#Feel free to interpret these quotes however you wish

[whirlpool-blogs]

Matthew Tkachuk Daddy Issues primer

1) https://floridahockeynow.com/keith-tkachuk-rips-the-florida-panthers-calls-them-a-soft-team/

“This is do-or-die for the Panthers right now,’’ Keith told First Up with Korolnek & Colaiacovo. “I watched them the other night and I know I am staying at Brady’s house and Brady’s team played really well. They have some jam and, you know, I am a little disappointed with the Panthers.

“They are a soft team and they are getting everything they deserve right now.” To continue on that point, Keith Tkachuk said for the Panthers to snap their losing streak in Toronto, they need to bring a little more toughness to their game.

“Instead of trying to get autographs on the ice from Matthews and Marner,” he said, “they probably should check them a little harder. Whatever it is, it is disappointing. I know I sound like a frustrated person, but I know every time I come and watch Ottawa, they may not be the most talented team but they’re going to play hard. Perhaps Florida could take a page out of their book.”

2) https://www.sportsnet.ca/nhl/article/senators-brady-wins-tkachuk-battle-bettman-hints-lebreton-flats-a-little-small/

There was a “Brady is Better” chant at a game when the two brothers played each other, and Keith was at that game. Some speculate that Keith started it.

3) https://www.bladeofsteel.com/Keith-Tkachuk-explains-why-he-would-not-throw-his-hat-for-his-son-hat-trick-goal-126638

Keith refusing to throw his hat for Matthew’s hat trick, even when Taryn and Brady were also at that game.

4) https://theathletic.com/351173/2018/05/13/in-the-tkachuk-family-its-chantal-who-is-the-captain-of-the-house/

[On the family chalkboard in the kitchen] “It’s always like, ‘Happy birthday’ or ‘Welcome home, Brady!’ or ‘Can’t wait for you to leave, Matthew,’” said a chuckling Keith Tkachuk.

xxx

[A little insight into Matthew being the intense one and Brady being easier to get along with]

It’s an interesting snapshot because Matthew, a fiery competitor who was twice suspended by the NHL last season, is smiling, while Brady, a happy-go-lucky personality, is scowling.

“This picture is great because now it’s the opposite,” Keith said.

“That’s so true, so true,” Chantal said.

xxx

Chantal reads everything about her boys, too, noting that she is a subscriber to The Athletic.

“I like it,” she said.

“Except when they gave Brady a bad draft rating,” Keith said.

xxx

Keith then reminded his kids, “You guys better get your butts to the store and get some cards for your mom.”

“Actually, Matthew bought me a Mother’s Day gift this year,” she said.

“He had to have gotten you something that benefited him,” Keith responded. “What did he buy you, like eight beers or something?”

“No, Lululemon shoes,” Chantal answered. “He’s a great gift giver now that he has his own money.”

“It’s the least I could do,” Matthew said.

5) https://theathletic.com/229963/2018/02/02/he-has-that-face-you-just-want-to-punch-matthew-tkachuk-isnt-about-to-change-the-way-he-plays/

“He has that face you just want to punch, according to other players,” said his father Keith.

“I’m sure if I played against him, I’d go after him, too.”

“This kid, I find a lot of flaws in his game because I’m his dad, and that’s what dads do.”

“I love the fact that he plays with an edge,” said Dad. “I told him that I’d rather see him sit out a game for being too aggressive than sit out a game because he’s soft.”

6) https://www.bardown.com/brady-matthew-tkachuk-s-parents-explain-why-they-re-happy-their-kids-aren-t-in-the-same-conference-1.1121784

Chantal, by the way, told me she is happy Matthew and Brady are not in the same conference. Keith said: “I’m glad too. I don’t trust Matthew.”

7) https://theathletic.com/1984477/2020/08/10/its-distinctly-matthew-tkachuks-postseason-presence-drawing-rave-reviews/

“Keith wanted Matthew’s coaches to push him as hard they could. He would tell me, ‘You can be more demanding,'” said Granato. “It’s delicate because, as a coach, you have to consider how hard you can push a guy. And you love the guys you can push harder. Those are the guys you fall in love with as a coach. With Matthew? There was no limit.”

8) https://www.sportsnet.ca/nhl/article/tkachuk-brothers-vibrant-personalities-stem-from-colourful-st-louis-roots/

Keith said he remembered watching Matthew on the After Hours segment on Hockey Night in Canada as a rookie, conducting the whole interview with his head down.

“I said, ‘What are you doing? Get your head up and talk,’” said Keith.

“But now it’s like this (as he snaps his fingers).

“I watched Matthew interviewed last night and he was pretty good. He adds some normal stuff to it that people like. It’s not about the same answers. He does a good job.”

9) https://theathletic.com/4503016/2023/05/10/matthew-tkachuk-florida-panthers-nhl-playoffs/

From his father, Keith Tkachuk, he learned to accept responsibility: "You didn't win? Play better."

10) https://www.tumblr.com/matthewtkafuck/190505229656?source=share

Keith: “Matthew’s in love, but with himself.”

11) https://www.tumblr.com/raliegh/680996428961726464/lettucemakar-matthew-daddy-issues-tkachuk?source=share

Q: "What sort of text message do you think you'll get after getting five points against the team your dad works for?"

MT: "Um, I'm not sure, I'm sure he would have, I don't know maybe I'm putting words in his mouth--I'm not even going to say it, what I was about to--but he probably wanted it to be an OT game but for us to play well. Um, I don't know who he wanted to win the OT game but uh, no he, he, it doesn't matter what team he works for but he's obviously my [and] my brother's biggest fan and great mentor and obviously not only him but my linemates and teammates know how much I want to win against those guys, hometown team lots of people watching, same as, we got a lot of guys from Toronto, its like when we go to Toronto we want to win that game for the guys that are from there, tons of people watching so, I don't know exactly what he'll text me. Maybe he went to bed early and I won't even get a text I don't know."

[sgiandubh]

Gleberman's podcast, take 2: the video edition

I volunteered to take one for the team, again, this time watching (or trying to, at least) the video version of Gleberman's infamous podcast on Youtube (if you are a masochist, like me, feel free: https://www.youtube.com/watch?v=l_md73Ws2O4&t=303s). You see, I was so intrigued by the OTT praise that I wanted to see the live reactions. To do so, I even watched it at a 0,25 reduced speed ratio, just to catch up those pesky, spontaneous facial expressions he couldn't possibly hide.

Let's start with what we all know: in 10 years, S is much, much better at hiding his game and almost proficient at mastering the poker face. But if you really pay attention (and I did), you might still notice some interesting things: after all, we aren't robots and we can't calibrate or control everything. So, here's my take on what I saw, with screencaps, and covering only the bits I quoted in my first post (https://www.tumblr.com/sgiandubh/733285180488450048/and-kia-ora-to-new-zealand-like-youve )- the rest was really beyond my patience and goodwill abilities, to be honest.

A word and a question on the staging of this podcast, before anything else. I am always paying great attention to the outfits of the people who participate, because I believe they are an integral part of the show itself. While Gleberman's was, to be honest, unacceptably sloppy, S was right on point the message he wanted to convey, with the short-sleeved (?) khaki shirt that spelled three things: Bachelor. Traveler/Explorer. Tropical Chic. As a side note, I wish he'd been dressed like that in the Nevis resort suite snippet: not the usual Peter Panesque/Marty McFly/boyz in da hood outfit. But hey, that's just me, what do I know, after all, maybe the boy really feels more relaxed in those. Brand-wise, however, I will never cease to drum up the urgent need to step up the outfit game and start aligning it with the real age.

The other thing that intrigued me is common to S and C: their love of cupboards and hallways when it comes to playing the show/not show game on podcasts 'from home'. Because they know we watch and because they know, by now, we are probably worse than the MI-6, we're left with... eh... nothing. He apparently found the perfect solution with that sort of a connecting space he is always showing us, lately. Seriously, though, who the hell places himself in front of an opening (sliding door?) to a bigger room, except when wanting to block both the view and any other interpretation? Heh. Things that make one go 🤔.

Anyways. Let's have a look at some reactions I have screencapped:

Gleberman: 'same sweetest person and like an amazing human being'.

Translation: I am pursing my lips and bracing myself for the rest of the #silly compliment. I can't possibly express how much this annoys and embarrasses the bejesus out of me. But hey, Monica, have at it and let's be done already with this circus.

Gleberman: '...and friend to talk to and I just love you.'

Translation: I close my eyes because I don't want to hear the OTT crap this woman is shamelessly peddling around. I cross my arms defensively, because this is the best I can do. I really pray internally she'd immediately stop it, somehow (though I am fully aware she won't and this is just the beginning). She definitely overstepped a red line and I don't want to be a part of it.

S: '.I think there's...there's a lot of smoke and mirrors, this is ALL fake.'

Translation: I am talking with my hands to make a point (and also to show off the damn rings - oh, Lord, let them talk about these to oblivion, on socials). I am also covering my face with a gesture evocative of a smoke curtain, because ultimately I feel the need to protect myself from the smiling entity on the other side of my screen and because, at the same time, I know exactly what I did here. Oops, I just unleashed another half-in-jest zeppelin, that people could pretzel exactly how they see fit. However, it's true: my public persona is a carefully curated lie. Peekaboo, underneath I know very well what my committed truth is.

S: ' I am the double'.

Translation: I am opening my arms and I am puffing out my chest. There, I've said it. Ha! I am in full defiant mode, now. I meant every single word I just said and damn the consequences.

I wish I'd had the patience to watch it all. But I think I've managed to analyze the most interesting part of it. Overall, there was quite a bit of stress involved on S's side (lots of chin grabbing, etc), the only one I was interested in. She was simply not worth my attention and I doubt she, unlike many other people in the media, 'knows stuff'. If anything, that only served to validate my first impressions.

And yes, always look for the presence of the teeny-tiny abnormal detail. Sometimes (not always) it can prove rewarding.

[imonthemoonitsmadeofcheese]

hi I'm learning destiny lore the hard way and I've seen you in my notes, who's Eris Morn? What's her deal? This is an invitation to infodump you seem like the person to ask XD

Oh wow! I will answer your question, despite feeling unworthy to do so, but before I do, since you mentioned you're learning the lore, this is the Eris page from the Ishtar Collective website: https://www.ishtar-collective.net/categories/eris-morn It gives a list of main plot points for Eris up until just before the Season of the Witch and links to all Eris lore that exists in-game, going into far more detail than I can in one Tumblr post.

The Ishtar site pulls a large amount of its info from the D2 API and then supplements anything it can't get from there with human volutneer transcribers pulling from sources like the Destiny Lore Vault: https://www.youtube.com/channel/UCqJlWJF0IucG7HXcEao78Cw .

If there is lore you can acess in-game, now or in the past, Ishtar has it and it is searchable via keywords. It is official lore, not someone's interpretation of it, and I cannot recommend it highly enough.

However, not everyone realizes that the Ishtar Collective also has a Discord: https://discord.gg/v8GsggCV

And that Discord is full of lore nerds who you can just go to and ask obscure lore questions and they will happily answer them (or sometimes get into adorkable near-academic-level debates over them, with citations as well as historical and philosophical references) because that's their definition of fun. They are, for the most part, genuinely lovely humans and I adore them all.

Everything I know about Destiny I learned from either playing the game or reading that website or asking those people.

Now, to answer your question, I'm going to give you a short quick answer and then a longer more in-depth answer afterwards.

The short quick answer is a quote from a story I wrote (A Dance with Vengeance) where I have the Drifter explaining where Eris got her eyes to an Eliksni character I made up:

Please note: this is fanfiction. This conversation never happens in lore, and the closest we've gotten to Driferis in-game is a delightfully sweet hug buried in the lore tab for a sparrow vehicle, but the events the Drifter is narrating (with a bit of dramatic flourish) did happen to Eris in-game.

The longer answer:

Eris, a former Hunter (and Ahamkara wish-dragon slayer), is the sole surviving member of the First Crota Fireteam, a team of six guardians looking to avenge all the friends and loved ones who died in The Great Disaster (when humanity sent an army of guardians to try to reclaim the Moon from the Hive) and, in particular, to avenge the death of a badass Titan named Wei Ning (Eris' friend and lover of Eriana-3, the fireteam leader). Their goal was to kill Crota, the then-leader of the Hive forces on the Moon (Crota is the son of Oryx, who, himself is both a Hive god and the Taken King, brother to the other Hive gods, Savathun, Hive god of Lies, and Xivu Arath, Hive god of War).

Everyone on the First Crota Fireteam except for Eris died horribly and Eris was lost in the Hellmouth on the Moon for a century. Eris' ghost (Brya) killed itself to protect her and Eris no longer has access to Light-based guardian powers. She killed a Hive acolyte and took its eyes (cutting out her own) since she had wished on her bone to know the way out of the Hellmouth but could no longer see. (Ahamkara wish magic is always tricksy - they're basically wish-granting genies who always twist what you ask for into the worst possible outcome.)

Eris has a few titles: "The Forgotten Blade," "Bane of the Swarm," "Crota's Bane" and, more recently in Season of the Witch, "Hive god of Vengeance." She is our main point of contact on the Moon (the Shadowkeep DLC is fantastic and the Moon is awesome and creepy and one of my favourite places to go in-game - I could go on and on about my favourite spots there).

Eris has devoted the rest of her (now mortal) life to exterminating the Hive and has guided the Guardian (the player character) to do so through many adventures, notably the Crota's End raid (where we kill Crota and finally accomplish what her fireteam set out to do), the Kings Fall raid (where we kill Oryx), the Pit of Heresy dungeon, and the Scarlet Keep strike (where she has one of her infamous fantastic lines: "Do you feel it as I do, Guardian? A hatred as pure and potent as sunshine, soaking through your skin?"

Season of the Witch is all about Eris becoming the Hive god of Vengeance to deal with Xivu Arath. If you've ever watched Full Metal Alchemist, the logistical problem with Xivu is the same: going to war with something that feeds off of violence and death just makes it stronger. Season of the Witch is still available (at the time I'm writing this) and there's some amazing scenes in there. I highly recommend playing through it but if you can't, here's an 8.5 minute video of the 3 main cutscenes including the ending [i.e. this is a spoiler if you haven't played it yet and still want to!]: https://www.youtube.com/watch?v=VVUWu-DqZvU

Eris' storyline in-game is all about recovery from trauma. Many of her quests are either helping her seek vengeance or helping her find peace (such as recovering mementos of her fireteam from various spots on the Moon). She is haunted (literally) by the ghosts of her past (here's 19 seconds of her yelling at them: https://www.youtube.com/watch?v=Lcs1io-kvdg ) and her recovery from that has made her the unofficial trauma therapist for the Vanguard.

In Season of the Haunted (sadly no longer playable) she guides Zavala, Crow and Cabal Empress Caiatl through combatting and laying to rest their own nightmares-of-the-past-made-real. Here's a link to a 9 min video of the main cutscenes from that season (there's more content if you watch a full playthrough): https://www.youtube.com/watch?v=DWHphu-iT3w

Eris taught herself how to wield Hive magic from a combination of her century of wandering on the Moon and the journals of Toland the Shattered (one of the members of her fireteam who betrayed them to the Hive and is now a floating sparkle-ball who sometimes helps us and sometimes just insults us on the Moon).

Eris is the Vanguard's Hive expert and Darkness expert. She is also one of Ikora's Hidden (Ikora is the Vanguard spymaster and the Hidden are her network of spies.) One of Eris' main story elements is that most people don't trust her, and not without cause. Another D2 character, Elsie Bray, aka the Exo Stranger, has been living her own personal Groundhog Day time-loop hell where she has watched humanity fail over and over against the Witness and then goes back in time to try to stop it. In most of Elsie's time loops Eris succumbs to her trauma and the corrupting nature of the Darkness powers she wields, goes full Hive, and leads the forces of evil to wipe out humanity in what is referred to as "the Dark Timeline."

Eris is constantly dealing with accusations that she's crazy, that she's evil, that she's unstable, and every time it's proven she's not, but people still find her untrustworthy and it isolates her from most of humanity, noteworthy exceptions to this being Ikora, Queen Mara, the player character, and the Drifter.

I am (obviously) especially enamoured of the relationship between Eris and the Drifter, and their in-game banter is absolute top-tier (he flirts and Eris roasts him and it is glorious), but the very core of their relationship is built on comfort and understanding. He trusts her (something almost no one else does) and she gives him hope (which is genuinely impressive and beautiful because the Drifter's own backstory is brutal and bleak as fuck).

Throughout most of Eris' narrative in-game she is a recovering survivor, but in Beyond Light (the DLC where we get our not-ice magic Stasis powers) we get to see Eris not just psychologically and emotionally recovered, but also getting to be a badass in battle. This is, in my opinion, the best cutscene in the entire game: (it is 1 min an 35 seconds and far, far too short): https://www.youtube.com/watch?v=IAD6E_vESJY

I love this cutscene not only because it is visually spectacular, but because Eris has, for most of her narrative, been an injured survivor needing the player character to fight in her place because she no longer can. But in Beyond Light she is now able to kick ass and, perhaps even more importantly, be a part of a fireteam again.

There's more but I'm going to stop there. Eris is badass and amazing and creepy and fantastic. She uses the weapons of the Hive against them. She uses her own traumatic experiences to heal others. Her dialogue lines are evocative and snarky and brooding and poetic. The voice acting for her is some of the best I've ever heard anywhere. Her character has a complex, empowering, healing, hopeful, and beautiful narrative. And I love her intensely for it.

Ideally, this has answered your question at least somewhat, but do feel free to ask me any follow up questions you have about this or anything. I maintain I am not an expert in D2 lore. I am a writer and I don't just have biases, I use them to make art. But I do love the game and while I am not an authority on anything, I have immersed myself in much of the lore with wild abandon and will happily point you to places where you can find more information where my own understanding is limited.

And with that, I leave you with another fantastic Eris quote that so many people have connected with and found beautiful but that also encapsulates "who is Eris Morn" pretty well on its own:

"Recovery is a spiral, not a circle. You may return to the same patterns, but you will break free." —Eris Morn

[callivich]

Gallavich Story Starters

Prompts for fics, headcanons, or discussion, art, etc. Interpret these however you like and feel free to use them as just a jumping off point, you don’t have to stick to the exact prompt/wording! If any fics like any of these have already been written, please feel free to recommend them to me!

These are a bit different from sentence starters because there is more detail than a quote/short sentence but less detail than some of the prompts in my themed sets. Think of them as mini prompts/summary prompts.

Ian’s 100% sure that he’s got the wrong address - after all, he’s supposed to be mowing the grass. But when the guy wearing nothing but a tight pair of boxer-briefs waves him inside, he’s not sure what to do. Still, he can’t help following the man into the house.

Mickey sits on the steps of the police station and wonders where to go. He doesn’t want to go home and he can’t face the Gallagher place. Maybe he should just buy a bus ticket and see where it gets him. Then his cell rings and everything changes.

It’s not like Mickey wasn’t expecting to be diagnosed with something. It’s just he didn’t expect a whole goddamn list of things. He wishes he’d brought Ian into the doctor’s office with him instead of making him sit in the waiting room.

The army instantly rejects him. Ian’s plan falls apart in seconds and he’s stuck in the middle of nowhere. There is one person he could call to come and get him from an army base, but he’s not sure they’ll answer.

Mickey’s released from jail after one year when the bullshit charges are dropped. That means he’s a free man, right? Not exactly, he’s give six months parole. Distrustful after his experience in the system, he’s suspicious of his parole officer - Ian Gallagher.

Everything is good - they’ve got a good life, so he doesn’t know why he’s suddenly waking up every night in a cold sweat. It doesn’t take him long to figure out what’s triggered the nightmares but once he does, it’s undeniable.

It’s Ian’s fault he’s here. He’d gone on and on about it until Mickey gave in. Now Mickey’s sitting in a dentist chair waiting for them to put him under. They better give him the good drugs.

Ian’s got a shitty job he hates and he’s just signed a lease on a tiny apartment with a boyfriend he kinda likes. Everything’s going ok. That is, until he meets his next-door neighbour. It’s a man he didn’t expect to see again for six years. Mickey’s got parole and he didn’t even tell Ian.

Lip doesn’t want to be here. He doesn’t want to be wide awake in the spare bedroom of his little brother’s apartment wondering where the fuck everything went wrong. He doesn’t want to be jealous that Ian’s life with Mickey is going well and his isn’t.

Ian doesn’t know why he’s nervous. He’s married, for fucks sake. It’s just a date. Still, he and Mickey have never had a date like this before and he wants it to be special. Maybe he’s trying too hard but Mickey doesn’t seem to mind.

This is not Mickey’s beautiful house, this is not Mickey’s beautiful wife. He wonders, “well, how did I get here? and where the fuck is Ian?” Something is very wrong and he doesn’t know how he ended up here. (Based on the song Once In A Lifetime by Talking Heads)

It’s these late night conversations in bed that Ian likes the most. Cuddled up together in the darkness, being honest about anything and everything. He’s never felt more in love.

Mickey’s had one drink and already he’s decided he can’t do this. He tries to tell himself that it’s ok, that he doesn’t need sex or a relationship, that he’s happy being alone. Then a handsome redhead sits down next to him and offers to buy him a drink….

They’ve bought a brand new bed and Mickey’s being weird about the fact it’s in the middle of the room. Then Ian gets it, they’ve always slept on beds pushed against the wall.

Ian’s not jealous of their cat. He’s not. It’s just…she seems to like Mickey more than him and when she sleeps on top of Mickey at night, he can’t put his arm around his husband.

Their eyes lock across the room, the noise of the prison seems to fade. Mickey can’t believe what he’s seeing. Ian can’t be here? Can he? He wants to run across the room but he stops himself and instead swaggers over like it’s no big deal. Pretends like he’s just going to see the new guy. (Based on this question sent to @gallavichfanficlibrary)

Mickey was expecting to order takeout and chill out in the bedroom while Ian and Lip had their fun little brotherly bonding session in the living room. Somehow, he was waving goodbye to Ian and Lip wearing shit-eating grins (and Freddie without a shit-eating grin) as Tami led him out the door promising him a night of fun.

Ian’s cat is a thief. Everyday he returns home with a new pair of underwear which he deposits on Ian’s bed. Boxers, briefs, jockstraps and even a couple of interesting black lacy numbers. Meanwhile, Mickey thinks he’s going crazy - why does his underwear keep disappearing?

[worldburnrp]

JULY 14TH, NYC

THE BROOKLYN MUSEUM PRESENTS

THE ODYSSEY OF GODS AND MEN  — A GREEK ART & HISTORY GALA AND FUNDRAISER 

The Brooklyn Museum opens its doors this Friday night to an illustrious gala — held under the dome at their Sculpture Gallery, which is precisely what it says on the tin: a large, white-marbled room where countless Greek statues watch your every move.  But the exposure comes with a good cause: to raise funds for the museum’s growing Greek fund, for further research, restoration, exploration, and upkeep of the countless pieces of Greek art found at the museum and those still to be discovered and brought through these doors. The public ranges from those who can donate a fiver — to five million. And yes, those who just needed an excuse to wear a fancy dress, too.  Inside the halls, ethereal music is played, the most breath-taking sculptures are brought out of the dark room and into display, and small performances of Greek mythology are sprinkled throughout.  Welcome, to tonight’s Odyssey.

IC INFORMATION:

SETTING: The Brooklyn Museum.The event starts at7:30pm, in the cusp of sunset shifting into nighttime. The fundraiser is held mainly at the grand Sculpture Gallery, though characters may explore beyond it. Keep in mind, some areas may be closed for the purposes of the event.

DRESS CODE: The dress code is gala — think long dresses, tuxedos, your most expensive fabrics — inspired by Greek Mythology: Gods and Men. Character’s interpretations of this vary up to each person’s personality. It’s likely however to lean more into loose creative freedom, than costumey. 

OOC INFORMATION:

IC, THE EVENT TAKES PLACE ON THE NIGHT OF JULY 14TH. OOC, the end date will be determined soon.

Members are encouraged to pause non-event threads during this event, but not required. We understand certain threads and interactions are important for character and plot development, so we leave that up to your personal judgement. We ask that, should pre-event threads continue, that they don’t overtake event ones.

It is a requirement, however, that no new threads outside of the event are started until the event wraps. 

WE ENCOURAGE YOU TO PLOT with your fellow players any plots and/or conflicts that may happen. For heavier conflicts, please do make sure to message the main about it first.

As always, should there be any questions or need of assistance with any plots, please feel free to contact the admins and we’ll be happy to help you.

OUTFIT CHALLENGE:

CREATIVE OUTFIT & NARRATIVE HEADCANON: What outfit is your character wearing? Why have they decided to attend? Answer all or any of these through a post of your liking. <3

If choosing a specific mythology figure to be inspired by, your character may claim one from the list below. Characters taking a looser route and not driving specific inspiration don’t need to go through this step. 

INSTRUCTIONS:

— To claim a mythology figure, just message the main blog and say their name + character you’re claiming it for. Once the admins respond with confirmation, the figure is yours! — If you have multiple characters, please be mindful of your fellow players, and please choose one figure for one character, and allow for others to have a chance to claim theirs before claiming more. — Figures are AVAILABLE unless CROSSED OUT.

APHRODITE — APOLLO — ARES — ARTEMIS — ATHENA — CERBERUS — CIRCE — DEMETER — DIONE — DIONYSUS — ERIS — FATES (0/3) — MUSES (3/9) — HADES — HEBE — HECATE — HERMES — HEPAESTUS — HESTIA — HERA — HERMES — PERSEPHONE — POSEIDON — ZEUS — CHRONUS — EROS — EREBUS — GAIA — NEMESIS — NYX — THEMIS — ACHILLES — ODYSSEUS  — HERACLES — PSYCHE

*

QUOTES CHALLENGE: 

For this challenge, characters may claim quotes as written by Homer.

Whatever route you take, is up to you — SO LONG AS THE GIVEN QUOTE IS TAKEN INTO CONSIDERATION.The quote does not need to be spoken or explicitly a part of the thread, but can be if you wish. 

You can use the quote of your choice for open starters, or closed starters. You have 24 hours to use your quote after claiming it, or it becomes available again.

CHARACTER DEVELOPMENT is the name of the game. We encourage you to have your character enter the scene one way, and leave with somewhat of a changed perspective. This can be as subtle, or as intense as you see fit.

INSTRUCTIONS: 

— To claim a quote, just message the main blog and say the quote number + character you’re claiming it for. Once the admins respond with confirmation, the quote is yours! — If you have multiple characters, please be mindful of your fellow players, and please choose one quote for one character, and allow for others to have a chance to claim theirs before claiming more. 

01. “Of all creatures that breathe and move upon the earth, nothing is bred that is weaker than man.” [UNCLAIMED]

02. “The gods envy us. They envy us because we’re mortal, because any moment may be our last. Everything is more beautiful because we’re doomed. You will never be lovelier than you are now. We will never be here again.” [XIMENA RODRIGUEZ]

03. “There can be no covenants between men and lions, wolves and lambs can never be of one mind, but hate each other out and out and through.” [UNCLAIMED]

04. “Hateful to me as the gates of Hades is that man who hides one thing in his heart and speaks another.” [UNCLAIMED]

05. “A man who has been through bitter experiences and travelled far enjoys even his sufferings after a time.” [RAHI KUMAR]

06. “Be strong, saith my heart; I am a soldier; I have seen worse sights than this.” [UNCLAIMED]

07. “Let me not then die ingloriously and without a struggle, but let me first do some great thing that shall be told among men hereafter.” [UNCLAIMED]

08. “Even a fool learns something once it hits him.” [UNCLAIMED]

09. “We men are wretched things.” [MINERVA HAWTHORN]

10. “The difficulty is not so great to die for a friend as to find a friend worth dying for.” [UNCLAIMED]

11. “Men are so quick to blame the gods: they say that we devise their misery. But they themselves- in their depravity- design grief greater than the griefs that fate assigns.” [JULIAN BERKELEY]

12. “I didn't lie! I just created fiction with my mouth!”

13. “The blade itself incites to deeds of violence.” [MATHIAS MALKOVICH]

14. “Each man delights in the work that suits him best.” [UNCLAIMED]

15. “There will be killing till the score is paid.” [UNCLAIMED]

16. “If you serve too many masters, you'll soon suffer.” [UNCLAIMED]

17. “Few sons are like their fathers--most are worse, few better.” [UNCLAIMED]

18. “Why cover the same ground again? ... It goes against my grain to repeat a tale told once, and told so clearly.” [UNCLAIMED]

19. “Too many kings can ruin an army” [UNCLAIMED]

20. “The sort of words a man says is the sort he hears in return.” [UNCLAIMED]

21. “These were the colloquies in heaven.” [UNCLAIMED]

22. “Better to be the hireling of a stranger, and serve a man of mean estate whose living is but small, than be the ruler over all these dead and gone.” [UNCLAIMED]

23. “I know not what the future holds, but I know who holds the future.” [UNCLAIMED]

24. “I have no interest at all in food and drink, but only in slaughter and blood and the agonized groans of mangled men” [UNCLAIMED]

25. “We are perpetually laboring to destroy our delights, our composure, our devotion to superior power. Of all the animals on earth we least know what is good for us. My opinion is, that what is best for us is our admiration of good.” [UNCLAIMED]

HAVE FUN! <3

[asturlavi]

Can you walk us through some of the symbolism in your most recent piece?

i was about to be snotty and say that it's free for anyone to interpret as they'd like. then, i gave it some thought and realized i enjoy sharing my thought process and inspirations behind each piece so i can encourage people to explore some incredible hidden gems... (i was also saving this ask until i had enough time and braincells to properly collect my thoughts as well as i could and not go into it sounding like it's a whole bunch of drunken drivel... only for it to still sound like that regardless)

i'll only brush on some of the details and not all of them, otherwise we'll be here a long, long time.

lets start with the easiest one: the pomegranate. we all know that it represents several things, life, death, fertility, etc. some of you know how attached i am to my greek myths, and of course, i naturally went with the symbolic attachment it has to persephone. i won't be getting into too much detail, especially when its a story that has been told to death as of late... but, i will say this: oftentimes, persephone and hades' relationship is romanticized as something with its fair bit of troubles that any marriage has, a prime example of this being hades (the game, of which i absolutely love the interpretation for. it's written with such gentleness and care. hades (the god) absolutely, rightfully adores persephone). it can also, however, be depicted as someone tricked and entrapped against their own will, that the pomegranates were a medium used to force persephone to live beside hades for a set amount of time, no matter what her opinion or feelings be on that circumstance. in that way, it can easily turn into a dark, malicious tale. and in astarion's case, a dark tale it was. vampirism was the forbidden fruit, where the eternal life he received had unknowingly led him to forfeit all his freedom.

then comes the vines, inspired by an obscure little quote that i ran into while reading the scarlet letter, specifically these lines that reminded me so much of a certain someone... (the final sentence is my favorite for... reasons). simply read the passage, and the answer is there for you to see.

i should also add that in my illustration, the vines are bare of any flowers, any hope, any world of beauty under cazador's control. it withered away under the centuries, all wishes dead beneath an oppressive life of darkness.

and finally, the bats. they had no (conscious) inspirations, literary or not. it was something i've added because i thought of the fun little, depressing idea of the bats as messengers of cazador. they keep surveillance on cazador's spawn and report if there is any occurrences that may be anything less than satisfactory to someone like cazador, who would absolutely loath if any single one of his spawn treads a path that he deems unacceptable.

that's all comes to mind for now and it's always fun finding an excuse to start talking about obscure academia adjacent tidbits. thank you for asking, and i hope reading this wasn't simply a dreadful waste of your time

(also here's a variation of the illustration before i ultimately scrapped it. i don't know how else to post it, so here you go!)

