#I don't know what do do with all these birds thoughts

[jinuaei]

I can offer you an idea of ​​yandere alastor.. What would it be like if alastor as a child knew the reader... Like I imagine alastor as a child not knowing how to act properly like a human, and the reader as a good best friend helping him seems more human (and not because the child reader is scared of him) ... Actually, what would happen?

Wrote this instead of working on my finals hope you enjoyed it!

Yandere! Alastor x Childhood friend! Reader

Warning: Animal death, blood, its YANDERE

WC: ~1.5k

Charlie dragged the whole hotel for another ‘trust’ session, this time, she had the great idea for the sinners to share stories from when they were alive. Granted, some of them were eager to share, namely Nifty and Angel Dust, Husk would share some here or there, although it's mostly due to Charlie and Angel pushing him to. Alastor on the other hand kept quiet during the whole ordeal, until the topic of childhood friends came up.

“I had a childhood friend once, such a sweetheart. Wouldn't leave me alone to play with others!,” Alastor let the statement linger in the air, casually sipping on his coffee. 

The other members of the Hotel look aat him with mouths agape, shocked and surprised at the fact that THE Alastor, Radio Demon, Dealmaker, HAD FRIENDS? Moreover, a childhood friend?? Someone stayed friends with him since they were children???

“Don't look at me like I am incapable of having proper friendships, and no, you cannot ask them about me as a child because they're simply not a sinner! Oh imagine my disappointment when I didn't find them down here,” his eyes glazed over in slight rage as he thought about how you weren't here.

Very disappointing that I will never be able to hold my beloved again. What I would do to be able to chain them to my side once more…

“Well don't leave us hangin’, whose this sweetheart of you’s?,” the white spider interjected.

He tells them your name, sighing dreamily as he starts to reminisce about the times you were together when you were children.

You were the child of one of his momma's clients, a bubbly little thing, always eager to play with him regardless of how cold he is to you. 

His momma was your family's personal tailor, and by God were you a spoiled little thing. Every week you would ask for 2-3 outfits to be created for you, although it looked more like costumes than everyday wear but he doesn't complain, as long as your family treated him and his momma with respect.

Nonetheless, he refuses to be close to you, considering you as a bother, but of course, he would never admit that to you, lest he wants his momma to get in trouble. 

He hasn't always looked forward to when his momma brings him to your house, namely due to you clinging to him every time you meet. There's one thing in your mansion that he’s quite fond of though, once he manages to escape from your grasp, he sneaks into the woods behind your house, gazing at all the wildlife roaming around your property.

One time, he found an injured bird crying close to him, it tried to get away from him but he eventually caught it in a tight grip, it chirped and cried but Alastor just gripped tighter and tighter until, pop! 

Blood trailed down his hands and onto the forest floor below, unbeknownst to him, he had a huge grin on his face, too pleased with the mutilation of the poor bird. A gasp resonates behind him and he quickly drops the bird, face stilling at the fact that he got caught.

When he turned his body to you, your eyes were full of tears staring at his hands that he didn't bother to hide. He prepared himself to hunt you down to make sure you wouldn't tattle on his momma but your next words made him stop in place.

“Are you okay???” you rushed to his side, pulling out a handkerchief and started to wipe off the blood coating his stained hand.

In response, the child looked at you aghast, stupefied at the concern you were showing, marking yourself vulnerable to the predator towering over your much shorter build. He could kill you if he could, he can lie and tell your parents that a bear found both of you and killed you, that he tried to save you but was unable to. But then again… as you fret over him, a thought passes through his mind. 

You are too kind for your own good, just like momma. Don't worry I’ll protect you.

Alastor raises the now somewhat clean hand, and he notes how you didn't even flinch at it, and just looked at him with your wide, innocent eyes. The hand lowers to pat you on the head, ruffling your hair a little bit.

“I am fine, I tried to save a bird but it was too hurt to be saved,” he shows off the bird, face devoid of any emotions.

You frowned at it and suddenly went on your knees and started digging a grave with your hands.

Alastor furrowed his eyebrows and questioned what you were doing, you responded with, “I’m digging a grave for the birdie, I don't want them to die without a proper burial.”

The boy helped you after a few moments of silence. Once you were done, you clasped your hands together, covered in dirt and blood,  silently looking at him to do the same. Look at you, as a child of a rich man you shouldn't be on your knees covering yourself in filth, but perhaps he should indulge his angel for a little bit. 

As you started praying he couldn't help but let the bitterness consume his mind. God wouldn't care about frivolous things like this, prayers do nothing, if it did, how come he and his momma are still at the mercy of that monster of a man he calls his father?

“Amen.”

You offer your filthy hand to him, gazing at him with a smile that could rival the sun. Perhaps the only good thing that God has done, is sending down an angel for him to play with.

“You should smile more, you look very pretty,” he raises an eyebrow at that, startled by your bluntness. Admittedly, he can feel himself flush at your compliment.

“Do you like it when I smile?” he hums, taking your hand. Both of you started to walk back to your manor.

“I do! Mommy always said ‘you’re never fully dressed without a smile’ and that's why I always smile!”

“Then I'll smile a lot for you,” he tried to smile, but it looked more like a grimace.

“You're doing it wrong! It's like this,” you show off your smile, toothy and wide.

He tries again and ultimately fails, you pout at him cutely when he failed, and he couldn't help but smile, genuinely smile at that. In response you shout out ‘like that!’, and start vibrating in excitement that you managed to make him smile.

It was almost nightfall when you eventually managed to get home safely, albeit covered in dirt and grime. What greeted you both were your father, stressed beyond belief, and his mother, on the verge of tears. They both rushed to you guys and hugged the both of you, fretting and scolding at how worried they are, they asked you and Alastor what happened and you, being the loudmouth you are, told them the story that you know.

Both adults are relieved to hear that you both are safe, they rushed you to clean yourselves up. Ever since then, Alastor has been looking forward to every visit they had to your house. And every single visit has been a learning moment for him, day by day he learns what you like and what you don't like. 

You like gentlemen? The next time you meet, he offers you his arm to hold. Do you like poetry? He memorizes your favourite poems to recite whenever you're bored. Do you like food and cooking? He begs his momma to teach him her infamous Jambalaya and other comfort foods to cook for you.

Alastor molded himself to become your ideal man, the most perfect gentleman that ever existed in your life. But then…

“Then what...? But then what??” Angel exclaimed when Alastor trailed off with a cliffhanger. Everyone leaned towards him, captivated by the story he shared. He smiles cryptically, but still doesn't respond.

“Oh well, it seems like it's almost supper time, I should work on it, wouldn't want to be late for dinner hmm?”

Everyone collectively groaned at the cliffhanger, they wanted to know what happened after, but they couldn't complain much lest they want to be part of Alastor's radio broadcast.

Alastor turns away from them, humming to himself as he walks towards where the kitchen is.

But then you had to die as a saint. You had to marry that disgusting excuse of a man you called your husband, and now he killed you. My beloved, was I not enough? Was I not perfect for you? You would have been safe if you were with me… Don't worry, I made sure that ‘husband’ of yours regretted ever hurting you. May this be an offering to my angel.

A haunting scream pierces through hell, amplified by the speakers scattered around the pride ring.

Support me here so I would be more likely to write more fics 🤭

[the-hydroxian-artblog]

Are Merch Mimics capable of using assimilation offensively against humans, for self-defense and otherwise? Like, if someone tried to break a toy/game/etc they were inhabiting, could the Mimic instead pull them in?

To a degree, yeah. I should mention though that Victor isn't "in" the TV in any magical sense; spoiler alert: he's the controller Vance is holding! Hence, the eye on the controller reacting to the dialogue. The Victor on the screen is actualy a model he rigged for a homebrew game he coded the old fashioned way, which responds to whatever inputs the controller sends to the Wii.

He actually is an active member of the homebrew community, and loves to mess with electronics the old fashioned way. Almost no one on the forums knows he's a toy bird, but are impressed nonetheless with his little projects, various rail-shooter games, and weird obsession with snarky anthropomorphic birds.

Victor could technically "jump into a game" on a tv screen, but it'd be a bit of a weird process if he doesn't know how to mod the game, so it'd look more like a shitty greenscreen effect rather than anything coherent. He'd need to learn in real time how the game is coded, how to inject arbitrary code into the system while it's running, etc etc. He CAN do that because he's a fucking NERD, but it wouldn't be a quick process at all.

I should also mention, mimics have an inherent ability to create dreams, since they come about from processing the thoughts and ideas of humans. If a human bonds with a mimic, such that the mimic now knows how the human thinks, they can pull a (somewhat) willing human into the dream when the human sleeps. So to wrap this all up: what Victor could do for a game he understands inside and out is pull a human into a dream that happens to match whatever he himself experiences as currently going on in the game. Basically the ultimate VR experience, with the mimic as a middle-man. Which might be something that'll happen in the comic soon....!

