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Toshiba Magazine Ad, Adphic Co. Ltd Studio (1987).
IG
#editorial#design#graphic design#designer#graphic designer#typography#print design#typographic#type#graphics#editorial design#magazine#magazine layout design#editorial layout design#magazine design#poster design#visual design#design studio#illustration#flyer design#poster art#art#visual art#retro design#magazine layout
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Kris Jenner for Khy x Entire Studios
#kris jenner#Khy x Entire Studios#khy#entire studios#fashion#style#editorial#photography#beauty#minimalism#fashion photography#visual#fashion editorial#fashion magazine
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#c6smic-angel#bella hadid#alex consani#gabriette#fashion moodboard#fashion#visual archive#photoshoot#magazine#photography#fashion editorial#editorial photoshoot#editorial photography#bella hadid moodboard#bella hadid icons#fashion week#miu miu#acne studios#met gala
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Life to chaotic and busy? Need a place in Toronto to take a break? Katherine Desourdie can't recommend Wu Wei Coffee enough. Read everything she has to say about the Kensignton Market coffee shop in Issue No. 5 of Shtot Magazine!
#graphic design#architecture#design#aesthetic#poster design#photography#studio shtot#magazine#art zine#coffee#visual arts#coffee shop#toronto
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Maveric - Futuristic Font 🔥🤖
https://www.behance.net/gallery/191889931/Maveric-Futuristic-Font
Transform your designs into a journey through time with Maveric Font! 🚀 Explore the futuristic realm where modern meets robotic sophistication. Elevate your projects with the perfect blend of innovation and style. Maveric Font: Where Typography Embraces Tomorrow,featuring with inktrap and dynamic shapes
#futuristic font#graphic design#display font#fonts#Graphic Design#Design Inspiration#Typography#Font Design#Logo Design#Creative Design#Visual Design#Graphic Art#Web Design#Poster Design#Minimal Design#Modern Design#Illustration#User Interface Design#User Experience Design#Digital Art#Branding Design#Magazine Design#Book Design#3D Design#Graphic Design Community#Design Trends#Design Studio#Creative Process#Print Design#Packaging Design
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instagram
#country#taylor swift#billboard#the mandalorian#super mario#across the spiderverse#friendship#musicindustry#ted lasso#universal studios#warner bros#filmtvcentral#film photography#festivevibes#movie investors#superman#i saw the tv glow#global news#my music#motorcycle#magazine#jimmy carter#vice presidential debate#visual arts#laugh#watchblogging#director#freedom#instagram#in stars and time
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SFX Magazine Issue 372 - Designing Good Omens ❤ 😊
PRODUCTION DESIGNER MICHAEL RALPH REVEALS HOW THE SHOW’S CENTREPIECE SET, WHICKBER STREET, WAS GIVEN A DEVILISHLY CLEVER UPGRADE FOR THE SECOND SEASON
WORDS: DAVE GOLDER
Invisible Columns And Thin Walls “The new studio is Pyramid Studios in Bathgate – it used to be a furniture warehouse. And unfortunately – or fortunately, because I accept these things as not challenges but gifts – right down the middle of that studio are a series of upright columns. But you’ll never spot them on screen. I had to build them in and integrate them into the walls and still get the streets between them. And it worked.
“There’s all sorts of cheeky design values to those sets. Normally a set like this is double-skin. In other words, you do an interior wall and an exterior wall, with an airspace in between. But really, the only time a viewer notices that there’s that width is at the doors and the windows. So I cheated all that. I ended up with single walls everywhere. So the exterior wall is the interior wall, just painted. All I did was make the sash windows and entrances wider to give it some depth as you walked in.”
GOOD OMENS HAD A CHANGE of location for its second season, but hopefully you didn’t notice. Because Whickber Street in Soho upped sticks from an airfield in Hertfordshire to a furniture warehouse in Bathgate, Edinburgh. It’s the kind of nonsensical geographical shenanigans that could only make sense in the crazy world of film and TV, and production designer Michael Ralph was the man in charge of rebuilding and expanding the show’s vast central set. “I wish we could have built more in season one than we did,” says Ralph, whose previous work has included Primeval and Dickensian. “We built the ground floor of everything and the facades of all the shops. But we didn’t build anything higher than that, because we were out on an airfield in a very, very difficult terrain and weather conditions, so we really couldn’t go much higher. Visual effects created the upper levels.”
But with season two the set has gone to a whole other level… literally. “What happened was that the rest of the street became integrated into the series’s storyline,” explains Ralph. “So we needed a record shop, we needed a coffee shop that actually had an inside, we needed a magic shop, we needed the pub. To introduce those meant we had to change the street with a layout that works from a storylines point of view. In other words, things like someone standing at the counter in the record shop had to be able to eyeball somebody standing at the counter in the coffee shop. They had to be able to eyeball Aziraphale sitting in his office in the window of the bookshop. But the rest of it was a pleasure to do inside, because we could expand it and I could go up two storeys.”
For most of the set, which is around 80 metres long and 60 metres wide, the two storeys only applied to the shop frontages, but in the case of Aziraphale’s bookshop, it allowed Ralph to build the mezzanine level for real this time. According to Ralph it became one of the cast and crews’ favourite places to hang out during down time.
But while AZ Fell & Co has grown in height, it actually has a slightly smaller footprint because of the logistics of adapting it to the new studio.
“Everybody swore to me that no one would notice,” says Ralph wryly. “I walked onto it and instinctively knew there was a difference immediately, and they hated me for that. I have this innate sense about spatial awareness and an eye like a spirit level.
“It’s not a lot, though – I think we’ve lost maybe two and a half feet on the front wall internally. I think that there’s a couple of other smaller areas, but only I’d notice. So I can be really annoying to my guys, but only on those levels. Not on any other. They actually quite like me…”
Populating The Bookshop “The props in the new bookshop set were a flawless reproduction from the set decorator Bronwyn Franklin [who is also Ralph’s wife]. It was really the worst-case scenario after season one. She works off the concept art that I produce, but what she does is she adds so much more to the character of the set. She doesn’t buy anything she doesn’t love, or doesn’t fit the character.
“But the things she put a lot of work into finding for season one, they were pretty much one-offs. When we burnt the set down in the sixth episode, we lost a lot of props, many of which had been spotted and appreciated by the fans. So Bronwyn had to discover a new set decorating technique: forensic buying.
“She found it all – duplicates and replicas. It took ages. In that respect, the Covid delay was very helpful for Bron. There’s 7,000 books in there and there’s not one fake book. That’s mainly because… it’s a weird thing to say, but we wanted it to smell and feel like a bookshop to everybody that was in it, all the time.
“It affects everybody subliminally; it affects everybody’s performance – actors and crew – it raises the bar 15 to 20%. And the detail, you know… We love a lot of detail.”
(look at the description under this, they called him 'Azi' hehehehe :D <3)
Aziraphale’s Inspirational Correspondence “There’s not one single scrap of paper on Aziraphale’s desk that isn’t written specifically for Aziraphale. Every single piece is not just fodder that’s been shoved there, it has a purpose; it’s a letter of thanks, or an enquiry about a book or something.
“Michael Sheen is so submerged in his character he would get lost sitting at his own desk, reading his own correspondence between takes. I believe wholeheartedly that if you put that much care into every single piece of detail, on that desk and in that room, that everybody feels it, including the crew, and then they give that set the same respect it deserves.
“They also lift their game because they believe that they’re doing something of so much care and value. Really, it’s a domino effect of passion and care for what you’re producing.”
Alternative Music “My daughter Mickey is lead graphic designer [two of Ralph’s sons worked on the series too, one as a concept artist, the other in props]. They’re the ones that produced all of that handwritten work on the desk. She’s the one that took on the record shop and made up 80 band names so that we didn’t have to get copyright clearance from real bands. Then she produced records and sleeves that spanned 50, 60 years of their recordings, and all of the graphics on the walls.
“I remember Michael and Neil [Gaiman] getting lost following one band’s history on the wall, looking at their posters and albums desperately trying to find out whether they survived that emo period.”
It’s A Kind Of Magic One of the new shops in Whickber Street for season two was Will Goldstone’s Magic Shop, which is full of as many Easter eggs as off-the-shelf conjuring tricks, including a Matt Smith Doctor Who-style fez and a toy orang-utan that’s a nod to Discworld’s The Librarian. Ralph says that while the series is full of references to Gaiman, Pratchett and Doctor Who, Michael Sheen never complained about a lack of Masters Of Sex in-jokes. “He’d be the last person to make that sort of comment!”
Ralph also reveals that the magic shop counter was another one of his wife’s purchases, bought at a Glasgow reclamation yard.
The Anansi Boys Connection Ralph reveals that Good Omens season two used the state-of-the-art special effects tech Volume (famous for its use in The Mandalorian to create virtual backdrops) for just one sequence, but he will be using it extensively elsewhere on another Gaiman TV series being made for Prime Video.
“We used Volume on the opening sequence to create the creation of the universe. I was designing Anansi Boys in duality with this project, which seems an outrageously suicidal thing to do. But it was fantastic and Anansi Boys was all on Volume. So I designed for Volume on one show and not Volume on the other. The complexities and the psychology of both is different.”
#good omens#gos2#season 2#photos#bts#bts photos#interview#sfx magazine#magazines#hq photos#neil gaiman#terry pratchett#michael sheen#david tennant#michael ralph#mickey ralph#bronwyn franklin#anansi boys#the small back room#maggie's record shop#soho#aziraphale's bookshop#dirty donkey#magic shop#aziraphale's correspondence#give me coffee or give me death#fun fact#michael ralph interview#sfx 372 magazine#s2 interview
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Picture Perfect

Summary: After experiencing loads of chemistry with Chan during a magazine photoshoot, your insomnia leads to a chance encounter with him late night at the hotel pool that turns into an intimate one-on-one private photography session.
Chan x Reader (f); Smut; Fluff
Warnings: This work of fiction is intended for 18+ audiences only. Includes explicit sexual content, graphic language, etc. Author chooses to not extensively tag in order to preserve some elements of storytelling.
Word Count: 15,451
You arrive at the studio two hours before the scheduled shoot, the weight of your camera bag a familiar comfort against your hip. The space smells of cleaner and expensive equipment, a scent you've come to associate with the peculiar blend of anxiety and control that defines your work. Your footsteps echo across the polished concrete floor as you flick on the industrial lights, transforming the cavernous room from shadow to clinical brightness. Today’s subjects are from Stray Kids; they’re a global sensation, eight impossibly photogenic men.
This is huge for you and you refuse to be anything less than impeccable.
The studio assistant has already arranged the sets according to your specifications, but you double-check everything anyway. Your reputation for perfectionism precedes you in the industry; it's how you landed this high-profile job in the first place. You adjust a reflector panel by two inches, tweaking the angle until the light bounces exactly right. Not harsh, not flat. Perfect.
You examine the concept boards propped on sleek easels with minimalist black frames housing images of striking contrasts and bold silhouettes. The brief called for "raw authenticity with polish," whatever the hell that means. But you understand the visual language behind the marketing jargon. These men need to look accessible yet untouchable, human yet godlike. The contradiction that sells.
Crouching beside your primary camera, you check the settings for the ninth time. Your fingers dance across the dials with practiced precision, muscle memory taking over as you mentally run through your shot list. Background music flows through hidden speakers; something ambient and unobtrusive, selected to create the illusion of calm in a space that will soon vibrate with heightened energy.
"Checking the histogram?" asks your assistant, materializing with a clipboard and a coffee that's more cream than caffeine.
"Always." You straighten up, rolling your shoulders to release the tension gathering there. "Did the stylist confirm the wardrobe arrived?"
Before she can answer, the atmosphere shifts. The front door swings open, and suddenly the air in the room feels electrified. You hear them before you see them; laughter, rapid-fire Korean interspersed with English, the unmistakable sound of a group that shares years of inside jokes and comfortable chaos.
Stray Kids spill into the studio like paint splashing onto canvas; They are vibrant, impossible to ignore, instantly transforming the space. Your eyes dart from face to face, mentally matching them to the brief profiles you'd studied. The tall one with the intense gaze must be Hyunjin. The one with the angelic features and impossibly deep voice has to be Felix. The one joking loudly and making exaggerated hand gestures is probably Changbin.
While your assistant scurries to greet them formally, you hang back, observing. It's part of your process, watching subjects before they know they're being watched often reveals the most authentic versions of themselves. The group moves like a single organism with eight distinct personalities, a choreography of friendship that speaks of a long-term shared experience.
And then, separated slightly from the playful chaos, your eyes lock with his. Bang Chan. The leader. You'd recognize those dimples anywhere, those intelligent eyes that seem to register everything at once. While the others are still shrugging off jackets and exclaiming over the studio setup, he approaches you directly, purposeful and present.
"Good morning," he says simply, extending his hand. His voice carries a hint of Australia in the vowels, a warmth that seems both professional and personal. "You must be our photographer for today."
His hand meets yours, and the contact sends an unexpected current up your arm. Static electricity, you tell yourself. The dry studio air. Nothing more.
You gave him a calm, practiced smile. "That's me," you respond, impressed by how steady your voice sounds despite the ridiculous flutter in your chest. “And you must be the one they warned me about.”
That earned you a soft chuckle. “Guilty. But I have a feeling they probably warned you about all eight of us.”
"You’re right. ‘Complete and utter chaos’, they said,” you confirm with a smirk. “Welcome to the studio. I've been looking forward to working with you all."
Chan's smile deepens, dimples appearing like punctuation marks on his face. "We've heard great things. Your work with that indie rock band last month, MindSweep, was incredible."
The fact that he's familiar with your portfolio catches you off guard. Most celebrities arrive prepped only with the bare minimum about the shoot itself.
"You've done your research," you say, allowing a small smile.
"Always." His eyes hold yours a beat longer than necessary. "It's important to know who's capturing your image, don't you think?"
