#I mean to write write a lot!

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[sporesgalaxy]

TWO THANGS

when I say "love" with no descriptors, I don't mean romantic by default

when I say "art" with no descriptors, I don't mean visual by default

[shibaraki]

please write your reader insert however you want to. unabashedly!! write fat reader. black reader. asexual. masculine. tall. trans. disabled. you’re allowed to see yourself reflected in these spaces!!! sometimes your fic won’t be for everyone—it will be for all the people who look, think, love and experience life the way you do and that’s ok! it’s wonderful, actually.

it is not your job to make sure the shoe comfortably fits every single person out there. your only job is to tag it, and if anyone tells you otherwise I’ll personally come out swinging lol

[crimeronan]

i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!

(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)

listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.

but the things discussed in the post Can and Should improve your execution!

you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it

BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.

so i have outlined some basic important concepts about polyamory.

MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun

future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.

i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)

sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.

here we go:

compersion!

compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.

compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.

by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.

i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.

it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.

(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)

if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.

metamours!

a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.

the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.

there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.

the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."

(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)

of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)

open versus closed polyamorous relationships!

i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown

google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).

this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.

an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.

some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!

with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.

i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.

feelings for multiple people!

i was gonna tack this on to the previous section but decided it warranted its own lil bit.

a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.

this is perfectly fine!

the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.

for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"

some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!

some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)

or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)

i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.

like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?

that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it

alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?

it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.

i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad

first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:

how does each pair act when alone?

how do they act differently alone compared to when they're with their third partner?

are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?

if so, what are they?

are there any boundaries or hard limits within this dyad that aren't shared with the third partner?

if so, what are they?

partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?

(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)

what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?

what problem do These Two Specifically need to solve in the story before their relationship will work?

how is that problem DIFFERENT from the problems being solved within the other two dyads?

doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.

those questions should be enough to get you started, i hope

then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?

but the main goal is to figure out how to Differentiate each relationship!

a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.

(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")

AND FINALLY.

if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)

you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.

polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.

seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.

in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.

[spirker]

Remember this is how Ed was looking at his boyfriend when we last saw him.

They are together and they are so in love.

[stevebabey]

"Alright, here we go!" The bartender announces, leaning up to place the drinks on the bar.

"That's one whiskey, neat—" He says, sliding the lowball cocktail glass with amber liquid in front of Eddie.

"—And one Whammin' Slammin' Booty-Bangin' Pina Colada."

He places the extravagant cocktail in front of Steve. It's decorated to the nines with a straw, an umbrella, a piece of pineapple, and a little bit of tinsel on a toothpick. A whole party decoration in a drink.

"You guys have a good night." The bartender says warmly, already moving down the bar to tend to other customers.

Eddie stares down at the whiskey in the glass before him and pouts a little. Beside him and watching his boyfriend closely, Steve rolls his eyes.

"Oh, quit being dramatic," Steve says, sliding the cocktail across the bar so it's in front of Eddie, who had ordered it. He steals the glass of whiskey back at the same time.

"It happens every time."

"It happens most times."

"That isn't much better!" Eddie protests, even as he leans down and takes a long sip from the straw while they both get to their feet and leave the bar. Steve's hunting for a table they can snag, his eyes narrowed in focus. Eddie follows him blindly, his cocktail cupped in both hands.

"I'm serious, Steve! What is it about this adorable face—" He says, gesturing to himself, barely letting go of the straw to talk. It doesn't seem to faze him that Steve doesn't even glance back. "—Says I don't want to enjoy a Whammin' Bammin' Big Booty Colada?"

Steve comes to a stop, pausing his search for a moment to look back at Eddie. His expression seems unimpressed on the surface but Eddie can see his lips twitching up at the corners.

"We've had this conversation too many times, babe." He sighs halfheartedly and takes a quick sip of his own whiskey, eyes casting back out across the bar. "You have scary dog energy, you know this. You specifically dress like this on purpose."

Eddie picks up the pineapple wedged on the edge of his glass and bites into it, sending it down with another sip of his cocktail as Steve leads them further into the back of the bar. He finally spots a spare empty table.

"C'mon, I think I found one." Steve urges, one hand snaking back to make sure Eddie's following.

"Is it a crime to wish to not fall victim to stereotypes?" Eddie prattles on, following Steve duly by slipping his hand into Steve's outstretched one. His cocktail wobbles precariously as he takes another gulp.

"Like when that waitress gave me your awful black coffee! And you got my delicious delicacy that I paid extra hard-earned money for..."

+

i like to think that when steve and eddie go out, people always lean into their assumptions and are like hmm ok preppy boy with the polo? oh he gets the fruity cocktail! and eddie is always like >:( i don't want this expensive puddle of piss gimme the bonanza supreme cocktail pls. like excuse me i paid for that.

[vigilskeep]

read my powerpoint boy

[wasyago]

i imagine it's quite chilly in the black sea (for the lack of sun and color), so they're wearing slightly warmer clothes now uwu

+ thoughts

[corvidcall]

None Of You Know What Haiku Are

I'm going to preface this by saying that i am not an expert in ANY form of poetry, just an enthusiast. Also, this post is... really long. Too long? Definitely too long. Whoops! I love poetry.

If you ask most English-speaking people (or haiku-bot) what a haiku is, they would probably say that it's a form of poetry that has 3 lines, with 5, and then 7, and then 5 syllables in them. That's certainly what I was taught in school when we did our scant poetry unit, but since... idk elementary school when I learned that, I've learned that that's actually a pretty inaccurate definition of haiku. And I think that inaccurate definition is a big part of why most people (myself included until relatively recently!) think that haiku are kind of... dumb? unimpressive? simple and boring? I mean, if you can just put any words with the right number of syllables into 3 lines, what makes it special?

Well, let me get into why the 5-7-5 understanding of haiku is wrong, and also what makes haiku so special (with examples)!

