#I wonder what their characterization will be like .-.

[twelvemonkeyswere]

Brienne and Femininity (and Masculinity)

I’ve been musing how one of the most important topics in Brienne's storyline is femininity, and even though her story isn't finished, we can fairly see what some of her major themes are around this—particularly, how performing or failing at performing femininity affects her both internally and externally.

Often I see people pointing out that, in spite of all of Brienne’s traditionally masculine ways—her clothes, her skill set, her body shape, to name a few—she does not fully reject femininity. That she likes little cute animals and fairy tales and wears dresses, and is shy and blushes frequently. This is an important point because, very often, fantasy settings made the assumption that a woman can only be taken seriously if she goes beyond “her womanhood” and acts and thinks “like a man,” as opposed to other girls who are too busy mending or wanting romance. Brienne challenges those tendencies that GRRM saw in his contemporaries. Things have changed a lot since (hello The Locked Tomb, for example), but you can still see where he is working from, and how many of the aspects of Brienne's story still resonate with more modern audiences because, well, sexism hasn't stopped existing. It's also important because the larger asoiaf and got fandoms often refuse to see this side of her, reducing her to a walking sword or a cardboard cut out of a pushover.

Now, my main issue here is that I feel several interpretations of Brienne have now gone on the other direction, and focus so much on Brienne PERFORMING traditional femininity—wearing luxurious dresses, using make up, accepting lavishing gifts, or wondering if she can be desired, for example—that we've gone sometimes on the opposite direction. I feel like many times we’re afraid or do not know how to approach characterizing her as someone who rejects aspects of femininity without making her into another “not like other girls” stereotype.

My two cents on the matter is that if we focus too much in what Brienne can't but "wants" to perform, we forget that she is, in fact, gladly rejecting some common impositions of femininity in her society.

Beginning with swordplay at a young age, for example, she was very glad to ditch a more traditional education in order to learn how to fight the way we know men are taught in asoiaf/got. She is also explicitly more comfortable in men's clothes. We all like the scene where Jaime makes an effort to give her a dress and she appreciates it, but we don't even find out what happened to the dress, because, presumably, the dress itself is not THAT important, at least not as much as the fact Jaime gave her gifts as a form of appreciation. Dresses have been used in Brienne's past to mock her (the event with the bear being the most recent one), and the important part is that Jaime is the only one who has given her one without that ulterior motive. The point of the scene is that where everyone undermines and underestimates her, he is acting the opposite way. We’re seeing how the relationship between them has evolved and that he is doing his best to mend what has happened and what he has done. She is given a dress and a sword as symbols that someone else in the story is beginning to appreciate her for all she is.

Beyond that, we even get details on the old shield Brienne got at Harrenhal, but not a word about the dress. Brienne explicitly doesn't really like being in dresses, she prefers mail and breeches, and feels more at ease in them than anything else. This is not her hating dresses because she is above them. I can’t remember well but as far as we know it’s just her preference: I don’t recall her saying she hates dresses, just that she prefers trousers. She must have been wearing dresses her whole life! It’s not likely she is unused to them. But we do know the act of being given a dress is important in Brienne’s story. The problem is not that they can’t make dresses for her, the problem is that everyone who forces her to wear a dress wants to signal how lacking she is as a woman, trying to fit her in a box too small for her real shape and then mocking her because she doesn’t meet their standard. The problem is they want to make her uncomfortable and they want to humiliate her, because she dares to exist in a way that doesn’t conform to patriarchal ideals. And the problem is that she likes to wear trousers and mail. She likes to wear masculine clothes, and they want her to be very aware of how much they disapprove.

And we also hear a great deal about marrying and having children out of duty. There's a certain loss she feels there because she believes that, at that point, all those missed opportunities will never present themselves again. All her life, she grew up with a dichotomy that dictated that the chance of having a family or children was through duty or none at all, because she is her father’s heir and—they kept telling her—nobody would want an ugly, masculine, temperamental girl as a wife. They could only want her for the money she brought. The point of the story is that, once again, failing the standards of femininity has forced her into a mentality where she thinks she can’t be loved because nobody would like who and what she is. But even then, even with that thorn in her mind, she still feels relieved she didn't have to perform these particular duties. The only thing she’s sad about is that she thinks she's missed any chance at having a family at all and will never know what that might be like. She doesn’t actively want babies or even to be married. She is still young, and at least to me, she seems to view these things in hypothetical rather than explicit goals or wants. She thinks that, at 20, there is no opportunity for her to experience these things because of how her society works. It’s the lack of choice that she mourns, down the line. But she rejects that particularly role that femininity imposes on her now. She didn’t want it, and she is happy it didn’t go through. She literally fought an old man to prove how much she didn’t want those impositions.

All this is interesting to me because Brienne also sort of thinks of herself as her father's son as well as her father's daughter. It almost slips her mouth once or twice. She is aware, I think, that many times the differences between a son and a daughter boil down not really to gender but to the sort of duty they perform. And she wants to do the sorts of things sons do, too. Men regularly learned to fight and wore the clothes she liked best and used hard-earned skills in a way she wanted to use them. There are layers to this (we’ll get to that in a bit) but she is, I think, very aware of her masculinity, and, if left to her own devices, she seems comfortable in it. The problem is she is NOT left to her own devices.

Most of Brienne's self doubt comes from outside forces. As a woman, they underestimate her. As a woman, they think she is stupid. As a gender non-conforming woman, every jape uttered goes directly to her womanhood. As a woman, if she looks the way she does and dresses the way she does and fights the way she does, when she expresses any vulnerable emotion, any shred of “femininity,” she is mocked for it. She likes dancing and beautiful things and pretty boys but a woman as masculine as she is is not the sort of person who gets to express those preferences without judgment from those around her.

The point is Brienne’s world wants her miserable either way: being unable to be a woman the way they demand of her, because she is too much “like a man” for it, or being unable to be a man, because she is too much a woman for that. The point is she can’t win regardless of what she does. Because that’s how sexism works.

But Brienne’s story is, I think, one about choices. The thing is that the world makes it harder for her, but she shouldn't have to be one thing or the other. She shouldn’t have to be defined by one or the other. If she wants to fight in the mud and smell roses and wear chain-mail and talk to charming men, she should be able to choose all of those things. I think it’s easy to focus too much in what aspects of femininity Brienne likes or dislikes instead of looking at what the story is proposing, which is to look at what Brienne,as a person, likes or dislikes. What she wants. Her parallel story to Jaime is about how the world will always try to put folks in boxes, especially those who, for some reason or another, do not easily fit in those boxes. The question is not “what feminine/masculine parts of Brienne is she happy performing” but rather “what does Brienne want, and why does she feel like she cannot get it and doesn't dare ask.”

This is also what drives her to servitude. There’s a phrase out there that says that if you don’t think you can be liked, you try to become useful, so at least there’s a reason to keep you around. It’s heartbreaking to see how Brienne’s vision of herself has been so skewed by the emotional abuse, parental neglect, and bullying she’s experienced since a young age. She doesn’t think anyone will grow close to her, so at least she can be close to people by serving them. She wants to put her skills to use, she wants to find a place where she fits, where she can be more herself, but she isn’t sure what that looks like or how to find it. She’s still searching, and learning many things on the way.

And Brienne is still very young. We can see her confidence growing and her worldview challenged and she is beginning to see the realities of herself and of the world around her through various trials by fire. Misogyny makes her feel incomplete, but we know the things she trusts about herself while simultaneously seeing the way she constantly doubts others. How she can't never express all of herself without constant judgment or mockery.

