#JOURNALING IS SO FUCKING GOOD DUDE

[xiaophobic]

HIIII ATLASS

KEOOOOOOOOOOO 🫶🏽🫶🏽🫶🏽🫶🏽🫶🏽

[bacchuschucklefuck]

dreaming abt sophomore year class swap bard!riz

[blizzardfluffykpop]

why the fuck do i miss pigeons

[rexscanonwife]

me: oh I'll just explore some potential story ideas with this character/storyline for fun nothing serious

me, fucking inevitably:

[lilgynt]

oh and i finished sharp objects in like one sitting at work today bc my brother read it and we talked about it more cause i had the show he had the book and glad he didn’t. but insane he didn’t make any connections to home. like not in an emo everything sucks way but my mom has said exact lines adora has and me well…

[7rashstar]

09-13-22

[gingersnapsblonde]

Ahm more vent stuff my brain is all over the place today

[no-good-username]

God

I just fucking love The Jins dude

[heavenlymorals]

Details that I've noticed about Arthur Morgan-

-He, for the most part, despises male touch, especially if it's overly affectionate. He gets tense anytime a man hugs him and wants it to be over as quick as possible (Jamie, Mickey) and he looks visibly offended when Professor Bell touches him. He even sometimes gets annoyed when Dutch touches him on his shoulder, someone who he considers a father figure.

-On the flip side, he does not mind female touch at all. He even initiates it sometimes (Tilly, the girl at Beaver Hollow). Now one could argue that they were high stress situations, but if Tilly was a dude, he would've just set her free, make a snide remark, give her a gun, and then he'd expect her to help him with the fighting. He is completely cool with the nun giving him a hug and doesn't get offended when Mary Beth touches his hand in their therapy session.

- He seems to be pretty well read. He knows Shakespeare, with Romeo and Juliet, and Icarus. He makes other literary references. This is probably due to Dutch. Dutch is clearly very well read and cultured. However, Arthur seems more interested in practical works like guides then philosophy and stories, given that the only book he has on his tent desk is a plant guide.

- He's great at remembering faces and less so on remembering names.

- He does have an amazing propensity to remember physical features, like how he is able to create amazing portraits of the people he meets without consistent reference. It's incredible and works back to the whole great at remembering faces thing. Same goes for animals.

- He is very curious. He is always touching things, looking at things, critiquing things, and trying to understand how they work.

- He generally refuses to be emotionally open with men and does it only with women- this could be due to the idea of the Cult of Domesticity. I've made a post about it before. Compare him speaking with the nun to Reverend Swanson. Compare him speaking to John about Dutch leaving him to him speaking to Sadie about Dutch leaving him.

- He is very connected or is fond of artistic people. He and Mary Beth talk about their journals. He is fond of Albert Mason's photography and helps him out. He is interested in Charles Chataney's artistic work, even if he doesn't like it or connect with it.

- Since a lot of camp members respond to Arthur's antagonizations with something like "not again" or "I knew I'd be next", it's safe to assume Arthur will go off on people from time to time, regardless if you play high or low honor.

- Does not have a fixed temperament. In some missions, he is more energetic and in others, he is more downtrodden. Very realistic and I fucking love it.

- Has direct eye content at all times- will look anyone in the eye and does not give a fuck. NPCs will look away from him if he stares at them.

- Gets mad when men don't behave like men, especially when it concerns women. He gets pissed at John for not stepping up and being a man to his family. He gets annoyed and even pissed off when asking why Beau couldn't have helped Penelope Braithwaite as she is his woman.

- Given how the camp falls to shit whenever Arthur isn't donating, we can safely conclude that Arthur is the most valuable member of that camp, bar maybe Hosea and Dutch.

- He is very reminiscent of the Dark Romantic, which is really interesting as a lot of times, it can be looked at as the middle ground between Romantacism and Realism, two ideologies that were very popular in the 19th century. I will make a full analysis regarding this later.

- Introverted, but not shy at all. In fact, he's very charismatic and is just as good as dealing with people as Dutch and Hosea (The Riverboat Mission) This 'dumb, mumbling' cowboy thing he's dumbed down to in the fandom is an insult to his character.

- He probably acted like a father figure to Jamie Gillis when he was still with Mary, given the fact that he taught him how to ride a horse. Will probably also make a full post about this later.

- Some people say that Arthur is around 5'10-11. Others say He's 6'0-3. Whatever his height actually is, he's still way taller than the average man during this time period, who was around 5'6. Now imagine that with muscles and armed to the teeth- fucking terrifying.

- Very sentimental. He keeps a photo of his supposedly no good Pa and wears his hat. He keeps a photo of his mother who he doesn't really remember at all. He keeps a photo of his dog, a horseshoe that probably belonged to a dead and beloved horse. He keeps a flower from his mother. Keeps a photo of Mary as well. If he had a photo of Isaac, he'd probably keep that too.

-Arthur died at 36 years old from Tuberculosis if you play high honor. The real gunslinger and outlaw Doc Holliday died at the same exact age and the same exact way.

- Genuinely doesn't give a fuck about movements, social issues, and cultural issues, but does care about individual people.

- I love him

- So fucking much

- 😃

[vettelcore]

to not really give a fuck about football i really do have some very strong opinions about luis enrique being kicked out of the spanish nt

[angelyuji]

ford pines dating headcanons

18+!!! minors dni!!

cw // sexual content under the cut

cutie patootie

FIT AS FUCKKKKK

writes about you in his journal like first time he sees you, first date, every single thought about you? journaled!!

he wanted to ask you out but he was sooo nervous you would reject him, especially considering how young and pretty you are

he was scared you would laugh at him for trying

so he didn’t try :(

so when you showed up at the mystery shack and asked him out to dinner, he would’ve jumped for joy

“you-you’re asking me? on a date?” ford stares at you, mouth open. you tilt your head in confusion and ford almost melts. he clears his throat, “i-i would love to, (y/n). thank you.” ford blushes.

your first date was cute, he was so flustered and so nervous

i feel like he calls you by your name, sometimes by your last name, sometimes like ms/mr. last name. idk he’s silly like that

HE loves pet names tho, he lovessss pet names

when you call him love, baby, sweetheart, anythingggg he loves it

he especially loves when you call him sir like in any context

idk he’s silly like that :)

literally the sweetest man in the world

constantly thinking about you and talking about you

constantly creating new things/inventions for you

he would start writing up the mock-up of a project or an experiment and start thinking about you and then end up making something he thinks you’d like

sooo down bad for u dude, would give you the world if you asked

i feel like bill would find his love for you either fascinating or be so insanely jealous that you’ve got ford wrapped around your finger like that’s his man

imo the only solution is a threesome

WHAATTT WHO SAID THAT…. some of these artists draw bill so fine that i cant help it

he loves when you’re passionate about something! it doesn’t have to be mysteries and monsters, but just something that makes you yap (but he also loves when you listen to him talk, he’s more of a talker than a listener but he will listen to you)

yk that scene in those cliché romcoms… idk how to describe it so ill just put it into dialogue

‘gorgeous’ ford hums as you talk, the way your lips move, your expressions, everything hypnotizes him. ‘gorgeous’ he can’t help, but be enamored with you. you’re smart, kind, and passionate. “gorgeous” you stop and look at him.

