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kingdomvel · 2 months

Text

Steddie | 2.2k | first meetings | ao3

“What did you say the name of the band is again?” Steve asks. He has to raise his voice above the sound of the music playing before the concert and the hundreds of conversations around him.

“Corroded Coffin” Dustin says, probably for the hundredth time, or that’s what his tone suggests.

“It’s written on the drums.” Mike adds with his constant bitchy petulant tone.

Steve turns around and fair enough, the name is written there in the drums. They are also right there as they had queued for hours to be at the front (they are not in the centre but there’s no one standing in front of them), and apparently the band and place are small enough that there is no security line in front of the stage. Steve has been leaning against it with a drink in his hand while they wait for the concert to start. And that’s his excuse. He was leaning against the stage, so the drums were to his back, he couldn’t have read them.

“C’mon Steve, even I learned the name of the band in the eternity we have been here” Robin says which, rude, but she had agreed to come keep him company at a metal concert without asking for anything in return, so he will let it pass.

The kids (not quite kids anymore, but close enough) had needed an adult to get into the 18+ venue the concert was held at, and of course that adult had to be Steve because “we are not going to bring one of our parents into a metal concert Steve” and “Nancy and Jonathan are not even in the state and you said you were fun, didn’t you?” and he is fun, so he had to agree. And drag Robin with him, of course.

“Well I would remember the name if it wasn’t a stupid name” he says, a bit too loud if the looks he receives from some of the people around them are anything to go by.

“If you are so annoyed why don’t you go hang out at the bar and leave us alone?” Dustin asks.

“If I’m at a concert I’m getting the full experience, I’ve not queued for hours to stay at the bar. And I have to make sure you don’t get squished to death or accept drinks from strangers.”

“We are sixteen, you already drank when you were sixteen.”

“But I didn’t have a wristband telling everyone I was a minor.” He emphasizes this by hooking his forefinger on said wristband around Dustin’s wrist. The boy takes his hand away with a huff, but whatever he was going to say gets interrupted by a loud cheer as the lights of the venue dim. All eyes turn to the stage, and Steve forgets everything about the little shits around him.

They play the first two songs without interruption, back to back, and they are much better than Steve had expected them to be when the kids had pitched the idea of going to a concert of ‘a super cool band’ they had found on tiktok of all places. Steve is very quick to understand their raising popularity on social media the moment his eyes land on the frontman. He is not even wearing anything scandalous, just black jeans, some graphic tee and a leather jacket, but fuck if he isn’t attractive. His big eyes, teasing smile and wild hair are very much deserving of the screams they awake in the audience.

When the second song finishes, they don’t start a new one, the frontman takes the microphone from the stand.

“Are you ready for the best night of your life?” he shouts, and the audience answers with shouts of their own. Steve finds himself whooping, and answers with a smile and a shrug to Robin’s amused silent question as both of them clap. “We are Corroded Coffin,” more yelling, and the frontman stars walking around with a smile on his lips while he looks at the ground, clearly enjoying the attention. “And these aaaaaare…” he prolongs the last word, building a dramatic effect. “Gareth!” he shouts, pointing to the back dramatically. There are yells, the boy at the drums doing a short solo before he stands up to wave at the audience. “Jeff!” more yells, a guitar solo. “Our favourite Freak!” laughs from band and audience alike, more yells, and the boy with the bass trying to hit the frontman with said bass. “And I’m Eddie.”

‘Eddie’ Steve mouths the name.

There are yells as the frontman finishes, a small bashful smile on his lips back on his face after the laughing as he plays with the microphone stand with the hand that is not currently holding the microphone. He looks up at the audience when the yells don’t stop, gives a small dramatic bow and smirks when the yells grow louder once again.

“EDDIE MARRY ME” a voice yells from somewhere in the audience.

“Oh? Without going on a date first?” Eddie asks, he has his gaze set somewhere on the audience, and Steve is a bit impressed at how easily he has spot the person in the sea of bodies.

“I’M FREE WHENEVER.” The same voice yells again, it makes Eddie laugh.

