Tell us more about your OCs! What is Inra's storyline about?
Good question! So far I haven't worked out a lot of things about him, but most of his storyline is about coming to terms with and accepting himself. Being a yavomur (= shapeshifters; their society as a whole very much looks down upon them for being sneaky, untrustworthy peepers and spies) makes him feel unwanted and worthless, so he needs to learn to accept what he is and that yavomur aren't any less just for being born like that. He needs to learn that this doesn't define him as a person nor, just on its own, affects his worth as a person. He also needs to come to terms with the consequences of his actions and simply own that some of them were mistakes (in the case of his involvement in the main Mura's Voice story).
Since not too many kevokhar (winged people) are left in this world it's hard to find people that view yavomur in a better light, especially in the (limited) circles he moves in, so meeting Sann in the human world gives him a great deal of initial relief and a chance to seriously rethink how he views himself and what he wants out of life.
[A sad violin song plays over an image of a sad hamster]
Pac: This doesn't have anything to do with me – I wear a blue sweatshirt, you're crazy, this mouse doesn't even have a sweatshirt, this hamster! [Reading chat] Am I a depressed hamster?
[ Transcript continued ↓ ]*
–
Pac: Actually– that's fine! I embrace that idea – of course I'm going to be depressed, are you crazy? [He hits his desk, then starts counting off people on his fingers] Fit is gone, Richarlyson is gone, Ramon is gone, Bagi and Empanada who were always there when we were there are also gone, I haven't seen them! It's just me and Tubbo, and sometimes Philza shows up.
Pac: I lost Chume Labs, I lost the Favela, I lost Murder Mystery, I lost Ilha Chume Labs, it's crazy! Look at how much I've lost, and I've gained nothing! Of course I'm going to be depressed, are you crazy?! How am I supposed to be happy?!
Pac: [Reading chat] "You have us Pac," that's true, thank you. No, that's true, sorry.
* NOTE: Please note that this is an incomplete transcript, as I was primarily relying on Aypierre's translation mod at the time and if I am not confident of the translation, I do not include it. As always, please feel free to add on translations or message me corrections.
It's another holiday, which means I'm going to make my favorite fictional Austrian go through the holidays as well. First was Fasching, now it's Easter! If I have to celebrate it, then so does König, except he gets to have a better time doing it!
I wouldn’t be surprised if you’d meet his family during Easter. It’s a tradition of his to go to his parents’ home during that time for a visit and a chat, he only sees them maybe twice a year, so he can appreciate having a small get together with them. He normally gets along well with his parents, but he’s lost most of the contact he had with them ever since he hit his mid 20’s, but he does look forward to seeing them. Naturally, he’d take you along for the ride, regardless of whether you actually know German or not. He can play interpreter for you, it’s not a problem for him. But if you know German already? All the better, that way his parents and you can just talk to each other with no problems. He does hope that you’ll get along with them, they did play an important part in his life when he was younger.
König genuinely hopes that you will like the traditional Osterjause*, though. He’s loved Easter for that reason, and for the freshly baked lambs, but mostly for the best Brettljause*. In fact, he’s probably called his mother two weeks before his visit to let her know what kind of meat and sausages to get for him and you as well so that there shall be plenty to go around. If you’re not from around, then you likely don’t know what a “Gsöchts”* or “Schweinsbratn”* is, but he will assure you that it’s something delicious. König could rave on and on about that one farmer’s “Hauswiaschtl”. In fact, if he can, he’d love to go to the farmer’s market on Friday with you just so he can get you something to eat. Not above grabbing some Bauernbrot* and Krenn* either while he’s at it. Mans needs his Krenn when eating his Osterjause. Although it will have been a while since he’s seen everyone, he will introduce you to all the farmers there since he knows a good chunk of them growing up.
Naturally, he’ll be drinking a few beers here and there as well. He’s Austrian, it’s in his blood. Will have you try everything off the plate, from the Nuss* to the low-fat Karree*. Loves having you with him and will actively try to involve you in any conversation there may be so that you get to talk as well. Again, it might be a bit awkward if you don’t know any German, especially since he’s not the most reliable translator, but you’ll get by somehow. His parents have been curious about you for a while now anyway and have been wanting to meet you.