“thank you?” you tilt your head at his words and his eyes went wide. he sputters as you laugh.

can have moments of smooth talk and flirting but the moment you reciprocate, he’s red in the face and stuttering

need him carnally, need him ways that even god will not allow me into heaven

switch!!!

he can do both i fear

he’s okay with you on top or him, definitely depends on his mood

like i said, FIT AS FUCK, whatever he’s been doing in that portal has treated him well

not insecure about his body more insecure about his lack of experience

he never talks about it about the stuff from before

he did a lot of research in positions, toys, and stuff like that

you had to tell him to calm down and take it slow

he’s more into giving pleasure than receiving

he wants you to feel good more than he wants to feel good

if you feel good, he feels good ykwim?

hes sooo pathetic tbh like begging, pleading, to eat you out like he wants it so bad

his glasses would fog up as you guys make out and he whips them off like sung-hoon does in business proposal

honestly that entire scene in business proposal?? ford.

hgnhhghghgngngnhgn i need him i feel ill

[steddieas-shegoes]

does he always do this?

for @corrodedcoffinfest prompt 'heard it in a love song'

rated m | 995 words | cw: mentions of sex | tags: everyone loves steve, but eddie loves steve like a love song, steddie, corroded coffin friendship

🎸🎸🎸🎸🎸🎸🎸🎸🎸🎸🎸🎸

Eddie tapped his pencil against the journal, checking the clock above the phone in the kitchen for the hundredth time in the last 30 minutes.

Steve was late.

Steve was never late.

He was only minutes away from trying to call his house to make sure he didn't forget he was coming over when he heard a car pull up out front.

"Finally," he said to himself, throwing the pencil down and pushing the chair away from the table.

He went to open the door and was shocked to find not just Steve, but his entire band as well.

"Uh…hi?" Eddie watched as they all grabbed backpacks from Steve's car. "What's happening right now? Is it an intervention? I don't even drink."

Steve rolled his eyes as he got closer and kissed the corner of Eddie's mouth.

"The guys are here to help with the song."

"What song? There's no song," Eddie panicked. It was supposed to be a secret, dammit. He'd been so careful.

"The song you've been writing for me that you're having trouble with. You've been distracted for days and I want my boyfriend back," Steve pushed past him and into the kitchen, opening the fridge to start grabbing random things Eddie didn't even know they had.

"Hey Eddie," Jeff and Frankie said in unison as they pushed past him and set their bags on the floor inside.

"Hey, man," Gareth said as he did the same.

"Who told him about the song?" Eddie hissed as Steve made himself busy pulling a pan out of the cabinet.

"No one. You left your journal wide open on your desk and he saw it when he was getting ready for work," Jeff rolled his eyes. "We told you to keep your stuff hidden."

"I thought you were just being assholes about Steve being my boyfriend!" Eddie threw his hands up in frustration. This was bullshit. He could get the song done on his own!

"Anyone allergic to anything?" Steve called out from the counter, where a variety of peppers, onions, and garlic were spread out to be cut.

"I'm allergic to vegetables," Gareth smirked.

"Right. I'm sure," Steve didn't even entertain his comment, continuing to cut up the food in front of him. "Dinner will be ready in 45 minutes."

"Does he always just come in here and start cooking?" Frankie asked from his spot on the couch. He sure made himself comfy fast.

"Only if he knows I haven't eaten much."

"How does he know that?" Jeff asked as he settled in Wayne's chair.

"His hands are shaking because his sugar's low and he has six empty cans of Mountain Dew on the table, meaning he hasn't gotten up from the table for hours. Focus on the song, pretend I'm not here."

Eddie smiled fondly at Steve, only turning back to everyone when Gareth clapped his hands in his face.

"Dude, you're so fucked."

Eddie groaned. "Yeah, well, the song has me fucked up worse."

"What have you got so far?" Frankie asked.

Eddie got up to grab the journal from the table and threw it to him. Frankie read the few lines and nodded, smirking.

"This isn't a love song."

"What do you mean? Of course it's a love song!"

"Dude, this is a sex song."

"It is not!"

Jeff grabbed the journal and read the lines, his eyes widening momentarily before handing it over to Gareth.

"Damn, this is a sex song."

"You writing dirty things about me, baby?" Steve asked from his spot at the counter.

Eddie covered his face with his hands and groaned. "I wasn't trying to."

"Alright, so do you wanna shift gears and try to focus more on love or do you wanna stick with this?" Jeff asked, getting down to business. He was good at keeping them on track.

"Stick with this."

They sat around figuring out lines that could work, and Steve stood at the stove listening, but keeping to himself.

He ignored the teasing Eddie received when he admitted to wanting to see Steve in only his vest, but smiled to himself when he remembered the first time he'd worn only the vest while Eddie fucked him against his bedroom wall.

He ignored how red Eddie got when they tried to rewrite the line about "seeing white on red", saying it didn't make sense. Maybe to them it didn't, but all Steve could picture was when Eddie's cum painted his ass, bright red from the spanking Eddie'd given him.

They luckily didn't talk much about it over dinner, too busy shoving the food into their mouths to say anything.

After dinner, Steve cleaned up while they got back to it, then went to take a shower and get ready for bed. They might stay up all night writing, but he sure wouldn't be awake for much longer.

Eddie snuck into the bathroom while he was rinsing his hair, sitting on the sink and asking about his day.

When Steve got out of the shower, he wrapped his towel around his waist and stood in between Eddie's legs, cupping his face in his hands.

"You love me?" Steve asked, the same way he did every night.

"More than anything in the world, Stevie," Eddie answered, the same way he did every night.

"How's the song?"

"It's…our sex life. Kinda out in the open. Is that okay?"

Steve smirked. "Yeah."

"It's not really a love song."

"Sure it is. You love me, you fuck me. It's all the same," Steve kissed his lips softly, smiling into it. "Can't wait to hear when it's done."

