#I love how much the warners love music

[wakkossnackstash]

He loves music so much you guys 🥺💙

[thesoftboiledegg]

What makes JKR's shitshow even harder to process is that she didn't just ruin a book series. Harry Potter was an entire subculture. Like Star Wars and Star Trek fans, Harry Potter fans dedicated their lives and careers to the series. I don't know if I'd call it "underground," but liking Harry Potter got you beaten up when I was in school, so it was more of a dedicated indie culture than a mass-appeal fanbase.

Harry Potter was so huge that fan works developed their own followings. Potter Puppet Pals racked up hundreds of thousands of followers and was nearly as relevant as the series itself. For fanfiction, Harry Potter and the Methods of Rationality got so big that it has a Wikipedia page. The band Harry and the Potters spawned the wizard rock music genre. A Very Potter Musical developed a fanbase and launched Darren Criss's career.

Harry Potter also has extensive ties to fandom history. Everyone in my generation (millennials) remembers coming home from school to read Harry Potter fanfiction on the Internet. Today, most people just post their stories on Wattpad or Archive of Our Own. But at the time, the fanbase was splintered between fanfiction.net and dozens of individual websites and forums, some made for specific ships. Since they all had individual hosts, a lot of those sites have been lost to time.

And there's the infamous My Immortal fanfiction, which is an Internet legend with people still searching for the author. Everybody read that one (and laughed at it) in middle school.

Pre-social media, fan sites like The Leaky Cauldron and Mugglenet had massive followings because they were one of few sources for news, theories, essays and fan content. Some of these sites still exist after being around for over a decade and building their own legacy.

Before Deathly Hallows came out, fans were so desperate to know what happened that Mugglenet published a book called What Will Happen in Harry Potter 7: Who Lives, Who Dies, Who Falls in Love and How Will the Adventure Finally End? Yep...Harry Potter was so big that people wrote separate books about what would happen in an upcoming book.

And that's not mentioning all the book release parties, Harry Potter-themed events, monuments, fan films, restaurants and even a theme park. A lot of fandoms have those, but Harry Potter infiltrated every aspect of popular culture.

Today, there's a thriving culture of "Harry Potter adults" with themed weddings, baby showers and Etsy stores. Putting your Hogwarts house in your Instagram bio is pretty much a prerequisite for joining the "bookish" community. Warner still produces new content, like the Fantastic Beasts series, although we've all seen what a disaster that's been.

Everyone has at least a few memories associated with Harry Potter even if it's just watching the movies. I had great memories associated with Harry Potter. But looking back at the subculture, history and thousands of fan works, it doesn't seem fun anymore. Studying the fandom or being part of it comes with an awkward tension because you don't want to seem like you're condoning JKR's bigotry but can't divorce her from the series. This subculture was spawned by a woman who turned her legacy of magic and wonder into one of abuse and hatred.

I don't expect people to write paragraphs about how much they hate JKR every time they post about Harry Potter, but it's still uncomfortable to see people make new content or wear their Harry Potter Etsy tote bags like nothing happened. Even if they clarify that they don't support her, it's just a weird, tense situation for everybody.

People dedicated years of their lives to running Harry Potter fan sites, writing fanfiction, cosplaying characters and making fan movies. If I were in that situation, I'd have a mild identity crisis. I'd ask myself "Did I waste all those years? Should I delete my content? Where do I go from here?"

So ultimately, JKR didn't ruin "just" a book series or even "just" a fandom. She tanked an entire culture, which inspired people to look at Harry Potter more critically. The issues that people brought to the light tainted the series's legacy even without JKR's personal issues.

Once, Harry Potter was a series for generations. Now, former fans hope that the series fades into irrelevancy. Unfortunately, JKR didn't just tarnish her legacy--she took decades of history, millions of fans and a worldwide subculture along with her.

[canyourfavesurvivecastledracula]

Can Elle Woods (Legally Blonde) survive Dracula's castle?

My conviction is that Elle can survive anything life throws at her by the power of being smart, hardworking and a Delta Nu. But I think she actually has a few things working in her favour:

She's the sweetest. Would totally work on Dracula and would make her take the crucifix. The only downside I am seeing here is that she might appeal too much to Dracula, but I am sure she has had to put her foot down vis-a-vis unwanted advances several times in her life and knowing her, she somehow manages that without antagonising anyone.

She's a lawyer. I have to admit I am not that well-versed in the lore, but vampires have rules, right? She would totally work them out quickly and use them to her advantage because that is what she does. Also, she is very good in (cross-)examination, she'd get Dracula to spill the beans the moment she arrives (This movie ends with Elle giving Dracula legal advice btw)

She's a feminist. The vampire girls want to eat her and instead she tells them about their rights and how to rally against Dracula, probably proposes to be their advocate, too. Also teaches them the bend-and-snap and exchanges skin-care routines.

She does cardio. Might not be enough to survive climbing a wall, actually, but Elle is fit. She can run fast and I am sure she has the upper arm strength to hold herself on a wall for a moment at least.

Warner Huntington III. While he is not deserving of it, Elle loves Warner passionately. She got into Harvard for him. She's getting out of the castle for him, too. (Post-Legally Blonde Elle is getting out of the castle for Emmet, that works just as well if not better, because here she knows he loves her back.)

Bruiser. Elle likes and knows dogs. She's totally taking her chance with the wolves rather than vampires.

One thing working against her, is that Elle thrives in community. The whole movie/musical is about empowering yourself while empowering others. Elle gets a lot of strength out of her friendship with Paulette and the other students she grows closer to, in the end even from Vivian. Here, she would be alone. But, like, in the movie she starts out alone as well and then forges a new community. I kinda feel like she would try that as well, either with the townfolk or the vampires themselves. I am not sure how much that would help/be possible, but the effort would definitely be there.

So, alltogether, I would say Elle Woods can survive the castle.

(Elle when someone confronts her about having survived Dracula: What, like it's hard?)

Ooooooh this IS a good one

I love the idea of Elle trying to recruit the Girlies. They're already pretty keen on Sisterhood and respect each other whole lot more than they respect Dracula. They also are completely unabashed about eating people, especially new lawyers who are young and full of energy, but if anyone can turn them it's probably Elle.

One question I have is how she will deal with Dracula's excessive handsiness. She's not the type to tolerate creeps. On the other hand, she may have enough experience to recognize what kind of creep you can safely put in his place vs what kind of creep will kill you if cross him. Dracula is definitely the second kind. Similarly, she is frequently underestimated, but she doesn't like being underestimated. I am not recalling to what extent she is willing to play into the stereotypes for strategic advantage. If she is, that will heighten her chances for survival, but also heighten her chances of just being nommed as an ingenue.

I agree that the isolation will suck for her, especially if she can't build community with the Girlies. But her skills at community building and making connections will help her keep Dracula entertained and talking for two months. She'll learn more about the history of Transylvania than anyone wants to know and she'll retain it.

I feel the need to point out that choosing the wolves means dying. The question is will she walk out and get devoured to make her point, or will she back down and decide to stay after all? I feel like she's the type to deliberately do the unexpected to keep her opponents off guard, but I'm not sure which result that yields.

If she does stay, I am actually very confident in her ability to make it down the wall. She's reasonably fit and she doesn't give up, and given the heels she wears she must have ankles of steel.

Trying to out rules lawyer Dracula is a very dangerous game. She is smart though, and persuasive.

I think she probably can survive, but only if she doesn't confront him about being a total creeper, and that's the part I am undecided on

[plounce]

oh my godddd in legally blonde the musical when elle's first lines include "this dress has gotta seal the deal, make a grown man kneel - but it can't come right out and say bride! can't look like i'm desperate or waiting for it - i've gotta leave warner his pride :)" and then she finishes the musical by being the one to kneel to propose to emmett. it's so. it's so. it's so effective and it's such a great illustration of her growth and how she's so much more confident and willing to embrace her confidence and agency. i literally love romance that has so much grounding in character arcs and story themes. RAGHHHHHHHHHHH

[harrisonarchive]

George with his self-titled album’s co-producer Russ Titelman; photo by Mike Salisbury.

