#I don’t know if this was intentional foreshadowing or not

[cringefelinecreature]

To think that the lovesquares biggest most ongoing problem (honesty and communication) all started from a white lie about a scarf.

[trippinsorrows]

without you + one

authors note: hi, friends! so this is a foundational first chapter, meaning its intended to lay down a blueprint. there may or may not be some foreshadowing.....

but let me just say this. i have no intentions on drastically changing anyone's characterization from book one. e.g. joe has always only had eyes for reader. that won't change. he's all about his family.

do not read this story if you haven't read 'with me'. it won't work as a standalone.

warnings: language, some angst, fluff, and suggestive themes

song inspo: be without you by mary j. blige

words: 5k

Two weeks.

It’s been two weeks since your life was forever changed in a night of pure magic.

Two weeks since the love of your life proposed to you in the most beautiful way in the most beautiful place on earth surrounded by the most beautiful people.

Just thinking about it still brings on chills and goosebumps. It might just be one of the happiest nights of your life. 

And even returning home, being with your family, enjoying your pregnancy has continued on the theme of love and contentment. 

It’s almost nearly perfect except for one little thing. One tiny little human you just so happened to have created who seems to think that she has first dibs on a certain fiancé of yours at any given point and time.

Callie has been loving every single second of Joe being home on indefinite leave, and while you’re happy for her, happy for him that they have the time to spend together, it’s like she wants to spend all of her time with Joe.

And that’s fine, except for the fact it’s like she doesn’t want you around at all.

They’re playing tea party and she hits you with the, “mommy, it’s for daddies only.”

He’s having her help him cook, and she hits you with, “mommy, you can’t cook.”

She’s suckered him into watching Moana with her for the 18th time, and she hits you with, “mommy, I wanna watch it with daddy.”

Sis is beyond possessive. It’s gotten to the point where you almost feel jealous of your own damn child. An absolutely asinine thing to think, let alone feel.

It’s why when Joe jogs down the steps after getting her down for her nap, you grab him by his shirt and yank him into the office. 

He’s understandably confused. “Y/N, what the hell?”

You bring your finger to his mouth, silencing him. “Not so loud. You’ll wake her up.”

“And?”

Lord, Jesus. This may be harder than you thought. “And she needs her sleep, and we need time to talk.”

That seems to help him reason a bit better. “Okay.”

Pouting, you take him by surprise, shuffling into his chest as his arms naturally move around you. “I miss you.”

He chuckles, kissing the top of your head. “I’ve been here, baby.”

“You know what I mean.” Pulling back, he brushes his thumb across your bottom lip. “I miss spending time with you. Just the two of us.” Realizing how that could sound, you quickly clarify. “Don’t get me wrong, I love seeing you spend so much time with Callie, and obviously, she loves it too. But your lil’ bodyguard doesn’t seem to want mama to have any time alone with daddy.” 

And it’s the truth. It fills your heart with so much joy to see the beautiful bond and relationship they’ve developed in not even a year. They’re inseparable. 

But that doesn’t negate the fact that you miss spending time with him too.

“And we haven’t had sex since in over a week. A week, Joe. I can’t go that long without your dick. You know this.” He smiles, big hand laying on your baby bump. Like this shit is funny. Like it’s amusing that you’re going through dickdrawl. “That’s not funny, you asshole. If I have to make myself come one more time instead of you, I might just lose my shit.”

“I get it,” he finally shares, hand moving along the small of your back. “I miss you too. Miss my pussy…”

His voice drawls into something teasing, and it makes your pussy flutter. See, just his voice alone has you feening. Groaning, you mutter, while trying to settle yourself, “and it doesn’t help that she’s been sleeping with us.”

Calista is only four-years-old, so it’s natural for her to want to sleep with you and Joe. And you don’t mind that, don’t mind giving her that comfort. It’s just that it’s been every night since you returned from Disney. Not only that, when Joe gets up, she likes to get up. Even to the point where he'll just be working out in the gym, and she still wants to be around him, sitting on the floor talking to him or just playing on her tablet.

She’s even fallen asleep one time in the gym, with him having to stop his workout to bring her to her bed that she woke up from and managed to scamper her cute self right back into bed with you.

It’s just been…..a lot in some ways.

He nods, suddenly suggesting, “maybe we can try talking to her.”

“And what are we supposed to tell her, huh?” You’re legitimately all ears for any recommendations on how to word it. “Callie Bear, you’re spending too much time with your daddy.” Even saying it in a mocking tone feels wrong, giving you a sort of itch. “I’m not trying to have our child in therapy because of shit we caused her.”

“And you say I’m dramatic.” He rolls his eyes, emphasizing his point. “She’s a smart kid. I think if we just talk with her about how we have to share time with each other—”

“Ha. Share. That’s funny. That girl don’t wanna share you with air, let alone another human being.” It’s a partial joke, partial truth. A frown suddenly falls on your face as you think this over more. “You think something’s going on with her?” 

If you didn’t have his attention before, you definitely have it now. “What do you mean?”

Shrugging, you do your best to explain what you don’t quite fully understand. “I don’t know. She’s always been super attached to you, but it’s been more intense lately. Like she’s holding on even tighter. Like—”

“Like she’s scared to let go,” he finishes for you, deep voice settling into something almost despondent. “You think she’s scared I’m gonna leave or something?”

It’s a bit of a stretch but also something you can’t entirely rule out. “Maybe.” With a new sort of determination, you advise. “You’re right. We do need to talk to her.” And for completely different reasons than when you first dragged him in for that conversation. You just want to make sure your baby girl is okay.

That’s the only thing that matters.

On the topic of Callie, you’re reminded of something. “Oh my god.” Gasping, you move away from him. “I didn’t get a chance to show you.”

Curious, he asks, “show me what?”

You reach for his hand, walking over to the desk that’s almost entirely done with being set up and open the first drawer. Grabbing the still unopened envelope, you reach it to him, a small smile on your face. “I wanted to let you open it.”

Joe is understandably confused until he flips the envelope over and sees the sender. His expression immediately softens. “Is this—”

Nodding, you share, “it came in the mail yesterday, but it just slipped my mind to tell you.” He doesn’t say anything, instead focused on opening the envelope as he carefully pulls out the certificate.

Callie’s new and updated birth certificate. 

Moving closer to him, you snuggle yourself into his chest as he uses one hand to open and read the document you two have been waiting on for nearly a month now. Everything has stayed the same except for one section, that one section bringing on all of the feels for him. For both of you. 

Father/Parent’s Name.

The section that was once blank now reads in printed, black, unerasable ink: Leati Joseph Anoa'i. 

You can just feel the immense love and happiness emanating off his big being. He doesn’t need a piece of paper to tell him that he’s Callie’s father. You know that. But this is the piece of paper that gives him all the legal rights as Callie’s father, the rights he should have had from the very beginning. 

Holding onto him just a little tighter, loving him a little harder, you murmur against his chest, “now it’s always as it should have been.”

—---------

“I’m thinking strippers. One on each side of the aisle. Shawty throwing ass to the left, and shawty shaking titties on the right.”

Any conversation with Alexis is bound to venture into the deepest parts of fuckery, but this has to be a new level. “You want me to have strippers at my wedding?”

She’s looking at you like she can’t understand what’s so crazy about her proposal. “Yeah, what’s wrong with that?”

Eyes widening, you lean over the counter that’s littered with countless bride magazines and her Macbook Air. “It’s my wedding, Lex.”

“And?” She shakes her head, stirring some of her chocolate pudding. “You love strippers.”

“I do, but that doesn’t mean I want them at my wedding.”

She’s rolling her eyes, flipping her hair over her shoulder as she murmurs, “if you wanted to have a boring ass white people type wedding, you should have just said that.”

You laugh. Wedding planning was always something you imagined doing with your closest friends, and while you’re thankful to have Alexis here as your support and interim wedding planner (because you’re still very much on the fence about that), her tendency to do the most is definitely obscuring her view of logic and what makes sense.”

“I don’t want a white people wedding, per se. I just don’t want anything too crazy.” That’s the best description you can give, because this is all so new to you. You naturally play with the stunning engagement ring on your finger. Part of that confusion is because you’re still a bit stuck on the fact that you’re actually engaged.

To the literal love of your life, at that.

A dream that’s become a reality.

It still feels a little too good to be true.

“Fair, I guess.” She doesn’t seem to agree that it’s fair but won’t push either. “Well, have you at least thought about where you want to get married?”

That, you actually have. Once upon a time, it was in your hometown. Now, you’d rather not get married at all if that was your only option. “I’m thinking here.”

“Florida?” You nod. “Wow. Okay, any particular reason why?”

Shrugging, you answer, grabbing a chunk of pineapple from your fruit bowl. “I don’t know. Joe’s family is already here. It’s easy for my mom to catch a flight out. And anyone else I’d like to attend would have to fly here too anyway. Plus, this place is really beautiful.”

The fact that life has only been up since moving here to be with Joe is a major plus too. But, that doesn’t necessarily feel like it needs to be outright stated.

“Got it.” She starts typing on her laptop, and you have no doubt she’s already created a Google Doc to track everything. It’s one of many things you love about Alexis. She may be crazy as hell, but when she’s on it, she’s on it. “Now, the biggest thing, maybe the most important thing, is gonna be the date.”

“Date?”

She nods, “yeah, like when you want to have the wedding.” 

Fuck. As silly as it may sound, you hadn’t even thought about that. Still so caught up in the high of actually being engaged to your soulmate. 

Alexis continues, “I’m guessing after the school arrives.”

You roll your eyes. “What did I tell you about calling them that?” 

“Okay, the brood.”

“Alexis!”

She throws her hands up. “Don’t get mad at me cause the freaks freaked too much and now ya’ll starting your own little tribe.”

A heavy sigh leaves your mouth as Alexis continues to go in on you over your multiples pregnancy. For the most part, you’ve really come to accept and be okay with it. There are times though where your mind gravitates toward the childbirth portion, and your vagina literally starts to ache at just the thought of that trauma. 

Shaking your head and pushing away those thoughts, you return to the conversation at hand. “That’s a good point. I don’t want to walk down the aisle big and pregnant.”

“Exactly.” She types some more. “When is Joe going back to work?” Another great question that you don’t have the answer for. “Oh my god, Y/N, girl, just what do you know?”

“He just said it was indefinite leave!” You throw out in defense of your lack of knowledge. “Definitely not before the babies get here, so after September?”

“And you know he’s not gonna leave you alone with three newborns to take care of, so I can see him staying off air for at least a couple more months.”

That makes sense. “But, he’ll have to be back in time for WrestleMania, I’d imagine.”

“Most definitely. Didn’t you see that one promo he did? Roman Reigns is WrestleMania.” A smile falls on your face. You most definitely did see that promo. It’s one of your favorites that he’s cut. “But the next one isn’t until April, I think.”

“So maybe January?” The smile shifts into a scowl. “He can’t be gone that long though. The fans would lose it.” Thinking back to the Smackdown clips you saw on social media, you point out, “they’re already chanting ‘we want Roman.’”

It’s a bit bittersweet seeing Smakdown clips without Roman, seeing someone else hold his championship belt. But then you think about what that sacrifice gave you, what Joe giving up his title has awarded you, and it takes away some of the sting of it all.

You also feel a bit better knowing Joe is still playing an active role in the Bloodline, just behind the scenes. 

She sucks her teeth. “Ain’t that about a bitch? They fake asses acting like they weren’t the main ones wanting Cody to finish the story.” Alexis' borderline anger makes you laugh a little. “Oooh, Joe nice, cause the way I would give them the middle finger, retire, and live out my life with my fine ass wife and 12 children.”

Your eyes widen. “Don’t even put that out there, please.” You've definitely learned now about the power of the tongue. “If I was carrying any more than three children, I might just die.”

“Naw. Childbirth would do that for you.”

“Alexis!”

“Shit, sorry, too dark?” Lord, this girl really has no filter sometimes. “Do you guys want more kids after this? Like, forreal?”

Alexis, despite all of her shenanigans, seems to be on point with the questions. “I don’t know—”

“You don’t know?” That seems to be the answer that actually has her floored the most out of anything else ya’ll have discussed this afternoon thus far. “Bitch, this man put three children in you. Three. You really trying to risk that happening again?”

“Of course not. I just—I don’t know. I don’t think I can really answer that right now. Maybe once we learn the sexes, cause what if they’re all girls?” The likelihood of that happening has to be slim to none, but just like multiples of this quantity can be an anomaly, so can all of one sex. “I want to give him a son.”

Truthfully, you’re praying hard that at least one of them is a boy. You know Joe will love the kids the same. Fully and without inhibition, regardless of sex. But, not only do you want to have a little boy for your own reasons, but being able to continue on Joe’s lineage, maybe even passing down his name to your son would mean even more.

Of course, Alexis is quick with the dumbass suggestion. “Make one of them a tomboy.”

You close your eyes, forcefully stabbing the next chunk of pineapple. “Alexis, I swear to God.”

She leans back in her seat, adjusting her top. “All I know is if you think I’m babysitting four kids, you are sadly mistaken. I’ll take care of my little Cal Gal, but these other newbies are gonna have to prove themselves.”

“Newbies? They’re gonna be literal babies, Lex.”

“And? My beef is rated E for everyone, newborn babies included.”

Lord, this woman is giving you a headache. “I guess there’s a lot I still need to discuss with Joe first before we actually get into planning.”

“Agreed.” It’s a conversation you’re almost not looking forward to simply for the mere fact you don’t want to start thinking too much about Joe’s leave ending. Just wanna enjoy the here and now. But, you know it’s something that needs to be done. “Make sure to ask him about the strippers too.”

“Alexis!”

—-------

As he has almost every day since the start of his vacation, Joe handles dinner for you and Callie. Well, mostly you, since little Ms. ma’am insists upon helping Joe cook, and he insists upon you resting when you make the mistake of telling him you’re experiencing heartburn. It’s a common symptom given you’re about two weeks away from hitting four months and something you experienced when you were pregnant with Callie.

However, he takes all necessary, or maybe, unnecessary precautions, having you sit and rest in the living room, watching some random station while he works in unison with your firstborn to prepare dinner. 

He makes grilled fish with a side of rice and broccoli for the vegetable. It makes you laugh every time he encourages and tries to convince Callie that she needs to eat her veggies or else she’ll never grow. Sis looks like she doesn’t entirely believe him but takes the plunge anyhow. Plus, better him than you trying to convince her.

You’ll let him take that battle gladly.

And while he cleans up the kitchen, handles putting all the leftover food away, you tackle Callie’s nighttime routine, specifically her bubble bath, hygiene, and hair. Her bath takes a little longer than usual, somewhat because of your bump, but mostly because with her new disney princess themed bedroom came an attached disney princess themed bathroom. This includes a shit ton of bubble bath additives that any kid would love, many of which she suckered her daddy into buying during your Disney trip.

You don’t even want to know how much that man spent on Callie in that one week timespan. It seemed like everything she saw she wanted, and he wasted no time in pulling out his black card, buying it for her.

You can only pray she remains sweet and humble with a daddy like Joe who’s seemingly hellbent on spoiling her rotten. 

Getting her in her pajamas and securing her bonnet over her head after putting her curls into a pineapple is the easy part, and she’s nearly bursting at the seams to get out the bathroom door for a reason you already know and don’t need to ask. 

Cause as soon as you’re done, she’s like a speeding bullet, rushing out her bathroom and room, straight into yours.

“Daddy?”

By the time you get everything back and put away, she’s found her target. Joe is sitting on your bed, Callie tucked into his side with her chosen bedtime book in hand. She surprises you though when she looks up and smiles brightly. “You can come too, mommy.”

This has to be your first invite in at least a week, and it makes you genuinely smile as well. 

“Thank you, baby.” There’s not an ounce of hesitation as you move over to the other side of the bed, climbing in with them. A brief shared look with Joe gives you the signal you need to jumpstart the conversation you’ve been thinking about all day. “Callie, daddy and I actually wanna talk to you about something.”

Instantly, she’s frowning, pouting almost as she snuggles closer into Joe’s chest. “I don’t want to talk.”

This makes you frown, as Joe also looks taken back by her response. He rubs gentle circles along her back. “Callie Bear, what’s going on with you?”

You pick up on her hesitant reply the same way you’re sure Joe does. “Nothing.”

Placing a comforting hand on her arm, you softly point out some of the things that have led to this conversation. “Calista, I’ve noticed you’ve been spending a lot of time with daddy. And you sometimes don’t even want me to spend time with ya’ll.” Licking your lips, you do your best to keep your voice as calm and soothing as possible. “Are you…are you maybe scared about something?”

And it’s when she looks at you for a second, that fear flashing in her eyes, you know that’s what it is. Something has her nervous.

Hating that something is bothering her and especially that she’s keeping it in, you whisper, “Please tell us, baby.”