"I could sing it to you tonight," Eddie wrapped his arms around him.

"Hey!" Gareth banged on the door. "No fucking while we're here!"

They both laughed.

"Better get back to it," Steve kissed him again before opening the door and walking to the bedroom.

Eddie watched him go, biting his lip.

"I've got the chorus," he yelled to the guys.

[stevethehairington]

There's a guy that frequents the same park that Steve takes his morning jogs through. He always sits at the same bench, with the same little journal in his lap, bent over it and scribbling furiously away at its pages. Sometimes he'll have headphones on, sometimes he won't. Sometimes he'll be wearing a full on leather jacket, despite the weather. Sometimes he'll just have a t-shirt on, with cut off sleeves that show off his glorious, tattooed arms. Sometimes his long curly hair will be down by his shoulders. Sometimes it'll be tied back out of his face.

But if there's one constant, it's that he is always there.

And he is cute.

Steve wants to talk to him, but he doesn't know what to say to the stranger. Doesn't really know how he would approach him either. Just walking up feels too weird, and forget sliding into the empty space on the bench beside him. Asking about the journal feels way too personal, too. And just saying "Hi, I've seen you around" feels sort of creepy (even though Robin assures him it isn't — it's just a conversation starter).

So instead of outright acknowledging him, Steve decides to be a bit subtler about catching his attention. He surreptitiously alters the course of his jog so that he runs directly past the guy, and if he starts wearing his old shorts from high school that are a little too tight, a little too short, well. Thats for him to know and this guy to notice.

It goes on like that for a few weeks. Steve jogging his new path, right past Cute Guy, trying to sneak a peek from his peripherals as he passes to see if Cute Guy is looking back. And either Cute Guy is really good about timing his looks, or he's just not looking.

It's kind of a total bummer. A real shame. But who knows, maybe Cute Guy already has someone at home. Or maybe he's not into guys. Or maybe he's just not interested in some random, sweaty stranger at the park who stares too much.

Oh well, Steve thinks. Even if Cute Guy isn't interested, he at least gives Steve something nice to look at on his run that isn't a tree so. He'll take what he can get.

And then one day Steve jogs past, not really paying Cute Guy much attention this time.

Only then he hears, "Excuse me! Excuse me, hey, dude, you dropped something!"

Steve slows to a stop, patting at his chest and pockets as he turns back. He has no idea what he could have dropped — he doesn't bring a whole lot to lose on his jogs in the first place, but there's no way Cute Guy is talking to anyone else.

But also hello Cute Guy is talking to him. Who the fuck cares if he didn't drop anything?

So Steve jogs back towards the guy, who is on his feet now, and jesus his jeans are tight. Steve approaches slow, tries to keep his eyes up, and comes to a stop in front of him. "Oh?" He asks. "I did?"

Cute Guy nods. "Yeah," he says, and holds out a little scrap of paper. He lets a grin (a dimpled grin, be still Steve's heart) spread across his face, tilts his head a little, and goes, "You dropped my number."

Sure enough, right there on the little scrap of paper, are seven digits and a name.

Eddie.

Steve looks back up at Cute Guy— at Eddie. Then he folds the paper back up and makes a show of tucking it safely into his pocket, pulling the zipper across so it won't fall out. He pats his pocket and grins back at Eddie. "Wouldn't want to lose that," he tells him. He sways forward on the balls of his feet, lifts a hand to his mouth like he's telling a secret. "Rumor has it that's going to get me a date with a very cute boy."

Eddie's eyes sparkle and his smile brightens. "I can assure you, that is no rumor."

[eddiesghxst]

PRICE OF FAME (PART 2/12)

hiii here's these two again, enjoy!!

————

18+ — MINORS DNI

pairing: rockstar!eddie x journalist!reader

summary: eddie still hates you, you're way too nice, and gareth fucked up big time

contains: enemies to lover trope, themes of sexism/misogyny, smoking, drug and alcohol use, reader gets injured (nothing crazy), eddie hooking up with someone that's not reader, mean eddie, sexual themes, a glimpse of needy n sad eddie, mild violence (eddie punches someone), and Eddie being nosey <3

word count: 5.6k

| previous part | next part |

| series masterlist | -main masterlist- |

Eddie can’t do it.

He can’t fucking stand you. He hates that you’re everywhere, always around, always lingering— like a fucking hawk— just silently watching and waiting for one of them to fuck up. And he hates that you carry that fucking journal everywhere, always jotting down notes about whatever bullshit you write about— and he’s sure it isn’t any good either way because most of the time, the band does the same shit every day. There’s nothing for you to write about. They do a show, hang out backstage, catch wind of some party, stay out until they can’t physically walk anymore, and crash as soon as they get to the hotel. 

It’s the same shit. Yet, you’re always writing something down as if something new has happened— as if it’s something intriguing and eye-catching. 

You barely talk for the first few days; you just watch and observe, and Eddie thinks this must be how animals at the zoo feel— on display and putting up some fascinating show. He hates it.

After the third show, you start to loosen around the edges and start actually talking, like a normal human being. You talk to Jeff the most, laugh at his shitty jokes and ask him questions about songs and lines he’s written in past songs, and Eddie hates that. He hates watching you sit next to Jeff and scribble in your journal as Jeff strums out a new hook. 

He hates that whenever he brings you up to Jeff and makes some snide comment about you, Jeff never joins in— just shrugs and says, ‘She’s not too bad, actually.’

As if Eddie would ever believe that.

Gareth hardly pays any mind to you; he's too busy checking out chicks and just… being Gareth, but you’ve talked to him on multiple occasions. Eddie’s caught glimpses of you two chatting at rehearsals or in the green room. You even sat with him at breakfast the other day, and Eddie— Eddie almost blew a gasket because that was his fucking seat.

You’re ruining everything, and nobody seems to notice except for Eddie, and it’s driving him nuts.

“Dude, you’re gonna scare her away if you keep glaring at her like that,” Jeff mumbles, turning back to his guitar as he runs a dust cloth over the neck of the instrument. 

They’re in the studio today because there’s no show tonight, and against all of Eddie’s wishes, Richie still invited you to come sit in for their session. Eddie watches through the glass of the sound booth as you settle in on the brown couch, pulling out that stupid journal and a pen, mindlessly clicking it a few times before writing a note. Ridiculous. 

Eddie glares at Jeff and works the gum in his mouth as he pulls a face, “Good. She can blow off the face of the earth for all I care.” He grumbles, sitting down in the metal chair beside Jeff. 