First of all, Japanese doesn't have syllables! There's a few different names for what phonetic units actually make up the language- In Japanese, they're called "On" (音), which translates to "sound", although English-language linguists often call it a "mora" (μ), which (quoting from Wikipedia here) "is a basic timing unit in the phonology of some spoken languages, equal to or shorter than a syllable." (x) "Oh" is one syllable, and also one mora, whereas "Oi" has one syllable, but two moras. "Ba" has one mora, "Baa" has two moras, etc. In English, we would say that a haiku is made up of three lines, with 5-7-5 syllables in them, 17 syllables total. In Japanese, that would be 17 sounds.

For an example of the difference, the word "haiku", in English, has 2 syllables (hai-ku), but in Japanese, はいく has 3 sounds (ha-i-ku). "Christmas" has 2 syllables, but in Japanese, "クリスマス" (ku-ri-su-ma-su) is 5 sounds! that's a while line on its own! Sometimes the syllables are the same as the sounds ("sushi" is two syllables, and すし is two sounds), but sometimes they're very different.

In addition, words in Japanese are frequently longer than their English equivalents. For example, the word "cuckoo" in Japanese is "ほととぎす" (hototogisu).

Now, I'm sure you're all very impressed at how I can use an English to Japanese dictionary (thank you, my mother is proud), but what does any of this matter? So two languages are different. How does that impact our understanding of haiku?

Well, if you think about the fact that Japanese words are frequently longer than English words, AND that Japanese counts sounds and not syllables, you can see how, "based purely on a 17-syllable counting method, a poet writing in English could easily slip in enough words for two haiku in Japanese” (quote from Grit, Grace, and Gold: Haiku Celebrating the Sports of Summer by Kit Pancoast Nagamura). If you're writing a poem using 17 English syllables, you are writing significantly more content than is in an authentic Japanese haiku.

(Also not all Japanese haiku are 17 sounds at all. It's really more of a guideline.)

Focusing on the 5-7-5 form leads to ignoring other strategies/common conventions of haiku, which personally, I think are more interesting! Two of the big ones are kigo, a season word, and kireji, a cutting word.

Kigo are words/phrases/images associated with a particular season, like snow for winter, or cherry blossoms for spring. In Japan, they actually publish reference books of kigo called saijiki, which is basically like a dictionary or almanac of kigo, describing the meaning, providing a list of related words, and some haiku that use that kigo. Using a a particular kigo both grounds the haiku in a particular time, but also alludes to other haiku that have used the same one.

Kireji is a thing that doesn't easily translate to English, but it's almost like a spoken piece of punctuation, separating the haiku into two parts/images that resonate with and add depth to each other. Some examples of kireji would be "ya", "keri", and "kana." Here's kireji in action in one of the most famous haiku:

古池や　蛙飛び込む　水の音 (Furu ike ya　kawazu tobikomu　mizu no oto) (The old pond — A frog jumps in The sound of the water.)

You can see the kireji at the end of the first line- 古池や literally translates to "old pond ya". The "ya" doesn't have linguistic meaning, but it denotes the separation between the two focuses of the haiku. First, we are picturing a pond. It's old, mature. The water is still. And then there's a frog! It's spring and he's fresh and new to the world! He jumps into the pond and goes "splash"! Wowie! When I say "cutting word", instead of say, a knife cutting, I like to imagine a film cut. The camera shows the pond, and then it cuts to the frog who jumps in.

English doesn't really have a version of this, at least not one that's spoken, but in English language haiku, people will frequently use a dash or an ellipses to fill the same role.

Format aside, there are also some conventions of the actual content, too. They frequently focus on nature, and are generally use direct language without metaphor. They use concrete images without judgement or analysis, inviting the reader to step into their shoes and imagine how they'd feel in the situation. It's not about describing how you feel, so much as it's about describing what made you feel.

Now, let's put it all together, looking at a haiku written Yosa Buson around 1760 (translated by Harold G. Henderson)

The piercing chill I feel: my dead wife's comb, in our bedroom, under my heel

We've got our kigo with "the piercing chill." We read that, and we imagine it's probably winter. It's cold, and the kind of cold wind that cuts through you. There's our kireji- this translation uses a colon to differentiate our two images: the piercing chill, and the poet stepping on his dead wife's comb. There's no descriptions of what the poet is feeling, but you can imagine stepping into his shoes. You can imagine the pain he's experiencing in that moment on your own.

"But tumblr user corvidcall!" I hear you say, "All the examples you've used so far are Japanese haiku that have been translated! Are you implying that it's impossible for a good haiku to be written in English?" NO!!!!! I love English haiku! Here's a good example, which won first place in the 2000 Henderson haiku contest, sponsored by the Haiku Society of America:

meteor shower . . . a gentle wave wets our sandals

When you read this one, can you imagine being in the poet's place? Do you feel the surprise as the tide comes in? Do you feel the summer-ness of the moment? Haiku are about describing things with the senses, and how you take in the world around you. In a way, it's like the poet is only setting a scene, which you inhabit and fill with meaning based on your own experiences. You and I are imagining different beaches, different waves, different people that make up the "our" it mentioned.

"Do I HAVE to include all these things when I write haiku? If I include all these things, does that mean my haiku will be good?" I mean, I don't know. What colors make up a good painting? What scenes make up a good play? It's a creative medium, and nobody can really tell you you can't experiment with form. Certainly not me! But I think it's important to know what the conventions of the form are, so you can appreciate good examples of it, and so you can know what you're actually experimenting with. And I mean... I'm not the poetry cops. But if you're not interested in engaging with the actual conventions and limitations of the form, then why are you even using that form?

