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prael · 8 months ago

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A Bargain To Remember

Kinktember Day 13: Car sex

(G)I-DLE Miyeon x male reader smut

words: 4,950 Kinktember Masterlist

"Finally, a face to the name."

You know all about Miyeon, of course. She's the type of girl whose face is plastered on every screen and every street in every corner of the galaxy, a darling of the interplanetary conglomerates. From the spaceports to even the most downtrodden of back-alleys, you can probably find her face on some poster or flyer or some massive digital billboard high above you—those corporate powers that be sure want to squeeze as much out of her as possible.

The surprise is that she knows you.

Of course, it's on those screens, or the ones at home, or the ones in their pockets, that most people become acquainted with a girl like Miyeon. Those glossy eyes, her effervescent smile, her delicate but fierce features, of course, they leave an impression. They sell you dreams, products and promises. That's why you can find her all over the place—but the versions of her you can interact with— ones to purchase and enjoy—are another beast altogether.

"Can I help you, miss?" you feign ignorance of her identity as she takes the chair at the other end of your desk.

"I would like to make a purchase."

"A purchase? From me? What could I possibly offer to someone like you? I sell scrap electronics to junkies and fix the broken implants of low-life thugs. How could that possibly interest you?"

She crosses her legs, and says, "Don't play with me. I have seen your work, quite the artist you are, though I wouldn't say you exactly have my mannerisms down. The curve of my mouth, the cadence of my voice—not exactly up to par with the real deal. But as fakes go, you do well with what you have."

You scratch at the back of your head and then catch a bead of sweat forming at your temple, "Think you have the wrong guy, miss. You're talking AI and Virts here. Not my thing, definitely not my forte."

She's quiet as you look around at anything but her face. The grey concrete walls and steel beam of the roof are awfully fascinating suddenly, and then the holos playing on loop above the screens of your makeshift booth—really anything than to have to admit that your life's work consists of making and selling forgeries of people like her. She knows why she's here—the least you could do is be brave and admit to your craft.

"I tried your work myself. Quite the experience. Can't say I ever planned on fucking myself—but well, there's a first time for everything I guess."

There's enough power across your desk to not only shut you down and make it so the only tech you would ever touch again is a pair of electrified cuffs at best, and at worst she could have you put down and silently disposed.

Miyeon continues, "As I say, it wasn't entirely accurate, I'm not actually that loud or aggressive, for the record. But it was fun, so if you're thinking I'm about to expose you, not the case—I'm actually here to invest in your skill. Your art is fun, and I dare say your tastes in women, are spot on."

You let out a small nervous laugh and then say, "I don't usually take requests."

Her pink-painted lips, the gloss shimmering slightly from the bright fluorescent overhead light, form into a delicate, mischievous grin. "I'm willing to make you an offer, one you won't refuse. You get me what I want, and I'll license your work. Think about it. An official Miyeon VirtueX™, think of how lucrative an asset that could be. The whole galaxy's lining up to get a taste—and you would be the only real supply."

You lean forward in your chair to peer at her and ask, "Let's say I was who you think I am, what is it that you want from me?"

"What I want from you," she pauses and tilts her head, her eyes glance across your features briefly and her tongue traces the edges of her teeth. "Is to show me the past." She places a drive on the desk—old-tech, the kind that would never run on any kind of systems that are sold today. "You can get this working, right?"

"Is that a government stamp?" You point to the symbol on the drive. "I plug that in and I'll have execution squads here in under a minute."

"It's all above board. Officially disposed and untracked. I just need to live it, once." Her voice is quiet and pensive.

"Alright. Deal. But those two lumps of metal you call bodyguards have to stay out there, and you're coming through to my studio. If I'm gonna help, you have to play by my rules."

She flashes you a winning smile. You thought you had her pegged down but all this has proved you wrong—there was more to Miyeon than the flashy clothes and the blinding lights, a lot more. And your curiosity is getting the better of you now.

"You know, you're only the third person to ever step in here," you open up the secret passage into the back room, and gesture for Miyeon to step in.

You close the door behind you both and feel the heavy metal slide lock with a hiss.

"The first was me, naturally, and the second left it in a body bag a few years ago."

She doesn't flinch, just brushes past you and sits on the edge of your desk, running a finger along the steel as if surveying the conditions of your equipment. "Hard to imagine you make the stuff you do from a place like this," she says.

"The drive," you say as you hold out a hand.

She passes it over and you examine the shape and material. Most drives these days are designed to interface with neural implant ports or organic docks directly—this is true vintage work. It might have been what some would have called groundbreaking tech a hundred or so years ago. You hook the little device up to your primary work machine and start running tests.

She slides off the table, her hands resting on your shoulders. She bends down, her body pressed into yours as she murmurs near your ear. "How is it?"

"A mess. But a fixable mess. Should have something you can use soon enough."

Miyeon breathes gently in your ear before placing a hand on your arm, "Please, whatever you do, do not look at the contents. It's personal, just let me view it, and live it, one last time. Then you can lock it away again for all eternity and erase the copy from your server. And then you get exactly what you want from me."

You breathe in deeply, a mixture of her perfume and the thick oily scent of hot electronics flooding your brain. "Whatever, it's none of my business anyway. Now take a seat will you." You nod to the chair on the other side of the room.

The drive whirrs softly and a data scan runs to gather all the fragmented encryptions left behind on the device. Miyeon lies flat back on your chair and waits for you to connect her—she holds out her forearm expectantly.

"Come on then," she smiles sweetly and pulls a loose curl behind her ear.

You clamp your eyes tight and inhale. "Here goes nothing." You run the system at the push of a button and all the data you scraped compiles in a memory, one for Miyeon and Miyeon alone to relive. You walk over, drawing the connection from the chair and readying to insert it into her arm. "Connections like these, they can hurt, okay? Are you ready?"

"Do it." She's insistent.

A quick stab of your fingers later and the tiny prongs slide into the barely visible organic slot on her skin. Her head tosses violently and for the first time, there's fear on her face. But as soon as you have her connected, her eyelids begin to flutter. You sit a while, watching her as a million synapses all spark to life behind rolling eyes—whatever the moment is, she is in it. You leave her in peace and sit back at your workstation, waiting.

There's an artificial sensation of the atmosphere becoming slightly humid all around, the lights are a soft pastel blue, and the world is swathed in cotton wool. Silent. You find yourself completely frozen in time. It drags and yet somehow comes to a finish just as you're still adjusting to the quietude.

Miyeon's connection beeps and you turn around, removing the port from your system. She pulls the connection from her arm.

"So, tell me, was it worth the trip down memory lane? You get everything you wanted?" You unplug the old-school hardware and await the confirmation that all the corrupted data's safely expunged from your hard drives.

"Almost everything. But most things, in the end, never get a happy ending, do they?"