“I’m honoured, my fair lady, but I’ll have to decline. I’m looking for my knight in shining armour myself.” There are ooohs from the audience but Steve’s gut makes a traitorous interested twist. “And speaking of knights,” he says, putting his hands back on his guitar, “I think you may know this one.” One note, and the audience is going crazy. Dustin is jumping up and down while he holds onto Steve’s arm, and Steve can’t help but laugh at him.

It's when that third song is finishing that it happens. The guitarist is starting a solo, and Eddie looks down to the base of the microphone stand, pulls a confused face, and then looks around. He must not see whatever he was looking for because he has a confused furrow in his brow when he does a second sweep around the stage and beyond, and he catches Steve's eyes. He maintains the eye contact for a second, two, five, and then looks down to Steve’s hands and back up again. There is a smirk in his face Steve is not entirely sure he likes the implications of as he walks towards him while he keeps playing.

Steve can hear Dustin screaming “oh my god, oh my god, oh my god” right next to his ear as Eddie comes closer until he is standing right in front of them.

The musician is still looking at Steve as he leans forward and asks “give me a sip?” as he looks down at Steve’s hands for a second. (Or at least that’s what Steve guesses he says, the noise too loud for him to really hear him without his mic.)

Steve lifts his drink, and the frontman leans forward and down with a smile. He opens his mouth and Steve pours his drink in it. When he finishes, he winks at Steve before he walks away in time to start singing again. The kids around him are screaming, Robin is surely going to make him partially deaf and is shaking him so hard he almost drops the rest of his drink. It takes until the next song starts for the bunch to calm down a bit and focus on the show again.

The thing is, that is not the last time it happens. Eddie comes back to steal sips from his drink every few verses, and when Steve’s drink is finished and he goes to get a beer, he is miraculously let back to the front by the audience. Eddie, of course, also wants to have his share of the beer. So they share it.

It is, if Steve is honest, the weirdest experience he has ever had in a concert. But he is having too much fun and would not change it for anything. A hot singer and guitarist coming to him every few minutes and bending down so Steve can pour drink into his mouth? The best thing that has happened to him all month. It only gets better when Eddie ditches his leather jacket – Steve was starting to wonder when that was going to happen because it’s much too hot in the venue for it and he is sure that a big reason Eddie needs to drink so much is because he is sweating it all and dehydrating – and reveals that the tee he was wearing underneath has the sleeves cut off very freely. Steve can see most of the man’s torso and that is a SIGHT. There are tattoos on his arms and ribcage that Steve immediately wants to see complete, and his waist is slim where the shirt is tucked into the jeans. It makes Steve bite his lip in want.

He is about to pour the last of their third beer in Eddie’s mouth when a small hand stops him. He looks to the side with confusion, sure that none of the kids or Robin would stop him at this point and is met with the smile of a small blonde girl.

“Give him this please” she says, handing him a bottle of an electrolyte drink. Steve looks back at Eddie just in time to see him groaning. “No more beer.” She adds, pointing to Eddie as if he was a misbehaving dog, he is surely giving the look, with his big brown eyes and sad look. She turns back to Steve, “and sorry about that, any new drinks you get are on us.”

She is gone with that. Steve looks at Eddie, at the new drink in his hand. Eddie shrugs, defeated, and leans forward. Steve quickly empties the rest of the beer in his mouth before he opens the new bottle and starts pouring from it. Eddie doesn’t drink much, too busy trying not to choke on the beer and his laughter.

Eddie ditches his guitar towards the end of the concert for a ‘calmer’ song. He walks around the stage as he sings to a boy involved in him that tries to deny the depth of their relationship and tries to date girls, and how in the future he is going to regret not staying with him. He has great stage presence, he has been flirting with the audience between songs, dramatic and charismatic, a bit over the top. Maybe the fastest crush Steve has ever developed, happy to enjoy his part in the show, even when he knows it’s not going to lead anywhere.

Steve feels his heart accelerating as Eddie walks towards him, which is ridiculous, they have been doing this all night. But this time Eddie shakes his head when Steve gets the drink ready, and he can only look as he kneels on the edge of he stage right in front of him as he sings the bridge. They are holding eye contact now, and it’s the closest they have been. Eddie’s eyes are captivating, Steve can only stop looking at them to glance down at his lips. It seems he was caught, because the next second Eddie is speaking.