I'll leave you with one more English language haiku, which is probably my favorite haiku ever. It was written by Tom Bierovic, and won first place at the 2021 Haiku Society of America Haiku Awards

a year at most . . . we pretend to watch the hummingbirds

Sources: (x) (x) (x) (x) (x) (x)

Further reading:

Forms in English Haiku by Keiko Imaoka Haiku: A Whole Lot More Than 5-7-5 by Jack How to Write a Bad Haiku by KrisL Haiku Are Not a Joke: A Plea from a Poet Who Has Had It Up to Here by Sandra Simpson Haiku Checklist by Katherine Raine

[morgana-ren]

I DONT KNOW IF YOU WRITE FULL FICS BUT IF YOU DO PLEASE WIRTE ONE ABOUT TGAT LAST ASK.

Just about Astarion sitting in his throne of sorts, in the palace, with tav sitting in his lap. He’s bored, tav sits there- dissociating and wishing they were anywhere else. He asks them if they’d like to do something fun and they say something like “Only if you do my lord” and he saddens some, expecting them to come up with something fun like they used to but they can’t think of anything that he would approve of them doing after so many years of breaking them down and he realizes it’s gotten so dull because tav was the person that brightened his life

"Awfully dull today, hmm? How would you like to do something fun, my love?"

It's an oh-so rare quiet day in the Crimson Palace, and his favorite source of amusement sits placidly on his lap, silent as the grave and still atop him. Content as he is in the peaceful quiet with solely her company, he'd spend the day with her doing– well, something, surely. It’s been a while since they’ve had any time to themselves to truly enjoy each other’s company alone. In fact, he cannot recall the last time with any distinct accuracy.

It seems so terribly long since they've had any time to themselves. Being a Lord keeps you awfully busy.

In a tender moment, he reaches forward to brush a stray strand of hair out of her face and behind her ear with a long, pale finger. She doesn’t react save a slight instinctual flicker of her lashes. Not a hint of expression on her face. He expects her to lean into his touch as she used to and is almost shocked when she does not.

Odd, he thinks. She hardly even seems to notice anything at all.

It’s almost like she isn’t entirely present.

Still, before he can chastise her, she responds to his bid for her attention.

"If that is your wish, my lord,” She responds to his question, lifeless and monotone. Perfectly obedient, just as befits her, and yet—

He frowns, just a little. It irks him, but now that he thinks about it, he cannot recall the last time he saw enthusiasm on her face– or much of anything at all aside from the blank, hollow mask she has now. Completely impassive and unresponsive in a cruel sort of practiced indifference. 

He studies her for a moment and comes to the conclusion that it reminds him of the robots they found in that strange tower in the Underdark so long ago. Programmed to respond to the right things and make the right moves, but utterly incapable of acting on her own whims. Eternally awaiting instruction. 

Empty. Robotic. Precise and yet disingenuous somehow. Eerily so.

Has she been like this before? Has he simply not noticed?

Perhaps she just needs to awaken a little more. It was such a long night, and he had kept her remarkably busy. She must be exhausted, but surely, she will perk up. She always does. 

Doesn’t she?

“Come, darling. What would you like to do?” He jostles his knees, dandling her on his legs like one might a small, particularly grumpy child. She bumps up and down, only reaching to steady herself on the sides of his throne. 

“Whatever would please you would please me, my lord.”

He groans, rolling his red eyes, a very sudden burst of irritation bubbling in his gut. Always with the My lord, My lord, scraping and bowing like some sort of indentured serf. Proper respect is important, of course, but for the first time in a while— longer than he can honestly think back on, to be honest— they are entirely alone. He is her Lord, yes, but she knew him by another name once– did know him by another name. She knows better than to tease him in front of his vassals but surely—

He can’t remember the last time she said his name. 

His real name. 

How long since he has truly sat by her side and talked with her? Spent time with her? He's been so busy, laying plans and waste, conquering and shedding blood of those who oppose him. The Lord Tyrant, come to rule over his dominion of Eternal Night. She is always by his side, never straying and yet— 

(“I love you, Little Star,” She’d laugh, planting a chaste kiss on the tip of his nose, which would promptly crinkle in annoyance. 

“I’m not ‘Little Star,’ and I’ll never understand why you insist on calling me that.” 

“That’s what your name means, doesn’t it? Little Star? Or perhaps Little Starlight– I don’t really remember.”

“Then why make that my pet name?" He rolls his eyes, annoyed at the use of his own childish moniker that follows him like a shadow to anyone who speaks even a lick of his native language. "Of all the things your brilliant little mind can concoct, you give me a child’s handle? I’m strong, dashing, capable, handsome, fearsome– but instead you choose that absurdity” 

“Because you’re my little star!” And she would smile so brightly that it seemed impossible in the darkness, and he could not help but smile himself. “My light in the darkness. My Astarion, for as long as you want to be. And I love you.” 

His expression would soften once again and he would simply sigh, pulling her close to kiss her temple. The night was cold, but she was so impossibly warm against him, somehow fitting perfectly in his lap and into his heart, where she’d wormed her way in against his own will. The dim firelight reflects in her eyes as she tells him again that she loves him forever if he’ll have her, and he can think of nothing he’d desire more than to ride out the endless night of eternity with her here on his lap, cradled close.)

Something gnaws at him. Something raw and edged with a vicious sort of misery he’d done so well to avoid in ages. He cannot place it but as he looks at her, his stomach is as a dark, abyssal pit, circling and swelling like a maelstrom. 

Something is wrong.

He cannot place the negative emotion, and so he does as he always does now, making the strange yearning her responsibility to soothe. 

He lashes out at her. 

“I’m growing bored,” He says with a cold, cruel edge to his voice. “You know how much I dislike boredom, don't you, darling?"

What he seeks is a reaction. A sudden spark of life from within her. For her to grab his hand and take him to do— to do something. Surely—

And yet, with a motion so fluid that it implies an aged and practiced skill, she slides from his lap down to her knees before him, reaching towards the laces of his breeches. There is nothing behind her eyes as she extends her hand forward to unlace him, hardly even seeing him. Nothing at all. 