Although he claims to be far too old for that sort of thing, he wouldn’t mind looking for an “Osterkerberl”* with you. It’s a nice tradition that he used to love as a child and he wants you to experience Austrian Easter with him, so he likely asked his mother to hide one for you somewhere around the yard so you can go find it. She won’t give you any clues as to where it could be found. It’s childish, but it’s a lot of fun. In fact, if König were to ask her to prepare a Kerberl* for you, then chances are she prepared one for him as well, for old time’s sake. And then the both of you, two fully grown adults, will run around the yard, looking for the basket. Once you found it, you had to admit it was rather cute, filled with a few hand painted eggs, some colorful chocolate, a baked lamb and some crafted chicks and bunnies. Clearly, his mother put in a lot of thought into what goes into such a small basket. In fact, even the “grass” was made of edible paper, it seemed.
König would feel somewhat stupid, looking for a basket of all things during Easter, but it did remind him of his childhood, so he wouldn’t outwardly complain. Besides, you walking up to him, all happy with your little basket, does something to him. The sight was just too adorable, so he’d likely ask you, the master sleuth, to assist him in his hunt. Once you’ve both found them, you’d return back to his parents’ apartment and continue just chatting while occasionally eating a bit of the Jause*.
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Osterjause - Food that’s been prepared for Easter. It usually consists of meat, sausage, cheese, tomatoes and horseradish.
Brettljause - Same as Osterjause except it can be eaten at any point during the year.
Gsöchts - Geselchtes - Salted and smoked meat.
Schweinsbratn - Schweinebraten - Specifically prepared roast pork, eaten cold in this context.
Hauswiaschtl - Hauswürstel - A hard sausage.
Bauernbrot - A special type of bread.
Krenn - Horseradish.
Nuss, Karree - Types of meat
Osterkerberl - Osterkörbchen - Easter basket, a basket filled with easter themed food. Sometimes has a gift in it as well, mostly for children.
Kerberl - Körbchen - A basket
Jause - In this context it refers to the Osterjause.
Something I think ought to be more readily-available and encouraged is simply... taking parental classes. I wish it were more common for people to realize just how hard - and important - parenting is, and indeed, that we all could use help with taking care of young folk. It's really alarming that popular opinion is still that parental classes are only for the "fuck-up" parents, or the parents who utterly failed. It should be seen as a good thing to take parental classes - especially on your own volition. It should be seen as imperative for one to take them, it should be a free, accurate, and scheduled occurrence so that people of any background are able to attend.
Sometimes I just start thinking about this moment - paired with Maddie's "I just think that maybe you're not sure of your own feelings yet. And if there's something that you need to tell Eddie, you will. Just, in your own time" - and then don't stop thinking about it.
Maybe I'm just reading into it but the way this moment moves. Eddie steps forward, Tommy steps up to exactly where Eddie was, Buck turns to look where Eddie was, doesn't find what he was looking for but still finds something good. It's not just ep 4 and 5 where the focus on Eddie blows me away, it's also this.
shang qinghua deserves to be a) squeezed like a stress ball and b) a god who kind of but not really lost control
And now I want to talk about how cool it would be if like uh uh the system and sqh were having custody battles over who has more control over the world and obviously its the system the system is really wierd and thats an entire discussion but qinghua is the author and that's really really important to me he should write stuff into existence I think but also last week I had an idea that went like uh sqh loses more and more power as he changes things, so when he's transmigrated in as a baby he loses a lot of 'power' unintentionally and then when mobei comes in there's a thing and when sy comes in he literally just loses it all and he knows this inst really his story anymore
Aahahaha it's 2am I'm gonna stop yammering now good luck on your future endeavors
Mobei is always squeezing Shang Qinghua like a stress ball but affectionately
I, on the other hand, squeeze him and shake him around like a chew toy
Your idea tho!!!! I'm very interested in that!!!
CUSTODY BATTLE OF POWERS a fitting description
It's kinda like, yeah he was a God of that world because he wrote it out and can change anything on a whim.
But once you're actually a part of that world, well it's a little hard to change it since you're living in it.
I'm really interested in Shang Qinghua slowly but surely realizing he's not really in his own story. Yeah he wrote it yeah he made the character but when does the line between "I wrote this character" and "theyre an in depth person with feelings and lives and to me they were only written in a second but here they're actually someone " blur
He spent his whole second life clinging to everything to live and worrying about that characters future and using everyone around him to save himself
When did he really see these people as...people
A one off character becoming his friend
A minor character dying to advance the plot, does he see the grief? Does he say they're characters to help digest what he's done? He never meant for any of this to be real, so how does he handle it?
