#I mean they were going to war anyway

[alicent-archive]

Hey there, whenever you feel down or feel like a failure, just remember that Viserys Targaryen, the First of His Name, King of the Andals and the Rhoynar and the First Men, Lord of the Seven Kingdoms, and Protector of the Realm, couldn't even die correctly.

[occidentaltourist]

bbc: Some sweet #Silvacre content for your FYP ❤️

[swordmaid]

i am wide awake thinking about that post canon jb au again when I should be sleeping …!!! such is the nature of the jbrainrot…

[dirtytransmasc]

saw someone say they're we're happy Alicent's and Otto's deaths forced them "realize what they had done" and like...

Otto's one thing, I get the animosity. but Alicent? your getting hot and bothered over her realizing she failed, she failed to save her children, she failed to protect them, to them alive? that she tried so hard, so fucking hard, making every hard decision, trying to get between her children and the fate they were damned to by Viserys and Rhaenyra? that she damned her kids, who were already damned to die to begin with, and had to suffer the guilt of them dying to her own hand? that she's going to drive herself mad with grief over her children, her grandchildren?

like... it's not satisfying (especially for show Alicent) watching a woman go so mad with grief it literally kills her because she fought with everything she had to save her children only for them to die anyway. ever since her father's exile, when Rhaenyra's lies took Viserys's favor, when Viserys ignored the Rhaenyra's sons bastardhood at the risk of the whole house, or when Luke took Aemond's eye and Viserys demanded good will; she knew her children's lives were forfeit. then Daemon killed Vaemond and her children's coffins were built, catching cobweb's all the while. she knew and she fought it desperately, taking risk after risk, living in fear until her moment came, she could out Aegon on the thrown, she could protect her kids, maybe, just fucking maybe they'd be safe... only for it to lead to a war that would kill her entire family.

her death, slow and tragic as it was, is heartbreaking. she didn't deserve it, she deserved to feel safe, to feel as though she could allow her past friend take the thrown without her children being at risk to feel as though she and her children weren't being circled by wolves and picked at by vulture's. she didn't deserve to live alone and die alone. she didn't deserve to have her hands coated in her children's blood.

[embryoed]

“Gale Hawthorne is a complex character” I say into the mic

The crowd boos, I slink off the stage in shame

“They’re right” says a voice from the audience

I turn, and there in the stands is Suzanne Collins herself

[whollyjoly]

for some reason i can't explain i know saint peter won't call my name

nothing that lives, lives forever - an immortal soldier!alton more au

(1.1k of snippets from my old guard(ish) au where alton more is old, too old, and has been living and fighting far longer than anyone should. full description/other thoughts at the bottom. tw: blood, violence, mentions of death)

Alton clicked the lighter closed, running a thumb over the silver case. The night was warm, sticky in a way that he never could get used to. He sucked in a breath from the cheap cigarette, letting his head fall back against the rough side of the barracks.

It was quiet. Typically, there would be no end to the commotion coming from the small building, one of many that littered Camp Toccoa. The wall of sound was ever-present, no matter if it was shouting or laughing or snoring. But whatever the cause, there was always noise. 

No matter if it was a blanket of noise he knew well, unchanging except for the language and the scenery. Soldiers are soldiers, and some things are a constant. It could almost be comforting, if it didn’t also mean that the need for soldiers was a constant as well.

However, tonight was a Saturday, and it was one of the few weekends that Sobel had allowed Easy the use of their weekend passes. Almost every man in the company had jumped at the chance to get off base, to travel home if they could and spend time with loved ones. The ones with farther-flung hometowns had spirited off to Atlanta, happy to spend their time drinking and dancing and fucking instead of slogging through another run, three miles up, three miles down.

Normally, Alton would have joined them in their carousing - it was easier to pass the time with the effortless camaraderie built during a training camp than bored and alone. 

But today had been a bad day. The sound of swords and the shift of sand beneath his feet followed him out of his nightmares, the humid summer of Georgia morphing itself into the baking, dry heat of the desert. 

His shouts must have been real, because when a hand came to shake him out of his dream, the first face he saw was not that of a grouchy NCO, but of a blood-caked Saracen, eyes alight with righteous fury. 

Alton didn’t think. He had grabbed the knife from under his pillow, an old thing that had been sharpened more times than he could begin to count, and was on the man in less than a breath, pressing the blade into the side of his neck. The familiar thrum of blood beat against his fingertips, the grit of sand scratched his gums. He knew what he had to do, had done it a thousand times, a thousand thousand times, what was a little more bloodshed spilled across his feet-

Alton had blinked, and came to himself in a rush.

Instead of an unnamed Saracen, the ashen face of Johnny Martin stared up at him, eyes wide behind the knife.

Alton drew back his hand, retreating almost as quick as he had lunged earlier. He mumbled a quick curse and apology as he stepped out of arm’s reach from the man. It wasn’t until Martin’s eyes widened even farther that Alton realized his tongue was slipping out Arabic of all things.

Usually, Alton was better about remembering himself, who he was almost as important as where he was. But for whatever reason, his demons had decided to catch up with him that night.

After a quick smile and some quip about the Krauts in his dreams, he managed to wave an only-slightly-mollified Martin off. The shorter man apparently hadn’t forgotten it though, if his watchful eyes during chow that morning were anything to go by.

