#Marilyn Morales

[k-kroomie]

Such a beautiful Sunflower 🌻

Punkflower🎸🌻

Trans Fem! Miles[AKA Marilyn]

Marilyn pulled up to the loudest house of the block. She zipped up her jacket and turned off the car. Gwen, Margo, Pavitr, Gayatri, and Hobie had all gone to a house party, while her, Ganke, and Miles stayed at home and did there Movie Marathon. Right now, it was around 2 something in the morning, and the rest of the group had left. They tried getting Hobie to leave, but his ass said he wouldn't leave till his beautiful Sunflower got there.

So Marliyn had no choice but to drive up here and get her drunk boyfriend from this party. She put her hands in her jacket pockets and walked up to the house. She walked through the front door, looking around. "Hobie!" She yelled through the loud noise of talking and loud music as she walked through the crowd looking for him.

She heard loud yelling and loud chanting, "Chug, chug, chug!!" which only meant one thing most of the time to her. She sighed, walking over to the crowd pushing her way through. "Hobie!" She yelled as she finally made her way to the front of the crowd. There he was, her boyfriend shirtless, drunk, and taking a shit tone of shots. She was about to go and grab him when he noticed her.

He had the biggest smile on his face, "Sunflower!" He yelled as he went and grabbed her by the hand, pulling her to where he was. He wrapped his arms around her wist and kissed all around her face. "Hey, hey, you came!" He said happily, has he looked at her. She smiled, "Yea hun, I'm here. I've come to get you." She said softly. At this point, it was like they were the only two in the room. "You changed your hair?" He said, looking at the two puffs at the top of her head.

She nodded, "Yea Miles did it. He wanted to try braiding hair, and when he was done, we just put my hair up." She said as she grabbed his hand. "Let's go back to the apartments hun." She said with a smile, "Wa-" he paused. "Wait, I gotta show.." He said drunkenly, "Show what Hun?" She said before Hobie abruptly lifted her up. That's when she noticed the crowd was still around them, making her blush.

"This is my Sunflower!" He said loudly, looking at everyone as they all drunkenly cheered, "And she is the lovelies most beautifulest- est? Sunflower I have ever seen!" He said, making everyone cheer loudly. She looked him as he continued on with his little speech, mainly just calling her pretty. She giggled happily as she held onto him, "I love you Hun!" She said as she kissed his cheek, making him stop his speech, "I love you too, my beautiful Sunflower." He said before kissing her forehead.

"Okay! Let's go home now. I'm sleepy!!" Hobie said, making her chuckle. "Come on now hun." She said as she got down, holding his hand and making their way through the crowd. Getting in the car and driving off in the early morning.

[claysworstenemy]

young bloberta puppington aesthetic board .

[daydreamerdrew]

The Marvel Family (1945) #1

[captainpirateface]

[zuuzoo]

Every single person jumping to defend Manson and other known abusers, I hope you know that I am praying to a God I don't believe in for your downfall. Rot.

[rjptalk]

NOT A DROP TO DRINK SINCE 1920

Once upon a time so many years ago, Americans had national fit of self-righteousness. We decided alcohol was the root of all evil and to rectify this catastrophe, we rose up on our collective hind legs and passed the 18th Amendment to the Constitution. This amendment established a legal prohibition of the manufacture and consumption of recreational alcoholic beverages in the United States. The…

[venusiancharisma]

Your Femme Fatale Persona Based On Moon Sign...

Just for fun, astro observations. Enjoy! This is based on the manifestation of... "they made me do it". So, while I dont agree this is the Femme Fatal "homeostasis" of each moon sign, I believe that, at one's darkest hour, these are the specific persona's each of us would take on...

Aries Moon - Lara Croft (Tomb Raider): Strong, independent, and fearless, the Aries Moon femme fatale is a daring adventurer who isn't afraid to take risks. Like Lara Croft, she's always ready for action and thrives on challenges. Additionally...

The Bride (Kill Bill): Driven, vengeful, and skilled in martial arts.

Aeon Flux (Aeon Flux): Athletic, daring, and rebellious.