"Sounds heavy. The stuff that happened on there, pretty rough, huh."

Her pupils are dilated, the whites of her eyes flooded red. "Like you wouldn't believe." Miyeon climbs from the chair, finding her feet back in the real world after living in another for a precious few minutes. She blinks twice and there's a distinct film over her corneas.

"So that's it? My end of the bargain was fulfilled. And I get my licensed content?"

Miyeon turns and you wonder if that's a tear that's been cast down her cheek. "Sealed and guaranteed. Now let's give you some real data to work with. The right anatomical model, an authentic Miyeon behavioural pattern, every single unique vocal calibration, every erogenous spot, every subtle expression in real-time—have it all. One more condition. I have another memory, a real one in my head, if you make me relive that, you can record it and scrub every detail you need. Are we agreed?"

You nod. "Done. Sit there and we'll connect."

"You're going to manually record?"

"How do you think I get it all so accurate?" you tell her with a smug smile.

She sits and gives a nod. "If it's got to be done." You take a seat behind her, and you both reach over your shoulder to pull the neural connector into your napes and slot them in.

A brief flash of many realities as you slip into her consciousness and she welcomes you to her memory.

A calm setting, sitting in a car, you were driving and she's in the passenger seat. You're parked beside a winding hillside road and looking out over a city. A city you don't recognise. Miyeon's fingers dancing across your thigh with a suggestive gentleness, a sly smile.

"Where are we?" you ask.

"Seoul." Miyeon smiles.

"When are we?"

"2024."

"2024? That's over seventy years ago!"

She laughs. "Yeah? You wanted the real authentic Miyeon, didn't you?"

"Sure, but in 2024? That's just unbelievable. You look the same. How are you so—"

She leans close and traces a finger across the line of your jaw. She stares directly into your eyes and says, "We'll worry about the details later. Right now, you want what I've promised, and you've come this far, so you know what has to be done. We're already where we need to be."

Your senses are engulfed in an emotion and memories that are not your own. All a simulation and all a vivid and overwhelming experience. You're in love with her, that's the overriding feeling—the feeling of whoever she was really with at this time.

"This is the memory of the best sex of my life." She leans close to whisper to you. "So do try your best."

"This is just..." You don't get to finish, she's grabbed your shirt and pulled you close. She kisses you deeply. There is nothing of the daintiness or composure that you're used to, you've lost all your will and she is dragging you out of control. You find yourself consumed with an overwhelming and perplexing ecstasy and the idea of restraint or of reason seems unimportant now. You're driven purely by passion and by instinct—she has to have you and you have to have her, it's almost a compulsion. She's yanking off her seatbelt and reaching for your trousers, clawing at them desperately.

And just like that, you're scrambling at each other's clothes, almost frantic. You have the sensation of her breath across your face, the heat of her lips against your skin. Hands, everywhere. Exploring the curves of her body. A hungry desperation to peel back every layer of fabric to feel more, and more of her. She bites your bottom lip and looks at you with pleading eyes.

"I want you and I want you now." Her lips move like liquid lust and her hand like electricity, the energy tingles when she wraps her fingers around your cock and pulls it free from your pants.

She gasps and then giggles as if pleasantly surprised, a cute and kittenish squeal, she hums with her own approval of her actions.

"I'll be gentle," she whispers, her eyes shining with mischief. She rubs you from tip to base, taking the full length, slowly and teasingly over and again until the blood's pumping and you're at full salute. She's on her knees in the passenger seat and leaning over you. A smirk on her lips, she goes lower and lower still, her tongue warm and wet. Taking your crown into her mouth and enveloping you, her pace slow but sure.

Your hand in her hair, not to control or pressure, just to feel her in the moment. Encourage her, caress the back of her neck and appreciate every moment of pleasure. She takes you deep, deeper into her throat, the heat of her lungs, the power in her movements as she comes off and plunges again and again. It's effortless and instinct, and not for anything other than her own desire to please, and that itself is thrilling, you have to admit.

It's a strange new world for you to have sex without the enhancements of technology. It's so raw.

You sigh and whimper at every suckling pull, your nerve endings raw and singing. Her palms firmly pressing down onto the tops of your thighs, her movements grow slower, more sensual but she sucks harder, the vibrations from the moans of her enjoyment humming through the root of your shaft—fuck, it feels so fucking good, too good. She releases you with a slight gasp for air and a drooling line of spit.

She wipes her lips with a knowing glint in her eyes. "Outside, now." Miyeon doesn't hesitate. Her shirt pulled off and tossed into your face and she's leapt over to the rear passenger door, flinging it open wide, the warm night air rushes in to greet you, along with the sound of crickets. She slams the door shut and you open yours.

You climb out and head to meet her at the front of the car, she's already leaning against the metal hood. The car is one of those muscle cars from back at the time, a real classic ride that suits a woman like her. "Hey you," she rubs her hands against the metal as she leans forward and sprawls herself over it. "Get behind me already," her tongue dancing across her red-stained lips, her chest heaving in excitement, you're as hot and as hard as you'll ever be.

Miyeon tilts her head, watching you closely with half-opened eyes, her pretty pink tongue sticks out between her perfect teeth, and a teasing wink follows. She wiggles her hips, an inviting gesture, her skirt raised to reveal the gentle wobble of her cheeks—she doesn't have underwear, what a perfect minx she is—all bare for you.

She runs a hand down over the hem of her skirt and then raises it fully up over the top of her ass. As glorious as the very stars overhead. You have an overwhelming urge to run your hands across her bare flesh and as you take the first steps towards her, you find your arms reaching and touching and tracing every inch of skin that's exposed.

You run your hands over her cheeks, spreading them, kneading them, Miyeon's letting out soft little noises, encouraging you, inciting you—but fuck, this view... it's exquisite. It's so clear now, that all those fakes, the painstaking hours of recreation, simply did not live up to the real deal, and not just the view, everything is magnitudes superior.

You smooth your palm between her thighs and you part them, pulling her ass to the edge, sliding her legs open, watching as her wetness shines. "Just how badly do you want me?" you ask her.

"Look at me, how can you say something like that? Of course, I fucking want you. I hate having to wait. Come and fuck me."

You guide your cock to sit between her cheeks and rock into it gently, enjoying how those perky cheeks cradle your length and the way her whole body rocks with every movement. "Is it wrong that I love watching you squirm?" you ask, running the palm of your hand over the bare skin, digging your fingers in, grasping a handful and appreciating how it yields under your fingertips.

"Only wrong if I mind, and I don't," Miyeon groans, lifting her hips against you and smothering your dick in her deliciously juicy flesh. She is irresistible. "So what are you waiting for," her voice soft and suggestive. "Go on, you know you want to. You know how much I need it."

