#I just thought up another idea...

[bethanydelleman]

Have you ever done/do you know if there is a ranking of Jane Austen couples based on how long they knew each other before the proposal? Every time I reread Pride and Prejudice I can’t help but think about how little time Jane and Bingley have actually spent together

Jane Austen Charted #11!

This is a wonderful idea! I have it ready. Here are all the couples that marry in each book with sufficient data for me to record. This is from meeting to engagement:

Now if we put them in order of length, we can see just how very short some of these relationships were:

Caveats: I was as exact as possible, so for example, despite "knowing" Mr. Bingley for about a year, Jane only spent 6 weeks in his actual presence. I also took out Wentworth's absence from Anne from Dec to Feb 15 etc.

I want to say something about time not being the same. Harriet and Robert Martin were staying at the same house for 2 months, so that's a lot more face to face time than say Jane and Bingley, but I don't have a great way to represent that.

We do not have sufficient data for Jane Fairfax & Frank Churchill or Maria Bertram & James Rushworth, though I would estimate about 8 weeks for the latter couple. John Willoughby also knew Sophia Grey for an unspecified amount of time before the more official courtship and marriage. Mr. Weston and Miss Taylor is also unknown, Emma predicted it 4 years prior, but we can assume they had met before that time.

Elizabeth Bennet and Mr. Collins knew each other for about 10 days before the proposal, but that did not result in a marriage. Henry Crawford and Fanny Price is again difficult, because while Henry and Fanny were introduced and “knew” each other, he didn’t pay attention to her until the Miss Bertrams left. Also did not end in a marriage. From "hole in her heart" to proposal was only about a month.

If we take out the outliers (Marianne and Colonel Brandon, Emma and Mr. Knightley, and Fanny and Edmund), we can see the longest period of knowing is Lydia and Mr. Wickham! But most are under 15 weeks or about 3.5 months

Of course, the length of time may not be important after all, Mrs. Croft says, "“We had better not talk about it, my dear... for if Miss Elliot were to hear how soon we came to an understanding, she would never be persuaded that we could be happy together. I had known you by character, however, long before.” - Persuasion

But yeah, from a modern perspective these lifelong decisions are happening pretty darn quick!

Sources:

David Shapard's The Annotated Pride and Prejudice

And these wonderful online calendars

http://mars.gmu.edu/bitstream/handle/1920/999/emma.calendar.html http://www.jimandellen.org/austen/persuasion.calendar.html http://mars.gmu.edu/bitstream/handle/1920/999/mp.calendar.html http://www.jimandellen.org/austen/na.calendar.html

[puppyeared]

axolotl

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.

[blue-mood-blue]

I’ve grown to appreciate the aus where Shen Yuan enters the story as “Shen Yuan” - same name, probably similar face, generally able to interact with PIDW as himself and change the story through his added presence. I like the sense of “if only you’d been here, things might have been better the first time around” of it all.

And I was thinking, it’s a funny coincidence in that scenario that someone named Shen Yuan gets put into… another Shen Yuan. What are the chances? What a weird twist of fate that Airplane would pick out the name that his most dedicated critic could slip into seamlessly.

What about a version where it’s not coincidence at all?

Airplane goes to school with a kid named Shen Yuan. He’s prickly and hard to approach and a little intense, but Airplane is persistent. In fairness, Airplane is relentless - and maybe it’s a good thing that they end up being friends, because they’re a little too much for anyone else to handle. They balance each other out. They’re the “weird kids” in class and they’re okay with that, because even when they don’t have any words for it, they know they’re not like their classmates, not really. That’s okay; they don’t want to be.

Recesses and breaks are consumed with the elaborate stories that Airplane wants to tell, and all the holes Shen Yuan pokes into them. It’s not mean-spirited, though, even though Shen Yuan isn’t the kind to temper his words. It’s passionate. He cares about those stories the way Airplane cares about them, and it can’t be mistaken for anything else when they lean together conspiratorially across the lunchroom table. They’ve both got notebooks filled with details and characters and monsters. Shen Yuan’s practically got a whole bestiary sketched out in wobbly childhood attempts at art, entries fervently scrawled beside them. Airplane prattles out plots nonstop, always with the promise of shining eyes and being asked “what happens next?”