Alton was just glad that no one else was awake to see it, at least. That was the last thing he needed.

And so, instead of joining in on a weekend of broads and booze, Alton found himself waving away the invitation by an eager Smokey and bemused Alley. When the horde made their way out of the barracks, fantasizing in bawdy terms about their planned misadventures, he felt like he could breathe easy.

Fucking finally.

~~

Alton took another drag from the cigarette. He watched the smoke curl, up and up until it faded into nothing amongst the darkening sky.

The lighter was a welcome weight in his hand, grounding him to this time, this life.

The design was worn by now, details barely visible after a half century of worrying. It still managed to amaze him, sometimes, what people could do with the smallest of canvases. Alton didn’t feel the same wonder however, wasn’t as mesmerized by the beauty man could create as he once was.

But in the quiet moments, he could still appreciate the time some French craftsman took to transform a hunk of metal into a small token carried around by a dead man.

Luz had spied the lighter one weekend, and laughed at him for using something so old-fashioned. Alton just shrugged, not caring to admit that he was still getting used to having a light at his fingertips. It wasn’t all that long ago when he was still lighting a pipe with a flintlock pistol, and not so long before that when he would carry around a flint and steel.

Time was passing all the more quickly these days, technologies changing and advancing, and everyone was obsessed with needing things to be quicker, cheaper, simpler. Alton scoffed. He could hardly find it in him to care.

He glanced down at the lighter in his hand, shifting it back and forth in a practiced motion and watched as the light skittered across the sides. 

It had shown flowers, once. A veritable garden of carnations, daffodils, and lilies of the valley, with leaves spilling across the front panel onto the back. They represent good fortune, he was told. Good fortune, luck, and hope. 

When the merchant described it to him, eyes ablaze with a passion known only to those with wares to sell, Alton didn’t try to hide the snort that escaped his throat. 

Fortune and Luck had abandoned him long ago, and hadn’t returned since waking up in a battlefield abandoned by all but the dead, sword in his chest and blood in his mouth. 

And what the fuck was Alton supposed to do with hope?

It was the quote on the back that had caught his eye, all those years ago in a street market in Reims. The beveled edges had faded with time, the familiar letters Alton traced were more memory by now than any physical mark. Une vie honorable est une vie éternelle.

An honorable life is an eternal life.

Alton couldn’t help but stare at the message, both then and now. He hated that goddamn word. Immortal. Unending. Eternal. 

They were such flowery words, used by people who craved what they couldn’t have, what they shouldn’t. The romanticized idea of the everlasting, the fountain of youth, the gift of life! Alton was sick of it.

This wasn’t life. He was a fucking dead man walking. And he sure as hell didn’t do anything honorable to deserve it.

months ago, while thinking about the absolute insanity of the almost...cavalier? attitude we see alton more have over the course of the series, an idea hit my brain: what if there was a reason nothing seemed to phase him - not panzers, not being a breath away from a car wreck, not bastogne, not speirs? what if this wasn't his first war? that thought spiraled me into a minor insanity that is this: my immortal soldier!alton more au, loosely inspired by the movie the old guard (2020). the idea is that, once upon a time, there was a soldier in a land many centuries ago. one day, he died in battle. and then, he woke up. and then he died. and then he woke up. over, and over. drawn to countless battles, conflicts, and wars, each one etching itself into the core of his soul. a never-ending cycle...until one sweltering summer, where he found himself at a training camp at the foot of a mountain. anyways. at some point, i plan on writing this as a full story, but that is admittedly a long ways away. however, in celebration of alton more's birthday today, i wanted to post my favorite scene that i've written for this au! it's set sometime at the beginning of the story, in the early days of camp toccoa. mostly, it's just a character study of this version of alton more. hope you enjoyed! and of course - happy birthday alton more!

(song insp.)

taglist: @sweetxvanixlla @coco-bean-1218 @bucky32557038ww2 @georgieluz @samwinchesterslostshoe @xxluckystrike @next-autopsy @ronald-speirs @land-sh @ronsparky @panzershrike-pretz @theredrenard @kyellin

[queenlucythevaliant]

Clad in Justice and Worth

Written for the Inklings Challenge 2023 (@inklings-challenge). Inspired by the lives of Jeanne d'Albret and Marguerite de Navarre, although numerous liberties have been taken with the history in the name of introducing fantastical elements and telling a good story. The anglicization of names (Jeanne to Joan and Marguerite to Margaret) is meant to reflect the fictionalization of these figures.

The heat was unbearable, and it would grow only hotter as they descended into the lowlands. It was fortunate, Joan decided, that Navarre was a mountain country. It was temperate, even cold there in September. It would be sweltering by the sea.

The greater issue ought to have been the presence of Monluc, who would cut Joan’s party off at the Garonne River most like. The soldiers with whom she traveled were fierce, but Monluc had an entire division at the Garrone. Joan would be a prisoner of war if Providence did not see her through. Henry, perhaps, might suffer worse. He might be married to a Catholic princess.

