#I'm not sure on how true the story is there isn't a lot of information

[jellyfishloveletterghosts]

How To Lock All of Your Fics At Once On Ao3

Someone has probably already done this but

For anyone looking to lock their works for only registered users over on Ao3 in light of the sudowrites scraping thing here is how you can lock all of your fics at once.

Log into Ao3 and go to your Profile, Works or Dashboard

At the top under you’re user name there are four buttons pick Edit Works

Second row of buttons on the right chose All and then hit Edit

Scroll down past all of your works and then keeps scrolling until you find Visibility  change it to Only Show to Registered User

(If a fic is over the tag limit you have to edit those down to make edit to the work.)

Hit Update All Works at the very bottom and you are done all of you fics should now have a little blue lock next to your user name on each fic.

Edit: As of 12/23/2022 Ao3 has updated their robots.txt file to disallow Common Crawl from scraping the Archive.

[luna-rainbow]

On Steve Rogers, loss, and loneliness

Unlike some of the other characters, Steve's hurt isn't as plain to the eye. His demeanour is usually one of stoicism and optimism, and it is easy to forget that his story is steeped in loss and loneliness.

Steve's introduction highlighted how alone he was - an orphan, armed with a list of ailments, and hiding behind a newspaper to avoid small chat with other recruits. When rejected by the recruitment centre, Steve shrugs and heads to watch a movie - alone.

Steve is a loner, we are shown, and then just as abruptly - perhaps just like the way it had happened many years ago - Bucky crashes into Steve's world and hooks an arm around his shoulders and noisily talks about an expo and dispels all of Steve's melancholic air. Steve is a loner, except for Bucky.

But Bucky is now leaving to go to war.

Steve is used to being stoic, because there were no adults around him to spoil him. He is used to being buoyant, because Sarah taught him how to pick himself up and carry on. Steve is used facing the empty house and lonely silence -- except for Bucky, who filled his room with chatter, "We can put the couch cushions on the floor, like when we were kids."

So when we hear the anxious strain in his voice as he is informed by Bucky that he is leaving -- it also becomes plain that Steve is also used to loss, or the threat of loss shadowing him, everyday.

In his short life, he has already lost so much. He has lost his health (my thought is he was probably healthier in his early childhood until he caught scarlet fever, and then his health got a lot worse after that). He has lost his father, and all the security of having a family breadwinner. He has lost his mother - to long hours of work and eventually to the disease she was battling against.

What he dreads would happen, does happen. Life seems to have a way of chasing him down like that. Sarah gets sick, and his fear of coming home to find her gone...one day inevitably comes true.

At his darkest moment, Bucky squeezes his shoulder and promises, "You don't have to do it (alone). I'm with you to the end of the line."

It's just enough for Steve to square his shoulders and push on, as Sarah had always taught him to do. Deep inside - possibly buried so deep that he can barely put it into words, he knows that he pulled through because "Even when I had nothing, I had Bucky."

I'm going to pause here and emphasise how deeply lonely (and young) Steve was, and how, naturally, the only stable presence — ie Bucky — in his life, through periods of terrible grief and uncertainty, is going to be such a deep-rooted emotional foundation for him (regardless of how you ship).

When the draft does come for Bucky, it's not just Bucky who's unhappy, it's Steve who's also aghast. Suddenly, the possibility of losing his last bastion looms over him, and he remembers the fear and anxiety and the devastating grief of losing Sarah. But it is also a war that needs fighting - so he comes up with a solution: sign himself up. He can't keep Bucky from the war, but he wants to fight alongside him. Besides Bucky, what else does he have to lose?

"Men are laying down their lives, I have no right to do any less. That's what you don't understand, Bucky."

He says this angrily, because the words he can't say aloud are, "You are laying down your life, Bucky, and I might never see you again, and I can't go through all that again, not by myself."

When he hears about the 107th being captured, he has to go. He is saving Bucky, sure, but he is also saving himself, because the pillar, the lifebuoy, the harness that has kept him afloat all those years is Bucky, and he's terrified of sinking.

The serum makes him taller and more women pause to smile at him, but he is still incredibly alone. He sits alone during break, he draws alone in his book, he runs off alone and none of the USO girls even notices until it's his turn on stage.

But Bucky notices him immediately, and says, "I thought you were smaller," and, "Did it hurt?"

Steve doesn't really believe in miracles. His whole life feels like one bad luck after another, even if he forces one foot in front of another and keeps marching on. But maybe at that moment, he feels like Bucky is his miracle. Bucky, who always seems to notice when he's alone and pulls him into his social circle. Bucky, who had seen him lose his dad and Sarah and promised him the end of the line. Bucky, who he - and all the commanders - thought was dead, pulls through and gives him another promise - that he would follow the little guy back into war.

When Steve is finally thrust into the frontline, the losses keeps mounting, man after man are falling, condolence letter after letter is being written. And then towards the end of 1944, the tides seem to finally turn. German forces are waning, the Allied forces are advancing, and quietly, secretly, Steve dreams of home.

And that dream dies with Bucky.

"Honour the dignity of his choice," he is told, but he can't shake off the guilt.

He pushes himself forward, step by dragging step. Nazi Germany is falling. He is taking down Hydra with his own hands…and at the end, he buries them all in the ocean with himself.

His is sinking, but he isn’t afraid, because he is going where all the people who mattered are waiting.

And he is denied even that.

He opens his eyes to a world he doesn’t recognise. They tell him they had won the war.

But no one wants to speak with him about what was lost.

A folder of old photos, the museum of unmoving murals, the silent movies of a smile he would never see again.

He thought he had lost all there was to lose, but somehow life always seem to find something else to take.

What we see of off-duty Steve in the modern world is once again a figure of loneliness. He goes to the gym alone, he goes for a ride on the train alone, he sits at the cafe alone, he goes for runs alone, he goes to the museum alone.

Only during those solitary moments he could truly be Steve Rogers, instead of trying to meet everyone's expectations of Captain America. He is just shy of 27 years old, but suddenly, he can no longer lay claim to youth. Only a dream ago he was "just a kid from Brooklyn", and now he's an "old-fashioned" (as per Coulson) "older fellow" (as per Tony).

He's in the history books, he's on the television, he's in the classrooms; everyone knows of Captain America, but Steve Rogers is lost.

He had been willing to lose his life on the Valkyrie, but what he lost was every living connection and his own identity.

"Must have freaked you out, coming home after the whole defrosting thing," the friendly man says to him on their first meeting, but Sam only knows half of it.

The too soft bed and the too quiet room is one thing, the unshakeable nightmares another, but the worst of it is -- this isn't home.

He is marooned in a place that bears eerie resemblance to the world he knew, without being familiar.

Until the moment Bucky's mask comes off.

It's like the anchor dropping. He's now got a connection tethering him to this strange place, someone with "shared experience" that means he is no longer alone, and he is no longer a ghost forgotten by the seventy years of lost time.

"He doesn't know you."

"He will."

He has to believe that Bucky will, because Bucky is proof that Steve Rogers exists.

And once again, Bucky is his miracle. On the brink of killing them both, Bucky reels back from his brainwashing and hauls them both to safety.

Even if Bucky leaves after that, he's left behind something Steve hasn't had for a long time -- hope, and belonging.

"Family, stability. The guy who wanted all that went in the ice seventy-five years ago," he says to Tony as he prepares to meet the ragged team of enhanced people that is to become the Avengers. "I'm home."

Stoic and buoyant as he has always been, Steve sets to work building that home for himself. Gradually, we see Steve open up. He forms new connections and new friendships, he talks about his vulnerabilities with people he trusts, and he reclaims his own identity. He looks for Bucky, and waits until Bucky is ready to build that home for himself.

Until it is once again blown apart by the end of Infinity War - he loses not just Bucky, the anchor to his past, but the new family he has made apart from Natasha.

That's why it makes sense that Steve, not Tony, is the one working so hard to reverse the Snap. His family was 5 years ago, Tony's family is now. The people who rallied behind Steve and not Captain America, the people who followed him after he dropped the shield, the people with whom he no longer needed to be endlessly lonely and tirelessly stoic and who loved him for who Steve Rogers was, they all vanished in the Snap.

So even if there was only a small hope, Steve wants them back.

And that's why his decision to leave everything he had built, the sacrifices he had made to bring them back, in order to go into a life of incredibly loneliness and deception is still the dumbest narrative faux pas in the MCU.

[zoeykallus]

Hm? *gets hit in the face with a note* GAH- *opens the note* another request? But it’s with- *ahem* “I request Reader x Crosshair but make it with Pheromones please-” Oh no…

Aloha!

You are getting a lot of those notes, aren't you? 😁 Well, as it happens, I actually have an idea for a scenario like this, I'm telling you I gathered the wildest ideas in my fever dreams 😅

Crosshair x Fem!Reader One-shot -

______________

Warnings: 'Good old' Pollen Trope/ Smut/ 18+/ Bondage/ Dubious Consent/PiV Sex/ Dirty Talk/ Strong Language/ Oral/ Feral Crosshair/ Graphic Description Of Sexual Actions/Overstimulating

______________

Ko-Fi (If you feel like giving me some coffee)

______________

AC: I feel like I've not written anything like this in years. Which of course isn't true, but it still feels like it. But I think I like what came out of this.

Crosshair keeps sneezing as you make your way back from your little expedition. The rest of the group is on an errand with Rex and his shuttle. You and Crosshair have stayed behind. Curiosity has driven you into the surrounding landscape of the Marauders' landing site. Even though Crosshair has no interest in the surrounding flora and fauna, he reluctantly came along, saying, "I guess I can't let you go off on your own. If anything happens to you, I will never hear the end of it when the others come back" You take off your gear when you get back, at least the things you don't need at the moment, as he sneezes again. Crosshair sighs and rubs his temples. You frown critically and say, "You should have used an air filter, like me" "Nonsense," he grumbles. "Well, I don't have to sneeze," you reply, shrugging your shoulders. He rolls his eyes and waves you off. "Just some pollen, nothing more, it'll be over in a minute" You pick up your data pad and say, "Some pollen can be dangerous, Cross"

When you call him by the pet name you're the only one to use, he rolls his eyes again, but he doesn't complain. He doesn't want to admit it, but somehow he likes that you've given him a nickname. It shows that you like him, and he likes the idea, but he won't admit that either. You browse through some information about the planet, especially the fauna, and suddenly stop. Something you've discovered makes you nervous. "See," he says contentedly, "it's stopped already, I don't have to sneeze anymore, it's all half as bad" When you don't answer, he turns back to you after taking off his armor. "Since when are you so quiet?" Again, you don't answer, you're engrossed in the information about a particular plant you've found. "Hey, Kitten," he says impatiently, "are you even listening to me?" You look up and ask him critically, "Why did you take off your armor? It's the middle of the day" Crosshair shrugs and says, "It's warm in here, and it's more comfortable without it" You say critically, "I don't think it's warm in here" He grumbles, "Well, I do"

"Any other symptoms?" you ask, a little alarmed. Crosshair reaches for your holopad, takes it from your hand, and skims the article you've just read. Depending on the amount of pollen inhaled...Heat flushes, sneezing, headache, followed by extremely increased libido, sexual desire bordering on animalistic proportions, loss of control... High probability of becoming a danger to yourself and those around you. If left untreated, the condition ends in extremely high fever, which can lead to brain damage or even death. No medical treatment options. Only treatment option is sexual relief (sexual intercourse/sexual acts that lead to repeated orgasms) "What the hell are you reading? Is that a guide to one of those dirty little stories you sometimes write?" Startled, you stare at him. "What?" Crosshair smirks, shrugging his shoulders in a suggestive manner. "Well, you fell asleep writing the other day and your pad was still on, just lying there. I took a quick look over it. It was pretty clear quickly what you were writing" You feel hot and cold, you're not sure exactly how much he's read, and you wonder if he realizes that you're imagining him as you write. But another thought outweighs your shame, your worry.

You scroll back up a bit on the pad that's still in his hands, point to the picture of a flower and say, "No, that's an article about this plant. We walked through a field of these flowers earlier while you weren't using an air filter. You're already showing symptoms" Crosshair blinks, skims the text again. "Oh," he says quietly. He tosses the holopad onto your bunk, rubs his temples again and looks around. He can feel it now, slowly at first, gradually but steadily increasing. His body temperature is getting higher, his thoughts are getting mixed up, there is a penetrating buzzing behind his temples, and there is clearly a very physical desire. "I need you to cuff me, for your safety. Where are my handcuffs?" Crosshair hears a click, then feels cold metal. You've cuffed his own wrist and chained him to the weapon rack. "I'm ahead of you," you say softly. "Clever girl. But that won't be enough. You have to tie me up properly"

„Properly?“, you ask, frowning.

Crosshair nods and says, "Yeah, I can open handcuffs without a key if I have one hand free" You mumble with a grin, "Sneaky bastard" "Shut up, kitten," he says calmly, with a little smirk, pointing to the other bunks, "Better find something to tie me up before the symptoms get worse" Unsure, you go to the drawers and side compartments of the other bunks. You find some more handcuffs and chain his other wrist to the weapon rack on the wall. Crosshair groans softly, a bulge has already formed in his Black's pants. He is far too warm in his skin and his cock is as hard as a diamond.

