanishes in a fraction of a second, erased by the taut trajectory of a body hurled like a cannonball. The impact is brutal. The weapon flies. A palm strike — dry, surgical — hits the grip and sends it spinning into the dark. It spins, skids somewhere out of reach. Harmless. Forgotten.
But Stark doesn’t stop.
His fist crashes down the next instant. It plunges into Matthew’s abdomen like a hammer through plaster. His breath is ripped from him, torn out in a high-pitched gasp. His torso folds, his body lifts, before slamming into the wall with a sickening, wet thud — flesh against concrete. He collapses like a sack, half-conscious, half-empty. But the second blow follows fast. Sharper. More precise. The jaw. A clean crack of bone. A red burst explodes between his teeth. Blood, saliva, a thread of bile. Matthew screams — or tries to — but only a gargle escapes. He crashes to his knees, arms slack, mouth twisted in a grotesque, disjointed grimace.
And Stark advances. This time, he doesn’t run. He walks. Slowly. Methodically. Like an executioner. Like judgment embodied. He doesn’t shout. He doesn’t speak. He moves, and that’s enough. His shadow engulfs the floor. It blankets Matthew’s body like a shroud. He stands above him — towering, immovable. The red light from the arc reactor at his chest pulses, bright, steady. His arm lifts.
The gauntlet expands, and the lines etched in the metal ignite a deeper red. Energy hums, pressure rises. The core in his chest vibrates, ready to unleash full power. Each pulse is a promise. A warning. A useless one. Because this time… Stark is ready to finish it. Matthew raises a hand. Not to attack. Not out of anger. Not a trick. It’s a plea. A tremor. Feeble, pathetic. His blood-covered arm struggles to extend. His fingers, bent, broken, flutter in the air as if they no longer remember how to beg. His whole body trembles, his knees trying to hold but collapsing with each passing second. His mouth opens, slowly, painfully, and a word slips out. A syllable, barely. A groan more than a voice.
— “Wa… wait…”
But Stark doesn’t move. Doesn’t blink. His gaze is locked. Glacial. Immutable. And his voice falls into the room like a verdict etched in stone, low, metallic, inevitable.
— “You should’ve stayed down.”
And you watch. Pinned to the ground, trapped in your own body. Your breath trembles, unstable, each inhale a tear through your chest. The air burns, scrapes, resists. You no longer have the strength to move. Your arms are limp, your legs feel torn from your control. Your muscles won’t respond, your nerves scream, and yet, you remain conscious. A consciousness glued to the pain. A clarity sharpened by fear. And your eyes… your eyes stay open.
They see it.
They see Stark, standing there, frozen in a stillness that no longer feels human. His silhouette is black, almost liquid under the red reflections of the pulsing armor. Every light seems to beat in rhythm with his heart, but in this moment, that heart no longer beats to protect. It beats to strike. His arm is extended, a perfect line—cold, rigid. His open palm is aimed at Matthew, and in its center, the reactor pulses. Incandescent, unstable light radiates from it like a tide of contained fire.
You hear the crackling. The charged energy vibrates around him, dances in electric arcs along his gauntlet. The armor groans under the surge of power. It growls, lives, almost breathes. Like a beast untethered for too long. The lines of the suit light up in shades of scarlet, the red veins of a war monster waiting only for the order. And that order won’t be shouted. It’s already there. In Stark’s eyes. In the silence that follows the last chance.
And in front of him, slumped against the wall, Matthew no longer resembles anything. A dislocated puppet. A sack of hateful flesh. Curled up. Unable to flee. His face is a mask of blood, fear, and despair. His eyes are wide—far too wide—locked on the outstretched gauntlet like the muzzle of a cannon. He knows. Every fiber, every still intact bone knows. He knows it’s over. That there will be no mercy, no return, no escape.
And you know it too.
You feel it, deep down, that Stark won’t stop. That the rage he’s held back this long is begging to be unleashed. That it’s no longer a decision. It’s an instinct. A drive. A need. He’s gone too far to halt now. Too far to turn back. And in your pain-drenched gaze, fear returns. Not for yourself. Not for what you’ve endured. But for him. For what he’s about to do. For what it will leave in him. For what that blast, if unleashed, will shatter—not in Matthew. In Stark.
You want to speak. But your throat is a raw wound, a voiceless pit. You want to scream, but nothing comes. Even a sound is a mountain. Your lips barely move, cracked, salted by tears and blood, trembling like the leaves of a tree shaken by an inner storm. The air you try to inhale scrapes your larynx, too dry, too thick, like every particle stabs you. But you keep going. You refuse to give up. Because it’s all you can do. Because you have to stop him.
