#Danny is a good big brother to her and i believe this to my dying breath | Explore Tumblr Posts and Blogs

kinglazrus · 4 years

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What You’ve Become

Phic phight 2020

Submitted by @kiinotasha: Jazz and Danny swap ages, she is the younger sibling he is the older one. All the other kids have their ages changed accordingly. (Those in Danny’s year would still be in his year)

Summary: Two years after the first ghost appears in Amity Park, Jazz Fenton sees a face she never thought she'd see again.

Word count: 12726

Jazz keeps her head down as she checks out her book. She usually avoid the public library if she can, but there are only so many psychology papers you can read online before you hit a paywall. All the good ones are locked tight on websites made for scholars, not high schoolers. The one downside of devouring ever psych text she can get her hands on for two years running is that, at a certain point, she has to leave the house to do it.

When she started at Casper High just a few months ago, she went to their library. It offered her privacy from all the prying eyes and hushed whispers, since most students didn't like spending time under the librarian's eagle eyes. But the school's selection was rather... lacking, which forced Jazz to seek out other avenues. Namely, the public library. Which shouldn't be so daunting, because she loves books and this building used to be her home away from home.

But that was two years ago. Now, when she goes to the library, it's no longer a safe haven. Now, when she walks through its doors, people see her and stare. That's the problem with Amity Park. It isn't a small town, but it's not a big city either. Everyone knows someone who knows someone else who knows you.

Which means everyone knows poor Jasmine, the last Fenton in Amity Park.

As she passes her library card over to the clerk, she catches their grim, pitying smile and quickly looks away. She fixes her gaze on the counter for the rest of the transaction. The second it's over, she takes her library card and the textbook and flees. She can feel the librarian's stare burning into her back as she leaves the building. It's hard to ignore. Marching across the parking lot, she heads for an old green Volvo, yanking open the passenger door when she reaches it. She throws herself into the seat and slams the door shut.

"Didn't have the book you wanted?" her best friend, Spike, asks from the back of the car. He doesn't look at her, instead focusing on the soles of his platform boots, picking mud out of the grooves.

Jazz slams the book down on the console.

Spike's gaze jumps up at the noise. "Oh," he says, eyes falling on the book. His expression, a default disaffected scowl, doesn't change, but he starts toying with his eyebrow ring, spinning it around. It's a subtle Jazz has become well accustomed to over the past two years.

"Fuck 'em," Spike says. He slouches forward, dropping his hand into his lap, and raises his middle finger in the library's direction.

"That would be an unsanitary and highly inappropriate response," Tucker quips from the driver's seat, fingers tapping on the steering wheel.

Jazz wrinkles her nose. "Please never say anything like that again."

"No promises." He cackles at Jazz's expression. When he looks over his shoulder to start backing out, he catches Spike's deepening scowl, and grins even wider. "Sorry, kid, I got a goth best friend, too. That kind of look doesn't work on me."

"I told you to stop calling me that," Spike says.

Tucker hums, pretending to think deeply, and bares his teeth in a teasing smile. "Nah."

"You know, he had a goth phase," Jazz whispers.

"We don't talk about that!"

Jazz keeps talking about it. She eagerly regales Spike with the time she walked into the bathroom and found Danny painstakingly doing Tucker's eyeliner. She's halfway through Tucker's first disastrous attempt at wearing platform boots when a droning alarm goes off, cutting her off mid-sentence.

Turning away from the back seat, she leans her head against her window and tips her head back, peering up at a white and black siren hanging off a streetlight.

"Aw, man." Tucker sighs and turns his blinker on, pulling over to the side of the road. The car in front of them does the same, along with a truck passing on the other side of the road. None of them can pull all the way over, because of the vehicles parked parallel up and down the street, but there's a sizeable gap right down the middle of the road.

"Think we'll see some action?" Spike asks.

"I bet it's just that box dude or something," Tucker says as he rolls down his window.

Jazz slaps her hands over her ears as the siren gets louder and elbows Tucker's shoulder. "Close the window!" she shouts.

He doesn't have to. A second later, the siren cuts out. All three passengers strain their ears, listening for any sounds of fighting. It's completely silent.

"False alarm?" Jazz suggests.

"The Guys in White don't do false alarms. Could be the box guy," Tucker says. He hoists himself halfway out the window, slapping his arm down on top of the car to keep himself balanced, and waves at the truck across from them.

The driver rolls down the window.

"Hey! My radio's busted, is there any broadcast going out right now?" Tucker calls.

The driver looks down, fiddling with something, then looks back up and shakes his head.

"Thanks!"

"See? False alarm," Jazz says. "Get back in the car."

"Jazz, you are way too young to be sounding like my mother," Tucker says, ignoring her request. He looks up and down the street, head swiveling as he scans the skies. Completely empty. "Okay, maybe you're right."

No sooner have the words left his mouth than a green blur goes shooting past, flying so fast the car rocks. Tucker yelps, losing his grip on the car, and would have toppled out the window if Jazz and Spike hadn't lunged forward to catch him. Tucker chokes as Jazz grabs the back of his shirt, his collar cutting against his windpipe. Spike snags Tucker's belt. Together, they haul the older boy back into the car.

"Okay!" Tucker says, rubbing his throat and coughing a few times. "Not the box dude!"

Pushing his glasses up his nose, he glares out his window to the truck across from them. "'No broadcast' my ass."

"You should just get the Ghost Watch app," Jazz says, already pulling out her phone. She flicks through the apps until she finds one whose icon features a ghost holding binoculars.

"Like hell I'm gonna do that. The government can already spy on my through my phone, I'm gonna make it worse by downloading one of their apps," Tucker sneers.

"If they're already watching, then why does it matter?" Spike asks.

Tucker takes a breath, then pauses. "Huh," he says.

While he struggles to come up with an answer, Jazz opens the Ghost Watch app. Sure enough, as soon as it loads, she's met with a red exclamation point. Tapping the icon, she turns her volume up and holds her phone out.

"–class four entity. Agents have been dispatched to take care of the threat. Phantom protocol is in place. Please remain in your homes or vehicles or you will face criminal charges for interfering with a G.I.W. Operation. Thank you. Attention Amity Park. We are under threat by a class four entity. Agents have been dispatched–"

Jazz mutes the broadcast and raises and eyebrow in Tucker's direction.

"Shut up," he says. "You're the one who thought it was a false alarm."

"You're the one who can't afford to fix his radio," Spike points out.

"Well, maybe, I should start charging you since I'm apparently turning into your chauffeur. I'm sure your moms would be so happy to know your abusing my kind heart."

"Sounds fake."

"Boys, stop it," Jazz snaps. "Let's just wait for this to be over so we can go home, okay?"

Spike and Tucker share a look and nod in unison.

With an annoyed huff, Jazz pulls her new textbook into her lap and cracks it open. She might as well read to pass time, there's no telling how long this will take. Sometimes the G.I.W. have the situation under control in minutes, other times the city's on lockdown for hours. Hopefully, with the Phantom protocol in effect, it'll be a short wait.

Jazz closes her eyes and takes a deep breath. Don't think about it, she tells herself. She doesn’t want to get her hopes up.

"Jazz, if this is about–"

"Let me stop you right there, Tucker," Jazz says. She stares resolutely down at her book, refusing to lift her gaze. "It's not about anything. I just want to go home, okay?"

"Okay," Tucker says. She can tell he doesn't believe her. That's fine, as long as he lets it drop.

—

Danny was dead. Or he was dying. Jazz didn't know which and she didn't know how to help. She was frozen at the bottom of the stairs, every inch of her trembling, too shocked—too scared—to do anything.

Her big brother was slumped in his best friend's arms, skin blistered and bleeding. His right hand was smoking, the sleeve of his jumpsuit burnt away. A strange green substance oozed out of him, staining Tucker's sweater. He was dead. He had to be dead.

"Danny! Danny!" Tucker shouted desperately, slowly lowering Danny to the floor. He leaned over Danny's prone form, hands hovering just above his blistered body. "Shit, shit, Danny, no. Sam, what do we do?"

Jazz's gaze jumped from her brother—her burnt, broken, probably dead brother—to Sam. She had collapsed on her knees a few feet away, pressing a hand to her mouth, eyes wide and horrified. She looked like she was about to throw up, or pass out, or both.

"I–I–" Sam stuttered. It was all she managed before she turned to the side and retched all over the lab floor.

Jazz finally regained control of her limbs then. Seeing Tucker and Sam, who were older and supposed to be smarter, lost and panicking spurred her to move. She rushed across the lab, her socks slipping on the smooth tiles, and almost slid right into Sam.

"Sam, Sam, where's your phone?" Jazz asked. She couldn't believe how steady her voice sounded. Inside, she panicked. Inside, she screamed that her brother was dead, and she was scared, and why weren't their parents home, why was the portal that wasn't supposed to work suddenly on, glowing so brightly it hurt her eyes? Why, why, why?

"Sam!" Jazz shrieked when the older girl didn't respond.

Sam flinched, spitting on the floor and wiping her mouth on her arm, and turned to Jazz. "Jazz," she said. Her dark eyes flickered over to Danny, then back at Jazz, and a fresh wave of horror filled them. "Go upstairs. You should go upstairs."

"Your phone!" Jazz pleaded. She didn't have the patience to wait, instead reaching into Sam's pocket herself and snatching her phone. Jazz backed away and dialled.

"911, what's your emergency?" a smooth voice answered.

"My brother was in an accident. He's hurt, really badly, and I– I don't know if he's breathing," Jazz said.

At her words, Tucker lowered his head to Danny's chest. Everyone held still, afraid to move or even breathe. Jazz could hear the operator saying something, but his words fell on deaf ears as she waited, anxious, for Tucker to say something.

"Fuck," Tucker said. He shot upright, hands hovering over Danny's chest, then pulled back. "Sam! I don't know CPR, do you know CPR?"

Sam scrambled toward Danny, her knees slipping in his blood—why was there so much blood? She shoved Tucker aside and straddled Danny's waist, kneeling over him, and started chest compressions.

Tears welled in Jazz's eyes. She sobbed and turned away.

"Are you alright? Please answer me. I need your location to send an ambulance."

"He, he's not breathing, and his, his heart's not beating," Jazz said. She hiccupped and squeezed her eyes shut, but that didn't help. She could still hear Sam panting heavily as she tried to keep Danny's heart beating. "His friend is doing CPR."

"Okay, that's good. What's your name? How old are you?"

"I'm Jazz Fenton, I'm twelve years old. My brother is Danny, he's sixteen. We're at Fenton Works at the corner of Cordia and Lennex," Jazz recited. It was oddly calming. Nothing more than simple rote memory, but it helped. It would help Danny.

"Fentons."

"Yes?"

The line was silent. Jazz bit her lip, wondering if the operator hung up, which would be incredibly unprofessional and also probably send her into a panic. She was certain the only reason she hadn't fallen to her knees in tears right then was that, as long as she was on the phone, she was helping. She had something to do. She was making sure Danny would be okay because he was going to be okay, he had to be.

A quiet huff caught Jazz's attention. She clung to the phone with both hands, pressing it against her ears, and barely heard the operator mutter, "Of course," on the other side of the line.

Jazz didn't want to be on the phone anymore.

"An ambulance is on the way," the operator said, louder. "Stay calm until then. Is there anyone else home with you? Your parents?"

"No. Thank you, goodbye."

—

"Please stay calm and remain in your vehicle. The threat will be dealt with shortly. Please stay calm and remain in your vehicle. The threat will be dealt with shortly. Please stay calm and–"

"I hate that voice. So. Much," Spike says, glaring at the siren.

Jazz can't blame him. The siren started spewing the city-wide warning almost five minutes ago and hasn't stopped since. There hasn't been another sign of the ghost, or any G.I.W. for that matter. It doesn't exactly mean much, because they could be anywhere in the city, but it makes the so-called safety protocols seem highly unnecessary. Besides, wouldn't they be safer in a building rather than as sitting ducks in the middle of the road?

The guy in the truck must have thought so, because he ditched his vehicle almost a full minute ago and disappeared inside a bar up the street. Jazz thinks he had the right idea, minus the bar part. It's always better to be somewhere you're comfortable during an emergency, even if it only provides slight relief.

"We could just, you know, drive home," Spike suggests.

"Great idea, until we get caught in the middle of a ghost fight," Tucker says. "Then your moms would kill me."

"No. The ghosts would kill you."

"Delightful."

"My moms would obliterate your ghost."

Tucker groans in distress, but Jazz can tell he's seriously considering Spike's suggestion. He keeps lifting his hand off his leg, toward the keys, before letting it fall back to his knee. "Who thought having a ghost infested city would be so damn boring?" he asks.

"You mean you don't enjoy sharing this plane of existence with pale shades of people long dead, forced to stay on this Earth by their own anguish and tumultuous emotions?" Spike asks.

"No. No, I don't."

"I do."

"Of course, you would."

Jazz ignores the boys, flipping to the next page in her textbook. It's a fairly new branch of psychology, focused on ghosts and their mental processes. Its surprisingly thorough. A stamp on the first page marks it as a G.I.W. endorsed text. It makes her wonder how many of the ghosts they catch become study subjects. With how comprehensive the textbook is, they must have been observing ghosts for a long time.

Unbidden thoughts of the Phantom leap to the front of Jazz's mind. Her grip on the textbook tightens, nails digging into the cover.

"Okay, I'm getting out," Spike says, breaking Jazz out of her thoughts.

"No, you aren't," Tucker says.

"Yeah, I am." Spike pulls on his door handle and starts pushing the door open.

"Your arrest record," Tucker says, rolling his eyes. Halfway through the motion, he freezes. "Actually, no, get back in the car."

"Asking nicely won't make me."

"Spike! Get back in the damn car!" Tucker shouts. The alarm in his voice makes Jazz look up from her book. The next second, the street beside them explodes in a shower of concrete.

"Shit!" Spike ducks, narrowly missing being brained by a fist-sized rock. In his panic, he dives to the side rather than back inside the car.

"Seriously!" Tucker shouts. He throws his door open and leaps out, Jazz following suit on her side of the car. She squints, covering her mouth with her arm, trying to keep the dust out. As Tucker goes for Spike, Jazz watches the middle of the road. She sees something moving in the cloud of dust.

The sound of a roaring engine draws Jazz's attention to the corner of the block, just in time to see a bulky armoured truck rip around the corner. On top of the cab, a row of bright green lights flash as the truck tears down the street. It comes to a stop fifty metres from the crater. The cab doors are thrown open by two bald men in white suits. They jump out onto the road, raising sleek white and blue guns that look out of place outside a sci-fi filmset.

One of them, the taller of the two, sees Jazz and calls down the road, "Return to your vehicle or face the charges."

"But my friend!" Jazz calls back. She looks to where Spike had fallen and finds the road empty. Panic shoots through her, until she hears someone clearing their throat and drops her gaze to the sidewalk.

Tucker and Spike are huddled behind the next car down, out of sight of the G.I.W.

"Return to your vehicle, now!" the agent demands again.

Jazz obeys. As soon as she's inside with the door shut, she climbs over the console into the front seat. The cloud of dust in the middle of the street is almost gone now, the silhouette of whoever—or whatever—is inside more defined.

It looks like a regular person, but with sharper angles. A sharp chin, broad shoulders, wide chest. Before the dust can settle complete, the ghost shoots forward, too fast to see, and slams into the G.I.W. truck, the front of cab crumpling in It goes skidding across the road, tires squealing, leaving thick black lines in their wake.

It's still sliding when the ghost zooms back and slams into it again, this time from the side. The sidewall caves and the truck tips onto its side.

"Damn it, the asset!" the shorter agent shouts.

Both men open fire, but every shot misses, the ghost flying too fast for them to catch. The shorter agent curses again and grabs something from inside their suit, tossing it on the ground. The object, a small cube, hits the ground and an antenna pops out of the top. A ping, not unlike a sonar pulse, songs from the cube and a wave of blue energy cascades outwards.

When it hits the ghost's blurred form, the ghost goes flying. Jazz shouts in surprise and ducks as it soars toward her. There's a loud crash, but Tucker's car does little more than shake. Lifting her head, she sees the ghost has hit the car behind her. Her heart leaps into her throat as she searches for Tucker and Spike amongst the wreckage.

It takes her a few seconds to fine them, but they're safe and sounded, hiding in the shadows of a convenience store doorway. The sign on the door says closed, and it must be locked, so they can't slip inside out of danger, but they're hidden at least.

The crumpled car creaks. Jazz's gaze jumps back to it and she gets her first good look at the ghost. It doesn't look like any of the ghost's she's ever glimpsed. Rather than an animalistic, amorphous form, it looks like a large mechanical man. With green fire for a mullet and goatee, apparently.

"Surrender, ghost!" the taller agent yells.

"Release him!" the ghost demands in a deep, layered voice.

The G.I.W. share a look.

"Agent O," the short one says. "Release the asset."

The mechanical ghost grins. But, judging by Agent O's grim but eager expression, the ghost isn't going to like what happens. Agent O holds their wrist out and presses a button on their watch. A heavy clunk reaches Jazz's ears. Everyone's focus snaps to the overturned truck as the back door slides open. A thin blue shield wavers over the open door before snapping away.

Jazz peers into the shadows of the covered truck bed. Slowly, a figure emerges. They float through the open door, body twisting to they don't brush the sides of the van, and hovers in the air.

It's the first time Jazz has ever seen the G.I.W. secret weapon, and the key component of the Phantom protocol: Phantom themselves. They wear a baggy white jumpsuit, the G.I.W. logo emblazoned across their chest in a slightly darker off-white. Not an inch of skin is visible, a mask clamped tightly over their lower face, round goggles covering their eyes, and a loose hood pulled over their head. They hold themselves awkwardly, arms raised in front of their chest, fingers curling toward their face. Thick cuffs bind their forearms together, forcing this strange pose upon them. Similar cuffs bind their ankles.

Their head turns slowly as they scan the street, the lenses of their goggles flaring. One is blue, the other green. They stop when they face Tucker's car.

Jazz's breath hitches. She presses one against the window, her other falling to the door handle. The ghost mimics her, spreading their fingers, although their palms are turned the wrong way.

She's never seen Phantom before. She's never seen their face. But she knows exactly what she would find under that mask. She pops the door open, lowering one foot to the pavement, ignoring the danger of the ghost to her left.

"Phantom!" Agent O snaps. He presses another button his watch. The cuffs on Phantom's legs fall to the found with a thud, cracking the pavement when they hit it. His arms stay bound. Another press, another button, and a collar around Phantom's neck, hidden by their pose, sparks dangerously.

Agent O points to the mechanical ghost. "Go hunt!"

—

Jazz waited out in the hallway, where her parents told her to be. She sat on a hard, plastic chair, tapping her feet on the tiled floor. It must have been freshly buffed, because when she leaned forward, she could see her reflection on the gleaming ceramic. The tiles were marbled white and pink, the colours blending together in milky swirls, and when she stared right at it, it looked like her face was covered in scars.

She lifted a hand and touched her cheek, almost expecting to feel puckered, raised skin where the marbled pink cuts across her pale face. She wondered if Danny would have scars.

"Jazzypants?"

Her head snapped up and she was surprised to see Jack, her father, standing before her. A burly man who took up nearly half the hallway, he didn't exactly have the lightest steps, but she didn't even notice him arrive. He crouched so they were eye to eye, hunching his shoulders to take up as little space as possible, and touched her hand.

"How are you feeling?" he asked.

Jazz glanced to the side, toward the closed double doors with the words "STAFF ONLY" plastered across them in big, bold letters. "I'm fine. Is Danny okay?" she asked.

"He's okay," Jack said. He smiled and squeezed her hand. "The doctors are still working on him, but they said he's gonna be fine."

Jazz didn't match Jack's smile. She tried, but it felt weak and flimsy, and she let it fall away. "Okay," she said quietly.

Jack's smile tightened. "Listen, there's someone here who wants to talk to you."

"Why?"

"Because of what happened. Danny's gonna be okay, but he got really hurt, and that made some people worry. So, they want to talk to you, so they know they don't have to worry."

Jazz frowned. "You don't have to talk like that. I'm not eight. Who are they?"

Jack laughed, but it was soft and humorless. "Right, you've always been so grown up. Are you okay to talk to them?"

"Yeah." Jazz nodded and pushed off her chair, standing up. She barely reached Jack's elbow.

With his hand on her back, Jack guided her out of the waiting room. They turned down a quiet hallway, farther from the hospital's entrance, and headed toward a bench set into an. It was small and private. A woman in a blazer and slacks waited there, sitting with her legs crossed and her hands folded in her lap.

The woman's hair was tied back in a ponytail, smooth against her head, but cascading into a waterfall of dark curls at the nape of her neck. Jazz touched her own hair, red and pin straight. She always wanted curly hair like that, especially after seeing pictures of her mother in college.

Jack cleared his throat as they approached. The woman looked up. She smiled warmly at Jazz, scooting down the bench as if to make room, even though it was a fairly large bench and there was lots of space. Jazz sat down on the very end, as far from the woman as she could get.

"Thank you, Mr. Fenton. I know you may want to stay, but this needs to be a private conversation, so I know you aren't influencing anything she says," the woman said.

"Right," Jack said. He gave Jazz one last pat, then turned and lumbered down the hallway.

"Hello, Jasmine," the woman said, drawing Jazz's attention back. "I'm Jamila Faizan. You can call my Jamila. I'm a social worker. Do you know what that is?"

Jazz nodded, eyeing the woman warily. She had nothing against social workers, but she heard people threaten her parents with them before. It made her uncomfortable.

"I just want to ask you a few questions about what life is like at home, okay?" Jamila asked.

"It's fine."

Jamila smiled. "Of course. It might seem that way, but your brother got really hurt in your parent's lab, and I need to make sure something like that doesn’t happen again. I just want to make sure you're safe at home."

Jazz bit her lip. She knew her home life wasn't exactly normal. How many twelve-year-olds had a lab in their basement? But they had good parents, and this was the first time anything like this had ever happened.

"How often do you go into your parents' lab?" Jamila asked.

"Not a lot. I don't like it down there that much, it's really cold."

"Do you parents ever bring you down there?"

"Sometimes, if they want to show us something interesting."

"Okay. Are you allowed down there any time?"

Jazz shifted in her seat, tucking her hands between her knees to keep from fidgeting. "Mom or dad has to be with us if we go down there," she said. She quickly added, "But I don't want to go down there, anyway, unless they want to show us something. So it's okay."

Jamila hummed. "How are you at school?"

"Good. I get all A's," Jazz said, a little thrown by the topic change.

"And your brother?"

"He doesn't really like school. I don't think it's a good learning environment for him, so he doesn't really get good grades."

"And you're happy?"

"Yes." Jazz narrowed her eyes at Jamila. "Are you trying to take us away?"

"I'm only trying to make sure you're safe, healthy, and happy," Jamila said.

"I will be once I know my brother's okay."

"I've been told he's going to pull through just fine," Jamila said, giving Jazz a placating smile.

"Then, then I don't see what the problem is. He's okay, I'm okay. It was just an accident. So, I'm going back to my parents, where I will be safe, healthy, and happy, okay? Okay." Jazz got up and walked away before Jamila could say anything else. It wasn't like the social worker could stop her.

—

The asphalt beneath Phantom cracks as they shoot through the air toward the ghost.

"Phantom, wait!" the ghost protests, holding up his hands. He jumps into the air, arcing over Phantom. A gun pops out of his shoulder and fires a green net. The net snaps out, heading right for Phantom.

Jazz doesn't even know how to begin describing what Phantom's body does to dodge the net. Only their arms and head stay solid, the rest of their body twisting, and morphing, and stretching so the next passes harmlessly through them. Their torso and legs snap back into existence as if they hadn't just melted into an amorphous cloud and Phantom continues unhindered. They slam into the mechanical ghost, wrapping one leg around the ghost's arm, the other around their neck.

Electricity crackles up Phantom's spine and shocks the ghost, making the whole suit go slack. Phantom drives the ghost into the ground, crouching over him. A low moan builds in their throat.

Jazz automatically covers her ears. She may have never seen Phantom in action before, but she's definitely heard their signature attack. And had to deal with the damage it leaves behind.

Just before the wail reaches its glass-shattering, tree-tearing, foundation-shaking crescendo, the mechanical ghost shouts, "Sorry!" and launches a mini-rocket out of his arm. It hits Phantom and explodes, blasting them straight across the street.

Jazz winces when they collide with the sidewalk, a sharp crack echoing down the street.

"Stop fighting!" The mechanical ghost holds up their hands as Phantom peels themselves off the crumbled sidewalk. "It's me, Skulker!"

Phantom answers by smacking something on the side of their mask. Green fumes start pouring out the front. Reaching up, their fingers curl around their collar, yanking it down as far as it'll go, and they thrust their head forward. Ectoplasm spews from the mast. It roars outward, a mesmerizing mix of gas and flames that seeps into the air.

As Phantom leaps forward, the ectoplasm pours over a nearby mailbox. The ectoplasm turns liquid the second it touches the mailbox, coating it in a thick slime, melting through the metal. Watching the metal bubble and ooze, Jazz swallows nervously.

She's reminded quite suddenly that Phantom is a tool for the G.I.W. The supreme weapon. The thing they throw at every passing threat. Thinking back to her textbook, she wonders how much of that information was garnered from Phantom. They would certainly make an impressive specimen, not that Jazz wants to think of them like that. But it's undeniable.

The way they move is otherworldly.

Every time Skulker dodges, Phantom's head snaps toward him, lightning fast, as ectoplasm spits from their mask. They mutate their body into grotesque shapes at a moment's notice, deforming and contorting as needed. It's hard to watch them. Not just because of the brutal display, with Skulker's protests falling on deaf ears, but because their body can't seem to settle. It's constantly moving, blurring, flickering. The only time they look completely solid is when their whole body crackles and electricity arcs off them.

Phantom's ectoplasm spews over Skulker's arm. Skulker yelps, forced to flee, and tries to shake off both the acidic sludge and his feral tail.

And Phantom really is feral. They follow, relentless, remorseless, moving like a wild animal prowling after its prey. Every attack is a pounce, a noxious cloud of ectoplasm following their every move. It's both mesmerizing and horrifying. The only word Jazz can use to properly describe them is monster.

—

Two hours after speaking with Jamila, Danny was out of surgery. Jazz was on her own when a nurse came over to deliver the news. Her parents were off with the social worker, had been for some time. The nurse was hesitant to give Jazz the news on her own, but she bullied the man with tear-filled eyes until he caved in.

Danny's surgery was a success. They fixed the rupture in his hear, stopped the bleeding, and now he was sleeping. He would be for a while because his body needed to heal, but once he woke up, he would be good as new.

The nurse waited with Jazz for her parents to return. When they came walking down the hallway, accompanied by Jamila, Jazz hopped out of her seat and ran forward to give them the good news. She faltered when she saw her parents' expressions.

Her mother's eyes were red from crying. Seeing that unsettled Jazz. She had never seen her mother cry before, and even if she didn't actually witness it now, knowing it happened threw her off balance. She knew parents cried too. They were regular people with all kinds of emotions; but, still, they weren't supposed to cry.