“With George Harrison, there was a certain awe I had to get past, but I came to understand the specialness of what he brought to the Beatles and to popular music in his solo work. George’s guitar style and sounds are incredibly unique, but it’s important to realize that George was not that much of a jamming soloist, as Eric Clapton was and is. So all George’s unforgettable Beatles solos were very deliberately thought out. He was a craftsman of the highest order and he remains that kind of player in his solo music. The fluid approach he got from India was in songs on ‘George Harrison’, like ‘Dark Sweet Lady’, ‘Love Comes To Everyone’ and ‘Blow Away’, which is a phenomenal pop single. A lot of people don’t realize that ‘Blow Away’ used the rebuilding of Friar Park, the broken-down nunnery that he restored as his family home, as a metaphor for how he had to rebuild his life after the Beatles broke up and his marriage to Patti[e] ended. The song has a brilliant lyric and musical structure. George also brought both a very confident spiritual dimension and a knowledge of world music to pop music that it had never had previously. Things like that take guts and an inner will.” - Russ Titelman, Billboard, June 22, 1996 “Russ Titelman recalls working on Harrison’s eponymous 1979 release, which include the U.S. top 20 hit ‘Blow Away.’ After initial labor at Warner Bros.’ Amigo studio facility, Titelman flew to England to Harrison’s home studio in Henley-on-Thames. ‘I was very jet-lagged. I must have slept for 12 hours,’ he says. ‘The next morning, I started to come awake a little bit and heard someone outside my door singing “Here Comes The Sun.” It was George. That’s how I woke up on my first morning there. He was crouching outside my door, playing the guitar and singing. He was my alarm clock.’”- Billboard, December 15, 2001 (x)

[rmwb-fanfics]

How to remake Harry Potter:

(A step by step guide)

We’ve already had one god-awful adaptation that way too many people think is good. This is our one chance to have the book characters represented correctly, along with the plot they support.

I’ve put YEARS of thought into this. I’ve written scripts for episodes of a hypothetical tv show. I’ve drawn concept art. I’ve done shit. So I figured I’d share my thoughts.

1. Stick to the books*.

Stick to the books has a massive asterisk next to it because I mean the plot and characters. Some stuff (as you’ll see later) should be changed.

Nothing in this show should feel out of character. Harry should be closer with Ron than he is to Hermione. Snape should be a real d*ckhead. Hermione should be judgmental of those who don’t think like her, etc etc. The way these characters navigate their relationships is why the fandom is still relevant. It’s why canon-compliant fic is popular in the first place. We like their dynamics. SHOW THEM APPROPRIATELY.

Plot is a sticky thing because I’d say there’s wiggle room, but not too much. Certain characters have to die. Certain events must happen. You cant change that stuff.

2. Use the Medium.

You’re using film as a format to tell your story. Ideally you’d us animation, but I know Warner Bros has less creativity than Disney’s remake department, so I won’t even try and pitch that.

Use colour and saturation. It can help contextualize emotion. It can make us subconsciously recognize things. For instance, the scene growing more saturated when Ron walks into the room when Hermione is wearing the horcrux, or any multitude of other uses this could bring.

Bring in costume design that (actually fits the world) but also helps show how that character is feeling. What they’re thinking, their personality, their future, etc.

Make magic fun™️. The books sort of sidelined magic in 5-7. Don’t do that. Divert from the books. Magic should feel alive. Colour-code them so we as an audience can recognize spells and what they might do before we see it. Implement sound design to make each spell unique and vibrant. Make this world subtly bursting with magic like it was in the first few books. Have it weave around characters, wrap them up. Be creative with action scenes. Force transfiguration into battle scenes. Choreograph your duels. Show don’t tell us that a wizard/witch is powerful. Turn people into portraits. Lock them up as mice. USE MAGIC.

Your set design should reflect this. Everything should be bursting with personality. Don’t just use the shitty movie sets. Inject some colour, have the surroundings aid you in telling the story. Get weird with the camera. Use these tools to their fullest potential.

Actually fucking try.

3. Utilize Music.

Music is just… such a massive part of film. It’s frustrating how often even the best filmmakers overlook its use. Characters should have themes that mature and develop as the series goes on. Have action arrangements of the themes to play with heroic moments. As the series progresses, we grow attached to these themes. When they appear, the audience FEELS something. Don’t reuse great pieces to force emotion. (Dumbledore’s Farewell in The Prince’s Tale. Are you fucking kidding me?)

For example: Have a theme for Neville that starts out timid and uses very shy instrumentals, but we first hear a change when he stands up to the trio at the end of PS. Then it gains more instruments until OotP, when it grows again. Once we get to DH, it can be used in this heroic swell as he chops the head off the snake in front of Voldemort and everyone watching. The audience, consciously or not, will feel that moment even more.

Have a theme for Ron and Hermione that might not even be romantic until HBP when it gains that element. PLAY WITH MUSIC.

Themes for mystery, adventure, loss, love, friendship, LOCATION. Let them come back throughout the series to highlight various moments. See Lord of the Rings and The Hunger Games, as well as (surprisingly) the Fantastic Beasts films.

Let music affect the visuals. Magic can bend and swivel with the music. Use it to tell the story. Use it to show emotion. Use it to progress a character’s arc. USE CONSISTENT MUSIC.

4 . Be Bold.

This is the big one and it may seem like I’m contradicting myself but I’m not. Rowling’s work hasn’t aged crazily well to modern fiction standards. This is your chance to rectify that. Fill plot holes, actually think through the politics. Introduce world-building elements that enhance the story/characters. (The house system, and how Slytherin fits in. The logic behind avada kedavra???) Get creative with solutions. Contradict the original work when it comes to description of location. If it doesn’t work for the film format, don’t force it to work here.

Spend more time with characters we know are relevant, but maybe not to the plot. These are your Ginny Weasleys, your Seamus and Deans, Nevilles, etc. Really fill them in. Give them more scenes. Ginny has two phenomenal arcs that play completely off-screen, explore them. Show us her friendship with Hermione. Show us her insecurities and her faults. Give us more of her and Harry’s friendship. We know they get married, so maybe fix the whole “Rowling wrote the epilogue first, but didn’t realize she was waiting too long to introduce these characters until HBP”.

Add scenes. Add jokes. Add smiles and covert looks. You have more time, which means you have a chance to focus on friendships, and romance, and world building.

Tell multiple storylines. Give Remus and Tonks a cool spy/thriller subplot interjected with the main story in OotP. Show us more of Fleur staying in England. Give us more of Harry and Sirius bonding. All of this stuff can fit loosely into canon, and be welcome creative additions.

BE BOLD.

And finally,

5. This is your chance to not only retell the story, but to do it better.

RECOGNIZE THIS. Take advantage of this opportunity and enhance canon, don’t fight it.

Don’t add Hermione and Harry dancing because *YOU* don’t like where the romantic pairings went. Don’t add Draco sympathy because you want him to have a redemption arc. Don’t dumb Ron down because you don’t like the fact that he’s just like the teenage boys you dated in High School, and he was a bit immature.

Make changes, be bold, use music, stick to the books*, use the medium, but take this as the opportunity that it is to enhance what came before.

Thank you.

[malarkgirlypop]

BoB Themes songs/Songs they would jam out to!

Winters:

Rhiannon by Fleetwood Mac, the live at warner brothers edition. Absolutely loves Fleetwood Mac, would drag Nix along to see them in concert, he just adores Stevie Nicks. I could see him just singing this so loud in the car, putting his whole soul into it.

Nixon:

Shots by LMFAO and Lil John, it just depicts his life, gets him hyped to do shots, also an excuse to do shots, "The song is telling me to do it!" Will put it on every time they pregame so that he can drink and dance.