Jeff looks at him, raises an unimpressed eyebrow, and shakes his head, “She’s not going anywhere, man. You’re gonna fuck it up if you keep being so… hostile toward her.” He points out. Eddie leans back in his chair, pulling out a box of cigarettes and sparking up. “I’m not gonna be the one to fuck it up,” Eddie mumbles through smoke, “You guys are practically feeding her all the information she needs on a silver fucking platter. She’s a goddamn shark.” 

Jeff scoffs and says nothing more as he continues cleaning his guitar. Eddie glances at you and watches you talk to the producer, smiling and laughing at something that Eddie can’t hear because the mic is off and the door is closed. 

Aside from how annoying and creepishly lurk-y you are, Eddie can admit you’re pretty. You have a pretty face, pretty smile, pretty hair, a bright look in your eyes that Eddie can’t stand because you look at the rest of the band like they hung the fucking moon when they speak. You look at everyone as if they’re so important, and Eddie thinks that’s dumb. 

He glances at Jeff, watches him silently for a moment, and glances back at you, takes a hit of his cigarette before speaking, “You like her?” he asks.

Jeff glimpses at Eddie and laughs with a shake of his head, “Isn’t that precisely what you’re pissed about?”

Eddie shakes his head, “No, like,” he kicks the heel of his shoe into the floor, “Do you wanna fuck her?”

Jeff pauses his task and watches as Eddie puffs on his cigarette. “I have a girlfriend, Eddie.” He reminds the boy. Eddie glances at him and scoffs, “That chick from Chicago? Thought that was just for fun.” He responds. 

Eddie remembers the girl from a few weeks back, remembers Jeff sneaking her on the bus while they had dinner. He didn’t know they were serious.

Jeff shakes his head, eyebrows furrowing in disbelief, “No, man. She’s come to like every show— and her name is Naomi; she’s not a chick.”

Eddie grunts in response, burning to the end of his cigarette when Jeff stands up and nudges him with his foot, “Just talk to her, dude. She’s not as bad as you think she is, and she asks good questions— actual questions, about the music and shit. None of that,” he waves a hand in gesture, “stupid shit we get from reporters. She’s good. Just try.”

Jeff leaves Eddie to mill about it and finish off cigarette, snuffing it out in the ashtray sitting on the amp. Eddie doesn’t believe Jeff one bit; he thinks you’re a liar who’s mastered the art of manipulation and has weaseled your way into gaining his friends' trust. He doesn’t believe you are here for the music, as Jeff had said; he thinks— knows— that you’re here to find the cracks.

You’re here to find the cuts and bruises and press into them so you can tear them apart piece by piece. A starved monster, preying on his band for some sick and twisted story to feed the media so you can climb the ladder of your industry. Eddie has met and knows people like you, and he can call your bluff from a mile away.

He doesn’t believe Jeff. But he does, however, know how to play your game. 

The next day is show day— the fifth show of the residency, and Eddie is in a good mood. He woke up with a girl in his bed, got high, went for a short walk to a nearby cafe, and even signed a few autographs for some lovely fans. On top of that, you haven’t shown up for rehearsals yet, and Eddie thinks the world is working in his favor today if you skip.

He’s playful today. He jumps on Gareth’s back and makes him run down the rows of the arena, screaming and hollering like wild animals. He and Jeff take Richie’s golf cart and go for a spin backstage, giggling when the security chases them and tells them speeding backstage is prohibited. They don’t listen, though; Eddie ignores everyone’s warnings and keeps hauling ass down the nearly empty hallways, swerving around boxes and equipment like a madman.

And Eddie may be mean sometimes; he may push people's buttons for the hell of it and do things he knows he shouldn’t just to get a reaction out of it, but Eddie isn’t cruel. He isn’t a psychopath who likes hurting people, so he doesn’t mean to speed past you and spook you badly enough to stumble into a stack of road cases.

Eddie saw you, and he tried to warn you, yelled out for you to move out of the way, and even honked, but you had a pair of headphones stuffed over your ears so that you couldn’t hear the squealing wheels of the golf cart or Eddie’s warning. He almost took you out. Almost. But he didn’t because he swerved at the last second, and you panicked and stepped back, stumbling on the heel of your shoe and falling onto the cold cement floor, slamming your back against the black boxes.

Eddie curses and comes to a screeching halt, parking the golf cart and following Jeff as he jogs over to you, quickly asking if you’re okay and helping you to sit up. As you speak, your face is twisted in confusion, wincing and sitting up, “I’m fine, I just— I just fell, it’s fine.”

Eddie watches from a few feet back as Jeff helps you stand up, face pinching in an expression of pain when you put your weight onto your ankle, and Eddie doesn’t believe it for a second. “I think you might need to get that checked—” Eddie cuts Jeff off and speaks the first thought that comes to his mind, ��Why didn’t you move out of the way?”

You look at him, anger replacing your look of pain as you glare at Eddie. You grip the band of your headphones and wave it at him, “Because I didn’t fucking hear you, jackass.” You snap. “What, you couldn’t see the big ass machine hurling your way?”

“No,” you seethe, “You shouldn’t have been driving that fast anyways; this isn’t my fault. The least you could do is say fucking sorry.” You spat. And Eddie just thinks you’re a brat. Before Eddie can respond with an even bitchier response, Jeff is cutting in with a wave of his hands, “Okay, this is fucking stupid,” he scoffs, “just let me drive you to medic so you can get checked.”

Eddie doesn’t even bother helping Jeff get you to the golf cart; he simply watches as you fake your limp all the way to the vehicle and thank Jeff for helping you get in. Jeff looks back to Eddie and raises an eyebrow, “Are you coming, man?” 

Eddie wouldn’t willingly spend a minute with you if someone paid him to do it. 

He shakes his head with a scoff and tells them to go on, he’ll meet them at the stage later on, and Jeff takes off without another word.

“Did you try to hit the journalist with a fucking golf cart?”

Eddie’s good mood is long gone. 

After the whole golf cart fiasco, Eddie took his time walking around backstage and burning through cigarettes before finding himself in the room filled with snacks and drinks. He’s standing at the table filled with chips and sodas when Richie storms in and starts causing a goddamn scene.

“What—” “You know what I’m talking about.” Richie snaps. Eddie’s face twists in annoyance, “I didn’t try to fucking hit her; she didn’t move out of the goddamn way because she’s an idiot,” Eddie grumbles, returning to his task of sifting through the different brands of chips. Eddie doesn’t believe you’re actually hurt. That pathetic fall was as minor as a fall can get, and he thinks Jeff and anyone else who believes your shitty acting skills is dumber than a rock. 

