#I'm pretty sure I read a post somewhere with the idea that Danny loves what Constantine does with his soul

[kettlefire]

Constantine & the King

First time Constantine meets the Ghost King, he's expecting problems. In his line of work, when all the shadows in the room seem to be pulled toward a point in the room. Creating a dark portal that suddenly glowed a startling green, it's more than concerning.

However, Constantine was thrown off by the young man that stepped out of the portal. Young man could be putting it generously. The kid looked barely legal to drink.

However the kid was holding a scroll that looked thicker than his own head. A crown, ring, and cape that just screamed royalty.

Constantine did not expect the kid to greet with joy and friendliness.

It was the Ghost King. The being that held full control over that aspect of the mythical realms. His name was Danny, and Constantine found the kid's lack of professionalism a nice break.

That scroll? Every contract Constantine ever signed that used his soul as a bargianing chip.

Now, Constantine expected annoyance. If his soul was technically meant to end up in the grasp of thw King, wouldn't the kid be pissed?

After all, Constantine was certain one of those contracts was with the prior Ghost King.

Except, Danny loved it. He was all grins and laughter as he spoke about it. The kid complained about the amount of paperwork, sure. Who wouldn't?

Aside from that, Danny adored Constantine's work. His nonchalantness when it came to signing away his soul.

Danny relished in the chaos he has happening among various other entities. Praised Constantine, and thanked him for the entertainment.

Constantine realized that this Ghost King was a brat. He enjoyed the chaos and the drama as long as it hurt absolutely anyone. This kid was a little shithead.

And Constantine got a confirmation. No matter what, no matter what contracts he signed. His soul was going to end up in Danny's hands.

Constantine didn't mind that. He liked the spirit the kid had. Found a fondness for the King.

A fondness that only grew with every impromptu meeting. Every time the room grew colder, and the shadows moved and warped in the room.

Constantine grew accustomed to it. He looked forward to it.

Then it happened.

Constantine was at the Justice League Watchtower. A simple consultation, nothing too crazy. It was all going to be fine.

Until Constantine felt the shift in the room.

The temperature dropped. The shadows shifted and contorted, and a portal began to form.

Constantine waved off the other heroes concern and defense. Turning towards the forming portal, and prepared to see the kid. The kid who was easily his favorite being in the world at this point.

Except that changed once he saw the familiar being step through the portal.

Maybe step was the wrong word. Danny basically stumbled out of the green portal. Landing harshly on his knees in front of the league.

Constantine wasted no time rushing forward. Pulling the kid close to him, and taking in the sight. Looking for any sign of what was wrong.

Blood and a green substance coated the kid's closed. And Constantine noted the cape was completely missing. The kid was in tears, shaking horrible and in a state of complete hysteria.

All Constantine knew, was that he was going to make them pay.

Whoever brought this normally confident and carefree king to his knees, wasn't going to last much longer.

Those bastards will pay.

[shadow-pixelle]

special challenge- each of these needs to be answered with a different fic

🌀

🌤

🌩

🌪

☔

Ooooohkay! Big ask. Let's see if I can do your little extra challenge too while I'm at it, I've probably got enough stuff.

Under a read more, because oh dear god this got long so quickly.

So for the portal; I'll go with 'something I haven't written yet', rather than haven't posted, because when it comes down to it I have no idea if I'll write something, but anything I've not posted I'll post eventually, so yeah.

The fic is called Run (Yourself) To Death, it's a Danny PhantomxDC crossover, it was one of the first things I came up with for this fandom, and is a solid 90% the fault of Clockwayswrite's A Broken Sort of Normal because that's what introduced me to the 'quick death' ship and I found it very very cute. Idea was that Wally West doesn't end up dead after the big twister thing from Young Justice (I don't remember enough about that show to give more details) and instead sort of... falls sideways, I guess? Into a natural portal to the Infinite Realms riiiiiight as he also fades into the Speedforce and kinda ends up in this very fucked up state of not-quite-Halfa but not dead but not alive either, no connection to the Speedforce, and a developing Ghost Core. The entire story would be focused on Danny finding him and trying to help him get back to his reality, which is really really hard, and takes several years, ending with them in a relationship and also Wally as a super liminal/basically a Halfa by the time they figure it out.

I'm not entirely sure if I'm calling it Run Yourself To Death, or just Run To Death, which is why the 'yourself' is in brackets.