I feel like yes, the fact Brienne doesn't reject all traditional femininity is really important to her themes, but by extension, it's as important that shedoes reject some of those traditional expressions of femininity. What she is truly rejecting is imposition, not femininity. What she truly needs to embrace is freedom, not masculinity. She's making her own vows, breaking her own promises, going through her own mistakes. She is learning the hard way. Agency in a world of limited choices is one of Brienne's main themes too. There are moral issues that go deep within her story as well as examinations of the effects of war and the struggle to find authenticity and connection in a community that refuses to acknowledge yours, a community drenched in pretense and lost in performance.

And I think it’s easy to get too caught up in her wanting to be a girlfriend or a mother or wearing a dress that we bypass the whole conversation around why that matters at all. I feel like Brienne's success isn't going to come from her fully embracing all her feminine traits or fully accepting all her masculine traits but from being able, down the line, to be exactly who she is.

[fluentmoviequoter]

Black Mercy

Pairing: Bruce Wayne x fem!JL!reader (Justice League Unlimited!Bruce)

Summary: When you and Bruce find Superman in the Fortress of Solitude, you encounter the Black Mercy. Bruce faces his heart's greatest desire, and you encourage him to find happiness.

Warnings: spoilers/rewrite for Justice League Unlimited 1x2 "For the Man Who Has Everything", fluff, canon-level violence and action

Word Count: 2.3k+ words

A/N: I'll say it again... this show is elite. I'll never shut up about the characterizations of Batman, Superman, and the Flash! But, also, his bat ears.

Picture from Pinterest

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“J’onn, when did Superman check in last?” you inquire.

J’onn clicks the trackpad before him. The Watchtower has the most advanced technology of any place you’ve ever seen, yet J’onn has to navigate to the most recent communication reports to learn when he last heard Clark’s voice.

“Several hours,” J’onn answers with a frown. “He traveled to his Fortress of Solitude to investigate a disturbance but hasn’t reported since he arrived.”

“I’ll try to contact him,” you tell J’onn.

Bruce thought of everything when he designed and funded the Watchtower, and you navigate to your favorite private area. You occasionally wonder if he created such spots for people like you, the unpowered or easily overwhelmed. The Watchtower is big enough that you could go an entire day without seeing another member of the League; now, you crave that privacy to check on your friend.

“Superman, come in,” you say into your small radio. “Hello? … Clark?”

The only response you get is a distant static. You bounce the radio between your hands and frown. Clark can handle himself, of course, but he’s also good about staying in touch. The hidden door beside you creaks open slowly before Bruce steps inside.

“I thought you may be here,” he murmurs. When he turns to face you, he asks, “What’s wrong?”

“Clark isn’t checking in. J’onn hasn’t heard from him in hours, and I can’t reach him on comms,” you answer.

“Where is he?”

“Fortress of Solitude.”

“Then let’s go.”

You smile and take Bruce’s hand as he helps you to stand. He leads you through the empty hallways of the Watchtower, and you hope that when you get to Superman's hideout, it's just radio interference and nothing more. He steps onto the launch bay and presses a button on his utility belt to open the canopy of the batplane.

“Can I fly?” you ask.

“No,” Bruce answers.

He flies in relative silence, and it isn’t until he steers the plane into the freezing water surrounding the Fortress of Solitude that you decide to speak.

“That was a nice turn,” you compliment. “You usually scare me when you fly.”

“Sorry,” Bruce replies shortly.

He levels the plane onto an ice bank and opens the canopy. When he sees a small box in your hand, he furrows his brows under the cowl. You lead the way through the icy cave and look around for any sign of Clark.

“Is that for his birthday?” Bruce asks.

“What’d you get him?” you reply.

“He’s not the easiest person in the world to buy presents for.” Bruce lifts an envelope from his belt as he speaks.

“Please tell me that’s not a gift card.”

“It’s not… It's cash.”

You nod, and follow Bruce up the stairs into the heart of Superman’s fortress.

“What do you get for the man who has everything?” Bruce adds before freezing.

You drop the gift box when you see Clark. Bruce’s arm stretches past you protectively as you look from a distance. Clark stands motionless with a large plant attached to his chest and wrapped around his shoulders and back.

“What is that?” you ask Bruce.

He walks down the steps to get a closer look, and you follow closely behind him.

“Looks like some kind of plant,” Bruce says. “Seems to be growing through his costume and into his body.”

You step to Bruce’s side and look at Clark’s chest. He’s breathing, barely, but that’s enough of a promise that he can be saved from whatever this is. Clearly, someone was in the fortress, and Clark probably interrupted them. You will know where to start if you learn what he was investigating.

“Look around,” Bruce requests. “I’ll see what I can find here.”

You leave his side as he shines a light in Clark’s eyes. Bruce is well-versed in Kryptonian anatomy, so you trust him to decide what’s best for Clark.

“Pupils aren’t responding in the slightest. He must be cut off from all sensation,” Bruce deduces.

“How do we save someone who doesn’t know we’re trying?” you inquire.

Bruce doesn’t answer you but murmurs, “Kent, where are you?”

“So, it was a gift. Teleported here from some alien culture, some grateful world. Or someone wanting you to think they were grateful,” Bruce says to Clark.

“How remarkable,” someone calls. Bruce stands quickly and sees Mongul as he finishes, “You animals really are almost intelligent, aren’t you? That’s exactly what happened.”

Mongul steps out of the shadows, and Bruce sees you unconscious in his hand. His jaw clenches, but he remains calm and focused. He can’t save you or Clark if he loses a fight with Mongul.

“Mongul,” Bruce greets.

“You recognize me. I’m flattered. I suppose Superman told you all about our previous encounter.”

“You mean how he humiliated you?” Bruce taunts.

“A… jaundiced account. What inferior specimens he surrounds himself with.” Mongul raises you cruelly and says, “I took her down before she even knew I was there, and I’ll take this planet just as easily.”

You gesture with your hand to show Bruce you’re about to move and then swing your legs up. When they meet Mongul’s jaw, he tips back, and you fall to the cold floor.

“Maybe she knew more than you thought,” you say. “We inferior specimens call it ‘playing possum.’”

You prepare to fight Mongul despite the unfairness of the fight. Before you can punch or be punched, however, Bruce jumps between you and Mongul.

“No,” he demands.

“Clearly the males on this world are the smart one,” Mongul muses. “He wants to know about the plant. The Black Mercy is a telepathic species. It reads the heart’s desires and feeds the individual a totally convincing simulation of it.”

“So, he’s dreaming?” Bruce clarifies.

“Oh, far deeper than any dream. I wonder where he thinks he is… Sitting on a throne ruling the universe, all you human garbage fawning at his feet? More honest, don’t you think than this pretense of being a selfless hero?”

“Bruce, we can’t take him,” you whisper as Mongul looks at Clark. “What are we supposed to do?”

“We can’t take him,” Bruce agrees. “But we can take a plant.”

“Need a distraction?”

“Be careful.”

You run toward Mongul and force him backward, away from Clark. He knocks you to the floor with ease, but where you lack size and power, you have mobility and agility. You maneuver away from him and run through an opening in the wall. As you hoped, he follows you.

Meanwhile, Bruce attempts to cut through the plant but fails.

“He’ll kill her, Clark,” Bruce tells Clark. “And then he’ll kill us all. Shake it off. Come back to us… Please.”

Bruce told you to be careful, but you’re doing anything you can to keep Mongul away from him. You fire a Kryptonian weapon at him, but you and Bruce face similar luck as nothing works to help you. You’re trapped in a losing fight, and Bruce can’t get Clark back. You see another line of weapons and run into an adjoining room. Mongul follows you, and he’s loud enough that Bruce can locate you without seeing you.

“She’s in the hall of weapons. That will buy her time, but not enough.” He grips Clark’s shoulders and adds, “She’s fighting for her life, Clark. You’ve got to fight too, Clark.”

The weapon goes cold, and you drop it before you realize how close you are to Mongul. Mogul wraps a hand around your shoulders and squeezes your neck before pushing you onto the floor.

“First, I’ll kill you and the Bat and then I’ll take this planet,” he says.