For a second you just look at him, his slender, wiry but stealed figure chained to the weapons rack at the wall. His shoulders down to his hips forming an apetizing V-line. "Okay, so far so good," he says tensely, "But that's not enough" You frown, but finally get two more cable ties and tie his legs to the frame on the wall. Crosshair stands there, as if nailed to a cross or pilloried, except that it is a weapon rack that is firmly anchored to the wall. "Fuck," he moans softly. Automatically, he writhes in his restraints, his clothes, the pants of his Blacks rubbing over his hard cock, eliciting another soft moan. He is extremely sensitive at the moment.

"But what now?" you ask anxiously, straining not to look down between his legs. "I can't hurt anyone now," Crosshair says and swallows. He means you, he can't hurt you now, he can't do anything against your will, you realize. "But... We have to do something, you could die or suffer permanent damage from this condition," you say nervously. You can see that he can barely think straight, that he would love to tear himself away if he could. But he smiles at you and says, "You're not worried about me, are you?" "Of course I'm worried", you say, almost indignant he might question this. He licks his lips, his mind a jumble of images of nudity, physical contact, of him sinking his cock inside you, in pretty much any of your holes that would do. Crosshair blinks a few times, trying to collect himself. "Well, you can help me now, but on your terms. I can't force you to do anything, that was important to me. Hence, the shackles. It was clear to both of us long ago that I still need your help now. Unless you want me to die, or my mind to turn in to a vegetable" Heat rises in your cheeks. You've imagined being with him so many times, but not like this.

He laughs softly as a drop of sweat rolls off his forehead. "Now you can live out some of the fantasies you love to write about. Honestly, I always knew you had a naughty spirit in you" The thought, the question of how much he has really read of your stories and perhaps even diary entries that are on the same data pad, comes to mind. You swallow and look at him, chained there. Your gaze does wander down to the enormous bulge in his blacks. You hear him purr, "Okay kitten, your attention is already going in the right direction" He strains against his restraints, automatically wanting to reach for you, but to no avail. A small frustrated growl comes out of his throat as he realizes once again that he is not able to touch you right now. No matter what you do now, no matter what you're both about to do, this isn't going to be romantic, nothing loving, that much you both realize. But contrary to your expectations, the thought doesn't repel you, actually, there's something appealingly wicked about it. As you sink to your knees in front of him, a shiver runs through his body in aroused anticipation. He can barely move, only his pelvis has a little room to move forward, and he stretches out towards you in invitation. "Be a good girl, help me"

You look up at him uncertainly, in his gaze you not only find confirmation of what you are about to do, it is a feverishly hot gaze, full of expectation and challenge with which Crosshair looks down at you. You reach for the waistband of his Blacks' pants and slowly pull them down. As the fabric brushes over his skin, over his hard cock as you free it, he trembles excitedly. It stands right in front of your face, thick, veiny, with a slightly reddened, swollen tip. His testicles are bulging. His cock twitches with every breath you take, because he can feel every waft of air. "Do it," he demands in a smoky voice, his eyes glazed over with desire, "suck me good" You wonder how he would talk to you at a moment like this if he wasn't under the influence of the pollen, but only for a second. You've always been curious about a sexual encounter with Crosshair, and his cock looks gorgeous. Your hand reaches for it automatically, and you're almost shocked at how red-hot it feels. His temperature is rising, no time to hesitate. Your tongue twitches over his velvety, swollen tip, catching a salty drop of pre-cum. "Fuck," Crosshair growls, his pelvis twitching, "come on, kitten, it's getting unbearably hot under my skin"

You don't think about it for long. Your lips open, your tongue outstretched, pressed against the underside of his cock, you take him into your mouth. Your head moves back and forth, bobbing back and forth with his cock between your lips. At first, you're so far back that, despite his relative freedom of movement with his pelvis, he has no control over how deep he penetrates your mouth. But it feels surprisingly wonderful, the sounds he makes, moaning, growling, whimpering. You can feel your panties getting wet and a tingling sensation between your thighs. Your pearl swells, pulsating gently at first, but demanding, longing to be touched, stimulated. On impulse, you move closer, giving him more room to move. As soon as he realizes that he can penetrate deeper on his own, he greedily pushes his cock deeper into your mouth, down your throat, almost to the hilt. Your eyes immediately start to water, but you don't pull back, you let him have his way with your mouth. He pulls his pelvis back and forth, thrusting deep again and again until your face is wet with tears and saliva drips from your chin because you can't swallow everything around his thick cock. Crosshair stares down at you, his gaze full of fire, glassy and dark.

He gasps excitedly, "I knew there was a dirty thing somewhere inside you, look at you eagerly sucking my cock. I wish I could record this, so I could watch it over and over again, how perfect this image looks" You don't have the time or the opportunity to object, nor do you want to. Your hand automatically slips into your pants and under the fabric of your panties. You can feel the heat emanating from your pubic area on your fingertips even before you touch your clit. There it is, finally, the touch, a shiver runs through your body. The touch your pearl has been longing for. Your fingertips glide over the sensitive bundle of nerves, faster and faster, as Crosshair's cock pushes up to the gag reflex again and again. You keep sucking at him, almost hungrily, like there is no tomorrow. Crosshair fucks your mouth restlessly, his pelvis shaking with every thrust, his arms tugging at the handcuffs again and again. Then he sees your hand in your pants, something about the sight pulls him over the edge, with a low growl, he spurts his load down your throat. You swallow hastily as he leaves your mouth and take a deep breath.

"A good little dirty thing you are. Look at you, not only did you suck my cock like an addict, you touched yourself" His gaze is still glassy, feverish, full of heat, a dangerous, knowing grin on his face. "Untie me, kitten, and I'll give you what your little pussy needs," he coos. His words roll over your skin and down into your pussy, where they trigger a pulsing, demanding twitch. Contrary to any fear or uncertainty about his condition, you cut the cable ties on his ankles. Then you grab the key for the handcuffs, you hesitate only briefly, barely noticeably, but then you unlock the handcuffs. You don't even have time to be surprised. Crosshair immediately peels you out of your clothes, partially tearing them as he loses his patience. He pushes you towards the bunk in front of you until you automatically climb onto it on all fours to avoid falling over. "That's it, keep sticking your gorgeous ass up, show me your little pussy," he growls in a smoky voice.

With the flat of his hand, he gives you a gentle pat between your legs. "There it is," he coos contentedly, "soft, warm and wet" One of his fingers slides along your velvety folds to your heated opening and sinks greedily inside. You moan as he sinks a second finger between your slick walls. "You're hungry for my cock, aren't you?" You moan a yes as you thrust your buttocks towards him. All you hear from him in response is a growl. You feel him pull his fingers from you and as you look over your shoulder, you see him licking your juices from his knuckles. "Actually, I'd love to lick your little honey pot, but I just can't wait, I can't," Crosshair says a little breathlessly as he parts your wet folds with his tip and with a smooth thrust fills your pussy to the brim with his cock. The sensation is intense, his hard, thick length filling you up, stretching your wet hole.

His fingers claw into your hips, not exactly gently, as he begins to move, pulling his pelvis back only to thrust into you again. He moans and curses, the feel of your wet heat enveloping him so incredibly intense, his cock so incredibly, unusually sensitive. His grip, his nails, are sure to leave a mark, but you're far too horny to mind. His thrusts are short, he never pulls far out of you, but he thrusts into you quickly, panting, clutching at you. His pelvis slaps your backside again and again, the sound fills the room, accompanied by moans, growls, whimpers. Crosshair doesn't feel like his temperature is dropping, he's more in control than he expected, but his hunger hasn't abated one bit. He growls, gives you a slap on the ass and murmurs, "You like that, you've always wanted my cock inside you" You are so lost in your excitement that at first you don't even realize what he is saying. When you don't answer immediately, he grabs your neck and pulls you towards him so that the back of your head is against his shoulder.

"Say it!" he growls, his hand still on your neck. Crosshair doesn't really squeeze, just applies enough pressure to make it clear that he wants your attention. "What?" you ask hoarsely, the feeling of his cock thrusting into you again and again taking over your entire mind. "You've always wanted my cock inside you. Say it! I want to hear it," he moans urgently. You gasp. "Fuck. Yes, I've always wanted your cock inside me, deep inside me," you croak, moaning. You yelp as he gives you a particularly hard, deep thrust and pauses in this position for a few seconds. His thighs tremble for a moment, a half-suppressed moan comes from his throat, then you feel his semen shoot into you. You're both breathing heavily, Crosshair growls softly. "Still feverish, still hard, I guess I'll have to make your wet dreams come true a little longer"

He pushes you off him, onto the bunk you're kneeling on, and turns you around, gripping your hips. Crosshair grabs the back of your knees to hold your legs up and apart. The next second, he's thrusting his cock into you again, accompanied by the dirty, wet sound his hard length makes in your pussy filled with your juices and his seed. Each thrust makes that lewd, wet sound, you feel his seed and your juices partially dripping out of you, onto your buns and onto the sheet beneath you. After all, you're in your own bunk. But this fact startles you all the more as Crosshair reaches purposefully to his right and pulls open a small drawer. He pulls out a small object and grins with satisfaction. "I knew you had toys here, I heard them vibrating under your blanket the other night" He moves his cock slowly inside you as he looks at the toy, and the heat of shame rises in your face. "What exactly does that thing do?" he wants to know, his gaze fascinated but still feverish, glassy. You swallow and say meekly, "It sucks the clitoris into this little opening and vibrates as it does so"

He raises his eyebrows and looks past the toy at you. "Is that good?" "My favorite toy," you say, still meekly. He looks down, positions the toy so that it can suck your clit perfectly and turns it on, turning the power up quite high. The toy sucks in your clit and vibrates on the sensitive bundle of nerves, immediately sending a pulse through your whole body. You let out a startled squeak. In combination with his thick cock inside you, the additional stimulation from the toy is very intense. Your hands claw into the mattress and sheets as he starts to thrust into you again. "Fuuuuck," you moan out. Crosshair takes you again faster, harder and growls, "That's more like it"

Your mind dissolves into nothing, the thought of how he sees you right now, that he knows about the toy, that he knows you've been secretly masturbating here under the covers, all swept away in one swoop. The stimulation is too intense, your whole body vibrates, trembles, tenses with arousal. "You're close," he moans, realizing, "I can feel your sweet pussy contracting" The stimulation, his words, the sound of his voice, all at once your climax washes you over the edge, and you fall into a pulsating tangle of over-stimulation. Automatically, you want to reach for the toy to remove it, but Crosshair's hands shoot forward, grabbing your wrists and pinning them above your head. "Fuck! Crosshair, that's too much, the toy!" you gasp breathlessly, twitching and writhing, the sensation far too intense.

He pushes himself deeper into your lap, takes you faster, with shorter, firmer thrusts. He stares at you, something about the way you squirm and twitch, the thought that you are helplessly at the mercy of this over-stimulation turns him on. It doesn't take long, his thrusts become irregular, his lap trembles between your twitching thighs, and he cums inside you again. You're still whimpering and squirming, finally he lets go of you, and before you can remove it, Crosshair releases you from the toy. You breathe heavily, sighing with relief. You look up, his gaze no longer glassy and feverish, more scrutinizing, brooding, as you know him to be. "Sorry," he says, shrugging his shoulders, "but it was incredibly hot to have you under me while you were twitching under the over-stimulation, one hell of a turn on." You roll your eyes and sigh, "I'm glad you enjoyed it" "You had your fun too, didn't you?" he growls sarcastically, "Or did you just get me untied to see what would happen?"

You can almost feel an argument brewing, but you don't want to argue, especially not now. You try to distract him. "How are you feeling now? Headache, fever?" Crosshair senses that you're trying to avoid the discussion, but he answers you anyway, "I'm fine, I think, no fever, no headache, no other symptoms either." You nod, climb out of the bunk and say, "Good, I need to use the refresher for a while, I need to clean myself up" But Crosshair blocks your path to the refresher. You hastily grab your bathrobe and put it on as you realize you're both still naked. "You haven't answered me yet," he says stubbornly. "What?" "Whether you had fun"

You clear your throat and say, "I had an orgasm, if that's what you mean" Crosshair frowns. "No, that's not what I meant, at least not exclusively." You lick your lips and avoid his gaze, but he gently but firmly grabs your chin, yet your eyes continue to avoid his. "Kitten? Look at me." His voice sounds so unusually gentle that you automatically look at him. "I just want to be sure that I didn't overstep any boundaries and that you didn't come away unsatisfied, as you know I didn't really have complete control over what happened." You look at him wide-eyed, then feel heat rising in your cheeks as you say meekly, "I had more fun than I want to admit"

A smile creeps onto his face. "I knew that. Good girl. Come on now, let us go wash you" You raise your eyebrows questioningly. "Us?" Crosshair grabs your hand and pulls you into the refresher with him. He winks at you, "We made the mess together, so let's remove it together. Come on, don't act like you don't want to be sponge-washed by me"

@rintheemolion

@andyoufollowyourheart @clone-whore-99

@brynhildrmimi @kaliel2310

@misogirl828 @tech-deck

@meshla-madalene

@chxpsi

@thebahdbitch

@nahoney22 @ladykatakuri

@darkangel4121

@ttzamara

@arctrooper69

@padawancat97

@agenteliix

@allsystemsblue

@palliateclaw

@either-madness-or-brilliance

@ortizshinkaroff

@andy-solo1

@hunterssecretrecipe

@heyitsaloy

@greaser-wolf

@extrahotpixels

@hated-by-me

@hunterxcrosshair

@malicemercy

@bebopsworld

@echos-girlfriend

@cpnt616

@dangraccoon

@jediknightjana

@pb-jellybeans

@antishadow2021

@sleepycreativewriter

@projectdreamwalker

@1vlouds

@clonelovr

[otdiaftg]

WHAT'S NEXT:

The out pouring of love for this blog has swept me off my feet. I knew the logic behind the follower count, but this weekend proved to me without a shadow of a doubt just how much this fandom cherishes these characters and this story.