Lipton:

Kiss from a Rose by Seal. I can imagine Lipton singing this, he loves this song so much. He is so serious as well when he sings it, he means every word, might have secretly choreographed a whole dance to this, but will not tell a soul about it. Speirs might have spied him doing it and just watched with a little grin on his face.

Speirs:

Master of Puppets by Metallica. You cannot tell me this wasn't playing in his head and he sprinted through Foy. Doesn't head bang just appreciates the music. Constantly playing in his head whenever he does cool shit.

Eugene:

Come away with me by Norah Jones. This song is so sweet just like him. I can imagine him just sitting daydreaming about leaving with Babe, like the song says. It helps him unwind after a stressful day, he just sits and listens and daydreams about being in field where the yellow grass grows knee high. It helps him escape the sadness and he just is able to put himself in a nice headspace.

Babe:

No thoughts empty head just Teach me how to Dougie by Cali Swag District playing. He will have this in his brain constantly, and is just doing the dougie in really tiny movements so that no one notices. When he looks spaced out it's because he is in his brain doing the dougie, let him finish his performance before you talk to him, you can tell when the song is over you will see him take imaginary applause.

Welsh:

Love on Top Beyoncè. HE IS A BEYONCE FAN LET ME TELL YOU! Him and Kitty love her! Kitty was her fan first but Welshie definitely fell harder. He sings this to Kitty as he butchers the high notes. He bops around the room, her music just makes him so happy. Kitty and him have been to multiple of her concerts and having a fucking boogie in the pit.

George:

Scatman by Scatman John. My god don't let George play this, you will be kinda scared. He tries his best to scat but really he is just yelling random syllables at you. He will run around the room scatting furiously, he thinks this song is equally hilarious and the best song in the world, he loves it. You will be crying laughing as he performs this for you. Up in your face scatting, like we can all imagine what he looks like doing this right?

Toye:

Burn it to the ground by Nickleback. Just Toye and this song idk scratches an itch in my brain. I can see him just scrunching up his face jamming out. Also this plays in his head when he wears his brass knuckles. This is his fight song. He loves the grungy guitar and yelling vocals. Will sing the song if drunk enough, but will try and fight you at the same time.

Bill:

Come as you are by Nirvana. Idk also same as Toye it just scratches an itch in my brain, more lowkey but this is his chill song. Will listen to this while having a bourbon. Will sing quietly to the song. This plays in his head when he walks anywhere it's his like I'm a bad bitch song. Blast it in the car windows down with a hot chick in the passenger seat, you see him in his fucking sick ass car, shades on and you just want to be him. Why is he so cool? It's the song! But also Bill is just cool.

Liebgott:

Yeah! by Usher ft. Lil John and Ludacris. This is his song that he just pulls bitches with and by bitches I mean Web ahahaha. Just fucking slays the dance he does to this, like is he from step-up? Moose from step up vibes very that! Like ok stop it why are you so hot? He just is so smug and kills it every time. Ugh I can imagine it and he is so hot. Like he is just got chicks grinding all over him and he is the star of the show still. His smirk and dancing. OMG HOT!

Web:

Prada by cassö, RAYE, D-Block Europe. A classic white girly song, loves the part where is says I got strippers tits in my face. Bounces up and down super drunk. Does a motorboat motion at his favourite lyrics, has people he is dancing with has his arms around them just jumping up and down.

Donald:

Low by Flo Rida, T-Pain. This is his jam! Goes absolutely mental when it is played, will stop and dace no matter where he is! Played one time when he was in the supermarket with Skip and Alex. They left him in the aisle having a dance party by himself. They went and got him when the song stopped playing he was a sweaty mess and all of his items he had collected were scattered over the floor. Will pull out his one party trick which is his back bend.

Skip:

Rock this Party by Bob Sinclar. Nothing gets him more hyped that this song. Will move his whole body to this song, if you watch him you're worried he's going to dislocated something. You've never seen someone jump as high as he does to this dance. This song will cheer him up whatever mood he is in. He just can't fight the infectious beat. Don and Alex played it one time for him when he was crying, it ended up with him still crying but dancing like a maniac.

Alex:

Axel F by Crazy Frog. I just see him like crab shuffle dacing around the room, like the you can't touch this dance move. He will run and run to this song if it plays when he's on his morning jog. This song is what got him up Currahee. He sung it in his head the entirety of Tocca to help him get through PT. Bahahaha. Somehow good at the weird vocal lyrics it has.

Buck:

Seven Nation Army by The White Stripes. Buck loves this song, the steady drum the classic bass riff. This is his marching song. He walks everywhere to this song. But he is so fast when he does it cause he keeping pace with the drums, so don't go on walks with him if he brings his headphones you will be left behind. This is his hype song. Plays air instruments the song, will do the air guitar solo and kill it.

Martin:

Don't stand so close to me by The police. Listen he likes the song sure but the title is him to a T. Don't stand close to me is his motto in life. He likes his personal space and he will play this song if he thinks you're getting in his bubble. He will just stare at you while it plays, until you get the message.

Perco:

Boom Boom Pow by Black Eyed Peas. We know that Perco is a fast runner it's cause this is playing in his head as he runs. Does his amazing B-boy skills to this song. Popping and flips. You just watch him absolutely devour this song. He is a freestyler but omg he just fucking kills it.

Bull:

Fake ID by Big and Rich. Has the whole line dance to memory from the movie footloose, which is one of his fav movies. He is so good at line dancing and he just loves the moves to this song. Is in his happy place doing the dance, just grinning!

This is the playlist if anyone wants it.

Tag list: @sweetxvanixlla, @xxluckystrike, @panzershrike-pretz, since we talked about it!

[chiekorita]

✨ chiekorita's palletshipping recs ✨

my will always re-read list. not a comprehensive list so i will add on as i go thru the fics again.

ratings listed in front of title. (c) means completed.

the unfinished collection by misswonnykins (ratings varied w each chapter)

as title says, unfinished but they're all *chefs kiss*. fav is the first chapter. ash wooing gary unknowingly pls read

[t] a pokemon trainer's guide to romance using modern technology and terrible pick-up lines by bgtea (c)

ash and gary being menaces w each other thru terrible pick up lines even in diff regions. the puns are amazing ok and v funny and cute.

[t] after all these years by archwriter (c)

the story of how they break and keeps on breaking until they come back together. the emotional rollercoaster this got me thruuuu like destroy me. can be read platonic.

[g] tying loose ends by archwriter

sequel to after all these years. ash's role as the chosen one coming back one by one and his recovering relationship with gary on the side. the way everything in his life is written and having gary mixed in naturally like that. i still reread this since years ago.

[t] my brilliant friend by afoolserrand117

gary a professor and researcher being made to do a friendly battle w ash to raise funds for his research. more gary focused esp w his mewtwo related ptsd (which i don't see much explored so it was niceeee). we get to see a more confident ash as opposed to gary. pls this is so good and cute and fun.

[m] a call to arms by feranelia

pacrim!au. the pokemons are jaegers. ash and gary butting heads thru their first, second, third consequent meetings and ended up being drift compatible. prof oak best shipper btw. arts for this also chefs kiss

[t] and into love go streaming by laniekayaleese (c)

high school!au. more on the coming of age movie feeling. boys discovering feelings. this is very vibes.

[m] find it, fix it by tayeah (c)

gary in saida labs getting a visit from ash. gary running from his feelings only to run back into them basically? angstyyyy and delicious.

[t] romantic by misswonnykins (c)

ash trying to pull off the best proposal ever with the help of his friends. super cute and fluffy.

[t] this dear thing called heart by salvations (c)

music!au. shigeru joins a satoshi's band after prof ookido's death. angsty stuff. mostly friendship focused but a good dose of palletshipping thru out.

[g] the sweetest betrayal by essence_of_silence (c)

little moments of ash's two fav partners being bff with each other more than with him. super cute. very sitcom/romcom vibes. i come back to reread this a lot bc of pikachu picking his pipichu over his pikapi.

