#Like I genuinely can't really think of any positives

[chiprewington]

Character Analysis on Chip Revvington, the Chainsaw Consultant.

Genuine Long Post Warning, as well as a LOT of images. This is going to cover literally everything we know about Chip and my take on what's provided In Canon (being his Cogs Ink profile, his Interview, the 1.3 News Article, and In-Game). This is my first try at an In-depth Character Analysis. Screenshots used are from the official Wiki.gg, In-Game, and from the Corporate Clash News Archive.

Prior to being brought on to lead the Deforester Force, it's shown he's clearly a confident Suit, and has a genuine passion for his line of work as a consultant. With his personal statement alone this can be seen on full display with how he writes about himself, including noting how he's not swayed by bribery in any manner. (also the fact he outright pokes fun at one of the bribes will never not be funny to me)

Not to mention his lack of discipline records throughout his 19 months having already worked for C.O.G.S. with his usual job as an external consultant, this plus the fact he has "positive remarks" from his previous places of work shows he's probably in very high demand and really does excel at his job.

This is also shown in his interview, where he also equally shows a lot of passion for his job and genuine interest with answering questions relating to it. Before we get into that though, I feel like it's important to also point out a couple other things that I think about a lot with his profile.

This, being referred to as the "Temperamental Terminator" in the 1.3 trailer, and considering the average age of a Consultant is ~40+ years (and I personally hc him as 48), I think it's safe to say Chip just always was a quick-tempered individual throughout his life. It's one of his less favorable traits that I personally find charming.

And these read to me like Chip's always been considered "scary" among other suits. His behavior isn't the issue (yet) though, he's just a massive guy who happens to have a chainsaw for a snout.

Which. Makes this very interesting. Jennifer, stated something similar above, but I feel as if her intentions are more... unaware than the actual company's. Jennifer sees a guy with a big Chainsaw and thinks "Oh! He can cut down trees with that!" Jennifer ily. The company on the other hand probably has had this idea of what Chip could be a candidate for. They hired him to lead the Deforester Force. His job consists of him sitting in an office. Nothing relating to physical labor in cutting down trees, he just oversees the process. "Chainsaw apparatus will be helpful [...]" suddenly takes on a much darker meaning, in my mind.

Which is how we get here. Chip being modified with a clearly experimental hardware which we all know as the Personality Override. The fact that it was only "partially successful" is a very fun thing to consider.

Note the fact that from a canon standpoint the Override was implemented "2 weeks ago". This will be important later.

(The toon who got the above screenshots is not mine!)

Another fun side-note is the fact that the Override is experimental. It's experimental hardware. Chip is the only one with it. They are using him like a guinea pig. And not to mention "Dealing with Toons far more efficiently" paired with the above company-sourced "Chainsaw Apparatus will be useful [...]", you can't make this stuff up. They turned this guy into a living weapon likely without him knowing the full scope of what would happen if he did get this position in the first place.

Okay. Now we can talk about his Interview. Which even through glancing at it you can see just how passionate he is regarding his work. He is driven and confident that his plans for the Deforester Force will work. He wants to believe that he'll set an example for the rest of the departments to execute a similar plan.

And then this question comes up. And then I have to remind you it's probably been only a couple days since he's modified. And he already has rumors circulating about him.

And the moment the subject is changed, he perks right back up into being passionate about his work.

I also feel like it's worth mentioning the fact he's been actively requesting and wanting Spruce (who recommended him to begin with!!!) to join him in the Deforester Force and keeps being turned down on it. The way this and something else I'm about to touch on are written feels like he's barely been able to see him. These two have a brotherly bond and they're being separated. He misses his brother, man.

That's not even getting into this. Even as I'm writing this I just realized the implications of something at the end of this and I'm going to have to pace around my house thinking about it. But also you can see that even though just the slightest amount of time has canonically passed since the interview, you can already see the toll the Override's been taking on Chip's behavior. While he was once passionate, he's now actively complaining about his job. It's not even about the job itself, it's about what's happened to him.

Not to mention, I feel it also displays his temper in full swing once again- even if he's justified in this sense.

I also need to pay special mind to this ending bit right here because the implication of this with everything else surrounding it fucking broke me. uugghhhhh.

Now this is something I feel is so, so, so important to his character. He actively does not like toons. He clearly shows a certain disgust for them and views them like Animals. Pests. He doesn't hesitate to proudly state his opinion on them. And then you see him in-game.

He hasn't changed his mind about toons at all. Ignoring the fact that "you critters again" insinuates this isn't even his first contact with toons (will get to this later), he's... Restrained. I don't know, this reads to me like he's actively restraining himself from blowing up. "You don't want to see what happens when I get angry." is a warning to just comply and leave.

And then because he doesn't remember he fired the rest of the Deforester Force (another thing I want to touch on), he actively gets upset and angry at the remaining flunky because of course someone as high-rank as himself wouldn't want a Flunky on such an important team. Once again, additionally showing his active temper. His active temper he just tried to restrain and bottle up.

And that's what breaks the camel's back. The Override most likely activates from excessive anger/distress, something that Chip Actively Struggles With. He has to bottle himself up because if he tries to be his usual hot-tempered self, which is who he naturally is, he's just going to lose himself. Lose himself to cog knows how long as being a lifeless machine that perfectly and efficiently complies with the commands its given.

He begs for help when he's able to partially regain control (emphasis on partially, considering the most he can do is speak and prevent Deadwood from happening), but like. Again, to me this reads as the fact he is currently Incredibly Fucking Terrified because he's completely aware the whole time the Override is active. He can see himself acting against his will. It's mortifying. He's willing to beg anyone for help because the Override is genuinely traumatizing for him.

Which makes this all the more harrowing. He can't keep the Override at bay forever (likely the only reason why he partially regained control is from the sheer amount of pain he put himself in by ripping out one of his bulbs. You can see him brace himself and wince when that happens). Once again, "save yourselves" in this context feels more like he's scared. He's terrified. Because the Override sucks. And the implication of "ALL RAM CLEARED" doesn't leave much room to assume anything other than the Override likely clears out Chip's memories in order to make more processing room for this janky hardware to run at a constant overclocked state. I wonder how much of Chip's memories have been removed because of that thing, honestly.

By the way did you know that a normal chainsaw runs an average of 12,000 RPM. Do you think about how the little RPM icon is his saw smoking as if it's overheating. What the hell is the Override doing to him internally.

Another added touch I think about a lot is how his battle as a whole is, for the most part, very predictable. You control what cheats he does. Even in technical battle terms, everything is out of Chip's control. As long as every gag hits, you're really just manipulating an enemy's AI to to make the most optimal choices to your benefit. The Override perceives "X", and responds with "Y". You're not fighting an actual individual, just a program.

Clearly, whatever it's doing to him, it's painful (not mentioning the agonizing scream he lets out during this). And thank Cog he was able to regain control at the last second because it's way too obvious that the Override's "final fallback procedure" likely involved some kind of lethal force when it lunges at the toons. (The Chainsaw Apparatus will be helpful.)

There's no sorrow in Chip's words, that's what I think. Everything here is bitter. It's numb, to me.

He's clearly been through this song and dance multiple times by now. He's pissed at the toons, at the company, and at himself. But he can't properly let it out. You know what will happen if he does. The most he can do is throw a chair and scream into the air. (which that line gets its own custom voice clip, fun fact!)

It's clear he's been isolated ever since he's been upgraded, and it seems like he's bitterly accepted it. The only thing he has left to lose is Spruce, which is why he tells the toons not to tell him. If he loses Spruce...

I don't think he'd have much left. It'd make sense why he's grown so restrained and numb and stilted in his speech. He's quickly grown to learn that he can't let himself express anymore, all because of the override.

The fact that everyone else around him views him poorly doesn't help. His employees fear him. Most of them probably don't realize something is wrong, spread rumors about him, or outright attack him through hatemail. Written in Cipher.

"Chip has some anger issues. I would be careful around him. Don't worry about the Cogs though, I'm sure they'll be fine. Might get demoted back to their initial tier, but that's what happens when you work with Chip. Good thing that Toons can't get fired-- or wait, they can, can't they? Do Toons LIKE getting fired? I will never understand those animals. And you seen Spruce around lately? I haven't. I wonder how his deforesting expedition is going. There is a secret message up ahead in Chip's room. Can you find it? If you are stuck, have you considered looking around your surroundings?"

"I can't stand Chip anymore. I know I'm a Yesman, but I have to say NO. He used to be cool up until his sensors flared off. After what he did to my fellow coworker, I don't know if I can continue working under him. Sure, he's one of the most organized managers I've ever worked with, not to mention the flowing passion he has for the Deforester Force. His personality issues can single-handedly cause all of our projects to collapse. One of my former coworkers had raised concerns about Toons taking over our buildings and ultimately undoing all work that was done on our end. That poor Pencil Pusher overstepped his boundaries with Chip when he admitted his failure to secure "our" project from the Toons. Up until this point, I have never seen a Cog fire another Cog. With a cannon."

"It grinded my gears when I saw that happen. Him and I worked nonstop for days straight, while this pile of bolts just sat there doing his paperwork. I wouldn't be surprised if he was just doing crossword puzzles or writing letters to his little buddy. If you are reading this Mr. Revvington, you are the reason for our decline. We are running out of Deforester Force members because of you. As someone who has gone through close-call battles with the Toons, I hope you experience what it's like to have boulders and anvils fall from above you. You can try to fire me with that shoddy cannon of yours, but you would have to track me down first. I've already left the area and was recruited to a new organization far more stable than you will ever be."

------

...I genuinely love Mr. Revvington. He's a Suit who's been dealt the worst hand he could possibly ever get in life. He was just like anyone else, and then everything happened ever since joining C.O.G.S.. He's isolated, he's temperamental, he's pissy, he'd genuinely be someone hard to get along with because of the fact he's struggling with all sorts of issues and would be incredibly difficult and annoying to even start talking to and forming a bond with unless you're both stubborn and have patience. He's awful, and I love him for it.

I genuinely believe he's one of the most complex, beautifully written, and depressing characters in Corporate Clash. Maybe I dive way too deep into things about him, maybe he's not that deep at all. But I like to think about him. He makes me emotional, but he also makes me happy. Thank you for making him exist.

[some-pers0n]

One issue I personally have with WOF that I don't see brought up often is the tonal inconsistencies. It's especially noticeable in TFoH for me. Freedom felt like a tonal mess because one second she'd be explaining how she had been trapped with her tormentor for five thousand years and the next she'd be making some qUiRkY quip or joke. Idk, just something I noticed

Yeah it's really quite annoying. In the ladder half of arc 3 I feel it's most apparent. One chapter it'll be a baby babbling to themselves or CAPS LOCK SCREAMING and the next it'll be "I have been in unimaginable amounts of pain and suffering and there is no way for me to escape" before then going instantly back to something else.

Freedom is such a messy character in of itself. You can't introduce a character like her halfway through the last book, spend most of her screentime having her yell at Luna and Dusky, then suddenly make her character do a 180 after seeing Gay People and want to be good now. Yeah yeah "oh it's so sad that she gave herself up for the greater good" and all but like...she's not a great character.

I think it's mostly because it seems like Tui is really burnt out on WoF. Like she gets bored constantly and tries to add in jokes or hold down a single key for a bit longer than she should. It really is quite jarring when it's all silly and wacky before then instantly being hit against with a character calling somebody a "bozo".

[will-o-wips]

It is 4 am. I'm staring at the ceiling of my bedroom, coincidentally having my phone right in my line of sight, and write this with the exasperation and intense focus that I probably won't ever have again. I'm about to attempt to make any sort of sense of the latest Hayao Miyazaki movie, The Boy and the Heron (or rather, How do you live? in Japanese), that I watched for the first time in theatres a day ago.