[la-pheacienne]

Tbh, I didn’t mind Rhaenyra disliking the idea of marriage and motherhood after watching her mother endure failed pregnancy after failed pregnancy and saw how it weakened her each time until she died. I feel like it’s realistic that she’d have fears about it and that she would be reluctant. And I think her reluctance does come from a place of fear and not a natural distaste, like Arya’s. And honestly, F&B never says that she was super into the idea of motherhood or anything, iirc. I don’t think it says anything at all about how she feels about it when she’s young, so I actually think the show’s interpretation is valid. (I could be wrong, it’s been a while since I read it, feel free to correct me if you know of a quote where it’s mentioned). I just wish the show had taken the time to explore her fears and how she overcame them, what her experience was with her first pregnancy, how she adjusted to motherhood after Jace’s birth, etc.

Nonnie when I watched that scene I didn't mind it either, despite the fact that it WAS anachronistic. Later on though, when I continued watching, I understood the faux feminist message the showrunners wanted to force-feed down our throats and everything came into perspective.

Yes it would be nice to include a scene where Rhaenyra is afraid of childbirth after her own mother died in childbirth and then a scene that shows how she overcame her fears. This is valid. However, I vehemently disagree with the general direction the showrunners took, putting Rhaenyra's (and Alicent's and Laena's and Aemma's) struggle with femininity at the core of the story, along with all these many atrocious torture porne-y scenes of childbirth. It's misleading in a very subtle way. The issue here isn't whether Rhaenyra/Alicent/Laena are or aren't "super into motherhood". The issue here is Rhaenyra was executed for being the first female heir to the throne. The show's approach, as I said, is faux-feminist, unifying the experiences of female characters that are fundamentally different (the only thing they share in common is their motherhood), where the focus should be elsewhere. It's no coincidence that the showrunners DIDN'T include a scene of Rhaenyra overcoming her fears of childbirth. Quite the contrary, they show her clearly struggling with two (2) childbirths, giving us the indirect message that actually she hates this and it's so fundamentally different to what she aspired to be. I'm not saying that showing a woman struggling in a childbirth means she hates her children. I'm saying that the deliberate choice of showing Rhaenyra's two entire childbirths in combination with Aemma's atrocious and entirely unnecessary one AND the disaster that was Laena's childbirth, and all this in the context of Rhaenyra saying "I hate the prospect of having kids" has a very very clear political message that has nothing to do with who Rhaenyra actually was in the book, and verges on feminist separatism, which is a very modern approach.

No guys, Rhaenyra wanted to have kids. She had SIX of them PLUS two step daughters, she had a happy family and she loved her husband. Nobody forced her to have these kids. The problem here isn't motherhood. The problem is misogyny. Instead of focusing on the struggle with motherhood as a whole, the showrunners should have focused on the actual political issue here = the green's misogyny/religious obsession, the treason/the usurpation/the war etc where men and women played a fundamental role in Rhaenyra's demise.

But oh well. This is an extremely nuanced discussion for the average audience I guess.

About Arya's "natural distaste" to everything concerning traditional womanhood Vs Rhaenyra's "genuine fear" I'll have to think about it. Yes these characters are different, Arya canonically rejects many gender norms that are imposed on her like marriage/motherhood etc, and Rhaenyra rejects other gender norms that are imposed on her (for example the norm that prohibits her from becoming a ruler). They are not the same BUT I consider Arya as an "evolution" of Rhaenyra in a sense, a step forward. I don't know if I would choose the words "natural distaste vs genuine fear" to describe this though.

[scumbag-monthly]

Meanwhile, on 9th November 1982...

Yes, it'll soon be 40 years since The Young Ones first aired on BBC2! Can you believe it!?

Naturally, we at Scumbag Monthly want to mark this important event - perhaps the most important event in 2022 - with a zine. Thanks to the Scumbags Discord, we've already got scumbags pencilled in to write reviews for 10/12 of the episodes, but the mindless violence doesn't stop there!

Please DM @neil-neil-orange-peel if you'd be interested in doing any of the following (you can do multiple or just one, it's up to you, but please please PLEASE be realistic about your free time/motivation):

*Drawing a portrait of your favourite Young One - we want at least one of each, so you'll have to get in quick to bagsy your fave. We're hoping for Vyvyan, Rick, Neil, Mike, and Balowksi, with possibly the Fifth Housemate and SPG too. If there's a lot of interest in this option, we'll be more than happy to double or even triple up!

*Writing a piece about your favourite Young One - why they're your favourite etc. Once again, characters will be dished out on a fist come, first served basis. We'd like one (though preferably two) for each of the main four at least yes we know Balowksi isn't very popular with the scumbags we know we're not gonna force you bastards to write about him unless you want to. 500 words minimum, no maximum.

*Tell us what The Young Ones means to you - in words, sentences, paragraphs, explosions of art, a kick up the bottom. How did you discover the show? What, if any, impact do you think it's had on you? Have you got any messages for the creators, if you had the opportunity to address them (we're not giving you that opportunity, but just ✨use your imagination✨)?

And now on to things that aren't just rehashes of the Rik zine... ✨

*Writing a review of either Demolition or Oil - we've got scumbags signed up to do the rest, so please get in touch if you fancy either of those episodes. Minimum 500 words, no maximum. Please don't sweat this if you've never reviewed anything before - we're not looking for expert, objective critiques. Please feel free to just gush. I mean, look at our Strip Teases. 😂

*Writing a piece about the relationship between The Young Ones and music - to be interpreted however you wish. We just need one scumbag for this and once this option's gone, it's gone. Musical scumbags, anyone out there? TYO is somewhat unique in its choice to feature musical artists in almost every episode (not Flood!) in order to get a bigger budget, so it's only reasonable we address this.

*A ruddy talented cover artist - the scumbags always produce bloody brilliant cover art for us! We're going to be a bit more picky than usual about what we want on this cover, but overall you'll still have free rein. Scumbag Monthly is going to hold a competition for this cover art in early September, so whoever's art is chosen will not only become our cover artist but will receive a prize too! Feel free to DM now to let us know you'll be interested come September.

*Writing a piece about your favourite guest star - there's a lot going on in your average TYO scene, but we've all got our favourite bits. Aside from the main quartet of Scumbag students, which guest star really stands out to you? Why is this? Here's a chance to witter on about something only a TYO fan would. No word count minimum or maximum; just one piece per guest star (so once someone's picked Jennifer Saunders, you can't have her!). Be quick in DMing if there's someone you want to talk about!

*Art, glorious art - as always, if you want to send us miscellaneous TYO art, we will always find a place for it.

We're also hoping to do a poll of the 12 episodes and create a page of TYO quotes, so let us know which episode and which quotes are your favourites!

Is that everything? Sounds like enough to get the ball rolling! If you've got any other ideas you think would work in PDF format, DM @neil-neil-orange-peel. Please, go crazy ape shit in our zine. Seminal works of comedy don't turn 40 every day, you know.

The deadline for all of this bastardly goodness will be 5th November - if you're late, we'll send Guy Fawkes after your bogey bum! The zine will be going up on 9th November as we tuck into Demolition for what is undoubtedly more than the fortieth time...

[patron-minette]

Who was Claquesous, truly?

We all know that Claquesous was ‘night’. But, there is so much more to this character than just his ventriloquism and his mask. He is not just simply mysterious – rather, Claquesous is dual – and this makes him such a fascinating character to explore and speculate about.

Claquesous is all at once a man and a ghost; a criminal and a police informant, and can be interpreted as either an extremely cunning or an extremely thoughtless character. We do not know his true self, the one that lies behind his mask, and he is an astounding example of the sheer beauty of mysterious characters in fiction. The more I think about his character, the more compelled I was to write this analysis, because I really wish these aspects of his persona were talked about more! [All quotes mentioned below are from the Julie Rose translation of the text]

“Claquesous is a nightbird with two calls.”

Establishing mystery - Claquesous as a spectre

The first introduction we get of Claquesous is essential for building his intrigue and pulling our attention to his character. He is described almost supernaturally, and there is real knowledge that we can take away from his description - aside from the fact that nobody truly knows who he is:

He would wait till the sky had painted itself black before showing himself, crawling out from some hole after dark and crawling back into it again before daybreak. Where was this hole? Nobody knew. When it was pitch black, he would speak, though only to his accomplices and only with his back turned. Was his name really Claquesous? No. He would say: ‘My name is Not-at-all.’ If a candle appeared, he slapped on a mask. [...] You couldn’t be sure he had a name, Claquesous being only a nickname meaning blow-your-dough; you couldn’t be sure he had a voice, his stomach having more to say than his mouth; you couldn’t be sure he had a face, nobody having seen anything but his mask.

Claquesous maintains the presence and silence expected of a ghost. Do we even really know he is real, if we do not know his voice or his face? Hugo describes him almost as you would expect someone to describe a mythical creature in a folklore tale. He is more of an animal than a man, ‘crawling’ out of holes and staying in the shadows, actively recoiling away from the light.

The mystery of Claquesous is established here because he is portrayed not a person, but rather as an anonymous concept; a spectral apparition that does not think or feel. Even when we read about the Gorbeau ambush, Claquesous does not talk once, despite all of the chaos erupting around him in that scene.

However, at later points in the novel, Hugo actively chooses to give us more information about this character - which allows Claquesous to be rethought as being dual, which shall be explored below.

Dual identities?

Despite being arrested along with Babet, Gueulemer, Thénardier, and a handful of other Patron-Minette associates after the failed Gorbeau ambush, it is only Claquesous that is able to escape and seemingly ‘disappear’ whilst being escorted to prison. Perhaps we shouldn’t be surprised by this - after all the masked criminal is previously described as being able to ‘vanish like an apparition and then reappear as though popping up out of the ground’. But, Hugo urges us to further consider how Claquesous is able to disappear when some alternative, less mysterious suggestions are proposed as Javert ponders about this masked criminal.

Claquesous had been lost. No one knew how it could have happened, the officers and sergeants ‘didn’t get it’, the man had disappeared into thin air […] Either the fairies or the police had something to do with this.

That certainly sounds suspicious… clearly Javert, at the very least, suspects some foul play here and that the police officers escorting Claquesous perhaps let him go free. But, why would the police do this? Well, I shall let Javert explain his theory below:

Was there some secret connivance on the part of the officers? Did this man belong to the twin enigma of order and disorder? Was he concentric to the felony and repression? Did this sphinx have his front paws in crime and his hind paws in authority? Javert could not accept those particular tricks and his hackles rose at the thought of such compromises, but his squadron included other inspectors besides himself, ones who, though his subordinates, were, perhaps, more experienced than he was in the secrets of the prefecture, and Claquesous was such a scoundrel that he would have made a very good policeman. To be on such intimate terms with the trick of vanishing into the night is an excellent thing for armed robbery and marvellously useful for the police. Such two-faced rogues exist.

So, it seems that aspect of Claquesous’s mystery aligns itself in the very motivations of his character. A new “mask” is revealed. Who’s side is he really on - that of crime, or that of order? It is certainly true that Claquesous does not seem to quite fit in with the Patron-Minette due to his continued secrecy even around his associates, to the point that they have not even seen what lies beneath his mask. Yet, Claquesous also does not seem to be the type of character to be working with the police force; being described as ‘blurry, restless, terrible’ clearly does not align with the qualities expected of a police informant, and instead share more similarities with phrases that Hugo uses to describe the other Patron-Minette characters. 

Through this, then, Claquesous’s dual identity is fully realised. But, we do yet know which of these is Claquesous’s true self, if any? It is not until we are introduced to “Le Cabuc” that we get to explore this concept more comprehensively.

“Le Cabuc” incident

Javert’s revelation that Claquesous might be a secret police informant also has some important implications later in the story, specifically when “Le Cabuc”, who is strongly implied to be Claquesous, shows up at the barricades. Here, the concept of Claquesous as an entity is entirely lost and instead replaced with a mortal man. A man that is loud and brash, who shouts - a direct contrast to the usual silence and subtlety of Claquesous that we would have expected. “Le Cabuc” is described as a simple ‘passerby’ who, after sharing drinks with some other men at the barricade, decides to enter/break into a house to better survey the street, and after being denied access by the house’s porter, murders him.

For a start, we should probably question why “Le Cabuc” is at the barricades in the first place. Whilst we aren’t ever given an explicit reason, I believe it is not quite as simple as the character arriving there on a whim, simply being drunk and making a stupid decision. Rather, I see it as perhaps having something to do with him acting as an undercover agent for the police force. This would make sense both through the fact that after “Le Cabuc” is killed, a police officer’s card is found on his body, and also through the narrative of the story, wherein the “Le Cabuc” sequence directly follows the scene where Javert shows up disguised to the barricades and is captured. Would it be entirely absurd to suggest that Claquesous might be doing the same as Javert and is spying on the barricade whilst disguised as “Le Cabuc”, as part of some potential collaboration with law enforcement? I don’t think so.

But, I also recognise that there is an important point to consider that might contradict my suggestion, which is that “Le Cabuc” kills innocent civilians. Why would the police have ever wanted him to go to the barricades if he was going to do that, clearly he is not acting in the way that an undercover agent would be expected to, right...? 

Well yes, this is somewhat true (more on the somewhat part later), but... Hugo never implied that Claquesous was entirely loyal to the police - so he cannot be expected to exclusively act in their interests. Instead, it is emphasised that some criminals can be ‘two-faced rogues’ that seem to act entirely in their own interests, and will choose to both commit crimes and help out the police as and when they feel like it. Sure, it could be that “Le Cabuc” had chosen his own, more, criminal-like desires that day when he killed the porter - or, perhaps this was all part of an extremely well-thought out plan to try and turn people against the barricade... 

Logically, if it seems like innocent people are being murdered for refusing to aid Les Amis in their cause - then people will naturally turn against the group. Perhaps when “Le Cabuc” killed that innocent civilian he done so knowing this fact, hoping to turn people against the barricades. Therefore, this could mean that “Le Cabuc” was actually acting entirely in the police force’s interests when carrying out these actions...

However, I can only speculate this, as we can only ever speculate when it comes to Claquesous, since Hugo leaves readers completely in the dark as to any potential motivation for “Le Cabuc”’s actions. There is only one very brief, fleeting moment that might suggest that Claquesous went to the barricades with the intention of carrying out the murder of innocent civilians as part of a pre-thought plan created by the police force - when it is suggested that “Le Cabuc” was ‘extremely drunk, or at least pretending to be’, implying that he might have actually been in sound mind when he shot the porter.

Lastly, and perhaps most importantly, “Le Cabuc” unmasks what perhaps might be the true man behind Claquesous, or at the very least reveals a small glimpse of his ‘real’ self. In “Le Cabuc”’s final moments, we see an exceptionally emotional, vulnerable man who ‘trembled from head to foot’ and ‘curled over at his knees, howling’ at the prospect of his own death. This does not sound at all like the stoic behaviour we would expect of Claquesous. 

Is “Le Cabuc” then the true identity of Claquesous, the man who had nothing to mask him when he is unexpectedly forced by Enjolras on his knees and to repent for his actions before being executed for his crime? 

•

The death of “Le Cabuc” comes with a haunting revelation from Hugo about Claquesous, and almost certainly confirms that Javert’s earlier suspicions about him were true:

We should say right now that later, after the action, when the bodies were taken to the morgue and searched, a police officer’s card was found on Le Cabuc. In 1848, the author of this book held in his own hands the special report on this subject made to the prefect of the police in 1832.

We should add that, if we are to believe a strange but probably well-founded police tradition, Le Cabuc was Claquesous. The fact is that, after the death of Le Cabuc, nothing more was heard of Claquesous. Claquesous left no trace of his disappearance; he seemed to have vanished into thin air. His life had been darkness, his end was invisible night.

For many a year, I have read this section very critically and with much anger, because how can this be the way that Claquesous meets his end?! It is so unsatisfactory. I want so badly to believe in the mystery of his character, and am devastated that Hugo robs him of this in these few sentences. Yet, I have become a lot more accepting of it over time as those lines simultaneously assure us that Claquesous does get to retain his ambiguity in death. Even know we know he is likely dead, for the other characters in the novel his disappearance would have served as a wonderful final demonstration of his mysterious vanishing act. And, even as readers, we get no solid answers about him - we never find out who the man behind the mask was, nor do we realise his true self.

Hugo never really ruins the mystique of Claquesous. Whilst he gives us readers a number of implications that perhaps could explain Claquesous’s odd behaviour and general mystery, we ultimately are left to question who he truly is. Indeed, we shall never know the true self he hides behind the façade - perhaps there is not even a real “self” there? We can only ponder his true loyalties and question what exactly was the reasoning behind his actions at the barricade. And whilst it is frustrating that we are denied these answers, is that not also the beauty of mysterious characters - the endless opportunities for speculation that they provide? 

[netius]

Inspiring TV Quotes to Transform Your LifeInspiring TV Quotes to Transform Your Life

We all enjoy watching TV, but did you know that some of our favorite shows can also inspire us to transform our lives? In this blog post, we'll share some of the most inspiring TV quotes that will help you be stronger, braver, and more successful. Here are a few of our favorite inspiring TV quotes: "The only way to do great work is to love what you do." - Steve Jobs (The Simpsons) According to Steve Jobs, the key to doing great work is to love what you do. This means that when you find a job that you truly enjoy, you are more likely to put in the effort and dedication required to achieve great things. Furthermore, when you love what you do, you are more likely to stay motivated, even in the face of challenges or setbacks. In fact, research has shown that job satisfaction is strongly linked to overall life satisfaction. Therefore, it is important to find a career that aligns with your passions and interests, in order to achieve both professional success and personal happiness. "Never give up on what you really want to do. The person with big dreams is more powerful than one with all the facts." - Albert Einstein (The Big Bang Theory) This quote by Albert Einstein emphasizes the importance of perseverance and the pursuit of one's dreams. Although having knowledge and facts is important, it is those who have big dreams and aspirations that have the power to make a difference in the world. It is essential to keep this quote in mind, especially when facing obstacles and challenges in life. Whether it be in your personal or professional life, never give up on what you truly want to do. With perseverance and determination, anything is possible. "Be the change you wish to see in the world." - Mahatma Gandhi (Friends) Mahatma Gandhi, one of the greatest leaders of all time, once said, "Be the change you wish to see in the world." This quote reminds us that we all have the power to make a positive difference in the world, no matter how small our actions may seem. We can begin by examining our own attitudes and behaviors, and striving to live our lives in a way that aligns with our values. Whether it's volunteering in our communities, supporting causes we believe in, or simply being kind to others, we can all contribute to a better world. So let us take Gandhi's words to heart and start making a difference today! "The only thing that stands between you and your dream is the will to try and the belief that it is actually possible." - Joel Brown (Suits) Achieving your dreams requires more than just trying and believing that it's possible. It also involves hard work, dedication, and a willingness to take risks. You need to have a clear vision of what you want to achieve and a plan for how to get there. Along the way, you'll likely face obstacles and setbacks, but it's important to stay focused and persevere. Remember that success is not always immediate and that it takes time and effort to reach your goals. Keep pushing forward, stay motivated, and you'll eventually get there. "You can't change your past, but you can let go of it and start your future." - Doctor Who The quote from Doctor Who suggests that one's past is unalterable, but it is possible to release it and begin anew. This can be interpreted as an encouragement to let go of past mistakes, traumas, and other negative experiences that may hold one back. By doing so, individuals can embark on a fresh journey towards a brighter future, free from the burdens of their past. It is important to note, however, that this is often easier said than done and may require significant effort, support, and self-reflection. Ultimately, the decision to let go of the past and embrace a new beginning is a personal one that requires courage, patience, and determination. These are just a few examples of the many inspiring TV quotes that are out there. When you're feeling down or discouraged, take a moment to read one of these quotes and let it inspire you to keep going. "Let your favorite TV shows inspire you to transform your life." Inspiring TV quotes can be a great source of motivation and inspiration. They can help us remember our dreams, believe in ourselves, and never give up on our goals. So next time you're feeling down, reach for your remote and find a TV show that will inspire you to transform your life. Read the full article

[eatonvilhelmsen50]

Minecraft and Microsoft What's Next?

Minecraft and Microsoft What's next? Mark Ward Technology correspondent, BBC News

You can play Minecraft-maker Mojang to find out why Microsoft bought it.

The single-player game is about one person who can survive in harsh conditions with their ingenuity. Their survival is contingent on their building a home and battling monsters employing only the tools and weapons they can make by hand.

It's easy to interpret this as a reference to Markus "Notch" who was the game's creator If computer games were subjected to the same scrutiny as novels. He's been quoted in the past about growing to be "relatively poor", about making his own entertainment, and about whether he will have to conquer the same "demons" that plagued his father.

Family, friends and the popularity of the items Notch made by hand helped him succeed in this harsh world However, this success has brought other difficulties. They are more difficult to overcome.

Just what had changed was evident at Minecon in 2012 when it was difficult for Notch to walk more than a few feet before being grabbed by a fan who was eager to shake his hand, pat him on the back, snap pictures or ask him to sign their foam sword.

People are the power

He was never satisfied with his transition from a humble programmers who was responsible for his own code to a leading member of an entire movement. The reason he gave for the reason he's going to leave Mojang"it's about my sanity "it's about my mental health" - reaffirms the importance of sanity.

He's aware that Minecraft is about managing a community, not just creating and maintaining a codebase.

And therein lies the potential issue for Microsoft.

It has a solid history of managing massive computer infrastructures that support millions of users. This is evident in Xbox Live and other cloud services. This will be crucial when it starts running the behind-the-scenes systems that keep Minecraft going.

Microsoft will alienate this community when they don't recognize how personal the game is, not only for Notch but for all the other players who use it. It's where they make new friends, meet new people, and can express their individuality.

I've seen this with my own children who play it in different ways. One is a big fan of modified versions that involve arena battles or capture-the-flag-type competitions. The other spends hours creating intricate homes around minecart tracks that swoop. He often builds treehouses that span entire forests. They also frequently go on adventures with their pals in search of treasure, avoiding creepers and battling zombies, spiders and Skeletons.

This is possible because Minecraft allows for freedom and openness. Millions of people like them can do it. It is possible to alter the game according to their preferences due to its flexibility. It does this by giving players a level of accessibility that Microsoft in its business software, hasn't accepted. Srazy.info This is what has worried the millions of Minecraft users. These fans do not want Microsoft to restrict their freedom to design and alter the game as they wish. They feel a deep feeling of ownership over the games they make.

Microsoft will have to complete an extremely difficult jobdue to the importance of this community.

It will have to fight two of the biggest enemies of online gamers - downtime (aka delay) and delay. It is possible that any issue that arises with the game's performance in the near future will be blamed on Microsoft regardless of whether it's the company's fault or not.

Making more radical changes to the running of the game such as limiting the way that players can alter it, charging them for things that are currently free or restricting what they can share with the world about what they've done, could, if handled poorly, turn a big chunk of that community against Microsoft.

This is a problem, given that many of its users are children who will grow up to be the gamers of the future. No doubt Microsoft is hoping to impress them with how it manages Minecraft. If it gets it wrong, it could end up becoming one of the monsters that people would like to battle and defeat.

[turnpage]

send me a ✐ for a random sentence starter from my muse (1-1500) — tw: profanity, mild nsfw, long list

generator here quotes compiled from here inspired by

feel free to change to fit your preferences as need.