I am overwhelmed with adoration towards every. single. one. of you.

I took the weekend to finally recoup after the whirlwind of this past year but wanted to take a moment now to answer some of the questions I've seen pop up and to inform you all of what my plans are for what's next.

FREQUENTLY ASKED QUESTIONS:

WILL YOU CONTINUE THE ACCOUNT THIS YEAR?

This took me a long time to ponder and I wanted to make sure I was in the correct headspace to answer it. Short answer: No.

Long answer: All For The Game is near and dear to my heart. And the reason I began this account was because the dates for 2023 matched that of the dates they were meant to be in 2006. To continue it in the year 2024 would mean the dates would be completely wrong and a lot more logistics would have to occur beforehand.

But also-- I'm not the best when it comes to technology, especially when it comes to BOTS so every post that was published was typed out, formatted and scheduled by hand by me. I did not have help. I did not have proofreaders, or editors, or managers. I contacted all the artists myself, sorted through every single page of the artists to find matches to the story, read and re-read the books for exact or guesstimation of dates/times, and made a hell of a lot of typos on the way through all that.

There was probably an easier way that I could have done all this. But I didn't/don't know it. So that all boils down to: It’s a long and tiring process.

Don't get me wrong, it was worth all the hours. And all the sleepless nights I had getting everything done and out. I already thanked my support network, but without my wife and my best friend being there to make me another cup of coffee, walk our dog, do the chores and generally make sure I didn't crumble from the pressure -- none of this would have happened.

So, putting myself through that again, after everything that has happened this year alone-- felt like it would cheapen the experience I had when the dates won't even match.

That being said.... 2034 isn't that far away. >__>

WILL YOU BE DOING AN OTDITSC?

Short answer: No.... sorry.

Long answer: As stated, it is VERY hard to organize what and how I did. HOURS spent researching, organizing, scheduling, etc. Time spent away from my family and other hobbies. NOT time I regret (need to keep prefacing that) but time I want back now. At least for a little bit.

It also doesn't sit right for me to start an OTDITSC when I know some people are still waiting for their copies. There are so many of us out here (as I've come to find out) and I don't want to exclude people's enjoyment and connection that this account gives. I also feel like the more posts about TSC out there, the harder it is for those who are (lets say) waiting for the physical copies to block/mute spoilers. We can say a tag is enough, but this is the internet. And that's not always true.

And lastly, personally, TSC is still SO VERY NEW. It's not even complete yet and we don't 100% know when the next one will be published. I don't want to start something, get to the end of the timeline, and than have a huge gap between posts that will potentially be moments in the second book. It doesn't feel fair to their story, to myself, or to the followers of this account to have incorrect information for something I love so dearly. If I'm doing it. I want to do it right.

SO, WHAT'S NEXT?

Well. A lot. For me personally, as well as this account. I don't want to leave everyone in such a finite way. I love this fandom. I love its art and writings and the abundance of talent and joy that it exudes.

So first, for myself, as well as those artists who agreed to help with this account, I want to post, for the next 40 days Artist Highlights (that means this account will still be active until Friday, June 7th).

Every day, I will post about an Artist and the work that I wanted to post but couldn't fit in. I've said it before, and I'll say it again, these artists are the reason this account thrives. Art, in a multitude of forms, speaks in a way words can not. And these artists prove that.

I'm excited to show them off for a couple more weeks at least. They are all wonderful people.

AND, FINALLY:

To also tie us over, I am opening both my personal account as well as this account to questions.

Questions regarding the process, the story, the best movie out in theaters, whatever. I will be answering your questions (as fast as I can) until that last Artists Highlight day (Friday, June 7th). After this day, I will leave the questions answered up for a week, and then remove/delete them from this account. I want to make this more of an archive of sorts and will be updating the Timeline Page as this progresses as well, so you can move freely within the timeline.

Keep in mind that I am only one person, have a family and a full-time job-- so answers may be sporadic, but I will answer them.

This has truly been such a pleasure. And whether I get questions or not, I see you and I appreciate you. I hope your life is filled with everything you ever want, everything you need, and that you never let it go.

🦊 🧡- Kelysium

[cripplecharacters]

What are your thoughts on people making random characters albino (especially regardless of their race, even if they aren't black? Would it count as fetishizing under certain ways?

I've heard that albinism can appear in any race group, but I'd just like to know how you view just random characters casually having albinism (even without it being sexualized for fetishized)

Hi!

Casual representation is great! Not just albinism, but disability in general. You don't always have to go into complicated details of "how's it like to be disabled". But just because it isn't meant to be a work about a certain condition doesn't mean you shouldn't do your diligent research - if by making random characters have albinism you mean giving them the "aesthetic" and nothing besides that, it would be fetishization or at least just poor representation.

Also, for this answer I'll be talking about oculocutaneous albinism because I'm fairly sure that's what you were referring to, but please be aware that there are other types, like;

ocular albinism (has 3 different subtypes)

Heřmanský–Pudlák syndrome

Chédiak–Higashi syndrome

Griscelli syndrome

oculocutaneous albinism also has multiple (7) main subtypes, with some of them splitting further. You should take that into consideration as well when deciding on what kind of albinism your character(s) has :-) I'm not saying that you should write "X has oculocutaneous albinism, type OCA1b" in your book, but it will help to inform you what their needs and symptoms could be!

First thing I will mention is that the word "albino" is generally not the preferred term and you probably shouldn't use it unless you have albinism yourself. Here's a page on it by the National [USA] Organization for Albinism and Hypopigmentation or this post we reblogged recently.

To make sure that your representation works, you need to understand how albinism works. Even if it's a side or minor character, you should be aware of the symptoms other than just the lack of melanin. Prime example, the extreme majority of characters with albinism in media don't have any vision issues at all, which is not how it is in real life. If you make a character with albinism, you're making a character who is blind or low vision. It's important to research aids and assistive technology, as well as blindness tropes that your character could fall into. For a character that only shows up occasionally, it's still important to show things like a white cane, their light sensitivity, them having to avoid the sun.

If that's your approach to "making random characters be disabled" then you should be good. A lot of disabled characters end up boxed into specific tropes (for albinism: being evil, being emotionless, having magic powers, or being mystified because of their disability) so having e.g. a background character with albinism who has a regular job and shows up in the story from time to time would mitigate that. People with albinism are normal people.

It's true that a person of any race or ethnicity can have albinism! Some types of albinism are more common in certain demographics; for example, Heřmanský–Pudlák Syndrome appears much more frequently in Puerto Rico and OCA4 is almost exclusively seen in Japan, and oculocutaneous albinism is more common in sub-Saharan Africa as a whole (which is a giant area, but there's not much statistics about it). But your character could be of any background to have albinism in general.

In short, if the representation would end at "giving a character white skin, white hair and red eyes*" then it's more fetishistic than representative; that's just using the appearance but ignoring everything else. Keep in mind that it's a medical condition, not an aesthetic. If a character stops having albinism when they dye their hair, tan, and wear colored contacts, then that's just a character who happened to have light hair skin and eyes, not a person with albinism. Good representation of disability means showing the disabling parts of it - again, you don't have to go into detail about how it is to have albinism if the character shows up for two chapters, but show them navigating with a white cane!

*note - in real life, people with albinism don't have red eyes. I mention it because it shows up in media all the time. It just screams fetishization because it's not a thing - most people with albinism will have blue, hazel, or brown eyes.

I hope that this helps - if you have a more specific question, feel free to send another ask. I also recommend going through our #albinism representation tag, it might answer some of the questions you might have! :-)

mod Sasza

[vforvalensa]

I got caught up with the Golden Kamuy's author new hockey manga, Dogsred, and I also took the opportunity to start reading through Noda's old hockey manga that got cancelled early on, Supinamarada.

For those unaware, Dogsred is effectively a do over of Supinomarada now that Noda has enough clout from Golden Kamuy to tell the hockey story he wanted with out fear of cancellation. Dogsred has the same premise, same characters, and same basic events to Supinomarada, but obviously Noda has changed as a story teller and manga artist since doing all of Golden Kamuy, and it's super interesting to see that side by side.

For one Dogsred is way more expedient, it manages to get through the story intro and the first hockey game in 8 chapters whereas the old series took 13. And I think one way in which Dogsred achieves this is by massively compressing the way information is delivered. This is super obvious in the first chapter of each series, in Supinomarada ch 1 there are a ton of flash backs and flash forwards between the lead up to inciting incident of the plot, the aftermath of that incident, and the tragic back story and takes about 15ish pages to set up the initial plot premise; the protagonist, Rou Shirakawa, is a teenage figure skating prodigy, before the series starts his single mother died in a car crash after falling asleep at the wheel due to exhaustion, and now Rou is competing in what might be his last figure skating championship because as a child he will no longer be able to support himself.

Dogsred is significantly more direct and just has some random background characters say all that shit and conveys all that same information and more within about 5 pages.

Dogsred also lets it's art do a lot more heavy lifting in regards to storytelling. The single panel of a car crashed into a pillar is way more dire and evocative than a whole page of a generically sad funeral, and we even get to see the dead mom in this one. I also find the handful of panels where Rou doesn't actually speak are really effective at setting up his character and mental state through expression and body language, and that's gonna be true throughout the series. Dogsred Rou is much more of a weirdo goofball than the Supinomarada version and he's got a ton silly little expressions and mannerisms in the style of the freaks from Golden Kamuy and it's lot of fun.

Overall it feels like a way more confident manga than Supinomarada. Noda isn't trying to over explain things to make sure the reader understands every single detail of the plot or the rules of hockey. He's getting the details on the page really efficiently, usually while also working in a gag, and going harder on the aspects that are the big draws for bombastic sports manga, like the expressiveness of the characters and the dynamic sports action.

It's super cool to see how Noda has evolved as a manga artist and storyteller with Golden Kamuy in the interim and I'm really excited to see him get to tell this story he's been holding on to for a decade.

[redbuddi]

Do NOT Read "Lady Crystal is a Man"

People who know me know that I'm a little bit of a webtoon addict. I'm basically always reading a million different fantasy romances, even as someone who is not personally interested in romance in real life. Because of this, I am well aware of the more problematic elements of a lot of webtoons, to the point where it's easier to list webtoons that aren't problematic than to name ones that are. It's unfortunate, but it's a common aspect of webtoon consumption that most people get used to. (Note: When I say webtoons, I am talking about the genre of phone-optimized romance webcomics as a whole, not just things from the WEBTOON app. The series in question is on Tapas.)

Because of that, I will admit it is partially on me for assuming this comic was going to be more progressive than it actually was. People new to webtoons may be fooled, but I should have known better. On top of that, I am well aware that female-oriented romance stories can sometimes be a little toxic, and while this is a problem that needs to be worked on, I also know about what can happen when something meant for teenage girls is criticized. Even when the criticism is in good faith, it can start a trend of bashing anything teenage girls like and shaming them for wanting to explore media that is anything but flawless. I don't want to add to that.

But this series isn't just a little problematic. It doesn't just have some questionable elements or common plot failings. This is a series that has the potential to seriously hurt anyone who is trans, gnc, or gender questioning, and could give anyone who isn't any of those things the wrong idea about what is and isn't appropriate when it comes to trans/gnc/gender questioning individuals.

If you would like the td;dr, then in a nutshell this comic portrays material that could make an individual feel shame, discomfort, or even body dysmorphia. And on top of that the protagonist is cruelly gaslit and manipulated in ways that the series presents as if it were just light teasing, and that is all only in the 19 chapters that I was able to stomach before dropping the series entirely.

If you would like a more detailed description of this series' flaws, then I will continue below the cut.

cw: transphobia, body dysmorphia, gaslighting

Lady Crystal is a Man follows the story of a man raised as a woman attempting to escape a forced marriage by going to the mysterious and dangerous duke Illian, unaware that Illian is secretly a woman. The story is essentially a combination of two tropes, the Crossdressing Romance trope, where the main character and/or their love interest is secretly not the gender they present themselves as, a trope which has been around for as long as female-oriented comics has existed, and something a little more specific to webtoons (to my knowlege,) the Contract Marriage trope, wherin the protagonist escapes a bad situation by entering a temporary marriage with someone else, only for true romance to bloom between them. I have read many webtoons about Contractual Marriages, but not very many about crossdressing. As a nonbinary person, I tend to be uncomfortable with the highly traditional way many webtoons portray gender roles, and so I try to steer clear of series that tackle gender directly, but that is not to say no webtoon as ever handled it well. In particular one of my favorite webtoons, Alien Idol, tackles gender in an extremely understanding and informative fashion, even taking the time to acknowledge places where it's knowledge is lacking, which I've never seen a comic do so honestly before. Most webtoons are not like this, unfortunately, but that is only to my knowledge, and recently I've been wanting to expand my horizons a little bit. How can I be sure so many comics handle it poorly if I don't even read them for myself, after all? That is what convinced me to check out Lady Crystal is a Man.