Jazz stopped at arm's length, watching them warily.

"Oh, sweetie." Maddie reached down and hugged Jazz.

"Mom, what's going on?"

"You're going to be staying with someone else for a little bit," she said.

Jazz pulled away. "Mom?"

"I'm sorry," Jamila interrupted, placing a hand on Jazz's shoulder. Jazz wanted to throw it off. "Maddie," Jamila continued.

"Please, call me Dr. Fenton," Jazz's mother said, a bitter smile cutting across her face.

"Dr. Fenton," Jamila amended coolly. "May I?"

Jazz felt helpless as Maddie stepped away, instantly missing her comforting presence. Jamila took her place, crouching down to Jazz's level.

"I really am sorry, but I can't let you return to Fenton Works until I know you'll really be safe there. I want you to go home with your parents, I really do, but I want to keep you out of danger more."

"I'm not in danger," Jazz insisted.

"Tonight's events prove otherwise. I was contacted by both the hospital and the dispatch operator you spoke to. It's only temporary. Until I'm sure your parents can take proper care of you. I've made arrangements with a foster home for now."

"Do you really have to do this?" Maddie asked.

"Mom," Jazz said. She reached out, searching for Maddie's hand, squeezing it until Maddie looked at her. "I'll be okay. It's just for now, right? You guys can set everything straight and then we can all go home together with Danny

"Oh, sweetie." Maddie pulled Jazz into another firm hug. "It's not right."

"But it's okay, isn't it? Ms. Faizan can do her work, and she'll see that, and everything will be fine by the time Danny wakes up." Jazz motioned for her father, who quickly joined the hug. It was tight, and warm, and Jazz never wanted to let go, but she had to after a few seconds.

Danny always went on and on about how grown up Jazz was, how she acted so much like an adult even though she was four years younger than him. If she was as mature as Danny always said, then she could do this. She could be grown up right now and be okay with all of this.

She could go with Jamila now, and later, she could go home with Danny.

—

The fight is taking too long. Despite dealing with ghosts for two years now, Jazz has never seen a real fight. If it's someone minor, a single agent is all it takes to swoop in and clean things up before anything bad happens. Mildly destructive ghosts require a few agents, who sometimes block off whole sections of the city, pushing citizens back until the problem is dealt with. Usually, this takes no more than half an hour, although the aftermath of the fight affects the city for days.

But when they send in Phantom, the fight ends before it really begins. Swift, effective, and destructive. Bringing in Phantom means bringing in the big guns.

But they're not so swift today. The minutes drag on, the ghosts caught in a stalemate. It takes Jazz far too long to notice the problem: Phantom is distracted. They keep pulling back at the last moment, holding off from delivering the finishing blow. She doesn't think it's to spare the ghost they're fighting. It's the result, but it's not the reason. Each attack aims to kill, up until the moment it doesn't.

Because Phantom's head keeps swivelling. Toward her. As soon as Jazz realizes this, she scrambles out of the car, ignoring the agents shouting at her to get back inside, and runs over to Tucker and Spike.

"What are you doing?" Tucker asks. His head jerks up and down as he looks between Jazz and the G.I.W. agents. He waves his arms emphatically at the short agent. "He's coming this way now!"

"I don't care. Tucker!" Jazz grabs Tucker by the front of his shirt and pulls him down. She shoves his head forward and points at Phantom. "Do you see it?"

Tucker's face twists in confusion, wrinkling his nose and furrowing his brow. "They're... looking at us.

"Yeah."

Phantom snarls, finally managing to get a hold on Skulker, and rips his arm out of the socket, tearing into the limb like a rabid animal. There's only wires inside, thank god.

Tucker pales. "I don't know about you, but... I don't think I want its attention."

"Tucker! He's not an it!" Jazz protests.

"Phantom is a ghost, Jazz. I'm sorry, I don't get what you're trying to say here," Tucker says.

"Don't you remember what I told you? What happened after you left?"

Tucker stares at her. A few seconds later, realization dawns on his face. "Yeah. Yeah! I do! Do you think–"

"Yeah."

"Shit."

"I know. "

"Jazz, if it is, I don't think..." Tucker trails off. He gives Jazz a pointed look as Phantom screeches and dissolves into a black cloud, reforming behind Skulker. They swing their arms down on Skulker's head, smashing him into the ground.

"What the hell are you guys talking about?" Spike asks. "All I see is a pissed off government goon heading our way."

"Phantom," Tucker and Jazz chorus. Jazz adds, "They keep looking over here."

She can't help the hope that swells in her chest. Two years. Two whole years since the ghosts came, since the G.I.W. took over, since it happened. Two years of stares and whispers behind her back.

Look at that girl, isn't it a shame what happened?

I heard they tried to shoot her too.

I bet he ran away because he couldn't stand to see her.

"So?"

"The hospital," Jazz stresses.

"Oh. Oh!" Spike glances at Jazz from the corner of his eye. "That's good, right? It means they're, you know?"

"He... if they are... if it is." Jazz fumbles over her words, but Tucker seems to understand. He gives her shoulder a reassuring pat.

He didn't run away, Jazz thinks. He didn't mean to leave her. She leans into Tucker, torn between crying out of grief or relief.

Spike taps Jazz's other shoulder. "Hey, this is super gross and touching and all, but we're fucked," he said with a jerk of his chin, motioning to the approaching agent.

—

The Miller family was nice enough. Max and Hannah treated her well. They had fostered their son, Spike, before adopting him when he was six. Jazz only saw him once her first day in the apartment, and he immediately reminded her of Sam, with his black clothes and dark makeup, but a little more punk thanks to his mohawk.

He left Jazz alone for the most part, which she was more thankful for than anything.

Max and Hannah told Jazz they would do their best for her, and that they hoped Danny would be okay, and they would give her whatever she needed to make it through this tough time. The way they talked annoyed Jazz a little. They weren't patronizing, but they acted like they knew exactly what she needed when they didn’t.

They thought she needed a soft bed, a good meal, and a comforting smile, but she really just needed her brother.

The first day at the Millers, Jazz occupied herself with her memoirs. She had been working on them the day of the accident, until the power cut out and Danny's scream filled the house, so loud it made her ears ache. She put in her headphones to drown out the residual scream in her head and got down to work.

Before... it happened, she had been writing down her significant childhood memories. The earliest ones weren't full memories, more like snatches of moments. Danny's soft hand in hers. A small hand rubbing her back after a nightmare. The glow of her star nightlight, which originally belonged to Danny, but he passed it on to her when he learned it made her sleep through the night better. She only learned this fact a few months ago, but it warmed her heart nonetheless.

The memories got stronger after that. Her first time seeing Santa, she was four, Danny was eight, and he took her across town on his own to the mall. Danny teaching her to ride a bike, because their parents were too busy in the lab. Danny making cupcakes for her birthday, because their parents were away at a convention. Danny helping her with her homework, even though he wasn't very good at it, but he still tried his best.

Jazz's pen paused. All her best memories had Danny in them. It wasn't that she had no good memories with her parents, but the more she thought about it, the more she realized they weren't really there as much as they thought they were.

"It's fine," she told herself. She pressed her pen into the page, intending to keep writing, but she couldn't stop thinking.

How many kids learned to cook at eight years old because their parents sometimes forgot to feed them? How many kids were more of a parent to their little sister than their actual parents? How many kids lived above a lab full of dangerous chemicals and volatile weaponry, and were told to clean said lab as part of their chores?

Jazz could think of at least one: Danny. Would things be the other way if she were older? Would she take Danny out on Christmas day so they didn't have to hear their parents fighting about a fat man in a red suit? Would she have been forced to grow up too fast?

She didn't want Danny to be her dad. She wanted her father to be her dad.

"Jazz?"

She jumped, hand shooting across the page, pen ripping the paper in half, tearing through her carefully penned memories and the photocopied photograph taped in the corner.

"Oh, shit, sorry. Was that important?" Spike asked. He held one of the house phones, pressing against his chest.

"Language," Jazz said softly, staring forlornly at the ruined page. The pages beneath were ruined, too, a heavy black line cutting across the first few.

"Weirdo," Spike said. "Anyway, Mom—that's Hannah—wanted me to tell you that social worker is coming on Friday so you can visit your brother."

Muffled noise comes from the phone, and Spike raises to his ear. He listened a moment, nodded, then lowered it again. "And she's sorry they can't take you sooner, but they work during visitor hours, and they don't want you walking through the city on your own," he recited.

"Why not?" Jazz asked.

Spike looked at her funny, cocking his head. "Because it isn't safe."

"Oh." Jazz would be perfectly fine with going on her own. She needed to see Danny with her own eyes, to make sure he was okay. The nurse said he was, but she had to see it for herself. She had to be certain.

Her second day with the Millers, she couldn't bring herself to work on her memoirs again, so she occupied herself with the collection of books in their office. A lot of it was literature, some classic, some poetry, some plays. Jazz gravitated toward the single shelf of textbooks, particularly the psychology. She didn't know much about the field, but something about understanding brains and how they worked fascinated her.

She stayed holed up in the office all day.

Her third day with the Millers was Friday. She waited for Jamila to pick her up and take her to the hospital. Jamila never showed up.

Her fourth day, she learned about the monster that attacked the mall, sending everyone into a panic. It glowed and couldn't be hurt by anything anyone threw at them, until Maddie and Jack showed up with the volatile weapons they made Danny clean and put the monster—ghost—down. All Jazz cared about was why no one was with Danny in case he woke up.

Her fifth day, Jazz thought, and thought, and didn't stop thinking until she couldn't stop thinking about why her parents didn't seem to care as much as they were supposed to.

On the sixth day, Jamila said she could finally see Danny tomorrow. For the first time in a week, it felt like everything would be alright.

—

Spike panics. Jazz knows he panics because he grabs her wrist and makes a break for it before the agent even reaches them.

"Spike!" Jazz stumbles, almost tripping, and tries to resist. Glancing over her shoulder, she sees the agent giving chase. Until Tucker surges after him and tackles his legs. They both go down.

Spike yanks on her arm, forcing Jazz to run faster, and drags her around the corner of the block.

"What was that?" Jazz asks. She grabs her hair. "Tucker's going to get arrested!"

"So were we! You heard what the emergency broadcast said. You know how many laws we're breaking being 'out of our vehicle?'" Spike shouts back. "All of them!"

"They aren't real laws!" And they aren't. They're a guideline of what to do in ghostly emergencies, and the G.I.W. treat every ghost like an emergency. Although, considering the destruction they had just run from, this was a real emergency.

"Funny, doesn't stop them from arresting people!"

Jazz rips her hand out of Spike's grip. "I can't leave them behind!"

Spike stops and turns. His scowl is softer, and he bites his lip, looking at Jazz with worry.

She glares back at him, refusing to move. "I can't."

"This isn't about Tucker, is it?" he asks. He doesn't need Jazz to answer. She doesn't need to give him one. He sighs, pressing a hand to his cheek, one finger spinning his eyebrow ring. After a long moment, he says, "Fine."

Jazz feels a wave of relief that has her grinning.

"Don't expect me to tackle a government agent for you, though. That's all Foley."

They turn back around, sprinting down the street. Overhead, Phantom and Skulker are still battling it out. Skulker's lagging, the plating of his suit warped and melted. The missing arm definitely doesn't help. But Phantom's not looking so good either. A few lucky shots from Skulker's plethora of hidden guns had left them burnt and bleeding.

Can it really be called bleeding? Ectoplasm, rather than blood, seeps out of Phantom's wounds, indistinguishable from the substance dripping from his mask. A wound on their torso slows them down the most, a large scorch mark stretching from the bottom of their ribcage, across their stomach, to their hip on the other side of their body.

Every time it looks like they're about to slow down, the collar on their neck sparks. Phantom hisses in pain each time and dives back into the hunt with renewed vigour.

Jazz forces herself to look away when Spike grabs her shoulder and pushes her behind the same crumpled car Skulker destroyed earlier. Pressing a finger to his lips, he motions her forward, and together they peer around the bumper and look down the street.

The agent has Tucker pinned on a nearby car. Straining her ears, Jazz can just barely hear what he's saying over the grunts and snarls of the fighting ghosts. "You're under arrest for assaulting a G.I.W. agent and interfering with a government operation."

"Come on, Mr. K, that's not cool," Tucker says.

"Agent K. And neither was assaulting me. G.I.W. operations are a matter of national security."

"It's a green blob in a metal suit, fucking chill!"

Agent K pulls out a pair of cuffs and slaps them on Tucker's wrists, keeping him pinned with a hand on his back. Agent K's focus drifts up toward the fight and scowls. Seeing his hesitance, Jazz realizes Agent K isn't going to move Tucker until the fight is done. Too much debris is flying everywhere and it's safer behind the cars than anywhere else. Agent O seems to have found cover, too, behind the overturned truck. He stands there with his gun lowered, hand poised over his watch.

Jazz looks back to Tucker. Neither he nor Agent K has noticed her and Spike yet. "Okay," she says. "I know what to do."

"No," Spike says.

"I haven't said anything yet."

"No. We're not tackling a G.I.W. agent."

Jazz gives him a pleading look, with wide eyes and a small pout.

"No, we're not tackling him!"

Jazz doesn't give him much of a choice. She charges, dashing out from behind the car.

"Son of a biiitch!" Spike shouts, sprinting past her. Agent K hears Spike and turns to face him, but none of his government training could prepare him for the pure shock value of a sickly looking punk goth kid charging at him at full speed. Spike barrels into the agent's chest, throwing him off Tucker and down to the sidewalk.

Jazz is about to throw herself on top of the pile when a loud crash and a panicked cry stops her.

"No, Phantom, no! It's me! Remember? Stop!"

She jerks back at the sound of Skulker's steadily rising voice and peeks over the car Tucker had been pinned against. Skulker lies on the ground in the middle of the road, Phantom hovering far above him. But something's off. Specifically, Skulker's head. It lies a foot away from his body, the eyes dull and expression completely blank.

"Please!"

Jazz's gaze snaps up to Phantom. In his hands, he holds something small and green, and Tucker's words come floating back to her: a blob in a metal suit. Phantom holds Skulker's real form inches from their face, clutched tightly in their hands.

"No!" Jazz cries, jumping out into the street. Everyone freezes, their heads swivelling toward her, and she falters.

"Jazz, what are you doing?" Tucker hisses.

She doesn't know. Phantom is a dangerous, powerful ghost. There's nothing she can actually do to make him stop. There's no real reason she should even try to stop him. In Amity Park, ghosts are like rabid wild animals. They come in, destroy stuff, and then they get put down. Jazz has never met someone who felt sorry for the ghosts.

But she had also never really met a ghost before. And she had never heard one scream and beg for its life as it tries to help the very thing that is going to kill it. She can't watch that. She can't just stand here and witness Phantom squeezing the life—the afterlife—out of this little ghost that says he wants to help.

Whoever this Skulker is, she can't let that happen.

Whoever Jazz suspects Phantom might be, she can't let them do it.

She can't tell if Phantom is looking at her, but she thinks they are. Even as Skulker wriggles and squirms, popping out of their grip, Phantom stays focused on her. A small smile touches Jazz's lips. In the corner of her eye, Skulker flies down to his suit, free to escape.

Jazz takes a step forward. A burly arm loops around her waist and hoists her off her feet, dragging her back.

"Hey! Stop!" Jazz squirms, feet kicking in the air, and throws her head back. She hits Agent K's chin, but he doesn't falter.

"Hey, calm down! It's not safe out here!" Agent K says, his arm tightening around her midsection.

Jazz gasps. "Let me go! You're hurting me!"

Agent K's hold immediately loosens. "Sorry. But what's with you kids, tackling people trying to help you?"

"Wait, what?" Jazz asks, confused.

Suddenly, white fills her vision. Jazz feels a burning, crackling heat, then she's falling, and Agent K her screams. She rolls on the ground, pushing herself up on her hands and knees, and looks over her shoulder.

Phantom has Agent K pinned against a convenience store window, arms pressed against his throat. Their body blurs as they move, leaning in closer. The glass cracks. With a great heave, the window shatters. Phantom sends Agent K flying through the store, flipping over rows of shelves. He crashes into a row of coolers at the back and falls to the floor.

Phantom spins around and faces Jazz. Up close, they look even more feral, ectoplasm dripping like saliva through a series of jagged slots in their mask. The lenses of their goggles are cracked, but the eyes behind them glow so brightly it hurts to look right at them.

Phantom's collar sizzles and they cry out as the shock courses through them. Turning away from Jazz, they lock onto Agent O and howls. Jazz blinks and Phantom is all the way cross the street, roaring in Agent O's face, immersing him in a haze of ectoplasm.

Agent O drops to the ground, clutching their throat.

"No," Jazz whispers, horrified.

Phantom turns back to her. They stumble forward. Jazz takes a step back. As if that's some signal, Phantom lunges toward her. Jazz screams and drops to the ground, crawling toward the sidewalk.

"Phantom, stand down!" Agent K shouts as he clambers out of the broken shop window His demand is met with a roar of ectoplasm that soars right over Jazz. She screams again, folding her arms over her head, but can't do anything against the blistering heat.

Jazz crawls faster, scrambling to her feet as soon as she's able. She heads for Tucker and Spike, both of them wearing cuffs now, but Phantom cuts in front of her. Backpedalling fast, her arms flail as she pivots and runs the other way.

A hazy mist surrounds Jazz and she shudders, a tingling chill passing through her. Phantom reforms in front of her, too close for her for her to stop in time. A green blast soaring over her shoulder saves her. It bursts against Phantom's chest and throws them back.

"Run!" Agent K shouts, training his gun oh Phantom.

Jazz doesn't question she order. She doesn't wait for Phantom to get back. She already knows they will. No matter what Agent K does, Phantom will come after her. She's their prey now.

—

Everything was not alright.

Monday night, Spike once again passed along the message that Jazz would be seeing her brother the next day, a full week after she'd seen him last. This time, Jamila actually showed up, apologizing for Wednesday, citing the chaos at the mall and the havoc it wreaked throughout the city in general. She brought with her the good news that Danny was awake, had been since Friday.

"I'm sorry no one informed you sooner. There were some complications at the hospital," Jamila had said.

Those foreboding words quelled Jazz's excitement but couldn't snuff it out completely. She would finally get to see for herself that Danny was fine. But when she got to the hospital, the nurse said she wasn't allowed to see him.

"Why not?" she asked.

"He's in for tests right now," the nurse said. She turned to Jamila and continued, as if Jazz wasn't there. "We contacted an expert. Apparently, this is something the government's dealt with before. I don't really understand it, but his parents will be seeing him soon, and Jasmine can see him after that."

That was how Jazz ended up in the waiting room, on her own, again. Jamila had gone off to find her parents and speak to them about Danny's situation, whatever that was. Everyone was treating her like she didn't need to know anything, but she was twelve! She was mature, and smart, and she could handle whatever they were keeping from her.

"It's not fair," she muttered.

"Damn right. Although I have no idea what you're actually talking about."

Jazz looked up and saw Tucker claiming the chair next to her. There was no blood on him, and for one wild moment, Jazz realized she expected to see some. It was the first time she'd seen him since the accident, and for some reason, she pictured him frozen in that moment back at the lab, clothes stained red and green.

"Uh, you good?" Tucker asked.

Jazz stared a moment longer, taking in his pale face. "Are you?"

"Ha, you caught me. I don't really like hospitals," Tucker said. He glanced around the room warily and slumped in his chair. "But I heard they were letting you see him today, so I thought. I don't know. Maybe I could sneak in."

"Who told you?"

"Spike."

Jazz blinked in surprise.

"His moms used to babysit me, and my mom watched Spike to return the favour sometimes. When I heard you were with the Millers, I kind of asked him to keep an eye on you for me," Tucker said, smiling sheepishly. "Got to make sure you're alright for Danny."

"Thanks, I guess," Jazz said. She peered closer at Tucker. More than pale, he looked tired, like he hadn't been sleeping, and it made her wonder. "What... what happened? In the lab."

Tucker shoved his hands in his pockets and looked away. "It doesn't really matter."

"I think it does."

"What difference will it make?"

"Because then I'll know."

"That won't—"

"Tucker, please." Jazz wasn't mad. She didn't cry. She didn't beg. She just looked at Tucker, feeling helpless and lost.

"Sam thought it'd be cool to go inside," Tucker muttered.

"Oh." Danny would do anything Sam asked, whether she meant him to or not. Everyone knew it.

"Yeah," Tucker said.

"She hasn't come to see him, has she?"

"She feels guilty."

Jazz didn't know how to respond to that. A small part of her was mad at Sam, but at the same time Jazz knew it wasn't completely her fault.

Silence fell between her and Tucker as she sank into her thoughts. Jazz didn't know how it was with other siblings, but Danny's best friend had always been such a staple in her life that she didn't mind being alone with him. He was almost like a second big brother, although Danny would be the undisputed best.

Tucker stayed with her until Jamila returned. She wore a wary smile and gave Tucker a questioning glance.

"I'm Danny's friend," Tucker said, answering her unasked question.

"I see. I'm sorry, but I've been told only family can see him at this time. His should be seeing him now," Jamila said.

"You're not family."

"Due to the nature of the situation, I am his medical proxy."

It was amazing how Jamila could sum everything up without actually explaining anything useful. Jazz wanted to snap at her, but she held back. After all the thinking she had done about her parents, she was no longer certain how she felt about Jamila. Maybe the woman really did want to help.

"It's fine, Tucker. You can just get Spike to tell you all about my visit," Jazz said.

"Oh, that's cold," Tucker said. He pushed himself up and stretched his arms above his head, then let them flop back down at his sides. "I guess I can leave Danny in your capable hands. Give him hell for scaring us like that."

"That's the plan."

Jazz waited until Tucker was gone before turning to Jamila and motioning for her to lead the way. Soon, all her fretting would be over. She could confirm with her own eyes that Danny wasn't still bleeding out on the floor, and maybe even get one of his comforting smiles. Maybe he would even come with her to stay at the Millers until everything got sorted out with their parents. If it got sorted out.

Before they rounded the corner into Danny's hallway, Jamila took Jazz aside and spoke to her softly.

"Something happened on Friday that the doctors can't really explain," she started. "Your brother appears healthy, but he's... different. And I just want to prepare you for that."

Determined, Jazz nodded.

Jamila looked relieved, her wide brown eyes softening, and she smiled. "Okay. Let's go see your brother."

They turned the corner. Nothing happened. Which made sense, because it was just a hallway, and the door to Danny's room was further down. But Jazz was so tense that the brightly lit hospital hallway felt out of place. A long, foreboding corridor would have been more appropriate.

Hospital staff bustled about. A couple patients were stretching their legs. Some visitors had claimed benches that were interspersed along the hall, none of them too interesting. A woman in a pretty blue dress, a man in a white suit, two teenagers with watery eyes and red noses. Jazz wondered who they were all here for.

They were halfway down the hall when a door burst open and a nurse stuck his head out.

"Security!" he shouted.

"That's not my son!"

Jamila's arm curled around Jazz's shoulders, stopping her in her tracks. The way Jamila's hold on her tightened when a security guard went rushing by told her exactly who's room that was. Her fears were confirmed when Maddie and Jack backed out of the open door, herded toward the security guard by the nurse. Danny's door closed behind them.

Jazz twisted, breaking free of Jamila's grip, and ran toward her parents.

"Mom, what's going on? What's wrong?" she asked.

Maddie turned to Jazz and her face fell, tears welling in her eyes. She was barely holding it together "Oh, honey. Danny's... Danny's gone, sweetie."

"No." That wasn't right. Jamila just said Danny was fine. What could have happened in that short time? She refused to believe it.

"No!" she repeated, louder.

Maddie reached out to her. Jazz ducked under her arm, skipping out of reach. She glanced at Jamila, the nurse, the guard, checking to see if any of them would stop her. None of them moved.

"Stop, Jazz!" Jack shouted, taking a step forward.

The security guard stopped him, getting in Jack's way and holding out his arms. "Sir, I will remove you form the building," the guard said.

"Jasmine, do not go in there," Maddie said in a scolding, motherly tone

Jazz went in. She whipped the door open, spinning around and slamming it shut. There was no lock. A quick peek through the window confirmed the guard was still holding her parents back. Satisfied they weren’t going to barge in and drag her out of there, Jazz turned.

She froze. The person sitting on the bed had a familiar head of messy hair, but it faded to white half-way through. His eyes swirled blue and green, the colours constantly shifting, pushing against each other, battling for dominance. When he raised his hand and waved, his arm blurred, trailed by an afterimage.

Bandages crawl up his right arm, wrapping stiffly around his fingers, and winding all the way up to his shoulder, stopping just before the sleeve of his blue gown. She's only seen it once, but Jazz knows there's a gauze patch on his shoulder under that sleeve. A matching patch is plastered against his neck. Thin, spidery blisters creep along his jaw, but don't go much further than that.

His face is sallow, cheeks sunken, eyes looking bruised. The blood is gone. The green goo is gone.

"Jazz!" There was a slight echo to his voice. He beamed. "About time you got here. I was starting to think you didn't care."

There was no mistaking that smile or that teasing voice. Jazz ran forward and threw her arms around his waist, burying her head against his chest.

"Danny!" Jazz cried out, already tearing up. Because it was Danny. He looked different, and he felt different—cold—but it was him.

"You are not gonna believe what's on the other side of that portal, took a lot of work to get back here–"

"Get back?"

"–but here I am!" Danny threw up his arms, grinning even wider.

Jazz noticed his teeth looked a little sharper. "What happened?" she asked.

"Oh, man, you're not gonna believe it. So, the portal turns on, right? And then everything just goes all." Danny waved his hands around. "Hold on, wait, I had it before. Everything just goes all," he snapped his fingers and electricity crackled down his arm, "like that!"

Jazz jumped away from him, staring at his arm as the electricity fizzled out.

Danny's smile slipped. "Oh. You're scared too, aren't you? Mom and Dad... they didn't take it well either."

Jazz opened her mouth to respond, but before she could, the door banged open. Startled, she whipped around and backed up until her hip bumped the side of Danny's bed. Maddie stood in the doorway, holding a silver and green gun. An ectogun, Jazz recalled. Her parents made them to fight ghosts, if they ever saw one.

"Jazz, get away from it!" Maddie said. It didn't take a genius to connect the dots.

"Mom," Jazz said.

"That's not Danny!"

"That's kind of rude," Danny muttered.

"Mom, what are you doing!" Jazz slid in front of Danny, holding out her arms the same way the security guard had.

The barrel of Maddie's gun dipped as she watched Jazz, disbelief written across her face. It looked like she was going to stop. To Jazz, it looked like Maddie was about to reconsider. Until Jazz felt Danny's hand on her shoulder. Maddie's disbelief was drowned out by a furious snarl fueled by grief and rage.

Everything happened so fast.

Danny shoved Jazz out of the way just before the bang. She tripped into a chair by his bed, smacking her head on the armrest. The world went fuzzy for a moment. There wa a shout, and a thump, and her mother started wearing. A stampede of feet come running.