“Are we about to kiss right now?” he asks, and Steve looks back up to his eyes. He lifts his eyebrows, trying to convey ‘bring it on’ as best as he can as he licks his lips, Eddie’s eyes glancing at them. It must work, because the next second Eddie is leaning forward, and now Steve’s hand is on his nape, and their lips are pressing against each other.

It’s probably the filthiest kiss Steve has participated on. At least with an audience. It’s not long, Eddie has to keep singing after all, but they make up for it in tongue action. The audience goes crazy around them, but Steve doesn’t pay attention to them at all, only focused on Eddie. He at least must be paying some attention to their surroundings because he pulls off in time to keep singing and stands up to move around the stage.

There are a couple of songs more, and then Eddie is introducing the band again before he starts listing all the members of the staff that have made the concert possible.

“We also wouldn’t have made it here without our precious manager Chrissy,” he adds, “even when she worries too much sometimes. Three beers are not enough to get me drunk, especially not shared ones. And that reminds me! I can’t forget to thank my knight in shining armour, my perfect drink partner…” he trails off.

“STEVE!” Robin shouts next to him.

“Steve” Eddie repeats with a smile. “Thank you for the drinks. Don’t go running off now too fast now, alright? Stay for a bit after the concert, I owe you a couple of beers.” He finishes with a wink.

The kids and Robin are screaming again, and Steve is sure he is going to have bruises tomorrow from their grabbing, but he doesn’t stray his gaze from Eddie. At least not until the last song finishes, the lights from the stage turn off, and the rest of the lights of the venue turn on. Then, and only then, Steve turns towards the others.

“How did you say you were going to get back home again?”

Part two

#of course the whole gang gets to meet the band #and then they arrange transport for everyone so Steve and Eddie can spend the night together #I imagine Steve like: i bet he does something like this in every concert. this must be a bit. dont freak out robin.#he is a metal musician he must have groupies in every concert #but NOPE Eddie saw Steve and was immediately in love. its him or no one. 100% yn style #steddie #steve harrington #eddie munson #steddie ficlet #steddie fic #my writings #steve x eddie

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starry-bi-sky · 6 months

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Stuck in the middle of a forest made of

Flesh and bones and they're all scared of

A lost little boy who has lost his heart

Fear's not enough, they have to

Tear him apart —-------

There are two things Daniel Fenton knows that his family knows as well:

He’s adopted.

He can’t remember anything else before that.

‘Adoption’ is a loose term, implying that they went through the official legal processes and troubles of adopting a child into their home willingly, and with the full intention of doing so going into it. That is not what happened. What happened is that Jasmine Fenton found a half-dead child, in strange clothing, in the middle of the woods at her Aunt Alicia’s cabin, and then she went and got her parents.

What happened is that a twelve year old Danny woke up in the same cabin, wearing clothes much too big on him that didn’t belong to him, and with very little memory of before that moment. He wakes up like a spring being set loose, sitting up so fast he scares the daylights out of Jasmine Fenton sitting next to him. He wakes up, reaching for his sleeve for something that isn’t there, and when it isn’t his mind stutters, like he’s tripped at the top of a steep hill.

When they ask him for his name, he tells them, clearing muddled thoughts from his mind; Danny. He’s twelve.

(He thinks that’s his name, at least. It sounds right; it feels right. If he thinks really hard about it, he thinks he can remember someone calling him that, utter adoration in their voice. So it must be his name.)

The Jasmine girl convinces her parents to take him home with them, and they give him the spare guest room upstairs. He has nothing to fill it with.

It’s… a strange experience, to go to a ‘new’ home when he doesn’t even remember his old one.

The official adoption process… happens. He can’t say it’s easy, or difficult. He’s oblivious for the most of it, Jasmine intends on helping him settle in and Danny can’t say he enjoys the smothering. He learns that he is stubbornly self-independent, that’s one new thing he knows about himself.

