A Persuasive Argument - dpxdc
"Great!" Danny says, clapping his hands together to get everyone's attention. The dinner table falls silent as everyone looks towards him. It's a full house today and, honestly, Danny's a little nervous. "I'm sure you're all wondering why I gathered you here today."
"It's dinnertime. In our house." Duke mutters, while doing a very bad job of concealing his yawn. He holds his fork poised over the braised beef, but, just like everyone else, still looks towards Danny before tucking in. It's intriguing enough to wait.
"Yeah, no one misses Alfie's dinner." Dick says, with a brilliant smile that Danny can't help but return.
"Precisely! What better time to talk to you all than when you're all actually here!"
"Wait, I thought you came round to work on our English essays?" Tim asks, blinking owlishly.
"I'm afraid I've lured you here under false pretences, Tim."
"This is where I live."
"I would still really appreciate help on that essay though, I mean, what the hell is Hamlet even about? I just don't get that old time-y language, like 'Hark! A ghost hath killed me!' - absolute rubbish, what does that even mean?"
"The ghost never kills anyone in Hamlet, he's there to tell Hamlet that he was murdered. Have you actually read it?"
"No, but it sounds like you have. Tim, I want this guy to help me with my essay instead. I know for a fact that you haven't read Hamlet, either."
"So? We don't need Jason, I've read the Sparknotes."
"Hi Jason, I'm Danny, pleasure to meet you, summarise Hamlet in three sentences or less."
"Am I auditioning to help you write your essays? I can't believe you’ve gone through your whole school life without reading it, it’s good!"
"Hamlet, along with a number of other classics, was banned in our house because it portrayed ghosts as intelligent and sympathetic beings rather than evil, animalistic beasts. I didn’t even get to see The Muppet's Christmas Carol until last year with Tim! It was surprisingly good, and I hate Christmas because everyone always argued and it sucked. But we're getting off topic. I—"
"No, no, please go back to that, because what the fu—"
"Boys, please." Bruce interrupts, looking to the world as if he wants to hang his head in his hands. "Danny, you were about to say something?"
"Oh, yeah, Mr. Wayne! Thanks!"
"Please, call me Bruce."
"Well, that very succinctly brings me to my point, because I'd actually really like to call you dad."
Nobody says a word. Nobody even blinks, all as shocked as the other, watching open-mouthed as Danny pulls his laptop out from beside his chair. Bruce can definitely feel a headache coming on.
"Before you say anything, I've prepared a 69 slide PowerPoint presentation on why you, Bruce Wayne, should adopt me, Danny Last-Name-Pending. Please save your questions, comments, and verdict until the end, thank you."
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Reuniting with a distorted past.
Extra:(New personality tested gone wrong)
wanted to play with rin living in the aftermath aus aswell and had these drawings laying around to share so yay
Panel 1: Was buried alive.
Comic 1: Who are you supposed to be?
new friends
Comic 2: Misguided protection.
obito still sensing the warning signs of rin losing her temper. anyways they proceeded to be dragged into the ocean by rin like some sea monster
Comic 3: Finding out (Now what will you do?)
obito is harshly brought back from his delusions because now its not just kushina but rin too who he needs to ripped out the tail beast from
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and when it turns out that in-book knights of wind and truth was written by delp, famous early-WOK bridgeman with one single mention? what then?
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I'm still stuck in a weird place art wise. I have so many unfinished sketches and works in my folders. But I get so unmotivated halfway I just start something new. Rinse and repeat. :x
This is the one thing I actually felt motivated to complete. And it's a character design merge, or fusion if you will. Of Keiki and Gorm.
I feel he'd be quite intense and all over the place. Not a mean bone in him tho.
This was fun to do, so I might do more. Let me know if there's any fusions of my characters you'd like to see. :3
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I can't stop thinking about just how emblematic everything in those conversations of Ashton being "a child" are of how, even at her most beaten down, triggered and traumatized, Laudna is not and will not be what Delilah wants her to be.
For Delilah, "they're still a child" is dismissive, a bit derisive, but doesn't even merit being truly hateful. She doesn't find Ashton worth the attention Laudna is giving them, not when there are such more interesting, important things to pull the attention of an adult. Children are only important when they are useful. She will indulge Laudna on the subject, because Laudna is useful, is her vehicle for action in the world, but she only cares about it in the context of getting Laudna to do what she wants. Calling someone a child is calling them unimportant. (Laudna is a child to her)
But for Laudna, who loves children and who understands intimately what it's like to have the helplessness of child, to be trapped under the authority of someone who will never treat you as a full person, even when they are being ostensibly kind, to be so confused and lost and powerless...a child deserves attention more than anyone else. Of course children lash out. Being a child IS in many ways quite awful because the world is so big around you and you don't know yet how to react to any of it, how to soothe yourself - and if you aren't given the attention, you never learn how. Ashton never learned how. Her instincts - instincts trained into her by manipulation and abuse from inside and the world around her - may say kill him, but she fights them the whole way because her heart is stronger and her heart says that the angriest, most volatile child needs care as much as any other. More, even.
Laudna hears Delilah call Ashton a child and agrees on the word, but they have diametrically opposed understandings of what that means, and diametrically opposed instincts on how to treat a child. Laudna doesn't want to hurt anyone, especially children. She loves children. She loves so much and so selflessly. And Delilah is so very very good at manipulating her but she has tried for 30 years to change the bedrock of Laudna's psyche, the truer thing that drives her beyond the base animal instincts of survival, and it hasn't worked.
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every time i reread lackadaisy i become stronger about my conviction that fans are WAY too harsh on mitzi and misunderstand her completely. you go online and see people treating her like satan incarnate when she’s genuinely just a person who’s grieving and lost. her and mordecai are two sides of the same coin and it’s crazy that people are kinder to him ( when he kills people, brutally, all the time and without remorse ) but never to her … like the things i’ve seen people accuse her of is baffling enough to make me wonder if i’m genuinely misreading the text tbh. even her character sheet on the lackadaisy website says this :
cannot stress enough everything we’ve seen from mitzi and know about her, both in the past and present, proves she was a tender hearted sort of person. she is not ruthless or cruel naturally, and has to continuously decide to commit to the harsh edges she’s desperately trying to wear. she’s selfish, yes, and does have her own myriad of flaws -- but she’s hardly some manipulative mastermind with no warmth in her heart. and knowing this makes her arc and her scenes ache all the more for it tbh
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