When Jazz's vision cleared, she saw Maddie on the ground, pinned by the same security guard from before, reaching for her gun. No less than three new guards had Jack pinned out in the hallway. The nurse was speaking frantically into a phone. The man in the white suit tapped the nurse's shoulder, holding out his hand for the phone, jerking his chin toward the room. The nurse relinquished the phone without protest.

Jazz crawled backward, away from the chaos, and almost fell when her hand slipped on something warm and wet. Looking over her shoulder, she saw Danny on the floor, bleeding.

—

Jazz has been afraid many times in her life. When she was little, walking through the house in the dark. When she sat in the backseat of the RV while her father had the wheel. When she sat in the hospital, alone waiting to hear if Danny was alive or dead. When she realized he was gone from her life forever.

None of that compares to how she feels now. Her heart beats against her ribs, moments from bursting out of her chest. Her lungs burn and her throat feels tight and she struggles to breathe. Her senses narrow until all she can see is what's in front of her, all she can hear is Phantom inches behind her, all she can feel is the icy heat they give off, so cold it burns.

Jazz makes the mistake of looking back to check how close Phantom is. Practically nose to nose, the green and blue lenses of his goggles are all she sees. She shrieks and stumbles. Phantom reaches out to catch her, latching on to her hair, yanking her head back. She cries out again, tears springing to her eyes.

Phantom jerks away from her, releasing her hair, and raises their hands to their face. They start moaning. Jazz takes off, the ominous wail building behind her. Clapping her hands over her ears, she tries to shut it out. The distraught cry grows louder and louder until the ground shakes, and windows rattle, and a wave of green energy blasts Jazz off her feet.

She soars through the air, screaming, arms wrapping around her head. She hits the ground hard and curls into a ball. Phantoms wail tears into her, a painfully familiar cry of pain amplified a hundred times over, fueled by the power of ectoplasm.

Her ears ring long after it ends, so loud that she doesn’t even realize Phantom's stopped until she notices the ground isn't shaking anymore. She rolls onto her back and lifts her head. Phantom stumbles toward her, clutching their still-bleeding wounds. Gas pours from their mask, ectoplasm erupting from the slits every time they breathe.

Fear keeps her pinned. The only thing Jazz can do is weep, her heart slowly cracking as Phantom edges closer, vicious and unrelenting, not a single shred of humanity with them.

"Please stop!" Jazz wails. "This isn't you! Just stop. See me! Stop being so stupid!"

Phantom's breath rattles as they loom over her.

Jazz screams, "Danny!"

—

Jazz waited until two a.m. before slipping out of her hospital room. A nurse had given her slippers before final rounds, so she wasn't walking barefoot, but they made a loud slapping noise if she didn't walk carefully enough. She stuck close to the wall, one hand on the plastic rail that stretched down the length of the hallway.

Danny was only one room over, but it would only take a second for a nurse to walk around the corner, see Jazz up and about, and usher her back into her room. She slipped through Danny's door, quiet as possible, and tiptoed over to his bed. There was a new swathe of bandages on his left forearm, to go with his growling collection.

Maddie had missed hitting anything vital, but whatever was in her gun sent Danny into a seizure. The police came and took Jack and Maddie away after that, and Danny's doctor admitted Jazz with a concussion. She was only meant to be there one night, and she didn't want to spend it alone.

Grabbing one of the chairs, she dragged it toward Danny's bed, one inch at a time. It made a high-pitched squeak every time she pulled it forward. Nobody came barging in, despite the loud noise, and soon enough she had the fhair right where she wanted it.

She was about to sit down when Danny opened his eyes.

"You could have just picked it up," he said.

"You were awake! Why didn't you say anything?"

"Because it was funny."

Jazz crossed her arms and turned her back to him.

"Aw, come on, I'm sorry. Turn around."

She did, albeit reluctantly, and found Danny had kicked the covers off and shuffled over to the edge of the bed.

"Come on," he said.

"I'm not eight."

"Congratulations. Come on."

Jazz rolled her eyes and climbed in. Using Danny's arm as a pillow, she settled next to him, just like when they were little and she used to come to him after having a bad dream. They would stare up at the stars on his ceiling while he pointed out constellations to her.

There were no stars to point out now but sitting next to him still brought comfort. Danny was all she ever had, and he was all she would ever need.

"Are we gonna be okay?" she asked.

"Totally." Jazz could hear Danny's smile in his weird, new, echoing voice. "I talked to Jamila earlier. She told me about the Millers."

"Are you coming there too?"

"Yeah. Jamila's already made the arrangements. You and me? We're gonna be okay as long as we're together." Danny wrapped his arm around her shoulders and gave her a reassuring squeeze. "You should head back to your room before someone finds you missing. I'll be right here if you need me."

Jazz nodded, sliding out of the bed. Danny gives her one last smile before she left. On the way back to her room, she paused. The hallway wasn't empty anymore. Someone stood at the very end of it, watching her. It was the man in the white suit.

Jazz waited to see if he would do something. He only stared. Breaking their little stand-off first, she lowered her head and slipped through her door, rushing over to her bed. Pulling the covers up over her head, she curled on her side. It didn't take her long to relax, though, Danny's last comforting words echoing in her head. She drifted off with a smile on her face, thinking of how much better things would be from here on out.

When Jazz woke up in the morning, Danny was gone.

—

Phantom's stopped.

Afraid to move, Jazz holds herself perfectly still for a few long seconds, but no attack comes. She opens her eyes and looks up.

Phantom looms over her, seething. Ectoplasm drips from their mask like toxic drool. Their breathing is ragged, shoulders rising and falling with each pant. They don't even have the strength to holds his arms up so the cuffs don't strain his elbows. Their whole body shakes.

A glob ectoplasm drops to the ground by Jazz's foot, a few specks splashing against her ankle. It burns. She flinches, scrambling back, but Phantom doesn't move. Warily, she pushes herself up onto her knees. When Phantom doesn't react, she gets on her feet, slowly rising out of a crouch. Phantom just stands there.

She should be running. She should take advantage of this reprieve and whatever caused it and get the hell out of there. Over Phantom's shoulder, she spies Spike, Tucker, and Agent K running down the street. They're waving their arms and yelling, probably telling her to get away while she can.

She moves closer to Phantom. Reaching out, she grabs their hood and pulls it down. Their hair is mostly white, but at the roots, there's the thinnest line of black. Now that she's close, she sees how the mask digs into his cheeks and goes for that next. It probably hurts.

It takes her a moment to find the locking mechanism. It rests at the nape of their neck, a simple latch without a key. Cruelly simplistic. She has to get in close to reach up and around their head, and Phantom flinches when her arms circle them.

She freezes, expecting them to attack, or leap away, but they don't. She flicks the latch. The mask doesn't fall away as she though it would, but it's looser now. Carefully, she pries the mask open and pulls it off. It resists, for a moment, so stuck to Phantom's face, but eventually gives. She tosses it away as soon as it's off and can barely hold in her gasp.

A deep imprint cuts across Phantom's cheeks and nose. Ectoplasm smears the lower half of Phantom's face, blisters surrounding their lips. She didn't think a ghost's own ectoplasm could hurt them but looking at how thin the slots in the mask are, it probably takes a lot of pressure to push it all out.

Jazz touches Phantom's cheek, her thumb tracing their jaw, wiping away some of the ectoplasm to reveal a series of thin red lines branching across their skin.

Phantom's shaking has stopped, but Jazz's hands tremble as she reaches for their goggles. She pushes them up to their forehead. The eyes that stare back at her are wild, pupils stretched wide. They look right through her, uncomprehending, but she recognizes them instantly. One has a little more green, the other more blue, but both colours swirl in each iris.

Jazz squeezes her eyes shut. She can't hold back her tears any longer, pressing her head against Phantom's shoulder. She wraps her arms around her brother's neck and sobs.

#phic phight #phic phight 2020 #danny phantom #danny phantom fanfiction #phanfic #jazz fenton #ageswap au #tumblroneshots

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grigori77 · 3 years

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2020 in Movies - My Top 30 Fave Movies (Part 1)

30. BODY CAM – in the face of the ongoing pandemic, viral outbreak cinema has become worryingly prescient of late, but as COVID led to civil unrest in some quarters there were a couple of 2020 films that REALLY seemed to put their finger on the pulse of another particularly shitty zeitgeist. Admittedly this first one highlights a problem that’s been around for a while now, but it came along at just the right time to gain particularly strong resonance, filtering its message into the most reliable form of allegorical social commentary – horror. The vengeful ghost trope has become pretty familiar since the Millennium, but by marrying it with the corrupt cop thriller veteran horror screenwriter Nicholas McCarthy (The Pact) has given it a nice fresh spin, and the end result is a real winner. Mary J. Blige plays troubled LAPD cop Renee Lomito-Smith, back on the beat after an extended hiatus following a particularly harrowing incident, just as fellow officers from her own precinct begin to die violent deaths under mysterious circumstances, and the only clues are weird, haunting camera footage that only Renee and her new partner, rookie Danny Holledge (Paper Towns and Death Note’s Nat Wolff), manage to see before it inexplicable wipes itself. Something supernatural is stalking the City of Angels at night, and it’s got a serious grudge against local cops as the increasingly disturbing investigation slowly brings an act of horrific police brutality to light, until Renee no longer knows who in her department she can trust. This is one of the most insidious scare-fests I enjoyed this past year, sophomore director Malik Vitthal (Imperial Dreams) weaving an effective atmosphere of pregnant dread and wire-taut suspense while delivering some impressively hair-raising shocks (the stunning minimart sequence is the film’s undeniable highlight), while the ghostly threat is cleverly thought-out and skilfully brought to “life”. Blige delivers another top-drawer performance, giving Renee a winning combination of wounded fragility and steely resolve that makes for a particularly compelling hero, while Wolff invests Danny with skittish uncertainty and vulnerability in one of his strongest performances to date, and Dexter star David Zayas brings interesting moral complexity to the role of their put-upon superior, Sergeant Kesper. In these times of heightened social awareness, when the police’s star has become particularly tarnished as unnecessary force, racial profiling and cover-ups have become major hot-button topics, the power and relevance of this particular slice of horror cinema cannot be denied.

29. BLOOD QUANTUM – 2020 certainly was a great year for horror (even if most of the high profile stuff did get shunted into 2021), and this compellingly fresh take on the zombie outbreak genre was a strong standout with a killer hook. Canadian writer-director Jeff Barnaby (Rhymes for Young Ghouls) has always clung close to his Native American roots, and he brings strong social relevance to the intriguing early 80s Canadian setting as a really nasty zombie virus wreaks havoc in the Red Crow Indian Reservation and its neighbouring town. It soon becomes clear, however, that members of the local tribe are immune to the infection, a revelation with far-reaching consequences as the outbreak rages unchecked and society begins to crumble. Barnaby pulls off some impressive world-building and creates a compellingly grungy post-apocalyptic vibe as the story progresses, while the zombies themselves are a visceral, scuzzy bunch, and there’s plenty of cracking set-pieces and suitably full-blooded kills to keep the gore-hounds happy, while the horror has real intelligence behind it, the script posing interesting questions and delivering some uncomfortable answers. The characters, meanwhile, are a well-drawn, complex bunch, no black-and-white saviours among them, any one of them capable of some pretty inhuman horrors when the chips are down, and the cast, an interesting mix of seasoned talent and unknowns, all excel in their roles – Michael Greyeyes (Fear the Walking Dead) and Forrest Goodluck (The Revenant) are the closest things the film has to real heroes, the former a fallible everyman as Traylor, the small-town sheriff who’s just trying to do right by his family, the latter unsure of himself as his son, put-upon teenage father-to-be Joseph; Olivia Scriven, meanwhile is tough but vulnerable as his pregnant white girlfriend Charlie, Stonehorse Lone Goeman is a grizzled badass as tough-as-nails tribal elder Gisigu, and Kiowa Gordon (probably best known for playing a werewolf in the Twilight movies) really goes to the dark side as Joseph’s delinquent half-brother Lysol, while there’s another memorably subtle turn from Dead Man’s Gary Farmer as unpredictable loner Moon. This was definitely one of the year’s darkest films – largely playing the horror straight, it tightens the screws as the situation grows steadily worse, and almost makes a virtue of wallowing in its hopeless tone – but there’s a fatalistic charm to all the bleakness, even in the downbeat yet tentatively hopeful climax, while it’s hard to deny the ruthless efficiency of the violence on display. This definitely isn’t a horror movie for everyone, but those with a strong stomach and relatively hard heart will find much to enjoy here. Jeff Barnaby is definitely gonna be one to watch in the future …

28. THE MIDNIGHT SKY – Netflix’ big release for the festive season is a surprisingly understated and leisurely affair, a science fiction drama of big ideas which nonetheless doesn’t feel the need to shout about it. The latest feature in the decidedly eclectic directorial career of actor George Clooney, this adaptation of Good Morning, Midnight, the debut novel of up-and-coming author Lily Brooks-Dalton, favours characterisation and emotion over big thrills and flashy sequences, but it’s certainly not lacking in spectacle, delivering a pleasingly ergonomically-designed view of the near future of space exploration that shares some DNA with The Martian but makes things far more sleek and user-friendly in the process. Aether, a NASA mission to explore K-23, a newly-discovered, potentially habitable moon of Jupiter, is on its return journey, but is experiencing baffling total communications blackouts from Earth. This is because a catastrophic global event has rendered life on the planet’s surface all but impossible, killing most of the population and driving the few survivors underground. K-23’s discoverer, professor Augustine Lofthouse (Clooney), is now alone at a small research post in the extreme cold of the Arctic, one of the only zones left that have not yet been fully effected by the cataclysm, refusing to leave his post after having discovered he’s dying from a serious illness, but before he goes he’s determined to contact the crew of Aether so he can warn them of the conditions down on Earth. Despite the ticking clock of the plot, Clooney has reigned the pace right in, allowing the story to unspool slowly as we’re introduced to the players who calmly unpack their troubles and work over the various individual crises with calm professionalism – that said, there are a few notable moments of sudden, fretful urgency, and these are executed with a palpable sense of chaotic tension that create interesting and exciting punctuation to the film’s usually stately momentum, reminding us that things could go suddenly, catastrophically wrong for these people at any moment. Clooney delivers a gloriously understated performance that perfectly grounds the film, while there are equally strong, frequently DAMN POWERFUL turns from a uniformly excellent cast, notably Felicity Jones and David Oyelowo as pregnant astronaut Dr. “Sully” Sullivan and her partner, mission Commander Adewole, and a surprisingly subtle, nuanced performance from newcomer Caoilinn Springall as Iris, a young girl mistakenly left behind at the outpost during the hasty evacuation, with whom Lofthouse develops a deeply affecting bond. The film has been criticised for its slowness, but I think in this age of BIGGER, LOUDER, MORE this is a refreshingly low-key escape from all the noise, and there’s a beautiful trade-off in the script’s palpable intelligence, strong character work and world-building (then again, the adaptation was by Mark L. Smith, who co-wrote The Revenant), while this is a visually stunning film, Clooney and cinematographer Martin Ruhe (Control, The Keeping Room) weaving an evocative visual tapestry that rewards the soul as much as the eye. Unapologetically smart, engrossingly played and overflowing with raw, emotional power, this is science fiction cinema at its most cerebral, and another top mark for a somewhat overlooked filmmaking talent which deserves to be considered alongside career highs such as Good Night & Good Luck and The Ides of March.

27. PALM SPRINGS – the summer’s comedy highlight kind of snuck in under the radar, becoming something of an on-demand secret weapon with all the cinemas closed, and it definitely deserves its swiftly growing cult status. You certainly can’t believe it’s the feature debut of director Max Barbakow, who shows the kind of sharp-witted, steady-handed control of his craft that’s usually the province of far more experienced talents … then again, much of the credit must surely go to seasoned TV comedy writer Andy Siara (Lodge 49), for whom this has been a real labour of love he’s been tending since his film student days. Certainly all that care, nurture and attention to detail is up there on the screen, the exceptional script singing its irresistible siren song from the start and providing fertile ground for its promising new director to spread his own creative wings. The premise may be instantly familiar – playing like a latter-day Saturday Night Live take on Groundhog Day (Siara admits it was a major influence), it follows the misadventures of Sarah (How I Met Your Mother’s Cristin Miliota), the black sheep maid of honour at her sweet little sister Tala’s (Riverdale’s Camila Mendes) wedding to seemingly perfect hunk Abe (the Arrowverse’s Superman, Tyler Hoechlin), as she finds herself repeating the same high-stress day over and over again after becoming trapped in a mysterious cosmic time-loop along with slacker misanthrope Nyles (Brooklyn Nine Nine megastar Andy Samberg), who’s been stuck in this same situation for MUCH longer – but in Barbakow and Siara’s hands it feels fresh and intriguing, and goes in some surprising new directions before the well-worn central premise can outstay its welcome. It certainly doesn’t hurt that the cast are all excellent – Miliota is certainly the pounding emotional heart of the film, effortlessly lovable as she flounders against her lot, then learns to accept the unique possibilities it presents, before finally resolving to find a way out, while Samberg has rarely been THIS GOOD, truly endearing in his sardonic apathy as it becomes clear he’s been here for CENTURIES, and they make an enjoyably fiery couple with snipey chemistry to burn; meanwhile there’s top-notch support from Mendes and Hoechlin, The OC’s Peter Gallagher as Sarah and Tala’s straight-laced father, the ever-reliable Dale Dickey, a thoroughly adorable turn from Jena Freidman and, most notably, a full-blooded scene-stealing performance from the mighty J.K. Simmonds as Roy, Nyles’ nemesis, who he inadvertently trapped in the loop before Sarah and is, understandably, none too happy about it. This really is an absolute laugh-riot, today’s more post-modern sense of humour allowing the central pair (and their occasional enemy) to indulge in far more extreme consequence-free craziness than Bill Murray ever got away with back in the day, but like all the best comedies there’s also a strong emotional foundation under the humour, leading us to really care about these people and what happens to them, while the story throws moments of true heartfelt power at us, particularly in the deeply cathartic climax. Ultimately this was one of the year’s biggest surprises, a solid gold gem that I can’t recommend enough.

26. THE LAST DAYS OF AMERICAN CRIME – Body Cam’s fellow heavyweight Zeitgeist fondler is a deeply satirical chunk of speculative dystopian sci-fi clearly intended as a cinematic indictment of Trump’s broken America, but it became far more potent and prescient in these … ahem … troubled times. Adapted by screenwriter Karl Gadjusek (Oblivion, Stranger Things, The King’s Man) from the graphic novel by Rick Remender and Greg Tocchini for underrated schlock-action cinema director Olivier Megaton (Transporter 3, Colombiana, the last two Taken films), this Netflix original feature seemed like a fun way to kill a cinema-deprived Saturday night in the middle of the First Lockdown, but ultimately proved to have a lot more substance than expected. It’s powered by an intriguing premise – in a nearly lawless 2024, the US government is one week away from implementing a nationwide synaptic blocker signal called the API (American Peace Initiative) which will prevent the public from being able to commit any kind of crime – and focuses on a strikingly colourful bunch of outlaw antiheroes with an audacious agenda – prodigious Detroit bank robber Bricke (Édgar Ramiréz) is enlisted by Kevin Cash (Funny Games and Hannibal’s Michael Carmen Pitt), a wayward scion of local crime family the Dumois, and his hacker fiancée Shelby Dupree (Material Girl’s Anna Brewster) to pull off what’s destined to be the last great crime in American history, a daring raid on the first night of the signal to steal over a billion dollars from the Motor City’s “money factory” and then escape across the border into Canada. From this deceptively simple premise a sprawling action epic was born, carried along by a razor sharp, twisty script and Megaton’s typically hyperbolic, showy auteur directing style and significant skill at crafting thrillingly explosive set-pieces, while the cast consistently deliver quality performances. Ever since Domino, Ramiréz has long been one of those actors I really love to watch, a gruff, quietly intense alpha male whose subtle understatement hides deep reserves of emotional intensity, while Dupree takes a character who could have been a thinly-drawn femme fetale and invests her with strong personal drive and steely resolve, and there’s strong support from Neil Blomkampf regulars Sharlto Copley and Brandon Auret as, respectively, emasculated beat cop Sawyer and brutal Mob enforcer Lonnie French, as well as a nearly unrecognisable Patrick Bergin as local kingpin (and Kevin’s father) Rossi Dumois; the film is roundly stolen, however, by Pitt, a phenomenal actor I’ve always thought we just don’t see enough of, here portraying a spectacularly sleazy, unpredictable force of nature who clearly has his own dark agenda, but whom we ultimately can’t help rooting for even as he stabs us in the back. This is a cracking film, a dark and dangerous thriller of rare style and compulsive verve that I happily consider to be Megaton’s best film to date BY FAR – needless to say it was a major hit for Netflix when it dropped, clearly resonating with its audience given what’s STILL going on in the real world, and while it may have been roundly panned in reviews I think, like some of the platform’s other glossier Original hits (Bright springs to mind), it’s destined for a major critical reappraisal and inevitable cult status before too long …

25. BILL & TED FACE THE MUSIC – one of the year’s biggest surprise hits for me was also one I was really nervous about – the original Bill & Ted’s Excellent Adventure and its just-as-good sequel Bogus Journey have been personal favourites for years, pretty much part of my geeky developmental DNA during my youth, two gleefully dorky indulgences that have, against the odds, aged like fine wine for me over the years. I love Bill and Ted SO MUCH, so like many of the fans I’ve always wanted a third film, but I knew full well how easy it would have been for it to turn out to be a turd (second sequels can be tricky things, and we’ve seen SO MANY fail over the years). God bless Alex Winter and Keanu Reeves for never giving up on the possibilities, then, and for the original screenwriters, Chris Matheson and Ed Solomon, for writing something that does true justice and pays proper respect to what came before while fully realising how much times have changed in the TWENTY-NINE YEARS that have passed since Wyld Stallyns last graced our screens. Certainly times have moved on for our irrepressible pair – in spite of their convictions, driven by news from the distant future that their music would unite the world and usher in a new era of peace and prosperity, Bill and Ted have spectacularly failed to achieve what was expected of them, and they’ve grown despondent even though they’re still happily married to the Princesses and now the fathers of two wonderful girls, Billie and Thea (Atypical’s Brigette Lundy-Paine and Ready Or Not’s Samara weaving). Then an emissary from the future arrives to inform them that if they don’t write the song that unites the world TODAY, the whole of reality will cease to exist. No pressure, then … it may have been almost three decades, but our boys are BACK in a riotous comedy adventure that delivers on all the promises the franchise ever made before. Winter and particularly Reeves may have both gone onto other things since, but they step back into their roles with such ease it’s like Bill and Ted have never been away, perfectly realising not only their characters today but also various future incarnations as they resolve to go forward in time to take the song from themselves AFTER they’ve already written it (a most triumphant and fool-proof plan, surely); Lundy-Paine and Weaving, meanwhile, are both absolutely FANTASTIC throughout, creating a pair of wonderfully oddball, eccentric and thoroughly adorable characters who would be PERFECT to carry the franchise forward in the future, while it’s an absolute joy to see William Sadler return as Bogus Journey’s fantastically neurotic incarnation of Death himself, and there are quality supporting turns from Flight of the Conchords’ Kristen Schaal, Anthony Carrigan, Holland Taylor and of course Hal Landon Jr., once again returning as Ted’s grouchy cop father Captain Logan. The plot is thoroughly bonkers and of course makes no logical sense, but then they’re never meant to in these movies – the whole point is just to have fun and GO WITH IT, and it’s unbelievably easy when the comedy hit rate is THIS HIGH – turns out third time really is the charm for Matheson and Solomon, who genuinely managed a hat trick with the whole trilogy, while there was no better choice of director to usher this into existence than Dean Parisot, the man who brought us Galaxy Quest. This is the perfect climax to a trilogy we’ve been waiting YEARS to see finally completed, but it’s also shown a perfect way to forge ahead in new and interesting ways with the next generation – altogether, then, this is another most excellent adventure …

24. TRUE HISTORY OF THE KELLY GANG – Justin Kurzel has been on my directors-to-watch list for a while now, each of his offerings impressing me more than the last (his home-grown Aussie debut, Snowtown, was a low key wallow in Outback nastiness, while his follow up, Macbeth, quickly became one of my favourite Shakespeare flicks, and I seem to be one of the frustrated few who actually genuinely loved his adaptation of Assassin’s Creed, considering it to be one the very best video game movies out there), and his latest is no exception – returning to his native Australia, he’s brought his trademark punky grit and fever-dream edginess to bear in his quest to bring his country’s most famous outlaw to the big screen in a biopic truly worthy of his name. Two actors bring infamous 19th Century bushranger Ned Kelly to life here, and they’re both exceptional – the first half of the film sees newcomer Orlando Schwerdt explode onto the screen as the child Ned, all righteous indignation and fiery stubbornness as he rails against the positions his family’s poverty continually put him in, then George MacKay (Sunshine On Leith, Captain Fantastic) delivers the best performance of his career in the second half, a barely restrained beast as Ned grown, his mercurial turn bringing the man’s inherent unpredictability to the fore. The Babadook’s Essie Davis, meanwhile, frequently steals the film from both of them as Ellen, the fearsome matriarch of the Kelly clan, and Nicholas Hoult is similarly impressive as Constable Fitzpatrick, Ned’s slimily duplicitous friend/nemesis, while there are quality supporting turns from Charlie Hunnam and Russell Crowe as two of the most important men of Ned’s formative years. In Kurzel’s hands, this account of Australia’s greatest true-life crime saga becomes one of the ultimate marmite movies – its glacial pace, grubby intensity and frequent brutality will turn some viewers off, but fans of more “alternative” cinema will find much to enjoy here. There’s a blasted beauty to its imagery (this is BY FAR the bleakest the Outback’s ever looked on film), while the screenplay from relative unknown Shaun Grant (adapting Peter Carey’s bestselling novel) is STRONG, delivering rich character development and sublime dialogue, and Kurzel delivers some brilliantly offbeat and inventive action beats in the latter half that are well worth the wait. Evocative, intense and undeniable, this has just the kind of irreverent punk aesthetic that I’m sure the real life Ned Kelly would have approved of …

23. MUST MERCY – more true-life cinema, this time presenting an altogether classier account of two idealists’ struggle to overturn horrific racial injustices in Alabama. Writer-director Destin Daniel Cretton (Short Term 12, The Glass Castle) brings heart, passion and honest nobility to the story of fresh-faced young lawyer Bryan Stevenson (Michael B. Jordan) and his personal crusade to free Walter “Johnny D” McMillan (Jamie Foxx), an African-American man wrongfully sentenced to death for the murder of a white woman. His only ally is altruistic young paralegal Eva Ansley (Cretton’s regular screen muse Brie Larson), while the opposition arrayed against them is MAMMOTH – not only do they face the cruelly racist might of the Alabama legal system circa 1989, but a corrupt local police force determined to circumvent his efforts at every turn and a thoroughly disinterested prosecutor, Tommy Chapman (Rafe Spall), who’s far too concerned with his own personal political ambitions to be any help. The cast are uniformly excellent, Jordan and Foxx particularly impressing with career best performances that sear themselves deep into the memory, while there’s a truly harrowing supporting turn from Rob Morgan as Johnny D’s fellow Death Row inmate Herbert, whose own execution date is fast approaching. This is courtroom drama at its most gripping, Cretton keeping the inherent tension cranked up tight while tugging hard on our heartstrings for maximum effect, and the result is a timely, racially-charged throat-lumper of considerable power and emotional heft that guarantees there won’t be a single dry eye in the house by the time the credits roll. Further proof, then, that Destin Daniel Cretton is one of those rare talents of his generation – next up is his tour of duty in the MCU with Shang-Chi & the Legend of the Ten Rings, and while this seems like a strange leftfield turn given his previous track record, I nevertheless have the utmost confidence in him after seeing this …