So, slowly, painfully, you gather what strength remains. You dive into the pain, arms wide open—you embrace it, you swallow it, you use it as your anchor. You cross that frozen sea, that threshold you thought impassable, and somewhere, buried deep inside, you find a breath. A whisper. One last echo.
— “Stark...”
It’s not a cry. It’s not even a sentence. It’s barely a breath. A shard of soul, scraped, raw, fragile as the wingbeat of a broken bird. And yet… that word slices the air like thunder. It lacerates the silence. It pierces. It cracks it open.
Stark hears it.
He blinks. A single beat. An imperceptible tic in that fortress of steel. But you see it. You feel it. The silent shockwave. A hesitation. A micro-movement. A fissure in the war mask. His gaze doesn’t leave his target… not right away. But something just struck him. A private tremor. A call he wasn’t prepared for.
Then, he looks at you.
Not for long. A second. An eternity. But it’s enough. Enough for your eyes to meet. For your eyes—reddened, exhausted, shadowed with pain and terror—to offer something other than fear. It’s not a plea. It’s not forgiveness. It’s not even an order. It’s a truth. Bare. Silent. An evidence as simple as it is searing: you don’t want this ending. You don’t want to see his arm become a sentence. You don’t want his hands, the ones that carried you, supported you, protected you, to become the tool of an irreversible vengeance. You don’t want him to cross that line. Because deep down, you know what it would do to him. And you know that he knows it too.
Stark doesn’t move. But you feel the tremor. The internal storm. His mind is fighting. Behind the mask, behind the metal, calculations spiral, pulses of rage beat like war drums, demanding justice. He has every reason. You know it. He could do it. He wants to. Part of him screams to do it. It would be so easy. So clean. So just.
But you’re there.
And you spoke. You threw him that rope at the edge of the cliff. You held him back. With one hand. With one syllable. You just saved him—not from danger, but from himself. From an act that would never leave him. You stopped him from crossing a line that can never be uncrossed. So he breathes in. Slowly. Deeply. A breath long, heavy, weighted like a world. He closes his eyes, briefly. He lets the tension drip away, drop by drop. He feels the heat recede from his gloves, the energy ebb. Without a word, he releases the rage frozen in his arm.
And for a second, you think the world starts spinning again. And the arm begins to lower.
Slowly. Like an overloaded pendulum, like a weight that even technology, even titanium and fire, can barely bear. The energy in Stark’s palm dissipates, dull, into red wisps that flicker, then die. The internal circuits of the suit, which just a second ago vibrated like a heart ready to explode, calm. The sound muffles. Silence returns. Not peace—suspended tension. An electric silence, like the pause before lightning, the moment the air tightens. Stark stands there, half-raised arm, body frozen in a posture of painful restraint. He doesn’t move. He doesn’t speak. His eyes stay fixed on Matthew, his fist still clenched, jaw tight enough to break teeth. His breathing is short. Shallow. Like every breath is a battle against instinct, against the call of swift justice. He trembles. Just enough for you to see it. Just enough to understand.
You feel it. You know it. This isn’t forgiveness. It’s not mercy. Not even principle. It’s you. Just you. A broken voice, a syllable on the verge of drowning, enough to make him lower his arm. Not from weakness. Not from morality. Out of respect. A silent promise. To honor you. And this silence, this suspended moment… could’ve been the end. But then it happens.
A sound. Faint, at first. Almost inaudible. A shadow scraping through the rubble. Then clearer. Sharper. Dissonant. Unreal.
A laugh.
Dry. Broken. A rasp twisted by pain and blood. A sound that shouldn’t be there. That doesn’t belong in this field of ruin. And yet, it echoes. It rises—ridiculous, chilling—like a specter refusing to die. Matthew. He laughs. His disfigured mouth half-opens, red, shattered teeth visible. He laughs through the pain. Through the fractures. Through the blood dripping from split lips. A filthy laugh. Cracked. Sick.
You see him lift his head. Just a little. Too little. But enough for his gaze to catch Stark’s. And what’s in his eyes… it isn’t fear. It’s not even hatred anymore. It’s something rotten. Hollow. A madness laced with clarity, a pure provocation, raw, thrown like a slap.
— "That’s it..." he spits, between ragged breaths, his voice like chewed paper. "The great Stark. The hero. The savior."
He coughs. Violently. A spasm bends him. A spray of blood gushes from his throat and spatters against his chin. But it doesn’t stop him. Quite the opposite. He smiles. A smile that’s anything but human. A hyena’s snarl. Twisted, swollen with violence. A pathetic grimace of hollow triumph.