“You won’t win,” you force out.

“Of course I will.”

Mongul lifts you from the ground before dropping you again, and you can only hope that Bruce is close to saving Clark. Once he’s back, you can be sure Mongul won’t win.

“Yes, that’s it,” Bruce says as he pulls the Black Mercy from Clark’s chest. “Fight it. Fight it.”

Bruce finally succeeds and removes the plant from Clark, but his victory is short-lived before it attaches to him instead.

“Batman!” you yell as Mongul throws you across the hall of weapons.

You struggle to push yourself to your feet, but a blue and red blur knocks Mongul off his feet before you can. While Clark pays Mongul back for everything he lost, you stumble through a hole in the wall to find Bruce. It’s unimaginable - to lose your heart’s desire, but when you see Bruce smiling with the Black Mercy on his chest, you find the strength to keep moving.

“Bruce,” you call, but it’s no more than a whimper.

You kneel before him and grip the sides of the plant. Pulling is pointless, but you need him back. Clark can undoubtedly handle Mongul alone, but Bruce needs your help now.

“Bruce, fight for me. Come back to me,” you plead.

“Bruce, I think it’s your turn.”

Bruce shakes his head and continues kissing you. The kids are making noise in the formal living room, but he ignores it. Not even the unmistakable sound of something breaking can draw Bruce away from you.

“Brucie,” you try again.

Talking against his lips doesn't work because his kisses are addictive. You finally raise your hands and push yourself away from Bruce. He smiles, and you know your happiness is evident on your face, too.

“Your kids are destroying the manor,” you remind him. 

“We can fix it. And they’re our kids.”

“I’m happy,” you tell him.

“I am too.”

Bruce brushes your hair back and watches your smile fall.

“But it’s not real,” you whisper.

“It can be,” Bruce promises.

He leans toward you, and you kiss his forehead before answering, “Then wake up and make it real.”

Bruce wakes and is harshly reminded of where he is as he falls backward. The Black Mercy is wrapping around your outstretched arms, and you grunt with effort as you force it away from your chest. Clark is still fighting Mongul, and each reference to his heart’s desire revives his fight and energy.

“Bruce,” you call.

Bruce pushes your arms away from your face, and you roll toward a hole in the floor. Mongul is directly beneath you, and the Black Mercy falls away from you before landing on him. Clark sits back in relief as Mongul disappears into his heart’s desire.

“Are you okay?” Bruce asks.

You assure him that it's nothing more than bumps and bruises, and Bruce pulls a grappling hook from his belt. You wrap your arms around Bruce and cling to him as he lowers to Clark’s side.

“This was your birthday present,” you tell Clark as you pass him the battered box. “Probably broken now, but…”

“Don’t worry about it,” Clark says with a smile. He looks up at the Kryptonian statues above you and promises, “I won’t forget you.”

 “I wonder what he’s seeing,” you say, pointing toward Mongul. “Something better than he deserves, I’m sure.”

“You’re the only one who didn’t get a glimpse at your heart’s desire,” Clark points out. “Maybe I should get you a gift on the way back.”

You smile and pat his shoulder. “I’m sorry for whatever it is you lost. But I’m glad you get to spend your birthday here.”

“I appreciate it. And who knows, maybe I’ll get my desire someday.”

“I hope so.”

“Happy birthday,” Bruce says as he passes the envelope to Clark.

“Thanks, Bruce,” Clark replies. “What do you say we got back to the Watchtower and let the Fortress rest for a while?”

You and Bruce agree, but Bruce waits beside you as Clark walks toward the hidden entrance. He’ll meet you back in space, but now you’re more interested in Bruce’s attention on you.

“I’m sorry,” you offer.

“I thought it would be about my parents. When Mongul explained it, I just assumed,” Bruce says.

“I think mine would have been a normal life. No need for superheroes or watchtowers… just domesticity and happiness with someone who I love and who loves me.”

“You were there,” Bruce says quickly.

“Oh,” you say, unsure of any other, more appropriate response. "Was it… you don’t have to tell me.”

“It felt so real, even though I knew it wasn’t. Is it wrong that I wanted it to be?”

“Of course not.”

“Clark can’t get what he wanted, not if he was back on Krypton, but I could get mine with a single question. What makes me more worthy; after everything I’ve done?”

“Bruce,” you say, drawing his attention when you lay a hand on his chest. “It’s not about that. If your desire is more achievable in this life, that has nothing to do with what you deserve. And you’re not a bad person, so stop punishing yourself.”

“You told me I could make it real,” he murmurs.

“Then ask the question. You can leave it here with that plant, or you can do something for you this one time.”

“We were in the manor,” Bruce begins. “And there were kids playing in the other room, and you looked so happy. I was happy again, and I haven’t been happy in that house since I was eight years old.”

“Things can change,” you whisper.

“Would you- could we try?” Bruce asks.

“The kids in the manor thing or the you and me thing?” you tease.

You lay your hands on Bruce’s shoulders and lean close to him. His hands hover above your waist before settling against the top of your hips.

“Both?” he suggests.

“Alfred will be so happy to have company again,” you say before closing the distance and kissing Bruce.

His dreams are coming true, and yours are too. The fight never ends, but part of you is glad that the Black Mercy attached to Bruce’s chest and the version of you in his heart convinced him to take the next step.

“Alright, let’s go, Brucie,” you say as you pull back. “Clark’s going to get suspicious.”

“Brucie?” Bruce repeats. “You’ve never called me that before.”

“New things, remember? Now, come on, we have a world to protect before you take me on a proper date.”

Bruce follows you as you walk back toward the batplane and shakes his head as he murmurs, “Does this not count?”

[an-architect-of-words]

Bunny’s Moral Crisis and Julian being Anti Judeo-Christian

I was positive I got the impression, during my first read of TSH, that Bunny was truly morally bothered by the farmer-killing. Then I started wondering, post-reading, if I was being too generous, and Bunny legit was just worried for his life and was angry that the group was keeping secrets from him (that second one is what Henry told Richard).

But I got to the part in my on-and-off listening to the audiobook where Julian tells Richard he’s wondering what’s going on with Bunny. Julian says Bunny keeps approaching him and asking to talk about morality (particularly sin and forgiveness). Julian says he’s getting concerned that Bunny may convert to Marion’s religion. He asks Richard what denomination she is, and Richard says he thinks she’s Presbyterian. Julian is disappointed and says the only Christian denomination he can gracefully accept losing a student to is Roman Catholic.

Now this scene is interesting to me for a couple reasons. Firstly, it does indicate there may be more going on with Bunny internally than the Greek class gives him credit for. If Bunny is trying to approach Julian privately to talk about ethical dilemmas, this shows some level of genuineness in his questions (Julian also believes it to be earnest questioning). But secondly, Julian’s comment about only finding the Roman rite to be a worthy foe is so, so interesting to me.

The scene shows that something more is going on with Bunny, but it also reveals that Julian hates Judaism and Christianity— making exceptions for people like Dante and Giotto. The thing that’s fascinating to me about this detail is that Julian’s statements show the central theme of the whole book: that beauty is worth something if it’s backed by things of substance (Georges Laforgue says this, and the same thing is said by Theo in The Goldfinch. This is a concept important to Tartt’s writing).

Julian has a basic respect for Catholics, because Catholicism traditionally also has emphasis on art, philosophy, and classical aesthetic beauty. And, perhaps most importantly, Roman Catholics have kept Latin as the language of the Church and Vatican. The medieval Catholic Church was perhaps the biggest patron and commissioner of artists, and from the Catholic Church came Notre Dame, Aquinas, Dante, etc. Here, Julian mentions that the Catholics make “worthy foes” for the pagans, and what he means is that there’s all this aesthetic beauty and classical study within the Catholic Church. But it’s key here that Julian hates other branches of Christianity. The scene emphasizes that the only thing he enjoys about Catholics is their specifically classical history.