22. UNDERWATER – at first glance, this probably seems like a strange choice for the year’s Top 30 – a much-maligned, commercially underperforming glorified B-movie creature-feature headlined by the former star of the Twilight franchise, there’s no way that could POSSIBLY be any good, surely? Well hold your horses, folks, because not only is this very much worth your time and a comprehensive suspension of your low expectations, but I can’t even consider this a guilty pleasure – as far as I’m concerned this is a GENUINELY GREAT FILM, without reservation. The man behind the camera is William Eubank, a director whose career I’ve been following with great interest since his feature debut Love (a decidedly odd but strangely beautiful little space movie) and its more high profile but still unapologetically INDIE follow-up The Signal, and this is the one where he finally delivers wholeheartedly on all that wonderful sci-fi potential. The plot is deceptively simple – an industrial conglomerate has established an instillation drilling right down to the very bottom of the Marianas Trench, the deepest point in our Earth’s oceans, only for an unknown disaster to leave six survivors from the operation’s permanent crew stranded miles below the surface with very few escape options left – but Eubank and writers Brian Duffield (Spontaneous, Love & Monsters, Jane Got a Gun, Insurgent) and Adam Cozad (The Legend of Tarzan) wring all the possible suspense and fraught, claustrophobic terror out of the premise to deliver a piano wire-tense horror thriller that grips from its sudden start to a wonderfully cathartic climax. The small but potent cast are all on top form, Vincent Cassel, Jessica Henwick (Netflix’ Iron Fist) and John Gallagher Jr. (Hush, 10 Cloverfield Lane) particularly impressing, and even the decidedly hit-and-miss T.J. Miller delivers a surprisingly likeable turn here, but it’s that Twilight alumnus who REALLY sticks in your memory here – Kristen Stewart’s been doing a pretty good job lately distancing herself from the role that, unfortunately, both made her name and turned her into an object of (very unfair) derision for many years, but in my opinion THIS is the performance that REALLY separates her from Bella effing-Swan. Mechanical engineer Norah Price is tough, ingenious and fiercely determined, but with the right amount of vulnerability that we really root for her, and Stewart acts her little heart out in a turn sure to win over her strongest detractors. The creature effects are impressive too, the ultimate threat proving some of the nastiest, most repulsively icky creations I’ve seen committed to film, and the inspired design work and strong visual effects easily belie the film’s B-movie leanings. Those made uneasy by deep, dark open water or tight, enclosed spaces should take heed that this can be a tough watch, but anyone who likes being scared should find plenty to enjoy here. Altogether a MUCH better film than its mediocre Rotten Tomatoes rating makes it out to be …

21. PENINSULA – back in 2016, Korean director Yeon Sang-ho and writer Park Joo-suk took the tired old zombie outbreak trope and created something surprisingly fresh with their darkly satirical action horror Train to Busan. The film was, deservedly, a massive international smash hit and a major shot in the arm for the sub-genre on the big screen, so a sequel was inevitable, but when the time came for them to follow it up they did the smart thing and went in a very different direction. Jettisoning much of the humour to create something much darker and more intense, they also ramped the action quotient right up to eleven, creating a nightmarish post-apocalyptic version of Korea which has been quarantined from the rest of the world for the last four years, where the few uninfected survivors eke out a dangerous day-to-day existence amidst the burgeoning undead hordes, and the value of human life has plummeted dramatically. Into this hell-on-earth must venture a small band of Korean refugees, sent by a Hong Kong crime boss to retrieve a multi-million dollar payday in stolen loot that got left behind in the evacuation, led by former ROK Marine Corps Captain Jung-seok (Secret Reunion’s Gang Don-won), a man with a tragic past he has to make up for. Needless to say, nothing goes according to plan … Train to Busan was an unexpected masterpiece of the genre, but I was even more bowled over by this, particularly since I got to see this on the big screen on Halloween night itself, just before the UK cinemas closed down again for the Second Lockdown. This certainly is a film that NEEDS to be seen first on the big screen – the fully-realised hellscape of undead-overrun Seoul is spectacularly immersive, the perfect cinematic playground for the film’s most impressive set-pieces, two astounding, protracted high-speed chases with searchlight-and-flair-lit all-terrain vehicles racing through the dark streets pursued by tidal waves of feral zombies. Sure, the plot is predictable and the tone gets a little overblown and maudlin at times, while some of the characters are drawn in decidedly broad strokes, but the breathless pace rarely lets up throughout, and there are moments of genuine fiendish genius on offer here, particularly in a truly disturbing centrepiece sequence in which desperate human captives are set against slavering undead in a makeshift amphitheatre for sport, as well as a particularly ingenious use for radio-controlled cars. And the cast are brilliant, with Don-won providing a suitably robust but also pleasingly fallible, wounded hero, while Hope’s Lee Re and newcomer Lee Ye-won are irrepressibly feisty and thoroughly adorable as the young girls who rescue him from certain death among the ruins. Altogether, this is horror cinema writ large, played more for thrills than scares but knuckle-whitening and brutally effective nonetheless, and in a year where outbreak horror became all too real for us anyway it was nice to be able to enjoy something a little more escapist anyway – given the strength of its competition in 2020, this top-notch sequel to a true genre gem did very well indeed to place this high. I’ll admit, I wouldn’t say no to thirds …

#body cam #body cam movie #blood quantum #the midnight sky #Palm Springs #palm springs movie #the last days of american crime #bill and ted face the music #true history of the kelly gang #just mercy #underwater #underwater movie #underwater 2020 #peninsula #train to busan presents: peninsula #2020 in movies

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twoidiotwriters1 · 3 years

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Written In The Stars CXXVIII (Harry Potter xF!Oc)

A/N: From chapter 25 to 36 I just love everything -Danny

Words: 5,260

Series’ Masterlist

Previous Chapter // Next Chapter

Listen to: ‘Payphone’ -by Maroon 5

Chapter Twenty-Six: Delusions of Power.

Mel spent the next days in constant anxiety.

She even stopped her mischief out of fear of how the interview could backfire, it was keeping her awake at night.

At the end of a particularly rough quidditch practice Ron, Ginny and her were walking back to the castle in a very grim mood, but they still were curious about what exactly had Mel added to Harry's story.

"Well, you know," Their friend replied as she undid her braid. "Talked about Barty Jr. and how his father brought him from Azkaban — and that he fired Winky, which was a complete lack of respect for the honourable work of House-elves (Hermione was very pleased with that part), I talked about the corruption in the Ministry, that Fudge made it very clear that the main reason why he didn't want to act was because of the money he was getting from pureblood families involved... I reckon I'll never get a job in the Ministry after this."

"I hope this works out," Ginny said. "Maybe the Order we'll get more help once people read the article, your version makes much more sense than whatever Fudge wants to sell to the public."

They walked into the Great Hall leaving mud stains on their path, Hermione and Harry were having dinner already, and they seemed to be arguing.

"Is that what she was doing?" Harry was asking. "Well, wouldn't it have been easier if she'd just asked me whether I liked her better than you?"

"Girls don't often ask questions like that," Hermione responded.

"Well, they should! Then I could've just told her I fancy her, and she wouldn't have had to get herself all worked up again about Cedric dying!"

"You're still talking about that?" Mel frowned. "Listen, I agree with you about Cho exaggerating a bit, but to be fair you're slow at picking up hints."

"You're one to talk," Harry retorted.

"I'm not saying what she did was sensible," said Hermione, throwing a nervous glance at them and interrupting before things got awkward. "I'm just trying to make you see how she was feeling at the time."

"You should write a book," Ron said, "translating mad things girls do so boys can understand them."

"Yeah!" said Harry.

"Girls are humans just like you," Mel scowled. "There are no 'rules' — Just try to get to know the girl for a change instead of just looking for a quick snog."

Harry looked back at the Ravenclaw table wistfully, Cho was leaving it with her friend Marietta, and she didn't glance his way before walking out.

"So, how was Quidditch practice?" He sighed, turning his attention back to his friends.

"It was a nightmare," said Ron.

"Oh come on," Hermione tried, "I'm sure it wasn't that —"

"Yes, it was," Ginny pouted. "It was appalling. Angelina was nearly in tears by the end of it."

Mel let out a long sigh and pushed her hair out of the way, it was starting to get a bit impossible to handle at this point and it was always messy, she really needed to get rid of half of it.

"Can't say I'm doing marvellous work as a beater if I'm honest. I'm not as strong as Angelina would like..."

By the time Mel was going to play her first game ever the atmosphere was extremely dense. Her Hufflepuff friends wished her luck in a way that let her know they already felt like the winners. She couldn't blame them, Ron was looking greener and greener with every step he took towards the dressing room.

Mel was about to enter when Fred caught up and kissed her. She couldn't even react properly.

"For good luck!" He smirked. "Isn't that the tradition?"

Mel was flustered, she ushered him away and stood there in shock, hearing as he laughed about her reaction with George. Someone cleared his throat behind her, it was Harry.

"When did you get here?" She asked in dread.

"Just a moment," Harry said, a faint blush on his cheeks. "But I saw you were... er... having a moment. I figured it was better if I just waited until Fred was gone."

"Okay," Mel said clumsily, pushing her hair back.

"I wanted to wish you good luck," He said. "It's your first game... when it was my game you were there so... it's my turn, isn't it?"

"You don't have to," Mel said, panicking about Harry kissing her cheek after such a long time without physical contact. She no longer knew what boundaries existed between them.

"It's the least I can do," Harry hesitated before awkwardly stepping forward, holding out his hand so she could shake it.

Mel grabbed it and shook it firmly.

"Good luck."

"Thanks," She smiled.

Once inside and dressed in the uniform, Mel stared at her reflection in awe.

"I'm wearing a Quidditch uniform," She told Ginny. "And I look so good..."

"Yeah, yeah, you're pretty," Ginny rolled her eyes grinning. "Let's go, before your big-head stops you from looking away..."

The good part? Ginny caught the snitch.

They still lost.

She'd threw a bludger directly to a chaser and caused him to drop the quaffle, but Slope was dreadful, he kept missing every time. Ron was beyond miserable when the game was over, now not only the Slytherins were singing, but also the Hufflepuffs.

Back in the common room, once she had taken a bath, she walked in and listened to Harry and Ginny's conversation as she sat down tiredly next to them, hanging her legs over the armrest and leaning on Ginny's shoulder.

"I was lucky," The girl was saying. "It wasn't a very fast snitch and Summerby's got a cold, he sneezed and closed his eyes at exactly the wrong moment. Anyway, once you're back on the team —"

"Ginny, I've got a lifelong ban."

"You're banned as long as Umbridge is in the school. There's a difference. Anyway, once you're back, I think I'll try out for Chaser. Angelina and Alicia are both leaving next year and I prefer goal-scoring to seeking anyway."

Mel sighed, rubbing her temples.

"You were right about how cathartic it is to be a Beater, but I think I'm not good enough for the position. Maybe chaser— or even seeker, if Harry insists on staying on the bench —"

"It's not like I want to stay there, you know?"

"If you say so," The girl yawned.

"Angelina still won't let him resign," Ginny added, making a vague head movement towards her brother. "She says she knows he's got it in him."

"Because he does," Mel rolled her eyes. "That idiot... if I could take away his insecurities by knocking his lights out with a bludger, I'd do it."

The next morning during breakfast was the moment when the bomb dropped. Two editions of the Quibbler arrived –one for Mel and one for Harry– inside they had their interviews. Not only that, but at least ten owls landed around the table, all with letters directed to them.

"It's good, isn't it?" Luna sat down between Fred and Ron. "It came out yesterday, I asked Dad to send you a free copy. I expect all these are letters from readers."

"That's what I thought," said Hermione. "Guys, d'you mind if we — ?"

"Help yourself," said Harry.

"I'm too scared to touch any of those," Mel said hesitantly. "Don't want anything on my face..."

"This one's from a bloke who thinks you're off your rocker, Harry," said Ron. "Says Mel is probably hormonal — gross lad, honestly. Ah well..."

"This woman recommends you try a good course of Shock Spells at St. Mungo's," said Hermione.

"This one looks okay, though," said Harry, he was reading through the mail now as well. "Hey, she says she believes us!"

"This one's in two minds," said Fred who had taken the liberty to open the one's directed at Mel. "Says you don't come across as mad people, but he really doesn't want to believe You-Know-Who's back so he doesn't know what to think now... Blimey, what a waste of parchment. I would believe you in a second, Lady."

"Thank you Fred, but I'm afraid you're biased," Mel grinned, deciding to start opening letters too.

"Here's another one you've convinced!" said Hermione happily. "'Having read your side of the story I am forced to the conclusion that the Daily Prophet has treated you very unfairly... Little though I want to think that He-Who-Must-Not-Be-Named has returned, I am forced to accept that you are telling the truth... and Miss Dumbledore's claims seemed to be legitimate, I had a friend who got in trouble with the Ministry and they forgave him in no time after he let go of a few galleons...' Oh, this is wonderful!"

"Another one who thinks you're barking," said Ron, throwing the letter without paying attention, "but this one says you've got her converted, and she now thinks you're a real hero — she's put in a photograph too — wow —"

"At this rate, you won't have to worry about any future dates with Cho," Mel teased.

"What is going on here?" Umbridge asked over their heads. "Why have you got all these letters, Mr Potter, Miss Dumbledore?"

"Is that a crime now? Getting mail?" Fred frowned.

"Be careful, Mr Weasley, or I shall have to put you in detention. Well, Mr Potter?"

Harry pondered his options quietly but shared one resolute look with Mel and knew there was no point. She would find out eventually.

"People have written to us because we gave an interview," said Harry. "About what happened to me last June."

"And about how much of a fraud Fudge is," Mel concluded.

"An interview? What do you mean?" Umbridge asked.

"I mean a reporter asked us questions and we answered them," said Harry. "Here —"

He threw his copy at Umbridge and Mel got a pleasant tug at the base of her stomach at the sight. It quickly faded as she watched the woman read carefully all they'd said.

"When did you do this?" She breathed.

"Last Hogsmeade weekend," said Harry.

"There will be no more Hogsmeade trips for you two."

"How would've guessed?" Mel replied carelessly.

"How you dare... how you could... I have tried again and again to teach you not to tell lies. The message, apparently, has still not sunk in. Miss Dumbledore, hadn't I told you to learn where your place is? You have no right to speak like that about your Minister!"

Mel thought that if she was already in trouble, she was going to earn it fully.

"I thought you'd understand, isn't blood status your biggest priority? That's why you're giving Hagrid such a hard time, right? I'm just following your lead," She glanced at the teachers' table, where Dumbledore was talking to Flitwick without paying attention to them, although she had the feeling he was just pretending. "I'll always be loyal to my people."

"Fifty points from Gryffindor and another week's worth of detentions!" Umbridge spat, barely able to control her anger.

"It'll be my pleasure!" Mel shouted, watching the woman stomp away from the Great Hall.

Hermione and Mel smiled at each other at the sight of the decree.

— by order of —

The High Inquisitor of Hogwarts

Any student found in possession of the magazine The Quibbler will be expelled.

The above is in accordance with Educational Decree Number Twenty-seven.

Signed:

High inquisitor.

"What exactly are you so happy about?" Harry asked them.

"Oh Harry, don't you remember what Mel said? If she could have done one thing to make absolutely sure that every single person in this school will read your interview, it was banning it!"

If Mel was popular before, now she was almost idolized. The only student at school that had stood up against Umbridge apart from Harry. Of course, there were people like Malfoy, and kids that were related to the death eaters that were definitely not happy about it, but little did they know that Daphne and Erick had her back. Not only that, but several Slytherins were starting to realize some things, as Mel would find out in her next D.A. meeting.

The students weren't the only ones making quiet declarations, Professor Sprout rewarded Harry with twenty points when he'd done nothing but to pass her an empty watering can. Flitwick discretely gave them two boxes of squeaking sugar mice during his class and ran away almost as fast as he'd approached.

Trelawney openly wept and claimed that Harry was not going to suffer an early death after all, but he and Mel would live to a ripe old age, become Minister of Magic and have twelve children. Since she didn't specify which part was for each, Mel blushed deeply at the mention of babies.

Even Cho forgave Harry for his silly mistake on Valentine's day, and she was telling to anyone who was interested that they had shared a lovely date the day he'd done the interview, and that she was very proud of him.

Fred was another person who was taking great pleasure in strutting around the castle with Mel by his side. Students would look at him with sneers and faces of contempt, and although Mel didn't appreciate being treated like a prize, she was definitely enjoying the way Malfoy, Crabbe, Goyle and Nott would glare at her from across the hall without being able to touch her.

Seamus approached her and Harry before their Transfiguration class.

"I just wanted to say," He said, avoiding their eyes, "I believe you. And I've sent a copy of that magazine to me mam."

Mel was so pleased that she hugged him, Seamus didn't know how to respond. That night a party took place in the common room, she hadn't seen her friends this happy for a very long time, and she was proud to be part of it.

"What you did was foolish and impulsive”

"I'm aware."

"I thought we'd agreed on keeping a low profile this year," Dumbledore stared down at her over his glasses.

"We agreed on keeping my lessons a secret. There's nothing in that interview about my lessons with you, Professor. However, we never said I couldn't talk about Fudge."

They were outside the main entrance of the castle, Dumbledore had asked her for a private word as she walked past the entrance after finishing diner. Neither Harry nor Umbridge were near, which could be part of the reason why Dumbledore had asked her now. She didn't know what he'd been doing outside at this hour, but she was more worried about the lecture she was about to get.

"This is not the time to take things lightly," Dumbledore said gravely. "You know you're one of Voldemort's targets, he wants to use you to his advantage and now you've turned into a person of interest for the Ministry as well."

"I already was," Mel replied. "I merely talked about Fudge, I kept you out of the conversation! They might accuse me of slander, but then again they're probably too afraid of you to try it."

"And you're planning to live under my shadow?" Dumbledore asked.

Mel's annoyance increased.

"Of course not! I've improved lots this year, I daresay I'm perfectly capable of looking after myself —"

"You have to grow up first before making such decisions," Dumbledore replied in a hard tone that took her off guard. "That kind of behaviour is what kept Aberforth from turning into his best self. You mustn't follow his lead. Matthew would've wanted you to be better."

"Give me a break, won't you? I'm fifteen — I want to have fun, I hate that I have to act like an adult when all my friends are allowed to fool around and —"

"You've been given enough freedom," The man replied. "Haven't I turned a blind eye to your acts of so-called justice? It wasn't wise of me, but I allowed it. Why?"

"Because you hate Umbridge as much as everyone else?"

"Because you wish to be something else than just a Lastname. What you haven't realized is that you already are Mel, but what you're representing right now is no better than what you used to be. You're repeating history and that won't help you."

Mel was about to reply when a woman's scream reached them. They both turned to the oak doors, hearing attentively. Two trunks came down flying and landed roughly at the foot of the marble staircase, Umbridge walked down in tiny cheerful steps, Trelawney stumbled down holding a bottle of sherry. She was looking around frantically.

"NO!" She yelled, and the students inside the Great Hall walked out to see the scene. "NO! NO! This cannot be happening... It cannot... I refuse to accept it!"

"You didn't realize this was coming? Incapable though you are of predicting even tomorrow's weather, you must surely have realized that your pitiful performance during my inspections, and lack of any improvement, would make it inevitable you would be sacked?" Umbridge asked cruelly.

"You c-can't! You c-can't sack me! I've b-been here sixteen years! H-Hogwarts is m-my h-home!"

"It was your home, until an hour ago, when the Minister of Magic countersigned the order for your dismissal. Now kindly remove yourself from this hall. You are embarrassing us."

Surprisingly, McGonagall stepped forward and hugged the woman protectively.

"There, there, Sibyll... Calm down... Blow your nose on this... It's not as bad as you think, now... You are not going to have to leave Hogwarts..."

"Oh really, Professor McGonagall?" Umbridge sneered. "And your authority for that statement is..?"

Dumbledore opened the door completely, his figure stepping into the scene.

"That would be mine," He said.

Mel followed him, but she stayed behind as he reached the place where Trelawney was.

"Yours, Professor Dumbledore? I'm afraid you do not understand the position. I have here an Order of Dismissal signed by myself and the Minister of Magic. Under the terms of Educational Decree Number Twenty-three, the High Inquisitor of Hogwarts has the power to inspect, place upon probation, and sack any teacher she — that is to say, I — feel is not performing up to the standard required by the Ministry of Magic. I have decided that Professor Trelawney is not up to scratch. I have dismissed her."

"You are quite right, of course, Professor Umbridge. As High Inquisitor you have every right to dismiss my teachers," He smiled the same way she would do whenever she could get away with something. Her father's smile. "You do not, however, have the authority to send them away from the castle. I am afraid that the power to do that still resides with the headmaster, and it is my wish that Professor Trelawney continues to live at Hogwarts."

"No — no, I'll g-go, Dumbledore! I sh-shall l-leave Hogwarts and s-seek my fortune elsewhere —"

"No. It is my wish that you remain, Sibyll," He turned to McGonagall. "Might I ask you to escort Sibyll back upstairs, Professor McGonagall?"

"Of course. Up you get, Sibyll..."

Professor Sprout hurried to help Trelawney by holding her other arm and Professor Flitwick held out his wand and exclaimed "Locomotor trunks!" the objects floated in the air and followed the group of teachers.

"And what," Umbridge continued, so angry she could barely speak, "are you going to do with her once I appoint a new Divination teacher who needs her lodgings?"

"Oh, that won't be a problem," said Dumbledore. "You see, I have already found us a new Divination teacher, and he will prefer lodgings on the ground floor."

"You've found — ? You've found? Might I remind you, Dumbledore, that under Educational Decree Twenty-two —"

"— the Ministry has the right to appoint a suitable candidate if — and only if — the headmaster is unable to find one. And I am happy to say that on this occasion I have succeeded. May I introduce you?"

On queue, there was a sound like hooves behind her and she turned at the same time that the rest. The sight almost made her doubt her sanity, but it wasn't an illusion. There, standing in the entrance was a centaur.

"This is Firenze— I think you'll find him suitable." Dumbledore beamed.

When the crowd erupted into loud exclamations of shock, the old man spoke in a lower voice.

"It's not about breaking the rules for the sake of provoking," He told her. "Is memorizing your way around them, so you can use them in your favour."

The sentence 'I must not tell lies' was throbbing on the back of her hand. Hermione was already waiting for her with a jar of murtlap which she and Harry took turns to use. She knew Harry had felt the first day of her detention because he quickly approached to examine her injuries, although she rejected his help.

"Now you know how it feels," She said calmly. "Now you understand why I couldn't just ignore you, right?"

Harry looked uncomfortable, yet he had no choice but to admit she was right.

Daphne Greengrass was one of the first students to arrive on the day of the D.A. meeting, but she wasn't alone. A total of eight Slytherins had accompanied her and though they looked tense, they wanted to know what Umbridge was hiding, they wanted to learn. Once again, the group welcomed them with open arms.

"You know," Ron told her while he took a break from being Hermione's partner. "I reckon you may be right, maybe not all Slytherins are evil."

"Took you long enough," Mel patted his back lovingly. "Now be a good boy and practice with one of them."

"What?!"

"Are you afraid of snakes, Ronnie?" She raised a brow.

"Of course not!" He said, his ears gaining a reddish colour. "Hey — Hey, you! What's your name?"

He walked up to a fourth-year Slytherin so they could practice together, Mel's chest swelled with pride. It was Harry's turn to walk up to her.

"Okay, you win," He sighed, looking rather impressed. "We haven't got any fights — I guess we can all be friends."

"Can you write that down and sign it?" Mel smirked.

"Nah," He walked away with a smile.

Their first divination class with Firenze proved to be highly interesting. When Mel walked in she felt slightly disoriented, like she had walked out of the castle without really wanting to.

The classroom floor had become springily mossy and trees were growing out of it; their leafy branches fanned across the ceiling and windows, so that the room was full of slanting shafts of soft, dappled, green light.

The students who had already arrived were sitting on the earthy floor with their backs resting against tree trunks or boulders, arms wrapped around their knees or folded tightly across their chests, looking rather nervous. In the middle of the room, where there were no trees, stood Firenze.

"Harry Potter," Firenze walked up to them and shook hands with Harry.

"Er — hi– Er — good to see you..." The boy replied awkwardly.

"And you," said the centaur, inclining his white-blond head. "It was foretold that we would meet again. Miss Dumbledore, you continue to grow into your power, I see."

"Er..." Mel accepted Firenze's hand and shook it, trying not to stare at the bruise on the centaur's chest. "I... I suppose?"

She remembered the night Firenze had saved them from Quirrel, he'd said something about her 'vibrating', she knew enough about herself now to guess he meant her magical skills were quite good.

"Professor Dumbledore has kindly arranged this classroom for us," Firenze said once the students had taken a place on the ground, "in imitation of my natural habitat. I would have preferred to teach you in the Forbidden Forest, which was — until Monday — my home... but this is not possible."

"Please — er — sir —" Parvati had raised her hand, "why not? We've been in there with Hagrid, we're not frightened!"

"It is not a question of your bravery but of my position. I can no longer return to the forest. My herd has banished me."

"Herd?" asked Lavender. "What — oh! There are more of you?"

"Did Hagrid breed you, like the thestrals?" asked Dean.

Mel cringed at the question, Dean immediately realized his mistake, but it was too late.

"I didn't — I meant — sorry..."

"Centaurs are not the servants or playthings of humans," said Firenze calmly.

"Please, sir... why have the other centaurs banished you?" Parvati insisted.

"Because I have agreed to work for Professor Dumbledore. They see this as a betrayal of our kind."

Harry and Mel shifted awkwardly in their places, they could still remember the way the other centaurs had treated Firenze after helping Harry and her to leave the forest.

"Let us begin..."

[Firenze] swished his long palomino tail, raised his hand toward the leafy canopy overhead then lowered it slowly, and as he did so, the light in the room dimmed, so that they now seemed to be sitting in a forest clearing by twilight, and stars emerged upon the ceiling. There were oohs and gasps, and Ron said audibly, "Blimey!"

"Lie back upon the floor," said Firenze in his calm voice, "and observe the heavens. Here is written, for those who can see, the fortune of our races."

Mel laid down between Ron and Harry, her eyes fixed on the ceiling. The centaur's words resonated on her mind. 'Here is written, for those who can see...'

Erick's words also came to her mind.