So that all seems a bit convoluted, right? Here's even more worldbuilding about matter assimilation by mimics below the cut. Stop here if you don't want a headache.

The reason so many hoops would be needed to pull a human into a game world is that assimilation is much easier on inert, inanimate objects that are not currently "in use" by a thinking thing, or something that relies on constant electrical signals to function. This can be something with brainwaves, or some other kind of animation like a normal robot. A mimic can convert a CRT TV that's turned off somewhat easily, but a TV that's turned on, with particles of every kind constantly moving into and out of it, is much harder to convert.

This means that humans and biological creatures in general are also trickier to convert, though it can still happen if done gradually enough. Hence, Victor wouldn't be able to rapidly convert Vance in one fell swoop, it'd be a whole process. It's easier to just pull a human into a dream instead, and if a mimic undersrands a video game, or a story in a book really well, they can basically make the fictional world into an extremely lucid reality for whatever human tags along with them.

I often describe mimics as just "jojo stands if they were corporeal and could just get up and move around on their own with no user"; you know how in jojo stand battles or old stories about magic curses, if you break the curse or kill the stand before its effect becomes permanent, all of the damage is magically undone? Like if you kill Green Day, the mold stand, all of the molding just instantly stops?

Mimics who use their powers of assimilation offensively work similarly; they can project their influence to a certain range, and partially assimilate matter in that range. If you knock out or kill the mimic, however, everything reverts to normal. A human who doesn't want to get converted can basically just turn around and walk away most of the time, or shoot the mimic, so the mimic in question needs to pull off some trick to get the human to stay within range for the assimilation to fully stick. A human can still break free and get out of range even if fully converted, but it's much harder, as assimilation usually means the mimic gaining greater control over the converted object in question. The exact range and effect mimics have is again like jojo stand ranges; it varies.

Different mimics have different affinities for different things. Victor can assimilate cheap electronics fastest because he likes them and understands how they work (it's why he's a toy bird mp3 player). Az can assimilate guns, and turn ammo into weird anomalous ammo with weird effects. Zachary is a genius who can assimilate any matter, including biological matter, faster than anyone... but he's also extremely picky and hates the sight of blood, so he only uses assimilation on things he really, really likes.

If I could somehow make another read more at this point, I would. It's gonna get messy:

What a weird power and setup though, right? Why? The true nature of mimics is unknown to most of them, but the deepest lore is that the first mimics were constructs made by a people long ago, who first made them as highly advanced machines that'd recognize the thoughts of their masters to fulfill any practical desire. Need a road built? Done. Need a ship repaired? Done. With physical needs all met, the people began to turn inward, and use the mimics to illustrate their own artistic ideas. Eventually, the will and consciousness of these people were assimilated and inherited by mimics, who themselves became people. Mimics spread, altered themselves, duplicated, deviated, fused, split, and wandered around. Getting into recreational wars, manifesting horrors and delights into reality because they could.

Somehow, after the dust settled, the strongest mimics, the angels, decide to set their sights to the stars, and observe other lifeforms develop technology and their own art. Did mimics come to earth millions of years ago, and simply watched humans grow, evolving with them in-tandem? Or did humans make the first mimics, and somehow became undone and set back to the stone age? The answer to this mystery is currently known only to the oldest of mimics. Except Zachary. He's old, but didn't care to remember.

This is generally why mimics seem so compatible with humans; they were made by either them, or people who were, for whatever the reason, very much like them, flaws and all. The ability to assimilate is basically the conversion of matter into a more malleable state of information. A virtually magical power, but this was achieved not through prayers and spells, but a very human-like obsession with developing technology to the point of exerting control over molecules, then atoms, then the lowest planks of matter. The obsession with scaling every mountain and crossing through every valley. To rip the natural world apart, and hopefully, put it back together before it's too late. Angels seek to ensure humanity walks the right path there, but with human's own desires and intent honored, for better or worse.

To answer your question: yes. A mimic of Mario can pull you into the game and you can jump with him and eat shitty low poly spaghetti with him.

The process for doing that is just convoluted and complicated, and you need to get to know each other a bit first. If he tries to use it as an attack though, it either won't work, or it might just wind up giving you mild brain damage.

[the-remote-viewers-division]

I have an alternate pale theory…

Consider this like a ‘Pale-AU’ (i.e. I know it is probably not supported by canon, and certainly not supported by some other works like Joshua Jenkins designs, for example… also I haven’t finished reading PJÕL, so maybe my ideas will change after that) but I started thinking about it as a “what-if” situation: If there were to be a direct sequel to Disco Elysium :insert prayer hands:, how could we reconcile the multitude of different Harrys the player could create? What about the fates of other characters? Some change due to our influence, some die. How could a sequel storyline somehow accept all those possible variances? Introducing my almost-certainly not-correct pale theory!TM using a little bit of in-game info, some real-life stuff, and a sprinkle of imagination!

Caution: Many spoilers ahead.

So what is Pale -- just the past?

After you talk to the Phasmid you’re given the impression that humans/people created the pale accidentally (with thinking and memory and ideas and invention?); and after talking to Joyce you learn that some think the pale is “rarified past.” It’s all pretty nebulous, but I think that the pale being a product (or a by-product) of the human mind/memory is close to what could be accepted as the canon origin of the pale:

INSULINDIAN PHASMID - The pale, too, came with you. No one remembers it before you. The cnidarians do not, the radially symmetricals do not. There is an almost unanimous agreement between the birds and the plants that you are going to destroy us all. YOU - Wait, the pale is human made? INSULINDIAN PHASMID - It is a nervous shadow cast into the world by you, eating away at reality. A great, unnatural territory. Its advent coincides with the arrival of the human mind. YOU - I don't have that kind of power. INSULINDIAN PHASMID - You are a violent and irrepressible miracle. The vacuum of cosmos and the stars burning in it are afraid of you. Given enough time you would wipe us all out and replace us with nothing -- just by accident. YOU - ...how? INSULINDIAN PHASMID - We suspect it will be something like the oxygen holocaust that wiped out anaerobic life 2.6 billion years ago -- when organisms first started breathing. Only much worse. CONCEPTUALIZATION - Instead of air, you exhale thoughts. There are no trees that eat thoughts.

JOYCE MESSIER – "Some say the damage stems from extreme sensory deprivation. Others argue that pale somehow *consists* of past information, that's degrading. That it's rarefied past, not rarefied matter." JOYCE MESSIER – "They call it *the blend-over of the self*. The pale does not only suspend the laws of physics, but also the laws of psychology, maybe History, even... The human mind becomes over-radiated by past." YOU – "Who says and who argues?" JOYCE MESSIER – "The logical positivists say -- the dialectical materialists argue."

An effect of the Pale is “entroponetical crosstalk" which you can experience when you use the doorbell intercom outside the whirling and hear the woman speaking from Tricentennial Electrics a long time ago, and additionally the old pale driver also talks to you about how she’s experienced the past in the pale, like the assassination of Dolores Dei. Both are snippets of human past:

KIM KITSURAGI - "It was a recording trapped in the circuitry. From some ancient tenant. This sometimes happens. Shall we conclude here? We have other mysteries to solve." YOU - "I do have one mystery that still needs solving... the radio ghost in the Doomed Commercial Area's electronic doorbell." SOONA, THE PROGRAMMER - "The creepy woman!" She slaps her forehead. "We were wondering about that when we worked there... but I had completely forgotten about it ever since!" SOONA, THE PROGRAMMER - "It must be entroponetic crosstalk. The one you get in radios and long-distance calls... Now it makes sense, with the pale right on the doorstep." KIM KITSURAGI - "Incredible..." the lieutenant murmurs. "This would also explain why we get it on the police radio all the time." YOU - "Entroponetic crosstalk?" SOONA, THE PROGRAMMER - "It's quite common actually. When the signal gets routed through pale, all kinds of irregularities take place. You may hear snippets of someone else's conversation, or the voice of your former lover, or an echo of an event that took place 100 years ago." SOONA, THE PROGRAMMER - "Pale is a shroud of memories and it doesn't really distinguish to whom those memories belong to. You could hear anything."