Before you can respond, the management team arrives, breaking the moment with schedules and logistics. You slip back into professional mode, addressing the group as a whole, explaining your vision for the shoot, how you'll be working with each of them individually and as a unit.
"We'll start with group shots, then break into individual sessions," you explain, gesturing toward the main set. "The concept is contrast; light against shadow, structured against fluid. I want to capture the duality that defines your group."
As you speak, you notice Chan watching you with an intensity that makes your skin warm. Not a critical stare, but something appreciative; like he's seeing more than just another industry professional running through a routine.
The shoot begins, and you fall into the familiar rhythm of direction and capture. Your voice becomes firm, confident, all business as you position the group, adjust lighting, suggest angles. This is where you shine; behind the lens, control at your fingertips, seeing what others don't.
"Changbin, chin slightly lower. Seungmin, quarter turn to your right. Felix, that's perfect; hold that expression."
Through your viewfinder, eight faces transform under your guidance. You work quickly, efficiently, calling out adjustments and praise in equal measure. But no matter where you point your camera, you keep finding your focus pulled to Chan. The way he positions himself naturally, understanding the composition before you have to explain it. The subtle shift in his expression when the shutter clicks; somehow more present, more aware of the lens than the others.
"Chan, can you move slightly to center? Perfect." Your voice betrays nothing, but when he follows your direction with a knowing half-smile, something unspoken passes between you.
Two hours in, you're reviewing images on your monitor when you sense him behind you, close enough that you can smell the faint notes of his cologne. It’s something woody with subtle hints of vanilla.
"How are we doing?" he asks, voice low near your ear.
You scroll through the images, hyperaware of his presence at your shoulder. "Great. Your group photographs well together."
"Professional harmony," he says with a light laugh. "Over eight years of practice."
"It shows." You stop on a particularly striking image of him, the studio lights catching the angles of his face in a way that emphasizes both strength and vulnerability. "You have a natural instinct for the camera."
"Maybe it's the photographer," he counters, and you refuse to look up, focusing intently on the screen to hide the flush that threatens to rise to your cheeks.
When you move to individual shots, the energy shifts again. Each member brings a different presence to the set: I.N with his fashion-forward confidence; Hyunjin with his intense, almost theatrical expressions; Lee Know with his effortless cool that makes every frame look like an editorial spread.
During Han's session, you catch Chan watching from the sidelines, his gaze moving between you and the set with quiet assessment. When he catches you noticing, he doesn't look away. Instead, he offers that same half-smile that somehow makes you feel both seen and challenged.
"Chan, you're up next," you call after concluding with Seungmin, who thanks you with surprising formality before bouncing back to make fun of Changbin, who promptly pulls the younger member into a headlock.
Chan steps into the light with an ease that speaks of countless photoshoots, but there's something different about his demeanor now; a focused intensity directed at you rather than the camera. As you approach to adjust his position, your hand briefly touches his shoulder, and the contact, though professional, feels charged with meaning.
"Turn slightly toward the light," you instruct, your voice lower than intended. "I want to capture the contrast between shadow and illumination on your face."
He complies, but his eyes remain fixed on yours rather than looking into the lens. "Like this?"
You step closer, reaching up to adjust the angle of his jaw with your fingertips. The touch is clinical, something you've done with countless models, but your pulse quickens embarrassingly.
"Almost. Look past the camera, not at it. I'm trying to capture contemplation."
He holds the pose perfectly, and you retreat behind your camera, grateful for the barrier. Through the viewfinder, you see him differently; fragmented into composition, light, and form. It's easier to maintain professionalism when reducing him to artistic elements.
"Perfect," you murmur, capturing frame after frame. "Now, relax your shoulders,” you say, voice low. “Think less magazine cover, more… album you made for yourself but never released.”
His brow arches with amused curiosity, but he follows your direction. And when he exhales, the wall drops. The image you capture in that instant is breathtaking; it makes your heart skip.
“Now, don’t move but look directly at the lens."
When he does, the intensity in his gaze seems to bypass the camera entirely, connecting with you despite the equipment between you. Your finger hesitates on the shutter for a fraction of a second before continuing.
Throughout his individual session, you maintain the appearance of cool professionalism, but there's an undeniable current running beneath each exchange. His responses to your direction come just a beat slower than necessary, as if he's considering each word. When you show him a particularly striking image on the camera display, his shoulder presses against yours briefly, and neither of you moves away.
Chan hovers near your table as you scroll through the preview reel on your laptop.
“Got a favorite yet?” he asks.
You tilt the screen toward him. One of him leaning against a pillar, looking half-bored, half-thoughtful.
He laughs. “I look like I just told someone they disappointed me.”
“It’s honest,” you say. “People like honesty.”
Your eyes meet again. Something soft flickered there; recognition, maybe. Or curiosity.
"I like how you see things," he says quietly, for your ears alone.
The final group shots are a controlled chaos of eight bodies and distinct personalities coming together under your direction. You navigate around the set, occasionally brushing past Chan as you reposition lights or adjust compositions. Each momentary contact feels deliberate on both sides, though nothing could be proven.
From across the room, you notice Felix whispering something to Seungmin while glancing between you and Chan. Seungmin responds with an eye roll that dissolves into a knowing smile. They've noticed something; perhaps the same electrical current you've been trying to ignore.
"Last set," you announce, positioning the group for the final concept. "I want movement in this one; natural interaction, nothing posed."
They fall into comfortable chaos: Changbin playfully headlocking Seungmin, Hyunjin dramatically posing while Han pretends to faint at his beauty, Lee Know trying to kiss I.N. while the youngest recoils in horror as he laughs, and Felix grinning brightly at all the chaos. Chan maintains his position slightly apart, his eyes finding yours over the top of your camera with unmistakable intent. When Han yells something loudly in Korean, Chan breaks the intense eye contact and dissolves into a fit of giggles.
You capture it all: the friendship, the playfulness, the subtle thread of tension that runs between you and the group's leader. In the viewfinder, they're just images, compositions of light and shadow. But the feeling in the studio, particularly when Chan's gaze meets yours, that's something no camera can fully capture.
When you finally call the shoot complete, the group erupts in relieved laughter and thank-yous. As they gather their personal items and the stylists begin packing up, Chan lingers near the equipment, examining your camera setup with genuine interest.
"This lens," he says, gesturing but not touching, respectful of your equipment. "It's the same one you used for that editorial last spring, isn't it? The one with all the dramatic shadows."
The fact that he remembers such a specific detail about your work catches you off-guard again. "Good eye," you reply, impressed despite yourself. "Most people wouldn't notice the difference."
He shrugs, a casual gesture that somehow manages to highlight the line of his shoulders. "I pay attention to things that interest me."
The statement hangs in the air between you, ambiguous enough to be professional, specific enough to be something more. Before you can respond, his manager calls him over to discuss scheduling, and the moment stretches thin, unresolved.
As the group prepares to leave, Chan turns back, catching your eye across the now-cluttered studio. The smile he offers is different from the ones he's given all day; smaller, more private, like a secret between the two of you. You nod slightly in acknowledgment, already knowing that the photographs you've captured today, technically perfect as they may be, won't fully convey what passed unspoken between photographer and subject.
You're coiling the last of the lighting cables as the clamor of eight voices, stylists' directions, and management's hurried phone calls has dissolved into a humming silence punctuated only by the soft clicks of your equipment being packed away. The overhead lights have dimmed to their evening setting, casting the space in a warm glow that softens the industrial edges of the room. You look up to find Chan standing by the door, one shoulder propped against the frame, watching you with a quiet intensity that makes your hands fumble slightly with the cable. You didn't realize he had stayed behind.
"I thought you left with the others," you say, voice sounding unnaturally loud in the quiet studio. You loop the cable with methodical precision, focusing on the task to maintain composure.
"The others went ahead to dinner." His voice carries easily across the space between you. "I told them I'd catch up."
You nod, placing the coiled cable in its designated case. The studio feels smaller somehow with just the two of you in it, as though the walls have inched closer. Your movements are deliberate, professional, a contrast to the inexplicable nervousness fluttering beneath your ribs.
"Everything go okay with the shoot?" you ask, though you already know the answer. The images captured today were some of your best work, partly due to the subject matter, though you're reluctant to admit that to him.
Chan pushes away from the doorframe and moves into the room with unhurried confidence. His presence seems amplified in the emptiness, drawing your attention even as you pretend to focus on closing equipment cases and checking memory cards.
"Better than okay," he says, approaching your workstation where the monitor still displays the last image you were reviewing, coincidentally, one of him, eyes direct and challenging the camera. "I've done hundreds of these, you know. But this one felt different."
You glance up, meeting his gaze. "Different how?"
He considers the question, running a hand through his tousled hair in a gesture that shouldn't be as attractive as it is. "Most photographers see what they want to see. You seemed to be looking for what was actually there."
The compliment catches you off guard. It’s specific, thoughtful, not the generic praise you typically receive. You turn away, suddenly conscious of how close he's standing, his presence radiating a warmth that has nothing to do with the studio lighting.
"That's the job," you respond, closing the laptop with a soft click. "Finding the truth in the performance."
Chan makes a sound that’s half laugh, half acknowledgement. "Is that what you think I was doing? Performing?"
You look up at him again, allowing yourself a moment of professional assessment. "Everyone performs in front of a camera. It's human nature."
"And what about now?" He gestures to the empty studio. "No camera. No audience. Am I still performing?"
The question hangs between you, weighted with implication. His expression is open, curious, with something simmering beneath the surface that quickens your pulse.
"I don't know," you answer honestly. Most of the celebrities you meet are always on, camera or not, audience or not. "Are you?"
His smile appears slowly, creating those dimples that the camera loves so much. In the softened studio light, they appear deeper, more intimate somehow.
He ignores your question. "Thank you," he says suddenly, the phrase landing with unexpected significance.
You tilt your head slightly. "For the shoot? Just doing my job."
"No." He shakes his head, taking another step closer. "For seeing us, seeing me, the way you did. The pictures were..." he searches for the word, "honest."
You find yourself mirroring his movement, drawn forward by some invisible pull until barely two feet separate you. The air feels charged, like the moment before a flash fires.
"Honesty makes for better art," you say, your voice dropping to match the intimate atmosphere that's developed around you both.
"Is that what brought you to photography? The pursuit of honesty?" His questions feel deeper than the typical post-shoot small talk, probing gently at your passion rather than just your process.
You consider how to answer, surprised by your desire to offer something genuine rather than the practiced responses you usually give. "Partly. I like finding the moments between the moments, I guess. The truth that exists when people think no one's watching."
Chan's eyes hold yours, and for a second, you feel as exposed as if you were the one in front of the lens. "Like how you were watching me today when you thought I wouldn't notice?"
Heat rises to your face, and you're grateful for the dim lighting. "I was doing my job," you counter, though the defense sounds weak even to your ears.
"Very thoroughly," he agrees, the teasing lilt in his voice making your stomach flip. "Especially during my individual session. I counted at least twice as many shots as the others got."
"Some subjects require more work," you reply, surprising yourself with the boldness of your response.
He laughs, the sound rich and warm in the quiet studio. "Ouch. Is that how you talk to all your clients?"
"Only the ones who hang around after hours to critique my process."
"Not critiquing," he corrects, his hand coming to rest casually on the edge of the desk, inches from your own. "Appreciating."
The proximity of his fingers to yours creates a tangible tension, a magnetic field you feel compelled to either break or complete. You remain still, neither of you retreating or advancing.
"You know," Chan continues, his voice lower now, "I requested you specifically for this shoot."
This admission is surprising. "You did?"
He nods, eyes never leaving yours. "Your work has this... rawness to it. Even with all the commercial gloss, there's something uncalculated about your images. It's rare in this industry."
You find yourself momentarily speechless, touched by the specificity of his observation. Most people in his position would hardly give a second thought to who was behind the camera.
"I’m sure the label had several options," you say, recovering. "I assumed they made the final call."
"They did… after I made my preference clear." His fingers drum lightly on the desk, still tantalizingly close to yours. "I can be persuasive when I decide I want something."
There's that unspoken current again, running beneath his words, charging the exchange with meaning that extends beyond professional admiration. You should probably create some distance, maintain the boundary between photographer and subject, but your feet remain rooted to the spot.
"Well, I'm flattered," you say, aiming for nonchalance despite the warmth spreading through your chest. "Though you might be overestimating my talent."
"I don't think so." His response is immediate, genuine.
Your phone vibrates on the desk, breaking the moment. You glance down to see your assistant's text asking if everything wrapped up okay and if you need her to come back. The real world intruding on whatever bubble had formed around you and Chan.
"I should finish packing up," you say, though most of the equipment is already secured.
Chan straightens, giving you space, though reluctance is evident in his posture. "Of course. I didn't mean to keep you."
You busy yourself with the remaining equipment, aware of his presence as he moves to the doorway again, one hand coming to rest on the pillar in a casual pose that somehow manages to highlight the lean strength of his body. Even in this unguarded moment, he's naturally photogenic, and your fingers itch for your camera.
"I meant what I said about your work," he says as you shoulder your camera bag. "It's special. You see things others miss."
You allow yourself to meet his gaze again, abandoning the pretense of professional detachment. "And what do you think I see when I look at you, Chan?"
The question is bolder than you intended, stripping away the polite veneer that's characterized your interaction so far. His expression shifts, surprise giving way to something darker, more intense.
"I'm not sure," he answers honestly. "But I'd like to find out." There’s a smirk on his face that you try to ignore as you sling your tote bag around your body and pick up your box of equipment.
You move toward the door where he stands, knowing you need to leave but reluctant to end whatever this is. As you approach, he remains in place, his body creating a partial barrier that will require you to pass close to him.
“Thank you again for today,” he says softly. “You’ve got a really calm energy. Kind of rare in rooms like this.”
“You’re not so bad yourself. Thank you for being a great subject,” you respond as you readjust the box to hold your hand out to him. “Hopefully I’ll get to work with your group again.”