They come up with a whole world together. Airplane’s going to write about it someday. Shen Yuan is going to read every word.

Shen Yuan misses school. Shen Yuan starts missing school a lot.

Airplane goes to the hospital room instead. He doesn’t think to worry, because Shen Yuan is okay - that’s what he says. He looks okay, and he’s a kid, and it doesn’t feel real that anything bad should happen to a kid. He doesn’t think to worry. He doesn’t think to say goodbye.

It’s one of the older Shen brothers who catches him on the way up to the room one day, in the hallway just outside - snaps at him to go the fuck home, and when Airplane hesitates, pushes him into the elevator and tells him not to come back. “Tells” is a generous way to describe the way the words come out - a growl, a hiss, the sound an animal would make when a hand got too close to a wound.

(It’s not fair to name a villain after him, even if the name never really comes up in the story. He wasn’t trying to be mean. He’d lost a brother minutes before, and he was getting his brother’s friend out of the way so he didn’t have to… see. It isn’t fair, but then, none of it is fair.)

Death feels very real after that.

The notebooks get shoved into a closet, and it’s not until Airplane’s moving out and one falls on him from a high shelf that he thinks about it again. He’s written things, lots of things, but nothing as ambitious as this - nothing as important. It could be good, he considers. He’d promised. Shen Yuan wanted to read it.

The problem was that no one else does, not for a long time, not until Airplane has whittled himself and his art into a corner and into such an unfamiliar shape that he has to wonder how it’s still his own face he sees in the mirror. He has to eat. He has to pay rent. Shen Yuan would yell at him, but Shen Yuan isn’t there to yell at him, and who cares. Who cares if it could have been better? The people who actually are here love it, and it’s paying his bills, and sometimes stories don’t go the way they’re supposed to and the world is fucking unfair. It doesn’t matter.

(It does. But he shoves that thought away along with styrofoam cups and soda bottles to the bottom of a garbage bag.)

Authors are not gods and their power is limited, but Airplane exercises just a sliver of what he’s been granted and gifts an inconsequential sort of immortality. He thinks about making him a rogue cultivator, maybe the kind that goes around documenting beasts and compiling his findings. He thinks about making him someone too powerful for death to touch, or too important to threaten, but when Airplane looks at the world he crafted and everything that’s become of it, it feels like the kindest thing he can do for Shen Yuan is a childhood where he’s loved, and a death that’s peaceful. What does it say about that world, that he’d kill off his best friend too early again instead of making him live there?

(The best writing he ever does is the only, shining moment of humanity that his scum villain ever displays: a lament about death that comes too early, about a brother gone too soon. The commenters praise him. The commenters flatter over how real the emotions feel. The commenters don’t get any response from Airplane on that chapter.)

Death is incredibly real when it comes for him too early, too, still hovering over his keyboard with the story technically finished and incredibly incomplete. Airplane could tell himself that’s because the written version can never be the version in the writer’s head, always shifting and with every possibility still on the table, but he knows better than that. The System knows better than that, with its condescending message about “improving” his writing and “closing plot holes” and “achieving his original vision”...

…and he’s a child again. He’s a child in his own story, he’s Shang Qinghua now without the benefit yet of a peak or cultivation or anything, and maybe he’s a little bitter, and a little scared, and…

And Shen Yuan - with longer hair, with robes, with a couple of older kids watching him from across the street, but undeniably the prickly little boy who used to sit down imperiously across from him and tell him everything that was wrong with the chuck of writing that had been handed to him last period, but with that smile that said he was only invested because he knew it could be better and they were going to make it better - marches up to him with a fire in his eyes and a frown that warns of a coming tirade.

“You told it wrong,” is the first thing he says.

Shang Qinghua wants to ask how him how he’s here, how this is possible, or maybe laugh because, yeah - yeah, Shen Yuan has no goddamn idea how wrong he got absolutely everything.

(Shang Qinghua wants to say “I missed you” and “why did you leave so soon” but he’s here now. He’s right here.)

“I know,” he says instead. “I’m sorry. It all kind of… spiraled out of control.”

