WHERE IS HE D:
(sorry for deleting and posting this again 🙇♂️🙇♂️ one tiny insignificant thing was bothering me and when I edited it it wouldn't show on reblogs and that kinda made me go 😠😠😠)
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Watching Harry Potter again for the first time in a few years SOLELY for magic and mystery 😭😭 that fic is actually so good I love it sm I want a movie for it SOOOOO bad 😭😭😭😭😭😭
Ah yes, my favorite Harry Potter character, osamu dazai
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now that misfits and magic has sparked talk abt harry potter i get to talk abt how sick i am of how ANY media with magic gets compared to harry potter. like witch hat atiler.. its magic system is NOTHING like harry potter's, theres no school, no british ppl, NOTHING similar to harry potter and yet ive seen ppl say its lkle studio ghibi meets harry potter. like oh my god can we let hp die im SICK and TIRED
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Harry: Try for some remorse. I've seen what you'll be otherwise.
Voldemort: What do you mean you've seen what I'll be?
Harry: You know. In the afterlife. Dumbledore says hi btw.
Voldemort: THERE'S AN AFTERLIFE?! AND NO ONE TOLD ME?! I didn't even need to make Horcruxes?
Harry: yeah. i mean now you'll just suffer eternally bc your soul is damaged. you could put yourself together again except i killed all the pieces. sorry about that.
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thoughts on Ginny and Harry as a couple?
There are a lot of people who find their romance in HBP forced. I don't think it's forced so much as underwritten, and the books don't get the chemistry quite right (though the movies certainly don't, either). There's potential, but they just don't get enough actual scenes of substance (besides Harry thinking she's pretty or feeling jealous of Dean) for a lot of readers to buy that they're not only in love, but deeply enough in love to break up, get back together, and wind up married.
That's not to say I don't see the appeal. There's a very cool scene in Book 5 where Harry's doing a woe-is-me-Chosen-One act, and Ginny effortlessly puts him in his place about it by reminding him that she was possessed by Voldemort at eleven, which is a rare glimpse into her character and also a great synecdoche for their relationship — Ginny is a grounding presence who, like Ron and Hermione, isn't going to be awed by his past adventures because she knew him before they happened. In that respect, Ginny's probably one of the few women Harry could feasibly wind up with, because he only ever seems comfortable around people (let alone girls) who can see past the Chosen-One schtick and treat him like a normo (see: Ron, Hermione, the Weasleys, Luna, Hagrid). True to type, he doesn't get interested in Ginny at all until she's ditched her celebrity crush and ceased to view him as an idol, because in his heart of hearts, Harry wants to be a normal boy, and it's stressed over and over that part of what he likes about his relationship with Ginny is how normal it feels. He kind of has a horribly supercharged version the celebrity dating problem: after the Battle of Hogwarts, anyone he meets is going to know him first as Harry Potter, Chosen One, Boy Who Lived, and Actually Fucking Resurrected Messiah of the Wizarding World, which is... I mean, it's possible that there are witches out there who could get over that, but Harry's not an extroverted guy, and I'm not sure how he'd go about finding them. Ginny's the one who's been there since the beginning, doesn't need anything about him or his past explained to her, and actually likes him for who he is.
When you look at it that way, it's not surprising he married his high school girlfriend. She's one of the few people still alive who doesn't see him as a demigod.
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Bsd except Atsushi remains in denial about his ability.
Just flat out refuses to believe he's the tiger like some reverse Ranpo.
Atsushi: sees his tranformed arm after Dazai nullifies his ability Oh I'm hallucinating again.
Dazai: I can see it.
Atsushi: Definitely hallucinating again, must be the starvation.
Kunikida: You just ate!
.......
Atsushi: Er I don't think I can work here guys.
Kunikida: Nonsense you did great.
Atsushi: Thanks but you guys only employ ability users as detectives, be werid to make an exception.
Kunikida:... Can't fathom what he's hearing You have an ability...
Atsushi: not listening Maybe I could be like a secretary or something.
......
The one this pisses off the most is Akutugawa.
Akutagawa: You. Are. The. Jinko! How do you explain that your leg just grew back.
Atsushi: I had a good breakfast.
Akutugawa:... What has that got to do with anything?! What is wrong with you?!
Atsushi: Many things, anyway you're Mafia right? Do you know how much can I get for the leg?
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James: Lyall, why is there a huge pair of rusty iron scissors on the dresser in Teddy’s room?
Lyall: Don't close those.
James: Yeah they're rusted to hell I don't think I could if I tried. What are they for?
Lyall: Ward off the faeries so they don't kidnap my grandson.
James:
James: That’s valid.
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help why is no one ever normal about me
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btw everybody who survived the war in hp is disabled. i do not take constructive criticism but i do take questions
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if you had to base a new riverdale season off three movies, which would you choose and why? they could be tonal choices or you can pluck entire elements of the movies and work them in.
ok i broke the rules bc i didn't stick to movies, i went novels and pop culture with it too. and i also kind of embroidered a few references together around each main riff in a way that i think COULD be riverdalian, but these are my 3 selections:
jt leroy (2018). trashy iffy-hot-take kristen stewart/laura dern movie about a very 2000s literary scandal/internet drama run Too Far into irl drama that i think riverdale would know better what to do with. two ideas (this is a jughead plot btw):
put jughead in the dissociated trauma-projecting controlling persona-having laura albert/jt leroy role and rope veronica and reggie and their monetary-business motivations into the scam angle. monica posh savannah knoop stuff and rattling veronica and jughead around in a jar together intensely in a campy way
or step lightly outside the bounds of this script into the real livejournal and myspace based drama of it all and jughead's sometimes-characterization as a guy who needs help unpacking metaphor even though he's swimming in it. make him into one of the many emo band boys (ryan ross?? ryan ross????) who related so so so so sosososo much to the writing of jeremiah terminator and then had a whole crisis when j.t. was unmasked as a middle-aged woman with a metaphorical literary persona.