“What are you doing?” He slaps her hands away, scowling down at her, taken back by her brashness. 

“You said you were bored, my Lord.”

“And why would you think–” 

Because that is what he’d taught her. 

That her body was built for his amusement; his temple to defile at will. Because of the cold nights in the castle after so many years where he would reach for her, and she would quiver and shake her head with eyes rimmed red and puffy and beg to be left untouched and yet he would speak the words without thinking and she would bend for him any way he wished. 

Because even as she would obey, she would cry and turn away, and he would give it little thought until one night the crying and protesting simply stopped. He thought she had learned. Made peace with her duties and loyalty to him and what it entailed. Mayhaps she had come to realize that her theatrics had little impact on him and surely, he wasn’t so wretched to her now that these waterworks were necessary. His touch could not repulse her so that her weeping was remotely acceptable. She loves him, surely she—

Because he would command her until she would kneel, and so now, she kneels without command.

He sighs, breathing the fire from his lungs, reaching down to pull her back up into his lap. She does not respond, only obeys in kind to his guiding instruction as he settles her back down on his legs. He finds a semblance of patience from within himself which is a strange and unusual feeling, mustering it up to once again ask:

“My dear, what is it that you would like to do?” 

Her head cocks. She does not understand. 

"What would you enjoy? If you had the freedom to do anything, what might it be?"

It takes a moment, but for the first time, a reaction: Confusion. It is slow to take hold but becomes blaringly apparent as it does. It is not as if she doesn’t know the answer, but almost as if she doesn’t understand the question. 

“Whatever you would like to do, my Lo–”

“No, no, darling. What is it you would like to do?” He impresses, harsher this time, and she flinches, recoiling from… something. 

From him.  

If her heart was still capable of beating, he'd be able to hear the way it pumps into overdrive. As it stands, he cannot, but he is aware no less. Her scent changes entirely around him to something that has his brows furrowing. Shortness of breath, dilating pupils, hands beginning to quake— Adrenaline. Steel-edged anxiety. As if this is not a question at all, but rather a test and she does not know the answer, and failure means his displeasure and his displeasure means–

"I— What would you—" She hard-swallows, harrowed by the open-endedness of the question. "—I want what—"

("Come to the meadow with me, Asto," She would grab his hand with a mischievous smile when their compatriots were fast asleep, tugging him up from the comfort of his bedroll. "I want you to come with me."

"It's late, darling. Wouldn't you rather come here and lie with me?" He would try to tug her back down playfully, but would fall against her aggressive temerity, being pulled to his feet through her sheer will. She would stifle her giggling with a hand as she guided him past their slumbering companions, through the tree line and deep into the forest. 

"Come on, lazy boy, come! Come with me!"

"Well, I'm trying to—"

She would hush him and yank him by the wrist, out into the field where he'd first had her, down once more into a bed of wildflowers and long grass. Her melodic laugh like a strange song as she yanks him to the ground despite his weak protests until she would lie her head on his chest and trace gentle patterns on his white shirt against his flexed chest. 

"We don't have to come all the way out here to make love, darling—" He would move to try to kiss her, but she would adamantly press her head against his torso, insisting he stay down in the dirt with her. 

"I'm not trying to seduce you," She would giggle, pointing at the star-spangled sky. "I want to lie under the stars with you." 

"But… why?"

"Because I know we'll have eternity to do it, but it's my favorite moon tonight and it reminded me of you."

He squints, struggling to find anything different about it at all. "I don't notice anything, darling. It looks very much like the moon we see every night." 

"It's so full and bright! Look at the rays!" She holds her hand out as if to cradle a silvery moonbeam in her palm. "It reminds me of the color of your hair." 

She reaches over him to delicately pluck something from the grass, tucking it gingerly behind his ear after she does so. "These poppies are the same beautiful deep red of your eyes in the moonlight. I feel safe here; home, with you. I just wanted to enjoy it for a moment. Just the two of us."

He would wrap his arms around her waist, squeezing so tightly that she would gasp and worm about, trying to return the favor, and yet he would not relent. 

"I want you to feel safe with me," he would whisper into her hair, desperately trying to memorize the scent of it, as if expecting Bhaal himself to come and steal her from his frantic embrace. "Now and forever, I want to feel home in your arms, with you.")

He thinks, for a moment, to return to that meadow, and that perhaps his love— the one he remembers— will return to him. As if her ghost still lingers there, trapped and waiting to be rescued. 

He can’t. 

It is not a meadow any longer, but a battlefield, not unlike the vile destruction left in Ketheric's wake at Raithewait; another one in a million places sacrificed in his conquest for glory, littered with bodies and bones. A graveyard tribute to his power, scorched soil and dead grass. No flowers bloom there anymore— there is nowhere for them to bloom between the suffocating aura of death. 

All that is left is a beautiful memory buried beneath a river of dried blood, and you cannot water flowers with dried blood or wean them on bone dust. That meadow is one moment suspended in time as trapped in amber, impossible to claw free from its temporal prison. He cannot remember the last time he saw that jovial smile she had saved just for him in that damned meadow. 

He cannot recall the last time she said the words "I love you" and cried his name as a preternaturally beautiful siren song without being commanded. 

He frowns, feeling something strange and haunting in his chest. Something viciously clawing up his throat as he looks at her: at her empty red eyes that were once the most beautiful color, full of love and life when she looked upon him; at her contorted expression that used to be as radiant as the sun and he could have sworn that her light could have sustained him through the dark, miserable nights of his eternal curse if only she was by his side; at the frailty of her body that almost seems to creak and break beneath his weight. 

"My love, look at me."

And she does, if not by command, then by instinct. 

"Smile for me, will you? Can you do that for me?" 