The thing I like about this detail is that it is a really specific bit of characterization to show that Julian does not care about morality or the search for truth that’s at the heart of all religions and mythologies. He’s different from people like Aquinas because he does not see human art and language as a means to articulate and pay homage one’s moral beliefs. He sees art/language as the highest good in and of itself. Once you remove the classics aspects of Catholicism, Julian does not care. And we see this because of his apparent disdain for Protestants and Jews. This also reminds me of Bunny saying Henry thinks Jamaicans have no culture. Obviously, they do, but it’s not the particular kind of culture and expression Julian and Henry find legitimate.

I guess I like how Donna Tartt understands her own theme and can show how it’s applicable so naturally just in the way her characters talk. We get a lot of hints about how closed-minded and shallow Julian actually is before we get to the end of the book where it’s confirmed.

[fallow-hollow]

Aaa! Your Kabru x reader was really nice! May I request a Holm x Reader where the reader helps him when he freezes up in rapid situations?

pick-me-up

…ft! holm kranom x gn! reader

…tags! pre-relationship, fluff, a little banter, reader knows some magic, some magic lore i may or may not have made up

…word count! 1167

…notes! people who are madly in love with side characters are truly god’s strongest soldiers. i hope i characterized your man correctly!!

As close as you and Holm were, neither of you really seemed to idealize one another too much. Being in the dungeon, you had to be aware of all your teammates’ strengths and flaws, regardless of personal opinion. When it came to the gnome you called your closest friend, even he didn’t deny it — he did not operate well under pressure.

Considering that you were in a place where foes could ambush you at any moment, anybody could see why this wasn’t a great quality to have. From being unable to save your friends to even being unable to save yourself, there were a lot of potential consequences to locking in place during the middle of combat. Something had to be done about it sooner rather than later, and if he had to ask someone, he’d rather it be you than anybody else.

The plan was formulated during some downtime the party had — something to stop Holm from going stock still whenever he felt overwhelmed. Luckily, your companion already had an idea for you.

“I figure the easiest way to deal with this’ll be using magic.”

You nodded. Not much of an obstacle, since you already had at least a few spells under your belt.

“As long as you have a rudimentary understanding of magic, it’s not gonna be too hard to get down.” For a moment, the gnome deliberated, wondering how to explain the concept to you. “You know how healing magic can hurt sometimes?”

With a grimace, you shook your head in understanding. Rin and Holm were pretty good about that sort of thing, but there had been more than a few occasions in past parties where healing and injury hurt even more than obtaining it. Seeing that you were familiar with what he was saying, the man continued.

“Well, that’s actually how healing magic is by default. When it doesn’t hurt, that’s because the caster is using a separate spell to numb your sensations.” As you listened, your mouth formed a little ‘o’ shape to show your interest. “Naturally, you can alter people’s sensations with magic in other ways, too.”

“Oh,” you would interject, “so I could use magic to make you more….focused?”

“Not quite, but yes.” At your approximation, he held up his index finger. “I was thinking you could use just a little bit of mana to sort of perk me up, almost like a spike of adrenaline to set me back in motion again.” His hand then lowered, turning over so his palm faced upward. “It’s pretty simple, just transferring mana through touch like you would with a healing spell.”

“I can do that, no problem!”

Ah, he was still looking at you, even after you said that… was there still more he wanted to share? When your eyes wandered down to the hand he held out, embarrassment that you hadn’t realized sooner quickly washed over you.

“Ah, you wanted to practice?” At first, you feared that your slow uptake had caused Holm some annoyance, but the relaxed smile on his face didn’t give way in the slightest. He seemed almost amused, really.

“Guess I should have been more clear about that, huh?”

The smirk on his face let you know that the question was most certainly rhetorical. Answering it would have been a moot point anyway, so instead you pouted and mumbled, “You’re always so snarky with me… not fair.”

Transferring mana was something you were fairly familiar with doing, so you were able to take the gnome’s hand into two of your own with little hesitation. Back when you’d just joined the party, the act of touching him made your cheeks heat up, but exposure to it over time had made the experience far from unfamiliar.

Just remember to envision the flow of the mana, you reminded yourself. Truly feel it, from your head to your toes, through your veins and bones, and out the tips of your fingers. Feel the current connecting you to him…

With your eyes trained on your joined hands, half lidded while you chanted the spell as instructed, you hardly noticed the way your companion’s ears actually twitched and perked up when the incantation was completed. Only when his whole body jolted did you shoot up in turn, concern pooling in your irises.

Said concern seemed to be unneeded, judging from the pleased look on his face. It was one that brought you relief, not just from the knowledge that you’d done well, but from the sight of him alone.

“That’s good, I think you’ve got it.” Even his voice seemed cheerier than before, and you weren’t quite sure if it was from the magic, your success, or both. Nonetheless, it was kind of nice to see his usually laid back demeanor become more enthusiastic from time to time. “So remember, the next time I get stunned in an overwhelming situation, use that if you’re near.”

“Of course!” You grinned, knowing you’d always be neat if you could help it.

That little practice session with Holm had been a few days ago by now. It took quite a while for a situation to actually arise that called for your little backup plan, but you most certainly kept your word.

Perhaps if it was just one stray suit of living armor, Rin or even Daya would’ve been able to dispatch it just fine. But in a whole hallway full of them with no way around, you could only tiptoe past them in hopes that maybe they’d ignore you, or even end up just being normal suits of armor. You should’ve known, of course, that the dungeon is no place for wishful thinking.

When the intimidating armored figures inevitably sprung to life, the first thing you did was look to Holm. Unsurprisingly, he was completely still by your side, eyes blown wide and mouth hanging open while he didn’t even shake or quiver.

Just do what you talked about. Transfer the mana as quickly as you can. You may have taken the latter half of that a bit too seriously judging by how, instead of taking his hand like you had during practice, you immediately reached for his face instead.

Only halfway through chanting the spell did you notice the slight tint on his cheeks, likely from embarrassment, and it took everything you had in you to continue the spell without stuttering from your own flustered state. After all, restarting the spell would take even longer, and that was pretty much the exact opposite of what was needed right now.

The second the spell had been completed, the both of you pulled away from one another, invigorated by both magic and embarrassment respectively. You heard Holm utter a quick thanks to you, but you were too busy feeling completely mortified by the way Kabru had just glanced at the two of you, seemingly more entranced by your interaction than the imminent peril you were dealing with.

You’d never hear the end of this, would you?

[nebbyy]

Hi! Could you please do a part two to the lester/apollo x reader fic you posted?

Apollo x reader - Eternal Bonds

A/N: thank you so much for your request, anon! Sorry if this took a bit more than the time I usually take to write my fics, but as I said the past weeks have been really tiring for me🥹 

Anyway, I hope you like this fic, I personally like it better than the first part, but as always let me know your thoughts on it<3

Aaaand as always, painting is "Springtime" by Pierre Auguste Cot for anyone interested!

Summary: Having regained his immortality and prestige, all that remained for Apollo was to stabilise something in his life was one thing: you. It might sound easy, but he honestly would disagree.

Warning: it is implied that Athena has a great admiration for reader, but they’re not their child. This reconnects with my own personal thoughts on how Athena’s cabin should work, so the goddess’ relationship with reader in this fic should be seen as the same as hers and Odysseus’ (if you want further explanations on what their dynamic was let me know:))) Also I must say, I haven’t read any of the trials of Apollo books in ages so I took it as an occasion to interpret Apollo’s return to Olympus how I see it more fit to this little scenario of mine.

And lastly, not a warning but this fic starts just a bit before the end of the first part, if anyone was wondering:)

Word count: 3813 (longest fic yet omgg)

Apollo stood there, standing on the elevator that would take him home. How strange, he had dreamed of this moment for months, eager to return to his home and be welcomed as a glorious hero, with restored dignity, free of the mortal shell in which he had been confined all this time. He had imagined himself proud, tall and triumphant as he entered the gates of Olympus.