Yet Joan was accustomed to peril. She had cut her teeth on it. Her first act as queen, some twenty years ago, had been to orchestrate the defense of her kingdom, and she was accustomed to slipping through nets and past assassins. The same could not be said of the infernal heat, which assaulted her without respite. Joan wore sensible travel clothing, but the layers of her skirts were always heavy with sweat. A perpetual tightness sat in her chest, the remnant of an old bout with consumption, and however much she coughed it would not leave.

All the same, it would not do to seem less than strong, so she hid the coughing whenever she could. The hovering of her aides was an irritant and she often wished she could just dismiss them all.

“How fare you in the heat, Majesty?”

“I have war in my gut, Clemont,” Joan snapped. “Worry not for me. If you must pester someone, pester Henry.”

He nodded, chastened. “A messenger is here from Navarre. Sent, I suspect, to induce you to return hence.”

“I would not listen to his birdcalls.”

“Young Henry said much the same.”

Joan stuffed down her irritation that Clemont had gone to Henry before he’d come to her. She was still queen, even if her son was rapidly nearing his majority. “Tell him that if the Huguenot leaders are to be plucked, I think it better that we all go together. Tell him that I would rather my son and I stand with our brothers than await soldiers and assassins in our little kingdom.”

Her aide gave a stiff nod. “At once, your Majesty.”

She would breathe easier when they reached the host at La Rochelle. Yet then, there would be more and greater work to do. There would be war, and Joan would be at the head of it.

*

When she awoke in the night, Joan knew at once that something was awry. It was cool. Gone was the blistering heat that had plagued them all day. Perhaps one of the kidnapping plots had finally succeeded.

Certainly, it seemed that way. She was in a cell, cool and dank and no more than six paces square. And yet—how strange! —the door was open.

Rising unsteadily to her feet, Joan crept towards the shaft of moonlight that fell through it. She glanced about for guards, but saw only a single prisoner in dirty clothes standing just beyond the threshold. He was blinking rapidly, as though the very existence of light bewildered him. Then, as Joan watched, he crept forward towards the gate of the jailhouse and out into the free air beyond. Joan listened for a long moment, trying to hear if there was any commotion at the prisoner’s emergence. When she could perceive none, she followed him out into the cool night air.

A lantern blazed. “Come quickly,” a voice hissed. “Our friend the Princess is waiting.”

The prisoner answered in a voice too quiet for Joan to hear. Then, quite suddenly, she heard his companion say, “Who is it that there behind you?”

The prisoner turned round, and Joan’s fingers itched towards her hidden knife. But much to her astonishment, he exclaimed, “Why, it is the lady herself! Margaret!”

But Joan had no opportunity to reply. Voices sounded outside her pavilion and she awoke to the oppressive heat of the day before. Coughing hard, Joan rolled ungracefully from her bed and tried to put away the grasping tendrils of her dream.

“The river is dry, Majesty” her attendant informed her as soon as she emerged from her pavilion, arrayed once again in sensible riding clothes. “The heat has devoured it. We can bypass Monluc without trouble, I deem.”

“Well then,” Joan replied, stifling another cough. “Glory to God for the heat.”

*

They did indeed pass Monluc the next day, within three fingers of his nose. Joan celebrated with Henry and the rest, yet all the while her mind was half taken up with her dream from the night before. Never, in all her life, had her mind conjured so vivid a sensory illusion. It had really felt cool in that jail cell, and the moonlight beyond it had been silver and true. Stranger still, the prisoner and his accomplice had called Joan by her mother’s name.

Joan had known her mother only a little. At the age of five, she had been detained at the French court while her mother returned to Navarre. This was largely on account of her mother’s religious convictions. Margaret of Angoulême had meddled too closely with Protestantism, so her brother the king had seen fit to deprive her of her daughter and raise her a Catholic princess.

His successor had likewise stolen Henry from Joan, for despite the king’s best efforts she was as Protestant as her mother. Yet unlike Margaret, Joan had gone back for her child. Two years ago, she had secretly swept Henry away from Paris on horseback. She’d galloped the horses nearly to death, but she’d gotten him to the armed force waiting at the border, and then at last home to Navarre. Sometimes, Joan wondered why her own mother had not gone to such lengths to rescue her. But Margaret’s best weapons had been tears, it was said, and tears could not do the work of sharp swords.

The Navarre party arrived at La Rochelle just before dusk on the twenty-eighth of September. The heat had faltered a little, to everyone’s great relief, but the air by the sea was still heavy with moisture. The tightness in Joan’s chest persisted.

“There will be much celebration now that you have come, Your Majesty,” said the boy seeing to her accommodations. “There’s talk of giving you the key to the city, and more besides.”

Sure enough, Joan was greeted with applause when she entered the Huguenot council. “I and my son are here to promote the success of our great cause or to share in its disaster,” she said when the council quieted. “I have been reproached for leaving my lands open to invasion by Spain, but I put my confidence in God who will not suffer a hair of our heads to perish. How could I stay while my fellow believers were being massacred? To let a man drown is to commit murder.”

*

Sometimes it seemed that the men only played at war. The Duke of Conde, who led the Huguenot forces, treated it as a game of chivalry between gentlemen. Others, like Monluc, regarded it as a business; the mercenaries he hired robbed and raped and brutalized, and though be bemoaned the cruelty he did nothing to curtail it.