And she does, her lips turning upward and raising to reveal two sharp teeth— and nothing more. It's uncanny and revolting and wrong. There is nothing behind her eyes, nothing at all. No light, no life, and certainly no love. 

He used to be able to see himself in her eyes. How her heart sang for him, cheeks blossoming with blood at the sight of him. He could hear her heart rabbit behind her ribs, her hands quaking with excitement to touch him even in the most innocent of ways. Through her eyes, he found his own value— his own worth— and finally began to understand that he deserved love; he deserved happiness. She had healed him, giving almost all of herself to do it, selflessly and without asking for anything in return even as he despised himself and refused his own agency—

And she stares at him now with soulless eyes, he is left to wonder if he has taken too much from her in his quest to take everything. Wonders if she will ever be that lovestruck, moon-eyed girl again, wanting nothing more than to lie under the moonlit meadow with him. If she will ever kiss his eyelids as a delicate butterfly and whisper eternity in his ear. If she will ever feel safe and home and loved around him again in his embrace–

Save she is no longer quaking with anticipation at his touch, but trembling from fear, lost and terrified at the posing of a simple question. Her scent is foreign even as it is familiar and he cannot recall when it began to change. There is something in her eyes that haunts him, and though he can see himself within him, what stares back is not him. A terrible realization rakes knives down his soul, a gaping maw threatening to swallow him whole. A tightening in his lungs, and even as he does not breathe, he does not believe he could even if he tried. 

“Darling?” 

“Yes, my Lord?” 

Her face is impassive once more. Perfect porcelain expression. Not a crack in the mask. Not a wrinkle in the facade. Practiced day in and day out until it becomes real. He remembers it well.

How long has it been? How long since he has looked at her? Truly looked at her? Spoken to her? Told her he loved her? 

Showed her he loves her?

When was the last day he did not command from her that which she begged not to willingly give?

He cannot remember. He cannot recall. 

He demanded and she had no choice but to give. More and more and more. He drained her dry and now where was once his sacred oasis, there is nothing at all. No matter how long he looks, there is never a flicker of anything in her glassy eyes. 

He wonders if even as he has gotten everything he has ever wanted, he lost the one thing he needed. 

It paralyzes him. For the first time in an ageless eternity, he feels something: Panic. 

Even his endless power cannot bring her back. His beloved is dead, and he has killed her. Upon him sits a pretty corpse, empty and devoid of all that made her her. A doll with her face. A doll with barely even that. 

Her laugh, her smile. Her passion and desire and love. The tenderness inside of her and the warmth she once held. Everything that pulled him from his shell and showed him how to love once more. He bloomed in her light– and then snuffed it out entirely. 

How long has it been? How long has she been gone?

Though she may be undying, he realizes with horror akin to a dawning sun that she is gone– and has been for some time. 

“You seem stressed, my Lord? How can I make you happy again?”

Second part of the story HERE

[poorly-drawn-mdzs]

Get Souped!

[avastyetwats]

Izzy Hands and his fascination/love for candles.

[st4rd0lly]

ohh for the valentines thing maybe pm dazai (like in dark era) + virginity loss?

𝐅𝐎𝐑 𝐌𝐄 ?

cw : virginity loss , corruption kink , slight possessiveness + obsessiveness , gn reader , dom dazai , sub reader , biting , dacryphilia , he’s kind of pathetic in this , lovesick dazai ftw , not safe sex (please if you’re gonna fuck irl do it safe and do it right darlings, wrap that thang), MDNI

Dazai shouldn’t be seeing you.

He shouldn’t be seeing anyone for a matter of fact, this he knew this well. Everyone around him knew it too. The cold and brutal executive who had a penchant for toying around with people. You knew this too, in fact you knew it too well.

So why were you in this position now?

Pleasure wasn’t something Dazai actively sought after, at least not for himself. Sex was more of means to gain information, and he knew a lot of it. Outside of it being one of many tactics for the mafia, he wasn’t particularly interested in having such an intimate time. And yet he feels like his skin is on fire when he sees any inch of you, eyes focusing in on any part of skin showing. 

He tried to convince himself that this was just stupid lust, it’ll go away soon. You were just another mission partner, a fellow executive who tags along with him and Chuuya occasionally. You weren’t anything special to him, no not at all. You definitely weren’t the person he goes to when he had no one else to bother, and no, you definitely weren’t the person he gets reminded of the most. 

That would be pathetic of him. And it’s not like he enjoys being so casually touchy with you. He totally doesn’t reach to pull and hold your arm to walk around with you when he starts an argument with Chuuya, huffing and telling you to just follow his lead instead of that stupid ginger. And he definitely doesn’t like it when he rests his head on your shoulder or vice versa when you two are alone. Or when he tells his bar friends about you. No, that’s just some stupid cringey romance thing. He tells himself he’s too good for that stuff. 

So again, why were you in this position now?

His hands eagerly cup your face, his lips chasing yours each time you try to pull away for air. He wanted you to feel the way he does, how suffocating his love is for you. How each time he tried to pull away to breathe, you always pulled him right back in. But he realizes that unfortunately, he is a human who needs to breathe too, so he stopped momentarily for the both of you to catch your breaths. He wanted to dare not open his eyes but he was caught up in how they looked at him.

You didn’t look at him in pure disgust, or just pure lust. You looked at him with a hunger, a desire, an unfamiliar love that he was afraid of. But when it came to you, he was reduced to nothing but a lovesick yearner. And maybe he was ready to chase. 

‘I want you.’ were the words he wish he could’ve said out loud to you, you deserved to hear them. But like an angel, it was like you heard the prayer repeating in his mind. 

“I want you.” You whispered, your own hand reaching his cheek, the side where his eye was covered. He had to stop himself right then and there from melting and nuzzling into your touch. 