[g] honesty by silver_fish (c)

hanahaki!au. gary starts coughing up flowers. more often when he's around a certain trainer. everything i ever wanted in a palletshipping hanahakiiiii my fav tropeeee read this one too pls

[t] [series] operations 101 by estelle4ever

ash's friends trying to set him up gary and made up a whole operation. operationS. funny shenanigans of well meaning friends and just cute stuff. it's a series but the main part of them getting together is done ✅.

[m] intuition by evie warner

prof oak's past coming back for him and gary's the target. ash caught up in it too. going off from the glitch in the games w missingno. this one is abandoned but it's still So Good. got me reading thru this in one sitting.

[femmespoiled]

Amy Warner Candela - For Charlie on the Eve of Our Wedding in The Femme Mystique edited by Leslea Newman

In honour of valentine's day this past week 💌

ID under read more

ID: Three parts of an essay from Amy Warner Candela - For Charlie on the Eve of Our Wedding in The Femme Mystique edited by Leslea Newman

The first part presents text.

The author is Amy Warner Candela.

The title is For Charlie on the Eve of Our Wedding.

The text continues and it reads:

October 22, 1993

"Tomorrow we are to be married, and I am confident that it will be the wedding I have always wanted.

Every detail of what will become the wedding is precisely what we want; nothing is out of place. I will be wearing the most beautiful dress and the most beautiful veil I have ever seen. You will look gorgeous in your tuxedo. The flowers are exactly right. The ceremony will be perfect, because we created it together. Our closest friends and most of our families will be with us, just as we have always wished. The music is what I picked out as a little girl. We have planned and prayed and organized and practiced and crossed our fingers for months now, and I know it will all be worth it.

What is the reason that this is everything that I have wanted? You. You are all that I want in a woman. In my mind's eye, the wife I pictured never had a face. Then you came along, and the blank was filled. That butch dyke is you!

You already know why I am marrying you: I want to spend the rest of my life with you. I want to sleep with you every night and make your breakfast every morning. I love knowing that you'll be at home waiting for me after another very long day. I love knowing that every time I feel pleasure, it will be from your touch, your words, your heart. I love knowing that you always make me feel safe, you constantly protect me. I love know- ing that no matter how hard it gets for us, you and I will never abandon our commitment. I will love being your femme wife.

I have always known these things, even before you proposed and put that diamond on my finger. But I want our commitment to be blessed. I want to share our marriage with the people we love, and I want to show the world that I am proud to take your hand. This is why I want to share a last name with you.

Amidst all of the chaos of the last few days, I found time to think about what it will mean to be your wife. It is going to take a lot of patience, thought, and strength. I'm afraid we will always have to face troubles from our own community. We will always have to turn away from the stares of our"

The first part is on page 60 of the book.

Second part shows a picture of a woman in a wedding dress, veil and holding a bouquet of flowers. Text directly underneath the image reads: Amy Warner Candela - October 23, 1993.

(text continues from the other page) "so-called sisters. We will constantly need to defend ourselves. But I have never questioned that it will be worth it.

From the day we met, I knew that we were right together. I have never felt so comfortable, so completely free to be who I really am. From my core I am a femme. That spirit has always been there, repressed by androgynous pressure. You brought out the femme in me. Not only do you want it, but you cherish, honor, and respect it above all. I love you so much for that. I see the admiration in your eyes every day when I am dressed for work. I can see the joy and respect in your smile when we dance. I can feel your love and honor all over your body when we make love. I can hear the appreciation in your voice when you tell me how beautiful I look. And I sense your pride and adoration every time you defend me to the others. Thank you for nurturing and treasuring the femme that I am. I will do my best to do the same for the butch that you are."

The second part is on page 61 of the book.

Third part has text that reads:

"I know the anguish that you have experienced as a butch. I cry for the pain that people have inflicted upon you. I try to dispel your fears of the simplest things: a certain touch, a trip to the ladies' room, a doctor's office visit. I wish I could erase the malevolence for you, just as you constantly comfort me. My sorrows have been different yet the same. I never fit in with the crowd. Assumptions are made about me every day, and expectations of me are great. I must sustain my inner strength; not just as a lesbian, but as a femme. I never knew that being a femme would be so much harder than being queer. We are both gender-benders: you challenge the straight community while I challenge the lesbians. We are both cross-dressers: you wear men's clothing, I refuse to even attempt the lesbian androgynous status quo. I am convinced this is why we are so perfect together: we comfort, and complement, and contrast all at the same time.

We must continue to defy the expectations of us. We can draw upon each other when we need to stand tall against pressure from the community in which we first found our strength and reassurance. Our wedding is a challenge to that community. How many times have we heard, "Are you both wearing dresses or tuxedos?" It's ironic that lesbians asked this question most often, and that we must explain and defend our freedom to the people who claim to fight for it.

Despite the obstacles, I come to you with love, with faith, and with the promise to give you all that is me.

(signed) Amy Warner Candela"

Third part is on page 62 of the book.

End ID

[jeffbiblesupremacy]

Jeff's interview for Mint Magazine Thailand

Let’s Make Everyday SATURday (x)

Translation below

After KinnPorsche The Series World Tour 2023 and Jeff Satur Live on Saturn: First Solo Concert in Bangkok, the first solo concert of Jeff Worakamon Satur ended beautifully, and Mint and him met again to catch up about his works. Jeff has grown tremendously as an artist who has his music but also his acting and he has shown his skills to the eyes of the Saturdays throughout the year.

It is believed that the definition of the world "artist" is different for each person. For Jeff Worakamon Satur, also known as Jeff Satur, being an artist is being a storyteller, to convey the stories to the audience with sincerity and spirituality, and without any frame or line, because Jeff's artistic prowess is boundless, just like the story he's going to tell you in this interview.

Mint: What role do you identify with the most? Being a singer or being an actor?

Jeff: In fact, my root is being an artist. I feel like the responsibility of an artist is telling stories. For me, I started with telling stories through songs. Then it expanded to tell stories through acting. Therefore, I'm not looking at myself as a singer or an actor. I'm an artist that shows my true self to the audience.

Mint: What made you come back to music?

Jeff: I don't reckon it as a coming back to music. I’ve never left. I have continued working on my music. Just that, at that time, there was an interesting opportunity for acting. The role was interesting, it fitted me, and I could do it great. Kinnporsche is the only story. I can confirm that music is still my priority tho.

Mint: What criteria do you use to choose a show/role?

Jeff: Actually, there is nothing specific, but it has to be a story that interest me. Personally, I've been listening and telling stories since I was a kid. I like listening stories, watching movies, watching cartoons, watching series, and devouring every story. I grew up with these stories, so I live with a lot of them. I look for new and interesting stories with different plots that make me feel like I want to be part of those storie

Mint: What inspired you to choose Kinnporsche when you just had re-debuted with Warner Music?

Jeff: I get this question a lot during interviews. The first question always was "do you see yourself as a musician or as an actor?" and I would answer "I'm a singer, I don't like acting. I can't do it". In the past, I had never accepted an acting job and I always wanted someone else to be in my MVs, because I didn't like acting and I didn't like to see my face on the screen. I was like I just want to sign autographs, let someone else do the acting instead.

My re-debut with Warner Music was 2 years ago, and I chose the "No boundaries" concept, because I wanted my work had no limits or line. I feel like I've grown up in a way that I shouldn't have a limit to work in anything. If I want to tell something or play something, I just do it. The division is a fictional thing. Being a singer. Being a actor. Even about women and men, about love. All of them are human-made frameworks. I decided to cut them off and focus on being an artist in my own way.

Mint: Do you think you'll change more in the future?

Jeff: I can't answer for the future. It may changed. But now... I don't know. Maybe I will be more open or maybe narrow down until I can find something that truly fits me. In this moment, I feel like the more I open, the more I can see clearer what fits me and what not. Where and how much I can add myself into the works. At the end of the day, all the 6 songs I released are totally different but they all are my songs and they are me today.

Mint: Are you happy with your old works?

Jeff: I'm very happy. I'm happy with everything I've done, even with my old works.