In the first few chapters I was hooked. The series has extremely good artwork, and it first appeared to me that they might be trying to do a metaphor for t4t couples. Crystal is constantly coached on how to act and behave as a woman, because if he lives as a man he will be killed by his cruel and uncaring family. He takes a drug to halt his growth, and this drug is actively harming him, he is literally being torn up from the inside having to live as something he is not. He envies masculine traits he observes in others, and dreams of running away to live with the people who truly love him, cutting his hair short, and living as himself. It's because of this that I made the mistake of buying multiple chapters in advance instead of just waiting for them to unlock, and that's why I read so far into this series when normally I would have dropped it the moment it started to go downhill. Anyway, Crystal meets duke Illian, and already a connection is established by the narrative in how the two have had to live in fear of being who they really are. And at this point I was ready for them to start relating to each other and forming a bond.

This does not happen. Not really, anyway.

Illian tricks Crystal into thinking that the marriage paperwork went through extremely fast, and that they are now husband and wife. This is a red flag, but in the same chapter Illian reveals that she's just teasing Crystal as payback for trying to trick her, and that she will fully support Crystal's escape to be with her family as soon as the snow clears up. But then she doesn't. Even when Crystal admits the truth to her, and the snow clears up, Illian maintains the facade that they are married and that Crystal will have to keep staying with them until the annulment paperwork can go through. This happens because Crystal, under the impression that they are really married and that he has tricked Illian into falling in love with him only to have her heart broken, decides to take responsibility for his actions instead of running away like he originally planned. And Illian, hearing this, continues to lie to Crystal about their being married. This establishes a pattern that will continue from here: Crystal will show genuine care and consideration for others, and will be rewarded for it by being continuously manipulated by the people around him.

It's at this point that Illian finds out that Crystal is not a cis male. Not because Crystal told her, mind you, but because Crystal faints due to side effects from the drug he is taking, and Illian, who has taken the same drug, recognizes them. At first this is fine to me. I like that Illian does not get angry or upset, or even wants to confront Crystal on this, and at first I thought it was because Illian respected Crystal's boundaries and would only acknowledge it if Crystal decided to tell her. She even continues to refer to Crystal with female pronouns, even when she deduces that Crystal might be living as a woman just to not be killed in the battle for succession. But then, Illian decides to "make sure" that Crystal isn't cis. And while we aren't directly shown, it is heavily implied that Illian looked under Crystal's nightgown to see his genitals.

There had been one or two red flags up to this point. In particular, focus on the size of Crystal's hands. This was off putting to me, as this is something that could hurt people. Even people who aren't transfeminine could be hurt by this, the fact that having bigger hands than what is considered "normal" for a woman and how this is treated like a clue to Crystal's gender identity is something that would hurt anyone who identifies as a woman but doesn't fit what is considered a normal body standard. Focus on hands is even something that can be a big dogwhistle for TERFs, although I don't suspect the author is a TERF since I'm fairly certain this is a Korean comic, and I don't know what the discourse on gender in Korea is like.

Regardless, even with my growing suspicions, this was a massive shock. Crystal was unconscious at the time, unable to consent. This is unambiguously a massive violation, but the comic portrayed it as just a silly, over-the-top bit of shenanigans by our female lead. I know for a fact that this wouldn't have happened if the genders were swapped, in every webtoon I've read people who try to look under women's skirts are treated as disgusting perverts. But because Crystal is a man, suddenly it's cute and funny when his privacy is undermined. And this is the turning point where the series goes from a seemingly flawed but earnest attempt at a trans metaphor to a showcase of the most disgusting abuse I have ever seen in a story, all written as though it were just silly antics by people who are ultimately in the right.

Soon Illian and the doctor she had look at Crystal begin internally referring to him with masculine pronouns, all without asking if it's what Crystal wants to be seen as. As the doctor mulls over Crystal's potential circumstances, she thinks "Few people pretend to be the other gender, even fewer do so against their will," the series acknowledging the existence of trans people, but only as "petenders." And again, this is before they even know for sure if Crystal is doing this against his will. All the while, Crystal is portrayed in more and more infantalizing ways. He plays with snow like a child. He doesn't understand basic social cues, or even that people might be lying when they speak to him. He accepts everything Illian tells him without checking, even when he knew going into this that he would need to be careful. Illian secretly alters Crystal's communication devices so that she can see everything that Crystal says when he sends out messages to his friends in the east, who are waiting to take him in, unaware that he has been manipulated into staying against his wishes. Illian is drawn in by the way Crystal wears his heart on his sleeve, and doesn't want to let him go, even though she knows that Crystal has a home somewhere else. Crystal is prevented from escaping, and isn't even giving the courtesy of knowing that he is a prisoner.

There is another character in the comic, a cook who is portrayed as being large and strong, completely unfeminine despite being female. For one thing she's a show of hypocrisy, a cis female is a female, without question even if they don't fit eurocentric standards of femininity, but a trans female has to pass these standards with flying colors, and even then they don't really count. But there is another thing about this character. She is regularly referred to as a "monster" for her immense strength, size, and endurance. She owns it, seeming to be perfectly content with it, but not all real people who look like this would enjoy being called that. I feel that this is another acknowledgement of the other, that yes there are cis people who also don't perfectly fit their expected appearances, but they're not normal. They are exceptions. Monsters.

And then came the chapter that made me drop this series for good, completely overwriting my buyers remorse with disgust. Illian has to leave for a mission, and had instructed the Doctor to take away the drug that Crystal is using to maintain a feminine body. The doctor confronts Crystal, telling him that she "knows" he's a man, and blackmails him, threatening to tell Illian if Crystal doesn't hand over the drug. In exchange, the doctor gives Crystal a magic ring that she says will make other people perceive him as female. This is already bad for a few reasons, namely that even during this confrontation, the doctor never asks Crystal if he truly identifies as a woman or not. If Crystal did identify as a woman, then the ring would be a terrible trade. A person who wants to look at themselves as feminine does not do so in the hopes that other people will see them the same way. While the perception of others is certainly a concern, the main consideration is if the person sees themselves as feminine. A ring that only allows other people to see them as feminine would certainly be useful for people who don't want to be misgendered or seen in a way they don't want to be seen, but it wouldn't be an adequate replacement if it wouldn't help the wearer get a body that makes them comfortable. At best it would just be a supplement to something else.

But worst of all, it's all a lie. The ring doesn't actually work. It's all a trick to get Crystal to give up the drug. Yes the drug is harmful to Crystal, and Crystal himself doesn't want to take it, but as far as the Doctor knows Crystal could be trying to appear feminine for his own reasons. But without even consulting him, Illian and the doctor assume they know what's best for Crystal and trick him into giving up what could very well be the thing making him happy and comfortable in his own skin. Imagine how horrific things would be for Crystal if that was the case. Seeing his body change in ways he does not want, entirely against his will, and since the ring doesn't actually work his transformation would be fully visible to everyone around him. But instead of asking what if he wants this, Illian and the doctors decide to play the odds, and this is written as though they're being helpful by doing this. To add insult to injury, the doctor internally criticizes Crystal for accepting the trade without questioning it, seemingly forgetting that Crystal was essentially forced into it.

For obvious reasons, this was the point where I had had enough. This was abuse, plain and simple. Yes characters are not real people, and there is a place for stories that tackle things like abuse and manipulation, but this series never acknowledges the horror of what it's characters are doing, treating these things as though they're just cute and quirky romcom gags, maybe not normal but ultimately harmless. Meanwhile in the real world, these things are deeply harmful and hurtful to the readers of this series, especially those who, like the characters of the story, are forced to live in identities that are not themselves.

It's pretty common for webtoons to tackle things like this without really knowing what they're doing, and usually I'm able to shrug it off and keep reading, even if still criticizing it, as long as it seems the writers have the best of intentions. Making mistakes is how we learn, after all, and a lot of webtoons are written by young adults living in conservative societies who just need the chance to see other people's experiences. But there is a point where I draw the line, and that is when there is no perceivable compassion whatsoever for the types of people they are portraying. As I mentioned, the comic clearly shows an understanding that there are people who do not live as the gender that they are assigned at birth. But it does not see them as people. Even beyond the "pretend" line, gender is portrayed as concrete, inescapable, with terrible consequences for trying to change it. It portrays transfeminine people as clueless, weak, and unable to decide for themselves what's good for them, and illustrates anyone who doesn't fit typical standards of appearance as a strange and terrifying other that shouldn't be considered on the same level as everyone else. In general webtoons already have a massive issue with beauty standards, (don't even get me started on the way fat people are usually written,) but this is a whole other level of cruelty. While this comic was probably not specifically made to harm people, it takes careful steps to put people it doesn't like "in their place." It wants you to feel bad about yourself. This comic and comics like it should never be supported, not just for political reasons, but because, like it's characters, this comic is trying to enforce ideals that it feels for best for you, regardless of if it's what you actually want. And no one deserves to be hurt like that.

So if you see this comic or a comic like it, I encourage you to turn away. If they won't portray us as human, then we don't have any obligation to give them our support.

[genericpuff]

Idk if my addition will matter.

I've been following Hanza since back when they were making my deepest secret, so I've seen the development of the guy upstairs first hand and how hanza writes it. Even back in the concept stages, it was so blatantly clear that it was supposed to be a thriller/cat mouse vibe where Adam (killer) was horrible and not to be rooted for. They've compared him to irl serial killers and how those guys will often use women as shields to hide their true selves from the public and how that's messed up and bad to do.

They've shown Adam as a horrible irredeemable person and honestly there's little to no nuance with how they handle it, but that makes sense because how else can you handle an audience like what they've gotten without beating them over the head with the facts. How many ways can you outright show your main character despising and wanting to yank their best friend out of the jaws of a murderer before the audience realizes its not foreplay.

I think them going from an actual romance to a fully thriller non romantic story meant that the residual audience expected some kind of messy toxic romance, but Rozy to me has always explicitly read as Queer so idk why people aren't getting the hint.

I get their frustration and it seems like they might be shifting into a potiential issekai romance about a grandad and a middle aged woman who got reincarnated as his grandson's fiance (hard to explain but its hilarious if you want to check it out) without any thriller elements from their recent non comic posts. Whatever they do I hope they can find something to be passionate about again.

your addition VERY MUCH MATTERS actually because I don't read TGU and have very little context to the situation as a whole aside from what I've seen people talking about, which makes me reluctant to speak on it because I don't wanna go spreading misinformation in any regard. So I appreciate you taking the time to lay it all out for me, thank you!!! <3

And yeah, I've seen posts shared in the /r/webtoons sub from other blogs claiming that Hanza was being an awful person for "taking people's money" and "baiting them" into reading a dark romance story when that's very obviously not what it is? Even one excerpt that was literally like-

And I just... since when is any romance plotline that ISN'T abusive and problematic at its core (such as between a serial killer and a victim) considered "super conservative" and "pure"? It's really baffling to me how people have gone so far in the opposite direction of "purity culture" that they've started arguing on behalf of legitimately harmful and toxic relationships. It's extremely concerning especially when you know the majority of people saying this shit are between the ages of 16-21. IDK what the fuck we're doing anymore when it comes to the romance genre (and TGU isn't even a romance ffs).

Aaaand yeah in relation to where the Hanza topic came up, that's really why I'm moving away from WT as an audience and why I don't consider it a "loss" to not use WT anymore. Once upon a time I wished for Time Gate to be a contracted series, for it to have thousands of readers and be my job. But seeing what's going on with Hanza's work just informs me that I'd be dealing with a lot of the same shit - people expecting Uzuki and Mitsuhiro to be the endgame of the romance when they're literally NOT good for each other, which is the POINT. Like sure, unlike the main duo in TGU, they actually are a couple with a 'relationship' but it's not meant to be healthy and the last thing I need are 15 year olds thinking they're "couple goals". If you ship them in fanfic or w/e the fuck that's fine but please don't get mad at me when they don't wind up being the endgame couple, they're both terrible people and make each other worse when they're around each other (・_・;)

Either way yeah, I don't blame Hanza in the slightest for getting so frustrated with it all that they'd rather just be done with it. It sucks for the more loyal and sane part of their audience that the series is gonna be ripped out from under them like that, but at the end of the day if the creator is being harassed and decide they're done as a result of it... why should they have to keep putting up with bullshit just for a comic? I don't even blame Rachel if she was ending LO by choice due to the noise of the fandom, and unlike Rachel, I don't have anything in the slightest against Hanza or their work LOL But I also don't have the full picture on it all so maybe my opinion will change if I find out more about it. I just don't think any of this shit is worth directly harassing a human being over.

That said, can't get any better than someone who's read their work since before TGU, so again, thank you !

[susiephone]

Or, a crash course in checking your sources. Because we've all seen some absolutely bullshit stuff spread around the internet, and Tumblr definitely isn't immune to it.

It can be hard to sort out the fact from the rumor from the propaganda when a story is actively developing, especially one that is fast-moving and has a lot of voices coming in from all sides, but it is vitally important that you check your sources before spreading a claim.