“Have me then.” He replied quietly, wanting to come off as confident but his words sounded vulnerable to you.

“You would be my first.” You chuckled a little, smiling at him. Then his head got dizzy at the fact. Did he care whether you were a virgin or not? Not really, because either way, he was determined to make you feel like it was your first time on a high. But there was that burned so deliciously in his chest knowing that he would be the first to touch you. And he was sure to be the last too. Just like he was yours, you were his. 

“First and only.” He grinned.

“We’ll see.”

And now that’s how you got into the position you were in now. 

“Aren’t you taking me so good hm?” He cooed into your ear, cock buried deep inside you with each thrust of his hips. He felt you squirm, watching your chest heave and pretty tears fall from your eyes from the pleasure. Oh there was nothing more than he adored than seeing you under him, falling apart so beautifully. And there was nothing more he loved hearing than your cute sounds, all the moans and whines and whimpers. Your adorable little pleas for him to stop being so mean.

You were just so his.

“You’re just too cute… filthy too huh? Letting me fuck you like this.” He laughed a little, as if he wasn’t drunk off of you entirely. He kissed your tears and moved his hips more harshly, letting you wrap your arms around his neck to keep him close. He was so close, he was so fucking close. He can’t even remember how many times the both of you came, he knew he should’ve been more gentle but god, you were like wine he wanted to indulge himself in every night.

He let out muffled groans into your neck, covered with love bites and marks from his relentless attacks and teases earlier. 

“D-Dazai…” You whimpered, your voice slightly hoarse from how much you were raising it earlier. It was the only thing you knew how to say at this point besides please and yes.

“G-God, fuck.. say that I’m yours.. You already know you’re mine. Please say that I’m yours..” He moaned, biting down on your neck. ‘Just a little more..’ He thought, but he didn’t even realize the words coming out like you did. But that’s all you’ve been wanting to say, you were just waiting for the right moment.

“You’re mine Dazai, fuck me like it.” You let out a small gasp before you yelped and felt him slam harder into you. You cling onto him tightly, one hand gripping his hair while the other scratched at the bandages wrapping his back. 

“C-Cumming..!” You both whined, before reaching your orgasms at the same time. His body collapsed onto you with him still inside, his cock twitching as he fills you up. You both pant, holding onto each other tightly, exhausted.

“So…” Dazai says after a couple moments of silence, wincing a little before pulling out. “First and only yeah?”

“First and only.”

dividers : @/cafekitsune

[fortheloveofexy]

it's a pet peeve of mine when ppl frame Andrew as hating Aaron and being needlessly cruel to him... bc while yes, their relationship is fractured and strained, Andrew genuinely cares about his brother and wants the best for him, he just doesn't know how to show that in a normal way.

like he might not know how to express it in a healthy manner but Andrew LOVES Aaron, like he truly just wants Aaron to be healthy and safe. It's like, his whole Thing. Aaron is one of the most important people in his life. Andrew wants him around. He'd do anything to protect him.

I guarantee Andrew wants to be emotionally close to Aaron too, he just doesn't have the tools to do that and the thought of letting someone in terrifies him. He also has no concept of what a healthy sibling relationship looks like, so he has no frame of reference to work from.

[withdenim]

So uh. How about that time skip huh. (Corvus composing and performing the best track in the show was so hot of him btw if you care)

[luxaofhesperides]

For the ghostlights drabbles: “Say my name” with a favor being called in?

Duke had saved Phantom years ago, back when he was just out of high school and working to take down a branch of the government that was kidnapping and experimenting on people, targeting magic users and metas. Phantom had been working on his own to take them down, and they met in the middle, trashing a lab and freeing as many people as they could.

They had managed to shoot his back, knocking him down and making him bleed a glowing green. Phantom couldn’t move, protecting two kids with his body, and Duke couldn’t reach them in time before they were taken away by another swarm of agents. 

He was able to go after them in time, free Phantom and the kids, and evacuated the victims before Phantom rained hell down on the facility.

At the end, standing in the background as they watched paramedics treat the victims and take them towards the nearest hospitals, Phantom had turned towards him and thanked him.

Or rather, he thanked the Signal and offered him a bracelet with a rounded orb of ice, glowing faintly in the dark. If you ever need me, he had said, Hold this, and call me name.

Phantom vanished once the last of the victims were transported to a safer location, and Duke hadn’t seen him since.

He’s kept up with news about Phantom as best he can, but from what he could tell, Phantom is based primarily in Amity Park, Illinois, and the town is fiercely protective of their hero. News rarely leaks out of there, and with them running on their own servers and independent internet, it was nearly impossible to get in from the outside. 

Phantom remained a curious and distant figure in Duke’s life. He holds onto the bracelet still, guarding it carefully and sometimes running his fingers over the ice that never melts.

But he doesn’t call in that favor. He’s never to.

At least, not until now.

Sucking in a breath, Duke prepares himself and holds the orb of ice in the palm of his hand. He’s in civies, unable to hide his identity for this, and closes his eyes. “Phantom,” he says.

For a moment, nothing happens. Duke blinks his eyes open and frowns, mind already forming new plans to contact Phantom. Then the ice goes bitingly cold, almost painful, and the temperature in the room drops dramatically. The ice lifts up from his hand, floating in the air, then cracks open.

White-blue light spills out of it, growing brighter as it seems to swallow up the room entirely. Duke hurries to back up, an arm thrown up to protect his eyes. His breath mists out before him and he shivers as the sound of ice cracking fills the room.

And then, just as suddenly as it started, the light disappears and the cold fades away like a bad dream. 

Slowly, Duke lowers his arm and looks up at Phantom, floating in the middle of his living room with a crown made of ice, engulfed in blue fire, hovers above his head. He looks older, more regal, holding his head high. 

He regards Duke carefully for a minute, then tilts his head and says, “Signal?”

“Yeah, it’s me. Man, I’m so glad you came.”