— "You raise your arm. You could erase me. Literally. And you... you look down because of him."
He turns his head. Slowly. Like a broken puppet refusing to shut down. His gaze slides toward you. And there... it’s worse. Worse than the blows. Worse than the barrel pointed at you. He looks at you with that clammy intensity. Vicious. A viscous hatred. Filthy. A contempt so strong it almost becomes intimate.
— "Fuck... you’re just a parasite. Even now..." His voice breaks halfway in his throat. He swallows it back. Stitches it together with anger. "You need someone to carry you. Defend you. You can’t even stand up. And he listens to you. You."
You feel your stomach twist. Not from fear. From disgust.
— "I knew you were weak..." He laughs again. A hiccup barely human, a rasp that becomes almost a sob of madness. "But not weak enough to make Stark your fucking guard dog."
Silence returns. Not the kind of forgetting. But the kind that rumbles. The kind that doesn’t fall, but rises. Like a tide. Like a warning. In Stark’s eyes, something just reopened.
Stark doesn’t move. Not yet. But something shifts in his posture. Tiny, and yet terrifying. His fists close slowly, the metallic knuckles tightening until the joints of the armor groan. His shoulders tense, muscles — or their steel and servo-motor equivalents — lock into a silent tension. A pressure, muffled and incandescent, builds in his chest like a second energy core about to implode. But he doesn’t look at him. Not yet.
He looks at you.
You, and nothing else. His eyes don’t leave your face. They anchor into yours with such intensity that the world could collapse around him and he wouldn’t flinch. He studies you. Every millimeter. Every breath. As if searching for an answer. A green light. Permission. As if he doesn’t want to decide alone this time. He’s heard the words, the insults, he’s seen the sneer, felt the provocation. He could answer. He could crush him like an insect. But he waits. He’s waiting for you. It’s in your eyes that he searches for the end.
And the choice floats there, suspended between the two of you.
Between the still-glowing red lights in the joints of the armor, pulsing like a heart of war, and the bloodied, grotesque figure on the ground, still laughing despite the pain. Between cold justice... and pure vengeance. The universe holds in that suspended beat.
Then Stark moves. One step. The ground barely trembles under the impact. Another. Slower. Heavier. Every movement is measured, sculpted from steel and decision. But he doesn’t go to Matthew. No. He doesn’t approach him. He doesn’t even touch him.
He comes to you.
He turns slightly, stares at you again like he needs to count you, to register you among the living. And he advances. He walks toward you, his arms still heavy with tension, his jaw clenched hard enough to fracture a soul. He chooses you. Not the hate. Not vengeance. You.
And Matthew, still on the ground, lies there. Abandoned. Sunk in his own filth, mouth still open in a pathetic snicker. A laugh turned rasp, muffled, trembling, with no more substance than the rest of his broken body. Stark doesn’t even grant him a last glance. Not a word. Not a breath. He has erased him from his line of sight. Reduced him to what he’s become: a leftover. Waste. A mistake.
Because he saw your blood on the floor. Because he saw your chest rise with difficulty, as if each breath threatened to collapse under its own weight. Because your body slumped further against the wall, your head dropped a few centimeters too much, and for a moment — he thought. He thought you were going.
He crosses the space between you with no hesitation, each step grounded in brute determination, like he refuses to let distance exist between you. The alloy of his armor groans softly, echoing through the air with a deep murmur, almost organic, like the breath of an alert beast. The lights on his shoulders, hips, pulse faintly, oscillating between the red of alert and the clinical white of medical protocol. He’s not a superhero anymore. Not Iron Man. Just Tony, stripped of everything but the absolute urgency to reach you.
He kneels beside you, and this time the movement is faster, less contained, almost instinctive. This isn’t about control. It’s about survival. Your eyelids flutter, heavy, as if each blink demands an effort your body can’t afford. And yet you see him. You recognize him. Despite the pain tearing your insides apart, despite the fire burning through every exposed nerve, you’re still there. And he sees it.
— "Hey... hey, kid..." he breathes, reaching a hand toward your face, palm open. The glove stops a few millimeters from your skin, suspended in the air like a prayer he doesn’t dare complete. The metal doesn’t touch you. He won’t let it. He won’t risk adding one more pain. But his breath, behind the mask, you feel it. Light. Shattered. As if each word tears his throat. "Breathe. Can you hear me? Breathe... stay with me."