'Knowing what's written in the stars won't help you.'

Maybe it would have. Maybe she could've skipped her whole thing with Harry and she'd be dating someone else for real, happy to have everything she wanted in life, including her best friend.

A thought crept inside her. If she would've known everything, more importantly, if she knew what's waiting for her in the future, if she still had a chance with Harry... No, she needed to get rid of those thoughts as soon as possible, they weren't even that close. Worse yet, he was dating Cho!

All those novels she'd read for years had messed up her mind, she needed to get a grip on reality. They were over for good, she was sure someone out there was her second chance, and she just had to look around.

"I know that you have learned the names of the planets and their moons in Astronomy," Firenze's voice brought her back abruptly, "and that you have mapped the stars' progress through the heavens. Centaurs have unravelled the mysteries of these movements over centuries. Our findings teach us that the future may be glimpsed in the sky above us..."

"Professor Trelawney did Astrology with us!" said Parvati excitedly. "Mars causes accidents and burns and things like that, and when it makes an angle to Saturn, like now, that means that people need to be extra careful when handling hot things —"

"That is human nonsense."

Ron snorted beside her, Mel had to kick his foot to shut him up.

"Trivial hurts, tiny human accidents... These are of no more significance than the scurryings of ants to the wide universe, and are unaffected by planetary movements."

"Professor Trelawney —"

"— is a human," Firenze replied without getting upset. "And is therefore blinkered and fettered by the limitations of your kind."

If Mel was honest, knowing there were things that humans simply couldn't comprehend was comforting. She could be smart, but at the end of the day, she was still human and had her limits. After a whole year of feeling out of control, the idea was a glorious revelation.

"Sibyll Trelawney may have Seen, I do not know... but she wastes her time, in the main, on the self-flattering nonsense humans call fortune-telling. I, however, am here to explain the wisdom of centaurs, which is impersonal and impartial. We watch the skies for the great tides of evil or change that are sometimes marked there. It may take ten years to be sure of what we are seeing."

Their Professor pointed to a little red dot that was right above them.

"In the past decade, the indications have been that Wizard-kind is living through nothing more than a brief calm between two wars. Mars, bringer of battle, shines brightly above us, suggesting that the fight must break out again soon. How soon, centaurs may attempt to divine by the burning of certain herbs and leaves, by the observation of fume and flame..."

If that was really true –and she figured centaurs could be trusted to an extent– then she would live long enough to see the next war. Her hands closed in tight fists, trying to control the way they were starting to fidget.

Firenze asked them to look for shapes in the smoke of a fire, but it didn't feel like he was actually expecting them to see things. On the contrary, it was more like he was just babysitting a bunch of children he didn't find particularly clever.

Either way, he also mentioned how this technique was sometimes useless for centaurs since they could interpret the signals wrong, so in conclusion, no one should ever fully trust their own minds. Mel got the feeling that he wasn't trying to teach divination, more like rational and individual thinking. Which, in Mel's opinion, was more valuable than any kind of fortune-telling.

"He's not very definite on anything, is he? I mean, I could do with a few more details about this war we're about to have, couldn't you?" Ron whispered.

Mel didn't want to know more. Actually, she'd been comfortable in her ignorance, and she was happy being the popular, nice girl from school. Still, she knew she had responsibilities to attend. Responsibilities that she would have to pay attention to eventually, even if she didn't feel like it. A war she had to fight.

It wasn't just her and her mother now, it was the baby, Sirius and her uncle Lupin. It was the Weasleys, the Dumbledores, the Longbottoms, Hermione, Erick, Daphne, their classmates, and of course, Harry.

The bell rang and Mel gave a start. Her breathing was erratic, her hands were sweating. She got up hastily and picked up her things in a hurry, but before she could leave, Firenze called her and Harry to stay for a second longer. Ron stood there, unsure of whether he should leave. Firenze noticed this and allowed him to stay, only asking him to close the door.

"You are friends of Hagrid's, are you not?" Their Professor asked them.

"Yes," said Harry.

"Then give him a warning from me. His attempt is not working. He would do better to abandon it."

"His attempt is not working?" Harry frowned.

"And he would do better to abandon it," Firenze nodded. "I would warn Hagrid myself, but I am banished — it would be unwise for me to go too near the forest now — Hagrid has troubles enough, without a centaurs' battle."

"But — what's Hagrid attempting to do?"

"Hagrid has recently rendered me a great service," said Firenze after a moment of contemplative silence. "And he has long since earned my respect for the care he shows all living creatures. I shall not betray his secret. But he must be brought to his senses. The attempt is not working. Tell him. Good day to you."

Next Chapter —>

Taglist.

@dee123ksha @vampiregirl1797 @siriuslysirius1107 @stardusthigh @mikariell95 @vernon-dursley @thesuitelifeofafangirl @tomshollandz @kylosleftbuttcheek @reverse-hxlland @bloodorangemoonlight @omiwashere @t-rexs-world @just-here-to-escape-from-reality @21bruhs @i-am-scared-and-useless-bisexual @dielgonacoffee

#twoidiots writing #hp fanfic #Harry Potter #harry potter fanfiction #harry potter xoc #WITT fic

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fandomrewrites · 3 years

Text

Season 3a; Episode 7: Currents

Hello all! I really like the way this chapter came out so I hope you all like it too. As always constructive criticism is appreciated! If you want to be added to the taglist, please let me know.

Season 3a; Episode 7: Currents

Pairings: Scott McCall x Twin Sister, Lydia Martin x Best Friend, Isaac Lahey x Reader

Warnings: Character death

Word Count: 3,083

Season 3a masterlist

Scott and I enter the hospital, bringing mom some dinner. As the doors open we both scan the area, looking for our mom in the crowd of people. We quickly spot her just as she starts speaking, "Oh, thank God. I'm starving."

She grabs the bag out of my hands and hurries to the reception counter to open it. Scott and I follow her and she turns around, "Sorry. Sorry."

She gives us both a kiss on the cheek then continues, "Thank you for bringing dinner."

"Of course, mom." I say, a smile on my face.

"Everything okay?" Scott asks.

"Except for half of the victims of a ten car-pile up being rerouted to us from downtown and the ER Attending not answering any of his pages? Yeah, I'm okay. Slightly, somewhat okay." Mom answers.

"What does not answering pages mean?"

"It means no one can find him. Now we're waiting for the on-call to get here." Scott and I exchange a look at our moms words just as a patient walks up, clutching her stomach.

"Miss? Excuse me? I could really use something for the pain." The woman says.

"I know and I'm sorry, but giving you something could actually complicate things. We really need to wait for the doctor." Mom turns back to the receptionist, "How far out is Dr. Hilyard?"

"Ten minutes." The receptionist replies.

I watch as the injured woman takes a seat and Scott follows her, presumably to take some of her pain. I turn my head away from the two to scan the bustling waiting room.

My attention is quickly brought to the entrance as the doors bang open. Ethan, looking rather panicked, is half carrying Danny, "I need help!"

I sprint over and grab Danny's other arms, wrapping it around my shoulders. Scott and my mom follow closely behind. Scott quickly turns to address the Alpha that brought Danny in, "What did you do to him?"

"Nothing. He said he was having chest pains and trouble breathing. But it just kept getting worse." We guide Danny over to a seat, mom begins looking him over to see if what's wrong.

I look on in worry as Ethan asks, "What is it? Is he dying?"

Scott and I quickly snap at him, "Shut up."

"I said I didn't do anything." Ethan begins, trying to defend himself.

"All of you back off." My mom scolds, instantly shutting us up. She goes back to doing her check up, "Okay, that's not good." She then turns to ask the receptionist once more, "How much longer on Dr. Hilyard?"

The receptionist raises her hands indicating that she doesn't know. "What is it? What's wrong?" I ask.

"His larynx is shifting to the side. I think it's a tension pneumothorax." She then calls out, "Can we get a gurney over here!"

Right after the words leave her mouth Danny lurches forward. He throws up white berries as we all watch in horror. Ethan whispers out, "Mistletoe."

A nurse quickly brings a gurney over and helps my mom bring him into a room. Ethan, Scott, and I all follow them, "Can you three please get back to the waiting room?"

None of us turn to leave but we make sure my mom has enough room to work as the other nurse leaves to help more patients, "Where is everyone?" Ethan asks.

"It's a full house tonight. They're attending to other patients."

"How can we help?" Scott asks.

"You can't. His lungs collapsed."

I sucked in a breath at my mom's words, "That sounds really bad." Scott states.

"And his heart is being pushed against his chest cavity."

"That sounds much worse." Ethan says.

"Mom, please don't let him die." I say, tears in my eyes as I watch one of my best friends struggle to live.

"He's not going to." She yanks open a drawer and pulls out a needle, "Scott, grab that tape." She motions to Ethan, "Take those scissors and cut his shirt open."

Ethan grabs Danny's shirt and rips it open, "Works for me." Mom says. She presses gently over Danny's upper chest, trying to find the right injection point. "He's not breathing, mom." I say, panic evident in my voice.

"I know, I know." She takes a breath then inserts the needle into Danny's chest. Air bubbles up inside the syringe as she aspirates Danny's lung. His body finally relaxes as he begins to breathe normally. I let out a breath as Danny's eyes blink open.

He locks eyes with my mom and whispers, "Thank you."

My mom smiles at him, "No problem." She then looks up at me, Scott, and Ethan. "What?"

"That was awesome." Scott says.

"It's no big deal. It's nothing really." She shrugs off the compliment.

*_*_*_*_*_*

Scott and I make our way outside and get ready to leave. We don't make it very far though because Ethan exits the hospital and quickly makes his way over to us. "I know you're not going to believe me, but I didn't do anything."

"All I know is the minute you got here, you went right after Danny. And your brother went after Lydia." Scott replies.

"We're not going to hurt him."

"Yeah? And why should we believe you?" I ask, raising an eyebrow.

He takes a careful look around then steps closer, "Because we knew one of them was going to be important to you. And now we know it's Lydia."

I scoff, "That's rich. Danny is one of my best friends. And Lydia is my best friend." I then take a step closer to Ethan so that we are practically chest to chest, "And if you or anyone else in your pack even thinks about hurting one of them, you'll wish you were dead."

"What are you going to do? We're Alpha's." Ethan says, glaring down at me.

"Yeah, but I'm faster and smarter." My eyes start to glow white but before I can act on my threat Scott lightly slaps my arm. I back away and look behind Ethan, finally noticing what got Scott's attention.

Ethan follows our gazes to lock his eyes on an empty car slowly moving across the parking lot. It comes to a halt as it hits another car, setting off it's alarm.

We rush over, Scott quickly opening the door. He reaches over picking something out of the car, "What is it?" Ethan asks.

Scott raises his hand to show us a dead moth.

A little while later Ethan was gone and Stiles, his dad, and multiple other cops were at the scene. "Hold one. Were they both in the car?" Sheriff Stilinski asks, clearly confused.

"No, dad, they're trying to tell you it's two different kidnappings. Two doctors. Both gone." Stiles replies.

"Dr. Hilyard's car. The on-call doctor. The ER Attending is the one that never showed up." My mom answers.

Stiles notices that his dad has a dazed look on his face as he looks at the accident and witnesses gathered. "Dad?" Stiles asks, snapping him out of his trance.

"Sorry. Melissa, let me just focus on getting your story first. Boys, (Y/N), give us a second."

The three of us back away to let our parents talk. "These are definitely sacrifices, right?" Scott asks.

"And it's one Deaton mentioned. Healers." Stiles confirms.

"But what about Danny? He was throwing up mistletoe. That's not a coincidence. And if he hadn't been with Ethan, he probably would've died. How is Danny a Healer?" Scott questions, confused about why Danny was attacked.

"He's not. It has to be something else. Maybe he knows something or got in the way somehow. " I answer. I look at Stiles to see if he has any input but notice he's watching something behind Scott and I.

We both turn our heads to see his dad on the phone. "Can you hear?" Stiles asks.

Both Scott and I quickly listen in and nod, "They found a body." Scott answers.

*_*_*_*_*_*

The next morning I woke up to my mom shaking me awake and calling out, "Hello? Get up?" I blinked my eyes open from my spot next to her on the bed and turned to look at Scott and Isaac. "Boys!" She calls, louder than before.

Scott lays sleeping in a chair and Isaac is propped up against the wall. Both of them jolt awake at my mom's yell. Once she sees that we are all awake she asks, "What do you think you're doing?"

"We were watching over you." Isaac answers.

"We wanted to make sure you weren't the third sacrifice." Scott continues.

"But all three of you were asleep." My mom replies.

Scott turns his attention to Isaac, "You were on watch last."

"I thought you were on watch last." Isaac replies.

"No, you were on watch last." Scott insists.

Isaac pauses then reluctantly nods, "I might have been on watch last."

"My heroes. Didn't you say they're all doctors? I haven't had an M.D. recently added to the end of my name so I think I'm in the clear." Mom says.

"The Darach is targeting healers. That doesn't mean just doctors." I speak for the first time, making all of their heads turn to me.

Scott continues, "And you were definitely a healer last night."

"Yeah, but I'm not going to be anyone's human sacrifice today. Now all three of you, get your butts to school."

We reluctantly leave her room to get ready for the day. Though Isaac and I both elect to get dressed in something comfortable that we can move easily in, since we both decided to skip school with Boyd and help Derek with the Alpha pack.

*_*_*_*_*_*

Boyd, Isaac and I slide open the door to Derek's loft. We step inside and not even a minute later Derek calls to us, "Get back to school."

"We can't. The three of us are incredibly, unbelievably sick." Isaac answers.

"With what? Brain damage?" Derek retorts, finally coming into view.

"I have a migraine. (Y/N) developed a rash and Boyd has explosive diarrhea."

Derek tries desperately not to smile but fails, meeting us in the middle of the loft.

"We're here to protect you." Boyd says.

"You're here to protect me? I'm in trouble."

My mouth falls open in mock shock, "I'm offended, Der. Did you really think we would come here without a plan? Boyd here, happens to be a bit of a genius."

Derek smirks but doesn't say anything as he watches Boyd place the bag he was carrying down. He kneels beside it to unzip it as he begins talking, "I thought about the time Gerard had me and Erica tied up, hooked to wires that were pushing electrical currents through us. So I wondered how we could do something like that, but on a bigger scale."

Derek reaches into the bag and pulls out a coil of rope. He raises an eyebrow as he asks, "What kind of plan is this?"

"Actually, I'd call it more of a trap."

I move to unravel a hose so water can start pouring onto the floor of the loft. Boyd begins to explain the plan to Derek, "In a pool of electrified water, it can take only fifty milliamps to kill a normal human. Less power than it takes to turn on a light bulb."

"That's comforting." Derek states, looking down at the water starting to pool around his feet.

"If we disable the circuit interrupter in the building's electrical room, the current will keep coming. And anyone who steps foot in here gets a pretty shocking surprise."

"Especially someone barefoot." Isaac finishes.

Derek looks at the three of us, a proper smile beginning to form.

*_*_*_*_*_*

I step up to a platform raised above the floor as I take a call from Scott and wait for the boys to finish setting up the trap, "What's going on?" I ask him.

"Deaton was taken by the Darach. We're trying to figure out where he is. He called me at school and said that I was the only one that would be able to find him."

"It sounds like you're panicking. Breathe Scott. You'll find him, alive. Okay?"

"What if I don't, (Y/N/N)?"

"You can't think like that alright?"

"Is everything okay at Derek's?"

"Yeah, the plan is coming together fine. But don't worry about us. Just focus on finding Deaton." I hang up and quickly dial Stiles. "Do you have any clues on where Deaton is?"

"Not yet. Lydia has no clue how to use her powers or how to find him." He answers.

"Well maybe because Deaton isn't dead or close to death? Her powers tend to lead her to the dead bodies. Maybe it's a good sign that she doesn't know where he is."

"I guess we can hope. But the goal is to find him before he's dead."

"Yeah, I know that. Just keep me updated, alright?"

"Yeah, you too. Stay safe, (Y/N)." We hang up just as Boyd is finishing the trap.

He kneels down and reaches out to touch the water, "Woah, what are you doing?" Derek asks.

"You can test to see if the water is electrified with the back of your hand. If there's a current, it'll kick your hand up. Do it with the front, the muscles clench and your hand goes under." Boyd explains. He reaches out and his hand snaps back. He mutters out, "Still hurts, though."

"You think it could kill them?" Isaac questions.

"I hope so."

*_*_*_*_*_*

As night falls Derek starts to check his phone. "Cora?" Isaac asks.

"She was supposed to be back by now." Derek replies.

I open my mouth to speak but quickly close it. I squeeze my eyes shut then choke out, "Something's wrong. We're in trouble."

"What do you mean? (Y/N/N), are you okay?" Isaac asks, concern laced in his voice.

I don't answer, instead I keep my eyes trained on the water. On pure instinct I take a step forward. "(Y/N)-" The three boys called out to me, shocked that I was taking a step into the electrified water.

They get cut off though when nothing happens. Before anyone can comment the rest of the power goes out, "What do we do now?" Isaac asks.

Derek jumps down from the platform, landing beside me, "We fight."

"There's no back exit?" I ask.

The Alpha looks at me, "No. We need to do this."

I bite my lip and shake my head, "It's not going to end well for us. I can sense it."

Derek keeps his eyes locked on mine, "You're going to be alright, I won’t let anything happen to you."

“It’s not me I’m worried about.” I answer.

Isaac and Boyd join Derek and I in the middle of the loft. A few seconds later the door swings open. Kali steps forward, "I'm going to be honest, Derek. When Ennis died, I thought to myself I would just go for it. Find you and kill you wherever you stand. Then I remembered how you surround yourself with these teenagers. Hiding behind them. And I thought what's a girl gotta do to get you alone? That's when I found out that I've got some real competition."

Ethan and Aiden step out from behind her. They drag Ms. Blake between them. She looks terrified, "You and me Derek. Or they tear her apart. What do you say? Think you can beat me one-on-one?" Kali asks.

Derek steps forward, eyes blazing red, "I'm going to rip your throat out. With my teeth."

Isaac, Boyd, and I all stand back watching nervously as Derek and Kali fight one another. Boyd texts Cora, letting her know what is happening. I, on the other hand, refuse to text Scott or Stiles knowing that they are busy trying to find Deaton and not wanting them to worry about us.

Kali quickly gains the upper hand, Boyd, Isaac and I step forward to help though Derek quickly shakes his head, "No!"

We step back to our places, "Do you still have that sense that something bad is about to happen?" Isaac whispers to me.

"Uh huh." I simply answer, nodding my head.

A few moments later Boyd nods to me and Isaac, indicating that it was time to take action.

Isaac and I rush to the twins, who instinctively let go of Ms. Blake to defend themselves. Boyd rushes towards Kali at the same time.

Rather than attacking, Isaac rushes towards our teacher to get her out of harm's way. I make a move for Aiden, moving faster than he does and scratching his stomach with my claws.

Before he or Ethan can attack Kali calls from behind me, "Take him!"

They run over to Derek to grab the weakened Alpha by the arms. I ran back at them attacking Aiden once more, this time he was prepared though. He throws me hard into the floor, my head knocking against the ground.

I lay dazed for a minute, sitting up just in time to see Kali drop Boyd onto Derek's claws. "I'm giving you until the next full moon, Derek. Make the smart choice. Join the pack. Or next time I kill all of you." Kali spits out.

She turns, walking past Isaac and Ms. Blake and out of the loft. Ethan and Aiden right on her heels.

"It's okay." Boyd whispers to Derek.

"It's not." Derek whispers back, voice cracking and tears in his eyes.

"It's all okay."

"I'm sorry."

Boyd shakes his head and weakly smiles at his Alpha, "The full moon. That feeling, that was worth it." He pauses, "You know there's a lunar eclipse coming up Erica and I were wondering what happens to us. If it makes us stronger."

Derek doesn't get the chance to answer him. Boyd falls back into the water, no longer breathing.

I hear footsteps at the loft's entrance but can't rip my eyes away from Boyd's lifeless body. Finally Stiles stands in front of me breaking me from my thoughts. He reaches out a hand that I gratefully take.

Once I'm standing properly he asks, "Are okay? Are you hurt?"

I shake my head, "No? To which question?" He asks once more.

"Both." I whisper, a dazed look present on my face.