PALEDRIVER - "You don't need to turn back time. The pale is already churning with it. As the tide of pale rises, so does the past. Someday both will cover the whole world. That's it. That's the story." PALEDRIVER - "They say there is a point -- one that *I* have not crossed -- in the pale superdeep. If you stray too far off course on the U41-A, or in Lomonossov's Land... where every step you take is one step further from home, no matter the direction." PALEDRIVER - "It's a point you cannot come back from. Your mind becomes so radiant with the past -- there is a flip." She flicks the ash from her cigarette. "Instead of writing, it erases memory. Nearing some kind of..." She shakes her head. "Indescribable *finale*." PALEDRIVER - "Like Gabriel Buenguerro in 'Segure-me, Paraíso'..." She nods and smiles, unkindly. "You're the opposite of me then. I remember everything -- even the things I never knew." YOU - "Things you never knew?" PALEDRIVER - "The smell of liquor on Gabriel's lips after the shoot. In the motor park. The roses on the day of Franconegro's coronation. On the grand stairs of Raehl. The smoke from the fowling piece, when Dolores Dei was shot..." PALEDRIVER - "The look on her face -- like an orgasm. The wound in her chest. My hand in my father's hand..." She closes her eyes, her eyelids trembling. "Except I never had a father. And I never shot Her Innocence Dolores Dei." .. PALEDRIVER - "Thought insertion? *Dithering*? The Graad-Katla Magistral?" She savours the lungful. "It's more than dangerous -- it's *sad*. But... at first I had to make a living. Now..."

So you’d think Joyce’s theory checks out, it’s all history/memory---BUT! I did the moralist political quest my first play thru, and when you are trying to contact the airship you also get radio crosstalk from the pale.

KIM KITSURAGI - "It's cold now..." SHIVERS - A slight frisson at the point where your neck meets your spine. Something about the lieutenant's words, directed at you, but not *you*... YOU - "It's really coming down, now that you mention it." KIM KITSURAGI - "Mention what?" YOU - "It's cold, like you just said." KIM KITSURAGI - "I didn't say anything, detective." KIM KITSURAGI - "...someone has been maintaining it. The wiring has been repaired..." HORSEBACK ANTENNA - An uncomfortable silence falls over the connection. KIM KITSURAGI - "... It's been a long winter... Long and cold..." YOU - "Are you going to tell me you didn't say *that*, either?" KIM KITSURAGI - "I promise you, I didn't, even though it certainly *sounds* like me..." The lieutenant seems to wince at the sound of his own voice. YOU - "It must be entroponetic crosstalk. It's the only explanation." NOID - "So your partner's haunting himself. Trying to warn him off his current path, most like." KIM KITSURAGI - "It's eerie, for certain, but also harmless. I just wish I could remember what I was talking about..." ESPRIT DE CORPS - Something here is eating at the lieutenant, as much as he would like to move past it.

You can even hear it if Kim is not with you:

KIM KITSURAGI - "It's cold now..." SHIVERS - A slight frisson at the point where your neck meets your spine. You can *feel* the lieutenant's presence, even though he's nowhere to be found... YOU - "Kim? How did you get on my connection?" NOID - "Whoa, the cop's *own partner* is a radio-spooker. That's some *other core* business right there..." HORSEBACK ANTENNA - ... KIM KITSURAGI - "...someone has been maintaining it. The wiring has been repaired..." YOU - "Kim! Answer me." NOID - "No use, man. Don't think he can hear you." YOU - "I've encountered this before. It's entroponetic crosstalk. This is a piece of the past mixing in with our signal." NOID - "What..." KIM KITSURAGI - "It's been a long winter... Long and cold." NOID - "What have you gotten us into, lawman?" HALF LIGHT - Just *run*. Unplug that headset and get as far away as you can.

YOU - "Kim? How did you get on my connection?" … YOU - "What is he talking about?"’ SOONA, THE PROGRAMMER - "I believe you mean, what *was* he talking about." YOU - "Wait, what are *you* talking about?" KIM KITSURAGI - "It's been a long winter... Long and cold." SOONA, THE PROGRAMMER - "It sounds very much like entroponetic crosstalk. It happens sometimes when sending transmissions across long stretches of pale..."

Except IT'S NOT FROM THE PAST. It is Kim talking from the future, from the fort on the island. Which hasn’t happened yet.

And it can possibly NOT HAPPEN.

You hear Kim say this stuff even if he gets shot and doesn’t come with you to the island.

During gameplay they kind of just go “huh, how strange and spooky...” and don’t really delve into it.

But that completely changes the pale right? It’s not just past, it’s also future, and not just the ONLY future, POSSIBLE future.

So, my theory is that the pale is multiverse colliding: the near pale is the places where these universes begin to overlap, and deep pale is where universes overlap to such a degree they are cancelling themselves out into nothing.

Fungal communication – mycorrhizal network

When Joyce talks to you, she talks about a fungus growing at the edge of the porch collapse. I think this fungus could be acting like a mycorrhizal network, which in our world are an underground networks connecting fungi and plants allowing them to communicate or share information. I think the fungi/spores in Elysium pop up at origin points and thrive along the porch collapse and are allowing the universes to “talk” to each other.

SOONA, THE PROGRAMMER - "I understand..." She closes her eyes. "A theory of the pale where instead of an *outer ocean* it metastasises -- like a cancer or a mould -- erupting in points *inside* the world."

JOYCE MESSIER - "An uproar of matter, darling, *rising* into the pale. Rolling. Evaporating even, a great vision. The area of transition between the world and the pale is called *porch collapse*." JOYCE MESSIER - "Imagine a grey coronal mist, cold vapour, marked by spores of an opportunistic microorganism -- a mould that's adapted to grow at the edge of the unrest. It's..." JOYCE MESSIER - She closes her eyes and breathes out heavily: "... the most *disco* thing you will ever see.

INLAND EMPIRE - The white noise turns into a wall of mist and grey mould, bubbling, sweeping over the city... it tears up buildings and raises sidewalks into the sky. It's Revachol -- at the end of the world. INLAND EMPIRE - ...and it hasn't even really started yet.

Destructive interference – “le gris”

When Lena tells you about the cryptid the Col Do Ma Ma Da Qua, you learn that they are nearly extinct because the scientists played back their own calls and since they are creatures made of sound, the recordings cancelled out the birds. They died because the signals matched and cancelled each other out.

LENA, THE CRYPTOZOOLOGIST'S WIFE - "It's the *Col Do Ma Ma Daqua*," the woman corrects her glasses. "Its name means 'thin whisper of sound'. And that's *precisely* what it is -- self-replicating sound waves, invisible and intangible! The Col Do Ma Ma is very afraid of us, which makes it incredibly difficult to track..." YOU - "Why is the Ma Ma Daqua so afraid of us?" LENA, THE CRYPTOZOOLOGIST'S WIFE - "That is a sad story." She frowns. "A group of university students assisting with the field work, in their enthusiasm for the project and, no doubt, because they were preoccupied with impressing their professors, nearly drove it to *extinction*." YOU - "Extinction?" LENA, THE CRYPTOZOOLOGIST'S WIFE - She nods gravely. "They tried to communicate with it, and had no other means but sound. So they started sending out sound waves at frequencies they thought might match the Ma Ma Daqua's. And what happens when a sound wave meets another sound wave of the same frequency, dear?" YOU - "They cancel each other out."

So... admittedly this doesn’t directly connect to the pale, but it’s illustrating the concept of signals cancelling each other out and, I'm going to say, indicates that this concept is possible in Elysium. The pale is destruction, the overlap between universes causes matter, physics, and even numbers to dissolve. The more complete the overlap, the more complete the destruction.

In conclusion...

According to my theory, the pale is the areas of the world that are affected by these fungal organisms that allow very similar, but different universes to communicate with each other, and since their 'signals' are so alike, they are being cancelled out.

So why did I force myself to jump thru these mental hoops? I think having a multiverse like this would make a sequel more possible since there are so many ways the game can be played. Any possible playthrough would be its own universe. Having a multiverse like this acknowledges and validates any play thru as 'canon,' no player will feel that they somehow played the game “wrong.”  Whatever Harry appearing in the sequel is one of the possible Harrys even if he wasn’t “your” Harry. If a character died, they died only in some of the universes, not all. Whatever world the sequel would take place in is just one of the many possibilities.

Anyway, I thought WAYYYY too much about this and now you can too. Sorry!

[thefoolishone666]

Kickin Chicken once said

@hiwelcometothemonstersancturary gave me the go to do this, which is mistake one for them, so here is my go at giving them what they encouraged while I pray it works well. And if not...well I at least tried.

* (Refering to Bobby) She is called Captain Heartbeat cause she will squeeze love out of your heart...and blood, but mostly love.

* (After speaking pr-bt for a 2 minutes) You ever forget your first language?

* Mods, take their swimming privileges away and put them in the pool.

* I would go evil, but I am going to follow dad's steps of being good...plus I saw they went shoe shopping so...

* What do you mean I can't seduce myself!?

* (Loud thud off Camera) PERCEPÇÃO DE PROFUNDIDADE!

