#LOVE HER!!! WRITE ABOUT ME!!!

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[herhurthoneyheart]

I will forever be the person who says "it’s okay, I understand.." even when my heart is breaking into pieces..

[ministarfruit]

day 10: love is devotion ♡

(femslashfeb prompt list)

[sea-webs]

"I don't know who I want to be, anymore."

Oc - Cirque | The Dragon Chosen by the Shadows |

| mary oliver / franz wright / chelsea dingman / mary oliver / sue zhao / can't find :( / can't find :( / i am a dog. i have blood all over my teeth. - sciencedfiction / little weirds - jenny slate / the unabridged journals of sylvia |

[poorly-drawn-mdzs]

Gaslight, Gatekeep, Girl found dead in a hidden room.

[First] Prev <–-> Next

[mipexch]

sixnine dump

[raviollies]

I know it's been said but the changes to Maria really grate on me because....this doesn't even read as the same character anymore. Maria's design was purposeful, a very clear specific concept of a 'cool sexy girl who wears leopard print and crop tops, and have a belly button piercing and a tattoo' - it combines to a stand out character portrait of not just Maria but of James, because THATS what he finds sexy and was a stark contrast to modest, sickly Mary. The new design literally just looks like a teacher or a manager now, what the hell is that supposed to tell me about either of their sexualities.

And no this isn't a case of 'tHe cEnSorINg' - this is just misunderstanding the themes. Maria wasn't needlessly sexy, objectified for the viewer; her sex appeal was referenced in the story, and was an important part of it, one of the MAJOR themes.

[stellanix]

(genshin impact spoilers incoming)

one aspect of furina's characterization that's pretty understated but that i really really really love is her intelligence and curiosity. usually in genshin, when a character's intelligence is an important trait of theirs, there are aspects of their design, writing, voice acting, etc, that very clearly tell you "hey this character is smart." albedo, for example, wears a labcoat, is always saying big sciency words in a calm, rational tone of voice, and other characters are always talking about how smart he is

but furina? nothing about her on the surface suggests that she's a "smart" character - quite the opposite, in fact. superficially, she's introduced as a bratty, conceited, overconfident person who actually has no idea what she's doing. we eventually learn in the archon quest that that was all an act, but even after she regains her freedom, nothing about her really seems archetypically intelligent, at least at face value

instead, furina's intelligence is always shown rather than told (the only exception being nahida's voiceline about her). she had an intelligence network across teyvat feeding her information, and we saw in the flashback how she directed researchers to study the prophecy and potential ways of stopping it. before things like lyney's trial or directing the two musketeers, she'd stay up all night planning and piecing things together all on her own. she loves learning new things, she has lines in the teapot about how, when she's interested in something, she wants to become the most knowledgeable person in the topic, and also how she'd like to disassemble the teapot itself to learn how it works, and she's quick to learn new skills (like surfing). and, of course, she's well read, and quite possibly teyvat's foremost expert on the performing arts

i like how furina sort of defies the concept of character archetypes. she's initially presented as an archetypical bratty, dramatic, spoiled popular girl, but that was a role she forced herself into because it's what people expected of her. but the real furina, while still retaining some of the flamboyance from her archon persona, doesn't really fit into a clear mold. she's smart without being a super-genius, and she's kind without being a soft-spoken doormat. it makes her feel multifaceted and real, and i really love that!

anyway, this is why it makes me mad whenever i see people calling furina stupid, cuz she's not!

[racke7]

De-aged and injured Danny

Danny is found out by his parents. They don't take it well.

Clockwork is very upset about this, because he'd gambled on almost-certain odds of them being chill about it. So now he has to run damage-control before this very unlikely time-line goes even further off the deep end.

Unfortunately, Danny needs to be in the living world, not the Infinite Realms. Which means that Clockwork needs to put Danny somewhere safe. Somewhere where nobody will find him.

And double-unfortunately, the only place that remotely fits this bill is to contact Lady Gotham.

