#I don't even know if she will accept it

[1989stanz]

Friendships are crazy. I just met a girl like a week ago, she told me she was diabetic and now I'm searching if diabetic people can eat popcorn without causing a major problem 'cause I want to take her to the movies.

[darkeneddawning]

Escaped clone au

You know all those fics where Danny and Damian are twins but everyone first assumes Danny must be a clone? How about an au where Danny is Damian's clone who escaped the League after he was assumed dead. Damian could even have been the one to have "killed" him, back when Danny was a newly created, fully brainwashed clone minion and trying to kill Damian himself.

Danny gets adopted by the Fentons and canon goes on as normal, until Dan. Witnessing what would happen to the world should he turn evil really drove home to Danny how dangerous he is.

Even if he was confident he could be trusted with his absurd amount of power (which he isn't), what if the League of Assassins found out about him? Does he still have programming triggers from his evil assassin clone conditioning?

So, Danny does the responsible thing: he goes to Batman to turn himself in.

Cue Danny showing up on Bruce's doorstep with ghost hunting equipment, intel on the afterlife, and an almost unbelievable backstory. Somehow he still managed to be more well-adjusted than Damian.

More thoughts under the read more

Here's how I'm thinking Danny leaving the League went down:

After surviving his wounds but failing his mission, Danny (then an unnamed potential Damian replacement) knew there was no point in returning to the League. As a failure, he was meant to be disposed of. He even thought of simply allowing himself to perish, since that was what the League would do.

But he couldn't help but feel as though that would be a waste of a resource. Surely he could be of more use to the League alive than dead?

That tiny bit of rebellious logic is what caused Danny to go into hiding, only living on based on the off chance he would find opportunities to further the League's goals. Obviously, that mentality didn't last long after being exposed to the real world and meeting one Jazz Fenton.

Being adopted by the Fentons was the best cover Danny could have asked for, since any odd behavior he couldn't hide while he was learning how to be "normal" was totally overshadowed by the sheer bizarre eccentricity of his new parents. He was still the neighborhood weird kid, but even that was a major upgrade from disposable tool, so Danny considered it a win.

Anyway, if anyone likes this idea, please feel free to have at it! Interpret it as you please :)

[khaopybara]

❝Well, you actually didn't have to work on it today. I was just really mad at you, so I gave Uncle Moo that deadline.❞

PIPLOY KANYARAT as BAMHEE BENYAPA and POON MITPAKDEE as PAH PRAMOTE episode 9 of THE TRAINEE

[swan2swan]

When she said this line and you knew there was officially No Going Back...

[cakepoppresent]

Lance Crews Bedroom

[herearedragons]

tag the oc that's most likely to get stuck in a time loop and what kind of time loop it would be

[project-sekai-facts]

emurui arc ender (shocked face)

do you have everything about all of their parents? i for some reason can’t find anything about ichika’s mom, rui’s dad or emu’s mother (i may be blind, pretty sure emu’s mother was mentioned and ichika’s mom was aswell. i know she was mentioned in ichika’s introduction but i haven’t seen her in story yet)

The parents who don’t have physical appearances are generally less important and rarely show up or are mentioned (with a few exceptions) but we do learn some things about them from card stories and such. Here’s some stuff I can remember about the faceless/nameless parents

Ichika’s parents met because they liked the same song. It’s where her name comes from.

also her dad reads manga

We don’t know much about her mother. she's nice though.

Saki and Tsukasa’s mother is a piano teacher. Considering that she’s friends with Harumichi, she probably used to play professionally

We don’t know much about their father, but he has a tendency to spoil Saki (mentioned in Tenma Hinamatsuri)

Honami’s mother is a beautician (mentioned in an area conversation iirc) and her father is a hairstylist (mentioned in Petit SEKAI Episode 6)

Shiho and Shizuku’s mother is a koto instructor and their father used to be a guitarist in a band

We don’t know much about Minori’s parents but they show up in STEP by STEP!. They initially had concerns about her switching courses and being a full-time idol, but after seeing that Minori was prepared and determined to be an idol they let her go ahead

We don't know a huge amount about Haruka and Airi's parents either. Similar to Minori, we know they are nice parents and supportive of their idol careers and that's about it.

Haruka's mother is a nail artist. She was worried about Haruka when she was younger because she rarely smiled.

Kohane's dad is a photographer. He's also the one who bought Count Pearl.

According to Kohane, he has a penchant for coming up with weird names

An mentions in MEIKO's 1* card story that her mother, Yuka, is not a good cook.

I think it's stated somewhere that Yuka is a teacher but don't quote me on that

Akito and Ena's mother makes them eat their carrots because she thinks they should at least try to eat the things they don't like.