Mint: Since the day you joined Be On Cloud, do you feel like you have grown up?

Jeff: I've grown up a lot. Working with Be On Cloud has been one of the most important moments in my life. Their work culture have made me grown a lot. P'Pong has taught me how to grow up, how to change in terms of working methods and how to think as well, not only as an artist but also as a person who wants to follow a direction as a CEO.

Mint: What's do you think is the difference between Be On Cloud and Warner’s work culture?

Jeff: P'Pond is a very creative person, he's an artist whose projects are very sexy. I got a lot of great things from him, both as an artist and as an executive, and it has a balanced level of familiarity and professionalism.

Warner is being very professional since the beginning, and as time goes on, it's becoming a family with the Global Company system. Although it's a professional style, you can feel the human touch and the love is put into work.

Mint: Personally, what kind of working culture are you most comfortable with?

Jeff: I like both. They have different advantages, so I decided I want to try it for myself. And Studio on Saturn was born, wich is a Jeff Satur Management Company (laughs). It's a co-management with Warner Music, which means I'm in charge of the creative direction and they will help me to make them come true.

Mint: Has working with these two companies changed you?

Jeff: I think the change has to do more with myself and being working in different genres. The more I open up, the more I feel myself, and the more I have the desire to be myself. Especially when I look back to my acting roles, I feel like there are still parts that I want to expand and play on the stage. I started to see clearly what I like in the show. For example my last MV has a lot of me personally than the first MV I released. Working with Be On Cloud and Warner Music have encouraged me and let me dare to be myself.

Mint: So before that, you didn't dare to be yourself?

Jeff: I didn't dare. In the past, I was quite afraid of how others would look at me. I was afraid that people would categorize me in a way that I didn't want to. So I didn't dare to do anything. For example, it took me 3 years to upload my first video on YouTube, because it was easier just to sit in front of the mirror and play the guitar comfortably, without lightning or a camera. It turns out you have to be the one who dares to take yourself out, just by yourself.

Mint: Why didn't you dare to be yourself back then?

Jeff: I think it was because I didn't know how to be myself. I used to not believe what I thought was right. Some cultures make you think that being yourself is not always right. For example, when I was a kid, if I painted my nails or wore eyeliner, I would be teased by my friends. The society didn't empower me to be myself. At home, my mum supported me but when I was outside, the society looked at me in a different way.

Nowadays, there is a lot of talk about gender diversity and beauty standards. I think it has opened many doors for everyone to dare to be themselves more without having to care about what people think/say.

Mint: So we can say that Jeff is being himself now.

Jeff: Yes, in the past, when I was on stage, I was myself but at the same time, I was worried if I was singing right or if I was performing right. If I had to walk or stay still. If I had to come back to the middle of the stage... It turned out that the focus was wrong. Even if I still focus on the work, I can say that I'm 100% myself.

For example my last concert ended without me even realizing it (laughs). The audience probably felt the same way. It went so quickly that I didn't even have time to think anything. I just performed.

Mint: What do you get from Kinnporsche?

Jeff: I always get something back to be someone other than myself. Whether from 'Kim' in KinnPorsche or 'Dan' that I played in the drama "Closer", they always teach me something. From Kim's character I got the courage from him without knowing it. I developed some skills and now they're part of me implicitly. I dare to be myself because Kim's courage came to me.

Mint: You're famous now. Is it what you were waiting for?

Jeff: I don't think I'm famous but my work is more widely known. But it's not something I was yearning for (laughs) I just want people to listen to my music. I want these songs to reach them. What I'm most proud of is that my work has inspired others. I used to write a blog and the message of my blog has helped many people who wanted to commit suicide and I got messages back to tell me they feel better because of my work. No matter what kind of work, but I feel like this is the essence of being an artist. I want my work to inspire others. That's what means to be an artist for me.

Mint: How much does Jeff Satur value his fame today?

Jeff: I value the work. Some people may look at how-well known you are as a success, which it's not wrong, but I feel if you pay attention to how famous you are, you will have the wrong focus. If you're chasing after fame, it will never come to you. But if you work for doing a good job, then the fame will eventually be there. The most important thing is don't compete with other, compete with yourself. Also, fame will be gone one day, and Jeff Satur will not be here forever. But as long as I can be someone's inspiration and sell produce good works, then I will do my best.

Mint: Do you think Kinnporshe has helped people to get to know you?

Jeff: Very much, very much. It's being one of the most important turning points in my life. Including the song "Why don't you stay" has make people to get to know me and listen to my other songs as well. It has pushed me both in my acting career and my music career.

Mint: Have you ever felt sorry that people didn't know you before Kinporsche?

Jeff: I think everything has its own time. If I listen to "Afraid to say" now, I would need to cover my ears (laughs). I felt it was not the right time. I have improved my singing a lot as well as my confidence, which back then was not as strong as today. The stage is my safe place now, and I feel so relaxed on it. I can live there. So I would say everything, including my perception, is at the perfect time. Not better, not worse, but just perfect. It's the best moment.

Mint: Have KinnPorsche The Series World Tour 2023 help you to support your next step?

Jeff: It has helped. The World Tour allowed me to meet people that I don't usually meet like fans abroad. There are places like Taipei, Vietnam or Singapore that I'd never been to, But once I went and I could see how there are people who actually listen to my songs and they sing in Thai is wow, so there is an opportunity to do a World Tour.

Mint: We’ve seen you being more playful on stage, what gives you the courage to unlock this part of you?

Jeff: I've said before that fans like to do memes with my face, right? Like when they find something funny or hilarious. They do like everything about me, even the parts I don't like at all, so I don't have to be cool all the time if I can make them happy anyway. In fact, we're crazy people. When I go to stage, it's the same. I'm tired of "oh, the camera is here, give me a good angle" (laughs)

Mint: Your first solo concert is the starting point or a checkpoint?

Jeff: It's the end of the last chapter. It's the beginning of a new chapter and the end of the last chapter. Oh, what a poet! (laughs). I never thought I could tell the story of my life at the beginning of my concert. The VCR is like a video that I wrote about what I experienced when I was a child, what I used to play and what kind of music I used to hear. There I was playing with Joey, then I was playing the harp, and listening to Korean music too. Perhaps people don't know it, but I'm a Korean music fan, so I picked all of these things to tell. There are many things in my life that have been conveyed through this concert.

Mint: Was your first idea for the VCR like this?

Jeff: Have you ever watched Evangelion? It's an anime and the ending is very confusing, but I think the idea was cool, so I though Why don't I try to tell life stories? Think about it like a sound is made with a story, so every sound has a story, and everyone has a different sound, but also I have a sound that I've collected unconsciously. I want to tell people that there are sounds for everyone. Sometimes there are songs that sound bad but there are not bad songs. There isn't a sad song for everyone or a love song for everyone. it's just one of your songs.

As for the sound of tearing the screen... At that time, I thought it was a cool idea (laughs). That part is dark, right, and then it starts tearing. I explained it to my team and everyone was confused so I got acrylics colors and black paper and I painted it to show them what I wanted and they finally got it. I watched that scene a lot of times and everyone was like, "hey, what's going on?" (laughs). It was just like I imagined in my head, but I didn't do it in the middle of the stage as I wanted at first.

Mint: How do you handle your ideas when you're working with others?

Jeff: First of all, I write them down. Write them all over my phone no matter if they're good or bad ideas. But write them down first. Then, the next day I will check them to see if there's something that works. As for the moment when I have to show them to others... sometimes I have problems explaining them so I have to make them first to see what it will be like. But everyone is always respectful and understand it.

Mint: In addition to this idea, you also chose all the songs for the setlist.

Jeff: Yes, I chose all of them and put them together. The videos, the ideas, the outfits, the set... I feel like people will think that the performance is very serious, but it's a place for us. I feel like I live on stage because it's my safe zone so I want it to represent me.

Mint: Why did you decide to put the song "ไม่กล้าบอกชัด" (Afraid to say) on the setlist?