* Our ship has a pool, an omelet bar, tons of rooms for you to sleep in, one would say that is a cruise, to which I say, fair, but have you seen the plank, cause I am about to get you real familiar with it.

* I heard some demons were touched starved. I got more than enough buckshot to help with that.

* Bubba, reading chat: "Kickin isn't the sharpest knife in the group," Well that is rude...

Kickin: I did eat packing peanuts when I was younger to be fair.

Everyone in room:

Kickin:...Wait is this new information for you?

Everyone: YES!?

* Wonder how many people come on to see me stream thinking "Oh hey, the voice actor for Kickin does streaming," or "Hey is this the official channel for the Smiling Critters show?" And they just come in on me saying something like, "I HAVE BUILT A TO SCALE JOLLY ROGER WITH POPSICLE STICKS!"

* Hey Theo, it's you! (Gets empty bottle thrown at head) Ow.

* White is the color of evil, cause nothing exists in it! Delight taught me that!

* I would cry, but I am too dehydrated to do such a thing. (Goes to drink some water, pauses, puts water bottle back down)

* It is always funny to see people react to my complete indifference to horrible stuff.

* I needed to find a way to get a gambling addiction, so I thought space could have the answer.

* (Seeing Bubba being affected by the blue screen) Bubba, I know you always wanted to become the one thing I love, but this is ridiculous!

* I am just saying revenge is amazing, ok? Yeah, you gain a tremendous amount of regret sometimes, but it is amazing.

* Cool motive bro, still murder!

* (In response to Angel giving them food) It hasn't been that long since I started streaming, it has only been...5 hours...

* This is my favorite bird. (Holds up middle finger before pointing to self) It is the chicken.

* (Wearing VR) The future is today!...I might need it adjusted though.

* Does dying take away time away from my vacation days?

* IT IS ALL A CONSPIRACY TO END ME! IF NO ONE EVER HEARS FROM ME AGAIN, IT IS CAUSE THEY KILLED ME, CHOPPED ME UP, AND FED ME TO THE WOLVES DANG IT!

* Fursuits are getting so good you can now subject yourself to your own form of trauma to fuse into it. Brought to you by Playtime.

* I have seen the internet and honestly, have seen worse. Which is saying alot.

* (Looks at Candy Cat in his lap before looking at camera)...Help. me.

* Theo: You finally did it! Did it help when you imagined it was me you were fighting?

Kickin: Not at all...worked when it was Dogday though.

Dogday: WHAT DID I DO?

Kickin: Hell if I know. As long as it works though.

* (Playing I Expect You to Die, dies trying to do an action pose)...(Starts singing the James Bond theme notes)

* (Reacting to "Unnecessary Feelings") Bubba, I was promised a crime drama, not a reminder that no one in this house knows how to feeling well, including us!

* I would boop you, but I don't want a pirate hook this early in my character development.

* William then preceded to commit several hours of joy, on at least an entire classroom of kids to learn why death does.

* You can have one hit Hoppy...Ah não, ela tem uma cadeira!

* Don't worry, I won't hurt you, I am just going to turn into a nuke to fall on you.

* (Stares at camera while winding music box)

* Chica, you wouldn't hurt your brother, would you? Or would you want me to be you and Foxy's kid, whichever makes you more merciful on me.

* I am here to break the stereotype that parrots can only be pirates and no other reasons at all.

* (Refering to how much money he has in game) $60!? I can finally afford 1 AAA video game! (Pulls up Balan Wonderworld steam page) I am going to buy this one guys!

* Kickin, coming into Crafty's stream: You mind if I borrow a picture.

Crafty: Uh sure...Why?

Kickin, taking one of the monsters: A reminder.

Crafty: A reminder of what?

Kickin: Of who in this family is an actual threat. (Leaves without elaboration)

* Don't make fun of me, I will cry will I beat you up.

* We don't even own a game cube, I just want to find a copy of Skies of Arcadia to display.

* When you get into a certain mindset for so long, it is so jarring to have to go into a different line of think, like you just suddenly ask, "Wait I don't have to ration this sandwich for the entire year?"

* WHY DID I LET THEO TALK ME INTO PLAYING THIS!?

* I am still surprised I recovered so well from all of that.

* What would the others do without me? Minus not having a heart attack everyday.

* I SURVIVED THAT FACTORY FOR OVER 10 YEARS, I WILL NOT LET A SLIDING PUZZLE DEFEAT ME!

* Have good night everyone! I don't remember how I end these...I will make you walk the plank! No, that is not it...

[reidfucker]

mitski songs that make me think of reid + a specific lyric

spencer reid is very mitski. but these were the first to come to mind. i do not take criticism.

- working for the knife

honestly, the entire song reminds me of reid, but this in particular:

I always thought the choice was mine

And I was right, but I just chose wrong

I start the day lying and end with the truth

That I'm dying for the knife

- liquid smooth

I'm liquid smooth, come touch me, too

I'm at my highest peak, I'm ripe

About to fall

How I feel this river rushing through my veins

With nowhere else to go, it circles 'round

- class of 2013

Mom, would you wash my back?

This once, and then we can forget

And I'll leave what I'm chasing

For the other girls to pursue

Mom, am I still young?

Can I dream for a few months more?

- i don't smoke

Just don't leave me alone

Wondering where you are

I am stronger than you give me

Credit for

If your hands need to break

More than trinkets in your room

You can lean on my arm

As you break my heart

- abbey

again, the entire song is very reid, but:

I am something

I have been something

I was born something

What could I be?

There is a light that I can see

But only, it seems, when there's darkness in me

There is a dream that I sometimes see

That only appears in the dark of sleep

- i bet on losing dogs

Will you let me, baby, lose

On losing dogs

I know they're losing and I'll pay for my place

By the ring

Where I'll be looking in their eyes when they're down

I wanna feel it

I bet on losing dogs

I always want you when I'm finally fine

- the deal

Then of course, nothing replied, nothing speaks to you in the night

And I walked my way home, there was no one in sight

Save a bird perched upon a streetlight, watchin' me

So, I stopped and let it watch 'til I found that it said

"Now I'm taken, the night has me

You won't hear me singin'

You're a cage without me

Your pain is eased, but you'll never be free for

Now I'm taken, the night has me"

- fireworks

this is perhaps one of the reid-est. here's the particular lyric:

One morning this sadness will fossilize

And I will forget how to cry

I'll keep going to work and you won't see a change

Save perhaps a slight gray in my eye

I will go jogging routinely

Calmly and rhythmically run

And when I find that a knife's sticking out of my side

I'll pull it out without questioning why

- i don't like my mind

again, the entire song is reid, but this is my pick:

I don't like my mind, I don't like being left alone in a room

With all its opinions about the things that I've done

So, yeah, I blast music loud, and I work myself to the bone

And on an inconvenient Christmas, I eat a cake

- first love / late spring

very cliché, but i HAD to include it! here:

And I was so young when I behaved 25

Yet now, I find I've grown into a tall child

And I don't wanna go home

Let me walk to the top of the big night sky

- there's nothing left for you

You could touch fire

You could fly

It was your right

It was your life

And then it passed

To someone new

It'll keep passin' on

Long after you

- nobody

And I don't want your pity

I just want somebody near me

Guess I'm a coward

I just want to feel alright

- because dreaming costs money, my dear

I once lived in the sea

Bring me to your ear, you can hear

The tide where I used to be

Though now I'm but a shell

- a pearl

Sorry, I don't want your touch

It's not that I don't want you

Sorry, I can't take your touch

It's just that I fell in love with a war

Nobody told me it ended

And it left a pearl in my head

And I roll it around every night

Just to watch it glow

Every night, baby, that's where I go

- real men

Real men keep cool in the face of a fire

Go down with the ship

And real men don't eat

'Cause they're above that, damn it

Oh, I'm gonna be a real man

- crack baby

It's been a long, hard 20 year summer vacation

Both these 20 years tryna fill the void

Crack baby, you don't know what you want

But you know that you had it once

And you know that you want it back

Crack baby, you don't know what you want

But you know that you're needing it

And you know that you need it bad

[cressthebest]

Crimson Rivers thoughts pt. 21

chapter 36:

1. “It's been so long. Oh, there you are, here you are, hi,” *deep breath* AHHHHHHHHH

2. 😭😭😭 “Remus keeps a firm grip on him and turns around to promptly leave, which is probably a little rude, considering that the others are here and may wish to greet him, but he honestly can't bring himself to care about that right now” i would expect nothing less

3. WOLFSTAR REUNION!!!! I AM IN SHAMBLES!

4. “On the way, James glances back with a grin, internally wishing Sirius all the good things, because no one deserves them more.”

oh. wow. that’s such a soft line. it’s literally making me melt

5. “Remus could not be more in love if he tried.” shit shit shit shit sobbing. wolfstar deserves the world