Sunny cloud!; favourite piece of dialogue... ok, I've got a few WIPs ongoing at the moment. Normally I'd go with the one closest to being posted, buuuuuut that fic has no dialogue. So I'll go for the next one on that list, which is Strange Aeons, the Tumblr fic.

(I spent a solid like, half an hour looking through my various WIPs trying to choose a line, because I couldn't for the life of me decide on one that I liked enough.)

“Wait, so if you’re not- related, or whatever, to the Lazarus Pit, then what are you?”

I mostly like this one because of the cliffhanger-ness of it. It's not the last line of that segment, but it's pretty close to it.

For the thundercloud; something funny/cracky from your WIP. This is hilarious, because my WIP 1 isn't really funny- or well, it is, but more in the context of irony, and WIP 2 is. Uh. Not there yet. WIP 3 and WIP 4 both have some alright ones, so I'll take this one from Parhelion, because why not.

That scent was incredibly familiar. "Did you traffic me to yourself?" He asked, incredulity too strong for nervousness. "You haven't been trafficked." Wayne replied automatically, before stilling. "Excuse me?"

Tornado! Or as it appeared on my screen, cloud with a ghost tail. Sum up a WIP with a few fic tropes/AO3 tags. Uuuh ok. Let's use Ornithology for this one, because it's currently my main WIP. I'd sum this one up with Found Family, Cryptid Batfam, Gotham City Is Weird, Gotham City Rolls With Everything, and Wingfic as my main ones. I love this fic so much. It's nearly complete, too, which is a yay.

And finally, umbrella rain. Is there a fic concept you have that you'd like to just explain and share because you're not sure you'll ever write it... hmm. Ok this is a fun one for me, because usually if I have a fic concept, I intend to write it, no matter what? But I've definitely got something somewhere that's so old that I probably won't end up writing it just because I've got so much else to write...

digs into the box of WIPs and ideas

Ok let's pull out two fun ones that I have in this old as fuck list- specifically ones that I actually remember what the fuck that note means (looking at you, 'guitar riff bad life decisions (also AA)' like what the fuck does that mean Past Pix. What the hell is that.)

So one of them is labelled as 'Tarre Kamino aka fuck the SW timeline'. I mostly remember this one because I started writing this, and it is in fact the reason I have a Word document with my own Star Wars timeline in it, because I got so sick of trying to figure it out via the wikis that I made some guesses and made my own. I didn't write more than maybe a scene of it because it was all driving me mad, and also I couldn't figure out where to go with things, but the idea was that the Force Ghost of Tarre Vizsla is on Kamino fucking around and finding out, and basically doing his best to keep the clones safe in the face of gestures at common fanon Kamino stuff and also like, the amount of rage he's got at Jango Fett and the other Mandos on planet. Cool idea, could not figure out where to go with it aside from probably having him interact with Shaak Ti at some point, but I had a solid 10 years to get through to get there and was lost.

The second one is 'Kamino is v angery (4546B)', man I love my naming system for things, and this one had No Plot Just Vibes. Fans of Subnautica may recognise that little number-letter combo at the end, the idea was literally that Kamino had once been the planet 4546B from Subnautica. The only real idea I had to go from there involved the Leviathans, specifically the Sea Emperor, but I had no idea what I wanted to do with it outside of that.

Maybe I'll come back to them sometime.

looks up wow this is a long post, huh. Damn. Hope you enjoyed hearing all these rambles, and ta very much for the ask! It was fun to go digging through things for quotes and stuff.

[five-wow]

Hi, I'm a fellow writer in the fandom and I admire your work. I wanted to ask, as a popular writer, do you get fixated sometimes on the number of kudos/comments/hits etc that your new work gets, and does this impact your motivation/inspiration? I think comparison is the thief of joy, and I really want to get over this feeling when I post my own work, so was wondering if even popular and regular writers such as yourself feel like this to, and if , what's your secret? Thanks!

Hi! 1) You are so sweet, ahh, and 2) YES, I DO. Gosh, yes, I absolutely do get insecure about those kinds of things, and I think that anyone who says they don't ever feel that way is either lying (to themselves, possibly) or maybe just pure magic, like some cross between a writer and a unicorn.