I cannot claim to be right, or to know everything about this movie. Actually acclaimed critics and people with obviously more braincells than me have probably better takes than I do. But I must speak, lest the insanity truly take over my brain, lest I really end up combusting because of how much I want to talk about this.

Prepare yourselves for the most incoherent train of thought and line of consciousness you will ever experience.

FILLED WITH SPOILERS READ AT YOUR OWN RISK. YOU WILL NOT UNDERSTAND UNLESS YOU HAVE SEEN THE MOVIE.

Before I start with my actual thoughts, however, I'll state my personal feelings about the movie, because I feel that matters too, and this is my post anyway so! But I personally left the cinema feeling somewhat mellow. I was not insane about it yet. It was,,, "meh". The impression of the ride was great; I was giggling along with the funny and even sometimes not purposefully funny moments, I enjoyed the animation to the point I would genuinely flap my hands in excitement at how good it was, I understood the story in great lines by noticing small details and going "oh so does this mean x?". But I did not cry. Not a single tear during or after or before the movie. I did not waver with my opinion on it as I rambled about it to my friends online and irl, much to their annoyance. I did not hesitate when I put it in my silly little Studio Ghibli movie tierlist maker that I update whenever I watch another one of these films together with my friends, categorized (in)discreetly under "all vibes no plot but there's a witch/wizard". I still don't, in fact.

So, given all of this, you'd probably say that I disliked the movie. That I would not have so much to say about it, after doing my mandatory ramble and update. Wrong. I still have more to say, somehow.

Despite that, I didn't rewatch the movie itself. I read an entirety of one (1) review of it, together with one (1) random video essay of 8 or so minutes, covering the basics of it. I reblogged one (1) post about its protagonist on tumblr and otherwise kinda read through the rest of the posts on here. I did not re-experience or re-examine this movie again. I cannot (again) accurately reference anything besides that what I vaguely remember from watching it a day or two ago. It's not playing anywhere near me anymore/not out anywhere else yet, so really, I don't even know what possessed me to write about this, or even say anything. The most fascinating thing (to probably all of us here) is; what made me change my mind about it?

It might've been the review on IndieWire. David Ehrlich and his well-written review, bringing things into much needed context as to why this movie was created. It could've been the fact that I've actively processed the movie better, now a little bit of time has passed. [Honestly it deserves a second watch/view for something more concrete, but I'm repeating myself with this, you get it.]

But I don't even really understand it myself. I felt and still feel so detached from this movie in a sense. I appreciate the artistry that went into it, and I adore the way it simply tells the story and leaves it up to interpretation. It references every single film Hayao Miyazaki has ever made before, and elements of other Ghibli films can probably be found in there too, if you looked hard enough. The vibes were similar to those of Spirited Away, and Howl's Moving Castle, given how inexplicably fantastical the world was. It just existed and breathed, and we as the audience jumped straight into it. We never got more exposition than what was needed; honestly I have a feeling that the second half of the movie was the vaguest piece of media I have ever consumed in my life. But it also had this perfect balance of the more drama-focused Ghibli films. The Boy and the Heron, in my opinion, is like the golden middle between reality and fantasy, both in terms of its narrative as well as comparison between other Ghibli movies.

This might also be the reason why I felt confused. The lines between reality and fantasy were so effortlessly blurred, that you could only process a singular picture. And when things are vague to me, I constantly need to pick them apart and analyse them, simply to satisfy my own curiosity.

The moment before I stepped into the movie theatre, my friend who watched along with me told me they heard it was a film about grief. I nodded along and said "yeah, okay, that just means it's another one of many Hayao Miyazaki and Ghibli films. Most of them are about some kind of loss, and dealing with it, either way." I sat down together with them; row 9, chairs 17 and 18, with my two bottles of water (one carbonated, one stilled) and the bag of terribly sour packaged chocolate pretzels I bought at the theatre itself. Horribly overpriced for the quality, I must say. My friend held onto the popcorn, and we sat through the ads, talking and laughing, anticipating something that was supposed to blow us away.

I cannot speak for my friend, but I think they really liked the movie regardless. They didn't cry at it either, even though we both know of each other that we always cry at such things. Somehow this movie evoked a certain stillness in us both; a stalemate between emotions and confusion. Maybe delayed processing. Maybe something else entirely. We both, or at least I, hid it until later.

It was midnight, and right before we stepped on our train home, I was excitedly going on about the references and animation, the things I did appreciate. I bragged a bit about how I recognized Kenshi Yonezu's voice in the final credit song that we didn't get to listen to entirely, because it was so late and we had to rush to get home. They laughed at me and told me to take some time to actively formulate any coherent thoughts on it. I disagreed (lovingly and jokingly of course), and we left it at that.

In the train itself, the same high dimmed into a simmer, the excitement replaced with contemplation, and I kept talking.

I told them: "I believe that this truly is his last film. This felt like a goodbye." And in return, they replied: "It's crazy how this is the last time we'll ever get to live in such a moment. The release of the final Ghibli movie in theatres.

"I'm glad we got to go."

I was too.

I got home, rambled about the intrinsic way The Boy and the Heron referenced other Ghibli movies to my online friends who had yet to see it. Followed by a heated tangent about how When Marnie Was There truly could have had better direction in regards to the narrative, as well as how Only Yesterday was the most boring out of all Ghibli movies. It was a nice night. I didn't think about the movie again.

The following morning, I contacted other friends, who told me about how Robert Pattison voiced the Heron in the English dub, which I hadn't seen or heard at all. He did a great job, judging by the trailer. This led me to another opinion, namely the video essay (I will try to find it and put it in the notes later if you are curious), which claimed something similar to this (of course, paraphrased):

"This is a farewell. The one true movie to tie such an expansive career. It is another movie where you are allowed to explore the magical together with the main character, while sticking close to the processing of it all."

The review I read said it was a swan-song, that it was the question and title of the movie in Japanese, posed at us, after The Wind Rises left it open to interpretation at the end of its run. That this was a story about the legacy that Miyazaki is leaving behind, how reality and fantasy coexist together, possibly influencing each other (not explicitly said but what I interpreted that review saying, so no this is also not completely like this).

Other tumblr posts I've seen on here say it was a film most likely dedicated to his son, Goro Miyazaki. That it was a gentle "I'm sorry, the shadow I leave behind is huge. I know that you will try and fail to fill it. It's okay; you don't have to. You can leave it behind. It's alright if this legacy dies with me."

Some other sources I've seen compare the main protagonist to Miyazaki himself, trying to grapple with the ending.

Yet somehow, all of these interpretations seem to fail to explain the entirety of this movie. The bigger picture if you will. These themes and moments and interpretations are not wrong, but to me, they're not satisfying enough.

Because maybe I am the only one who actually was insane about this moment, but I will never forget the delivery room scene between Mahito and Natsuko. How Himi addresses the magic stone, pleading to let the two go, saying "Natsuko and the boy who is to be her son". (Again, paraphrased, I cannot remember the exact line.) Maybe I am the only one who witnessed the whimsical fire witch and the going back in time plots and the fact that a younger Kiriko and Himi were there, already part of an ecosystem. How we already know from the other grannies in the house that Mahito's mother disappeared once for a whole year into the tower, and then came back the same as before. How the pelicans were BROUGHT there, that they did not belong there, and yet were forgetting how to fly. How they ate the Warawara, these creatures that were rising above to be born in the upper world. How the Heron's weakness was his 7th tail feather (or something along those lines), and how the fish and the frogs chanted for Mahito to join them in the tower. That the great-great-uncle was hoping for Mahito to succeed him and build a new tower, yet the king of the parakeets butted in and haphazardly did the job, resulting in it immediately toppling over, as well as the stones getting cut.

I think about the final scene where the Heron says "It's best to forget. Do you have any keepsakes?" And Mahito shows not only older Kiriko's figure, but also a piece of the stone paths they walked upon in order to get to the centre, the beating heart, the magic stone and his great-great-uncle.

How this is taking place during a war, that the timeline goes from his mothers death that Mahito cannot get over, to the welcoming of his stepmother and his new younger sibling. Them moving back to Tokyo. The way the tower completely collapsed. Completely and utterly collapsed and perished; not even a trace of it left behind. The way that older Kiriko keeps yelling it is a trap to Mahito in the beginning, but that both he and the Heron know. That it is inevitable to tread this specific path. That he must see for himself, whether his mother is truly alive. The way she both was and wasn't; first a mirage of her older self disappearing into a puddle of water, and second a firey spirit of her younger self coming to help Mahito. The way that he reads and cries at the book she left him, the way he hits himself with a rock after his big fight with his classmates; the way Mahito in general drowns consistently in the beginning of the film. He drowns in the fire that he lost his mother in. He drowns in the mud and the dust when he tries to enter the tower at first. He drowns in his dreams, in his tears, drowns right into his quest to find Natsuko (straight through the floor, by behest of his great-great-uncle), drowns in pelicans trying to eat him, nearly drowns in the actual sea until younger Kiriko fishes him out.

Now these things may seem like me just randomly naming shit that happens in the movie. Hopefully in a slightly poetic way, possibly. I could go on and on about the imagery, truly. But my point is, this movie may have been Miyazaki's last movie, his way of closure, his way of speaking to his son about his legacy, his way of describing the grief of losing his mother (idk if this is autobiographical or not. It very well may have been), yet...

Even so, it doesn't really fit the entire picture. It feels incomplete. The analyses always focus on the true meaning behind this movie, what happens behind the scenes, this one key climactic moment between Mahito and his great-great-uncle. But that's as if you would ignore the rest of the movie in general. As if the fantastical aspects weren't there to abstractly tell a story besides just being a symbol of closure for the person that directed it.

Personally, this is a tale of rebirth. Of losing yourself, and then rediscovering yourself in a way. I associate it with my own personal loss of my grandfather; the family member I felt closest to out of everyone.

The way you look back at such a traumatic stage in your life, something that irrevocably changed you for good, something that you probably don't ever want to relive again, but also mustn't forget. The way you instinctively are afraid to learn about who the person you love and grieve was, before you were in their life.

To this day, I still cannot speak to my mother about whether my grandfather had a favourite song before me forcing him to sing along with my favourites. A favourite book before he read out bedtime stories to me tirelessly. Who the boy in him was, and what wisdom and life lessons he carried on, into his grave, into the hearts of his children.

This movie depicts so much more than just grief, it's so much more than just legacy, even. It directly reflects the way I know I would have felt had I dared to actually see things for myself. If I actually dared to go through my grandfather's old things; the books he wrote and dedicated to me, the books he read when he was young. This movie depicts not how to live, but how to live on.

And the only way to live on is to move forward. To look at the foundations upon which it was built, to evaluate whether you truly want to have this be your burden to carry for the rest of your life. Mahito's abstract grief in regards to his mother, and the solace he finds in the fact that he at least knew who she was; that he at least had her in his life as both his mother and the girl that his stepmother knew, that at the very least he knows his mother would do it all over again, if she could. That despite everything, she did not regret a thing, and that she was not afraid. That somewhere, in the past, she lives on, happily marching toward this fate, because she knows that Mahito will be there to meet her again in the future.

And Natsuko, god, she worries relentlessly about whether Mahito will accept her. She worries to the point she yells at him, telling him that she hates him and his existence, because he rejects her so coldly and yet still bothers to show up in front of her during her most vulnerable moments. That he only takes and takes and takes; he steals her cigarettes in order to learn how to sharpen a knife from one of the servants. He uses those techniques to create a bow and arrow, a weapon. He gets into fights at school, he gets gravely injured on the side of his head, leaving a lasting scar.

If I were in her shoes, I would be furious at him too. Especially if he walked straight into the delivery room, trying to drag me out of bed while I was doing my damn best to keep the other child in my belly alive.