Jeff: It's a reminder of the beginning. I've reached a safest point, the middle, but this song is part of me and it reminds me of my childhood and how he's known as Jeff Satur now, so why not sing the first song that made me known? I sang this first song with him in the back of my mind. We're far away and maybe he can't see us clearly but I sang that song with him. Slowly I've come forward and end up on a stage, so it was like meeting him with the first song.

Mint: You are involved in every step of your work so, do you get obsessed with the result?

Jeff: It's hard, like in the music video, I sat and edited it as well. I sat and use an editing program to tap and see the frames because I wanted the image in my head to come out as straight as possible. P'Pan, who is the director, helped me. If my idea wasn't working, I had P'Pan to guide me. He listened to my idea and my story and helped me to write it, so I have to thank him very much.

Mint: What else will we see in the next step?

Jeff: There are many things that I can't say but I'm very excited to try out. I still want to try to play in a movie which it's something I've never done before. I have some collab projects with a thai artist and with a foreign artist too, which I never thought he would want to collaborate with me. And there are places that I've never been and I'm very excited to go. I can't say anything right now but it's coming very soon. Everybody will slowly see it like reading a novel and wondering what the next chapter will tell (laughs).

Mint: Anything you'd like to say to the future Jeff Satur in 2 years?

Jeff: Live a happy life because you owe me one.

[spiderdreamer-blog]

Tarzan (1999)

It's hard to define sometimes where the end of the Disney Renaissance period from the late 80s through the 90s is. After the release of The Lion King, the 2D animated features steadily made less money and critical acclaim became more mixed. There was a sea change occurring thanks to more competition from companies like DreamWorks and Warner Bros., as well as the advent of the computer. For me, the dividing line is 1999's Tarzan, mostly because it's after this point that we get to what I and others call the 2000-2004 "experimental" age with films like The Emperor's New Groove, Atlantis: The Lost Empire, Lilo & Stitch, and Treasure Planet. But Tarzan has much in common with those films, representing a step away from the Broadway musical traditions and into a new, intriguing arena of animation storytelling. It's genuinely one of my favorite Disney films to revisit, and I hope this review helps explain why.

The story takes Edgar Rice Burroughs' initial novel Tarzan of the Apes as a guideline more than an actual adaptation, namely ditching concerns about nobility wealth inheritance and unflattering black African caricatures (the spinoff TV series would deal with the latter in trying to be, uh, less problematic about such). We pick up with Ye Olde Dramatically Convenient Boat Wreckage in a truly commanding opening sequence set to Phil Collins' anthemic Two Worlds. Tarzan's unnamed parents land in Africa and are put in parallel to gorillas Kala (Glenn Close, at the time coming off a very different performance for Disney as live action Cruella De Vil) and Kerchak (Lance Henriksen). Tragedy strikes for both families, and where one loses his parents, another gains a son. But Tarzan (Alex D. Linz as a child, Tony Goldwyn as an adult) grows up knowing he is "different", desperate to prove himself as an ape and belong. He seems to find an equilibrium, becoming best friends with Terk (Rosie O'Donnell) and Tantor (Wayne Knight at his most nebbishy), and even managing to vanquish Sabor, but then strangers arrive. Strangers who look like him, in the form of British scientist Archimedes Porter (Nigel Hawthorne), his daughter Jane (Minnie Driver), and their guide Clayton (BRIAN BLESSED). Now things steadily grow more complicated as Tarzan wishes to learn all he can about these outsiders and himself, but what might it cost?

One of the first, most notable things about the film to me is its complexity in the writing and characterization. Looking back, the Renaissance can have a problem in terms of male leads being love interests who don't get as much focus or slightly bland focus-tested "likable". This isn't true for ALL of them; the Beast has many layers to his personality, while Simba and Quasimodo are great, imo, because they have more baggage tying them down and thus more to rise above for true heroism. Nor does it make most of them bad characters. But it was notable enough, as was the tendency for them to be overshadowed by the villains or sidekicks, for co-directors Kevin Lima/Chris Buck and writers Tab Murphy/Bob Tzudiker/Noni White to slightly...course-correct.

Ergo, Tarzan himself is very much the main focus here. There's only one major sequence that he's not really involved with, and even when he's not onscreen, the other characters are as intrigued by his contradictions as the audience. (Insert your own Poochie jokes here, though obviously it doesn't come CLOSE to that) We truly feel his anxiety about fitting in, and the lengths he goes to are intensely relatable even at their most self-damning.

The other characters, too, feel richer and more lived-in than many of the standard types. Kala is a mother figure, one who tries to make Tarzan feel like he belongs, but is deeply scared of losing him. Kerchak is possibly my favorite character in the film because of how much you have to read into his actions because he holds so much back emotionally until the very end. Even then, he comes off as a more realistic harsh father figure than a caricature, and we can always understand where he's coming from. Jane is one of the best Disney love interests, meanwhile, feeling like a modern romantic comedy heroine with a lot of drive and initiative, as well as being just genuinely nerdy, which you don't often see even today. Clayton manages a nice two-step of seeming like an obvious bad guy but playing things down the middle until he gets what he wants. Even the comic relief gets good moments, such as Professor Porter gently supporting the romance or Tantor standing up for himself at a critical juncture.

Of course, what helps here is that said characters have some of the most beautiful environments and animation backing them up in Disney history. The African jungle is depicting as a kind of painterly, hyper-real fantasy, with impossible tree shapes and vines that bloom in the sunlight. And the then-revolutionary Deep Canvas CGI process allows Tarzan to soar through them, the camera spinning and rotating with each movement. The design sensibility is "classical" Disney to a large degree, but with slightly longer faces or larger eyes to add expressiveness. The California, Parisian, and Florida animation teams all clearly busted their asses to make this come to life. And Glen Keane's work with the Paris studio on Tarzan might be the best of his legendary career in terms of the variety of movements and subtleties in expressions. So too goes the rest of the supervising animators: Ken Duncan makes Jane truly lovable and wholly distinct from the likes of his Meg or Amelia; Randy Haycock gives Clayton a macho swagger that feels entirely his own rather than feeling like a Gaston ripoff; Bruce Smith combines remarkable anatomy work and microexpressions with Kerchak; Russ Edmonds' Kala is warm and motherly while never letting you entirely forget she's a gorilla; Dave Burgess makes Porter funny with his slightly squat, short shapes; and Mike Surrey and Sergio Pablos make for an excellent duo on Terk and Tantor in terms of contrasting their size, as well as the latter giving nervous-nelly body language to such a huge character. That's harder than it looks.

The aural end is just as good. Much hay and memery has been made of Phil Collins going ridiculously hard on the storytelling songs, which I fully support. But it really is true that they add so much here and take the burden off the characters in terms of singing save for the improvisational scat number "Trashin' The Camp". I'm partial to "Strangers Like Me" in terms of the earnest yearning and connections that Tarzan makes over the course of it. And of course the various versions of "Two Worlds" are essentially the mission statement of the film, complete with absolutely bitchin' percussion. Mark Mancina's accompanying score is also excellent, sounding like a fusion between The Lion King (which he produced/arranged for both the film and Broadway show) and his action movie work on projects like Speed or Bad Boys. Particularly great is the cue that plays when Tarzan defeats Sabor and builds up to his classic yell, which milks the heroic triumph for all its worth.

