#How to create an nft

[darcyolsson]

in loving memory of tumblr's april fools' pranks 💐 2014 - 2024

icymi, tumblr used to do an elaborate april fool's prank every year, but this year they suddenly stopped. here's a somewhat detailed recap of everything they did over the decade:

2013 - mishapocalypse (honourable mention): tumblr staff didn’t start doing april fools until 2014, but the mishapocalypse happened on tumblr in 2013 and i feel like this list would be incomplete without it

2014 - tumblrpro: upon opening your dash you were greeted by an “inspirational” video, that ended with the option to get “tumblrpro (for free)”. all it did was put a top hat on your icon.

2015 - tumblr executivesuite/coppy: a copying machine appeared in the corner of your dash. it would offer tips on how to use tumblr, like clippy the paperclip used to do in microsoft word. as the day went on, it slowly broke down and died right in front of your eyes. many people hated him (but not me). you could also make a (small) spreadsheet. @executivesuite2016 is the official blog.

2016 - this is decision/lizard election/tumblrdecides: a parody of the 2016 US elections. there were 4 lizards (well, one of them turned out to be a salamander in a scandal) to vote for. the dash looked different and there was a live news report with election updates, as well as an election blog for each lizard. they all had their own slogans and you would get an "i voted" button after you voted that would get slapped next to your icon. there were built-in functions to make an election poster for your favourite lizard and to create a text post that supported your lizard of choice that autogenerated a statement for all your followers to read. imo tumblr’s april fools peak. @thisisdecision2016-blog is the official blog, @mop-2016-blog @wretchedtooth @timefordeborah-blog were candidates. rick also had a blog (rick-official) but that now seems to have vanished because he ended up dropping out of the election. mop won, if you're curious. by far the most elaborate prank tumblr ever did.

2017 - horse friend: a tamagotchi-inspired game where you had to take care of a little horse in the corner of your screen. it came with a randomly generated name, and you had to feed and clean up after it. if you didnt take good care of it, it died. you could then hatch (yes, hatch) a new one. there was also an option to look at the names of all your dead horses. this is now available to buy in the tumblr shop. @horse-friends is the official blog.

2018 - tumblcoin: a parody of cryptocurrency (this was the year bitcoin took off). you could ‘invest’ in tumblcoin, with which you could in turn buy things with to spice up your dash, including last year’s horse friend, coppy from 2015, and a frame for around your icon. you could share the amount of tumblcoin you owned in an automatically generated gif post which would be tagged #tbc2018 and #tumblcoin. @tumblcoin is the official blog.

2019 - @memories: this blog still functions the way it did on april fools itself! it's like mad libs, where it takes post templates and then adds in tags you use a lot and users you frequently interact with on your main blog. like a personalized shitpost bot.

2020 - group chat prank/@storybot: it was so hard to find info on this because it was contained entirely in the now-defunct group chat function, which no one used. i had to go through the notes of this post for information because no one cared enough to actually write anything explaining it. turns out, you could write a story with your mutuals by adding storybot to your group chat. it also kept working after april fools (well, up until the group chats were deleted) just like memories. many people missed out on it entirely because they did not use the group chat function.

2021 - tumblcryptids: tumblr allowed you to adopt “non-fungible tumblcryptids”, a parody of NFTs. clicking a button that said "Summon thy Tumblrcryptid" would spawn an image of a little blob-shaped creature with a short description, which would always read "Hi! My name is [randomly generated name]. I love [thing most people like]. I hate [thing most people dislike]. Like my parent, I can't get enough of #[tag from your main blog]." you could share them in a post, which would automatically add the tag #NFTumblcryptids to your post. and yes, people on the piss on the poor website freaked out about it because they thought they were real NFTs harming the environment. @tumblcryptidadoptioncenter is the official blog.

2022 - click-a-thon: when you clicked a light switch on your dashboard, a bunch of colourful things showed up, like a sponge you could move around, an "engagament meter", clickable buttons, and a “Summon Crab!” button, which would summon a crab when you clicked it. you could. the crabs, like horse friend, are still available in the tumblr store as of 2025. here's some screenshots. there were various ways to share your crab activities, which would all get tagged #april fools 2022. the prank was presented as a marketing technique created by Brick Whartley, a fictional businessman character created by tumblr, who (afaik) originated in a post on the official blog of the 2018 april fools prank, albeit originally in a different role. around this time he also started functioning as the mascot for tumblr's shop ( @emporium )