There were sixty-thousand refugees pouring into the city. Joan was not playing at war. When she rose in the mornings, she put poultices on her chest, then went to her office after breaking her fast. There was much to do. She administered the city, attended councils of war, and advised the synod. In addition, she was still queen of Navarre, and was required to govern her own kingdom from afar.

In the afternoons, she often met with Beza to discuss matters of the church, or else with Conde, to discuss military matters. Joan worked on the city’s fortifications, and in the evenings she would ride out to observe them. Henry often joined her on these rides; he was learning the art of war, and he seemed to have a knack for it.

“A knack is not sufficient,” Joan told him. “Anyone can learn to fortify a port. I have learned, and I am a woman.”

“I know it is not sufficient,” the boy replied. “I must commit myself entirely to the cause of our people, and of Our Lord. Is that not what you were going to tell me?”   

“Ah, Henry, you know me too well. I am glad of it. I am glad to see you bear with strength the great and terrible charge which sits upon your shoulders.”

“How can I help being strong? I have you for a mother.”

At night, Joan fell into bed too exhausted for dreams.

*

Yet one night, she woke once again to find her chest loose and her breathing comfortable. She stood in a hallway which she recognized at once. She was at the Château de Fontainebleau, the place of her birth, just beyond the door to the king’s private chambers.

“Oh please, Francis, please. You cannot really mean to send him to the stake!” The voice on the other side of the door was female, and it did not belong to the queen.

A heavy sigh answered it. “I mean to do just that, ma mignonne. He is a damned heretic, and a rabble-rouser besides. Now, sister, don’t cry. If there’s one thing I cannot bear, it is your weeping.”

At those words, a surge of giddiness, like lightning, came over Joan’s whole body. It was her own mother speaking to the king. She was but a few steps away and they were separated only by a single wooden door.

“He is my friend, Francis. Do you say I should not weep for my friends?”

A loud harumph. “A strange thing, Margaret. Your own companions told me that you have never met the man.”

“Does such a triviality preclude friendship? He is my brother in Our Lord.”  

“And I am your true brother, and your king besides.”

“And as you are my brother—” here, Margaret’s voice cracked with overburdening emotion. She was crying again, Joan was certain. “As you are my brother, you must grant me this boon. Do not harm those I love, Francis.”

The king did not respond, so Joan drew nearer to the door. A minute later, she leapt backwards when it opened. There stood her mother, not old and sick as Joan had last seen her twenty years before, but younger even than Joan herself.

“If you’ve time to stand about listening at doors, then you are not otherwise employed,” Margaret said, wiping her tears from her face with the back of her hand. “I am going to visit a friend. You shall accompany me.”

Looking down at herself, Joan realized that her mother must have mistaken her for one of Fountainbleu’s many ladies-in-waiting. She was in her night clothes, which was really a simple day dress such as a woman might wear to a provincial market. Joan did not sleep in anything which would hinder her from acting immediately, should the city be attacked in the middle of the night. 

“As you wish, Majesty,” Joan replied with a curtsey. Margaret raised an eyebrow, and instantly Joan corrected herself: “Your Highness.”

Margaret stopped at her own rooms to wrap herself in a plain, hooded cloak. “What is your name?” she asked.

“Joan, your Highness.”

“Well, Joan. As penance for eavesdropping, you shall keep your own counsel with regards to our errand. Is that clear?”

“Yes, your Highness,” Joan replied stiffly. Any fool could see what friend Margaret intended to visit, and Joan wished she could think of a way to cut through the pretense.

When Margaret arrived at the jail with Joan in tow, the warden greeted her almost like a friend. “You are here to see the heretic, Princess? Shall I fetch you a chair?”

“Yes, Phillip. And a lantern, if you would.”

The cell was nearly identical to the one which Joan had dreamed on the road to La Rochelle. Inside sat a man with sparse gray hair covering his chin. Margaret’s chair was placed just outside the cell, but she brushed past it. She handed the lantern to Joan and knelt down in the cell beside the prisoner.

“I was told that I had a secret friend in the court,” he said. “I see now that she is an angel.”

“No angel, monsieur Faber. I am Margaret, and this is my lady, Joan. I have come to see to your welfare, as best I am able.”

Now, Margaret’s hood fell back, and all at once she looked every inch the Princess of France. Yet her voice was small and choked when she said, “Will you do me the honor of praying with me?”

Margaret was already on her knees, but she lowered herself further. She rested one hand lightly on Faber’s knee, and after a moment, he took it. Her eyes fluttered closed. In the dim light, Joan thought she saw tears starting down her mother’s cheek.

When she woke in the morning, Joan could still remember her mother’s face. There were tears in her hazelnut eyes, and a weeping quiver in her voice.

*

Winter came, and Joan’s coughing grew worse. There was blood in it now, and occasionally bits of feathery flesh that got caught in her throat and made her gag. She hid it in her handkerchief.

“Winter battles are ugly,” Conde remarked one morning as Christmas was drawing near. “If the enemy is anything like gentlemen, they will not attack until spring. And yet, I think, we must stand at readiness.”

“By all means,” Joan replied. “Anything less than readiness would be negligence.”

Conde chuckled, not unkindly. “For all your strength and skill, madame, it is obvious that you were not bred for command. No force can be always at readiness. It would kill the men as surely as the sword. ‘Tis not negligence to celebrate the birth of Our Lord, for instance.”

