for whom good omens is being written
Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:
The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.
And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:
'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."
'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.'
A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'
He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation.
'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'
(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process.
'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it.
'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'
And, finally, this paragraph:
"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"
I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.
Share this post, if you can, please, so that more people can read these excerpts :")
Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)
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DPxDC When You Are Suddenly Dating a Princess (pt. 2)
[<- part 1]
"What do you mean-" Jason starts, but the girl is already tapping her ear briefly - and only now does he notice a tiny comm there. Fuck, he should have known.
"Oscar? I changed my mind, I want to claim something," Jazz says easily, and, after a short pause, "A Tecpatl, the one with the owl. No, it's for personal reasons- You don't have to, but alright." She taps her ear again, and Jason can't help but ask:
"Who's Oscar?" He is not jealous. He is just insanely curious and very confused.
"My bodyguard," Jazz rolls her eyes, "At least he thinks he is. I'd say he is more of a secretary."
That doesn't really explain anything. It actually just adds even more questions - what kind of a magic user needs a bodyguard? or a secretary, for that matter? - but Jason keeps them to himself for now. He is... kind of intrigued now. Jazz said 'claim', not 'buy'. Which might be just a weird word choice, but somehow, Jason thinks it was deliberate.
A bald, black-skinned guy in a black suit and sunglasses - which, seriously, how does he even see a thing in here with those on - makes his way through the crowd and stops in front of Jazz, nodding slightly to her.
"Lady Phantom, I understand you want to make an impression, but using your status for personal matters-"
"Did I ask for your opinion, Oscar?" Jazz's voice doesn't change. It's still pleasant and sweet, and she is still smiling, if just a bit, but there's an unmistakable steel edge to her tone now. Jason feels a light shiver run down his spine. He's seen Jazz in a lot of different situations and circumstances; he's seen her get mad at a librarian who banned some controversial books in the public library, and he's seen her skillfully take down an armed robbery in a shop all by herself, and he's even seen her successfully stare down Killer Croc on one occasion.
Yet, he's never seen her like this, with her chin raised up high and radiating authority like she is the most powerful person in the room.
Also, Lady Phantom?..
"No," Oscar admits after a pause and presses his lips together, "But the Council of Ancients will not be pleased."
"Council of Ancients couldn't care less even if I declared war," Jazz brushes the comment off, and Jason's levels of confusion are growing higher and higher with every word they exchange. Oscar sighs and finally complies:
"Very well, then," he breathes out with a sense of surrender, and then turns his head to Jason just slightly, "Is this an urgent matter, or should I go talk to the auctioneer and the sellers?"
Jazz looks to Jason, raising her eyebrows in question. And, technically, it's not that much of a time crunch now since Jason doesn't have to try and sneak through the security or wait for the auction to start officially. But he feels a bit petty. Also, this man was questioning his girlfriend, which is offensive on many levels in Jason's opinion.
So, he nods, "Urgent."
Oscar's face doesn't change one bit, but Jason has plenty of experience with emotionally inept men who look like they are eternally constipated. He can see the traces of exasperation in Oscar's shoulders.
"Follow me, then," he tells them both, and turns around, headed to the back of the auction rooms. There's security there, but Oscar only shows them some kind of a badge, and they step aside, letting the three of them through. As far as Jason knows, no FBI or CIA agents should have that kind of clearance.
Which finally prompts him to ask the most important question as soon as the doors behind them close and it's only them three going through an empty hallway.
"Who are you?" He asks Jazz, who is still keeping her hand on his elbow. The girl hums, not looking at him, and keeps walking after Oscar.
"Jasmine Fenton," she answers, and, yes, he knows that much. He's seen the files Bruce has on her, but at this point, he is not even sure how much of the info in there was actually true.
"You are in the presence of Jasmine Fenton, Lady of the House Phantom, Princess of Infinite Realms and sister to a King," Oscar supplies, and his voice is... a bit petty. Like he knows Jazz didn't want him to say anything, but he still did just because he could.
Jazz huffs and rolls her eyes, "Yes, that, too."
Jason blinks.