2023 - abstract reactions (emoji reacts): buttons were added to every post that allowed you to add emoji reactions, many of them based on tumblr inside jokes (horse as a reference to horse plinko/horse friend, vanilla for the vanilla extract meme, pikaman, bug for bug race, and brick whartley, who wasn't a meme but staff really wanted him to be). if one specific emoji was used a certain amount of times it would add an effect to the post, eg many cheese emoji reacts would cover the post in cheese. this was also attributed to Brick Whartley ("his" blog @brickwhartley also documented the day)

2024 - boop-o-meter: allowed you to “boop” other users who had opted in to the booping, like facebook’s poke feature back in the day. depending on how long you held the button, you would either boop, super boop, or evil boop. on the dashboard there was a counter for both how many times you had booped others and how many times others had booped you, as well as how many boops were given side-wide. when booping someone, an image of a cat paw appeared. you would get badges (which can still be used) for booping 1, 100 and 1000 times. if you gave/received more than 999 boops, the counter would switch to showing a three-letter word (see this post for specifics). this was brought back for halloween 2024 (as BOOp-o-meter. get it), with a ghost, skeleton and mummy paw. no official blog, but here's an official recap for april first from staff. i believe this was the only april fools prank that was mobile user friendly.

2025 - @fandom is running some polls, i guess

[rich4a1]

Building Your Own Music NFT Marketplace

Building Your Own Music NFT Marketplace: A Comprehensive DIY Guide for Indie Musicians If you’re an indie musician eager to gain more control over your music distribution and deepen connections with your fans, creating your own NFT marketplace might be the perfect strategy. NFTs (Non-Fungible Tokens) have transformed how digital art, music, and collectibles are owned and sold, offering musicians…

[techoliviabennett]

[havinganormalone]

on

This really makes the Studios costing themselves even more money (and getting more unions involved) by prolonging the strike for the promise of free ai labor even more fucking funny. you dumb fucking bastards lol

[antonyshelton]

Build the Future of Gaming with Crypto Casino Development Solutions

[8pxl]

BEGINNERS GUIDE TO BLUESKY

Hiya! Curious about joining bluesky but intimidated by all the features? Already on bluesky but want to learn more? Then welcome to my quick guide on getting started and navigating bluesky!~

What is Bluesky?

it’s a social media site that’s owned by no single person or company. it's aim is to bring back the early days of twitter before bots, elon musk or algorithms took over. Personally I find the site really cozy, wholesome, and engaging. my Bluesky account for example

What’s unique about Bluesky?

→ CUSTOMIZATION: ‎‎‎‎‎‎‎‎your timeline is very easy to control. There’s tons of options, so be sure to go through each tab in your settings. some options include: turning off autoplay, changing the order in which threaded replies show, changing DM settings, content preferences and lots of visual app settings.

→ MODERATION LISTS: human made, mass blocklists. These are public lists of accounts that when you subscribe to you automatically block or mute everyone in that specific blocklist. A great way to avoid unwanted content, and interactions. ✦ Moderation lists I recommend will be below the cut

→ STARTER PACKS: recommendation lists on who to follow, made by users. You can even curate your own starter pack of recommendations! ✦ Starter pack recommendations will be below the cut

→ FEEDS: public timelines, basically. There are a lot of feeds you can join, or you can even create your own. I made a feed featuring just my pixel art so it doesn’t get cluttered with text posts or other photos in my media tab. ✦ I’ll post feeds I recommend below and link you to a tutorial on how to create your own feed

→ BLOCKING/MUTING: bluesky has a great blocking system. When you block someone they can no longer see, or interact with you. They also have a feature to make your blog inaccessible unless logged in. you can also mute specific people, delete post replies, and even detach your post from a reblog. You can also mute specific words, phrases, tags etc.

→ NSFW: bluesky allows NSFW content, including artwork, porn, lewds etc. They also have a great moderation page to avoid the content completely, censor the content, or show it if you’d wish. ✦ just go to settings > moderation > toggle on NSFW settings and it’ll let you heavily moderate.

→ LABELS: this is a really cool feature on the site, you can subscribe to certain pages that enable a lot of fun/useful labels that help you in different ways! (like pronoun tags, artist tags etc) ✦ Labels to browse will be posted below

→ COMMUNITIES: the vastly diverse communities really feel like the best parts of tumblr. since you can so heavily curate your experience, it can really feel like a calming oasis. Mine is mostly artists, and other creatives.

there’s also a large community of professional artists, art directors, authors, celebrities, and even the best shitposters from twitter. the app really is what you make of it but it’s thriving right now.