He takes your hand in his and squeezes gently. “Hopefully.” He holds onto your hand for a second too long, before releasing.
As you move by him, he remains close enough that your shoulder brushes against his chest, a contact that could be dismissed as accidental but feels entirely deliberate.
At the threshold, you pause and look back at him, standing in the glow of the studio, somehow looking like he belongs there. The day has been a symphony of unspoken communication, charged glances, and professional pretense masking growing attraction. Now, on the cusp of leaving, that attraction crystallizes into something palpable enough to touch.
As you finally turn to leave, his voice follows you one last time.
"And for the record," he says, "I wasn't performing today. Not with you."
You glance back over your shoulder, allowing yourself one last look at his face, memorizing the way the fading light catches his features. "I know," you reply simply. "That's what made it interesting."
His answering smile follows you out the door.
****
You stare at the hotel ceiling, counting the tiny stucco bumps until your eyes cross and uncross. Sleep is playing hard to get tonight, flirting with your consciousness before ghosting you completely. The digital clock on the nightstand flashes 2:17 AM like it's mocking you. Your body also still hums from the shoot. You’re creatively energized and emotionally restless thanks to the residual adrenaline, as your mind replays today's session on an endless loop, specifically the moments when Chan's eyes found yours over the camera lens, the way his voice dropped when speaking only to you.
You reach for your phone, then think better of it. Your brain won't be silenced by another mindless scroll through social media or the muted sitcom reruns playing on the hotel TV.
"Fuck it," you whisper to the empty room half an hour later. With a frustrated sigh, you kick off the suffocating sheets and pad to your suitcase. If sleep is determined to evade you, you might as well do something about it. You pull out the yellow bikini you packed out of habit and a thin cotton cover-up that's seen better days but feels like an old friend against your skin. Hotels equal pools equal bikinis; simple traveler's math.
The elevator ascends silently as it carries you to the rooftop, the mirrors reflecting a woman caught in the liminal space between exhaustion and alertness. You pad across the marbled hallway and stop at the glass doors. According to the information packet in your room, the pool closes at midnight, but your keycard still grants access. Either someone forgot to update the system, or night swimming is the hotel's unspoken perk for insomniacs. You push through the glass doors into the night.
The rooftop deck appears as a midnight oasis, the pool a rectangle of liquid sapphire, illuminated from below by lights that pulse gently between shades of blue as moonlight dances across the water’s surface. The water glitters under the night sky, empty and peaceful, while silver patterns shift and reform with each gentle ripple. The city sprawls below in a patchwork of lights, but up here exists in a bubble of quiet separate from the urban pulse.
Not a soul in sight. Perfect.
You kick off your flip flops and drop the cover-up onto a lounge chair, its fabric forming a crumpled shape. You slip into the pool without ceremony, sighing as the warmth wraps around your skin when you slide beneath the surface. This is exactly what you needed, something real and immediate to wash away the day’s lingering electricity.
You float on your back, eyes open to the vast spill of stars above, letting your thoughts dissolve into the gentle lap of water against the pool’s edge. Your eyes gently close as the water plugs your ears against the world, creating a private universe as the silence holds you.
A splash shatters your tranquil solitude. It’s almost silent, signifying the execution of a clean dive.
You jerk upright, treading water, as a figure cuts through the water just below the surface with practiced grace and professional looking strokes, powerful arms slicing through the blue. When the swimmer surfaces with a satisfied inhale and exhale and pushes hair back from his face, your heart performs a complicated gymnastic routine against your ribs.
Chan.
He freezes and his eyes widen when they meet yours, recognition sparking between you like the underwater lights reflecting on the pool's surface. His surprised expression mirrors your own.
"Oh," he says, his Australian accent coating the syllable in honey as he treads water. "I didn't think anyone else was… I can go if you want privacy."
"No!" The word comes out louder, quicker than you intended. "I mean, it’s fine; it's a big pool. Plenty of room for two insomniacs."
His laugh is low and warm, creating ripples around his shoulders where they break the water's plane. "Is that what we are? Fellow members of the Can't Sleep Club?"
"Charter members," you confirm, treading water at what feels like a respectful distance. "I was halfway through counting those ceiling bumps when I had to bail."
Chan grins, accompanied by those infamous dimples. "I was writing lyrics in my head. Same ones I've been stuck on for three days. Figured maybe they'd flow better in water."
"Does that work? The water thing?"
He makes a so-so gesture with his hand, droplets flying from his fingertips like tiny diamonds. "Sometimes. Water, shower, driving; places where your body's busy but your mind can wander. You know what I mean?"
You do. You tell him about your own creative process, surprised at how the conversation flows easily, the water providing a buffer against the awkwardness of speaking with someone you spent the day assessing and photographing.
“What about you? What’s keeping you up?”
"Same disease, different symptoms." You don't mention that he, specifically, has been the primary thought keeping you awake. "The ceiling in my room was starting to mock me."
Chan laughs, the sound echoing slightly in the open-air space. "Mine was definitely judging my life choices."
He swims closer with lazy, confident strokes, coming to rest a respectful distance away. Water beads across his shoulders and collarbones, catching the moonlight like scattered diamonds.
"So," he begins, "do you crash hotel pools after 2 AM often, or am I witnessing a rare event?"
"Only when particularly photogenic boy band leaders keep me from sleeping," you quip before you can stop yourself.
His eyebrows shoot up, and for a horrifying second, you think you've overstepped. Then his face cracks into a grin. "Oh? And here I thought it was my sparkling personality that made an impression."
"That too," you concede, relaxing into the banter. "Though your dimples did most of the heavy lifting."
He splashes a small wave of water in your direction, the playful gesture breaking any remaining tension. "And here I spent all those years developing my musical talents when I could've just smiled my way to success."
You splash him back without hesitation. "Don't sell yourself short. Your music isn’t that bad,” you add with a smirk, causing him to laugh loudly.
"You’re funny. So do you leave tomorrow?" he asks, gliding even closer, his body a shadow beneath the illuminated water.
"Yeah, I'm covering a music festival in Austin on Saturday for an online magazine. Arts and culture beat."
"We fly out tomorrow too. We have a couple performances in Tokyo before heading back to Seoul." His gaze holds yours a beat longer than necessary, and the water suddenly feels warmer against your skin.
The two of you drift into an easy conversation. You talk about music; not just his, though you do mention a B-side from their last album that you particularly love, watching his face light up with pride. He asks thoughtful questions about your work, listening with his whole body, nodding and responding in ways that make it clear he's not just waiting for his turn to speak.
He’s different in this setting: looser, softer. He's not Bang Chan the performer right now; he's just Chan, a guy with tired eyes and a bright smile that seems to pull from somewhere genuine. And when you laugh together, it doesn’t feel like a first-time thing. It feels familiar.
"That's exactly what I was trying to express in that track," he says, after you describe how a certain chord progression in one of his songs made you feel like you were standing on the edge of something both terrifying and beautiful. "Like you're about to jump, and you don't know if you'll fly or fall, but the not knowing is what makes it worth doing."
The conversation shifts to art, to creativity, to the way certain combinations of notes or words or colors can crack something open inside a person. You're both moving in lazy circles now, sometimes drifting closer, sometimes apart, like binary stars locked in orbit.
"I’m surprised you've actually listened to our music. I thought maybe you just did your homework for the shoot."
"I like to understand what I'm capturing," you admit. "But I was a fan of your production style before I knew about this job. The layering you do with vocal harmonies on your solo tracks is..." You pause, searching for the right word. "It's architectural. I mean, it’s also there in many of the group songs, you singing harmonies in the background, but it’s more pronounced on the songs you record by yourself."
Chan moves closer, genuinely intrigued now. "Most people don't notice that stuff."
"I'm not most people."
"No," he agrees, eyes never leaving yours. "You definitely aren't."
A comfortable silence settles between you, broken only by the gentle sound of water as you both tread calmly.
"Can I ask you something?" His voice is softer now, more intimate.
"Depends on the question."
"What made you become a photographer? Like, really; not the answer you give in interviews."
The unexpected depth of his question catches you off-guard. You consider deflecting with humor but find yourself wanting to give him honesty instead.
"I was always the observer," you tell him. "The kid on the periphery watching how people interact, capturing moments in my mind before I ever had a camera. Photography just gave me a legitimate reason to keep watching."
Chan nods slowly, absorbing your words. "That makes sense. You have that quality of seeing beyond what people present."
"What about you?" you ask. "Was music always the path?"
"Always," he confirms with absolute certainty. "Even when I was being passed over for groups and debut and my parents were gently suggesting backup plans. Music wasn't just what I wanted to do; it was the only way I made sense to myself."
His hand gestures animatedly as he speaks, sending small ripples across the water's surface. One hand comes to rest briefly on your arm to emphasize a point, and the contact, though fleeting, sends warmth radiating through you despite the cool water.
"I get that," you say. "Some pursuits aren't choices, they're necessities."
He studies your face with unexpected intensity. "Exactly. That's exactly it."
You've drifted closer during the conversation, close enough now that you can see droplets of water clinging to his eyelashes. His gaze drops briefly to your lips before returning to your eyes.
"You know what's funny?" Chan says, his voice softer now. "I came up here to be alone, but this is the first time today I've felt like I could breathe properly."
"The irony of finding peace with a stranger in a pool at 3 AM isn't lost on me," you reply, and he laughs again, the sound rippling across the water's surface like rain.
"Are we still strangers, though?" he asks, and there's a genuine curiosity there, a head tilt that makes water droplets run from his hair down the curve of his neck.
You consider this. "Maybe not. Maybe we're... temporal friends. Friends for tonight."
"I like that," he says, swimming closer. "Temporal friends with potential."
"Potential for what?" The question hangs between you, heavy with possibility.
Instead of answering, he floats onto his back, staring up at the slice of sky visible above the hotel's glass barriers. You join him, your shoulders occasionally brushing as you drift. The contact sends tiny electric currents through your body each time it happens.
"Some people are just blips," he says eventually. "And some are turning points."
The philosophical tone surprises you. "Which am I?"
His hand finds yours underwater, fingers intertwining like it's the most natural thing in the world. "I don't know yet. That's what makes it interesting."
When you both right yourselves again, you're closer than before, your hands still touching. Close enough to see the water droplets clinging to his eyebrows, the moles scattered across his face and neck that makeup usually conceals. There's a small scar peeking out from the edge of his swim shorts on his hip; it makes you want to trace it with your fingertips.
"Today, during the shoot," he says quietly. "There was something there, wasn't there? I wasn't imagining it?"
Your heart hammers against your ribs. "No. You weren't imagining it."
"And now?" he asks. When you don’t say anything, he continued. "I have a confession," he says, his voice dropping to a register that vibrates pleasantly against your sternum despite the water between you.
"Should I be worried?"
"I couldn’t stop thinking about you from earlier today."
Heat that has nothing to do with the pool temperature rises to your cheeks. "Oh really?"
He nods, one hand reaching out to tuck a wet strand of hair behind your ear. "How you talked about your philosophy for taking pictures, capturing the moments in between.”
His hand lingers near your face, and something shifts in the air between you. The playful banter recedes like a tide, leaving something more raw and honest in its wake.
"Chan…," you start, not entirely sure what you're going to say next.
"I like how you say my name," he interrupts softly. "Not like you're saying the name of someone you've heard of. Like you know me."
His arm brushes against yours as a slight current pulls you both toward the center of the pool. Neither of you moves away. The contact is deliberate now, the press of skin against skin underwater creating a different kind of conversation.
“Funny,” he says, bobbing in front of you. “I didn’t think the most memorable part of today would happen after the shoot.”
You look at him. “Are you trying to be charming?”
He shrugs, grinning. “Am I succeeding?”
Instead of answering, you move closer. So does he. And then the space between your bodies disappears.
"Can I kiss you?" he asks quietly, and the directness of it, the simple honesty, makes your breath catch.
You nod, and he eliminates the remaining distance between you with a smile that's equal parts shy and certain. His lips touch yours with cautious pressure, cool from the water but warming quickly. It's tentative at first. Slow, exploring, questioning. But when your arms wrap around his neck, pulling him closer, the kiss quickly deepens into something hungrier. His tongue traces your bottom lip, and you open to him with a small sound that seems to echo across the water's surface.
His hands find your waist underwater, drawing you flush against him and anchoring you to him as your legs tangle together to stay afloat. The sensation of being weightless while he holds you makes every touch feel amplified.
You break apart, breathing heavily, foreheads touching. Around you, the water ripples with the movement of your bodies, small waves lapping against the pool's edge like applause.
"That was..." he trails off, searching for words.
"Good potential," you finish for him, and his laugh is breathless against your mouth before he kisses you again, more certain this time, his hands moving from your waist down to your ass.
You can feel every inch where your bodies connect: the firm plane of his chest against yours, the brush of his thighs against your own, the unmistakable evidence of his arousal pressing against your hip. The water seems to echo the sound of your combined breaths, magnifying them in the quiet night.
When you pull away again, his eyes are darker, more intense than before. The playful musician has been replaced by something more primal, more focused. It sends a shiver down your spine despite the warm water.
"My room or yours?" he asks, his voice rough at the edges.
You consider for a moment. "Mine's on the twelfth floor."
"Mine's on the fourteenth, but we’re more likely to get interrupted by my bandmates. They’re a bit… mischievous. And nosey."
"Mine it is," you agree, and there's a moment where you both just look at each other, a silent acknowledgment of the threshold you're about to cross.
He kisses you once more, softly, before you both swim to the edge of the pool. You climb out first, water cascading from your body, suddenly aware of how your bikini clings to every curve. Chan follows, and you allow yourself to appreciate the way water runs in rivulets down the contours of his chest and arms, highlighting the definition of muscles that his usual oversized hoodies conceal.
He retrieves your cover-up from the lounge chair, holding it open for you with a gentlemanly flourish that makes you snort with laughter, breaking the tension. He grabs his own t-shirt, using it to roughly dry his hair before pulling it on over his wet skin. It seems neither of you remembered to bring towels for your late night swim.