Shen Yuan frowns, but then it dissipates the way it always does, and his eyes shine with ideas the way they always used to. “That’s okay,” he relents, grabbing for his hand. “We’ll fix it. We’ll make it what it was supposed to be.”

[coern-art-very-cool-and-nice]

the end is so, so close, you can almost taste its sweetness on your tongue

[twinstxrs]

there’s something so personal about the scene in fantasy high s1e7 where gorgug calls himself stupid & fabian, who up to that point had basically entirely been acting like the bad kids (especially gorgug) were beneath him & had also been the one calling ragh stupid two lines ago, instantly says “okay, do not put yourself down like that. don’t you dare do that to yourself.” like it was obvious he liked the bad kids at that point but the instinct to protect his friends manifesting as an immediate strong refusal of gorgug’s self-deprecating talk kills me. that boy loves his friends so bad oh my god i feel sick.

[sincerely-sofie]

Thinking about @gehtsis’s children and how terrifying it would be to get their team assigned to help you escape from a mystery dungeon.

If these are what my heroes look like I'm 99% certain I'd be screaming and running the other way. Menacing cryptid-looking grim reaper and cursed psychic clay doll. I love them.

[kaelidascope]

👀 wip

[feroluce]

So I spoke somewhat about my thoughts on Emanator Sampo here, but I never really thought of it from a design point of view or what kind of powers he would have until just recently. But I actually kind of love leaning into it from a "stage hand" perspective?

Because like. Aha's body in THEIR official art is completely black, giving attention to all the fun brightly colored things around THEM. And that's so fitting for Sampo! He usually prefers to be a side character. He likes to act from the shadows. His is a much more subtle hand.

So I wonder if as an Emanator, a lot of his clothes are actually very dark? Not necessarily plain, still extravagant and needlessly detailed in things like cut and quality with lots of different fabrics and textures and ornamentation, but dark. Or maybe even his skin itself becomes blackened further down his body; his hands in particular are dark, as a sort of sleight of hand reference.

The motif of a lot of straps wrapped around him like in his canon design is still present, but they're all loose and flowing off of him like paper streamers now instead of restraining him or holding him together. He is no longer contained! Or maybe they're still a bit more rigid/heavy, but just draped more like red stage curtains!

And this is like. Fully self-indulgent, but I love inhuman designs, and there's nothing in canon to say I can't do this, so screw it! Go for broke!! Maybe it's not visible to normal people, but Sampo having a second set of arms would be really cool, as further sleight of hand reference. One set is almost normal looking, but his hands are a bright, attention-drawing white, and the other is dark, set almost in the shadows of the first arms, to act less noticeably.

He also has something of a broken heart design to him in canon (the front of his black shirt with its jagged shape down the middle; his coat looks like a full heart shape in the back), and I actually like him keeping that element as an Emanator, because I think it suits him. Sampo says his taste in aesthetics and views on Elation involve human dignity,

and the story he helps create in Belobog involves the long and winding road of resistance and survival and eventual triumph in the face of some very adverse, oppressing odds. (I'm pretty sure I heard he once called Wildfire "artless" though, plus the man acts like he thinks Shame is some kind of dessert, so like ndkdjzjskkd) But the point being!!

I think Sampo is someone who can appreciate heartbreak and angst and tragedy in a story, because it makes the victory at the end all the sweeter. And this would be another thing he shares with Aha, because I think THEY did bless the Mourning Actors partly just to be a little shit, but also because Aha does recognize tragedy as part of THEIR Path, too, and you can see it in some of the game. So a broken heart motif can still suit him, and I like him having elements of both comedy and tragedy. Like his clothing having a happy sun/sad moon (like the moon in Aha's art) or him having both of the traditional comedy/tragedy masks in his design.

And as Emanator, Sampo can maybe play with the stage settings environment, too. Like lights sometimes behave strangely around him, appearing blindingly bright to someone or dramatically dark. Sampo wills it and suddenly there seems to be a metaphorical spotlight right where he wants everyone to look. And when he doesn't want to be noticed, his face seems to be cast in shadow, he seemingly just fades into the background, no one notices or recognizes him and he sneaks away easily. He can create smoke or fog literally out of thin air without his bombs now, too, the air will just suddenly thicken until his stage is obscured, and Sampo can set the scene as he pleases or disappear without a trace.