He instantly pulls me into a tight embrace, trying to comfort me.

~~~~~~~~~~

Taglist: @crazy-fan-101 @rogershoe

#teen wolf #teen wolf imagine #teen wolf rewrite #series rewrite #isaac lahey imagine #lydia martin imagine #sister mccall imagine

28 notes · View notes

amintyworld · 4 years

Text

The Last Visit

Fandom: Miraculous Ladybug

Characters: Marinette/Ladybug, Adrien/Chat Noir, Emma Agreste, Louis Agreste, Hugo Agreste, Daniel Agreste, Juliette Agreste, Nicky Agreste.

TW: Implied Major Character Deaths, Dying, Sickness. (Let me know if I missed any!)

Marinette breathed slowly as she lay on the bed, looking out the windows with a smile. The pure autumn breeze swept through her greying locks, and she closed her eyes for a moment. "Beautiful day, isn't it Adrien?"

The room was silent. "Yeah, I thought so you silly kitty." The wind whipped the older woman's hair back and forth.

"You know Hugo's a fighter now, on the front lines? He sends me letters everyday, to make sure I'd never worry. You know how I worry, cat."

She paused. "Louis took up the bakery - hopeless romantic, that boy. Clumsy, too." Marinette laughed. "Emma's settled down, got married a few months after we got the letter. I… I know you wanted to be there."

The older woman took a breath.

"It's funny, you know. You left so quickly, yet I know you're still here. I guess you kept your promise, kitty." She swallowed. "I'm sorry that you've waited so long for me. But, I'll get to see you soon, you know. The doctors can only do so much about age." A tear slipped down her cheek.

She wiped it away with her finger slowly as the hospital doors opened, and she shifted in her bed to better sit in it. A nurse gave her a small smile. "Visitors, Ms. Agreste."

A small child ran up, jumping on Marinette, throwing their small arms around her neck. "Grandma!"

"Nicky!" An older woman, with long golden hair and blue eyes scolded the little tyke. "Grandma Marinette can get hurt easier than we do. Be careful."

An older dark-skinned teen with black hair and green eyes entered quietly, hands inside her jean pockets awkwardly, staring toward the floor. After the girl filed in a dirty blond haired boy with an earbud in, texting on his phone. He looked up and smiled at his little brother as he awkwardly tried to hug carefully.

"Sorry we're a bit late, Mom."

"No worries at all, Emma. I know you're very busy these days." Marinette said, smiling warmly at her daughter, and helping the smaller toddler down from the hospital bed. "Goodness, you're getting so big!" She said to Nicky, making the toddler smile, a few of his teeth missing.

"Momma says that I'm getting so big, that I need new clothes soon!" The tyke said, smiling once more to his grandmother.

"Oh really?!" Marinette said, giving the toddler a warm smile. "Hey, you know what? I think that there's some ice cream in the kitchens. Why don't you guys go grab some and leave me and your Mom to chat for a bit. My treat."

"No, Mom, it's okay. You don't have to-"

"I insist." Marinette said.

The older brother, Daniel, took the twenty dollars from his grandmother and gave a smile. Marinette smiled. "Tell Melissa I sent you, alright?" She put a hand to the side of her mouth as she whispered. "You'll get hot fudge."

Nicky's eyes were wide, chanting as he left the room, his brother guiding him out with a chuckle, their sister tagging quickly behind. "Hot fudge, hot fudge, hot fudge, hot fudge!"

Once out of earshot, Emma let out a happy sigh. "You're really good at spoiling them."

"What can I say, it's a talent." Marinette laughed. "How's Hugo and Louis?"

"I haven't gotten any messages from Hugo in a few weeks, and Louis…" They both sighed in unison, saying the next part together: "...still in love with that barista."

Emma's face turned serious. "Sorry Elliot couldn't come today, he's just so busy…" She trailed off. "Mom, remember how you and Dad met? How, Dad was in love with Ladybug, and you were in love with Adrien?"

"Yes, of course." Marinette said, looking at her daughter's focused face.

"How did you know?"

"What?" Marinette asked.

"How did you know you were in love with Dad?" Emma asked.

Marinette breathed, thinking. "Well… there was something about… about the way he was. When we wore those masks, we were us, truly us. I always knew that your father would be there." She paused. "Even after I'd rejected him over and over, he was still the same. He was my partner, and he was also my friend." She reached up to touch her earrings. There was no need anymore - but she still wore them, just because she felt as if she took them off, she'd be losing a part of herself.

"Even if I hated him, even if the world was falling before us, even if I had caused it - he wouldn't leave my side. After the reveal, everything just locked into place. He had always loved me, even when I didn't love him back." She smiled. "I realized that if I didn't have that, if I didn't have him - I wouldn't know what to do."

She sighed. "I would… I wouldn't be able to carry on without him."

Emma looked to her mother, smiling. "Like, he was a part of you, and if you took that part away, you'd never be the same again."

"Yes." Marinette said. "Is… is this about Elliot?"

"No…"

"Emma Elizabeth Argeste." Marinette said sternly.

"He's just been in the office a lot lately, and I've just missed him. It's… it's nothing."

Marinette smiled fondly, cupping her daughter's cheek in her hand. "Honey, if you miss him, if you feel like that part of you is missing - that's love." Marinette breathed in a bit deeply and coughed for a while, in a coughing fit that rattled her body.

"You alright, Mom?" Emma said, clearly concerned.

"I'm fine." She said. "Just old."

"You know what Dad said about going off to fight - how he was fighting to make sure that you got to live to see so many amazing things, to watch me, Louis, and Hugo grow." Emma said.

"Seems everything he wanted came true." Marinette smiled. "Did you bring the miracle box like I asked?"

The faded ladybug spotted oval container was plopped on her hospital bed table. She opened the top flap and took out the two familiar boxes. "There's something coming, Emma. People are going to need Ladybug and Chat Noir again."

"What?" Emma said. "But… But how? And more importantly, who?"

"I have some ideas." Marinette said. "Tikki!"

The red and black kwami rushed out of Marinette's purse quickly. "Tikki, I… It's time."

"What? Marinette, no!" Tikki said. "You… you can't!"

"You need to go to your new miraculous holder." Marinette said. "A new Hawkmoth could emerge at any moment, and we need to be ready."

"Marinette!" Tikki said, crying, flying to her master's side. "You were the best Ladybug I ever had."

Marinette smiled. "You were the best kwami I ever had. Promise to help the kid?"

"Of course." Tikki said.

"Look out for the doofus. He's…he's a bit of a mess, and, after changing schools - he needs a friend." Marinette said, Tikki's small head pressed against hers as she reached for her earrings. "Goodbye, Tikki."

"Goodbye, Marinette."

Marinette quickly took off the earrings as Tikki vanished into the box. She slowly set the earrings inside, closing the lid.

-------------------

"I won't be a good guardian, Mom! Please, pick someone, anyone else!" Emma cried.

"You will be a great guardian, Emma." Marinette said, holding her daughter's hand in her own. "Someone needs to look out for them, hm? I could think of no one better. They'll get over their heads - keep them safe, and keep them in line."

"But… but-"

Marinette only smiled at her daughter. "You've got a pure heart and a good head on your shoulders. If Hawkmoth could be defeated once, he'll be defeated again. Find someone for the cat miraculous - good of heart, and kind - a sense of humor of course!" Marinette laughed.

It seemed ages ago when she and Chat had finally recovered the miraculous, only to find it missing within a few days. It was a great tragedy, but Adrien had assured her they would get it back - all it took was to wait for the villain to appear again.

"I know that you can do this, Emma." Marinette said, cupping her daughter's cheek with a smile. "You are the best parts of your father and I - we're so proud of you. I'm sorry you have to work to fix my mistake, but I don't have much time left. I love you, and I believe in you." Marinette smiled, coughing for a bit before continuing, her voice extremely hoarse.

Marinette's smile was replaced with a stern look. "Now, go give that villian exactly what they deserve, okay? A nice smack to the side of the head would do nicely to knock some sense into those brains of theirs." Marinette said, making Emma giggle and smile.

"I promise, Mom."

"I love you, Emma."

"I… I love you too, Mom."

-----------------

As the visit was ending, Marinette was walking the family to their car when she fell on purpose, knocking into Daniel as he caught her and she quickly slipped the earrings into his bag. She had to admit, it was a bit of deja vu for her as she remembered Fu doing the same thing to her not too long ago.

"Oof, I'm so sorry, must just be my hip." Marinette said. Her grandson gave her a smile.

"Be careful, Grandma." Daniel called. "We don't want you to take a spill. You should go rest up that hip though."

"Will do, Danny." Marinette smiled. She couldn't help but see so much of herself in her grandson - the determination, nervousness, awkwardness, the hidden confidence behind his eyes.

As everyone was in the car and driving away, Marinette said a silent goodbyes to Plagg and Tikki. Emma had tucked the miracle box under some cloth and crochet yarn determined to keep her promise to her Mom.

That was the last time anyone had seen Marinette before she had passed away a few days later, still staring out the window, smiling. Her thoughts were only to Adrien, and she could swear she saw a bright light with Chat Noir holding his hand out, with the biggest smile.

"My lady, you're finally here-"

#tw character death #miraculous ladybug fanfic #miraculous ladybug #miraculous ladybug adrien #miraculous ladybug marinette #miraculous ladybug the next generation #miraculous ladybug ending?#emma agreste #hugo agreste #louis agreste #my writing #MiraculousFanficRecommendation

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celawrites · 4 years

Text

Day 20

It’s 3am when I get a call from someone. I’m half asleep and I answer the call. At first I don’t hear anything. But the quiet sniffing from the other side of the line wakes me immediately.

“Z?”

“I-I’m sorry it’s j-just I don’t have anyone else to t-talk to”

“Don’t worry. I’ll be here for as long as you need”

The sniffing on the line stayed there, and the silence that lingered provided a sense of comfort for him. Eventually, his ragged breathing turned into soft snores, and only then did I hang up. He had another anxiety attack. It happened pretty often considering that his brother had the grades of a genius. The unspoken pressure cracks down on him at the worst of times. He was lucky to have someone to talk to, plenty of people don’t have anyone.

I fall asleep again shortly after. It’s 6am when I wake up again. My morning passes like normal, and I head out again. Not before checking up on Z though.

Clown: How are you? Are you feeling better?

Z: Yea Thank you

Clown: Get ready We’re dropping by McDonalds in a bit

Z: Just me?

Clown: Of course

Read at 6:09

The drive to his house is silent. I don’t play any music, it doesn’t seem fitting to do so. I find him waiting in front of his driveway, pacing around.

“Hey”

“Hi”

“Sorry about last night. I didn’t have anyone else to call, and I kinda-”

“Stop apologizing. We all have our moments. I’m glad you trust me enough”

“Who do you call? You seem so calm, yet I’m pretty sure you’re the most turbulent”

I pause. Then I realize that most of the time, I calm myself down by falling asleep.

“Do you not call anyone?”

“No. I usually end up falling asleep after a while. They’re not that bad”

“It’s good to have someone to talk to. Your words not mine” Z hums.

“Eh. I would rather keep things to myself. I don’t like calling people at 3am.”

“You could call my brother.”

“He isn’t empathetic enough”

“He’d kill you if he heard that”

“I’d let him. Easier for all of us”

“Pfft”

When we get to McDonalds, he orders an oreo Mcflurry, and I only grab two cups of coffee.

When we get to school, Madison is already flirting with Sun again. He speeds over when he sees the coffee I’m holding.

“Cress you lifesaver” he mumbles, grabbing his cup.

“Only for you”

“I feel like I’m taking advantage of you”

“sUNNNN” Madison rushes over. I hear a quiet ‘and there goes my peace’

“Did you grab anything for me?” Madison asks. I hand her a chocolate pastry.

“Thank you!” her voice is sickenly sweet. It nearly makes me throw up my coffee.

“So Sun! Are you free this Friday? I wanted to catch up with you, and I’m only here for a week and I wanted to know if there was anything new in your life. Oh you should give me your number! That way we can call even when I’m not here” Madison rambles.

Sun shoots me a pleading look of save me and I stifle a laugh. “I’m hanging out with Cress this Friday. She mentioned something about a new cafe around here”

At this point, I’m borderline dying. “Mhm. You can skip though. I’m sure you two have alot of catch up on”

“No no! You’ve been talking about the cafe so much lately, I’ve actually grown rather curious about it.” Sun saves himself.

“Alright-”

“Can I join you two then? I mean it’s not a date right?” I laugh when she asks. Sun only glares at me.

“What if it is?”

“Then you’ll third-wheel!” She grinned. I cackle.

“I’d prefer if you didn’t come.”

“Why? I mean you still like me right?” He pauses while I finish the last of my coffee.

“I’m not too sure anymore. You’ve changed” I scoff. She hasn’t changed one bit. If anything, she’s manifested and become even worse. But I suppose that’s also change.

“But I’m still the same person! You like me!”She whines. “Give me this week to prove to you that I’m still the same person!”

Sun doesn’t say anything in response, and she takes that as a silent yes. The first bell rings, and I wander off to my first period. There’s a lot of things that happen today, but my favorite has to be during lunch.

Turns out Madison came back because she was suspended from college for plagiarism. I wonder what. This came out of the conversation from lunch.

“Did you hear? Madison got kicked out of college?” It’s my table during lunch today.

“I heard she plagiarized someone else’s work. She failed to prove that she was the writer Serenity”

“What book did she try to plagiarize?”

“I think it was Canadian shenanigans. I wonder why she wasn’t able to prove herself. I mean, we saw her post the book chapter by chapter. I hope her appeal works”

“She’s Serenity?” I pipe up.

“Yeah. She was talking about how her book was finally getting the recognition that she deserved last year. But Serenity had never shown her face so we actually aren’t sure that she’s her but we currently have the most evidence that’s for her.”

“Oo” I’m dying inside. All my books were published under the name Serenity and the only piece of evidence that proves I’m her is the award that was shipped to me. It sits on top of my desk to this day.

“I know right! I can’t believe she wasn’t able to prove it!” Another girl whines.

“I hope she gets her appeal, I have a signed edition from her. It’d be a shame if she had actually plagiarized.” Pebble mumbles. “The book was really well written. It almost reminded me of your short story from 8th grade”

“Hilarious. I wouldn’t name myself Serenity, not to mention that I don’t have the tolerance to publish a book”

“Hm. Anyways, did you hear? Sun has a new crush apparently. Danny forced it out of him but he never got the name”

“Really?”

They carry off in the conversation and I head back to my locker. In the corner of my eye, I spot Madison cornering Sun and trying to force a kiss on him. My face contorts in disgust before I wander over.

“Hey Sun!” His body visibly relaxes.

“Cress. I was wondering when you were gonna join me.”

“Sorry, the girls were discussing something interesting”

“Hm? What was it about?”

“Serenity. The author. You didn’t tell me you were her Madison!” She gives me a smile, a smile that looks like she’s lying.

“Sorry! It’s just I only told the students here and I didn’t want to draw too much attention”

“Oh, that’s cool though! I really hope your new work does well!” She freezes. She probably hasn’t been keeping up with the blog’s post. I had posted that I had a work in progress and a short clip of the book. My followers are hilarious, almost immediately jumping to conclusions.

“Ah thank you! I have big plans for it” She beams. Sun drags me off and we start to wander around the grass area.

“I like you” My cheeks flush red and my eyes wander to the ground.

“You sure you’re not saying so that I would get a way out?”

“Your fault for saying that we were hanging out on Friday. There isn’t even a new cafe around here”

“We’ll find one that you’ve never been to then”

“Why do you care so much? The girl you like finally likes you back. Shouldn’t you be over the moon right now”

“Would it be selfish to say that I want to stay on the moon?” I actually don’t realize the weight of those words until the last day.

“Go further. Go on a date with her. You liked her for so long, and you chased after her for so long, don’t be weird.”

“I stopped liking her”

“Who do you like now? Is it Steph? Omg she’s really cute you should totally ask her out”

“I can’t with you”

“Neither can I”

The bell rings and we rush back to the building. Class ends quickly and soon, I’m in bed at 6pm.

3am.

I wake up and scREAm. I’m craving many things and one of them is affection. Curse me for being single.

I wander out of bed, and get ready for McDonalds.

Clown: MCD?

Read at 3:37am

I wander off to McDonalds, carry in a conversation with the employee, and head to my school to vibe. Soon, the sun starts to rise.

Previous : Masterlist : Next

#angst #writing #fiction #my ocs #fluff #emotional vulnerability #365 days #365 days of writing #365 days of rejection #project #quarantine project #I'm running low on motivation #first person

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kissandships · 4 years

Text

Well, this was totally inspired by @karis-the-fangirl’s post about choosing sides to the bed for Kristanna. This is very similar, but for Lindanny (cause they’re my fave)

Small Spaces, Or Size Matters

Rated: G

Ship: Lindanny

Drabble (Kinda)

He was used to small living accommodations. The first house he lived in (that he could remember anyways) was a relatively small place. It had small rooms, but he was small, so he didn’t mind. As he grew, (mainly, as his siblings grew) he started getting ansty. He’d seek refuge in the old oak tree in the backyard. Up there, he could read and think in peace. When his baby brother came along, the house got even more crowded. He was ten, and Mama was too big to move around in the house freely. When he was forced to share a room with his sister.... he was positive that the house grew smaller. Within days, his parents found a new house- a bigger one, more into the city.

He was happy about the new house. It was big and closer to his friends, but their stuff remained small. Small couches, small chairs, small beds. His bed was far too small in his opinion. He could fit in it, easily and comfortably, he just wanted a bigger one. At the time, like most kids, he was convinced bigger yielded better. The “small” bed serviced him well, as did the small closets and dressers and nightstand. All in all, he couldn’t really complain. He had all he needed, and his family was with him. What more could he want? (Except a bigger bed).

When he went into the Marines, he got a new meaning to the word small. The barracks were cramped, people snored, he could feel the breaths around him. Of course, he got used to that just like he did the small houses and rooms. To this day, however, whenever some one uttered the word barracks, a shiver ran down his spine. He never wanted to experience that again. (And he wasn’t even talking about the fighting or the dying or the harshness of it all). (Maybe that’s why his wife deemed him claustrophobic?)

So, when he got married, and finally moved into an apartment, he was surprised at how big the bed was. It was at least a Queen, probably a king.

“What? You’re acting like you’ve never seen a bed before! And I know for a fact that you have.”

“Of course I have. It’s just so... big.”

“That’s cause you’re a big person, Danny. Well, your height’s average. But you have big hands, big chest, big feet....”

Danny smirked and raised an eyebrow. “And I suppose you’ve never had a tiny bed?”

“Not since I was ten.” Linda shrugged, fluffing a pillow. “Haven’t you ever had a big bed? Oh. No, you haven’t.”

“It’s okay, Linda. It’s not a bad thing.”

“Well, one thing’s good about a big bed.”

“What?”

“This.” She grabbed him by the tie and pulled him to the bed.

He laughed, “that’s true.”

~~~~~~~~~~~~~

Danny was used to small beds, which is why he kept to his side while sleeping. With time, there weren’t really “sides” anymore. Linda encroached near him (usually directly on top of him), and he’d spoon behind her, or drape an arm and leg over her. But now, in the present, he still kept to his “side”.

“Whatcha doin’ all the way over there?” Linda’s voice broke the silence.

He turned towards her, “sorry. I’m just used to being in closed spaces. People breathing on you, can’t turn around comfortably, no personal space.... I wonder if that’s why I hate small places?”

Linda chuckled, “you’ve got a whole bed now, and, maybe, when we can afford a bigger place, we’ll have an even bigger bed. Y’know, so we won’t be squished when the kids come in.” She sighed as she snuggled next time him. “Now do you believe me?”

“About what?”

“About how size matters.” She lifted her head and grinned cheekily, then burst out into a fit of giggles when he nuzzled her neck.

Maybe she was right.... maybe size mattered after all.

#lindanny #linda reagan #danny reagan #ficlet #drabble #small spaces #or size matters #<- an innuendo there #insired by @karis-the-fangirl

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ila9182 · 5 years

Note

What about CSI NY?

Thank you so much Erin @spindleofaspinningwheel for the ask! CSI NY, one of my favorite shows... let’s make that trip down to memory lane! This might be a long post, so you can find my answers after the cut!

The character I least understand

Probably Lindsay. I know she was one of the most loved characters of the show, but I never felt a connection with her... and despite the great and interesting background storyline she had, I just don’t seem to understand her and I’ve been pretty indifferent to her.

Interactions i enjoyed the most

There are a bunch of interactions I loved in the show...

- The family interactions: the team being a big family and having each other’s back, Jo and her children, Flack and his sister, Danny and his brother... the little glimpses we had of their personal lives were always very appreciated.

- Mac & Jo: they are my OTP and I just enjoy the banter, the teasing and the complicity/chemistry between them. I love how comfortable they are around each other and how Jo seems to be the only one to be able to make Mac smile.

- Danny & Flack: The BROTP of the show. I love those two together, the funny and silly moments they shared, the sadder ones... and through it all, they always had each other’s back.

- Jo and Sid: their friendship was one of the most beautiful thing of the show. Light, funny, real... in good and bad times (as the last season showed us).

The character who scares me the most

None, even if grieving Flack got pretty closed. His self-destructive and enraged behavior was kinda scary (but understandable), because I didn’t recognized my sweet Flack anymore.

The character who is mostly like me

Definitely Mac Taylor. I’m the one in the corner, silent, shy. No private life, workaholic. Not very sociable. That’s just me.

Hottest looks character

Don Flack was definitely one of my first crushes since the beginning of the show and I was like 13 back then, it was that half Italian, half Irish look that won me over. Hahaha

One thing I dislike about my fave character

That Jo arrived only in season 7 when I wanted her to be around from the start? Okay, more seriously, how can I dislike anything about Jo Danville? Maybe she’s sometimes a little too bubbly or get easily overwhelmed by her feelings, but I don’t really dislike that (not when it ends up with her confessing to Mac how much she adores him).

One thing I like about my hated character

One thing that I like about Stella Bonasera?! Uhm, really? The fact that she left at the end of season 6? She should have left sooner though Hahaha

A quote or scene that haunts me

Jessica Angell’s death and Don Flack holding her - his girlfriend - in his arms and driving her to the hospital. Flack killing the guy who killed her. The whole storyline destroyed me. Fuck, it still hurts.

Aiden Burn’s death: when the team finds out through the facial recognition system that the dead burnt body found in a car is Aiden’s. That wrecks me every time. And how fucking ironic is it that her last name was Burn, really?

Jo Danville being beaten up by John Curtis (even if this led to one of the most beautiful scenes for my OTP) and her personal storyline about her sister dying and Jo meeting the man who got her sister’s heart.

And for the quotes... one that keeps haunting me is this one “Promise me you’re not telling me goodbye” said by a sobbing Jo after she discovered that Sid has cancer. Sela Ward killed it in this scene, I’m still emotional about it.

A death that left me indifferent

None, absolutely none. I’m still sobbing over Jessica Angell and Aiden Burn’s deaths.

A character I wish died but didn’t

Christine. Definitely Christine. The most useless character ever introduced, just to destroy the real OTP of the show (that last season was the worst, really). I still can’t wrap my head around the fact that Mac would want to marry such a whiny, annoying character. I still can’t believe they didn’t killed her off after she got kidnapped, it would have been just perfect.

My ship that never sailed

More than never sailed, one that never got a chance to last. Don Flack and Jessica Angell, they were absolutely adorable together and their relationship lasted just a few episodes before Angell got killed. My Don Flack definitely deserved some happiness in his life.

Aiden Burn and Danny Messer would definitely be the ship that never sailed though. Their banter, constant bickering and teasing was cute and I’ve always thought they were more than friends (and I might be the only one to believe that).

#Fandom ask #CSI NY #Mac Taylor #Jo Danville #Don Flack #Jessica Angell #Aiden Burn #Danny Messer #Sid Hammerback #and everybody else

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insomniac-dot-ink · 5 years

Text

Tiffany Green and the Monster at the End of the Hall

Genre: supernatural thriller/monster story, wlw

Rating: M for monster-related violence

Words: 12.8k

Summary: Tiffany Green has watched too many scooby doo episodes and now she’s trying find the local monster at the motel her mother works.

Too bad there’s a rival monster hunter in the area.

Patreon ⭐ Ko-Fi ⭐ WordPress ⭐ Twitter

warning: for serious injury, blood, and fatalities

Tiffany Green sat crossed-legged with a transistor radio in her lap and the bud of one headphone in her ear, she stuck her tongue out a little bit and squinted into the dark.

The space was cramped, four walls on all sides brushing against her, barely fitting all of her knees and elbows- which her aunt joked was 70% of her to begin with. The carpet underneath was thick as sin and smelled of must and the death of the 1980s, a mini-ironing board was pushed to the side on her right.

She wore a large brown bomber jacket that’s sleeves pooled around her wrists and made her neck sweat. Her lank blonde hair fell down past her shoulders, which she tucked it into her jacket to keep it back, though her fringe bangs in turn fell into her eyes more than a couple times anyway.

She had long limbs, knobby elbows, and an almost sickly pallor that her father called ‘the antithesis of California darling.’ Her eyes were a flat grey that sometimes shifted into being a proper blue.

She wore stark white shorts and a peach tank-top with spaghetti straps that teacher’s traditionally didn’t appreciate. She had notably ‘attentive’ large ears with three different earrings in each, a sun, a moon, and several stars attached by thin silver chains. She hummed as she worked.

“And she’s a maniac, maniac, on the floor.” She sang softly to herself and hunched over the buttons of the old radio. The speakers droned from one station to the next.

“--It’s going to be another scorcher-”

“-you’ll have to bury your head in the sand to ignore this ne--”

‘--I wanted you so bad, before I you came into my life I-”

“--a dan--”

“--up--”

“--as--” Tiffany shook the radio in midair and crunched herself up in a ball around it, “just one good signal,” she pinched her lips together, “come to mama.” She kept turning the knob until the radio went completely silent, channel 98.3, a sudden, inexplicable hush erupted from the other end. She paused, heart tumbling down her throat and eyes going wide. She ripped her earbud out and stuffed into her pocket, she leaned forward.

Her knuckles bleached as she held the radio harder and stuck her face up to the dials. “Hello…?”

Static warbled through the signal, a sudden buzz that sizzled through the air and made the hairs on her arm stand on end, her mouth fell open. “Tell me what you want.” She whispered.

The static increased, like it was singing. Tiffany shook her radio, “Tell me why you’re doing this.”

The static crooned into a soft hum, she held her breath, waiting for something. The silence stretched.

“Oh. No.” A voice huffed, “Tiffany!”

Tiffany jumped violently as another voice called out.

“Tiffany,” banging came from the other side of the door, “young lady!”

Tiffany flattened against the wall as light came flooding in from the entrance, she hissed at the intrusion, “noooo!” She cried with a sharp soprano.

A scowling face loomed over her, blocking the door, her mom put her hands on her hips and frowned deeply. “You better not be doing what I think you’re doing.”

Her mom was a medium-sized woman with wide hips and curly brown hair that was tied back by a thick white handkerchief. She wore practical shoes, practical jeans, a blue t-shirt reading ‘Anne’s’ on the front, and a single simple necklace with a ruby in the center.

Her face was wide and expressive, she had matching ears to Tiffany’s- though they were slightly less adorned.

Tiffany glowered up at her and held the radio up to her ear, she closed her eyes and waited for the static again. “Ugh!” She cried loudly, “mom, do you realize you just interrupted the find of the century?” Her mom groaned and held her head, “out, out, we need this room cleaned an hour ago.” Tiffany tucked her loose bangs behind her ear and sat up straight, “why? Nobodies here.” Her mom wagged a finger in the air, “if you’d like me out of a job and no dinner on the table then this room is cleaned by 12pm.” She gave her a sharp glance, “no hiding in the hotel closets and listening to music.” Her mom ushered to her feet and Tiffany huffed.

“I wasn’t listening to music, I was-” “Looking for aliens,” her mom sighed deeply. “Tiffany. Please, honey. I love you. But you have to come out.” Tiffany could have broken into a guffawing-laugh at that, but instead settled for a deep groan .

“It’s a monster mom. M. O. N. S- I mean, you get the point. Not an alien.”

“It’s not going to have to deal with an angry mom if it doesn’t get a move on.” Tiffany promptly scuffled out the closet, eyes down, “the owners will thank me when we aren’t considered the most haunted motel on route 78.”

Her mom tutted again, “we aren’t haunted.” She paused as she reached for the sheets to clean and launder, “we’re just… unlucky.” Tiffany sighed deeply, “I’m going to go try to commune in another room.” “No closets.” She called after her, “and no bothering Mr. Thomas.” “I hear you,” she waved her hand in the air as she stalked off. “I can’t believe that girl is almost 20.” She could hear her mom muttering as she started busily folding and scrubbing and getting down to business.

Anne’s Roadside Motel was a two-story building with around 120 rooms in 30,000 square feet, the place had two owners- neither of which were Anne. It had mattresses people checked for bedbugs and small televisions from the early 00s in place.

The motel had a staff of around 25 people, all of which Mr. Thomas liked to keep a personal relationship with, Rowing was not a big town. It’s main source of income was the highway and the highway was trying it’s best ‘not to become a low-way’ as Mrs. Rodriguez joked.

South Dakota hadn’t bothered to fix roads up in this part of nowhere in a while, it wasn’t close enough to the oil fields and was just south enough of ‘who gives a fuck.’

Tiffany hadn’t been back to this town in 2 years, instead living with her dad in Northern Cali in order to graduate from a ‘good high school.’ Tiffany took the 10 hour car-trip after throwing her cap and had been sitting in closets with a radio since.

Anne’s Roadside Motel didn’t have an Anne in it, but it had a brother and sister that installed a pool 2 years ago and discretely set up rat-traps to really spruce up the place. That was until the rumors started going around, the ones in the newspapers and murmured on the TV screen. Anne’s was having a string of ‘bad luck.’

It looked normal enough, with green flooring and yellow wallpaper, a muted yellow, the type of yellow that bridged on giving you a headache but didn’t quite get there. It smelled like chlorine and wheat, but there were worse smells out there.

The lights were low-hanging and mirrors were from the 90s, the tables were all wooden and the pictures were of random rolling purple mountains that was somewhere definitely not South Dakota.

Breakfast was at 7 every morning and Tiffany got there usually at 7:30 to snag the ‘better bagels’ and some burnt coffee. The other staff liked her, but maybe that’s just what she told herself.

And maybe it’s because she was the only one allowed to talk them about the incidents. Anne’s Roadside Motel was two-stories and 120 rooms.

Tiffany Green planned to visit every single one, and maybe prevent anyone else from dying here.

---------------------

Tiffany was sitting in a swivel chair, making lazy little circles in place and balancing a pencil between her fingertips. She tapped her white sneakers in the air as she splaid out sideways. A woman in a busy red suit jacket and slightly too-tight matching skirt sat next to her in a smaller swivel chair. They lounged just out of sight behind a long linoleum desk with a little bell on it. Tiffany kept her eyes trained on her, trying to catch her eye.

“So,” Tiffany finally said and jerked her head toward the plump middle-aged woman beside her, “last Saturday.” Mrs. Candice Marx gave her a bemused look, “you want more?” Tiffany turned completed toward her, “as much as you remember.” Mrs. Marx, no relation to Karl, looked left and then right before leaning toward her, maybelline bright lipstick puckering, “you know Mr. Thomas isn’t too keen on us gabbing about it.” Tiffany sprouted a slow smile. “I won’t tell ‘em if you don’t.” She sat up straight and a jabbed a pencil in Mrs. Marx’s general direction, “someone has to stop this trouble.” Her blue eyes light up, Mrs. Marx read a lot of detective novels. She bent down, “It’s not all that much to go off of.” Her plush red lips are making a perfect ‘o.’

Tiffany gave her a thumbs up and grabbed her pencil a little more firmly, putting it down to paper. “Whatever you have, whenever you’re ready.”

She cleared her throat, “Well, okay, if you’re interested.”

“I am.” She nodded firmly, trying to edge her on. Mrs. Marx touched her blonde bob, primping it, as if she was being interviewed for local day time TV, “Danny was staying at Elsa’s so I agreed to do the nighter, it was Saturday, last Saturday. Ms. Thomas is having us do the late reception for real you know. She’s a real… well, she’s a real go-getter. Going to improve the stains in the reception hall next she said.” “Uh-huh,” Tiffany focused on scribbling nothing very meticulously.

Mrs. Marx tilted her head to the side, “I was just resting my eyes for a moment-” “When?” Tiffany started really writing.

“Oh, I’d say around 2am? Maybe a little sooner.” She snorted, “We weren’t gettin’ any calls, except from crackpots asking about setting up seances here. You know Mr. Thomas won’t have any of that- he’s not into that type of money Clyde says.”

Tiffany tried to keep her expression blank, “What happened next?” She twisted her mouth, “well, no phone calls. I was sittin’ right here, I don’t know really what it was, some sorta noise-” “What type of noise?” Tiffany sat completely upright. “A buzzing?” Mrs. Marx scrunched her nose up, “no, maybe, it was sorta… crunchy? I was drifted off, all I remember next is just waking up, don’t really know why. One moment I was lying in the chair, and the next I was upright and lookin’ at the lobby.” Tiffany leaned forward, “What did you see?” Mrs. Marx bent down very low, her caked-on mascara almost close enough to brush her, “That’s just the thing.” She breathed, “everything. It was bright, too bright, you know? All the lights turned on.” Tiffany nodded fastidiously, “What did you do?” “Well,” Mrs. Marx flattened her skirt out, “I thought of high-tailin’ it out of there, don’t want to end up like poor Mr. Koviak.” “Yes, absolutely,” Tiffany was jotting quickly: noise, lights, waking up.

“There was this real… feel to it too. Like something cold, or like a headache, right before the pain part.” “K,” Tiffany furrowed her brow: headache?