He's heard about Infinite Realms. Mostly rumors through the grapevine of Leaguers, but also from Diana personally - he remembers her saying she is glad about having a truce with them. He didn't listen much since she explained it as the Underworld, the Land of the Dead, so he thought she was talking about some mythology shit. Turns out it wasn't.
But there's a more important thing.
"I'm dating a princess," he says to no one in particular as they come to a stop in front of one of the doors.
"Technically, you'll be treated as my consort if you ever decide to visit," Jazz admits, and Jason is officially out of surprised responses. There's only a limited amount of bafflement he can feel in a day, and he has exhausted the resources.
He is a royal consort of the Underworld princess. Sure, why not.
The room they step into after Oscar puts in some code into the lock is filled with boxes, packages, and crates. Jason looks around - sure, he knew all the prettily displayed artifacts back in the auction room were only replicas, but he didn't expect the originals to be literally just stacked in piles in the back room. Yet, here they are.
Oscar looks around the room and confidently makes his way to one of the shelves on the side, quickly going through the labels on the containers.
"Do you have, like, a crown?" Jason asks because he sucks at small talk. Also because he doesn't know what else he is supposed to ask in this kind of situation. Jazz snorts and leans to him, resting her head on his shoulder.
"Not really. Danny has one, and it looks absolutely badass, with flames on top of it, like the ones you would see in cartoons. I have some tiaras and stuff, but they are just jewelry," she explains, and Jason nods sagely. Just jewelry, alright. Seems like he is simply destined to be surrounded by rich people from all sides.
"How about a castle?"
This gets a sigh out of Jazz, "We used Pariah's - that's the previous King - old one for the coronation ceremony, but mostly, it's just for storage. Both Danny and I live on Earth, and Dani, our little sister, travels a lot. So, I do, and I don't at the same time."
"What about-" Jason starts, but he is cut off by Oscar all but shoving a small box in his hands, "Oh. Do I-" he turns to his girlfriend awkwardly, "Do I have to pay you for it or..."
"No, it's from a dead civilization," she raises her head back and shakes it slightly, but after seeing Jason's frown, she elaborates, "I'm the Princess of the Dead. I can officially claim anything that belongs to the dead as mine."
"It's a law that is supposed to resolve any possible conflicts between the denizens of Infinite Realms and the living," Oscar supplies, his voice disapproving. Alright, makes sense why he said it was not for personal matters, then. Not that it's going to stop Jason, though.
"Like, anything?" He punctuates, and Jazz tilts her head, a sly smile on her lips.
"Sure."
"Lady Phantom," Oscar sighs, tired and chastising, but Jason doesn't plan on robbing the auction. At least not robbing it any more than they already did.
He has a different idea.
"Can you ask Batman for the Robin's suit he has in his cave?"
Jazz blinks, and then her smile turns into a full-on grin.
"Of course."
------------
@akuworld777
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NSFW ALPHABET
[DI! Leon S Kennedy Edition]
❗Minors Do Not Interact ❗
A = Aftercare (what they're like after sex)
Cuddler, massive cuddler. Honestly I see Leon as enjoying his partner being cuddled up to his chest but as long as you're touching each other he really doesn't mind. He just needs to be grounded after sex because he's not use to intimacy. (Remember y'all, aftercare in important FOR EVERYBODY INVOLVED DOM/SUB/SWITCH WHOEVER!!!)
B = Body part (their favorite body part of theirs and also their partner's)
Definitely proud of his arms. Man's got two pythons where his forearms are supposed to be. I'd be proud of those bitches too. It also doesn't help how often you tend to cling to them, admire them while cuddling up together or compliment how they look when he flexes.
When Leon's asked the good old "tits or ass?" question older than time itself he smirks and simply says thighs. He loves something plush to nap on when he comes home from work. He always says it'll be a quick 30 minute nap but he's always out for 3 hours when he's laying his head on your lap. They're just such a nice pillow and even nicer wrapped around his head.
C = Cum (anything to do with cum, basically)
Usually prefers finishing inside. If not then on your stomach. There's just something mesmerizing about watching his cum slowly drip out of you on down your belly that just makes him so horny that he can't get enough of you.