Yet as he stood on his way home, he could not prevent the continuous movement of his foot against the elevator floor. There was no trace in him of the security typical of a hero, in him at that time reigned only the same anxiety and nervousness that had characterized his mortal form. First it was Apollo inside Lester’s body, now Apollo had his body back, but Lester was inside of him. That Lester had become an integral part of him? Or maybe it didn’t add up, maybe it was always there, unable to make its voice heard under the omnipresent spirit of Apollo.

Okay, maybe he was rambling, but he couldn’t help it when he felt like his nerves were about to make him explode!

The point was, he wasn’t just going home, he was going to convince his father, the king of the gods, the exact same person who kicked him out of Olympus, to make the love of his life immortal so that he could stay by his side for eternity. It was not a situation in which one could easily remain connected to reality.

Finally, the elevator slowed down its run, until it stopped completely and opened its doors with a characteristic "ding".

Slowly, one step at a time, Apollo stepped out of the elevator and advanced to the throne room, walking up the path that would take him directly there. His performance had an air of regal composure, but it was nothing more than a method of masking his tense nerves. He walked until he reached the first areas inhabited by the Olympians and some other immortal creature.

"Apollo? I didn’t know you were already back. We thought it would take you millennia to make it up to Zeus!!" He hadn’t heard it in a while, but there was no way he could ever forget the sound of Nike’s voice. The winged goddess came to meet him flying curiously, also attracting the attention of the entities that had not paid attention to the scene so far.

Some approached, recognizing the face of the beloved god, while others ran to announce his return to the major gods. First came Hestia, who with that loving family attitude, embraced him gently. "Oh Apollo, you were so good! I never doubted you could do it." 

"I can’t say that with as much confidence, but I must congratulate you, Apollo, you have exceeded all my expectations." It was the authoritarian voice of Athena who spoke, who wore a smile on her face, a more unique than rare event. Apollo was so surprised by this unusual compliment from her that he hardly paid any attention to her questioning his chances of success.

For a moment he felt his eyes almost come out of his skull when a large hand was planted on his shoulder to pat him. " Well done, little brother, aren’t you as soft as you look, eh?" Massaging his shoulder, Apollo smiled faintly at the mountain that was his half-brother. "Thanks, Ares, it means a lot I guess..."

He was about to receive the coup de grâce, if it were not for Aphrodite, unconscious of her intervention, she had put herself right in the middle, affectionately placing one hand on Apollo’s shoulder while the other not very secretly found place in that of Ares, to the delight of Hephaestus who observed snorting away from the scene, but thumbs up at the sun god to express his joy.

He didn’t know how long this lasted, or exactly how many gods surrounded him at that point, but when Nike was about to hold a banquet in his honor he couldn’t control his reaction: "No wait!" His tone sounded so panicked that he caught everyone unawares. For a moment the gods almost had the sensation of speaking a mortal, so much his voice had squeaked in the air. Realizing that he had drawn even more attention to you, as if it were even possible in that situation, he gently shrugged his shoulders, to mitigate the gaze of the Olympians his nerves more tense than ever.

"Um I-" he made a false cough to try to regain his posture before starting to speak again, illuminating his companions with a dazzling smile, "sorry, mortal’s pollen, am I right? Anyway, much as I would be... ecstatic to attend a banquet, I’m afraid I must first have a discussion with Zeus about some... matters of utmost urgency! If you’ll excuse me, now.”

With little pomp, he made his way through the crowd stunned at his unusual behavior. "Poor thing, the Earth has changed him." Someone shook their head resigned, someone else did not even notice his abrupt exit, simply saying goodbye and congratulating him as he got smaller and smaller in the distance. The attention to him lasted just before each god went for their merry way. After all, when you have a whole eternity to live, there are few things left for you for a long time.

Everyone resumed doing what they were doing before Apollo’s return, all except Athena. It was in her nature to predict the rival’s moves- or rather, the moves of anyone around her. She may not have been born with the ability to see the future, but her intellect allowed her to come to conclusions almost as apt as an oracle. Silent as night, he followed the solar god, whose aura seemed to be clouded by some heavy burden.

The closer he got to the heavy bronze doors of the throne room, the lighter his head felt, as if his brain had gone numb. He was mathematically certain that he had NEVER felt so nervous in his entire existence. Not even his many figures in human form could compare to how he was feeling at the time. But it’s not like he could back out now, not after all the way he’s come, not after promising you not to leave your side. Not now, that had arrived in front of the doors.

He didn’t even have to knock, or announce his own name. No use, Zeus was waiting for him. Apollo took a breath, pumping his chest to emulate some sense of confidence before making his way into the vast hall. Out of the corner of his eye, he looked around and looked at the empty thrones, each with small inlays reminiscent of its owner. He passed by his own throne, and a sense of longing pervaded him to the thought that in no time he would have sat there again. Maybe you could convince Zeus to put a similar throne for you next to his own..

No, stay focused, Apollo, first of all he had to convince Zeus to make them immortal in the first place.

Without even realizing it, he was so taken by his own thoughts, he had reached the end of the room, finding himself a few feet from the king of Olympus. Now he could not afford to show himself weak, fearful. Come on, it had to come easy for him, he was also the god of the theater after all! As if a thread pulled him from above, he felt himself erect tall and proud, his chest out, his muscular back straight; a slight halo of light surrounded him, reconferendogli a little of that shine that has always distinguished him from the rest of the gods. He smiled at his father before bowing down gracefully. "It’s good to see you again, Father."

“Apollo, I see it took you no time to get used to your old life once more. I trust you have learned your lesson.”

“Indeed, father. And I came here to thank you for it all. It was… better than I expected.” Zeus lifted a brow suspiciously, eyeing his son as if trying to make out what’s in his mind just by his appearance. “Mmh I hardly believe that you only came here to thank me for your punishment.” Okay, even if he had second thoughts, it was DEFINITELY too late to back out. Yet despite the seriousness of the situation, Apollo no longer felt the same anxiety that had accompanied him throughout the climb to Olympus. He felt powerful, confident in his words, in his actions, but above all confident in you. He knew that if ever there was a mortal worthy of immortality, it was most certainly you. He looked up at his father, this time his smile had become less dazzling, almost a little nervous.

“Heh, you’re not wrong, father. I came here to make a request.”

“Depends. What is it that you desire?”

“How do you make a demigod immortal?”

Total silence fell in the room. The expression of Zeus was intelligible, and not being able to read the true emotions of Apollo, moreover in such a silent environment did not help to calm his nervousness. Zeus slowly blinked, covering his icy eyes for a moment before opening them again as he breathed in just as slowly. " Few mortals have earned the gift of immortality throughout history. He must deserve that honor with out-of-the-ordinary feats," he paused, as if to reflect, then resumed speaking, in a neutral but glacial and authoritative tone, "this is not impossible, but I count on one bare hand how many times a mortal has been added to the abode of the immortals over the millennia."

"I am aware of this, Father, and that is precisely why I believe that the person I speak of is the most deserving of this honor." Zeus did not answer. Not immediately, at least. He seemed confused and intrigued at the same time, as if he had not expected such a response. " My son, what do you mean by that?" Apollo could not avoid the smile that spread on his face having an opportunity to talk about your countless qualities, which in his eyes were endless. It was one of his favorite activities even when he was mortal, actually.

"You see father, they are a demigod of qualities worthy only of an immortal god. They are strong and wise, although they are still at a young age. They fear nothing but the limits imposed by Olympus, which they have served since the day they set foot inside Camp Half-Blood."He took a little dramatic pause, perhaps expecting to be interrupted by the divine father, but he gave no sign of wanting to intervene in words; he preferred to remain silent, peering at his son while he justified his reasons for satisfying his will.