He’s bent over you, back curved with almost animal tension, his arms carefully sliding beneath your limp body. He lifts you, but nothing is abrupt. Nothing mechanical. He adjusts his grip, millimeter by millimeter, avoiding the worst wounds. One arm slides beneath your shoulder blades, the other under your legs, bringing you slowly against his armored chest. He holds you. Cradles you. Protects you. You feel the artificial heat of the armor through your blood-soaked clothes, a synthetic warmth — but comforting.
Your breathing is erratic. Broken. You gasp like each puff of air has to cross a minefield. Your chest rises, trembling, then drops too fast. A bead of sweat slides from your temple to his forearm. And he doesn’t move. He anchors you. He becomes that pillar, that column, the only fixed point in a collapsing world. His sensors — he almost ignores them. But they’re screaming. Your heart rate is irregular. Your temperature dropping fast. The numbers scream in his interface, red, unstable, merciless. But he doesn’t look at them anymore. He looks at you.
And as long as you’re here, he’ll get you out of this hole. No matter the cost. Not in a bag. Not under a sheet. Not in the clinical silence of a hospital hallway where your name is whispered in the past tense. Not as just another statistic. Not as forgotten collateral damage. No. Not this time. He’s here. He crossed hell for this. He found you. He heard you. And you are not a burden.
You’ve never been dead weight. You are not a problem to solve, nor a mistake to erase. You are a life. A voice. Fragile, broken — but alive. And that’s all that matters.
He holds you a bit tighter. Not to constrain. To hold. To remind you that you’re here. That you’re back. That even if everything in you screams it’s too late, that it’s over — he hasn’t decided that.
— "Told you I wasn’t gonna let you fall..." he whispers, his voice muffled in the helmet, but close enough to brush your ear. Not a heroic declaration. Not a punchline. Just words. Bare. Trembling. Worn by fear, charged with a promise that surpasses gestures.
And his voice trembles. Just a little. A crack. But you hear it. You feel it. A strangled note, drowned in the emotion he never allows.
He holds you tighter, slowly adjusts your back against his chest, until your head rests beneath his chin. He braces your shoulders, stabilizes your position like one would cradle a flower against a strong wind. His armor, designed to destroy, becomes a cocoon around you. A fortress of metal, bent on one mission: to keep you alive.
With a wrist flick, he activates the interface on his forearm. Lights shimmer in an electric shiver, dancing along the glove like a controlled wave. No words. No need. The armor understands. It executes. A trajectory opens. A signal fires.
You hear the rumble. First from afar. A low buzz, barely a tremor in the tainted air. Then stronger. More distinct. The sky answering. A vibration approaching. Not a threat. A response.
The armor. The sky. The way out.
And you, in his arms, feel it. Truly feel it. The artificial warmth of his chest, the tension in his arms, the calm returning to his breath. Not because the danger is gone. But because he’s got you. You falter. No panic. No terror spike. Just... the limit. The edge. Your body has nothing left to give. You left it all here. On this floor. In these walls. In that scream you launched without knowing if it would find an ear.
Stark adjusts his grip on you with almost supernatural precision. One arm under your knees, the other supporting your back against his chest, like he’s carried you a thousand times in nightmares without ever daring to touch you in reality. The gauntlets, built to withstand atmospheric pressure, cradle your shattered body like one would hold a secret too fragile, too precious. He calculates every angle, every support point, every buffer zone so nothing — not even a jolt — aggravates your wounds.
You’re there, against him, your body surrendered in the crook of his armor, forehead pressed to the warm curve of his shoulder. Your breath is uneven, raspy — but present. He feels it. He counts it. Through the metal, he senses every heartbeat, every tiny vibration betraying your pain. And he clings to it. Like a prayer. Like a mission.
Around you, the warehouse has become a tomb. The echo of blows has faded. Screams have given way to a cottony void, warped by crumbling walls and twisted beams. Even Matthew, somewhere in the shadows, makes no sound. No words. No snicker. Just silence. Heavy, dense, saturated with what you’ve both left here. With what you’ll never get back. Only Stark’s footsteps break the mute air, a slow, controlled march that vibrates through the ground with every step. The metal of his boots strikes fractured concrete in a deep cadence, almost ceremonial. He carries you toward the center of the room, where the extraction platform has opened in silence, like a mechanical mouth ready to swallow you and lift you from this hell. The locator beam already draws lines of a safe trajectory. Beacons light up one by one in a discreet ballet of bluish lights.
Stark doesn’t speak right away. He looks at you. Checks one last time the curve of your neck, the tension in your arms, the faint twitch of your eyelids. Then he whispers, barely loud enough for the world to hear:
— "We’re going home."
It’s not a victory speech. Not a boast. It’s a promise. To you. To himself. To what’s left alive between you.