Joan nodded curtly, but did not reply.

As the new year began, the city was increasingly on edge. There was frequent unrest among the refugees, and the soldiers Joan met when she rode the fortifications nearly always remarked that an attack would come soon.

Then, as February melted into March, word came from Admiral Coligny that his position along the Guirlande Stream had been compromised. The Catholic vanguard was swift approaching, and more Huguenot forces were needed. By the time word reached Joan in the form of a breathless young page outside her office, Conde was already assembling the cavalry. Joan made for the Navarre quarter at once, as fast as her lungs and her skirts would let her.

The battle was an unmitigated disaster. The Huguenots arrived late, and in insufficient numbers. Their horses were scattered and their infantry routed, and the bulk of their force was forced back to Cognac to regroup. As wounded came pouring in, Joan went to the surgical tents to make herself useful.

The commander La Noue’s left arm had been shattered and required amputation. Steeling herself, Joan thought of Margaret’s tearstained cheeks as she knelt beside Faber. “Commander La Noue,” she murmured, “Would it comfort you if I held your other hand?”

“That it would, Your Majesty,” the commander replied. So, as the surgeon brandished his saw, Joan gripped the commander’s hand tight and began to pray. She let go only once, to cover her mouth as she hacked blood into her palm. It blended in easily with the carnage of the field hospital.

Yet it was not till after the battle was over that Joan learned the worst of it. “His Grace, General Conde is dead,” her captain told her in her tent that evening. “He was unseated in the battle. They took him captive, and then they shot him. Unarmed and under guard! Why, as I speak these words, they are parading his corpse through the streets of Jarnac.”

“So much for chivalry,” murmured Joan, trying to ignore the memories of Conde’s pleasant face chuckling, calling her skilled and strong.

“We will need to find another Prince of the Blood to champion our cause,” her captain continued. “Else the army will crumble. If there’s to be any hope for Protestantism in France, we had better produce one with haste. Admiral Coligny will not serve. He’s tried to rally the men, to no avail. In fact, he has bid me request that you make an attempt on the morn.”

“Henry will lead.”

“Henry? Why, he’s only a boy!”

Joan shook her head. “He is nearly a man, Captain, and he’s a keen knack for military matters. He trained with Conde himself, and he saw to the fortification of La Rochelle at my side. He is strong, which matters most of all. If it’s a Prince of the Blood the army requires, Henry will serve.”

“As you say, Majesty,” said her captain with a bow. “But it’s not me you will have to convince.”

*

Joan settled in for a sleepless night. Her captain was correct that she would need to persuade the Huguenot forces well, if they were to swear themselves to Henry. So, she would speak. Joan would rally their courage, and then she would present them with her son and see if they would follow him.

Page after page she wrote, none of it any good. Eloquence alone would not suffice; Joan’s words had to burn in men’s chests. She needed such words as she had never spoken before, and she needed them by morning.  

By three o’clock, Joan’s pages were painted with blood. Her lungs were tearing themselves to shreds in her chest, and the proof was there on the paper beside all her insufficient words. She almost hated herself then. Now, when circumstance required of her greater strength than ever before, all Joan’s frame was weakness and frailty.

An hour later, she fell asleep.

When Joan’s eyes fluttered open, she knew at once where she was. Why, these were her own rooms at home in Navarre! Sunlight flooded through her own open windows and drew ladders of light across Joan’s very own floor. Her bed sat in the corner, curtains open. Her dressing room and closet were just there, and her own writing desk—

There was a figure at Joan’s writing desk. Margaret. She looked up.

“My Joan,” she said. It started as a sigh, but it turned into a sob by the end. “My very own Joan, all grown up. How tired you look.” 

The words seemed larger than themselves somehow. They were Truth and Beauty in capital letters, illuminated red and gold. Something in Joan’s chest seized; something other than her lungs. 

“How do you know me, mother?”

“How could I not? I have been parted from you of late, yet your face is more precious to me than all the kingdoms of the earth.”

“Oh.” And then, because she could not think of anything else to say, Joan asked, “What were you writing, before I came in?”’

“Poetry.” Joan made a noise in her throat. “You disapprove?” asked her mother.

“No, not at all. Would that I had time for such sweet pursuits. I have worn myself out this night writing a war speech. It cannot be poetry, mother. It must be wine. It must–” then, without preamble, Joan collapsed into a fit of coughing. At once, her mother was on her feet, handkerchief in hand. She pressed it to Joan’s mouth, all the while rubbing circles on her back as she coughed and gagged. When the handkerchief came away at last, it was stained red.

“What a courageous woman you are,” Margaret whispered into her hair. “Words like wine for the soldiers, and yourself spitting blood. Will you wear pearls or armor when you address them?”

“I will address them on horseback in the field,” answered Joan with a rasp. “I would have them see my strength.”

Her mother’s dark eyes flickered then. Margaret looked at her daughter, come miraculously home to her against the will of the king and the very flow of time itself. She was not a large woman, but she held herself well. She stood brave and tall, though no one had asked it of her. 

Her own dear daughter did not have time for poetry. Margaret regretted that small fact so much that it came welling up in her eyes.  “And what of your weakness, child? Will you let anyone see that?”