She's pretty laid-back and thinks her kids should be able to do whatever they want to do. She's meant to be the polar opposite of Mrs Asahina.

In Ena's fes card it's revealed that she kept some of the old art that Ena threw away in case she ever regretted it

Toya's mother used to bake him cookies a lot and that's why he likes them

She was also very overprotective of him when he was younger and basically wouldn't let him do any recreational games or activities in case he injured himself and couldn't play piano.

She taught Toya to play the violin. I'm assuming that she used to play professionally and that's how she met Harumichi.

We don't really know anything about Emu's mother iirc. She's mentioned occasionally but I don't remember her ever appearing off the top of my head. In Smile of Dreamer it's mentioned that she's abroad doing volunteer work in Cambodia.

Nene and Rui's mothers are good friends due to being neighbours. Nene even used to call Rui's mother "auntie" when they were younger. Her mother recorded a lot of her performances from when she was little.

Beyond that we don't really know anything. I don't remember Nene's dad ever appearing but he is mentioned.

Rui's mother is a biologist, as mentioned in Revival my dream. I have a theory that she mainly works in entomology (study of bugs), or maybe more specifically lepidopterology (study of moths and butterflies), because Rui talks a lot about a moth at one point and has books on butterflies in that event. He talks about some other bugs as well.

His dad is a robotics engineer, also mentioned in Revival my dream. He doesn't actually appear though.

Rui's mother had a very similar background to Rui. She was often called weird and eccentric because of her interest in biology and didn't have any friends until meeting Rui's father, who was really into robotics.

We don't know a huge amount about Mafuyu's father. He does push her to achieve as much as her mother does, but he seems to have limits.

We don't know a lot about Mizuki's parents either, but they are very supportive of them and were worried when they started skipping school

[vickyvicarious]

And yet, if it be true, what terrible things there are in the world, and what an awful thing if that man, that monster, be really in London! I fear to think. I have this moment, whilst writing, had a wire from Jonathan, saying that he leaves by the 6:25 to-night from Launceston and will be here at 10:18, so that I shall have no fear to-night. Will you, therefore, instead of lunching with us, please come to breakfast at eight o'clock, if this be not too early for you?

Mina goes from "if he's in London" -> "I fear to think" -> "Jonathan will be home tonight so I won't fear tonight." It seems like she's worried for him being in the same place as Dracula for the night. Not necessarily because she thinks the Count will hunt him down, though that's always a possibility if he were to spot Jonathan somewhere this time. But at least for Jonathan seeing him and having another fit without her there to take care of him.

So of course Jonathan coming back to her tonight will ease those fears. But also, she's ready for them both to talk with Van Helsing over breakfast tomorrow, which she definitely would not spring on him with no warning. So she is planning on greeting him home and then having the conversation tonight. I want to see it so badly...

[jakeperalta]

every time I remember my dog is actually old and doesn't have a human lifespan

[stagefoureddiediaz]

Thinking thoughts about Abuela being back and with this backstory about her being taken in by charlatans and Eddies whole catholic guilt thing and how the two things kind of play into one another as an exploration of faith and being taken in by something.

Abuela giving all her money to the tarot card readers etc because she was searching for something - for connection (with Abuelo) - trying to recapture what she had lost, and How Eddie has spoken about trying to re-find the magic he had with Shannon - how Eddie hasn't actually fully reconciled the Shannon of it all when it comes to relationships and how his Catholic guilt connects into that.

How Marisol as a physical representation of Catholicism is part of that narrative - how Eddie is entering a place where he has to chose his path - in order to move on from Shannon he needs to fully square the hole - catholic or non catholic. And how that needs to happen first - before he can begin his queer journey!

[cosmic-chelonian]

The fact that there are so many lore inconsistencies in Dr Who is sometimes a good thing actually because it means I feel justified in having headcanons that vastly and grossly contradict show canon. If the writers can ignore things they don't like why can't I.

[arkiwii]

very sad still see the saria/silence divorce headcanon still going around

have you ever tried to consider that they never dated before lone trail because it would be unrealistic with the timeline and the events and also because it would be overshadowing the actual truth of why they couldn't get along

[quackle]

there's no fucking way she's straight like absolutely no way.

[clonerightsagenda]

Protector of the Small had to make Kel close personal friends with the next king and queen otherwise she would've ended up leading a peasant revolt.