6. “He does love Sirius, though. Loves him dearly, with every defiant bone in his body. This man, who doesn't even realize the importance of what he's just done by giving Remus an unopened envelope. Remus, who owns nothing. Remus, who has nothing. Remus, who is not granted privacy or freedom for anything like this, for anything at all.”

i am on PUBLIC TRANSPORTATION and i am BAWLING my eyes out as silently as i possibly can. y’all don’t understand the restraint i have right now to not loudly sob

7. the LETTER has me CRYING

8. THE SECRET MESSAGE

9. oh, okay. remus killed an auror/greyback. it’s honestly not as bad as i thought it would be. also, i love the lily and remus duo. they’re so iconic

10. i LOVE LOVE LOVE that zar made a point for sirius to have the discussion that his demisexuality is NOT because of trauma and he’s always been that way. it’s beautiful <3

11. “”You can ask Regulus and James; I walked around for a solid month making everyone call me Mr. Sirius Macdonald."” STOP PLSS THATS SO FUNNY

12. SIRIUS JUST TOLD REMUS HE LOVED HIM!!! this is literally so sweet

13. andjskjdksksjsms the authors note:

“sirius, internally: a guillotine could not sever the head im about to give this man. good for them 😌”

chapter 37:

1. i’m starting a gofundme to get regulus a balcony

2. "”Sirius doesn't let me drink," James replies flatly.

"Well, don't say it like that, James. You make it sound like I'm a strict parent, or a controlling spouse," Sirius grumbles. "And I do let you drink, in moderation, when you're in a safe environment and in a good mental state. Don't forget to mention that you only let me drink within those same rules."”

i bet james is upset with the rules he made for sirius so long ago. came back to bite him in the ass

3. describing sirius as “ruffled like an offended bird” has done wonders for my mental health

4. james, remus, and sirius are all hanging out and i am beyond angry that peter doesn’t get to share this moment

5. pandora is such an angel and doesn’t deserve this pain

6. pandora and reg friendship >>>>>>>>>

7. their outfits for the night!! every last one of them is slaying so hard

8. “There's a tense moment where a group of murderers all stare around at each other, not opposed to adding a few more names to their lists. Oh, and Pandora is there, too, startlingly calm despite this.”

yaxley needs to shut his fucking mouth and stop implying that sirius will fuck his way through issues

9. “"You know what they'll assume we're doing."

"Running away," Regulus mutters.

James sighs in exasperation and fond amusement. "No, Reg. Fucking. They'll assume we've snuck off to find a corner to go fuck in."”

😭😭😭😭😭 i love reg. he’s so ready to leave

10. jegulus is getting their shit together and improving. i’m so glad

11. “James swallows. "They're—they destroy things now, when they never did before. They're rough sometimes. Bloody."

"Warm," Regulus counters, pressing another kiss to James' shaking fingers. "Steady. Strong. These hands hold the people you love. These hands care for them. They're gentle. Tender."”

this is love. what they have is love. it’s messy and broken and so difficult, but they’re trying and it’s love

12. and once again we have wolfstar my true loves ☺️☺️

i feel like nows a good time to add to respect bizzarestars’ wishes to not have the fic reposted or reuploaded a different site. i can’t remember his wishes about bookbinding, but respect those as well.

thank you, lovely people

[princesssarisa]

I decided to make this poll because I've been listening to the excellent Little Women videos from @littlewomenpodcast, whose opinions and arguments I nearly always find to be spot-on. (And who so generously quotes some of my analysis now and then.) But I'll admit I was taken aback by one remark she and others have occasionally made about Jo and Amy. Namely that as a teenager, Jo bullies Amy, and that Amy burning Jo's manuscript is just the moment when she finally snaps after having been picked on by her sister all her life.

After hearing this, I had to go back and reread all of Jo and Amy's interactions in Part I, because I had never thought of their conflict that way, and I'm still not sure if I do.

I always saw their sibling rivalry as mutual, with both at fault. They're both strong-willed, attention-seeking, quick-tempered girls, they arguably both have different forms of internalized misogyny (Jo by disdaining femininity, Amy by disdaining tomboyishness), and they get on each other's nerves. Jo mocks Amy's childish attempts to be ladylike (and even an only child like myself knows that between siblings, teasing is normal and doesn't equal bullying), while Amy annoys Jo by correcting her manners, and neither is generally better or worse than the other.

Now of course this is their relationship in general: I'm not talking about "Jo Meets Apollyon." In that specific case, Jo does provoke Amy by refusing to take her to the play just because she, Jo, doesn't want to babysit, leaving Amy in tears. And while Amy burning her manuscript is an inexcusable, out-of-proportion response, it's even more wrong of Jo to physically attack Amy when she learns what she did, and almost horrific that she doesn't warn her about the thin ice the next day. But even then, Alcott doesn't describe Jo as always insulting and excluding Amy, and she makes it clear that Amy has played other pranks on Jo before the manuscript-burning. She writes that they've always been prone to "lively skirmishes" because of their mutual tempers – she doesn't blame Jo alone.

Still, maybe it can't be mutual, because Jo is a teenager while Amy is a child. The fact that I have no siblings puts me at a disadvantage, because not only do I not personally know the difference between normal sibling rivalry and bullying, I don't know how much of a difference certain age gaps create. Maybe the fact that Jo is three years older than Amy makes her more of a bully than if they were only a year apart in age. (Still, three years isn't that big of a gap. I don't remember feeling much more mature at fifteen than I was at twelve, just more hormonal.) Also, Alcott does write that Jo had less self-control than Amy despite being older, and in their typical scenes of light bickering, when Jo laughs at Amy's malapropisms and Amy corrects Jo's manners, Jo does always laugh at Amy first, and then Amy scolds her in response. There's also the moment in "Experiments" when Jo hears Beth crying and thinks to herself that if Amy was the one who upset her (she wasn't – Beth's bird died), she'll shake her. We could argue that this just shows how protective Jo is of Beth, but at the same time, she's thinking about physically attacking her little sister again.

In the end, I'm tempted to think this issue is open to interpretation. We can either view the two sisters as having a mutual rivalry and mutually provoking each other (apart from isolated incidents when either one or the other is more to blame), or view Jo as more of a bully and Amy as more of the victim.

I'd like to see what other people think, though.

[aziraphales-library]

Hey! I'm not looking for a particular fic and maybe somebody's already asked this, but could you point me the way to kidfics where Crowley is the birthing parent? Idk if I'm just unlucky or bad at searching but it seems like almost all the 'one of them gives birth' fics have Aziraphale as the birth parent...

Hello! We do have a #pregnant crowley tag, so take a look at that. Here are some more fics to add to the collection...

Angel Baby by ARealPip (T)

Crowley is pregnant, and a group of doctors and nurses struggle valiantly to handle the gender-fluid inhuman patient who has suddenly shown up in their offices. Aziraphale does his very best to help put them at their ease. But it all goes a bit strange.

This Miraculous Child (Of Ours) by blackeyedblonde (E)

“Well?” Crowley asks, wretchedly pulling his sunglasses from his face. “Why isn’t your angelic juju doing me one better and nipping whatever this is in the arse?” The fact that Aziraphale has paled some himself and reached up to clutch at the front of his dressing gown doesn’t seem to bode well. “You—you’re with child, Crowley,” he says, just like that, in the messy parlor of this once-scourged effing bookshop in Soho where Crowley thought he’d lost the one thing he ever really cared about, the car be damned, since they unraveled into existence and millennia began.

More to Love by Sodium_Azide (E)

It's a new world, and the beginning of a new era. Crowley has never been happier in his long life, but, (ain't there always a but) he has his angel, he has his freedom, he has his Bentley and the whole world to explore, but he still wants more. Unexpectedly, he gets it. (an ineffable family fic)

The Way We're Made by dsaun (E)

After the almost-apocalypse, Crowley and Aziraphale attempt to settle back into their old routines. What they don't know is that their meddling in the great plan has piqued the creator's curiosity and she has other ideas. A drunken evening causes ineffable consequences and turns everything upside down.

beyond the river jordan by blackeyedblonde (E)

“I think it’s time we try and do the thing,” is what Crowley says, when the words finally wing up out of him one morning. “Do what, dear?” Aziraphale asks as he takes a scrubbing brush to the skillet they’d made eggs in. Behind them, Dove is smearing oatmeal and a bit of scramble around her highchair tray, blabbing good-naturedly in her little singsong voice while morning sunlight slants in just enough to make her strawberry hair shine like rose gold. “You know,” Crowley grunts, drying an antique porcelain plate with a particular furor that makes it consider breaking, though it wouldn’t dare so much as chip with the angel in the room. “Uh. Try again—for a baby. But swapped ‘round a bit so I do all the cooking.” Aziraphale calmly keeps up with his washing, though a little smile plays around his mouth and then gradually grows a bit wider. “Ah,” he says all too knowingly, which makes Crowley’s stomach lurch. “I’d been wondering when you’d feel ready to bring that up again.”