Joan reached out and caught her mother’s tears. Her fingertips were harder than Margaret’s were. They scratched across the sensitive skin below her eyes.

“Did I not meet you like this once before? You are the same Joan who came with me to the jail in Paris once. I did not know you then. I had not yet borne you.”

“Yes, the very same. We visited a Monsieur Faber, I believe. What became of that poor man?”

Margaret sighed. She crossed back over to the desk to fall back into her seat, and in a smaller voice she said, “My brother released him, for a time. And then, when I was next absent from Paris, he was arrested again and sent to the stake before I could return.”

“I saw you save another man, once. I do not know his name. How many prisoners did you save, mother?”

“Many. Not near enough. Not as many as those with whom I wept by lantern light.”

“Did the weeping do any good, I wonder.”

“Those who lived were saved by weeping. Those who died may have been comforted by it. It was the only thing I could give them, and so I must believe that Our Lord made good use of it.”

Joan shook her head. She almost wanted to cry too, then. The feeling surprised her. Joan detested crying.

“All those men freed from prison, yet you never came for me. Why?”

“Francis was determined. A choice between following Christ and keeping you near was no choice at all, though it broke my heart to make it.” 

If Joan shut her eyes, she could still remember the terror of the night she had rescued Henry. “You could have come with soldiers. You could have stolen me away in the night.” 

Margaret did not answer. The tears came faster now and her fair, queenly skin blossomed red. So many years would pass between the dear little girl she’d left in Paris and the stalwart woman now before her. She did not have time for poetry, but if Margaret had been allowed to keep her that would have been different. Joan should have had every poem under the sun. 

“Will you read it?” she asked, taking the parchment from her desk and pressing it into her daughter’s hands. “Will you grant me that boon?”

Slowly, almost numbly, Joan nodded. To Margaret’s surprise, she read aloud. 

“God has predestined His own

That they should be sons and heirs.

Drawn by gentle constraint

A zeal consuming is theirs.

They shall inherit the earth

Clad in justice and worth.”

“Clad in justice and worth,” she repeated, handing back the parchment. “It’s a good poem.”

“It isn’t finished,” replied her mother.

Joan laughed. “Neither is my speech. It must be almost morning now.”

As loving arms closed around her again, Joan wished to God that she could remain in Navarre with her mother. She knew that she and Margaret did not share a heart: her mother was tender like Joan could never be. Yet all the same, she wanted to believe that they had been forged by the same Christian hope and conviction. She wanted to believe that she, Joan, could free the prisoners too. 

She shut her eyes against her mother’s shoulder. When she opened them, she was back in her tent, with morning sun streaming in. 

*

She came before the army mounted on a horse with Henry beside her. Her words were like wine when she spoke. 

“When I, the queen, hope still, is it for you to fear? Because Conde is dead, is all therefore lost? Does our cause cease to be just and holy? No; God, who has already rescued you from perils innumerable, has raised up brothers-in-arms to succeed Conde.

Soldiers, I offer you everything in my power to bestow–my dominions, my treasures, my life, and that which is dearer to me than all, my son. I make here a solemn oath before you all, and you know me too well to doubt my word: I swear to defend to my last sigh the holy cause which now unites us, which is that of honor and truth.”

When she finished speaking, Joan coughed red into her hands. There was quiet for a long moment, and then a loud hurrah! went up along the lines. Joan looked out at the soldiers, and from the front she saw her mother standing there, with tears in her eyes. 

[engagemythrusters]

Given that there are only two possibilities of real hair being shown in Queen Amidala's outfit ensembles (both by Sabe and Padme), I do wholly believe that it is a rule (written or unwritten) that queens of Naboo must cover their hair. I WILL go into depth if asked.

[the-busy-ghost]

Alright uninformed rant time. It kind of bugs me that, when studying the Middle Ages, specifically in western Europe, it doesn’t seem to be a pre-requisite that you have to take some kind of “Basics of Mediaeval Catholic Doctrine in Everyday Practise” class. 

Obviously you can’t cover everything- we don’t necessarily need to understand the ins and outs of obscure theological arguments (just as your average mediaeval churchgoer probably didn’t need to), or the inner workings of the Great Schism(s), nor how apparently simple theological disputes could be influenced by political and social factors, and of course the Official Line From The Vatican has changed over the centuries (which is why I’ve seen even modern Catholics getting mixed up about something that happened eight centuries ago). And naturally there are going to be misconceptions no matter how much you try to clarify things for people, and regional/class/temporal variations on how people’s actual everyday beliefs were influenced by the church’s rules. 

But it would help if historians studying the Middle Ages, especially western Christendom, were all given a broadly similar training in a) what the official doctrine was at various points on certain important issues and b) how this might translate to what the average layman believed. Because it feels like you’re supposed to pick that up as you go along and even where there are books on the subject they’re not always entirely reliable either (for example, people citing books about how things worked specifically in England to apply to the whole of Europe) and you can’t ask a book a question if you’re confused about any particular point. 

I mean I don’t expect to be spoonfed but somehow I don’t think that I’m supposed to accumulate a half-assed religious education from, say, a 15th century nobleman who was probably more interested in translating chivalric romances and rebelling against the Crown than religion; an angry 16th century Protestant; a 12th century nun from some forgotten valley in the Alps; some footnotes spread out over half a dozen modern political histories of Scotland; and an episode of ‘In Our Time’ from 2009. 

