#HER ENTIRE STORY IN THE MOVIE

[benadrylcandlewhack]

IF YOU CAN ACCEPT GWEN'S DIMENSION'S PETER BEING TRANS, AKA A CHARACTER WE'VE SPENT LESS THAN 5 MINUTES OF SCREENTIME WITH, BUT NOT GWEN WHO IS ONE OF THE MAIN CHARACTERS, I'M JUST GONNA ASSUME YOU DON'T ACTUALLY SUPPORT TRANS PEOPLE

YOU SUPPORT TRANS REPRESENTATION IF IT'S THROUGH BACKGROUND CHARACTERS WHO DIE

YOU SUPPORT IT IF IT'S NOT "SHOVED IN YOUR FACE"

[shyhandart]

Hey there! Do you perhaps have more Tempest and AJ stuff? Maybe some headcannons? You've planted worms into my brain

But wait, theres more!!

[jacksprostate]

Things I won't forgive the fight club movie for regarding the character of Marla Singer, entry C:

The manic pixie dreamgirlification of her own struggle with life and death. The narrator gets to have a serious issue driving his alienation but Marla gets her cancer removed so her pithy statement about the tragedy of death being that she doesn't fall over dead randomly is just a bit Offbeat And Interesting And Edgy haha! She's a real tourist, really, nothing ever stated to be wrong about her. Sure she overdoses. Sure you can see she's got a shit life. But she doesn't get backstory. She doesn't get a life beyond fun little statements that, when her own reason for saying and thinking them is removed, mostly just reflect the narrator. In the book, it is very, very clear. Marla does what she does because she has cancer and is afraid of The Slow Death. The Wasting. The Struggle. By taking that away you even reduce her suicide attempt. It puts it all in this context of nothingness. Sure, you can assume a depth, but I don't think we should be uncritical about the fact that they chose to remove it. Marla Singer is more than an object that bothers the narrator out of the support groups and gets fucked by Tyler Durden. Marla Singer is a person in her own right in the book, and in the movie she's just... not.

[charcubed]

THERE'S NOTHING LIKE YOU & I a Good Omens season 2 playlist

Quiet, gentle, romantic, and a little bit devastating – roughly in story order. For being lonely together across 6,000 years and aching for the freedom to love.

On Spotify Here

(Previous editions: Soft To Be Strong – Good Omens season 1 | Crowley/Aziraphale upbeat song dump)

[raifuujin]

It's been more than 20 years and for some reason I feel that Gosho hasn't given Kaiao any development, how can more than 20 years pass and Aoko dynamics, relationship and feelings remain the same? At this point I feel like Gosho is just going to make them date because "they already liked each other" they remain in the same status quo

Hey, if we go by DC romance progress, they've been going too fast. We've already had suspicion of identity chapters, and that didn't happen until more than 400 chapters in DC. /j

Since heists have taken over any character development recently, I don't even know if Kaito and Aoko will even get any romantic progress. Maybe the actual identity confrontation will happen down the line, since that's thief drama, but atm, it really wouldn't surprise me if they only ask each other on a real date at the very end of the manga.

Like. I'm sure Gosho would love to make MK a love drama as well, but he writes MK so rarely, and usually as hype for something Kid related in other media. So the MK stories tend to be heavy on drama that can only take place at Kid heists. (To the point that the new chapters just. Use Kid as the plot device to show off a new character. Even Hakuba's never gotten so much 'look at this character being a detective' treatment in MK.)

-sighs- I just feel bad for MK as a series at this point. I like the characters, I like the general story idea, but. It's been going down a very steep hill with Gosho wanting things exciting, but not wanting any real progress in. Anything. But unlike old MK, the new stories aren't even nice standalone setpieces of story, they're... mundane. They could be high stakes, if you purely look at the scenarios on paper, but. We all know nothing's gonna happen to Kid. Nothing even happens to him when the actual bad guys show up, much less one-time antagonists.

We need actual character focus and development, not heist drama. Badly. Not even romance, though that'd be a nice change. Just any character expansion of our limited cast of characters. Gosho wants big, all the time, meaningless big stuff, when small would be so nice.

