#Eliot/Parker/Hardison

[writingadjacent]

heyhey im Sam main blog is @sammi-phoenix and teen wolf gimmick blog is @twshipoftheday go follow me there if you want daily teen wolf rare pairs and ships

this blog is gonna be entirely writing and my writing. asks are open and you can pop things in there for me to write, if you have ideas to specific things you want to see.

Ships I'll write for:

sterek (stiles and derek)

thiam (theo and liam)

buddie (buck and eddie)

steddie (steve and eddie)

jayroy (jason and roy)

timkon (tim and kon)

timber (tim and bernard)

timberkon (tim and bernard and kon)

birdflash (dick and wally)

superbat (clark and bruce)

eliot/parker/hardison (leverage)

andriel (andrew and neil)

jegulus (james and regulus)

wolfstar (sirius and remus)

shules (shawn and juliet)

allydia (allison and lydia)

everlasting trio (sam and danny and tucker)

DPxDC

sticky (steve and bucky)

spideypool (peter and wade)

Character's I'll write for:

Stiles Stilinski

Scott McCall

Steve Harrington

Eddie Munson

Evan Buckley

Lydia Martin

Derek Hale

Theo Raeken

Liam Dunbar

Shawn Spencer

Dick Grayson

Jason Todd

Tim Drake

Damian Wayne

Wally West

Bruce Wayne

James Potter

Lily Evans

Danny Phantom

Sam Manson

Peter Parker

Deadpool

Bucky Barnes

[gargoyleandgremlinpress]

My final Fanfic Writers' Appreciation Day package has been delivered! Ten Prides in Portland by Leiascully and Simple Machines by coffeesuperhero continue the Leverage OT3 theme I've got going on this year. The fic aren't necessarily a series, but are thematically connected, and also the authors are married to each other. (It happens! My wife and I met writing Due South and Hard Core Logo fanfic lo these many years ago!)

There are some similar things I adore about both these fics. I love the sort of playing with structure in both of them, and watching the characters evolve, and also, seeing the queer community in all of its heartfelt messy occasionally infuriating glory. I also adore the thoughtful Eliot character exploration.

First off, Ten Prides in Portland! What it says on the tin. Ten years post-series at a certain brewpub in Portland, as Elliott finds queer community and figures himself out. This book is the reason I now have rainbow ribbon for bookmarks. As you can see, I went so very literal with this one. Homemade book cloth, acrylic paint, and cardstock endpapers printed with a map of Portland.

I had way too much fun with the layout on this one! It was an easy theme to lean into.

Eliot navigates a relationship with two people he loves, runs a restaurant, and figures himself out. I love the character dynamics, the cast of queer characters, and the way the second fic in the series is structured around brewpub menu items. The titles are from the iconic Mary Oliver poem Wild Geese, which is where the bird theme comes from. I used a really lovely fancy liquid mirror silver paint for the geese on the cover, which is gorgeous in person but hard to photograph.

More geese! Some menu formatting! Also, a food-themed illustration at the beginning of each chapter to match the menu item. (Thank you, stock images on The Noun Project.) This was another fun one to play with.

Not pictured here for either book: the insurmountable printer issue I was having where any page with an illustration turned out extra-dark, and the flip side was correspondingly lighter. BUT. I'm still pretty pleased with how they both turned out, happy to have both of these on my shelf, and even happier to send them off in a set together to the authors' hands.

Happy slightly belated FFWAD, Leiascully and Coffeesuperhero!

[kallisto-k]

Chapters: 1/1 Fandom: Leverage (US TV 2008) Rating: Teen And Up Audiences Warnings: No Archive Warnings Apply Relationships: Alec Hardison/Parker/Eliot Spencer Characters: Alec Hardison, Parker, Eliot Spencer Additional Tags: post-bondage scene, Aftercare, Fluff, Cuddling, Domestic Fluff, References to Sex Series: Part 3 of Leveraging Bonds Summary:

Eliot needs to tell Parker and Hardison how much he appreciates them, and gives them a little aftercare in turn.

[ageofthegeekdotcon]

[danburys]

@pscentral​ event 36: trios alec hardison & eliot spencer & parker

look, I know it’s not the same thing but hardison and I are gonna be here for you forever.