That scene, that sheer rage, and the way it ALL FUCKING SUBSIDES the MOMENT Mahito accepts her and calls her mother. The moment Mahito understands that through the literal whirlwind of plasters, things used to tend to wounds, none of those pleasantries/guards will truly allow him to reach her. The way he tries to nurse his own wounds, as well as try to nurse hers, over the loss of their shared connection (Natsuko's older sister, Mahito's biological mother), will NEVER allow him to make a connection with her. By being careful, by being polite, he will never get to be her son.

And he realizes, in that moment, that he wants to.

The magic stone tries to stop this. The magic stone dislikes disruption; dislikes things changing, dislikes breaking traditions (the taboo of entering the delivery room). The parakeets in the tower flourish because they follow the magic stone's whims more or less. They agree to follow its rules, even if it means they are prone to its abuse, because it gives them an advantage, a place to stay. The pelicans have to eat the Warawara, because there is no other food available to them.

The way younger Kiriko says "you reek of death", and how they establish this place is mostly made up of death and dead people. Dead people, or dying people, creatures that are begging to survive another day. Creatures that are begging to be reborn. That want to change, that wish to fly once more.

My mother once gave me a poem dearest to her heart. We have always been a family filled with literature and stories, but my mother was always the best at both writing them and reciting them. She used to read them out to me, back when I was in a particularly bad spot mentally, to the point I could not get out of bed for weeks on end, to try and reach me. She read with the sincerest passion in her voice, a small plea to get me back to the girl I was before.

I cannot explain or remember the poem by heart, but once I was at my true rock bottom, she told me to look it up. A Serbian poem, written by Miroslav Antić (I will add the name of it later), that was about growing up and growing into your own person. It made me weep, for it had a phrase I think I can only translate to this:

"Run and don't look back."

Somehow, whenever I look at all of these birds and creatures in this fantasy world, trying to fly desperately, trying to get to the skies, trying to get to even live, and think about the fact that the only way they can is by leaving this place. That the only way they can fly and survive as themselves is by leaving this tower, this stone, this foundation. By leaving and being born, by leaving and being reborn.

And, after all of this. Somehow I'm not even done yet. I haven't talked about the great-great-uncle in depth, nor the king of the parakeets, nor the heron whatsoever. I have not yet even touched upon what I might think the magic stone is, and the sheer amount of like symbolism I picked apart in my brain because of my insanity.

I'm probably not the only one who noticed these things. But so far I haven't seen anyone actively share these things, so, I will do my best to continue and genuinely wrap it up as best as I can. So that this can also bring the same amount of closure as the movie does.

The magic stone is like a shooting star that came onto the earth. It realizes dreams and worlds of whoever dares to walk into it and claim to own it; like how Mahito's great-great-uncle got obsessed and built a tower around it, caging it, taming it. And yet he still had to play to its whims, consistently making sure his own tower of blocks did not fall, that all of his work did not amount to nothing. Personally, I do believe the great-great-uncle could represent Miyazaki himself. That Miyazaki is trying to express how he built Ghibli and that now it has been going on for so long, and it has become unmanageable to continue upholding it. That it is time to retire.

A thing I find interesting and remember pretty well is the conversation between the parakeet king and the great-great-uncle. How they talked about Mahito's transgression, breaking into the delivery room (side note: he broke in and broke through to Natsuko with his mother's spirit. Mahito became Natsuko's son with the blessing of his mother; with the sheer love she had for him being carried on and through), and how the great-great-uncle says something akin to this:

"It is why I wish for him [Mahito] to succeed me."

"I cannot overlook such a transgression."

I feel this is important. It is key to how the great-great-uncle views Mahito in this. Because Mahito was not sent out on this quest to find Natsuko out of pure selfishness. Sure, his uncle would have wanted him to succeed him, but the entire reason WHY he believed in Mahito to begin with, is the fact that this boy was able to break the foundation and the traditions in the first place. Mahito inherently disobeys from the chosen path. Mahito inherently does not believe the Heron when he says that all herons lie. Mahito doesn't waver when the heron flies straight at him, he doesn't sway when the frogs or the pelicans overwhelm him. Mahito stands firm in who he is, even if he is trying to deal with new circumstances. Mahito inherently goes to places he should not be in (his curiosity for the tower). Mahito has enough power on his own to create a new tower, but only by rebuilding it from scratch.

This ready acceptance that the great-great-uncle has towards Mahito's decision NOT to inherit his legacy, is what makes me believe this is what this movie is supposed to represent. Break away from the old, off into the new. Closure. Moving on.

This is also reflected in the sentiment that Mahito truly DOES move on. He goes back to his family, his father, school, he goes back with Natsuko as his mother and a new younger sibling to Tokyo. He returns there where he came from, but he is not the same anymore. He is reborn into a new Mahito.

And god I feel like I'm repeating myself to death here; I really should have thought about the structure of this, but give me some slack okay. It's like 6:30 am already and I'm still not done, despite continuously writing and labouring at this.

So, the tower that immediately falls apart by someone who always follows the whims of a dream (the parakeet king and the stone respectively). God it is just such a momentTM. Because in the end even this shows that the parakeets, too, even though they by far had it the best in that goddamn tower, had to leave. For they could not build something on their own without learning who they were outside of the already established. Outside of just following the rules and all.

They had to leave, my GODDDDD.

As I'm getting progressively more unhinged, we shall move onto the most unhinged character in this entire fucking movie. The Heron himself. God there's too much to unpack here, really, but the truth is, the Heron was supposed to be the guide to Mahito. The Heron was supposed to be Mahito's biggest, most aggressive enemy, the direct antagonist to Mahito's protagonist. The Heron doesn't want change. The Heron tries to bribe Mahito with the fact that his mother is still alive, that he need only enter the tower, and lose himself to illusions and dreams. That fantasizing about his mother being alive won't only drown him more, that it won't just let Mahito sink into the deepest pits of his despair and anguish about such a death, that losing yourself to the belief that something is there when it is not wouldn't only be counterproductive. The Heron masks himself consistently; he says that all herons lie. He says that he only has one weakness, his own feather, that allows the arrow to automatically target him. In essence, the Heron shot himself in the foot beak. He himself slipped up in his mirage world, and came out to be who he truly was, this weird little man with a huge nose and a conniving demeanour. He adamantly cannot disobey the dream, for then his true nature comes peaking out (a small detail I absolutely love is the fact that the Heron's feathers also disappear out of Mahito's hands when Mahito is called back to reality by the grannies. The grannies protect him in the dream world too, by being his tether and support system while he gets over himself and starts trusting Natsuko). The Heron doesn't WANT to be a guide, for in order to be a guide, you must tell the truth. You'd need to know some facts about the world around you and share this information with the ones seeking guidance. This is how I believe Mahito understood the Heron before we did.

It's not that all herons lie; it's just that this particular one does not want to face the truth/reality.

Another interesting detail: the whole reason why only Mahito was able to cover up the hole in the Heron's beak was reminiscent about how only those that called you out can really patch up your old image. Only those that have poked holes in your false narrative are able to fill them back up again, and even then it is not the same, and even then it will not always be comfortable/reliable.

Either way, the Heron, after this wings partially turn into hands, his true nature, is unable to fly all that well for a while. He relies on Mahito's corkscrew thing in order to relish in his comfort zone of lies again. But throughout the movie, the Heron slowly starts to ignore the corkscrew completely; simply opting to stay in his (frankly, freakish) half gremlin man half heron costume form. The Heron changes because Mahito inspired him to change. Even though his image used to be spotless before, and he tried to deceive Mahito, after a while, he stopped doing that. The mutual trust both Mahito and the Heron had grew. The Heron became a person, although his heron-ness would never go away.

The Heron thus warns Mahito that he should want to forget. That he will forget, either way. That this struggle of his to grapple with the reality of his situation, and the fantasy that he was delving into, will become a far-off memory that Mahito should not revisit. The Heron, I believe, is genuinely trying to look out for Mahito.

"Don't dwell in what you have already overcome. Don't revisit the things you have already outgrown."

And this is where the movie more or less ends. Mahito still keeps that stone, and his mother's book, and he goes back to Tokyo; the only crucial difference is that he has overcome his own grief.

Now, I've said this like a billion times now, but this is the rebirth. This is what I think this movie stands for. What it means, at its core. This is what it means to live; to move on and to cut ties with that what has no place in your life anymore. Miyazaki, I think, is trying to give us closure, a final farewell to Ghibli altogether.

Now I don't know about any speculation that he might come back again, and personally, I don't think it really matters. If he does come back, good for him. I just don't know enough to say anything for sure, so I'll just say I cannot say.

Either way, I think, even though Miyazaki conveyed the need for a new start/a rebirth, he didn't really end on the complete abolishment of all that used to be. You are allowed to keep mementos of it; even though the Heron advises not to. Mahito is allowed to reflect upon this experience, to see it as another stone in his foundation/formation, to say that, yes, the spirit of this change will always stay with me, although it has passed.

Just like how Mahito's mom was someone who returned to the past without regrets. She never came back. She was a spirit that pushed Mahito forward, and he will always remember her, but it's better that she stay a memory than become a fantasy.

This is why I'm so impressed by this movie in general. I'm so thankful that I was able to witness this with a friend of mine. I'm glad that I was able to see this, even though my insanity knows no bounds, and the fact that I didn't even think about any of this until I really sat down to look through the options of interpretations.

I'm so glad I got to go. Now it's time to run towards the future, and never look back.

[bigfootswashingmachine]

what if you got hired for a job that was nothing crazy but paid decent and was something you were happy to do but you couldn't start for a few months so the person who hired you gave you an interim position that paid less and wasn't as nice but eh, it's temporary, whatever, and then suddenly the higher ups decided the original position was no longer available and you were instead offered a shittier position with worse pay with responsibilities you very specifically did not want to do long term and were only putting up with until the other position started. and there was no convenient person to direct your ire towards because the big boss making the decisions lives in another state. then what the fuck would you do.

[01tsubomi]

hi!! if you dont mind me asking, how did you manage to end up teaching in japan?? ive been researching but info online is so extense and overwhelming and i never have good answers....

hello!! first of all i wanna say i understand the stress - i applied to j/et first and was going to work on backups like int/erac and private hiring if that didn't work out and i'm always thankful that i didn't have to. honestly now that i'm here it feels funny that i stressed out so much during the application process bc i always find myself thinking "damn they'll let anyone in" (often about myself lmao). it can be really odd and unexplainable who j/et does and doesn't take but japan needs a lot of ALTs to keep the system going so if you've got the enthusiasm for it there's definitely a place for you!!

i would definitely recommend trying for j/et and int/erac first before worrying about the other options!! since j/et has the biggest reputation ofc there's the double-edged sword of it feeling the most prestigious and hard to get into but again they do hire a ton of candidates every year, plus it has the highest guaranteed pay and takes care of so much for you pre-departure. idk where you're at in life/when you'd plan on applying but if you wanna start the job as soon as possible, int/erac has pretty much a rolling application and their main recruiting cycle is for spring departures (while j/et won't start recruiting again til october, for departure in summer 2025). int/erac gives you a little less pay and a little less initial help, but it's still very reputable. int/erac ALTs also have a few more freedoms once you're in japan bc i believe int/erac has your school hire you directly intead of employing you to your city's board of education. so for example my BoO doesn't let ALTs commute by car, but int/erac ALTs and private hires don't have that restriction. knock on wood, if neither of those work out, there are lots of sites like gaijinpot posting private hire opportunities. i don't know about the competitiveness of those and they do often require you to sort out visa application or housing on your own, but opportunity is always out there! seriously though i wouldn't worry about that at first. that's the backup plan ace up your sleeve

in terms of what you can do to raise your chances of getting hired, again, i think the enthusiasm is the key!! people say the j/et interview is a glorified vibe check bc they've been known to reject people who sometimes seem overqualified for the position (maybe for good reason - the amount of responsibility you get and teaching you get to do is suuuuper variable and dependent on your school, and probably about ~1/3 of my work days every year i have no classes and little relevant work to do, if any). i don't have a background or certification in teaching but i did a lot of tutoring in college and minored in japanese so i had a lot to say about my passion for language education. i know j/et really loves the angle of "what will you get out of the position, and what will you give back" - i can tell you're excited about the idea of teaching in japan so i'm sure you already have your answers!! if you have hobbies related to japan it's good to explain how being in japan would help you continue them. or you can always research what you could do with your non-japan related hobbies in japan! i love cooking and i started taking classes at a chain studio that does a mix of japanese and worldwide cooking. again i know the hit-or-miss element of it is scary but really they just want friendly open-minded people who can share their culture, have enthusiasm about education and exchange, don't mind the hours/job restrictions, and are down to pack their bags and live in japan. if you have any other questions please ask!! i know this is random but i've helped a couple of friends with their applications so if you do want some extra eyes on a statement of purpose my inbox is always open!! cheering for you!! 🎉🎉

[monster-noises]

~Trying very hard! ~not to have a~ ~ Anxi! ety! Attack!