You grit your teeth and trace her lips with the tip of your cock, and it's like lightning flashing between you both. Fuck. Her lips are so wet and hot—they're so tantalisingly puffy. She wiggles and gyrates against you as you rest inside her opening. She groans and you're shuddering.

You slide the first few inches and gasp. You both moan softly together as you glide in, she's so much tighter than you had imagined she might feel—every inch that slides inside makes her clench you more.

"Yes," Miyeon is urgent and breathy, her muscles are contracting as though attempting to swallow your entire length. And she's hungry for it. "That's it baby, nice and deep," her words as electrifying as the sensation of her snug walls quivering as she clings on with greed.

"Like this?" you whisper in her ear as you lean over and pin her petite frame against the metal, letting her feel you, all of you. Every inch. And as she moans and shivers under the weight of your body. Your hands reach her shoulders and your fingertips find her neck, circling and caressing and massaging in all the right places—she turns her head as far round as she's able to gaze at you as she hums and gasps with each rolling movement of your hips.

Her teeth biting her bottom lip, her cheeks flushed pink, a complete dream in motion. Her body arches as she urges and wills herself back on you. You groan in return. Everything about her feels unreal in its perfection. She's squeezing against your cock, and her most hidden recesses begin to melt for you.

Miyeon cums like this, and it's without warning. She tenses, her eyes go wide and her mouth hangs open—her silky tunnel clamps tight as a vice grip. And the way she gushes all over you, covering you, she can barely breathe, she can barely let out a cry or a single noise, only ragged breathing as you hold her firmly in place and fuck her through it.

You fuck her without shame or inhibition. She whimpers, a feeble cry, every thrust powerful and deliberate. Miyeon moans what feels like your name and you give another forceful snap of your hips, both hands firmly on her slim and shaking waist. There are no words that can possibly encapsulate her.

"That's it," her breath erratic and shaky. She grinds her ass into you with every forward push, working into a perfect rhythm and going balls-deep with each pump. "Hard." You slam against her ass, the clapping sound of skin against skin—it fills the warm and humid air.

Miyeon cums again. So fucking easy to make her cum. Her beautiful brown eyes are desperate with desire. She shakes, she is panting, "Just like that, keep doing exactly that and I'll lose my damn mind. God, you feel so fucking big."

She's limp now, just taking rough, powerful and blissful strokes—her cries a series of hoarse grunts and weak moans.

You grab her by the waist, hard, she lets out a yelp, and then you're manhandling her, throwing her delicate figure over onto her back. There they are, those perfect little tits, grown red being forced against the metal of the car. Her soppy mess drips out from her thoroughly fucked hole.

"This, is all you wanted right?" You gather her legs and thrust them roughly up and over your shoulders, sliding easily back inside. Her pussy gushing and absolutely soaking. "A good rough fucking. You just love to be used don't you, baby. This is the side of you I've been missing, seeing how you have always been so prim and proper in front of everyone."

"That was your problem, all those homemade VirtueXs made me all commanding when I really just love to be taken." Her breaths are ragged.

"Maybe that's just how I'll be selling you in future then," you say.

She gives a throaty chuckle. "Do whatever the fuck you want, but for now," Miyeon takes a tight hold of her knees, and draws them against her chest. "Make me cum again, please."

You have her absolutely filled with every inch of cock and stretched tight with every savage drive of your hips, again, and again, and again. Sweat forms a light film over every curve and groove of her form. She's gorgeous, she's taking it, and she's loving it. "Let me feel you cum," she breathes between pumps and thrusts, her fingers kneading the flesh of her thighs as she spreads herself as open as is physically possible.

A combination of pressure and adrenaline, you're hammering deep. Miyeon is groaning and pleading. A loud moan, a series of short sharp exhales and whimpers. Those narrow hips are trembling, her slim thighs shake, toes are curled. Her orgasm and invitation for you to join her come as a surge.

You explode. Locked, sheathed so deep and full, you fill her. "Cum so much..." Miyeon sighs in awe. Your climax is euphoria.

Both a sweating, quaking mass of interlocked limbs, you pull away and your drenched cock slips out. "How are you real," you exhale. "Never felt anything like you."

"I am one of a kind." Miyeon laughs gently to herself. "Now let's get back in there and you can fuck me some more."

You're in the backseat now, Miyeon's slender body climbing all over you. She leans in and takes your lips, her sticky lip gloss and the sweet taste of her mouth as she invades with her tongue and leads yours into a frenzy. Her fingertips drag down across your chest. She's positioning herself over your cock.

The beauty of simulation is there's no recovery, only the chasing of the next orgasm, and she's keen to provide the means. She takes you with her eyes closed, a small, grateful moan and she slides herself slowly up and down. Your head arches back with a cry as she holds onto your shoulders and glides her lips down over your shaft.

"Gonna ride you," she whispers as she rocks herself in time with the rise and fall of your breaths. "Ride you until you explode again." Your fingertips squeeze into the supple curves and muscles of her torso.

It is a euphoric ecstasy. Miyeon looks perfect riding a dick. She sinks down low, grinding back and forth. She moves like waves, her hair stuck against her cheek. You take hold and move the strands out of the way, before trailing down the bare skin of her neck and to her tits, groping them firmly.

"Been so long since I last got to do this. Missed how big you are." She grasps the headrest as the speed and intensity of her motions increase. "Yeah, that's it, baby."

Her eyes flutter and her head starts to fall further and further back. Erratic, out of control, wild—she starts slamming her ass down hard. Fucked-slack and oozing, her juices dripping down. She's growing quiet and you watch her expression transform, her eyes turn glassy. You watch her face strain in her pleasure, it's a wonderful sight—pure bliss. Then she erupts into moans as her body convulses and spasms, and all you can do is hold her steady, her hole throbbing tight around you. She gasps, desperate for oxygen, every fibre and nerve singing in harmony.

From one, right into chasing the next, Miyeon lifts herself, turns, presents her ass to you and sits back on your cock. You watch it slip up between her cheeks and disappear inside her cunt once more, she hums a content sigh and leans forward. Miyeon braces herself against the window of the car, looking over her shoulder as she moves.

Her groin rocks and grinds on your shaft in a rolling motion and it's heaven itself. That cute, perky ass smacks on your groin in a sensual motion. Her hand snakes between her legs. Her moans grow in strength and volume. Wet, slippery, soft, Miyeon's fucking you and riding herself to her own orgasm. She starts to tremble. You start to tremble. She's squirming wildly, desperate for her climax, that gorgeous cunt squeezing every inch and driving you crazy.

And you lose it. Another intense explosion that makes you clasp onto her ass and hold it steady. A groan rips through your entire body, and you empty everything you have. She cums the instant she feels the heat spread through her. A unified orgasm. Pure heavenly relief. The energy seems to drift into the air and the car rattles beneath you both. It is incredible. The euphoria is otherworldly.