But equally if you’re not a specialist in church history or theology, I’m not sure that it’s necessary to probe the murky depths of every minor theological point ever, and once you’ve started where does it end? 

Anyway this entirely uninformed rant brought to you by my encounter with a sixteenth century bishop who was supposedly writing a completely orthodox book to re-evangelise his flock and tempt them away from Protestantism, but who described the baptismal rite in a way that sounds decidedly sketchy, if not heretical. And rather than being able to engage with the text properly and get what I needed from it, I was instead left sitting there like:

And frankly I didn’t have the time to go down the rabbit hole that would inevitably open up if I tried to find out

[jasontoddenthusiastt]

Observing peoples reactions to morally gray or black actions committed by different characters is so funny. Throughout all of G. War the character tags were chock-full of people unironically enraged claiming “Bruce isn’t even capable of doing something bad like that.” about an action that is pretty well in line with his character journey thus far, meanwhile there are still new posts that gain traction that open with lines like “I know Jason has committed his fair share of sins/crimes but” like bro when. In 2010?

Also. The whole premise of the b*tfamily™ that you so love is built on the load bearing wall being that they are a crime family. Hell, do people just collectively forget the part where Bruce manufactures and freely uses weapons with his own furry brand logo plastered all over them, causing all sorts of 'explosions and more!' property damage all over the streets of Gotham? Pretty sure that makes him a terrorist but you people don't feel the need to go around reminding fandom of that every five minutes.

[br1ghtestlight]

this is so funny to me actually bcuz this is 100% how i talk abt my characters ages. i know what YEAR they were born and i know what rheir ages are supposed to be at the start of the story but i dont actually know when it takes place?? im really bad at math. There was a moment where rainbow was supposed to be 23 and i somehow accidentally made her 17 lmfao

[welcometogrouchland]

May I ask about your Jason Todd idea? <3

Hm, okay so. How to lay this out sensitively since I know it might be a tad controversial...

Prefacing by saying I'm not an expert on the minutias of Jason characterization. I like him when he appears, I think the battle for the cowl/Morrison era and some parts of modern era for him are Weird and Bad, but I'm not Jason scholar (for that I'd say maybe check out @/tumblingxelian and their great video essays), I'm just trying to think of what might be an interesting step forward for him.

First, the canon facts

Jason got lobotomized and has panic disorder on steroids. By the end of Gotham War (specifically when Jason was. Flying the batplane into the asteroid. God I can't believe that's the plot) he was finding it in himself to power through said panics

In Joker: The Man Who Stopped Laughing #12, the joker gives Jason a "low dose" of joker venom, which has an ambiguous effect on Jason, allowing him to power through the fear (which joker explicitly states is still very much present, just not physically debilitating, like when Jason couldn't run over in either Catwoman #57 or #58, the one with the kid in the building) even though he'd been able to do that sans venom over in Gotham War, like I previously stated.

The effect of said joker venom seems to be lingering for now, minus the creepy grin side effect it gave Jason over in that man who stopped laughing issue, as seen in the latest batman issue (number is escaping me rn, #147??). He still has the stutter which is a shorthand for fear, he's drawn with fearful expressions by Jorge Jimenez, but he says that he's "working through it" thanks to the chemicals

This is both super interesting and kind of maddening as it doesn't completely remove the consequences of what happened in Gotham War, but is trying to sweep them under the rug and get back to business as usual. I, however, propose making said consequences front and center like a fashionable urn on a mantle piece:

Since it's never stated how exactly the joker venom works, and I think the current answer is "it works how the story needs it to" I've decided that because it's a low dose, it eventually wears off. And when it wears off, Jason's back to square one in terms of mental state. Ergo, if Jason doesn't want to live the rest of his life as quaking shivering husk of his former self...he's going to need more.

(read more for the meat of things)

So, Jason self medicates for a condition given to him by the father he has endlessly complicated feelings towards with a cure invented by a man who represents everything he hates in the world who once tried to take everything from him.

Which, insert poetic cinema gif here, I'm quite proud of myself for that one.

Anyway, there's a lot of directions you could take this. Personally I think it'd be interesting to explore Jason trying to get back into the drug trade like he did in UTRH (FULL TRANSPARENCY I HAVEN'T READ THE FULL COMIC, I KNOW BROADSTROKES BUT IM NOT GONNA TRY AND MAKE PARALLELS) as he tries to use the resources (production plants and other drug runners who can hook him up with samples of joker toxin/similar stuff you can probably find around Gotham) to manufacture his own cure that means never having to go back to the joker again. Maybe he ambushes a joker toxin chemical production plant to get his own supply, and then Jason uses this as his foothold back into that world.

This isn't necessarily me saying we should regress Jason alll the way back to UTRH, that was before his anti-hero era and I'm not willing to fully shoot him back into the past. I just think that's not how you tell good stories in a medium like comics. But it'd inherently be a little different just bc he's doing it for different, slightly more self motivated (depending on your take on villain Jason) reasons and the people around him would have a different reaction to it.