❨1❩ ❛ They are dreams, but I’m too out of control, I lose myself in them, and I’ve already lost too much to let them take over. ❜
 ❨2❩ ❛ Sometimes human places create inhuman monsters. ❜ ❨3❩ ❛ I'm not gonna hurt ya. I'm just going to bash your brains in. ❜ ❨4❩ ❛ Monsters are real. Ghosts are too. They live inside of us, and sometimes, they win. ❜ ❨5❩ ❛ The world's a hard place. It doesn't care. It doesn't hate you and me, but it doesn't love us, either. ❜ ❨6❩ ❛ The tears that heal are also the tears that scald and scourge. ❜ ❨7❩ ❛ Pull your act together and just go on. ❜ ❨8❩ ❛ I had never dreamed there could be so much pain in a life when there is nothing physically wrong. I hurt all the time. ❜ ❨9❩ ❛ Tough old world, baby. If you're not bolted together tightly, you're gonna shake, rattle, and roll before you turn thirty. ❜ ❨10❩ ❛ Are you sure self-pity is a luxury you can afford? ❜ ❨11❩ ❛ Truth comes out. In the end it always comes out. ❜ ❨12❩ ❛ Living by your wits is always knowing where the wasps are. ❜ ❨13❩ ❛ No matter where you go, the same asshole gets off the plane. ❜ ❨14❩ ❛ We sometimes need to create unreal monsters and bogies to stand in for all the things we fear in our real lives. ❜ ❨15❩ ❛ That’s your job in this hard world, to keep your love alive and see that you get on, no matter what. ❜ ❨16❩ ❛ Human nature, baby. Grab it and growl. ❜ ❨17❩ ❛ God wiped snot out of his nose and that was you. ❜ ❨18❩ ❛ Run away. Quick. And remember how much I love you. ❜ ❨19❩ ❛ How many times, over how many years, have I—a grown adult—asked for the mercy of another chance? ❜ ❨20❩ ❛ I was suddenly so sick of myself, so revolted. ❜ ❨21❩ ❛ You listen to me. I’m going to talk to you about it this once and never again this same way. ❜ ❨22❩ ❛ But those pieces, they’ll never fit just the same way again. Never in this world. ❜ ❨23❩ ❛ Dying is a part of living. You have to keep tuning in to that if you expect to be a whole person. ❜ ❨24❩ ❛ Officious little prick. ❜ ❨25❩ ❛ I’ve been sleepwalking again, my dear. — The plants are moving under the rug. ❜ ❨26❩ ❛ How I wish you were fear. ❜ ❨27❩ ❛ But it was a dreadful kind of curiosity, the kind that makes you peek through your fingers during the scariest parts of a scary movie. ❜ ❨28❩ ❛ All we have is time, you know. An eternity of time. Or shall we end it? Might as well. After all, we're missing the party. ❜ ❨29❩ ❛ We all remember our pleasant dreams more clearly than the scary ones. ❜ ❨30❩ ❛ The way things should be and the way things are hardly ever get together. ❜ ❨31❩ ❛ Got to be regular if you want to be happy. ❜ ❨32❩ ❛ But in a solitary life, there are rare moments when another soul dips near yours, as stars once a year brush the earth. ❜ ❨33❩ ❛ He showed me his scars, and in return he let me pretend that I had none. ❜ ❨34❩ ❛ Humbling women seems to me a chief pastime of poets. As if there can be no story unless we crawl and weep. ❜ ❨35❩ ❛ It is a common saying that women are delicate creatures, flowers, eggs, anything that may be crushed in a moment's carelessness.  ❜ ❨36❩ ❛ If I had ever believed it, I no longer do. ❜ ❨37❩ ❛ I thought once that gods are the opposite of death, but I see now they are more dead than anything, for they are unchanging, and can hold nothing in their hands. ❜ ❨38❩ ❛ I cannot bear this world a moment longer. ❜ ❨39❩ ❛ I have a better idea. I will do as I please. ❜ ❨40❩ ❛ All my life has been murk and depths, but I am not a part of that dark water. I am a creature within it. ❜ ❨41❩ ❛ You cannot know how frightened gods are of pain. There is nothing more foreign to them, and so nothing they ache more deeply to see. ❜ ❨42❩ ❛ When we are young, we think ourselves the first to have each feeling in the world. ❜ ❨43❩ ❛ When I was born, the word for what I was did not exist. ❜ ❨44❩ ❛ But perhaps no parent can truly see their child. When we look we see only the mirror of our own faults. ❜ ❨45❩ ❛ I will not be like a bird bred in a cage, too dull to fly even when the door stands open. ❜ ❨46❩ ❛ This is what it means to swim in the tide, to walk the earth and feel it touch your feet. This is what it means to be alive. ❜ ❨47❩ ❛ You threw me to the crows, but it turns out I prefer them to you. ❜ ❨48❩ ❛ Yet because I knew nothing, nothing was beneath me. ❜ ❨49❩ ❛ If now I am wise, it is only because I have been fool enough for a hundred lifetimes. ❜ ❨50❩ ❛ You can teach a viper to eat from your hands, but you cannot take away how much it likes to bite. ❜ ❨51❩ ❛ Give me the blade. Some things are worth spilling blood for. ❜ ❨52❩ ❛ I have been old and stern for so long, carved with regrets and years like a monolith. But that is only a shape I’ve been poured into. I do not have to keep it. ❜ ❨53❩ ❛ I wake sometimes in the dark terrified by my life's precariousness, its thready breath. ❜ ❨54❩ ❛ Understanding the world is a matter of keeping very still and showing no emotions, leaving room for others to reveal themselves. ❜ ❨55❩ ❛ Beneath the smooth, familiar face of things is another that waits to tear the world in two. ❜ ❨56❩ ❛ The truth is, men make terrible pigs. ❜ ❨57❩ ❛ My father has never been able to imagine the world without himself in it. ❜ ❨58❩ ❛ This is the grief that makes our kind choose to be stones and trees rather than flesh. ❜ ❨59❩ ❛ Witches are not so delicate. ❜ ❨60❩ ❛ Those who fight against prophecy only draw it more tightly around their throats. ❜ ❨61❩ ❛ I learned that I could bend the world to my will, as a bow is bent for an arrow. I would have done that toil a thousand times to keep such power in my hands. ❜ ❨62❩ ❛ There's the story, then there's the real story, then there's the story of how the story came to be told. Then there's what you leave out of the story. Which is part of the story too. ❜ ❨63❩ ❛ The best way of being kind to bears is not to be very close to them. ❜ ❨64❩ ❛ Life is warped. I'm just in sync. ❜ ❨65❩ ❛ Now it's a whisper from the past. ❜ ❨66❩ ❛ But hatred and viciousness are addictive. You can get high on them. Once you've had a little, you start shaking if you don't get more. ❜ ❨67❩ ❛ Why is it always such a surprise? The moon. Even though we know it's coming. Every time we see it, it makes us pause, and hush. ❜ ❨68❩ ❛ Perfection exacts a price, but it's the imperfect who pay it. ❜ ❨69❩ ❛ What is 'belief' but a willingness to suspend the negatives?  ❜ ❨70❩ ❛ I have scars, inside me. ❜ ❨71❩ ❛ The dead are not entirely dead but are alive in a different way; a paler way admittedly, and somewhat darker. ❜ ❨72❩ ❛ However dark, a darkness with voices in it is better than a silent void. ❜ ❨73❩ ❛ Amazing how quickly the past becomes idyllic. ❜ ❨74❩ ❛ It is another way of saying tough luck. To people you aren’t going to help out. ❜ ❨75❩ ❛ I'm waiting, far off in the future. ❜ ❨76❩ ❛ The only sure camouflage is unpredictability. ❜ ❨77❩ ❛ There are so many of them, and each one of them is doing part of the killing, whether they know it or not. ❜ ❨78❩ ❛ First rule: limit bloodshed by making sure that none of your own gets spilled. ❜ ❨79❩ ❛ I long to swim in liquid moonlight. ❜ ❨80❩ ❛ That's right, I don’t like to be summoned on trivial matters. ❜ ❨81❩ ❛ The part that really made me happy was that you wanted me to be happy. ❜ ❨82❩ ❛ Cut that part out of us: the grinning, elemental malice. Begin us anew. ❜ ❨83❩ ❛ Where there are wars, there will be crows, the carrion-fanciers. And ravens too, the warbirds, the eyeball gourmands. And vultures, the holy birds of yore, old connoisseurs of rot. ❜ ❨84❩ ❛ At last. It's you. ❜ ❨85❩ ❛ No, you will not be cooked on a fire when you die. Because you are not a fish. ❜ ❨86❩ ❛ Take what the moment offers. Don’t close doors. Be thankful. ❜ ❨87❩ ❛ How many others have stood in this place? Left behind, with all gone, all swept away. ❜ ❨88❩ ❛ Is it disapproval or extreme lust? With some men it’s hard to tell the difference. ❜ ❨89❩ ❛ My hair was driving me crazy, but then … I died. ❜ ❨90❩ ❛ Seek and ye shall find, eventually. And you found. You’re right, I don’t dispute that. Sorry. ❜ ❨91❩ ❛ Everything digests, and is digested. ❜ ❨92❩ ❛ My head was once a filing cabinet. Now it’s a flurry of papers, floating on a draft. ❜ ❨93❩ ❛ You cannot keep bumping your head against reality and saying it is not there. ❜ ❨94❩ ❛ I have a feeling that inside you somewhere, there’s something nobody knows about. ❜ ❨95❩ ❛ And if I don’t want to die, I’ve got to start living. ❜ ❨96❩ ❛ The world is a beautiful place. Don’t forget that. And don’t miss it. ❜ ❨97❩ ❛ I was fighting for my life. So I must not want to die. ❜ ❨98❩ ❛ Something’s happening to me, through me, something dangerous and new. ❜ ❨99❩ ❛ It’s taken root, a poison tree; it’s grown, fanning out, vines winding round my gut, my lungs, my heart. ❜ ❨100❩ ❛ We’re interpreters. We’re translators. ❜ ❨101❩ ❛ You’ll notice I’m not asking what made you this way. ❜ ❨102❩ ❛ No family, happy or unhappy, is quite like any other. Tolstoy was chock-fullo’shit. Remember that. ❜ ❨103❩ ❛ We lived in monochrome those nights. ❜ ❨104❩ ❛ You live in a dream. You’re a sleepwalker, blind. How do you know what the world is like? ❜ ❨105❩ ❛ Do you know, if you rip off the fronts of houses, you’d find swine? ❜ ❨106❩ ❛ I stand here in the dark: cold, utterly alone, full of fear and something that feels like longing. ❜ ❨107❩ ❛ The definition of insanity is doing the same thing again and again and expecting different results. ❜ ❨108❩ ❛ Not to warm the flesh, but solely to please the eye. ❜ ❨109❩ ❛ Selective emotional detachment. ❜ ❨110❩ ❛ Not for me, or at least not today. ❜ ❨111❩ ❛ Dead but not gone, watching life surge forward around me, powerless to intervene. ❜ ❨112❩ ❛ Do I sound like a hillbilly saying that? ❜ ❨113❩ ❛ Remember, you’ve got your secret weapon. ❜ ❨114❩ ❛ The dream drains away like water. The memory, really. I try to scoop it up in my palms, but it’s gone. ❜ ❨115❩ ❛ My shadow stretches along the carpet, as though trying to detach itself from me. ❜ ❨116❩ ❛ It curls away from me, like blood in water. ❜ ❨117❩ ❛ It’s been so long since I felt the rain. Or wind—the caress of wind. ❜ ❨118❩ ❛ But snow I never want to feel again. ❜ ❨119❩ ❛ Through adversity to the stars. ❜ ❨120❩ ❛ No hero. No sleuth. I am locked in. I am locked out. ❜ ❨121❩ ❛ Thinking hasn't gotten me anywhere so far. ❜ ❨122❩ ❛ The face you give the world tells the world how to treat you. ❜ ❨123❩ ❛ Sometimes I think illness sits inside every woman, waiting for the right moment to bloom. ❜ ❨124❩ ❛ Women get consumed. ❜ ❨125❩ ❛ Sometimes if you let people do things to you, you're really doing it to them. ❜ ❨126❩ ❛ A child weaned on poison considers harm a comfort. ❜ ❨127❩ ❛ Safer to be feared than loved. ❜ ❨128❩ ❛ I ached once, hard, like a period typed at the end of a sentence. ❜ ❨129❩ ❛ It's impossible to compete with the dead. I wish I could stop trying. ❜ ❨130❩ ❛ I always feel sad for the girl that I was. ❜ ❨131❩ ❛ Every time people said I was pretty, I thought of everything ugly swarming beneath my clothes. ❜ ❨132❩ ❛ How do you keep safe when your whole day is as wide and empty as the sky? Anything could happen. ❜ ❨133❩ ❛ See, there I am. I told you I lived. I told you I was. ❜ ❨134❩ ❛ Sometimes I think I won't ever feel safe until I can count my last days on one hand. ❜ ❨135❩ ❛ To refuse has so many more consequences than submitting. ❜ ❨136❩ ❛ I'm here. I don't usually feel that I am. ❜ ❨137❩ ❛ I'm tired of dying. ❜ ❨138❩ ❛ What if you hurt because it feels so good? ❜ ❨139❩ ❛ How confusing to live in the shadow of a shadow. ❜ ❨140❩ ❛ Do you ever feel like bad things are going to happen, and you can’t stop them? You can’t do anything, you just have to wait? ❜ ❨141❩ ❛ Sometimes my scars have a mind of their own. ❜ ❨142❩ ❛ Everyone has their own version of a memory. ❜ ❨143❩ ❛ Isn’t a smile a girl’s best weapon? ❜ ❨144❩ ❛ My sense of weightlessness, I think, comes from the fact that I know so little about my past. ❜ ❨145❩ ❛ Do what I want; I might like you. ❜ ❨146❩ ❛ I feel sorry for Persephone because even when she’s back with the living, people are afraid of her because of where’s she’s been. ❜ ❨147❩ ❛ She has never told me she loved me, and I never assumed she did. ❜ ❨148❩ ❛ The sight of it actually does something to you, makes you less human. ❜ ❨149❩ ❛ It infects you. It ruined me. ❜ ❨150❩ ❛ Your health is not a debt you just cancel. The body collects. ❜ ❨151❩ ❛ Men love to put things inside women, don’t they? ❜ ❨152❩ ❛ We can know only that we know nothing. And that is the highest degree of human wisdom. ❜ ❨153❩ ❛ Nothing is so necessary for a young man as the company of intelligent women. ❜ ❨154❩ ❛ The strongest of all warriors are these two — time and patience. ❜ ❨155❩ ❛ If everyone fought for their own convictions there would be no war. ❜ ❨156❩ ❛ There is no greatness where there is not simplicity, goodness, and truth. ❜ ❨157❩ ❛ The whole world is divided for me into two parts: one is she, and there is all happiness, hope, light; the other is where she is not, and there is dejection and darkness. ❜ ❨158❩ ❛ Let the dead bury the dead, but while I'm alive, I must live and be happy. ❜ ❨159❩ ❛ It's not given to people to judge what's right or wrong. People have eternally been mistaken and will be mistaken, and in nothing more than in what they consider right and wrong. ❜ ❨160❩ ❛ You can love a person dear to you with a human love, but an enemy can only be loved with divine love. ❜ ❨161❩ ❛ If we admit that human life can be ruled by reason, then all possibility of life is destroyed. ❜ ❨162❩ ❛ We are asleep until we fall in love! ❜ ❨163❩ ❛ I simply want to live; to cause no evil to anyone but myself. ❜ ❨164❩ ❛ Everything I know, I know because of love. ❜ ❨165❩ ❛ Man cannot possess anything as long as he fears death. But to him who does not fear it, everything belongs. ❜ ❨166❩ ❛ If there was no suffering, man would not know his limits, would not know himself. ❜ ❨167❩ ❛ Yes, love, but not the love that loves for something, to gain something, or because of something, but that love that I felt for the first time, when dying, I saw my enemy and yet loved him. ❜ ❨168❩ ❛ How can one be well...when one suffers morally? ❜ ❨169❩ ❛ Kings are the slaves of history. ❜ ❨170❩ ❛ God is the same everywhere. ❜ ❨171❩ ❛ Pure and complete sorrow is as impossible as pure and complete joy. ❜ ❨172❩ ❛ One must be cunning and wicked in this world. ❜ ❨173❩ ❛ We love people not so much for the good they've done us, as for the good we've done them. ❜ ❨174❩ ❛ When one's head is gone one doesn't weep over one's hair! ❜ ❨175❩ ❛ For what, for whom, must I kill and be killed? ❜ ❨176❩ ❛ He did what heroes do after their work is accomplished; he died. ❜ ❨177❩ ❛ Life is too long to say anything definitely; always say perhaps. ❜ ❨178❩ ❛ Everything ends in death, everything. Death is terrible. ❜ ❨179❩ ❛ The distant and impossible suddenly became near, possible, and inevitable. ❜ ❨180❩ ❛ How often we sin, how much we deceive, and all for what? ❜ ❨181❩ ❛ The wolves should be fed and the sheep kept safe. ❜ ❨182❩ ❛ When I was a child, adults would tell me not to make things up, warning me of what would happen if I did. ❜ ❨183❩ ❛ My memory is a patchwork of occurrences, of discontinuous events roughly sewn together: the parts I remember, I remember precisely, whilst other sections seem to have vanished completely. ❜ ❨184❩ ❛ Would it be worse to love someone who is no longer there, or not to love someone who is? ❜ ❨185❩ ❛ Like mirrors stories prepare us for the day to come. They distract us from the things in darkness. ❜ ❨186❩ ❛ It is not that I was credulous, simply that I believed in all things dark and dangerous. ❜ ❨187❩ ❛ Sometimes you do things you regret, but there's nothing you can do about them. Times change. Doors close behind you. You move on. ❜ ❨188❩ ❛ Love will be an impulse that will inspire and ruin in equal measure. ❜ ❨189❩ ❛ He died alone. It don't matter a rat's ass whether there was anyone with him or not. He died alone. ❜ ❨190❩ ❛ It was love, I knew, and it tasted like champagne in my mind. ❜ ❨191❩ ❛ The end of the world is a strange concept. The world is always ending, and the end is always being averted, by love or foolishness or just plain old dumb luck. ❜ ❨192❩ ❛ She was my dream; and if you touch a dream it vanishes, like a soap bubble. ❜ ❨193❩ ❛ Daylight is always safe. ❜ ❨194❩ ❛ If not for death, they'd be content to simply exist, but with death, well, their lives will have meaning. ❜ ❨195❩ ❛ You want to know the future, love? Then wait. ❜ ❨196❩ ❛ There are things in the darkness beneath us that wish us harm. ❜ ❨197❩ ❛ Fairy tales are more than true. Not because they tell us that dragons exist, but because they tell us that dragons can be defeated ❜ ❨198❩ ❛ But sometimes you leave blood on your instruments. ❜ ❨199❩ ❛ I'd like to be a wolf. Not all the time. Just sometimes. In the dark. I would run through the forests. ❜ ❨200❩ ❛ You've seen them. They have mouths that twitch, and eyes that stare, and they babble and they mewl and they whimper. ❜ ❨201❩ ❛ They are not mad, or rather, the loss of their sanity is the lesser of their problems. ❜ ❨202❩ ❛ Good a reason for writing as I know: releasing demons, letting them fly. ❜ ❨203❩ ❛ That miserable state in which everything seems flat and of equal importance; when nothing matters, and in which reality seems scraped thin and threadbare. ❜ ❨204❩ ❛ Someone had scrawled graffiti in black marker on the metal: JUST DIE, it said. Like it is easy. ❜ ❨205❩ ❛ Winter started today. The sky turned grey and the snow began to fall and it did not stop falling until well after dark. ❜ ❨206❩ ❛ Memory is the great deceiver. ❜ ❨207❩ ❛ Silly things do cease to be silly if they are done by sensible people in an impudent way. ❜ ❨208❩ ❛ I may have lost my heart, but not my self-control.  ❜ ❨209❩ ❛ If I loved you less, I might be able to talk about it more. ❜ ❨210❩ ❛ I always deserve the best treatment because I never put up with any other. ❜ ❨211❩ ❛ But you know what I am. You hear nothing but truth from me. ❜ ❨212❩ ❛ I have blamed you, and lectured you, and you have borne it as no other would have borne it. ❜ ❨213❩ ❛ There are people, who the more you do for them, the less they will do for themselves. ❜ ❨214❩ ❛ One half of the world cannot understand the pleasures of the other. ❜ ❨215❩ ❛ Better be without sense than misapply it as you do. ❜ ❨216❩ ❛ You must be the best judge of your own happiness. ❜ ❨217❩ ❛ Were I to fall in love, indeed, it would be a different thing ; but I have never been in love ; it is not my way, or my nature ; and I do not think I ever shall. ❜ ❨218❩ ❛ Indeed, I am very sorry to be right in this instance. I would much rather have been merry than wise. ❜ ❨219❩ ❛ If I have not spoken, it is because I am afraid I will awaken myself from this dream. ❜ ❨220❩ ❛ If a woman doubts as to whether she should accept a man or not, she certainly ought to refuse him. ❜ ❨221❩ ❛ Faultless in spite of all her faults. ❜ ❨222❩ ❛ A heroine whom no one but myself will much like. ❜ ❨223❩ ❛ There is no charm equal to tenderness of heart. ❜ ❨224❩ ❛ Full many a flower is born to blush unseen, and waste its fragrance on the desert air. ❜ ❨225❩ ❛ I pity you. I thought you cleverer. ❜ ❨226❩ ❛ Evil to some is always good to others. ❜ ❨227❩ ❛ I certainly will not persuade myself to feel more than I do. ❜ ❨228❩ ❛ She is loveliness itself. ❜ ❨229❩ ❛ Time does not compose me. ❜ ❨230❩ ❛ A man always imagines a woman to be ready for anybody who asks her. ❜ ❨231❩ ❛ I do not find myself making any use of the word sacrifice. ❜ ❨232❩ ❛ I am quite enough in love. I should be sorry to be any more. ❜ ❨233❩ ❛ I must tell you what you will not ask, though I may wish it unsaid the next moment. ❜ ❨234❩ ❛ I examined my own heart. And there you were. Never, I fear, to be removed. ❜ ❨235❩ ❛ With all your little faults, you are an excellent creature. ❜ ❨236❩ ❛ You have another long walk before you. ❜ ❨237❩ ❛ The child's laughter is pure until he first laughs at a clown. ❜ ❨238❩ ❛ What is marriage but prostitution to one man instead of many? ❜ ❨239❩ ❛ Out of the frying pan into the fire! ❜ ❨240❩ ❛ We must all make do with the rags of love we find flapping on the scarecrow of humanity. ❜ ❨241❩ ❛ She sleeps. And now she wakes each day a little less. ❜ ❨242❩ ❛ And, oh, God . . . how frequently I weep! ❜ ❨243❩ ❛ From the coffin of your madness there is no escape. ❜ ❨244❩ ❛ I am feeling supernatural tonight. I want to eat diamonds. ❜ ❨245❩ ❛ All the same there is a chance that if we keep on shaking our chains, one day, some day, the clasps upon the shackles will part. ❜ ❨246❩ ❛ It was sad music fit to make you cut your throat. ❜ ❨247❩ ❛ Nothing is more boring than being forced to play. ❜ ❨248❩ ❛ Amongst the monsters, I am well hidden; who looks for a leaf in a forest? ❜ ❨249❩ ❛ Wherein does a woman’s honour reside? In her vagina or in her spirit? ❜ ❨250❩ ❛ Perhaps...I could not be content with mere contentment! ❜ ❨251❩ ❛ Have you ever stared stark failure in the face? The trick is to outstare it. ❜ ❨252❩ ❛ Sometimes it seems that the faces exist of themselves, in a disembodied somewhere, waiting for the one who will wear them, who will bring them to life. ❜ ❨253❩ ❛ I have the febrile gaiety of a being without a past, without a present, yet I exist. ❜ ❨254❩ ❛ I felt myself turning, willy-nilly, from a woman into an idea. ❜ ❨255❩ ❛ She looks wonderful, but she doesn't look right. ❜ ❨256❩ ❛ The one-eyed man will be King in the country of the blind. ❜ ❨257❩ ❛ I raised you up to fly to the heavens, not to brood over a clutch of eggs! ❜ ❨258❩ ❛ I love to hear my bones rattle. That’s how I know I’m alive. ❜ ❨259❩ ❛ I learnt, first, as the birds do, from the birds. ❜ ❨260❩ ❛ Inside and outside match exactly, but both are badly wrong. ❜ ❨261❩ ❛ During the less-than-blink of time it took the last chime to die, there came a vertiginous sensation. ❜ ❨262❩ ❛ I fear a wound not of the body but the soul, an irreconcilable division between myself and the rest of humankind. ❜ ❨263❩ ❛ I fear the proof of my own singularity. ❜ ❨264❩ ❛ Still nothing could calm the fearful storm in my erupting skin. ❜ ❨265❩ ❛ Petersburg, loveliest of all hallucinations. ❜ ❨266❩ ❛ A breathless second between black forest and the frozen sea. ❜ ❨267❩ ❛ I'm beginning to feel totally cut off from the world. ❜ ❨268❩ ❛ What does this all mean? Where are we? ❜ ❨269❩ ❛ Sometimes I bleed. ❜ ❨270❩ ❛ If you see a ghost, you say "hello". ❜ ❨271❩ ❛ The war is not over. ❜ ❨272❩ ❛ You're not going. You left us once already. ❜ ❨273❩ ❛ You can’t go! ❜ ❨274❩ ❛ I loved you, but that wasn't enough, was it? ❜ ❨275❩ ❛ If you're dead, then leave me in peace. ❜ ❨276❩ ❛ The only thing that moves here is the light, but it changes everything. ❜ ❨277❩ ❛ I won't ask for forgiveness for something I didn't do! ❜ ❨278❩ ❛ Sometimes the world of the living gets mixed up with the world of the dead. ❜ ❨279❩ ❛ Death of a loved one can lead people to do the strangest things. ❜ ❨280❩ ❛ Sooner or later, they will find you. ❜ ❨281❩ ❛ They're everywhere - they say this house is theirs. ❜ ❨282❩ ❛ You're always teasing me, and telling lies. I'm sick of it. ❜ ❨283❩ ❛ Others will come. Sometimes we'll sense them. Other times, we won't. ❜ ❨284❩ ❛ No crying now. No crying. Stop that. Here. Look what an awful face you've got when you cry. ❜ ❨285❩ ❛ You listen to me. I've seen them too. ❜ ❨286❩ ❛ You'll see. There are going to be some big surprises. There are going to be... changes. ❜ ❨287❩ ❛ Why did you go and fight that stupid war that had nothing to do with us? Why didn't you stay like the others did? ❜ ❨288❩ ❛ Your place was here with your family. ❜ ❨289❩ ❛ So you say you know this house well? ❜ ❨290❩ ❛ I wasn't expecting you so soon. ❜ ❨291❩ ❛ What's the matter? Has the cat got your tongue? ❜ ❨292❩ ❛ You mean they just vanished? Into thin air? ❜ ❨293❩ ❛ No door must be opened without the previous one being closed first. ❜ ❨294❩ ❛ Here, most of the time, you can hardly see your way. ❜ ❨295❩ ❛ Whatever you do, don't open the curtains. ❜ ❨296❩ ❛ Now, come on. Eyes closed. ❜ ❨297❩ ❛ We start off with high hopes, then we bottle it. We realise that we’re all going to die, without really finding out the big answers. ❜ ❨298❩ ❛ By definition, you have to live until you die. Better to make that life as complete and enjoyable an experience as possible, in case death is shite, which I suspect it will be. ❜ ❨299❩ ❛ I chose not to choose life. I chose somethin’ else. ❜ ❨300❩ ❛ And the reasons? There are no reasons. ❜ ❨301❩ ❛ Love does not exist, it's like religion, made to control you. ❜ ❨302❩ ❛ After all, we're not fucking stupid. At least, we're not that fucking stupid. ❜ ❨303❩ ❛ You fucking knew that fucking cunt would fuck some cunt. ❜ ❨304❩ ❛ Everything in the street today seems soft focus. ❜ ❨305❩ ❛ What does that make us? The lowest of the low. ❜ ❨306❩ ❛ Take your best orgasm, multiply the feeling by twenty, and you're still fuckin’ miles off the pace. ❜ ❨307❩ ❛ It’s as if everything is a copy of what you knew before, similar, yet somehow lacking in its usual qualities, a bit like the way things are in a dream. ❜ ❨308❩ ❛ It’s all okay, it’s all beautiful; but I fear that this internal sea is going to subside soon, leaving this poisonous shite washed up, stranded up in my body. ❜ ❨309❩ ❛ It cuts me up. It confuses me. ❜ ❨310❩ ❛ It's not funny laughter. This is lynch mob laughter. ❜ ❨311❩ ❛ Protect me from those who wish to help us. ❜ ❨312❩ ❛ They mean well, and they mean well to me, but there's no way under the sun that they can appreciate what I feel, what I need. ❜ ❨313❩ ❛ The pit of melancholy is a bottomless one, and I am descending fast. ❜ ❨314❩ ❛ Living like this is a full-time business. ❜ ❨315❩ ❛ I’ll stand or fall alone. ❜ ❨316❩ ❛ We are no wiser now than at the start. ❜ ❨317❩ ❛ This is pathetic, and fucking boring. ❜ ❨318❩ ❛ Death is usually a process, rather than an event. ❜ ❨319❩ ❛ We're ruled by effete arseholes. What does that make us? ❜ ❨320❩ ❛ We are all acquaintances now. ❜ ❨321❩ ❛ The problem is that this beautiful ocean carries with it loads of poisonous flotsam and jetsam. ❜ ❨322❩ ❛ Life is beautiful. I'm going to enjoy it, and I'm going to have a long life. ❜ ❨323❩ ❛ The grim reality of impending death can be talked away by trying to invest in the present reality of life. ❜ ❨324❩ ❛ There must be more to life than this. ❜ ❨325❩ ❛ We all see what we want to see. ❜ ❨326❩ ❛ Statistically speaking, you're more likely to be killed by a member of your own family or a close friend, than by anyone else. ❜ ❨327❩ ❛ What am I living for and what am I dying for are the same question. ❜ ❨328❩ ❛ Maybe that's what love is: it's being pissed off. ❜ ❨329❩ ❛ You can forget who you are if you're alone too much. ❜ ❨330❩ ❛ Any religion is a shadow of God. But the shadows of God are not God. ❜ ❨331❩ ❛ Human understanding is fallible, and we see through a glass, darkly.  ❜ ❨332❩ ❛ We must be a beacon of hope, because if you tell people there's nothing they can do, they will do worse than nothing. ❜ ❨333❩ ❛ Everyone wants to feel like a princess, and princesses are selfish and overbearing. ❜ ❨334❩ ❛ We shouldn't have been so scornful; we should have had compassion. But compassion takes work, and we were young. ❜ ❨335❩ ❛ How easy it is, treachery. You just slide into it. ❜ ❨336❩ ❛ Amazing how the heart clutches at anything familiar, whimpering: Mine! Mine! ❜ ❨337❩ ❛ All creatures know that some must die ; that all the rest may take and eat. ❜ ❨338❩ ❛ Is this the image of a god? My tooth for yours, your eye for mine? ❜ ❨339❩ ❛ Without the light, no chance; without the dark, no dance. ❜ ❨340❩ ❛ Why are we designed to see the world as supremely beautiful just as we're about to be snuffed? Do rabbits feel the same as the fox teeth bite down on their necks? Is it mercy? ❜ ❨341❩ ❛ Love is useless, it leads you into dumb exchanges in which you give too much away, and then you get bitter and mean. ❜ ❨342❩ ❛ Maybe sadness is a kind of hunger. Maybe the two go together. ❜ ❨343❩ ❛ Now I can see how that can happen. You can fall in love with anybody -- a fool, a criminal, a nothing. There are no good rules. ❜ ❨344❩ ❛ If you really want to stay the same age you are now forever and ever, try jumping off the roof: death's a sure-fire method for stopping time. ❜ ❨345❩ ❛ You couldn’t leave words lying around where our enemies might find them. ❜ ❨346❩ ❛ I'm fine, for the moment. And the moment is the only time we can be fine in. ❜ ❨347❩ ❛ Because if you can't wish, why bother? ❜ ❨348❩ ❛ It's better to hope than mope! ❜ ❨349❩ ❛ Reality has too much darkness in it. Too many crows. ❜ ❨350❩ ❛ In any case, time is not a thing that passes, it’s a sea on which you float. ❜ ❨351❩ ❛ I know I’m deceiving myself, but I prefer to deceive myself. I desperately need to believe such pure joy is still possible. ❜ ❨352❩ ❛ Too much God and you overdose. God needs to be filtered. ❜ ❨353❩ ❛ Behind my eyelids I saw an animal. It was golden colour, with gentle green eyes and canine teeth, and curly wool instead of fur. It opened its mouth, but it did not speak. Instead, it yawned. ❜ ❨354❩ ❛ ‘Why can't I believe?’ I asked the darkness. ❜ ❨355❩ ❛ Everyone’s too sad for everything. ❜ ❨356❩ ❛ If you can’t stop the waves, go sailing. ❜ ❨357❩ ❛ I would like to be the air that inhabits you for a moment only. I would like to be that unnoticed and that necessary. ❜ ❨358❩ ❛ Men are afraid that women will laugh at them. Women are afraid that men will kill them. ❜ ❨359❩ ❛ In the end, we'll all become stories. ❜ ❨360❩ ❛ I am inadequate and stupid, without worth. I might as well be dead. ❜ ❨361❩ ❛ If you knew what was going to happen, if you knew everything that was going to happen next—if you knew in advance the consequences of your own actions—you'd be doomed. You'd be ruined as God. ❜ ❨362❩ ❛ If you can't go through an obstacle, go around it. ❜ ❨363❩ ❛ Stupidity is the same as evil if you judge by the results. ❜ ❨364❩ ❛ Time in dreams is frozen. You can never get away from where you've been. ❜ ❨365❩ ❛ Male fantasies, male fantasies, is everything run by male fantasies? ❜ ❨366❩ ❛ We still think of a powerful man as a born leader and a powerful woman as an anomaly. ❜ ❨367❩ ❛ If I love you, is that a fact or a weapon? ❜ ❨368❩ ❛ You fit into me like a hook into an eye. ❜ ❨369❩ ❛ Knowing too much about other people puts you in their power, they have a claim on you, you are forced to understand their reasons for doing things and then you are weakened. ❜ ❨370❩ ❛ Farewells can be shattering, but returns are surely worse. ❜ ❨371❩ ❛ Women have curious ways of hurting someone else. ❜ ❨372❩ ❛ This is the one song everyone would like to learn: the song that is irresistible: the song that forces men to leap overboard in squadrons. ❜ ❨373❩ ❛ Get rid of death. Make it be spring. ❜ ❨374❩ ❛ You are innocent as a bathtub full of bullets. ❜ ❨375❩ ❛ I am the space you desecrate as you pass through. ❜ ❨376❩ ❛ Favour me and give me riches, destroy my enemies. Save me from death. ❜ ❨377❩ ❛ She is a raw voice loose in the rooms beneath me. ❜ ❨378❩ ❛ Isn't the moon warm enough for you, why do you need the blanket of another body? ❜ ❨379❩ ❛ This is a torch song. Touch me and you'll burn. ❜ ❨380❩ ❛ If you look long enough eventually you will see me. ❜ ❨381❩ ❛ I would like to sleep with you, to enter your sleep as its smooth dark wave slides over my head. ❜ ❨382❩ ❛ I would like to give you the silver branch, the small white flower, the one word that will protect you from the grief. ❜ ❨383❩ ❛ But some people can't tell where it hurts. They can't calm down. They can't ever stop howling. ❜ ❨384❩ ❛ How else can we live, these days, except in the midst of ruin? ❜ ❨385❩ ❛ What am I living for and what am I dying for are the same question. ❜ ❨386❩ ❛ Gods always come in handy, they justify almost anything. ❜ ❨387❩ ❛ We loved with a love that was more than love. ❜ ❨388❩ ❛ Deep into that darkness peering, long I stood there, wondering, fearing, doubting, dreaming dreams no mortal ever dared to dream before. ❜ ❨389❩ ❛ The boundaries which divide life from death are at best shadowy and vague. Who shall say where the one ends, and where the other begins? ❜ ❨390❩ ❛ There is no exquisite beauty without some strangeness in the proportion. ❜ ❨391❩ ❛ Never to suffer would never to have been blessed. ❜ ❨392❩ ❛ Believe only half of what you see and nothing that you hear. ❜ ❨393❩ ❛ And all I loved, I loved alone. ❜ ❨394❩ ❛ Years of love have been forgot, in the hatred of a minute. ❜ ❨395❩ ❛ The best things in life make you sweaty. ❜ ❨396❩ ❛ There are some secrets which do not permit themselves to be told. ❜ ❨397❩ ❛ Anything is better than this agony. ❜ ❨398❩ ❛ You fancy me mad. ❜ ❨399❩ ❛ I hear all things in the heaven and in the earth. ❜ ❨400❩ ❛ Who dares insult us with this blasphemous mockery? ❜ ❨401❩ ❛ Leave my loneliness unbroken! ❜ ❨402❩ ❛ A more than fiendish malevolence, gin-nurtured, thrills every fibre of my frame. ❜ ❨403❩ ❛ The fury of a demon instantly possessed me. I knew myself no longer. ❜ ❨404❩ ❛ Let my heart be still a moment. ❜ ❨405❩ ❛ You call it hope —  It is but agony of desire. ❜ ❨406❩ ❛ Who has not, a hundred times, found himself committing a vile or silly action for no other reason than because he knows he should not? ❜ ❨407❩ ❛ To die laughing must be the most glorious of all glorious deaths! ❜ ❨408❩ ❛ The beating of a drum stimulates the soldier into courage. ❜ ❨409❩ ❛ Oh what a tangled web we weave when first we practise to deceive. ❜ ❨410❩ ❛ I have been happy, though in a dream. ❜ ❨411❩ ❛ Nevermore. ❜ ❨412❩ ❛ The truth is, I am heartily sick of this life. ❜ ❨413❩ ❛ I am convinced that every thing is going wrong. ❜ ❨414❩ ❛ The scariest monsters are the ones that lurk within our souls. ❜ ❨415❩ ❛ And if I died, at least I will have died for you! ❜ ❨416❩ ❛ It is impossible to say how first the idea entered my brain; but once conceived, it haunted me day and night. ❜ ❨417❩ ❛ Hurt and humiliation — But this, I can not take. ❜ ❨418❩ ❛ The walls in there have ears. ❜ ❨419❩ ❛ This is for your ears only. ❜ ❨420❩ ❛ What is it? You have me scared. ❜ ❨421❩ ❛ Whoever isn’t for us, is against us. ❜ ❨422❩ ❛ You are just a body; to be dumped, disposed of like a carcass, left out for the birds to feed on. ❜ ❨423❩ ❛ The dead will have to forgive me. ❜ ❨424❩ ❛ From now on and no matter how your mind may I change, I will not accept your help. ❜ ❨425❩ ❛ If death comes, so be it. There will be glory in it. ❜ ❨426❩ ❛ Live, then; and live with your choice. ❜ ❨427❩ ❛ I am doing what has to be done. ❜ ❨428❩ ❛ Nothing is going to stop the ones that love you from keeping on loving you. ❜ ❨429❩ ❛ Worst is the man who has all the good advice, and then because his nerve fails, fails to act in accordance with it, as a leader should. ❜ ❨430❩ ❛ Only a loony would walk himself into this. ❜ ❨431❩ ❛ Why do you need such fences and defences? ❜ ❨432❩ ❛ Enough. Do not anger me. ❜ ❨433❩ ❛ The gods, you think, will side with the likes of him? ❜ ❨434❩ ❛ Watch it. You are over stepping. ❜ ❨435❩ ❛ I warn you. You should keep a civil tongue. ❜ ❨436❩ ❛ There is no such thing as an oath the can not be broken. ❜ ❨437❩ ❛ Every now and then, the things you’d hardly let yourself imagine, actually happen. ❜ ❨438❩ ❛ And you stand over this? This is the truth? ❜ ❨439❩ ❛ The bigger the resistance, the bigger the collapse. ❜ ❨440❩ ❛ Iron that’s forged the hardest, snaps the quickest. ❜ ❨441❩ ❛ Even the wildest horses come to heel when they are reined & bitted right. ❜ ❨442❩ ❛ That’s how guilt affects some people. They break and everything comes out. ❜ ❨443❩ ❛ Will it be enough for you? To see me executed? ❜ ❨444❩ ❛ So you know something no one else knows? ❜ ❨445❩ ❛ They know it too. They are just too afraid to say it. ❜ ❨446❩ ❛ If you die, how will I keep on living? ❜ ❨447❩ ❛ There was a star riding through clouds one night, & I said to the star, 'Consume me'. ❜ ❨448❩ ❛ How much better to sit by myself like the solitary sea-bird that opens its wings on the stake. ❜ ❨449❩ ❛ Alone, I often fall down into nothingness. I have to bang my head against some hard door to call myself back to the body. ❜ ❨450❩ ❛ I am made and remade continually. Different people draw different words from me. ❜ ❨451❩ ❛ For this moment, this one moment, we are together.  ❜ ❨452❩ ❛ Come, pain, feed on me. Bury your fangs in my flesh. Tear me asunder. ❜ ❨453❩ ❛ I am as neat as a cat in my habits. ❜ ❨454❩ ❛ Everything falls in a tremendous shower, dissolving me. ❜ ❨455❩ ❛ I am the foam that sweeps and fills the uttermost rims of the rocks with whiteness; I am also a girl, here in this room. ❜ ❨456❩ ❛ We are cut, we are fallen. We are become part of that unfeeling universe ❨457❩ that sleeps when we are at our quickest and burns red when we lie ❨458❩ asleep. ❜ ❨459❩ ❛ These moments of escape are not to be despised. They come too seldom. ❜ ❨460❩ ❛ Up here my eyes are green leaves, unseeing. ❜ ❨461❩ ❛ The moment is all; the moment is enough. ❜ ❨462❩ ❛ I do not want to be admired. I want to give, to be given. ❜ ❨463❩ ❛ I am not one and simple, but complex and many. ❜ ❨464❩ ❛ And if you are dead, I shall weep. ❜ ❨465❩ ❛ But beauty must be broken daily to remain beautiful. ❜ ❨466❩ ❛ But our hatred is almost indistinguishable from our love. ❜ ❨467❩ ❛ I desired always to stretch the night and fill it fuller and fuller with dreams. ❜ ❨468❩ ❛ Life is a dream surely. ❜ ❨469❩ ❛ I think sometimes I am not a woman, but the light that falls on this gate, on this ground. I am the seasons, I think sometimes, January, May, November; the mud, the mist, the dawn. ❜ ❨470❩ ❛ Oh, I am in love with life! ❜ ❨471❩ ❛ I have been knotted; I have been torn apart. ❜ ❨472❩ ❛ There was no freedom in life, and certainly there was none in death. ❜ ❨473❩ ❛ I do not know. I do not know myself sometimes, or how to measure and name and count out the grains that make me what I am. ❜ ❨474❩ ❛ I ride rough waters, and shall sink with no one to save me. ❜ ❨475❩ ❛ I am above the earth now. I am no longer upright, to be knocked against and damaged. ❜ ❨476❩ ❛ I see it all. I feel it all. ❜ ❨477❩ ❛ Death is woven in with the violets. Death and again death. ❜ ❨478❩ ❛ We have been walking for hours it seems. But where? I cannot remember. ❜ ❨479❩ ❛ If we were all on trial for our thoughts, we would all be hanged. ❜ ❨480❩ ❛ When you are in the middle of a story it isn't a story at all, but only a confusion; a dark roaring, a blindness, a wreckage of shattered glass. ❜ ❨481❩ ❛ Murderess is a strong word to have attached to you. It has a smell to it, that word; - musky and oppressive, like dead flowers in a vase.  ❜ ❨482❩ ❛ Sometimes at night I whisper it over to myself: Murderess, murderess. It rustles, like a taffeta skirt across the floor. ❜ ❨483❩ ❛ If the world treats you well, you come to believe you are deserving of it. ❜ ❨484❩ ❛ If I am good enough and quiet enough, perhaps after all they will let me go. ❜ ❨485❩ ❛ It’s not easy being quiet and good, it’s like hanging on to the edge of a bridge when you’ve already fallen over; you don’t seem to be moving, just dangling there, and yet it is taking all your strength. ❜ ❨486❩ ❛ There is no fool like an educated fool. ❜ ❨487❩ ❛ There are many dangerous things that may take place in a bed. ❜ ❨488❩ ❛ I am afraid of falling into hopeless despair, over my wasted life, and I am still not sure how it happened. ❜ ❨489❩ ❛ Underneath it all is another feeling, a feeling of being wide-eyed awake and watchful. ❜ ❨490❩ ❛ And underneath all that is another feeling still, a feeling like being torn open; not like a body of flesh, it is not painful as such, but like a peach; and not even torn open, but ripe and splitting open of its own accord.  ❜ ❨491❩ ❛ The small details of life often hide a great significance. ❜ ❨492❩ ❛ Guilt comes to you not from the things you've done, but from the things that others have done to you. ❜ ❨493❩ ❛ I wonder, how can I be all of these different things at once? ❜ ❨494❩ ❛ It is always a mistake to curse back openly at those who are stronger than you unless there is a fence between. ❜ ❨495❩ ❛ Some call this "Eve's curse," but I think that is stupid because the real curse of Eve was having to put up with the nonsense of Adam. ❜ ❨496❩ ❛ I don't know why they are all so eager to be remembered. What good will it do them? There are some things that should be forgotten by everyone, and never spoken of again. ❜ ❨497❩ ❛ I would never blame a human creature for feeling lonely. ❜ ❨498❩ ❛ If they want a monster so badly they ought to be provided by one. ❜ ❨499❩ ❛ It’s as if I never existed, because no trace of me remains, I have left no marks. And that way I cannot be followed. It is almost the same as being innocent. ❜ ❨500❩ ❛ Today you wear your habitual expression of strained anxiety; you smell of violets. ❜ ❨501❩ ❛ Of course you have always been an idealist, and filled with your optimistic dreams; but reality must at some time obtrude. ❜ ❨502❩ ❛ I wonder what would become of me, and comfort myself that in a hundred years I will be dead and at peace. ❜ ❨503❩ ❛ For it is not always the one that strikes the blow that is the actual murderer. ❜ ❨504❩ ❛ There is a “do this” or “do that” with God, but not any “because”. ❜ ❨505❩ ❛ If you have a need and they find it out, they will use it against you. The best way is to stop from wanting anything. ❜ ❨506❩ ❛ They say, why don’t you ever smile or laugh, we never see you smiling, and I say I suppose I have gotten out of the way of it, my face won’t bend in that direction any more. ❜ ❨507❩ ❛ I was shut up inside that doll of myself, and my true voice could not get out. ❜ ❨508❩ ❛ I see what you’re after. You are a collector. You think all you have to do is give me an apple, and then you can collect me. ❜ ❨509❩ ❛ If you want to be an asshole, it's a free country. Millions before you have made the same life choice. ❜ ❨510❩ ❛ Then there's the future. Sheer vertigo. ❜ ❨511❩ ❛ Nature is to zoos as God is to churches. ❜ ❨512❩ ❛ After everything that's happened, how can the world still be so beautiful? ❜ ❨513❩ ❛ There's something to be said for hunger: at least it lets you know you're still alive. ❜ ❨514❩ ❛ These things sneak up on me for no reason, these flashes of irrational happiness. It's probably a vitamin deficiency. ❜ ❨515❩ ❛ Toast cannot be explained by any rational means. Toast is me. I am toast. ❜ ❨516❩ ❛ You can’t buy it, but it has a price. Everything has a price. ❜ ❨517❩ ❛ As a species were doomed by hope, then? You could call it hope. That, or desperation. ❜ ❨518❩ ❛ I am not my childhood. ❜ ❨519❩ ❛ Human beings hope they can stick their souls into someone else and live on forever. ❜ ❨520❩ ❛ “I'll make you mine”, lovers said in old books. They never said, “I'll make you me.” ❜ ❨521❩ ❛ How much is too much, how far is too far? ❜ ❨522❩ ❛ Expectation isn't the same as desire. ❜ ❨523❩ ❛ Why not cut to the chase? ❜ ❨524❩ ❛ Maybe there aren't any solutions. Human society, corpses and rubble. ❜ ❨525❩ ❛ I thought you didn’t believe in God. ❜ ❨526❩ ❛ I need at least the illusion of being understood. ❜ ❨527❩ ❛ What change would have altered the course of events? In the big picture, nothing. In the small picture, so much. ❜ ❨528❩ ❛ You are only looking at the dirt under your feet. It's not good for you. ❜ ❨529❩ ❛ I like to keep only the bright side of myself turned towards you.  ❜ ❨530❩ ❛ Grief in the face of inevitable death. The wish to stop time. The human condition. ❜ ❨531❩ ❛ So many crucial events take place behind people’s backs, when they aren’t in a position to watch: birth and death, for instance. ❜ ❨532❩ ❛ Would you kill someone you loved to spare them pain? ❜ ❨533❩ ❛ When the water’s moving faster than the boat, you can’t control a thing. ❜ ❨534❩ ❛ Don't be so fucking sentimental. ❜ ❨535❩ ❛ Wrong, as usual. ❜ ❨536❩ ❛ Why do you want to talk about ugly things? ❜ ❨537❩ ❛ I understand why serial killers send helpful clues to the police. ❜ ❨538❩ ❛ Take your time, leave mine alone. ❜ ❨539❩ ❛ You will hear thunder and remember me. ❜ ❨540❩ ❛ If you were music, I would listen to you ceaselessly. ❜ ❨541❩ ❛ I seem to myself an accidental guest in this dreadful body. ❜ ❨542❩ ❛ Call me a sinner, mock me maliciously. ❜ ❨543❩ ❛ I, from the very beginning, seemed to myself like someone's dream or delirium. Or a reflection in someone else's mirror. Without flesh, without meaning, without a name. ❜ ❨544❩ ❛ I knew the list of crimes that I was destined to commit. ❜ ❨545❩ ❛ The future ripens in the past, so the past rots in the future. ❜ ❨546❩ ❛ You are untranslatable into any one tongue. ❜ ❨547❩ ❛ I was hoping my silence would fit yours. ❜ ❨548❩ ❛ See, we were never about butterflies. All about us is unearthly and radiant. ❜ ❨549❩ ❛ You do not know just what you've been forgiven. ❜ ❨550❩ ❛ I need to slaughter my memory.  ❜ ❨551❩ ❛ Forgive me that I appeared to you in waking dreams. ❜ ❨552❩ ❛ I will condemn, I will forget, I will give comfort to the enemy. ❜ ❨553❩ ❛ I know beginnings, I know endings too, and life-in-death. ❜ ❨554❩ ❛ Wild honey smells of freedom. But gold smells of nothing. ❜ ❨555❩ ❛ You are three times more beautiful than angels. ❜ ❨556❩ ❛ I will kill you without spilling your blood on the ground, not touching you with my hand, not giving you one glance. ❜ ❨557❩ ❛ You invented me. There is no such earthly being. ❜ ❨558❩ ❛ You’re late. Way too late. I’m glad to see you, nonetheless. ❜ ❨559❩ ❛ Forgive me that I felt forsaken. Forgive me that I kept mistaking too many others for you. ❜ ❨560❩ ❛ Real tenderness can’t be confused, it’s quiet and can’t be heard. ❜ ❨561❩ ❛ What else lived in that house besides us? ❜ ❨562❩ ❛ How unhappy we are together! ❜ ❨563❩ ❛ I defend not my voice, but my silence. ❜ ❨564❩ ❛ Without love, I'm more at ease, I'm sure. ❜ ❨565❩ ❛ I've got no more tears or explanations. ❜ ❨566❩ ❛ I’m not complaining. Happiness is not for me. ❜ ❨567❩ ❛ Are you not the only tie between good and evil, earthly pits and paradise? ❜ ❨568❩ ❛ In the morning we shall find out who has died in the night. ❜ ❨569❩ ❛ I was not a lovable child, and I've grown into a deeply unlovable adult. ❜ ❨570❩ ❛ The truly frightening flaw in humanity is our capacity for cruelty - we all have it. ❜ ❨571❩ ❛ I have a meanness inside me, real as an organ. Slit me at my belly and it might slide out, meaty and dark. ❜ ❨572❩ ❛ I am not angry or sad or happy to see you. I could not give a shit. You don't even ripple. ❜ ❨573❩ ❛ I was raised feral, and I mostly stayed that way. ❜ ❨574❩ ❛ I can feel a better version of me somewhere in there - hidden behind a liver or attached to a bit of spleen. But the meanness usually wins out. ❜ ❨575❩ ❛ I felt something loosen in me, that shouldn't have loosened. A stitch come undone. ❜ ❨576❩ ❛ Everyone who keeps a secret, itches to tell it. ❜ ❨577❩ ❛ Coffee goes great with sudden death. ❜ ❨578❩ ❛ I should just listen to my gut and then do the opposite. ❜ ❨579❩ ❛ “Smile, it can't be that bad!” Yeah, actually, it can, jackwad. ❜ ❨580❩ ❛ Everything bad in the world already did happen. ❜ ❨581❩ ❛ You’re going to find peace? Like knowing is somehow going to fix you? ❜ ❨582❩ ❛ Instead of asking yourself what happened, just accept that it happened. ❜ ❨583❩ ❛ Homesick for a place I've never been. ❜ ❨584❩ ❛ Worries find you easily enough without inviting them. ❜ ❨585❩ ❛ It is always consoling to think of suicide. It's what gets one through many a bad night. ❜ ❨586❩ ❛ Do you understand this is serious? ❜ ❨587❩ ❛ Sometimes it feels good to fuck with something. Instead of always being fucked with. ❜ ❨588❩ ❛ How could you kill something you cared enough to name? ❜ ❨589❩ ❛ Draw a picture of my soul, and it’d be a scribble with fangs. ❜ ❨590❩ ❛ We have the same chemicals in our blood: shame, anger, greed. Unjustified nostalgia. ❜ ❨591❩ ❛ I appreciate a straightforward apology the way a tone-deaf person enjoys a fine piece of music. ❜ ❨592❩ ❛ The phrase fuck you may not rest on the tip of my tongue, but it’s near. Midtongue. ❜ ❨593❩ ❛ Nothing to it but to do it. ❜ ❨594❩ ❛ There are a lot of people who deserve a lesson, deserve to really understand, that nothing comes easy, that most things are going to go sour. ❜ ❨595❩ ❛ If ifs and buts were candies and nuts we’d all have a very Merry Christmas. ❜ ❨596❩ ❛ Grant me the serenity to accept the things I cannot change. ❜ ❨597❩ ❛ What does it do to a girl who knows her mother is a murderer? ❜ ❨598❩ ❛ That mean old bitch across the street bit it. ❜ ❨599❩ ❛ Survival is a talent. ❜ ❨600❩ ❛ Crazy isn't being broken or swallowing a dark secret. It’s you or me amplified. If you ever told a lie and enjoyed it. If you ever wished you could be a child forever. ❜ ❨601❩ ❛ Who has the courage to burn themselves? ❜ ❨602❩ ❛ Is insanity just a matter of dropping the act? ❜ ❨603❩ ❛ Have you ever confused a dream with life? Or stolen something when you have the cash? Have you ever been blue? Or thought your train moving while sitting still? ❜ ❨604❩ ❛ You need to be well fed, clothed, and housed to have time for this much self-pity. ❜ ❨605❩ ❛ When I am supposed to be awake, I am asleep; when I am supposed to speak, I am silent. When a pleasure offers itself to me, I avoid it. ❜ ❨606❩ ❛ There is thought, and then there is thinking about thoughts, and they don't feel the same. ❜ ❨607❩ ❛ In a strange way we are free. We've reached the end of the line. We have nothing more to lose. ❜ ❨608❩ ❛ The world won’t stop because we aren’t in it anymore. ❜ ❨609❩ ❛ I can't answer the real question. All I can tell you is, it's easy. ❜ ❨610❩ ❛ I am lighter, airier than I’ve been in years. ❜ ❨611❩ ❛ I am not dead, yet something in me definitely is. ❜ ❨612❩ ❛ You meant that as an insult but I am taking it as a compliment. ❜ ❨613❩ ❛ What life can recover from that? ❜ ❨614❩ ❛ It's a fairly accurate portrait of me. It's accurate but it isn't profound. ❜ ❨615❩ ❛ Pull yourself together! There's nothing wrong with you. ❜ ❨616❩ ❛ It's quiet. It's like― I don't know. It's like falling off a cliff. ❜ ❨617❩ ❛ Once you start parsing a face, it's a peculiar item: squishy, pointy, with lots of air vents and wet spots. ❜ ❨618❩ ❛ I lost him. I did it on purpose. ❜ ❨619❩ ❛ It’s a mean world. There’s nobody to take care of you out there. ❜ ❨620❩ ❛ Reality is getting too dense. ❜ ❨621❩ ❛ I'm ambivalent. In fact that's my new favourite word. ❜ ❨622❩ ❛ I can't come up with reassuring answers to the terrible questions you raise. ❜ ❨623❩ ❛ A spring day, the sort that gives people hope: all soft winds and delicate smells of warm earth. Suicide weather. ❜ ❨624❩ ❛ Twenty-five chocolate chip cookies would be the perfect dinner. ❜ ❨625❩ ❛ A thought is a hard thing to control. ❜ ❨626❩ ❛ Life demands skills I don’t have. ❜ ❨627❩ ❛ Light like this does not exist, but we wish it did. We wish the sun could make us young and beautiful. Most of all, we wish that everyone we knew could be brightened simply by our looking at them. ❜ ❨628❩ ❛ It never stops, even at night, it’s my lullaby. ❜ ❨629❩ ❛ Love blurs your vision; but after it recedes, you can see more clearly than ever. ❜ ❨630❩ ❛ This is the kind of thing you see if you sit in the darkness with open eyes. ❜ ❨631❩ ❛ I have done something wrong, something so huge I can't even see it, something that's drowning me. ❜ ❨632❩ ❛ Whatever is happening to me is my own fault. ❜ ❨633❩ ❛ Hatred is easier. Hatred is clear, metallic, one-handed, unwavering; unlike love. ❜ ❨634❩ ❛ Potential has a shelf life. ❜ ❨635❩ ❛ Don’t move. Stay like that, let me have that. ❜ ❨636❩ ❛ I have come to the edge, of the land. I could get pushed over. ❜ ❨637❩ ❛ Never pray for justice, because you might get some. ❜ ❨638❩ ❛ It disturbs me to learn I have hurt someone unintentionally. I want all my hurts to be intentional. ❜ ❨639❩ ❛ We have been shark to one another, but also lifeboat. That counts for something. ❜ ❨640❩ ❛ This is what I miss, not something that’s gone, but something that will never happen. ❜ ❨641❩ ❛ I am not good. I know too much to be good. I know myself. I know myself to be vengeful, greedy, secretive and sly. ❜ ❨642❩ ❛ You are amazing. Amazing and agonising and almost lethal. ❜ ❨643❩ ❛ In my dreams of this city I am always lost. ❜ ❨644❩ ❛ I don't know where these feelings have come from, I don’t know what I've done. ❜ ❨645❩ ❛ I am not the centre of your story, you are.  ❜ ❨646❩ ❛ I’m mad because you’re an asshole. ❜ ❨647❩ ❛ It's enormously pleasing to me, walking away. It's like being able to make people appear and vanish, at will. ❜ ❨648❩ ❛ There is never only one of anyone. ❜ ❨649❩ ❛ I can't do this without feeling I'm acting. ❜ ❨650❩ ❛ I am prepared for almost anything; except absence, except silence. ❜ ❨651❩ ❛ I’m losing my appetite for strangers. ❜ ❨652❩ ❛ You wear your cravings on the outside, like the suckers on a squid. You want it all. ❜ ❨653❩ ❛ Knowing too much about other people weakens you. You are forced to understand their reasons for doing things. ❜ ❨654❩ ❛ I have lost confidence: perhaps all I will ever be is what I am now. ❜ ❨655❩ ❛ Echoes of light, shining out of the midst of nothing. It's old light, and there's not much of it. But it's enough to see by. ❜ ❨656❩ ❛ Whoever cares the most will lose. ❜ ❨657❩ ❛ Young women need unfairness, it’s one of their few defences.  ❜ ❨658❩ ❛ Time has gone on without you. ❜ ❨659❩ ❛ Don't let the bastards grind you down. ❜ ❨660❩ ❛ Who can remember pain, once it’s over? Pain marks you, but too deep to see. Out of sight, out of mind. ❜ ❨661❩ ❛ Better never means better for everyone. It always means worse, for some. ❜ ❨662❩ ❛ There is more than one kind of freedom. Freedom to and freedom from. ❜ ❨663❩ ❛ Remember that forgiveness too is a power. ❜ ❨664❩ ❛ I am not your justification for existence. ❜ ❨665❩ ❛ I want to be valued, in ways that I am not; I want to be more than valuable. ❜ ❨666❩ ❛ If it's a story I'm telling, then I have control over the ending. ❜ ❨667❩ ❛ All you have to do is keep your mouth shut and look stupid. It shouldn't be that hard. ❜ ❨668❩ ❛ Truly amazing, what people can get used to, as long as there are a few compensations. ❜ ❨669❩ ❛ I want everything back, the way it was. ❜ ❨670❩ ❛ You can't help what you feel, but you can help how you behave. ❜ ❨671❩ ❛ Nothing changes instantaneously: in a gradually heating bathtub you'd be boiled to death before you knew it. ❜ ❨672❩ ❛ To want is to have a weakness. ❜ ❨673❩ ❛ There isn't even an enemy you could put your finger on. ❜ ❨674❩ ❛ The past is a great darkness, filled with echoes. ❜ ❨675❩ ❛ Ordinary is what you are used to. This may not seem ordinary to you now, but after a time it will. It will become ordinary. ❜ ❨676❩ ❛ I wish this story were different. I wish it were more civilised. I wish it showed me in a better light. ❜ ❨677❩ ❛ The night is mine, my own time, to do with it as I will, as long as I am quiet. As long as I don't move. As long as I lie still. ❜ ❨678❩ ❛ By telling you anything at all I'm at least believing in you. ❜ ❨679❩ ❛ Whatever is silenced will clamour to be heard. ❜ ❨680❩ ❛ Don't worry about forgiving me right now. There are more important things. ❜ ❨681❩ ❛ Keep the others safe. Don't let them suffer too much. If they have to die, let it be fast. ❜ ❨682❩ ❛ The body is so easily damaged, so easily disposed of, water and chemicals is all it is, hardly more to it than a jellyfish, drying on sand. ❜ ❨683❩ ❛ The world is full of weapons if you're looking for them. ❜ ❨684❩ ❛ Nobody's heart is perfect. ❜ ❨685❩ ❛ One false move and I'm dead. ❜ ❨686❩ ❛ Watch out. I've got my eye on you. ❜ ❨687❩ ❛ Fear is a powerful stimulant. ❜ ❨688❩ ❛ I couldn't afford to lose you. ❜ ❨689❩ ❛ Name one hero who was happy. ---- You can’t. ❜ ❨690❩ ❛ I feel like I could eat the world raw. ❜ ❨691❩ ❛ We are like gods at the dawning of the world. ❜ ❨692❩ ❛ I could recognise him by touch alone, by smell; I would know him blind, by the way his breaths came and his feet struck the earth. I would know him in death, at the end of the world. ❜ ❨693❩ ❛ There are no bargains between lion and men. I will kill you and eat you raw. ❜ ❨694❩ ❛ You can use a spear as a walking stick, but that will not change its nature. ❜ ❨695❩ ❛ He is a weapon, a killer. Do not forget it. ❜ ❨696❩ ❛ Some men gain glory after they die, others fade. ❜ ❨697❩ ❛ I am made of memories. ❜ ❨698❩ ❛ Will you come with me? ❜ ❨699❩ ❛ I wish I had let you all die. ❜ ❨700❩ ❛ It is right to seek peace for the dead. You and I both know there is no peace for those who live after. ❜ ❨701❩ ❛ Bury us. Let us be free. ❜ ❨702❩ ❛ Go. He waits for you. ❜ ❨703❩ ❛ Nothing could eclipse the stain of this dirty, mortal mediocrity. ❜ ❨704❩ ❛ I know I have told you of this. ❜ ❨705❩ ❛ I don't know how you remember them all. I swear they look the same to me. ❜ ❨706❩ ❛ Perhaps you should get some new stories, so I don’t fucking kill myself of boredom. ❜ ❨707❩ ❛ I yearn for the darkness and silence of the underworld, where I can rest. ❜ ❨708❩ ❛ There is no honour in betraying your friends. ❜ ❨709❩ ❛ There is no answer. Whichever you choose, you are wrong. ❜ ❨710❩ ❛ Divine blood flows differently. ❜ ❨711❩ ❛ How is there glory in taking life? We die so easily. ❜ ❨712❩ ❛ This is what I will miss, I think. I will kill myself rather than miss it. ❜ ❨713❩ ❛ How long do we have? ❜ ❨714❩ ❛ Do you think we fight hopeless wars? ❜ ❨715❩ ❛ There is no law that gods must be fair. ❜ ❨716❩ ❛ I do not fear ridicule. I never have. ❜ ❨717❩ ❛ You were always better with words than I. ❜ ❨718❩ ❛ Who can be ashamed to lose to such beauty? ❜ ❨719❩ ❛ When you see beauty in desolation it changes something inside you. ❜ ❨720❩ ❛ That's how the madness of the world tries to colonise you: from the outside in, forcing you to live in its reality. ❜ ❨721❩ ❛ The shadows of the abyss are like the petals of a monstrous flower that shall blossom within the skull and expand the mind beyond what any man can bear. ❜ ❨722❩ ❛ Silence creates violence. ❜ ❨723❩ ❛ Some questions will ruin you if you are denied the answer long enough. ❜ ❨724❩ ❛ There are certain kinds of connections that are so deep that when broken you feel the snap of it inside you. ❜ ❨725❩ ❛ Nothing that ever lived and breathed was truly objective—even in a vacuum, even if all that possessed the brain was a self-immolating desire for the truth. ❜ ❨726❩ ❛ We all live in a kind of continuous dream. ❜ ❨727❩ ❛ You can either waste time worrying about a death that might not come or concentrate on what’s left to you. ❜ ❨728❩ ❛ What can you do when your five senses are not enough? ❜ ❨729❩ ❛ We will neither be what we had been nor what we would become once we reach our destination. ❜ ❨730❩ ❛ Perhaps my only real expertise, my only talent, is to endure beyond the endurable. ❜ ❨731❩ ❛ When you are too close to the centre of a mystery there is no way to pull back. ❜ ❨732❩ ❛ I long ago stopped believing in promises. Biological imperatives, yes. Environmental factors, yes. Promises, no. ❜ ❨733❩ ❛ I look not for shooting stars but for fixed ones, and I try to imagine what kind of life lives in those celestial tidal pools so far from us. ❜ ❨734❩ ❛ I hesitated for just a moment. Some part of me wanted to see the creature, I think. If so, it was a very small part. I ran. ❜ ❨735❩ ❛ I don’t require any of this to have a deeper meaning. ❜ ❨736❩ ❛ All of this speculation is incomplete, inexact, inaccurate, useless. ❜ ❨737❩ ❛ We don’t have real answers, because we still don’t know what questions to ask. Our instruments are useless, our methodology broken, our motivations selfish. ❜ ❨738❩ ❛ This part I will do alone. Don’t follow. ❜ ❨739❩ ❛ People my entire life have told me I am too much in control, but that has never been the case. I have never truly been in control. ❜ ❨740❩ ❛ Has there always been someone like me to bury the bodies, to have regrets, to carry on after everyone else was dead? ❜ ❨741❩ ❛ I loved them, but I didn’t need them, and I thought that was the way it was supposed to be. ❜ ❨742❩ ❛ Places can impress themselves upon me, and I can become part of them with ease. ❜ ❨743❩ ❛ There is no one with me. I am all by myself. ❜ ❨744❩ ❛ Pretending often leads to becoming a reasonable facsimile of what you mimic. ❜ ❨745❩ ❛ I think you're confusing suicide with self-destruction, and they're very different. Almost none of us commit suicide, whereas almost all of us self-destruct. ❜ ❨746❩ ❛ What did you eat? You had rations for only two weeks. You were there for nearly four months. ❜ ❨747❩ ❛ Something here is making giant waves in the gene pool. ❜ ❨748❩ ❛ I need to know what’s inside. ❜ ❨749❩ ❛ These aren't decisions. They're impulses ❜ ❨750❩ ❛ What do you think I do when you’re away? Do you think I’m out in the garden pinning, looking up at the sky? ❜ ❨751❩ ❛ If I know what’s happened I can save their life. ❜ ❨752❩ ❛ They either went crazy or something in here killed them. ❜ ❨753❩ ❛ Something is coming through the fence! ❜ ❨754❩ ❛ Nothing is written in the stars. Not these stars, nor any others. No one controls your destiny. ❜ ❨755❩ ❛ People who claim that they're evil are usually no worse than the rest of us. ❜ ❨756❩ ❛ Happy endings are still endings. ❜ ❨757❩ ❛ We believe in all sorts of things that aren't true; -- we call it history. ❜ ❨758❩ ❛ Does the devil ever struggle to be good again, or if so is he not a devil? ❜ ❨759❩ ❛ In the lives of children, pumpkins turn into coaches, mice and rats turn into men. When we grow up, we realise it is far more common for men to turn into rats. ❜ ❨760❩ ❛ Girls need cold anger. They need the cold simmer, the ceaseless grudge, the talent to avoid forgiveness, the side stepping of compromise.  ❜ ❨761❩ ❛ Love makes hunters of us all. ❜ ❨762❩ ❛ There is much to hate in this world and way too much to love. ❜ ❨763❩ ❛ You confuse not speaking with not listening. ❜ ❨764❩ ❛ As long as people are going to call you a lunatic anyway, why not get the benefit of it? It liberates you from convention. ❜ ❨765❩ ❛ The eye is always caught by light, but shadows have more to say. ❜ ❨766❩ ❛ Not everyone is born a witch or a saint. Not everyone is born talented, or crooked, or blessed; some are born definite in no particular at all. ❜ ❨767❩ ❛ We are a fountain of shimmering contradictions, most of us. ❜ ❨768❩ ❛ The wickedness of men is that their power breeds stupidity and blindness. ❜ ❨769❩ ❛ I know you don't want to hear this but someone has to say it! You are out of control! ❜ ❨770❩ ❛ Even at the very worst - there is always choice. ❜ ❨771❩ ❛ Maybe the definition of home is the place where you are never forgiven. So you may always belong there, bound by guilt. And maybe the cost of belonging is worth it. ❜ ❨772❩ ❛ Cross a man and you struggle, one of you wins, you adjust and go on -- or you lie there dead. Cross a woman and the entire universe is changed. ❜ ❨773❩ ❛ That was such a wonderful time, even in its strangeness and sadness. Life isn't the same now. It's wonderful, but it isn't the same. ❜ ❨774❩ ❛ I don't care for approval, and I don't mind doing without. ❜ ❨775❩ ❛ It's where I live. A permanent state of bereavement. This is nothing new. ❜ ❨776❩ ❛ Always the bridesmaid, never the bride. Always the godfather, never the god. ❜ ❨777❩ ❛ The world unwraps itself to you, again and again as soon as you are ready to see it anew. ❜ ❨778❩ ❛ Evil is an act, not an appetite. Everyone has the appetite. If you give in to it, that act is evil. The appetite is normal. ❜ ❨779❩ ❛ How many haven't wanted to slash the throat of some boor across the dining room table?  ❜ ❨780❩ ❛ Even God used silence as a strategy. ❜ ❨781❩ ❛ I learned failure early and mastered it. ❜ ❨782❩ ❛ It isn't whether you do it well or ill, it's that you do it all. ❜ ❨783❩ ❛ This is why you shouldn't fall in love, it blinds you. Love is a very wicked distraction. ❜ ❨784❩ ❛ Wisdom is not the understanding of mystery. Wisdom is accepting that mystery is beyond understanding. That's what makes it mystery. ❜ ❨785❩ ❛ Wrong takes an awful long time to be proven, in my experience. ❜ ❨786❩ ❛ Such brightness, as you know, decays brilliantly. ❜ ❨787❩ ❛ I take responsibility only for the future, not the past. The past can't hurt you the way the future can. ❜ ❨788❩ ❛ Tell me to mind my own business, tell me to go fuck myself, to piss off, go on, say it, but don’t tell me nothing’s wrong. ❜ ❨789❩ ❛ The truth isn't a thing of fact or reason. It is simply what everyone agrees on. ❜ ❨790❩ ❛ One can't make peace with another by force. ❜ ❨791❩ ❛ I am a forgettable leaf on a tree. ❜ ❨792❩ ❛ That's all I want; --- to do no harm. ❜ ❨793❩ ❛ I only believe in the opposite of luck, whatever that is. ❜ ❨794❩ ❛ Human beings are not born once and for all on the day their mothers give birth to them, life obliges them over and over again to give birth to themselves. ❜ ❨795❩ ❛ You’re too young to know that the heart's memory eliminates the bad and magnifies the good, and thanks to that we manage to endure the burden of the past. ❜ ❨796❩ ❛ Love, no matter what else it might be, is a natural talent. You are either born knowing how, or you never know. ❜ ❨797❩ ❛ Whatever you do, you will be sorry all the rest of your life. ❜ ❨798❩ ❛ There is no God worth worrying about. ❜ ❨799❩ ❛ The only regret I will have in dying is if it is not for love. ❜ ❨800❩ ❛ Wisdom comes to us when it can no longer do any good. ❜ ❨801❩ ❛ Think of love as a state of grace, not the means to anything, but the very end in itself. ❜ ❨802❩ ❛ Only God knows how much I love you. ❜ ❨803❩ ❛ There is no greater glory than to die for love. ❜ ❨804❩ ❛ Nothing resembles a person as much as the way he dies. ❜ ❨805❩ ❛ Take advantage of it now, while you are young, and suffer all you can, because these things don't last your whole life. ❜ ❨806❩ ❛ Today, when I saw you, I realised that what is between us is nothing more than an illusion. ❜ ❨807❩ ❛ I have waited for this opportunity for more than half a century. ❜ ❨808❩ ❛ I want to be myself again, to recover all that I was obliged to give up. ❜ ❨809❩ ❛ The only thing worse than bad health is a bad name. ❜ ❨810❩ ❛ This soup tastes like windows. ❜ ❨811❩ ❛ Why do you insist on talking about what does not exist? ❜ ❨812❩ ❛ One has to live a long time to know a man's true nature. ❜ ❨813❩ ❛ No, not rich, I am a poor man with money, which is not the same thing. ❜ ❨814❩ ❛ My heart has more rooms than a whorehouse. ❜ ❨815❩ ❛ That may be the reason he does so many things, so that he will not have to think. ❜ ❨816❩ ❛ Love if it exists, is something separate: another life. ❜ ❨817❩ ❛ Things did not go as badly for me as they would for you. ❜ ❨818❩ ❛ There are things you do only for love. ❜ ❨819❩ ❛ I’ll have plenty of time to rest when I die. ❜ ❨820❩ ❛ There is no innocence more dangerous than the innocence of age. ❜ ❨821❩ ❛ You treat me as if I were just anybody. ❜ ❨822❩ ❛ The symptoms of love are the same as those of cholera. ❜ ❨823❩ ❛ There is no law, human or divine, that you have not ignored. ❜ ❨824❩ ❛ Why is it that I feel I've known you so many years? ❜ ❨825❩ ❛ Stuff your eyes with wonder, live as if you'd drop dead in ten seconds. See the world. It's more fantastic than any dream made or paid for in factories. ❜ ❨826❩ ❛ It doesn't matter what you do, so long as you change something from the way it was before you touched it into something that's like you after you take your hands away. ❜ ❨827❩ ❛ We need to be really bothered once in a while. How long is it since you were really bothered? About something important, about something real? ❜ ❨828❩ ❛ There must be something, something we can’t imagine, to make a woman stay in a burning house; there must be something there. You don’t stay for nothing. ❜ ❨829❩ ❛ If you hide your ignorance, no one will hit you and you'll never learn. ❜ ❨830❩ ❛ If you drown, at least die knowing you were heading for shore. ❜ ❨831❩ ❛ You can't make people listen. They have to come round in their own time, wondering what happened and why the world blew up around them. ❜ ❨832❩ ❛ It was a pleasure to burn. ❜ ❨833❩ ❛ I'm antisocial, they say. I don't mix. It's so strange. I'm very social indeed. It all depends on what you mean by social, doesn't it? ❜ ❨834❩ ❛ Being with people is nice. But I don't think it's social to get a bunch of people together and then not let them talk, do you? ❜ ❨835❩ ❛ Do you notice how people hurt each other nowadays? ❜ ❨836❩ ❛ Who knows who might be the target of the well-read man? ❜ ❨837❩ ❛ I don't talk things. I talk the meaning of things. ❜ ❨838❩ ❛ I'll hold on to the world tight some day. I've got one finger on it now; that's a beginning. ❜ ❨839❩ ❛ I just want someone to hear what I have to say. And maybe if I talk long enough it'll make sense. ❜ ❨840❩ ❛ That's the good part of dying; when you've nothing to lose, you run any risk you want. ❜ ❨841❩ ❛ Someday we'll build the biggest goddamn steamshovel in history and dig the biggest grave of all time and shove war in it and cover it up. ❜ ❨842❩ ❛ You're not like the others. I've seen a few; I know. When I talk, you look at me. ❜ ❨843❩ ❛ You're afraid of making mistakes. Don't be. Mistakes can be profited by. ❜ ❨844❩ ❛ When they give you lined paper, write the other way. ❜ ❨845❩ ❛ The sun burnt every day. It burnt time. ❜ ❨846❩ ❛ We have everything we need to be happy but we aren't happy. Something is missing. ❜ ❨847❩ ❛ I feel I'm doing what I should've done a lifetime ago. ❜ ❨848❩ ❛ I'm not afraid. Maybe it's because I'm doing the right thing at last. Maybe it's because I've done a rash thing and don't want to look the coward to you. ❜ ❨849❩ ❛ Good God, who were those men? I never saw them before in my life! ❜ ❨850❩ ❛ How do you get so empty? Who takes it out of you? ❜ ❨851❩ ❛ It must be right. It seems so right. ❜ ❨852❩ ❛ To everything there is a season. Yes. A time to break down, and a time to build up. A time to keep silence and a time to speak. ❜ ❨853❩ ❛ It's my game. And no one can help me. Not even you. ❜ ❨854❩ ❛ What makes earth feel like hell is our expectation that it should feel like heaven. Earth is earth. Dead is dead. You’ll find out for yourself soon enough. ❜ ❨855❩ ❛ Death is a long process. Your body is just the first part of you that croaks. Beyond that, your dreams have to die. Then your expectations. Your anger and memories must die. Your ego. Your pride and shame and ambition and hope. ❜ ❨856❩ ❛ Help me give up my addiction to hope. ❜ ❨857❩ ❛ Life is short, death is forever. ❜ ❨858❩ ❛ Hope is something really tough and tenacious you have to give up. It’s an addiction to break. ❜ ❨859❩ ❛ If the living are haunted by the dead, then the dead are haunted by their own mistakes. ❜ ❨860❩ ❛ We all wish to be pursued. We all long to be desired. ❜ ❨861❩ ❛ All the demons of hell formerly reigned as gods in previous cultures. No it's not fair, but one man's god is another man's devil. ❜ ❨862❩ ❛ I can become someone else, not out of pressure and desperation, but merely because a new life sounds fun or interesting or joyful. ❜ ❨863❩ ❛ It's my petty fear of personal rejection that allows so many true evils to exist. My cowardice enables atrocities. ❜ ❨864❩ ❛ You fucked up. Game over. So just relax. ❜ ❨865❩ ❛ The greatest weapon any warrior can carry into battle is absolute certainty of her eternal soul. ❜ ❨866❩ ❛ If killing you will end my existence as well, be it. Small loss. Such a life, as your puppet, is not worth living. ❜ ❨867❩ ❛ I might be a touch of a sadist and a little bit jejune but at least I'm not a victim, not any longer. I hope. ❜ ❨868❩ ❛ Dying seems like the greatest weakness, and in a world where people say you're lazy for not shaving your legs, then being dead seems like the ultimate character flaw. ❜ ❨869❩ ❛ Any concept of right versus wrong, is merely a cultural construct relative to one specific time and place. ❜ ❨870❩ ❛ To prove that I exist I must kill you. ❜ ❨871❩ ❛ I'd say that my life has been a way-too-long case history of chasing rainbows. ❜ ❨872❩ ❛ The world is a battle for attention, a war to be heard. ❜ ❨873❩ ❛ Every garden looks beautiful in May. ❜ ❨874❩ ❛ When we neglect to fear such brittle monstrosity, we render it powerless. ❜ ❨875❩ ❛ My taste for power continues to grow, as does my ability to accrue it. ❜ ❨876❩ ❛ Such language! Why don't you just take a dump in my ears? ❜ ❨877❩ ❛ You’d be foolish to count on people displaying high standards of honesty. ❜ ❨878❩ ❛ Depending on her mood, she can be more frightening than any demon or devil you might ever run across. ❜ ❨879❩ ❛ Cross your fingers! Maybe death won't happen to you. ❜ ❨880❩ ❛ Do not die while wearing cheap shoes. ❜ ❨881❩ ❛ Old habits die hard. ❜ ❨882❩ ❛ It's our attachments to a fixed identity that torture us. ❜ ❨883❩ ❛ What do I think I am? In a thousand words; I don't have a clue. ❨884❩ ❛ If I am to be saved it is because your love redeems me. ❜ ❨885❩ ❛ All I wanted was to be loved for myself. ❜ ❨886❩ ❛ I have tasted all the happiness the world can offer. ❜ ❨887❩ ❛ Shall we pity him? Shall we curse him? ❜ ❨888❩ ❛ You have a heart that can hold the entire empire of the world. ❜ ❨889❩ ❛ Look, I am not laughing now, crying, crying for you. ❜ ❨890❩ ❛ Tonight I gave you my soul, and I am dead. ❜ ❨891❩ ❛ You are afraid of me! And yet I am not really wicked. Love me and you shall see! ❜ ❨892❩ ❛ Are people so unhappy when they love? --- Yes, when they love and are not sure of being loved. ❜ ❨893❩ ❛ Your soul is a beautiful thing. No emperor received so fair a gift. The angels wept tonight. ❜ ❨894❩ ❛ Blood!...Blood!... That's a good thing! ❜ ❨895❩ ❛ Now I want to live like everybody else. I want to have a life like everybody else. ❜ ❨896❩ ❛ You will be the happiest of women. And we will sing, all by ourselves, till we swoon away with delight. ❜ ❨897❩ ❛ I should be as gentle as a lamb; and you could do anything with me that you pleased. ❜ ❨898❩ ❛ I am going to die of love, I am dying of love. That's how it is. I loved you so. I still love you so. ❜ ❨899❩ ❛ I am dying of love for her, I tell you! If only you knew how beautiful she was when she let me kiss her. ❜ ❨900❩ ❛ He fills me with horror but I do not hate him. How can I hate him? ❜ ❨901❩ ❛ Holy angel, in Heaven blessed, my spirit longs with thee to rest. ❜ ❨902❩ ❛ Nothing is colder or more dead than my heart. ❜ ❨903❩ ❛ I had loved an angel and now I despise a woman. ❜ ❨904❩ ❛ Our lives are one masked ball. ❜ ❨905❩ ❛ Why do you condemn a man whom you have never met, whom no one knows and about whom even you yourself know nothing? ❜ ❨906❩ ❛ He would commit murder for me. ❜ ❨907❩ ❛ If I don't save her from the hands of that humbug, she is lost. But I shall save her. ❜ ❨908❩ ❛ We will go from here together or die together. ❜ ❨909❩ ❛ Your fear, your terror, all of that is just love and love of the most exquisite kind, the kind which people do not admit even to themselves. The kind that gives you a thrill, when you think of it. ❜ ❨910❩ ❛ Destiny has chained you to me forever. ❜ ❨911❩ ❛ You must never ask me that. ❜ ❨912❩ ❛ Are you afraid that you will change your mind? ❜ ❨913❩ ❛ You must come and fetch me in my dressing room at midnight exactly. ❜ ❨914❩ ❛ The holes in your life are permanent. You have to grow around them, like tree roots around concrete; you mould yourself through the gaps. ❜ ❨915❩ ❛ I have never understood how people can blithely disregard the damage they do by following their hearts. ❜ ❨916❩ ❛ There’s something comforting about the sight of strangers safe at home. ❜ ❨917❩ ❛ I have lost control over everything, even the places in my head. ❜ ❨918❩ ❛ It’s possible to miss what you’ve never had, to even mourn for it. ❜ ❨919❩ ❛ There’s nothing so painful, so corrosive, as suspicion. ❜ ❨920❩ ❛ When did you become so weak? ❜ ❨921❩ ❛ I don’t know where that strength went, I don’t remember losing it. I think that over time it got chipped away, bit by bit, by life, by the living of it. ❜ ❨922❩ ❛ Let’s be honest: women are still only really valued for two things—their looks and their role as mothers. ❜ ❨923❩ ❛ Sadness gets boring after a while, for the sad person and for everyone around them. ❜ ❨924❩ ❛ I’m playing at real life instead of actually living it. ❜ ❨925❩ ❛ I’ve just got to let myself feel the pain, because if I don’t, if I keep numbing it, it’ll never really go away. ❜ ❨926❩ ❛ I am not the girl I used to be. I am no longer desirable, I’m off-putting in some way. It’s as if people can see the damage written all over me, can see it in my face, the way I hold myself, the way I move. ❜ ❨927❩ ❛ Who was it that said following your heart is a good thing? It is pure egotism, a selfishness to conquer all. ❜ ❨928❩ ❛ It’s impossible to resist the kindness of strangers. ❜ ❨929❩ ❛ Sometimes I catch myself trying to remember the last time I had meaningful physical contact with another person, just a hug or a heartfelt squeeze of my hand, and my heart twitches. ❜ ❨930❩ ❛ I have to find a way of making myself happy, I have to stop looking for happiness elsewhere. ❜ ❨931❩ ❛ How did I find myself here? I wonder where it started, my decline; I wonder at what point I could have halted it. Where did I take the wrong turn? ❜ ❨932❩ ❛ Now look -- Now look what you made me do. ❜ ❨933❩ ❛ It’s okay, whatever you did, whatever you’ve done: you suffered, you hurt, you deserve forgiveness. ❜ ❨934❩ ❛ They’re what I lost, they’re everything I want to be. ❜ ❨935❩ ❛ You broke me and I broke us. ❜ ❨936❩ ❛ I’ve been the fool. If he does it with you, he’ll do it to you. ❜ ❨937❩ ❛ I’d never realised, not until now, how shameful it is to be pitied. ❜ ❨938❩ ❛ Sometimes, I don’t want to go anywhere, I think I’ll be happy if I never have to set foot outside the house again. ❜ ❨939❩ ❛ I don’t believe in soul mates, but there’s an understanding between us that I just haven’t felt before, or at least, not for a long time. ❜ ❨940❩ ❛ There can be no greater agony, nothing can be more painful than the not knowing, which will never end. ❜ ❨941❩ ❛ Being the other woman is a huge turn-on, there’s no point in denying it: you’re the one he can’t help but betray his wife for, even though he loves her. That’s just how irresistible you are. ❜ ❨942❩ ❛ I feel a rush of gratitude so strong, it feels almost like love. ❜ ❨943❩ ❛ You don’t know how determined I can be. Once I’ve made my mind up, I’m a force to be reckoned with. ❜ ❨944❩ ❛ The more I want to be oblivious, the less I can be. Life and light will not let me be. ❜ ❨945❩ ❛ You don’t have to be afraid of being alone. It’s not the worst thing, is it? ❜ ❨946❩ ❛ I have felt this way before. On a larger scale, to a more intense degree, of course, but I remember the quality of the pain. You don’t forget it. ❜ ❨947❩ ❛ If he thinks I’m going to sit around crying, he’s got another thing coming. ❜ ❨948❩ ❛ I don’t like to lose. It’s not like me. None of this is like me. I don’t get rejected. I’m the one who walks away. ❜ ❨949❩ ❛ I don’t remember anger, raging fury. I remember fear. ❜ ❨950❩ ❛ I can’t sleep. I haven’t slept in days. I hate it, hate insomnia more than anything, just lying there, brain going round, tick, tick, tick, tick. ❜ ❨951❩ ❛ Maybe the courage I need has nothing to do with telling the truth and everything to do with walking away. ❜ ❨952❩ ❛ I’m not beautiful, and I can’t have kids, so what does that make me? Worthless. ❜ ❨953❩ ❛ Failure cloaked me like a mantle, it overwhelmed me, dragged me under and I gave up hope. ❜ ❨954❩ ❛ It’s an odd thing to say, but I think this all the time; I don’t feel bad enough. ❜ ❨955❩ ❛ Some battles aren’t worth fighting. ❜ ❨956❩ ❛ I never felt guilty. I pretended I did. I had to. ❜ ❨957❩ ❛ I never meant for any of this to happen, we fell in love, what could we do? ❜ ❨958❩ ❛ What bothers me most is that I haven’t got to the end of my story, and I can’t start over with someone else, it’s too hard. ❜ ❨959❩ ❛ A person is, among all else, a material thing, easily torn and not easily mended. ❜ ❨960❩ ❛ It isn’t only wickedness and scheming that make people unhappy, it is confusion and misunderstanding. ❜ ❨961❩ ❛ Falling in love can be achieved in a single word—a glance. ❜ ❨962❩ ❛ Though you think the world is at your feet, it can rise up and tread on you. ❜ ❨963❩ ❛ I’ve never had a moment’s doubt. I love you. I believe in you completely. You are my dearest one. My reason for life. ❜ ❨964❩ ❛ It might hurt, it is horribly inconvenient, no good might come of it, but it is what it is to be in love. ❜ ❨965❩ ❛ It was always an impossible task, and that was precisely the point. ❜ ❨966❩ ❛ Come back, come back to me. ❜ ❨967❩ ❛ In my thoughts I make love to you all day long. ❜ ❨968❩ ❛ The truth is I feel rather light headed and foolish in your presence and I don’t think I can blame the heat. ❜ ❨969❩ ❛ Beauty occupies a narrow band. Ugliness, on the other hand, has infinite variation. ❜ ❨970❩ ❛ Is there any meaning in my life that the inevitable death awaiting me does not destroy? ❜ ❨971❩ ❛ However, withered, I still feel myself to be exactly the same person I’ve always been. ❜ ❨972❩ ❛ Hate is a feeling as pure as love, but dispassionate and icily rational. ❜ ❨973❩ ❛ I’m going mad. Let me not be mad. ❜ ❨974❩ ❛ Is everyone really as alive as I am? ❜ ❨975❩ ❛ Every now and then, quite unintentionally, someone teaches you something about yourself. ❜ ❨976❩ ❛ Something has happened, hasn’t it? ❜ ❨977❩ ❛ I like to think that it isn’t weakness or evasion, but a final act of kindness. ❜ ❨978❩ ❛ Is it possible that I am, in the modern term, in denial? ❜ ❨979❩ ❛ How could anyone presume to know the world through the eyes of an insect? ❜ ❨980❩ ❛ Not everything has a cause. Some things are simply so. ❜ ❨981❩ ❛ I’ll be quite honest with you. I’m torn between breaking your neck here and throwing you down the stairs. ❜ ❨982❩ ❛ How old do you have to be before you know the difference between right and wrong? ❜ ❨983❩ ❛ It was never meant to be read. ❜ ❨984❩ ❛ If I fell in the river, would you save me? ❜ ❨985❩ ❛ That was an incredibly bloody stupid thing to do. ❜ ❨986❩ ❛ I want to thank you for saving my life. I’ll be eternally grateful to you. ❜ ❨987❩ ❛ I’m very, very sorry for the terrible distress that I have caused. I’m very, very sorry. ❜ ❨988❩ ❛ Don’t call me that! – Please don’t call me that. ❜ ❨989❩ ❛ It may be the wrong decision, but fuck it, it’s mine. ❜ ❨990❩ ❛ Like patience, passion comes from the same Latin root: pati. It does not mean to flow with exuberance. It means to suffer. ❜ ❨991❩ ❛ No one ever really gets used to nightmares. ❜ ❨992❩ ❛ I still get nightmares. In fact, I get them so often I should be used to them by now. I’m not. ❜ ❨993❩ ❛ Sublime is something you choke on after a shot of tequila. ❜ ❨994❩ ❛ Some people reflect light, some deflect it, you by some miracle, seem to collect it. ❜ ❨995❩ ❛ Beautiful women are always drawn to men they think will keep them beautiful. ❜ ❨996❩ ❛ The ruminations are mine, let the world be yours. ❜ ❨997❩ ❛ You will fulfil a promise I made years ago but failed to keep. ❜ ❨998❩ ❛ Darkness never satisfies. Especially if it takes something away which it almost always invariably does. ❜ ❨999❩ ❛ I want something else. I’m not even sure what to call it anymore. ❜ ❨1000❩ ❛ What can I say, I’m a sucker for abandoned stuff, misplaced stuff, forgotten stuff, any old stuff. ❜ ❨1001❩ ❛ Is it possible to love something so much, you imagine it wants to destroy you only because it has denied you? ❜ ❨1002❩ ❛ It’s just silent, no sound at all. It’s like something’s waiting. ❜ ❨1003❩ ❛ I guess I’m hoping the weapons will make me feel better, grant me some kind of fucking control. ❜ ❨1004❩ ❛ Oh and something else: – Fuck you. ❜ ❨1005❩ ❛ God I’ve never been afraid like this. ❜ ❨1006❩ ❛ I miss you. I love you. There’s no second I’ve lived that you can’t call your own. ❜ ❨1007❩ ❛ I’m so tired. Sleep’s been stalking me for too long to remember. Inevitable I suppose. ❜ ❨1008❩ ❛ Not seeing the rip doesn’t mean you automatically get to keep clear of the Hey-I’m-Bleeding part. ❜ ❨1009❩ ❛ These days fantasies flourish and die like summer flies. ❜ ❨1010❩ ❛ Yeah I know, I know. This shit’s getting ridiculous. ❜ ❨1011❩ ❛ ‘Fuck’ and 'fall for’ have very different meanings. The first one you do as much as you can. The second one you never ever, ever do. ❜ ❨1012❩ ❛ It’s a nice idea but it reeks of hope. False hope. ❜ ❨1013❩ ❛ It’s, well…one thing in two words: fucked up…very fucked up. Okay three words, four words, who the hell cares…very very fucked up. ❜ ❨1014❩ ❛ Do you think I could spend the night at your place?  ❜ ❨1015❩ ❛ Any fool can pray. ❜ ❨1016❩ ❛ I feel like I haven’t slept in months. My neighbours are scared of me. ❜ ❨1017❩ ❛ I’ve lost my mind? Maybe, maybe, maybe. Maybe I’m just really drunk. ❜ ❨1018❩ ❛ Perhaps by cleaning out my system I’ll come to a clearing where I can ease myself into peace. ❜ ❨1019❩ ❛ I should be dead. Why am I still here? ❜ ❨1020❩ ❛ Fuck if I know. Your guess is as good as mine. ❜ ❨1021❩ ❛ You are my flesh. You are my bones. I know you too well. I read you too perfectly. ❜ ❨1022❩ ❛ Not all complex problems have easy solutions. ❜ ❨1023❩ ❛ Do you believe in God? I don’t think I ever asked you that one. ❜ ❨1024❩ ❛ We all create stories to protect ourselves. ❜ ❨1025❩ ❛ Are you kidding me? This place is scary. ❜ ❨1026❩ ❛ These days the only thing that gets me outside is when I say: Fuck. Fuck. Fuck. Fuck you. Fuck me. Fuck this. Fuck. Fuck. Fuck. ❜ ❨1027❩ ❛ You like that crap because it reminds you of you. ❜ ❨1028❩ ❛ You may suddenly realise things are not how you perceived them to be at all. ❜ ❨1029❩ ❛ The two hardest tests are the patience to wait for the right moment and the courage not to be disappointed with what we encounter. ❜ ❨1030❩ ❛ People never learn anything by being told, they have to find out for themselves. ❜ ❨1031❩ ❛ Be crazy! But learn how to be crazy without being the center of attention. Be brave enough to live different. ❜ ❨1032❩ ❛ You are someone who is different, but who wants to be the same as everyone else. And that in my view is a serious illness. ❜ ❨1033❩ ❛ God chose you to be different. ❜ ❨1034❩ ❛ Why are you disappointing God with this kind of attitude? ❜ ❨1035❩ ❛ You have two choices, to control your mind or to let your mind control you. ❜ ❨1036❩ ❛ Everyone is indeed crazy, but the craziest are the ones who don't know they're crazy; they just keep repeating what others tell them to. ❜ ❨1037❩ ❛ Haven't you learned anything, not even with the approach of death?  ❜ ❨1038❩ ❛ If people don't like it, they can complain. And if they don't have the courage to complain, that's their problem. ❜ ❨1039❩ ❛ Nothing in this world happens by chance. ❜ ❨1040❩ ❛ I want to continue living my life the way I dream it, and not the way the other people want it to be. ❜ ❨1041❩ ❛ Be like the fountain that overflows, not like the cistern that merely contains. ❜ ❨1042❩ ❛ Collective madness is called sanity. ❜ ❨1043❩ ❛ Consider each day a miracle - which indeed it is, when you consider the number of unexpected things that could happen in each second of our fragile existences. ❜ ❨1044❩ ❛ You say they create their own reality, but what is reality? ❜ ❨1045❩ ❛ Many people don't allow themselves to love because there are a lot of things at risk. A lot of future and a lot of past. ❜ ❨1046❩ ❛ Death frees from the fear of dying. ❜ ❨1047❩ ❛ The danger of an adventure is worth a thousand days of ease and comfort. ❜ ❨1048❩ ❛ The happier people can be, the unhappier they are. ❜ ❨1049❩ ❛ Life is always a matter of waiting for the right moment to act. ❜ ❨1050❩ ❛ It's best to accept life as it really is and not as you imagined it to be. ❜ ❨1051❩ ❛ You don't seem mad at all. ❜ ❨1052❩ ❛ We’re allowed to make a lot of mistakes in our lives, except the mistake that destroys us. ❜ ❨1053❩ ❛ You’re what you are, not what others make of you. ❜ ❨1054❩ ❛ Am I cured? ❜ ❨1055❩ ❛ Real love changes and grows with time and discovers new ways of expressing itself. ❜ ❨1056❩ ❛ A lot of people think something is right, and so that thing becomes right. Is that it? ❜ ❨1057❩ ❛ They think they're normal, because they all do the same thing. ❜ ❨1058❩ ❛ I didn't know that other ‘me’s existed inside me, ‘Me’s that I could love. ❜ ❨1059❩ ❛ I have no idea what's awaiting me. ❜ ❨1060❩ ❛ What will happen when this all ends? ❜ ❨1061❩ ❛ I know that you are capable of great deeds. ❜ ❨1062❩ ❛ A loveless world is a dead world, and always there comes an hour when one is weary of prisons, of one's work, and of devotion to duty, and all one craves for is a loved face, the warmth and wonder of a loving heart. ❜ ❨1063❩ ❛ The truth is that everyone is bored. ❜ ❨1064❩ ❛ I feel more fellowship with the defeated than with saints. Heroism and sanctity don't really appeal to me, I imagine. ❜ ❨1065❩ ❛ If there is one thing one can always yearn for, and sometimes attain, it is human love. ❜ ❨1066❩ ❛ Who would dare to assert that eternal happiness can compensate for even a single moment's suffering? ❜ ❨1067❩ ❛ It's not easy. I've been thinking it over for years. ❜ ❨1068❩ ❛ While we loved each other we didn't need words to make ourselves understood. ❜ ❨1069❩ ❛ People are more often bad than good. ❜ ❨1070❩ ❛ I don't believe in heroism; I know it's easy and I've learned that it can be murderous. ❜ ❨1071❩ ❛ What interests me is living and dying for what one loves. ❜ ❨1072❩ ❛ In fact, nobody is capable of really thinking about anyone, even in the worst calamity. ❜ ❨1073❩ ❛ Nothing in the world is worth turning one's back on what one loves. ❜ ❨1074❩ ❛ Again and again there comes a time in history when the man who dares to say that two and two make four is punished with death. ❜ ❨1075❩ ❛ There are more things to admire in men then to despise. ❜ ❨1076❩ ❛ It is in the thick of calamity that one gets hardened to the truth - in other words, to silence. ❜ ❨1077❩ ❛ What on earth prompted you to take a hand in this? ❜ ❨1078❩ ❛ Your code of morals? What code, if I may ask? ❜ ❨1079❩ ❛ I'm fumbling in the dark, struggling to make something out. But I've long ceased finding anything. ❜ ❨1080❩ ❛ No doubt our love is still there, but quite simply it is unusable, heavy to carry, inert inside of us, sterile as crime or condemnation. ❜ ❨1081❩ ❛ I’m not happy to go, but one needn't be happy to make another start. ❜ ❨1082❩ ❛ I am incapable of suffering for a long time, or being happy for a long time. Which means that I am incapable of anything really worth while. ❜ ❨1083❩ ❛ I should have found the words to keep her with me. ❜ ❨1084❩ ❛ We can't stir a finger in this world without the risk of bringing death to somebody. ❜ ❨1085❩ ❛ The evil that is in the world comes out of ignorance, and good intentions may do as much harm as malevolence, if they lack understanding. ❜ ❨1086❩ ❛ There are always flies and itches. That’s why life is difficult to live. ❜ ❨1087❩ ❛ The best protection against anything is a good bottle of wine. ❜ ❨1088❩ ❛ There is no peace without hope. ❜ ❨1089❩ ❛ It's enough for me to be sure that you and I exist at this moment. ❜ ❨1090❩ ❛ There is always something left to love. ❜ ❨1091❩ ❛ A person doesn’t die when he should but when he can. ❜ ❨1092❩ ❛ Things have a life of their own. It's simply a matter of waking up their souls. ❜ ❨1093❩ ❛ Tell me something: why are you fighting? ❜ ❨1094❩ ❛ I've come to realise only just now that I'm fighting because of pride. ❜ ❨1095❩ ❛ One minute of reconciliation is worth more than a whole life of friendship. ❜ ❨1096❩ ❛ It's better than not knowing why you're fighting. Or fighting, like you, for something that doesn't have any meaning for anyone. ❜ ❨1097❩ ❛ Holy Mother of God! ❜ ❨1098❩ ❛ A person does not belong to a place until there is someone dead under the ground. ❜ ❨1099❩ ❛ I was born a son of a bitch and I'm going to die a son of a bitch. ❜ ❨1100❩ ❛ Bad luck doesn't have any chinks in it. ❜ ❨1101❩ ❛ I plead youth as a mitigating circumstance. ❜ ❨1102❩ ❛ Get those bad thoughts out of your head. You're going to be happy. ❜ ❨1103❩ ❛ Children inherit their parents' madness. ❜ ❨1104❩ ❛ I'll turn to ashes in here but I won't give this miserable town the pleasure of seeing me weep. ❜ ❨1105❩ ❛ You would be good in a war. Where you put your eye, you put your bullet. ❜ ❨1106❩ ❛ Men demand much more than you think. ❜ ❨1107❩ ❛ Even the craziest and most persistent love is just a temporary truth. ❜ ❨1108❩ ❛ If we’re alone you can whisper in my ear any crap you can think of. ❜ ❨1109❩ ❛ You have taken this horrible game very seriously and you have done well because you are doing your duty. ❜ ❨1110❩ ❛ We have the right to pull down your pants and give you a whipping at the first sign of disrespect. ❜ ❨1111❩ ❛ What worries me is not your shooting me, because after all, for people like us it's a natural death. ❜ ❨1112❩ ❛ What worries me is that you've ended up as bad as they are. ❜ ❨1113❩ ❛ It is characteristic of men to deny hunger once their appetites are satisfied. ❜ ❨1114❩ ❛ Dying is much more difficult than one imagines. ❜ ❨1115❩ ❛ If you have to go crazy, please go crazy all by yourself! ❜ ❨1116❩ ❛ We have still not had a death. ❜ ❨1117❩ ❛ How awful, the way time passes. ❜ ❨1118❩ ❛ You may be in command of your war, but I'm in command of my house. ❜ ❨1119❩ ❛ I missed you every hour. ❜ ❨1120❩ ❛ You know what the worst part was? It caught me completely by surprise. ❜ ❨1121❩ ❛ I’ve risked my life for you. ❜ ❨1122❩ ❛ The problem with wanting is that it makes us weak. ❜ ❨1123❩ ❛ I love you, even the part of you that loved him. ❜ ❨1124❩ ❛ I’m sorry it took me so long to see you. ❜ ❨1125❩ ❛ I never really belonged anywhere. ❜ ❨1126❩ ❛ Thanks for being my best friend and making my life bearable.  ❜ ❨1127❩ ❛ Thanks for finding me. ❜ ❨1128❩ ❛ You and I are going to change the world. ❜ ❨1129❩ ❛ I’ve been waiting for you a long time. ❜ ❨1130❩ ❛ I’m not used to people trying to kill me. ❜ ❨1131❩ ❛ You’re shaking. ❜ ❨1132❩ ❛ There's nothing wrong with being a lizard. Unless you were born to be a hawk. ❜ ❨1133❩ ❛ Make me your villain. ❜ ❨1134❩ ❛ Just you and me. It’s always just you and me. ❜ ❨1135❩ ❛ Do you blame me for every mistake I made? For every dumb thing I’ve said? ❜ ❨1136❩ ❛ Well, if it gets too bad, give me a signal. ❜ ❨1137❩ ❛ Did you tell him what I showed you in the dark? ❜ ❨1138❩ ❛ Did you miss me when you were gone? ❜ ❨1139❩ ❛ What is infinite? The universe and the greed of men. ❜ ❨1140❩ ❛ You’re interfering with my plan. ❜ ❨1141❩ ❛ Too much champagne? ❜ ❨1142❩ ❛ I hope you don’t expect fairness from me. It isn’t one of my specialties. ❜ ❨1143❩ ❛ There is something more powerful than any army. Something strong enough to topple kings. Faith. ❜ ❨1144❩ ❛ All you said was that I had to kill you. You didn’t say how. ❜ ❨1145❩ ❛ What is she? She’s everything, you dumb son of a bitch. ❜ ❨1146❩ ❛ She’s an ugly little thing. No child should look like that. Pale and sour, like a glass of milk that’s turned. ❜ ❨1147❩ ❛ I wouldn’t make that mistake again. ❜ ❨1148❩ ❛ It’s a great honor, to save a life. You saved many. ❜ ❨1149❩ ❛ In this world, there are things you can only do alone. ❜ ❨1150❩ ❛ What seems like a reasonable distance to one person might feel too far to somebody else. ❜ ❨1151❩ ❛ If you really want to know something, you have to be willing to pay the price. ❜ ❨1152❩ ❛ Why should you be interested in me? ❜ ❨1153❩ ❛ I have been told I've got a darkish personality. A few times. ❜ ❨1154❩ ❛ It's not as if our lives are divided simply into light and dark. There's shadowy middle ground. ❜ ❨1155❩ ❛ I'll write to you. A super-long letter, like in an old-fashioned novel. ❜ ❨1156❩ ❛ The spotlight doesn't suit me. I'm more of a side dish. ❜ ❨1157❩ ❛ The ground we stand on looks solid enough, but if something happens it can drop right out from under you.  ❜ ❨1158❩ ❛ So once you're dead there's just nothing? ❜ ❨1159❩ ❛ If only I could fall sound asleep and wake up in my old reality. ❜ ❨1160❩ ❛ Is action merely the incidental product of thought, or is thought the consequential product of action? ❜ ❨1161❩ ❛ Nobody can shake off their own shadow. ❜ ❨1162❩ ❛ The silence is so deep it hurts. ❜ ❨1163❩ ❛ I may not look it, but I can be a very patient guy. ❜ ❨1164❩ ❛ Killing time is one of my specialities. ❜ ❨1165❩ ❛ You can't fight it. ❜ ❨1166❩ ❛ Tell me something,—do you believe in reincarnation? ❜ ❨1167❩ ❛ I can’t understand nothingness. I can’t understand it and I can’t imagine it. ❜ ❨1168❩ ❛ I can hardly breathe, and my whole body wants to shrink into a corner.  ❜ ❨1169❩ ❛ I do have a few things wrong with me, but those are strictly problems I keep inside. ❜ ❨1170❩ ❛ I can't take it any more, I can't go on any more. ❜ ❨1171❩ ❛ You don't really have it together. ❜ ❨1172❩ ❛ Is it against the law for me to know it? ❜ ❨1173❩ ❛ I keep having the same dream. ❜ ❨1174❩ ❛ Are you asking because you really want an answer? ❜ ❨1175❩ ❛ I hate this! I don't want to be changed this way! ❜ ❨1176❩ ❛ No contradictions, no irony. They do everything according to numerical formulas. ❜ ❨1177❩ ❛ Want to hear the rest? If you’re not interested, I can stop. ❜ ❨1178❩ ❛ If I didn’t have these memories inside me, I would’ve snapped a long time ago. I would’ve curled up in a ditch somewhere and died. ❜ ❨1179❩ ❛ I don’t know what you’re feeling. I won’t even pretend. ❜ ❨1180❩ ❛ What are you doing here, honey? ❜ ❨1181❩ ❛ You're not even old enough to know how bad life gets. ❜ ❨1182❩ ❛ You don't understand me. ❜ ❨1183❩ ❛ All wisdom ends in paradox. ❜ ❨1184❩ ❛ It is love that overthrows empire. Love that binds two hearts together, come hellfire & brimstone. ❜ ❨1185❩ ❛ I have lost my gift. ❜ ❨1186❩ ❛ Winter is the season of alcoholism and despair. ❜ ❨1187❩ ❛ The seeds of death get lost in the mess that God made us. ❜ ❨1188❩ ❛ They're just memories now. It’s time to forget. ❜ ❨1189❩ ❛ The time has to be right and the heart willing. ❜ ❨1190❩ ❛ The world, a tired performer, offers us another half-assed season. ❜ ❨1191❩ ❛ Capitalism has resulted in material well-being but spiritual bankruptcy. ❜ ❨1192❩ ❛ Grief is natural, overcoming it is a matter of choice. ❜ ❨1193❩ ❛ I want out of that decorating scheme. ❜ ❨1194❩ ❛ With most people suicide is like Russian roulette. Only one chamber has a bullet. ❜ ❨1195❩ ❛ You never get over it but you get where it doesn't bother you so much. ❜ ❨1196❩ ❛ Don't waste your time on life. ❜ ❨1197❩ ❛ I'm a teenager. I've got problems! ❜ ❨1198❩ ❛ Adolescents tend to seek love where they can find it. ❜ ❨1199❩ ❛ Obviously, you've never been a thirteen-year-old girl. ❜ ❨1200❩ ❛ It was a mistake. ❜ ❨1201❩ ❛ It seemed like we were supposed to feel sorry for everything that ever happened, ever. ❜ ❨1202❩ ❛ Buffeted but not broken. ❜ ❨1203❩ ❛ Shit. What have kids got to be worried about now? ❜ ❨1204❩ ❛ If they want trouble, they should go live in Bangladesh. ❜ ❨1205❩ ❛ I can't wait until I get out of here. ❜ ❨1206❩ ❛ When she jumped she probably thought she’d fly. ❜ ❨1207❩ ❛ I do not think the patient truly meant to end her life. Her act was a cry for help. ❜ ❨1208❩ ❛ You're a stone fox. ❜ ❨1209❩ ❛ It was love at first sight, at last sight, at ever and ever sight. ❜ ❨1210❩ ❛ Light of my life, fire of my loins. My sin, my soul. ❜ ❨1211❩ ❛ He broke my heart. You merely broke my life. ❜ ❨1212❩ ❛ I'm sorry to have deceived you so much, but that's how life is. ❜ ❨1213❩ ❛ Words without experience are meaningless. ❜ ❨1214❩ ❛ I loved you. I was a monster, but I loved you. ❜ ❨1215❩ ❛ Come just as you are. ❜ ❨1216❩ ❛ If a violin string could ache, i would be that string. ❜ ❨1217❩ ❛ Perhaps, somewhere, some day, at a less miserable time, we may see each other again. ❜ ❨1218❩ ❛ What's so dreadful about dying is that you are completely on your own. ❜ ❨1219❩ ❛ Don't touch me; I'll die if you touch me. ❜ ❨1220❩ ❛ You took advantage of my disadvantage. ❜ ❨1221❩ ❛ I walk in a maze I cannot get out of. ❜ ❨1222❩ ❛ Life is just one small piece of light between two eternal darknesses. ❜ ❨1223❩ ❛ Imagine me; I shall not exist if you do not imagine me. ❜ ❨1224❩ ❛ There is no harm in smiling. ❜ ❨1225❩ ❛ There is no point in staying here. There is no point in staying anywhere. ❜ ❨1226❩ ❛ There is nothing more atrociously cruel than an adored child. ❜ ❨1227❩ ❛ I am so tired of being cynical. ❜ ❨1228❩ ❛ Come to live with me, and die with me, and everything with me. ❜ ❨1229❩ ❛ This is the only immortality that you and I may share. ❜ ❨1230❩ ❛ I loved her more than anything I had ever seen or imagined on earth, or hoped for anywhere else. ❜ ❨1231❩ ❛ I was despicable and brutal, and turpid, and everything, mais je t’aimais, je t’aimais! ❜ ❨1232❩ ❛ Years of secret suffering has taught me superhuman self-control. ❜ ❨1233❩ ❛ Solitude is corrupting me. I need company and care. ❜ ❨1234❩ ❛ I've missed you terribly. ❜ ❨1235❩ ❛ I've been revoltingly unfaithful to you. ❜ ❨1236❩ ❛ It doesn't matter a bit, because you've stopped caring anyway. ❜ ❨1237❩ ❛ What makes you say I've stopped caring for you? ❜ ❨1238❩ ❛ Nowadays you have to be a scientist if you want to be a killer. ❜ ❨1239❩ ❛ The sun climbs high in the sky, then starts down. People come, then go. ❜ ❨1240❩ ❛ Tell me, have you ever thought of killing me? ❜ ❨1241❩ ❛ I can not believe you are the same human being. ❜ ❨1242❩ ❛ Just how urgent is it? ❜ ❨1243❩ ❛ It is time for you to be going. ❜ ❨1244❩ ❛ How is it you know something like that? ❜ ❨1245❩ ❛ I don’t mind. Your mess is my mess. ❜ ❨1246❩ ❛ Everybody has one thing they do not want to lose. ❜ ❨1247❩ ❛ I’ll be late tonight, so don’t wait up for me. ❜ ❨1248❩ ❛ Nothing I’ve tried to do by myself has ever come off. ❜ ❨1249❩ ❛ I am not catching you in the middle of anything important, am I? ❜ ❨1250❩ ❛ Some things are forgotten, some things disappear, some things die. ❜ ❨1251❩ ❛ My biggest fault is that the faults I was born with grow bigger each year. ❜ ❨1252❩ ❛ To get irritated is to lose our way in life. ❜ ❨1253❩ ❛ A friend to kill time is a friend sublime. ❜ ❨1254❩ ❛ I don't really know if it's the right thing to do. ❜ ❨1255❩ ❛ Faster cars and more cats run over? Who needs it? ❜ ❨1256❩ ❛ Most of everything you think you know about me is nothing more than memories. ❜ ❨1257❩ ❛ Your fate is and will always be the fate of a dreamer. ❜ ❨1258❩ ❛ You’re loads better than you think you are. ❜ ❨1259❩ ❛ You’re only half-living, the other half is still untapped somewhere. ❜ ❨1260❩ ❛ The song is over. But the melody lingers on. ❜ ❨1261❩ ❛ You are extraordinary. ❜ ❨1262❩ ❛ We tend to fool ourselves into thinking that time is our size, but it really goes on and on. ❜ ❨1263❩ ❛ It could be five years or ten years or one month. It's all the same. ❜ ❨1264❩ ❛ I’m forever realising things too late. ❜ ❨1265❩ ❛ I’m not complaining when I say my life is boring. ❜ ❨1266❩ ❛ Weakness is something that rots in the body. ❜ ❨1267❩ ❛ Coming from your mouth, it has the ring of truth, but I doubt anyone would believe me if I told them. ❜ ❨1268❩ ❛ You can't expect something unreal to last anyway, can you? ❜ ❨1269❩ ❛ A wise man does not step betwixt the beast and his meat. ❜ ❨1270❩ ❛ So, kill me. Tell the others I attacked you so you killed me. ❜ ❨1271❩ ❛ Should never have come here. ❜ ❨1272❩ ❛ Hard to guess my tastes. ❜ ❨1273❩ ❛ Can’t it wait until the morning? ❜ ❨1274❩ ❛ You’ll find temper tantrums won’t help you here. ❜ ❨1275❩ ❛ It must have taken courage to return. ❜ ❨1276❩ ❛ It all sounds grimly dystopian. ❜ ❨1277❩ ❛ I am not afraid of you! ❜ ❨1278❩ ❛ All this could be avoided! ❜ ❨1279❩ ❛ You consider me a murderer? ❜ ❨1280❩ ❛ Gross way to die. ❜ ❨1281❩ ❛ What sparks wars? The will to power, the backbone of human nature. ❜ ❨1282❩ ❛ My life amounts to no more than one drop in a limitless ocean. Yet what is any ocean, but a multitude of drops? ❜ ❨1283❩ ❛ Our lives are not our own. We are bound to others. ❜ ❨1284❩ ❛ I believe there is another world waiting for us. A better world. And I'll be waiting for you there. ❜ ❨1285❩ ❛ You are allowed to feel messed up and inside out. It doesn't mean you're defective - it just means you're human. ❜ ❨1286❩ ❛ Power, time, gravity, love. The forces that really kick ass are all invisible. ❜ ❨1287❩ ❛ Unlimited power in the hands of limited people always leads to cruelty. ❜ ❨1288❩ ❛ Truth is singular. Its 'versions' are mistruths. ❜ ❨1289❩ ❛ Dreams are all I have ever truly owned. ❜ ❨1290❩ ❛ Your version of the truth is the only thing that matters. ❜ ❨1291❩ ❛ I believe death is only a door. One closes, and another opens. ❜ ❨1292❩ ❛ By each crime and every kindness, we birth our future. ❜ ❨1293❩ ❛ The healthy can't understand the emptied, the broken. ❜ ❨1294❩ ❛ Lying's wrong, but when the world spins backwards, a small wrong may be a big right. ❜ ❨1295❩ ❛ The weak are meat the strong do eat. ❜ ❨1296❩ ❛ Do whatever you can't not do. ❜ ❨1297❩ ❛ What precipitates outcomes? Vicious acts & virtuous acts. ❜ ❨1298❩ ❛ I remain thankful to God for all his mercies. ❜ ❨1299❩ ❛ You can maintain power over people, as long as you give them something. Rob a man of everything, and that man will no longer be in your power. ❜ ❨1300❩ ❛ Power. The ability to determine another man's luck. ❜ ❨1301❩ ❛ Pain is strong, aye - but friends' eyes, more strong. ❜ ❨1302❩ ❛ Perhaps those deprived of beauty perceive it most instinctively. ❜ ❨1303❩ ❛ Why ask a question whose answer would demand ten more questions? ❜ ❨1304❩ ❛ You can’t lie to your soul. ❜ ❨1305❩ ❛ Why would I want to do a thing like that? ❜ ❨1306❩ ❛ We start off with high hopes, then we bottle it. ❜ ❨1307❩ ❛ Better to make life as complete and enjoyable an experience as possible, in case death is shite, which I suspect it will be. ❜ ❨1308❩ ❛ I’m not running away, I’m moving on. ❜ ❨1309❩ ❛ The reasons? There are no reasons. ❜ ❨1310❩ ❛ Some people are easier to love when you don’t have to be around them. ❜ ❨1311❩ ❛ Love does not exist. ❜ ❨1312❩ ❛ Fuck that ‘regrets’ bullshit. ❜ ❨1313❩ ❛ How does it make you feel? ❜ ❨1314❩ ❛ It’s horrible how we always die alone, but no worse than living alone. ❜ ❨1315❩ ❛ Choose us. Choose life. ❜ ❨1316❩ ❛ You fucking knew that fucking cunt would fuck some cunt. ❜ ❨1317❩ ❛ I’m more of a warrior than you’ll ever be. �� ❨1318❩ ❛ What does that make us? The lowest of the low, the scum of the earth. ❜ ❨1319❩ ❛ You don’t have to run away.  ❜ ❨1320❩ ❛ I tried to stop because it was only causing pain. I couldn’t. ❜ ❨1321❩ ❛ I’m not going to get crushed. ❜ ❨1322❩ ❛ I love doubt in a woman. It’s nearly as sexy as determination. ❜ ❨1323❩ ❛ Take your best orgasm, multiply the feeling by twenty. ❜ ❨1324❩ ❛ You’re a mess. ❜ ❨1325❩ ❛ I know that it’s never left you alone. ❜ ❨1326❩ ❛ Are you asking me or telling me? ❜ ❨1327❩ ❛ You just get used to all the shit. ❜ ❨1328❩ ❛ You can’t afford a conscience in this life. ❜ ❨1329❩ ❛ None of us are saints and scapegoats are always handy. ❜ ❨1330❩ ❛ Doing things doesn’t hurt you; you get hurt by avoiding them. ❜ ❨1331❩ ❛ What was that? ❜ ❨1332❩ ❛ Protect me from those who wish to help us. ❜ ❨1333❩ ❛ You can’t love yourself if you want to hurt things like that. ❜ ❨1334❩ ❛ What happens when people open their hearts? ❜ ❨1335❩ ❛ Nobody likes being alone that much. ❜ ❨1336❩ ❛ I don’t go out of my way to make friends, that’s all. It just leads to disappointment.” ❨1337❩ ❛ Don’t feel sorry for yourself. Only assholes do that. ❜ ❨1338❩ ❛ You need to grab whatever chance you have of happiness where you find it, and not worry about other people too much. ❜ ❨1339❩ ❛ I want you always to remember me. ❜ ❨1340❩ ❛ Despite your best efforts, people are going to be hurt when it’s time for them to be hurt. ❜ ❨1341❩ ❛ What stays in your heart will stay; keep them, and what vanishes will vanish. ❜ ❨1342❩ ❛ All I want in this world is you. ❜ ❨1343❩ ❛ I want the two of us to begin everything from the beginning. ❜ ❨1344❩ ❛ No truth can cure the sorrow we feel from losing a loved one. ❜ ❨1345❩ ❛ What a terrible thing it is to wound someone you really care for and to do it so unconsciously. ❜ ❨1346❩ ❛ If you’re in pitch blackness, all you can do is sit tight until your eyes get used to the dark. ❜ ❨1347❩ ❛ I’ve had enough hurt already in my life. More than enough. Now I want to be happy. ❜ ❨1348❩ ❛ People leave strange little memories of themselves behind when they die. ❜ ❨1349❩ ❛ Stop eating yourself up alive. Things will go where they’re supposed to go if you just let them take their natural course. ❜ ❨1350❩ ❛ When your feelings build up and harden and die inside, then you’re in big trouble. ❜ ❨1351❩ ❛ When you fall in love, the natural thing to do is give yourself to it. ❜ ❨1352❩ ❛ If I have left a wound inside you, it is not just your wound but mine as well. ❜ ❨1353❩ ❛ Hey, what is it with you? Why are you so spaced out? You still haven’t answered me. ❜ ❨1354❩ ❛ People are strange when you’re a stranger. ❜ ❨1355❩ ❛ The dead will always be dead, but we have to go on living. ❜ ❨1356❩ ❛ You don’t get it, do you? ❜ ❨1357❩ ❛ I am a flawed human being - a far more flawed human being than you ❨1358❩ realise. ❜ ❨1359❩ ❛ At least let me know whether or not I hurt you. ❜ ❨1360❩ ❛ All of us are imperfect human beings living in an imperfect world. ❜ ❨1361❩ ❛ I’ve never once thought about how I was going to die. ❜ ❨1362❩ ❛ So I’m not crazy after all! ❜ ❨1363❩ ❛ I miss you terribly sometimes, but in general I go on living with all the energy I can muster. ❜ ❨1364❩ ❛ Will you wait for me forever? ❜ ❨1365❩ ❛ I don’t want our relationship to end like this. ❜ ❨1366❩ ❛ When am I going to be able to talk to you? I want you to tell me that much, at least. ❜ ❨1367❩ ❛ It hurts not being able to see you. ❜ ❨1368❩ ❛ I’m not totally mad at you. I’m just sad. ❜ ❨1369❩ ❛ The world is an inherently unfair place. ❜ ❨1370❩ ❛ Life frightens me sometimes. I don’t happen to take that as the premise for everything else though. ❜ ❨1371❩ ❛ I’m a real bargain, don’t you think? If you don’t take me, I’ll end up going somewhere else. ❜ ❨1372❩ ❛ We’re all kind of weird and twisted and drowning. ❜ ❨1373❩ ❛ Don’t you think it would be wonderful to get rid of everything and everybody and just go some place where you don’t know a soul? ❜ ❨1374❩ ❛ You’re not telling me anything I don’t know already. ❜ ❨1375❩ ❛ He who controls the past controls the future. He who controls the present controls the past. ❜ ❨1376❩ ❛ If you want to keep a secret, you must also hide it from yourself. ❜ ❨1377❩ ❛ We shall meet in the place where there is no darkness. ❜ ❨1378❩ ❛ Until they become conscious they will never rebel. ❜ ❨1379❩ ❛ Power is not a means; it is an end. ❜ ❨1380❩ ❛ They are not interested in the good of others; they are interested solely in power, pure power. ❜ ❨1381❩ ❛ Now you begin to understand me. ❜ ❨1382❩ ❛ In the face of pain there are no heroes. ❜ ❨1383❩ ❛ Big Brother is watching you. ❜ ❨1384❩ ❛ Power is tearing human minds to pieces and putting them together again in new shapes of your own choosing. ❜ ❨1385❩ ❛ It’s a beautiful thing, the destruction of words. ❜ ❨1386❩ ❛ The choice for mankind lies between freedom and happiness and for the great bulk of mankind, happiness is better. ❜ ❨1387❩ ❛ Your mind appeals to me. It resembles my own mind. ❜ ❨1388❩ ❛ Reality exists in the human mind, and nowhere else. ❜ ❨1389❩ ❛ We do not merely destroy our enemies; we change them. ❜ ❨1390❩ ❛ How can I help it? How can I help but see what is in front of my eyes? ❜ ❨1391❩ ❛ You must try harder. ❜ ❨1392❩ ❛ Confession is not betrayal. ❜ ❨1393❩ ❛ What you say or do doesn’t matter; only feelings matter. ❜ ❨1394❩ ❛ If they could make me stop loving you —- that would be the real betrayal. ❜ ❨1395❩ ❛ Of pain you can wish only one thing: that it should stop. ❜ ❨1396❩ ❛ To die hating them, that will be freedom. ❜ ❨1397❩ ❛ No one ever seizes power with the intention of relinquishing it. ❜ ❨1398❩ ❛ What can you do against the lunatic who is more intelligent than yourself? ❜ ❨1399❩ ❛ To keep them in control is not difficult. ❜ ❨1400❩ ❛ So long as they are not permitted to have standards of comparison, they never even become aware that they are oppressed. ❜ ❨1401❩ ❛ The consequences of every act are included in the act itself. ❜ ❨1402❩ ❛ The essential act of war is destruction, not necessarily of human lives, but of the products of human labour. ❜ ❨1403❩ ❛ Stupidity is as necessary as intelligence, and as difficult to attain. ❜ ❨1404❩ ❛ I hate purity, I hate goodness! I don’t want virtue to exist anywhere. I want everyone to be corrupt to the bones. ❜ ❨1405❩ ❛ The past is dead, the future is unimaginable. ❜ ❨1406❩ ❛ You know the answer already. Everyone knows it. ❜ ❨1407❩ ❛ You don’t give a damn what they suffer. All you care is yourself. ❜ ❨1408❩ ❛ It is not easy to become sane. ❜ ❨1409❩ ❛ No emotion is pure anymore, because everything is mixed up with fear and hatred. ❜ ❨1410❩ ❛ They say that time heals all things —- they say you can always forget. ❜ ❨1411❩ ❛ The object of waging a war is always to be in a better position in which to wage another war. ❜ ❨1412❩ ❛ I sold you and you sold me. ❜ ❨1413❩ ❛ You do not exist. ❜ ❨1414❩ ❛ How does one man assert his power over another? By making him suffer. ❜ ❨1415❩ ❛ Obedience is not enough. Unless he is suffering, how can you be sure that he is obeying your will and not his own? ❜ ❨1416❩ ❛ Everything else we shall destroy – everything. ❜ ❨1417❩ ❛ Two and two makes five. ❜ ❨1418❩ ❛ Facts, at any rate, can not be kept hidden. ❜ ❨1419❩ ❛ The past is whatever the records and the memories agree upon. ❜ ❨1420❩ ❛ So long as human beings stay human, death and life are the same thing. ❜ ❨1421❩ ❛ If both the past and the external world exist only in the mind, and if the mind itself is controllable—what then? ❜ ❨1422❩ ❛ The lie became the truth. ❜ ❨1423❩ ❛ It is like swimming against a current that sweeps you backwards however hard you struggle. ❜ ❨1424❩ ❛ Turn round and go with the current instead of opposing it. ❜ ❨1425❩ ❛ It’s only after we’ve lost everything that we’re free to do anything. ❜ ❨1426❩ ❛ I don’t want to die without any scars. ❜ ❨1427❩ ❛ This is your life and it’s ending one moment at a time. ❜ ❨1428❩ ❛ You know how they say you only hurt the ones you love? Well, it works both ways. ❜ ❨1429❩ ❛ You are not your job, you’re not how much money you have in the bank. You are not the car you drive. You’re not the contents of your wallet. ❜ ❨1430❩ ❛ You are not special. ❜ ❨1431❩ ❛ You’re not a beautiful and unique snowflake. You’re the same decaying organic matter as everything else. ❜ ❨1432❩ ❛ The things you used to own, now they own you. ❜ ❨1433❩ ❛ Today is the sort of day where the sun only comes up to humiliate you. ❜ ❨1434❩ ❛ Maybe we have to break everything to make something better out of ourselves. ❜ ❨1435❩ ❛ Only after disaster can we be resurrected. ❜ ❨1436❩ ❛ Everything is evolving, everything is falling apart. ❜ ❨1437❩ ❛ We’ve all been raised believe that one day we’d all be millionaires, and movie gods, and rock stars. But we won’t. ❜ ❨1438❩ ❛ Don’t you have other things to do? ❜ ❨1439❩ ❛ Prove you’re alive. If you don’t claim your humanity you will become a statistic. ❜ ❨1440❩ ❛ You have been warned. ❜ ❨1441❩ ❛ If you don’t know what you want, you end up with a lot you don’t. ❜ ❨1442❩ ❛ It’s not love or anything, but I think I like you, too. ❜ ❨1443❩ ❛ If I could wake up in a different place, at a different time, could I wake up as a different person? ❜ ❨1444❩ ❛ Why did I cause so much pain? ❜ ❨1445❩ ❛ The lower you fall, the higher you’ll fly. ❜ ❨1446❩ ❛ Maybe self-improvement isn’t the answer, maybe self-destruction is the answer. ❜ ❨1447❩ ❛ May I never be complete. May I never be content. May I never be perfect. ❜ ❨1448❩ ❛ Everyone smiles with that invisible gun to their head. ❜ ❨1449❩ ❛ We are not special. We are not crap or trash, either. We just are. We just are, and what happens just happens. ❜ ❨1450❩ ❛ The girl is infectious human waste. ❜ ❨1451❩ ❛ I want to destroy everything beautiful I’ll never have. ❜ ❨1452❩ ❛ On a long enough time line, the survival rate for everyone drops to zero. ❜ ❨1453❩ ❛ If you could be either God’s worst enemy or nothing, which would you choose? ❜ ❨1454❩ ❛ It is like you’re never really awake; but you’re never really asleep. ❜ ❨1455❩ ❛ Worker bees can leave. Even drones can fly away. The Queen is their slave. ❜ ❨1456❩ ❛ A moment is the most you could ever expect from perfection. ❜ ❨1457❩ ❛ The people you’re trying to step on, we’re everyone you depend on. ❜ ❨1458❩ ❛ You have to give up! ❜ ❨1459❩ ❛ Reject the basic assumptions of civilisation, especially the importance of material possessions. ❜ ❨1460❩ ❛ Without pain, without sacrifice we would have nothing. ❜ ❨1461❩ ❛ You have to realise that someday you will die, Until you know that, you are useless. ❜ ❨1462❩ ❛ A tiger can smile. A snake will say it loves you. ❜ ❨1463❩ ❛ Lies make us evil. ❜ ❨1464❩ ❛ If you died right now, how would you feel about your life? ❜ ❨1465❩ ❛ You always kill the one you love. ❜ ❨1466❩ ❛ Maybe we should always assume the worst. ❜ ❨1467❩ ❛ Put a gun to my head and paint the wall with my brains. ❜ ❨1468❩ ❛ Which is worse? Hell or nothing? ❜ ❨1469❩ ❛ A minute of perfection is worth the effort. ❜ ❨1470❩ ❛ You’re going to die, tonight. You might die in one second or in one hour, you decide. ❜ ❨1471❩ ❛ Lie to me. Tell me the first thing off the top of your head. Make something up. ❜ ❨1472❩ ❛ I don’t give a shit. I have a gun. ❜ ❨1473❩ ❛ I know who you are. I know where you live. ❜ ❨1474❩ ❛ Tomorrow will be the most beautiful day of your life. ❜ ❨1475❩ ❛ My philosophy of life is that I can die at any moment. And the tragedy of my life is that I do not. ❜ ❨1476❩ ❛ Everything is so far away, a copy of a copy of a copy. You can’t touch anything and nothing can touch you. ❜ ❨1477❩ ❛ There are a lot of things we don’t want to know about the people we love. ❜ ❨1478❩ ❛ We just had a near-life experience. ❜ ❨1479❩ ❛ If people think you are dying, they give you their full attention. They listen instead of just waiting for their turn to speak. ❜ ❨1480❩ ❛ I am nothing, and not even that. ❜ ❨1481❩ ❛ This isn’t really death. —- We’ll be legends. We won’t grow old. ❜ ❨1482❩ ❛ Stop trying to control everything and just let go. Let go. ❜ ❨1483❩ ❛ The amazing miracle of death, when one second you’re walking and talking, and the next second you’re an object. ❜ ❨1484❩ ❛ Only if we’re caught and punished can we be saved. ❜ ❨1485❩ ❛ I never thought about how important the sky was until I didn't have one. ❜ ❨1486❩ ❛ Dreams are like that: they go in and out of memories and scenes, but they're never real. They're never real, and I hate them because they aren't. ❜ ❨1487❩ ❛ Power isn’t control at all — power is strength, and giving that strength to others. ❜ ❨1488❩ ❛ A leader isn’t someone who forces others to make him stronger. ❜ ❨1489❩ ❛ A leader is someone willing to give his strength to others that they may have the strength to stand on their own. ❜ ❨1490❩ ❛ In the end, we are alone. ❜ ❨1491❩ ❛ It is like a piece of my soul is lost, empty. ❜ ❨1492❩ ❛ If my life on Earth must end, let it end with a promise. Let it end with hope. ❜ ❨1493❩ ❛ Sorry? Sorry isn't enough. ❜ ❨1494❩ ❛ Every single thing I ever loved is beyond my reach now. Everything I ever wanted. Everything I ever was. ❜ ❨1495❩ ❛ Will you stay with me? ❜ ❨1496❩ ❛ A leader doesn't make pawns - he makes people. ❜ ❨1497❩ ❛ Do you hear that? The pulse of life from your heart, the slow in-and-out from your lungs? Even when you are silent, even when you block out all noise, your body is still a cacophony of life. Mine is not. ❜ ❨1498❩ ❛ It is the silence that drives me mad. The silence that drives the nightmares to me. ❜ ❨1499❩ ❛ There is nothing between us but rain. There is nothing between us at all. ❜ ❨1500❩ ❛ I like a little chaos. ❜