[musical-chick-13]

Like, I DO think people get too wound up over fictional constructs--that, very pointedly, are not real and whose actions are made up and do not actually affect any real people--doing horrible things in-story, but I also think it's fair for someone to say, "This action sits poorly with me even in a fictional setting, in such an intense way that I cannot move past that or find sympathy for," and "People are saying this bad behavior isn't actually bad, in a way that is meant to be taken seriously and at face-value, and that makes me severely uncomfortable."

Granted, this all gets muddled very easily because that's not what people mean most of the time, they just want to over-moralize fiction and say, "If you like this pRoBLeMaTiC thing for any reason, you are a menace to society" for Superiority Points. (They also like to invent problems that don't actually exist to "prove" that they have the moral high ground in not liking something remember when people tried to say catra/adora was incest because they grew up together because I sure do.) But I feel like there is a split between people who use "[character] apologism" in the sense of "I will be okay with this character doing whatever fucked-up thing they want in the story because I like them" vs "If you find this character compelling or want them to succeed, you would one-to-one condone their actions irl" vs "I have seen people genuinely say, with no joking or irony, that this character never actually caused any type of harm to the other characters within the story, and I don't like that."

[jytan2018]

I read the comic in one sitting less than an hour after finishing the movie, and wow I have many Thoughts™.

- It's very obvious the two versions were meant to cater to different audiences AND tell different messages. I don't get why people are going "But the comic was better! It had more nuance!" just because Nimona was easier to root for in the movie.

- The comic was written back when ND Stevenson was still trying to process a lot of stuff, so all the characters are morally grey/straight up evil and the climactic battle is between a Ballister who regrets turning against Nimona, even if it was to save others vs. a Nimona who's too hurt to care if her lashing out was going to hurt innocent people.

- By the time Nimona got a movie adaptation, ND was a lot more secure in his sexuality, so the climactic battle was Nimona vs. the Director, the symbol of religious oppression and bigotry. It's not just about your friends turning on you because you're "too much" for them anymore, it's also about a society that would rather bring itself to the brink of ruin than coexist with you.

- (I totally get why people were upset about Ballister's surname change, though. Like come on, the media dubbing him Blackheart just to be mean was RIGHT THERE).

- Nimona's metaphor for not shifting is such a neurodivergent thing. Even in the comic, Nimona's parents insisting she's a monster who replaced their daughter is reminiscent of the changeling myth, which is what many parents thought their neurodivergent kids were—changelings who replaced their "real" children.

- Ambrosius being trained to cut off HIS BOYFRIEND'S WHOLE FUCKING ARM instead of merely disarming him is a very cop thing to do. As much as cops claim they're trained to de-escalate situations, their training still teaches them to treat everyone as a potential threat, and that level of constant vigilance can turn anyone into a trigger-happy/arm-choppy bastard. Even the Director, who can use a sword but probably hasn't actually fought someone in ages, STILL can't see Ballister reaching for the squire's phone without assuming he has a weapon.

- And on that note, the Queen getting killed simply because she was trying to reform the Institution and allow commoners to become knights? That's the best "no such thing as a good cop" metaphor I've seen. Because even if there ARE good cops and they ARE in leadership positions, the system will crush them before they make any meaningful change. It's not a good institution that turned rotten, it's an institution that only exists to spread its rot and refuses to be good.

- That's why Ballister's characterisation is so different in the movie vs. the comic. Comic Ballister had 15 years to come to terms with his trauma and the Institution's evildoing, while Movie Ballister is still freshly traumatised and hasn't found a way to define himself beyond the role he was assigned by the Institution.

- Not to mention Comic Ambrosius was not very noble to begin with and genuinely believed Ballister was better suited to villainy than heroism, while Movie Ambrosius never wanted the glory that came with his lineage in the first place and only antagonised Ballister because of indoctrination he needed to unlearn (which he did, all by himself, after witnessing the lengths the Director will go to just to kill Nimona).

- It really shows how important it is to surround yourself with loved ones who are open to change. Comic Ambrosius can love Ballister all he wants, but he'll still blast his arm off because he thinks Ballister deserved it anyway. Movie Ambrosius will stop to question what "the right thing" even means, even if he didn't love Ballister enough to defend him unconditionally.

I have so many more thoughts bubbling beneath the surface, but I'll probably address them some other day. In conclusion:

[ID: A pink-haired Nimona grinning evilly while holding up a knife.]

Watch Nimona. This is not a request.

Edit: Added more thoughts!

[taeyongdoyoung]

summary: your best friend brags complains that he can't get laid due to his huge dick posing a threat to random girls at parties, so you offer to fix his little big problem pairing: soobin x reader genre: smut, best friends to lovers warnings: explicit language, big dick soobin (canon event), size kink, foreplay, eating out, blowjob, hugging, fingering, size training, creampie, consensual intercourse, kissing, aftercare, allusions to death in a sexual context, lowkey possessive soobin at the end author's note: the killa is on my mind 24/7 and im down bad for soobin 25/8 🥵 so i had to get it out of my system somehow 🤷 word count: 2k

“You’re kidding, right?” you ask your best friend when he makes a rather shocking confession as the two of you are sitting in his bedroom after one of your usual anime marathons.

“I wish I was. But I would never lie to you,” Soobin responds truthfully. His big moist eyes look a 100% genuine but it still sounds so...bizarre.

“Let me get this straight…Every time you try to hook up with a girl at one of those parties Yeonjun keep dragging you to, you go to a room, eat them out like the generous, selfless guy you are, and then after you take off your pants, they get scared by your gigantic cock and refuse to have sex, running away in horror?”

“That’s exactly what I’ve been trying to explain for the past 10 minutes, yeah,” Soobin confirms with a very adorable pout on his stupid face.

You shake your head in utter disbelief.

“I’m sorry but this is just ridiculous. Any girl would be happy to hook up with a guy that has a huge dick.”

“Well, I guess not any girl ‘cause this shit has happened three times already and I’m at my limit. Why can’t I just get laid?” Soobin bemoans his tragic destiny.

“No, I don’t get it. The least they could do is give you a quickie or something to return the favour. It’s so rude to just sprint away. I can’t believe your cock is that terrifying.”

“Ugh, please stop saying that. It’s so embarrassing,” Soobin covers his face behind his big hands. Hold on a minute…

“If what you’re saying is true, then I think it’s pretty hot. Those girls are surely missing out.”

“Or maybe they’re just looking after themselves. Like…I’m not mad at them for being spooked out, I just wish I could finally get some, you know?” Soobin sighs.

“Death by dick does seem appealing,” you shrug.

“Y/N!” he exclaims.

“Listen, what if I make you an offer? You prove to me that you weren’t exaggerating about your size and I promise I won’t run away and will take care of your…frustrations.”

“Are you seriously suggesting this?” Soobin freaks out. “This could ruin our friendship.”

“I won’t be weird about it, I swear. What do you say?”

“Fuck it. I’m so horny that this actually sounds like a good idea,” Soobin admits. “Can I eat you out first?”

“Erm, if you insist,” you reply, suddenly feeling nervous.

“I just wanna take care of you, make sure you’re all nice and wet for me,” Soobin explains patiently.

“You really don’t have to,” you reassure him.

“I know but it’d be awkward for me to just whip it out. Please?”

“Oh…okay,” you really can’t imagine saying no when he’s asking you so sweetly. God, what did you get yourself into?

Soobin takes off your leggings and panties in one swift movement and pushes you down gently on the bed so you are in a lying position. He spreads your thighs apart and looks at your pussy, already glistening with wetness caused by the conversation you’ve been having. Soobin smirks but doesn’t say anything about it. You’re grateful for that as he dives in, licking and kissing all over you. Fucking hell, if his tongue is capable of making you feel this way, you are slightly unnerved to find out what his cock can achieve. But unlike those girls at the parties, you are determined to never run away from your best friend.

Soon enough, you reach your high, overwhelmed by Soobin’s insane tongue movements and his big hands gripping your thighs. You need a few moments to gather your thoughts and when you are finally able to speak, those are the first words that leave your mouth:

“I think they fleed because you eat pussy like a starved animal. Seriously, what the hell was that?”

Soobin chuckles nervously and runs his fingers through his black hair, pushing it back and exposing his forehead for a bit.

“Trust me, it’s not that.”

“Prove it,” you challenge him even though you are fairly certain he’s telling the truth. Your best friend has never lied to you, so why start now?

Soobin takes off his pants, his hands are shaking and you immediately feel bad. You put your hand on his in an attempt to calm him down.

“Hey, you don’t have to if you feel uncomfortable.”

“I do want this, but after so many failed attempts, I’m so anxious…”

“I’m not going anywhere, Soobin,” you insist and squeeze his hand reassuringly.

His skin complexion looks slightly less pale and your words seem to give him the confidence he so desperately needs. Moment of truth. Soobin takes off his boxers and…Oh damn, he was not exaggerating. He’s not just big, he’s so huge a part of you wonders how is it humanly possible to carry such a weapon around and maintain the gentle, humble composure with which Soobin carries himself.

“You’re not running yet,” he jokes.

“Soob?”

“Y-yeah?” his voice cracks, he is obviously terrified of what you’re going to say.

“I’m not gonna lie to you, I finally get why these girls ran away.”

“Oh,” he sounds a little dejected, as if already expecting you to go back on your offer.

“But! That’s not gonna stop me. Just tell me what you want first and I’ll try my best to make you happy.”

“Huh?” Soobin is too flustered to process your words.

“My hands, my mouth, or my pussy, what do you want first?”

“You mean…you’re willing to give me all of them?” he blinks in shock.

This poor, precious boy. Did he really face disappointment so many times that he is now looking a gift horse in the mouth with such uncertainty?

“Just pick, Soobie, I promise I’ll give you anything you need.”

“Um…can you suck me off? Please?”

Gosh, he’s so adorable you want to eat him.

You nod a little too enthusiastically and go down on your knees, taking as much of his cock as you can. It’s a tight fit but what you can’t put inside your mouth you make up for by wrapping your hands around him. You suck and lick and touch him, eager to give him as much pleasure as he did you. Your beloved best friend has obviously been frustrated for a while now because it doesn’t take him long to cum inside your mouth. There is so much you can’t manage to swallow it all despite your valiant efforts and you see some of it falling down your cheeks. You wipe it off with a finger, sticking it into your mouth, grinning widely at Soobin.

“Fuck, you’re incredible. What…how…are you okay?”

He presses his big palm against your cheek and it takes a lot of self-control for you to not melt right there and then.

“I’m great. Did…did it feel good for you?” you ask sheepishly.

You’re not particularly confident about your skills but you genuinely did your best for him.

“Are you crazy? It felt insanely good,” Soobin takes your hand, lifting you up and wrapping his arms around you in a hug.

“I’m glad,” you respond, feeling safer and warmer than ever before in your life.

“Do…you still want to…you know?” Soobin asks.