As you walk toward the elevator, leaving damp footprints across the marble floor, his hand finds yours again. It's such a simple gesture, fingers lacing together, but it carries the weight of intention. This isn't just about physical attraction. There's a connection here that transcends the random chance of two insomniacs finding each other in a hotel pool at 3 AM.
The elevator doors close, and Chan leans against the wall, still holding your hand, a smile playing at the corners of his mouth. "Still temporal friends?" he asks.
"With increasingly clear potential," you answer, and his laugh follows you all the way down to the twelfth floor.
When you and Chan finally make it back to your room, it doesn’t feel reckless. It feels inevitable.
You fumble with the key card, your breath hitching when Chan’s hand brushes your hip, casual but deliberate. You open the door and step aside to let him in. The room is dim, painted in soft golds from the city lights bleeding through the windows.
The hotel room door clicks shut behind you with the finality of a decision made. The two of you stand in the dim entryway for a moment, water still dripping from both your bodies, the air between you thick with anticipation. You're suddenly aware of how small the space feels with Chan's presence filling it. His eyes catch the subdued light from the bedside lamp you'd left on earlier, turning them to liquid amber. The wet t-shirt clings to his chest like a second skin, leaving nothing to imagination yet somehow making you hungrier to see what's beneath. A small puddle forms where you both stand, neither of you moving, the moment suspended between hesitation and inevitability.
"So," Chan says, breaking the silence with a nervous laugh that humanizes him instantly. "This is the part where I'd normally make a joke about being all wet, but I'm trying not to be that guy."
"You just made the joke while saying you weren't going to make it," you point out, grateful for the tension breaker.
"Fuck. I did, didn't I?" His dimples deepen as he runs a hand through his damp hair. "Let me try again. Hi, I'm the hot guy from the pool who can't stop looking at your mouth."
Heat blooms between your legs. "Much better," you say, stepping closer. "I'm the girl who's thinking about peeling that shirt off you."
"Thinking about it, or...?" He lets the question hang.
In response you reach for him, bringing your lips to his.
The kiss is different now; deeper, more urgent. You curl your fingers into the hem of his soaked t-shirt, slowly pulling it upward. He raises his arms to help, and the wet fabric makes a soft sucking sound as it releases his skin. You break the kiss to pull it the rest of the way over his head. You drop it to the floor with a soft splat, your eyes tracing the contours of his chest and abdomen.
His hands settle on your ass, thumbs brushing the bare skin just beneath the bikini bottom.
He kisses down your neck slowly, as if savoring each inch of you. You shiver as his teeth graze your collarbone.
“You’re dangerous,” you whisper.
He chuckles against your skin. “Only if you want me to be.”
His palms slide over your ass, up your back, around your front and across your tits until they find the tie of your cover-up, tugging gently. "Fair's fair," he murmurs.
The light fabric falls open, then to the floor, and his breath catches audibly at the sight of your bikini-clad body. His eyes travel a slow path from your collarbone to your hardened nipples probing through the fabric, then down your stomach to your thighs, appreciation evident in the way his pupils dilate.
"You're staring," you whisper.
"Can you blame me?" His voice has a rough edge to it now. "I keep thinking I should pinch myself. The hot photographer from my shoot is standing in my hotel room in a wet bikini."
"Your hotel room is on the fourteenth floor," you remind him with a smirk. "This is my room."
"Details," he dismisses with a wave, stepping close enough that you can feel the heat radiating from his skin. "Important detail, though: I really want to kiss you again."
"Then do it."
His hands frame your face, thumbs brushing your cheekbones with a gentleness that contrasts the hunger in his eyes. This kiss is more deliberate, more knowing. His tongue slides against yours, and you taste chlorine and the steak he had for dinner. You press closer, your damp skin meeting his, and he groans into your mouth.
Your fingers dance along his spine, feeling each vertebra, mapping the terrain of his back. His hands move from your face to your shoulders, then lower, skimming the sides of your breasts through the wet bikini top.
"This needs to go," he murmurs against your lips, fingers finding the tie at your back. He pulls to loosen it.
"Yours too," you reply, hooking your thumbs into the waistband of his swim shorts.
There's a moment of clumsy, laughing urgency as you both shed the last of your wet clothes. Chan's swim shorts stick to his thighs, requiring an ungraceful hopping movement that makes you both dissolve into giggles. But the laughter dies in your throat when he stands before you, fully naked and unashamed.
His body is a testament to discipline. It’s all lean muscle under smooth skin, the definition of his abdomen leading your eyes downward to where he's already hard for you.
"Your turn," he says, his voice lower now, serious.
You reach behind your neck to untie the second set of strings of your bikini top, letting it fall away to the ground. Chan’s sharp intake of breath is more gratifying than any practiced compliment. His eyes darken as he takes in your bare breasts, his tongue darting out to wet his lips in an unconscious gesture of want. The bikini bottoms follow, sliding down your legs to join the puddle of wet materials at your feet.
For a moment, you just look at each other, naked in more ways than one.
"You're fucking beautiful," he says, and there's something raw in his voice that makes the words feel like more than a line, more than what you say in these moments.
"So are you," you reply, meaning it.
He closes the distance between you again, and the first touch of his naked skin against yours pulls a gasp from your throat. His erection presses hard against your stomach as his arms encircle you, hands splaying across your back to pull you closer.
The kiss deepens, turns hungrier. You walk backward toward the bed, unwilling to break contact, until your calves hit the mattress. Chan follows you down as you fall back, his body covering yours, hips settling naturally between your spread thighs.
"You've been driving me crazy all day," he admits against your neck, teeth grazing the sensitive spot below your ear. "Standing behind that camera, completely in control."
Your fingers trail slowly down his back. "And now?"
His smile is wicked, dimples appearing like punctuation marks to his intent. "Now it's my turn to capture you. Tell me what you want," he breathes against your neck, where his lips have been leaving a trail of heat.
"You," you say simply. "But also… talk to me."
He raises his head to meet your eyes, a question in his gaze.
"I want to hear you," you clarify. "Not just the polite, edited version of the idol they train you to be. I want the real you."
A slow smile spreads across his face, something darker and more primal than his stage smile. "Careful what you wish for," he warns, then drags his mouth down your body, pausing to take a nipple between his lips.
You arch into the sensation, a moan escaping as he uses his tongue in wicked circles around the sensitive peak. His hand finds your other breast, thumb brushing back and forth across the nipple in counterpoint to his mouth's rhythm.
"Fuck, you taste good," he murmurs against your skin. "Been thinking about this since I saw you this morning, standing there looking all professional but with this mouth that had me imagining all sorts of unprofessional shit."
His confession sends a thrill through you. "Like what?" you ask, running your fingers through his damp hair as he moves lower, lips tracing the curve of your ribs, the dip of your navel.
"Like how you'd sound when you cum," he says, settling between your thighs, his breath hot against your center. When his lips kiss the inside of your right thigh, it quivers. "Like how your body would react to mine. Like whether you'd be loud or quiet." His tongue takes a long, deliberate swipe through your folds as if he was licking a large scoop of ice cream. "Like how wet you'd get for me."
Your hips buck involuntarily at the contact, a whimper escaping your lips.
"That answers one question," he says with a smirk you can feel against your sensitive skin. "You're responsive. I like that."
His tongue finds your clit, circling it with just the right pressure to make your thighs tremble. One of his hands slides up your body to palm your breast again, while the other holds your hip, thumb making small circles against your hip bone.
"Chan," you gasp as he sucks gently at your most sensitive point. "That's… fuck…"
"That's the idea," he says, pulling back just enough to speak, his lips shiny with your arousal. "But not yet. Want to taste you first. Want to make you cum on my tongue before I fuck the shit out of you."
The crude words in his gentle voice send a fresh wave of heat through you. His mouth returns to your center, more insistent now, tongue alternating between broad strokes and focused attention to your clit. He slides one finger inside you, then two, curling them to hit the spot that makes your vision blur at the edges.
Your body arches into his hand and mouth, seeking more pressure, more friction. He watches your reactions with the same intensity he brought to your camera lens, learning what makes your breath hitch, what draws out the low moan from the back of your throat.
"Fuck," you breathe as his fingers establish a rhythm that sends heat spiraling through your core. "Right there."
Chan's smile is both tender and triumphant. "I like when you tell me exactly what you want."
So you do. With unfiltered directness that makes his eyes darken and his movements grow more urgent. The professional distance that separated photographer from subject dissolves completely as you hold his head between your legs, as his tongue trades places back and forth with his fingers with devastating precision.
"That's it," he encourages, his voice vibrating against you. "Let me hear you. Tell me how it feels."
"So fucking good," you manage, your hands fisting his hair. "Don't stop, please don't stop…"
He doesn't. His fingers work in tandem with his mouth, building a rhythm that has you climbing higher and higher. The tension coils tight in your core, your breath coming in shorter gasps.
"I'm close," you warn, and his response is to increase the pressure, the speed of his fingers, the suction of his mouth.
When you cum, you breathe out, “Oh Chan!” Your body arches off the bed. He stays with you through it, gentling his touch as the waves of pleasure wash over you, gradually bringing you down until you're boneless and breathing hard.
He kisses his way back up your body, a smug satisfaction in his eyes that you're too blissed out to call him on. When his mouth meets yours, you taste yourself on his lips, and it sends a renewed pulse of desire through you despite your recent orgasm.
"Condom?" he asks against your mouth.
You gesture vaguely toward your bag on the nightstand. "Travel pack. Always prepared."
He laughs, reaching over to open the bag and dig around until he removes the small box. "A woman who comes with emergency condoms. Be still my heart." He opens it and removes a packet.
"Less talking, more fucking," you say, grabbing his wrist to pull him back to you.
His eyebrows shoot up at your directness, but the dimpled grin that follows is approving. "Yes, ma'am."
He tears open the foil packet and rolls the condom on with practiced efficiency. Then he's hovering over you again, his weight supported on his forearms, the head of his cock nudging at your entrance.
"Ready?" he asks, his playfulness momentarily set aside for genuine concern.
You answer by wrapping your legs around his waist and pulling him forward, guiding him into you. His cock enters you in one slow, delicious slide, deep and intentional like he wants you to feel every second of it. And you do. “Chan…” escapes your lips in a breathless sigh.
"Fuck," he groans this time, forehead dropping to rest against yours.
Your bodies fit together like they’d been crafted with this moment in mind. He fills you completely, stretching you in a way that borders on too much but settles into perfect. For a moment, neither of you moves, adjusting to the sensation of being joined.
Then he begins to move, slow at first, each thrust deliberate, and coherent thought fragments into pure sensation. His eyes never leave yours, creating an intimacy that's almost too intense.
"You feel amazing," he whispers, pace quickening. “Better than I imagined.”
"You imagined this?" you ask, wrapping your legs higher around his waist.
His laugh is strained with pleasure. "All. Fucking. Day."
The admission pushes you closer to the edge, and you tighten your legs around his waist. You run your hands down his back, feeling the muscles work as he moves inside you, then up to tangle in his hair.
"Harder," you whisper, and something flashes in his eyes; relief, maybe, at being given permission to let go.
He complies, his hips snapping forward with more force, setting a new rhythm that has the headboard knocking gently against the wall. The new angle hits something inside you that makes stars burst behind your eyelids.
Your hand slips between your bodies, seeking the additional pressure that will send you over. Chan watches with fascination as you touch yourself while he moves inside you, his rhythm faltering briefly at the sight.
"That's the hottest thing I've ever fucking seen," he murmurs, voice rough with desire as he increases the pace of his thrusts.
"There," you gasp. "Right there."
"Got it," he says, voice strained with the effort of control. He maintains the angle, the pace, then slides his own hand down to replace your fingers with his, circling your clit with the same rhythm he uses to fuck you. "Want to feel you cum around my cock, gorgeous."
The combination of his words, his skilled fingers, and the relentless pressure of him inside you pushes you toward the edge again. Your nails dig into his shoulders, causing him to hiss slightly.
"So close," you pant. "Chan, I'm…"
"Me too," he grits out. "Together, yeah?"
You nod, beyond words now. His movements become more erratic, his breathing harsh against your neck where he's buried his face. The tension builds and builds until it shatters, your orgasm washing over you in waves that have you crying out as you shake, clinging to him. He follows moments later, his hips stuttering, his face buried in the crook of your neck, a low, guttural sound torn from his throat as he pulses inside you.
Both of you lay tangled in the sheets, skin to skin. For several heartbeats, neither of you moves. The only sound in the room is your combined breathing, gradually slowing, the silence filled with a kind of intimacy neither of you expected.
Eventually, Chan lifts his head, a dazed, satisfied smile on his face.
"Well," he says, "that was worth staying up for."
You laugh, the movement causing him to slip from inside you, which makes you both wince slightly. He deals with the condom, tying it off and reaching over to the bedside table for a tissue to wrap it in, before setting it on top. Then he lies back down beside you and closes his eyes.
Your bodies cool as breathing returns to normal, the air conditioning raising goosebumps on damp skin. He traces abstract patterns on your stomach with light fingertips.
You watch him as he breathes deeply. The bedside lamp casts a golden glow across his features, highlighting the sharp angle of his jawline, the curve of his shoulder, the contrast between light and shadow that defines his face. Something about the image calls to the photographer in you; the desire to preserve a moment of perfect vulnerability.
You sit up suddenly, propping yourself up on one elbow “Don’t move.”
Chan blinks, breath still shallow. “Huh?” He watches you with curious eyes as you reach for your camera bag on the bedside table. “What are you doing?”
"The light on you right now..." You turn back to him, camera in hand. "It's perfect."
Understanding dawns in his eyes, followed by a flicker of hesitation. "You want to photograph me? Now? Like this?"