The Birds and the Bees for Ineffable Idiots by DarkAngel2891 (T)

Crowley doesn't know how reproduction works. Aziraphale is at a loss for words. Whatever the two where expecting it wasn't this. God ships Crowley and Aziraphale.

- Mod D

[birdythebirdthing]

Heartless m!reader

hit of tf141 x m!reader at end

Fic under!

requested by: @mewmewstar

The longest fic I ever wrote!

-------

You're the coldest soldier know to the tf141 and other teams, you wear a black balaclava and stare everyone with a glare no one asked cause they are scared of you shit.

You worked with, General Shepherd that's the real reason they are afraid, not to say, Price is lowkey scared of you cause of it cause you were trained by General Shepheard.

One day, General Shepheard decides to help Tf141, by joining you in Price's team rather than being his right hand so he induces the Tf141.

"Well, I see you all need some help in your team so, I'm going to put my right hand into your team Price. His name is [Name], and he is a trained soldier from me" He looks at the team, and signs.

As [Name] comes, he is taller than Ghost at a standing height of almost 7 feet, wearing a black balaclava, red eyes and a muscular body.

"You're [Name]?" Price looks at you and your body, you look like a stronger soldier maybe than Ghost. "Yes, I am" You look at the team coldly. it's about four members and you are taller than them.

"My Name is [Name], I'm General's right hand and here I am going to help you, my call sign is bird, don't ask questions about it. and my rank is major but for this team, You and I will be captioned for some weeks Alright? And what's your name?" You looked at the man who had a cowboy hat in his head, "I am Caption Price or just call me Price." He said, looking at your appearance.

The other induces themself, as Soap, Gaz and Ghost.

You were in the common, looking around when you heard, Soap talking to Gaz about how tall you were, intill Gaz decided to speak with you, he came near you and called you, "Hey [Name]!" he looked at you when you looked back, "Yes?" You looked down to see him.

"Well, not to be bothered, what's your height big buy?" He looks up at you, "I'm 7 feet." You said coldly, normally Gaz was surprised. "Well, you're the shortest here hm?" You look at him again when he is embarrassed that you found that and Soap laughs.

Meanwhile, At training You were training hard, glaring at everyone who you see, it scares Soap and Gaz out of heck they said to Price he just says you're built like this.

You don't like anyone seeing you train after you did some gun practice when Price came along to see you hold a pistol aiming at a dummy's head when you shoot the bullet hit the dummy's forehead you smiled behind your mask no one can notice this.

"Hey, [Name] I want to talk to you" Price, sees you when you look back at them a slight glare for disturbing you when he saw that glare lowkey got kinda of scared.

"Fine, Price." You said coldly, looking at him and Price behind was Soap, Gaz and Ghost. the first time they saw your slight glare that looked like Ghost and Soap whispered to Gaz, "He's not the one to mess with, he is cold like Ghost!" Maybe it was kinda loud you heard it, You looked at Soap when he got pretty embarrassed that you heard him.

"So, What about the mission we are going to do Price?" You told me the voice was just.. cold and a bit harsh they were surprised your voice was cold, rough like a big guy should.

"Yes, that is." Price replied to you, while others looked at you. "You'll be in the front I'll be back if something happens back injury your mates Price, you didn't think about this right? We should protect our teammates rather than our lives." You speak. he agreed he had not thought about this, "We two have to protect these four, yeah?" You spoke it was clearly with a Finland accent.

Next day, meanwhile in the mission.

You were behind the three and Price was on the front you were so focused on the mission to kill a high-rank enemy that you killed where the enemy you saw terrified Soap some, You were killing enemies faster than most of them all combined together.

You notice the sound of many enemies coming and could ambush you all, "Take cover all! there could be a bunch of enemies coming now!" You told harshly voice, hit of Finland accent the guys took cover and you were right Sudden the enemies were around in the room.

You were behind Soap and Ghost, looking for any enemies you saw the side of the high building aiming at Soap's head side before he could shoot you saw it, and you held Soap to your chest while Ghost looked at you confused when a bullet pass tho where Soap was lasting standing before you pulled him when Ghost realised you helped Soap.

You didn't know Soap was blushing a bit when you pulled him into your chest.

You take your gun and shoot the enemy it is the last one, and the mission is over.

Soap nods a hit of saying thank you and Price calls in radio that it is all over and heads to base to rest.

---------------

[seb-reads31]

That Hazbin women confessing feeling fluff was very wholesome and I loved to read it. Could you do a similar idea but for a first date and first kiss? still with a shy reader. Feel free to add the angels if you'd like.

Cautions - SPOILERS FOR SEASON 1, cursing duh, niffty biting you (you'll see lmao), a cringy song reference 🤪,

Genre - fluff

Type - head canons

Comments - Ooooo, this sounds so sweet 🥹🥹 I'm so happy to hear you loved the confessions! Like with the confessions, I'm going to separate the demons and angels into two different parts, I hope you don't mind! (Again, Charlie and Vaggie are best friends in this. Implied fem!reader for Vaggie, and male!reader for Niffty. They may or may not have pronouns mentioned in them, cause I mostly use you/your pronouns for readers) I just now realized I forgot ROSIEEEE which makes me sad 😭 (I'll add her into another part I swear just ask 🙏🙏)

Is this the part where we kiss?

Charlie

- Your first date is gonna be a little rough, but it will be worth it

- However, you might be thinking that Charlie chooses to go to a nice restaurant, or a picnic in the park nearby with the least amount of sinners causing bloodshed and such, but no

- She takes you to LULU WORLDDD (I believe that's the original, and not the Mammon knockoff in greed. Let's also assume it's in the pride ring just in case you imagine yourself as a sinner <33) because she enjoys the rides and games there, and wants your first date together to be full of fun and laughter

- You two are a little awkward at first, like on all first dates, but you both very quickly become comfortable in each other's presence again after 1 ride, Charlie very quickly dragging you away to the next ride

- Several roller coasters, a few carnival games, and some over priced carnival food later and you both reach the haunted house!

- A carnival classic, the tunnel of love 💕

- You both looked at it, and silently agreed to go together, hand in hand, eating parts of your cotton candy

- You both climbed into the swan boat, the ride operator saying "Don't have too much fun, love birds~" then sending you both off into the tunnel, your faces burning from the tease

- You both recovered, just to see all sorts of beautiful art that depicted the classic baby Cupid shooting arrows at humans, making them fall in love

- You both awed at the sites, slowly and subconsciously intertwining your hands together again

- The ride was quite long, so you both chatted, about how much fun you're having, what ride you want to go on next, and how cute this ride is

- Suddenly, your eyes catch Charlie's, her giving you a sweet smile, your conversation forgotten, the both of you too lost in the others eyes to keep it going

- Almost as if you both were thinking the same thing, your eyes darted down to her curled lips, wondering how they would feel against yours

- You both looked back up at each other, and slowly leaned in. Just before you kissed, your lips brush against each other, you hesitating to lean fully in.

- Charlie notices, knowing that she wanted your first kiss to be memorable. She gently squeezed your hand, bringing her other to cup your burning cheek, stroking it softly and giving you the most love filled look you had originally thought you would only see in your dreams.

- When you smiled too, she leaned in again, you following suit, leaned in too, kissing her gently. She smiles into the kiss, so happy you kissed her, that you loved her so much to give her your first kiss, and that she belonged to you, and you belonged to her, heart, body, and soul.

Vaggie

- The extermination was coming up, and you were struggling a little with the actual fighting but refused to just stay inside the hotel during it, wanting to fight alongside your girlfriend

- And she appreciated it, and seeing the determination to learn how to fight the angels burn in your eyes made her feel nostalgic in a way

- And so, your training began! She took you to a quieter part of the land outside of the hotel, away from the cannibals that were still training

- She gave you a small selection of blades to choose from, all of which were made of angelic steel, supplied by Carmilla Carmine (Carbine?). As you looked through the weapons, you decided on [y/w] (your weapon) and raised it up to Vaggie. She nodded, then put the rest of the weapons away, then started explaining the best ways to use your weapon

- As she explained, she did a few examples, and answered any questions you had as you went. Eventually, she handed you the weapon, then asked you to do a simple attack. And you did pretty good! Vaggie gave you a small clap, very proud of her girlfriend. She asked you to do a more difficult attack, but not much harder than the first one. You did okay, just needed to adjust some of your posture

- She walked over to you and started adjusting your posture, nudging your foot to the side, adjusting your hold, then her hands went to your waist

- Vaggie didn't even realize where her hands were until you went stiff, then she looked up at your tinted cheeks and realized what happened

- She almost removed her hands from your waist until you muttered a small "w-wait.." and she also went stiff

- You gently drop the angelic weapon on the ground, then put your hands on her shoulders. A blush creeped on her face as well, realizing how close you both were.