His adoption papers say ‘Daniel J. Fenton’. Danny remembers staring at the name ‘Daniel’ for a long, long moment, something curdling sour in his sternum. His name is Danny, that he knows. But it’s not Daniel. But he doesn’t know any other way of saying it, so he keeps his complaints to himself.

(Jack Fenton boisterously claps his hand on Danny’s shoulder and jerks him around, grinning wide as he welcomes him into the Fenton Family. Danny’s mind blanches at the touch on his shoulder, an instinct snapping like the maw of a snake, telling him to cut off the man’s fingers for daring to touch him.)

(He keeps the thought to himself, tension rising up his shoulders the longer Jack Fenton’s heavy hand stays on him.)

They found Danny in the summer. It’s a perfect coincidence, Maddie Fenton says before she goes back into her lab with Jack Fenton. She says it’s enough time to allow Danny to adjust; that they’ll enroll him into the school year in the fall. Then she stuffs a canister of ectoplasm onto the top shelf, and disappears like the ghosts she studies back down the stairs.

(There’s something eerily familiar about the ectoplasm sitting in the fridge, something unsettlingly so. Danny knows what that stuff is, but he doesn’t know where. When the house is empty, he takes a can from the fridge and inspects it.)

Jazz wants him to leave the house. Danny doesn’t want to step foot outside of the FentonWorks building until he has something that quells the feeling of vulnerability he gets whenever he does. He tried to once, and he felt exposed. Unsafe.

He turned back around and went inside.

—-------

Where do we go

When the river's running slow

Where do we run

When the cats kill one by one

—------

One day, when the house is empty — or, as empty as it can be; the Fenton parents down in the lab, and jazz out with friends. Danny is making a sandwich, and he caves into the urge to flip the knife in his hands between his fingers. A childish impulse, but one he falls for nonetheless. It comes to him easily, like second nature, in fact. The slip of the blade between his fingers is seamless, flowing with an ease like water running down the wall.

He’s almost startled by it; his body holds memories that his mind does not. Muscles that know which way to move and twist, limbs that know how to hold and how to throw. He continues twirling it, fascinated, as if he were a scientist discovering a new species of animal.

It’s not for a handful of minutes when a new thought hits him; an impulsive thought that pops in the back of his mind like a firecracker; Danny moves without thinking.

He turns, and throws the knife. The pull of his shoulder, the flick of his elbow, is familiar like a hug. He knows when to let go, and the blade flies through the air in impressive speed, embedding itself into the wall with a hearty, loud thunk. Sinking into the drywall like butter.

Danny stares at it in shock, he feels relieved — about what? — before he feels the guilt. He scrambles across the kitchen to pull it out, heart racing in his chest at being caught, and prays no one notices the hole it left behind.

(He runs up the stairs before anyone can find him, food forgotten, and hides the knife beneath his mattress like a guilty murder weapon.)

After that, he leaves the house more. It’s more out of fear of being caught than the desire to leave. But Danny is quickly learning that among all things, he is someone who was dangerous, before he lost his memory. Even with his mind in fractures, he is still dangerous.

He’s not sure how to feel about that — he thinks he should be scared. He feels a little proud, instead.

—------

Hazel beneath our claws

While we wait for cerulean to cry

Unsettled ticks run through time

Enough for the hunt to go awry

—-----

There’s another thing he learns about himself. That he knows about since he woke up. He knows that he left someone behind. He doesn’t know who, but he knows they must have been close; he’s always looking down and finding himself surprised when the only shadow he sees is his own.

He thinks that he must have sung to them a lot; he finds himself humming familiar melodies when he’s lost in thought. Lullabies lingering at the tip of his tongue, an instinct to turn and sing them to someone beside him. He can’t remember the lyrics, but his mouth does, it tries to get him to say them when he’s not thinking. He can’t.

Danny’s found himself humming under his breath more times than he can count, trying to recall whatever it is his mind is trying to claw forward.

(“That’s a pretty song, Danny.” Jazz tells him at breakfast one day, Danny screws his mouth shut. He hadn’t realized he was humming. “What is it?”)