It's easier to verify or disprove a claim about something that's purported to have happened in the past, so, admittedly, checking stuff that's purported to be happening now is a messy, confusing process. All the more reason to err on the side of caution.

I am not a journalist or professional researcher or historian or anything like that, so this is all coming from a layman who does their best to be informed. If I get anything wrong, or anyone more qualified has something they want to add, please let me know in the notes.

Why should I check my sources?

Because you should care whether you're spreading propaganda or not.

Because sometimes in the heat of the moment, when emotions are running high, it's easy to be misled.

Because every time you spread misinformation to help your own cause, even - or especially! - if that cause is righteous, it becomes a ding on your credibility, and the credibility of your cause.

Because when you don't, a journalist loses their wings. Probably. Fact-check me on that.

How do I know when to check my sources?

If you don't recognize the source, check it.

If you hear a claim and think, "Wow, that is so cartoonishly evil," or, "That's so absurd I'd think it was far fetched if it was in a movie," or, "It's weird no mainstream outlets are reporting on this," check it.

Now, a claim sounding too bizarre or evil to be real doesn't always mean it isn't--I mean, half of what I hear about George Santos sounds like an SNL sketch and it always ends up true. But check it.

If the claim sounds like something a Nazi would want you to believe, check it.

If a claim is only being spread by one or two small sources, check it.

How do I check my sources?

The following sites are great resources for fact-checking.

PolitiFact. Ranks claims on a truth-o-meter and provides context for what's true, mostly true, kinda true, and made-up.

Media Bias/Fact Check: Publishes lists of fact checks from other credible sources, and ranks media outlets on their bias and trustworthiness.

Climate Feedback: Verifies claims about science, especially climate change.

Lead Stories: Verifies claims as they develop, especially stuff spreading on social media.

Here is a list of sources Media Bias/Fact Check considers to be the least biased.

What are some red flags to search for? / What are some questions I should ask myself?

Does the claim only come from a handful of small sources?

Do all those sources only cite each other?

It bears repeating: does this claim sound especially sensational or over-the-top? I know it sounds basic, but when you're furious at somebody (be it a person or a government or a system), it can be easy to believe every horrible thing you hear about them. But just because someone is awful doesn't mean every rumor about them doing awful things is true, and you still have a responsibility to keep your criticism accurate.

Who provides funding to the source? Do they work off of grants, reader donations and subscriptions, government backing, private donors? Do they not disclose their funding at all?

Has the source been caught spreading false info before? How long ago was this? Did they issue a correction in a timely manner? Was the journalist who spread the false claim fired or otherwise reprimanded? Does it seem like it was a mistake, or was there an agenda at play? Has the source taken steps to reestablish credibility?

Who benefits from me believing this?

Okay, I did all my fact-checking, and I'm really not sure if this claim is true or not.

Then don't share it.

If more information comes out and it turns out to be true, then go ahead.

But if there's doubt, don't share it.

Okay, sure, but the claim sounds like it could be true, and-

"Could be true" and "is true" are not the same.

Fine, but the person or government it's talking about has already done so many awful things, even if this specific rumor isn't true-

DON'T. SHARE. IT.

I am going to come to your house and bite you.

Further information.

How to fact-check like a pro.

The Psychology of Fact-Checking.

What is fact-checking?

Misinformation (YouTube video)

And there we go! If anyone has anything to add, go ahead, but I will be monitoring the comments and will be blocking any nonsense.

There's enough misinformation spread by bad actors in our current media landscape. Please don't make their job any easier.

[purgemarchlockdown]

Autism and Amane

(CWs: Ableism, Child Abuse, Cults)

(Note: This is mostly based on personal experience and stories I’ve heard from other autistic people.)

It’s a bit of an understatement to say that I love Amane Momose. She’s my favorite character in the series, and I think about her constantly. It’s why I have this blog, I thought about her too much that I needed to write it out somehow.

A personal favorite headcanon of mine is the idea that Amane is Autistic. Mostly cause I’m autistic and I like head-canoning characters who I like with it. So now I'm just explaining why I find this reading of her character compelling.

Right and Wrong

There's no doubt about it that Amane is someone who is heavily constrained by rules and standards, and she expresses frustration towards certain rules in subtle or obvious ways throughout Milgram.

For example, the flag for vulgarity is the only one that is laying down on the ground in Purge March, something that is usually a sign for disrespect.

Implying that this is the rule that Amane breaks the most, something that is consistent with a lot of the other information we know about Amane. Since it seems like a lot of the things she finds enjoyable (cute outfits, amusement parks, performance art) are either neutered to the point of being boring or outright banned.

Outside of that, Amane doesn't operate on the rules of "normal" society. She operates on her own rules. Rules that are molded by the cult but still Her Rules. She does not care much for acting in ways that would be considered normal to people, and has stated that she is alright with that.

(T2 Amane VD)

Amane: Aren’t we the same? Me and Warden-san. You know, I’m aware that I’m out of the ordinary. That my environment was peculiar, and that everyone [else] is normal. Es: Amane… Amane: In fact, there have been people who said that to me. I’ve been told things like, “You’re being deceived.” “You can still make it right now.” “You’re crazy.” Es: … A: You are treating me as a child after all. Because I’m a child, you believe that I must have been brainwashed. It’s not like that. I, too— children, too, understand everything! Please don’t just decide that people must be unhappy.

While this is influenced by her abuse and her justification of it, even before this Amane has been very consistent on repeating this idea that she does not mind not being considered normal and is not going to change how she acts just because other people said she should, for better or for worse.

22/04/19 (Futa’s Birthday)

Amane: ……I’m fine. I don’t know what you’ve done or what it is you’re worried about, but I think if there’s something you believe in, you should stay true to it. It’s not something that should waver just because other people said something. I personally don’t plan on changing my own beliefs even if I’m told I’m wrong either……

That isn't to say Amane Doesn't operate by rules, she does, to an extreme extent even. Something that is even shown above.

But she operates on rules she personally believes makes Sense. If she does not agree with a rule she believes to be nonsensical she will express that. If she does she'll follow it to the letter, even if it harms her or someone else.

21/06/27 (Amane’s Birthday)

Shidou: Amane, I heard it was your birthday today. I asked Es-kun if we could get this cake to give to you…… Amane: I don’t need it. I’ll gratefully accept your well-wishes, but I don’t eat things like that. Also…… Shidou-san, I can’t say I’m especially fond of the way you assume that all children will love frivolous things like this. Shidou: ………… Is that so… I apologise. I’m sure everyone else will be happy to eat it, so don’t worry about it. Sorry for intruding. Amane: ………… ……cake……

She's very inflexible and dogmatic in that sense. But not just because of her cult. As stated she seems to disagree with her cult's view on vulgar things, and seems to have broken that rule multiple times before in the past and has gotten punished for it.

Not only that but she is insistent on certain ideas of "rightness" that are Outside of her cults worldview. For example, she consistently reiterates that children also have feelings and agency, to the point that's her Major focus in her T1 VD. Not her religion, not her crime, but her feelings about agency. The idea was just too important to her to simply let go.

Insistence on sameness, inflexible adherence to routines, or ritualized patterns of verbal or nonverbal behavior (e.g., extreme distress at small changes, difficulties with transitions, rigid thinking patterns, greeting rituals, need to take same route or eat same food every day).

What is a promise, if not a rule you swear to follow?

Good Interests

Now I would personally love to argue she has a special interest in religion as someone who was a kid with a Catholicism special interest (trauma is weird) but I don't think I have enough ground to argue that interpretation.

What I can argue, is a performance art special interest.

Amane seems to be deeply invested in performing arts. While it is a metaphor for how she's performing for her family and cult, outside of that she seems to actually show a genuine interest in it.

Amane is a bit of a critic. She seems to be a choirgirl that hates the songs she's singing.

T1Q14: Do you listen to music? A: Not really to songs that are highly entertaining.

Which implies that she knows what songs she Does find entertaining, and also that as established before Amane likes looking cute and pretty. She keeps on dressing herself in her MVs in cute outfits, and there is even a minigram about her being self-concussion about her hair and then getting it styled.

There's a Sincerity in these aesthetics, it really seems like Amane Enjoys Performing as an art form. The way she portrays her revenge is not her Stopping the performance, but for the marching band to break from the routine and to go full force into the "real world."

Not only that, but when Mikoto mentions he's an art student. Amane immdieatly asks him if he's good at drawing. The entire conversation shifting from their discussion about studies but about art.

20/07/15

Amane: It’s fine. If there are any words I don’t understand I can look them up later. An arts university, though…… Does that mean you’re good at drawing, then? It may be a bit rude to say, but that’s rather unexpected.

Her critic side even pops up here. Being surprised someone so "normal" seeming would be an art student.

It also seems like TV was a way for her to cope with her situation, judging by the final shot of Magic.

This stuff is so Important to her that it bleeds in Everywhere. Even when she tries to hide it to seem more like a "good girl." The visual ideas of performing arts and music come through.

As mentioned above, it seems like these interests were considered "vulgar" by her cult. It's not something a "good girl" like her should like.

It's something...abnormal.

Highly restricted, fixated interests that are abnormal in intensity or focus (e.g., strong attachment to or preoccupation with unusual objects, excessively circumscribed or perseverative interests).

Normalcy

Amane is not as good of a girl as she wants us to believe or wants herself to believe. She knows it. She knows it too well.

Dear wise one, Am I worthy? Is it ok to spoil myself? I promise! A pinky promise is a pinky promise!

She's promising that she'll follow the rules this time. Promising that she'll be a "good girl." A status that gets her a modicum amount of respect and safety.

If you become a bad girl, monsters will come out This is the magic that stops that from happening

However, there's a sense of impossibility to become one, as if she was made Unable to fulfill the arbitrary conditions that were set by the people around her. Amane can only pretend to be a good girl, to...mask as one per-say. But she cannot Be One.

Only if, only if, only if I could be a good girl

Amane has been masking for basically her entire life, to various levels of success. To blend into the cult, and to seem "normal" in their eyes.

Except, she's inherently Unable to be one. It's not something about herself that she can change. To turn Amane into a good girl is to make Amane into something that isn't herself.

Amane isn't Human in the eyes of her cult, she isn't good enough to be one, she wasn't born in a way that allows for her to be Respected as one.

She's even Represented by The Cat in Magic.

Her feelings of pain and anger and isolation by being different are given to something inhuman. And since this is Amane's MV, this is partially an acknowledgement that she is not good enough to be a human

Not only that, but even in the prison she's isolated. The way she speaks is surprising for a child so the people around her aren't sure how to interact with her, and her unwillingness to act in a "proper" way gets certain people (Shidou) upset.

However, she doesn't seem to even view her seeming inhumanity as a bad thing.

Amane is consistently more frustrated at people not understanding her than her not understanding them. She cares about her feelings because no one cared to adjust to Hers. She cares about asserting her agency because if she does she'll be infantalized.

Because, In spite of everything, Amane deeply loves herself.

T2Q20: How do you feel about you not being like everyone else? Nevertheless I was born as myself, so I'm happy.

Conclusion

I wrote this post partially cause I was inspired by this really good Dunmeshi analysis of Laios' autistic frustration. Which made me go "Wow I should do that but with Amane." So I did.

There's so much I can talk about really, but to me. Amane is a character who is in a world Hostile to who she is. Stuck between having to pretend to be "normal" for her own safety and hating having to do it because it's sickening and confining. Where her interests are controlled or considered "abnormal" meaning she is unable to indulge in them. Where the people around her can either demonize her or infantalize her for not fitting the standards they hold her to.

And, maybe it's just me. But I personally relate a lot to that, and I think there's something really amazing about how she's still able to love herself in spite of it all.

(And, I also think she's trans but that's a whole other discussion.)

[gayuu-the-necromancer]

｡⋆｡˚🦋˚｡⋆｡

Roger: "Oh, about that."

Harrison: "First of all, why didn't you say anything about knowing them?"

Roger: "Because you didn't ask me."

Harrison: *sighs*

Roger: "Besides, I don't have a very close relationship with them either."

Roger: "So, it's hard to say whether they can be trusted."

Harrison: ".....So, how did you know each other?"

Roger: "Just a doctor and patient relationship. Jude's got weak bronchial tubes to begin with."

Roger: "They used to come to my parents' house sometimes, when my dad was a town doctor, because they said my dad had good skills."

Roger: "When he was a patient of my father's, I knew him, but....."

Roger: "Then one night, he rolled in, saying he had been stabbed with a knife. Not to my dad, but to me."

Harrison: ".....Do you know why was he stabbed?"

Roger: "All he said was he got stabbed because of a grudge."

------FLASHBACK------

Jude: "I won't say anything more than that. Don't ask me anymore."

Roger: "Oh, really? Well, I can't believe you're asking me instead of my dad just because you didn't want to make it public."

Jude: "You wanted a training ground for your techniques, right?"

Jude: "You can practice on me without a medical license."

Jude: "In return, we won't tell anyone about how I got treated to keep the reputation of your father's hospital intact."

Roger: "Good for both of us, huh? Well, guess that's true too."

Ellis: ".....Will he be okay? Mr. Roger."

Roger: "Ah, don't worry. He's a valuable training ground, so I won't kill him."