D = Dirty secret (pretty self explanatory, a dirty secret of theirs)
Okay... So you send Leon pictures and he saves them. (He'd never share them though) But he secretly has an album in his phone labeled as WORK meticulously organization so that when you open the album it has important looking photos but if you scroll far enough it's just things you've sent him. Nudes, videos, even screenshots of steamy texts.
E = Experience (how experienced are they? do they know what they're doing?)
Decently experienced. Enough to get him by but also good at listening to his partner. Takes criticism well in the bedroom. Just wants his partner to have a good time and show that he loves you.
F = Favorite position (this goes without saying)
On your side or anything he can see your face. He's often tired so slow easy strokes on his side and using his hands is right up his alley. But for when he's feeling more energetic he's definitely up anything he can see your reaction with. He aims to please and the man is a good shot.
G = Goofy (are they more serious in the moment? are they humorous? etc.)
Definitely 50/50. Leon can crack jokes when his life is at risk I'm sure he'd probably say something goofy to make you laugh or even something stupid like "come here often?" When you're changing positions and his creaky body pops or cracks he'll say some smart ass comment about the bed makes weird sounds again.
H = Hair (how well groomed are they? does the carpet match the drapes? etc.)
Definitely trimmed. Leon doesn't strike me as a massively hairy guy to begin with. But what hair he does have is well kept.
I = Intimacy (how are they during the moment? the romantic aspect)
Intimacy is his favorite part of it all. Very tender and soft compared to what he is during work. Enjoys the touching the most. He's very touch starved. Cuddle him and he'll melt into a puddle. He LOVES being little spoon.
J = Jack off (masturbation headcanon)
Jerks off often. Uses it as a stress relief thing but doesn't do it as often when he gets a partner. But I do think when he's away on cases and he has downtime at night he tends to call his partner and have phone sex.
K = Kink (one or more of their kinks)
Begging, biting, breeding, dirty talk, edging and roleplaying
L = Location (favorite places to do the do)
Anywhere at home. Leon would most likely be super hesitant about doing anything outside of the house and risking criminal record.
M = Motivation (what turns them on, gets them going)
His partners touch. Leon just really likes being touched. If you mostly just kiss him and move to his neck (it's sensitive, that's why he rarely wears anything that constricts his neck) you'll get him going in no time.
N = No (something they wouldn't do, turn offs)
No hitting, nothing with feet, no bathroom related stuff, no voyeurism or exhibitionism and no humiliation
O = Oral (preference in giving or receiving, skill, etc.)
50/50. But definitely more giving in the oral department. Uses it as a form of foreplay. Enjoys it because he loves hearing your slowly break and cry for him.
Sometimes he's just to exhausted to fuck so those are the times he'll just straight up tell you to sit on his face. He doesn't care if you're bigger, he knows you're not gonna hurt him. If you try hovering her will definitely wrap his arms around your thighs and pull you down on him. The man is skilled with his mouth and hands. So be prepared for the time of your life.
P = Pace (are they fast and rough? slow and sensual? etc.)
Definitely slow sensual type of guy. He likes making every moment last. But there's definitely been a flurry of passion after gets back from particularly long cases.
Q = Quickie (their opinions on quickies, how often, etc.)
If he has to go out for work and he has a little bit of time before leaving, most definitely he'd be down for a quickie.
R = Risk (are they game to experiment? do they take risks? etc.)
He's fine with experimenting but not often.
S = Stamina (how many rounds can they go for? how long do they last?)
Good for 3 rounds unless he's super tired. Last decently long, always makes sure his partner gets off first each time.
T = Toys (do they own toys? do they use them? on a partner or themselves?)
Oh Leon definitely owns one of those vibrators that work with apps. Sometimes when he's due to come home and he knows you have it in you he'll just tease you on the way home.
U = Unfair (how much they like to tease)
Usually Leon doesn't tease but when he's in a particular frisky mood, he will make beg to cum. And he doesn't care if you want it. If you don't beg like he wants he will make you wait and keep bringing you to the edge over and over like an asshole.
V = Volume (how loud they are, what sounds they make, etc.)
Not loud in the slightest but he's definitely not scared to moan or whimper. Even curse under his breath, especially if he has you on your side and he's right in your ear.