permissible bonus web-weaves: james frey a million little pieces and oprah, augusten burroughs and running with scissors. we're doing the 2000s obsession with author authenticity is-this-really-autobiographical-if-it's-not-literally-true-or-are-you-shaming-your-family-for-NOTHING questions and scandals. but we're especially doing the emo community freaking the fuck out about blorbo from their novels doing a catfish online to extend the persona just that much further.
the avril lavigne replacement conspiracy theory (linking the wiki even though what i'm REALLY thinking of here is this moving pandemic essay alexander chee my beloved posted that i can't locate now, riffing on themes of feeling like a ghost inhabiting your own life after a major trauma). they can work in some other famous body double / replacement and assassination conspiracies (paul is dead, jfk) too but avril is the main reference and this is a betty plot.
pull in some actual alexander chee images and motifs too maybe, his novels about csa grooming trauma and having complicated feelings about your intimate abusers via like grandiose opera/paris siege metaphors (the queen of the night) and fox demons (edinburgh) betty would eat, i fear, even if they're a step off her normal serial killer media mix. dark betty has the range <3
stephen king's the long walk / suzanne collins' the hunger games / battle royale / state-sponsored brutal murderous game show authority abuse dystopia media homage in general!! especially when it's homoerotic and full of ptsd and institutional abuse, because clearly this is a plot primarily for archie and the lads. imo the long walk ("how bad do you have to hate yourself to join the military" but it's game show horror) and the hunger games ("child stardom is traumatic institutional abuse especially in the era of social media and society simply pretends not to see it" but make it a ya game show adventure) should be the main references, but we could work the academic/art-competition angle of battle royale for kevin. as a treat. ok yeah and maybe work in that arnold schwarzenneger movie the running man too while we're here picking up interwoven motifs at the store. why not!
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So, you want a magic/power system with multiple categories assigned by birth or luck, where each category has different applications and uses outside of combat, based on real-life sciences like physics and chemistry. This system includes shapeshifting and the ability to add runes, symbols,tattoos and objects of power to improve or learn new abilities. Additionally, each ability represents the psychological mind of its user. There are also specialists who don't fit into any of the categories and therefore possess really cool, unique powers. In this system, training and discipline are more important than talent AND the world is populated with a rich fauna of fantastical beasts, animals, and plants??
And also you should add paranormal, esoteric and espiritual entities and rules that applies to all the cultures but each culture have to be unique !
huhhhh
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What do you think as Hermione's career would be post battle of Hogwarts? To me her being minister for magic really doesn't make sense. She does not have patience or tact to wade through murky waters of politics 😭😭
So hard to say! The Trio are so, so young when we leave them, I find it almost impossible to project their futures farther than a few years out. The job that suited me at 17 would be radically unsuited to me now. That's why of all the Trio, Ron's ending strikes me as the most realistic — he jumps straight into the save-the-world business again, burns out, realizes he's actually Done The Fuck Enough, Thanks, and pivots into a low-stress career where he gets to see his family a lot. Feels accurate! The others are weirder to me because they do seem to just... pick a lane and stay there.
With Hermione, you could spin her a couple ways. You could say that she leans into her bookish side and does research or teaching, which is not my preference for a couple reasons (namely, I don't think Hermione would like academia as a profession; she finds her classwork interesting and enjoys intellectual validation, but she'd be stifled and wasted in a DPhil program, and she'd be infuriated by the administrative politicking of your average higher-ed faculty). You could say that she gets disaffected with politics and ends up as a barrister or a lobbyist of some kind, but if anything that requires more political finesse, because you don't actually have institutional power, you're just handling the people who make decisions and trying to persuade them of your goals. This is not Hermione's preferred method of influence. She's not even particularly good at persuasion, she just happens to be smart enough (and right often enough) that people take her ideas seriously.
Or you could say her brashness fades with the years into a softened flavor of tell-you-like-it-is honesty, which some politicians actually do successfully trade on; as we see in British politics today, you don't have to be all that charming or clever to get ahead, you just need to be really driven and well-connected (which Hermione completely is; she fought shoulder-to-shoulder with the first postwar Minister and her bestie, the Literal Messiah, runs the Auror Office.) But I don't know if Hermione especially wants to be Minister, after the war. She's just watched years of horrendous bureaucratic incompetence plunge the country into a violent civil conflict. She's had not one, but two Ministers of Magic try to bully or shame her friends into complicity with fascism. Her view of government is... likely extremely dark.
But Hermione also isn't the kind of person who sees her life as a quest for happiness. Babygirl has a savior complex that makes Harry look selfish. (She basically kills her parents — yeah, obliviating is a form of murder, #changemymind — "for their own good," and justifies every batshit, vindictive, mean-spirited move she ever pulls on the grounds that it "helps" one of her friends.) She is a mean, lean, dragon-slaying machine, and she needs a dragon. After Voldemort, the Ministry is the no. 1 threat to muggle-borns and non-wizarding Beings. As a war heroine with basically infinite political capital, I'd be surprised if she didn't try to do something there. That said, Hermione is so vivacious and dynamic that she could potentially grow in a hundred different directions; it's possible that all of this, while true of her at 18, becomes completely inaccurate by 22. That's why I'm not too fussed about any particular fanon interpretation.
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People talking about Fargo 5x03 like
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Something something the snake from the first book that was bred in captivity. The cupboard. The 1940s orphanage.
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