(Something mean and possessive rears its head on instinct, uncoiling like a snake from its ball. His shoulders hunch defensively, he bites his cheek to prevent himself from baring his teeth. He doesn’t know what song it is, but it’s not for her. “I don’t know.”)

He misses his person. Dearly. He knows, the longer he is without them, that they must have been close. Otherwise, he wouldn’t feel like he’s missing a chunk from himself. He wouldn’t be turning to someone who's not there; reaching for a hand that’s missing, birdsong on his tongue, a story to tell.

A dream haunts him one night. Warm and familiar, he’s holding onto someone smaller than him, they’re tucked into his side like a puzzle piece. He’s humming one of his songs that is always playing in the back of his mind, an unfinished tale of a harpy and a hare. Danny can’t remember their face, not all of it. He remembers green eyes, hair dark like his own, skin brown like his.

He loves them more than anything else in the world, a fact he knows down to his soul. He loves them so much it fills his heart with sunlight. Danny squeezes them tight, nuzzling into their hair; he makes them laugh. Then, he proudly boasts something. That when he takes something of their father’s, that his person — a sibling? That feels right — will be… the word fades from Danny’s mind before he can make sense of it.

His person hugs him tight, his… brother? And their mother — a woman whose face he can’t remember either, but who he loves like a limb nonetheless — appears, smiling. Her hands reach for them both, voice calling them, ‘her sons’. There’s ticking in the distance, it sounds like the fastening of chains.

Danny wakes up cold, tears streaming down his face. The details of the dream already fading from his mind like the cold pull of a corpse.

—-------

Harpy hare

Where have you buried all your children?

Tell me so I say

—-------

When school starts that Fall, Danny joins the sixth grade class, and quickly learns more things about himself. One of those things being that he’s smarter than the rest of his grade, whatever education he had before, it was better than the one he’s getting now.

Everyone knows he’s adopted right off the bat. He tells them when the teacher forces himself to introduce himself, but it’s not like they needed him to tell them for them to know; he never existed in their little world before now, and the Fentons are pale as they come. Danny is not.

He befriends Sam Manson and Tucker Foley; they ask him about the scars fading up and down his arms, they ask him about the scar carved diagonal across his face.

Danny, as politely as he can, tells them he doesn’t remember. He thought kindness would come second nature to him, his dream burned into his mind where he hugged his brother so sweetly. Apparently, his sweetness is only second nature to people he considers his own.

(It becomes even more apparent when Dash Baxter tries to bully him later that day, and Danny ruffles like an eagle threatened. His mind whispers, hissy and agitated, sinking like a shadow at his shoulder, several different ways Danny could kill him for talking to him like that, and fifteen more ways he could cripple him.)

(Danny ignores those thoughts, up until Dash Baxter tries to grab him. Then he breaks his nose on the wood of his desk. It’s easy how quickly the rest of his grade sinks him down to the status of social pariah.)

(At least Sam and Tucker still talk to him after that. When Danny goes to the principal’s office later, he wisely doesn’t mention the worse things he could’ve done than break Dash Baxter’s nose.)

—--------------

It clicks and it clatters in corners and borders

And they will never

Hear me here listen to croons and a calling

I'll tell them all the

Story, the sun, and the swallow, her sorrow

Singing me the tale of the Harpy and the Hare

—-------

More dreams come, of course they do. Each one halfway to forgotten whenever he wakes up, ticking faint in his ears. He is many different ages. He is young, shorter than a table. He is older, holding onto his little brother. He is singing in almost every single one. He is singing to his brother.

Danny can barely remember the lyrics, he’s begun leaving a journal by his bedside so that it’s the first thing he can write down when he wakes up. He’s a storyteller, he learns. He feels like a historian, trying to piece together a culture long dead and forgotten.

His most vivid dream-like memory is not a happy one, and for once he’s almost relieved he barely recalls it. He is somewhere that isn’t home, but his mother and brother are there. He is dressed in black, blades keen in his hands.

They are atop a moving train. They are fleeing something. His brother is struggling to keep up, he is small, and young. It’s beautifully sunny, they are somewhere green and lovely.

It is a fast dream.