And in line with being a stage hand, Sampo can direct attention like no other. He was already extremely good at this as a normal mortal, and becoming an Emanator only took it up to 11, past human limits. Sampo points, and all present feel compelled to follow his fingertip. He looks away, and they all follow his gaze. He can even affect the mood of an audience; he can influence everyone to be calm and placid or he can whip them into a feverish frenzy. Sometimes a crowd will start to become unsettled, agitation stirring until it boils over, until it incites a full on violent mob.

And in the middle of all that chaos will stand one perfectly calm figure, face cast in shadow, until they quietly slip away out of sight.

[turtleblogatlast]

One of the biggest things that makes me see Leo as trans is absolutely the size of his carapace in comparison to his brothers’.

And I’m not talking about height! I’m specifically looking at his shell here, because when you compare him to the others, particularly Donnie who is nearly the same height as Leo, it’s very clear that Leo’s carapace is much longer in proportion to the rest of his body.

Like - standing side by side, even though Donnie is shorter his carapace ends noticeably higher up than Leo’s does. And I like this not only because it really helps push the idea that Leo could very likely be trans (or intersex!), but it’s also just a fun design difference between them.

(It also lends way to future scenarios of Donnie eventually getting taller than Leo, but sitting down still has Leo being the taller one haha.)

[xxsweetoothxx]

Workin on Redesigning Jackies Colorful version and Im stuck as hell on clorors to pic for their Hair. Tried a billion different ones but These 5 seemed to work best I think

Also also Redesigning Isaac as well as his Sister. The old story I had for them was okay but then I got a better idea that makes Isaac the irredeemable shit I wanted him to be originally!

Also this idea allows me to tie in the whole thing from the cannon creeps comic of everyone seeming to hate LJ. Only in PM I plan on it to be a bit different with Ragz. Mainly that they didn't really do anything but SOMEONE did.

A Hint on why Ragz may be heavily disliked.

[pineapple-frenzy]

More 96z catboys cause they're the catboy line of all time

[starry-bi-sky]

for clone Danny, Clone Damian

I give you

Edit Clone Talia as somehow Girlfriend of Danny, just think of the comedy

nah brO BECAUSE LITERALLY I HAVE THOUGHT BOUT THAT. Literally since the conception of Clone Danny, I have thought about it. If only for, as you said, the COMEDY of it all. Plus I love writing romance.

Literally my motto for my aus is: A) is it plausible, B) is it FUNNY (and a secret third option C) is it ANGSTY)

Clone Talia would be an offshoot au of Clone^2 because idk how she'd fit into the original timeline, bUT, she'd exist. And to avoid confusion I'll call her Nasra - I thought about Tameka (which means twin) but I like Nasra better. "Talia and Nasra" just flows so nicely doesn't it?

Idk WHY there's a clone of Talia running around -- maybe the LoA made her, maybe n unknown organization who hates Batman and knows he has romantic ties to Talia, and started making a clone of her to fuck with him and then she got nabbed by a portal when she was still Danny's age and in the middle of training. She might be like Connor (??) and have memories and thus her training is more proficient than baby Dames.

Either way, regardless of how she was made, I think it's hilarious if she, much like baby Dames, immediately attacks Danny on sight. She falls into his city and Danny only has a moment to go "goddammit not agaIN" before he's fending off a very confused, very violent Nasra. Fortunately he's able to actually try and talk to her and be at least somewhat successful -- Nasra knows english. although even if she didn't, Danny would still be somewhat successful since he knows Arabic.

Also Bruce and Danny are the battinson bat because i think that is also hilarious and 'wet rat' is STILL the perfect energy for Danny as Phantom - especially in the early days when he's running around in all but jeans and a hoodie. (and god watch me go on a rant in a separate post about his outfit and reasonings for being Phantom when he has no powers later on because it makes me go FERAL. and his active choice to look as inhuman and ghost-like through his behavior as phantom and the decision to wear such a creepy mask as possible)

(like seriously, imagine walking home late at night while danny was still in his early vigilante days (and even now when he's got damian and a better suit) and seeing a skinny figure in the shadows with sunken in black-and-glowing-green eyes, and a bone white, skull-like face, crouched on all fours like a wild animal about to pounce. THAT is the level of creepiness I was going for for clone danny)

In my head, Sam offers to house Nasra and Nasra stays with her. SAm is able to convince her parents to let her stay, or she pulls a Danny and just straight up smuggles her in and her parents are none the wiser. I also think it's funny if they have unspoken BEEF with each other. Only to later become like sisters. Nasra teaches Sam the martial arts she knows, and also Danny joins in too with Damian because goddamn he needs it even IF he's learning stuff from his mom (as per the most recent snippet post I made).