Taurus Moon - Satine (Moulin Rouge!): Sensual, alluring, and grounded, the Taurus Moon femme fatale is a master of seduction. Like Satine, she knows how to use her beauty and charm to get what she wants while remaining emotionally steadfast. Additionally...

Sugar Kane Kowalczyk (Some Like It Hot): Sexy, charming, and pleasure-seeking.

Regina George (Mean Girls): Popular, manipulative, and materialistic.

Gemini Moon - Catwoman (Batman Returns): Clever, adaptable, and enigmatic, the Gemini Moon femme fatale is a master of disguise. Like Catwoman, she's quick-witted, elusive, and always keeps others guessing. Additionally...

Jordan Baker (The Great Gatsby): Clever, charming, and unpredictable.

Marion Crane (Psycho): Secretive, impulsive, and multifaceted.

Cancer Moon - Norma Desmond (Sunset Boulevard): Emotionally intense, nostalgic, and manipulative, the Cancer Moon femme fatale is a complex character. Like Norma Desmond, she may cling to the past and use her vulnerability to control others. Additionally...

Annie Wilkes (Misery): Obsessive, nurturing, and unstable.

Alex Forrest (Fatal Attraction): Clingy, possessive, and emotionally demanding.

Leo Moon - Foxxy Cleopatra (Austin Powers in Goldmember): Confident, dramatic, and alluring, the Leo Moon femme fatale knows how to command attention. Like Foxxy Cleopatra, she's bold, charismatic, and always steals the spotlight. Additionally...

Marilyn Monroe (The Seven Year Itch): Charismatic, flirtatious, and attention-seeking.

Jessica Rabbit (Who Framed Roger Rabbit): Seductive, enigmatic, and theatrical.

Virgo Moon - Catherine Tramell (Basic Instinct): Intelligent, calculating, and mysterious, the Virgo Moon femme fatale is a master of manipulation. Like Catherine Tramell, she uses her intellect and attention to detail to outmaneuver others. Additionally...

Tracy Lord (The Philadelphia Story): Perfectionist, analytical, and critical.

Amy Dunne (Gone Girl): Cunning, organized, and vengeful.

Libra Moon - Gilda (Gilda): Charming, sophisticated, and flirtatious, the Libra Moon femme fatale is a social butterfly. Like Gilda, she knows how to use her charm and beauty to captivate and influence others. Additionally...

Madeleine Elster (Vertigo): Elegant, charming, and mysterious.

Daisy Buchanan (The Great Gatsby): Charming, indecisive, and idealistic.

Vesper Lynd (Casino Royale): Sophisticated, diplomatic, and elusive.

Scorpio Moon - Phyllis Dietrichson (Double Indemnity): Intense, secretive, and seductive, the Scorpio Moon femme fatale is a master of psychological manipulation. Like Phyllis Dietrichson, she uses her sexual allure and emotional depth to ensnare others. Additionally...

Cersei Lannister (Game of Thrones): Power-hungry, manipulative, and intense.

Brigid O'Shaughnessy (The Maltese Falcon): Mysterious, alluring, and deceitful.

Sagittarius Moon - Beatrix Kiddo (Kill Bill): Independent, adventurous, and philosophical, the Sagittarius Moon femme fatale is a free spirit. Like Beatrix Kiddo, she's a skilled warrior who follows her own moral code and seeks justice on her own terms. Additionally...

Nikita (La Femme Nikita): Rebellious, independent, and adventurous.

Lisbeth Salander (The Girl with the Dragon Tattoo): Unconventional, daring, and justice-seeking.

Capricorn Moon - Miranda Priestly (The Devil Wears Prada): Ambitious, disciplined, and powerful, the Capricorn Moon femme fatale is a formidable presence. Like Miranda Priestly, she's a master of her craft and expects nothing less than perfection from herself and others. Additionally...

Evelyn Mulwray (Chinatown): Reserved, ambitious, and secretive.

Lady Macbeth (Macbeth): Ambitious, manipulative, and ruthless.

Aquarius Moon - Mia Wallace (Pulp Fiction): Unconventional, independent, and mysterious, the Aquarius Moon femme fatale is a true original. Like Mia Wallace, she marches to the beat of her own drum and isn't afraid to break the rules. Additionally...

Mathilda (Léon: The Professional): Unconventional, intelligent, and rebellious.