RECOMMENDATIONS & LINKS BELOW ⬎

→ MODERATION LISTS:

HATE SPEECH: NAZIS | MAGA | MAGAv2 | MAGAv3 | TRANSPHOBES & HOMOPHOBES | FAR RIGHT | FAR RIGHTv2 | FAR RIGHTv3 | ELON MUSK FANBOYS | ANTI-BLACK | ANTI-VAX

NFT/AI/CRYPTO: MASTERLIST | AI/NFT | AI/NFTv2 | AI FANBOYS | CRYPTO | NFTs

SPAM/SCAMMERS: SPAMBOTS | BOTS | CONTENT SCRAPERS | CONTENT FARMING

✦ to block or mute everyone in the blocklist at once, click subscribe in the top right corner:

→ STARTER PACKS:

ART: PIXEL ART | PIXEL ARTv2 | WOMEN OF PIXEL ART | BADASS DIGITAL ARTISTS | MAGIC THE GATHERING ARTIST | PAINTERS OF BLUESKY | INDIE COMIC CREATORS | LGBTQIA+ COMIC CREATORS | WEBCOMICS ULTIMATE COLLECTION

GENERAL: WOMEN OF BSKY | AUTHORS | LGBTQ NEWS

SHITPOSTERS: JUNIPER | JUNIPERv2 | MASTERLIST | SCIENCE SHITPOSTERS

✦ for more niche starter packs, use the search function. search your specific interest and ‘starter pack’ and you’ll find some!

→ FEEDS:

DISCOVER | WHATS TRENDING | MENTIONS | ART | TRENDING ART

THE GRAM: a timeline for exclusively image posts from those you follow. no textposts etc. ONLYPOST: similar to the gram, it shows a timeline of only those you follow. no reposts, just original posts. 📌: a way to bookmark posts. just reply with the pin emoji.

✦ there’s tons of others feeds as well! just use the feed tab and you can browse feeds or search for specific ones.

✦ TUTORIAL ON HOW TO CREATE A CUSTOM FEED FOR YOUR ART/POSTS

→ LABELS:

SKYWATCH: most popular label. Lots of useful labels!

AI Labels: identifies AI users, can also enable hiding the posters.

Pronouns: self explanatory but useful. can add a badge with your pronouns!

✦ you can search for additional label bots on bluesky!

OTHER RECOMMENDATIONS:

✦ EXPIRIENCE ENHANCING TOOLS RECS ✦ CLEARSKY: TRACK BLOCKS AND BLOCKLISTS ✦ SKYFEED: CREATE CUSTOM FEEDS EASILY ✦ use the block function often. do not entertain trolls or hate speech. ✦ as well as starter packs, there’s also lists! lists can be used in the same way to create curated lists of accounts. it’s a good way to keep track of specific genres of posters you’re interested in, and finding new ones! ✦ hashtags: use them! they’re beneficial in boosting your post. you can even link hashtags in your bio making you easier to find. another method of making you more visible is if you post an ‘interest’ post! basically just type things you’re interested in and it’ll help people find you / vice versa ! ✦ update your profile first thing, like bio avi etc. make a small post so people know you're real. interact and engage! the communities there are so welcoming!

I think that covers abt everything i wanted to cover! Hope this was helpful and thanks for reading lol

[thankskenpenders]

The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

[patricia-taxxon]

So wait, let me just ask for clarity because I want to understand. Do you support AI art?

i support art made with spontaneous and hands-off processes, i support the creation of art tools that are more art than tool & allow people to "participate" in someone else's creation vicariously a-la picrew, i don't support the institution of "AI" as a consumer grade technology industry that promises impossible things and prioritizes appearances and marketability over usability, i believe that if "AI" allowed people to siphon images directly from their brain with no effort required then it would be a good thing but I believe this is fundamentally impossible until we figure out how to read minds and the focus on arguing for or against accessibility is missing the point, i believe AI art can only ever be a pale imitation of the process of commissioning an artist who can't ever ask questions and cannot be trusted with object permanence, I believe copyright law is a head on the hydra of capitalism and doesn't serve artists, i believe that AI art isn't necessarily art theft but it CAN overfit to its data and create illegal works without telling you, which constitutes criminal levels of negligence, I believe all art is derivative in some way and some of the most seminal art made in this era of history has been far more dubiously infringing than AI art ever can be because AI art does not steal in the way a human does, I think the focus on energy consumption is transparently just a post-hoc justification for hating the thing you all already hated under the guise of environmentalism because it is a problem far from unique to AI, I think the focus on environmentalism was a distraction at best during the NFT craze too, i don't think AI art takes artists out of a job any more than stock photos or clipart does, but the proliferation of consumer-grade tools DOES run the risk of engendering bad client practices similar to the rise of machine translation and asking translators to simply "fix" a machine translated run of text at a marked down price, but this is not the fault of the technology itself and is instead a result of the ideological push being made by the biggest actors in the industry, i think AI art is ugly as sin and carries the pervasive quality of looking normal at a glance but getting worse and worse the longer you look at it, which can be interesting but often isn't, i think ai art is shit google images and the controversy is overblown but I think machine learning is here to stay and it will inevitably decentralize again after the immense costs catch up to all the corpos relying on it to win the future.