"Tell me that was good," she asks softly.

"Like you wouldn't believe."

"Again. Again. Please, one more time?"

"It's your head, sweetie. Have at it."

"Hmm, I suppose it is. Then I want to sit on you, and I want it in my ass." Miyeon giggles and slips herself off you, a mixture of your cum and hers falling down her thighs.

"Whatever the fuck you want," you groan, delirious as Miyeon pulls you up to the seat and then takes her place on your lap, she spread her legs out over yours and you take her hips, guiding her ass onto your cum-soaked cock. Everything is a fucking blur but the sensations are turned up to eleven, and there is nothing else that is comparable.

You plant kisses on her hot, sweaty back as you slide her down onto your length. She's twitching, and squirming. You hear her let out a soft gasp of delight at the invasion. The tightness, the constricting squeeze is just...

"Oh yes..." Miyeon breathes softly. "Let me... let me do the work now, let me fuck this big hard dick with my tight ass." She circles her hips, drawing on your cock with a slow, tight, merciless motion. Your world starts spinning all over again. She's slick with sweat, her cheeks grinding on your thighs, the scent and the sex drives you fucking wild. "What a perfect dick. I could do this all day."

You lean your head forward, and sink your teeth into the muscle of her shoulder—a flurry of loud moans from Miyeon as she bounces on your shaft. The sloppy sounds, the music of her pleasures, the clapping slap, it's insane and exhilarating. You lick her sweat from her flesh, tasting her.

She's slick and stretched, clamping around your cock as her pace quickens and turns ragged and urgent. It's a whole other level, it's unparalleled and all-consuming. You're just about ready to blow inside her ass.

"Hold onto me," She pants, grasping your left wrist and bringing it over to her mouth, placing your fingertips upon her tongue and sucking. It is lewd and erotic and exciting and your insides begin to churn and ache.

There's no stopping you now, you erupt again, gripping her waist as your hips buck up on instinct, jamming yourself deep and blowing. Miyeon moans around your fingertips—taking your load while still rubbing her swollen little clit.

"Yes, I love it when I make you cum like that," she murmurs, sliding herself slowly off your half-mast cock and crawling off your lap. She throws herself down on the seat in a heap, peering down at the thick mess of cum dripping out of her freshly fucked orifices, a dazed smile, satiated.

You blink and try to get her into focus but it's to no use—she blurs and vanishes before your eyes. And soon, you're back. Your workshop, in your chair, and still hooked into Miyeon. Still sitting back-to-back, your foreheads damp, breathing hard and ragged. The lights flickering a bright electric blue.

"Incredible," you breathe.

Miyeon sighs. "Yeah..." She detaches the link from behind her ear. Miyeon climbs to her feet, shakily making her way around your workspace. "I'm such a mess," She says, touching under her dress.

"Fuck, yeah me too," you sit there trying to process what just happened.

"I want a copy. The whole thing." Miyeon places a card down on the desk.

"I'll get started."

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are-we-art-yet · 18 days ago

Note

Is AWAY using it's own program or is this just a voluntary list of guidelines for people using programs like DALL-E? How does AWAY address the environmental concerns of how the companies making those AI programs conduct themselves (energy consumption, exploiting impoverished areas for cheap electricity, destruction of the environment to rapidly build and get the components for data centers etc.)? Are members of AWAY encouraged to contact their gov representatives about IP theft by AI apps?

What is AWAY and how does it work?

AWAY does not "use its own program" in the software sense—rather, we're a diverse collective of ~1000 members that each have their own varying workflows and approaches to art. While some members do use AI as one tool among many, most of the people in the server are actually traditional artists who don't use AI at all, yet are still interested in ethical approaches to new technologies.

Our code of ethics is a set of voluntary guidelines that members agree to follow upon joining. These emphasize ethical AI approaches, (preferably open-source models that can run locally), respecting artists who oppose AI by not training styles on their art, and refusing to use AI to undercut other artists or work for corporations that similarly exploit creative labor.

Environmental Impact in Context

It's important to place environmental concerns about AI in the context of our broader extractive, industrialized society, where there are virtually no "clean" solutions:

The water usage figures for AI data centers (200-740 million liters annually) represent roughly 0.00013% of total U.S. water usage. This is a small fraction compared to industrial agriculture or manufacturing—for example, golf course irrigation alone in the U.S. consumes approximately 2.08 billion gallons of water per day, or about 7.87 trillion liters annually. This makes AI's water usage about 0.01% of just golf course irrigation.

Looking into individual usage, the average American consumes about 26.8 kg of beef annually, which takes around 1,608 megajoules (MJ) of energy to produce. Making 10 ChatGPT queries daily for an entire year (3,650 queries) consumes just 38.1 MJ—about 42 times less energy than eating beef. In fact, a single quarter-pound beef patty takes 651 times more energy to produce than a single AI query.

Overall, power usage specific to AI represents just 4% of total data center power consumption, which itself is a small fraction of global energy usage. Current annual energy usage for data centers is roughly 9-15 TWh globally—comparable to producing a relatively small number of vehicles.

The consumer environmentalism narrative around technology often ignores how imperial exploitation pushes environmental costs onto the Global South. The rare earth minerals needed for computing hardware, the cheap labor for manufacturing, and the toxic waste from electronics disposal disproportionately burden developing nations, while the benefits flow largely to wealthy countries.

While this pattern isn't unique to AI, it is fundamental to our global economic structure. The focus on individual consumer choices (like whether or not one should use AI, for art or otherwise,) distracts from the much larger systemic issues of imperialism, extractive capitalism, and global inequality that drive environmental degradation at a massive scale.

They are not going to stop building the data centers, and they weren't going to even if AI never got invented.

Creative Tools and Environmental Impact

In actuality, all creative practices have some sort of environmental impact in an industrialized society:

Digital art software (such as Photoshop, Blender, etc) generally uses 60-300 watts per hour depending on your computer's specifications. This is typically more energy than dozens, if not hundreds, of AI image generations (maybe even thousands if you are using a particularly low-quality one).

Traditional art supplies rely on similar if not worse scales of resource extraction, chemical processing, and global supply chains, all of which come with their own environmental impact.

Paint production requires roughly thirteen gallons of water to manufacture one gallon of paint.

Many oil paints contain toxic heavy metals and solvents, which have the potential to contaminate ground water.

Synthetic brushes are made from petroleum-based plastics that take centuries to decompose.

That being said, the point of this section isn't to deflect criticism of AI by criticizing other art forms. Rather, it's important to recognize that we live in a society where virtually all artistic avenues have environmental costs. Focusing exclusively on the newest technologies while ignoring the environmental costs of pre-existing tools and practices doesn't help to solve any of the issues with our current or future waste.