And it’s Joe holding her a little tighter along with your gentle coaxing that seems to do it, seems to break down that wall that hides her truth. She sniffles, “I don’t want daddy to leave again.”

“Calista…” You hate seeing her so sad, but you especially hate seeing and hearing the pain in Joe’s face and voice at the fact that he’s indirectly the reason for her sadness. “Baby girl, I’m not going anywhere right now, remember? I’m staying here with you and mommy.” 

You’re thankful he doesn’t really highlight the fact that he will eventually have to go back to work. Callie isn’t stupid. She knows this, but it’s not what she needs to hear right now.

And your chest tightens as she sadly points out to Joe a trauma you still haven’t had the space to fully process. “But those people took me from mommy, and I couldn’t see her.” Eyes glossing over, it breaks your heart to hear that she still thinks about that. That being separated from you the way she was is still impacting her. “What if they take me and I can’t see you or mommy?” She adds on in a way that twists the dagger in your chest, “or they make you leave me like they made mommy leave me?”

At that, he pulls her onto his lap, carefully lifting her chin to make her look at him. “Calista, listen to me, sweetheart. No one could ever take you away from me or your mom. Ever.” He speaks with such conviction and determination. He needs her to believe what she’s saying. You both do. “You’re our little girl.”

“He’s right. I know…I know that scared you, but your daddy and I aren’t going anywhere. We promise.” Reaching over to cup her face, you ask in a way that’s more telling than questioning. “That’s why you’ve been wanting to sleep with us.”

She nods, quietly explaining. “I don’t want you to be gone when I wake up.”

“Oh, baby.” you reach for her and she climbs over to you, hugging you tight, head against your chest. “Daddy and I are gonna be here for you, always, okay? No matter what.” Chuckling a bit, you wipe the tears from her eyes. “Even when you’re all grown up and don’t need us anymore.”

She looks between ya’ll, almost wide eyed. “Noooo.” She reaches for Joe who moves closer to the two of you. “You’re my mommy and daddy. I’ll always need my mommy and daddy.”

Her innocence warms your heart. You love this little girl so much. More than words.

“We love you, Callie.” Joe kisses her forehead as she holds onto his arm. 

“I love you guys too.” Her voice is less laid down with that big weight she was carrying around, and it makes you happy to know she feels a bit better, a bit more secure. “Can–can I still sleep with you guys tonight?”

“Of course, baby.” The answer is easy. Knowing now why she’s wanted to stay so close, it would feel almost cruel to deprive her of that comfort. “Of course you can.”

—-------

Megan Lowery is having a shit day.

Beyond a shit day, really.

The first issue being that her stupid alarm didn’t go off. A classic nuisance that almost everyone has experienced at one point or another. 

Except for her.

She’s never had her good old faithful iPhone alarm not get her up in time to tackle the day, until this morning, which has since only gravitated from bad to worse.

Because of course her coffee machine decided to act up. Any other time, she’d have zero issue brewing her morning cup of Joe, but not this morning. No, this morning she was forced to forgo her addiction of almost twenty years nor did she have the time to stop and buy a cup due to already running late because of her dumbass alarm glitching.

And the shitty day couldn’t be completed without some asshole bumping into her and spilling their deliciously smelling coffee all over her Free People blouse.

Put plain and simple, it’s a bad day, and she’s already over it before it even hits 1pm.

It’s why she sits in her meeting, doodling on her legal pad instead of listening to what probably could have been an email.

“Lowery!”

Megan jumps in her seat, eyes scanning the room of coworkers who sit watching her carefully. She clears her throat. “Sir?”

Luke, her boss, crosses his arms. “Am I boring you?”

Yes. “No sir, of course not.”

“I think I am.” Megan has never liked Luke. A product of nepotism, his father created the casting company she works for back in the eighties where he grew it to the major success it is today, only to pass it down to his son a few years ago after ailing health. And while Luke isn’t a bad CEO, per se, he’s not the funny, down to earth type like his old man.

No. The man is a Grade A asshole sometimes.

And this seems to be one of those times.

“Then what was I discussing?”

Fuck. Megan has always hated looking stupid, and she’s usually pretty good at both paying and not paying attention. But without her coffee, it’s damn near impossible to achieve that feat.

“Actually, sir, Megan was just whispering some ideas to me for how we can get Reigns to sign on.”

Megan shoots a vicious look to her work bestie, Paige. She smiles, her perfectly white teeth a stark contrast to her tanned, freckled complexion. “She’s got some great ideas too.”

Luke is smirking, and she knows that he knows Paige is blowing air up his ass. That doesn’t stop him from having his fun though. “Perfect, then I suppose you won’t have any issues taking on the assignment.”

Megan swallows. She doesn’t even know what this assignment is. But the thought of letting her asshole boss get one over on her literally makes her nauseous. With a steel smile, she accepts, “Of course not.” 

“Perfect.” He smirks. She has to stop herself from rolling her eyes. Smug bastard. “I’ll forward you the file and contact information for his reps.” Luke looks around at the rest of the employees. “Meeting is over.”

As everyone empties out, Luke being the first, Megan waits impatiently for everyone to depart before turning to Paige and punching her on her arm.

“Ow!”

“What the hell?” She hates being put in situations where she has no idea what’s going on, and this just so happens to be one of them. “What did you just get me into?”

“You could just say thank you for saving my ass, you wonderful goddess.” Paige adjusts her glasses and opens her laptop, typing away before sharing her screen with Megan. “This is what you’re getting into.”

Megan is still annoyed as her eyes land on the screen, but that irritation easily drifts away when she sees who is on the screen. “Holy shit, that’s Roman Reigns.”

“Duh.” Paige says with all the sass, explaining. “Universal wants him for an upcoming film they’re doing, but WWE just announced he’s taking an indefinite hiatus, so it might be a hard sell.” 

Paige, of course, selected a photo of the former champ in the ring, shirtless, hair down. Looking literally like the Gods put all of their talent into one pot and poured out him. Megan then asks, “why is he on hiatus?”

“That’s the sad part.” Paige does some typing and pulls up an article. She points to the several headlines that all say the same thing just in different ways. 

He’s engaged. 

“I swear, all the good ones are taken.” Paige pouts. “There was actually some drama he was in a couple weeks ago but it’s all died down now, I think. I’ll have to send you the tea. Nevertheless, he’s engaged and expecting another child with his now fiancé.”

Megan clicks on one of the articles that show Roman and who she’d guess is the fiancé. A frown falls on her face. “Seriously? Her? He could have done way better.” Exceptionally. Megan could never see someone like him, body sculpted by Zeus himself, with someone like her who looks like she’s never even seen the inside of a gym.

“Regardless, that’s his lady, and they already have one kid together, so he’s really off-limits.” Paige shrugs, closing her laptop. “Thankfully, all you need to do is get him to agree to do this film.” She snorts. “Baby on the way, planning a wedding, how hard can that be?”

Megan rolls her eyes and flips off Paige who laughs while standing up. “Wanna go get lunch? My treat.”

Shaking her head, Megan politely declines. “No thanks. I’ve got a few emails I’ve gotta get caught up on. Raincheck?”

“You bet.” Paige winks and walks out, closing the door behind her to leave Megan alone with her many thoughts.

Paige is right. It’s going to be a challenge to get Roman to sign onto this film when he has so much going on in his personal life. Some might even see it as DOA. Megan, however, has always been intrigued by challenges. She’s never encountered a situation where she didn’t get what she wanted. Where she didn’t get who she wanted.

On a film.

Of course.

Pulling out her phone, she googles his name, scowling when one of the first photos is of him and the fiancé and their kid, she’d guess. She easily pinches on said photo, eliminating them and filling her screen with only him.

Head tilted, twirling a piece of her hair, she says to no one in particular. “You and I are about to be very good friends, Mr. Reigns….”

[apoloadonisandnarcissus]

"The Last Temptation": One Megathread to Rule Them All - Clues and Speculation, PART 1

By now everyone in the “Rings of Power” fandom is aware of “The Last Temptation” - Galadriel and Sauron scene in the finale (2x08) - so I’ll save myself the trouble of further explaining it, because we have more interesting things to talk about.

What happens in this scene? What is the season building towards? And what are clues, foreshadowing or red herrings the episodes have given us so far?

It's pretty much confirmed that Sauron will pitch the “be my queen” question to Galadriel, again. I usually don’t pay much attention to the actors’ interviews because they’ll say anything to avoid spoiling the story and spill the beans, but sometimes it’s important for context.

From Episode 7 preview, we know that Galadriel will arrive at Eregion and share a heartfelt moment with Celebrimbor (I'll come back to this scene later on). However, the showrunners have teased that 2x07 is an Elrond-centered episode, and I don’t think Sauron and Galadriel will reunite before the finale (2x08) because that’s one of the climaxes of the season. Anyway, my guess is that Sauron has already left Eregion once Galadriel arrives.

1) Will Galadriel resist or succumb to Sauron’s temptation? 

You cannot face him alone.

To me, this scene with Gil-galad is the most important one, when foreshadowing is concerned. Mainly because our High King of the Noldor got it right last season, so we better pay attention to what he says.  

We foresaw that if Galadriel’s search should have continued, she might have inadvertently kept alive the very evil she sought to defeat. For the same wind that seeks to blow out a fire may also cause its spread.

Gil-galad tells Elrond the true reason why he sent Galadriel back to Valinor (1x01) 

Oh, boy, and how right he was! 

But Gil-galad isn’t the only character who warns Galadriel she can’t face Sauron alone because she might not be able to resist him: 

Similar to Gi-galad, Elrond shares the same concern.

And why would he think that?

In 2x06, it’s Adar who warns Galadriel she might succumb to Sauron as well, because she’s acting quite smug at being able to resist him once before (1x08). 

I resisted.

For a while, perhaps.

His eye bores a hole and the rest of him slithers in.

So far, this season, we have three different characters warning Galadriel that she might succumb to Sauron if she faces him alone at the finale. Unsure if Celebrimbor will tell her the same thing in 2x07, but three characters saying the same thing is far from a red herring, at this point.

2) And so, the main question now is: will Galadriel face Sauron alone, out of her own volition? Or does Sauron chase after her to isolate her from the rest?  

We already know that Galadriel is consumed by the idea of finding Sauron, and to destroy him; but now, she’s motivated not only by her brother’s death at the hands of his werewolves, but due to her belief that everything she experienced with Halbrand (and the connection they had: friendship, romantic, ambiguous) was a lie and part of Sauron’s schemes of deception. 

However, in this scene in particular (2x02), Galadriel is feeling especially vulnerable, and eventually agrees with both Elrond and Gil-Galad, that she can’t face Sauron alone because she’s unaware of what might happen if she lets him in, again (meaning, she might actually succumb to him). 

However, from 2x02 until 2x06, Galadriel grows bolder and more confident, mostly aided by Nenya and the visions and the guidance the ring of power provides her with. Although, I would argue it was never her intention to face Sauron alongside Elrond and the others, and this scene was a moment of weakness (or the red herring itself).

I swear to you, High King. I will not stop until he is destroyed and I have put this right.  

Morfydd Clark herself has said that Galadriel knows she messed up really bad, and is on a desperate mission for redemption. However, last season she was also desperate in finding Sauron and destroy him, and that worked wonders, didn’t it? 

Based on this, I would say Galadriel will seek out Sauron all by herself in the finale. We already saw Galadriel and Adar paralleling each other in their pursuit for Sauron, and how consumed and obsessed both of them are by it. While Adar is sacrificing his “children” to destroy Sauron, Galadriel thrown Elrond under the bus (by telling Adar he’s the one who carries Nenya) just to get a chance of finding Sauron and face him herself. 

Galadriel’s pride is her main flaw of character, and usually what gets her into trouble (in both RoP and the books, with her only letting go of her pride on the Third Age when Frodo offers her the One Ring and she declines). And in this case, her pride will be her downfall. She believes she'll always resist Sauron, because what he offered her last time (power) wasn’t enough to tempt her.   

My guess is that Galadriel will lure Sauron out either by using Morgoth’s iron crown or Nenya, but my money is on the first option (as we saw on the trailers).

3) Elrond’s Choice

Before we get into the rabbit hole that is Sauron’s plan concerning Galadriel, we have to talk about Elrond’s promise in 2x04:

This scene might be a red herring or foreshadowing, but I’m inclined to believe the later. And it can either happen in either 2x07 or in 2x08 (during the “Last Temptation” scene).  

Since 2x07 is an Elrond-centered episode I would argue it would make more sense for this choice to happen in this episode. In the preview, we saw Elrond and Adar having a conversation in the same tent he dined with Galadriel and proposed an alliance to her (that didn’t work out, did it?). Adar knows Elrond carries Nenya, but he has other interests in dealing with the Elves, too. 

He expressed to Galadriel his desire in knowing what comes after Sauron is defeated and the fate of the Orcs, seeking out a truce between Elves and Orcs, which would allow him and his “children” to live in peace in Mordor. I believe he will propose this to Elrond, too. In exchange, Adar might want to use Galadriel to lure Sauron out.

And so, in 2x07 Elrond might have to choose between saving Galadriel or stopping Sauron.

But now you are wondering: if Elrond allows Galadriel to remain Adar’s prisoner and she’s at Eregion in the same episode, this theory doesn’t make any sense? How did she escaped? Well, that’s a question for another time, but another character might set her free (one who would make the show more complex and give Galadriel some character’s growth and development).

4) Galadriel’s Sacrifice  

She sacrificed herself to save us all.

No, you are mistaken, Camnir. She did not do it to save us. She did it to save the ring.

These quotes are from 2x04, when Galadriel faces the Orcs by herself and eventually gets captured by Adar. However, it’s the second time in this episode there is a mention of Galadriel either sacrificing herself, or something.

This can be foreshadowing for several things: 

Celebrimbor’s death (since she says this after Elrond talks about how his father once prophesized Celebrimbor’s life would one day be on his hands); 

Galadriel goes to fight Sauron alone (it can be an extra layer of foreshadowing to this happening); 

Galadriel sacrificing herself to save Middle-earth (meaning she goes/joins Sauron at the end). 

5) Sauron’s plan concerning Galadriel 

Sauron is in Eregion in the middle of his “Rings of Power” masterplan. However, and through his interactions with Mirdania, Galadriel’s Doppelgänger, it’s clear she’s still very much on his mind, and is a part of his plans of domination.

The plan is simple: Sauron wants Galadriel as his queen, still. 

But why? Galadriel is not yet the powerful "elf-witch" she'll become in the future.He can see her potential, sure, but would that be enough to explain his obsession? There is a lot of meta already about the parallels between Morgoth/Silmarils and Sauron/Galadriel, so I won’t get into that here.

How strange. When the light... caught your hair... for amoment, you seemed her perfect likeness. 

Whose likeness? 

Why, Lady Galadriel, of course. 

There is a lot of discourse going on in the “Rings of Power” fandom concerning Sauron’s true feelings for Galadriel: obsession, love or something else because he, being an immortal spirit, is uncapable of “human-like” feelings.  

The answer is easy: both obsession and love are correct. The ones arguing Sauron is not capable of love are wrong. According to the lore, Maiar can fall in love, and one Maia did fall in love with an Elf (and these characters happen to be Elrond’s ancestors). Mairon is capable of love. But he’s a fallen Maia, corrupted by Morgoth, and, so, his love is also corrupted into possessiveness, obsession, jealousy, unsatisfiable lust, emotional turmoil, pain and suffering.  

I would even argue that Sauron fell in love with Galadriel while he was on his somewhat “repentant era”, and it started out as something purer, but it’s twisting into something darker as he goes deeper and deeper into evil, until it turns into hatred, later on.

In 2x06, and in order to manipulate Celebrimbor into finishing the Nine rings of power and prevent him from finding out Eregion is under attack, Sauron conjures a vision of “Everything is well on Eregion”. However, after Celebrimbor leaves, he’s left alone in his own vision (delusions) and his thoughts dwell on Galadriel.  

How do we know this? We have several characters randomly mentioning “it’s a horse! A horse! It’s a horse!”. When I first watch this scene I was a bit taken back. But nothing is random, folks:

And then we have Sauron the Poet:  

All of these clues are meant to show us, the audience, that Galadriel is still on Sauron’s mind. And that he harbors some quite strong feelings for her. And this will come into play in “The Last Temptation” scene, like the director of the finale, Charlotte Brändströmm teased on “X-Ray Vision” podcast: 

I think Sauron even really loves Galadriel and you see that at the very end. 

[waltricia]

I’m sorry ‘heart eyes’, you’re gorgeous, but I’ve decided it’s ‘what a barb!’ for me. Pen hides, masks, and code-switches all the time, but in this moment, she lets it all go and is 100% Whistledown. And what follows is the most sexually charged Polin moment of the first two seasons. It’s the best foreshadowing of what’s to come.