"And they are beautiful, Father. They shine with a beauty far beyond that of an ordinary mortal. Even on the battlefield, soiled with blood and filth of all kinds, their beauty always resembled that of Aphrodite and Eros and all the gods of all the Pantheons of this world who possess the gift of supreme beauty." To this the father could not suppress a snort of derision, not trusting the words of the son in fact of beauty, "If I remember well such words were spoken by you also for Hyacinth, and before him Daphne, and before her still such a long series of river nymphs and mortal beings that I lost count."

Apollo lowered his head in resignation, sighing gently before looking up to speak again, "I realize this, Father, but I mention their beauty only because it would be a crime against all that is right to omit. However, it remains only one of the many qualities that characterize them, which none of my past lovers can say. But that is not the greatest reason why I consider them worthy of immortality."

"Speak openly then, you know I don’t like to wait." The blond-haired god nodded and took another step towards the king of the gods, his eyes even brighter than before, inflamed by his longing desire to obtain what he most desired in his entire existence. You, at his side. Forever.

"You see, they have done a great service to the goddess of wisdom and the manual arts. They have done the will of Athena and have done such glorious deeds that they have increased her honor. I myself was able to attend only some of their quests, but I assure you that they were so great as to justify the support and blessing of a goddess so hardly affable." To these words, Zeus seemed completely incredulous. In Olympus it was well known that Athena was the beloved daughter of the king of the gods, who always kept her close to him and always made all her will an uncompromising law. It seemed impossible to him that any mortal had been able to win the favor of the goddess, and he strongly doubted the veracity of Apollo’s claim.

The young god opened his mouth to answer, but was interrupted by a voice echoing from behind him, "As much as the idea of supporting Apollo’s petty whims, this time I must agree with him." Athena had followed Apollo to the throne room, suspicious of his strange behavior. He had to be honest, Apollo literally had no idea what to say at that moment; he did not expect to get to that point with his interview and certainly did not expect Athena’s support in his intent. But this was a real blessing, for she herself could bear witness to your worth.

She only gave him a scowling look, like a silent admonition to avoid yelling at him, pick up your mouth from the ground and be a god, genius! But his silver eyes were enough to relay the message, and after a moment Apollo had returned to his usual divine bearing. She blinked slowly before turning her eyes again to Zeus.

"Y/N Y/L is a demigod of undeniable quality, which also left me pleasantly surprised. It is true, they have diligently served Olympus and have especially served me, and I have let them fight in my name precisely because their wit deserved such honor. If only it were possible, I would claim them as my own child, for only twice in my existence have I met two mortal men of equal virtue, and those mortals were the king of Ithaca and your son Hercules, to whom you rightly granted immortality.

You know that I do not speak in vain when I express my opinion, and that is why I consider them worthy to also obtain the gift of immortality, especially when to these incredibly successful quests are added the love of a god and the admiration of another." 

Now Zeus observed the two with two comically wide eyes, mostly due to the unexpected intervention of Athena. Even Apollo could not hide his amazement from that sudden help, but he certainly did not complain at all. Three beats passed, then Zeus cleared his voice and I speak in a more serene tone than before, though still authoritarian, "Very well, if you yourself, Athena, consider this mortal worthy of so many honors I want to believe you. Your lover will be granted immortality, Apollo. This will happen at sundown, when you bring your chariot back here to Olympus. Lead them with you, and they can live forever here with you."

"Yes!!" Apollo threw a fist in the air for joy, a small habit he had taken in his stay on earth, but soon after he realized that perhaps it was not quite the right place to give free rein to his happiness, judging by the unimpressed face of Zeus, "Um, I apologize. I thank you father, for this wonderful gift. I assure you that you will not regret it!" He slowly stepped back as he spoke to him with the biggest smile on his face, extending his arms and bending his knees in a farewell bow. Zeus, for the first time in what seemed like centuries, smiled at Apollo and nodded slightly.

"Enjoy this concession of mine, my son, and may it remain in your mind as your reward for having demonstrated your qualities, even without the intervention of your divinity."

"I’ll never forget it. They’ll never let me!" With some other ceremonious thanksgiving, which they had little given the haste and irrepressible joy of the sun god, Apollo rushed down to Olympus, hastening as much as possible to reach his beloved in the place where they had met. He looked at a clock to see how much time he had left. 7 P.M., he still had some time left. He ran like a madman, until he saw the entrance of the familiar Campo approaching. He ignored everyone around him, his perplexed children, his disappointed fangirls, his friends not too surprised to see him running like a bullet through the field, with the biggest smile they’d ever seen on him. Only Meg had a vague feeling about what exactly happened, but even if she did, she didn’t say anything and just looked at him smiling before going back to her things.

Apollo entered the forest next to the Camp and continued to run. Lucky he was back in his cool form, if he was still Lester would have collapsed out of breath for half an hour. And then finally, he finally arrived at your rendezvous point. She found you there, gently lying on moss, slumbering from the weariness of the activities at the Camp and from the worries you had freed yourself of the previous day, in that exact same place, when you had finally found your beloved. Apollo was quivering, thinking how you would react to the awakening, among the golden blankets of his heavenly palace. What would you have said seeing your body invigorated and illuminated by immortality. What would you have felt seeing that his declarations of eternal love were not fallacious, but promises that he had dedicated himself body and soul to keep.

He gently picked you up, taking care not to wake you. He invoked his golden chariot and rode with you to your new home. He kept you close, as much as he was physically allowed by the confined space. The journey did not last long, being facilitated by the godly transport; once arrived right in front of the golden gates of the Apollonian abode, he took you back in his bridal style, leading you to his- your bed. You were stretched out just as he saw your skin begin to shimmer gently, its color gradually became richer and filled with eternally vital sap. He stood by your side, filling your neck and shoulders with kisses as he crouched behind you, eagerly awaiting your rebirth as a deity.

In the morning you woke up with a strong light that dazzled you. You thought it was Apollo, who since he had returned to his true form had regained all the lustre of his nature. But no, it wasn’t him; it was you, whose skin emanated a faint light that bounced against the various gold inlays that were in the bedroom. Yeah, you didn’t remember falling asleep in a bed, the last thing you remembered was lying in the forest moss while you waited for Apollo. Wait a minute, this isn’t even a room in Camp Half-Blood! 

You did it to snap up to the alert, but then you stopped when you felt the familiar touch of Apollo caressing your shoulder, sliding towards the back of your neck and passing through your hair, which had been twice as long as the day before. Normally you would have yawned, but it didn’t seem physically possible to experience any fatigue in the state you were in. You felt... almighty. You finally turned your attention away from your body and turned it towards Apollo, who was already looking at you with a loveless look.

"Good morning, beautiful." You smiled though still confused by the situation you were in. Tempting your luck, you took a sigh and then you spoke, your melodic, honey-sweet voice even though you just woke up, "'Chicken, where are we?"

"We are in Olympus my dear. I promised you that I would not forget you, that I would love you forever. And I meant every single word I said, which is why I had a little conversation with Zeus earlier, and well... let’s just say with a little help I was able to convince him to give you immortality." He said it with the biggest and most satisfied smile I’d ever seen on him, and meanwhile he hugged you and held you and caressed you all over his body, as if to confirm himself that all this was true.

You were utterly speechless, incredulous at what this god had just done in the name of love for you, but at the same time you felt a warm feeling pervading you from within, filling you with joy and happiness, as if that of him had infected you like a disease. You held your hands to his face and laughed in disbelief and said, "You’re the biggest crazy idiot I’ve ever met, Lester!" 

He laughed with you, feeling pervaded by this joy that moved him from within, almost pushing him to tears by the power of these feelings. Holding you tighter, she stroked your silky soft hair as she chuckled happily, "I guess you’ll have to get used to the gold and clouds here." " Still better than a bunk bed to share in five."