He clenches his teeth. His gaze sweeps the shadows one last time, scanning the scene to make sure nothing is left behind. No enemy. No detail. No threat. Then, finally, his thrusters deploy with a low growl, a rumble from deep inside the suit, like the roar of a monster still held in check. The reactors heat up, shift from blue to red, and a powerful jet forms beneath his boots, casting an orange halo around you.
Dust rises. Bits of concrete vibrate. Metal fragments roll across the floor, pushed by magnetic force. The air shivers. The moment hangs suspended.
But Stark doesn’t take off yet.
He stands still, holding you in his arms with strength made more incredible by its restraint. He checks your weight. Your axis. The openness of your ribcage. Your temperature. He cross-references every signal, every clue, as if he can still delay the moment you leave this place. As if he must be certain you’ll survive every meter of the trip. And then he lifts off. In a single motion. Fluid. Perfectly vertical. A precise ascent, rapid, powerful. The ground recedes, walls blur. The warehouse becomes a gray smudge, swallowed by shadow. And you, in his arms, you rise. Away from the blood. Away from the concrete. Away from fear.
You leave the darkness.
taglist🥂 @9thmystery @defronix @lailac13 @the-ultimate-librarian @ihatepaperwork if you want to be part of it here
#tony stark#reader insert#x reader#x male reader#tony stark x male reader#slow burn#unrequited crush#marvel#marvel cinematic universe#tony stark x you#mcu#long fic#tony stark x reader#enemies to friends#iron man x male reader#marvel iron man#marvel tony stark#ao3#archive of our own#angst#fluff#tony stark fanfiction#avengers#iron man
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Dumbest things AGSZC did as kiddos!~
Angeal (6yo): Provoked a local skunk by trying it to feed it his leftover vegetables rather than wastefully throwing ‘em away
Genesis (5yo): Attemped to mail himself across the continent after getting into a fight with his parents
Zack (6yo): Fed their VHS player a grilled cheese bc he liked the movie he watched so much and wanted to thank the system
Cloud (5yo): Wanting to practice his spelling, the young boy wrote his name, phone number, address, and that funny looking number on his Ma’s credit card in a nice, squishy substance outside…! (It was wet cement.)
Sephiroth (6yo): Drank a bottle of unknown fluid specifically labeled “for the rats only.”
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1,2, Play! - Prologue
https://archiveofourown.org/works/61646173/chapters/157590301
Blockbuster Trade Shakes Up the League: National City Knights and Metropolis Monarchs agree to exchange key assets.
In a league-shaking trade, the National City Knights and the Metropolis Monarchs have finalized a deal that is already being called one of the most significant in recent history. The Knights have secured former Rookie of the Year and last season’s leading scorer, Lena Luthor, from the Monarchs. In exchange, the Monarchs gain Maggie Sawyer, a former Best Setter, widely regarded as the strategic mastermind of the Knights’ offense.
Lena Luthor’s Move to National City
Lena Luthor’s accolades speak for themselves. After winning Rookie of the Year honors two seasons ago, she cemented her place as one of the league’s most dominant offensive players. Her leadership was instrumental in carrying the Monarchs to the Finals last season, especially during the absence of their star player, Lois Lane, who was on maternity leave. Though falling short versus Diana Prince and the Gateway City Gladiators, Luthor’s ability to perform under pressure and her knack for scoring in critical moments have made her a household name.
In National City, Luthor will enter her 3rd year playing professionally and join an already offense-heavy lineup led by Kara Danvers, team captain of the Knights and herself a former Rookie of the Year. Danvers, last year’s MVP runner-up, has consistently been the Knights’ cornerstone. With her sister, Alex Danvers dominating as their dependable second option and the Knights’ first-round draft pick, Nia Nal, showing promise, the addition of Luthor raises questions about how the team will balance such a stacked offensive roster.
Maggie Sawyer: The Final Piece for the Monarchs
On the other side of the trade, the Monarchs may have found their missing piece in Maggie Sawyer. A former Best Setter, Sawyer has been the driving force behind the Knights’ offensive cohesion for years. Her vision, precise playmaking, and ability to read the game have consistently elevated her teammates’ performances.
For the Monarchs, this trade signals their intent to build on last season’s success and aim nothing short of a championship. With Sawyer feeding the ball to Lois Lane, who is set to return at full strength, the ever reliable Lana Lang, and the rest of the roster that is hungry for victory, the Monarchs appear poised to dominate.
Big Risks, Big Rewards
While both teams have bolstered their rosters, questions linger. Can Lena Luthor adjust to a Knights system already brimming with offensive firepower? Will Maggie Sawyer seamlessly integrate into a Monarchs team looking to complete their championship-winning formula?