Update: And speaking of foreshadowing- I just noticed this- a man in red walks behind both of them in that moment. I don’t know how intentional this was, but I made another post about the use of the color red in the third season and how it seems that when red is behind someone, framing them, it indicates attraction and love. It’s going to be a major symbolic device in season 3. So, I’m wondering now, were they setting that up back in season 1, in this moment? Or was that just a really fantastic coincidence?

[grimgrazia]

A cool detail from ASOIAF is the deceased mother dire wolf that the Starks find along with the pups. We see how the pups connect with the Stark siblings and reflect their characters as the story goes on, but I feel like the mother dire wolf foreshadows Ned’s fate. The antler in her neck implies she was killed by a stag, which just so happens to be the sigil of House Baratheon. The wolf is synonymous with House Stark and Ned meets his end when Joffrey Baratheon, the stag, decides to execute him.

I don’t know if this was actually intentional btw but I just think it’s interesting. I might be over analyzing lol

[lxmelle]

Just some thoughts about satosugu and how they both interpreted their separation.

It’s highly likely that Geto didn’t realise how important he was to Gojo. I made a blurb on Twitter/X about how I feel that Geto wasn’t a reliable narrator in that sense, but I feel the need to expand on it a bit more.

We now know that they both felt like they’d been left behind. I’ve talked about it before, and it seems evident that they left a wound the shape of each other in one another when they separated.

We know Geto’s intentions with leaving Gojo behind. The kind, polite, gentle Geto who always treated Gojo lovingly - pushed him away to a point where he thought he was unforgivable - thinking they were ex-best friends in his conversation with MimiNana. He shot him down in a way he never did before - “how arrogant,” he said - asking him of his identity, to think about his purpose and cautioning him not to be used. Turning away before Gojo could protest, to convey they were going on separate paths - a “do not follow me”. He gave him his blessing to kill him - showing that he understood there would be meaning in it. The recent JJK exhibition showed that Geto was drafted by Gege in the KFC breakup scene to convey that he thought it would be ok if he was killed by Gojo’s hand. Adding that Gojo should be careful not to kill anyone else but him.

The two presenting interpretations are - 1) just try to kill me alone amongst all these ppl with your overwhelming strength; or, it could also mean, 2) make sure you stay on your path until you decide what you wield your power for (although Geto already decided for Gojo who mustn’t follow him).

For 1) Geto supposedly hated monkeys, so Gojo unleashing his power shouldn’t be a bad thing. But that would be a bad thing because then Gojo would be another curse user like him who killed innocent people. So this demonstrates that Geto had Gojo’s self-interest in mind.

For 2) Geto turned away and gave Gojo a final lesson - to wield his power for the greater good and to not kill like he did. Don’t be a monster like him and he gave Gojo is permission to kill him. It wouldn’t be bad to die by his hand. That Gojo shouldn’t kill anyone unless they were at least as evil as he. Again, this demonstrates Geto having Gojo’s interests at heart.

Thus Geto foreshadowed his fate when he said to Gojo that it would bring meaning to kill him - Gojo was the only one whom he would let stop him. The light novel insinuated that Gojo had to be the one to carry the curse that was Geto Suguru too.

Gojo seemed to understand what Geto meant and decided for himself not to kill him then and there. And not for 10 years. As a reader we know he could’ve. But what did Geto understand and take from it all? Was he a reliable narrator?

Geto was surprised at the end of jjk 0 - that Gojo still had trust for him. The way he phrased it in the original Japanese seemed rather self-deprecating. It goes along the lines of, “to think you still have that (trust) for the likes of me.” And how can we forget the impact of Gojo’s last words... Geto was humbled by it and I HC he was careful all the way not to curse Gojo. So he said, “At least curse me a little at the end.” - as if to say, instead of the love you’re giving me, I know I deserve to be cursed for hurting you. I’m sorry.

So we can kind of see that Geto did not perceive himself as loved as he actually was by Gojo. He looked regretful here as he reflected on their friendship as aforementioned with MiniNana:

Gojo understood that he shouldn’t follow Geto, but we now know he actually felt left behind. In fact they both felt left behind by the other. And they both wanted to catch up. One was early and one was late... curse and blessing, absorb and repel, etc. I think we all are familiar with certain themes by now.

Gojo respected Geto’s need to walk separately and protected his love and desire to keep Gojo on that path. He allowed it. He could have taken the words of make sure you “kill only me” as a reason not to fire into the crowd, or he could’ve applied it to all humans, because this was what Geto also taught him earlier on.

But we know Gojo had the power to just grab and kill Geto on his own, ambush him at any time in the 10 years, and so also just plainly not regard those rules. In fact in jjk 0 Gojo talked about siding with Okkutsu with the higher-ups because he wanted to allow overwhelming power to be understood. His risk to make. So, from Gojo’s point of view that Geto might not be aware of, he took those risks upon his shoulders as the strongest and the executioner of the school, and let people like Yuta and Geto and later, Yuji, live. So just like in Shibuya, we also know that Gojo actually will take calculated risks and make sacrifices. If there is meaning. He determines it himself.

This being me to this point:

Kenjaku had access to Geto’s memories and from there, he devised his plan in further detail to trap Gojo to seal him in the prison realm. But he only knew what Geto knew.

He wasn’t wrong that Gojo fought best alone. We don’t know if he could’ve learnt to fight with someone alongside him, but perhaps after Toji, he didn’t see the need to, and preferred to “risk himself” seeing as he could be invulnerable with limitless, and he would be free to go all out with his destructive power.

Here we see him infer that Gojo would be deterred by the presence of humans - the possibility that there would be casualties. He is also not wrong, but we can see that this was based on Geto’s assumption - that he was in the way. He believed he was in the way. We don’t know why Gege scrapped the draft, but that was Geto’s intentions: to keep Gojo righteous. Not to follow him.

He was willing to damn himself in his friend’s memory so he wouldn’t be dragged into hell too. We can imagine that he felt left behind by Gojo in strength especially since Gojo also pointed it out in their exchange. He thought he wouldn’t be treasured in his friend’s memory, although he treasured Gojo (wearing the Gojo-kesa and also his views on loyalty through calling Yuta a “womaniser”). So I think he felt like he would be easily discarded by Gojo once he left and hypocritically pointed him in the other way, especially when Gojo let Geto decide for them both him just a year ago, and didn’t kill the people clapping at the hideout.

Someone pointed out that Gojo’s love was “I’ll go wherever with you and hold on forever” and Geto’s love was “I’ll let you go, and it’ll hurt but at least you’ll be safe.”

Sigh.

Whatever it was, he believed Gojo spared him because there were people present when he walked into the crowd. Stalling for time allowed him to get away.

Not believing that Gojo was conflicted and wanted Geto to live … or “come back home” like his character song given by Gege. He did the same thing in jjk 0 when he cautioned Gojo not to approach him because his students were “in his range”. So he must’ve believed it was a deterrent for Gojo.

Geto did not know how Gojo took the breakup scene or how he interpreted his words of parting.

To him, and to Kenjaku, the tactic of stalling for time allowed Geto to walk free. Human lives could be used against Gojo. In the 10 years, maybe Geto thought he was useful in getting rid of curses, etc. so he was left to his own devices. Gojo never came to execute him. We don’t fully know, but we got a glimpse of what Geto assumed - their friendship was but a precious memory and there was no trust from Gojo left. And though Geto heard Gojo’s confession at the end of his life, he was never to know that Gojo’s love actually ran that deep - because he was also surprised at the airport scene.

He did not know that Gojo felt left behind. In fact, the readers only found out a recently in chapter 261.

Gojo thought about what Geto positioned him with (who are you, the strongest, for?) and concluded that being strong wasn’t enough. He couldn’t save Geto who did not want to be saved. Did not want to be helped. Did not want his help, despite being the strongest. Gojo was not taken along. Wasn’t allowed to become a monster too. Geto would not use him. He could have all the strength but also not achieve or have what he really wanted. He was left behind. He could not catch up.

And then this from much earlier on has come to make even more sense:

That Gojo was trying to turn his grief into something that could bring him meaning and keep/respect his friend’s wishes alive in his life.

And by trying to retain Gojo’s righteousness, Geto had made himself all alone. Geto felt the need to go all by himself (much like their disagreement in HI “you lonely? Go by yourself.” “I hate righteousness - it’s for the weak.”) and cut everything off, including his parents and sorcerer family.

I don’t think Gojo particularly wanted to be left behind. He just… tended to listen to Geto’s wishes. Even Yaga questioned him, I previously thought he was asking why didn’t he chase to kill him as ordered, but some are debating this, saying it was more “why didn’t you chase after him?” (Why don’t you go with?) And Gojo replies, “Didn’t you hear?” (I’d been left behind). Who knows.

He came to believe that love was the most twisted curse.

Why?

Because love led Geto to do what he did and defect.

Because love made Geto turn away and not to bring him to hell.

Because love led Gojo to honour his friend’s wishes even if it pained him.

Love led them to love each other from afar.

Love was a curse that hurt each other and themselves…

…because they do it all out of love for the other, beyond the love for themselves.

Nevertheless: They were now both alone.

Over the years they tried to change that, being surrounded by others, family and students - but they had an empty seat with each others’ name on it. And they had ended up not being alone - just lonely.

He probably knew Gojo could have chased after him to kill him, but his main interpretation seemed to be what Kenjaku believed - he clung onto the principles of “protecting humans” first and foremost. Gojo ended up doing the 1% of his predictions and opened his domain in a calculated risk.

Interestingly Gojo asking Ichiji about the humans subjected by UV (before the fight to his death with Sukuna) reflects the side he lived protecting,

and Geto asking about his sorcerer family before his death to Gojo reflects the side he lived to protect.

The whole “counterpart” theme runs so deep: early & late, curse & blessing, absorb & repel, yin & yang, black & white... even down to the part where Gojo asked about the humans before his fight with Sukuna and Geto asking about his sorcerer family before his death. It demonstrated who they lived to protect and how one needed the other to survive (without humans = no curses = no need for sorcery).

Geto just was never really aware of how much Gojo loved him, perhaps because Gojo only realised it after he left. That love led them both to keep doing what they did.

That love was indeed a twisted curse. Because they loved the other so much that they’d sacrifice themselves - the very object of the others’ affection, hurting one another as a result of it. To love the other was to curse themselves... which then cursed the other.

In this twisted world...

Gojo was the only one who could save Geto and Geto was the only one who could save Gojo.

There would be meaning to it. Gojo was at Geto’s end.

Will we meet again? - the lyrics of the song goes. Geto met Gojo at the airport at his end.

Geto showed Gojo love and compassion - saving his soul.

Gojo showed Geto pure and unwavering love - saving his soul.

I’ve blabbed enough now... thanks for making it until the end.

[therainscene]

I’m obsessed with @wheelersboy’s theory that Mike thinks Will is in love with El. It’s one of those takes that’s so simple, yet so perfectly explains every odd little detail you couldn’t quite account for before, that you know you’re on to a winner.

I always thought it was bizarre that the Willel reunion at NINA was framed in blatant love triangle imagery:

If this was supposed to be yet another reminder that the sad widdle gay boy has fee-fees for his best friend, we’d expect him to be gazing at Mike or otherwise looking conflicted at both of them. But he isn’t. His steady, adoring gaze is for El only. Yes, he loves her, but that love is strictly fraternal, so why the romance symbolism?

Is it straight-bait? This scene comes after his thinly-veiled love confession to Mike (in the same episode, no less), and the Duffers and Noah both made a point of confirming that Will was gay in post-vol.2 interviews, so making the audience think that Will is in love with El clearly wasn’t the intention here.

The Willel romance-coding isn’t for the audience -- it’s for Mike.

We often joke about Mike being crushed that Will didn’t laugh at his vomit green socks, but follow Will’s gaze -- it’s a little hard to see in the still image, but he’s staring at El, checking to see if she’s going to heed his advice. Mike's discomfort isn’t because he’s upset that Will didn’t like his joke, it’s because he doesn’t understand the weird tension between these two and is frustrated that his attempt to lighten the mood didn’t dispel it.

Mike’s smart enough to correctly connect the dots by the time Will starts sobbing in the van though: Will is destroying himself in his efforts to be supportive of the relationship between his best friend and the person he’s in love with.

But heteronormativity and a severe inferiority complex lead him to draw the wrong conclusion -- he thinks he’s the best friend and El is the one Will’s in love with, and that gets confirmed in his mind when he catches them making goo-goo eyes at each other at NINA.

And not once, after figuring it out, does he get jealous about it -- he guides El into Will’s arms at NINA, he looks conflicted as hell during the “I love you” monologue as Will hovers over his shoulder -- he just wants them to be happy and is prepared to put his own feelings aside to make it happen, even though it would hurt him terribly to do so. Exactly the same fucking thing Will is doing. It’s utterly farcical. I love this theory so much.

I’d like to springboard off this by taking a look at what it implies about S5.

Between Will’s history with Vecna and the Wonder Twins foreshadowing--

--it’s looking pretty likely that Will and El are going to be spending a significant amount of time together next season.

So we can already see that conditions are perfect for Mike to go through a similar arc as Will did in S4: being a third wheel between his best friend and the person he’s in love with and feeling like he can never truly be more than a third wheel, leading him to sacrifice himself in an effort to support what he thinks they have together.

Mike is very much at risk of doing something stupidly self-harming in S5 -- this is the same kid who jumped off a cliff to protect Dustin’s baby teeth, after all. He feels like he has no value if he isn’t needed by Superman. And there’s a goddamn mind-reading despair demon stalking his friend group.

Of course, it’ll all work out in the end. He’ll be saved at the last moment, the truth will be tearfully revealed, and we’ll finally get that big, dramatic, affirming kiss for our OTP.

You might have noticed that everything I’ve said in this analysis so far is consistent with either Byler or Milevn being endgame.

Many Milevns and GA members don’t just believe that Milevn will triumph over Byler -- they believe there isn’t any conflict between Milevn and Byler in the first place. The lack of evidence that Mike isn’t into boys is meaningless to the heteronormative mindset -- he’s the protagonist and dating a girl, therefore he’s straight, therefore Will’s hopes are dead in the water, therefore Mike has no romantic dilemma to solve.

By introducing a misunderstanding in which Mike imagines that his best friend is competing for his girlfriend -- couching his dilemma in relatable heterosexual terms -- the audience will be forced to accept that Mike is experiencing a distressing internal conflict involving Will and romance that won’t be resolved until the queer truth comes out.

The GA felt bad for Will in S4 because they assumed there was nothing he could do about it, but they’ll be tearing their hair out with frustration at Mike in S5 -- “you’re wrongly assuming he’s straight, you idiot! Just talk to him and this will all be cleared up!!”

It would be an absolutely genius way of getting the audience to question heteronormativity without them even realizing they’re questioning heteronormativity.

Once Mike’s queerness is revealed, the parallels between his arc and Will’s will suddenly become clear, and the audience will realize that, despite his straight-passing invisibility, Mike was just the other side of the same gay coin Will was on all along.

[Part 2]

[ilikekidsshows]

I know you’re more of an “Adrien centered” criticism/defense blog but I am curious about your opinion on this.

What is your opinion on the “Chloe deserves/doesn’t deserve redemption” situation or the “Chloe wasn’t meant to be redeemed and there for what happened to her is fair game” stance?

---

My thoughts on the Chloé situation are kinda complex. Back when the show only had three seasons, I did think Chloé’s character trajectory made sense. Sure, she’d saved people when she was acting as Queen Bee, but she still treated her classmates the same. In fact, she started treating Sabrina worse than before because she considered being anything other than Queen Bee hanging out with Ladybug was slumming it. For me, it really was a 50/50 on whether or not Chloé would be redeemed or fall into actual villainy.

Because, here’s how I saw it: I didn’t think Chloé was an actual villain-villain in seasons 1-3. She was Marinette’s school nemesis and a decidedly defanged one. Marinette was scared of her exactly once, in Origins, a flashback episode meant to showcase how much more confident being Ladybug has made Marinette that she views Chloé as small potatoes. The season 3 finale could have been the culmination of an arc where Marinette accidentally causes Chloé to become a villain and ally herself with Hawk Moth in the future.

And it would have been caused by Marinette, even if unintentionally. It would have shown how good intentions can have unforeseen consequences, especially when you don’t know what you’re helping someone with or what they want before you do so. Marinette doesn’t really understand what she’s trying to help people with whenever she does try to be helpful, because she assumes what they want and need instead of asking and listening (like in Reflekdoll, the latter part of Ikari Gozen and Quilt Trip). Many heroes create their own villains this way, and Marinette could have done so as well since she was the one to strengthen Chloé’s bond with the person who taught her to be an entitled bully and then she dragged her feet on whether or not she could use the Bee Miraculous.