[danlous]

There’s NOTHING that will convince me that Lestat didn’t love Claudia. He showered her with gifts and bought her clothes and called her beautiful and ma petite and every other pet name he could think of. He taught her to hunt and was proud of her ferociousness. He taught her to drive and was worried she would hurt herself. He defended her when Louis disapproved how she was acting around people. He loved to make her laugh! He danced with her! At the funeral Louis tells her to go chat with Lestat because he knows they enjoy each other’s company! Lestat did try to connect with her and willingly spent time with her and they understood each other the way they didn't with Louis. Lestat was the one who suggested Claudia would be their daughter and later resisted when she wanted to stop being viewed as that!

In the beginning Lestat seemed to enjoy having Claudia around and it’s only when he starts to feel she’s coming between him and Louis that he starts to despise her. Even then i don’t think he ever stops loving her. Even when he’s cruel you can see it behind his actions. The way he acts after Charlie’s death (the event that begins the deterioration of their relationship) is sadistic but i think he really was trying to teach her in a harsh way, it’s just that he’s deranged and has no idea how parenting is supposed to work. He’s concerned when he sees how Claudia has changed after she was gone and wants to know what happened, and though he later uses it against her i think he was genuinely worried (and until proven otherwise i headcanon that he found Bruce and killed him). When she prevents her from leaving and drags her home because Louis would leave him or kill himself if she’s not around i think he also genuinely wanted to protect Claudia because he knew she wouldn’t survive Europe alone. And he actually says it but masks it with sarcastic mockery because at that point he and Claudia can’t show any weakness in front of each other. When he bitches to Antoinette about her ungratefulness that’s not a monster talking about his enemy but a narcissistic parent feeling genuine emotional hurt over perceived slights. And like Sam said Lestat was actually proud of her in the finale. Because that’s his girl! Evil of his evil! That’s his goddamn daughter! He’s just so fucked up and blinded by his bitterness  and debilitating fear of abandonment that he manages to convince himself that he hates her. But he loves her. And when she actually dies i want him to fucking cry and grieve and regret for the rest of eternity

[the-red-thread-that-strangles]

Alright. Let's talk about Akai's and Furuya's fighting styles, control, and the ferris wheel fight, featuring some tangents on professionalism.

The second reason is the implied: Akai is (in general, probably not in this situation, because he is going along with the fight Rei wants) a professional, and professionals do not fight. A professional will either ambush or assassinate (you know, like the sniping Akai is so well-known for), and generally do everything in his power to avoid a fight. It's about gaining the advantage, pressing and keeping it, to maintain control over the situation. For comparison, fights are between people of roughly equal footing, and fighting follows rules. As a person who lives in the world of actual violence, Akai does not need the fancy dances of a fighting sport, he needs his rifles, guns, and a self-defense technique for when things go really bad and personal. (Incidentally, a professional will also plan, won't let his emotions get in the way, stay calm, and keep working in bad conditions - we also see these traits in Akai.) I can remember two instances of Akai fighting (there might be more)- the ferris wheel fight, and the one time he knocked out the people after Yumi (and arguably, they didn't really have a chance and it wasn't really a fight). Other than that, he's just coordinating and providing tactical support.

Akai using Jeet Kune Do for fighting is an interesting choice. It's not as well-known as many other fighting styles (hell, it's not even a fighting style, it's a self defense technique and really more of a philosophy or a principle), but it has a couple of key values that characterize him well. First off, it's hugely individualistic. Practitioner's are encouraged to find their own way, to find what works for them, which really is Akai in a nutshell, doing what he wants. Secondly, it is described as a highly efficient way to fight. There are few, if any, rules to Jeet Kune Do, you're expected to use whatever technique will help you the most in the moment. For this reason, it is also highly adaptable, and requires an appropriate mindset to use. This latter point, I think, really mirrors the approach the FBI has in the series - do what you need to in order to get the results we want, at whatever the cost.

The fact that it's a self defense technique is important for two reasons: one is the immediate one for our context - Akai's defending himself from an angry Rei on the ferris wheel.

With all that out of the way, let's get into the ferris wheel fight, and what we learn about them there.

For contrast, let's look at Rei. It's almost funny how little professionalism Rei has compared to Akai, when it comes to the world they're living in. Rei's choice of fighting style is boxing, and he's practicing a rather straightforward, aggresive version, with barely any defense, at great personal risk. That point about professionals not letting their emotions get in their way? Well, either Rei has never heard it, or he's deliberately ignoring it. Either way, it really holds him back from gaining and maintaing control.

(I would be remiss not to point out that boxing is also done for show, fitting for this show-off.)