W = Wild card (a random headcanon for the character)
Said I love you for the first time during sex. Was mortified with himself, he meant it but was extremely embarrassed. Apologized profusely and told you he did mean it. And thankfully you love him back, obviously.
X = X-ray (let's see what's going on under those clothes)
Ah yes, python 3. I'll be honest, I'd say he's at the higher average end in size but makes up for it in girth... Like a fucking coke can.
Y = Yearning (how high is their sex drive?)
Leon had little to no sex drive but once you two got into a relationship he's like a teenage boy again. Can barely stop from wanting you all the time. But he's still more of the romantic intimate type and would rather just exist with you than constantly be at each other.
Z = Zzz (how quickly they fall asleep afterwards)
He clings onto life afterwards. Just wants to make sure you're taken care of but the second you relax against him he's down for the count. Like a god damn bear in hibernation.
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Right here-Chris Sturniolo
summary: chris is your best friend, he has been for a couple years. one night you and chris are laying on his bed talking about anything and everything, somehow the conversation leads to sex, where you tell him a confession, leading to him taking your virginity.
contains: smut, fluff, swearing, aftercare, chris talking u through it, virgin!reader.
-----------------┌─── ∘°❉°∘ ───┐-----------——
9:43pm
chris and I have been laying on his bed together, staring at the ceiling as the conversation rapidly switches between topics.
"remember like the first time we met, how it took us a solid hour to start up a real conversation" chris laughs,
"i was working chris! i was like 16 i wasnt gonna risk my job to leave from behind the counter to talk to you" i nudge him with a grin.
"working at topgolf.." he teases back, "i mean i only knew nick from middle school, but i did serve your food and we spoke!" i say defensivley.
chris shakes his head, rubbing his eyes before he adjusts his chain which hangs around his neck.
"what was...." chris starts, thinking about what to say next. i tilt my head on the pillow to look over at him.
"your worst sex experience." chris asks casually with a stupid smile on his face,
my heart sinks slightly, truthfully im a virgin, and i'm almost 21. chris has no idea about this.
a silence fills the room, i clear my throat "well- uh"
"oh my god how bad was it" chris laughs.
i feel tears somehow prickle at the corner of my eyes, it doesn't bother me that much.
a small laugh exits my mouth, chris looks over at me "are you okay-?" chris says with a small laugh.
"yes! yes i'm good-" i say, sitting up and crossing my legs.
"chris can I tell you something" i sigh, wiping my face as a nervous smile forms.
"anything- hey you know about that time at graduation when i went the wrong way when i went up on stage to get my fuckin' paper thing." he yaps,
"oh my god and they had to guide you in the right direction" i scoff back.
"stopp" chris groans, sitting up and pushing me over onto my side, "now speak"
"this is like- the wrong time but.." i start,
"i've never done like anythingg.." i say, dragging out 'anything'
chris goes silent,
"like you've never fucked-" he says, but i cut him off "yeah."
he nods understandably, "thats okay!" chris chirps. "are you planning to loose it or not?" chris asks
"well, i've always wanted to its just like i'm worried that i wont fully trust the person who i hook up, and it'll just be a desperation thing- i don't know though." i say, opening up to him
"yeah, that makes sense." chris nods.
"but i really want to, like its always on my mind" i groan, flopping my head back down onto the pillow.
"i mean we could fuck" chris says with a shrug, i laugh it off,
he's clearly joking...?
"no like honestly think about, i'm horny 24/7, your wanting to loose your virginity, and you trust me i think?" he continues rambling with a cheeky smile painted on his face.
chris says stuff, a lot of stuff, and i'd say 90% of it is unserious
"chris... stop fucking around this is a serious topic" i scoff.
"no, like actually- deadass." chris says, slightly more nervous than earlier.
i go silent, sitting up in bed and looking down at him "yeah?" i ask quietly, chris sits up aswell "i can't tell if you're being serious chris"
he grabs my jaw, "i'm serious.." chris leans closer to me, my heart thumps aggressively as i stare at the brunette's lips, which are practically begging to be kissed.
chris's hand falls slowly from my jaw to my hand, "like 100% serious right?" i ask again, my mind now not being able to comprehend that chris could be inside me in a matter of minute.