[leveragecentral]

every leverage dynamic ⮎ alec hardison & eliot spencer & parker

you scared? you're damn right. i'm not. i got the best thief and the smartest guy i know chasing this guy.

[ghostlyarchaeologist]

Leverage Redemption Season 3 Trailer!

Premiering 17th April

[erodingsinner]

Leverage x Onion headline

[aardvaark]

[listen-to-the-inner-walrus]

I love the Leverage episodes where they're truly just psychologically tormenting a guy.

Like obviously they first establish that the guy is a terrible guy who does terrible guy things. And we really do need the terrible guy to be doing a lot of terrible guy things because this is kinda an ethical nightmare, but don't worry, they are reliably doing a lot of terrible guy things.

But then it is just like "hey, let's convince this guy that he's made first contact with aliens and also that aliens are trying to kill him" or "hey, let's make this guy believe he's contracted a deadly disease and is going to die in quarantine because medical staff are abandoning him" or "hey, let's first try to persuade this journalist that the government is secretly creating Guantanamo Bay 2: Underground Boogaloo in your backyards and when she doesn't run with that story, let's then make her think that oops the government accidentally leaked some kind of bioweapon into the waterways and now water is gonna kill you instead."

[lindseymcdonaldseyelashes]

Leverage 4x15- "The Lonely Hearts Job"

[scotchiegirl]

It boggles my mind thinking about how good Eliot is at reading body language. I mean, just remembering that post about the moment in Nigerian Job where Eliot knocks Hardison's legs out of the way but steps gracefully over Parker's legs and how that was telegraphing "I'm safe to be around" to both of them in their own body languages, and there's a similar moment in The Tap-Out Job right before Eliot shows his knowledge of boxing by having Parker and Hardison spar while he coaches them:

Eliot: Let me show you something. (slapping Hardison on the shoulder) Hardison, come here.

Eliot: (guides Parker into position with a hand to the waist) Can I borrow you for a second?

I mean this is exactly the same thing. Hardison he can tussle with and frequently does to show he can pull his punches (both verbally and physically) but Parker hasn't reached play-fighting stage just yet so he's still gentle side first with her. They've obviously progressed to a level of closeness where Eliot feels comfortable guiding Parker, teaching her, and also feels comfortable that she'll go along with his demonstration, but he still asks. It's the kind of perfunctory ask where you're sure the answer is yes, but it's still an ask. It's just a beautiful little moment and I love it.

[dont-read-this-im-dead]

You know what I love about The Order 23 Job?

It's not the absolutely INSANE way Nate catches the bad guy, no. Though, being able to give a guy a nosebleed with the power of your mind is pretty hot.

No, what I LOVE about this episode is that Eliot is surrounded by cute nurses and he doesn't care. He doesn't care about the con. He doesn't care about the job. He sees a little boy with a broken arm, showing signs of abuse, and he gets tunnel vision.

I love it when Eliot threatens the boys father, takes his actual freaking driver's license! I love when Eliot tries to empower the boy to speak up for himself, AND, when he learns that the boy can't trust ANY of the cops in town, Eliot takes the matter to the US Marshals.

He literally tells a freaking marshal that a little boy is in trouble and living with his abuser, and that his abuser is on friendly terms with the cops in town, and will he please help him out?

I love that the marshal takes the matter seriously. Instead of being like, "well, that's not my jurisdiction," he takes care of it. He personally goes to the boy's house and tells him, "let's talk. You'll be okay." He personally removes the boy from the presence of his abuser WHILE the abuser is watching!

I love that Eliot is outside the house watching them, instead of just passing the message along and letting the marshal take care of it. He goes to the house and watches, makes sure--until the very last second--that that little boy is safe. He makes sure that that little boy will never have to be afraid of his father again.

And if this episode isn't enough to get you to fall in love with Eliot Spencer, then you're a monster.

[danburys]

The Nigerian Job (1.01) The First Contact Job (5.03)

[independent-fics]

Now, you can take that as a gift, or you can take it as a curse. And that's up to you.

Eliot Spencer and Parker Doing the Things Others Won’t

Leverage (2008-2012)

04x01 The Long Way Down Job

05x09 The Rundown Job

[leveragecentral]

Leverage (2008-2012) The Gimme A K Street Job (S05E05)