“If you’re asking whether you can put your cock inside my pussy, then yeah, go for it. As long as it’s something you want, of course.”

You keep reminding him to only do things he’s completely okay with, because you would hate to put your best friend in a situation he doesn’t enjoy just because of your greed.

“I want you so bad, you have no idea. But I think I’ll need to stretch you out a bit, yeah?”

“O-okay,” you quickly agree and in no time, Soobin’s long fingers are inside of your pussy, going deeper than your own have ever been and making you feel things you never even dreamed about.

“How does it feel?” Soobin asks in concern.

“Heavenly,” you admit and just as you’re about to reach your second orgasm, Soobin’s fingers leave you.

“N-no, why’d you do that?” you whine frustratedly.

“Wanna feel you come around my cock.”

As it turns out, you'd like this just as much so you quickly forgive him for ruining your orgasm.

“I think I have a condom in my-“ Soobin starts but you cut him off.

“I’m taking a pill. And I believe we’re both clean, so…”

“You gon’ let me fuck you raw?” Soobin inquires, not wanting to make assumptions.

“Yeah, I trust you,” you reply with conviction.

“You’re a dream,” Soobin chuckles and nudges the head of his cock against your moist entrance. You brace yourself for some level of discomfort and are surprised that it doesn’t come right away. Soobin takes his sweet time getting inside you, making sure you’re okay.

“Fuck, Soob, you're so big,” you moan, already feeling overstimulated.

“This is just the tip, baby,” he explains shyly, which makes you lose your mind.

Soobin goes deeper very slowly, making you feel every inch, stretching you out bit by bit.

“How much more?” you ask somewhat impatiently.

“Just a little bit. Can’t help it that your pussy is so tiny,” he teases you.

“Not my fault your dick is so gigantic,” you bite right back.

“I promise, I'll try my best not to split you in half,” Soobin jokes, which does little to ease your worries, but at the same time only makes you wetter.

“Keep talking to me,” you plead for him.

“Does it hurt?” he wants to know, as he keeps entering you further.

“It’s a good kind of hurt,” you explain, wincing slightly.

Once you’ve gotten used to it, you signal to Soobin that he can start moving and he does just that, fucking into you with an impressive speed. You try to meet him halfway, lifting your hips up for him, melting into one.

“You’re taking it so well, my darling best friend,” Soobin praises you relentlessly.

“Anything for you, Soobie,” you cry out in sweet bliss.

“I’m close,” Soobin confesses soon enough.

“Fill me up,” you beg him, almost in a daze, deeply affected by his overpowering presence.

He doesn’t need to be asked twice and spills his seed inside of you. It feels so good that you cum with him, walls clenching around his enormous dick. Soobin leans down to kiss you, further blurring the lines between friendship and…whatever this is.

Then, he takes his cock out and you realize something far more terrifying than his intimidating size - you are falling in love with your best friend.

Soobin quickly brings a towel and a bottle of water, taking care of you like no one else before. You want to cry, touched by his sweetness and falling even further.

“How do you feel?” Soobin brushes a piece of hair behind your ear.

“I feel…like I'm on another planet,” you confess shakily.

Soobin chuckles, visibly relieved to hear that.

“You’re so cute,” he murmurs, enveloping you in a hug. His large frame towers over you and if it was anyone else, you’d probably feel slightly threatened. But this is Soobin, and even though he just fucked your brains out, you feel completely safe and protected. Safe enough to be honest about how you feel.

“I know I promised not to be weird about it but…I don’t think I can go back to being friends.”

Soobin pales for a moment, scared of losing you.

“Why not?” he blinks, barely restraining his tears.

“I wanna belong to you,” you try to ease his worries by openly saying what your heart and soul desire.

“Oh…But baby, you already do,” Soobin suddenly beams with excitement. “And I belong to you, too.”

“I think you killed me a little,” you laugh. “Killed my pussy with your big cock and ruined me for other men.”

Soobin raises an eyebrow.

“Bold of you to assume that I’d let other men near your pussy. You’re all mine now.”

The End

[martian-astro]

Solar return observations

(the artist is @eb_hua on twitter)

Saturn in 10th is a frustrating placement (my mom had it last year and basically with this you feel financially helpless, you keep on trying and trying but nothing works, but the good thing is that 2-3 months before your next birthday, you're gonna hit the jackpot, so don't worry too much) (my sister also has it this year)

I have noticed that in every solar return chart that I've looked at, the chiron was in conjunction with the north node and it has happened way too many times for me to call it a coincidence. (do you have it as well, let me know) (according to my observations, the house that it's in represents the area where you'll experience pain but also by the end of the year, you're gonna be able to deal with the themes of that house in a better way, am I making sense??) just let me know if you have any questions about this placement, I think it's very common

The year in which you have a gemini AC, you will focus a lot on building your professional network, a lot of communication, short distance travel and improving your relationship with your siblings, if you have any. (my sister has it this year and her master's will end on 29th April, she has applied to many places for a job and she's also coming to visit me, I'M GOING TO MEET HER AFTER 5 FUCKING YEARS😁😁)

Mars in 12th indicates a low libido, a very exhausting year in general, if you also have sun in 1st then... It can be pretty bad (it's like you KNOW that you need to stop procrastinating, but you really can't help it, so you look calm on the outside but your brain is like AKDHSGHSKGSKJDJK)

Jupiter in 10th in aries is a REALLY GOOD placement. (you get the courage to go after what you want, especially in terms of career) and if Jupiter is Trine/sextile with saturn, then it's even better

Uranus in 5th can mean having flings with people that are not your usual type. (one of my friends came to Italy this year, and the first thing she did was hook up with an Italian guy 😭😭, she's Indian)

Aries in 2nd is an impulsive shopping placement (if you have it and you think you need something, you don't) (one of my friends had this last year and he bought a hat for €150...... Yeah. He has saturn in 2nd this year and he's finally facing the consequences of his actions)

I know that saturn in 8th is associated with difficulties in sex and intimacy but there's another side to it (a lot of my friends have had this, and they became really mature about sexual matters, like if they were previously very into the hook up culture then that year they were more cautious and had this "I'm going to have sex with the person who I genuinely like or love" mentality)

This is very shocking but I looked at the solar returns of all the married couples I know and the year in which they got married, NONE OF THEM had a 7th house stellium 💀💀. For men, I didn't notice a pattern, but for women, 90% of them had Venus positively aspecting saturn (mostly, Trine and sextile but 2 had a conjunction)

My favorite solar return placement has to be mercury conjunct Jupiter, if its happening in capricorn or virgo, then you're really precise and direct with your words, a very leader type aura for that year. If it's in libra, then good for flirting and talking to your crush, there's a high chance they'll fall for your charms. If it's in pisces, then it's your sign to start a cult.

(all pictures are taken from Pinterest)

© martian-astro All rights reserved, 2024

[creepy-friday]

PLS PLS PLS I NEED MORE PROXY THINGS I KEEP REREADING THE OLD ONES AND U WRITE SO WELL

Sure thing!I noticed a lot of people are rereading the old ones so I promise I will come back with more ideas!

Female!Proxy toughts Headcanons for every creep of the mansion

Warnings: foul language, suggestive themes, violence

Masky thinks he should've been in your place.He wants your attention but at the same time hates your guts.Always wants to pick a fight with you,maybe he's in such a contradiction with himself because your personality softened his sharp edges making him confused.

Hoodie acts all buddy-buddy with you when the two of you aren't on duty.He doesn't hide the way the tension rises from other people's perspective when he talks to you.He's simply curious about who you truly are,an individual like you in such a fucked up place and in such a high position is..intriguing to say at least.

Toby follows your orders and values your presence the most out of the other proxies he's biased. Because he's been taken advantage of many times,your humanity sparked his hope,he thinks that in you he can actually find something heart warming in this hell hole.

Cody is a little annoying at times.Since you didn't shove him off he deeply thinks you're into him,that's why he keeps on inviting you to see the dangerous shit he's creating.

Kate uses every chance she has to imply that you have sexual relationships with the proxies.She's isn't jealous nor wants to take your place,she simply sees herself as slightly superior since she's been here before you.

Jeff has personal issues with every resident near him,including you.He doesn't think of himself as highly as Masky tough.All the mocking and tantrums are because he doesn't belive your good intentions.

Ben is a fucking menace and fucks with your head since he knows you can't physically hurt him.He thinks you're by far the most interesting creep to watch.

EJ respects you.He thinks that you are disgusted by him almost as he is of himself given your role as a demon hunter.His insecurity made him give up any reason to try to talk to you.Watching from afar he knows you're one of the few residents that are still human by heart.

Liu has a very high opinion about yourself.You already proved to be a good person to him when you took EJ's side in an argument with Masky.He would make conversation with you whenever you two are around.

Sully might act like Liu around you so that he can see more of you.Just like other creeps,he fantasies about having a hand to hand spare with you.He talks to you like you're a pice of meat sometimes but he acknowledges your strength.

Slenderman's presence is being known by his general sickness to the other creeps but the fever is high and tormenting when it comes to you.It's clear that he favors you and the fact that he chose you as his watchdog is enough to bring your confidence skyrocket.

Jane watches you from afar.She thinks you're a good fit to be a leader.Surprisingly,she agreed with your every decision and never had anything to add or to take.

Zero is jealous of you and your high status.She despises your guts and would team up with anyone to put you down or to shame you.She's a bitch but I bet she would fuck you tough.She's the "do I want to be her or be with her?"

Clockwork likes how a woman is top shit and she treats you as an equal.Might ask you for your opinion and expects you to listen to hers as well.She thinks you're a good leader.

Nina adores you.You genuinely had a good impact on her mental health and looks up to you.She would be shocked if you would hurt her in any way,after everything she went trough all she needs is a friend.The choice is yours.

Sally thinks that you are really cool and wishes you would take that mask off more often.Since you don't brush her off like the others she's looking forward to talk to you when you're not busy.Confidently slips tea parties invites down your door.

Bloody Painter is mostly indifferent to the power dynamics in the mansion.Sure,he will be respectful to you since that's in his personality but he's apathetic to anything that isn't "aesthetically pleasing".He judges a book by its cover and the ghoul-like design on your mask makes him believe you're no different from the creatures you encounter in the forest.Misunderstanding at its best

[fairuzfan]

i seriously don't even have the words to describe what it's felt like as a native person learning about "holocaust exceptionalism" or whatever for the first time during all of this

the first time i saw a tweet talking about how it wasn't appropriate to compare any other genocide (and specifically this person was talking about the native american genocide(s), along with several others i've seen since & most of the "historians" who go this route, too) to the holocaust because unlike in those cases, where there was a clear logical reason for the wholesale slaughter of millions of people, the holocaust was senseless! it was just killing innocent people for no reason, which is completely different from when they got rid of all those dumb indians standing in the way of Progress & wasting the precious resources the colonizers needed much more... i thought they were just some random dickhead saying intentionally terrible shit online for engagement

but then i just kept seeing people saying similar things, and eventually while reading up on palestinian history, i find out that this has apparently been a zionist (and in many cases non-zionist, which maybe feels even worse) talking point for decades now?

(and increasingly, over the last few weeks, i've seen it shift to this more broad claim that comparing any genocide to any other genocide is harmful, actually... which is such a dumb argument to try to pass off as genuine when, among other things, there's literally an entire field called "genocide studies" that it's honestly almost funny)

i can't think of anything in recent memory that's felt like such a brutal slap in the face as finding out the belief that the systematic murder of my people was a completely logical, understandable course of action--arguably a net positive, even, in the long run--is now and long has been this commonly held. i've felt sick since ever since. how do you say shit like that and not understand that you're implicitly rationalizing and, to some extent, justifying it? how do you not hear yourself?

forgive me, i know it must feel very eye-roll-worthy to have someone come yelling to you right now about how badly their people are treated by zionists, but every time i see someone parroting off an argument along these lines, i swear i can just feel my faith in humanity slip a little more lol

yeah, fuck off with this bullshit for sure

oh don't apologize, i totally understand why you would want to talk about this. thank you for sending this, and I'm so sorry that youre going through this. it really is an inconsiderate talking point at the very least.... i wish the best for you and yours in these times.