Ellis: "Thank god. I can't have him dying now."

Roger: "What's that? Then when would you let him die?"

Ellis: "When he's at the happiest moment of his life...."

Roger: "Oh? Then there's a long way to go if you keep hurting yourself like this everyday."

Jude: "Hey you quack! Either stitch me up or pull out the needle. I'm gonna die anyway if you leave it like that!"

-----FLASHBACK ENDS-----

Harrison: "....So you treated him before you got a medical license."

Roger: "Hahaha. Isn't the statute of limitations now?"

Harrison: "Anything else? You know about them?"

Roger: "Hmmm? Well....Jude is an early bird and Ellis isn't a picky eater."

Harrison: "I don't wanna know about that."

Roger: "Jude doesn't go down easily and can drink at the same pace as me. But Ellis gets drunk easily."

Harrison: "No. Not that.....I don't want their unnecessary profile information in my head."

Roger: ".....Like I said, my story won't be much of a help to judge whether to trust them or not."

Roger: "There are things they're keeping from me too. I heard they're doing a research that costs a lot of money or something."

Roger: "Well, I don't know if you can trust them, but I at least am sure that they are people who won't do anything half-heartedly."

Roger: "Was that helpful?"

Harrison: ".....Well, sort of. At least the information I got from you wasn't false."

Roger: "Then I'm glad."

...........

Liam: "Found you."

Harrison: "Hm? .....Ah, how did you know I was here?"

Liam: "I heard from Will. Are you working?"

Harrison: "I wanted a distraction from the report. That's all."

Liam: "Oh. I wanted to report something. Is it not okay now?"

Harrison: "It's fine. I lost concentration anyways...when you called for me."

Harrison: "So, what is it?"

Liam: "Okay. First, Jude..."

Liam: "I heard that he enrolled in a public school through a doctor or....was it a scholar, I think?"

Liam: "Isn't that surprising? I bet it must have been hard for him to fit in with all those aristocratic kids....I'm curious how it was like for him?"

Liam: "Ellis on the other hand, he never went to school."

Liam: "His father used to be a teacher at the church, but they split up a long time ago."

Liam: "Ah...I also promised to go skating with Ellis by the lake next time."

Harrison: "Wow. How did you manage to get those two to talk about themselves....? I didn't see you at the castle last few days."

Liam: "I just went invisible and followed them, found out what they have been doing over for the past few days."

Liam: "All the way home?"

Harrison: "....You went that far?"

Liam: "I thought Harry would be happy. Well, half of it was simply my curiosity as a cat."

Liam: "If I didn't follow them and tried talking to them directly, I think they'd say, 'I can't trust you'."

Liam: "I feel like it's a bit inconclusive...."

Harrison: "That look on your face, you're up to something...."

Liam: "That's my evil buddy! You know me so well!"

Liam: "So, why don't you give them a try?"

[cirilla-fiona-riannon]

Translations may not always capture the exact nuances or tone of the original text. Please support Cybird by buying their stories. Expect grammatical errors.

Paddington Station's platform was bustling with many people today.

Amidst the crowd, Ellis and I were walking toward the train's entrance.

Ellis: "Kate, isn't that luggage heavy? Do you want me to carry it?"

Kate: "Thanks, but I can handle it myself."

Ellis: "I see."

(Huh? Did I make him feel a little sad?)

(Oh, right.)

Kate: "Since we have time before boarding the train, let's get something to eat."

Kate: "It'd really help if you could carry it for me."

Ellis: "Sure, of course."

We weren't just going on a trip. Today, our mission was to gather information about a smuggling organization in York, away from London.

(Initially, I was supposed to go on this mission with Harrison, but...)

This morning, I was informed that Harrison would go on a different mission with William, and Ellis would take his place.

Ellis: "Ah, Kate. They're selling some delicious-looking bread over there."

He spotted a stall selling bread and quickly informed me.

Kate: "Come to think of it, you like baguettes, right?"

Ellis: "You remembered what I like. I'm so happy."

Kate: "Of course. Whoa, there are so many options. What should I choose?"

Ellis: "Fufu."

Kate: "Hm?"

Ellis: "Seeing you having fun makes me happy too."

Ellis: “Since it’s fun, maybe I should buy a lot.”

Kate: “Hey, that’s not fair! I want to buy a lot, too.”

We boarded the train and eagerly spread the freshly bought bread on our laps.

The rich aroma of the bread tickled my nose, and my heart danced to the scenery passing by the window.

(Come to think of it, it’s been a while since we went on a trip like this.)

In my slightly relaxed state, I heard Ellis’ voice.

Ellis: “Kate, is the bread delicious?”

Kate: “Yes, very! How about yours, Ellis?”

Ellis: “Mine is delicious too. Your suggestion was spot on.”

Ellis: “Good thing I asked Victor and Jude to let me go on this mission.”

Kate: “Huh?”

Ellis: “Jude agreed to cover for me but gave me extra work starting tomorrow.”

Kate: “Why did you insist on accompanying me on this mission?”

Ellis: “Because there’s something I want to confirm.”

Kate: “Something you want to confirm?”

Ellis: “Tell me, Kate. Between Harry and me, who makes you happier?”

His sudden question caught me off guard, and my eyes widened in surprise.

Kate: “Um, why are you bringing up Harrison’s name now?”

Ellis: “Because you spend a lot of time with him.”

As he pointed out, I had been spending a lot of time with Harrison after becoming a fairy tale writer.

(It’s true that I rely on Harrison, but...)

Not knowing how to answer, I heard Ellis’s calm voice.

Ellis: “No matter whom you choose, I’ll make you happy.”

Ellis: “If being with Harry makes you happier, I’ll support you.”

Ellis: “If being with me makes you happier, I’ll be with you forever. That’s why…”

(Huh?)

I suddenly noticed that he was no longer sitting across from me, but right next to me.

Ellis: “Take the day to think about it. Then tell me later which one between me and Harry makes you happier.”

He always treated me with excessive kindness, like a lover would.

He was so caring and kind and gave me many sweet emotions, but it was never because I’m special. It was because he was kind to everyone.

(Maybe even this question is just another part of his kindness.)

It was like asking whether I prefer lemon or sugar in my tea, a question with a playful undertone.

Kate: “Fufu, I understand. I’ll think about it while I’m here with you.”

Ellis: “Okay. I’ll do my best to make you happy.”

Kate: “And I’ll do my best not to hold you back.”

Ellis: “Kate, you’re not good with scary things, right?”

Kate: “Hey, are you teasing me just now?”

Ellis: “Fufu, busted. Oh, you have something on your lip.”

He brushed the bread stuck to my lip, then licked it off his fingers.

I was momentarily surprised by the gesture, but he smiled at me.

Ellis: “Is this what they call an unrequited love?”

Kate: “I won’t say.”

Ellis: “Fufu, is that so?”

Amidst being swayed by his excessive kindness, the train arrived at York.

Ellis: “Looks like we’ve arrived. Shall we go, Kate?”

(Wow!)

Unlike the familiar London, York had a slight countryside atmosphere.

The flow of time was gentle, the scenery was refreshing, and just standing here was making me excited.

Ellis: “I’m glad.”

Kate: “----?”

Ellis: “You look so happy, Kate.”

(I’m having fun even though we’re on a mission.)

The information that reached the Crown was about the presence of a smuggling organization in this city.

These smugglers secretly import illegal drugs from India and sell them in various countries, lining their pockets in the process.

Our mission was to investigate the three locations suspected as their bases and identify their whereabouts to bring them to justice.

(We’re working in a small group to avoid being noticed while gathering information.)

But it also means that if we were to find ourselves in a dangerous situation, we wouldn’t be able to call for help immediately.

(I need to stay focused.)

At that moment, Ellis’s hand gently caught mine.

Ellis: “Would you like to take a short stroll?”

Kate: “I’d love to, but we have a mission.”

Ellis: “We still have some time. Please?”

(Ugh.)

I waved the white flag in my mind when he squeezed my hand.

Kate: "Can you promise it'll be just a short walk?"

Ellis: "I promise."

Kate: "Then, okay."

Ellis: "Fufu. I feel like I'm acting like a selfish kid."

Ellis: "Looks like there are many people over there. Let's go and see."

He started walking while holding my hand.

His hand holding mine, his broad back—none of it felt like that of a child, and it puzzled me for a moment.

(Hm?)

Ellis: "Is something wrong, Kate?"

Part 1╎Part 2╎Premium End╎Epilogue

[sapphic-agent]

Thank you for the invitation! I've read your posts on Bakuguo's relationship with Izuku, and I agree with almost all of them, but this most recent post is the first time I saw you suggest that it's not just a mistake in writing on the creator's part but *deliberate* writing on the creator's part (forgive me if you've written about the subject before). The only way I could appreciate Izuku's relationship with Bakuguo was as an unfortunate side effect of Izuku's immature ideas of what it means to be a hero, and that as he experienced more of the world and grew into being his own hero, that he would eventually reject this need to tolerate Bakuguo's ... Bakuguo-ness. I also was informed that Bakuguo's behavior is a trope of manga characterization that the audience would expect from this type of writing, so I should just accept it.

But now, from what you've written, this might not be true. I've always suspected that some creators would have preferred to write about characters who couldn't actually carry a story *without* changing, but they didn't want them to change. (For example, Sukuna in Jujutsu Kansen is obviously the creator's favorite, but a story about Sukuna would require change, and the creator likes that monster just the way he is.). Are there clues that Izuku's creator is just using Izuku as a "Caretaker" character to enable the characters he does like to behave terribly and get away with it? (I hope this makes sense.)

I suppose the answer to this relies on how we look at "deliberate."

Do I think Horikoshi is intentionally undercutting Izuku's character to make Bakugou seem better? No. I don't think he has the foresight, skill, or self-awareness to even go about writing like that. I'm sure in his mind he thinks that by giving Bakugou more spotlight, he's making Izuku better written by extension.

And a lot of that has to do with the fandom. Horikoshi is an author whose decisions are very driven by popular opinion, it's why so many of his storylines and characters are all over the place. For example, almost as soon as Bakugou began to become popular (around the Sports Festival), Horikoshi started to give him more exposure. If you pay attention, you'll even notice how characters like Iida and Uraraka begin to fade into the background. This is even supported by the two of them not being very popular (especially Iida) in comparison.

And obviously, BakuDeku is very popular, the most popular ship in the fandom. Horikoshi would never make it canon, but that isn't to say he won't milk that fact for all its worth. By pushing Izuku and Bakugou together, he's feeding into that. Every time they so much as share a panel about it, BakuDeku shippers go crazy here and on Twitter. It keeps attention on MHA, and keeps revenue up.

Horikoshi knows that a large majority of the fandom will consistently read anything he releases as long as he keeps Bakugou and Izuku connected. Both Bakugou and BakuDeku as a relationship are essentially a cash cow that he can exploit.

But for Bakugou to actually improve and become a better person and for Izuku to come into his own as a hero, they need to be separated. They are both detrimental to one another's development, which is why Bakugou's character development sucks and Izuku's character seems so stagnant. They should have had to grow and learn away from each other before reconciliation was ever even thought about.

Does Horikoshi know this? Probably not. I don't think he even has the capacity to think this way. But it doesn't change the fact that he will gladly shove Izuku- and everyone else- to the side if it means Bakugou's stans keep reading

[stromuprisahat]

I've been reading a lot of criticism about Alina lately, and while I agree that she is a shitty protagonist, but the main problem I have with saying that she is the true villain of the story is that... no one told her? No one talked to her about Grisha persecution? Yeah, we hear about it vaguely in TGT, but it isn't until SoC when they find the burnt corpses and the kefta mural that it truly starts to sink in. It's not until you read DitW that you realize how desperate the situation was (and still is, in some ways). It's not until the Nikolai Duology that the true horror of the Shu experiments is brought to us. We see nothing of it in TGT, so maybe... Alina just doesn't know?

Yeah, sure, she has been around Grisha and is one of them now, but hear me out, it's like white people who say they don't have a problem with POC but they don't realize that it doesn't negate the fact that POC still face racism from others. Add to the fact that nowhere do we see newspapers and as an orphan Alina is definitely less aware of social justice situations than your average white guy- how is she supposed to know? All that she sees is the luxury of the Grisha- their tents their bulletproof clothes, etc.

Just a thought about how the story might have gone different if instead of the crows, it was Alina who found the three burnt bodies while chasing the stag and had to put one of them out of their misery. And how the story might have changed if Alina truly understood the situation.

I'm almost halfway through Siege and Storm, so I’ll talk from this perspective.

I’d say it’s the same issue as anything with Alina- she doesn’t want to know.

She’s almost murdered by a guy yelling “witch” in her face. Funnily enough- at this point it’s still in English (Ravkan), not drüsje, but witch:

I twisted and kicked as the yellow-bearded man grabbed hold of my legs. I looked desperately down to the glen, but the soldiers and Grisha below me were fighting for their lives, clearly outnumbered and unable to come to my aid. I struggled and thrashed, but the Fjerdan was too strong. He climbed on top of me, using his knees to pin my arms to my sides, and reached for his knife.

“I’ll gut you right here, witch,” he snarled in a heavy Fjerdan accent.