so like, yes and no.

[jypsyvloggin]

NFTs: The Next Big Thing in the Crypto World?

NFTs: The Next Big Thing in the Crypto World? What is an NFT? NFT stands for non-fungible token. A non-fungible token is a unique digital asset that cannot be replaced by another asset. Each NFT has its own unique identifier and metadata, which makes it impossible to counterfeit or duplicate. NFTs are stored on a blockchain, which is a distributed ledger that records transactions in a secure…

[bisexualbaker]

Why do people keep recommending Dreamwidth as a Tumblr alternative, when Dreamwidth and Tumblr are so different?

To be flat-out honest, it's because Dreamwidth has so many things that Tumblr users say they want, even if it's also lacking a lot of features that Tumblr users have come to love:

Dreamwidth has incredibly lax content hosting rules. I'd say that it's slightly more restrictive than AO3, but only just slightly, and only because AO3's abuse team has been so overwhelmed and over-worked. Otherwise, the hosting policies are pretty similar. You want to go nuts, show nuts? You can do that on Dreamwidth.

In fact, Dreamwidth is so serious about "go nuts, show nuts", it gave up the ability to accept transactions through PayPal in 2009 to protect our ability to do that. (It's also one reason why Dreamwidth doesn't have an app: Dreamwidth will never be beholden to Apple's content rules this way.)

Dreamwidth cares about your privacy; it doesn't sell your data, and barely collects any to begin with. As far as I'm aware, it only collects what it needs to run the site. The owners have also spoken out on behalf of internet privacy many times, and are prepared to put their money where their mouth is.

No ads. Ever. Period. They mean it. Dreamwidth is entirely user funded.

Posts viewed in reverse chronological order; no algorithm, opt-in or otherwise. No algorithm at all. No "For You" or "Suggested" page. You still entirely create and curate your own experience.

The ability to make posts that only your "mutuals", or even only a specific subset of your "mutuals", can see. Want to make a post that's only open to Bonnie, Clyde, Butch, and Cassidy? You can do that! Want to make a post that's only open to Bonnie and Butch, but Clyde and Cassidy can't see shit? You can do that, too!

The owners have forsworn NFTs and the blockchain in general. Not as big a worry now as it was even a year ago, but still good to know!

We are explicitly the customers of Dreamwidth. Dreamwidth wants to make us happy, so any changes they make (and they do make changes) are made with us in mind, and after exploring as many possibilities as they can.

Dreamwidth is very transparent about their policies and changes. If you want to know why they're making a specific change, or keeping or getting rid of a feature, they will tell you. You don't have to find out ten months later that they're locked into a contract to keep it for a year (cough cough Tumblr Live cough cough).

So those are some things that Tumblr users would probably love about Dreamwidth.

Another reason Dreamwidth keeps being recommended is that a significant portion of the Age 30+ crowd spent a lot of earlier fandom years on a site known as LiveJournal. Dreamwidth may not be much like Tumblr, but it it started out as a code fork of LiveJournal, so it will be very familiar to anyone who spent any time there. Except better.

Finally, we're recommending Dreamwidth because some of the things that Tumblr users want are just... not going to happen on the web as it is now. Image hosting is the big one for this. Maybe in the future, the price of data will be much cheaper, and Dreamwidth will be able to host as much as we all want for a pittance that a fraction of the userbase will happily pay for everyone, but right now that's just not possible.

Everywhere you want to go that hosts a lot of images will either be running lots of ads, selling your data, or both.

Dreamwidth knows how much it costs to host your data, and has budgeted for that. They are hosting within their means, within our means.