I love ao3 and I love all of its metrics and I love numbers and statistics, but there’s definitely that shadow side where having all of that easily available makes it deceptively easy to compare your own work to other people’s. I do it all the time! It honestly makes it a little hard for me at times to read h50 fic and fully enjoy it, because I keep... looking at it and wondering how my own stacks up against it, unwillingly. That's not a relaxing experience, and sometimes not even a very fun one. (Another part of it is that I just write SO MUCH for h50 and there is SO MUCH I still want to write, and I don’t want to risk reading something that’s very close to an idea I had and then never being quite sure if what I write after that was influenced by the other person’s work or if it’s really still my idea, because I have this (pretty irrational) fear of accidentally stealing someone else’s work even though one of the really great things about fandom is that it’s a very collaborative process as a whole and being inspired by other people’s stuff is usually totally okay, buuuut that’s a different rambly story.)

And I definitely do also get... some cringey feelings, hardcore, around fics I posted that don't do very well numbers-wise. Sometimes it's expected - fic that doesn't follow traditional formats or doesn't feature Steve/Danny, for example, is always something where I KNOW it won't get as much attention because I know how fandom works and that lessens the sting because it doesn't HAVE to hold up to those other fics that perform way better, because I already know it's not really comparable. The truth is, of course, that most fic is not really comparable to other fic, but it’s easy to fall into that trap anyway. If I post something that seems like my average kind of work and it gets less kudos or comments than usual, I do start to doubt the fic and second-guess myself - is something about this weird? Is it too [insert quality x]? Is it bad? Did I unknowingly do something terrible and people are now avoiding me? The answer to all of those is probably no, and going through it a bunch of times has definitely helped, because what usually happens is that I end up somewhat avoiding the fic in question because it makes me a little ashamed and awkward to think about it (a relative failure! oh no! I'm human!) and then, eventually, I return and reread the fic. By that point I have enough distance from it in time that I can look at it a lot more objectively, and it's way easier to see what works and what does not than when I posted it and I had just read it a dozen times in twenty-four hours and the words were burned into my brain. And upon that reread, inevitably, I realize that, holy shit, it was NOT AS BAD as I had made it out to be in my mind! It’s actually kind of fun! Imagine the ego boost of realizing your most cringy recent work is actually pretty okay, haha, and it's silly, but it's a revelation every time. The quality of a fic is not dictated by how many people read it or comment on it or like it, and intellectually I absolutely know that, but it’s hard to remember when it’s about yourself and you’re still in that emotionally vulnerable place of having just shared your work with the world and it feels like the world is not as into it as you thought (or hoped) it’d be. It’s honestly very, very reassuring to have those experiences to fall back on, but sadly the only way I know to get there is to just tough it out and feel super awkward for a while.

When I’m writing, on the other hand, I usually don’t really think about what other people might think of it. I have the advantage that (pretty much) all of my work consists of fairly short stand alone stories, which means I don’t have to struggle with keeping my motivation up for a second chapter of something but I get to start fresh every time, and that’s nice, because I can just lose myself in the joy of throwing words around and making characters do things that make me giggle. That’s not to say I never think of the outside world while writing - I realized, pretty recently, that I occasionally end up constructing paragraphs or pieces of dialogue a certain way mostly so it will make for a good excerpt to put in the eventual fic description, which might give me a sense of accomplishment because it’s nice when things work out and look good, but in all fairness it’s probably far more motivated by attempts to package the finished work attractively so other people will want to click on it than by anything else. I don’t know if that’s a bad thing. I don’t think so - I don’t feel like it lessens my work and it doesn’t interrupt my enjoyment of it in the moment, which are the key elements for me - but other people might disagree.

But the heart of thing is, just, there are SO MANY factors that influence a fic’s numbers, and not all of them are visible (I’d argue most of them aren’t, in fact), and it always helps me to keep that in mind. It puts things in perspective somewhat and softens the harshness of a black and white kudo count judgment. Numbers can depend on when you post a fic (what day of the week, time of the year, time relative to big fandom moments, whether you’re in the middle of a global pandemic or not), how you pick your title, what you put in the description, how you use the tags, what genres or tropes are popular in your specific fandom, the genre of your fic in general (pwp as a rule tends to get lots of hits and few kudos or comments, for example, making it totally unfair to compare it to G-reated fluff fic with super different ratios), how much you’ve posted before (because if someone likes one of your works, they’re often likely to check if you have more in the same fandom), how many fics other people post around the same time (because yours might be gone from the first page of most recently updated works in a fandom or ship tag very quickly if others push it out), how big your fandom is(!!!) (over two thirds of my works on ao3 are for h50, but h50 only makes it into the top 10 of my most kudo’d works by the skin of its teeth) and definitely also what your fandom’s culture is like (compared to a lot of other fandoms, h50 fans are a-ma-zing when it comes to leaving comments, my gosh, and as a writer I adore all of you), how old your ao3 account is (the longer you’ve been around, the more likely a higher number of people is subscribed to you as an author or has read your previous work or has encountered your name, etc), how long your fic is (under a thousand words in my experience generally does less well than 1-5k, but longer fics might end up with lots of chapters which switches things up because people come back to it when there’s an update, and even if a long work is all in one chapter it will probably stand out for the wordcount and might attract attention that way, etc), whether or not your fic is part of a series (in my experience it will probably get more hits because it’s a chain of fics that leads you to the next one, but the kudos might not go up at the same rate because people might forget a kudo or reread previous works when a new one is added), whether you make a habit of commenting on other people’s fic (I’ve had comments saying MY comment on their work led them to my fic!), if you have social media like Tumblr or Twitter where you can promote your work (it’s advertising, basically), and any of a bunch of random little other factors. Sometimes, I see a sudden little cluster of kudos on an old fic in the daily ao3 kudos email, and I assume someone somewhere maybe recced that fic, but it usually remains a total mystery who or where or even if it happened at all and wasn’t just a weird coincidence to begin with. Sometimes the thing a fic’s popularity depends on is really just whether it clicks with people at that point in time, whatever that means, which is an even more impossible thing to grasp or predict than anything else.