The largest environmental problems come not from individual creative choices, but rather from industrial-scale systems, such as:

Industrial manufacturing (responsible for roughly 22% of global emissions)

Industrial agriculture (responsible for roughly 24% of global emissions)

Transportation and logistics networks (responsible for roughly 14% of global emissions)

Making changes on an individual scale, while meaningful on a personal level, can't address systemic issues without broader policy changes and overall restructuring of global economic systems.

Intellectual Property Considerations

AWAY doesn't encourage members to contact government representatives about "IP theft" for multiple reasons:

We acknowledge that copyright law overwhelmingly serves corporate interests rather than individual creators

Creating new "learning rights" or "style rights" would further empower large corporations while harming individual artists and fan creators

Many AWAY members live outside the United States, many of which having been directly damaged by the US, and thus understand that intellectual property regimes are often tools of imperial control that benefit wealthy nations

Instead, we emphasize respect for artists who are protective of their work and style. Our guidelines explicitly prohibit imitating the style of artists who have voiced their distaste for AI, working on an opt-in model that encourages traditional artists to give and subsequently revoke permissions if they see fit. This approach is about respect, not legal enforcement. We are not a pro-copyright group.

In Conclusion

AWAY aims to cultivate thoughtful, ethical engagement with new technologies, while also holding respect for creative communities outside of itself. As a collective, we recognize that real environmental solutions require addressing concepts such as imperial exploitation, extractive capitalism, and corporate power—not just focusing on individual consumer choices, which do little to change the current state of the world we live in.

When discussing environmental impacts, it's important to keep perspective on a relative scale, and to avoid ignoring major issues in favor of smaller ones. We promote balanced discussions based in concrete fact, with the belief that they can lead to meaningful solutions, rather than misplaced outrage that ultimately serves to maintain the status quo.

If this resonates with you, please feel free to join our discord. :)

Works Cited:

USGS Water Use Data: https://www.usgs.gov/mission-areas/water-resources/science/water-use-united-states

Golf Course Superintendents Association of America water usage report: https://www.gcsaa.org/resources/research/golf-course-environmental-profile

Equinix data center water sustainability report: https://www.equinix.com/resources/infopapers/corporate-sustainability-report

Environmental Working Group's Meat Eater's Guide (beef energy calculations): https://www.ewg.org/meateatersguide/

Hugging Face AI energy consumption study: https://huggingface.co/blog/carbon-footprint

International Energy Agency report on data centers: https://www.iea.org/reports/data-centres-and-data-transmission-networks

Goldman Sachs "Generational Growth" report on AI power demand: https://www.goldmansachs.com/intelligence/pages/gs-research/generational-growth-ai-data-centers-and-the-coming-us-power-surge/report.pdf

Artists Network's guide to eco-friendly art practices: https://www.artistsnetwork.com/art-business/how-to-be-an-eco-friendly-artist/

The Earth Chronicles' analysis of art materials: https://earthchronicles.org/artists-ironically-paint-nature-with-harmful-materials/

Natural Earth Paint's environmental impact report: https://naturalearthpaint.com/pages/environmental-impact

Our World in Data's global emissions by sector: https://ourworldindata.org/emissions-by-sector

"The High Cost of High Tech" report on electronics manufacturing: https://goodelectronics.org/the-high-cost-of-high-tech/

"Unearthing the Dirty Secrets of the Clean Energy Transition" (on rare earth mineral mining): https://www.theguardian.com/environment/2023/apr/18/clean-energy-dirty-mining-indigenous-communities-climate-crisis

Electronic Frontier Foundation's position paper on AI and copyright: https://www.eff.org/wp/ai-and-copyright

Creative Commons research on enabling better sharing: https://creativecommons.org/2023/04/24/ai-and-creativity/

#ai art #ai art discourse #discourse #ai discourse

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revelboo · 4 months ago

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HELLO I was the anon who got a random blockee and was hoping for the soundwave figures and while I didn't get him I got Scavenger and he has my whole heart 😭😭😭 he's my lil booboo 🥰🥰 (I will be ordering soundwave tho and more I'm doomed)

He’s lonely. He needs friends 😃 Scrapper finally showed up after his tracking stopped updating Dec 31st and he disappeared off the face of the Earth. Two more to go.

Drive Pt 4

Constructicons x Reader

• “Thank you?” Part of you wants to ask if they’d hurt anyone stealing this stuff for you, but honestly? You’re scared to. Because it looks like Long Haul and Bonecrusher probably went on a crime spree. And Bonecrusher just keeps producing stuff out of nowhere to add to the pile. Food, clothes, small electronics, soaps and candles. Maybe they’d just demolished a mall? They mean well and they’re trying to take care of you, but you really hope they didn’t hurt anyone. Even as a guilty part of you is ridiculously excited about the food and soap.

• Bending, Long Haul begins setting your new things in the mini habsuite they’d made you. Noting that Scrapper and Scavenger had been busy while he’d been out and had tapped into the base water lines to make you a tiny wash rack and waste disposal area. Your little habitat now even bigger as they all keep adding to it. “You needed food and human stuff,” Long Haul mutters, embarrassed when you offer him a small smile. And it’s not like he’d minded. Getting to really let loose and destroy things had felt good. Freezing when you limp closer and lay a soft hand on his ped, he hesitantly brushes a servo over your head before turning away. “It’s either feed you or watch you die,” he adds gruffly, uncomfortable with your affection.

• Venting as you smile up at Long Haul, Bonecrusher reaches to gently scoop you up. Feeling little hands on his servos as he carries you over to his berth and lays back carefully rubbing your jaw. So small you feel insubstantial in his hands, and something about that fragility fascinates him. “You missed us?” He asks, stilling as you grab his servo and smile up at him like you’re not the least bit frightened. That trust shocking him. How can you be so small and not cower?

• Watching Long Haul pimping out your alien, Barbie dream house, you wrap your arms around Bonecrusher’s servo to keep him from petting from neck to navel and further south. It’s not like he knows better or means anything by it, but putting a stop to it as quickly as possible seems a smart move. “It was quiet,” you say opting for honesty. Because the six of them are constantly laughing and jostling each other. Loud and raucous in a way that reminds you of a frat house. Complete with the alcohol, or high grade as they’d called it. After realizing you’re safe as long as you play along at being their collective pet, you’d started consciously trying to make friends. After all, your survival depends on them.

• “Must have been boring,” Long Haul calls from the floor as he arranges boxes of food stuffs in a tidy pile in a corner. You’ll need storage space so this stuff isn’t just lying around. “I’m thinking cabinets and shelves,” he adds, looking at where Mixmaster and Hook are working on reports. Waiting for Mixmaster to vent at him, but set aside his report to help.