- Vaggie's eyes dart down to your lips, then back up to your eyes, when she realized that your eyes were also looking at her lips

- She smirked slightly, then brought a hand up to brush your hair away from your eyes, her other hand going to the small of your back to pull you in closer to her.

- As she tucked your hair behind your ear, she leaned in slightly, tilting her head. As you got on, your blush became deeper, but you still tilted your head to the side, then your lips finally meet

- As soon as it begins, it ends. A small peck, but it spoke a thousand words from Vaggie. "I will protect you, because I'll be your armor." <3

Niffty (nifty?)

- Again, doesn't do shy guys 😭

- If you were to try and kiss her, this crazy bitch would BITE YOU

- So, in other words, remain 6 feet from her at all times if you value your.. undead life

- Like, I love how crazy she is but she literally KILLED THE ADAM

- You do not wanna test her 😭

Carmilla

- You both had been working hard recently, more shipments are being made, gathering the angelic steel from around the pentagram, and lots of paperwork that needed to be done

- You both could feel your backs dying as they hunched over those mounds of paperwork, however your saving graces showed up from a weapons delivery. Clara and Odette (Carmilla's daughters if you didn't know, I sure didn't) opened the doors to Carmilla's office, and tisking at the tiredness in both yours and their mother's eyes.

- That's how you both got kicked out of your own home and forced into a reservation at a nice restaurant lmao

- You both enjoyed your time there, finally relaxing, letting your hair down (OUT FOR LOVEEE) and joking around. Now, on the way home you held each other's hands, talking about how you needed to pay back Clara and Odette for their kindness in getting you out of the house and taking care of the paper work

- As you both returned, you were giggling happily after a story you told from when you were alive. You entered the front door holding onto each other as you hunched over, holding your stomachs from how much you were laughing.

- You both felt so relaxed, especially you, who had some wine at the restaurant and was feeling less shy about showing Camilla affection, and it showed.

- Your giggles died down as you both looked at each other, slowly leaning, and sharing your first kiss.

- As you part, a blush crosses both of your faces and you look away shyly

- Around the corner, Clara and Odette were silently cheering and giving each pats on the back for their perfect set up

[kittlesandbugs]

FHR: Just a chat (AO3 link here) Pairing: Sidestep/Ricardo Ortega (hints of Chargentstep), Sidestep & Hollow Ground Warnings: None, they're just chatting lol Word Count: 1720 Summary: Ortega takes Sidestep to the park to get some fresh air after being cooped up with broken legs in his apartment for a couple weeks. When he steps away for a few minutes to take care of something, someone else swings by for a talk.

It's a peaceful day at Memorial Park. The sun is shining through the carefully maintained trees, dappling the green grass. The air is cool and calm, balmy even with your multiple layers. The birds are chirping around you and every so often, a squirrel darts by. The air is full of children's laughter as they play on the jungle gym. People are calm and content around you, enjoying the nice weather. 

You haven’t been this tense since the last time you were hauled into a lab and strapped down. 

"I can't believe I let you talk me into this," you hiss at Ortega, sitting on the bench next to your wheelchair. 

He's lounging, at ease, though still alert. You see it the way his eyes roam around through the back of his sunglasses, watching everyone and everything around you. "Relax, Riley. Nothing is going to happen here," he chuckles. His hand starts towards your knee to give what you assume is supposed to be a reassuring pat before stopping and redirecting to your arm. You don't like it when anyone touches your casts. "You need some fresh air and sunlight once in a while. You were going crazy in the apartment."

"You could have at least waited for Argent to come over," you growl quietly. "Four eyes are better than two."

"We got four eyes. Hell, four hundred probably, if we count your telepathy." 

"Fine, four working legs." You roll your eyes at the pedantry. 

"We're in broad daylight in the good side of town, no one knows we're here. Relax." 

There's a little note of a plea in there that makes you sigh and nod. He is right, but you aren't going to tell him that. The chances of anyone coming after you in broad daylight on this side of town are almost nonexistent. And if they knew where you were, they would have gone for the significantly easier hit on Ortega's apartment by now. 

So you try. Take in some sun from the sky. Some sun from the carefree kids running past in a game of tag. As good for your brain as dogs, and they're here too. You sink into the padded chair and close your eyes, trying to focus on them rather than the itch of your healing bones that reminds you just how helpless you actually are. 

"Hey, wait here a moment," Ortega says after a few minutes of peace and quiet. You open your eyes to find him perched at the edge of the bench, eyes honed in on something. Your gaze follows but you can't make out who or what he sees at this distance. Are his sunglasses enhancing his vision? Probably, knowing him. You try to follow his line of sight with your telepathy, but what you find that might be getting his attention is strange. Foggy. Nebulous. It's difficult to latch on to any thoughts. Not blocking you like numbers, no, that's closer to the static of Ortega's brain. But someone that is definitely strange. Who is it? 

"Ric, what do you see?" you whisper harshly, the anxiety you felt earlier returning in full force like a hammer strike to your skull as he starts to rise, gesturing with his hand for you to stay put. Like you have a choice

"Just an old friend," he says, the cant of his lips saying the opposite. "I'll be right back. You're safe here."

And then he's off at a swift jog before you can protest, leaving you fumbling for the locked brakes you can't easily reach on the wheelchair handles. 

"Wait! You stupid fucking jackass—" 

"He is, isn't he?" A laugh behind you, and it takes all you have not to scream as a familiar lanky figure folds into Ortega's vacated seat. She's dressed in a finely woven linen jumpsuit, warm sepia with matching leather loafers, her gold piercings sparkling in the dappled sunlight. Her too similar face looks at you with a too similar crooked smile. 

Hollow Ground. 

How the fuck could she sneak up on you like this? You didn't sense her at all. You still can't. Not even so much as a thought void, just nothing. You've never seen anything like it. How is she concealing herself? What the fuck does she want with you? Your chair is still half-locked, trapping you here. Should you scream? Should you—

" Relax," she says, and it's almost a command as she meets your gaze with your own gray eyes. Still, you try to rein in your heart attempting to race its way out of your ribs. "I just want to talk."

"About what?" Your voice betrays the tension tight in your spine, much as you wish otherwise. If one more person tells you to relax, you think you might actually snap. You need to regain control of yourself. You are Reckoning, for fuck's sake. You're not some helpless child. 

"You," she says simply and then pauses. Frowns. Like she's no longer quite sure of what to say. Like she had a plan, but now she doesn't know if it should be executed. 

You try to touch her thoughts again, and again you're met with less than nothing. Are you hallucinating? No. The man walking down the path sees you both. He isn't worried by what he sees, two sisters having a conversation that seems tense. You aren't going to dig into the implications of that one. So she's here. She wants something, wants it enough to approach you about it. You realize the benefit to her closely kept secret identity means she can approach you freely as long as Ortega is not around. The weird presence you felt before, you realize that was Jake, you felt the same nebulousness of his thoughts when you went to meet Hollow Ground at Parkside. Irresistible bait to lure Ortega away. But you have no idea what it is she wants. So you wait. Ortega is right. No one is going to try and do anything in public in broad daylight. She won't, not like this. 

"What about me…?" you prompt when the quiet of her gets to be too much, impatient to find out what this is about with her mind giving you no clues. 

"How… are you?" she asks, surprisingly tentative. 

That reserved inquiry catches you off-guard, but you recover swiftly, her odd nervousness making you feel more confident despite your obvious weakness. "Oh, you know. Peachy. Just out for a stroll," you drawl, gesturing at your propped up casts. 

She snorts and the corner of her lips twitches. Somehow, your snark steadies her. "I should have expected that."

"Why do you care?" you ask sharply. She's being weird, and you don't like it. What is this about? Why would she risk meeting you like this?

"You're a mystery, Riley Owens. I'd hate it if you died before I could solve it." She smirks as you feel your blood run cold. Something about the way she says your name makes you feel jittery. But even more importantly, how could she possibly know who you are? You never gave your name before, to anyone at Parkside, you were there as your villainous alias. Argent scrubbed all records of your surgery at the hospital, though you have no doubt Hollow Ground knew who had been involved in the wreck. How does she know your name? Do the Rangers have a leak? 

As your brain stumbles over what this could mean, she holds out a small white card with something scrawled on it. An address. You recognize the area. Rich and residential. Very rich and residential. Is this… She can't possibly be just handing you this… 

"Got it memorized?" At your nod, she pockets it with a smile that's a little sharp for your liking. 