Or you can look at things from a totally different angle and not try to make yourself care less about numbers, but just accept that you do because you’re human and we all crave validation, and instead try to roll with that. A brain hack: when I do start getting down about numbers, it also helps me to focus on one work and just... try to visualise what those kudo (or hit or bookmark or comment) counts mean, if you were to translate them to the real world. While it can be super helpful to remember that there’s a LOT going on that you can’t see and that’s virtually impossible to really explain, it’s also nice to somewhat do the opposite and try to make things as concrete as possible instead. I like measuring in school classes (~25-30 heads, I’d say) and “my fic only has fifty kudos but this other person’s has ten times as many” could easily make anyone sad and demotivated, but “my fic has fifty kudos and that’s TWO WHOLE CLASSROOMS packed full of people that all read my work and liked it so much they wanted to give me a little thumbs up for it” is actually pretty cool and encouraging, I think. Or you could measure in sports teams (I don’t know sports, but soccer has 11 players on the field per team, so as soon as your fic has 33 kudos that’s three teams which means you’ve got yourself a little beginning league! how exciting!) or in DnD campaigns (variable of course, but most of mine have had around four players plus a DM, so if you have twenty kudos? that’s FOUR WHOLE DnD campaigns that enjoyed reading your fic, and it’s fully up to you how many half-orcs that includes). You could apply this method using literally any other measurement that works for you, too. If you have a hard time painting a mental image of numbers, you could even open up a Paint doc or get a piece of paper and start counting out little dots or copy-pasted images of a person, or get a big bag of physically present M&Ms and count them out, or take a good look at your dog and then go around the neighborhood and collect forty-nine more dogs and pile them all into your home and be slightly frightened by the utter delighted fluffy chaos that ensues in your living room. That’s how many people liked your fic! That’s a heck of a lot of wagging tails! Who knew a kudo could bark this loudly!

Disclaimer: maybe keep the dog thing as your very last resort, because your neighbors might not be super into their pet getting dognapped for the purpose of visualizing fanfiction stats. The point is really just to remember that there’s an actual person behind every kudo you get, no matter what the cumulative number is, and even if you have seven or five or three kudos, that’s seven or five or three very real people that hit that button. That’s pretty damn awesome. Also keep in mind how you feel if you read a fic, and take some time to realize that every single person that left you a kudo went through that same process of spending time reading words (the words you wrote!) and experiencing that story and THAT’S why they left that kudo. It’s a real person’s real investment.

This ended up very long and rambly, so tl;dr: You are in no way alone in feeling that way, it's okay and normal and so very very human to feel like that, but you still shouldn't let it get you down, because numbers fake being meaningful very well but are deep down just little squiggles on your screen and they’re more scared of you than you are of them, while at the same time there are real individuals that enjoy your work even if you usually never see them. Your fic is worth posting. That’s the one factor in all of this that’s a constant, not a variable.