[myopinionhi]

A Will Solace Character Analysis: the Underappreciated Soft Side

I've noticed many fanfictions have Will Solace OOC. So I’ve been thinking about aspects of Will’s personality fans seem to either gloss over or exaggerate. Here, this post is me doing an in-depth analysis explaining Will Solace’s canon personality in the books, and how it can sometimes differ from fanfictions. Sprinkled in this analysis are tips to fanfiction writers on how they write Will as more in-character.

There is one major aspect of Will that people seem to ignore or underemphasize. Nico best explains it when describing Will in this quote

Jason was a fighter. You could tell from the intensity of his stare, his constant alertness, the coiled-up energy in his frame. Will Solace was more like a lanky cat stretched out in sunshine. His movements were relaxed and nonthreatening, his gaze soft and far away. In his faded SURF BARBADOS T-shirt, his cutoff shorts and flip-flops, he looked about as aggressive as a demigod could get, but Nico knew he was brave under fire. During the Battle of Manhattan, Nico had seen him in action - the camp's best combat medic, risking his life to save wounded campers.

To sum it up, Will Solace is a very chill and calm character. A lot of writers make Will more irrational, impulsive, overbearing, and emotional than he actually is. Will is not the type of character to create drama unless he's, as Nico puts it, "under fire." In other words, the intense side of his personality doesn't come out unless the situation is urgent or dire.

Fans remember during the Second Giant War how he gets angry and argues with Nico over Nico's health and shadow-traveling, so many assume Will is going to be this fiery over a lot of other things regarding their relationship. For example, fanfic writers may make Will controlling or overly sensitive with Nico. However, keep in mind, Will gets heated with Nico during the Second Giant War because Nico's shadow-traveling is killing him. This is how Will describes Nico's dire state.

"Coach Hedge told me all about your shadow-travel. You can’t try that again."

"I just did try it again, Solace. I’m fine."

"No, you’re not. I’m a healer. I could feel the darkness in your hand as soon as I touched it. Even if you made it to that tent, you’d be in no shape to fight. But you wouldn’t make it. One more slip, and you won’t come back. You are not shadow-travelling. Doctor’s orders."

Will is a healer. When he touches Nico's hand, he can sense how little sleep and food Nico has been getting and how Nico's being taken over by darkness. Nico is on the verge of death and hasn't cared about his health for a long time. Nico is also stubborn about it, so Will has to be aggressive in order to save Nico's life. This aggressive behavior is not the norm for Will, but it can sometimes come out when he has to assert control in a life-or-death situation.

Will is a calming prescence. He's a diplomat. He stops violence on multiple occassions.

He's one of the few people who's able to calm Clarisse's violent rage, and he does so in a gentle manner.

Clarisse pointed her dagger at Rachel. "What about their allies, huh? Did you see that tribe of two-headed men that arrived yesterday? Or the glowing red dog-headed guys with the big poleaxes? They look pretty barbaric to me. It would’ve been nice if you’d foreseen any of that, if your Oracle power didn’t break down when we needed it most!"

Rachel’s face turned as red as her hair. "That’s hardly my fault. Something is wrong with Apollo’s gifts of prophecy. If I knew how to fix it –"

"She’s right." Will Solace, head counsellor for the Apollo cabin, put his hand gently on Clarisse’s wrist. Not many campers could’ve done that without getting stabbed, but Will had a way of defusing people’s anger. He got her to lower her dagger. "Everyone in our cabin has been affected. It’s not just Rachel."

One of the most underrated Will Solace moments is when he stops a bloody battle from happening between Camp Half-Blood and Camp Jupiter.  

But he knew it wouldn’t do any good. After weeks of waiting, agonizing and steaming, the Greeks and Romans wanted blood. Trying to stop the battle now would be like trying to push back a flood after the dam broke.

Will Solace saved the day.

He put his fingers in his mouth and did a taxicab whistle even more horrible than the last. Several Greeks dropped their swords. A ripple went through the Roman line like the entire First Cohort was shuddering.

"DON’T BE STUPID!" Will yelled. "LOOK!"

People are so used to seeing demigods, especially male demigods, being aggressive fighters that they can't wrap their heads around a brave and strong demigod who actively tries to avoid unnecessary conflict and destruction as much as he can.

And that's Will Solace's strength: he has the ability to prevent as much harm as possible.

Will is a difficult character to write. There's a lot of dueling factors with his personality. He's calm and pacifying while also being brave and assertive. He's fun and lighthearted while also being intelligent, logical, and grounded. He's laidback while also being responsible and hardworking. He's insecure but not melodramatic. He's very caring and protective but not pushy.

Will's personality confuses Nico sometimes too.

He’d always thought of Will as easygoing and laid back. Apparently he could also be stubborn and aggravating.

The trick to writing Will is to keep in mind his default personality is a soft and lighthearted character. Writers tend to overemphasize the hard side of his personality when his default personality is actually the soft side.

Think of the relaxing, lanky cat metaphor Nico uses for him. He and Nico bicker often, and it works for Will because he rolls with everything and doesn't take things too seriously. He's able to alleviate Nico's moodiness with humor, wittiness, groundedness, and patience. Nico affectionately calls Will a "dork" because Will usually keeps things light. Interestingly enough, he's able to be lighthearted without coming across as insensitive or an airheaded goofball, the latter of which is something Nico dislikes about Percy's personality. On a related sidenote, another way writers make Will OOC is they make him too dumb or too immature. I know I mentioned to focus on Will's soft side, but be careful to avoid that too. He's a SENSIBLE, lanky cat.

The way Will keeps his composure during a stressful situation by using laughter while still being mature is expressed well in this exchange with Apollo. (Yes, Will has a lot to manage.)

It was difficult to think of this young man as my son. He was so poised, so unassuming, so free of acne. He also didn’t appear to be awestruck in my presence. In fact, the corner of his mouth had started twitching.

“Are—are you amused?” I demanded.

Will shrugged. “Well, it’s either find this funny or freak out. My dad, the god Apollo, is a fifteen-year-old—”

“Sixteen,” I corrected. “Let’s go with sixteen.”

“A sixteen-year-old mortal, lying in a cot in my cabin, and with all my healing arts—which I got from you—I still can’t figure out how to fix you.”

“There is no fixing this,” I said miserably. “I am cast out of Olympus. My fate is tied to a girl named Meg. It could not be worse!”

Will laughed, which I thought took a great deal of gall. “Meg seems cool. She’s already poked Connor Stoll in the eyes and kicked Sherman Yang in the crotch.”

The fiercer side of Will's personality comes out only when the situation calls for it; this happens sometimes when he has to be a caring family member, a responsible healer, or a warrior in a dire situation. Even when he gets more forceful, he doesn't get more forceful than he has to.

Since Will has such a balanced and lighthearted personality, what are his flaws? What are the dark sides of his personality? There are four main things that stick out.

1. He's insecure about his self-perceived lack of abilities.

"I agree," Will said. "I wish I was a better archer … I wouldn’t mind shooting my Roman relative off his high horse. Actually, I wish I could use any of my father’s gifts to stop this war." He looked down at his own hands with distaste. "Unfortunately, I’m just a healer."

2. He sometimes struggles to endure the heavy responsibilities he has as a healer and as a protector to his family.

“I got it reattached,” Will told me, his voice shaky with exhaustion. His scrubs were speckled with blood. “I need somebody to keep him stable.”

I pointed to the woods. “But—”

“I know!” Will snapped. “Don’t you think I want to be out there searching too? We’re shorthanded for healers. There’s some salve and nectar in that pack. Go!”

I was stunned by his tone. I realized he was just as concerned about Kayla and Austin as I was. The only difference: Will knew his duty. He had to heal the injured first. And he needed my help.

3. He forces himself to bottle his emotions to keep his composure.

Will laughed under his breath. “I’m terrified. But one thing you learn as head counselor: you have to keep it together for everyone else. Let’s get you on your feet."

Here's a second example.

I rested my hand on Will’s shoulder. “Don’t worry. We’ll be back by dawn.”

His mouth trembled ever so slightly. “How can you be sure?”

4. He constantly worries about his loved ones.

Nico rested his hand on Will’s shoulder. “Apollo, we were worried. Will was especially.”

In conclusion, Will Solace's personality is difficult to get correct. But don't worry, if you write Will as a laidback, witty cat in your fanfics, I guarantee he'll be more in-character than many other fanfics with Will Solace.

(Note: I am only human. If you believe I'm misinterpreting some aspects of Will's personality, feel free to express it. What I say isn't 100 percent the right interpretation.)

[aboveallarescuer]

#that happens even when the person isnt trying to argue that shes a mad queen/villain but that she has both 'good' and 'evil' in her#and is meant to fail#(e.g. that meta about how dany is a tragic shakespearean hero; which annoys me more bc it sounds convincing when you don't remember what#happened in the books very well...

Can you talk more about your problems with that essay? I thought that it sounded plausible... I don't want those things to happen to Daenerys, but I don't trust GRRM either.

Anon, thank you for this ask and sorry for the delayed answer. I was already planning to write several posts as a response to the arguments of “Daughter of Death: A Song of Ice and Fire’s Shakespearean Tragic Hero” (which you can read here), but I couldn't find the time or motivation for that lately, so thanks for giving me the opportunity to counter-argue it in a single answer. I tried to be brief by summarizing some of my notes and by linking to a lot of metas instead of repeating all of their points, but the response unfortunately ended up becoming long anyway.

In the context of that essay, Dany is considered a Shakespearean tragic hero because the writer thinks she fits five requirements: 1) Dany’s chapters contain supposedly deliberate references to Shakespearean plays; 2) Dany is “torn by an internal struggle”, namely peace versus violence or companionship versus rulership or home versus the Iron Throne, all of which also drive the external conflicts. Choosing the second options will lead to her demise; 3) prophecies and “influential accidents” - that is, events that “have roots in a character’s motivation”, as well as “the sense of ‘if only this had not happened’” - will “heighten and exaggerate [tragic flaws that] already [exist]” in Dany; 4) Dany will (according to the essayist’s speculations) take actions that produce “exceptional calamity” and her demise will be “her own choice and doing”; 5) Dany “[rose] high in position” and is “an exceptional being”, which sets her apart as a character that fits the mold of the Shakespearean tragedy because her reversal of fortune will highlight “the greatness and piteousness of humanity”.

I would argue that the points that the essayist made to justify how Dany supposedly fits these five requirements are all very skewed.

1) When it comes to requirement 1 (Dany’s chapters contain supposedly deliberate references to Shakespearean plays), the essayist is conveniently cherry-picking (as they often do throughout the meta). Bran Stark wants a dreamless sleep just like Dany: “Sweet, dreamless sleep, Bran thought.” (ACOK Bran I); “That night Bran prayed to his father’s gods for dreamless sleep.” (ACOK Bran II). Indeed, @marinabridgerton argues that that’s most likely tied to the fact that they’re the two characters most heavily associated with prophecies. Even Sansa is said to have a dreamless sleep: “Sometimes her sleep was leaden and dreamless, and she woke from it more tired than when she had closed her eyes” (AGOT Sansa VI). And yet, where are the essays about how these quotes are teaching the readership to interpret Bran’s and Sansa’s characters, storylines and trajectories based on Shakespearean tragedies?

2) When it comes to requirement 2 (Dany is “torn by an internal struggle”, namely peace versus violence or companionship versus rulership or home versus the Iron Throne, all of which also drive the external conflicts. Choosing the second options will lead to her demise), the essayist is right to point out that those dilemmas exist. However, they portray Dany’s struggles in a way that makes it seem that 1) there are “good” options (peace/companionship/home) and “bad” options (violence/rulership/Iron Throne) for Dany to take and that 2) choosing the latter ones will lead to Dany’s downfall. There is a lot to question about these assumptions.

2.1) When it comes to Dany’s conflict between peace versus violence, the essayist takes everything that Adam Feldman’s series of essays “Untangling the Meereenese Knot” says for granted when it shouldn’t be. I’m not going to delve into all the problems/inaccuracies/double standards with those essays. For our purposes here, it’s enough to say that they: 1) dichotomize Dany’s identity into mhysa and mother of dragons to argue that the former represents her desire for peace and the latter her violent impulses; 2) assert that the peace was real; 3) conclude that, by rejecting the peace, the Dany of ASOS is gone and from now on she’s going to be a very different person because she will have chosen to follow her violent impulses.

As already argued before, though, 1) Dany’s character can’t be dichotomized in that way because these facets - mhysa and mother of dragons - actually complement each other (as @yendany made clear in her most recent meta). Because Dany was the mother of dragons, she was able to act as mhysa way before she was hailed as such, which we see, for instance, when she kills the Astapori slave masters to free the Unsullied. Both of these identities manifest Dany’s fierceness when faced with great injustices. This is why, in ADWD, locking her dragon children prevented Dany from properly defending her human children… She needs to integrate both parts of her identity to be able to protect them. But Feldman couldn’t recognize that because 2) he accepts the peace deal that Dany made with the slavers as valid. Doing so would mean, however, ignoring the re-enslavement and suffering of thousands of marginalized people, which GRRM continually emphasizes in Dany's and Tyrion’s final ADWD chapters (read more about this here and here) to hammer home that the peace is false for prioritizing the slavers over them. Finally, 3) Dany is not a violent person nor does she have violent impulses. Feldman decontextualized the moments in which Dany uses violence from the standards of her time and place (read more about this here and here and here and here) to portray them in a more negative light than how they are actually meant to be viewed. Additionally, he conveniently left out all the moments in which Dany chooses to be merciful, from when she spares Yunkai and most of the Meereenese slavers (she didn’t do the same in Astapor because she was outnumbered and needed to protect her retinue) to when she doesn’t punish people who threaten or disrespect her to her face (such an envoy who spits at her face, a boy who tries to attack her, Xaro after he says he wishes he’d killed her), to give a few examples (read more about this in @rainhadaenerys's comprehensive meta). I would argue that Dany’s conflict is less about peace versus violence and more accurately about her tendency to be merciful versus her desire for justice (which, especially in the particular context she finds herself in, is unattainable without violence). In fact, I would go further and say that it’s distasteful to characterize Dany as someone “violent” or with “violent impulses” when, so far, she’s only used violence to a) defend and protect victims of (physical and systemic) violence and/or b) in circumstances in which her actions are no more problematic than those of any other leader of her world. And yet, the essayist portrays them as if they were (“To choose indiscriminate destruction over peace tends toward the evil”).

It’s also convenient that the essayist only talks about fire negatively (“Dany wields unmatched power that can “make or unmake at a word”—Dracarys—villages, armies and kingdoms”, “in the words of Maester Aemon, “Fire consumes.””) when it's also connected to life, rebirth, healing and enlightenment. And dracarys in particular is explicitly associated with freedom by the narrative while Dany frees the Unsullied (her decision, in turn, is associated with her future actions in the War for the Dawn). But acknowledging these things would make it harder to portray Dany as a Shakespearean tragic hero.

2.2) When it comes to Dany’s conflict between companionship and rulership … Again, the dilemma exists, but not in the way that the essayist presents it. What I mean is that they go out of their way to make it seem that Dany’s loneliness was the main factor driving her decisions, such as the liberation of the Unsullied (“She feels for the forced loneliness of the Unsullied, and it is loneliness that convinces her to commit violence in the plaza to free the slaves—just as it is in loneliness she chooses violence amidst the Dothraki Sea.”)... And not, y’know, her compassion and sense of justice (“Why do the gods make kings and queens, if not to protect the ones who can’t protect themselves?”), which are rarely acknowledged in this essay even though it’s arguably the main aspect of Dany's characterization. Why does the essayist do that? Because, since they are arguing that Dany is a tragic hero, they need to present Dany’s loneliness both as the reason why she achieved greatness and as the reason that will lead to her demise when she (supposedly) starts distrusting people, closing herself off and choosing violence (“the moral conviction she feels for her abolitionist crusade is part of the greatness that is also her tragic trait [...] She feels for the forced loneliness of the Unsullied, and it is loneliness that convinces her to commit violence in the plaza to free the slaves—just as it is in loneliness she chooses violence amidst the Dothraki Sea.”). As I said, however, doing so requires downplaying Dany’s compassion, as well as ignoring the fact that she does not close herself off to people in ADWD, nor is there any sign that this was seeded as a serious issue for her in future books (especially considering that her governance is meant to be contrasted with Cersei, the character who actually does close herself off to people. But more on that below when I talk about why Dany doesn’t fit the essayist’s third requirement).

Also, singling out rulership in particular as a reason for Dany to feel alone is conveniently selective (“Returning to Westeros means ruling Westeros - and ruling means loneliness”). All the major characters have reasons to feel lonely and isolated in their society because GRRM chose to focus on the underdogs. Their social standings are already enough to make all of them feel alone. As he said, “Tyrion of course is a dwarf which has its own challenges. Dany is an exile, powerless, penniless, at the mercy of other people, and Jon is a bastard”. You can also throw in Arya for being a young girl struggling to adhere to gender norms and Bran for being a disabled child. And that is just one example… There are a myriad of reasons and situations for various characters to feel lonely and isolated, but the essayist specifically chose to talk about how rulership causes that for Dany. And, considering that the essayist thinks that Dany’s rulership -> growing isolation and loneliness -> her ultimate downfall, it really feels like they’re punishing Dany narratively for acquiring and wielding power. Which leads me to the next point...

2.3) When it comes to Dany’s conflict between home and the Iron Throne, I would argue that that’s not really a conflict. Dany (like any feudal leader) believes she needs to retake the Iron Throne to stay in her homeland just like the Starks believe they need to retake Winterfell to stay in their homeland. Whether Dany finds herself at home in Westeros or not is irrelevant to that fact. And yet, the essayist only presents the former as being in the wrong for fighting for her birthright. However, as it's been already explained before, the Starks’ claim to the North isn’t morally righteous. They only have dominance over the North because, for thousands of years, their ancestors fought against, drove away and killed most of its indigenous population (the Children of the Forest), as well as multiple families who were also vying for control over the region. With that in mind, Dany fighting for her birthright isn’t any more problematic than the Starks enjoying the lands and privileges obtained with conquest and bloodshed, as well as the labor of peasants. One could argue that GRRM may have a double standard against Dany in this case (though it's been argued before that he doesn't intend to present the Iron Throne as a source of greed and evil like how fandom presents it) because of the order of the events and depending on whether he holds Dany accountable for more problems for waging her war than the Starks for having done/doing essentially the same thing, but that’s not what the essayist is doing. Instead, they a) take for granted that Dany is doing the wrong thing for fighting for the Iron Throne ("To delay the call of the North and continue to divide an already weakened realm is to give into dark desires.") and b) center all their speculations about her eventual demise based on that belief.

Ultimately, I would argue that none of these three dilemmas - peace versus violence, companionship versus rulership, home versus the Iron Throne - come with easy answers. When it comes to the first conflict, it’s important that Dany prioritizes the lives of the slaves over the privileges of the masters, but that causes more war and bloodshed. When it comes to the second and the third conflicts, it’s worth noting that the first options (which the essayist presents as the “good” ones) are actually the selfish paths for Dany to take. After all, she would rather live a normal life with a husband (companionship) in the house with the red door (home) - “She would rather have drifted in the fragrant pool all day, eating iced fruit off silver trays and dreaming of a house with a red door, but a queen belongs to her people, not to herself”. But, as the quote shows, instead of choosing these selfish goals, Dany accepts the burden of rulership and the fight for the Iron Throne because of her duty towards her people and ancestors. And, while this path leads to war (either in Meereen or in Westeros, though the former is morally righteous and the latter, while not inherently justified, is not any more problematic than Robb fighting for Northern independence), power is also the means through which Dany can make changes that benefit the common people.

With all that said, it’s ironic that Dany fans are often accused of flattening her character or her choices when it’s actually her detractors or “neutrals” (like the essayist) who do so - they are dead set on portraying Dany’s available options as either “good” or “bad” and on speculating that choosing the latter ones will lead to her downfall, but the text actually gives her conflicts in which all the options have their pros and cons.

The essayist also makes a mistake that isn’t really up to interpretation or difference in opinions. They say that, in AGOT Daenerys III, “after admitting this difficult truth [that Viserys will never take back the Seven Kingdoms], Dany assumes the goal for herself (and at the time, her son)”. That is incorrect. In AGOT Daenerys V, moments before Viserys’s death, Dany says she would have allowed him to have the dragon eggs because “he is my brother … and my true king”. Jorah doesn’t think she should still acknowledge him as such, but she tells him that “he is all I have”. So no, Dany hadn’t assumed the goal for herself at that point, she only took over his campaign in her son's name (not hers) after Viserys's death. But the essayist needs to exaggerate Dany's ambition to justify her demise, since they speculate that “in that hurt and betrayal, all that will be left - she will think - is the crown”.

3) When it comes to requirement 3 (prophecies and “influential accidents” - that is, events that “have roots in a character’s motivation”, as well as “the sense of ‘if only this had not happened’” - will “heighten and exaggerate [tragic flaws that] already [exist]” in Dany), the problem is not in cherry-picking or in double standards against Dany, but rather in the essayist’s lack of knowledge about Dany’s characterization. It’s simply not true that Dany’s distrust of people grows to the point that she closes herself off to them. Instead, I would argue that Dany is actually portrayed as someone with a healthy distrust of people. We know from the books (1, 2, 3, 4) that she finds it unlikely that Barristan, Grey Worm or Missandei would ever betray her, but that she doesn’t think she can rely entirely upon Reznak, the Green Grace, the Shavepate, Hizdahr and Daario. Do Dany’s doubts about these people’s intentions lead her to, as the essayist says, “push people away”? No. Through almost all of ADWD, she (wrongly, though understandably) believes that "until [freedmen and former masters stand together, Meereen will know no peace". Accordingly, Dany is willing to listen to the counsel of all of her advisors (both the ones she trusts and the ones she distrusts) to ensure that she makes informed decisions. To give some examples:

Dany allows “well spoken and gently born” people (i.e., not the typical condition of most former slaves, who are glad that Dany freed them) to sell themselves into slavery and imposes a tax each time men chose to do so like how it happened in Astapor (ASOS Daenerys VI). By making this decision, she agreed with both Missandei and Daario.

Dany employs the Unsullied to ask the Blue Graces if someone showed up with a sword wound and to ask butchers and herdsmen who’s been gelding goats (ADWD Daenerys I). By making this decision, she disagreed with Barristan.

Dany chooses not to punish any noble in response to the murder of Stalwart Shield and only increases the amount of gold for whoever gives information about the Sons of the Harpy (ADWD Daenerys I). By making this decision, she agreed with Reznak and disagreed with the Shavepate.

Dany gives up on banning the tokar and wears it herself (ADWD Daenerys I). By making this decision, she agreed with the Green Grace.

Dany (rightly) refuses to reopen the fighting pits for a while until she later relents in the name of the peace with the Meereenese nobles (ADWD Daenerys I, II, III, VI). By making this decision, she disagreed with Hizdahr, Reznak, the Green Grace and the Shavepate and agreed with Missandei.

Dany delays the choice of a husband until it becomes necessary later (ADWD Daenerys I). By making this decision, she disagreed with Reznak, the Shavepate and the Green Grace.

Dany chooses to pay the shepherds for the animals that they say their dragons ate (ADWD Daenerys I). By making this decision, she disagreed with Reznak.

Dany pays Hazzea’s father the blood price (i.e., one hundred times the worth of a lamb) for her death, lays her bones to rest in the Temple of the Graces and promises to pay for his children each year so they shall not want (ADWD Daenerys II). By making this decision, she disagreed with the Shavepate.

Dany allows the Shavepate to torture the wineseller and his daughters for information about the Sons (ADWD Daenerys II). By making this decision, she agreed with the Shavepate.

Dany imposes a blood tax on the noble families to pay for a new watch led by the Shavepate, takes the gold and the stores of food of any nobleman who wishes to leave the city and keeps two children from each pyramid as hostages instead of letting the nobles go unpunished after nine freedmen were killed by the Sons (ADWD Daenerys II). By making this decision, she agreed with the Shavepate and disagreed with Reznak.

Dany has Barristan and Groleo and his captains and sailors to inspect Xaro’s ships (ADWD Daenerys III). By making this decision, she agreed with Barristan.

Dany chooses not to go to Westeros despite being offered ships to do so (ADWD Daenerys III). By making this decision, she disagreed with Barristan.

Dany doesn’t kill her child hostages despite the Sons’ ongoing attacks (ADWD Daenerys IV). By making this decision, she agreed with the Green Grace and disagreed with the Shavepate.

Dany agrees to marry Hizdahr if he’s able to give her ninety days of peace in Meereen (ADWD Daenerys IV). By making this decision, she agreed with Hizdahr, the Green Grace and Reznak and disagreed with the Shavepate, Barristan, Missandei and Daario.

Dany refuses to gather the masters and kill them indiscriminately (ADWD Daenerys IV). By making this decision, she disagreed with Daario.

Dany doesn’t allow the Shavepate to continue his tortures due to their unreliable results (ADWD Daenerys V). By making this decision, she agreed with Hizdahr and disagreed with the Shavepate.

Dany refuses to use her dragons in battle (ADWD Daenerys V). By making this decision, she agreed with Reznak.

Dany decides not to take the field against Yunkai (ADWD Daenerys V). By making this decision, she agreed with the Shavepate and disagreed with Barristan.

Dany brings the food to the Astapori refugees instead of sending someone else to do it (ADWD Daenerys VI). By making this decision, she disagreed with Reznak, the Shavepate and Barristan.

Dany burns the dead among the Astapori refugees, bathes an old man and shames her men into helping her (ADWD Daenerys VI). By making this decision, she disagreed with Barristan.

Dany refuses to allow Hizdahr’s mother and sisters to inspect her womb and to wash Hizdahr’s feet before he washes hers (ADWD Daeneerys VI). By making this decision, she disagreed with the Green Grace and Reznak.

Dany decides to marry Hizdahr by Ghiscari rites and to wear a white tokar fringed with pearls (ADWD Daenerys VI). By making this decision, she agreed with the Green Grace and Reznak.

Dany allows Hizdahr to reopen the fighting pits (ADWD Daenerys VI). By making this decision, she agreed with Hizdahr, the Green Grace and Reznak.

Dany goes along with a peace agreement with the Yunkish slavers in which she’ll let Yunkai and Astapor reinstall slavery if they leave Meereen intact (ADWD Daenerys VI). By making this decision, she agreed with Hizdahr.

Dany holds court in order to, among other reasons, meet the Westerosi men that came over from the Windblown (ADWD Daenerys VII). By making this decision, she agreed with Daario.

Dany doesn’t accept Quentyn’s marriage proposal because she doesn’t want to abandon her people (ADWD Daenerys VII). By making this decision, she disagreed with Barristan.

Dany doesn’t ride a horse in a tokar to meet Hizdahr (ADWD Daenerys VII). By making this decision, she agreed with Missandei.

Dany decides not to sound out the Company of the Cats (even though she wanted to) because Barristan says he's untrustworthy (ADWD Daenerys VIII). By making this decision, she agreed with Barristan.

Dany attends the reopening of the pits (ADWD Daenerys IX). By making this decision, she disagreed with Missandei.

Dany allows the Brazen Beasts to guard her because she wants to show that she trusts them so that her people can trust them as well (ADWD Daenerys IX). By making this decision, she disagreed with Barristan.

Dany prevents Tyrion and Penny from fighting against lions with wooden swords. By making this decision, she disagreed with Hizdahr.

I didn’t include all of Dany’s decisions because she makes many of them on her own and/or without someone explicitly supporting them or opposing them (in fact, many of the ones above were made without any advisor giving her their feedback, but I listed them if they’re seen agreeing or disagreeing with her onpage anyway). That being said, note that Reznak is the one that Dany is most suspicious of (because he perfectly fits the description of one of the treasoners), but that five of her decisions follow his recommendations, in contrast to Barristan (the knight who she actually trusts and who keeps all her secrets) only having his advice followed twice. Also note that Dany “trusted Skahaz more than she trusted Hizdahr”, but she agreed with the former three times and disagreed with him eight times, in contrast to having agreed with the latter four times and disagreed with him twice. The list clearly shows that Dany listens to everyone’s feedback (including from people she distrusts), considers it carefully, makes her own decisions and handles dissent extremely well. Her actions reflect her own words (“A queen must listen to all. [...] One voice may speak you false, but in many there is always truth to be found”, “It seems to me that a queen who trusts no one is as foolish as a queen who trusts everyone”).

There is, however, one character who is seen only listening to people who agree with her and who distrusts and closes herself off to almost everyone - Cersei Lannister. And it’s especially worth noting that Cersei is meant to be “directly contrasted” with Dany, that the author was “doing point and counterpoint” with them and that each of them is meant to show “a different approach to how a woman would rule in a male dominated, medieval-inspired fantasy world”. In other words, Dany and Cersei are narrative foils, but Cersei’s traits are being transferred to Dany in this essay.

Also, I could just as easily create an entire narrative about how Sansa will end up closing herself off to people based on what we see on canon. She thought she could trust Joffrey, but she ultimately couldn’t. She thought she could trust Cersei, but she ultimately couldn’t. She trusted Sandor, but he left her. She tried to trust the Tyrells, but they ultimately disposed of her after she was no longer necessary. She tried to rely on Dontos, but he was a disappointment and was ultimately murdered. She doesn’t trust Littlefinger, but she needs to stick to his side because she has no better option. She considered telling the Vale lords her identity, but she doesn’t trust them. All of this feeds into Sansa’s distrust of others and will lead to tragic consequences. Indeed, as Sansa herself says, "In life, the monsters win". I bet that the essayist would find this whole speculation biased considering that they favor Sansa's character. But then, why is only Dany singled out as the one who is going to meet her demise even though it’s made clear that she continues to trust people through and through?