Anyway, all sorts of problems can arise! Depending on how you wanna characterize Jason (wayward son who longs to be back in the fold or black sheep who doesn't play by daddy's rules, etc) he can either a) try and hide this criminal enterprise from his giant family full of nosy detectives (good idea there jay) OR do it out in the open, trying to justify himself but still putting himself on the opposite side of the family again (not the law bc that boy hasn't been on the 'right' side of it since he died)

There's also the fact that Jason now needs to take something 24/7 in order to live his life. He essentially can't be without it, he's dependent on it, in fact he'd get sick without it despite any adverse effects it may have on him (which are guaranteed, I mean. No clinical trials)

I imagine it'd be easy to become addicted to it in some way.

And uh. This is the part where it works slightly better as a fanfic pitch than an actual comic pitch. Because as much as I think it'd be such an interesting beat for Jason's character considering his fraught history with addiction and drugs (looks away from that one urban legends story where he suggests terrorising addicts to get to the suppliers and bruce lectures him. The easiest way to make Mr "we don't sell drugs to children" sympathetic and you beefed it)

I also fully recognise that this is a sensitive topic that DC doesn't have the best track record with (although addicts aren't a monolith and feel a number of ways about addictions portrayals in comics) and that there's probably some pitfalls inherent in the premise, namely bc of Jason's background as an impoverished kid and his grey morality, and how those play into stereotypes of addicts. Addiction is already such a misunderstood and stigmatized condition that I imagine playing with it with an antihero might be enough to turn some people off. Addiction is not a moral failing and I'd hate to write it as a moral failing of Jason akin to his willingness to kill, etc.

But with all that said, I think that stereotypes are primarily harmful because of their shallowness. They inhibit understanding of groups labeled "other" by presenting them in simplistic ways that don't portray richness or complexity. And I think a truly good red hood comic could give both sympathy and complexity to Jason, even as an addict. If anything, Jason is a popular character (mostly) and there could be something nice about seeing a main character go through what you're going through, gritty details and all. YMMV (can we bring that back btw?) and it depends on execution. There's a lot of ways it could go wrong, but seeing as it just lives as a hypothetical rn, I think there's also a lot of ways it could go. I mean, not right, it's a downer story beat for Jason but it's mostly meant to be interesting and a vehicle for more stories as Jason navigates it, ya know?

Anyway, I have a lot of spiels littered in my notes app and discord DMs that elaborate on all this (how this could work as act 1 in a broader Jason story where his little operation goes to shit and he has to hit the road (jack) and maybe do some character development for better or worse. I'm a sucker and wanna say better- not squeaky clean better but. Yknow, finding himself to an extent. I recognise I'm a sap and a fool tho. Or how a new outlaws team could factor into either of those eras (since I do like Jason with an outlaws team. It gives him an excuse to exercise his compelling relationships and dynamics with other characters without having to constantly tip-toe around the elephant in the room whenever he's with the batfamily all the time. He just needs a good lineup) but that's all for another time

... though without elaborating on the vision in my head it kind of just sounds like my pitch is "Jason gets addicted to his hyper-anxiety medication" BUT I SWEAR ITS MORE THAN THAT.

It's like. If Jason has struggled as a character (and this is very subjective on my part so feel free to disagree) because he has compelling relationships with all of the batfamily, but also has compelling grey morality that makes it hard to capitalize on those relationships, without the conflict always coming to "Jason stop killing!" "Nuh uh!" OR just being ignored, and the main way writers have addressed this is via reboots instead of arcs...

Then giving Jason and the bats:

real, legitimate and fresh reason for jay to be mad at Bruce (taking their relationship of love with very little understanding to it's most dramatic conclusion)

give the family a real reason to want to bring him back into the fold (feel bad about the lobotomy and it would be pretty immoral to let Jason waste away slowly and painfully because of something Bruce did)

capitalize on all the ways Jason is sympathetic (bc the addiction is a natural lead into his backstory, which is one of his most sympathetic elements)

And the ways in which he's very out of step with the bats post-resurrection (I'd be mad asf too if i came back to life just for my dad to a) not avenge me and b) LOBOTOMIZE ME meanwhile the cunt ass clown giving me my meds is just lurking out there).

Idk it's not a sophisticated pitch as of this moment but I think a real chef (writer) could cook something w/ this

[femslashspuffy]

Pov you open up the shipwars tumblr poll of some new gay ship vs someone else:

Normal ship, long runner, for fun fans: haha yeah we're so much better I love this ship this ship is so good this ship for the win yeah kill them guys this ship SWEEP

New gay ship everyone thinks is so enlightened fans: I can't believe people aren't voting for stock ship don't they know they literally kissed on screen. Sorry your ship didn't kiss but this was just introduced and the actors have the bare minimum of chemistry. Also it's so mean for you guys to make fun of our ship like you're all being homophobic right now* I can't believe you all hate gay people.

*both ships are gay

[tamaharu]

okay thats interesting! in the SF try-outs during the song "legally blonde" she sings about how she cant be legally blonde, while in the official version AND THE DEMO she sings about letting her be legally blonde. which means that at some point they changed the lyrics around, and then changed them back! laurence o'keefe.... nell benjamin.... what occurs in your twisted minds

[navii-blaze]

listen to my vision boy

[itstimeforstarwars]

Getting distracted from the main plot of three jedi to focus on the history of bacta.