(And as a very important sidenote, just be kind to yourself, always. Does it truly stress you out? Are you feeling really bad about it today? Does it make your anxiety spike? Then give yourself room to take a little step back and allow yourself some time away from it. Go watch something you enjoy, or read something nice, or do something else that makes you feel good. Fic is something that should add to your life, not subtract from it. You don’t owe anyone anything, not even yourself in this context, and I used to push myself occasionally to get something finished TODAY, and eventually I started realizing, well, why? Why not instead of reading it over again just get some sleep or watch an episode of something I want to watch, especially if I literally just finished the fic and I feel a little unsure about it and it might actually be beneficial to me and my own feelings about it if I just give it a day or even a week and let it rest and then look at it again and THEN post it, if I want to, whether that’s with some changes beforehand or not? Who set me that deadline that’s apparently looming over me? I did, and it’s fake, and it’s there for absolutely no good reason. Breathe. Put yourself first. Be really really really selfish about your own fic writing experience, even, because it’s supposed to be something you enjoy (that’s what a hobby is!), and the rest is secondary.)

[night-unfurls-its-splendour]

I'm watching the entire series of Game of Thrones for the first time. I've made my way to season 3, making sure to watch as many commentaries as I can. Last night I listened  to the Set Design / Costume Design commentary for S3 Ep 4: "And Now His Watch is Ended".

I know most historical costume Enthusiasts / Critics either don't touch, or make exceptions for Fantasy productions and on the whole I agree with that. But something about the Game of Thrones costumes (and how the show's popularity has impacted costume design on productions actually set in the medieval / Renaissance time period) has just really been bothering me.

(Perhaps you see what I mean here with Contessina De Bardi in Medici: Master's of Florence and her sneaky mini structured neckline)

It may be a couple of things, but lots of the ... insights from Michele Clapton shed some light on this for me. I have a few questions.

First: North of the Wall, we spend some time in this episode with The Night's Watch at Craster's Keep. Of Craster's wives, Clapton said [Disclaimer this is not an *exact* quote because I couldn't find a transcript anywhere and my sister sent back the Netflix DVD and I do not have an idetic memory - but the important parts of the comment are, in my own estimation, accurate] : "With Craster's wives I got this idea of them just having bits of rabbit, whatever they can get, woven with grass..." this raises in my mind, SO many questions.

Firstly - we ARE north of the Wall, yes? Where,  as we have seen, the ground is just about ALWAYS covered in snow, or 90% mud. So where is the grass coming from? And also what they are wearing is so clearly not grass?

This also provides a segue into my second question.

Do sheep exist in Westeros?

Why is it that this show has such an aversion to wool? Every man wearing protective clothing is wearing Leather (or rather I should perhaps say "vegan leather"). Every Hearty Weave (TM) appears to be an attempt at Linen; and every Fine Lady is wearing Silk satin, or if you're Olenna, silk brocade (in obviously hot weather, because naturally elderly ladies benefit from heat stroke).

I've not seen one woollen cloak. Not. One wool... anything really. I ask myself "Why?"

100% natural wool is wondeful. It's naturally flame retardant; it keeps you warm; it breathes well; it's soft in a light weave; it's strong in a heavy one; its water repellent. So what is with this endemic erasure of wool? Even productions like 2018's Mary Queen of Scots have had costume designers like Alexandra Byrne who, when searching for a durable fabric for cold and rainy Scotland, came out with a wardrobe comprised entirely of DENIM. Which,  as we all know is the WARMEST AND MOST COMFORTABLE of fabrics when damp. Now we all know Byrne's real reason for using denim is because it's cheap. The problem is Byrne tried to justify it by saying all of that guff about wanting a fabric that wears well in rain (Which,  I cannot stress this enough- denim does not) and, of course because denim would be "ReLaTaBLe". But I digress.

All that aside, perhaps the things that bother me most are components and composition. Which is where we get into the wooly (heh) area of me being a person with interest in HISTORICAL costume, critiquing a FANTASY series.

So let's just get this out of the way: I'm not saying that anything that the costume Department did with this series was "Wrong" [with one exception, but we'll get to that when we get to it]. I'm just going to say that I don't like the way it was approached, and my reasons on WHY. 

I think I have a modicum of justification for my opinions here because, fantasy is fantasy, yes but the concepts of "Fantasy" and "Medieval" have become so strongly connected that the line between them has become so blurred in the modern mind as to be almost non-existent anymore. We're in a strange cycle here. "Fantasy" was directly inspired by Medieval and over the years took more and more creative wiggle room because, the great thing about fantasy is, you can make it whatever you want it to be aesthetically. But as Fantasy and Medieval have become so intertwined, more and more creative license has been taken with the latter, so that the original inspiration has become beholden to imitate the art it inspired.

But I'll save my pontification on the modern eye and Medieval fashion for another post, and try to keep on track only as far as this affects my feelings on Game of Thrones.