• Glancing at his brothers fussing with your space again, Hook checks on you and Bonecrusher. Making sure the much bigger mech isn’t being too rough with you, but so far he’s been shockingly gentle. And right now the huge mech is making a grumbling purr of his engines at you. Something he’d call out anyone else for. Getting punched in the face by Bonecrusher not exactly on his to do list, though, because his brothers definitely don’t warrant the same gentleness you do.

#transformers x reader #constructicons x reader #constructicons #idw long haul #mixmaster #idw scrapper #idw scavenger #bonecrusher #idw hook

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three-dee-ess · 11 months ago

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Hey I saw your post about the puffy battery and my 3DS has that (it’s starting to crack the case). I knew it was affecting the battery life but I didn’t know that it was dangerous. How would you go about repairing/replacing this?

ok this is going on my FAQ after this. possibly in my pinned post.

Contact your local *non emergency* number and ask them how to dispose of a puffy lithium ion battery. Follow their instructions.

To remove the battery from the case (which is the best thing to do in that situation) follow the instructions linked in my pinned post "for physical 3DS issues" (https://www.ifixit.com/Device/Nintendo_Handheld_Console)

Be as careful as possible to NOT puncture the battery.

for getting a replacement, just look at the number on your 3DS's battery and type that into amazon. Should be plenty of results, all around $10~$20 USD and they should work perfectly fine. check the reviews if you are worried.

Again, if you have any battery that is bending or breaking the case, is is a legitimate explosion hazard. That battery can explode into a fiery ball of toxic gas. It is in your best interest to dispose of it as soon as possible.

this also goes for batteries inside of ANY electronic device. Switch batteries, macbook batteries, phone batteries, electric bike batteries are also examples of lithium ion batteries that get a lot of usage and often can get overcharged.

resource links:

#also lithium ion battery fires are notoriously difficult to put out and are filled with toxic fumes.#i am being fully serious when I say you need to get rid of them ASAP.#they won't spontaneously catch fire but i wouldn't want to keep a bomb in my house #even if i know they won't explode unless disturbed. like it's just not worth the risk #asks #PSA #3DS post

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bittycmd · 3 months ago

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AU name drop & small info dump

That's right. I've finally decided on the name after weeks...

MURDER DRONES: ONE SMALL CHANGE is now the official name I will be using for the AU regarding this small silly drone who regained her independence from eldritch horror caused by rich Australian Victorian larpers who were bad at disposing electronics by somehow separating herself by changing herself into small drone from the tail of an angsty teen drone who dates a pseudovampire killer drone remade by said eldritch horror. And it will follow the consequences of that one small change.

While it was originally just a silly little joke of 'what if smol cyn, cmol lol lmao' my brain somehow started formulating ideas for the comic with story and I cannot stop it, so uhh you will be getting some cool plot stuff.

So far I have plan to make some preludes to set the base for the whole story and a first main story comic "afterparty", how many there will be I have no idea.

I still have no idea if I should make separate side blog for the whole thing to work as I have an idea how to organize the whole comic into manageable, easy to read & navigate format.

But with the name finally chosen, that means I will need to edit some the pinned post and add new tags to existing ones.

I totally worked on the comics the whole time and not been procrastinating by playing Apollo Justice and Ace Attorney Investigations games

#cmol #md au #md one small change #md au info

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literaryvein-reblogs · 4 months ago

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Writing Notes: Retronyms

Acoustic guitar - distinguished from electric guitar

Analog watch - distinguished from digital watch

Bar soap - distinguished from liquid soap, body wash

Brick-and-mortar - distinguished from online businesses

British English - distinguished from American English, Australian English, Indian English, etc.

Combustible cigarette - distinguished from electronic cigarette, e-cigarette, etc.

Corn on the cob - distinguished from corn cut from the cob

Film camera - distinguished from video camera, digital camera

Hot chocolate - distinguished from chocolate bars

Live music - distinguished from recorded music

Manual typewriter - distinguished from electric typewriter

Online - distinguished from offline

Organic food - a long time ago, all food was what we now consider "organic"

Outdoor rock climbing - distinguished from indoor rock climbing

Regular coffee - distinguished from decaffeinated coffee

Rotary phone - distinguished from touch-tone phone

Scripted show - distinguished from reality show

Silent film - distinguished from sound film, talkie

Slow food - distinguished from fast food

Whole milk - distinguished from skim milk, 2% milk, etc.

Retronym

A new term created from an existing word in order to distinguish it from the meaning that has emerged through progress or technological development.

Describes an original after a new version has shown up.

Can be objects (pedal bike), experiences (snow skiing), or even places (meatspace).

Example: Cloth diaper is a retronym necessitated by the fact that diaper now more commonly refers to a disposable diaper.

The oldest print usage that we know of for the word retronym itself is from William Safire's column "On Language" in a 1980 issue of The New York Times. There, he discusses how then-president of National Public Radio, Frank Mankiewicz, collects what he calls "retronyms."

Sources: 1 2 ⚜ More: Notes & References ⚜ Writing Resources PDFs

#retronym #language #langblr #writing reference #writeblr #writing prompt #literature #writers on tumblr #dark academia #spilled ink #creative writing #light academia #words #writing inspiration #writing ideas #history #writing resources

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reasonsforhope · 10 months ago

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I'm worried about electronic waste, e-waste recycling, and such loss of resources.

That's real. For what it's worth, I think it's something we're going to get a LOT better at. The raw materials - and even partially depleted materials that can be downcycled - are too valuable to be left forever.

Tip for anyone worried about e-waste or looking to be more environmentally conscious: Whenever I have something electronic that dies (this includes batteries, power cords, string lights, and vapes), I stick it in an out-of-the-way drawer, and then once every year or two, I bring it all to either an e-waste recycling place or an e-waste disposal place (which, my understanding is most e-waste disposal places do a lot of materials reclamation as well, though if I'm wrong someone please correct me). I just look online to find a place.

Sometimes it's a bit of a drive, but it's so worth it. I encourage others to do the same!

Anyway, here's some headlines about e-waste to hopefully lift your spirits:

^That's Western Australia, not Washington state.

#dyingpleasehelp #ewaste #e waste #waste disposal #electronics #recycling #batteries #lithium #rare earth metals #good news #hope #united states #australia #rwanda

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mariacallous · 6 days ago

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As President Donald Trump’s tariff turmoil continues, it becomes increasingly clear that this unpredictability in the US will create economic stress for American businesses and residents. But as with other types of commercial turbulence, the people who will be hit the hardest are those with lower incomes.

Trump's tariff policy on goods imported into the US carves out some exceptions for smartphones and small electronics, but experts say the prices for those devices will still rise since the companies who manufacture them will incur added costs throughout their supply chains as the trade war continues to escalate.

And while many buyers shopping for a premium device may be able to afford an extra $100 or $200 tacked onto the price of a phone or laptop that already sells for over $1,000, those buying lower-priced personal tech will feel the squeeze more.