Fans won’t have to wait long for answers, as both teams are scheduled to face off in the opening week of the season. The matchup is sure to draw record-breaking crowds as the league braces for what promises to be one of the most thrilling seasons in its history.
With the Knights and Monarchs both all-in on their championship ambitions, the league is abuzz with speculation—and anticipation.
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Dude. Something serious just happened.
I literally was just chilling right. Hanging out. And then fuck- I get my heart ripped out, torn to bits, run over with a bike, grinded up in a lawnmower, blended in a food processor and dumped into a cement mixer. All because of this one GUY.
(I finished good omens season 2)
(spoilers under the cut)
Okay but like NOW I UNDERSTAND why everyone has been hyper analyzing the kiss scene. Like ohhhhhh my god that scene was LOADED. Like the solid last 20 minutes I was just shouting at my tv “don’t do it!! It’s not what you want!!” And “aziraphale no!!! Don’t fall victim to heaven’s propaganda!!!” Like duuuuude. Toxic doomed yaoi when one wants one thing but the other wants another and they physically cannot have both… would you lose your freedom if it meant you could be with the one you loved… how do you fully understand the inner workings of someone who goes against the system… are you a bad person for feeding a machine that is destined to be corrupt… holy fucking shit
WAIT FUCK I THINK I UNDERSTAND THE INEFFABLE DIVORCE TAG. YALL. YALL? YALL.
#Lemme just cry rq#Also work. Give me what Gabriel and Beelzebub have ong#good omens#gomens#aziraphale#crowley#aziracrow#crowly x aziraphale#aziraphale x crowley#ineffable husbands#good omens 2#good omens spoilers
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A short introduction.

You can call me Leena or Mal whichever you'd prefer.
she/her/any :)
adult
- here mostly for info and talks about columbine
A disturbed mind with morbid curiosity, I am not here to argue or judge so shoot me a message if you want to.
A fan of music, death (my own mostly) and psychology/philosophy.
For clarities sake, I do not support anything those two boys did, and I do not think there's an excuse for what they did.
I do although think there is more nuance to how and why everything happened, that the system and people around them failed them in so many ways.
If you are here to play the moral high ground please don't interact, you will not be welcomed.
"It's like a wildfire, it starts with a bit of cigarette ash or a stray spark, it feeds on the miniscule, dry grass, dying leaves, or tiny twigs until it's swallowing branches, trunks, animals even entire forests. After which it engulfs cement, glass, memories, flesh. It kills. It takes. The spiral is past this point utterly unstoppable." please take your mental health seriously
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Can I trouble you for your personal headcannons for the Dolls?
OF COURSE OF COURSE!!
THANK YOU SO MUCH
Well let's see,,, I have headcanons for most bits of the group as a whole (Löwenzahn included)
No particular order, I write them as I remember them lmfao 😭
Im so sorry if these seem all over the place, these are the ones I can remember off the top of my head with a few hours of sleep, I have a big document somewhere with a load of info in it for a project. I'll reference that when I get my hands on it again.
Also most of these are more lighthearted than you'd expect to some degree lol I'm better at remembering the stupid stuff rather than the angst stuff.
I personally believe Enero's got quite a posh background. That little interaction with Karin cemented that in stone for me. She's got a lot of money and likes to dish it out, although she occasionally relies on bribery to get her way.
The Löwenzahn are a mix of former infantry soldiers and kidnapped Doll candidates. The amount of troops is pretty much unknown because Bison likes to spread them out across the globe, moving them about more than the actual soldiers.
Février's visor is a cover-up for bad eyesight. A friend of mine mentioned it in a fic they wrote once and I stole the headcanon for myself. She didn't want to wear glasses because she thought they'd make her look like a nerd. Now she realises they make her look hot.
Santamu used to have a mini wardrobe of coats and other outerwear for Kiki whenever they got send out to colder areas. Aprile wasn't really the biggest fan of the whole thing.
Noembelu is/was very close to März. She knew she was quite shy and not very good at the whole socialising bit so she used to stick close to her to comfort. A bit like a cheetah/emotional support dog dynamic except the emotional support dog is secretly a cheetah with the same issues.
Xiayu, Jianyu, Cammy and Decapre have all tried talking to each other telepathically before, not that it's ever worked. (They got the idea from watching a cartoon about having twin powers or something like that.)
Prior to Kiki, the group had actually snuck another pet into the barracks. A fucking Komodo Dragon... at Satsuki's request.