She gets safely to Little Palace, mentiones this whole experience twice and that’s it. It wouldn’t even take that much to get back to this topic- next chapter she learns such attack isn’t anything unusual for Grisha:

“ ... Other countries don’t treat their Grisha so well as Ravka,” he said grimly. “The Fjerdans burn us as witches, and the Kerch sell us as slaves. The Shu Han carve us up seeking the source of our power. ... ”

Alina sees there’s a difference made between Grisha and other Ravkans, but never connects the dots. It doesn’t concern her, she’s doing the same after all.

She isn’t interested in situation, not only the wide picture, but more personal perspective- we don’t see her ask her “not-friends” anything about them. Their lives, families... You won’t hear a scary story if you won’t ask or listen...

She got study materials on Grisha history, but that's just that. Words on a paper. Something she repeats when she remembers she's supposed to be hunted, although the reasons don't quite click.

She goes from being prejudiced herself to staying that way. Why would she change? She went from denying being Grisha to being Saint and that’s a completely different thing. The only person she truly cares about is an otkazat’sya, so why would she consider wrongness of slurs and disdain?

She was told, but the Darkling "never tells the truth" and she doesn’t feel the need to ask anyone else.

She hears First Army soldiers insult Ivan for refusing to share information with them, and doesn't blink an eye.

She hears about First Army slaughtering Grisha, and thinks "good, I'd do the same".

She only cares about Grisha being potentially mistreated as long as it's the Darkling harming them (Genya's punishment, Grishenka in R&R).

When forced to face other harm partially caused by Grisha status of slaves in Ravkan society, the circumstances allow her to ignore that aspect (Genya's abuse).

I don’t think she needs anything more explicit. She’d just find the way to blame the Darkling, or forget it ever happened as soon as it was out of her sight.

Burned Grisha corpses?

Some foreign tradition. Or barbecue gone wrong...

Just look at her reaction to Harshaw's story in R&R:

I thought of the dream the Darkling had once had, that we might be Ravkans and not just Grisha. He’d tried to make a safe place for our kind, maybe the only one in the world. I understand the desire to remain free. Was that why Harshaw kept fighting? Why he’d chosen to stay? He must have shared the Darkling’s dream once. Had he given its care over to me?

Zoya's the one, to note how fucked up it is. Alina's concern is possible responsibility. There's no horror, there's no resolution to take over Aleksander's efforts. The goal remains the same- hunt down the Firebird, kill the Darkling, destroy the Fold.

Even when talking as Grisha, Alina doesn't act like one.

[angelofthepage]

Memory Joey - What is your source?

Hi I did not get my full eight hours of sleep, and I am chomping at the bit with a new thought, so prepare for a slightly unhinged Kat theory about Joey.

Last night I was chatting with my partner in crime Beth about a number of Bendy things, but one of my many takeaways from that conversation was a new angle of looking at Memory Joey. So, recently I shared that I was frustrated with the narrative shift of Henry and Allison being ink copies, because it feels like it cheapens the original BATIM and doesn't do anything to serve the Joey Drew Redemption Arc (tm) narrative. We as the player know the man has a body count. Even if you take these two characters out of the mix, he's still responsible for the deaths of multiple other characters, mostly in the books, but like, come on, the whole "I own thousands of them" comment about souls in BATIM? The coffins with secret names on them? Joey you ain't slick. We spent too long establishing that Joey used his employees for their souls across MULTIPLE MEDIUMS to suddenly throw all of that out the window, and I don't entirely buy the idea that these two aren't the real deal. Granted, it still leaves us with questions about how the ink demon works given, there was also time dedicated to establishing that he was imperfect because he's soulless, but that's for another day.

But then, last night we talked about how none of these characters know Audrey is the daughter of Drew. And if they did know that, would their reactions be different? Would they still try to help her? I'm not sure. But it got me thinking about how there's a lot of things we the player know/believe that the characters don't. And that's when it hit me.

Memory Joey's story wasn't for us. It was for Audrey.

Now, that sounds obvious, like no duh, he's talking to Audrey for the whole scene, of course it's for her. Memory Joey doesn't know we as the players exist, he's got nothing to prove to us. But hear me out: that sequence wasn't meant to give us as players new information or prove he's a changed man, we weren't the ones who were supposed to believe in it. Audrey was. He has EVERYTHING to prove to Audrey. That's the daughter of the man he came from, his precious little girl, the first time he made something with the ink machine out of love, and she doesn't even remember that he's her father. Joey Drew, throughout his lifetime, cared a lot about how people saw him. Having shoes and a suit that didn't make him look poor, appearing financially stable to investors, the nasty things he had to say when he thought he wasn't being recorded, acting like he had control when everything he knew was falling apart, Joey was always trying to keep up appearances. And while I'll believe that he can mostly let go of that with time and growth, I don't think he could deal with Audrey, his daughter, seeing him as the bad guy. Especially when she doesn't remember Joey? Trying to make a good impression, sharing that yes, he did bad things, but he wasn't all bad? That he changed? That's covering Joey's ass something fierce.

Audrey isn't aware of Joey's body count. She doesn't know what happened to his employees. How Sammy became a cultist, how Susie was mistreated and manipulated to be desperate to be Alice. The entire story of Buddy Lewek and Norman Polk. She knows NONE of it! She doesn't know what he did. She doesn't know there were so many teenagers, just a little younger than her, that DIED because of his machine. And until you get the note about the kids that came before her, she has no idea she's not the first.

I often give Memory Joey a pass, he doesn't strike me as someone who would want to lie, especially to Audrey since he clearly cares about her. He delivers his slideshow presentation so earnestly, it feels like he truly believes this is what's true. But then I'm left questioning, what is his source? Why does he believe that they're clones? But maybe...maybe he is lying on purpose. I think it could be an equal opportunity for both. Joey was a liar in life, he lied about so many things (which is frustrating when he's the one giving us most of the information we look to to figure out how the heck ink works, Gent can you please give us some notes to cross reference?). Why wouldn't he lie to appear better to his own daughter? Memory Joey making that distinction for himself, that he himself cares for how Audrey sees him and Joey, would be a really valuable detail for his character, but him not knowing and believing all the information that someone like Joey left behind for him (since I'm assuming that's where his understanding of the cycle comes from) would also be interesting for his characterization.

But here's the kicker: by introducing the idea that Henry and Allison are not truly their human counterparts, if that turns out to be untrue, you've made a grave mistake Memory Joey. Audrey doesn't know any of these people were human before they became ink. I mean maybe she can deduce that other humans are in here given Allison's whole "I remember my first day" speech, but then Memory Joey throwing this at her, Allison is a creation rather than someone who was once alive? Who's to say she'd think twice about it? Wilson treats everyone like they're just ink and not worth caring for after all. But if she finds out about the sacrifices? That many of these ink creatures were once human? Oh Broseph my dude, you are gonna have a lot to answer for, more ways in which her trust in you will be utterly broken. That is a very messy, delicate balance. I kind of want to see that. I want to see him have his world view turned on its head, learning that he was wrong about Henry, and have him genuinely not know that he was fed bad information. Let him process that, let him struggle, and let Audrey grapple with the truth too.

Yeah, I don't necessarily think Henry and Allison are clones. Inhuman, yes, but clones? I think we need more than Memory Joey's word to know that for sure. So I ask again, sir, what is your source?

[margarethx]

I was genuinely surprised with the responses I've got on the first part of [THIS story]. It was such a random burst of motivation to write that I didn't even think it through and just posted whatever came out of my head. But I'm very glad that you liked it, since it's the first story I've showed to other people in like 4 years.

The working title will be "Assassinate them with Kindness", and I'll use that as a tag for later parts when I add them. It's also [available on Ao3] if you'd prefer to read it over there.

Enjoy <3

--- ----- --- ----- --- ----- --- ----- ---

The weird man does not go to Sam's group on Monday.

Which is not as big of a relief as Sam thought it would be.

Because if the man is not here... where is he? And why did he even ask if he could join the group? Was he just taunting Sam? Teasing him with the knowledge or Sam's schedule and whereabouts, but not revealing how and for what purpose did he get that information?

Sam briefly glances at his wrist, covered neatly by a long-sleeved shirt and a warm blazer. The day is way too hot for this type of clothing, but he refused to look at the bruises on his skin for more than two seconds after noticing them for the first time. He still feels the pain, but it's easier to make it fade into the background, if he pretends it isn't there at all.

In spite of his nervousness and constant worry, Sam leads his group like a true professional. Calm, collected, funny when needed. A shining example of an ex-soldier who has left most of their PTSD far behind by working hard to healthily rejoin society. Definitely not a person, who started carrying a gun in public again after singular weird encounter, and who constantly has to fight with himself to not look over his shoulder and check if there isn't anyone watching him from the shadowed backroom.

But the man was not there. The meeting went well. And all the people leaving the room with their polite "good bye's" and casual "see ya!'s" have no idea about the turmoil in his head.

"See you Thursday," Sam smiles pleasantly and grabs Tyler's hand with both palms, shaking it lightly, as a young vet stops by. "It's nice to see you again. It's been a while," he adds, hoping that his eyes convey genuine warmth.

Tyler is young - too young to deal with this sort of trauma. A typical example of a teenager pulled into a military machine by life circumstances, not because of any principled believes. He went to have a better chance at higher education afterwards. And he lost half of his right leg for it.

He is secretly Sam's favourite in the group, with his sense of humour and positive attitude. Though Sam is sure there is a lot of fears and sadness hidden behind all the jokes, because he acted the exact same way when he first sought out help after coming home. It was easy to see the reflection of younger Sam in Tyler's behaviour.

And it was also great to have someone in the group who could keep everyone's mood relatively light when topics were getting heavy, without making others feel as if their confessions were not treated seriously. It was, of course, Sam's job to control the atmosphere as best as he could , but on days like this - when he himself didn't feel stellar - it was a relief to not shoulder all the emotional weight of the meeting on his own.

"Is everything alright, Mr. Wilson?" Tyler asks, also shaking Sam's hands a little.

"It's Sam, we've talked about this," Sam smiles, deflecting by playing their classic game of arguing over formality levels of their relation. It's a bit worrying. To know that he can put on a mask and his vets might notice his distress anyway. But no one else said anything, so maybe he fooled the rest of them successfully?

"Apologies. Is everything alright, Mr. Sam Wilson?"

Tyler sends him a bright grin and Sam sighs. He doesn't have much energy left to argue or pretend. He did not sleep very well last week, to put it lightly.

"I'm alright," he finally replies without much conviction. "It's personal stuff, you don't need to worry about this. It should be resolved by the next meeting," he adds, hoping that this little lie will make his situation look like a solvable problem with the end in sight. Maybe if he believes in it hard enough it would even come true?

For now, it seems that Tyler buys the explanation and drops the topic. As they exchange goodbyes, he still glances at Sam with a slight frown, but he doesn't push. It'd be unusual if he did. As much as Sam loves working with these people and helping them, they're not that close. His vets don't get involved in his personal life.

...They don't know where he lives, for example...

Sam shakes his head to stop himself from thinking and gathers the papers on his desk with a bit more energy than the task requires. He needs to get out of here. The conference room he uses is relatively big, but the walls seem to get closer and closer, the ceiling pressing down on him.

He exits the building, taking long steps, and avoiding everyone's eyes. Fortunately, most people he passes don't know him, so he's not stopped for any conversations about his last weekend and all the fun his co-workers had while he sat on his guestroom floor surrounded by unhealthy snacks, and wondering if it's reasonable to invest his meager savings in an upgraded security system.

It's embarrassing, when he thinks back to those three days. It shouldn't be that big of a deal.

But something about that man... About his eyes. About the bruises he left.

Sam really tried to not look at them too closely to avoid spiraling again, but he's pretty sure his skin almost broke in some places, as if pinched too hard. The only reason he didn't notice it right away was probably the sheer rush of adrenaline that flooded him in that moment and dulled the pain.

Once he's outside, Sam leans on a nearby wall, out of everyone's sight, unsure of what to do next. Even though he spent the last weekend hidden in his home, the place did not feel safe. All he could focus on were unusual noises or the headlights of random cars passing by, casting uneven shadows on his walls. At some point he was sure one specific shadow looked like a person, but when he carefully peered outside, his garden was empty, with the exception of a small bat the flew in circles under the nearest lamppost, catching moths in peace.

Normally, he'd stay, watching the little guy and reminiscing about the time he too could fly at such speed, but it didn't feel safe, so he moved as far away from the window as possible.

All Sam wants right now is to get back to his bed and hide under the covers, go to sleep, and wake up to realize that the whole thing was just a dream.

His bag slips from his shoulder when he slumps against the wall and the strap catches on his wrist. He hisses in pain, reminded once more - as if he forgot, somehow - that his paranoia is actually justified and that his home is not some safe haven he'd like it to be. Because someone strong enough to nearly break his bones with a strong grip knows where he lives and could come back at any second.

If the guy was a real vet, why didn't he come to the meeting?

And again... if he's not here... Where is he?!

Sam readjusts his bag and straightens up. He cannot come home right now, but he needs to sleep somewhere. He could ask one of his new friends to take their couch for the night... but it's not Delacroix and his friendships here are not on the "sleepover" level yet. And if the man decides to look for him, Sam would drag the danger to someone else's home.

He's not that selfish.

Maybe he could find someone on a dating app and stay the night?