Richie snatches the bag of chips out of Eddie’s hand and tosses them onto the table, ignoring Eddie’s protest as he speaks, “She sprained her fucking ankle, man.”

Eddie scoffs, “She’s faking it, Richie; anybody with brains can see that from a mile away.” He rolls his eyes. Richie looks at Eddie as if he’s lost his mind, as if Eddie is the worst villain to ever grace the goddamn planet, “You’re fucked up,” and Eddie’s stomach twists in some weird way he can’t explain. 

“You have some serious fucking issues, man. That girl did nothing to you, and you treat her like shit.” Richie spits, and Eddie hates how his throat feels tight, like someone shoved a golf ball down his throat. “Get over yourself.”

Richie leaves Eddie in the empty room, silent and, against Eddie’s wishes, feeling like the shittiest man alive. 

Eddie’s good mood feels like a dream now.

He’s silent throughout rehearsals. He sings his parts half-assed and plays his solos half-assed, too. You watch from the side of the stage, propped up on one of the road cases to take the weight off your ankle, and Eddie doesn’t even glance in your direction the entire time. He avoids you at all costs, leaving the room when you walk in, going the other direction you’re walking in, and even skipping lunch to avoid crossing paths. 

You’ve been like a ghost all day; everywhere Eddie goes, you’re somehow there, walking with a shitty limp as if trying to rub it into Eddie’s face that, ‘You did this. This is your fault.’ and Eddie can’t stand it. By the time the doors open to the arena, Eddie is more than ready to finish the show and steer clear of all traces of you.

You watched the show on the TV in the dressing room, silently snacking on a bag of Ritz crackers with your foot propped up on the coffee table beside the couch. The medic advised you to avoid putting pressure on your ankle for the next few days so you couldn’t have your usual front-row view of the show. 

The boys do good; they perform a new song they’re working on, and the crowd seems to have loved it. As usual, they get up to their ritual backstage antics, pregaming for whatever party they’ll attend, loud and obnoxious music, and cheering on whatever drinking game they’ve made up. You’re silently writing in your journal, updating the last entry on what you’ve witnessed today. Interpretations on the new music, drabbles on what you and Gareth briefly discussed about his childhood, and quick notes on whatever comes to mind while writing.

You hardly notice Eddie stumbling through the dressing room door until you hear him bumping into the side table with a curse. You look up, silently watching as he looks around the room, searching for something you’re unsure of. You try to keep your voice level to not scare him, but he is startled either way, “What are you looking for?”

His eyes are low, puffy around the edges from the alcohol he’d tossed back earlier, hair tousled with curly strands clinging to his lips. His lips are slick, swollen, and red, clothes askew on his lean frame. His jeans are unbuttoned, belt clinking as he sways a bit, licking his lips as he stammers, “Uh… my uh, my jacket—” he blinks, stumbling to lean against the door and blinking hard, “M’looking for my jacket.”

Your eyebrows raise as you watch him, the disheveled and captivating mess he is, bleary eyes gazing at you through a cloud of eyeshadow and whiskey. You breathe and point to the chair in front of the vanity, “It’s over there.”

His gaze follows your lead, landing on his strewn jacket, cursing as he walks across the room. You busy yourself with your journal, picking up where you’d left off. You can hear Eddie rustling behind you, and you try to avoid glancing back at him, but you fail, glancing in time to watch as he leans forward into the mirror to tug at misplaced strands of his hair. 

He’s silent for a moment before clearing his throat, glancing back at you through the mirror, “I’m uh… I’m sorry about,” he gestures to your elevated foot, forgetting you’re not even facing him, and rubbing the back of his hand to rub his nose and sniffling, “About your foot… Was really shitty of me.”

You glance back at him, a ghost of a smile gracing your lips, “Thank you, Eddie. I appreciate your apology.”

Eddie scoffs, pulling out a pack of cigarettes and shoving a stick between his lips with quivering fingers, “Yeah, well, that’s the first and last apology you’ll ever get from me so…” you silently watch as he lights his cigarette, puffing out a cloud of smoke and glancing at you through the mirror, “cherish it.” 

You quietly sigh and shift in your seat, ignoring his remark, “You going out tonight?” You ask.

You watch as he steps away from the vanity and walks over to the couch, plopping down on the farthest side from you with a deep sigh, “That’s the routine.” He mumbles around a cloud of smoke.

You nod, an uncomfortable silence settling over the two of you as you continue writing. Eddie is slumped down in his seat, quietly puffing on his cigarette as he gazes at you through low lids, “What are you writing?”

You look at him; pen paused over the sentence you’d been writing as you tilt your head, “I’m working on my piece… you know, the piece you’re starring in.” Eddie grumbles in response with a single nod of his head, and his eyes are so low you’d almost think he’s falling asleep if it weren’t for his determination to finish his cigarette. 

“Why— why haven’t you asked me anything?” Eddie asks.

You look at him, doing your best to keep a neutral expression as you fold your hands over the paper of your notebook, “I wasn’t under the impression you wanted to be… bothered.”

Eddie glances at you, scoffing, and you remind yourself that you’ve already somehow made the man despise you, so it’d be better to hold your tongue, opting not to remind him of the shitty attitude he’s had since you met. “I’m part of the band, aren’t I?” He shrugs, picking at the loose threads of his ripped jeans. “Shouldn’t I have as much coverage as… Jeff?” He mumbles, and you think he might be under the impression that you can’t hear him, but you do either way.

Your eyebrows raise, and you shift in your seat once again, “Well… would you like me to ask you some questions?”

Eddie is more gentle when he is drunk, you think. More pliable, softer. The stone-hard deflective shield he has thrown up for you has withered beneath the alcohol. Where his eyes are usually cold and sharp, they are now softer and telling— of what, you’re not sure yet. He shifts further into the couch and shrugs, and you take a deep breath and flip to a clean page, scribbling Eddie’s name in the corner.

“Okay, Eddie,” you begin, turning ever so slightly to face him. “Tell me about yourself. Tell me about who you are aside from the frontman of Corroded Coffin.” You glance between your notebook and Eddie, patiently waiting as he takes a drag of the burning paper. He looks at you, the majority of his face shielded behind unruly dark curls, and the room is so silent it’s nearly deafening.

Eddie shakes his head so gently you almost don’t notice the movement, “I don’t…” he bounces his leg once, “I thought this was about the music.”

You nod, “It is.”

Eddie gently blinks, like if he blinks too hard, the earth might shatter, and you think it’s beautiful, and you think you might hate that.

“It’s about the music, but I can’t write about the music without knowing the creator, can I?”