Enero and Noembelu continuously try to have a conversation in Spanish, although, because of the differences between Latin American and European Spanish it generally becomes a huge mass of "What? Fuck you, slow down. Huh? What does that mean?" Etc.
The youngest Löwenzahn recruit was about 12. How she got there was unknown. All that mattered was that the older ones kept her as safe as they could.
A lot of the recruits (at least past-1991-2 recruits) are actually raised into the system. Same with the soldiers. They're taken at fairly young ages and raised within the facility. The distress this programme caused worldwide continued to feed Bison's never ending joy.
Noembelu hates her original name. After joining Shadaloo, she began to think that calling her family naming her "Little" was insulting. She doesn't see it like that anymore, but she still believes that Little Eagle was a different person to who she is now.
Xiayu frequently scares the others with her Opera makeup + skills. Practising Shua Ya has scared the shit out of Jianyu more than I can count.
Santamu used to do javelin and was really good at it, hence why she chose her weapon to be a spear. Although sometimes she wished she had chosen a weapon other than just that.
There was a group, a test group, prior to the main Dolls. Most of the information on them was burned. Some say there were two, others say three, five etc. Most people accept that the initial group are 6-feet under. However, the sites conspiracy theorists think otherwise.
Juni is forever crushing on at least three girls at the same time, whether she realises it or not.
Cammy remembers a lot of things the others don't, despite her amnesia. Only thing is,is that she remembers them only when under the influence.
Enero and Jianyu scrap constantly. No reason to, they just leap at each other at any given moment.
The rank system in place for the group is kind of complicated. There are a ton (sometimes a rank only having one person in it.) And difficult to go through just by memory. The main Dolls unit typically holds the highest, or highest achievable, rank in their selected area of expertise. The only ones that don't apply to this are Enero, Jianyu, Xiayu and Juni, as the last three don't really have an area of expertise aside from Close Quarters. Enero is excluded because she holds the rank just below General. Bison keeps her there because it keeps her loyal.
Jianyu and Juni hold Colonel-equivalent ranks, Jianyu having hers because Bison was very amused by her and Enero's constant fighting and Juni because she can be trusted enough to hold such an important title.
Xiayu is a Major. Jianyu promises not to tease her about it but sometimes she likes to test how far she can push her luck before she tries to break her nose.
März frequently has to be the one changing the HDMI cables and having to explain all the different channels. (She likes doing it when she has the confidence).
Whilst it is typically Mid and High-Ranks jobs to teach the Apprentice Dolls, sometimes the main group get assigned about a troop to train.
Février eats crayons... dun dun dunnn...
Decapre struggles quite a bit with anxiety. She holds some resentment towards Cammy, but can't bring herself to do any proper damage for fears of hurting her and herself. Although, this mindset changes during Ultra IV because now they've done some weird tests on her.
The girls have combined their weapons before. Satsuki and Février made Murasame (katana #1) into a makeshift bayonet, which worked as well as you would expect it to.
Aprile secretly wishes that she could've done more for the group whilst at Shadaloo, fearing she may have been too harsh on them during their time there. Nobody thinks bad of her, just she thinks they believe she's a failure, just a tiny remnant of her past that she's clung onto.
März' consciousness still exists, although where and what it was put into is unknown. Fangs torture machine? Seth 6.9? A spare body? Cammy has a feeling she's still out there somewhere, much like Bison. Although, unlike Dictator, she believes she'll come back against Shadaloo.
Jianyu and Xiayu currently get their funds via Contract Killing. Who or what they work for is unbeknownst to them. They just get paid... Also the reason why Xiayu still has the face paint. She's ashamed of their current state and wishes for better. Oh and because she doesn't want to be recognised by the police.
Santamu is part of Neo-Shadaloo, although on more of an external branch. She let them keep Kiki because she immediately connected with the drastic amounts of chaos.
Anne and Bess did exist, although, their records were wiped, anybody involved was forced to sign an NDA, and they were buried under the main Shadaloo site to avoid any civilian discovering them at some point.
And that's about it for now. Thank you for inquiring! I'll be sure to have my notes on me for the ones I didn't mention next time lol.
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Thai Magur Fish belongs to the group of Catfishes. It is a group of diverse ray-finned fish. They are named for their highly prominent barbels, which resemble a cat’s whiskers. They range in various sizes and shapes and display a number of behavioural patterns. Magur Fish belongs to the group of Catfishes. It is a group of diverse ray-finned fish. They are named for their highly prominent barbels, which resemble a cat’s whiskers. They range in various sizes and shapes and display a number of behavioural patterns.