His brother stumbles on something, and Danny, fast as a whip, snatches him by the back of his shirt and hoists him up to his feet before he can fall. “Watch your feet, habibi.” He murmurs low, a hand on his back. It’s hard to hear, there is wind in their ears.

His brother, face obscured in all but his eyes, which are green as emeralds, nods.

The dream blurs, but Danny falls behind. His foot catches on air — impossible, it should’ve been, at least. He never trips. — and he lands against the roof with a thud and a grunt. His mother and brother stop, and turn for him.

The train hits a turn before Danny can get up, and he shouldn’t have, something pulls on him, he swears, but he slips. He can’t find the purchase to pull himself up, cold fear hits him as his nails scrape against the metal.

His mother and brother’s horrified faces are the last thing he sees before he disappears off the side of the train.

(The ticking is at its loudest when he wakes up, pounding against his inner skull. He only manages to write down ‘train fall’ in his journal, before he’s flipping over to press his head into his pillow to get the pain to stop.)

—---

She can't keep them all safe

They will die and be afraid

Mother, tell me so I say

(Mother, tell me so I say)

—-------

When Danny is fourteen he is still humming songs he can’t remember, his mind still in a broken puzzle. But his room is now decorated with stars and plants in every corner. He has a guitar he keeps in the corner of his room, and he plays the lullabies in his head on the strings over and over again.

The ectoplasm in the fridge still unsettles him, still reminds him of a past he can’t recall. The knife beneath his mattress has returned to the kitchen — he doesn’t need it. He found a box in the attic last year, it had his name on it, and inside he found familiar, strange clothes, and more weapons than he thought was possible to carry on one person.

(Even without knowing that the Fentons prefer guns to blades, Danny knows, instinctively, that they were his weapons. He was — was? Is — a dangerous person. He takes the box down to his room to sort through. The weapons all fit into his callused hands almost perfectly — the grooves worn to fit his palm. They’re just a little small.)

(He tentatively takes a small blade with him to school one day, and feels much more comfortable with it sheathed beneath his shirt. He’s kept it on him ever since, like he’s reunited a lost limb to himself.)

Danny doesn’t have a name for his person, his little brother, nor does he have a name for his beloved mother. He’s haunted by dreams every few weeks, many of them repeating. He’s ingrained the words he can remember to memory, and the ones he doesn’t, he writes down in his journal. His little brother; Danny calls him a bird, he can’t figure out what kind. His little bird of some kind; when Danny takes something from their father — what, he can’t remember what — then his little brother will be a little bird.

(He doesn’t have a name for his brother, yet, but he’s calling his birdie in his head. It’s better than nothing.)

—------

Seeker, do you ever come to wonder

If what you're looking for is within where you hold

Will you leave a trail for them to follow a path

You'll soon forget

Home

—---------

When he’s fourteen, Danny dies. It does nothing to fix his fractured memories, much to his consternation. It just confirms something he already knows; that he was someone dangerous, and that he still is.

When the shock of death has worn off, Danny inspects his ghost in the metal reflection of the closest table. It’s blurry, hard to see, but shock green eyes pierce back at him, green like the portal. Lazarus, Danny’s mind whispers, and he blinks rapidly.

‘Lazarus,’ he mouths to himself. It’s familiar. Sam shows him with her phone what he looks like, joking that he looks like an assassin. Danny doesn’t think she’s that too far off.

He doesn’t tell her that. He tucks the thought away with the rest of his secrets, and fiddles with the hood gathering at his neck, attached to a cape with torn edges swinging down to his ankles. He pulls it over his shock white hair. It shadows over his face impossibly so, until all you can see are his green-green eyes peering out like a wolf hiding in the brush.

He ends up calling himself Phantom.

(Maybe now he can start putting lyrics to his lullabies; his memories may not have returned, locked away with the sound of a clock, but the dead can talk. One of them may just have answers.)

----------

Home is where we are

Home is where you are

Home is where I am

-----------------

Dedicated to @gascansposts for being the one who introduced me to the band Yaelokre, and thus being the whole reason I was inspired to write this in the first place >:] Those lyrics at the line breaks are all from their album Hayfields.