“The challenge is that the people buying low-price products are often the ones who are most price-sensitive and are most harmed by this,” says Shawn DuBravac, chief economist for the electronics trade association IPC. “Generally, lower-priced products have thinner margins, and this holds true across nearly all categories.”

Cheaper cars, entry-level smartphones, and budget laptops and tablets all make less profit per unit than their premium-model counterparts. That means that, unlike with flagship phones and laptops or high-end gaming PCs, companies need to sell more of the cheaper devices to make the effort of building them pay off. If the extra cost added by tariffs makes people buy less stuff, it means the logic behind selling them in the US at all makes less sense.

“The logic is pretty simple: Lower-priced products compete more heavily on price, which squeezes margins,” DuBravac says. “At the same time, they're typically produced in higher volumes, and the business model often relies on scale to make up for the thin margins.”

The president has gone back and forth on which devices will be exempt from tariffs. Regardless of how Trump’s tariffs ultimately play out, which rates he deescalates, or which costs companies are able to wriggle their ways out of, what’s likely to happen regardless is that all that uncertainty could lead to a wider increase in inflation across the economy. Stuff getting more expensive begets more stuff getting expensive.

Anshel Sag, principal analyst at Moor Insights & Strategy says that inflation, in this economy, can be almost impossible to wind down.

“My biggest fear is that because this will drive inflation up, it will create a significant drain on people's disposable incomes and consumption will plummet as a result of these policies,” Sag says. “Even if a lot of these things get ironed out and agreements are struck, it's going to still result in higher inflation and lower buying power for the consumer.”

Of course, the rising cost of consumer tech isn’t the only force causing financial fragility among poorer Americans. Trump is also set on even more budget cuts that would overhaul and defund federal housing programs for low-income people. In April, the administration purged thousands of employees from the US Department of Health and Human Services, among them the entire staff of the Low Income Home Energy Assistance Program, an agency that literally keeps the lights on for some low-income families. Since January, layoffs of thousands of people across social security, Veteran’s Affairs, and USAID departments could drag down the health, well-being, and buying power of the people who can’t afford to manage without these services.

“What ends up happening is people don't make purchases,” Sag says. “They get stuck with older tech. And it puts kids at a disadvantage in schools. It may even affect people's ability to find a job or be able to work independently.”

The RAPID Survey Project, a research program run by Stanford University’s Center on Early Childhood, collects data on the livelihoods and economics of how more than 22,000 people have been faring since 2020. The Center’s director, Philip Fisher, says that since the survey started, 30 percent of people in US households surveyed have indicated they aren’t able to pay for basic needs. That percentage scales almost directly with inflation. The higher prices are, the less people can afford.

“Our anticipation is that percentage is just going to continue to go up as the tariffs continue to work their magic,” Fisher says.

Those price increases are a particular problem for income-insecure households with young children. Beyond an inability for parents to supply kids with their basic needs, the same price uncertainty that has made the stock market go ballistic is likely to affect families as well.

“When so much is changing so quickly at the national level,” Fisher says, “It filters down to families and to communities and then ultimately to the experiences that kids are having.”

Beyond poverty, price hikes can also create problems for people at the margins of society and the institutions that look out for them.

Terah Lawyer‑Harper is executive director of CROP, or Creating Restorative Opportunities and Programs, a nonprofit that receives funding from California’s Department of Corrections and Rehabilitation and aims to help former prisoners and reduce recidivism. She worries that tariffs will make it much harder to support former inmates looking to reintegrate into society.

“Technology and devices such as smartphones and laptops are the key connectors to everything we do today in society,” Lawyer‑Harper says.

A formerly incarcerated person herself, Lawyer‑Harper says someone being released from prison without any resources or tools to engage with society is a recipe for recidivism. Organizations like CROP aim to help provide digital literacy skills and capabilities to access and reenter the job market. Higher charges on products across the board, and specifically on devices like phones and laptops, are going to limit what aid agencies like CROP can do to help the people who need it most.

“What kind of neighbor do you want?” Lawyer‑Harper says. “Do you want a neighbor that is successful in their job, that has a mindset and understanding of accountability and responsibility, that has secured housing and is stable? Or do you want someone that's struggling and that is going to kick into survival mode and go back to criminal thinking because that's all they know?”

President Trump has encouraged citizens to “hang tough” while he tries to motivate companies and trade partners to move manufacturing to the US. (A feat that his administration cut support for and is otherwise borderline impossible to make happen in a world with a functional global economy.) For many people, hanging tough will be the only option. And it might not be enough.

“This is kind of a more societal issue that goes beyond manufacturing,” DuBravac says. “Are we exacerbating a digital divide that we don't need to?”

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elbiotipo · 6 months ago

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In Cyberpunk RED there is an interesting setting bit about how supply chains have completely collapsed with the global crises and the collapse of the global internet (in Cyberpunk networks are local, the "Old Net" that we know today is no more and it's Haunted) where it says that you can find whole containers of smartphones and other consumer products stranded in ports, adrift ships, warehouses, etc. but the factories that produce them are long shut down.

The supply chain to build our current electronics and other such complex tools for cheap are so complex that this is distressingly possible. The world saw a spike of inflation because of supply issues during COVID but that would be nothing compared to a war in the Pacific, for example. If a couple semiconductor factories shut down, the entire supply chain that produces consumer electronics collapses. No more cheap disposable smartphones (which, in any case, are only possible through the explotation of the global south), but also, probably not any electronics at all for a couple decades.

just in case, try to take good care of your old laptop

#cosas mias #of course it isn't wholly realistic because in a world where the supply chains to build smartphones are no more #you also couldn't do technologically complex bionic implants #but it's good worldbuilding nevertheless #cyberpunk #cyberpunk red

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mostlysignssomeportents · 1 year ago

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Electrons, not molecules

I'm on tour with my new, nationally bestselling novel The Bezzle! Catch me in TUCSON (Mar 9-10), then SAN FRANCISCO (Mar 13), Anaheim, and more!

When hydrocarbon barons do their damndest to torch the Earth with fossil fuels, they call us dreamers. They insist that there's a hard-nosed reality – humanity needs energy – and they're the ones who live in it, while we live in the fairy land where the world can run on sunshine and virtuous thoughts. Without them making the tough decisions, we'd all be starving in the frigid dark.

Here's the thing: they're full of shit.

Mostly.

Humanity does need energy if we're going to avoid starving in the frigid dark, but that energy doesn't have to come from fossil fuels. Indeed, in the long-term, it can't. Even if you're a rootin' tootin, coal-rollin' climate denier, there's a hard-nosed reality you can't deny: if we keep using fossil fuels, they will someday run out. Remember "peak oil" panic? Fossil fuels are finite, and the future of the human race needn't be. We need more.