Dreamwidth is the closest thing we may ever get to AO3 as a social media platform. One of the co-owners is from, and still in, fandom; she knows our values, because they are also her values. It may as well be the Blogsite Of Our Own.

[scarlettgauthor]

I first posted this in a thread over on BlueSky, but I decided to port (a slightly edited version of) it over here, too.

Entirely aside from the absurd and deeply incorrect idea [NaNoWriMo has posited] that machine-generated text and images are somehow "leveling the playing field" for marginalized groups, I think we need to interrogate the base assumption that acknowledging how people have different abilities is ableist/discriminatory. Everyone SHOULD have access to an equal playing field when it comes to housing, healthcare, the ability to exist in public spaces, participating in general public life, employment, etc.

That doesn't mean every person gets to achieve every dream no matter what.

I am 39 years old and I have scoliosis and genetically tight hamstrings, both of which deeply impact my mobility. I will never be a professional contortionist. If I found a robot made out of tentacles and made it do contortion and then demanded everyone call me a contortionist, I would be rightly laughed out of any contortion community. Also, to make it equivalent, the tentacle robot would be provided for "free" by a huge corporation based on stolen unpaid routines from actual contortionists, and using it would boil drinking water in the Southwest into nothingness every time I asked it to do anything, and the whole point would be to avoid paying actual contortionists.

If you cannot - fully CAN NOT - do something, even with accommodations, that does not make you worth less as a person, and it doesn't mean the accommodations shouldn't exist, but it does mean that maybe that thing is not for you.

But who CAN NOT do things are not who uses "AI." It's people who WILL NOT do things.

"AI art means disabled people can be artists who wouldn't be able to otherwise!" There are armless artists drawing with their feet. There are paralyzed artists drawing with their mouths, or with special tracking software that translates their eye movements into lines. There are deeply dyslexic authors writing via text-to-speech. There are deaf musicians. If you actually want to do a thing and care about doing the thing, you can almost always find a way to do the thing.

Telling a machine to do it for you isn't equalizing access for the marginalized. It's cheating. It's anti-labor. It makes it easier for corporations not to pay creative workers, AND THAT'S IS WHY THEY'RE PUSHING IT EVERYWHERE.

I can't wait for the bubble to burst on machine-generated everything, just like it did for NFTs. When it does some people are going to discover they didn't actually learn anything or develop any transferable skills or make anything they can be proud of.

I hope a few of those people pick up a pencil.

It's never too late to start creating. It's never too late to actually learn something. It's never too late to realize that the work is the point.

[novaandmali]

ARTISTS WANTED! 

We’re making a super gay super inclusive TAROT DECK!!! We want every card to be in a fantasy world and featuring at least one LGBT person. We’re looking for up to 78 artists, potentially one artist per card, but we may choose to have some artists do up to 2 cards. 

Applications open October 10th at 1pm Eastern time and will remain open until October 13th at noon eastern OR we reach an application cap of 1000 entries.

Apps will be open for 24 hours minimum.

The application will NOT be available until that date - we will post it here, instagram (nova_mali), bluesky, and tumblr (novaandmali). Please be sure to set an alarm and get your application in ASAP - we will not be able to take any applications through email, dms, or after they close.

A tentative schedule:

Results emailed to EVERYONE on October 15th.

Sketch due Nov 31

Finals due Jan 15

Kickstarter running Jan 1-31

We are looking for up to 78 artists (who MUST be 18+ years old by October 15th) to join us to create a piece of digital art and/or merch. Traditional art is also accepted if scanned or photographed at a professional level.

We're looking specifically to increase the diversity of our artists, both in regards to race and gender - we want to be including all kinds of voices. Same thing with our art - we're looking to increase the variety of cultures, body types, and disabilities represented.

This is a PAID job. We’ve paid in the range of 200-300 for similar projects in the past, based on a set contract amount plus anything left over after production and shipping, split between everyone. Example: $150 in the contract and $100 extra per artist share. The additional amount will depend on how successful the Kickstarter campaign is.

Your app will ask you what you’re thinking about creating. This is not a final answer but we want to know what vibe, what era, etc what you’re thinking about. You’ll get the option to pick 2 suits you’re interested in working in, and 1-2 cards you very much do not want to illustrate.

The application will include things like: a link to your portfolio (instagram and twitter are NOT accepted as a portfolio) and if you are interested in designing any merch as well.

We also ask for a short artist bio: think twitter style - short and sweet. Please don’t talk down about yourself or your skills - talk yourself up! Make me excited to see your art!!