"100%." he says,
i rip my white tank top off from over my head, chris scrambles to remove his shirt, i pause for a second as chris's eyes lay over my exposed chest.
"chris- I don't know what i'm doing this is gonna be so embarrasing for me" i start, but chris interuppts me
"shh- sh." he shushes me, grabbing my hand again, "do you want me to talk you through it?"
i nod, playing with chris's long fingers as an anxiety reaction, "can you tell me with your words what you want please?"
with a wobbling breath i start, "please talk me through it, i- uh.. i need you? please."
chris nods, "oh shit wait,yeah- if you want i'll go get nick and matt out of the house, they won't think we're doing anything 'cause they know that i don't bring girls over to fuck,- and they wouldn't think we'd do shit together"
i shake my head 'yes' rapidly, "thank you."
chris stands up off the bed, throwing on his shirt and unlocking his door, he walks out of the door, closing it behind him as i lay back in his bed,
anxiety rushes through my veins, my bare back presses against the soft plush of his mattress that i have been so used to for so many years, where chris told me all about his first hookup at 16, now hes gonna be mine on this same bed.
i hear his distant chatter with matt, "hey we need some shit from target from tomorrow, take nick with ya hes probably interested in childrens toys" he says with a laugh before matt agrees,
chris walks back into the room a minute or two later, his cheeks instantly turning maroon again as he says me laying half naked on his bed, he takes a deep breath "matt and nick are going to target in a few, you okay?" chris asks, discarding his shirt to the side of the room again.
"yeah! i'm just nervous." i laugh slightly,
"about what?" he questions, flopping down on the bed next to me,
"i just feel like it's gonna hurt- or i mean.. i don't want this to change things between us, 'ya know?" i sigh.
i hear matts van pull out of the driveway, the small pebbles crunching under his tires.
"it won't hurt." chris says, his voice serious, yet reassuring.
chris sits up off the bed, he turns around to face me. i sit up aswell, i feel chris's large hands wrap around my waist, pulling me closer to him on the edge of the bed.
"i'm going to take these off, yeah?" chris says, his fingers lingering on the waistband of my shorts.
"yeah." i smile up at him, laying back on the bed. chris pulls my sweat shorts and panties down to my ankles in one yank, his eyes widening as i feel his gaze drawn between my thighs.
"so perfect," chris says, his voice raspy.
"okay- wait." he whispers, rubbing his eyes, "can I ask, when you say you've never done anything, what's the most you've done.. sexually" he almost cringes at his words.
"um.. probably just doing stuff with myself.?" i reply, chris nods "okay good."
"okay, just try not to be too loud, the neighbours are always in their backyard" chris laughs, hovering above me, his face directly ontop of me as i lay on the edge of the bed.
my eyes widen as i feel a veiny cold hand on the inside of my thigh, "you sure?" chris asks for the 80th time,
"chris i need you, yes- please."
i close my eyes, the brunette presses a finger against my hole "just gonna stretch ya out a little bit first hm?" he says from above me before pressing his long finger deep inside of me,
"fuck." i whisper under my breath, my back arching slightly off the bed.
he begins to curl that finger inside of me, adding another finger quickly
"look at me."
he says, i squint my eyes open, soft whimpers escaping my lips. i lock eyes with him as he continues to thrust his fingers in and out of me.
a desperate gasp escapes my mouth as i feel his mouth attatch to my clit, "oh my god- fuck oh my god." i repeat under my breath.
"gonna finish already for me?" chris says with a hint of a cocky tone in his tone.
i let out a loud whine which echoes through the room as i feel my orgasm rapidly approaching "you got it, im right here." chris says into my ear.
i instantly clench around his fingers, the knot in my stomach snapping with a moan of chris's name. "there she is, let me hear you."
i flop my arms above me on the matress as chris pulls his fingers out of me, he wipes them on my thigh before starting to yank down his sweatpants, leaving him in his boxers
“tell me when your ready okay?” chris says, sitting down on the bed next to me as i lay down,
“chris”
“yeah?” he replies
“thank you, you didn’t have to do this.” i say with a small smile, my cheeks still flushed.