Clementine Kruczynski (Eternal Sunshine of the Spotless Mind): Eccentric, free-spirited, and unpredictable.

Pisces Moon - Nina Sayers (Black Swan): Imaginative, emotionally vulnerable, and self sacrificing. Like Nina, she uses her damseled distress and emotional depth to draw others into her web of desire and deceit. Additionally...

Melissa Robinson (The Last Seduction): Deceptive, adaptable, and seductive.

Laura Hunt (Laura): Elusive, enigmatic, dreamy, and idealization.

[joonie-berry]

Incorrect Quotes Twisted wonderland:

Yuu: What are you in the mood for?

Leona: World domination.

Yuu: That's a bit ambitious.

Leona: You are my world.

Yuu: Aww...

Leona:

Yuu:

Leona:

Yuu: OH.

~~~~~~~~~~~~~~~~

Yuu, throwing their head into Leona's lap: Tell me I'm pretty!

Leona, lovingly stroking their hair: You're pretty fucking annoying, that's what you are.

~~~~~~~~~~~~~~~~~

Idia: I was going to suggest we do Marilyn Monroe and JFK roleplay, but I’d get way too into it.

Yuu: What- how?

Idia: You’d be like “come to bed … Mr. President” and I’d be like, “I need to increase the amount of American military advisors in South Vietnam by a factor of 18.”

~~~~~~~~~~~~~~~

Yuu: BE A BETTER PERSON!

Idia: WHY?!

Yuu: BECAUSE SOMEONE NEEDS TO HAVE MORALS IN THIS RELATIONSHIP, AND IT SURE AS FUCK AIN'T GONNA BE ME, SWEETHEART!

[femalethink]

Pornography is regularly used in ways that have nothing to do with sexual explicitness. Rather, pornography is commonly understood as a form of propaganda, a representational style linked with defamation and desensitization, if not destruction. Patricia J. Williams, who thinks legally, critically, and gracefully about race, sex, and injustice, calls pornography a "habit of thinking," and one that informs all manner of abusive and exploitative attitudes and relationships. Pornography, as I am using the term, is just that, a worldview, a way of thinking and acting that sexualizes and genders domination and submission, from the bedroom to the war room, making domination masculine (even when a woman plays that role) and submission feminine (even when a man plays that role), and making both the essence of sex. By wedding sexuality to inequality, pornography conditions women and men to have a substantial investment in maintaining the oppressive status quo—again, from interpersonal relationships to international politics.

Pornography kills off, and then substitutes itself for, the erotic—the life force, the earthy and ethereal force of growth, fruitfulness, exuberance, ecstasy, connectedness, and integrity. Pornography severs eroticism from intimacy and empathy and bonds it to voyeurism and objectification (of the self and of another). It incarnates pleasure in acts of hatred. It would have all of us believe, even those of us getting the "fuzzy end of the lollypop" (Sugar/Marilyn Monroe's lament in Some Like It Hot, Billy Wilder, 1959), that without a certain measure of power and powerlessness, danger, fear, pain, possession, shame, distance, and violence there wouldn't be any "sex" at all. Of course, the simultaneously pornographic, monotonous, and erotophobic culture tends to make that true. Variously damaged, alienated, and desensitized, pornography can become what we need in order to feel at all.

Some applaud pornography because it allows access to sexual imagery and language and easily offends offensive religious morality. Yet pornography is no real alternative to systemic sex-negative morality; rather it is an intrinsic part of it. Pornography and mainstream morality both stem from and continually reinforce a worldview that first makes a complex of body/low/sex/dirty/deviant/female/devil and then severs these from mind/high/spirit/pure/normal/male/god. For both, sex itself is the core taboo. Moralism systematically upholds the taboo and pornography systematically violates it. In the complex that evolves from this absurdity, taboo violation itself becomes erotically charged. Evil becomes seductive and the good mostly boring. Without patriarchal moralism's misogyny, homophobia, demand for sexual ignorance, and sin-sex-shame equation, pornography as we know it would not exist. And, together, the two work to maintain the sex and gender status quo.