[fluentmoviequoter]

Falling Slowly

Requested Here!

Pairing: Tim Bradford x fem!rookie!reader

Summary: You are Tim's newest rookie, and his favorite. He treats you differently, able to see that your past affects you, and the little things build up until you can't deny your feelings.

Warnings: so much fluff, brief angst, domestic violence (Tim and reader respond to a call & allusions to past dv against reader), one scene is inspired by "The Switch" (1x4)

Word Count: 4.0k+ words

A/N: This doesn't really fit in any specific season, so I put characters in the roles I wanted them to have and just made up some names to fill in the gaps. Hopefully everything makes sense. Please let me know what you think!

Picture from Pinterest

“What are you doing here?” Angela asks, surprised to see Tim.

Furrowing his brows, Tim answers, “I’m here for the TO meeting.”

Angela tilts her head back and groans, passing Nyla a 10-dollar bill.

“She thought you’d give up your position for Metro,” Nyla explains.

“I’d like to, someday, but not today,” Tim replies.

“20 bucks this is his last one,” Angela says to Nyla. “He still has the open invite to Metro and his patience can’t take many more boots.”

Nyla reaches to shake Angela’s hand as Tim rolls his eyes and walks away.

“Let me see his rookie first, then we’ll talk,” Nyla decides. “I’ve got a feeling a lot is going to change around here.”

“Like what?” Angela asks. “Nyla! Like what?”

✯✯✯✯✯

Walking into the Mid-Wilshire station on your first day as a rookie is both nerve-wracking and exciting. You’ve heard stories about boots making it through the academy to fail once they reach this level, but you’re determined. When you were a kid, you were in bad situations more often than any child should be, but kind police officers changed your life, and you’d like to do the same.

Waving to one of your police academy friends, you sit in the bullpen, waiting impatiently to learn which officer behind you will be your training officer. Getting the perfect training officer is up to fate, based on what you’ve heard, and your TO can make or break your career.

“Good morning, boots! I am Watch Commander Wade Grey. You have made it through the police academy, but don’t expect a pat on the back, your work is just beginning. This is the time to prove yourself, to show your TO, me, and this city why you deserve to be a police officer.” He pauses, moving around the podium to add, “If you should be a police officer.”

As you listen intently, striving to remember every word Sergeant Grey says, two detectives stand at the back of the room and evaluate the rookies.

“He’s only got one shot,” Angela mutters.

“If he gets the pretty one in the front, I’m not taking the bet,” Nyla says.

Angela looks up a row, her brows raising when she sees you. “If he ends up with her, we’re starting a station-wide pool and getting rich,” she adds.

“Now, it’s time to be assigned to your judge, jury, and executioner,” Wade says with a smile. “Or, as we call them, TOs. Our former rookie turned TO, Nolan: you’ve got Edward Henderson.

 Officer Nolan nods at Henderson, and you remember his story: a late-life rookie who got a golden ticket. Part of you wants to work with him and learn why he decided on law enforcement, but you only nod at Henderson before turning back around.

“Lance Vincent, you are with our newest TO, Eliza Reagan.”

Wade says your name with a smile that seems a bit more genuine than before. “Officer Bradford, last but not least,” he says as he assigns you your new TO.

You look over your shoulder, a small smile on your face as he nods at you. He is undeniably attractive, and you hope it doesn’t cause any problems.

“Oh, he’s a goner,” Nyla whispers under her breath when you smile at Tim.

“Should we tell him?” Angela replies.

“I think we’ll have to.”

✯✯✯✯✯

Something about you bothers Tim. Not in the usual, grumpy-with-a-new-boot way, but he has a sense that you’re different. 

“Nice to meet you,” you say, walking to Tim at the back of the bullpen.

He stands, offering a calloused hand to shake.

“I’m not going to pretend this is going to be easy or fun,” he tells you. “Being a rookie is the hardest part of your career, but if you’re a good cop under the uniform, you’ll be fine.”

Nodding, you promise to do your best and express your willingness to learn everything you can from him.

“Good,” he says. “Meet me outside the war room. We’re not wasting any time, understood?”

“Yes, sir,” you answer.

Tim watches you walk away, and when you stop to let someone carrying a large box cross in front of you, Tim realizes that you’re hurting, or were hurting not long ago. The underlying need to help people is something he recognizes.

“She’s pretty,” Angela muses, walking to Tim’s side.

“Though you know that,” Nyla adds, smiling on his other side.

“She’s a boot. No different than the other rookies,” Tim argues, though his gaze is still on your back as you sign for your bags and weapons.

“Sure, she is. Why don’t you go put her through a Tim test?” Angela suggests.

Tim rolls his eyes as he leaves, wondering what hurt you bad enough to make you want to be a cop. He became a cop despite his hurt, but you’re young and bright – and too good for him – so there must be something in you that makes you worthy of this. More worthy (and more beautiful) than any rookie before you.

✯✯✯✯✯

Several officers wish you luck, with one or two warning you about so-called “Tim Tests” while you wait for Tim behind the shop.

“Don’t tell me you have a checklist,” Tim begins, drawing your attention away from the shop tires.

“No, sir,” you answer. “Just being vigilant, I suppose. I’d hate to start my first day with a flat tire.”

Tim nods, asking where the war bags are. You tell him how you checked the contents and loaded them into the trunk, and he appreciates your brief explanation.

“Good work. The easy part is over,” Tim says. He seems to weigh his options before deciding, “You drive. Show me what you’ve got.”

He follows you to the driver’s side door, opening it as he reminds you of standard shop procedures. As Tim closes the door, you wonder if he’s a gentleman or if he followed you because he doesn’t trust you to drive correctly. Either way, you know what you’re doing, and you won’t let the man in the passenger seat distract you… too much.

Driving toward Wilshire Boulevard for patrol, Tim looks out the window. 

“Blue Camaro has an expired plate,” you alert.

“Call it in.”

You do so, hitting the sirens as you engage the traffic stop. Tim raises a hand to stop you from getting out.

“Remember your training. Don’t let the situation get away from you.”

His words linger in your mind, and you complete the stop with no problem, issuing a ticket and returning to the shop.

“I’m driving,” Tim alerts you, spreading his hand across the small of your back as he directs you to the sidewalk.

“Did I do something wrong?” you ask when he starts the car.

“No,” he answers bluntly.

You lick your lips nervously, turning your attention to your surroundings. Suddenly, Tim pulls over and hits the brakes.

“I’ve been shot, boot. Where are we?” Tim demands.

Furrowing your brows in surprise at his actions, you answer, “Intersection of 12th and Meadowbrook, west of Redondo. There are several hospitals in a five-mile radius, but only one has a trauma center.”

Tim pulls out wordlessly, continuing his patrol route. Tim doesn't say much else throughout the few hours between his first test and lunch. He lets you point things out, answers your questions about the area and procedures, and glances at you out of the corner of his eye. When he pulls up to a small circle of food trucks where several police officers are waiting, he turns toward you.

“You’re doing well. I’m not neglecting to give you good feedback for any reason other than once you start riding alone, you won’t get it. My role here is to prepare you for your solo career, not hold your hand until you get there.”

“I understand, sir. Thank you for answering my questions,” you reply as you open the door.

Tim’s hand finds your upper back as he leads you to his favorite of the food trucks, a light touch that disappears nearly as quickly as it happened. You thank him quietly for the suggestion before sitting with your fellow rookies.

“Hi, Tim,” Angela says.

“What are you doing here?” he asks, his annoyance breaking through his growing fondness for you.

“Just came to get some food. Your boot seems to be in a good mood.”

“Strange, I thought Tim’s thing was ‘break their spirits in the first hour,’” Nyla adds as she joins Angela.

“You two not have work to do or something?” Tim inquires.

“Something like that. How’s she doing?” Angela tips her chin toward you as she asks.

“She’s got good instincts, knows protocols.”

“But?”

Tim shrugs, turning away before Angela can dig deeper.

“I give it a week,” Nyla announces.

“Before what?”

“He can’t take it anymore.”

✯✯✯✯✯

“Domestic disturbance in your area,” dispatch alerts.

Tim grabs the radio, accepting the call as he hits the sirens and turns into a residential area. You chew the inside of your bottom lip; domestic calls are your least favorite, especially when kids are involved. Unwilling to show discomfort, you put on your best brave cop face and follow Tim to the door.

A young girl with a bloody nose and teary eyes opens it, and you glance at Tim before kneeling and asking her to come outside. She listens without question, her lower lip wobbling as you smile.

“He’s hurting my mom,” she whimpers.

Tim nods at you before tilting his head toward the shop. You direct the girl to stand at the edge of the porch and wait for you as you follow Tim inside.

“LAPD, put your hands up!” Tim yells as he steps into a bedroom.

Your eyes widen when you see the large man towering over the girl’s mother. He smiles as he reaches for something.

“Don’t move unless you want to give me a reason,” Tim says lowly. “Step away.”

The man looks toward the nightstand before taking a deep breath and giving up. 

“I got it,” Tim tells you before radioing a code 4.

You wait until Tim has the handcuffs secured to walk outside. The girl runs into your arms, and you pop the shop's trunk, setting her down as you retrieve a small first aid kit. She lets you clean her bloody nose, gripping your wrist when it stings.

“Where’s my mom?” she asks.

“She’s talking to my partner right now, she’ll be out in a few minutes,” you explain.

“Is he nice?”

“The nicest,” you answer.

“Mom!” she yells, letting you set her on the ground before she runs to her mom’s side.

“Get in the shop,” Tim commands as he walks past, his hand brushing your arm as he closes the trunk.

You obey, climbing into the passenger seat and waiting as he talks to the EMTs. When he joins you, he drives to a quiet, empty street before switching off his body cam and gesturing for you to do the same.

“Are you okay?” he asks, his voice softer than you’ve heard.

“Yes, sir.”

“Don’t say what I want to hear. Domestic calls are tough but that wasn’t your first one, was it?”

You shake your head, looking out the windshield instead of at Tim.

“We all have reasons for becoming a cop, and some calls are harder than others. As long as your past doesn’t get in the way and put you in danger, it’s okay to be human,” he continues. “TOs are notoriously hard on you, but we’re also here for you.”

“Thank you,” you whisper.

Tim shrugs, one corner of his lips upturned. “No more sappy stuff, we have work to do.”

“Oh, if you think that was sappy, I’ve got a lot to show you before I graduate to short sleeves.”

The comment catches Tim off guard and makes him feel something he didn’t expect.

✯✯✯✯✯

By the end of the first week, you feel like you know Tim well. His hand spread across your back or shoulder when you’re in front of him, his little reminders that you’re not alone, that you can show emotion when the time allows, and every other little thing he does makes you wonder why there are so many horror stories around his teaching style.

Likewise, Tim thinks he has you down. You ask him questions, ask for his opinions, listen and apply what he says, and send him small smiles when he compliments your work.

But, it only takes a shift to realize that people are multi-faceted, and cops and rookies are no different.

“Good morning,” you greet, passing Tim a small box.

“What is this? A bribe?” he asks.

You smile as you reply, “Nope. Just something I found, and I thought you’d like.”

Tim opens the box, his eyes widening at the 2000 Super Bowl tickets, the Rams’ first win. “I can’t accept these.”

“They were under a bookshelf in my apartment, it’s not like I spent a million dollars on them, Officer Bradford.”

Tucking them into his pocket, Tim opens your door. “Thank you.”

You smile, and Tim thinks your joy is the better gift.

✯✯✯✯✯

During your first call of that day, you show Tim that you don’t just value his opinions.

“Shots fired!” you radio as you duck behind the car.