The voice cast is also excellent top to bottom. Goldwyn has a deeper timbre than many Disney male leads, less of an ingenue, and this adds to the stormier emotions; we truly feel his pain on lines like "Why didn't you tell me there were creatures that look like me?" But he's not TOO grim, thankfully, and gets some good subtly funny moments such as sounding out monkey noises in a conversation that Jane only hears one half of. Close is properly maternal, of course, getting her best showings in emotional one-on-ones with both Linz and Goldwyn as they hash out their relationship. Henriksen, like the animation, wisely underplays Kerchak and lets the emotion come out through his gruff, gravel-pit voice rather than obviously signaling things. Driver is hilarious and winning as Jane, getting some of the best laughs and most sweetly tender bits of the proceedings. It's all the more impressive when you consider she played Lady Eboshi in the Princess Mononoke dub the same year, which is the utter opposite of this performance. BRIAN BLESSED doesn't do a lot of his patented BRIAN BLESSED yelling outside of some choice bits at the end, but he makes a meal of Clayton regardless as a charismatic asshole, and I like how he plays a climactic bit of manipulation in particular. Hawthorne gets a much better showing here than his previous Disney voice role as Fflewddur Flam in The Black Cauldron, daffily sweet and humorous in equal measure, while O'Donnell and Knight are familiar vocally but use that to inform their characterizations rather than distract.

I think what I like most about this movie is that it feels incredibly well-rounded. Some Disney movies from this period might have a great villain or sidekicks but a weaker protagonist in Hercules or strong protagonists/villains but a weaker supporting cast as in The Hunchback of Notre Dame. (Then you have Pocahontas, which sucks on ALL ends!) In Tarzan, everything feels of a piece, and nobody jars against the tone or mood. Combine that with the dizzying highs of the animation and truly excellent emotional beats, and you've got a real winner that stands the test of time in my eyes.

[lazirayxi]

hi neli!!!! you probably noticed how i was going crazy in my tags over ur art jghkkjg, i just now remembered that asks exist and that i should drop in to say smth first of all, i LOVE your art!!!! ur style is suuuper cute, and your silly little mice drawings are some of my faves in the patb fandom💕 i'm especially happy abt seeing a bunch of sleepy snuggling ones, i literally think about pinky and brain cutely sleeping together all the time but couldn't find any fanart like that, so ur blog is like a dream come true to me!! like honestly i saw them and went 🤯🤯🤯😫😫🥺🥺🥺🥰🥰 i genuinely love all artists in the patb fandom bc there's a tooon of wonderful talented and original ppl, but ur style is definitely one of the cutest imo, i looove when ppl draw mice fluffy and with huge ears!!!! i think it partially reminds me of bunnies, so they end up looking like two coolest rodents at the same time!! aand that also makes ur dark pinky fanart cooler, because dp looks adorable but is still a bad bitch so it kinda creates a contrast of sorts jgkhj i love that sm but like mice aside, ur woy fanart is so cool?? AND YOUR WARNER SIBS ARE ACTUALLY AMAZING???? i kind of wish you would draw warners more just because they look so nice in ur style (its okay tho if u want to just draw gay mice i totally respect that💯💯) also this is a bit unrelated but i was sooo surprised to see someone reblogging m&m stuff kljklkjljl (as in мастер и маргарита), не каждый день тут встретишь ценителей русской культуры 😌 anyway, amazing blog, amazing art, amazing taste in music (against the kitchen floor is literally pov brain realised that he's way too avoidant and you can't change my mind), u are very cool and i'm glad i found u on here👍👍 with love from blooky💜

OH MP GOD. For your information im not used to receive so many compliments at the same time and I’m kinda overwhelmed, but in a very positive way. THANK YOU SO SO SO SO MUCH ???? Drawing eepy snuggling mice is something I’ve been made for, that’s kind of my favorite genre of brinky art </3 I’m glad you love my art style, too, i love drawings the mice with huge ears, they’re so silly <3

I actually want to draw Warner sibs more, i just still didn’t completely develop an artstyle for them, but i miss them so much.

Also THE MASTER AND MARGARITA APPRECIATOR??? I literally FELL IN LOVE with this book the second I finished it, not to mention that I’m a huge Russian classics enjoyer in general, but Bulgakov has some books that i can reread many times and not get bored. Кстати русский я тоже неплохо знаю (8 лет жизни в России дают о себе знать) :3

Anyways. THANK YOU. SO SO MUCH. YOU LITERALLY MADE MY MORNING, MIGHT AS WELL A WHOLE DAY. IM LITERALLY SOBBING /POS. PLANTS A SMOOCH ON YOUR FOREHEAD THROUGH THE SCREEN /p

[reggiejworkshop]

"The Record Store"

These types of stores are always a neat place to visit if you happen to have any interest in music. While they're probably not as easy to find nowadays since many prefer the digital route when it comes to getting music, they're definitely worth seeking out to take a look. You can find all sorts of records here. A rare cassette bootleg from an indie band, a out of print album that's only available on vinyl,  a famous album that managed to find its way in the bargain bin, or tons upon tons of one dollar soundtrack CDs that are usually ignored. But on top of finding different kinds of records in these stores, you can find all kinds of people too. Music lovers, casual browsers, music collectors, audiophiles, and sometimes musicians. And when you bring all these types together, you get all kinds of conversations too!

Record Collector: "I'm telling you, a Japanese import of this Cars album can go up ten times as much as this used one. The sound quality is amazing compared to this!" Casual Browser: "So I'd be dropping an extra grand just to hear less cracks and pops?" Max Goof: "...oh sure, and Powerline's my older brother!" Grunkle Stan: " No really, I know these guys. Let me tell you how I once got in a slugfest with Henry Rollins at Lollapalooza!" Phillip J Fry: Weird, I thought these things died out before I went to the future. ( looks around)  I am still in the future aren't I?" Wakko Warner: "Hey, Rumplestiltkin! Can I look at that when your done?" Groundskeeper Willie: "Ay. Sure thing, laddie. Just don't call me that again." Seller: "You sure you can't take em? Only half of these skip!" Record Store Guy: "Sir, we only take non warped records here. Begone, record warper!"

This is one of the places I always try to go to whenever I get the chance. One thing I love aside from drawing is collecting and listening to music. And most of my musical tastes were forged from the various finds that caught my attention within these stores. I don't visit these places that often nowadays, one because I rarely have the time, two it gets really expensive. You'd be surprised how much money you can end up burning through just from going through the bargain bin selections week after week. 

So I wanted to do a new crossover fanart piece that's loosely based on my experiences in visiting these stores. While I tend to go for a retro look in my artwork already, I decided to do something different by using a standard comic book color sheet. One that contains only 64 colors.  While I did end up doing a lot of extra color mixing further down line, I mainly kept with colors in the pallete, one so I would have less difficulty in choosing colors, but also so it would have more of an old school look.

Here's a link below to the various comic book color palletes if anyone is interest in trying that out. http://www.madformidcentury.com/2013/10/mid-century-color-palette-in-comics.html#.ZCujJXbMKM8

See how many characters you can spot here! And for a harder challenge, see how many album covers are here as well!

[siremasterlawrence]

Jungle Fever

Jami Lomas is on a vacation from his fame, family, life and career on a private isle paid for by me unknowingly to him it seals his deal permanently for the rest of life his life indeed.

He inhales his the fresh air deeply taking a heavy dose of clean air into his lungs before he breaths out and sits down on a rock in the far corner and leans back his head with it in the air.

He places ear buds in his airs forgetting all of his stress, problems and worries that use to consume him as the area become heated like a sauna burning him up in a fit of fiery fury.

He could feel the sweat covering the entire jungle causing him to perfuse a horrid under arm pit and he leaps up attempting to fan his sweat off of his body with being clothes he is shocked.

He digs under his polo shirt lifting it up over his head slipping off of his body is flesh of glittering wet sweat flying off his bed as his heat is a mess and then haze overtook him again.

He can’t help him anymore next thing is to remove his hand on the his belt, undoing it letting it slip to the ground he fells a heavy load lifted when his pants drops from his waist.

He kicks his legs as the pants go off to the side revealing his masculine body in all of its glory. He believes he is imagining his image is now suddenly seeing his own image in front of him.

He spun about doing a little dance as he is checking out his body he became obsessed himself walking close to the imager he cups using chin and messes with his scruff he is now noticing another man.

The young man steps behind him placing his hand high onto his shoulder he firmly began to rub it carefully Jamie can’t help it he is giving in slowly.

“Who are you?”

“I am yours God”

“Yes God!”