City-spirits aren't... super-reliable. They're Neverborns who very very rarely consider "humanoid shapes" worth figuring out. So they just kind of... exist. An ectoplasmic presence that's undeniable, but also extremely difficult to have a conversation with.

Thankfully, Lady Gotham is (for all of her... quirks) generally very hero-aligned. Which is why she's the best one to ask for sanctuary for Danny.

Danny who Clockwork de-aged as a way to "limit his injuries" of being vivisected.

Lady Gotham agrees, but she only has one "safe place" to put him. And her Knight is a little bit too paranoid for her to just dump an injured child in his lair, without causing more trouble than it's worth.

But it's hardly a difficult thing, to arrange a few things, and place Danny in a spot where his injuries will cause her Knight to hurry to his aid.

Such as... in a room filled with medical equipment, right next door to where Joker has just lost a fight with Batman.

Things escalate somewhat when Batman finds him and makes some assumptions about what Joker has been up to. Tempers run a bit high, someone loses a few extra teeth, someone else has to physically drag Bruce off Joker's body before he beats him to death, and the Joker considers the whole thing a grand old laugh (he has no idea what's going on, but it sure pissed off Batty, and that's always a treat).

Of course, the Batfam has to actually investigate the scene, evacuate Danny, give Danny medical aid, and then also ask Danny about what happened.

Danny wakes up and is very confused about a lot of things.

He's no longer being vivisected. Great. Love that part.

He's somewhere he doesn't recognize (the Batcave). Could be good, could be bad. At least the bed is pretty nice?

He's very small. This feels like a personal attack. He might not have gotten a good growth-spurt yet, but taking away what he had is cruel and unusual.

And there's a weirdo in an... armored bat-costume? Who isn't setting off his ghost-sense? What the hell kind of "normal" person wears something like that?

Still, Danny does answer the questions that Batman asks him, because... well, there's a green post-it-note in his pocket that says he shouldn't lie.

So Danny tells Batman about his parents cutting him up "for science". And Batman hears that the Joker somehow managed to hire two mad scientists who (upon the tiniest bit of suggestion from the Joker, who'd definitely seen the similarities between Danny and Jason and thought it would be a "funny prank") had leapt at the opportunity to vivisect their own son.

This is definitely worrying, because from the phrasing, they'd been "wanting to do it for a long time". And considering Danny's slow heartbeat and low body-temperature? They'd been wanting to do it because he was a meta.

So, somewhere out there (the Bats had found no trace of the two) were two deranged lunatics who wanted to cut open metas to "see how they worked".

Batman does the very reasonable thing and actually contacts the rest of the Justice League with their descriptions, just in case they'd managed to leave Gotham before the Bats had tracked them down.

[mrinafria]

And I’d choose you; in a hundred lifetimes, in a hundred worlds, in any version of reality, I’d find you and I’d choose you. (CoS)

[contains spoilers; tw: blood]

When they ask me about the purest love story out there, I'd show them these two.

It's not the sacrifice per se that makes it great for me, it's the way they feel about each other, about the love they give and receive. Even in their last/worst moments, they somehow find the courage because the other one is safe? Im Sol is scared out of her mind handling this traumatic ordeal on her own so she seeks help from the detectives. Her only peace of mind is that at least Seon Jae is safe. Then she learns about his phone call and doesn't spare a second to run. The same girl who was so scared a while back throws all caution out of the window the moment Seon Jae is in danger, because she'd risk her life than Seon Jae's. Can you imagine the trauma seeing him dying for the third time, and her actually witnessing it this time around? If I were Im Sol, I would do anything to not have to go through that too. Even if it meant losing the person so they were never my person to begin with.

And Seon Jae. Boy is dying. Dying. You can see it in his eyes that he's aware of it too and yet, he is so grateful? So at peace with himself and with life? Like he has no regrets about any unfinished business, unlived years, unattained dreams, unspoken words to his loved ones. He already told Im Sol he loved her, and she reciprocated. That was enough. For him, that was good enough.