Eddie looks at you, eyes almost clear with lips parted around smoke. He blinks again, and you smile in encouragement, situating the pen in your grip. He looks at you, studies you, his gaze dropping to your awaiting hand, and his face twists in some expression you can’t put a finger on.

Before Eddie can speak, the door opens, both of your heads snapping toward the door as a tipsy Gareth pops his head inside, “Eddie, come on man, the car’s here.”

If Gareth had noticed the odd combination of you and Eddie sitting on the same couch, willingly enduring each other's presence, he wouldn’t mention it. 

You look back to Eddie, and you almost want to stop him as he gets up because, god, you were so fucking close. So close to finally touching Eddie. But he’s gone quicker than he came, the scent of his cologne and smoke lingering like a ghost, and despite Eddie giving you absolutely nothing to write about, you find yourself writing about him either way with nothing but his scent to aid you.

Eddie is drunk, and he can not, for the life of him, stop thinking about you.

A girl is climbing over him in the back of a taxi, and Eddie can only think about you. The look of pain you had when you stood up after falling, the way you looked at him as if he was the bane of your existence— it makes Eddie’s stomach churn, and he wishes the culprit for his nausea was the alcohol, but it’s not. Eddie knows it’s not because the second he thinks about the way you smiled at him in the dressing room, the way you said his name, the way you spoke so gently despite how much of an asshole he’s been to you, Eddie’s sick stomach settles and erupts in this annoying warm flutter.

Eddie can’t think of anything but the fact that he wants you to smile at him more, wants to hear you say his name again, and talk to him in your gentle way.

His face pinches in frustration, fingers gripping the girl's waist as she mouths at his neck. She moans against his skin, grinding down against his bulge and grinning when she feels him rut up against her. Eddie mumbles something, he’s not sure what he mumbles because his brain is split between worlds of scary feelings and arousal, but the girl laughs, scraping her teeth against his thumping pulse, “That journalist?” She asks.

Eddie blinks away the foggy cloud, “Huh?”

Lany pulls away from his neck and looks at him, biting her lip and tilting her head as she rubs up against him again, Eddie grunting in the back of his throat as his face twists in pleasure. “The journalist. You said her name.” Lany hums, drifting her hands up Eddie’s chest and grappling at the collar of his unbuttoned sheer top. Eddie blinks again and shakes his head, “I didn’t,” he denies.

Lany giggles, “You did, Eddie.”

Eddie glances over her shoulder, making awkward eye contact with the driver through the rearview mirror, and he slightly grimaces and looks back to Lany as she leans in, ghosting her lips over his and tauntingly whispering your name. Eddie grunts in protest, squeezing her hips in a warning. Before he can say something, Lany kisses him with a hum before pulling away to where her lips brush against hers as she speaks, “Did you fuck her?”

Eddie pulls away from Lany, a look of distaste on his face as he glares at her, “Did I— what? No,” Eddie cringes as if it’s the worst thing he’s ever heard— and it’s not, and Eddie… Eddie hates that, he thinks. “No, I didn’t fuck her. Are you serious?” “You want to fuck her then?”

“I want you to stop talking about her,” Eddie counters, dragging his thumb across her bottom lip and watching as he drags the plump flesh down, grinning when Lany nips at his fingertip. “Maybe put these pretty lips to good use, hm?” He taunts, grin widening when she nods and sucks his thumb down to the last knuckle, his jeans tightening at the feeling and sight.

And if Eddie did say your name, he doesn’t think about it. He doesn’t dwell on the fact that he’d been thinking of you for whatever odd, fucked up reason, and he doesn’t try to figure out what that weird flutter feeling is when he thinks about your softness, the softness he’s been depriving himself of.

He doesn’t dwell on any of it because Eddie is drunk, and when Eddie drinks, he thinks of and does stupid things, things that sound good at the moment but will screw him over in the long run.

And Eddie wants nothing to do with you anyway, and it’s not like one half-assed drunken conversation changed that, right?

Eddie’s got a blistering headache and a churning stomach as he stands outside the studio the following day. It’s drizzling, gloomy clouds drooping over the looming buildings of New York, and Eddie always hated this kind of weather; he preferred a full storm over the tease of a shower.

New York has never been Eddie’s favorite place, it’s dirty, and reeks of trash, and the people are shitty, but he likes how easy it is to blend in with the crowd; not many people notice him here, and that’s rare these days.

He’s leaning on the stoop of the building, tiny drops of rain dripping from the portico onto his leather-covered shoulders. A burning cigarette hangs between his fingers as he watches the traffic go by, taking slow puffs to ease his body.

He hardly notices you when you bounce up the stairs until you stand just two steps below him. He glances at you and sees the coffee cups in each of your hands. You extend one out to him, “Would you like one? They accidentally gave me two.” You offer.

And you’re fucking nice. Despite how shitty Eddie has been towards you, you’re still nice to him, and Eddie, for the life of him, can’t stand it. He thinks you’re weird, insane, stupid. Thinks you were probably dropped as a baby more times than anyone can count because there’s no way somebody in their right mind would willingly give him the time of day when he’s treated them as shitty as Eddie has treated you. He nearly ran you over, for Christ's sake.

Still, Eddie doesn’t falter, “No. Probably spit in it on your way here.”

You laugh, and it irks Eddie in a way that makes him want to shiver as if the sound were nails scraping against a chalkboard. He distracts himself with a drag of his cigarette as you say, “I didn’t, but thanks for the idea.”

Eddie grunts in response, focusing on the last of his smoke as you tell him you’ll see him inside before walking up the rest of the stairs. Eddie barely acknowledges you as you pass him, but he acknowledges the sound of something dropping beside his feet. He looks down with pinched eyebrows, eyeing the notebook lying on the wet ground.

It’s your notebook— obviously— he’d know that stupid journal from anywhere. It’s a pale yellow with two leather straps you like to tie in a lousy bow, and Eddie believes it’s an annoying color, but he thinks that has more to do with the fact that you chose it. Mindlessly, Eddie picks it up, shaking off the rainwater before it seeps into the pages, and he turns to give it to you because he’d assumed you realized you dropped it, but you’re gone.

Eddie blinks, eyeing the door and the book in his hands, and Eddie knows he should just follow you and give it back because that’s the right thing to do. Knows he shouldn’t peek inside to see what your mind is like, knows you’d probably kill him because Eddie would do the same if anyone looked into his thousands of journals back home, but his fingers itch, and before he can stop himself, he’s flicking his cigarette bud away, leaning against the building and cracking the front page open.