Laughing together, you held each other so long as you had time, before he had to take off and lead the sun across the sky. Before he got on the golden chariot, he touched your face with his bronze hands and kissed you gently. " I still can’t believe I’m gonna be able to kiss these lips forever, Y/N." You smiled at him before you grabbed him by the shoulder to push him towards you, and kissed him again. " Then hurry up and leave, so you’ll be back soon and I’ll have a chance to convince you that everything is real." Winking at him, he laughed loudly and heartily, a more melodic sound than any lyre or flute.

"Then I shall not be long in returning to your arms, my lord" And so he departed towards the horizon, and you smiled as you watched him disappear into the sky, thinking with satisfaction of the world that will look up to him with longing and admiration, knowing that he will never again stop for anyone but you, once his daily duties are over. 

[kursedmayo]

I HATEEEE it when people say Falin and Laois are EXACTLY THE SAME. NO THEY ARE NOT, WHAT.

LISTEN TO ME.

Falin is soft spoken. Shes the type to get spoken over. Her presence is faint and she's hyper conscious of other people's emotions and very much empathetic- up to the point that she would retract herself to make room for other people and generally more than self-sacrificial, her first thought is to rush into danger without considering it- unlike her brother who will at least analyze the situation first. This is why people like her so much, it's because she knows how to temper herself. She's wouldn't come off as intrusive, she doesn't dump people information about something unless they show her interest first. She's weird, but she stays out of people's business. That's Falin.

Laois is different. He doesn't mask- or at least, he rarely does, and he's a lot less aware of people's true emotions because he spent his childhood ostrasized and unable to connect with other people. This is why he's too much, he's overcompensating from everything he went through. Now that he's a bit safer from petty bullies and has some friends, he lets himself blurts things out and generally rarely considers how other people would perceive his words before he says or does things, because that's how we went through his entire life. This is why he accidently says offensive things without meaning to. From what I can tell from the Manga, he still wants to befriend people while not being able to understand them as much as monsters, so unlike Falin he's more likely to overstep people's boundaries and speaking over them while attempting to get closer- something which can bother people because they get trapped in a conversation where they don't want to be in, like Toshiro/Shuro.

(I also think this is why he was in such disbelief when Kabru said he was interested in Laois and wants to know him, because usually it's always the other way around.)

People like Falin more not just because she's a girl but because she's empathetic, calm and knows how to handle people despite being odd, so she comes off as charming. People don't like Laois because he's more hyper- especially if he likes you and is taking about his interests, PLUS he's not just odd he very obviously acts and says freaky shit, so it's easier to dislike or be annoyed with him.

Disclaimer, I don't dislike him, he's a wonderful character with relatable issues and to be honest, he kinda reminds me heavily of a friend of mine actually, but as someone who relates more to Falin I HATE the fact that the story spends so much time building up what Falin is like only for people to say that "SHES BASICALLY A CARBON COPY OF LAOIS!!!".

It kinda reeks of accidental misogynistic fandom behavior because tell me why you are unable to seperate a woman from her familial relationship and similarities with a man instead of awknowledging her as her own person even though the fucking story built up Falin's characterization over the chapters as someone who is CLEARLY different although similar to her brother.

GOD. I'M SO TIRED.

[elitadream]

Mario taking off his cap when standing before Peach is a detail that I often see mentioned to showcase his gallantry towards her, and I couldn't agree more.

But with that said-

Him offering his arm for her to take is something we need to talk about more, PLEASE.

[frogs-in3-hills]

rewatching hxh is crazy like the foreshadowing is so good. i’m just as emotionally engaged as i was the first time watching but in a COMPLETELY different way bc it’s almost hard to watch through the sheer sense of foreboding you feel as gon learns more and gains more power. his recklessness was always taken quite seriously by the narrative and that’s clear on a first watch, but knowing exactly what happens and where that self-abandoning recklessness, that thrill-seeking, that bullheaded perfectionism (not to do everything perfectly but to do everything with perfect accordance to his own terms), and that childish willingness to disregard everyone else in pursuit of his own impulsive goals (thereby reinforcing his own worldview for better or worse) goes… the show is SCREAMING at you that this is all going to go horribly wrong and it’s so sinister in this weird offhanded way, like it’s sticking to shounen tropes just close enough that you definitely notice something off but don’t suspect it’ll snowball the way it does.

[literallyjusttoa]

I’m in my feels about Leto rn.

She a mom!!!! You don’t understand she’s a MOM!!!! And she was left all alone after the titan war (most titans were banished to Tartarus) and then she fell in love with this guy with all these red flags but they were genuinely in love!!! They sang songs and talked about deep things and Leto and Zeus LOVED EACH OTHER!!!!! And then she was made to suffer so much for it but she never took any of it out on her kids, and then they were basically taken away from her by Olympus!!!! And she was alone again!!!! But she loves her kids so so much so she built a safe place for them on Delos to come home to!!!! And she knows she can’t protect her kids from the monster the man she loves has become but that doesn’t mean she doesn’t try!!!! Leto tries so hard!!!!! And both of her kids fucking love her with all they have!!!!!!! Family is so important to all of them despite the fact that one member has become a horrible dickwad!!!!! They love each other!!!!!!!!! AHHHHHHH!!!!!!!!

[2deadkat]

i'd love to hear ur complaints abt modern geronimo! If u'd like to share that is

Thank you for asking anon, I’d love to share and you have inadvertently entered the dragon’s den/lh

But fr tho, it’s a lot. It’s mostly pertaining to the writing.

The reason why I hate modern Geronimo is in the biggest nutshell possible, they screwed up the original dynamic for the Stiltons, a majority of the books is just one big game of Geronimo torture porn between the other characters, and overall a lot of wasted potential for unique interactions between the wider cast and the rest of the Stiltons as its limited to just Geronimo himself. Hell a lot of the plots could have the input from the other Stiltons if they were brave enough. And there seems to be a new character every few books and there’s no rhyme or substance to it anymore. Since when did trap reproduce???

And you’re telling me von Volt has another relative???? Yk at some point you just stop reading the books. Oh and do not get me started on the Thea problem…

Let me start with the Stiltons real quick, somehow they got worse by watering down their personalities to a bunch of cheap jokes.

What made the classic (or early) books work was that the whole point of Geronimo’s character is that yes he’s a wimp, but that’s because he’s a tired boss who gets dragged into his family’s shenanigans, and by extension his friends and allies around him. Everyone has some eccentric personality that shocks or baffle him in some way, and that’s where the comedy comes from. He’s able to stand on his own because of his duties and eagerness to stay in his comfort zone is where the meat of the interactions come from.

His family especially Trap and Thea were meant to be respective foils to him. Trap consistently bullies him and Thea is meant to be the direct opposite of him, she’s the driving force in the group and has more pants to cover up what Gerry doesn’t have. She’s the one behind a lot of their adventures or scoops, hell she’s also the one who keeps finding them in the first place and drags her family and connections into them which makes sense because that’s her job and also where a lot of the plots start from. She fills out the spots that Gerry doesn’t have. Trap is just pure comic relief and is basically that outside force to the group. Hell the two even have a dynamic of their own where’d they just fight over the most trivial things and that makes us side with Geronimo more because of the ridiculousness of his family, that’s what made it click (to me). Highly recommend you read the early books, it shows the strongest character imo (#1-20).

Now Geronimo has all his autonomy stripped away and he’s been reduced to a nothing but a punching bag for everyone around him. I hope I’m not kidding here but try reading a classic book (let’s say #7 or #26) and compare it to the writing in a modern book (let’s say #46 or #74) it’s very jarring. They put more emphasis on different ways his day is ruined and give him no room to breathe or stand on his own. There’s just no charm to that anymore. There’s no fine line with his relationship with the other characters (Run for the Hills Geronimo is probably the worse one and represents everything I don’t like about the new dynamic)

Now over time that initial draw to action is also done by Trap, which I thought was cool because it still plays into the idea of Geronimo’s family dragging him into their shenanigans and the motives make sense to him specifically. It’s like he keeps getting calls from his relatives on schemes which is fun. But the more you keep reading the modern books the dynamic gets skewed over time and here’s the part I’ve been waiting for…Thea gets shelved completely. And now it’s somehow the GOD DAMN GINGER BROS SHOW?????