“Are you hit?” Tim asks.

Shaking your head, you move closer, trusting him to direct you and keep you safe. The men in the house you were called to have automatic weapons, and though you’re a good shot, you’re not a match for their guns alone.

“Backup is on the way, but I need you to do something for me. You trust me?” Tim adds.

“I do.”

“Reach around the back and open the trunk; just far enough to reach the latch. I’ll cover you.”

He stands above you, firing into the shattered window of the house as you slip your arm and back around the end of the shop and open the trunk.

“Good, perfect,” Tim praises as he ducks beside you. His knuckles graze yours as he leans past you. “Can you reach the shotguns?”

Glancing in the window above you, you locate them quickly. “I can.”

“Do it. I got you.”

Once the shotguns are in your hands, you pass one to Tim as you ready your own. Timing your shots, you take out two shooters just as your backup arrives.

“You’re bleeding,” Tim says, his adrenaline dropping as a tactical team takes over.

You look at your arm, just noticing your ripped sleeve and bloody skin. Tim lays his hands on your arm as he turns it toward him.

“I think it was just glass from the windshield,” you say quietly, pointing to the car behind you, riddled with bullet holes and broken glass.

“Either way, we need to get it checked out.”

“Officer Bradford?” you interject. “Thank you. For making sure I trust you.”

“Thanks for trusting me,” he mutters, so soft you can barely hear it.

He taps the Super Bowl tickets in his pocket as he rises to get a paramedic to check on you, and you smile, wondering how bad it would be if you fell in love with your TO.

✯✯✯✯✯

“You’re quieter than usual,” Tim points out. “I need to know that whatever is bothering you won’t impair your ability to work with me.”

“It won’t,” you promise. “Sorry.”

Tim considers pressing, but he trusts you. “I’m here. If you decide you want to talk about it.”

He exits the shop and opens your door before you can reach for the handle.

✯✯✯✯✯

“Did you see that?” Nyla gushes, elbowing Angela.

“Ow. See what?”

Nyla points to Tim, closing your door and laying a hand on your shoulder as he ducks his head to talk to you.

“That’s not a reprimand,” Angela deduces.

When you smile, a tiny upturning of your lips, Nyla laughs.

“Oh, that boy… The door, the touches, listening to her? He’s gone.”

“Not just him,” Angela adds. “She asks him questions, smiles at him, trusts him more than anyone… and the Super Bowl tickets? They’re adorable.”

“Should we do something?”

“Not yet. I think they’re close to realizing.”

✯✯✯✯✯

After your longest, and worst, day yet, you find yourself in a hospital waiting room beside Tim. He hasn't said anything since a speeding driver ran into your side of the shop, though you've apologized countless times (even though there's nothing you could have done).

Tim’s jaw is clenched so tight you’re worried it will snap. You’re sitting close to him, a bandage around your wrist and an ice pack pressed to your cheek.

“Sorry,” you whisper.

“Stop- stop apologizing, it’s not your fault,” Tim sighs.

His arm is on the armrest between you, and you move your hand toward his. When he doesn’t back away, you turn your arm to allow your knuckles to brush against his.

“It’s not your fault,” you tell him kindly. “He ran a red light.”

“And you could’ve been killed,” Tim replies, standing abruptly and walking away.

You slump in your seat, dejected and curious about what you could say to make him stop blaming himself for someone running into you.

✯✯✯✯✯

“Tim and his rookie sitting in a tree,” Nyla sings under her breath.

“I don’t have time for this right now,” Tim replies.

“Right, because you’re too busy being mad that she got hurt. Cops get hurt Tim,” Angela reminds him.

“Not with me,” he begins, pausing to take a deep breath. “Despite what you think, I’m upset that she got hurt, not because I’m in love with her.”

“Whatever you got to hear, buddy,” Nyla replies. “But tell me this. If it was Nolan when he was a boot, would you have felt this bad? Even if I believed you didn’t have feelings for her, which I don’t, you’re different with her and you know it.”

Tim sighs, looking out the door at you. He knows it’s true; despite his constant denial, he does treat you differently because you are different, and you’re like a magnet, incapable of being ignored or forgotten. Finally confessing it to himself, Tim knows that his feelings for you will get one or both of you in trouble unless something changes.

✯✯✯✯✯

“It is time for The Switch,” Wade says as he walks into the bullpen. “The day you ride with a new TO.”

You glance at Tim, who gives you an encouraging nod. He tells you that you’re a great rookie, but he also tells you that you’re pretty sometimes, which doesn’t seem pertinent (or always true, in your eyes). Wade says your name, and you look up.

“You’re with Nolan,” he tells you.

Smiling at Nolan, you cross your fingers under the desk that it’s a good day. 

“Henderson,” you call as he stands up, “what’s Nolan like?”

“He’s great. Really understanding and knowledgeable. A little talkative, but fairly easy going. Just stick to protocol and listen to his directions; you’ll be fine.”

“What about Bradford?” Vincent asks you. “Everyone says he’s the toughest. Anything I should be aware of?”

“I don’t think so. He’s quiet sometimes, but he’s great.”

You collect your war bag with the expectation of a good day. You will miss Tim, but learning how another TO teaches and his views can be invaluable. As you slide into the driver’s seat beside Nolan, you realize something: you like Tim as more than your TO. He means more to you than just being your teacher, your mentor, and a trustworthy officer. The thought hits you so suddenly you're not sure where it came from.

With each passing moment, you find yourself remembering something Tim said or wanting to tell him something, but he isn’t there. Nolan is kind and laughs at your muttered comments, but it is nothing like riding with Tim. As you think about all the little things Tim does, everything begins to make sense.

Someone yells your name when you step out of the shop to get lunch. Turning, you’re surprised to see Vincent storming up to you.

“Why didn’t you tell me?” he demands.

“Tell you what?”

“That Bradford has ‘Tim Tests’ and nothing pleases him!”

You glance over his shoulder, finding Tim and Nolan talking. Tim glances over at you, and the tension in his shoulders seems to ease until Nolan says something else.

“His Tim Tests aren’t that bad; he’s just teaching you awareness and safety.”

“He wants to end my career,” Vincent exclaims before muttering something about you not understanding as he walks away.

✯✯✯✯✯

“How’s Vincent doing?” Nolan asks.

“That kid has no situational awareness,” Tim answers. “I stopped at a street sign, and he couldn’t figure out where we were.”

“He’s probably scared of you,” Nyla interjects. “And, no, Bradford, I don’t have anywhere else to be.”

“My rookie can tell me where I am, no matter what,” Tim adds.

“Your rookie is very good, I’ll give you that,” Nolan replies. “But Vincent has potential. Besides, your boot has people problems.”

Tim glances over at you, locking eyes with you while Vincent talks to you dramatically.

“So do I, but I’m still a good cop.”

Nyla watches as both you and Tim sigh before abandoning the conversations you’re in. She shakes her head, calculating her winnings if the betting pool goes her way.

✯✯✯✯✯

Walking out of the locker room at the end of the day, you’re surprised to be called into Sergeant Grey’s office. You sit across from him, fiddling with the hem of your shirt to spend your nervous energy.

“You are being assigned to a new TO. Officer Bradford has decided to hand you off to someone better equipped to teach you,” Grey informs. “But you’re not in trouble.”

You still your hands in your lap. “Okay. Effective when?”

“Monday morning. So, rest up.”

As you stand, Grey says your name, smiling as he repeats, “You’re not in trouble. This was Bradford’s decision, nothing to do with you. Well, nothing to do with you as a rookie.”

You purse your lips at his phrasing, and he chuckles before sending you out. Walking through the parking lot, you see Tim’s truck is still there and decide to ask him what happened. Standing by the tailgate, you chew your bottom lip as you wait, nervous that you did something, though Wade assured you differently.

Tim walks up unnoticed, saying your name to get your attention.

“What did I do wrong?” you ask, jumping straight to your questions. “I can fix it; there has to be a way to fix it.”

“You didn’t do anything,” Tim promises. “I just can’t be your TO anymore.”

“Why not?”

Tim shifts his backpack on his shoulder. “It’s not appropriate.”

Your heart drops. Tim knows you have feelings for him, and it makes him uncomfortable; that’s the only explanation. Nodding slowly, you accept your fate.

“And I can’t do this,” Tim adds.

His hands slide onto your jaw, his palms against your cheeks as his fingers settle behind your ears, pulling you into a quick kiss. You only begin to respond when he pulls back.

“You’re the best boot I’ve ever had,” he whispers, brushing his thumbs over the apples of your cheeks.

“I’m not your boot anymore,” you remind him.

“That’s your fault. Those little gifts, and soft smiles, and how well you listen… You make it impossible not to fall for you.”

You laugh, leaning against his hands as you reply, “You do too. How do you think I felt when you called me pretty or touched my back? Then you kept comforting me and inviting me to talk. It was too easy.”

“Go to dinner with me?” he asks.

You nod, smiling against his hands before he moves to touch your back again, opening the passenger door as he helps you in. Tim slips his hand into yours, kissing your knuckles as he keeps you close.

✯✯✯✯✯

When the rest of the rookies leave the station, noticing that your car is still there, they ask each other if anyone has seen you.

“Bradford’s truck is gone,” Nyla notices as she walks out.

“Looks like we won,” Angela cheers.

“Where’s Bradford?” Vincent asks.

“On a date,” Nyla answers. “With his former boot.”

The rookies’ jaws drop, wondering how you managed to pull Mid-Wilshire’s resident grump.

“Don’t expect the same to happen to you,” Angela says as she passes the rookies. “We all worked for this one.”

[bhaalble]

Back on my Wyll script doctor because I was talking about it with a friend. Specifically imagining a version of Wyll's big Character Choice that felt like it had some actual teeth.

Imagine a world where instead of a cartoon evil hot lady Mizora and Wyll's relationship actually had some complexity to it and like. some genuine push and pull which gives him temptation to stay. I just keep thinking about this 17 year old who his whole life wanted more than anything to be a hero, who got his chance to do something heroic and selfless and save the city from certain doom, and his reward is getting kicked out because he did it the "wrong way".

Imagine if instead of forcing his silence, Mizora instead comforted him. How unbelievably cruel of your father! Well...since you've nowhere else to go, why not stick with me? We make a pretty good team, as it turns out, and I can get you a whole list of monsters who need killing. Plenty of devils and demons loose in your world targetting all sorts of innocents. Our interests can keep aligning, and you get a place to sleep when you need it.

Wyll makes his peace with it, because he has nothing and no one. And Mizora's not GOOD maybe, not by Ulder Ravengard's definition. But she's fun. She delights in his growth. And she does certainly keep direct him at greater evils, devils who really do need killing. And if she spies on his every waking moment, well, she worries. If she sends him after the occasional innocent, well, she had people who she has to answer to as well. She's a devil, how much can he fault her for her nature? She's always seemed like she knew where the line was...

Karlach (and the player) express their doubts, of course, but for act one at least he's defensive. Yes, she punished him and he hates it and its miserable but....he was in breach of contract! She's NEVER gone outside its bounds, she's always stuck very closely to their agreement. Wyll, who wants so badly to trust others and believe everyone has the chance for good, can't find it in him to believe the worst even of a devil.

And Mizora is FOND of Wyll, loves him even in her way. As a cherished pet, as a trusted tool, as a best-laid plan. Never enough to choose his own well-being over her own agenda, never enough to see him as his own person. He's her little project, the long shot noble brat she gambled on when Tiamat decided to get too big for her britches. And it paid off! Wyll always pays off, currying her all the favor from Zariel she so desperately craves. And who are you, or anyone, to come between them? She's treated him well. As she's quick to remind him, she wanted him when no one else did, aided him while the rest of his city slept snug in their beds. And if Ulder Ravengard didn't want a son with a whiff of infernal, then do you REALLY think he'd want you with lovely horns and Avernus in your blood?