Eddie’s not sure what he’d expected. Maybe something interesting, like a list of dudes you’ve fucked or some rant about a friend, but Jesus, how much more boring could you get? Grocery lists, reminders to book appointments, dates for work meetings, boring shit that Eddie could care less about. He flicks through nearly half of the book before anything piques his interest, snickering when he comes across a page of you talking about a guy named Danny, “What a sap,” Eddie mumbles to himself, softly chuckling and turning the page.

He flips through a few more pages before halting because Eddie's name is right at the top of the page. 

The door opens, and he jumps, fearing you might be searching for your lost journal, but it’s only a staff member. Eddie watches them trot down the steps before returning to the treasure in his hands, eagerly reading as if the book will turn to dust before he gets a chance.

And Eddie thinks he’s fucked up, screwed up in ways he never really wants to address. Despite Eddie’s outwardly attitude of thinking he’s the best at everything and knows all, there are still ugly parts of him that he so badly wants to reach inside and pull like weeds from a garden, crack his chest open, and take it from the root; pieces of him that can make him crumble quicker than a house of cards on a rickety table. 

However, the way you write about Eddie— the words you use and the so careful placement of each thought— it makes Eddie feel something he forgot he ever could about himself, and he doesn’t like how it makes his insides twist. He hates it. Eddie hates that you can read him as if he’s a fucking children’s book. Hates that you can see and point out parts of him that have been lost for so long he’d thought it was a dream. He can’t stand it. 

But as much as Eddie swears he hates what you’ve written and as much as he hates that it makes him feel something other than disdain, he can’t stop reading. He wants to read all you can say about him and only exist in the imagery you create of him because Eddie, for once in a long time, is someone in your eyes.

You write about Eddie like he is a person, a human being with real feelings and depth and a history of memories you’ve never seen or heard of before, but you still somehow manage to paint him so clearly. Inside your words, Eddie exists as more than the entity that fame has created him to be, and Eddie can’t remember the last time he read something about himself and didn’t feel like a pawn. 

It’s… refreshing.

Eddie flips the page, thinking there will be more you’ve written about him, but he’s selfishly disappointed when he realizes it’s just a personal entry. He scans the page, nearly deciding to close it for the day, when he catches a glimpse of a familiar name— Gareth.

It takes Eddie a moment to fully grasp the words you’ve written, the meaning of what exactly you’re explaining that you’d apparently discussed with Gareth. As soon as he lets the words settle into his chest, he’s storming into the building quicker than he can comprehend.

Bursting through the room of Richie's rented studio, Eddie makes a beeline for the sound booth where Gareth is busy tapping out a steady beat.

Eddie barely acknowledges you and the rest of the band in discussion off to the side, but his abrupt appearance has halted all conversation in the room. He storms up to Gareth behind his drum set and wastes no time gripping the man’s collar, gaze lit with fire and words seething as he leans in and glares down at the man. The room goes silent as soon as the question leaves Eddie’s lips, “Did you fuck Chrissy?”

Chrissy Cunningham was Eddie Munson’s high school sweetheart.

As the story goes, Eddie spent the better part of high school crushing on the cute captain of the cheerleading squad. For as long as he can remember, Eddie had been labeled as the school freak— something to do with his love of fantasy games and ‘odd music taste’— so he’d never imagined he would get a chance with Chrissy, but that all changed after a weird spiral of events they experienced together.

Eddie and Chrissy dated for a few years until Corroded Coffin went big. The long-distance trial of their relationship didn’t last long; Eddie rarely called Chrissy, and when he did call, they could only ever find time to argue about whatever Eddie had been photographed doing. Chrissy never came to watch the band once they moved out to LA, and she broke Eddie's heart the one time she did. 

So, it’s no surprise that reading the words in your journal has twisted the knife that’d been lodged in Eddie’s chest for so long that he was sure he couldn’t feel it anymore— he was wrong.

Gareth is looking at Eddie as if Eddie has asked him if the sky is blue and Eddie’s mind is a whirling wind of fire. “What are you talking about, man?” Gareth’s eyebrows pinch in confusion.

Eddie sneers and pulls him closer, Gareth leaning so far off his stool that Eddie's grip on his shirt is the only thing keeping him from the ground. Gareth drops his drumsticks to grab Eddie’s wrists as Eddie speaks, “Don’t bullshit me, Gareth. Did you fuck Chrissy, yes or no?”

Eddie looks at his best friend, and he sees lies, something he’s never had to associate with their friendship, and it almost hurts him more than what Chrissy did. Gareth stutters, shaking his head as if he wants to say no, tries to say no and deny that he slept with his best friend's girlfriend, but he can’t.

Gareth whispers Eddie’s name so quietly Eddie nearly misses it, but the quiver in his voice is all Eddie needs to hear to know the truth. Eddie doesn’t take a second to think before he cracks a closed fist down on his best friend's cheek, sending him back, crashing into the symbols in a clatter of noise.

He doesn’t wait to hear Gareth’s spew of apologies, and he doesn’t wait to listen to the pathetic excuses he makes up because he’s marching over to you next, a scowl on his face as he tosses your journal into your lap, and you look up at him in shock, “You dropped this on your way in.” 

And if this is the end of Corroded Coffin, then Eddie’s sure you’ll have one hell of a story to write. That’s what you wanted all along, isn’t it?

A good story.

————

part three

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a/n: AHH U MADE IT TO THE END, PLS LET ME KNOW HOW U LIKED THIS PART I LOVE TO HEAR UR FEEDBACK, ILY BYE

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cutie lil taglist: @mastermindmiko @whataboutbibi @ryanmxrie @ihatepeanutss @tlclick73 @motherfckerrr @emxxblog @jesssssmaybankk @eddiesguitarskills @bibieddiesgf @chloe-6123 @micheledawn1975

[bucca2]

okay not to wax poetic about a minor side character in Skyrim that annoys the fuck out of most people, but it really does sadden me that most people are like “he’s annoying, kill him!” and then do no self reflection on the fact that they only killed him because of a petty personal gripe and because they were sent to do so by a power tripping traitor who LATER ALSO TRIES TO KILL THE LISTENER THEMSELVES.

For a long time I’ve had Thoughts™ on the phenomenon of Gamers (derogatory) who treat any NPC who is even slightly an inconvenience with disproportionate and often violent vitriol, but this post is already getting long. General musings on the tragedy of Cicero’s character and how it’s objectively the wrong choice to kill him below.