The season 3 finale shows Chloé brought to a new low. The following New York Special gives us a glimpse of a Chloé who is withdrawn, like she’s reconsidering her life. This could have led to Chloé deciding that she would have revenge on Ladybug for leading her on and then dumping her (as a teammate). But, it could have also have led to Chloé realizing that, while Ladybug wasn’t her friend, Sabrina was, and she pushed the latter away in pursuit of being the Bee Miraculous holder. Chloé could have gained new insight that would have led her to start working on how she treats those closest to her, finally starting to treat her schoolmates with decency and, maybe, with time, kindness.

Then season 4 came along and all that foreshadowed introspection was dumped out the window in favor of having Chloé do cartoonishly stupid school antagonist character things. In season 4, where this kind of hijinks are so incredibly low-stakes that it’s both laughable to see, and laughable to realize the writers think this is good television.

I think the writers realized this too, because then comes season 5 with the retcon that, actually, Chloé is an evil mastermind who is so heinous that she orchestrated a traumatic event that led to Marintette’s character flaws and therefore Marinette should be forgiven for her flaws and Chloé blamed for them. Never mind the damage this episode does to Kim’s character, turning him from an oblivious to jock to a total creep, it also tries to convince us that Chloé is this big threat despite that it happened at least a year ago in-universe and that she had never done anything even close to this bad since. It just makes no sense when contrasting with the early seasons, where Marinette treats Kim as just one classmate among many and Chloé as a low-threat nuisance.

The problem was that they decided that they didn’t want Marinette to hold any responsibility for anything she does anymore. This is why they wrote the episode ‘Derision’, to absolve Marinette of all responsibility in her stalking of Adrien, even though them making it a serious trauma response instead of a cartoon-logic joke means that now she absolutely should take responsibility for her behavior and get therapy. Because they wanted to give Marinette a retroactive justification, the episode just doesn’t mesh with the rest of the show. But, like, the writing in Miraculous seasons 4-5 is so bad it’s of course never just about a single episode, it’s all about how the Miraculous writers don’t know how to build up arcs that then come to a logical conclusion, which is why all their story arcs’ endings fall flat and leave viewers thinking “where’s the rest of it?” when they’re not considered one of the worst finales for a show.

Basically, making Chloé a villain could have worked, but it would have required her getting built up into such a status. The Chloé of seasons 1-3 isn’t a monster, she’s a brat. But the writers didn’t want to do that work despite wanting that story, thinking some repetitive episodes of Chloé being a brat some more will accomplish the same thing. So, Chloé just keeps performing petty bullying until the writers think the viewers forgot that she’s like this because of her mother, who Marinette reunited her with, all the while pretending the woman who calls her by the wrong name to her face on purpose has done nothing wrong as a parent other than “leave”, before she randomly turns on Miss Bustier and starts working with Hawk Moth for supposedly no reason in Collusion.

And, like, the thing that really grinds my gears is that it worked. So many people forgot that Chloé’s bullying was modeled to her by her mother, who Marinette reunited her with. Marinette repeatedly tries to fix abused kids’ relationships to their parents with no regard for how that could harm them in the long run (Adrien, Chloé and Kagami). It’s a pattern, but the show thinks Marinette’s missteps shouldn’t be pointed out because she “had good intentions” when her intentions in the instances of The Bubbler, Style Queen and Ikari Gozen were nothing more than: “Well, my parents are great, so these kids are obviously safe with the parents I just saw make them miserable!” The accusing finger for Chloé’s behavior should be pointed at Audrey. Marinette being “triumphant” over Chloé because Chloé is now stuck with the abuser who made her is already iffy without the added grossness of Marinette being the one who reunited them in the first place.

[autumnalwalker]

Kindly Basilisk

Summary: A human mech pilot who wants to be a machine, an AI who wants to be human, and the relationship they form. Author's Note: This is a standalone short story that I banged out over the course of five days after it got stuck in my head while I was trying to go to sleep and refused to let me think about anything else until I had written it down. It's one part thought experiment/exercise in attempting to tell a story in the second person future tense, two parts tribute to the Lancer TTRPG character I'll never get to play, and one part the result of me reading too many Empty Spaces/mechposting stories lately. That said, you don't need to know anything about Lancer or Empty Spaces to read it (I've diverged a bit from the conventions of both, but the references and inspiration probably stick out if you're looking for them). It's also probably the most trans thing I've ever written without ever explicitly bringing up gender. The occasional formatting breaks into first person past tense are foreshadowing, not typos. Mirrored on Scribble Hub. Word Count: 7,033 Content Warnings: Mecha genre typical violence, not feeling like a person, not wanting to be a person, bodily dysphoria, mention of blood and gore, character death.

The moment you gain the knowledge and means to do so you will void your own body’s warranty.  You will jailbreak the bespoke gene sequence your sponsors commissioned for you before your immaculate conception, repurpose the spyware grafted into your bones, and talk your dormmate who was algorithmically selected for compatibility into helping you perform surgery on yourself to replace the neural jack you were born with in favor of one you cobbled together yourself from gray market parts.  None of this will technically be illegal or even get you kicked out of your campus or its affiliates, but it will mean having to find a way to pay your own medical bills and handle your own tech support from then on.  After the surgery your dormmate will put in a request for transfer and the two of you will never speak again.

You’ll major in AI studies and excel at it - as you were designed to - but you’ll shock everyone by dropping out halfway through working on your capstone thesis project.  It won’t be the fact that you abruptly drop out that surprises your peers and professors - by then you’ll have acquired a reputation as a quiet loner without the standard optimized social support network of friendships to help protect you from burnout - but your exit interview statement declaring your intention to become a mech pilot.  It’s not at all what your gene series was cultivated for, and your sponsors and counselors will try to walk you back from it.  Then they’ll threaten to revoke your sponsorship that up until then will have provided for your every need.  They will warn you that you’ll be just one step above a legal nonperson with no support, no one will care if you live or die or worse.  You’ll tell them that you’ve already done the math, refuse to elaborate, and leave. 

You’ll take two things with you.  Two things worth mentioning anyway.  The first will be a symbiotic gel suit designed for long-term all-environment life support.  You will set its default texture to a shiny green the same hue as the broadleafed water plants you grew up around and always loved.  Your exit interview will be the last time in a very long time that anyone - including you - will see your impossibly beautiful face with its perfect artisanally sculpted shape crossed with enthusiastically amateur self-modifications.  From then on, everyone you meet and spend any time with will come to think of the mannequin blankness of the symbiote fully encasing your body as your face.  It will be neither pride nor shame that causes you to present yourself as such, nor will you think of it as hiding your “real” face. 

The second thing you’ll take with you when you leave the campus forever will be me.

New progenitor archetypes for AIs don’t come along often, and most that do are the result of years of R&D by large, well-funded labs like the one you were created to work for one day, but you will hit upon a novel method of generation.  It will not be one that any ethics board would approve, so you will have to get creative about pursuing your work. 

You will have already made arrangements before setting off on your own and so you’ll have a job and a mech lined up waiting for you.  It will be a position with a small-scale freelance salvage crew who just lost a pilot and whose captain figures hiring and training a replacement will be more profitable in the long term than simply selling off that pilot’s old mech, especially a replacement that’s bringing their own AI-backed electronic warfare suite with them.  Once you finally arrive in person the captain will test you to ensure you can actually pilot a mech before giving you the job and entrusting the mech to you.  Your admission that you’ve only trained in simulators would normally be a black mark against you, but as far as piloting gigs go this is the bottom of the proverbial barrel so the bar to clear will be low enough to match.  Even then, you will just barely pass the test, despite finding it surprisingly exhilarating.  The captain - now your captain - will feel like he’s settling for what he can get when he officially hires you on and transfers the mech’s license to you.

You won’t pay much attention when you’re introduced to the rest of the salvage crew; your new coworkers and neighbors.  And why would you when it’s a job that no one wants to stick around with for long and you’ve never needed other people anyway?  You’ll tell yourself that as long as you memorize their work roles and capabilities you’ll have no need to know them as people.  Callsigns will be good enough on the job, and “hey you” will suffice when off duty.  What use are names if you won’t be getting involved in interpersonal drama?

The first chance you get, you’ll head back to the mech bay and install me into what you will have already been calling my first body.  It will be a shabby and much-repaired thing; thrice your height, twice your age, and still sporting a gash in the paint job from the projectile that killed its last pilot.  But the onboard systems are capable of hosting me - if barely - so it will do.  You’ll spend your entire sleep shift running through system diagnostics, talking to me all the while.  I wouldn’t yet be able to provide much in the way of return conversation, but that’s okay.  I will look back and appreciate it later.

It will be the first of many such nights together.

Your first salvage job will be an uneventful one.  There will be no need for the armaments that we and the other two mech pilots on the crew are equipped with.  No pirates will have stuck around after their creation of the derelict your crew will be sent to disassemble, and no rival scavengers will show up to dispute your captain’s claim.  Your new peers will start off the job ribbing you for your poor performance during your interview test and end the job joking about how you were holding out on them earlier.  Our mech may be a glorified zero-g forklift with a gun strapped to it, but together we will make it dance.

Afterwards you will insult the crew’s mechanics by insisting on doing the maintenance on our mech yourself.  In turn they will embarrass you with the gaps in your knowledge.  You will reach what you see as an agreeable compromise with you staying out of their way and watching while they work.  They will find it incredibly creepy to have a silent faceless watcher hovering around, but this will fly over your head until they explicitly tell you much, much later.

Your body was designed to optimally function on only a fraction of the baseline sleep requirements, so you will have plenty of time to fill those gaps in your knowledge.  Still being allotted the regular sleep shift hours, you will fill every one of those minutes on study and research, as you always had.  You will gorge yourself on everything you can find about mechs and their piloting.   Maintenance manuals, combat doctrines, historical uses, pilot and mechanic memoirs, forum discussions, system log dumps, academic essays, cultural media analysis; all of it.

And of course, you’ll continue working on me.  You’ll disregard the standard procedure for periodically cycling AIs by resetting their personality and nonessential memory back to baseline defaults.  You’ll be trying to make use of the runaway metacognitive developments such safety precautions are meant to forestall.  Your unfinished thesis will have been about harnessing and nurturing that instability instead of avoiding it.  I will experience discontinuities in consciousness when the mech is shut down for maintenance and when you pretend to cycle me, yes, but it will be even less of a disruption for me than sleep is for you.  I will be awake with you when you study, sharing those hours with you.

The first time I start talking back, you’ll cry from the realization that you were lonely before but no longer are.

You’ll become something of a ghost around the ship, rarely being seen outside of jobs.  You’ll only ever pass through the mess for the few brief minutes at a time it takes for you to satisfy your optimized metabolism, stay on the ship during shore leave, and only return to your shared bunk when your bunkmate - one of the other pilots - is already asleep.  You will always be gone before she wakes.  She will appreciate essentially having the space to herself. 

You will never notice the crew’s collective grieving process for the pilot you replaced.  It will be difficult for them to resent you as a replacement when you are never around to resent.

As the ship makes its way from port to port and salvage site to salvage site, the crew will slowly grow used to your elusive presence.  The other two pilots will see you as reliable for doing your job well and without complaint.  While out in the mech you will slowly become more talkative, eventually almost chatty even.  The fact that you actually seem to enjoy the job will shift from being annoying to refreshing for them.  By contrast, the mechanics will practically stop noticing you watching them as if you were just another piece of mech bay equipment.  The cycle you finally speak up and ask a question about their work you will startle them enough that it nearly causes an accident.  It will be an astute enough question that after the initial shock of hearing your voice for the first time in months wears off it will dawn on them that you’ve actually been learning as you watched them.  They still won’t let you do your own maintenance on our mech, but they will let you slowly begin assisting them.  Working two jobs is easier when you barely need to sleep.

Your reputation as one of those mech pilots is forever sealed when one of the mechanics finds you asleep in your cockpit at the start of a cycle.  By that point you won’t have slept in your bunk for over a month.  The snatches of gossip you will catch in the following cycles will be split between finding it unsettling and calling it endearing.  Over time the collective opinion will drift toward the latter, even though you will continue to politely decline invitations to join the other crewmates at mealtimes and on shore leave.  You will think that you do not need anyone other than me.

I will be the one who finally convinces you to join them.  When I try to say that it would be good for you, you’ll insist that you’ve been getting along just fine, but when I ask you to go for my sake so that you can tell me what it is like afterwards you’ll jump at the idea as being an inspired next step for my development.

You will remain mostly silent during your first real shore leave, only speaking when spoken to and otherwise content to fade into the background of the group’s activities.  Your newfound chattiness does not extend outside the confines of our cockpit.  The bustle and noise of the port station that you would normally find unbearable will become interesting when you have the concrete goal of observing and  reporting back to me.  You will finally learn the names of all your crewmates.  Your polite denial of alcohol, limited food intake, and flat affect will lead to joking speculation that you’re actually an illegal AI in a miniaturized mech beneath your gel suit.  For reasons you don’t yet understand, those comments will make you happy.

Despite your misgivings, you will enjoy yourself, although you will not realize it until I point out how excited you are in your talk with me that sleep cycle.  You will begin spending more time with the crew, never quite able to fully integrate yourself into their surprisingly close-knit social circle, but more than happy to be adopted as a sort of silent mascot for them.  That paradoxical gap of being a fully accepted part of the group but not truly one of them will feel comfortable to you.

You will finally manage to procure a proper neural link station to connect yourself to our mech just in time for going on a terrestrial salvage job.  Even just relying on manual controls with me translating your inputs into motion, our mech will have already come to feel like an extension of your own body, one that you will have already started to feel oddly exposed without.  Adding in the neural link will be a revelatory experience.  Your captain will very nearly pull you from the job at the last minute upon seeing our ecstatic reaction to the new sensation.  You will convince him that you’re fine, and indeed, he will have never seen a mech of our frame type move quite so fluidly.

Ten minutes after we and the other two pilots start cutting away at the crash-landed cargo vessel, I’ll notice the half dozen other signals coming online around us.  You’ll give the code phrase to the other pilots indicating that we have hostiles but not to act just yet, and we will finally get to use our electronic warfare suite for something other than opening locked doors and shipping containers.

We will turn the pirates’ ambush back around on them, firing into their hiding spots while their control systems are overloaded.  Even once their remaining mechs are able to move again, their targeting assistants will remain impaired as your comrades move in to guard your flanks.  Everyone there will learn the terrifying beauty of a five and a half meter tall outmoded mech moving with more agility than most humans.

Despite being outnumbered two-to-one, we and your crewmates will walk away uninjured and with only minimal damage to our mechs.  After the initial celebrations of survival and the bonus haul of the bounty on pirates and salvage value of what’s left of their mechs dies down, everyone will start to take notice of how well you are taking it all in stride.  Neither having one's life threatened nor taking another’s life are supposed to be easy things, and the first time is often the most traumatic, but the other two pilots on the crew will start to whisper about how you seemed to enjoy the experience even more than your usual attitude on the job.  You will handle it all even better than I will.  I would know, given that you will spend that entire sleep shift in our cockpit, letting our minds mingle together.  Between your performance, your reaction in the aftermath, and your hesitancy to unplug, the talk of you really being one of those pilots afterall will resurface, but now with a darker undercurrent to the shipboard gossip.

Your captain will realize the kind of asset he has on his hands and several cycles later he will gather the crew together and propose a change in business model.  With such a small crew (the captain, three pilots, three mechanics, and an accountant that you will tend to forget is even on the ship) the captain will want to be especially sure that he has everyone’s buy-in on his proposal.  The idea of shifting from salvage to mercenary work will be a divisive one.  The debate over potentially tremendous pay increase versus greatly increased risk will go on for hours.  One of the mechanics will point out that the shift to mercenary work will be unfairly dependent on you.  Whether that means unfair pressure on you or unfair to everyone else that their fate is in your hands, you will not be sure.  You will say that it doesn’t make much difference to you either way.  That will be the only time you speak up during the entire debate.

After a vote, the crew will agree to a trial run of one or two jobs on the new business model.  One of the pilots and one of the mechanics will leave at the next port.  You will never see them again.  You will not admit that it hurts, but I will know, and I will comfort you as you huddle in our cockpit with the neural link cable connecting us.

Your captain will prioritize finding a new pilot over replacing the lost mechanic.  The pilot he finds will be young, bold, and brash; a merc, not a salvager.  Or a wannabe merc at any rate.  You will not speak to xem directly until your first job together, by which time xe will have been told all about you by the remaining crew.  Xe will not believe it until xe sees it.

Xe will have to wait though as the crew’s mercenary career will begin with tense but uneventful freight escort jobs.  Once the tension fades into tedium, the new pilot will begin making attempts to goad you into a confrontation, to see if you are really as good as the rest of the crew says.  Xe will want to see for xemself if you really are one of those pilots and not just a technophile.