My justification is that GoT is not just inspired by Medieval England/Europe in the broad sense that most Fantasy of the Sword and Sorcery variety is; it was SPECIFICALLY inspired by ONE ERA of English History, The Wars of the Roses [15th century] (with character inspiration from other eras, as recent as the 16th century).

The thing about being interested in Historical Fashion is, once you know it, you can't UN-KNOW it. For example, my understanding of the medieval approach to clothing composition is "Cut as little as you need to because sewing is tedious". You don't want to have to sew more than you have to because what's the point of that? Practically no clothing in the medieval period was tailored because why bother doing that when you can just sinch it with a belt, or lace it up the sides? Is any of that applied here? Nah. Because when we look at Sansa's dresses, look at those obviously machine stitched, perfectly pristine seams. ~whistles~.

I'll never throw shade at a costume department for using sewing machines, but I will shade them for not bothering at all to make clothing for a universe that has no sewing machines look like it was made in a universe that has no sewing machines.

  I can agree with not holding Fantasy series to historical standards - to a point. To wit: as long as it's believable IN-UNIVERSE.

AS FAR AS WE KNOW, the GoT universe doesn't yet have Mechanized looms. Now I know that they make some pretty unreal lace in Myr, but I just can't think of any in-universe justification for the texture of Danny's blue number in season 3.

Another thing that bothers me is the proliferation of corsets and how those corsets are approached.

Here are some historical corset facts.

• the term 'corset' wasn't widely used to refer to structured undergarments outside of France until the late 18th century (1700's). Before tart they were called "stays" (16th-17th century) or "a pair of bodies" (15th-16th century)

• structured undergarments first appeared in the 15th century, as the bodice of under-dresses(kirtles) were lined with reed or Buckram to provide back and breast support and provide a smooth surface for the gown worn over it. It also provided a foundation for multiple layers of petticoats, so the waistbands wouldn't dig into your sides.

• Structured undergarments that existed independent of a kirtle or petticoat aren't in evidence until the 16th century (Elizabethan/Renaissance) and aren't widely used by all classes until the late 17th century.

• Most 16th-17th century boned foundation garments had straps, since they didn't reach down much farther than the natural waist,  unless they were designed with a high back.

• Corsets, stays and other structured undergarments were never worn without a shift/chemise/slip underneath because...

• Corsets chafe.

• Corsets are difficult to clean, but shifts are easy to launder. Shifts protect your skin from chafing and protect your very expensive corset from the oils produced by your skin

(Reproduction example of 15th century style kirtle, from Prior Attire. Source video here)

(Sansa's... corset here has this bizarre low back and 18th century style tabs on the bottom? It also seems to lace only down to her navel. Not quite sure what's going on here, it really doesn't seem to be supporting her at all.)

The reason I hate, hate, hate the way Sansa is costumed under her...  very suit-like gowns is  because she never ever is shown (so far) wearing anything under her corset; her gowns are all long-lined, flowing and loose fitting; and show only wears (usually) one petticoat under them. So in short, I dislike that Sansa wears a corset because Sansa has NO REASON to be wearing one.

◇◇◇◇Another Thing◇◇◇◇

I want to spotlight on a little thing from the commentary that really hits on one of my larger problems with the aesthetic interpretation of this show in general.

During one of the scenes with Stannis and Melisandre, Clapton mentions that they made Melisandre's hair a darker shade of red in season 3 than it was previously. She says the phrase "sort of makes her more earthy".

Yes. Let's make the FIRE priestess more EARTHY. LET'S JUST DO THAT. AS OF THIS SHOW ISN'T "EARTHY" enough.

There's this fantastic quote I read somewhere by GRRM about how he loves fantasy because it's colorful, where real life is gray and brown and olive and dull. Melisandre is arguably the most colourful character in the show/series. In the books, EVERYTHING about her is Red. And not just red. She's scarlet and crimson. When she's introduced there's this fantastic description of her wearing flowing robes of scarlet silk with slashes in it revealing a darker, blood red fabric underneath.

That was passed up for a monotone, very simply cut red gown and I can't stop asking myself why a designer would scrap something like that without even trying to pay homage to it.

This show just sort of takes everything colourful in Martin's world and MAKES it gray and dark for the sake of Gritty Realism (TM). I suppose that's part of trying to appeal to a wider audience, but I just find it increadibly visually uninteresting.

◇◇◇◇ONE MORE LITTLE THING◇◇◇◇

Is this the sofa from the Study in Clue?

???