I go back to this scene like a masochist because THE DETAILS. By the time Im Sol arrives, you know Seon Jae is beyond saving. He knows it too. He's not even trying to escape or save himself. It looks like he's been holding on on his own for a while. His face has turned ashen, breathing uneven, hands slightly shaking. He's barely holding it together. Barely there.

However, he is not trying to push that guy away or take that knife out.

Instead, he's holding that guy's hand.

Let that sink in for a moment.

He is holding on to that hand. JUST SO HE CAN HOLD ON TO THE GUY.

Since the taxi driver is at an advantage here, and Seon Jae knows he cannot fight back anymore, so he is using whatever he can as a last resort to keep the guy occupied with him, and keep him from going after Im Sol. Seon Jae could perhaps guess Im Sol would arrive any time since the cliff was where he'd found her earlier, sitting in shock. But even if she didn't make it, you can bet he'd have spent his last breaths trying to fall off the cliff taking the guy down with him. THIS SCENE. The resolution is so clearly etched on his face.

And then he sees her. And the detectives. She is safe. She is saved. He did it. He saved her. And it's the Im Sol who knows him, who recognizes him, who loves him. She is safe, and that's all that matters. He saved the person he loves more than his life, literally.

His job is done. The choice he made gave him the outcome he wanted and desperately fought for.

And he is exhausted. All that resolve took a lot out of him. So we see his body finally giving up, him finally letting go. He resigns to his fate, but also not in a resentful way. He knew this was his fate all along (because no matter what choice Im Sol made, he'd choose to run toward her any day), it just happened earlier than expected. But he knew it, and he still made that choice. He doesn't regret it because he'd be making the same choice in every timeline (as he has been). He is able to see his Im Sol for one last time before his eyes close, with memories of their time together and Im Sol's voice echoing in his ears, his soul.

Sometimes you know the consequences, but make the same choice anyway. Because you like it.

The faint smile on his face in his final moments before he falls off the cliff? You'd think the boy won a gold medal for swimming or something. It's like he's achieved the biggest purpose there was in his life besides loving Im Sol. True to his words, he is grateful Im Sol exists in the world. That he got the chance to love her because she exists in this world. And he is thankful he gets to leave the world knowing Im Sol still exists in the world, his gift from the heavens.

One is jumping through space and time, living the same nightmare, constantly, over and over again, and yet going out of her way to save her love. Even if it means carrying the trauma and heartbreak and pain and loneliness and longing of three, four, multiple timelines, for the same guy. The other is making the choice to love her through all the storm, all the warnings, all the odds of time and space and fate stacked against him. How could you be so brave when fate is both so very kind and yet so extremely cruel to you no matter what you do? How do you choose to persevere? How do you get to have a love so pure?

Should I be ready to die if I want to be with you? - Ryu Seon Jae

[arrestedexgirlfriendafterhigh]

Currently reading the 3rd EAH book (the wonderland one) and Lizzie Hearts owns a portion of my heart.

Shes just, painted a lot simpler in the show than in the books. I get that you only can use her dialogue really compared to the book where you basically read her thoughts, but like theres so muchhhhh. Shes complex. And babygirl<3

[mmmelahii]

Did you know? That she dreams of you more nights than not. You propped upon her lap; regaling her with the machinations of your mind while she brushes your hair. Pausing only to press a kiss on your candle warmed cheek. She mourns your death as you live.

[starrysharks]

wawawawawawawa

[turtleblogatlast]

Things I make for myself when insomnia kicks in

Just a chart about what I wanna change up and keep consistent in my art - I mainly wanna draw Raph with a tail because he deserves one, it fits too well. Donnie gets a long tail too because I didn’t realize how dino-like he looks until I gave him one, and now it’s a must for me haha.

[akechi-if-he-slayed]

more p5 text posts but it’s kind of just shuake and akechi

[aslanvlad]

Arina never stop writing for RC please