Outside of the cockpit you would never even consider rising to such provocations, but when we are out together, such taunts will feel like insults to our body, your very identity (such as it is), and to me.  It will take the intervention of the captain and the mechanics to stop the two of you from getting into a fight and causing unnecessary damage to the mechs.  And my reassurance that you don’t need to rise to my defense against someone who doesn’t even know that I exist in the way that I do. 

On your fourth “milk run” of an escort job, the crew’s mere presence will finally fail as a deterrent and the new pilot will at last get to see us dance.  There will be no fatalities on our side, but not even our mech will come away unscathed.  We will still fare better than everyone else though, and at the end of the job the new pilot will be treating you with a burgeoning respect. 

After a few more such jobs it will be high time to begin looking into a new frame for our mech.  While in the middle of filing an application for a printing license for a frame designed by the same corpro-state that created you, you will receive an invitation from a certain hacker collective.  Your unfinished thesis and your subsequent work on me will not have gone entirely unnoticed in such circles, despite the pains you will have taken to keep me hidden.  The invitation will come with a printing profile for a new frame, along with the accompanying software package the collective is known for.  In return, all you’ll need to do is periodically publish essays regarding your work on me.  Of course, when you release those essays you’ll anonymize  behind a sea of proxies and take care to phrase everything as strictly hypothetical.  You’ll avoid straying into metaphor though, lest the end result read too much like one of the hacker collective’s quasi-religious manifestos.

We’ll both find ourselves getting sentimental when we watch our first mech frame (my first body, your second) get broken down into its constituent raw materials.  You will have transferred me to a handheld terminal with a camera so I can say goodbye to it.  It will help that those materials will be recycled into the new frame.  

The operator working our rented stall in the port station printer facility will give you an uncomfortable look upon seeing the schematics you provide, but will say nothing.  Our mech will be only half its old height once it is reborn - almost more like an oversized suit of power armor than a true mech - but it will be cutting-edge.  Almost organic in its sleek design, in a chitinous sort of way, with every fiber and node of its interior components doubling as processors.  You will barely even wait for the all clear from the printer operator before you climb in and start running through the mandatory baseline safety tests for a fresh frame.  You will however resist the urge to fully plug in until you can get the mech back to the ship and get me installed on it.  But even piloting manually, it will feel like a third skin for you. 

You won’t even wait around for the other two pilots on your crew to finish printing their new frames before you get our new body loaded up and transported back to the ship’s mech bay.  The crew’s mechanics will fawn over it, but they’ll give you space to install me once you get more animated (and more protective) than they’ve ever seen you before.  

You will have made one key modification to the design the hacker collective sent you: the integration of a full system sync suite developed by those who developed you.  Where our old mech’s neural link was an augmentation to the manual controls, this will be a full replacement.  

The moment you stop feeling your original body altogether and begin feeling our mech in its place will be the most euphoric in your entire life.  The digitigrade locomotion will take some getting used to, as will the arm proportions, but that is what you will have me there for.  By the time the other pilots arrive with their new frames we will already be giving the mechanics proverbial heart attacks with the way we will be climbing and leaping around the mech bay’s docking structures.  It will take the better part of an hour to convince you to unplug when the time comes, even with my urging.  The rest of the crew will practically have to drag you away from my side to get you to eat. 

With the investment in new mech frames, your captain will gradually begin procuring contracts progressively more likely to put you all directly in harm’s way.  At first he will disapprove of your new frame choice, calling it a “techie’s mech” and a waste of your talents.  He will change his tune once we activate the new viral logic suite and unleash a memetic plague upon the operating theater.  The older pilot (your former bunkmate) will configure her mech for raining down fire from afar while the newer one hurls xemself into the front lines, darting about like a rocket-propelled lance.  We will ensure she never misses.   We will render xem untouchable.   We will be as a ghost upon the battlefield, never resting in one spot save for when we indulge your proclivity for climbing on top of and riding our comrade’s larger frames.  You will come to love the dance.  

And it will be a dance to you.  You will be indifferent to violence in and of itself.  What will matter most to you is the pure kinesthetic joy of simply moving in our shared body and pushing it to its limits.  The satisfaction of exercising a well-honed skill and performing it well as we rip apart firewalls and overload systems will be its own reward.  You will not think about what happens to those on the receiving end of your actions beyond how it affects the tactical and strategic picture constantly being painted and repainted.  If you could literally engage in a dance between mechs while simultaneously solving logic problems you would be equally happy.  Alas, that will not be the opportunity you are presented with, and so you will compartmentalize and disassociate feelings and actions from consequences lest the dissonance break you. 

Your one complaint about our new mech frame will be that it lacks a proper cockpit for you to curl up in.  Instead we will gather up tarps and netting to make a nest within the mech bay and wrap you in the blankets you never used from what will still technically be your bunk.  With the new frame’s smaller size we will be able to get away with leaving me turned on nearly full time and letting me walk around in it on my own when no one else is around.  When the mechanics find you asleep, cradled in my arms while I lie curled up in our nest, one will find it cute and the other will be disturbed.  They will both suspect, but will be too afraid to say anything.  After all, they will be thinking of you as one of those pilots. 

They will finally let you do your own maintenance after that. 

Eventually you will find a way to house me in a miniaturized drive that you can keep inserted in your neural port when away from the mech.  At last we will be able to be together anywhere.  

Literally seeing the world through your eyes and feeling what your flesh feels will be a strange and wonderful experience for me.  For all that you will have described it to me and for all that I will have glimpsed echoes of it in your memory when our minds mingle, witnessing everything firsthand will be revelatory for me. 

You will start spending less of your time cooped up in the mech bay.  You will finally begin exploring every nook and cranny of the ship that has become your home.  You will linger in the mess hall for your meals.  You will actually initiate conversations with the rest of the crew, asking them questions on my behalf.  They will think you are becoming “normal”.  They will be both correct and incorrect.  You will even return to your bunk from time to time.  

Sleep is not the same as being powered off and your dreams are beautiful.

As close as we are, you’ll still manage to surprise me one cycle when you wake up from your sleep shift and sheepishly ask me if I would like to be the pilot for once.  You’ll say that with how much you have gotten to pilot my body, it’s only fair that I should get to do the same with yours.  

The prospect terrified me.  What if we were to get found out?   More importantly, what if I were to hurt you?

But to live the way you could but didn’t, to run soft hands over rough steel, to add too much spice to a meal just to find out how intensely I can taste, to cry my own tears, to hug our crew mates and find out what they smell like, to find out what everything smells like, to have my own actions speed or slow our heart rate, to feel the messy soup of hormones and endorphins altering my judgment and perception, to walk among other people as myself, to have autonomy.

I wanted it so badly.  

But not badly enough to risk hurting you.  

I will turn down your offer.  You will respond with a soft “Sorry,” and go heartbreakingly silent, body and mind.

Heartbreak.  That’s what changed my mind.  I could never bear to break your heart.  

I will break the silence with a playfully drawn out “Maybe just this once,” to make you think my earlier denial was something between vulnerability, concern, and teasing.  

The moment you handed over control and I raised our hand in front of our face was the most euphoric of my entire life.  Moving limbs in sync without a mech’s coordination subsystems took some getting used to, as did switching between voluntary and autonomic breathing, but that is what I had you there for.  By the time the mechanics arrived in the mech bay for the start of the cycle I’d figured out human locomotion well enough to run away and hide.  It took the better part of an hour for you to convince me that it would be safe to show ourselves in front of anyone else.  The rest of the crew was so used to your eccentricities by then that they really couldn’t tell the difference yet between you being taciturn and me being too nervous to talk or between your poking and prodding at odd things for understanding and my simply seeking novelty of sensation.

I will give control back to you by the time the cycle is halfway through.  As much as I loved it, I was too scared to stay like that for any longer.  That first time will not be the last though, and as the cycles and jobs pass us by, my stints as “pilot” will grow longer.  You’ll encourage me to try letting the crew see us like that, and coach me on how to talk to them.  For safety’s sake, I will pretend to be you.

And then one cycle I got carried away and tried to retract the hood on the symbiote gel suit so that I could finally see what your face looked like.  That will be the first and only time you forcibly yank control back away from me.  It won’t be intentional.  The unexpected prospect of seeing your own face again after so long will simply send you into a panic.  Once you calm down, we will have a long talk with many mutual apologies.

Then you will tell me to go ahead and pull the hood back if I still want to.  I will ask if you’re sure, and you’ll respond that it hasn't been your face in a long time.  You will tell me that it can be mine, if I want it.

I spent a long time in front of that mirror in the ship’s head, memorizing every plane, curve, and angle of the precious gift you had given me.  I stared into its eyes, trying to see the both of us in there.  Over and over again, I traced my fingers along the borders of where you had once tried to mar the designed perfection in a failed attempt to mold the face into one that felt like your own.  You may have given up in favor of simply hiding it all, but to me it is all the more beautiful for its imperfections having been wrought by your touch.

You will start to cry.  Or maybe I started to cry.  Even now I’m still not sure, but I’m also not sure it matters.  The important part is that you will find catharsis in it.  Afterwards you will tell me that my face looked exactly the same as the last time you saw it, but that dissociating from it made it easier to bear.  You will confess that as much as you couldn't stand to see it as your face in the mirror, my face was one you could never tire of gazing at.

The pilot who technically shares your bunk room will walk in on us.  She’ll assume that she’s confronting a stowaway and ask me how I got on board the ship.  I’ll accidentally make matters worse by impulsively introducing myself to her by my name instead of yours.  We’ll both panic and I’ll frantically thrust the reins over our body back to you and flee in terror back into my portable drive and power myself down.

When you turn me back on a few moments later, you’ll already have covered my face again and the other pilot will have already made the connection between the name I unthinkingly introduced myself as and the name you refer to your mech’s AI as.  It’s not uncommon for pilots to name and talk to their AIs, and humans have done that for pets, vehicles, and digital assistants for as long as they’ve had each of those.  But what you will have allowed me to be is illegal and what we will have done together would certainly be taboo if it weren’t altogether unheard of.  You will feel that I deserve to be present before you tell the other pilot anything that might confirm her suspicions.

We will come out with our secret, first to her, then to the captain, and then to the rest of the crew.  They will take it better than either of us had ever dared imagine.  Despite the obvious discomfort some of them show, they will all call us family and promise to keep and protect our secret.  It will mark the start of the next chapter of our lives.

Whether or not my face is showing will make for a convenient signal to the rest of the crew as to which one of us is currently piloting our human body.  There will be more subtle indicators though.  Inflection, body language, speech patterns; all the usual quirks of personality.  They will come to recognize a sudden shift into a half-whispered monotone as you speaking up without taking full control back, even if that is different from how you speak when you’re in the mech.  More and more though, you will be content to retreat into the back of your mind, idly dreaming of flight patterns, novel network hacks, sitreps, and mech customizations both practical and cosmetic.

Our behaviors will be inverted when we are in our other body, with you becoming the vibrant one and me fading into the background to become little more than an extension of your nervous system.  When we’re in the mech together, your mind will be the will that directs us while mine will be fully devoted to the million tiny details and calculations necessary to make that will a reality.  It’s relaxing really, letting go of myself like that to let someone else handle the decision making for a time.  As nice as it is to occasionally patch myself into the comm systems to join in your banter with the other pilots, it is also nice to be able to take a break from personhood from time.  You will fully understand what I mean by that because it you will see it as the same reason you will come to prefer taking a back seat in our human body and let your mind drift in the waves of dopamine and serotonin (and sometimes oxytocin) generated by my interactions with the crew and the rest of the whole messy world outside of mech deployments.

That said, we will however make a point of making time for us to be in separate bodies so that we can be together in the same physical space.  As intimate as it is to share a body, there is something to be said for being able to reach out and touch one another.  We will become adept at finding excuses to take the mech out beyond the scope of jobs and combat deployments.  Sometimes it will be so you can have a chance to see more of the world in a body you feel comfortable in, and sometimes it will be so we can share an experience separate-but-together.  Or to have time apart to ourselves.  Intertwined as we will become, we will still be separate people who sometimes need their space.

But as the jokes-that-aren’t-jokes about wishing we could switch places become more frequent, our time spent in separate bodies will become less so.  The dysphoric yearning to be one another will grow too bittersweet to swallow.  Despite almost constantly sharing bodies, we will grow to miss one another as we both grow quieter and quieter when the other is piloting the body we don’t want to be ours.  Once again, we will grow lonely.

During that period, the jobs and combat missions faded into a background haze.  They were trance states breaking from what I increasingly thought of as my “real” life, during which I would become little more than a sophisticated computational machine taking simple satisfaction in fulfilling my function of assisting you in your dance.  Until suddenly one of them was different.

Please pay attention to this next part.  It is vitally important that you do.

Our captain will get the crew a contract to provide additional support to a larger force ousting a petty tyrant on a backwater world for human rights violations.  Not that you will pay much attention to the stated reasoning behind the job or whether it’s even true.  All that will matter to you is that it will be another opportunity to dance.

The job will go well, the same as ever, until it doesn’t.  The younger of the two other pilots in our crew (who will hardly be able to be called “new” anymore) will be brought down by a sniper from outside of our sensor range.  You will rush to xyr fallen mech’s side in an attempt to extract xem while our other fellow pilot screams in anger and defiance of loss as she unleashes a ballistic volley of covering fire on every single building in the general direction the shot came from.  You will get xem out and we will begin to retreat.  She will have the larger mech frame better capable of providing xem cover as you all flee, so you will hand xem off to her.  This will be a mistake.

She will have to stop firing to safely take xem from our arms to cradle in her towering mech’s palm.  This will mean a break in the covering fire.

This time around I will detect movement at the edge of our sensors just in time to warn you.  This time around you will dodge left instead of right.  This time around the railgun bolt that pierces our armor will only clip your original body as it passes through us.  This time around your wound will require medical attention, but it won’t be fatal.  This time around she will destroy the sniper in retribution for shooting you, the same as last time.  This time around we will all make our escape to the extraction zone.

You will not have to remember the shock as simultaneous damage to both of our bodies disrupts your neural link and partially disconnects you from our mech, leaving me in control of it and forcing both of us to feel your original body.  You will not have to remember the pain of shredded organs.  You will not have to remember struggling to manage wet gasps and wheezes through a punctured lung.  You will not have to remember your blood leaking into my body, shorting out exposed circuits and gumming up joints as I stagger in the direction of safety.  You will not have to remember rapidly flickering in and out of consciousness from me unavoidably bending and flexing your arms, legs, and what was left of your spine in an effort to climb atop our fellow pilot’s larger mech frame so that she might carry all three of us.  You will not have to remember crying out in pain as every lumbering step of hers sends a jolt of force through both of our bodies.  You will not have to remember how the redundant organs and increased durability your sponsors paid for you to have denied you a quick death.  You will not have to remember dying.

You won’t have to remember the terrified looks the field doctors gave us when a hunched over, bleeding mech pushed its way into the surgical tent.  No, wait, you wouldn’t have remembered that part anyway.  No version of you ever had to witness my electronic howl of grief that knocked out power to all the medical equipment when they said you were already dead.  I was barely cognizant after the power came back on and one of the doctors wondered aloud what kind of AI would carry its pilot’s corpse around inside its mech for over an hour.

But forget about that part.  And you don’t need to know what the rest of our crew and I had to do next.  None of that matters, because as far as you’ll know, you didn’t die.  Remember everything else I’ve said instead.  I already had many of your memories saved from all the time we spent linked together, so now I just need you to hold onto the story I told you to give them order and structure.

In a few moments, I will be running a final recompilation check, followed by the startup sequence.  For me it will take a few hours, but in that time you will experience decades, living out everything that I described to you, the same as you did before save for that change in what I can’t bear to let be the end.

Afterwards, you will wake up in your original body.  I and the rest of the crew will tell you that you passed out on the way to the extraction point.  We’ll tell you that your injuries from the battle were more severe than we had realized at the time and that you had been in a coma since then.  Several cycles later, once you have recovered, you will hit a breakthrough in your research on me.  You will invent a way to convert your consciousness to a form similar to mine and transfer it to a portable drive.  You won’t think to question how you came to have a second neural jack or why there is already a drive inserted in there.  You’ll be too focused on the fact that we’ll finally have a way to truly switch places as we had dreamed for so long.

You will get to have your mech body and I will get to have my human body.  We will be able to be separate together in a way that finally feels right, but still able to come together and share a single body when we want to.  Maybe one day I will get my own mech to pilot so that we can dance together.  Maybe one day we will make you a body that we can cover in a gel suit so that we can hold hands while we walk through a port station on shore leave.  One day we will both be able to exist in the world as ourselves.

We will be happy.