“The lights were all on, even the ones that are motion activated,” Mrs. Marx’s eyes were wide, “but only in the left hallway.” She pointed, “Right over there.” “What did you do?” Tiffany adrenaline flooded her, “What did you see?” “Well what was there to do? I-” A bell dinged. Tiffany gripped her pencil so hard she’s afraid it might break in two, light footsteps approached.

“Excuse me,” A rich voice called out. “Are there any rooms for tonight?” Mrs. Marx and Tiffany turned toward the lobby in unison, Mrs. Marx immediately burst into a practiced smile. “Of course!” She pushed her rolling chair toward the desk and sat up straight. “What can we do you for?” The customer was a young woman with long brown hair, it had a sleek shine to it but was choppy and uneven in parts, as if someone just hacked at it a couple times. She had high cheekbones, an oval face, and lightly browned skin- native probably, from one of the local tribes.

Her eyes were dark half-moons and her lips were turned down in a grimace, she seemed a little taller than Tiffany. She was wearing a green shirt that reminded her of the military and was carrying a large duffel bag on her shoulder.

Her teeth were stunningly straight and white when she spoke and Tiffany had to lean back from the glare of them. Tiffany hunched her shoulders like a cat sprayed by water as the stranger interrupted them.

I was so close, Tiffany clenched her teeth and pedaled up to the desk next to Mrs. Marx. She was chattering away.

“So there’s bedrooms in the west wing, but not the east right now, but the sunrise in the west windows is just to die for. You can see right all the way to Black Elk Peak, have you been there darling?” “Can’t say I have ma’am.” Her voice was still low and steady, Tiffany eyed her big bag. Something was different about this. “Well it’s just lovely. Especially from the west wing windows!”

“What brings you around here?” Tiffany interrupted, she could feel her mom cringing at her from rooms away.

The young woman raised her eyebrows and refocused on Tiffany, “Just passing through.” Mrs. Marx nodded, “Most folks are.” She agreed, “A real travelers town.” She gave a small laugh, “My own Ricky, that’s my husband, was only passing through when I met him! Said he’d never stay, but look at him now- a curmudgeon with a house in the hills.” Tiffany snorted at that, but the woman just arched her eyebrow up, “sounds nice.” “Oh it is,” Mrs. Marx could go on, but I thought I’d spare the traveler a little.

“Well alright,” I crossed my arms over my chest, “As long as you’re not here for any ghost-snooping, Mr. Thomas is telling Spook Hunters to stay out.”

Mrs. Marx gave a nervous laugh, “I mean, it’s not all that.” “Oh,” the woman just cocked her head to the side, “Ghosts?” “No ghosts,” Mrs. Marx said quickly, “Bad local legends is all.” The woman leaned across the counter, “Should I be worried? I’m sure I could keep go-” “No, no,” Mrs. Marx shot Tiffany a sharp look. “Nothing of the sort, Tiffany here listens to… a lot of wacky podcasts! How long would you be staying with us?”

The woman relaxed, “Just two nights.” She said evenly, “you have internet, right?” “We have internet.” She nodded briefly and then eyed me, “And as long as no ghosts come out I suppose.” She gave a thin smile and took out her credit card. Tiffany leaned forward, “It’s not actually ghost, it’s probably a m-” “So credit card? What name should I put the room under?” The woman adjusted the bag on her shoulder, “Lona,” she said simply, “Davis.”

Mrs. Marx was already nodding and moving onto when breakfast was and the ‘no stealing our bath towels pretty please’ speech with at least two mom jokes.

Tiffany examined Lona again, her eyes dragging up and down. There was definitely something lumpy in the sack, and her boots were metal-toed, a circular tattoo was around her right wrist. And that probably wasn’t her real name.

Tiffany didn’t notice as the transaction completed.

“Have a wonderful stay at Anne’s!”

Lona gave Tiffany another curious look, “I will.” She turned and left, heading to the west wing.

Tiffany exhaled, putting a hand over her heart, then she whipped around to Mrs. Marx. “That’s a monster hunter!”

Mrs. Marx drew back, “What?” “The shirt, the bag, the boots! That girl is here to hunt the monster.” Mrs. Marx wrinkled her nose, “She seems just like everybody else. There’s all sorts that pass through, why, just last week we had a man who was a professional clown. He was dressed normal, but he told me all about at the counter. A traveling clown! Have you ever heard of-”

“Did you see that protection tattoo? She’s on the trail.” Tiffany was certain, a professional!

“Now Ms. Tiffany,” Mrs. Marx clucked, “you can’t make presumptions about someone. Especially,” she put her hands on her hips, “Customers.” “I know, I know, okay,” she waved her off, and tried to keep her theories on track, “we were talking about last Saturday first,” she kicked away from the desk, “I’m all ears.” Mrs. Marx’s eyes went wide again and she turned back to Tiffany, returning to their previous hunched position, “Well, all the lights were on-” “My fair Candice!” Another voice carried over to them, “And lovely young Tiffany.” Tiffany winced so hard she thought her heart dropped out of her ass, “Goddammit,” She cursed under her breath.

“I just saw a customer walking to room 200! A good sight.” They both turned to Mr. Thomas in unison, Mrs. Marx smiling through.

“Indeed!” She chirped, “and more than one night too.” Mr. Thomas just hummed at that and looked between us, “I hope everyone is keeping their wits sharp.” Mr. Thomas chuckled, he was a small man with a pointed mustache and crinkling boyish blue eyes under round glasses, he wore suits everywhere and shiny black shoes.

He also said very pointedly kind things that always translated to ‘keep working’ and ‘do your job already.’ This was his ‘keep working’ phrases right now.

Mrs. Marx shifted in place, “course we are! Sharp as a church point.” She winked, “Ms. Tiffany was just…” She glanced at my notepad. “Doing some schoolwork!” I nod despite the fact I had graduated highschool two weeks ago. Mr. Thomas smiled over like he was making a Christmas list, “Well if you’d like some hel-” “Actually!” Tiffany stood up, realizing she probably wasn’t going to get any more out of this. “Time for me to go. Let’s talk later.” She gave Mrs. Marx a meaningful look and she just nodded.

“And Tiffany,” Mr. Thomas called after her as she tried to quickly scurry away. “The rooms aren’t playthings.” That was one of his more blatant instructions and Tiffany was struck for a moment by feeling six and chastized by the neighbors for throwing things into their yard. She meet his eyes steadily. “Of course,” Tiffany flipped her blonde hair over her shoulder and started walking, “I’m not playing.” She escaped to the second story ice machine room, cramming herself into the nook between vending machine and wall, she started to pour over her notes: noise, lights, wake up, headache?

Her thoughts dragged back to the girl at the counter and she wrote in the margins: monster hunters coming.

-------------------

It was late afternoon, the sun was streaming in through the small box windows at the end of the hall and the AC was on full blast in the simmering heat of summer. Tiffany was holding her pencil up again.

“I know you haven’t talked about it yet Mrs. Ludwig,” She followed the back of bustling old woman in a long grey dress and white bandana tied around her head. “But I’m here to listen.” Mrs. Ludwig didn’t even look over her shoulder as she walked into room 203, it had just lost it’s occupant, a Mr. Virilis. Mr. Virilis moved to greener pastures and left them with only around 5 other customers in the whole motel that night. Two of them were semi-permanent residents at this point, so she wasn’t sure they counted anymore.

Tiffany tried to step in Mrs. Ludwig’s path and catch her eye, “Please, I know it’s a very traumatic experience. I’ve been through that before.” It felt like the five stages of grief as she attempted to bargain. “With all the, uh… blood? Was there blood?”

The Koviak case had been ‘confidential’ and no details, except the occurrence of the death, had been released to the public. He was a traveling European businessman found dead in his bed two months ago, nothing else known. Mrs. Ludwig still didn’t look at her as she got out the cleaning carrier and gloves, she pushed open the propped door with her hip and didn’t look back.

Tiffany steeled herself, she took a bold step forward, “Mr. Koviak’s family has been asking!”

Mrs. Ludwig paused, turned, and fixed her with a potent icy glare, “do you plan on helping me clean?” Tiffany grimaced, her left eyebrow twitching, “Yes! I could. If… we could just have a short chat about the body.” “Run along Tiffany Green.” Mrs. Ludwig closed the door behind her and left Tiffany in the empty hall. As she had all the other times before.

“Fiiine,” Tiffany groaned and did a little spin, dragging her feet down to the other end of the hallway. If she knew Mrs. Ludwig she wouldn’t get another word out of her for at least 24 hours.

Tiffany flipped through her notes again, the fluorescent lights blared overhead, she would have paid them to flicker at this point. Buzz. Do anything.

She walked blankly ahead and fretted quietly to herself. No leads. No knowledge. How did it get around? Was it large? Was it corporeal?

Did it hate motels or just those in southern South Dakota? She just didn’t know.

It wasn’t until she was in the next hall that she heard a whirring of a machine, Tiffany looked up sharply and her eyebrows raised. Someone was actually using the motel gym.

There was a giant glass panel in the middle of the west wing, second floor. It held one elliptical machine, five weights, three sets of bell bars, two exercise benches, three jogging machines, and a water cooler. It had a speckled tile floor and frosted rectangle windows that barely let in the light.

The elliptical machine was whirring round and round as someone took it through its paces. Tiffany slitted her eyes, she recognized the figure: lean and muscled, the girl had a long choppy ponytail and a tattoo around her right wrist.

Her.

Tiffany stood there longer than she rightfully should, watching the girl’s back get damp with sweat and muscles strain with every quick step. Tiffany was tempted to inform her that, according to her notes, this wasn’t the type of monster you can run from. Training wouldn’t matter.

She doubted that would go over well.

Tiffany was leaning toward the elevator, trying to get her body to remember itself and move, it didn’t. The girl paused, her legs slowly pumping to a stop and the machine grinding down, maybe she felt Tiffany eyeing her, she turned. Their eyes met, a little tingle went up Tiffany’s spine, Lona’s dark half-moon eyes search her.

She tilted her head, expression placid as she hopped down to the floor, unreadable, she didn’t break eye contact as she moved. They stare at each other as Lona reached for a towel and wiped down her wet brow. Tiffany bit her bottom lip, maybe she’s the monster.

That seemed unlikely.

Lona took her time walking casually up to the giant window pane, Tiffany stiffened, waiting for something. Lona pursed her lips, cocking her head to the side, still considering Tiffany.

Tiffany shifted in place, her skin crawling and neck prickling, she had a feeling her cheeks had already flushed red.

The girl’s face shifted quickly, mouth falling open, eyes widening, whole body reeling back from the window. Lona pointed wildly over Tiffany’s shoulder, ‘look out!’ She mouthed urgently, breathlessly, pupils dilated. Tiffany jumped, whirling around to look left and right, holding her heart, preparing to run.

Tiffany untensed when nothing is behind her except garish yellow wallpaper and her own thumping heartbeat.

She arranged her face into something stony and unamused, she clenched her hands and turned back to the glass. Lona was grinning.

Tiffany tapped on the glass and leaned forward, “You don’t know what you’re in for.” She mouthed the words slowly, “it’s coming.” Lona frowned at that and then shrugged, “I can’t understand you.” She called, voice muffled by the glass, but still legible.

“Oh.” Lona flipped her long hair back, “do you work here?” Tiffany took a few steps back, “No.” She called, just loud enough.

“Good,” Lona turned back to her elliptical machine, “go home for the night.” Tiffany arched an eyebrow, she took a deep breath, “I don’t think so, I’m going to be the one to find it you know.” Lona glanced over her shoulder again, “Excuse me?” “I know who you are,” Tiffany pronounced loudly, “And this one’s mine.” Lona rolled her eyes, “little dramatic, don’t you think?” She wiped her neck with the towel, “Go take a nap kid, you’re not making sense.” Tiffany growled and then turned on her heels, look out. She mouthed the words and blood boiled from being pranked like a five year old in a haunted house.

What a stupid act, stupid customer who is definitely a monster hunter. Tiffany stomped toward the elevator, thoughts frenzied and whirling. She barely stopped as the lights in the hallway flickered. She froze mid-stride and looked up, the lights flickered again.

She gaped and took out her pencil, wielding it like a spear. She searched the hallway, up and down. “I’m here!” She called breathlessly, “I’m here.” Her eyes stayed glued on the lights, but they remained shining and motionless. Tiffany gulped and squared her shoulders. When she looked around she saw Lona in the hallway too, she doesn’t look half as amused this time. They don’t so much as nod at each other as Tiffany departed.

I’ll find it first.

Tiffany promised herself she wasn’t going home that night.

----------------------------

“But mom,” Tiffany could feel herself whining, “I need to stay the night.” “Not on your life.” Her mom threatened, her curly dark hair tied back and mouth turned into a hard line. “Can’t you be into, I don’t know… boy bands? Hockey? Anything else.” She closed the car doors of the 2007 volkswagen, Tiffany bared her teeth, “do boy bands eat people? No? Unimportant mom! This is important.” Tiffany was suddenly remembering all the reasons she left in the first place.

Her mom grunted and turned the car engine on, “Do you want to get hurt? It’s not a game.” “Hurt?” Her eyes lit up, “So you do believe in the monster!” Tiffany retorted shrilly, “And I’ve been training for this, I’m ready.” Her mom veered out of the parking lot, “The only monster I believe in is my daughter’s ego, and she really needs to place it somewhere else other than bad scary stories.” “You’re making this impossible,” she tried to chastise back and crossed her arms over her chest.

“That’s right, missy, no bothering the motel tonight.” Her mom sniffed loudly and drove them home.

Tiffany pouted and complained the whole way home, she figured this was how all monster hunters were treated, unbelievers were just part of the job. At least, that’s what she told herself as her mom lamented her behaviour later that night on the phone with her dad.

“I just don’t understand, how many horror movies have you been letting her watch?” Her mom paused, as her dad answered. Tiffany hid around the corner and stared at the wall, she had refused to come to dinner that night.

“Yes, Henry,” her mom sounded tired, “But I’m worried your indulgences have let her grow up like one of those undomestic- she’s not a field of wildflowers Henry, she’s a young woman, with a future. Stop it, stop, I don’t want to hear any more of your metaphors. She’s not a clay pot either! Goddamnit, you always do this. All of those self-improvement classes and you can’t listen worth a damn. Don’t start on me.”

They had one of their usual arguments.

Her mother sighed loudly after a few sharp barbs, her voice grew soft and tired, exhausted, “I just don’t know what to do with her.”

She was 19. And apparently no one knew what to do with her.

------------------

Tiffany had a clunky transistor radio in her lap and the itch of a lumpy blanket wound around her shoulders, they had My Little Pony characters on them from years ago. That was neither here nor there for her in many ways.

The clock by her bedside read 10:47 in bright red letters and Tiffany was hunched over and squinting her eyes in the dark. Her mom would notice if she turned on any lights, even at this hour.

She was certain the older woman was still holding her late night wine and indulging in her stacks of romance novels. Everyone was a paradox in their own ways, but Tiffany doesn’t point that out.

She was busy twisting knobs again. The hush of the radio blared through the air.

“We have a great setlist for you-” “Nobody, nobody, noooboooody-” “I can’t be-” “Sh-” “Ja-”

“Bzz-” She kept twisting.

Some part of her began to sink with each turn, what am I doing? She tried to push the thought down, she knew what she was doing. She knew what she saw all those years ago with her dog and she knew what she wanted now.

She had called it her ‘gap year’ between highschool and college but there was no plan to go to UCLA or San Jose University. She just needed to prove herself this once.

Monster hunters didn’t need to pour over biology textbooks that took her three different rereads to even fully absorb.

“Mountain mam-” “Sex, sex, and-” “Kis-” “Oomph,” “Ssssshhhh.” Tiffany’s hand froze and her muscles tensed, she landed on a chanel, one with strange static blaring over the line: 98.3.

She held her breath and brought the radio up to her ear, “Yes?” She whispered at the speakers and she hoped that her mom was almost done with her wine by now.

“Sssshuck.” Her eyes went wide, “Please.” She didn’t want to beg monsters, but she couldn’t lose this. Tiffany clambered to her feet and shook the radio, “Tell me.” “Sssshuch.” The radio buzzed, almost sing-song, and gave off an eery crunching static, Tiffany exhaled, closing her eyes for a moment, absorbing it. The radio buzzed, she jumped to her feet and reached for her extra-thick socks. She threw off her blanket from her shoulders and yanked on a pair of shorts and button-up shirt.

She didn’t hesitate as she quietly shoved the second story bathroom window open. It was a half mile walk to the motel. She turned the radio off, shoved it in her pack along with her notepad, several pencils and a dull kitchen knife she had carried off days ago from the dining room drawers.

Despite the heat she yanked on her brown bomber jacket and lifted herself out the window. Maybe her mom thought it was too high to jump from, maybe she underestimated how determined Tiffany was.

Maybe the woman was curled up around her ‘Favio x Angela’ novel and was far too gone to try and figure out once again what to do with her daughter.

Tiffany climbed down and started walking.

-------------------

The night was a warm sweet milk around her, cradling her and leaking into her insides like a fiery gas leak, her shirt was almost soaked through by the time she saw Anne’s. The moon was a slice of silver cheese in the sky and the South Dakota sky was a river of sparkling white blemishes against inky black night. It smelled like dry grass and dust.

She breathed in the silver and exhaled warmth, it wasn’t like this in North Cali, but maybe that’s why she came. She took out the kitchen knife, it had a plastic covering and she slipped the weapon into the waistband of her shorts.

It dug into her thigh as she walked, but she ignored it. The monster hunter had warned her about tonight, she knew she had to be here.

Exactly four lights were on Anne’s Motel: the lobby with its vibrant pale yellow light and three windows alight with their soft beige curtains drawn. Tiffany went around the back, walking past rows of low rectangle bushes and spotting a narrow metal door with a red sign over the handle: fire exit. It was supposed to be properly locked but she shook the handle back and forth gently until it clicked in place and she pushed her way in.

They were modernizing Anne’s, but it wasn’t quite there yet.

She squeezed her eyes shut, hands on the handle and bracing herself. You can do this, her ears rang, you have to.

She shouldered her way through the back door and stood in a dark hallway, lit only by silver moonlight at the other end of the long space. She held her breath. It was quiet.

The shadows seemed to play before her eyes, shifting in place and forming ghastly shapes in the dark. She sucked in a breath and pressed herself against the wall, letting the door slide closed behind her.

Nothing moved, no lights flickered. She steadied herself, “hunting,” she took deep breaths and held her chest, “Hunting is all about facing fear.” She edged forward, almost spooking herself as the motion sensors picked up on her movements and blinked on. She had rub her eyes a couple times to adjust to the sudden flood of light.

A flicker of movement arose in the corner of her left eye, “ah!” Tiffany jumped back and rolled to her left, careening to the floor on her knees. Her heartbeat thundered in her ears, but when she looked back up nothing was there. Again.

Tiffany took deep breaths and crept her way toward the east wing of the hotel, something had to be there. It was time, the radio had been buzzing.

The lights stay on.

Her pulse ran ramshackle through her veins and Tiffany practically crawled her way across the motel floors. The plastic knife protector dug deeper into her thigh, but she doesn’t feel it. She edged up to the second floor ice machine room, just outside the east wing, and waited- eyes opened, jaw set, world spinning slightly.

“This is it,” she whispered to herself and began to wait.

She crouched, checking, waiting, eyes strained on the fluorescent lights above and frequently sniffing the air for something. She stays perfectly still, biding her time, waiting, until the lights turn off again, and then flicker, once.

Tiffany’s eyes dart back and forth in the dark, she crept out of the ice machine room and looked up and down the long hallways. She opened her mouth to call out, ask something, prompt something.

She heard a hiss instead, “What are you doing here?” Tiffany flinched and spun around, two half-moon eyes glow in the dark behind her, a growl rumbling in the girl’s voice. Tiffany’s lifted her chin and blinked a couple times, “Oh.” “You shouldn’t be here.” Tiffany’s brow folded in, “My mom works here.” It was probably the best defense she had.

Lona’s eyes were hard and shifting around the room quickly, wildly almost, “Get out of here.” “What, are you ordering me?” Tiffany tried not to sound petulant.

Her hand came down like an iron claw on Tiffany’s shoulder, hard enough to bruise, “Yes.” That’s when the lights flared on like the sun itself had been pulsed into them, flaring to life and filling the whole space in a brilliant glow, Lona widened her stance and drew herself up. A noise like a low buzzing gurgle sounded behind them, quiet and licking at her insides like sandpaper over skin.

“Take my hand.” Lona put her hand out and Tiffany eyed it. The lights flickered above them like a sudden rapid eclipse. “Uh,” Tiffany reached for her pack instead.

“That’s another order,” Lona took an aggressive step forward, the lights flickered quickly above them, fritzing and blinking.

Tiffany gulped, “I’m not,” she tried to summon her courage, “I’m staying.” “Take it or I’m carrying you out, civilian,” Lona growled and Tiffany gave in and slipped her fingers in between Lona’s. Lona gripped them, “Don’t look back.”

They started to run.

The sound grew louder, like a clunking car engine purring through the air, metallic and crunching to the ear, static fuzzed just below the surface of the noise. The lights flickered.

Tiffany looked behind her.

“Ah!” Lona skidded to a halt, painfully squeezing Tiffany’s hand as they came to a jarring stop. Tiffany was still looking behind her, the hallway was painfully alight except for a deep dark nothingness just after the bright fluorescent overhead. Just at the end of the hall, it was too dark to see through.

What was it?

“Excuse me,” A voice said shrilly, “Oh my, I thought I heard some commotion.” Tiffany was dragged back to the other issue at hand: they had been stopped by Mr. Thomas, standing in a bathrobe and eyeing the two of them. Specifically, Mr. Thomas was eyeing Tiffany, standing in the middle of the space with his hands on his hips.

“Honestly.”

Lona drew herself up, “Sir, where is the nearest exit?” “Exit?” Mr. Thomas blanched, “is this young Miss Tiffany’s doing? I promise, any tales she might be spinning are hyped up! Please considering not cutting your stay with us short.” He gave a small, placating smile.

Lona groaned, “Sir, you don’t understand…” She reached for him next, this time with her left hand.

The lights flickered. Lona and Tiffany both instinctively took a step backward. Two of the lights went out behind Mr. Thomas.

Tiffany tried to stutter out, “Mr. Thomas,” she took another step back, “Come toward us. Slowly.”

Mr. Thomas made a face at her, “I’m sorry Tiffany, but this bothering of staff and guests has gone on long enough. No tricks are going to change that. I’m afraid I’ll have to ban you from the motel.” The light directly behind Mr. Thomas went out, a thick tangible darkness sat behind him.

Tiffany’s heartbeat pounded painfully in her ears, move, she commanded herself to move. Reach for him, beg for him.

Instead, she stood with her back to the wall, still holding Lona Davis’s hand like a five-year-old at an amusement park. Tiffany swallowed, “Okay,” she said slowly, “but first you need to-” “Shh,” Lona hushed her and pressed them both firmly up against the wall. “It’s too late.” The last light in the hallway went out. The buzzing crescendoed into an insect-like metallic cry, a song like a garbage disposal, and two perfect round lights came on from behind Mr. Thomas.

Like headlights.

“What in God’s name,” Mr. Thomas turned around as the white lights fell on him.

The headlights blinked and Tiffany took in one horrible twisting vision: a creature with two hooved feet, a massive furry body that took up the whole hall, two dark wings hanging limply off it’s back. She squinted at the face but all she saw was headlights.

And then the headlights tilted up, an enormous mouth opened wide: blunt white teeth gaped and a grey thick tongue snaked out of its giant mouth. Mr. Thomas didn’t even get in a scream before the black lips clamped down. Teeth snapping down as Mr. Thomas’s head was rested from his shoulders.

Tiffany got in a scream though, “Aaaah!” She let out a piercing shrill cry as the blunt teeth chomped through flesh and bone.

Her stomach lurched like the titanic sinking as a grotesque crunch followed, the sound of bone and skull being crushed by huge molars, thick red liquid splattered across the carpet. Tiffany couldn’t move.

“Come on,” Lona stayed true to her promise, grabbed Tiffany around the waist and hoisted her onto her shoulder. Tiffany squeezed her eyes shut as she heard another crunch and Lona carried her down the hall and through the emergency exit.

She had met the monster.

----------------------

The next few hours were a smeared blurr, filled by a sickening headache that made her whole body tremble. The first thing Tiffany did was sag forward and vomit up the dinner she hadn’t eaten.

It was clear and tasted like bile. Tiffany puked again at the sight.

“Let it out,” Lona’s voice was no less hard, but she wasn’t hovering over her at least. Her hands were busy holding a small mechanized crossbow trained on the door and twisting something around her wrist.

Tiffany took deep gasping breaths and tried not to puke a third time.

It was real, it was all real.

She had known, but knowing and seeing were two different things.

Tiffany raked at her shirt, as if were too tight, as if there wasn’t enough air in her lungs. “Here.” There was a tap on her shoulder, she turned as Lona handed her a water bottle, “Drink.” Tiffany greedily downed the entire bottle before gasping for breath again.

“Oh my God,” she started to repeat, “Oh my fucking God.” Lona just snorted, “the first one is always the hardest.”

Tiffany’s head was light and there were spots in her vision, she glanced back toward the emergency exit and wiped her palms down on her shorts. “It, it, Mr. Thomas...” She squeezed her eyes shut before taking a rattling breath, it took another minute to open them again.

She wanted to scream again, she wanted to run back in there, she wanted to turn and run the other direction for miles and miles.

“What now?” She finally rasped out instead. Lona raised her eyebrows, “I assume it disappears again after feeding.”

Tiffany’s face fell, “there was a body for Mr. Koviak.” Lona turned toward her slowly, “perhaps it only eats the head.” She took wobbling a step back from the door, “it’s so much more… it’s so much.” Lona patted her shoulder, “Drink more. This will be over soon.” Tiffany drank a second bottle of water, she turned back to Lona, feeling limp and queasy, “What are you going to do?” She leaned in close, clenching her hands down so they wouldn’t tremble, “How can I help?”

She tried to push down the sight of Mr. Thomas’s limp body falling listlessly to the ground in a splatter of red. She tried to push down the crunch and the flickering lights. I can help, I can help, I can help.

She repeated to herself over and over. I can do something.

The other gnawing voice in her head wasn’t as persistent, but just as loud: your fault.

She finished the water before handing it to Lona, “What can I do?” Lona eyed her up and down. “Go home kid,” she sighed, “Actions over for tonight.” Lona turned to leave, Tiffany’s hand jutted out and grabbed onto her sleeve.

“How old are you?” She asked slowly.

Lona made a face, “How old am I?” “And tell me the truth.” Lona snorted, “I’m 21.” Tiffany let her go, “Then I’m not a kid to you.” Tiffany lifted her chin up, “And I can help.”

Lona tilted her head, “Were you not just in there? Did you not just see that man’s head get bit off? This isn’t a game.” Her tone remained even, but there was fire in her eyes.