OH AND DAMIAN AND NASRA. I think it's equally as funny if they ALSO have beef with each other. Nasra is a clone of his mother (of whom he might have complicated views on due to being a clone but still is his mother) and Damian is a clone of Nasra's "son". This beef largely starts from Damian's own refusal to want to share his Danny with another clone, especially with a clone of his MOTHER.

Danny and Nasra don't become lovers for a good, long while I think. They're besties first before they even consider the idea of dating -- not only just because of the whole "uhhh our counterparts dated so it'd feel kinda weird and forced if we dated" and also because Nasra, with her newfound freedom, is busy trying to figure out herself.

A big theme here in clone^2: discovering your identity and who you are as a person when the only thing you own that's unique is your name (which isn't even the case for Damian), and figuring out if your choices are your own or because you're a clone and its something your original would have done. Nature vs Nurture and the illusion of choice and whether it really is one or not.

Also Nasra also becomes a vigilante. Danny appreciates the help but is also tearing out his hair because what the fuck is up with these assassins and becoming vigilantes?! Nasra goes by "Nesha". She's similar to Red Huntress at first where she kinda does her own thing, but is lowkey forced to team up with Danny about it because she doesn't have any proper ghost hunting equipment with her.

And then a duo becomes a trio, and Danny is spending more time with her. And they steadily become friends. Very snarky friends who are very bratty to each other, but friends. Damian still doesn't like her so Danny spends extra time during patrol keeping the two of them from making insults at each other.

"Nesha please stop fighting with a nine year old. Wraith, quit insulting Nesha."

Nasra also uses like, weaponry as Nesha which exasperates Danny a little because why are you using swords??? They're already dead its not gonna kill them,,,, If you cut off their heads its just gonna piss em off, its re-attachable. Let him ghost-proof it first too. But well, its still gonna HURT he supposes. He's still a little exasperated.

And MMM i'm sorry lmao im so focused on Nasra becoming her own person than the actual romance aspect of it all. Nasra cuts her hair short for the same/similar reasons that Danny keeps his long - to try and gain a semblance of autonomy and identity that's away from their original. Danny has his alternative rock-kinda geeky look and Nasra's got, from influence from Sam, a more alternative fashion style. Although she still leans into being feminine, which is a good challenge to Sam's belief that feminity = bad, and gets her to unlearn those bad habits since her new adoptive sister is feminine while still being an unapologetic badass.

And ykw I think Nasra gets into rollerblading and loves it. She rollerblades constantly. Damian is furious because skating is his thing (even if what he gets later on is a skateboard - skater boy damian ftw. i can see him wearing flannels and graphic tees as a teenager. very grungy/skater aesthetic. He also has a much more relaxed and teen-y speech pattern compared to DW's more formal way of talking. He also spray paints as his form of artistic medium.) and he refuses to have Nasra be a copy of him.

They will sort out their differences eventually. LMao.

Anyways they eventually do get together, but not before Danny finally has his run in with Mister Wayne. Which, they only meet because Danny starts destabilizing, and thus needs Bruce Wayne's DNA to help stabilize himself. Which that meeting in and of itself is pretty chaotic on its own, but then add clone Damian and Nasra? Bruce needs coffee.. or alcohol.

Because picture this: its late at night, you're on patrol with the rest of your family. It's like, two in the morning. You suddenly get a call in from your butler, Alfred, informing you that not one, not two, but THREE children -- two of them in their late teens and the other one not even ten yet -- showed up on your doorstep. One of them is unconscious. They are all clones.