“Yeah,” you say softly, a hint of vulnerability in your tone as you sit cross-legged beside him. “You’ve never looked more honest than you do right now. I want to capture you as you are now, the moment between the obvious moments, you know? What no one else gets to see. And I'm not talking about dick pics for the internet. I mean... art. Something real. But only if you’re comfortable with it.”
He considers your words for a few seconds, vulnerability passing across his feature before resolution settles in. “I've been photographed thousands of times, but never like this. Never just as... me.”
His assessment touches something deep inside you. "Are you sure? These kinds of photos have a way of causing trouble if they get out."
"I trust you," he says simply with a sweet smile. "And only if I get to take pictures too."
“Okay,” you agree too quickly as you remove the lens cap.
"How do you want me?" he asks when you look back at him, bringing the camera to your face.
"Just be yourself," you say. "Forget I'm taking pictures. Just exist."
He nods, and you begin, the camera coming alive in your hands, an extension of your vision. Chan relaxes into the sheets, initial self-consciousness melting away under your gentle direction. You capture him in unguarded moments: stretching his arms above his head, the lines of his body creating geometric perfection against the white sheets, his hands covering his face as he tries unsuccessfully to hide from you. Fragments of him are immortalized in the frame: the curve of his hip disappearing beneath the sheet, the hollow of his throat, the play of light across his collarbones.
You continue to snap more pictures. He laughs at something you say and you capture him with his head thrown back, his whole face transformed by joy.
"Turn toward the window," you instruct softly. He complies, the city lights creating a backdrop of unfocused brilliance behind his silhouette as he looks thoughtfully out the window.
"Beautiful," you murmur, more to yourself than to him, as you capture the image.
Something shifts in the atmosphere as you work. What began as artistic appreciation transforms into another kind of foreplay, each click of the shutter heightening the renewed tension between you.
"Your turn," he says after a while, his voice low and sure. When Chan reaches for the camera, you surrender it without protest even though you’re hesitant.
"I don't usually…"
"You promised," he responds with an adorable pout, that vulnerability back in his voice. "I want to remember you too."
You nod and show him the basic settings. Chan's a quick study, his artistic eye evident in how he frames each shot. He directs you with surprising skill, finding angles that frame your body in light and shadow. The sensation of being on the other side of the lens is foreign, exhilarating. You feel exposed in a way that has nothing to do with your physical nakedness, but his genuine awe at capturing you makes it easier.
"Beautiful," he murmurs as he reviews the images. "Absolutely fucking beautiful."
You move closer to see, your bodies aligning naturally. "You're good at this," you observe as he reviews an image on the small display.
"I've picked up a few things," he replies with a modest shrug that contradicts the confidence in his hands.
The photos are raw, honest; There’s one with your head thrown back in laughter; you gazing directly at the camera with an openness that startles you; you with your eyes closed, a small smile playing at your lips.
"We make a good team," you say, taking the camera back to scroll through all the images; his and yours intermingled, a visual conversation between two artists.
"We do," he agrees, and there's something bittersweet in his tone that makes you look up. "Come here," he says, arm outstretched in invitation.
You move into his embrace, your head fitting naturally into the crook of his shoulder, his arm wrapping around you to trace lazy patterns on your skin. You capture a couple more photos. One of you and Chan’s legs intertwined with the sheets and selfies of you both looking into the lens as he kisses your forehead. Then you replace the camera on the side table and snuggle up closer to him.
Outside, the sky is lightening, the first hints of dawn creeping around the edges of the curtains. Reality begins to seep back in; he has a schedule to keep, a public persona to maintain. You have another job, a deadline looming.
"This was..." he starts, then pauses, searching for words.
"A perfect night," you finish for him.
He nods, relief in his eyes at your understanding. Without either of you saying it explicitly, you both know this can't be more than what it is, a beautiful, temporary connection between two ships passing in the night. You listen as his breathing steadies, but not deep enough for sleep.
"I should go," he says softly twenty minutes later, though he makes no move to leave the warmth of the bed, of your body against his.
You know he’s right, but neither of you seems ready to face the intrusion of reality. There’s a fragile peace in the air, an unspoken agreement to stretch this moment as long as possible. You shift slightly, soaking in the comfort of his skin against yours.
"Probably," you agree, equally reluctant.
A long silence settles between you, but it’s not uncomfortable. It hangs there with weight and meaning, like an unfinished sentence where both parties know the end but are content not to say it out loud. Your fingers trace lazy circles on his chest and his hand moves slowly on your back, each of you committing this small eternity to memory.
Thirty more minutes have passed.
You lift your head from his chest to look at him. His eyes meet yours, and for a moment, you could almost believe that the rest of the world doesn't exist. He places his hands at the back of your neck and pulls your lips to his. The kiss is slow, easy, like it has nothing to do with desire and everything to do with connection. But you know better.
You turn your body to straddle him, and he lets out a small, surprised exhale against your mouth. You feel him harden beneath you, his body eager to defy the sense in his words.
"We're never getting out of here," he murmurs, voice a mix of amusement and longing.
You pull back slightly, enough to look into his eyes. "I can live with that."
His laugh is a quiet rumble in his chest, and he kisses you again, deeper this time, hands finding your hips. You reach blindly for another condom, fumbling with eagerness, and break the kiss when your fingers wrap around it. He doesn’t stop you when you tear the wrapper open and slide the latex onto his already hard and ready cock; instead, he shakes his head like he can’t believe how lucky he is.
He sits up against the headboard, an appreciative smile on his swollen lips. He lets out a shaky breath as your fingers skim along his length, adjusting the condom into place. Then you lift your body over his dick to lower yourself onto it, feeling every glorious inch of him filling you once again. The sensation is so consuming that you forget to move at first, the both of you going still in awe of the hunger that pulls you together. His lips crash back onto yours, kissing you like he needs it to breathe, his grip tightening at your waist to bring you fully down on him. You start to rock your hips slowly.
Chan’s mouth and tongue are relentless as he kisses you at the same time he pulls you impossibly closer. Your chests are slick with sweat as you lose yourselves in the friction, the heat. You move against him slowly, deliberately, savoring every pulse and gasp, determined to make this last, to stretch this out; this morning, this moment, this everything. His hips buck involuntarily upward in a particularly dizzy thrust, and you slip his name into his mouth like a secret, earning you a low growl of approval in return.
Your legs tremble while you try to maintain the languid pace, the teasing rhythm that has him groaning and biting at your lip in desperation. You know neither of you can hold on much longer, and you’re both okay with that. You arch your back, changing the angle, and Chan gasps your name like a plea, his fingers digging into your skin just shy of bruising. You clutch at his neck, your own breathing ragged as the two of you press your foreheads together, locking eyes and you let him guide you faster, harder, until there’s nothing left in the world but the two of you, right here, right now.
You and Chan move together in a rhythm that feels more like music than anything else. There is no rush. Just tension building between your bodies, heat cresting, pleasure folding in on itself. And when you finally come apart together, it is a full-body kind of release. You kiss again like you are trying to memorize his mouth, losing yourself in the taste and feel of him, in the beautiful lie that maybe this doesn't have to end.
But of course it does. Time is the only thing you don't have in abundance, and eventually, he draws back, the reluctance unmistakable. "One more for the road?" he asks with a raised eyebrow and a smirk, and it's clear he's not just talking about another kiss.
"Get out of here before I decide to keep you," you reply, though your actions say otherwise as you lean in to capture his mouth once more.
You finally roll off of him a few minutes later, and with a sigh he gets up. He drops the condom in the wastebasket under the desk and moves to the door. As he gathers his still-damp clothes from the floor, you watch him dress with an artist's appreciation and a lover's nostalgia. He looks younger somehow, more vulnerable as he struggles with the clinging fabric of his swim shorts then the t-shirt, an adorably embarrassed smile on his face.
You wrap yourself in the sheet, following him to the door. There's an awkwardness now that wasn't there before, neither of you quite knowing the protocol for this kind of goodbye.
"This wasn't..." he begins.
"I know," you interrupt gently. "It wasn’t for me either."
The understanding passes between you without need for elaboration. This wasn't casual, wasn't meaningless, but it also wasn't the beginning of something. It was complete in itself, a perfect composition needing no additional frames.
"I'll delete the photos if you want," you offer, giving him an out.
He shakes his head firmly. "Keep them. They're ours."
The possessive pronoun warms you, makes you smile. "Okay."
Chan leans in for one last kiss, soft and lingering. "Thank you," he murmurs against your lips. "For seeing me. Not Bang Chan from Stray Kids. Just me. Chan. Chris."
"Thank you for being worth seeing," you reply, “and for seeing me in return.”
He smiles, dimples appearing one last time, and then he's gone, the door closing quietly behind him. You stand there for a moment, the sheet wrapped around you like a toga, feeling the weight of the night settling into your bones, not with regret, but with a bittersweet satisfaction.
The camera sits on the nightstand, holding memories that will never make it to social media or a magazine spread. Just between the two of you, a secret collection of moments when two insomniacs found something real in the middle of the night.
You return to bed, sleep finally finding you as the sun rises, your dreams filled with chlorine-scented kisses and the echo of laughter across water.
****
Almost a year later, your name is finally starting to make the rounds in the art world, and even you have to admit it has a nice ring to it when you're not too busy downplaying your success. It’s been a whirlwind of openings, critiques, and collaborations, but this, your first solo show, is something else entirely. It feels like baring a piece of your soul on a white gallery wall. And nothing says "soul-baring" quite like the portraits from that night with Chan.
They’re intense, raw, somehow both detached and intimate. The more you think about it, the more you realize they belong in this show. They have to be in your show. You also realize you need Chan’s blessing before you drag his naked plump ass into your artistic existential crisis.
So you sit at your laptop, fingers hovering over the keys as if they'll self-destruct upon contact. You know how careful he is about his image, how much he values his privacy. Asking him to let you display these photos feels like asking him to strip down in front of strangers. Something he probably wouldn’t be entirely opposed to, you think with a small smirk.
You stare at the blank email, cursor blinking like a metronome counting down the seconds of your courage. The intimate, raw, unflinchingly honest images of Chan are scattered across the floor of your home studio, some framed, some still rolled. You need his permission, not just legally but emotionally, to hang these moments between you on sterile gallery walls for strangers to consume with hungry eyes.
The warm yellow lamp casts dramatic shadows across the portraits. In one, Chan’s face is captured in moments of unguarded vulnerability, his eyes holding the weight of sleepless nights.
That one you printed just for you, not for public display.
Your fingers tap the desk, dancing with indecision. It's been eleven months since you last saw him. Eleven months since that night when he let you photograph him in the early morning hours, when your images became something more than pixels on a screen. Eleven months since there’s been any type of communication between the two of you.
You bite your lip and type out a message that walks the line between professional courtesy and personal appeal:
Dear Chan, you type, delete, then type again. Too formal.
Hey, you try. Too casual.
Hi Chan; or do you prefer Chris now? Delete delete delete.
Hey! Long time no see 😉 Yeah, no.
Chan, you settle on, simple and direct like the photographs that captured the planes of his face.
Your email takes shape, professional on the surface with undercurrents of something deeper flowing beneath each carefully chosen word:
I hope this email finds you well.
Better. You dive in from there.
My first solo exhibition opens in three weeks at the Harlow Gallery. It would mean a lot to me to be able to include portraits of the photos you and I took that night.
You pause, swallowing the memory of his skin warm against yours, how his fingers traced invisible paths across your back.
I believe these are among my strongest pieces. I wanted to formally request your permission to include them.
The truth clings to your fingertips: these are your strongest pieces because they're the only ones where your lens captured not just a subject, but a feeling; something raw and unfinished between you and him.
The images have been prepared with discretion in mind. Your privacy is my priority. Nothing identifiable will be shown in the pieces chosen for public display; no faces, no awkward explanations required if someone you know or who knows you comes across them. I've employed techniques to obscure any identifying features while preserving the emotional essence of the work.
Of course I’ll understand if you’d rather keep them private and will respect whatever decision you make.
You're lying through your teeth on that one; you will not "understand," you'll just quietly die inside, box up the portraits, place them in the darkest corner of your storage unit, and move on with your life.
The exhibition will proceed either way, with or without them, but these images, your images, represent something valuable in my artistic journey.
You stop typing, fingers trembling slightly. The lie burns in your chest; the exhibition would proceed, yes, but it would feel hollow without these centerpieces, these moments when your art found its truth.
If you could let me know by the end of the week, I would greatly appreciate it.
Too demanding? You bite your lower lip, tasting minty lipgloss and indecision.
At your convenience, of course. I know you’re a busy man.
Better. Respectful of his perpetually packed schedule; the endless rehearsals, the world tours, the 3AM studio sessions he described to you while in the pool, floating inches away from you.
Thank you for considering this request.
You hesitate over the sign-off. Warm regards feels too distant. Love feels too presumptuous. You settle on your name alone, letting it stand naked and honest like his portraits.
The completed email stares back at you. Your mouse hovers over the send button, your heart keeping time with the second hand of the clock above your desk. Your stomach twists with what feels like stage fright, though you're not the performer between the two of you.
With a deep breath, you click send before courage fails you and brace for an eternity of radio silence.
The email whooshes into the digital void, and you exhale. Your chest feels simultaneously lighter and heavier.
Your phone sits face-down next to your laptop; a deliberate choice. You know yourself too well; you'd check it every thirty seconds if you could see the screen. Instead, you slide it into your desk drawer and close it firmly.
You stand, stretching arms above your head, vertebrae cracking like kindling. The room suddenly feels too small, too full of reminders. You need distance from this space where his presence lingers.
Hours later, after a walk that took you nowhere in particular and a dinner you barely tasted, you return to your apartment. The desk drawer calls to you like a siren, but you resist, choosing instead to lose yourself in mindless TV until sleep claims you mid-episode.
Morning arrives with cutting precision, sunlight slicing through blinds you forgot to close. Your first conscious thought is of the email, followed immediately by a rush of adrenaline that propels you from dreams to reality in seconds. You fumble for the desk drawer, fingers clumsy with sleep and anticipation.