Reminder about our applications: PLEASE do not submit porn or gore in your highlight art. Blood and nudity are ok, porn and gore please no.

Hopefully it goes without saying but we do not accept NFT art or AI generated art.

About us: we’re two non-binary lesbians who really love cats and gay art. We’ve enjoyed our work as a queer publishing house and can’t wait to do more! We’ve completed 9 projects including tarot cards and books! Some of our previous works include classics but make it gay, And They Were Monsters, and Cover Me Queer.

Check out our work at www.novaandmali.com . 

[sludgewolf]

Rex Splode x Reader - Realization

AN: this was written for season 2 Rex, it'll be a multichapter slowburn running parallel to what's happening in the story. It got way darker than I expected so check the warnings before reading it WARNINGS: grafic descriptions of gore, near death experience, survivors guilt, fantasy medical treatment, canon expected violence Genre: angst, slow slow-burn, realization of feelings Disclaimer: do not copy, repost, take or feed to AI or NFTs anything I post Masterlist Invincible Masterlist

the lizard league are B tier villains, barely worth your time, that's what the team always said when they started to act up again

nothing but childplay, practice villains even

so, why is it that against such enemies you find yourself laying in a puddle of your own blood, the oh so familiar warmth of it abandoning you in favor of the cold hard floor, life flashing before your eyes as you hear the screams of your friends around you and yet you find yourself unable to do anything about it.

You still remember when you first became one of the Guardians of the Globe

when you got notified that they were looking for new members, you didn't quite know what to feel

jittery about meeting so many other heroes? nervous about whichever tests they'll put you through? excited to be able to upgrade from back alley thugs?

maybe all at the same time

no matter how nervous you were up until that morning, it was nothing compared to the way you couldn't will yourself to stay still in midst of all the others, your fingers felt electrified, the arrowheads in your suit vibrating with your nerves and your blood rushing in your ears, muffling Robot's words as he called out the few who made it into the team

Robots voice is just as slow and monotonous as it always seemed to be, "-ing-rae, Dupl-... Trigger"

you almost miss him calling out for your name, you look around still in some kind of daze as all that were accepted cheered

the first person to approach you was Rae, you can't quite explain it, you just kinda clicked from there

you spent most of your free time together, you'd push her to explore every nook and cranny of your new base, even using your powers to make it interesting and she'd drag you to hang out with the other guardians

most of them were really fun, if not a bit too eccentric to your taste

but meeting Rex though, it was.... something

To put it simply he's an ass, always trying to be funny and a smart-ass even in the worst of times

and his ego, don't even get you started on the ego of that guy

to say that your first impression of him was the worst one could get was an understatement. After that you made an effort to interact with him the least you possibly could for the sake of the team and your own

at least, that was your plan until Robot decided to put you two together in all training exercises, having determined that your powers would work the best together

and you do hate to admit but you did combo rly well together, your projectile manipulation and his explosive coins really were a force to be reckoned with

resigned you accepted your fate and treated him as just that annoying classmate in the group project

but once you got over the first hurdle in your partnership you started to get along better than before, Rex learned you wouldn't tolerate most of his bullshit and you learned he more often than not spoke before thinking

it didn't take long before you started, not quite getting along but tolerating each other better, creating dumb combos that were more fun to put in motion than being useful during battle and even developing some banter between you two that from an outsider's point of view could be considered fighting

but that was comfortable for you, never friends but more like combo buddies

So you can't help but wonder if it was because you didn't take your training as seriously as you should that now you found yourself in such position

your breath growing weaker, you can no longer feel the heat of the crimson puddle you lay on

the pressure on your chest disappears as Komodo lifts his foot off of your rib cage before slamming back down mercilessly

you choke unable to pull the air back in your crushed lungs, you look back at the villain who just killed your best friend and know he's already done with you, you're left to this slow and agonizing death, slow enough for you to think of everything you could've done differently

things you could've done to save your friends, things you should've done to stop them

and now you're left here, unable to do any of them

you failed Rae and you failed the world

with those haunting thoughts you feel your body grow heavy, black spots cover your vision until they're all you can see, all you can feel