The girl and the boy are twins - and are clones of YOU - and the girl isn't even technically YOUR clone she's a clone of your clone - and also this clone of you is your college friends' kid. And then the youngest boy is a clone of your youngest SON. Bruce is running across rooftops when he gets this call and does a literal 180 degree turn and touches the ground because he basically did a figure skating turn, and sprints back towards the manor because what the fuck? He needs to check this out.

And then half a day later a clone of your fucking ex shows up on your doorstep demanding to see the clone of you - the boy that is, not the girl - and then immediately gets into a verbal lashing with the clone of your son. Like what a fucking DAY. Your kids are equally as baffled but also laughing their asses off -- except your bio son, who is very unhappy about this turn of events and keeps getting the stink eye from his clone.

Like??? I'd quit right then and there.

While Danny recovers he's staying in Wayne manor and Damian is very reportedly not leaving his side. Ellie has to leave to help take care of Amity Park with RH, and then Nasra is also very determinedly not leaving his side either. This is her friend dammit. The first thing she does when he becomes lucid is insult him, and he insults her back - they're bantering. It's how they flirt later on. None of the Bats know how to deal with this situation.

[angel-archivist]

It's so interesting and so exceedingly frustrating how agab is being utilized now within the queer community as a way to isolate and sort nonbinary and genderqueer folks into binary boxes that determine their moral purity levels, and their authority to do and write and exist.

The way nonbinary writers are being put under accusation of fetishizing gay men while their AGAB is continually brought up in a way that feels like queer-space-approved misgendering.

The way feminist circles that are supposedly trans-inclusive will use the word AFAB in a way that implicitly but intentionally isolates nonbinary people who aren't AFAB from joining. It's for women*.

The way the language is already flawed and leaves out intersex folks from the conversations while focusing on a binary of sex that isn't truthful.

The constant obsessing over whether someone is AFAB or AMAB and whether or not that gives them the privilege to join, do, write, or be present in certain spaces really really concerns me. How are we supposed to dismantle a binary system of gender if we can't even move past forcibly assigning and focusing on people's genders assigned at birth?

[a-chaotically-small-lunta]

Okay we all know the story of Thumbalina. We’ve seen the movies, read the books, soooo we all know that she came from a flower grown by a woman who was given the seed. Imagine that though. Imagine you are just chilling, maybe you have a garden or you are walking in the woods and you spot a small stem starting to grow out of the ground. (Maybe a witch decided to throw a seed into your garden or something) Out of curiosity you go to it and watch as it rapidly grows in front of your eyes, only for it to bloom and have a tiny little person in it. Who then immediately trusts you cause well clearly you took care of the plant they were born from so obviously you’re like a parent or even a friend to them.

I feel like while it would be amazing to meet a tiny person this way, it would also be terrifying cause “OH SWEET, I was just walking in the woods and now I have a teenage child. Oh okay…I’m old enough to be their sibling…not a fucking parent cooooool” *Completely stressed out* That and if it follows the original fairytale your new friend/child gets kidnapped and that’s a whole new level of stress cause how the fuck are you going to find someone that small.

Anyway….if you were wanting a tiny child or even a tiny friend to magically appear, well, you got it. There they are. Congrats! You get to take care of them, hang out, it’s literally a dream come true! Yeah you gotta teach them some stuff but that’s fine. But what if it was just a person, not like a newborn? Like it’s someone from the g/t community who just woke up in the flower? What if it was one of your OCs that just woke up and is super confused about where they are and why you’re so big?

Now hold that thought, right. Flip it. Imagine you go to sleep one day daydreaming about being tiny, maybe with an OC or Favorite Character as the giant, as you drift off. Then you wake up, in a flower, with someone staring at you in amazement. Maybe it’s the OC, or Favorite Character you were daydreaming about or perhaps it’s someone you don’t know! Heck maybe it’s a fellow g/t lover who was just taking a walk in the woods! They scoop you up and promise to take care of you. How would you feel? Just woke up in what is basically a dream come true and now you’re just with a giant, cause you woke up…in a flower.

So I ask you all this. Giants, how would you feel/react to finding a blooming flower with a tiny person in it? Tinies, how would you feel/react to if you woke up in a blooming flower with a giant staring at you? Sizeshifters, you can answer both of you want.

[harvestmoth]

okay last one. au where nothing goes wrong at all ever (a lie) and melia venam gay moment