[idiosyncraticrednebula]

People who side with Triton and criticize Ariel for rebelling against him miss the whole point of the story. I don't know what it is about Ariel in particular that many people online look for every reason to hate on her and justify everything that happened to her.

[destinywillowleaf]

if i had a nickel for every time i came up with a pokemon ship by accident that i genuinely thought would have already existed at least by name on the shipping extension/branch of bulbagarden, only to be surprised and faced with the truth of possibly being the first to ever consider them together, i'd have two nickels. which isn't a lot but it's WEIRD that it happened twice

[sonknuxadow]

i dont know what would be worse if amy is never in the sonic movies at all or if they do introduce her in the next one but shes pushed to the side and doesnt get the amount of focus she should be getting considering shes a main character and this is her introductory movie because theres too much other stuff going on with shadow and/or they just completely butcher her character

[imwritesometimes]

I feel like every review of the Barry series finale that's like 'it was just meh...' is intentionally missing the point cause if they actually had to confront 'hey we as a country venerate service members to an insane degree when, just like normal people cause that's what they are, some of them are bad people. we will jump through hoops to absolve any wrongs these people commit. the police do get it massively wrong sometimes. justice is not always dished out. and we will make a butchered spectacle out of a tragedy for ticket sales.' they wouldn't get many clicks.....

[enypneon]

the emperor is WHOOOOAHSHDHA????

[bmpmp3]

its important to watch a new movie or read a new book sometimes. largely because 1) its nice to experience all the art this world has to offer but also 2) you might be able to find new scenarios to imagine your OCs in

[cosmicmakos]

imagine your f/o doing everything in their power to ease the stress and/or pain that you're currently experiencing

even if they're busy with work and other important duties, helping you with whatever is troubling you becomes a priority

[idiosyncraticrednebula]

People who say that Beauty and the Beast (1991) endorses Stockholm Syndrome and domestic abuse have very grossly missed the entire point of the story.

[octahyde]

just remembered how bad Tim burtons Sweeney Todd is ESPECIALLY his Lovett I honest to god do not know how you fuck up a character as straightforward in characterization as MS LOVETT that hard dude

[giantkillerjack]

Me and my wife: *hang out for 6 hours and stay up til midnight talking about our favorite things*

My wife: *leaves to shower and go to bed*

Me, 2 minutes later: *picks up phone to text her about the new movie trailer I just watched*

[heir-less]

I would like to understand why people are pretending that the live-action Little Mermaid is going to be good when it's another terrible remake that will misinterpret and butcher the story and moral of the original like the 900 other remakes. Like, I swear there are people on Twitter making this movie their whole personality when it doesn't even look good. After Avatar, you'd think Disney would really devote money to make the water effects look impressive, but nope.

I don't really care if Arial is black, either. Disney did fuck all to defend Halle Baily from the wave racism she experienced (I believe Freeform spoke out back in 2019 and some cast members defended her, but it wasn't enough). Also, reading the behind-the-scenes, it seems like Halle was exploited on set and forced to work beyond her limits. Putting an actor in water for 13 hours a day is dangerous and not something that should be framed as resilient. It would be nice if people stopped acting as if the live-action Little Mermaid is something groundbreaking for Black women and girls when it's clearly just Disney trying to cash on diversity at our expense. They don't actually care about supporting us, based on how they treated their leading lady.

We need to stop supporting these creatively bankrupt pieces of shit. Look at the Lilo & Sitch casting, they clearly don't care honouring POC stories or valuing actors of colour. The Mulan remake was literally filmed within view of Chinese concentration camps and stared an actress who supported Chinese police brutalizing Hong Kong protesters. A lot of people like to pretend that people only have issues with The Little Mermaid, but it's a problem with all of these movies in general. It seems to be more of an issue with Disney as a company, not the actual people working on these films.

Like, I saw the live-action Lion King in theaters and now my sister wants to see this, too. Like, I genuinely think these films are bad on principle.