Thankfully, we have it. Despite what you may have heard, renewables are more than up to the task. Indeed, it's hard to overstate just how much renewable energy is available to us, here at the bottom of our gravity well. I failed to properly appreciate it until I read Deb Chachra's brilliant 2023 book, How Infrastructure Works:

https://pluralistic.net/2023/10/17/care-work/#charismatic-megaprojects

Chachra, an engineering prof and materials scientist, offers a mind-altering reframing of the question of energy: we have a material problem, not an energy problem. If we could capture a mere 0.4% of the sun's rays that strike the Earth, we could give every person on the planet the energy budget of a Canadian (like an American, only colder).

Energy isn't just wildly abundant, though: it's also continuously replenished. For most of human history, we've treated energy as scarce, eking out marginal gains in energy efficiency – even as we treated materials as disposable, using them once and consigning them to a midden or a landfill. That's completely backwards. We get a fresh shipment of energy every time the sun (or the moon) comes up over the horizon. By contrast, new consignments of material are almost unheard of – the few odd ounces of meteoric ore that survive entry through Earth's atmosphere.

A soi-dissant adult concerned with the very serious business of ensuring our species isn't doomed to the freezing, starving darkness of an energy-deprived future would think about nothing save for this fact and its implications. They'd be trying to figure out how to humanely and responsibly gather the materials needed for the harvest, storage and distribution of this nearly limitless and absolutely free energy.

In other words, that Very Serious, Hard-Nosed Grown-Up should be concerned with using as few molecules as possible to harvest as many electrons as possible. They'd be working on things like turning disused coal-mines into giant gravity batteries:

https://www.euronews.com/green/2024/02/06/this-disused-mine-in-finland-is-being-turned-into-a-gravity-battery-to-store-renewable-ene

Not figuring out how to dig or flush more long-dead corpses out of the Earth's mantle to feed them into a furnace. That is a profoundly unserious response to the human need for energy. It's caveman shit: "Ugh, me burn black sticky gunk, make cave warm, cough cough cough."

Enter Exxon CEO Darren Woods, whose interview with Fortune's Michal Lev-Ram and editor Alan Murray contains this telling quote: "we basically focus our technology on transforming molecules and they happen to be hydrogen and carbon molecules":

https://fortune.com/2024/02/28/leadership-next-exxonmobil-ceo-darren-woods/

As Bill McKibben writes, this is a tell. A company that's in the molecule business is not in the electron business. For all that Woods postures about being a clear-eyed realist beating back the fantasies of solarpunk-addled greenies, Woods does not want a future where we have all our energy needs met:

https://billmckibben.substack.com/p/the-most-epic-and-literal-gaslighting

That's because the only way to get that future is to shift from molecules – whose supply can be owned and therefore sold by Exxon – to electrons, which that commie bastard sun just hands out for free to every person on our planet's surface, despite the obvious moral hazard of all those free lunches. As Woods told Fortune, when it comes to renewables, "we don’t see the ability to generate above-average returns for our shareholders."

Woods dresses this up in high-minded seriousness kabuki, saying that Exxon is continuing to invest in burning rotting corpses because our feckless species "waited too long to open the aperture on the solution sets terms of what we need as a society." In other words, it's just too late for solar. Keep shoveling those corpses into the furnace, they're all that stands between you and the freezing, starving dark.

Now, this is self-serving nonsense. The problem of renewables isn't that it's too late – it's that they don't "generate above-average returns for our shareholders" (that part, however, is gospel truth).

But let's stipulate that Woods sincerely believes that it is too late. It's pretty goddamned rich of this genocidal, eminently guillotineable monster to just drop that in the conversation without mentioning the role his company played in getting us to this juncture. After all, #ExxonKnew. 40 years ago, Exxon's internal research predicted climate change, connected climate change to its own profits, and predicted how bad it would be today.

Those predictions were spookily accurate and the company took them to heart, leaping into action. For 40 years, the company has been building its offshore drilling platforms higher and higher in anticipation of rising seas and superstorms – and over that same period, Exxon has spent millions lobbying and sowing disinformation to make sure that the rest of us don't take the emergency as seriously as they are, lest we switch from molecules to electrons.

Exxon knew, and Exxon lied. McKibben quotes Woods' predecessor Lee Raymond, speaking in the runup to the Kyoto Treaty negotiations: "It is highly unlikely that the temperature in the middle of the next century will be significantly affected whether policies are enacted now or 20 years from now."

When Woods says we need to keep shoveling corpses into the furnace because we "waited too long to open the aperture on the solution sets terms of what we need as a society," he means that his company lied to us in order to convince us to wait too long.

When Woods – and his fellow enemies of humanity in the C-suites of Chevron and other corpse-torching giants – was sending the arson billions to his shareholders, he held back a healthy share to fund this deceit. He colluded with the likes of Joe Manchin ("[D-POLLUTION]" -McKibben) to fill the Inflation Reduction Act with gifts for molecules. The point of fantasies like "direct air carbon-capture" is to extend the economic life of molecule businesses, by tricking us into thinking that we can keep sending billions to Exxon without suffocating in its waste-product.

These lies aren't up for debate. Back in 2021, Greenpeace tricked Exxon's top DC lobbyist Keith McCoy into thinking that he was on a Zoom call with a corporate recruiter and asked him about his work for Exxon, and McCoy spilled the beans:

https://pluralistic.net/2021/07/01/basilisk-tamers/#exxonknew

He confessed to everything: funding fake grassroots groups and falsifying the science – he even names the senators who took his bribes. McCoy singled out Manchin for special praise, calling him "a kingmaker" and boasting about the "standing weekly calls" Exxon had with Manchin's office.

Exxon's response to this nine-minute confession was to insist that their most senior American lobbyist "wasn't involved at all in forming policy positions."

McKibben points to the forthcoming book The Price Is Wrong, by Brett Christophers, which explains how the neoclassical economics establishment's beloved "price signals" will continue to lead us into the furnace:

https://www.versobooks.com/products/3069-the-price-is-wrong

The crux of that book is:

We cannot expect markets and the private sector to solve the climate crisis while the profits that are their lifeblood remain unappetizing.

Nearly 100 years ago, Upton Sinclair wrote, "It is difficult to get a man to understand something, when his salary depends on his not understanding it." Today, we can say that it's impossible to get an oil executive to understand that humanity needs electrons, not molecules, because his shareholders' obscene wealth depends on it.

Name your price for 18 of my DRM-free ebooks and support the Electronic Frontier Foundation with the Humble Cory Doctorow Bundle.

#pluralistic #bill mckibben #exxon #exxonknew #solarpunk #climate #climate emergency #climate crisis #gaslighting #guillotine watch #Darren Woods #incentives matter

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