“It takes one more action”

“For what”

“To be free”

“Free of everything “

“Just succumb and kiss me”

“As you wish”

A huge yawn can be heard erupting up in the middle of the jungle fellow Hollyoaks star Ashley Taylor Dawnson woke up in a strange place because he was in his trailer dressing room.

He is surprised to see the young man slowly and leisurely walking into the area with his fellow cast mate Jamie on his shoulders with a dumb expression and wearing only leaves on his waist.

The man laughs a bit tightening his grip on to a wooden flute that he throws in the air catching it as Jamie stands emotionless and obedient with no will over his one ever existing.

The man begins to place the tip of the flute in his mouth blowing into it the music start to float from it the music is so melodically so beautiful engaging as Jamie’s eyes turn blue.

His feet jump up starting to do a crazy little lines of are multicolored spread throughout the delicate natural arena of the jungle it is consuming it soon the jungle is growing at an enormous rate.

Ashely dances across the room facing his ex best pal touching his shoulders the music is now enhanced hitting all of his senses as the beat loses its control and he is up to as well.

“Thanks buddy! This will be pleasurable”

“Master will care for us”

“He embodies us all”

“His flute playing is godly “

“Almost abnormal “

“I can’t ignore it”

“A childish mistake”

“Why argue with a man who is right “

“His destiny is to rule you “

“Yours is to be his”

“Dance and dance away “

“Mwahahahahaha “

“Good boi! This is your life now and forever “

“Owen Warner!”

“Where am I?”

“Stay where you are”

“Answer me”

“I make the calls here”

“Zip it “

“Strip”

“I obey “

“Why did I…”

“Because I am your Master”

“My master…hell no”

“Wait….think very carefully “

“What do you …l

“I already own you”

“Your new home…paradise “

“This is how you will love”

“How you will live”

“How you will serve”

“Put these one”

“So much more relaxed “

“I comprehend now…I am your property “

“Hello? Is anybody else here? What is this place?”

“That music”

“It’s ….its”

“I hear and obey “

The end

[rainsparadiso]

Now that I’ve actually got my music streaming correct (been off the scene for about a decade..((tragic, i know)) too much dancing and not enough singing), I’m happy to celebrate my ever-lasting love for music 🎧

So here we go, I’m sharing 4 songs every weekend to bring the people happiness and inner warmth for the soul, starting with songs I would say I have the deepest connection with; this week it’s all about the rock and roll just to show you guys what I’m about.

Firstly I want to show you Iggy, the man famous for being a sex-crazed, drug-maniac who was always writhing around on stage, cutting himself with glass and who was in and out of rehabs* for his hardcore lifestyle.

*David Bowie famously used to bring him his heroin whilst he was meant to be getting clean.

IGGY POP-LUST FOR LIFE

>>>>>>>>>>>>>>> <<<<<<<<<<<<<<<<

Secondly I am proud to show you the only artist of this week’s list that I have actually seen live (he still checks in on my mum on socials to see how she is ^^’). Also a heroin addict for many years but from what I know I would class him as a reasonably responsible drug user “I’d always try to be as clean as possible when I was playing music”. Another reason why I am proud to show you this song is that it features in ‘Paul’ (starring Simon Pegg, Nick Frost and Seth Rogan*). What I’m trying to say is I heard the song before the movie and regardless here it is. I give you…Peter Perret and The Only Ones

*Sigourney Weaver also stars. (sci-fi royalty..Alien <3)

(search: The Only Ones -Another Girl Another Planet)

THE ONLY ONES -ANOTHER GIRL ANOTHER PLANET

>>>>>>>>>>>>>>>> <<<<<<<<<<<<<<<<

Nearly at the final track but before that we have the Hanoi Rocks, headed by frontman Michael Monroe(pictured. blonde). A Finnish glam-rock group who basically crafted the genre and went on to inspire ‘pioneering’ groups like Mötley Crüe and Guns ‘n’ Roses. Well, fuck them! The Hanoi Rocks were the REAL DEAL! THE REAL PIONEERING MUTHAS IN 80’S ROCK! Other members of the band included Andy McCoy and Razzle* (R.I.P)

*portrayed in (2019) The Dirt, movie focusing on the Crüe’s rise to fame through drugs, women and booze

HANOI ROCKS-DON’T YOU EVER LEAVE ME

>>>>>>>>>>>>>>>> <<<<<<<<<<<<<<<<

Finally, I believe this can change and grow the feelings you might have of an old flame (sorry! 🙈🙉🙊), it ignites so much passion in myself and really puts you in a mood that makes you want to pack your things and find the one. If you haven’t heard her yet; you’re welcome.

PATTI SMITH -BECAUSE THE NIGHT

>>>>>>>>>>>>>>> <<<<<<<<<<<<<<<<

Tune in next week, for more.

[hagstones-and-howling-hills]

i would LOVE to know your thoughts on legally blonde movie vs musical!!!!!!!

Ooh boy where to start dude.

Firstly, I personally prefer the musical but that’s because I like musicals. I also think that song is a great way to convey character and theme. Love me a reprise. So this’ll be a little biased towards the musical. Also Imma focus a lot on character because that’s my favourite part of any media.

I think one of the biggest changes that interests me is with Callahan's whole deal and the repercussions of it. The decision to change the scene in the film into actual physical assault I think was a good choice because it raised the stakes and made Warner and Callahan look like bigger assholes. I also think that moment where Vivian recognises what has happened and shuts Warner up really enforces the idea that women have to stick together in male dominated fields like law and in some way it replaces the scene in the film where the female professor encourages Elle. I like the musical direction to have Vivian be the one to bring Elle back to law but I think it's important that in the film its an older woman in some position of power who is telling Elle to stick with it. There's a feeling of "this is a woman who has fought her way through" and her being rude to Elle earlier makes her encouragement hit even harder. Like I said I do like that Vivian takes her place and I understand why that female professor was taken out of the musical what with casting and time frame.

I overwhelmingly prefer Emmett in the musical. I think most people do because he gets so much more character development. I like the dichotomy emphasised in their backgrounds and I think it's important to acknowledge Elle's privilege. Yes she got the grades for Harvard because of hard work but her dad's still footing the bill. Not only that but she can drop out at any time and still have that money to fall back on. I think Emmett is one of those situations where the love interest and main character better each other. Obviously Elle is humbled by Emmett's backstory and learns to take things more seriously but Emmett also develops from his relationship to Elle. I think the scene in the store is very important- this is Elle making him up, giving the confidence he needs through the medium she understands: fashion. She hypes him up by making him look hot where before Emmett had hyped her up by showing her how smart she was. Both of them lift each other up and help them see the best of themselves.

When it comes to the trial I have mixed thoughts. I think "Legally Blonde" does the assault and aftermath with more emotion but I've always been of the opinion that music makes everything bigger emotionally. Obviously there's also the homophobia but I think that can be overlooked more in the musical because gay or European is such a banger. Not to mention how many queers adore legally blonde in all of its forms (me included). When we focus on the gay aspect I prefer the musical but I think when it comes to the trial overall I may prefer the way the film does it. I like the awkwardness of Elles trial, it really feels like her first time and we're nervous along with her. When she finally realises that Chutney killed him we get excited with her in a way that I feel is different to the musical. In the musical we know she's going to win because she goes in with so much confidence and the build up is entirely different and I think the payoff is so much better. Another point is the trial is less played for laughs like, there's a lot more comedy with the whole cutaway to the crime but the film plays the murder more seriously, especially with Chutney like, I really feel for her in the film, especially that line of "She's my age".

In conclusion I love both iterations of the musical for separate reasons, I love the soundtrack of the musical but I also appreciate the original text and the foundations it set. I mean, the musical has the advantage of being an ever evolving thing and we've seen more diversity and small changes in recent years whereas Legally Blonde the film is sort of stuck in 2001 and the culture of that year and it's aged a bit in some places. I still hold it as one of the most important films of all time, right up there with stuff like Psycho, Casablanca and The Godfather. Legally Blonde is my Godfather.