Thanks to my partner @wrenanigans I’ve had reason to re-examine Cicero’s character, and his past just makes me so deeply sad. Of course, his journals only cover DB-related events, so maybe he had a personal life he just didn’t write about, but it kind of struck both of us that he feels the loss of his fellow DB members so keenly and yet never really mentions any personal relationships outside of obligation to his fellow assassins. (i.e no family or lovers pre-insanity when he was a normal, extremely capable man) Like of course he went insane. The organization that was his entire life’s purpose not only promoted him to a position where he could no longer do what he joined them to do, but then he watched the organization dissolve around him and all his friends be slaughtered.

Then he was alone with the Night Mother waiting for her to talk to someone and give him direction for eight fucking years!!! Of course he went completely off the deep end! If I was isolated, paranoid (but is it paranoia if they’re actually out to get you?) and constantly on survival mode for that long, I’d be relieved if being a little quirky and doing little dances was the extent of my deviant behavior! (The murder comes with being in the Dark Brotherhood, so I don’t wanna hear any whining about him being stabby. Murder isn’t OK if the Dragonborn does it, but suddenly immoral if people you don’t like do it. In video games.)

I think for most people who don’t put much thought into Cicero and his actions, they just vaguely think “oh, Cicero betrayed the family and tried to kill Astrid, so killing him is justified irrespective of her later betraying us”, which is simply not true. There’s a very interesting post I saw floating around lately about how you can’t treat religion in fantasy worlds like TES the same way you would with religious groups IRL, because in TES there is tangible proof that gods exist, and they can and will fuck with the mortal world for their own whims. The point of the DB quest line is that the Tenets matter, and straying from them and the Night Mother almost snuffed the DB out for good. The narrative of the game explicitly justifies Cicero’s actions and QUITE LITERALLY tells you that killing Cicero is not the right call.

TES has a lot of creative interactivity with picking your own outcomes and going with your own solutions, but quests don’t usually end with “go kill this guy. but you can also spare him… ;)” They usually don’t give you an old wise dude whose spirit you can summon who tells you not to kill that clown. And then if you spare Cicero, he comes back and is a potential companion. Like…I don’t know how much more obvious it can get that you’re not supposed to kill Cicero. I get for most people it’s not that deep, but this is TES. We talk about lore here.

[atalana]

so i finally got the chance to read the book of bill! and man those journal 3 pages, i could write a million essays on those, but the principle one that i can't get out my head is the new insight on ford's whole fucked up paradigm of what love is

like, neither of the stan twins really know how to experience unconditional love, because they never really had it. their dad was constantly comparing the two of them and really just stamping down stanley's self worth at any given moment. and even for ford who was praised, he's not an idiot, he saw how stan got treated all the time, and their dad was very explicit as to why. ford's praise and attention hinged on him being the family genius who could make them all a lot of money, and he knew very well if he failed to live up to that, he would also lose his father's love

and you see this in stan in his desperate need for everyone to like him, but also how he doesn't really believe anyone ever truly could love him, so whenever he gets the chance with anyone he clings onto that relationship as tight as he can, terrified it's going to disappear at any second

ford, meanwhile. the more direct threat to him was the bullies and the people that made him feel lesser for being abnormal. and no kid likes feeling like that, we know it's a spike buried deep in his psyche, which gave him a reason for the dichotomy he ends up forming.

when he was a kid, people tended to fall into two categories - those who were really impressed with him and his potential, and those who saw him as a freak and wanted to drag him down for it. the love he got and the hate he got are directly related to both.

and as a result ford is constantly looking for people who will give him intellectual gratification (what he thinks love is), and he categorises everyone else as "unimportant obstacles in my way" (because that's how he thinks about those bullies, so their words won't hurt anymore)

stanley was the first category, until he sharply became the second

and splitting the world into those two categories makes him an absolutely horrible person! like, one hand yeah, you do have sympathy for ford bc that is straight up torture bill put him through and no one should have to experience it (and i do wanna make clear this is not a ford hate post, he does have good qualities im just interested in the bad rn)

on the other hand though, god, i'm always struck by just how hateful he is towards so many unimportant things (just one of many examples, christmas songs are fake and stupid bc rudolph didn't burn santa's workshop to the ground as revenge for ostracizing him like jesus christ dude)

or the bit where he sees one of stan's shitty product ads and considers calling him and pretending to be a cop just to scare him, because in ford's mind that's a punishment he deserves for daring to look so stupid while sharing ford's face

and it just drills in how much ford is not willing to see stan's side of this in any way, because what do you think would happen if you went through with that plan? don't you know stan's already scared enough? you saw him get kicked out, you saw the ultimatum that came with it, and hell thanks to the book of bill we know you were also scared to go home until you had something to show for it. he's trying his best, and you understood that once. but then stan throws your journal back in your face and you yell that you're giving him the chance to do the first worthwhile thing in his life.

everything he did to try and make something of himself, to try and prove himself worthy of literally any love at all, you didn't care about that. now he's in a position to help you, so of course he should just drop everything and obey your orders to the letter without question. that's the only way to redeem himself for getting in your way, why won't he take it?

by the time bill shows up ford felt fully justified in going "this isn't about me, and therefore it's stupid and unimportant and should be destroyed". and i know exactly why, it's because again you think intellectual gratification and love are the same thing and you're running low on both right now so you're trying to make up the difference by affirming how right you are in your goddamn diary, but right does not make you good or kind or wise

and that makes it kind of a self fulfilling prophecy, because loving you is hard, and the one person genuinely willing to do so unconditionally you're keeping at a very aggressive arms length. but you fall for bill so easily, because he understands how important you are, which must be love, and all of these other people worried about you just aren't smart enough to get it

and not even realising bill's lies could cure him of that one. hell, 30 years spent dimension hopping didn't cure it. when ford gets back he is still just as self righteous, and still willing to categorise dipper as "will give me intellectual gratification" and the rest of them as intrinsically less valuable

which is why dipper can't take the deal ford offered him. if he had, he would have turned out exactly like ford, stuck in his own echo chamber unable to tell the difference between love and praise

mabel says at one point in the comics that the reason the two grunkles are bad at looking after kids is because they still are kids, and that's a really accurate insight. that old wound cut so deep neither of them had the chance to actually move past their childhood, and discover what it was they were missing

stan never stopped wanting his brother back, but ford didn't realise that was what he needed too, until he saw mabel and dipper working as a team against bill. he's acknowledged his mistake in trusting bill before now, but "we used to be like that" is his first time acknowledging that his whole approach to people is wrong.

you've always had one source of unconditional love. you didn't need to be better than him to be worthy of it. and now you've got an entire new family, hopefully you'll realise that can come from multiple fronts

(and it's okay stan shall have his revenge for how you treated him by commiting just. so much tax fraud in your name)