Not even the doctors are sure on how you survived your injuries, your ribs and lungs were smashed into nothing by Komodo, not to mention the various lasserations covering your body and the nasty concussion you suffered during the fight

some said you were lucky, others that you were a fighter through and through

you on the other hand couldn't even think of your own condition, Rae had just about every bone in her body crushed, Rex got shot straight through the head and Kate fucking died

you really were lucky, dumb stupid luck

The doctors stitching you back together, rebuilding your ribcage from goop was excruciatingly painfull, having most of your ribs replaced by metal substitutes was horrible, you felt like you were already rusting from the inside out

but you were also the first in your team to get back to your feet, the first to start physical therapy and the first to be allowed to visit the others

After much persistence you were allowed to go see Rae, she was...

she was in worst shape than you imagined, inside some kind of aquarium that worked as her all encompassing life support, from looks alone she seemed like she was hanging by a thread even here

even with the best doctors it felt like death itself loomed over Rae

The nurse accompaning you tries to take you back to your room, pleading for you to not strain your new lungs,

you force yourself to calm your breathing, not wanting to go back to the antiseptic box they've been keeping you for forever

pulling your IV pole you will yourself away from Rae's window, you wander though the hallways for a bit the nurse trying to keep your mind away from Rae

As you turn on yet another hallway in this maze of a hospital you come upon Rex's room just as his doctor is leaving

it doesn't take much convincing for both medics to let you come in to see him

you blame it on boredom but really it is that you're just that desperate for some familiar face, to see someone from the team recovering

"hey" you call out, your voice still raw from all the surgeries Rex turns to look at you, the helmet keeping his brains in tonking against the bed frame " what's with the back brace grandma?" he smiles at you you chuckle " as if you're much better than me Ms Artritis" "Ei, not fair! You're the only one here with two fingers to point" he laughs at your antics, scooting to the side to give you a place to sit on his bed

your visits become more frequent, frequent enough that he waits for you every evening

when the doctors deem that he recovered enough for walking they start scheduling your physical therapy sections together

your recoveries start to improve quickly after that, it's not long until you're discharged with a grocery list of medications and your check-up scheduled to the end of the month

But you can't keep yourself away, Rae still worries you and Rex would start talking to the walls without you here

Eve is the first to notice it, during their talks intead of gushing over the beautifull mahogani tables of a suburban mom's house Rex can't stop talking about you

she chuckles at it but prefers to let things run it's course, this Rex is much different from the one she dated, things might turn out fine

Another month passes untill Rex is finally discharged too, he wants to immediately go back to work, he has a new hand and he feels restless

which is why he jumps headfirst into the first mission Cecil offers him and get's banged up

it wasn't horrible but this is not the big come back he tought of for himself

he's so lost in thought that he's caught off guard when a voice calls him when he gets back to the base

"Already trying to dent the metal plate they put on your head grandma?"

he turns and sees you, on a tanktop that shows off the scars over your collarbones, your hair falling over your eyes but you look much healthier than the last time he saw you

you smile at him as you walk pass his figure, making your way to your room

his face grows warm, Rex open and closes his mouth unsure of what to say as he blushes

If you liked this pls reblog and comment so I know to write more like it reblogs >>> likes

[imsobadatnicknames2]

Tbh i feel like nfts really exposed the absurdity of IP or copyright being applied to the net, like it's just a complete blind spot of how computers and well the net works which is just wireless communication of data be it text,image,video,code, or programs that can be copied endlessly or at least long enough where the average person doesn't have to worry about it, like people can add as many protections as they want but they can all be circumvented with (in nfts case) a simple right click and save as and u got a copy of that image in general media,tools to crack copy protection in terms of software DRM have been around for years (of course some is harder than others but people have done that in the past, so i don't see how someone couldn't in the present with enough know how or time) it's like people taking a old tool to a completely new situation that it just won't work completely or in the ways people want.

100% agreed like. I've said it a couple times before, trying to enforce copyright in a digital environment where things can be endlessly replicated and copied with no physical production cost is essentially trying to artifically impose scarcity in an environment where by definition it can't exist. NFTs were the most blatant attempt at it (i.e. not even trying to pretend that they were anything but an attempt to create artificial scarcity) and they were rightfully mocked to hell and back for it. I just wish people were able to extrapolate the same contempt to other forms of attempted digital landlordism.

[feathernotes]

wanted to ask, if it’s okay with you, how do you grapple with ai scraping while making and publishing your webcomic? putting watermarks over webcomic pages feels like it inherently compromises the craft of creating a visual story. but it’s also hard to just be resigned to the “inevitability” of getting so much work scraped, especially when it’s often done by people who have this odd and abrasive contempt towards creatives. how do you manage it? whether mechanically or mentally.