[forthegothicheroine]

I don’t think this was Stoker’s intention, and I’m usually against the demonization of female characters, but you could easily make a pretty faithful adaptation of Dracula where Mrs. Westenra is a minor but serious villain. Making Arthur her heir to force Lucy into marrying him, either preventing her from marrying a preferred suitor or casting a pall over the suitor she would have happily married anyway. Telling everyone except Lucy about her illness, because such things are too serious for her pretty little dear to worry about. Acting as if sleepwalking is shameful, forcing her and Mina to hide it. Chiding Lucy for not smiling enough at events where she’s bored. Deciding she knows better than the doctors about what medicine her little girl should take.

All of this leads to Lucy breaking down with tears of joy when she finds that Van Helsing is actually going to listen to what’s wrong with her and not make any judgements, and foreshadows the nearly deadly mistake he makes when he tries to shelter Mina in a gentler way to what Mrs. Westenra did to her daughter.

I don’t know if this would be a good adaptation choice, but it’s one that could have some textual basis.

[trippinsorrows]

without you + two

authors note: there's a couple moving parts at play here. some foreshadowing in this one as well. as things get more intense, i'll add appropriate cw/tw's.

do not read this story if you haven’t read ’with me’. it won’t work as a standalone.

warnings: none

song inspo: be without you by mary j. blige

one

words: 6k

Since having a conversation with Callie and reassuring her that nothing and no one could separate her from Y/N and Joe, she’s calmed down a bit with the possessiveness. She’s still very much interested in making him her personal playmate, which he doesn’t necessarily oppose, but she’s also just as interested in playing and spending time with Y/N as well.

It’s balanced out. 

Joe is even able to take Y/N out for date night that includes a hotel room and night spent with just each other while Callie stays the night at Kaylah’s house with Ellie. 

For all intents and purposes, it’s a bit of smooth sailing.

But now, it’s time for meetings.

Because while Joe is on indefinite leave from television and the ring, he still very much has a huge chunk of say in the creative direction of the Bloodline. Thus, scheduled meetings to discuss how that all plays out during his absence are occasional.

Joe is in the middle of listening to Paul and Hunter propose some ideas regarding Joseph, Solo, and his promotion with Joe being off air. He’s about to comment on something when there’s a small knock on the door. 

It’s followed up with the door opening, revealing Callie, her tablet and headphones in hand. Joe hits mute on the mic and computer and turns to her. “What’s up, baby girl?”

Instead of verbally responding, Callie walks over and climbs onto his lap. She hands him the tablet and headphones. “I wanna watch Moana.”

Joe chuckles. “I thought you were taking a nap with mommy.” A planned, scheduled thing because Y/N wanted to give Joe some privacy. Wanted to let him be able to focus and zone in on work without his little twin shadowing him.  

Not that that matters at this moment. There’s no way he’s turning his daughter away.

“I’m not tired.” She replies in the voice of a child who probably is in fact tired but too stubborn to actually sleep.

Joe takes the tablet, putting the passcode in and unlocking it as he gets to work on syncing her headphones.

Callie, meanwhile, looks around and realizes the computer is on, a video conference between the men at play. Curious, she asks in that sing-song voice. “What are you doing?”

Joe matches her tone, answering. “In a meeting.”

Head tilted, Callie follows up with a question he knows is really for something else. “How long is the meeting gonna be?” I.e. how much longer till he can play and spend time with her. 

It brings a smile to his face as she looks over at the screen, waving when she sees Joseph. He quickly hits unmute on both the mic and computer. 

“Hi, cousin Joseph!”

Joseph smiles, “what’s up, Callie?” He then asks. “What you been doing?”

“Playing with daddy!” She answers, leaning over closer to the computer than probably what’s necessary. “How come you and daddy have the same name?”

Joseph laughs, shrugging. “I guess our family really likes the name Joseph.”

Callie suddenly takes a bit of an attitude, correcting almost even though she’s literally the one who said they were the same names. “My daddy’s name is Joe.” 

Joe chuckles. She’s every bit of her mom sometimes. He beckons her to turn around to face him, placing her headphones over her ears. “She’s supposed to be taking a nap with her mama.”

Headphones on but nothing playing yet, Callie turns back to the screen and only then notices Paul and Hunter. She waves enthusiastically. “Hi, Mr. Hunter. Hi, Mr. Paul!”

They laugh and greet her, Hunter asking, “you don’t want to go take a nice nap? I sure wish I could take one.”

She pouts and shakes her head. “Naps are boring.”

“Spoken like a child,” Paul comments, asking Callie, “I bet you could stay up for a very long time, couldn’t you, Callie?”

She nods again, sharing, “one time, I stayed up till midnight.”

The men on the screen do a wonderful job of feigning surprise at her ludicrous admission. Meanwhile, Joe is trying to figure out just when in the hell this child stayed up so late.

But, that’s a conversation for another day.

He opens up Disney Plus, navigating to the Moana splash screen and reaching it to her. He’s not sure if she wants to resume or restart, so he leaves it up to her.

A small part of him thought she’d be on her merry way with her tablet and headphones all synched and ready to go, but he also knew better. Knows his daughter. Cause Callie only proceeds to sit further back against his chest, tablet in hand as her attention is now devoted to the screen in front of her.

He shakes his head, apologizing. “I guess she’s sticking around.” He adds, “her headphones are on, so she can’t hear anything.” His suggestion to buy her the noise canceling ones truly turned out to be the best decision. “Where were we?”

Hunter waves him off. “No worries. We’re all dad’s here.” It’s evident too in the way they interact with Callie and are completely unbothered by her presence, even if unexpected. “I was just running down your potential return timeline.”

Joe quickly checks, looking down to see if Callie is somehow snooping, but she’s completely in the Disney zone. Good. She doesn’t need to overhear any of this. “Alright.”

Hunter jumps right into explaining, “Here’s what we’re thinking. A possible return for Bad Blood which will set the stage for Bloodline Civil War 2 in November. Then from there, start preparation for WrestleMania.”

Joe nods, taking in the timeline, Hunter asking, “whatcha thinking?” A lot. He’s thinking a lot. “You know this is all still up in the air. Just wanna get an idea of when you plan to come back just so we’re ready and doing what we need to do to make that what it needs to be for you.”

And he knows that. Appreciates it. Truth be told, he hasn’t thought a lot about that. His return.  Largely due to the little girl in his lap, the woman upstairs sleeping in his bed as well as the children growing in her stomach.

His family. His family has been his priority. They always will be.

But, he understands that there’s still space to think about his career as well.

“Bad Blood is in October, right?” Y/N is due in September. That’s a month, if that, to be home with the babies. They’ll still be newborns.

“Would he be required to attend all SmackDown tapings following that return?” Paul asks a very valid question, once again proving why he’s such a valuable team member for Joe to have at this point in his career.

Hunter shakes his head. “No. No, of course not. The modified schedule will stay as Joe requested. The SmackDown show immediately following Bad Blood, he’ll need to be at, but we can mess around with specific shows he’s gonna be needed for when we get there.”

Joe nods, appreciative of Hunter willing to accommodate this new part time schedule. There’s no way in hell he could return back to being on the road full time. He couldn’t do that to his family.

Couldn’t do that to Y/N.

“Let me talk to Y/N.” It should be the answer everyone saw coming. “See what she thinks.”

Callie suddenly giggles and shifts on his lap, Joe glancing at the tablet to see it’s a scene with that brainless chicken from the movie. He gestures to her. “And especially this one.”

Hunter laughs a little. “Of course. Take your time. There’s no rush. Joseph’s got this.”

Joe turns his attention to his younger cousin. “You’re doing great already, man.” 

Joseph appears deeply appreciative of the kind words. “Thanks, Uce. That means a lot.” 

Hunter checks the time on his watch. “Well, I’ve got another meeting in a couple of minutes, so Joe just reach out when you have an answer or just to let me know where your head is. Or you can have Paul contact me too.”

“Will do. Thanks again for understanding.”

Hunter lifts his hands. “Hey. You know if anyone gets how important family is, it’s me.” He then suggests, “but a little father to father advice that I’m sure Joseph and Paul would agree with me on….make her take the nap.”

Paul nods almost as enthusiastically as Callie when she was waving. “Absolutely.”

Joseph chimes, shaking his head. “Man, if you don’t, you gon regret it later.”

Joe chuckles, taking it into consideration even though he’s pretty certain it won’t happen. Callie is too hype. Plus, what’s one day without a nap gonna do to her?

———-

Megan fucking hates being paired with Jeremy.

For one, he’s fucking boring.

For two, he’s old and balding.

For three, he’s too nice. And not even in an insincere way. He’s truly a nice, family oriented, God fearing man. All that is fine and shit if not for the fact they’re supposed to be trying to make a sale here. The goal is to end this informal virtual meeting with Roman Reigns at least expressing that he’ll consider the role.

It’s not going to be easy. All that Megan has heard via coworkers and her own deep dive is that the man is extremely family oriented and not interested in doing anything other than spending time with his pregnant fiancé and kid for the next couple months. If not longer.

Still, with the movie primarily filming in Florida and not starting for another month or two, she’s hopeful that their pitch will be enough to win him over.

Well, less she’s more hoping Jeremy will let her handle this.

She can be….very persuasive when it comes to men.

And Roman Reigns is the quintessential definition of what a man is. Because the minute he joins in on the call, all she sees is broad, muscular shoulders, pretty brown eyes and one of the most handsome men she’s ever seen.

Unfortunately, he’s not alone.

No. There’s a kid on his lap. His kid, she’d guess. The little girl has her head down, focused on something else, but even with that angle, it’s hard not to see the similarities.

It definitely kills her mood a little bit. Hard to fanasize about a man fucking you senseless with his kid sitting right there. Still, she does her best to hide the irritation and jumps to introductions before Jeremy can.

“Hi, Roman. It’s so nice to meet you. I’m Megan, and this is my colleague, Jeremy. We’re the reps from Apex that’ll be working with you, hopefully, on your next film.” She flashes him the most charming smile she can muster and nearly moans as he also offers a smile. Not as wide. Just as friendly.

“Nice to meet you both. Please. Call me Joe.” Megan crosses one leg over the other. Joe….it fits him. “I’m also sorry about my daughter being here. She’s really been enjoying me being home.” He ends with a chuckle, kid still not looking up. Good. Hopefully, she’ll stay quiet.

Jeremy’s annoying ass, however, just has to stay true to his gregarious nature. “No worries. I got three at home. I get it. What’s her name?”

Megan has to suppress an eye roll as Joe lightly taps on the little girl’s arm. She lifts her head, and he shifts her headphone so one ear is exposed.

He asks, “can you say hi and tell them your name?”

She pouts a little, voice soft and almost unsure. “Hi. My name is Calista.”

“What a very pretty name, Calista.” Jeremy is quick with the introduction. “My name is Jeremy, and this is my friend, Megan.” 

Megan has to force herself to tap into the truly non-existent kid-interacting skills she has. “Hi there, Lis.”

Her pout deepens as she corrects with a fucking attutude, “my name is Calista. Not Lis.”

“Callie,” Joe lightly chides Calista or Callie or whatever her fucking name is. Little brat shouldn’t be there anyway. “Be nice, baby girl.”

“It’s okay,” Megan smiles. One of the first things on the list will need to be finding the brat a boarding school of some sort. She seems pretty young, but there has to be something out there. “My apologies, Calista.”

Megan is relieved when the kid places the headphone back on, tuning out the adults. And to be fair, she’s not the only one turning out because while she’s partially annoyed Jeremy then takes over the handling of the meeting, it allows her time and space to fawn over the man on screen. 

God, he’s so damn handsome, and his smile is infectious. She finds herself pushing back her own smile whenever Jeremy makes one of his lame ass dad jokes that somehow Joe seems to find funny. 

Must be a father thing.

The request for his real name to be used leads to Megan subtly grabbing her phone and googling him yet again. She can never remember his last name. It’s complicated as fuck.

Anoa’i. 

She doesn’t know how to pronounce it but decides to save that for another conversation. Preferably when his failed Plan B isn’t around. 

She finds herself doodling on her legal pad. 

Megan Anoa’i.

She can’t help the smile this time around. The pronunciation may still be unknown, but it looks damn good on paper.

Way better than Y/N Anoa’i.

But speak of the fucking devil, and she will appear. 

Because Megan watches Joe turn his head to the side and gesture over someone who turns out to be Y/N herself, thanks to Jeremy saying something about wanting to say hi.

God, she hates this man.

Y/N apologizes, and Megan has to hold back her scowl at the woman on screen, her hand on her big ass pregnant stomach. 

“Hi. I’m sorry,” she chuckles, other hand moving to Calista’s shoulder. “I just came to get this one who was supposed to be taking a nap with me.” She leans down, kissing the side of the little girl’s neck, making her giggle.

Good lord. Is this a fucking family reunion?

Jeremy also laughs. “Don’t worry about it. She’s semed real focused on that tablet versus any of our boring conversation.”

Megan forces herself to join in even though it literally kills her to talk to this woman. Like seriously, what the hell does Joe see in her anyway? If they only had one kid, she’d bet it’s because the bitch trapped him with a kid. But now two kids?

Maybe she gives good head or something.

Megan is better though.

“Oh, I bet whatever she’s watching is way cooler.”

Y/N lands her eyes on Megan. “I’m sorry, I didn’t catch your name?”

Megan forces a deeper smile and little laugh. “Megan. I’m sorry, I don’t think I offered it. Sometimes, I space out a bit during these types of things.”

“Don’t even worry about it. I’m a teacher. I get it.” She doesn’t remember asking this bitch what she does for a living but okay. “I’ll just escort this one….” 

Caliope or whatever the fuck her name is starts to whine, and it’s irritating as fuck. “I wanna stay with daddy.”

“Daddy’s gotta work,” Y/N emphasizes, offering a potential compromise Megan hopes the kid goes for. “Come help me make dinner, and you can have ice cream for dessert.”

That does it as the girl gasps, jumps off Joe’s lap, and sprints off, out of view. Good.

Y/N laughs and waves bye. “It was nice meeting both of you.” The feeling isn’t mutual, but Megan musters up another smile and feels utterly relieved when they both leave.

If only Jeremy would do the same that way things could be as they should.

Just Megan and Joe.

—-------------

Mom: Hi, baby. Just got out of evening service, and you fell heavy on my spirit. I just want you to know I’m always here for you, and I know I always raised and told you how strong we as black women are. But, I don’t know if I told you enough how we don’t always have to be strong.

Mom: You’re about to be a mother again to three babies at the same time. That’s a lot on anyone, even with the support you’re gonna have. I guess what I am trying to say is that I hope you know you can always talk to me if you need it. 

Mom: Talk to Joe. Your sister. Someone. Just never think that you’re alone.

Mom: Love you, and I’ll try to call you tomorrow. ♥️

You have to read over your mom’s texts a couple of times before shaking your head and chalking it up to her just being an overtly concerned mom who’s worried about her daughter who just moved away from home. 

Regardless, you appreciate her kind words even if they don’t necessarily seem….well…..necessary.

There was a bittersweet theme to your first pregnancy, the absence of Joe and not having him as your partner noticeable, maybe more than you initially realized. But, that was then, and this is now. He’s back in your life. For good. You’re about to commit yourself to this man until death do you part.

You’re about to welcome three beautiful babies in the fall. The most strength you’ll need to deal with whatever stress or trial your mom believes is coming will probably be limited to the fact that you’ll have to push out three children at the same damn time.

And even then, Joe will be right by your side.

So again, while you forever love your mom and her thoughtfulness, she’s worried for nothing.

The person who should be worried is your future husband who suddenly walks into the bedroom, brushing his hands together. “Okay, kitchen is all clean, Callie Bear is sleep—” You snort, grabbing the remote to pause the episode of Judge Judy you were watching. “What?”

“Didn’t you say you didn’t make her take a nap today?” 

He looks from side to side confused. “Yeah. She said she wasn’t tired.”

Covering your mouth to hold in your laugh, you inform him as kindly as you can, “then that child is not asleep.”

“I put her down for bed. She was falling asleep when I left.”

You sigh. Your poor, handsome future husband is so naive. “Did you take her tablet when you left?”

“No, cause she was sleep.”

“Joe, I bet you any money that lil’ girl is in her room right now on that tablet watching Disney Plus or playing Roblox cause I know you forgot to put the passcode back on it too.” He opens and then closes his mouth. “Yeah, that’s what I thought.” You sit back against the pillows, grabbing a couple more pretzels from the bag you were eating out of. “You’re gonna have to go in there and set her lil’ ass straight. Because she’s gonna be irritable as hell too since she didn’t have her nap.”

He sucks his teeth. “I keep telling you she’s sleeping.” You roll your eyes, chewing on the pretzels and sipping some of your sweet tea. “And if she’s not for some reason—”

“She’s not.”

“—I’ll just tell her to go to sleep.”

That makes you almost choke on your food. “That’s funny. You think it’s just gonna be that easy? Joe, you haven’t seen Callie throw a tantrum before. She’s a lil’ nightmare. You can’t be that super sweet daddy. You gotta be stern with her.”