Boxing might honestly be good for Rei in order get out his anger and to up his pain tolerance, but for the purpose of keeping him alive, it sucks. It's up close, it's personal, and it's dirty (that tagline might as well describe Furuya himself). A threat who's gotten into that range is already a problem. Sure, usually - though not in this instance - he's also got his handgun, with its limited reach, limited firepower. For his purposes, it might suffice - he's not supposed to be a fighter, and the advantage of his gun is in its concealability. I suppose he gets a couple points in professionalism for that choice, and for often bringing back-up, whether he's working for the PSB or the BO. For what it's worth, he's also likely trained in Kendo or something similar, as we see in Wild Police Story, but he doesn't really use it. We see Rei fighting rarely, but it happens; with Matsuda at the beginning of WPS, casually inflicting violence on a kidnapper, and now here on the ferris wheel.

It's so interesting to me how they interact here.

Despite both of them bleeding, it starts to feel like Akai is in control, or at least not dated by the fighting - he gets Rei good with Jeet Kune Do's signature One Inch Punch, but has enough presence of mind to casually grabs him so he doesn't fall to his death (which gets him shoved off with a foot. Give Furuya an inch, and he'll try to take your head). Furuya's meanwhile clearly enjoying himself, might have even entered the zone, a sort of battlejoy/trance, asking for a second round (here we go again, this is a fight, with certain rules, like rounds), and Akai, well, he's beaten up, but it doesn't look like he'd surrender to get Furuya off his back - despite it being an option that would end the fight early. We see both of them smiling at points in this exchange, and I think it speaks to both of them, inherently, being thrillseekers. Putting all they are into the outcome of this fight against a dangerous enemy is a thrilling brush with mortality.

Them fighting at all, on top of the ferris wheel, is stupid, plain and simple. They expect the BO to show up any minute, and they'd better be in peak condition - instead they indulge in this fight. Really, it's Rei launching himself at Akai, who's mostly dodging and defending where necessary (I say indulge, because he is armed, and could probably escalate/end the fight early). Fights happen for a variety of reasons, usually social (because otherwise we'd be talking about violence, not a fight), and this implies Rei sees Akai as roughly equal/wants him to have a fair fighting chance, following the social contract of announcing his presence. He launches the attack, takes the initiative but the distance is so large, and he telegraphs his intentions clearly enough that his advantage is minimal.

Akai has the distinct disadvantage of carrying his rifle case, protecting its contents, because he'll need them later. He is, as the series lets us know, a capable fighter (described stronger as Masumi, who can deal with Ran, an established capable martial artist), and we can see it in this fight. He's reading Rei's movements and blocking most of the hits - for what it's worth, Rei's style seems more focused on quantity of attacks over quality. He does get Akai with some unconventional angles of attack (like swinging up into a kick from falling), and mostly this initial struggle is about them fighting for control.

When we cut back to the fight, they're still at it. I find it interesting that Akai tries to talk Rei down throughout the fight. Because the presence of mind necessary to form coherent sentences in a fight is not nothing, and the fact that he at least tries to go for a different solution is noteworthy, even if it is ultimately useless.

Then Conan calls Akai. This is in a small pause to the fight, because, surprise surprise, fighting takes effort (another reason professionals avoid it). It is really funny to me how Rei respects the rules of a fight, but he also sees an opportunity in his opponent's distraction, and seizes it (at the cost of also throwing himself down into a chasm, the self-sacrificial bastard).

Only at this point does it feel like Akai is taking the fight more seriously. I'd wager this is a) because Rei has displayed the willingness to destroy himself to take Akai with him, b) due to the enclosed space - less space to dodge and c) because at least he is aware time is ticking. They're both injured, and the enemy is coming soon. This fight better be over quick.

They only don't fight each other to the death because of Conan's timely intervention. He calls to Akai for help, and just like that, the conflict is resolved, for now. Akai wordlessly rejects Rei's request for a second round, which Rei just...accepts. Allows Akai that level of control, and the control of the flow of information (namely, they don't tell Conan they've been at it). It baffles me, but then again, I suppose it is a fight, the fight has rules, and, clearly, something more important takes precedence. Then again, this whole damn exchange makes no logical sense. Rei has sworn bloody revenge on Akai, who just saved his life today, and instead of doing something about the BO they're fighting a little. Logic is nowhere to be seen, all of this is emotional. On both sides.

I guess bonus points in professionalism for working together for the rest of the rest of the movie, even if they're sharing intel with/depending on a literal child for the solutions to their problem. It's a very unusual set of circumstances indubitably not covered by their training, granted, so what can you do (I'd still love for the adults in this universe to do their job, sue me).

Last point of note for the movie, in my opinion, is Akai waiting after all the chaos is over for Rei to spot him. Is this a case of checking in and simultaneously showing that he, too, made it out alive? He is clearly noticed by Rei, and only then walks away. And Rei just lets him. Akai is in control, in the end.