It's a tough question to answer, really I don't want to simply say 'it's inevitable'! but with how careless so many people have been with that technology lately (asking chat GPT to make basic daily life choices like grocery lists??) it does make me feel like the best way to work through this mess is to really fight through that muck. And that means still producing and sharing my comic work to people who read it and support it I think its currently a phase, like anything the tech bro idea guy industry try to force to make money fast- and its use will start to dwindle eventually, but there is going to be a lot of damage in that path, much more than what we got from the stupid NFT craze. We'll everntually see less people embrace it, because it's no longer 'shiny new thing' too, if that helps! But as far as navigating through it as an artist, i'd be lying if I didnt say it's been tough! But only WE can make our stories and art the way WE want to, no machine or new craze can replace that heart we put into our art- and people can TELL that when they engage with it.

So please keep making your comics in spite of all of this slop and sabotage these AI-gen assholes intend to do- Make your comic because you want to and because its coming from your heart. They can't replace real genuine work, no matter how hard they try.

[lizardsfromspace]

Do you ever get kind of interested in a subject where nothing weird has happened yet but you know something weird is going to happen?

Anyway, Lake Geneva, Wisconsin. It was originally a upscale resort community, and also still is: it's where rich people from Chicago kept their lake houses, and maybe still do. Its heyday was in the early to mid 20th century, where its status as a vacation destination was so set that Hugh Hefner even put the first ever "Playboy Resort" there. I haven't been there myself, so I may be wrong, but it doesn't give me, like, Pigeon Forge or Niagara Falls energy. The list of attractions online seems to be spas and parks and a few theaters.

But Lake Geneva is more famous now for its most famous son, Gary Gygax. Over the course frigid Wisconsin winters, he and several wargaming friends who didn't become famous developed tactical wargaming into the game Dungeons & Dragons in the early 1970s. He also began hosting a small gaming meetup in Lake Geneva, later called Gen Con, which outgrew the town by the late 1970s.

As I understand it, Lake Geneva didn't really embrace its status as the Birthplace of Dungeons and Dragons. When Gygax died, there were fan-funded tributes here and there, and fans created a new convention in his honor called Gary Con where they played games from his time at TSR, but D&D was still a niche hobby and not the thing you define a rich people resort town around.

Then, whoops, shows like Critical Role turned D&D into one of the most popular entertainment properties in the world! Now there's D&D-themed events popping up all over the place. Some of this is normal, like efforts to fund a more prominent memorial for Gary Gygax, and a Dragon Days Fantasy Festival. But some are going further. Because there are now at least two proposals to create immersive, D&D-themed LARP experiences in Lake Geneva, Wisconsin, population 8,227

One is a large themed restaurant/bar/wedding venue (?) called the Griffin and Gargoyle, which is supposedly opening in 2024, though all the art is concept art and they're still looking for investors.

The other one is Giantlands, the proposed theme park where the tickets will be NFTs, based on a game no one's heard of developed by the son of Gary Gygax by a company that legally can't call itself TSR anymore, but tried anyway before rebranding as Wonderfilled, and who also tried to make old Gygax games even more racist? I can't even begin to explain this. I think they got dunked on years ago but they were still hyping up its Lake Geneva theme park that's definitely going to exist this week (this is from August 11th)

What's incredible to me here is that they're boasting that their LARP theme park will be from the makers of Evermore Park. Nothing says quality in immersive fantasy roleplaying parks like someone whose main claim to fame is making that other one that failed. Wonder how many real tombstones and haunted dolls they'll buy this time. And this one appears to have fighting arena

I seriously doubt these are the only two pitches. Everyone with too much money and a love for theme parks feels the little voice in their head saying they can do the Star Wars Hotel right. I think what gets me here is, nobody would put anything like this in Lake Geneva otherwise. It's small, it's located in Wisconsin so it'd have to be seasonal, and it's less than two hours away from Wisconsin Dells - an entire town of kitschy roadside attractions - and even closer to Chicago, which is Chicago. Its tourism niche is beaches and homes around a scenic lake. The only reason to place anything there would be to honor Gary Gygax, and uh, I don't think the younger people who got into D&D with 5E really care about him, or even necessarily know who he is. Gary Con and most Gygax-themed events are for old-school gamers, not the Critical Role crowd. And they especially don't care about whatever Giantlands is. Giantlands as a game is so old-school there isn't even a PDF of the book, it's physical only. They want to build a full theme park around a game you can't even buy on DrivethruRPG. Anyway I hope all this open bc it would be funny