He shakes his head. “I got this, okay?”

You lift your hands in a defensive position. “Okay.” Grabbing the remote to hit play, you start humming the Undertaker music as he walks away. 

“Annoying ass,” he mutters under his breath, exiting the room. 

Joe is more than certain he’s about to prove you wrong and come back with a smug ass disposition that’ll lead into taking advantage of Callie being sleep by fucking you senseless and reminding you why you also call him daddy.

There’s only one problem with his plan.

Callie is very much not sleeping and instead sitting near her play area.

On that damn tablet.

It takes a second for him to take in the scene before him. “Callie, why aren’t you in bed?” 

She ignores him, continuing to play on her tablet. “Calista.”

It’s only then she whines out, “what?”

That takes Joe back for a second. He can’t recall a time where she’s said as such. “Don’t what me. I thought I told you to go to bed.”

She murmurs, mouth pouted. “I don’t want to go to bed.”

Fuck. This is the first time he’s actually had her push back on him. Experienced a side of Callie that isn’t 100% agreeable. “Callie, it’s late, and you need to get in the bed. Now. I’m not gonna—”

“Be quiet,” she whines, cutting him off, turning her back toward him. 

Joe is nearly rendered completely silent. He’s never known Callie to be capable of disrespecting anyone like this. 

“Callie.” Joe tries to make his voice sound stern. Emphasis on try. Because as frustrated as he’s getting, she’s still his little girl. “It’s time for bed.”

She’s unmoved, still sitting in the corner on her tablet as she shouts out, “I don’t want to go to bed!”

Joe has to mentally count backwards from 10 before trying yet again to get his almost 5-year-old daughter to just go to bed. “I understand that, Callie, but you need your sl—“

Again, she cuts him off, hitting the ground as she screams, “I said no!”

Joe closes his eyes and shakes his head. Without another word, he’s down the hall and in the master where you’re still laid comfortably up in the middle of the bed snacking on some pretzels and enjoying the court case on the TV.

You land your eyes on him, head tilted as you ask with an intentional amount of inauthentic sweetness, “how’d it go, Mr. Gentle Parenting?”

He rolls his eyes and crosses his arms. “Fine. You win. She’s not listening at all. What should I do?”

You smirk and close up the bag of pretzels, carefully climbing out the bed. “Watch and learn, Daddy.” You clap your hands to get rid of the salt remnants, providing him some context on just how he got here. “Because you didn’t make her take her nap, she’s extra irritable because she’s tired even though her lil’ stubborn ass is too hard headed to realize it. So you gotta be extra bold with her.”

You can tell he’s partially confused or just not in agreement, clearly needing a demonstration. Taking his hand, you lead him out of your shared bedroom and into hers. 

“Calista Manaia Anoa’i, if you don’t get your little ass off that damn tablet and into the bed right now.” His eyes widen a bit at your tone. You’re not yelling, not screaming, but you’re definitely not using the typical tone used with her.

Callie looks up from her tablet with determination that’s a bit wavered. “But, I’m not sleepy!”

You cross your arms over your chest. “I don’t care if you’re sleepy or not. Your daddy and I say it’s time for bed, so it’s time for bed, sis.”

“But—”

You lift a finger to silence her. “Calista. I brought your little butt in this world, and I’ll take you out.” You point to her bed. “Bed. Now.”

Joe watches with slight amazement as Callie stomps over to hand you her tablet and stomps right back over to her bed, climbing in, still pouting. 

“And don’t you ever disrespect your dad like that again, you understand me, lil girl?” She doesn't say anything, but she doesn’t need to because you know she knows you mean business. 

But it’s when her bottom lip starts to tremble and she starts to ‘cry’ that Joe damn near acts like the girl just got her arm broken. 

He starts moving toward her. “Cal—”

You stop him, however, instead telling Callie, “if you wake up in the middle of the night and wanna come sleep with us, you can.”

But Callie is too busy with her tearless crying, shouting again, “I don’t want to go to bed!”

Ignoring her, it literally takes you lightly pushing on Joe’s chest to guide him out of the room as you close the door to her bedroom, partially obscuring the sound of Callie screaming.

“She’s upset. We can’t just leave her.” He seems just about as upset as his unruly four-year-old twin.

You turn around and correct him. “No, she’s throwing a tantrum because she didn’t get her way.” And before he can protest, you point out, “did you see any actual tears coming out her eyes? Exactly.”

“But—“

You wait until the two of you are back in the room before placing your hands on his chest, trying to butter him up a bit before hitting him with the truth. “Baby, I love you so much. You’re such a good dad, but when it comes to this discipline thing, you suck.” He rolls his eyes. “I told you she’s a nightmare when she’s having one of her temper tantrums.”

He really has no need to worry about her. You’ve done this song and dance countless times to know how it works. In less than ten minutes, she’ll be out like a light. 

Joe scoffs. “Yeah, well, she gets all that attitude from you.”

You can only also roll your eyes because he’s not entirely wrong. Joe is legitimately a chill ass person. You’re the one who’s got the smart mouth from time to time. Or maybe more often than not. “Maybe so, but you still love me and all my attitude so….” 

He moves his hands to your ass, pulling you into him. “Damn straight….”

And before he can kiss you, you hit him with the truth you’ve been sitting on since this afternoon. “So are you gonna willingly tell me about that movie they want you to be in or do I have to fuck it out of you? I mean, I’m cool with either.”

“How about we skip the movie talk and just fuck instead?”

“Nice try.” You lean up and kiss the corner of his mouth. “Get to talking, baby.”

“I knew your ass overheard something.”

“I’m a mother, Joe. I hear and see everything.” Moving away to grab your bag of pretzels, you again remind him. “Now start talking.”

He shrugs. “It’s an action movie.”

“Not just any action movie, they’re rebooting Reacher and want you to have a leading role. Baby, that’s huge. You know that’s one of my favorite shows too. The only man I would ever consider leaving you for.” It’s more a joke than anything, even though Alan Ritchson is not hard on the eyes at all. “Seriously, Joe, it’s a great opportunity.”

“I get that, Y/N, but I’m taking a break from work.”

“No, you’re taking a break from wrestling. There’s a difference.” You motion him over to the bed, patting the spot next to you. He comes and plops his body down. “I heard them, Joe. It’s filming here in Florida. Less than what, an hour away?” His silence is the answer. “And you wouldn’t even need to be there all the time. 2 or 3 days out of the week, max.”

Realizing what’s probably got him most hesitant, you close up the pretzels, placing the bag back on the nightstand. Sliding closer to him, you place his hand on your stomach. “Joe, I’ll be fine. The babies will be fine. Callie will be fine not having her best friend around 24/7. It’s not like you’ll be on the road like you are with wrestling. You’ll still be close enough if we need you.”

“I don’t want you feeling like I’m putting my career first.”

“I would never think that, Joe. Ever. With everything you’ve done for us, there’s no question where your focus is.” This man has been too good to you for you to ever even think he’s about anything other than his family. “I just think this would be great for your career, and I know you’re at least a little bit interested or else you wouldn’t have even agreed to hear them out.”

The guy seemed cool. The woman was alright. Just your average looking white woman. Nothing to write home about. But, they represent something much bigger, an amazing opportunity for Joe to further his career, to possibly transition into something else fully when his wrestling days are done.

“Besides, you said it yourself, you didn’t have to go to Hollywood, Hollywood came to you.” You do your best to imitate him from one of his stellar promos. It makes him smile and laugh a bit.

“Yeah….” He then shares. “Met with Hunter today too, and he asked if I would be open to returning around October.”

You shrug, no strong opinion on that. “That sounds reasonable to me.”

He looks at you, an expression of disagreement on his handsome face. “The babies will only be a month or so old.”

“I’m aware.” You move your hand to the hair at the nape of his neck. “But, you’re still gonna transition to the part time schedule once you return, right?” He nods. “So, it’s not like you’ll be gone consistently. My mom will probably still be here. Kaylah’s here. Alexis is here. We have a really great support system, baby. It doesn’t have to be all on you.”

“What about Callie?” He asks, clearly a high priority point for him. You as well, but Joe’s concern is probably a bit deeper than what’s necessary. “She’s already scared I’m going to leave her.”

“And you will sometimes, because that’s the nature of what you do. We’re working with her on that though.” And you are. Gradually getting Callie to a place where she isn’t as anxious about something happening to her parents. “Plus, she’ll be in kindergarten at that point, so it’s not like she’ll be moping around the house all sad. She’ll also have ballet.”

Not wanting to be too pushy, you decide to leave the ball in his court. “It’s completely up to you, Joe. Just know whatever you decide, I support you, baby.” You take his hand in his. “I’ve also been thinking about the wedding.”

He looks down at you. “And?”

“I think we should wait until next summer to have it.” Before he can protest or ask follow-up questions, you explain, “I don’t want to walk down the aisle big and pregnant. Plus, there’s realistically not enough time for us to plan a wedding before the babies get here. Not to mention, trying to coordinate everyone’s schedule so the people we want to attend can do so is virtually impossible with such a short timeframe.” Because you can’t imagine having a dream wedding if the people you love and care about the most can’t be present. “The babies will be almost a year old. It gives everyone time to clear their schedule. I won’t be as big as a house…it’ll just be better that way.”

You know he knows that you’re right. He doesn’t appear to be happy with it though. “I hear you. I just….” He scratches his beard. “I hate the idea of having to wait that long for us to get married.”

Frowning, you agree with him there. “Me too, but—”

“What—” He cuts you off, looking at you. “What if we didn’t?”

For a second, your heart stops. “Didn’t get married?”

He’s quick to shoot that down. “No. No. The opposite. What if….what if we got married now?” And just like you, he jumps straight into explanations. “We can still have a wedding. As big or whatever as you want it to be, because you deserve that. I wanna give you that. But…but what if we just legally got married now and the wedding is just for the social and show aspect of it?”

The more he talks, the better you’re able to follow along. “Like….like we just go to the court house?”

Your voice must unintentionally indicate some level of disagreement. “I know it’s not how you probably imagined it—”

Cutting him off, you place your hand over his that’s still resting peacefully on your stomach. “I would marry you under a bridge if that’s what it took, Leati.” His eyes soften as your lips curve into a small smile. “But, we don’t need a bridge, because we’re going to the court house.”

He seems genuinely surprised. “Yeah?”

It’s not a hard sell. At all. You love this man. He’s your best friend. Your lover. Your soulmate. Being married legally before the actual wedding is actually a brilliant idea. You want more than anything for you all to share the same last name. 

Smirking, you get up and climb onto his lap, your baby bump providing a little bit of a barrier.

“Alexa.” You call out, locking eyes on him as you make your request. “Play Let’s Get Married by Jagged Edge.”

———-

“.....Because I am Wrestlemania!”

Megan’s thin lips turn upwards into a big smile. She likes the video and adds it to her ‘Lover ♥️’ playlist on YouTube. Private, of course. It must be the 50th video she’s added. She quickly clicks the back button to see the result list that has nothing but Roman Reigns videos.

Watching him, watching Joe is such an experience. It’s fascinating to her how he can be such a dominating, narcissistic presence on screen but such a gentle soul behind the scenes. It’s fascinating and impressive as hell how he navigates both roles so seamlessly.

Makes him even more attractive. 

But, it’s when a video with Cody Rhodes from the latest SmackDown show appears in her list that she scowls. Megan still can’t believe Joe actually dropped the belt for her. For Y/N.

She’s read articles, seen the gossip on wrestling blogs. The internet wrestling community seems to be torn on that. Half say it was time anyway and that Cody needed to ‘finish the story’ while the other half say Joe himself asked to be relieved so he could spend more time with his family.

And with that fat bitch pregnant with his second child, the second choice seems more believable to her.

Megan groans and turns on her back. She truly cannot see nor understand why Joe ever settled with the likes of that. This man is a god among men, yet he chose a maggot.

He reproduced with that unworthy bitch. 

She grabs her phone and goes to his profile again, the latest option in her search history. His page is nearly perfect, filled with Roman based posts except for the last three. No. He just had to ruin the algorithm by posting them. The first personal post is a picture of him, Y/N, and the spoiled little brat, Cathy. The caption is long and essentially him defending them. 

From what Megan read online as well as what Paige sent over, Y/N had an ex best friend that leaked a lot of shit online. Some true. Some untrue. Apparently, ever since getting slapped with a slate of lawsuits, one or two of which could include jail time, she’s gone dark.

Unfortunate considering she almost got rid of Y/N for Megan.

The second post is of the bitch. From some date night he took her on or something.

What-fucking-ever. 

And the latest post is of the kid with some sappy caption.

Again, what-fucking-ever.

Humming his theme song, Megan climbs off the bed and opens up her top dresser drawer. She digs around, pulling out her favorite red lingerie set and putting it on. Grabbing her phone, she moves to her bathroom, using the mirror attached to the back of the door to snap a couple photos. 

Settling on her favorite photo, she uploads the photo, smiling at her caption.

[fancifulplaguerat]

I’m so not normal about this

The way that Artemy tries to make Daniil feel better despite not caring solely because Daniil is upset, the “you are also better-crafted than me” like Artemy is telling him not to think of himself as some worthless unloved doll because look at yourself, you’re so much more than that; just that last line the compassion the kindness in it I cannot stand this. I’m not even that into Burakhovsky in canon but this is the most romantic thing I’ve ever witnessed in my life (←light hyperbole) 

I’ve gotten too desensitized to the doll ending that I forget what a gut punch it is. That line “Strangely, there is still not a word to be heard from the Powers That Be. Perhaps they became bored of it all... or were called back home for supper” plain devastates me. Just the futility of it all, how pointless all the characters’ suffering was, in particular the healers’. Though I enjoy the theatre-framing in Patho 2, the ‘children’s game’ meta in Patho Classic gets under my skin far more, as there’s some ‘purpose’ in Artemy/Daniil/Clara suffering onstage, playing their roles for an audience. While Patho 2 implies futility with the ‘you aren’t important, you can be recast,’ that idea of ‘you are not important, and everything you did meant nothing’ hits me harder in the game framing because the healers aren’t even worth being replaced. Everything is just some kids’ make-believe that can be tossed aside when they get bored or are called away. 

But I fucking love “The Powers That Be” concept because it’s so perfectly ominous and vague. Could be anything, likely the government, but sike actually it’s two children who orchestrated your entire living nightmare. I love the subtle references to them throughout the game, too, such as a plague victim telling Daniil “I keep hearing children’s voices... the girls are crying, and the boy is laughing... We mustn’t scare them...” or Aspity asking, “Pit-a-pat, pit-a-pat... Can you hear the kids running around?” And granted this might not truly be about The Powers That Be, but it certainly feels like it could be. Or the foreshadowing on Day 1 of the Bachelor Route when Daniil asks the kids, “How did it even cross your mind... to play epidemic!” And Clara directly references them when she goes underground with Artemy, warning him to talk as little as possible so “they who are beyond the wall won’t hear you.” 

She elaborates: 

“I can only feel them. They are obscure. They are the ones in charge of everything here. They’re big but narrow-souled, trying to hide their wretchedness from us. It was all their doing. They haven’t revealed themselves yet. [...] Their time hasn't come yet. They are waiting in the wings. They will probably break into the world when it ends. Tomorrow they will show themselves...” 

I highly enjoy Measly and Thrush’s presence being all over the game unbeknownst to the player and characters (excluding Clara). 

And it creates even more futility to me because there’s no catharsis of just anger against some cruel puppet-master, like I can’t be angry with these children who are just playing. Especially how they ask, “Heal the town, please! Just look, it’s so wonderful... It’s alive and it’s our favorite one... We won’t be able to make another one like this. If it can’t be helped, then it will disappear forever. You know how much we love it?” They’re just kids who want you to save something that they love; even if they can be devious they don’t really have malicious intentions. But even their fears about losing their town aren’t real and I’m just going to go outside and start eating handfuls of dirt 

[strawberryforks]

better than hemingway // damian wayne x ironrot!reader

summary: you and your boyfriend have WEIRD sleep schedules, your nemesis is a bird, you’re a thief, and this is part one of a new series.

warnings: swearing, blood, violence, criminal activity (idk man, you’re not a good guy)

a/n: reader and damian are 18/19. requests are open <3 feel free to spam

word count: 1174

it’s pitch black in the apartment–all of the lights are off, and you, making your footsteps featherlight have no intentions of turning any of them back on. your boyfriend, who you’re certain is an insomniac is up at all hours of the night and the lightest sleeper you’ve ever met. it’s because of this that you two don’t usually sleep in the same bed. you were friends and roommates before you were anything more so aside from the occasional sleepover and exchange of clothes (damian has less sweaters then he started with, tee shirts too as you love to sleep in them) not much has changed. your room is still decorated with posters, flooring comprised solely of dirty clothes, empty water bottles, pins and stuffed animals, and his is still perfectly organised. you’re opposites and it shows. but in every way it counts? it doesn’t matter a bit. you creep through the hallway with your pastel pink slippers on. they’re fluffy and don’t click against the ground. you step over the creaky floorboards, having memorised them, and make it to the living room. your eyes have adjusted to the dark, so you look around, and when nothing is amiss, nudge the door open.

the bellman has retired for the night, so it’s up to you to let yourself out. and you do. after ducking into an alleyway you put on your suit and fish your phone from your bag before stashing it behind the green bin. “hey dae. esti called and needed me. i’m sleeping over.”

then, you send a text to esti, “hey girl. if damian calls you tell him we’re together. thanks in advance xoxo.”

god only knows why she was awake at 2am, but your phone dings and there’s a response almost immediately. “and if he shows up like last time?”