Now I think about it, Trap used to be a lot more clever in the classic books as well, he’s essentially a bumbling fool who keeps falling into the wrong situations to make a quick buck which slowly backfires on him. If you know me that well you know I’d call him a less scummier Grunkle Stan. The fact that there’s no Thea to balance it out or at least ground the dynamic to some level feels really annoying now.

You don’t really see much of her anymore as she’s either smiling at the back or doesn’t say more than five lines anymore, which is baffling because she’s the one who can pick up the pace the most. I really wished they showed more of her involvement again…They’re a trio, not a duo…and the books are suspiciously phasing her out to make room for the ginger bros fail routine and it ultimately feels very empty…there’s not much acknowledgement or involvement from her really like they could say she’s busy at mouseford or something but nope! Shelved completely without an explanation or a missed opportunity for a tie-in mention.

So far the only redemption I see is the Mayan Mystery one and the Soccer one where she had a more integral role which are way more recent but it still bothers me that they just shelved her for a majority of the modern run.

Listen if the modern books weren’t cowards she would SOLO all these people

she’d probably have an interesting dynamic knowing that she gets along with everyone well and is technically an adventurer. It’d be such a good parallel to her brother to play off of.

hell it’s even worse in the comics. Like there’s legit no acknowledgment of her at all, when trap is absent that gets an explanation but she’s just suspiciously…gone and the only time she does have a major role is when she’s used as a fake mask for a psyche-out to the villains (I’m sorry but if the comics are gonna pull that shit then I’m baited to believe that Thea and (cat lady) would have a homerotic switcheroo fight akin to Ms.Bellum and Sedusa. SHES THE TOUGHEST AND SMARTEST RODENT, USE HER GODDAMIT)

Idk man I tried reading some of the comics and it never worked out that much, again the dynamic feels suspiciously empty with zero acknowledgment. It’s not the Stiltons it’s just the fucking ginger bros for some reason. It doesn’t feel solid like it used to. I really can’t get into them which is a shame, and tbf why would I want to read a comic where Geronimo goes back in time and helps a colonist do his thing 💀

I’d be very happy if someone here can give me one good reason to get into them somehow, I want to like modern Geronimo, please/s

Look if there’s one character I don’t mind them putting in complete absence it’s probably the unaccompanied minors/s…Or Petunia which makes much more sense since she’s a family friend!

Look I actually like Ben and Bugsy as a duo, I think their whole concept is really wholesome, but the books don’t really push their parts that much, like there’s no meaningful interaction they have with the adults which is a lot of missed potential that or it’s just limited to Geronimo. Like listen I get that the whole point of the books was that it was from Geronimo’s perspective, but it’s not like everyone else was just “present”. They had more active roles and Gerry would just write all his observations down. You want a good example? The Mona Mousa Code.

Still…Benjamin had more charm and a bigger role in the classic books…that boy can hyper fixate and master niche skills in anything and was the emotional rock for Geronimo. But now he just goes along with his uncle being a punching bag routine :/ and I KNOW they could do a lot more for Bugsy here, especially since the paws are practically family friends.

—-

But you know…I’ll do give it credit here this era has one of my favorite art styles in the series and notably the one I grew up with the most (classic books illustrations still hold more charm imo) but the way action and expression is illustrated is just *chefs kiss* there’s a certain bounce to it that makes it so memorable.

And I’ll do admit all those geography facts (even if it’s just basic facts I mean it’s a kids book) and long detailed lists or charts about a characters detail is really cool and somehow makes it more immersive.

And it’s really nice to see the universe get expanded.

But overall, the writing is not the same anymore, the original dynamic is screwed up, and lots of missed opportunity to round up the cast together. It’s either empty or I’m just getting too old…Maybe I’m just nostalgia-biased in different areas who knows. But that’s pretty all my thoughts I can pull out.

[lassolo]

Inside me are two werewolves (Remus lupin’s): one is Casanova of gryffindor tower, bagged Sirius without even trying, total cool guy, anarchist and punk who still loves his friends. The other is a loser, just a big old loser who hates people and made all of his friends completely by accident, he doesn’t really talk to people and he’s too depressed to be angry, him and Sirius got together years ago but he still doesn’t understand why cause he’s a little ugly and off putting.

MY HEART LOVES THEM BOTH. NEED REMUS LUPIN IN ALL HIS FORMS SEND TWEET

[flareboi]

what if purple never calls him dad

[samarecharm]

i love makoto so much but fanon does her so much better (the good parts of the fandom) because in the game her character is so lack luster. they butchered her confidant it is so borning and not even about her. they made her a cop. A COP. they pushed this "canon waifu" role onto her (before sumire came along and did it Even Worse). and it SUCKS because SHE IS SO MUCH MORE!!! SHE IS SO MUCH BETTER!!!! SHE COULD'VE BEEN SO MUCH BETTER!!! the way i feel about canon makoto is the same way i feel about the canon ryuji events post komoshida where he's horribly mistreated and used purely as comic relief: i ignore them <3 my game now <3 never happened <3 my ocs <3

You are so right. I generally apply this to all characters in p5 bc the game does such a shit job of staying consistent with character arcs and personalities. Theres a desperate need to throw in perverse jokes at the expense of female characters and a need to show that the police (as a whole) are reliable people who are not influenced by things like money and power; only the BAD cops do that. Not to mention this obvious fatphobia and homophobia but i feel likes thats a given.

But back to Makoto. Shes a victim of bad writing just like everyone else. Ryuji during the kamoshida arc was fighting with self loathing and genuine anxiety, and aside from the like. One comment on Panthers outfit in the metaverse, hes more than well behaved. All of that is shelved as soon as Kamoshida is gone and replaced with him being weird comic relief (and the focus of alot of sexual jokes that were nonexistent in the beginning of the game). Anns arc about self love and empowerment is completely dropped as soon as the nasty bad guy is put away (so that its good to be weird about her w the Good Guys). Makoto loses her a chunk of her personality to be the mature waifu which is INSANE to me bc shes like. Not okay or normal at all 😭😭😭 she THINKS shes responsible and so does everyone else on her team, but its an act! She doesnt know shit! And she doesnt know that she doesnt know shit bc shes respectful and adults dont care about anything as long as u respect them!

Its very telling that for literally every single thief (and goro), you can see the exact moment the writers gave up on adding anything of worth to their characters outside of the social links. Its like they didnt know what to even do w the characters at their disposal after their main arcs were complete. No mention of friends hanging out without you, no mention of having group hangouts. Everyone is treated as a core, important member of the friend group DURING their arc, but outside of it, they are acquaintances at best. Theres nothing in the game that convinces you that these guys are legitimately friends who care for each other and do Friend Things. And i describe it like that bc there IS a game that treats them all as friends, and its strikers! Strikers/Scramble genuinely feels like the game p5 wanted to be; a road trip w your team where they stay up at night talking to each other and hanging out and doing things together that dont necessarily include you, the player. Its refreshing and lovely but it sucks that u get that kind of attention to detail in a ‘spinoff’ title

[total-drama-shark]

Fanart of the first two chapters of “A Guide To Surviving The Apocalypse” by @noahtally-famous

Plz plz plz go read it it’s very very good and I’m really interested in seeing where it goes <3

[milkbreadtoast]

so this is happening......

[zukkaoru]

i think. everyone should stop reading my most popular fics that aren't really that good and start reading the ones with 18 kudos that are significantly better