Your phone screen illuminates with notifications in the form of social media updates, promotional emails, app reminders, but your eyes search frantically for only one name.
There.
Your thumb hovers over his name. Four letters that contain multitudes. You tap, holding your breath as the message loads.
Yes, you have my permission.
One sentence. Five words. That’s it. No greeting, no sign-off. Just a simple, efficient granting of what you asked for.
You read it again. And again. Turning the words over like stones in a river, searching for hidden meanings in their smooth surfaces.
You find none.
Your fingers feel numb, but you sense a warmth in your chest, an uncomfortable heat that you recognize as disappointment. The simplicity of the words leaves you reeling more than any objection could have. You expected... what? A question about how you've been? A comment about the images themselves? A catch, like maybe an interrogatory phone call? Some acknowledgment of what passed between you that morning? A cheeky postscript hinting at unfinished business?
But there’s none of that here. Just five words that feel as impersonal as a text alert reminder from your dentist’s office.
You place the phone down carefully, as if it might shatter under the weight of your expectations. The logical part of your brain offers explanations: he's busy, he's professional, he's respecting boundaries. The emotional part whispers less comforting possibilities: he doesn't care, he's forgotten, it meant nothing to him.
"At least I have permission," you say to the empty room, your voice sounding foreign to your own ears.
You force a smile that no one sees, straightening your shoulders as you stand. The exhibition preparation waits for no one's feelings, not even yours. You have frames to select, lighting to consider, labels to write. Professional obligations that require you to set aside the hollow feeling expanding beneath your ribs.
Your laptop wakes with a tap, calendar app open to a countdown of days until the opening. In twenty days the gallery will be filled with critics, collectors, fellow artists… people whose opinions could shape your career trajectory. This should be occupying every corner of your mind.
Instead, you find yourself opening your digital photo gallery, scrolling to the folder labeled simply "CCB." The photos inside are more honest than you've been with yourself. In every line, every shadow, every careful composition of his features, your feelings are transparent. No wonder you need these pieces in the exhibition; they're the only work where you've been truly vulnerable.
You close the folder and return to your email. You type a reply to Chan; brief, professional, and carefully constructed to match his tone:
Thank you. I appreciate it. I truly hope you’re good.
You send it without rereading, without allowing yourself to overthink, before opening your exhibition checklist. Then you immerse yourself in the practicalities of your upcoming show, burying your disappointment beneath layers of logistics and artistic decisions.
You have permission. That's all you needed.
The rest? The unspoken words, the space between five clinical words and the volumes you wanted to hear? You'll transform into nervous energy for the exhibition. After all, isn't that what artists do? Turn heartache into something strangers can hang on their walls?
****
When opening night arrives, the gallery buzzes with bodies and champagne chatter. You smile with practiced ease as a woman in architectural glasses gestures toward your most vulnerable piece: Chan's torso in black and white, his face artfully shadowed beyond recognition, but his essence unmistakable to anyone who's ever run fingers along the ridges of his abs.
"The vulnerability here is striking," she says, and you nod, wondering if she can see your own nakedness beneath your carefully selected gallery outfit, your heart beating against your ribs like a trapped bird sensing freedom on the horizon.
"That's precisely what I was exploring," you respond, your voice pitched perfectly between passionate artist and composed professional. "The tension between revelation and concealment."
The Harlow Gallery hums with the particular frequency of successful opening nights: crystal glasses clinking, expensive perfume mingling with the subtle scent of the fresh flowers arranged strategically throughout the space, conversations rising and falling like tide pools of intellectual pretension and genuine appreciation. Track lighting casts dramatic shadows that seem to dance across the sleek white walls as people move between installations.
You've been on display nearly as much as your art tonight, smiling, explaining, accepting compliments with gracious nods while deflecting personal questions with practiced pivots back to technique or inspiration. Your outfit, black, high waisted jeans and a silk blouse in a shade of gold that your best friend insisted makes your eyes and skin look "illegally good", was chosen specifically to make you feel armored without looking unapproachable.
A gallery assistant appears at your elbow with another flute of champagne, which you accept with a grateful smile even though you've barely touched your first. The cold glass against your palm grounds you as you survey the room, cataloging which pieces draw crowds and which visitors linger longest before particular portraits.
The unnamed portraits, displayed along the west wall in a deliberately subtle progression, have become an unexpected focal point. There are no names, no context; just light, shadow, and raw emotion. The Chan series, as you call them in your head, draw crowds who stand transfixed by their stark intimacy, unaware they're peering into their own fantasies as much as yours.
You watch as a couple stands before the centerpiece: the muscles in Chan's back rendered in exquisite detail, his head turned just enough that his jawline is visible but his identity preserved. The woman leans into her partner and whispers something that makes him nod slowly, appreciatively.
You feel a bizarre pride mingled with possessiveness. These strangers are connecting with intimate moments crystallized in grayscale, moments that belong to you and Chan alone. Yet sharing them was your choice; your art exists to be witnessed.
"The anonymity makes them universal," comments a man in a blazer too structured for the casual confidence he's attempting to project. "Yet they're so specific they feel like portraits of someone the artist knows intimately."
You offer a noncommittal smile. "Art exists in that space between the personal and universal."
"Did you sleep with him?" The question comes from a young woman with brightly colored hair and an MFA attitude, her voice just quiet enough to seem conspiratorial rather than rude.
You don't flinch, though something tightens in your chest. "I find that reducing art to biography limits its potential meanings," you reply, the rehearsed line flowing smoothly. You've anticipated this question, prepared for it, though hearing it still feels like a finger pressing into a bruise.
The critic from the local arts weekly approaches, notebook in hand, and you're grateful for the interruption. His questions are predictable but thoughtful, and you settle into the familiar rhythm of discussing inspiration and process without revealing the raw nerve at the center of this exhibition.
Hours pass in this manner; you circulate, champagne warming in your hand, feet beginning to protest against your sensible but still somewhat uncomfortable shoes, and your face aching from smiling too much. The gallery gradually empties as the evening progresses, guests departing in small clusters until only the most dedicated art enthusiasts and your closest friends remain.
Your agent catches your eye from across the room and offers a subtle thumbs-up. Red dots have appeared beside five pieces in the exhibition, each sold before the night is even over. Three from the Chan series. Success by any metric. You should feel elated.
Instead, you feel a curious hollowness. As if you've offered something precious to the world and the world has accepted it without recognizing its true value. Which is absurd; you created these works to be seen, to be sold, to launch this next phase of your career.
Eventually, even your most lingering supporters make their excuses. Your agent promises to call tomorrow with details about the sales and potential commissions. Friends hug you tightly, their proud whispers warming your ear. The gallery owner assures you the night exceeded expectations before instructing the staff to finish closing procedures.
"Take your time," she tells you with a knowing smile. "Artists should have a moment alone with their exhibitions. Lock up when you're ready."
Then they're gone, and the gallery transforms in their absence. The space seems to exhale, to settle into itself. The lighting, dimmed for closing, casts longer shadows that soften the stark whiteness of the walls. Without conversation to fill it, the room feels both vast and intimate.
You slip off your shoes, padding barefoot across the polished concrete floor, enjoying the cool firmness against your tired soles. The silence wraps around you like a familiar blanket. This is the moment you didn't know you were waiting for, communion with your own creation in the absence of external validation or scrutiny.
Your fingertips trail along the cool glass of one of the frames. You move slowly through the space, reacquainting yourself with each piece now that it exists in this public context rather than the private sanctuary of your studio.
When you reach the Chan series, you pause. In the softened light, the portraits seem to breathe with a life of their own. The careful shadowing that preserves his anonymity now looks like an invitation to peer closer, to discover the secret at the heart of each image.
You press your palm flat against the glass, as if you could reach through it and touch the texture of the print.
"They look different than I’d expected."
The voice freezes you in place. Low, accented, and unmistakable even after all these months. You don't turn immediately, irrationally afraid that doing so might dispel what must be an auditory hallucination born of exhaustion and champagne.
But then comes the soft sound of footsteps, and you have no choice but to face the source.
Chan stands at the far end of the gallery, half-illuminated by the ambient lighting. He's dressed simply, yet impeccably; black jeans, a white tank top beneath a black designer, tailored suit jacket, and those beat-up Converse he's always favored. His hair is slightly longer than when you last saw him, wavy strands falling across his forehead perfectly. The silver chain around his neck and the silver rectangles in his ears catch light as he shifts his weight.
Dimples frame his gorgeous smile as he stands there, hands shoved deep in his pockets like he can’t quite tell if he belongs here or not.
"Different from what?" Your voice emerges steadier than you feel, a small miracle.
He moves closer, each step deliberate. "Different from when we took them, I guess. You made me look… human."
“You are human, no?” you say with a small smile.
“Correction. I’m an idol.” He smirks, causing you to stifle a laugh at the memory of him sharing with you that part of the training they all received was that they could never admit they used the bathroom.
He stops before one of the pieces to the left of the centerpiece. In this portrait, one bare shoulder faces the viewer, head turned just enough to reveal the edge of his profile, one earring catching the light.
"You made me anonymous." It's not a question or an accusation, just an observation.
"I promised I would." You move closer, still maintaining a careful distance. "Your privacy was always going to be protected."
"I know." He nods, eyes still fixed on the portrait. "I trust you."
Three simple words that somehow mean more than his brief email permission. You swallow against the sudden tightness in your throat.
"Why are you here, Chan?" The question emerges harder than intended.
He turns to face you fully now, and the full force of his attention hits you like a physical touch. His eyes, those soft brown eyes that can turn so intense, search yours.
"I wanted to see them. See how they looked here, on display." He gestures vaguely at the gallery space. "I didn't want to come during the opening. Too many people. Too much…" He pauses, searching for the word. "Performance."
You understand immediately. His life is an endless series of performances, of being watched and evaluated. This, whatever exists between you and him, happened in a private space, away from scrutiny.
"How did you know I'd still be here?"
A small smile plays at the corners of his mouth, one of his dimples appearing. "I guessed. You seem like the type to always stay late. After shows, after shoots. You like the quiet after everyone leaves."
The fact that he deduced this about you from knowing you for a day, this small, insignificant trait, makes something warm unfurl in your chest.
"Do you want me to show you around?" you offer, gesturing to the exhibition.
"I'd like that."
You move through the gallery together, maintaining a careful distance that nonetheless feels charged with potential energy. You explain certain pieces, the techniques you used, the challenges you faced. He listens attentively, asking questions that reveal he's paying genuine attention, not just being polite.
When you return to the Chan series, a comfortable silence falls between you. You stand side by side, both facing the portraits that capture moments only the two of you remember.
"That morning," he says finally, voice low enough that you have to lean slightly closer to hear him, "after our impromptu photo shoot. When we lay there together..."
He doesn't finish the sentence, but he doesn't need to. You remember perfectly. The camera set aside, his arms holding you tight, your head on his chest, before you straddled him and the two of you fucked slowly, one last time.
"I never forgot," he continues as his eyes settle on the portrait of both of your legs tangled together with the sheets. "Even with everything; the tour, the comeback preparations, the endless meetings and recordings and fittings."
Your heart stutters in your chest. "I never forgot either."
His eyes find yours now, something vulnerable and determined in his gaze. "I know my email was short. Too short. I wrote about twenty versions before I just…" He runs a hand through his hair, a gesture so familiar it aches. "I didn't know what was appropriate. What you wanted. If things had changed. But I wanted to ensure you had what you needed. So I just hit send."
"Nothing changed for me," you admit in a whisper, the words escaping before you can consider their wisdom.
Your fingers brush as you both shift position, and you feel a spark. Neither of you moves away.
"I'm here for three weeks," he says as he intertwines his fingers with yours, the casual tone of his voice belied by the intensity of his gaze. "Longer than I usually get. Some meetings, some studio time, but... lots of gaps. Actual free time."
You nod, not trusting your voice.
"Would you…" he starts, then reconsiders. "Could I see more of your work? The stuff you haven’t shown anyone yet?"
The invitation is clear; not just to show him your art, but to rebuild the private space you once shared. Where he isn't Bang Chan of Stray Kids, and you aren't a photographer with a sold-out exhibition. Where you're just two people who created something together that exists beyond glossy prints.
"Yes," you answer, simple and direct. "I'd like that."
His smile breaks slowly across his face, dimples appearing like parentheses around joy. In this moment, he looks exactly like the man in your most treasured, private photos, the ones too intimate to ever display.
"Tonight?" he asks, hope threading through the word.
"Tonight," you confirm.
“I made hotel reservations, but…”
“You can stay with me,” you whisper.
He nods. “I’ll call my manager and have him cancel.”
You stand together, face to face, before the images that capture your shared, secret night, the air between you charged with the promise of something more real than art, something waiting to be brought into existence with careful hands and open hearts. Chan’s hand reaches up to cup your cheek, the touch featherlight as though he’s worried you might vanish. He pauses, thumb grazing your skin, searching your eyes for any hesitation. Then he cradles your face with familiar tenderness, leaning in until his lips brush against yours, gentle at first. The kiss deepens, drawing you in. You taste longing and the months between now and your last kiss, an entire year compressed into this one moment. His mouth moves with a deliberate slowness, as if savoring every second he wasn't sure he’d get again. His free arm circles your waist, tugging you closer until there’s no space left between you.
The two of you indulge in the quiet, charged moment. There are no loud declarations, just two people finding each other again. Maybe for real this time.
My Masterlist
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Fiona Apple - Criminal 1997
"Criminal" is a song by American singer-songwriter Fiona Apple, the third single from her debut studio album, Tidal. Apple has stated that the song is about "feeling bad for getting something so easily by using your sexuality". Apple's highest-charting single, it peaked at number 21 on the Billboard Hot 100, as well as number 4 on the Billboard Modern Rock Tracks. The song won the Grammy Award for Best Female Rock Vocal Performance at the 40th Grammy Awards and was nominated for Best Rock Song. "Criminal" was listed at number 55 on VH1's "100 Greatest Songs of the '90s", and number 71 on Blender magazine's 2005 list of "The 500 Greatest Songs Since You Were Born".