Does he finally see everyone as real, or does he simply become a character as well?
unintended consequence of introducing my mom to reddit in 2019 is that 5 years later she is 10x more of a redditor than anyone i know now, and also has zero concept of the general reputation of reddit among normal people. everybody stares blankly when this woman in her 60s starts talking about this post she saw on reddit. she brings it up CONSTANTLY. like nearly every conversation. i'm like mom please. these people only know reddit as the incel site, if they know what it is at all
can I please have some more gen z and Billy and Stu?
btw tumblr says your my biggest fan lol
Sure
He saw the shirt in some homophobic twitter user's profile and thought it looked like something appropriate to wear to their walmart shoplifting trips. Needless to say Billy doesn't let him buy anything online anymore without permission first (also thank you for enjoying my obsession with these two silly little guys) ((also also ignore the blatant art block))
Recently read a really fantastic fic on Ao3 by the very talented @hellokittysasuke (Link can be found here - do check it out if you're interested in an exploration of Apollo and his many griefs) and one of the things they mentioned in their wonderful reply to my extremely long comment has been rolling around in my head a bit.
Specifically, it was about readings of the Iliad where people view Apollo's directing of Paris' arrow as an act of mercy - that it was a rare act of compassion from a god that had been otherwise adversarial to Achilles because he, more than any god or mortal, understood the pain of continuing to live after one's soul has already died. I find this interesting for a myriad of reasons - the fact that Achilles' death is not actually portrayed in the text of the Iliad notwithstanding - but chiefly because, well, put plainly, Apollo despises Achilles. And, even more relevantly, in the context of this fic which deals primarily with Apollo writing a letter to Hyacinthus, I felt like it highlights even more intensely what Apollo despised about Achilles.
In Book 24, when Apollo makes a stand against Achilles' prolonged desecration of Hector's corpse and rights as a warrior, he says:
"But murderous Achilles... that man without a shred of decency in his heart... his temper can never bend and change--/Achilles has lost all pity!... No doubt some mortal has suffered a dearer loss than this, a brother born in the same womb, or even a son... "
"The Fates have given mortals hearts that can endure."
Because grief affords lenience - just as wrath, or passion or any other myriad of intense, afflicting emotion but Achilles had lost his humanity in his anger, had lost every human decency and thus had to be hunted like a beast and slain with the arrow instead of the sword. And I think the contrast between Achilles' grieving and the other examples that are presented in the fic - Prometheus' anguish as he's eaten alive, primordial man when they were severed down the middle and left yearning, Apollo who must love and lose in perpetuity - are that they are examples of that human quality of endurance. That yes, things hurt - they might even hurt for thousands of years, but eventually, eventually they will stop hurting. The pain that was endured will be alleviated, it will be a memory, it will be a kindness and it must be accepted just as joy and peace and love are accepted.
Anyway, go read hellokittysasuke's fic, it's really good and I cannot stop thinking about it.
i don't know how to be merely acquaintances when we used to be friends. or i think we used to be. i don't know how to yearn for a simple hello when you've been heaping your affection on me months ago, and i don't know how to talk to you when you won't say anything. when suddenly it's all about me. you know i have nothing to say, you know my brain is void of everything but horribleness and i cannot tell you about my day because i don't even know about my day. i cannot tell you about my day when i know you won't listen, when i know you'll apply your philosophy to my world and don't believe me when i say that everything is terrible. i don't know how to be the person you seem to think i am, or the person you want in your life. i don't know if you want anyone else in your life now that you're in love and sappy, found another recipient for your affections, leaving me empty and wounded and yearning.
you said you missed me. said it many times, while i was gone. now i'm back, have been back, and i wonder how you missed me, why you missed me, when you won't talk to me. i think you mistook missing for worrying. i think you mistook caring for a feeling of obligation. i think you like missing me more than talking to me.
and i think i can't breathe with how much that hurts
my old lady friend is dying. probably only a few days now.
this sucks so bad.
she and her partner are completely devoted to each other and i feel awful for both of them. i don't think he'll be here this time next year, he's been wasting away visibly with worry over her.
i hate death and resent it very very deeply and on some level it mystifies me. how is it possible for someone to just stop existing?
i've never been able to wrap my mind around it. for years and years after my mother died i battled an instinctive assumption that she was just... elsewhere. still living, still being herself. i don't understand how it's possible for a process as amazing as a human being to just... end.
i don't understand how one becomes okay with this. on a deep emotional level, i don't understand why death has to happen. none of my intellectual knowledge can touch that childlike bewilderment.