Tiffany looked down at her shoes, “please,” she didn’t like the waiver to her voice, “It’s my, my f-fa-” “It’s not your fault,” Lona hand waved her. “Unless you’re a monster with hundreds of teeth of course.” Tiffany pinched herself so she wouldn’t cry, she looked up again, “What is it? What is that thing?” Lona scratched her chin and looked away, “Nothing good.” Tiffany sighed, “Please,” she took a step forward, “Let me help. I knew Mr. Thomas, I know everyone at this motel.” Lona arched her eyebrow up, “you know everyone in here?” She pursed her lips, “Do you… do you have any keys?” Tiffany perked up for the first time that night, “I can get some.” “Ugh,” Lona threaded a hand through her choppy hair, “You can’t come on any of the actual hunts. You hear me? None of this again.” Tiffany nodded vigorously, “I need to avenge him, any way I can.” Lona exhaled through her nose, “I better hope you like books then.” Tiffany shrugged weakly, “Where can I sign?” She looked down and gave a mirthless laugh, “I always wanted to hunt monsters.” Lona almost popped a smile, she put a hand on Tiffany’s shoulder, “Don’t. It only gets harder from here.” “I thought you said the first one’s the hardest?” Tiffany examined Lona in the light of the moon, neither of them were moving back inside yet.

“I lied,” she started to walk, “They’re all hard.” Tiffany wasn’t sure she liked teaming up with a stranger, much less one who would boss her around. But the image of Mr. Thomas’s stark white face being engulfed was too much.

Tiffany shuddered, this really wasn’t just a summer project, it never was.

-------------------------

They closed the motel down after that. It made sense, one of the owner’s had just been found headless in the hallways. His sister hadn’t made a comment yet, but it was said she found the body.

Ms. Thomas was a mousy woman in her late fifties, she had iron-grey hair and wore knee-length dresses everywhere and jackets that looked like they were from the 1920s. No one had seen her for days afterward, though Tiffany’s mom made sure to bring her soup every day and leave it at her door.

There were rumors the FBI would be sent in to look for any head-hunting serial killers. But those were just rumors.

There were rumors the Tiffany was there, that the maids were in on it, that the stranger passing through town knew something. Words flew and Tiffany felt a tremor of fear gathering in the small community.

She saw her mom pray at the funeral, get down on her knees and bend her head. There was a slight summer shower coming over the land that day and no one bothered with an umbrella.

They all stood in the light rain and bowed their heads, Tiffany knew her mom had become an atheist a long time ago, but she was muttering verses under her breath as they left. Maybe she thought it was the work of a demon after all, or maybe things like this brought out other sides of people.

Tiffany didn’t say anything at the funeral, just clenched her teeth so tight and wound her mouth shut so firmly that she thought her jaw might shatter like an old wind-up clock. She watched her shoes as she walked, entered, listened, left.

It all felt like something else, happening to some other girl.

She didn’t sleep that night, she hadn’t slept a lot since the night two weeks ago in the motel. I can do something, she repeated it to herself. I came here to do something.

She played with her transistor radio every night and waited.

It was a Wednesday at midday when she finally sought out Lona again, it would be a place to start.

Tina, from her mom’s spin class, knew Sierra, who worked at the local grocers had heard from the cashier that Lona came in every morning for a danish and a coffee. The girl was like clockwork, and better yet, she was still in town.

Tiffany rolled herself out of bed that Wednesday, glanced at the college pamphlets her mom left just outside her door and then brushed her teeth with the force of a steam engine. She didn’t bother with breakfast as she waved at her mom and left for the morning.

They were both out of work at the moment so Tiffany told her she was going to go look for a job- and it was, a job of sorts at least.

Tiffany found the girl in the fresh fruits section examining a shiny red apple, hair was loose and pushed over her right shoulder. She was wearing a navy blue shirt that day and capri jeans that covered most of a bruise on her calf. Tiffany came up behind her and cleared her throat.

“So,” Tiffany made the hunter jump. “When can we catch this horror-terror?” Lona turned and made a face, “Oh.” She paused, “hello again, uh…?” “Tiffany,” she said groughly, “Tiffany Green.” She put her hand out and they take a moment to exchange an awkward handshake.

Lona put one of the apples in her basket, “I’m afraid progress is slow.” She said carefully, backing away, “There’s complications.” Tiffany stepped into Lona’s personal bubble, “Put me to work then.” Lona pushed her hair back and started walking the other direction, “It’s not that simple. I don’t need you yet.” Tiffany followed her down the next aisle.

“Then need me now.” She insisted, “We don’t have all the time in the world, even if the motel is empty right now.” Lona didn’t look back, “We have at least a few more days.” Tiffany frowned deeply, “Take me with you.”

“Absolutely not.”

“Aren’t monster hunters supposed to have backup?” She chased after the other girl’s heels.

Lona arched an eyebrow, “Hunters are supposed to be careful. First and foremost.” Tiffany opened her mouth and then closed it, ‘careful’ was not on her job resume. “Please.” She tried again. “I can’t… the motel can’t stay closed. My mom’s worked there for twelve years. I can help.” Lona wandered her way to a tall silver coffee dispenser and doesn’t say anything as she fills a large canister, Tiffany felt like a lost puppy as she followed her to the cash register.

“Fine,” Lona finally relented as Tiffany trailed her to the parking lot, “You can come back with me.” She said slowly, “there is something we can both do.” Tiffany’s mouth breaks open into a toothy smile she didn’t know she had in her, “You won’t regret it.” Lona just clicked her tongue and made her way to a blue chevy car, “Rule one,” she got in, “listen to what I say.” She just got into the car after her.

------------------------

Books. Tiffany should have anticipated books.

There was a second hotel in Rowing South Dakota, it was a motel 8 with 24-hour service, an outdoor swimming pool, and actual lawn chairs next to it. They were Anne’s main competition.

Tiffany was led through the cramped parking lot all the way to room 108 where Lona took out a set of keys and jangled the door opened. Tiffany glanced at the room momentarily, the curtains were drawn but the scent of sweet wine and something smoky wafted out of the door.

“Come in, come in,” Lona gestured quickly and Tiffany gladly ducked into the AC-blasted room and out of the heat. She turned in each direction, pictures were on the walls, books were open on every surface, there was a crossbow in the corner.

“Wow,” She breathed and milked in every second of it, Lona covered the crossbow with a blanket and pushed a pile of books aside to let Tiffany sit down on a small chair.

“Who knows, maybe a new set of eyes will actually help.” Lona muttered to herself and pushed her hair back- a habit Tiffany was starting to recognize. Tiffany twitched nervously, concentrating wasn’t her strong suit. But this was a monster, this was The Monster and sometimes that was enough to trick her brain into cooperating.

She tapped a rhythm on her legs as Lona firmly closed the door behind them, “SO,” she spoke up, “Are you finally going to tell me what we’re looking for?” Lona didn’t respond right away, opting to walk silently back across the room and take her seat on the single red-quilted bed.

“I don’t know,” Lona said clearly, evenly.

Tiffany leaned forward, “What?” “I don’t know,” Lona repeated and then turned away, she made a soft frustrated sound, “this isn’t what you think it is. These aren’t your mother’s monsters, these aren’t TV monsters.” “Okay?” She puffed her cheeks and drew a little closer, “I’m all ears then. What does that even mean?” Lona met her eye, “maybe there once was, I dunno, perfect vampires and pure weres.” Tiffany studied Lona’s face, as she was hesitating around something, “but?”

“It’s the twenty-first century, monsters change, grow just as the world did, they didn’t stop adapting just because people stopped believing.” “That, yeah, yeah?” Tiffany rubbed her neck, “Yes?” Lona cracked the book open and placed it on her lap, “it’s a hybrid.” She said simply, “I don’t know what it is, because it probably wasn’t bred into this damn world until recently.” She uncapped a highlighter with her teeth, “Damn bastards.” Tiffany blinked a couple times, “hybrid… like?” “A combo, mix, mutt,” Lona highlighted something in her book.

Tiffany looked down at her lap, “Monsters fuck.” She said to herself quietly.

Lona put her palms up in the air, “That is your great take-away?” She looked up sharply, “You can fuck monsters.” Lona rolled her eyes spectacularly, “most only once.” She shook her head, “And you haven’t met a more annoying creature than a vampire-fae or banshee-werecat, hybrids don’t make this fucking easy.” Tiffany gave a sideways sloppy smile, “You really are a monster hunter.” Lona snorted gently, “I thought we established that, yeah.” Tiffany grinned to herself and looked down, “Give me a book.” She gave her a thumbs up, “Let’s figure out which of these things have been doing the nasty.” Lona leaned back, “I’m trying not to regret this.” Tiffany winked, “Try harder.”

She gave a hoarse laugh and Tiffany cracked the spine of an ancient tome that smelled like dust and molding ink. The first picture was of a demon with seven fingers on each hand and a head of fire.

She kept turning.

---------------------------------

They had a bulletin board. A bulletin board and string and seven questions in scrawling large print. It felt like a 70s cop show and Tiffany was the spunky assistant, spunky and full of potential- as long as she kept herself whole and uneaten of course.

She paced in front of the board, the seven questions were written in fat sharpie marker and read:

How does it move around?

Where does it go?

What can it manipulate? Light? Sound?

Why is it eating just heads?

Mothman?- that one was scratched out and given a little frustrated face next to it.

Why the hotel?

Why Rowing?

They were both looking at it with blurry eyes and a slight headache by 11pm. Tiffany had sent a few hasty texts to her mom saying she was at the movies, her mom seemed to willfully give in to that.

Tiffany stretched and yawned one more time, she glanced back at the board, “What if,” she pointed to number five again, “angry mothman.” Lona groaned, “I told you ten times, it’s not mothman. He doesn’t eat people.” “But what if,” she rested her head on her own shoulder, “it was mothman? Or mothman… saw a sexy subaru and decided to have a little fun.” “Oh my god.” “I’m just saying!” She threw her hands in the air, “it has those headlight eyes.” “Yes,” Lona looked ready to toss her book across the room, “And we still have no idea why.” Tiffany yawned again, “Machine-mothman sex.” “Absolutely not,” Lona massaged the bridge of her nose, “I don’t even want to live in that world.” “Too bad,” she grinned, “I just made that world.” Lona flopped down on the bed, “what’s that you say? You want to offer yourself up the monster as a sacrifice? Virgin sacrifice? That’s very noble and bold of you.” Tiffany stuck her tongue out at her, “Hey, I’m coming up with ideas over here.” She fidgeted in place, “an’ m’ not a virgin.” She mumbled. Lona chuckled, “You know I have a lie detector-rune, right?” Tiffany’s eyes went wide, “Really?” She almost stammered. Lona tossed her head back and laughed, “No.” “Ugh,” Tiffany picked up one of the nearby dislodged motel pillows and threw it at her, “bad people get eaten by monsters you know.”

Lona sighed, “everybody gets eaten by monsters. That’s how it is.” Tiffany looked up at the ceiling and listened to the AC blast, “Maybe…” She mumbled, “It’s a weremoth-car hybrid?” Lona gave her a tired look, she shrugged, “turn to ‘were’s’ in that book over there.” Tiffany spun around in her chair, “Really?” “Not the car part, no,” Lona sniffed, “But we have to figure out the timing in between feedings, figure out something, anything.” Tiffany frowned, “Do we know if it’s feeding or not?”

Lona hung her head, “No. We don’t.” She rolled over and pointed at newspaper and book clippings, “We know there were cults in the hotel.” “For one night.” “And a burial ground.” “Ten miles away.” Lona closed her eyes and sighed, “what about a weremoth again?”

She grinned, “On it.” Lona trudged over and looked over her shoulder as she read, poured over the words, the symbols, any of it, all of it. Tiffany glanced at her several times and wondered, not for the first time, where she came from. And where she was going after this.

They kept flipping through books.

-----------------------

Night three approached like a bad hangover: thirst, headaches, and staring at nothing for a few hours straight. Her mom was starting to ask where she kept going, there were only so many movies out and she apparently didn’t buy the new ‘I made a friend’ excuse.

But Tiffany was 19, she was allowed out of the house. And into the motel 8 room 108.

Tiffany was lying on Lona’s bed, back resting against the headboard, and transistor radio back in her lap. Lona was in the corner furiously flipping through yet another book, this one titled: The Supernatural of North America, volume Five.

She was growling, “no glowing eyes, no winged creatures with glowing eyes. No head eating!” She spilled the book onto the floor, “Useless.” Tiffany kept her eyes down and responded in a monotone, “Don’t give up yet.”

Lona angrily got to her feet and started to pace, “So useless. There’s nothing here, we might as well name it ourselves.” Tiffany’s mouth twitched, “The Lona-saurus.” “Yeah, why not.” Tiffany laughed, looking up, “Lona-terror.” She shook her head, “Don’t you want it named after you?” She grinned, “No.” she tilted her head to the side, “Though I do have a question for Lona-Human.”

Lona paused and raised an eyebrow, “Yeah?”

“I’ve been thinking,” Tiffany kept fiddling with the dials and glancing around the room. “How did you get into this business anyway?” Lona glanced over her shoulder, “I told you earlier. That’s confidential. You shouldn’t know about all of this,” she was murmuring now, “How am I going to explain any of this?” Tiffany frowned, “To who?” Lona turned on her heels and kept pacing, “No one.”

Tiffany groaned and kept flipping through her channels. “Jesus lov-” “Shuckin-” “Pi-” “Shh-” “Ki-” “Would you stop that?” Lona crawled onto the bed with her, “I don’t know how much time we have left and it’s distracting.” “Shush,” Tiffany suddenly sat upright in bed as she found the chanel again: 98.3. It was dead quiet. “Here it is.” The quiet stretched on and Lona reached to take the radio from her, “Knock it off.” Tiffany rolled away from her.

“Listen!”

As if on queue, the static blared to life.

“Oh shit!” Tiffany shook the radio in midair, “There is it.” Lona raised an eyebrow, “What is it?” Tiffany glanced up, “this is the chanel,” she bit her bottom lip, “The monster channel,” she whispered it and glanced at the door just in case.

Lona scooted closer to her, “Well it sounds like you’re getting bad reception,” she didn’t seem particularly impressed. “Here. It’s probably a blocked chanel.” Lona reached for something in her pocket, holding the object with her right hand and bringing it to her lips. She seemed to whisper to it and then spit on the surface. Tiffany wrinkled her nose at that, but noted closely as the other girl placed a shiny metal rock on top of the radio.

“Turn the dial now,” Lona commanded, Tiffany reluctantly complied.

“I’m telling you, it doesn’t get any clearer than-” She turned the dial and voices immediately began pouring in through the speakers, chanting, singing, wild and strange. Tiffany’s breath caught in her throat.

“Sanguis Bibimus. Corpus Edimus. Sanguis Bibimus. Corpus Edimus. Tolle Corpus Satani! Ave!” Unmistakable gibberish came over the speakers with a grating metal sound in the background, unmistakably dark, unmistakably powerful. The hairs on her arm stood on end, demonic.

Lona stood up immediately, “Of course,” she reached for her duffel bag, “Of fucking course.” Tiffany bounced to her feet, radio still in hand, “What, what is it?” The demonic chanting continued. “Stay here, turn that off,” Lona ordered, “I have to hurry.” Tiffany grabbed her wrist before she could dart away, “What’s going on,” she shoved herself into Lona’s face, “You owe me that much.” Lona struggled with something for a moment before opening and closing her mouth, “Do you remember what the monster looked like?” “Yeah,” Tiffany shuddered, “glowing eyes, wings, huge ass mouth.” “Remember the teeth?”

Tiffany squinted, “I… don’t think I can forget.” “They were blunt,” Lona shouldered her way toward the door, “This isn’t a carnivore, someone else is doing this, that channel… it must be going through the whole town.” Tiffany followed after her, “You’re not stopping me from coming with.” Lona tugged at her hair, “I don’t have time for this.”

“Then don’t fight it.” Tiffany reached out, “I can come with you now or hitch hike there, I’m not staying.” Lona pinched her lips together, glaring and wrestling with something. They stare off for a long minute, finally, Lona stepped aside and Tiffany climbed into the car with her.

---------------

“Rule number one,” Lona was speeding down the city central road like she wanted to leave skid marks on it, “Don’t come in.” “No.” “Rule number two,” Lona growled, “Stay away from the monster.” “I mean, I’ll try,” Tiffany could feeling her blood pumping through her ears, I’m not going to freeze up this time. She made herself a promise.

“Rule three,” Lona swerved into the parking lot, her face a placid sheet of determination, “if I say run, then you run.” Tiffany nodded, “I can do that.” Her hands trembled slightly, she balled them up and met Lona’s eyes, “I can do that.” Lona’s face slipped into a small smile as they pulled into the parking lot, “And if you can’t run…” She handed her a small pointed cross, “Fight like hell.”

Tiffany smiled back as she took the pointed cross, “Is this for demons then?” Lona kicked her door open and took out her crossbow, “We’re about to find out.” Tiffany edged out of the car and ran after her.

Tiffany watched Lona’s long hair swing back and forth as they strode toward the hotel, no lights were on, it stood quiet and empty. She nursed a growing nausea in her gut at the sight, nerves burning through her system and forcing her feet to follow Lona anyway.

“Lona,” Tiffany chased her heels, “I’ve got your back.” Lona snorted and looked over her shoulder, “I am going to be in so much trouble for bringing a civilian into this.” She pushed her dark hair back, “Is there anything I can say to get you to turn around?” Tiffany drew herself up, “Not on your life. Now,” she cracked her knuckles, “Lemme get us in.” Tiffany found the back door and carefully jiggled it open, she could feel them both holding their breath. Hybrids, she was still wrapping her mind around it.

This wasn’t the movie monsters, it wasn’t even the white-limbed forest walker she was certain ate her dog all those years ago. This was the real deal.

She doesn’t have time to process what this would mean, she cracked the door open and a buzz sizzled through the air. Their eyes both went wide, Lona darted in first, crossbow out, Tiffany pushed her way in after before Lona can lock her out.

The door shuts softly behind them and the lights flicker softly overhead, Lona crouched down and Tiffany stood in place. The yellow wallpaper and green carpet suddenly seemed like a funeral walk, she looked down the narrow space and looked for something.

Lona grabbed her wrist and forced her up against the wall, “Don’t just stand there.” She hissed and placed Tiffany in the corner. “Careful.”

They crept down the long corridor and the echoes of demonic chanting reverberated through Tiffany’s headspace, remembering the sound of ghoulish voices calling across the radio.

You knew there would be dangers, she reminded herself, you knew it wouldn’t be easy.

The lights flickered and Tiffany looked in all directions, waiting for teeth or shadows or giant wings that swept them all away. She tensed her muscles and crept after Lona, keeping her back to the wall, the lights flickered.

It’s quiet, but Tiffany swore she heard the sound of distant buzzing, metallic and crunching.

“I don’t like this,” Lona murmured, “We needed more… more time. More information.” She heard her take a deep breath.

Tiffany clenched her teeth, they hadn’t figured out what the chanting even meant. “It’s coming,” she said, “We have to stop it.”

Lona nodded back, “Keep your eyes open, we don’t know when or where-” “Aaah!” A shriek shattered the air, gut-wrenching and sharp. They share a look, then they are running. Tiffany flung herself toward the cry, focusing on pumping each leg forward and keeping in motion, they followed it toward the second story.

They crashed into the fire escape door and sprinted up the flight of stairs, it was east wing.

“You took him,” a wobbling voice cried, “You took him, devil, bastard.” It was a desperate, watery wail.

Lona burst the upstairs door open, the hall was dark, dark and breathless and a pair of eyes are blaring like two white perfect headlamps. Tiffany blinked a couple times until she could see more clearly.

Ms. Thomas was holding up a fire-poker and brandishing it back and forth like a sword. Maybe she had come for vengeance too.

For a moment Tiffany’s breath is taken away, the creature loomed at the end of the hall. Eyes like flashlights, a buzzing emanating off of its body. It’s massive mouth was a slit across it’s lower face, she could make out two fuzzy atena hanging down above it this time.

It’s massive furry body filled the space and blunt white teeth were just visible in the dark.

Ms. Eve Thomas held up her poker, “stay back.”

The creature lumbered forward undeterred, but Tiffany was moving before she could question it, question anything. Ms. Thomas stabbed up at it’s open gaping maw. Tiffany lunged first, tackling her to the ground and falling head over heels into the wall as the creature’s mouth came down over nothing.

An arrow whizzed above them and a solid thunk carried through the air, Tiffany looked up to see the end of the projectile lodged into the creature’s right shoulder. The creature stumbled in place and took a moment to touch the black arrow embedded into its flesh, fresh black blood oozing out.

It threw its head back and opened its mouth wide.

A buzzing insectoid noise lept from it’s throat, Tiffany reached to cover her ears but Lona was yelling at them. “Move,” she yelled and let loose another crossbow arrow. This one just barely grazed the creatures left leg and left a trail of blood spilling onto the carpet.

The creature stumbled forward, saddling up alongside them, it’s thick arms reaching out wildly and grasping in the dark, Tiffany could smell it’s musk, hear it’s labored breaths.

Tiffany pushed Ms. Thomas forward, “Run!” She yelled, “run goddammit.” Ms. Thomas scrambled forward, reaching for Lona, but Tiffany paused, there was something on the ground, something behind them. It was a thin strip of white paper, black ink was scrawled vertically along it.

The paper lead down the hall and up the creatures back, up and up, Tiffany followed it with her eyes. She licked her lips, “Lona,” she said slowly, eyes not leaving the paper, “I’m breaking rule number two.” “No you’re fucking not.” Lona called, trying to reload another arrow just as the monster lurched toward her, slow, but deadly with it’s thick grey tongue lashing out.

“Huh,” Tiffany grunted and sprung to her feet, it’s headlamp eyes turned toward her, hitting her directly in the face, neck turning like an owl’s. Tiffany threw herself on it’s massive furry body and climbed.

The grating buzzing noise boomed, Tiffany flinched but managed to dive for the paper tied around the creatures neck. It was arranged like a noose, tied and scrawled with inky dark unreadable letters.

The creatures hands thrashed at her, Tiffany kicked at it’s claws and latched her hands onto the paper. The moment she grabbed the scroll a fiery burn bloomed in her flesh that sparked all the way to her elbow, burning and bleeding into her skin. “Agh,” she screamed and let go, luckily, she slammed into the wall instead of into the creatures enormous mouth and searching tongue. Pain burst from her head and hands, she hit the wall and slid limply to floor.

Her vision blurred and tilted, but voices were yelling, calling, she feably pushed up and fumbled back to her feet, the world was a rush of nonsense sound and light. A hand thrust out and grabbed her shoulder, yanking her out of the way as a row of blunt snapping teeth descended.

Tiffany is pulled to safety for a second time.

“Thanks,” she said weakly as Lona crashed them into the nearest wall and out of the way.

Lona’s eyes didn’t leave the monster, “What the hell was that?” Tiffany glanced down at her burned hands, headlamp eyes were sweeping toward them once more, “You’re right,” Tiffany reached for her pocket, “I don’t think it wants to do this.” Lona pushed them back again, “We need to retreat, regroup-” “Hey Lona,” she thought of Mr. Thomas, his face pale and mouth open as the teeth closed in around him. “If anything happens,” she took a deep breath, “Don’t tell my mom I died doing something stupid after all.” Lona’s hand was firm across her shoulder, “Don’t you da-” She wiggled free by jumping out of her brown bomber jacket, she slid smoothly forward and jammed herself directly into the monster’s path. The headlights blind her for a moment, but she jumped up this time, leaping blindly just as the creature lunged to take her head off. She wound her arms around its neck as it bent down.

A thick grey tongue licked at her leg, but she kicked and grabbed at the paper noose tied firmly around its neck. She cringed at the searing burn in her right hand, but drew the sharpened cross up and sliced at the paper. Tiffany prepared herself to have to saw and tear away, but the paper broke like wet tissue paper against the press of the holy object, it smoked gently and fell away.

A deafening screech followed and her whole world tremored.

Tiffany was falling again, falling and falling, just as a pair of hands collided into her back, stopping her head from cracking against the hard floor. Lona had dove for her as she fell away from the beast.

The creature screeched again, it’s voice insectoid but losing it’s inhumane metallic clang. Lona started to pull, “The door,” she yelled and started tearing away, “We need to get the door.”

Tiffany barely remembered stumbling and sweating her way down the stairs and back to the first story, her hands screaming in pain and head spinning. Lona shepherded them toward the fire exit just as the creature rammed itself into walls and ceiling, knocked out the lights as it flew rapidly in all directions.

The emergency exit peeled open and they threw themselves out. Tiffany gasped for air, Lona pushing her out of the way just as a huge furry body burst out behind them.

The summer air was somehow cooler on her flushed skin and she swayed in place, the fight leaving her battered body, but she couldn’t let her eyes close, she stayed in place, transfixed.

The shadows melted off the enormous humanoid beast, the dark blacks fading into a sharp silver, it’s wings extending, grey and covered in spotted intricate markings. It’s headlamp eyes shun in the night and it’s antena extended.

It was a light grey now, sparkling almost, wings massive and whumping in the night.

“Oh,” Tiffany stepped back, “ Oh fuck.” Lona kept her hands around her, she chuckled, “Huh,” she said simply, “A fairy creature.” Later, Lona would call it a ‘will-o-wisp’ mated with a moth beast, a lost mutt fairy creature.

It’s movements were quick and decisive, slightly lopsided and presumably still wounded, it sped into the horizon. It’s silverback disappeared into the trees, the buzzing and screeching following it and the world fell quiet and still.

“Will it,” Tiffany felt her tingling limbs to make sure they were all still there, “Will it eat any more people? Should we go after it?” Lona’s eyes trailed down to Tiffany’s raw red hands, she shook her head, “Someone was controlling it. With those chants and that leash,” their eyes meet, “it should be safe now.” Tiffany exhaled, “Who would do that?” Lona shrugged, “There are plenty of bad people in this world.” She pushed Tiffany’s blonde hair back from her sweaty face, “don’t worry about it.” Tiffany slumped down, “There you go again. With orders.” She chuckled and sat gasping in the light of the descending moon, “You’ll notice I’m not very good with those.” Lona collapsed down next to her, “well thanks for not dying at least.” Tiffany shot her a slow smile, “Thanks for letting me almost not-not-die.” Lona chuckled, “please don’t thank me civilian. This isn’t what we’re supposed to do.”

“Okay,” Tiffany’s head lulled to the side, falling onto Lona’s shoulder, “you’re welcome then.”

Lona put her head down too, “That was stupidly brave, there.” She sighed, closing her eyes, her voice becomes lower, small even, “Don’t become a monster hunter Tiffany, please.” There was something unsettling soft in her tone.

Tiffany closed her eyes too, “Too late.” They stay there for a very long moment, contemplating their own mortality, burns, and various fly-away feelings seeping into tired bones.

Lona was gone in the morning.

Tiffany torched all of her college pamphlets on the burner, bandaged her hands, wrote a note to her mother, and followed after.

FIN

#wlw #monster story #short story #horror story #sapphic #original writing #original shorty story #my work #f/f #Tiffany Green #warning for death and serious injury

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