The music video was directed by Mark Romanek with cinematography by Harris Savides. Visual enhancements including the retroreflector in Fiona's eyes and additional lighting vignettes were created by visualist Ash Beck. In 1998, the video won an MTV Video Music Award for Best Cinematography. The video was featured in the 1997 MTV special "Beavis and Butt-Head Do Thanksgiving". Up until Beavis and Butt-Head's revival in 2011, it was the last to be critiqued by the duo among other videos in the special. In the second episode of American Horror Story: Freak Show, Bette and Dot Tattler perform a duet version of "Criminal".
"Criminal" received a total of 74,8% yes votes!
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Lucifer meeting an artist reader
・❥ The King of Hell admires your paintings
| Part 1 | Part 2 | Part 3 | Part 4 |
x: reader is g/n :) no use of pronouns or y/n
warnings: some raunchy details of your painting & mild swearing

When you arrived in Hell, the first thing you did was scream.
Where were you? Why was it so hot? What happened to your bed?!
“You’re in Hell, kid.” A blue bat-faced man had broke the news, as you stood helpless and confused on the street.
Hell? Like, demons and dark satanic magic kind of Hell?
That couldn’t be right. Were you that bad of a person to deserve such a fate? Did the few times you passed the Salvation Army donation bucket without dropping a coin damn you to this place?
Your death was fuzzy, a trail of shattered memories that could only give you bits and pieces of your final days. Did you go quickly in your sleep? Maybe, you hit your head so hard it caused you some kind of post-death amnesia?
Whatever had happened, you were here now with no way out.
During your first few days scouring for answers, you began to notice that Hell had an eerie similarity to life above ground. There were clubs, casinos, concerts. Heck, even TV! Sure, the things broadcasted were dark and sometimes disgusting.. but at least you had something to watch.
Maybe it wasn’t so bad after all? At least, compared to being thrown into dark, fiery pits for all of eternity like some cruel game of sink or swim.
Minus the people, of course. Most of them were pretty bad. Your first day watching a man get shot in the chest and lines of cocaine across tables in a diner made you decide to stay away from the streets of the city.
Which meant you had to get busy making a life for yourself. It started with working odd jobs as a bartender or a bell-hopper. You’d scrap together enough money to head to the nearest art supply store, and fill your bag with paints and charcoal pencils.
“You an artist or something?” The clerk had asked you as she scanned your items, taking note of your vast amount of diverse tools you were slowly collecting every time you stopped by.
“I usually paint, but yes, I used to do all kinds of mediums professionally when I was.. alive,” You had whispered that last part out with a pang of sadness, the reality of your situation still a fresh wound in your mind.
You had found an ad for an art studio, ran by a demon named Alexandre. You had showed him a few of your pieces, some pretty landscapes, a rendition of the Starry Night Sky which you had replaced the backdrop to be Pentagram city instead of whatever little village it was originally, and a self portrait.
“You got talent, i’ll give you that,” He had hummed, as his eyes scanned your paintings with intrigue, “But the subject? Not really what we’re looking for.”
“What do you mean?” You had asked, confusion evident in your voice.
“We’re in Hell, demons ain’t into pretty ponies and happy, little trees. They want more— eh how do i put this — sinful behavior?”
“Like…?”
“Like tits or anything that can be turned into a kink. They like blood and guts, and dead people splayed around. Dead angels too. Stuff like that.”
Tits? Dead people? You didn’t have much practice with that! At least not enough to make a career out of it.
But you had agreed anyway, this was your only shot. You stayed up late into the night, sometimes even into the early mornings, perfecting your skill when it came to much more risqué visuals. You would buy stacks of pornograohic magazines, flipping through for poses to memorize.
Slowly, you began to master the craft, and your time at the studio increased as you finally settled into life in Hell.
All you had to do was churn out painting after pastel after acrylic in the little cramped room you now called home. Alexandre would then take your pieces and sell them to the highest bidder. You’d get a percentage of the commission, using the money for whatever necessary.
Seeing as you could be mugged at literally any point in time, or anywhere for that matter, you made sure to keep a large sum of cash locked away in a double-bolted safe.
“You know Ozzie’s, that club down in the Lust Ring?” Alexandre had approached you one day, excitement in his eyes.
You shook your head as you sat behind the easel, your brush an inch from the canvas.
“Run by Asmodeus, one of the literal seven deadly sins?”
You shook your head once more.
“Fuck, you still have a lot to learn. Well, he really likes your art. He wants to buy a bunch of paintings for his club, and he’ll drop a shit ton of cash too. Ya think you can handle it?”
Your eyes had widened when he told you the exact price this sin guy was willing to pay. You had jumped from your seat, shaking his hand in profuse thanks, before scurrying off to gather more supplies.
And for a time, that’s how it went. You’d sell your steamiest paintings to Asmodeus, and other private commissions you took one after the other.
Apparently, your painting hung up in Ozzie’s was getting a lot of attention. Especially from a certain spider demon named Angel Dust.
After hearing Charlie’s decision to look for another member of their staff— someone who’d be in charge of decorating the premise with promises of love and tranquility up in Heaven— Angel Dust had taken a few snaps of your work with his phone, before showing it to Vaggie and Charlie. He had complimented your work, claiming it was ‘the best’ oil paintings he’d ever seen.
Although, in his line of work, he probably hadn’t seen many to compare yours so.
“ls this what we want in our hotel?" Vaggie had asked, motioning to a woman on the canvas that was drenched in sweat and white fluid, her private parts exposed to the audience as she posed suggestively on a stripper pole.
To which Charlie has responded, "I think it's... unique! You can definitely see she knows how to, um, really bring the scene to life! l'm sure she'll be open to creating our vision!"
Your phone had rung one night, with a voice on the other end begging you to come to her hotel and at least hear her offer for a new job.
Which lead you to the Hazbin Hotel, a slightly run down building that obviously needed more work. Inside and out.
“Oh my gosh! Hi there! My name is Charlie, and this is my hotel! it’s such a pleasure to meet you!”
“Thanks.. but I don’t see many guests around.” You had told her, your eyes darting around the lobby as you absorbed your surroundings.
“Well, we’re still trying to get our name out there. We’re not just any hotel, we’re a hotel set on redeeming sinners!” She exclaimed with pride.
“Redeem?” You had asked her, an eyebrow raised in disbelief.
She shook her head vigorously, “This hotel.. it’s going to be amazing! We’re going to turn Sinners into well.. non-sinners! They’ll be rehabilitated, and have morals! And honor! Heaven won’t be able to do anything but welcome them as angels!”
This idea had sounded a little far-fetched when you first heard it.
“You’ll be in charge of making art that reflects such views! Something that will make Sinners go, ‘Wow! Now that’s where I want to go!’”
“What’s in it for me?” You had asked.
“Well you’ll have your own room, and your own little studio too! I’m sure it’s much bigger than the one you already have. Plus we have a bar, and good company!”
You turned your head to the small crowd of demons a few feet away. A pornstar, a gambler, a snake guy with weird little walking eggs, and a really creepy man in a red coat that shot you a wide smile with eyes that seemed to stare right through your soul.
This was good company?
You contemplated her words, thinking deeply. Did you really need to leave the studio you were already a part of? You already had a room and place to paint, anyway.
Charlie must have noticed your hesitation to accept before quickly adding,
“Anddd you can sell your pieces here too! Plus, you can keep a hundred percent of the earnings.”
You perked up at that, the money made from your art would be... all yours? And, you’d get a breather from the drawing people having sex? That didn’t sound so bad after all!
“Deal!” You had reached out a hand, shaking hers with delight.
It had taken you a day or two to map out the interior of the hotel and figure out what could go where. You began to slowly brainstorm, what could make a sinner stare at a canvas and want to redeem themselves?
During your time on earth, you studied many artists through history. Most notably however, were those from the Renaissance. You remembered walking through the Sistine Chapel when you were younger,
staring at awe of the paintings of winged angels and heavenly skies.
You perked at that thought. That was it! The inspiration for your paintings, an ethereal perspective on what one would find in heaven. The feelings of bliss and care-free joy.
You spent your first few days in an undisturbed area of the hotel, it was a large room on the farthest side of the lobby. It must’ve been a guest room at one point, but other than a bed and few cushions that the ‘Radio Demon’ had placed for you, it was empty.
It was quiet enough that you could sit there, undisturbed, as you drew upon your memories and vast knowledge of histories in art as you slowly began to bring your ideas to life. Slowly, the room also took form into being yours, personal knick-knacks and stacks upon stacks of blank canvases waiting to bring your visions to life.
At the end of every day, you'd come out with your hands covered in charcoal and paint, your hard work on full display.
You had even grown closer to the other residents in the hotel, beginning to see them as more than their initial appearance. Even Alastor, who still kind of gave you the creeps, you had regarded as someone you could speak to without hesitation.
You’d sit on the couches with Angel Dust, drowning in popcorn as you watched whatever was on TV for the night. Sometimes, you’d sit with Husk at the bar as you listened to his stories from his days at the casino and as an Overlord.
It was there, when Charlie had summoned the courage to call her father, Lucifer, the King of Hell, to come visit the hotel and decide on getting her that meeting with the higher powers in Heaven.
Upon hearing about Lucifer's impending visit, you felta mixture of nerves and excitement. You've heardstories about him-his charisma, his power--but you never expected to meet him, let alone showcase your art to him. Would he even like them? He's no doubt seen much more beautiful sights.
As preparations for Lucifer's visit got more chaotic by the minute, you found yourself back in your Atelier, quickly cleaning up your room and berating yourself for any little mistakes you found in your paintings. Each stroke of the brush carried with it a sense of urgency, a desire to impress not just your friends at the hotel, but also the King of Hell himself.
The current piece you were working on was your most intense one yet. It depicted that of an almost nude man, flying high in the skies. His back was faced towards you, his face hidden from view. He was faced towards the sun, which bathed him in a warm glow. Arms outstretched, knees curled in, it seemed as if the angel was going to give the sun a large bear-hug.
It wasn’t until you heard loud commotion in the lobby did you realize Lucifer had arrived. Quickly dropping the brush you were holding, you sneaked down the stairs and quickly neared the archway of the lobby.
Peaking your head out, you canned the large room. Until your eyes locked in a pale figure. Lucifer.
He was beautiful, definitely held the looks of an angel that fell from heaven. His light blonde hair curled elegantly around his face. The candles from the chandelier above basked him in an ethereal glow, as though he could replace the sun itself. Just like the angel from your painting.
His eyes reminded you mostly of a snake. Calculating and cold, but holding so much wisdom and depth. There was a slight sadness there as well, as though itate at him slowly, consuming his soul. It was masked incredibly well though, and you only caught a glimpse before it disappeared.
His attitude toward his daughter made your heartmelt, it was obvious he cared about her in the way heacted and spoke to Charlie, even if his absence didn't speak so fondly of him.
As Lucifer and Alastor butted heads, you quickly scurried back to your room. You had hoped to finish your work-in-progress by the time he arrived, but the struggle to get those damn angel wings to be anatomically correct was a pain.
You hurriedly continued your work, trying to calm your nerves by busying yourself with the painting in front of you.
Charlie's voice broke you out of your concentration soon after, multiple footsteps closing in on where your room lay. You shot up from your seat, and stood up straight, ready to meet the man of the hour.
You couldn't help but feel a flutter of anticipation mixed with apprehension as they approached your make-shift gallery.
Charlie, Vaggie, and— wow, he looked so much better up close— Lucifer stepped through the doorway.
“Dad, this is the newest addition to our staff! They are in charge of helping to inspire our future guests through the power of art!" Charlie proclaimed with glee, pulling you by the arm towards her father.
“It's a pleasure to meet you, your majesty. I apologize for being so messy, I was just finishing up another painting." You had greeted him softly.
"Don't worry, you look great," He assured, a gleam in his eyes, "and the pleasure is all mine, anyone who is willing to help my little girl is someone worth meeting,"
You stood there for a moment. Unsure of where to go next, before you felt a slight nudge from Charlie that pulled you back to reality, "Why don't we take a look at your paintings? I promise you, Dad, they are amazing!" She squealed softly.
Beckoning Lucifer forward, you took him through each painting. You described your feelings for each piece, and what made you choose them for the hotel.
You rambled on and on, and Lucifer never said anything, he just listened as you spoke.
Which made you nervous, what was he thinking? Did he like them, or was he just waiting for you to stop talking so he could quickly escape to something of more interest to him? The thought made sweat dribble down your forehead.
To your surprise, Lucifer's reaction to your art was not what you expected. Instead of dismissing it as mere frivolity, he studied each piece with genuine interest, his expression thoughtful and contemplative.
He mostly stayed quiet, but once in awhile would throw in a joke here and there if he noticed anything of interest in the paintings.
His goofy nature that you caught onto watching him earlier was barely evident though, unlike when he was trying to impress his daughter.
After finishing the small tour, you turned to him in anticipation. Your hands nervously rubbing together, as you shot a glance to Charlie, and she gave you an uncertain look. You both held the same question in your gaze: What is he thinking?
"These paintings.." Lucifer began, his voice low and melodic, "Are different than most i've seen down here, not just some scandalous display, but with real meaning. They evoke emotions long buried, memories of a time before.. all this."
His words caught you off guard, and you found yourself nodding in agreement, unable to tear your gaze away from his intense eyes.
The one he was staring at in particular was a recreation of The Garden of Eden by Jan Breghal, a painting that depicted the place where humanity was birthed, and where it fell.
“Does it look like.. how you remembered?" You had asked slowly, if anyone could validate the truth in your work, it would be him.
"Actually, this is much prettier. The real deal doesn't do your painting justice," He replied, "It was so boring, just green on green."