“You… need help with something? You’re calling in your favor now, right?”

Duke nods. He understands Phantom’s confusion; being in the hero business means that favors like these tend to be used only during the most hopeless of times, when the world is close to ending, when the chances of getting out of a situation alive is close to impossible. It’s exactly the kind of thing Duke was expecting to call Phantom in for.

Not the kid sleeping on his couch.

“You’re a ghost, yeah?”

Phantom blinks at him. “Ghost king, now. Why?”

“Well…” Duke rubs the back of his neck, nervously. “I didn’t really know who else to call, and I can’t do this on my own since I’m not a ghost. But this kid got attached to me and won’t leave, so now I’m taking care of her and I have no idea what I’m doing.”

“I don’t know why you think I have any experience with kids but—”

“She’s a ghost.”

Phantom stops short. “Ah. I see.” He floats down until his feet touch the floor, and then he’s standing like any other person. “Where…?”

Duke looks past Phantom’s shoulder, and Phantom turns to follow his gaze. Chelsea, the ghost girl, looks to be around nine years old and is fast asleep on the couch, curled up under Duke’s softest blanket.

“Signal,” Phantom says quietly, “What, exactly, is the favor you need from me?”

“You can say no,” Duke starts. “I get that this is a lot. But I need help raising her. And since you’re a ghost, I figured you could help me learn about the ghostly side of things. You don’t have to raise her with me or anything! Just… I would appreciate any help you’re willing to give me.”

Phantom doesn’t say no. He doesn’t say anything. He just stares down at Chelsea, an unreadable expression on his face. 

On the couch. Chelsea shifts in her sleep, brows furrowing as she makes a choked noise in the back of her throat.

Moving on autopilot after so many nights of this routine, Duke kneels next to the couch, fishing one of her hands from beneath the blanket. He gives it a few reassuring squeezes, keeping it a slow rhythm to pull her gently from her nightmare. She settles down in just a minute, brow smoothing out as she continues to sleep. 

The silence grows and Duke is all too aware that his heart is the only one beating. 

He doesn’t hear Phantom move. Doesn’t realize he’s right next to him until he sees Phantom’s hand reach out towards Chelsea. When Duke looks, Phantom is sitting on the floor next to Duke, looking at Chelsea with something soft and devastated in his eyes. His hand hovers about her head for a long moment, then slowly lowers to rest on her head. 

The touch looks gently, barely putting any pressure on her head, but it’s enough to make Chelsea’s eyes snap open, suddenly wide awake. She stares at Phantom with wide eyes, then sits up and looks between him and Duke.

“Who are you?” she asks in a small voice that makes Duke want to stand against the world to keep her safe. 

Phantom smiles. It’s casual and charming and makes him look like anyone else, as if he’s not a powerful king from a realm unreachable to humans. “Hi there,” he says, “I’m Danny. I’m a ghost like you. Signal called me and asked me to meet you.”

The Ghost King is good with kids. Who would have thought?

Chelsea looks at him for confirmation and only relaxes when he nods. “I’m Chelsea. What do you mean ghost? I’m not dead.”

Both he and Phantom tense, carefully keeping their expressions neutral. She hasn’t told him much at all, just that her parents were gone and forgot her and she got hurt, so she wanted to stay with ‘Mr. Signal’ because he’s a hero and heroes keep people safe and he was the only one who was Black like her. Duke hadn’t had the heart to say no, and began searching for her family, only to find that her parents had fled the state, and likely the country, after killing their only child through neglect and a dangerous environment. 

It was then that he realized that her powers were not because she was a meta, but because she was ghost.

It still hurts to realize how young she is, how much of her life had been stolen from her in an instant. Duke hadn’t been brave enough to broach the topic with her, instead choosing to let her grow comfortable in his presence, get them both settled into a routine now that he was her primary guardian. 

“I know it sounds scary,” Phantom says, “And you may not want to believe me, but it’s true. I’m sorry that you died so young, but that just means you get to hang out with me and other ghosts from now on!”

Chelsea crosses her arms over her chest and glares at him. “I am not dead,” she says.

“Cici, I’m sorry to say this, but you are,” Duke cuts in. “That’s why I called… Danny. You have new powers as a ghost, and he can help you get used to them.”

“I’m not dead!” she says again.

“Kid,” Phantom begins, but Chelsea shakes her head hard and hops off the couch.

“I’m not lying! Watch, I’ll prove it to you!” She closes her eyes and scrunches up her nose, concentrating. Her hands curl into tight fists by her sides, and the glow around her grows dim. Two faint, stuttering rings of light appear around her waist. They flicker and wobble in the air, as if weak and uncertain of their own existence, then split apart, one moving up towards her head while the other falls to her feet.

Beside him, Phantom sucks in a sharp breath, but Duke can’t turn to see what’s wrong when he’s trying to take in the sight of Chelsea suddenly full of vibrant color, looking more solid that he’s ever seen her, very much alive.

“See?” she says proudly, lifting her arms and doing a spin to show off her right she was. “I told you I’m not dead!”

“No, you’re not,” Phantom agrees, sounding shell-shocked. When Duke is finally able to look away from Chelsea to check on him, he looks awed. There’s the smallest smile on his face, just the slightest upturn of his lips, but it makes him look softer.

Duke turns his attention back to Chelsea before he can be caught staring. “Cici, can you come here for a second?”

She goes before he’s finished speaking, crossing the space between them in a single jump, then grins up at him. Her hair is a bit of a mess, the two buns he managed to get her hair into falling askew. He makes a note to visit the old aunties in the Narrows later to ask them to teach him how to do hair. For now, he holds out a hand and Chelsea drops an arm into it.

It seems to good to be true, having her be alive, but her pulse is steady and strong when he presses his thumb against the inside of her wrist. 