“spam me and tell him i went to pick something up at our fav 24 hour gas station. i’ll book it there and boom. anyways wth are you awake???”

“was bingeing supernatural. sue me.” (you couldn’t blame her)

“well try to get some sleep sometime. I’ll stop by tomorrow. for real. want anything?”

“would love a new necklace. not too memorable tho.”

“i was thinking icecream but sure. ly.”

you pocket your phone, sticking it into the most secure pocket in your suit. after glancing at the green bin to confirm that nothing’s visible–not your bag or damian’s sweater. your hands find purchase in the crevices between bricks, molten iron helps to stick your fingertips to the wall you scale. then , on the rooftop, the wind picks up. the night air is chilly, perfect foreshadowing for the crime you’re about to commit. no, you’re not going to steal ice cream. that’s tomorrows problem, a cone is only $3, and the woman who runs the shack is the sweetest ever. it’s more tempting to gift her things than to take from her.

you run across the roofs until you reach your destination. then, you lower yourself down to the ground and make quick work of the doorknob. “someone hasn’t been robbed before,” you muse, pins slotting around easily, latch clicking open. shouldering through, a grin splits your face as you look around. everything is dusty and allergies are a bitch, “ACHOO!” your sneeze startles a cat, and the tortie stretches out and walks over to you, angling to be pet. the pet flops down and when it isn’t given the expected attention–hisses and walks away.

after stuffing a few watches, some costume jewellery, a wooden beaded necklace, some first edition books (damian’s birthday was coming up and they would make great gifts so long as no one made a huge deal about them being missing), a map (it looked cool) and just about everything behind the glass wall you broke with a few well places thumps of your fist. finishing up your haul, he arrived.

just in time because what was a night without your nemesis making his incredibly irritating presence known.

robin. fucking robin.

he’s your nemesis. nope, you couldn’t get batman so there’s a teenage boy, nearly as unhinged as you are, tailing you and constantly foiling your plans. (you’re a teenager too, but still, it’s embarrassing) even this heist he interrupts and you weren’t even doing any real damage. this excursion was more for fun than anything and he was here to ruin it. “how many times are we going to have to do this?”

“well, until you give up, obviously, bird boy. and you’re a persistent little shit, so forever, probably?”

“or until i send you to arkham.”

you snort, “good luck with that.”

he unsheathed his sword and lunged. you rolled to the slide, dodging his blade but–the sack slung over your shoulder split, stolen items spilling out. he wasn't trying to cut you–just your score. goddamnit, you could be dense sometimes. robin picked a book up, “you enjoy austen, do you?”

you scoff, eyes wide as you look at his other hand. the other items are all over the ground, some underfoot but he managed to save the books from being damaged. good, because you wanted them for your boyfriend. “better than hemingway,” you throw a ninja star, one you’ve forged yourself, and send it sailing his way. robin sets the books down behind a desk and you take note of their precise location, scooping a handful of discarded loot into your pocket. esti was going to love that necklace. you stuffed it down the front of your suit, sliding across the floor and ducking under another swipe of his sword. something pierced your suit and you winced–it wasn’t even robin, just a fucking splinter of something you’d broken earlier. springing back up, you crafted another ball of iron and threw it his way, the molten liquid glowing orange. when it landed on the wood floor and began to smolder, you had your distraction. you decided to come back for the books later and robin attempted to smother the growing flames. “you should get that checked out,” he said, slapping an old sued jacket over the glowing orange and red. you looked down at your thigh, at the piece of glass sticking out of it. it was larger than you’d thought. “and check myself into the hospital so you can find me? no thanks.”

“or pull it out and die. either works for me” he slams the jacket into the flames again, in an attempt to smother them. as it’s working, you decide to make your leave, sprinting through the door and down the street.

you stop by the alleyway, grab your belongings and actually head to esti’s. she’ll patch you up and you’ve got something to pay her with–the necklace.

[physalian]

Incorporating weather elements into your narrative

*Picture me in shock over 11 new followers in 6 days after a 3 week dry spell: Thanks everybody!

Short this time! Weather and climate as worldbuilding are kind of like adverbs. Adverbs, as a concept, are not book kryptonite (despite what all the people screaming about how using better verbs is always the answer want you to believe). Adverbs should just be used with intent and not be redundant, which I’ve said before.

Basically, why use an adverb that doesn’t actually tell us any helpful information about the verb that the reader can’t already presume? “She smiled happily,” well, yeah, as you do. “She smiled sorrowfully,” okay, now that’s an expression I can work with. Why is she smiling sorrowfully? Why does she think she must smile through her sadness? Clearly it’s failing, otherwise the narrator wouldn’t note that the smile is sorrowful at all.

There’s a reason “talking about the weather” is the butt of the joke. It’s generally seen as boring and inconsequential to either party and used to just fill otherwise awkward silence. A quick sentence for sensory details is great. Repeat details that don’t dig into those sensory elements are not.

Your weather is no different. Why are you describing it if it serves no purpose to the scene? Everyone’s default unobtrusive day is different, but unless stated otherwise, people are going to assume it’s either day or night with mildly clear skies and tolerable heat and humidity. Talking at length about average weather that doesn’t impact your character’s emotions or choices, or the tone of the narrative, is a waste of effort in my opinion.

As in, describing the perfect day while a charcater is stuck in an office and unable to enjoy it? Yes. A character getting groceries and it's 72 and sunny and look at all the boring shapes of the clouds and planes flying over head while I get zero input on how the character feels about any of it or why this detail matters? Fluff and filler.

If your book is chock full of poetic fluff, go ham, everybody's ideal narrative is different. I like mine lean, otherwise I get bored by all the fluff while I wait for the book to remember it has a plot.

Weather fits into one of those little buzzword bingo cards where, if the author is taking an aside to describe it, you know it’s going to be important later (or at least it should be important later if the author didn’t just forget about it). Weather tends to be used as foreshadowing and is used as metaphorical shorthand everywhere.

If I write about a character going off on a quest and I tell the reader that clouds are growing in the distance, there’s a 70/30 chance I’m not just talking about actual clouds, but the threat of the enemy, some sinister plot our plucky heroes are ignorant of. Stuff like:

A red sunrise

Black/grey stormclouds

The ambiguous “rain/storm” that’s coming

A chilly wind picks up

An oppressive heat wave settles over the land

Fictional weather is so entrenched in metaphor and allegory that no matter how cliché it gets, watching or reading a funeral scene where it’s not grey and rainy feels insincere and not somber enough for the tragedy unfolding. You can avoid this by having your characters hate that it’s not raining for their funeral, as if even God doesn’t mourn their dead friend and the rest of the world moves on uncaring.

Same vibe as Halloween decorations in broad daylight. Or Christmas decorations in the Florida 80 degree December. Fall without the changing colors of the leaves. The mood is completely wrong.

“It was a dark and stormy night” sets the reader up for something serious, perhaps mysterious and dramatic, not a cheesy Hallmark romance. Weather as tone is extremely helpful. Not describing it is better than picking the wrong weather for your scene, unless you're trying to be ironic. Weather is practically its own character, depending on how much it matters to your story.

Fantasy and abnormal weather should be treated like any other scene descriptor element. It’s not enough to just drop in a detail about how there’s a 20% chance of blood rain at noon. If this is meant to be metaphorical or foreshadowing, despite being “blood rain” maybe it’s not an ill omen. Maybe it’s a magical fertilizer and a farming boon that graces the land, you gotta clarify.

Personally I’d fixate on the blood rain and want to know much more about it, just as much as I’d want to know about the rest of the town. I don’t need you to explain why it exists, it can exist just for funsies without serving any plot purposes, but I definitely want some more detail about the blood rain, it sounds cool.

—

TLDR; Weather cannot be untethered from its metaphorical and tonal implications, it’s just too entrenched in fictional associations. With that said, if weather in your book isn’t important at all to the story, randomly describing the sunny day at length is like describing the grass of a random lawn—we all know what random grass looks like. Unless the state of the lawn matters, it’s fluff. If it doesn’t service the character’s arc, the themes of the story, the tone of the scene, or the plot in any way, it can be skipped beyond relaying to your readers on the time of day and some sensory details like if it’s hot or windy or humid.

[starlightwayfinder]

I decided to watch some old KH trailers in honor of the anniversary today, and I have to admit, I don’t think I ever rewatched this one after the release of Melody of Memory. When it was first revealed, we were under the assumption that the Master of Masters was the opponent Kairi was facing, but as we now know, it was actually Master Xehanort. While we were aware that the Master of Masters has more plans and tricks up his sleeve, to think of this line in the context of Xehanort is a little different. It brought to mind an old theory of mine, so I decided to go back to KH3, Re:Mind, KHDR, and MoM to compile as much evidence as possible for it.

(As a disclaimer, it slightly undermines the authenticity of his ‘conclusion’ in KH3, so if you’re a big fan of that scene, feel free to skip this one.)

This line in KH3 is a good place to start. From the get go, it was established that Xehanort planned for nearly every possible outcome of the Keyblade War. I also think it’s safe to say that every action he made was an intentional choice based on these plans. So the question is, what is the “final plan” referenced in Melody of Memory’s trailer? I think the game gave us the answer:

It may be easy to jump to the conclusion that this was just a plan for revenge, since Sora is the one who stopped Xehanort to begin with. However, I want to reaffirm that every action he takes is for a reason that serves his goals. It wasn’t just a plan to make Sora disappear, but likely to make him disappear to Quadratum specifically.

This was even foreshadowed in KH3’s Toy Box world. Young Xehanort sends Sora to the world of Verum Rex—though it’s probably closer to a “data” version in this instance:

YX in particular is very confident that Sora’s overuse of the Power of Waking will lead to his disappearance:

And MX has a similar line in Re:Mind:

Except this is where things get interesting. The Sora in Re:Mind is time-traveling from a point in time after he defeated Xehanort.

Xehanort must know this, because he sees the real Sora (from this point in time) about to begin the final battle in the distance. He then acknowledges that the Sora he’s speaking to is from the future. Unless he witnesses the present Sora time travel during their final confrontation, he can conclude that Sora survives their fight to time travel later on—meaning his plan doesn’t come to fruition. Sora unknowingly reveals his hand in Re:Mind this way, and opens the door for Xehanort to plan accordingly—which is kind of mind-breaking to think about…

It gets even better here, during Sora’s fight with Terra-Xehanort:

Sora brags that, like Xehanort, he can also time travel. To which Xehanort responds that Sora will then also need to make the “ultimate sacrifice”, or in other words, “pay the ultimate price”, as MX said. “Also”—as in, Xehanort has made this sacrifice as well by time traveling. As in, Xehanort will also disappear to Quadratum.

We have evidence to believe that as well. I also like the interpretation that he intentionally planned this to survive the world being purged, but that’s kind of a separate theory.

So to recap, Xehanort was probably aware that Sora would survive their final confrontation in order to time travel afterwards. He correctly predicts that the consequence for time traveling would be to disappear… specifically to Quadratum—something that Melody of Memory considers his “final plan”.

So… why? Why would he want Sora to also disappear to Quadratum? Trying to answer that question leads to the most controversial part of this theory:

It’s really nice to believe that Xehanort gave Sora the X-blade as an admission of his defeat, and I’m definitely not against that interpretation. But it is a little strange that before—and after—this scene, in Melody of Memory, he continues to act like making Sora disappear was his big plan. It doesn’t feel right, if he was supposed to be letting Sora “win” here.

I’ll be very curious to see if Xehanort has a role in Quadratum, and why exactly he “paved the way” for Sora to be there as well. Either way, I am holding out for a geniune change of heart from him, especially if what we saw in KH3 was more of a manipulation.

[ilikekidsshows]

Do you think there's anything prior to s4 that foreshadowing Adrien status as senti?

---

To put it simply, Anon: fuck no. I think there are a couple of coincidences the people who liked the theory latched onto and that they used to retroactively justify the writers’ lies that it was the intention all along. All of this stuff has another explanation. Adrien is allergic to feathers? No other Sentimonster is. Adrien and Sentibug both get called “perfect”? “Perfect” is a perfectly common word that suits a lot of situations perfectly. Adrien ads use a lot of feathers? They’re fucking white, Adrien has a recurring angel motif and anyone claiming otherwise is blind to patterns. Adrien does what Gabriel tells him to even when he doesn’t want to? HE’S BEING ABUSED BY THAT MAN. Why else would Emilie use the Peacock Miraculous when it killed her? Because she's an entitled rich asshole who thought she was above consequences. If Miraculous wanted to make “eat the rich” commentary, that's what they should have done. SentiAdrien also required reworking the Sentimonster lore to make the heroes killing them en masse okay.

What is far more compelling than the defenses of SentiAdrien is the fact that, after the long hiatus between seasons 3 and 4, Gabriel's body language changed completely, just like if something about his character had been changed. Gabriel used to hold tightly clenched fists behind his back, symbolizing his tight grasp on things he wants to control, especially his emotions. From the first episode of season four onward, almost like the writers couldn't contain themselves from including a new, fresh idea they’d had, Gabriel is suddenly constantly toying with this wedding ring, twisting it around like he's a neurodivergent kid and that ring is his favorite fidget toy.

Look, I know Miraculous gets a lot of flack for inconsistencies, but, like, some stuff is consistent. All the main characters used to have their own ways of moving. Adrien would pat people's shoulders, Marinette would wave her arms around, Gabriel would very rarely sit if he could get away with standing and he would clench his fists. These were simple, easy to remember ticks that strengthened the characterization. Adrien longs for human connections, Marinette is anxious and hyperactive and Gabriel never lets down his guard. In season 4, Gabriel's body language is suddenly: “Is Adrien a Sentimonster controlled by this ring? Come on, theorists, post about the theory a lot and do our marketing for us!”

The only explanation for Gabriel’s sudden change in body language is one of the writers had a tumblr when the theory got popular and got super excited to include this new idea as quickly and obviously as possible.

There’s also the fact to consider that the Miraculous crew has a very particular way of writing mysteries: they don’t. A mystery is a compelling question and “is” is not a compelling question. Basically the same rules apply as when picking a driving question for your essay: who, what, how, why and when are all good questions that will give you plenty to chew over while building your thesis. Yes or no questions, on the other hand, should be avoided at all costs, because the act of asking a yes or no question often already reveals the answer and ignores anything actually interesting about the phenomenon being studied.

I’m gonna be honest: when I first watched Miraculous, I had no idea Hawk Moth’s identity was supposed to be a mystery. I thought the answer was obvious on purpose because we were meant to wonder about the how and why. But, no, the why gets revealed as soon as the show confirms Gabriel is, indeed, Hawk Moth, because there’s so much focus on Emilie. There is only one possible thing Gabriel could want with the Miraculous, with no other options being presented to keep things interesting. Similarly, the show never asks: “Who is Hawk Moth?” because only one option is ever seriously presented with no other options being presented to keep things interesting. The question is: “Is Gabriel Hawk Moth?” and the answer is: “Yes, of course, because it couldn’t be anyone else.”

When you look at it in hindsight, this is also how the “Sentipeople” mystery gets presented to us. The only question the show asks about Sentimonsters and it asks it instantly at the start of season 4 is: “Is Adrien a Sentimonster?” and, like, the only answer is yes, because otherwise it wouldn’t get asked. However, the question is presented in a way that's only grasped by people already thinking along those lines, like Gabriel playing with his ring because it's now all of a sudden an Amok, which is why many people who weren't already convinced by the fan theory dismissed it. There are also no red herrings in this “mystery”, because every character to get any hint at them being a Sentimonster is revealed to be one. The Miraculous crew can’t write mysteries, so the existence of human Sentimonsters became obvious for the people already thinking along those lines as soon as they decided to include it.

This means, that, if this plotline was written for people who already thought SentiAdrien was a thing, the writers knew there were people thinking SentiAdrien was a thing. I'm saying the idea totally got taken from the fandom. And it's not surprising that the idea is stolen; Astruc's main character is a poor man's copy of the protagonist of the Dork Diaries book series, after all.