Thai Magur is scientifically known as Clarias gariepinus and is a 3-5-foot-long air-breathing fish that can walk on dry land and thrive in mud due to their artificial respiratory system (ARS). Farming of the Thai Magur species has been prohibited since the year 2000 due to its invasive influence on local fish kinds.
It is omnivores in nature. It is mainly active at the night and mainly fed on fish eggs, insect larvae and plant material. It is mostly found in ponds, rivers and in mud. This fish is mostly found in derelict and swampy waters. Magur is rather hardy fish and can live out of water for quite some time and move short distances. This fish is of great demand due to high market value in India and Bangladesh. Meat of this fish contains high protein and iron content whereas fat content is very low. These fish species can be kept alive for long time in water container without giving any food because these fishes bear special accessory respiratory organ. It is fed on commercial feed or homemade feed which includes mustard oil cake (soaked for 24 hours before use) which is mixed with feed. It can be harvested after 6-8 months if proper care is taken. At rearing time the weight of Magur catfish is 120-140g.
* Desi Magur (Clarias batrachus) is a high-value catfish species that can be cultured in small, shallow ponds or cemented tanks. The ponds should have a slope of 1:2–1:3.
* FeedingFingerlings can be fed two rations of fishmeal-based compound feed that's 30–32% fishmeal. You can also feed them homemade feed that includes mustard oil cake soaked for 24 hours.
* HarvestingWith proper care, Magur catfish can be harvested after 6–8 months.
* HealthDesi Magur is rich in vitamins and minerals, including vitamin B12, vitamin D, and omega-3 fatty acids. Omega-3 fatty acids Protection important for heart health, brain function, and reducing inflammation.
* ProtectionDesi Magur are air breathers that often come to the water's surface to breathe, which can attract birds that may prey on them. To protect the fish from birds, you can cover the ponds with a net.
#fish #fishing #magur #magurfish #bigmagur #catfish #singi #indianmagur #desimagur #thaimagur #fishinglife #aquarium #nature #food #fishtank #catchandrelease #seafood #foodporn #bassfishing #foodie #sea #pesca #fisherman #angler #ocean #outdoors #instafood #photography #fishingislife #aquascape #bigfish #carp #carpfishing #flyfishing
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favorite part or thing abt Orin
See, we've had this ask in our inbox for a long while now. About a few weeks, maybe? And a lot of a people have tried to answer this but alas... they eventually gave up because they couldn't find a simple answer for such a question..
But thankfully, I'm up to the test! Everyone's favorite masochist (and pro yapper,) Arthur Denton!! :)
(There's barely a handful of people who actually like me- but I'm optimistic!!)
Long post!!
So, pushing my infatuation for the man, the myth, the legend, Doctor Orin Scrivello, aside..
I'd say our favorite thing about him has to be how he's so unapologetically violent.
And that's not me projecting! but that's also my favorite part of him, majority vote in the system agrees!! So nobody can be upset with me. (..Again. Sorry!)
There's no real reason as to why's he's like that, he just is! He's been like that since he was a boy, we hear all about it in 'Dentist!', and he's so proud of it. He's a walking narcissist, which is one of the biggest reasons why we attached ourselves to him in the first place, as a body with NPD, because his quick temper was something we were attracted too!! (Both in a romantic and non-romantic sense hah.)
One of our favorite scenes with Orin—well, majority vote, again—is during 'Feed Me (Git It!)' when he and Audrey go back to the shop to pick up her sweater after she had accidently left it behind.
It only became our favorite scene because of a production we watched where Orin was physical to Audrey, more than we expected, and it had us in shock after laughing at how silly it was at first. (As Orin had rode out onto stage with a scooter earlier in the scene.)
Audrey had tripped coming out of the backroom after fetching her sweater, and Orin crossed over the shop to drag her up by her hair before smacking her! It was fantastic acting coming from both actors!! And it spooked a few people because they weren't expecting that.
But there it was, that little moment cemented our favorite scene, and favorite thing, about that devilishly demented demon dentist!!
He really is something, ain't he?
Thank you for your ask, Anon! And I hope you have a wonderful rest of your day!! :)
- Arthur T. Denton
#hopefully this isn't word vomit#its hard to write something out when people keep coming in and out of front to change the music to something they prefer#not that i mind!! it just took me a lot longer to finally answer this!!#answerin asks#lsoh#little shop#little shop of horrors#orin lsoh#orin scrivello#orin scrivello dds#long post!!#Denton Posting!!#- Arthur Denton!!#hihihi!!#if anyone wants a like to the video we watched#I'll happily provide a link!!#forgive me for any misspellings#very blurry in front as you can guess
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