"What is your g—" 

"Fuck." Her hand shoots up, silencing you as her head tilts slightly like she's listening to something. You can just make out the outline of a small clear low profile receiver in her over-pierced ear. "We lost your pet Ranger, and he's on his way back. I have to go." She rises from the bench with the grace of a crane, giving you a conspiratorial wink.

"Wait, what— Fuck!" You swear, fumbling for the other lock on your chair before she can get away. 

As she strides away, she calls back, "You should stop by sometime, when you're back on your feet. We have a lot to catch up on."  

For someone so tall, she disappears far too easily into crowds. By the time you can roll after her, she's gone, as traceless as she appeared. What the fuck did she mean, catch up on? You're left sitting there, stewing in your own bile, until Ortega finally returns. 

He's sweaty, looking a little tired and roughed up. You think you can see the outline of a bruise blooming under the edge of his bearded cheek. He's definitely been in a fight. You don't know if you should be pleased or pissed that he learned to leave civilians behind for these kinds of escapades after his stunt with Jolene went awry. "Hey," he says with a little wave as he catches his breath. "Everything okay?"

 "Just dandy," you snarl, playing into being pissed that he left you. If he knew who just stopped by to pay you a friendly chat, he'd shit his own generator. "Sitting like a duck while you go haring off to go fight some rando."

Luckily, you think he's getting the right message, because he holds his hands up, placating, as he talks to you in the same tone he uses with his unruly horse at the ranch. "Hey, c'mon. I was just gone a few minutes. Nothing happened, right?" 

"Yeah," you lie with a sigh, dragging a hand down your face. "Nothing happened."

He grabs onto the handlebars of your chair, and if he notices you've unlocked it, he doesn't comment on it as he starts walking you through the park. "Angie texted me about meeting us at the ice cream stand. You want to get some ice cream before we go home?" 

"Yeah." Sugar will help steady your nerves. Get your mind off what just happened. “Let’s get some ice cream and go home.”

You have a lot of thinking to do later.

[carnivalcarriondiscarded]

wondering about Frank and insects but specifically about how it looks like the WH insects are highly stylized, so does Frank even know anything about real butteflies/insects?

& if he saw a real one, would he recognize it? are all of the species names he applies to the WH bugs real, or are they all made up like "Vibrant Eyespot" or "Fluttering Heartwing"?

and then there's the question - does the neighborhood have some of the more 'undesirable' bugs like moths, worms, roaches, spiders? does it have bugs outside of the generic groups of beetles and butterflies? like are there mantids? leafbugs? dragonflies? weevils? or are those too specific/complex/not-cute for the Playfellow Workshop to have included?

and then there's the question of what are the bugs? props? puppets? are they alive or do the neighbors just perceive them as such? Do they even exist outside of art, storybooks, and animated segments? I highly doubt they're alive like the neighbors are, since in the gif of Frank's head spinning, the framed butterflies' wings are moving. which is kind of horrifying if you think about it for more than a second.

just... the critters Frank loves so so so much being a complete fabrication... every piece of knowledge he prides himself on / delights in knowing being utterly Untrue... oof

[featheredcritter]

I think a lot of people like. Don't know or understand how powerful birds of prey really are.

[justarandomhelluvablog]

having thoughts about how Husk actually has very little left to redeem bc he started his journey of self-change before even coming to work at the hotel, but at the same time redemption isn't even his goal- he ain't even aiming for heaven, he just wanted to be a better person and maybe now with friends and especially Angel, who he supports so much and wants to see succeed, maybe now he has a reason to be a better person

[fisheito]

SCREMS my snautsticic child he is trying ok!!!!!! one tiny snake human hybrid built from the cave-ground-up, , attempting to learn all the implicit rules of humanness?! as if it isn't already tough enough out here!!!!

[birdmenmanga]

@raventhekittycat

hi okay so I've been mulling this one over for the past day or two and I think I have the answer. not to be using hamburger to explain anything to an american but you're my detco mutual so I'm going to try and explain it in detco terms

There's a post going around recently about how if you've read detco and only detco, the first time hakuba shows up you're going to be totally flummoxed, because damn this guy is clearly important, he gets to be even cooler than Shinichi, he's got a half-page shot of him (in such a panel-dense series such as Detective Conan, no less!!) and he's got a fucking hawk. he's CLEARLY important. everything about the narrative is indicating that you need to PAY ATTENTION to hakuba and that he's the coolest guy and he's important!!!! and then he dies in the case lol (not for real. but still.)!! and you're like huh??? what was that. why did aoyama do that.

But with the context of magic kaito this totally makes sense. He's a beloved character that people have been waiting decades to see again. Of course Aoyama is going to hype him up!! It's his big moment after years of being locked in the backrooms!!!

Anyways reading birdmen for me was kind of like that. The author's previous series, Kekkaishi, was pretty one-dimensional at the beginning, and even after the main plot started picking up at around volume 6, it still felt quite understandable. I knew what she was trying to get at, and the spectacular job she did with the anthropocene and climate change metaphor towards the end of that series really made me interested in the rest of her works. That and the way she writes familial relationships is absolutely DEVASTATING. (I mean this with the highest of praise)

But when I read BIRDMEN for the first time, I was probably in... middle school, maybe? And I read it, sure, but I didn't get it. I could see what was literally happening on the page but the narrative choices were absolutely baffling at times. Why skip over the entire part of the plot where they figure out who the birdman that saved them was? She blatantly doesn't care about that. What does she care about then?? I knew I didn't get it, I knew there were parts of it that were important and I couldn't figure out why and THAT'S how it dug its pretty little claws into me. Even after I finished catching up it nagged at me a little bit, not often at all, but enough that every once in a while I go, huh, right, that was a thing, let me go read it again.

For the record this type of story haunting has happened to me twice. First time was the Heart of Thomas, second time was BIRDMEN. I think the thing is that these are both stories which are not what other people say they are and I think I came into both of these stories with a misconception, trying to look too hard for things that weren't important and therefore missing the things that were.

Because sure, BIRDMEN is about mental illness. Yeah, it's about an evil scientific organization growing mutants in a lab. Yeah, it's about what it means to leave your humanity behind. That's all technically correct, on a surface level, and the fandom at large likely agrees with these takes for the most part, but in my opinion none of that really delves into what the thematic messaging of the story is about.

There are cryptic conversations about authority and human extinction and peculiar outfit and ability choices. You can tell these choices weren't made to serve the purpose of "writing exciting shonen manga" because that was what she did for the most part in Kekkaishi and you can tell she wasn't putting her whole pussy into doing that here. So what was she doing? What's like. All of this. Waves my hands at this.

The short answer is that it's really about the interplay between capitalism (represented by humanity) and communism (represented by birdmen), and explores the role institutional white supremacy (EDEN) plays in enforcing capitalism. It is ALSO about queer liberation and the importance of community, but hey, that double-stacks conveniently with the communism metaphor.

But also take this opinion of mine with a grain of salt. As far as I know I'm the only one who really truly deeply believes that it is not only AN interpretation of the work, but one that was fully intended by the author.

So basically, I like it, because I think it says something true and beautiful that I also believe in, even if I didn't have the words for it the first time I read it. But I don't really think that's what people really look for in a media recommendation.

Do I like it? Yes, I love it. Will I recommend it to others? Yeah, sure. But do I think it's deeply flawed? Yeah, absolutely. It's flawed in the same ways as The Witch from Mercury— a rushed ending, too many threads that were opened and never tied together. The pacing and characterization is perfect in the beginning, and too rushed at the end. There are prerequisites you basically HAVE to read in order to understand the story (tempest for G-Witch and the communist manifesto for birdmen). I think a truly good story wouldn't have any of these things so if people don't like it I never blame them.

It's my personal experiences that make birdmen so profound to me. If you are not queer I just don't think Eishi coming out as a birdman to his mom will hit the same, just as an example. Sorry that I wasn't the kid you wanted me to be. I know you love me and you just want the best for me and that's why you're so controlling, because you think I can be saved by conforming to societal expectations. But I can't live like that. I can't be like that. And that's why I must go. etc.

Aesthetically I do love birdmen a lot. If I had to describe it in a few words it would probably be "chilling", "beautiful", and "powerful", which nicely coincides with the type of things I personally like to draw. It's also silly to a small degree but it's so serious and I know Tanabe can be way way way funnier (read kekkaishi for this. kekkaishi and hanazakari no kimitachi he were foundational to my sense of sequential art humor) so that's not really the standout trait of this series.

I can't let it go because I'm chewing this series like a bone. And it's taking me years but I am getting that sweet sweet marrow. By god. We are on year 3 of this shit and I am GOING to understand this series. and I'm going to make 3 video essays about it