He shudders at the idea. It reeks of desperation even to his clouded brain. He would not do that to some random innocent person. And he would not do that to himself. He has enough dignity left.

The mere fact that he came up with a solution like that sobers him up a little bit. It sounds almost ridiculous and he's sure he would laugh about it one day... if he lives long enough to tell the story about his lowest point post-Afganistan.

What he needs to do is to go to a public space. A place with cameras, a nice crowd with enough eyes, to catch if something's wrong - but not crowded enough that a person would fade into the sea of faces and moving bodies.

With that in mind, Sam takes another deep breath to calm himself and marches towards the nearest bar he knows. The place is probably half-empty at this hour, but an evening wave of patrons should start trickling in pretty soon.

The inside of the establishment is a bit too dark for Sam's liking, but as he sits at the bar he feels some of the tension leave his body at last. Behind the bartender there is a freshly cleaned mirror, showing most of the tables, so Sam can keep an eye on the room while eating.

He's not in the mood for drinking - mostly to stay vigilant, not because he couldn't use a nice glass of whiskey right now - but the place offers some typical fast food options, so he picks them from the menu instead. He'll have to really push himself during the next training session to pay for the sugar and fat intake of the last four days, but he feels like he's earned the right to be indulgent for at least a while.

As he eats, Sam observes other patrons suspiciously, looking over his shoulder from time to time. At some point he's sure he feels someone's eyes on his back, but no one new entered the building in the last twenty minutes and the people on nearby tables seem preoccupied with their own thoughts and conversations, so he's sure it's just the paranoia.

It's starting to get dark outside and the bar fills with shadows before someone turns on a few extra laps. There are more people sitting around Sam now, some staring in silence into their drinks, others talking casually, or flirting with the bartender, as per usual.

The guy behind the bar seems cute. Probably a bit younger than Sam's typical partner, but still in his bracket. He accepts the compliments with a calm smile not cutting them off right away, but not doing much to encourage the attention. Sam gets a little lost for a second, observing the man's hands as he prepares the drinks, almost hypnotized by the movents.

Suddenly, one of the patrons - one that's been sitting by the bar before Sam even came in - drops her wallet in a clumsy attempt to pay the bill. She smiles awkwardly at the bartender, who simply grabs the wallet for her from the floor, clearly used to similar shenanigans.

As the guy leans forward, a curtain of thin braids covers his face for a brief second and he glances somewhere in Sam's general direction from between them before standing up.

Sam freezes.

The man looks basically nothing alike the guy who stood at his doorstep last week, but something about that look causes the memories to flood Sam once again. He feels dizzy and the comfortable atmosphere of the bar becomes overwhelming and stuffy in a blink of an eye.

He nearly jumps out of his chair and makes a beeline to the bathroom. He's not sure why. He just needs to... Wash his face maybe. Look into the mirror and have a stern talk with his brain. Something. Anything! To finally calm down.

As he walks towards the bathrooms, he notices some man sitting in a booth he previously didn't see. He's dressed pretty formally, phone in hands, and an annoyed grimace on his face. He looks more like a person currently working than someone who just went for drinks to wind down after work.

His eyes meet Sam's which sends a cold shiver down his spine. For whatever reason, this man - looking like a banker or low-lever politician, which is a common sight in DC - scares Sam just as much as the creepy stranger haunting his thoughts.

He breaks the eye contact and darts towards the bathrooms even faster, nearly colliding with someone who exits the door.

There are three other people in the bathroom, two of which wash their hands and fix their hair in front of the mirror. Neither of them look particularly suspicious, but Sam keeps an eye on them anyway, walking towards the stalls and locking himself in one of them.

He sits there for less then two second before he realizes that he's made himself more vulnerable by isolating himself from the crowd, but he's really not sure what to do next. The brief moment of fear after seeing the bartender with hair hanging over his face seems silly in retrospect. He could've just ignored the panic, push the discomfort down, and go back to the main room. But the man in suit sitting in a secluded booth?

That was actually worrying. Because he didn't just look generally annoyed or angry. He seemed to be specifically mad at Sam. Which would be concerning with any other influential White guy, but in this particular instance Sam feels like there's more to it.

He hears another person enter the bathroom, interrupting his thoughts. Two of the people washing their hands leave. Someone else comes in. Sam keeps track of everyone inside and at some point he's pretty sure he's the only person still sitting here, so he quietly exits the stall.

Just as he expected, the bathroom is empty. It's a bit weird, all things considered. It's a Monday afternoon, sure, but this place is not alive just on the weekends and in the night, when students party. There should be a constant rotation of people going in and out at any point.

But the room is silent as Sam stands there, wondering what to do next.

He's pretty sure he hears some water running on the other side of the wall and muffled laughs, seemingly coming from a group of women washing their hands and talking in an adjacent room.

Sam's familiar with all the overdone jokes about girls visiting the bathroom way more often than guys or about them going there in hordes. And, stereotypical or not, there is some truth to those... but Sam's pretty sure it should not be this disproportional.

The man's bathroom has been empty for over five minutes. Which is way too long, considering the size of the crowd.

A motion activated light loudly going off in one of the stalls makes it even more clear that Sam's suspiciously alone in here.

He washes his hands just to do something when, finally, the door to the main part of the bar opens. A wave of sound - clinking glasses, loud conversations, a ringtone - fill the empty space until the door closes again, cutting the noise off.

Sam exhales with relief and moves to dry his hands.

Then he notices him.

The man from his porch, now standing behind him, staring straight at Sam in the mirror.

He looks even bigger now, taller, and more broad at the shoulders, his hair still covering the face like a greasy veil. His eyes pin Sam in place like a wild animal who's fight or flight instincts fired so many contradicting impulses in its brain that it ended up just freezing.

In any other situation Sam would feel vindicated. He was right! He was not safe, he was observed, and someone is going after him - for whatever reason.

He can take that useless sense of satisfaction and bring it straight to his grave.

The man doesn't move. He just looks at Sam or through him, maybe. As if he's mentally not here. Maybe his soul has also left his body, like Sam assumes his own did right now?

It's just like that day at his home. Awkward, tense silence and creepy staring. Sam feels the hairs on his arm stand up like a coordinated unit. His heart beats so fast and loud that it must echo on the bathroom's walls. If Sam's ears were not filled with ringing, he'd probably be more sure about that.

The man blinks, just once.

And something in Sam just... breaks.

When he'll think about it later he'll have no idea why he did it. But he simply turns off the water and turns towards the guy in one smooth motion.

"Oh, I know you" he says, tone casual.

The man frowns this time, still looking directly at Sam. One of his hands is hidden inside or his unzipped jacket and it twitches a little. Whatever he's holding there probably isn't a bouquet or a dove, he'll produce out of nowhere and present to Sam like a magician.

"Fancy meeting you here," he adds, like it's a normal conversation. Like they're friends from work or as if the man was his favourite cashier at a local store. "In the bar, I mean. Not in the bathroom," he jokes.

The man's face does a weird thing. It's difficult to tell what kind of emotion he wanted to convey, but he seems confused. Does he even recognize Sam? Maybe he's really not as mentally present this time?

The water drips from Sam's hands to the tiled floor - tiny rivulets running down his fingers. It's quiet again, just as before, until one of the other motion activated lights goes off in the stalls. Then the next one right after it. Click. Click.

The guy flinches twice, his hand moving under the jacket's lapels.

"Can I help you with something?" Sam asks finally. At this point it feels like his mouth is operating on its own, entirely independent on his brain. He's also there, but not really.

Maybe he's already died and hasn't realized?

"You didn't go to my meeting today." Why does he keep talking?! "Do you plan to join this Thursday?"

By some miracle, this question seems to work. The guy's eyes dart around nervously and he shivers as the last of the lights in the stalls section goes off. The room is dimly lit by now only by the small lights over the sinks. And Sam cannot ignore that they're still, somehow, alone in here.

"I'm sorry I didn't come today," the man says and he sounds sincere, though monotone. "There were too many people in there."

"Well, it's a group meeting," Sam smiles. "The people are kind of a given."

He feels like he's body is operating on a pure survival mode. It reminds him of his time in the military, in a way; of the time, where he had to put one hundred percent of his focus on staying alive and keeping other's from dying, too, but couldn't actually think about it. Because there were bullets flying by, and his hands were sticky with someone's blood, and there was a wound to stitch, and a person screaming. If he registered all of that in full, he'd just collapse on the ground, overwhelmed and paralyzed by fear. So it was easier to just switch his brain off and let the instincts and years of training take the wheel.

"If you're worried about confessing in front of others, it's okay." He keeps talking and the man's stare becomes even more intense. His eyes seem very blue, even in the poor lighting, which Sam didn't truly notice before. They look cold, but not because of the colour. More like there's not enough life in them. "There's no pressure to tell your story right away. Some people in my group love talking. Other's just sit and listen. If no one's up to talk, I take over and give a little speech," Sam grins.

And he somehow knows that if he looked into the mirror to his left, his smile would look genuine.

"I don't like talking," the man says eventually.

"I figured," is Sam's reply. "Like I said, I won't push you to say shit."

It's probably not the most professional way of phrasing it, but he's not at work and, frankly, he's about to be murdered, so it's not like they'll reprimand him for inappropriate language.

"Also," he continues, "I can give you a number to one of my colleagues who does one on one therapy sessions. That way you could..."

"No."

"...avoid groups," he finishes awkwardly. " Fair enough."

"Do you do it? The therapy? One on one, no people?"

Sam doesn't. And he'd probably lie about it, even if he did.

"Not these days. I already have a ton of work with groups. If you want to see me, specifically, you know where to find me."

Clearly.

"I do," the man confirms like it's not the creepiest thing Sam's heard in his entire life.

"Well, I have to go now," Sam tries, hoping that if he sneaks out of the bathroom fast enough this whole nightmare will finally end. If the guy's here to kill him, he's doing a pretty bad job right now, so maybe Sam could just... walk away from the situation. Surely, he won't get stabbed in the back in the middle of a bar? Right?

The guy's face contorts in a painful way and he finally removes his hand from under the jacket. Sam tenses, but the gloved palm is empty. At the same time, the guy sways a little on his feet and grabs the wet counter with both hands.

Before Sam has time to process what's happening, he's already next to the guy, holding his elbow carefully and looking straight into his eyes. The pupils are dilated and then suddenly small like a poppy seed, changing in a matter of milliseconds. Sam's never seen anything like it.

"Are you alright?" he asks unnecessarily, trying to keep the man from falling face-first into the sink.

They look at each other and the man seems panicked, more than anything. The unwashed strands of brown hair hang over his eyes, but this time Sam's too worried about him to let himself spiral again at the now familiar sight.

The counter makes a strained noise and a small crack appears on the surface. Sam imagines his own bones turning into dust under such grip and his wrist pulses with pain he felt in the background for the last few days.

"Are you okay?" he asks again, sounding more urgent this time. He doesn't even care at this point if the man's here to kill him. Sam's a paramedic first, and if someone's fighting for their life nearby, he'll always drop everything to make things better. Even if his body might end up in trashcan behind the bar for the effort.

The man blinks, licks his lips, and takes a ragged breath. There's a weird grey cast to his face now and he didn't even look that healthy to begin with.

"I have to go," he whispers finally and stands up. His forehead shines with sweat and his pupils are wide again. "Thank you," he adds quieter and walks away unnaturally fast.

He's there. And then he's not. The door closes so quietly behind him, that Sam doesn't even register the sound.

Sam sits down, not caring about the wet and disgusting floor and stares at the opposite wall in silence. In the women's bathroom someone laughs out loud and a sharp sound of the shattering glass reaches him from the bar.

It almost feels like he's lost his hearing for a while and it suddenly returns to him. As if he's been under water and came break to the surface once more.

He also tastes blood on his tongue and realizes he must have bitten it at some point without realizing. The unpleasant sting of a cut is what finally helps him to come back to himself. He cannot stay in this place a second longer.

He washes his hands again so they stop feeling as clammy and touches his face with them too. The cold water helps a lot, but his own eyes look wild in the mirror.

As he exits the bathrooms, he looks over the crowd that gathered inside since he fled the bar. Just as before, most people don't even look in his direction and he realizes that the man in a suit who stared at him earlier is gone as well.

Then, he turns around to close the door and suddenly he's faced with a bright yellow sign that warns: "Under Maintenance" in bold, black letters. An official looking printout below adds: "DO NOT ENTER".

None of those signs have been there before.

All Sam can do at this point is grip his bag, lower his head, and exit the bar as fast as possible. If he is getting strangled or stabbed today, he at least wants for it to happen in his home.

--- ----- --- ----- --- ----- --- ----- ---

Shoutout to tumblr for glitching a making me feel like I've lost over 700 words of a draft <3 That mini heart-attack was very necessary.

Btw, funny thing about this chapter is that I've basically spent the entire time thinking that I'm doing too much. Like... I keep pushing Sam deeper and deeper into this spiral, but nothing really happened to him. It's not a big deal, calm down, man.

But then I have to remind myself that if some suspicious looking man knocked on my door, told me that he got my address from a person I don't know, asked me where I worked, and grabbed my arm so hard it nearly broke... I would simply perish on the spot from the stress xD Or I'd spent the rest of my life paranoid, even if nothing more happened.

So I think Sam should be allowed to have a 4-day almost panic attack, as a treat.