“no honestly i’m more than happy to do this” chris laughs, earning a nudge from my elbow to his rib.
i sit up on the bed, giving chris a certain look. he nods, standing up off the bed and pulling down his boxers.
i stare very obviously at his length, my eyes fixed on the long vein which follows the whole left side of his cock.
“you okay?” chris laughs slightly, i look up at him “yeah, no- just nervous.”
chris grabs my hand “listen, i’m going to talk you through everything, it won’t hurt, i promise.”
“okay.” i reply, “what position do you want me in?” i ask slowly letting chris’s hand go.
“just lay down on your back, wanna see your face okay?” chris says with a smile.
i lay back down, my bare back hitting the soft plush of chris’s matress. chris takes my hand again, “squeeze my hand if you need a break” he whispers.
i breathe in heavily, then out as chris positions himself between my legs.
“can you spread a little more for me sweetheart?” he asks, the pet name making me clench around nothing.
i spread my legs further, chris admires me, the position i’m in right before his eyes.
“there we are.” he says under his breath,
“i’m just going to give you the tip, and if it’s uncomfortable tell me okay?” chris says, squeezing my hand lightly as he rests his tip against my core.
“please.” i breathe out, looking up at his addictive eyes.
chris slowly pushes inside of me, a burning sensation as i stretch around him. i let out a pathetic moan. he pauses,
“you took the tip, feeling okay?” chris asks, looking down at me, his brown hair flopping on his forehead as he leans down to hear my awnser.
“feels new.. but good.” i whisper, chris nods.
he nods before pushing further inside of me, i arch my back off the bed, strings of whimpers exiting my mouth, i squeeze chris’s hand hard, he instantly stops
“chris- how much more?” i ask, overwhelmed
“you took half, should we try the other half aswell?” chris asks in a serious tone.
after a few seconds i reply “yes.”
chris places a kiss onto my lips, i kiss him back.
my eyes widen, i guess it was a good distraction because i barely notice chris pushing deeper inside of me, i let out a pleasured moan “fuck- chris”
i feel him bottom out, he has small droplets of sweat sitting on his forehead, his pale cheeks are a deep red.
chris starts to speak after about half a minute of silence, accompanied by our shared heavy breaths. “can i move?” he says, “yeah.” i reply.
he slowly starts to thrust in, and out of me. almost pulling out, but then pushing back inside of me, his pink tip pressing against my cervix lightly.
“you’re doing so well, let me hear those pretty noises.” chris says, his voice low and croaky.
i fill the room with loud moans
“look at me, look at me.” chris says, grabbing my chin which is tilted upwards from throwing my head back. he tilts my head down, locking eyes with me.
“you feel so good around me mhm?” chris groans, my eyes squinted but still staring into his.
“i’m not gonna last long chris.” i whimper out, chris nods
“that’s perfect, i’ll tell you when to finish and you will” he replies, i nod frantically.
i feel my high coming, with every thrust i clench around chris.
“ready..” he says, almost whines,
“you okay?” i ask, my breathing intensifies
“just need to cum, real bad.” he replies, his voice strained.
and with that, i finish with a scream of his name.
chris instantly pulls out, painting my chest and stomach with white streaks. “fuck y/n, oh my god, fuck-.. fuck.” chris throws his head back, stroking his length a final few times.
he falls down on the bed beside me, propping himself up on his elbows.
after a handful of seconds he sits up, pulling me onto his lap. “you okay? you did so well, took me so well.”
“i’m okay.” i laugh into chris’s chest.
“let’s get you cleaned up.” chris says, tapping my hips then carrying me into the bathroom.
he places me down on the countertop before grabbing a damp cloth.
he pats my inner thigh with the cloth, he lets out a small laugh,
“yeah?” i question
“i never woulda thought you’d be screaming my name.” he says casually.
i scoff as chris leaves the bathroom, he comes back with the clothes i was wearing earlier he starts to redress me, his concentration at an all time high.
after chris had redressed he helps me off the counter, “cmon let’s go get something to drink.” chris says, grabbing my hand and leading me out of his bedroom.
i’m met with nick and matt, leaning on the kitchen counter. my heart stops, i thought chris got them out of the house?
chris instantly drops my hand “thought you guys were at target.” he says with a embarrassed laugh.