You discover his father's been taken. Beyond igniting a lot of old feelings, it brings up a question of succession. Of course, Florrick isnt giving up on him, but if not...there aren't currently any likely candidates to take over the Flaming Fists. Not trustworthy ones. Florrick will take the position, but everyone knows in the back of his mind Ulder never really stopped planning for it to be Wyll. With the city in chaos and a cult army on the rise, they may need an answer sooner rather than later. Wyll feels the call of the Gate, but knows just as well that Mizora wouldn't want him to return in such an official capacity.

For the first time ever the leash starts to chafe in a way he can't keep pushing through.

Act 2 rolls around. Mizora sends up the Warlock signal. After potentially some encouragement from the player, Wyll (NOT THE PLAYER. I DONT KNOW WHY ITS THE PLAYER IN THE GAME ITS WEIRD) hesitantly proposes that maybe, if he does this....they can do a renegotiation of his contract. Not break it, he assures her quickly! Just....reopen the terms, take a looks at the agreement. Maybe discuss an exit ramp? After all....I mean, neither of us truly thought I'd be doing this forever, did we?

Based on Mizora's reaction. Yeah she did.

But fine. She agrees. And Wyll's not mad that it turns out you're rescuing her, not a nameless "operative" for Zariel. He would've done that on his own had she asked. Its the fact that she apparently didn't feel like being honest, that she let him fret and worry about potentially handing Zariel back some runaway for basically no reason. Its the fact that she came here to check in on the cult that abducted his FATHER just to see if Zariel could make any use of them. And its the fact that she seems surprised and annoyed that ANY of this bothers him.

All this builds, of course, to the final confrontation. The basic elements are the same. Mizora outside the coronation (this time needling at Wyll, "I'll be at camp if you're not too high and mighty to consort with the likes of me anymore"), Ulder tadpoled and fighting it. Mizora makes her offer. I can end the contract now, and you're free to go running after daddy (who won't want you btw! not like I do!). You'll lose all your powers, all my aid, all those juicy quests to chase down the greatest monsters in the hells. Take on your father's job and settle in for a life of misery and compromise and only doing as much good as the nobles will let you. Or: pledge yourself to me, eternally. I'll give you a boatload of new powers and eternal life to boot, so long as you serve as my sword and shield.

From there I think three endings branch out, and with it three classes for Wyll. If he stays with Mizora, accepts a relationship where he will never be an equal or a free agent in exchange for the affirmation he wants so badly from his father, he remains a Warlock, with some juiced stats and extra spell slots, along with shiny new gear. If he pledges to follow in his father's footsteps, he instead becomes an Oath of Devotion paladin, pledging himself in service to Tyr, if with a sense of doomed finality. The Blade of Frontiers is officially retired, and along with it any identity he has outside of being his father's son. Or the third path, break the contract without taking his father's role. He will look for his father, yes, but whether or not you find him he's going back to his roots, travelling around to do some good in the world (as the Blade of Frontiers) or kicking ass in the Hells with Karlach (as the Blade of Avernus). In this timeline he becomes a fighter, with a default preference for Eldritch Knight.

What's important: if he breaks his contract then Mizora is NOT hanging around camp. She will leave in a fury, accidentally bound by her own word to withdraw her influence completely if he breaks his contract. She may still approach the player some night to sleep with the player, framed for high approval/romanced players and her trying to take something back from Wyll. But Wyll will have to learn how to define himself without her breathing down his neck, without keeping her happy dominating his every thought. Its nervewracking, and even lonesome at times...but its freedom. And, perhaps, that's worth a little bit of lonesomeness.

[brewingcoffi]

UNDERTALE: YELLOW ‘REVIVED! CLOVER’ AU

PART 1

Explanation:

AS WE CAN TELL BY THE CUTSCENES, THAT DYING WITHOUT A SOUL ISNT IMMEDIATE. but slowly, it sorta drains away your energy, but seeing that Clover was literally hunched down during Floweys speech before having ENOUGH energy to drag themselves to position their last death place shows how REALLY strong Clover is. So, assuming that they DIDNT immediately passed away after they positioned themselves for prob a few last breath minutes really made me think.

What if Flowey decided to still keep Clover? They were ‘pals’ Yeah. Flowey decided to let them rest… BBBBBut, what if before Clover used their last breath. Floweys forced a TINY ounce of his determination into them. Making Clover a sort of a walking dying corpse.

Nevertheless, since it is shown that Clover has enough energy to drag themselves without their soul. In their now revived state, they can do simple movements by themselves. It’s just their legs can't balance anymore due to a lack of soul energy, so Flowey helps them with their balance and movements by being their support via using Vines as body strings.

Flowey and Them DO meet Frisk at some point,

Clover genuinely looks so tired which make sense because they literally got their energy sucked out after they lost their soul. Clover now has to drink ANY energy giving drinks or they barely functions for 2 hours (Forced to drink coffee.)

Character Info:

Clover & Flowey

Due to Clover's SOUL already being taken Encased in a capsule (Takes places during OG Undertale.)

Flowey mostly ‘Helps’ with their movements since without a soul, their control over their body are VERY WEAK. Revived! Clover can’t do Shit. Only thinks and blinks (But has enough energy to speak simple words.) of course, they can move their arms with any leftover weak energy. but it will never be enough to resists Flowey's control over their movement and actions.

I also wanted to add a detail that the vines will extend more rapidly and secure/support more, depending on what body part(s) Clover is going to use more effortly just incase of Clover was caught in a fight.

Qna questions that are answered for the lore of this AU:

Question 1. You think the lack of a soul might cause empathy/emotion issues like with flowey? Imagine flowey teaching clover to cope with it.

Answer:

“The answer is, Yeah! But, I have a feeling or a (hc of course) that it still has same affect upon losing your soul, slowly but surely. It would take Clover a few days or maybe one month in the underground to suddenly lose their concept of emotions, since like what happened after they lost their soul.

But Clover probably "tries' to hold onto their emotions to as long as possible, to make sure they don't ended up like flowey (I like to think that they slowly soon starts to act semi-like their genocide counterpart; ruthless and bold.)”

Question 2. Wondering how their friends would interact with how... "kind of alive" their body is. Or heck, how they and their friends would interact with the undertale cast.

Before the aftermath, how would Clover "kind-of live" in the underground? With all of the emotionlessness consuming their days, would they act like some kind of cryptid since they don't want their friends to see them as this... soulless shell.

Answer:

1.) I bet they would interact with Clover by treating them like a glass child (Which would start A LOT of conflicts, especially when the side effect of being soulless could affect their moral Justice as well.), and for the UT cast, it depends on your idea!

2.) Clover went into hiding and lived off caffeine and energy drinks(Or leftover food from their inventory.) But, Flowey being their pal would probably give them food if they don't, And Yeah! Clover became this ‘Cryptic entity’ that tends to lurk around where ‘Injustice or corruption’ happens. I like to see Clover, before the emotionlessness began; Was that Clover USED to be this ‘Peacekeeper’ vigilante. Relating to them acting like this ‘Cryptic’ due to them. Even in OG Undertale, I like to imagine that Clover appears for a short period of time and disappears from Frisk point of view(Like that Flowey Easter egg from the OG UT.)

Question 3. does clover tell flowey what limb or does flowey just know?

Answer:

Well, they used The first one, but until a few days or weeks, they’ve gotten used to it, so Flowey now just knows.

4. What exactly WAS flowey's plan for Clover

Answer:

The only logical and ‘in-character’ thought I had of Flowey’s plan; was that Flowey was going to use Clover against or perhaps use Clover as bait/trick the last human child, and help kill King Asgore. Which backfired.

And I also realized that Clover no longer has their Gun, so I wanted to give Clover a weapon to help ppl while also defending themselves. (Clover is used to range, so they probably suck-ass on melee weapons.)

[bunni-v1]

Aommgg

Could I request the nrc staff + grim finding out you‘re a girl (plantonic)?

Or do they all know straight from the start?

TW: None

Info: Crowley, Grim, Sam, Cruel, Trien x Reader (Platonic)

🍓Hello lovely! I didn't want to make a whole long post about this, but I do want to talk about it. I'm so glad you asked! So the staff is... made aware of the situation, obviously. But, I think I'll go a little into depth on how each member deals with this information.

Crowley knows because... well... he sees you out of the ceremonial robes before anyone else does. He handles it as well as he does every other issue he comes across. "Just cover it up!" Famously said by Crowley. He's not unkind though, he does ensure that you get the help you need and he makes sure you keep what you need hidden, well, hidden. But... he won't do more than the bare minimum unless his hand is forced. Like... with Scarabia, he pretty much threatened the whole dorm with expulsion if they so much as uttered a word to anyone but amongst themselves. He is, unsurprisingly, not a father figure to you. He's more like... you're weird quirky uncle that you like, but only in small doses.

Grim, our little guy, finds out at the same time as Crowley... and he's a little harder to convince to keep his mouth shut to start. He doesn't like you, okay, you stole his position at NRC (like he had a chance at all). With a few well-placed cans of tuna from both you and Crowley, he keeps his little rat mouth shut. However, when you're actually granted studentship as NRC? His tune changes. It changes because Crowley holds his position as a student over his head, but it changes. Not a SINGLE person will ever hear you're a woman from Grim. He can't lose this position, not after so much work to get where he's gotten to. Besides, he grows to really love you! You're family to him, and no one out family. Seriously, he's so protective of it, once Ace and Deuce figure it out they're too scared to talk because of Grim's looming presence.

Sam is the first member of Staff to find out, other than Crowley. How? Crowley's sudden interest in pads, tampons, birth control, and all the fun stuff that comes with being a woman. Sam usually would just shrug his shoulders and excuse Crowley's quirky behavior, but then you come in looking like a lost deer and he gets it. He is genuinely so nice to you though! If you ever feel unsafe on campus, you talk to Sam and he'll handle it for you, okay? Sure, he jacks up the prices on your feminine products, but it's considerably less than his normal prices. Hell, if you're short, he'll "suddenly" remember he's got a discount on those items. He's like a cool older brother, honestly. He lets you hang out in the back of the shop and do homework when you ask, and he gives you snacks at a discount when you're there!

Crewel doesn't really treat you any differently than anyone else. Admittedly though, he's fond of you, even if you're a troublemaker. When you come into his class on your first day in a uniform six times too big for you, he feels pity for you. You didn't ask to be here, and now you have to wear that atrocious old uniform? You poor little pup. He's not exactly easy on you, but he's more understanding of your mistakes. Eventually, after you get to know him better, he offers to get you a nicer uniform and also privately tutor you. This is his excuse for keeping you busy so that you don't have as many chances to get found out, and it's also because you are horrifically failing his class and it looks bad on him.

Trien treats you the most differently out of everyone on staff. The SECOND he found out you were a girl and were being forced to hide that fact for Crowley's sake? Oh my god, grandpa was PISSED. Crowley got an EARFUL after that meeting. This man makes it his mission to make your stay as comfortable as he possibly can make it because sevens know Crowley won't be doing SHIT. After he meets you? Oh my god, you remind him of his own girls when they were little. He absolutely adores you, and everyone can tell. It's so odd to the other students because he clearly favors you, and when they ask you about it you've got no clue. He is your dad here at NRC, as out of character as that might be. You are a young woman lost in a world that is not kind to you going through so much more than you need to. He doesn't want to add more to your plate. You can come to him for anything and he will provide as best as he can.

Vargas (I'm sorry for forgetting about him lol) is a lot like Crewel in the fact that he doesn't treat you too differently from his other students. You're still made to push yourself to your upper limits for gym, still expected to keep up with your peers, and still expected to meet his general expectations. However, if it's way too much for you to do, out of fear of Crowley and Trien breathing down his neck, he'll lessen your load. Otherwise, he doesn't really have much chance to be around you outside of class. He finds you amusing and knows you've got a good head on your shoulders, but that's about it from him.