The essayist needs to say that Dany starts distrusting people to an unhealthy degree (“As Dany gains more power, [...] her focus on the treasons causes her to push people away, widening the gap between rulership and companionship”; ”The more power she gains, the greater her isolation and likely her fear of betrayal. The fear of betrayal is, of course, human. But GRRM has stated that he likes to turn dramatic situations up to 11, which is necessary to create the Shakespearean tragic hero. Dany’s fear must be larger than life.”), as well as to judge her campaign to take back the Seven Kingdoms based on double standards (“Dany’s great sin within the story’s moral order will have been focusing on the war for Westeros against Aegon VI before she turns to the enemy of the North”) compared to the Starks. If they didn’t do so, there wouldn’t be a reason to justify Dany’s demise. If they didn’t do so, the entire speculation that she’s a Shakespearean tragic hero falls apart. But saying that something is true doesn’t necessarily make it true, you need to provide the textual evidence (which they barely do … They assume that the reader will take almost everything they say for granted. After all, since there’s a prophecy foretelling that Dany will be betrayed three times, of course she’s going to distrust people way too much from now on).

There’s also another aspect of Dany’s relationship with prophecies that the essayist portrays inaccurately. They say that “the effect of this prophecy on Daenerys is multifaceted” for “[promising] greatness” (which, along with the also inaccurate statement that “part of Dany’s pursuit of the Iron Throne is born from a sense of destiny”, implies that Dany wants to be great or that she thinks of herself as great, none of which are true) and pushing her “further from the people who surround her”. I already questioned the latter statement, and the former is inaccurate too. After all, Dany has doubts that there are men in Westeros waiting for the Targaryens to return. The birth of the dragons has to do with the fact that Dany was able to put two and two together with clues from dragon dreams and Mirri's words, not because she thinks she's exceptional. Dany is not really sure that the red comet was meant for her. She followed its direction because the other paths weren't reliable and, even in Qarth, she's unsure that it was meant to guide her to success. Then she never thinks about it again. I'd expect otherwise from someone who thinks they're exceptional. Dany is surprised when told by Quaithe that she's the reason why magic is increasing in the world and never thinks or brags about it after their interaction. I'd expect otherwise from someone who thinks they're exceptional. Dany doesn't think she won any victories in the House of the Undying, she credits Drogon for burning the Undying Ones. She only allows Jhiqui to add a bell to the end of her braid because "the Dothraki would esteem her all the more for a few bells in her hair". Dany refuses to sit on the throne inside the Great Pyramid's audience chamber and chooses to sit on a simple ebony bench that the Meereenese think does "not befit a queen". Dany refuses the offer to have a statue in her image to replace the bronze harpy in the Plaza of Purification. I'd expect otherwise from someone who thinks they're exceptional. Dany is highly self-critical and, later in ADWD, thinks that she "was as clean as she was ever going to be" after taking a bath because she holds herself accountable for the upcoming slaughter in the opening of the fighting pits. I'd expect different from someone that thinks they're exceptional. Dany doesn’t think that the people who came to the reopening of the pits wanted to see her - “it was my floppy ears they cheered, not me”. I'd expect different from someone that thinks they're exceptional. Most of Dany's titles (the Unburnt, Mother of Dragons, Mhysa, Azor Ahai, etc) are given to her by other people, they're not self-proclaimed (not that there's a problem if they were, I'm only saying it to reiterate that Dany doesn't think she's exceptional). The ones that she assumes on her own are the ones that anyone who believes in birthright (i.e., everyone in her time and place, regardless of family, regardless of whether they're Targaryens) would assume.

4) When it comes to requirement 4 (Dany will (according to the essayist’s speculations) take actions that produce “exceptional calamity” and her demise will be “her own choice and doing”) … Well, we now enter the realm of speculation. It’s not impossible that Dany “will feel like a villain to the Westerosi, as she burns their villages and crops ahead of a hard winter” in the future. The problem here, once again, is in the double standards. Look at the way the essayist describes the likely reascendance of the Starks in the upcoming books - “With the death of “good” characters like Ned, the injury of innocents and moments such as the Red Wedding, ASOIAF as a story is not concerned with justice. But as the story progresses, we see that the way Ned ruled his people and raised his children contrasts with characters like Tywin and his methods. Much of the North seems to continue to rally behind the idea of the Starks, some with less “honorable” methods than others, while Tywin’s legacy begins to fall apart. Like in Shakespeare’s tragic world, there appears to be an order that arcs towards a higher idea of goodness that instills a dramatic satisfaction”. Like I said above when I questioned requirement 2, the Starks’ claim to the North is no more justified than Dany’s to the Seven Kingdoms. They have the advantage of having had their rule normalized throughout the thousands of years they ruled the North, but it doesn’t change the fact that, because they’re feudal lords, they still maintain a system rigged in favor of the nobles that promotes social inequality and extreme lack of social mobility. It doesn’t change the fact that there's no righteous form of feudalism. But only Dany is criticized in that sense by the essayist - “By nature, power breeds inequality, when one party has the ability to decide the fate of another. That inequality creates distance. As a queen Dany wields absolute power over the rest of her subjects and her court”. Which is pretty infuriating not only because the Starks are also morally grey in the sense that the essayist describes, but also because GRRM specifically mentioned that Daenerys is the ruler "who wants equality for everyone, she wants to be at the same level as her people". Additionally, if Ned left a legacy that motivated his people to fight against his enemies, so did Dany with the former slaves. But the essayist needs to ignore all of that to paint Dany as a Shakespearean tragic hero.

Even if we don’t take into account what TWOIAF reveals about the Starks’ ancestors, the main story itself often paints House Stark’s actions in a negative light. We see a peasant spitting at the mention of the Starks and saying that things were better with King Aerys II in power. We're told that Northmen looking for Jaime on Edmure’s orders burned a village called Sallydance and were guilty of rape and murder. It’s no wonder that the High Sparrow mentions the wolves along with the lions as threats to the septas. Also, thousands of soldiers died indirectly because of Robb’s decisions, as well as lots of people who remained north and became vulnerable to raping and pillaging due to his inability to hold Winterfell. And finally, when winter comes, the smallfolk will be affected by the actions of the northmen, who (like Dany might do in the future) already helped to disrupt the harvest and to leave the continent short on food. And yet, why is their future success framed as “an order that arcs towards a higher idea of goodness”? Why is Dany the only one who is said to be “giv[ing] into dark desires” by “divid[ing] an already weakened realm” when the Starks (framed as the heroes in the essay) did the same thing? This double standard gets infuriating when one remembers that Dany is the one fighting a war in the name of the disenfranchised (even though she is not connected to them by blood or lands or oath of fealty and doesn’t gain anything by helping them), while the Starks are (and will be, if they want to retake Winterfell) fighting a war because of personal injury (which, sympathetic as it may be, doesn’t justify the damage that they caused to the smallfolk). It gets even more infuriating when, as @rakharo pointed out to me, one remembers that, while Dany is trying to right the wrongs of the Valyrians by ending slavery in Slaver’s Bay, none of the Starks have acknowledged, much less tried to make amends for injustices perpetrated by the First Men against the Children of the Forest. It gets even more infuriating when one remembers that Aegon the Conqueror united Westeros in preparation for the War for the Dawn (something that GRRM himself confirmed), while the Starks’ ancestors conquered the North solely because of their greed. That's why Dany’s story can’t be effective as a tragedy: she’d be punished for starting to do what everyone else was doing after doing more than almost everyone else was doing.

5) When it comes to requirement 5 (Dany “[rose] high in position” and is “an exceptional being”, which sets her apart as a character that fits the mold of the Shakespearean tragedy because her reversal of fortune will highlight “the greatness and piteousness of humanity”), again, we’re in the realm of speculation. But there are some things to question as well. First, the essayist validates the criticisms that Dany “too easily ascends to a position of power” by using them as proof that she’s a tragic character. But that’s not really true, which becomes clear with a few comparisons: the Starks lost their father, mother and older brother throughout the story because of the Lannisters, which Dany also did; but her losses go beyond them: she also lost another brother, her first husband and her first child. The Starks had their direwolves given to them, Dany had to use her intuition and then literally walk into a fire to birth her dragons. Aegon the Conqueror used dragons to take Westeros, Dany conquered three cities without barely using hers. Jon Snow’s conflict in ADWD involves conciliating the Free Folk and the Night’s Watch after he makes decisions favoring the former group, while Dany’s involves conciliating the freedmen and the slavers after she makes decisions favoring the former group, which has a worldwide impact; Jon’s conflict has relatively low stakes (because it hasn’t involved the Others so far), Dany’s conflict leads to “half the world” wanting her dead. As these examples show, Dany suffered more losses than the Starks. Dany had to do a lot more than the Starks to find her animal companions. Dany became a conqueror primarily because of her military strategies and resourcefulness without relying on dragonfire like her ancestor. Dany faced greater opposition than her male counterpart Jon so far. As we can see, gaining power and retaining it has not been easy for Dany at all. Every single one of her accomplishments has been earned. But it sure is interesting that Dany’s supposed future tragedies must stem from her actions, but that her victories aren’t given the proper credit and acknowledged as being a result of what she also did as well.

And then the essayist declares something even more inaccurate: that Dany “overcame each obstacle that came her way” and that “Robb and Jon paid for their mistakes while Dany did not” (which, to the essayist, is evidence that “Dany’s fall is meant to stand in contrast as something grander than just one slip-up”).

First of all, Dany clearly did not overcome every obstacle that came her way. Saying so means ignoring all of her ADWD storyline (and it’s funny how Dany's detractors go from saying that she’s overpowered and hasn’t suffered consequences to accusing her of being a bad ruler precisely because she dealt with the negative consequences of her choices, lol). To recap, Dany had an indirect part in the wars outside Meereen because she left the Yunkish slavers’ wealth intact, which leads to terrible consequences - multiple city-states and sellsword companies joining forces against her, Astapor’s fall, the pale mare’s outbreak, the emergence of refugees from Astapor outside her city and the upcoming Battle of Fire. Dany had an indirect role in the wars inside Meereen because she left most of the Meereenese slavers alive with most of their wealth intact, which leads to terrible consequences - the Sons of the Harpy’s attacks and dozens of freedmen’s deaths. Additionally, Dany had an indirect role in Hazzea’s death because Drogon was allowed to roam freely and she had no way to train him or her brothers. All these problems culminate in Dany agreeing with a peace deal that, as already explained here, was inherently unjust for prioritizing the slavers over the freedmen. Dany had to learn that, as much as she wants peace and to plant trees, there are situations in which she can’t be merciful because violence really is the only way to achieve justice for the disenfranchised. (On the flip side, that’s one of the reasons why I’m critical of the theory that Dany accidentally burns King’s Landing. When she was merciful, as I just listed, great tragedies occurred (which is fine, it was a realistic exploration of what happens when you abolish slavery and try to do good). When she used fire and blood, great tragedies will occur too? Even though she would be acting just like the Starks or any other feudal lord by fighting for her birthright? The theory narratively punishes Dany in a way that it doesn't do with the Starks, which is why it's no wonder that it was created by someone with Stark/Stannis biases. Additionally, it validates the common belief that Dany is only meant to be a wartime queen, even though she’s already showed that she’s a good peacetime ruler.)

Second, is dying the only way to pay for one’s mistakes (considering that only Robb and Jon are listed as examples of characters who did)? I don’t think so. Consider Sansa. Didn’t she pay for the mistake of going to Cersei to tell her of Ned’s plan? I would say she did. I would say the author agrees - “Sansa was the least sympathetic of the Starks in the first book; she has become more sympathetic, partly because she comes to accept responsibility for her part in her father's death”. Similarly, Dany had to accept her indirect responsibility for the tragedies that I just listed (Hazzea, forgive me; No marriage would ever bring them back to life, but if a husband could help end the slaughter, then she owed it to her dead to marry.; “I should’ve gone to Astapor. [...] I am the queen. It was my place to know.”; “What kind of mother has no milk to feed her children?”). I would argue that Dany and Sansa both paid for her mistakes, which were acknowledged, made them suffer and influenced their character developments. But the essayist needs to say that Dany didn’t pay for them (or that she had an easy rise to power) to help to paint her as a Shakespearean tragic hero.

6) Now that the essayist’s five requirements have all been questioned, I would also like to mention positive prophecies and speculations related to Dany that are never brought up in this essay.

First, Dany is AA/PTWP/SWMTW. That was heavily foreshadowed (read more about it here) and built up to and, if it doesn’t happen, it frankly would be bad writing. After all, haven’t readers praised GRRM for the foreshadowing of Ned’s death (e.g., a stag having killed the mother direwolf in the beginning of AGOT)? Haven’t readers praised GRRM for the foreshadowing of the Red Wedding (which we see from Tyrion’s to Theon’s to Dany’s chapters)? And yet, the essayist thinks that Dany’s death will cause “the forces [to] become more even, making victory less sure, or the Others surpass the side of the living in strength” and that “the White Walkers gain Drogon, becoming one-on-one but with the White Walkers having the larger dragon.”

Second, Dany and Bran both have dreams in AGOT leading up to their magical awakening. Bran needs to fly to escape from the “cold” of the darkness below, while Dany needs to run from the “icy breath behind”. Both of these dreams culminate with Bran and Dany learning to fly and accepting their magical destinies, which will be important in the War for the Dawn. And yet, the essayist thinks that “by understanding that the concept of warmth is tied to companionship, we can understand that the cold, “icy breath” must represent the opposite: loneliness” to justify Dany’s demise. Instead, it's clear (especially considering the parallels with Bran) that "icy breath" is an allusion to the Others. But they can't acknowledge that Dany will have a crucial role in the War for the Dawn, otherwise their entire speculation falls apart.

Third, Quaithe was presented as the third of the three Qartheen envoys (after Pyat Pree and Xaro) that came to find Dany in Vaes Tolorro, which heavily implies that she breaks the norm and is the one person that Dany can trust. And yet, the essayist takes for granted that Quaithe’s “narrative connection to betrayal is already established”.

Fourth, Dany might as well be the prophesied betrayer, not the one who’s betrayed by three people (after all, she’s already been betrayed by more than three people - Jorah, Mirri, Pyat Pree, Xaro, Brown Ben, the person that gave her the poisoned locusts, etc). It would fit with the pattern of Dany being an active participant in the prophecies rather than a passive one (e.g. Dany is AA/PTWP, not the one who gives birth to the AA/PTWP or the one who dies as a sacrifice to AA/PTWP) even though, at first, the readership is expected to think otherwise. And yet, the essayist takes for granted that Dany will be betrayed because otherwise their entire speculation falls apart.

Fifth, Dany is foreshadowed to have a positive relationship with Jon because “the blue flower” from the “wall of ice” filled the air with “sweetness”. And yet, the essayist needs to say that Dany "[will push] Jon away [...] from fear of betrayal and hurt” and from worries that he might be a “usurper” (nevermind that they are mischaracterizing Dany as someone overfocused on retaking the Iron Throne and who closes herself off due to prophecies, none of which are not true, as I already showed above) because otherwise their entire speculation falls apart.

7) Finally, I would also like to ask: what’s the point of giving Dany a storyline like this? Not only because it would be unearned due to the double standards and the changes that would have to occur in her characterization, but also because Dany has a special place in the narrative. She is 1) one of the two women (along with Asha) claiming power in her own right and the only one that we actually got to see rule, 2) one of three Chosen Ones (along with Bran and Jon) and the only female one, 3) one of two POV revolutionaries (along with Jon) and the only female one (and the one whose storyline arguably has the most political messages since she’s fighting against human slavery), 4) one of two POV female rulers (along with Cersei) and the only one who’s been depicted as competent (because she subverts the Good Princess Evil Queen dichotomy), 5) one of two Targaryen conquerors (three, if Young Griff does indeed take Westeros) and the only female one - “Aegon the Conqueror with teats”, 6) the only major mother who isn’t sure to be doomed and/or hasn’t gone mad, 7) one of two Targaryen queens regnant (along with Rhaenyra) and the only remaining Targaryen woman who gets to have power after a long line of Targaryen women - Rhaenyra herself, but also Rhaena, Aerea, Rhaella, Daenerys (Alysanne’s daughter), Rhaenys the Queen Who Never Was, Baela, Rhaena of Pentos, Daena - who were disempowered. GRRM already has a terrible history with female leaders in particular. If he causes the downfall of another one (especially one who is also one of the five main protagonists) for such unearned reasons like the ones that the essayist laid out, there would also be sexist implications. It would make the only she-king that we saw wielding power onpage overly defined by violence and destruction in a way kings don't have to be depending on their actions, it makes the only competent POV female ruler look incompetent in comparison to the other POV male rulers and it makes her conquest a disaster while the other male Targaryen conqueror (two, if Young Griff takes Westeros) gets to succeed. And yet, death by childbirth is the only speculation that the essayist calls out as problematic (“death by childbirth is a uniquely biologically female phenomenon and would be punishing Daenerys for her sexuality”).

8) What I find insidious about essays like this one is that they pretend to be unbiased (I do not argue for the death of Daenerys as a judgement on her ethical/moral goodness as a character nor of the world she inhabits. I argue it on the strength of her characterization and story, that she should be able to encompass such intensity and greatness as to be considered as complex as all these other single-name headliners in literature.) even though they really aren't. To recap, the essayist portrays Dany as someone with "violent" impulses even though she's a merciful person in general, accepts the peace deal with the slavers as valid even though it prioritizes the slavers' privileges over the lives of marginalized people, only talks about the negative connotations of fire, downplays Dany's compassion and sense of justice, argues that Dany is losing her ability to trust others even though she isn't, says that Dany is negatively affected by promises of greatness even though she isn't, argues that Dany had an easy rise to power and didn't pay for her mistakes even though she did, paints Dany's campaign to take the Iron Throne in a negative light without doing the same with the Starks having dominance over the North and ignores Dany's foreshadowing as AA/PTWP, as well as her special place in the narrative. So it’s not that Dany stans are unable to accept Dany’s mistakes and flaws, it’s that people who dislike her can’t understand her characterization or acknowledge the double standards against her or accept her particular place in the story. At the end of the day, an essay like this one is no better than jonsa metas mindlessly hating on Dany because, just like them, as @semperty and @niniane17 made clear, it also creates speculations with the intent of making Dany self-destruct and become irrelevant to pave the way for their preferred characters. The only difference is that it's more successful at appearing "neutral" to someone who doesn't remember what happened in the books very well, especially because Dany has become a polarizing character for a variety of reasons and it's easy to buy into the Appeal to Moderation fallacy.

Also, as I said before, the fact that these Twitter 'neutrals' all misunderstand Dany's characterization, downplay her struggles and judge her by different standards actually makes me somewhat hopeful that she's getting a better ending, because how can their speculations come true if they don't know Dany at all? But then, it's hard to trust GRRM.

[syn0vial]

i want to address the “boba fett is catholic” meme i’m seeing in the notes of my post, bc, while hilarious, it’s actually quite an interesting bit of expanded universe history!

from what i understand, the meme comes from someone quoting a snippet from the expanded universe in which boba fett says that he considers sex outside of marriage immoral. which, yeah, is a weirdly catholic thing for him to say. so let me provide some context.

this quote is taken from the short story “the last one standing” by daniel keys moran. daniel keys moran wrote probably some of the strangest prose about fett and was the first writer to really take a crack at his backstory (this was well before aotc when boba was revealed to be a clone), as well as his history with han solo. if you like, uh, smoother characterizations of boba fett, you might not like this version so much: some words to describe moran’s boba fett would be obsessive, paranoid, and disturbed. 

anyway, most of moran’s writing (aside from a few snippets that were expanded on but we’ll get to that later) was retconned after aotc, so if you just want to be like, “nope, boba fett never said that shit, never happened,” while still exploring other legends material, then absolutely feel free. but if you want several textually-supported reasons for why he’d say something like that that aren’t being space catholic, read on.

so, first of all, the immediate context: why tf is a bounty hunter talking about extramarital sex at all? well, the context is that boba fett is in jabba’s palace after leia has been captured. she has been sent to his room as a reward (ugh) and he’s trying to persuade her that 1. he doesn’t intend to assault her and 2. she really should just crash in his room for the night anyway bc if she goes back to jabba, it’ll be seen as a sign of disrespect and they’ll both get in trouble. leia is understandably on-edge and mistrusting of him and this is when he says the “sex between those not married is immoral” thing; he’s trying to convince leia that he really isn’t going to touch her.

(for those wondering, he doesn’t. he gives her some blankets to cover herself and lets her sleep in the bed while he spends the night sitting on the floor)

so! if you so wish, you could easily explain the whole thing as boba saying space catholic shit (whether he actually believes it or not) to reassure leia that she’s safe in his room for the night. he says himself that if she were to go back to jabba, jabba would likely take boba’s refusal to touch her as an insult and take retribution against him, so boba has plenty of incentive to try and convince leia to do otherwise.

but wait! what if you’re fine with boba having hang-ups about sex and relationships and just want a reason other than just “space catholicism?” well, friends, the good news is that that reading is even more supported by the text in a way that would later be expanded upon in post-aotc legends content.

though, before we proceed, lemme just slap down a content warning for discussion of drugs, sexual assault, and the intersection thereof.

now, back to “the last one standing.” leia eventually decides to trust fett and the two proceed to have a really awkward slumber party. leia, noting the lengths fett is going to in order to make her feel safe, begins to question what someone like him is doing working for jabba the hutt. they talk about morality for a bit and boba actually seems to enjoy talking to her--up to the point where she says he reminds her a bit of han. he reacts angrily, saying he and han are nothing alike. curious about his reaction, leia keeps pressing. why does he hate han so much? boba responds by saying it’s bc han smuggles spice. leia is like, “dude, seriously? you literally kill people for a living.” boba gets increasingly, uncharacteristically loud and agitated arguing with leia about why smuggling spice is worse than murder and is one of the worst things a criminal could sink to. and then, finally, at the crescendo of their argument, he snaps at her, “If I had been using spice tonight, Leia Organa, perhaps you would not be safe with me in this room.”

so, uh. what the fuck, right? apparently the reason boba hates han is bc han smuggles spice and spice... makes people more likely to be rapists, according to him??? what???

moran doesn’t fully answer these questions in the story, though he drops some major hints--the beginning few scenes show boba as a young man in jail for murdering a man named lenovar, his superior officer in the journeyman protectors, and staunchly refusing to say why other than that lenovar deserved it. this is followed by a scene maybe a couple of years later with boba literally burning a spice lord’s palace to the ground. this is all the context moran provides, but, the story doesn’t end there as later EU writers would keep this peculiar bit of characterization and expand upon its background.

which brings us to the backstory that post-aotc legends writers eventually settled on: when boba was 16, he began to feel dissatisfied with his life as a bounty hunter. he befriended another teenaged bounty hunter who felt the same way: sintas vel. the two of them ended up eloping to concord dawn, his father’s home-planet, and tried to live “normal” lives or as normal as two teenaged former bounty hunters could manage. boba got a job as a journeyman protector, where he was taken under the wing of a superior officer named lenovar; boba and sintas even had a daughter, named ailyn. 

for awhile, everything seemed fine, but, of course, this contentment was not to last. lenovar turned out to be a scumbag predator who, after gaining boba and sintas’s trust, sexually assaulted sintas. fearing what might happen to her young family if she tried to retaliate, sintas attempted to keep the whole thing a secret. however, boba eventually found out and immediately ran off to murder the shit out of lenovar. combined with the details from moran’s story, the implication is that lenovar was a spice-user and/or that he attempted to use spice as an excuse for his behavior when boba confronted him. either way, after murdering lenovar, boba was imprisoned for killing his superior officer. however, in an effort to protect sintas, he refused to say why he did it and instead just insisted to his interrogators that lenovar deserved what he got and that he felt no remorse for killing him (retroactively explaining the scene at the beginning of “the last one standing.”)

boba was subsequently exiled from concord dawn and his family, leaving him with bucketloads of unresolved issues regarding relationships, sex, and spice. i would say that it would be perfectly reasonable if not outright supported by legends material to view boba’s apparent disapproval of casual sex in moran’s short story as his own thin self-justification for deeper issues that have nothing to do with space catholicism and everything to do with All That Shit that happened to him and sintas when they were teenagers.

at the end of the day, technically all of legends/the expanded universe has been retconned, so feel free to take as much or as little of this as you’d like for your own personal boba fett canon. i just wanted to provide some alternative interpretations of that line other than just “boba fett happened to be space catholic, i guess”

[pub-lius]

ACTUALLY Hardcore Facts About Alexander Hamilton

Alright, take two.

I've already typed this entire thing out once, so this is likely going to be a lot more lazy than anything else I will ever post, so :).

Sources: Alexander Hamilton by Ron Chernow; John Laurens and the American Revolution by Gregory D. Massy; The Federalist by Alexander Hamilton; George Washington's Indispensible Men by Authur S. Lefkowitz; Lafayette by Harlow Giles Unger; Who Was Alexander Hamilton? by Pam Pollack and Meg Belviso

Hamilton wished for a war when he was like a baby. So if you know Hamilton, you know that one line where Hamilton says "As a kid of the Carribean, I wished for a war, I knew that I was poor, I knew it was the only way to rISE UP-" in Right Hand Man. Well, that line is based off of a letter Hamilton sent to his childhood bestie, Edward Stevens: "...Ned, my ambition is [so] prevalent that I... would willingly risk my life, tho' not my character, to exalt my station... I'm no philosopher, you see, and may be jus[t]ly said to build castles in the air... I shall conclude by saying I wish there was a war. Alex. Hamilton." Okay, dude, calm down, you're like two years old. I think he was actually like 14-16, but for dramatic purposes we'll say he was an actual infant (do I sound like Chernow?). But I hate how much this letter foreshadows. It's like he jinxed himself, its almost embarrassing.

Hamilton ran a business at 14. Now if you've ever been fourteen and you were like "i think i feel like running a business" literally shut up no one asked. I think this is impressive. When Hamilton was at least 14, the guys the owned Beekman and Cruger (it had a different name by this time but this one sounds cooler) just dipped and left Hamilton in charge. This was actually a pretty good decision, since Hamilton managed it well. There was also this one time where Hamilton told a whole captain of a ship who didn't perform up to standard, "Reflect continually on the unfortunate voyage you have just made and endeavor to make up for the considerable loss therefrom accruing to your owners." This man was so arrogant I wish I had his confidence. Yeah that was cool ig, but if I met teenage-Hamilton, I'd literally hate him.

Hamilton saved the president of his college. Ever the dramatic, Hamilton had a thing for suppressing mobs (though he was pretty much never successful). There was this one time at King's College where a mob formed to "talk" with the president of the university, Dr. Myles Cooper (by "talk" i mean make him into a tory bird). And, according to Who Was Alexander Hamilton? (this book gives me so much joy), "Alexander vowed to protect him [aww]... He stood up to the crowd, telling them that violence would only hurt their cause. He couldn't stop the crowd, but he delayed them long enough for Dr. Myles Cooper to escape in his nightgown," (Pollack and Belviso 27-29). This is a really sweet description of it, but Hamilton was probably calling the mob a bunch of insults and stuff, judging by how he later handled riots. Also, Cooper thought Hamilton was rallying the mob, so he was a complete jerk to Hamilton, but rightfully. Everyone, bully Hamilton. He's short and dead like an idiot.

Hamilton was really cool on the battlefield, don't @ me. Now, despite being a clumsy little gremlin and an absolute dork, Hamilton was a pretty good leader, and I guess veterans deserve to be recognized for their victories or whatever. At the battle of Princeton, one of my favorites, Hamilton had very big, cool guns, and did some cool stuff. "Returning to the final phase of the battle of Princeton, British infantry took refuge inside Nassau Hall, the building that housed the College of New Jersey. American artillery commanded by Capt. Alexander Hamilton [ya boy] was brought to bear on the college building... Washington was on the scene and noticed this young artillery officer who skillfully commanded his gun battery. The general would soon invite Hamilton to become one of his aides-de-camp," (Lefkowitz 92). Wow so cool moving on to Yorktown.

When the Americans were building their fortifications, two British fortifications were in the way. So rude. Consequently, Washington sent The Gay Trio, Lafayette, Laurens, and Hamilton, to uh, silence them. Hamilton pulled off a successful sneak attack, and won the battle swiftly, leading to the American victory in the battle of Yorktown, and therefore the war. "...Colonel Hamilton['s] well known talents and gallantry were on this occasion most conspicuous and serviceable. Our obligations to him, to Colonel Gimat [stan], to Colonel Laurens, and to each and all the officers are above expression..." -Major General Marquis de Lafayette. Lafayette is so nice I would marry him if he was alive and single and legal and not old as hell. Like omg he gave credit to everyone but himself that's so nice I'm such a simp for Lafayette. Anyway, Hamilton was cool too ig.

Hamilton caused the evacuation of Philadelphia like an iDIOT. So, after Brandywine (British victory), Washington sent Hamilton on a foraging mission in Vally Forge to get flour, horseshoes, and tomahawks (not quite as exciting as Yorktown). Well, our clumsy ginger rat got caught, and wrote to the president of Congress, John Hancock, "If Congress have not yet left Philadelphia, they ought to do it immediately without fail, for the enemy have the means of throwing a party [party rockers in the house tonight] this night into the city. I have just now crossed the valley-ford [Valley Forge], in doing which a party of the enemy came down & fired upon us."

Surprise, this turned out not to be the entire goddamn British army, it was just a few scouts sooo... let's just say Philadelphia wasn't happy. "Our Removal from Philad. Was owning to information that General Howe was crossing Schuylkill [River]... However tho' this Intelligence was from one of the General's family (Alexander Hamilton) it was not well founded & we wish we had not left Philad.," -James Duane. Yeeeaaahhh, that's awkward. Not the best way to get your name known in the capital, I must say.

Hamilton was possibly bisexual, and this is hardcore because I say so. Now, I'll add more quotes to this later, but basically heres my interpretation of the historical evidence and whatnot. Basically, Hamilton was a really closed off, cynical guy, since like everyone he ever loved died or left him pretty much, and he wasn't really the type to make and keep close friends; "...how little dependence is to be placed on treaties, which have no other sanction than the obligations of good faith, and which oppose general considerations of peace and justice to the impulse of any immediate interest or passion," (Federalist 64); It is a known fact in human nature, that its affections are commonly weak in proportion to the distance or diffusiveness of the object," (Federalist 73). Um, Mr. Hamilton? You're projecting your trauma on the government again.

Also, despite working with him for like twenty years, Hamilton really never got close to Washington, like at all. He even said to Laurens, "I have no friendship for him and have professed none," in regards to Washington, which is kind of mean. But he ALSO told Laurens:

"Cold in my professions, warm in my friendships, I wish, my dear Laurens, it m[ight] be in my power by action rather than words [to] convince you that I love you. I shall only tell you that till you bade us adieu, I hardly knew the value you had taught my heart to set upon you. Indeed, my friend, it was not well done. You know the opinion I entertain of mankind and how much it is my desire to preserve myself free from particular attachments and to keep my happiness independent of the caprice of others. You s[hould] not have taken advantage of my sensibility to ste[al] into my affections without my consent."

*mocking Hamilton* its YOUR fault that i love you and it was RUDE that you FORCED me to love you how DARE you you SUCK i love you uwu.

Also, at the top of that letter, someone mysterious (probably Hamilton's son) wrote, "I must not publish the whole of this," and Massey still thinks Hamilton was straight.

But yeah, that's about it. I had originally written more at the beginning, but I unfortunately lost the original draft, so I'll just settle for this. I hope you enjoyed, though, and maybe learned something or found a quote you needed or something. I did more research than I wanted to in one sitting for this, so appreciate it or I'll cry. Thanks love you <3