“Well,” he says, leaning back and letting go of her arm. “You certainly proved us wrong.”

Chelsea doesn’t have much time to look smug before PHantom quietly says, “You’re like me.”

“What?”

“You’re like me,” he tells Chelsea. “A halfa.”

She tilts her head to one side. “What’s that?”

“Someone who is half human and half ghost. Both dead and alive.”

Duke blinks, taking in the words, then turns to face Phantom so quickly he’s worried he might give himself whiplash. Halfa, he said. Like me, he said. 

And sure enough, two rings of light, bright and strong, appear around Phantom’s waist before splitting in half, moving over his entire body. 

Gone is the Ghost King, all powerful and adorned in dark clothing with a crown of ice above his head. In his place is a guy who looks to be Duke’s age, eyes a deep blue and his black hair messy, feet set solidly on the floor. He looks completely normal, completely human, and no longer an impossibility.

“You still up for learning how to use all your new powers?” Phantom asks.

Chelsea grins. “Yeah!” And then, with a quick flick of her eyes going from Phantom to Duke that he almost misses, very innocently asks, “Are you going to stay with us then?”

“I… don’t know?” Phantom looks to Duke for an answer.

Already, Duke can see this going two ways. The correct way forward, the normal one, has Phantom popping in every so often, taking Chelsea out for a few hours to work on training her and her powers. It’s easy and routine and they can keep their boundaries uncrossed and be professional. 

The other path is what Duke wants most that he shouldn’t impose onto the literal Ghost King. He could have Phantom living with them while he’s on Earth and out of Amity Park, having a place at the table, a section in the closet for his own clothes, a quietly domestic night together while Chelsea sleeps where they can get to know each other more, get to know each other outside of news reports and texts on a screen.

“You can stay with us if you want,” Duke offers, casually, “It might keep my apartment safe from her powers acting up on their own again.”

“Are you sure? I could always just fly in on the weekends or something.”

“I’d appreciate having you around. So you can help Cici.”

“If you don’t mind,” Phantom says, looking away. Like this, fully alive with a beating heart, it’s easy to see the blush steal away across his cheeks. 

“I don’t.”

“I don’t either!” Chelsea pops in, looking far too gleeful by their awkward conversation.

Duke can’t help but laugh, feeling lighter than he had in ages. The relief of knowing that Chelsea is alive, for the most part at least, eases the guilt of thinking he had been too late to save her, that there was no chance she could have made it out and had a future, makes him feel weak. All the exhaustion of the past few weeks hits him all at once and he wants nothing more than to collapse in bed and sleep for twelve hours.

“Alright, squirt,” he says, reaching out to pat her head. “It’s late. We can talk more in the morning, so go to bed. In your actual bed this time, not on the couch.”

Chelsea stands up taller, ready to argue, but Duke gives her a Look™ and she quickly shuts her mouth, nods, and drags her feet back to her room (the former guestroom he can never give any of the other Waynes ever again, once they find out about her). 

Sighing, Duke collapses onto the couch once he hears the door shut behind her. Phantom joins him after a few seconds, sitting tentatively on the edge of the couch. The cushion moves beneath his weight, another reminder of how solid and alive he is right not.

Duke wants to touch him, to reach out and feel for himself his pulse, the warmth of his body, his chest lifting with each breath. 

He doesn’t move. He stays where he is, hands carefully still, and tries to think past the dizzying thoughts of she’s still alive, I’m not too late, he’s still here, he’s alive.

“Rough week?” Phantom asks, voice purposefully light.

“Something like that.”

“You should get some sleep too.”

“I don’t think I can. Not after everything. My mind’s too loud right now.”

Phantom shifts closer to him, hesitant in a way that Duke has never seen before in him, and asks, “Want me to stay with you until you mind quiets down some?”

“Yeah. I’d like that. Thanks, Phantom.”

“You know, if I’m going to be around so often as Chelsea’s halfa mentor, then you might as well call me Danny.”

Truth be told, Duke didn’t think that was his real name. He’s glad to know it’s not. 

“Then call me Duke.”

“...Are you sure? You could still hide your identity from me.”

“Nah, I trust you. A name for a name, yeah?”

Danny smiles. “Duke,” he says, testing out the name, and it’s never sounded better than when it falls from Danny’s mouth.

“Danny,” Duke returns. He belatedly realizes that they’ve leaned towards each other, drawn together like gravity, stuck in each other’s orbit. It feels natural. It feels like this is where they’re meant to be.

Maybe he should be more cautious. They’ve only meant once before, after all. But he’s read all he could on Phantom and has seen how Amity Park loves him. He’s stressed and exhausted and trying to figure out how to look after a half-ghost child that’s already been dealt a bad hand in life. He should be keeping Phantom at a distance, watching over him carefully to ensure he isn’t a threat to Chelsea.

But Duke saw how he acted with Chelsea, so gentle and understanding and kind. That’s all he needed to see.

He may not know much about Danny, but he knows this: he is trustworthy.

Enough to entrust his identity to him.

Enough to entrust Chelsea to him.

It’s more than a favor; it’s a promise to walk this road together. 

There’s no one he’d rather do this with. 

“Thanks,” he says again, “For all of this. I know it’s a lot.”

Danny shrugs. “I don’t mind. Really. It’s nice to know there’s another halfa out there, no matter how she came to be one. Makes things feel less lonely.”

“Will you tell me more about halfas?”

“Later. Once you get some proper rest. We’ve got time, haven’t we?”

“We do,” Duke agrees, affection settling warm in his chest. “We’ve got plenty of time.”

Learning how to control her new powers won’t be easy for Chelsea. Learning how to take care of her won’t be easy. Learning how to do things together, as Duke and Danny rather than the Signal and Phantom, won’t be easy. But Duke knows with a certainty he feels in his bones that they’re going to be fine.

So long as they’ve got each other, they’ll be fine.