“we got 2 minutes down the road then decided to get it another day.” nick says, eyes fixed on chris’s.
“so are you two offical?” matt asks with a smile, chris’s head snaps round to look at him “what do you mean!” he says defensively
“trust me, we heard those fucking screams” nick laughs, slapping chris’s bicep.
“no guys, i can explain i swear.” chris starts, following nick and matt close behind, as they walk into the living room.
“it wasn’t what you think-“ chris rambles, i can hear the smile on his face.
i laugh to myself, shaking my head with a scoff.
————-
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Deadball
Deadball Second Edition is a platinum bestseller on DrivethruRPG. This means it's in the top 2% of all products on the site. Its back cover has an endorsement from Sports Illustrated Kids.
It's also not an rpg I'd heard about until I discovered all of these facts one after another.
I was raised in a profoundly anti-sports household. My father would say stuff like "sports is for people who can't think" and "there's no point in exercising, everything in your body goes away eventually." So I didn't learn really any of the rules of the more popular American sports until I was in my mid twenties, and I've been to two ballgames in my life. I appreciate the enthusiasm that people have for sports, but it's in the same way that I appreciate anyone talking about their specific fandom.
One of the things that struck me reading Deadball was its sense of reverence for the sport. Its language isn't flowery. It's plain and technical and smart. But its love for baseball radiates off of the pages. Not like a blind adoration. But like when a dog sits with you on the porch.
For folks familiar with indie rpgs, there's a tone throughout the book that feels OSR. Deadball doesn't claim to be a precise simulation or a baseball wargame or anything like that---instead it lays out a bunch of rules and then encourages you to treat them like a recipe, adjusting to your taste. And it does this *while* being a detailed simulation that skirts the line of wargaming, which is an extremely OSR thing to do.
For folks not familiar with baseball, Deadball starts off assuming you know nothing and it explains the core rules of the sport before trying to pin dice and mechanics onto anything. It also explains baseball notation (which I was not able to decipher) and it uses this notation to track a play-by-play report of each game. Following this is an example of play and---in a move I think more rpgs should steal from---it has you play out a few rounds of this example of play. Again, this is all before it's really had a section explaining its rules.
In terms of characters and stats, Deadball is a detailed game. You can play modern or early 1900s baseball, and players can be of any gender on the same team, so there's a sort of alt history flavor to the whole experience, but there's also an intricate dice roll for every at bat and a full list of complex baseball feats that any character can have alongside their normal baseball stats. Plus there's a full table for oddities (things not normally covered by the rules of baseball, such as a raccoon straying onto the field and attacking a pitcher,) and a whole fatigue system for pitchers that contributes a strong sense of momentum to the game.
Deadball is also as much about franchises as it is about individual games, and you can also scout players, trade players, track injuries, track aging, appoint managers of different temperaments, rest pitchers in between games, etc.
For fans of specific athletes, Deadball includes rules for creating players, for playing in different eras, for adapting historical greats into one massively achronological superteam, and for playing through two different campaigns---one in a 2020s that wasn't and one in the 1910s.
There's also thankfully a simplified single roll you can use to abstract an entire game, allowing you to speed through seasons and potentially take a franchise far into the future. Finances and concession sales and things like that aren't tracked, but Deadball has already had a few expansions and a second edition, so this might be its next frontier.
Overall, my takeaway from Deadball is that it's a heck of a game. It's a remarkably detailed single or multiplayer simulation that I think might work really well for play-by-post (you could get a few friends to form a league and have a whole discord about it,) and it could certainly be used to generate some Blaseball if you start tweaking the rules as you play and never stop.
It's also an interesting read from a purely rpg design perspective. Deadball recognizes that its rules have the potential to be a little overbearing and so it puts in lots of little checks against that. It also keeps its more complex systems from sprawling out of control by trying to pack as much information as possible into a single dice roll.
For someone like me who has zero background in baseball, I don't think I'd properly play Deadball unless I had a bunch of friends who were into it and I could ride along with that enthusiasm. However as a designer I like the book a lot, and I'm putting it on my shelf of rpgs that have been formative for me, alongside Into The Odd, Monsterhearts, Mausritter, and Transit.
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