Also," He added, "An unfortunate lack of ducks. Humanity should be grateful that I got them out of that forest, so they could see something actually worthwhile.. and with ducks."
You giggled softly at his words, have you ever met someone that seemed to love ducks as much as him?
As Lucifer continued to explore the room, you couldn’t help but notice the way he lingered on certain paintings, his fingers tracing the delicate lines with reverence. It was as if he saw something in your art that no one else did, something profound and personal.
Perhaps your choice of baby-faced angels, and ethereal landscapes brought back memories of his time in Heaven. Hopefully, that wasn't a bad thing.
When Lucifer finally turned to you, his gaze softened, a hint of something unreadable lurking beneath the surface. "You have a rare gift," he said, his voice barely above a whisper. "To create beauty in a place like this... it's truly remarkable."
He looked at you for a moment, before a smile crept onto his lips. He was Lucifer, he knew exactly what you meant. It's what drove him to manipulate Eve to eat from the Tree of Life in the first place.
Was he finally getting a glimpse of the good free will brought to humanity? Was there actually meaning in his past actions that sent him to the depths of Hell?
His gaze narrowed in on the canvas behind you, and he slipped past you. "What is this?" He asked with intrigue, pointing towards your unfinished painting.
“My final piece. I've been working on it for days, but I just can't get the wings right.. believe it or not, i've never actually seen angel wings in person." You said that last bit as a joke.
His smile sent butterflies fluttering in your stomach. For the King of Hell, it was surprisingly warm, and kind.
Then an idea struck you, but you tried to desperately to push it down. Except it seemed like the only time you could ask someone with angel wings to let you use them as a reference. How many fallen angels were in Hell, anyway?
"I'm so sorry if this is out of line, but. could I, um, borrow you for a little bit? I've just been having trouble drawing the wings correctly and you, well, have them?”
His eyes widened, and his chest puffed slightly at your question. He shot you a toothy grin, “Paint me? Why didn't you mention that earlier?! I have the perfect figure for such a thing.”
Behind him, Charlie rolled her eyes, a hint of a smile on her lips. You smiled too, you should've known he'd have no problem with it, he was the embodiment of pride after all.
He plopped down on a stool before you, and removed his overcoat. Beneath what seemed to be a red and white gatsby vest that hugged his frame perfectly. Jeez, he was almost too good looking.
He stretched out his large wings, folding the otherfour behind him, only revealing the two much largerones. They were breathtaking, truly. They looked so fluffy too!
You guided him on the exact position you needed them to be in, before making your way to the canvas and getting to work.
Assuring the group you only needed to get a visual on the canvas, the actual work you would do on your own. Slowly, you traced the frame of his wings, etching out the soft lines of his feathers and the curvatures of its form.
You could only imagine how soft those feathers were and what it would be like to curl around them like a pillo-
You shook your head to rid those thoughts. Why were you thinking such things about Lucifer like that? It's not like he would even want to let you go anywhere near him or his wings.
Would he?
You continued your painting, trying not to meet his gaze as you would occasionally peak your head from behind the large canvas to get another good look at his wings.
There was a moment when you two did lock eyes, and he sent a half-lidded smirk in your direction. Thankfully the large object between you two helped hide your growing blush. He was obviously just trying to get you worked up, you assured yourself. Just like he did with Alastor. In a different way, of course.
"This reminds me of when Charlie was younger" Lucifer began, filling the silence, "We sat for a good few hours trying to get a family portrait painted and she would just not sit still!”
“Dad.. please, not right now." Charlie growled out in embarrassment, her cheeks flushed. Vaggie only smiled beside her, listening intently as Lucifer filled everyone in on her younger years.
“lt got to the point where I had to summon her favorite toy to get her to stop squirming, everything was smooth sailing after that.
"And what was her favorite toy?" You inquired softly behind the canvas
“A rubber duck! Like the ones you play with in the bath? She could not get enough of it whenever it squeaked. One time the squeaker broke, and I went to my workshop and crafted her a magical one that meowed instead! Haha!"
Okay, this family really has a thing for ducks!
“She hated it, but that only inspired me to keep making more. Sometimes, we'd sit together on the work bench, and I would just come up with ideas like confetti-spitting, or color changing ducks. She wasn't too good at speaking at that time, so every time she'd laugh that was my clue that she liked it!"
It was sweet, the way he rambled about his daughter. He never spoke of himself or his accomplishments, despite embodying the sin of pride. It was almost like his only pride was his best creation, Charlie.
He continued, the room full of jokes and laughter, even from Vaggie, regarding Charlie's life as a youngling. You listened intently to his stories, his voice dripping with amusement as he recounted story after story.
lt was so sappy and you loved it. Which made you grumble quietly to yourself, why did you have to have a thing for DILFS?! Concentrate on the painting!
After a moment, Lucifer's eyes turned back to the paintings around him, his gaze scanning each painting once more. "I've noticed that you seem to have a repetition in your work.. not that that's a bad thing!" He quickly corrected.
“But in all of your paintings featuring angels, there's always a swan swimming or resting nearby. Do they hold any significance, or are they just a passion for you?"
You looked up from the canvas, and also traced the angelic figures across the room. He was right, with the images of the divine beings also came the appearance of the large, white water fowl. Lying lazily beside the angels, or swimming across pools of water as the care-free beings danced and frolicked.
You contemplated for a moment, before speaking truthfully.
“I just think Swans are elegant and ethereal creatures. They embody the purest of souls, untouched by the taint of sin that consumes the world, just like how their feathers remain untouched from the waters they glide on"
Lucifer's eyes lit up slightly, drinking up your words.
“Plus," You continue, "they mate for life, and allow themselves to just.. decay once their significant other departs from the world. It's very romantic, and love is one of the purest emotions in the world."
Lucifer wasn't looking at you when your eyes met his again, his stare was far off. Past the room entirely, as your words echoed through him. There it was again, the glimpse of sadness that he tried to hide so painfully well.
“Does such love like that exist?," he murmured so softly you had to strain your ears.
There was a few moments of deathly silence before Charlie piped up, asking her father something about heaven. You tried to listen, but your mind was stuck on his words. Lucifer was in heaven once, and he still didn't fully believe in such things?
If there weren't others in the room, perhaps you would’ve asked him.
It took a few more minutes before you were able to wrap up fully, but you had no regrets of asking this man for help, the angel on the canvas actually looked like he had wings, not just stumps of white tuft.
You got up from your seat and walked towards him, noticing that Charlie and her girlfriend were not present anymore. It was just you and Lucifer in theroom now.
“Well, thank you, Your Majesty. You really helped me out here, and it'll go a long way to make the hotel look even better"
“Please, call me Lucifer. The formalities are only for subjects, not friends," he replied, "l did really enjoy getting to see your paintings, you are quite a phenomenal artist. I wasn't lying when I said your work was different from the rest. If only you were around for those family portraits."
You were so taken aback by his praise that you only shrugged it off, like it was no big deal. Even though, coming from the King of Hell, it was.
Glancing behind him, you saw Charlie and Vaggie whispering to each other in the hallway outside of the door. You assumed they probably wanted to finish up so they could get him to agree to the meeting with Heaven.
lgnoring his previous statement of formalities— he was the king, you thought, you weren't going to just pat him on the back and say 'see ya! —you lowered your head and bent down to curtsy, just like you were taught when you were younger, placing your hand slightly in front of you.
Usually, you'd use that hand to shake or grasp the other person's, but it felt wrong to treat this powerful angel like any other man.
Suddenly, you felt the soft touch of fingers gliding across your hand. In confusion, you looked up at those golden eyes and that charming smile. Trying to get a glimpse of what he was thinking.

His hand gripped yours gently, and with a bow of his own, lowered his lips, and pressed a soft kiss your knuckles.
Your breath caught in your throat, and you feared to blink, soaking in his beauty for as long as you could before he had the chance to pull away. You wanted to say something, but your tongue was refusing to work as your mouth opened and closed silently.
When he finally released your hand, he adjusted his hat and turned towards the door. Leaving you standing there, your face burning hot
He cleared his throat, and turned his head slightly, his eye catching yours. A playful smile dancing on his lips.
“l look forward to our next portrait together, hopefully where I am the motivation behind your strokes. Not just these dull wings."
And with his words hanging in the air, you were left alone, with the growing itch to press your face into a pillow and squeal.
——————
awww man, my first fic! I was trying to make this more dating-centric, but i couldn’t stop writing for their first meeting and it got too long haha! If y’all like this one enough, i’ll make a dating version!
let me know what you think 🙏 i reallyyyy appreciate all comments and criticisms!!
wonderful art i commissioned by DawnDrawnS on twitter! <3
#Hazbin hotel#lucifer x reader#lucifer morningstar x reader#hellverse#OOC Lucifer?#He just ain’t as goofy#But I HC he’s only like that around Charlie :)#fanfiction#writing
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Leyendecker in 1895 (left) and with his lover, Charles Beach (right)
Joseph Christian Leyendecker was born in Montabaur, Germany, to a family of Netherlandic extraction, on March 23, 1874. The family immigrated to the United States in 1882, and settled in Chicago. From early childhood, Leyendecker drew images on any available surface, a tendency that his parents encouraged. As they were unable to afford private art lessons for their son, he was apprenticed at fifteen to a Chicago engraver, with whom he began his career by designing advertisements and book illustrations. During these years, Leyendecker also took night classes at the Art Institute of Chicago. By the time he was nineteen, he showed a mature technical mastery of the illustrator's art and, with his younger brother Francis X. Leyendecker (1877–1924), he traveled to Paris to study at the Académie Julien. The brothers returned to Chicago in 1898 and established a studio there. Both soon gained numerous commissions for magazine and advertisement illustrations, and in 1899, J. C. Leyendecker produced his first cover for The Saturday Evening Post, one of the leading mainstream American publications. Leyendecker's association with the magazine continued for the next four decades. With his holiday covers for the magazine, he virtually created the popular image of Santa Claus and the New Year's baby that Americans know today.


Leyendecker's 1912 New Year's baby (left) and 1923 Santa Claus (right)
Suddenly in great demand, the Leyendecker brothers moved to New York in 1900. Their work, characterized by what might best be called a discreet male homoeroticism, typically portrayed handsome young men, particularly athletes, soldiers, sailors, and muscular working men, as heroic figures, recalling the classical ideals of the French Academy and the sinuous lines of Art Nouveau. By 1914, J. C. Leyendecker had accrued enough wealth to build an estate in New Rochelle, New York, where he lived with his brother, his sister Augusta, and his lover Charles Beach (1886–1952). Leyendecker met Beach in 1903, when the young model from Cleveland first posed for him. The artist was impressed not only with Beach's handsome face and physique, but also with his ability to hold poses for extended lengths of time. Their relationship lasted until Leyendecker's death. Over the next thirty years, Beach's image as the "Arrow Collar Man," as well as Leyendecker's other representations of him, became one of the most widely circulated visual icons in mainstream American culture. In this capacity, Beach became the symbol of American prosperity, sophistication, manliness, and style.


Beach was the main model for the "Arrow Collar Man," the advertising figure of the Arrow Collars and Shirts Company and an icon of urbane American masculinity
For forty-nine years, Beach functioned as Leyendecker's model, lover, cook, and business manager. The household was extremely careful in maintaining a strict, even secretive, privacy. Although Beach's features were much in the public's gaze, few actual photographs of him or the Leyendeckers are to be found. Beach, presumably at Leyendecker's instruction, burned virtually all correspondence and many art works after the artist's death. The last years of J. C. Leyendecker's life were overshadowed by financial concerns, as he had spent as lavishly as he earned at the height of his career. By the 1940s, the major magazines increasingly supplanted artist's cover illustrations with photographs. As a result, Beach and Augusta sold many of Leyendecker's art works, which now bring hundreds of thousands of dollars at auction, for a pittance. Leyendecker died at his home in New Rochelle on July 25, 1951. Beach followed him in death within months. (Full article)
#j. c. leyendecker#jc leyendecker#f. x. leyendecker#leyendecker#arrow collar man#history#gay history#lgbt history#lgbtq history#art history#gay#mlm#lgbt#lgbtq#lgbtqia#art#male art#men in art
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Kris Jenner for Khy x Entire Studios
#kris jenner#Khy x Entire Studios#khy#entire studios#fashion#style#editorial#photography#beauty#minimalism#fashion photography#visual#fashion editorial#fashion magazine
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Lace flared pants by Acne Studios
#c6smic-angel#acne studios#miu miu#visual archive#fashion#fashion editorial#magazine#pinterest#tumblr#outfit ideas#outfit inspo
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Everyone has a unique experience of their city. For the members of the Studio Shtot team, we all experience Toronto in our own interesting ways. Throughout February, we documented those experiences and places in a collage of oil pastel sketches. See the Spring Group Project and much more in Shtot Magazine Issue No. 5!
We’d like to thank our incredibly generous supporters for helping to make this project possible. Help us do more projects like this by heading to our Buy Me a Coffee page.
Projects in order: Katherine Desourdie Alex Forsyth Raphael Gutteridge Henry Lewis Thomas Spoletini Victoria Zhang
#graphic design#architecture#design#aesthetic#poster design#studio shtot#magazine#art zine#collage#oil pastel#visual arts#artists on tumblr#illustration
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Ortland 100% Free Font
https://www.behance.net/gallery/195207097/Ortland-100-Free-Font
Ortland is available with a 100% free license for commercial or personal use, this license is only available on behance, gumroad/www.limitype.com (Each download has a license code)
#free font#graphic design#fonts#sans serif font#display font#Graphic Design#Design Inspiration#Typography#Font Design#Logo Design#Creative Design#Visual Design#Graphic Art#Web Design#Poster Design#Minimal Design#Modern Design#Illustration#User Interface Design#User Experience Design#Digital Art#Branding Design#Magazine Design#Book Design#3D Design#Graphic Design Community#Design Trends#Design Studio#Creative Process#Print Design
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