—Jane Caputi, "Goddesses and Monsters: Women, Myth, Power, and Popular Culture."

[k-kroomie]

PunkShock/Punkflower!College AU

PunkShock: Hobie x TransFem!Miles(Marilyn)

Little skits♡

Marilyn: Hobie, where are my neon yellow Go-Go boots?

Hobie who wore them for his show last night and got them all messed up: Gwenny came by and took em earlier.

Marilyn gasping dramatically because she knew he is lying: I can't believe this!

Hobie: I know right!

Marilyn: Hobie were you paying attention during the lecture today?

Hobie: Yes

Marilyn: oh then can you give me the notes you took?

Hobie: No

Marilyn: and why not?

Hobie: Cuz I lied-

Miles drawing Hobie, but he keeps changing colors: Hobie, babe, if you want this to turn out right, you gotta stay in one font and one color.

Hobie still changing: That's boring Luv! Wan be every color and every font!

Miles shaking his head: oh lord this is gonna take a minute-

Hobie: Good, get to spend more time with my Sunflower.

Miles: You're so corny

Hobie: luv you cannot be talking

Miles: Shut up.

Miles after BTSV: AND THEN HE TOOK HIS MASK OFF AND GANKE WHEN I TELL YOU IT TOOK EVERYTHING IN MY BODY NOT TO ASK THIS BOY OUT.

Ganke half sleep: uh huh

Miles is taking his phone out, showing Ganke Hobie: Bro, look

Ganke is looking at the picture now fully awake: So, uh- when he is coming over

Miles:

Marilyn first time talking to Hobie: So uh, uh... wan like uh go to the and uh

Hobie shrugging and grabbing her hand: yea sure luv let's go

Marilyn very happy: yea okay cool :>

Miles swinging around his universe by himself: -ou'er a sunflower.

Hobie appearing literally out of nowhere: I think your love would be too much!

Miles running into a pole: Hob-

More will be added<3

[haggishlyhagging]

The book list copied from feminist-reprise

Radical Lesbian Feminist Theory

A Passion for Friends: Toward a Philosophy of Female Affection, Jan Raymond

Call Me Lesbian: Lesbian Lives, Lesbian Theory, Julia Penelope

The Lesbian Heresy, Sheila Jeffreys

The Lesbian Body, Monique Wittig

Politics of Reality, Marilyn Frye

Willful Virgin: Essays in Feminism 1976-1992, Marilyn Frye

Lesbian Ethics, Sarah Hoagland

Sister/Outsider, Audre Lorde

Radical Feminist Theory –  General/Collections

Freedom Fallacy: The Limits of Liberal Feminism, edited by Miranda Kiraly and Meagan Tyler

Radically Speaking: Feminism Reclaimed, Renate Klein and Diane Bell

Love and Politics, Carol Anne Douglas

The Dialectic of Sex–The Case for Feminist Revolution, Shulamith Firestone

Sisterhood is Powerful, Robin Morgan, ed.

Radical Feminism: A Documentary Reader, edited by Barbara A. Crow

Three Guineas, Virginia Woolf

Sexual Politics, Kate Millett

Radical Feminism, Anne Koedt, Ellen Levine, and Anita Rapone, eds.

On Lies, Secrets and Silence, Adrienne Rich

Beyond Power: On Women, Men and Morals, Marilyn French

Feminism Unmodified: Discourses on Life and Law, Catharine MacKinnon

Femininity and Domination: Studies in the Phenomenology of Oppression, Sandra Bartky

Life and Death, Andrea Dworkin

This Bridge Called My Back: Writings by Radical Women of Color, Gloria Anzaldua and Cherrie Moraga, eds.

Wildfire:  Igniting the She/Volution, Sonia Johnson

Homegirls: A Black Feminist Anthology, Barbara Smith ed.

Fugitive Information, Kay Leigh Hagan

Talking Back: Thinking Feminist, Thinking Black, bell hooks

Feminist Theory: From Margin to Center, bell hooks

Deals with the Devil and Other Reasons to Riot, Pearl Cleage

Pilgrimages/Peregrinajes, Maria Lugones

In Search of Our Mothers’ Gardens, Alice Walker

The Whole Woman, Germaine Greer

Right Wing Women, Andrea Dworkin

Feminist Theory – Specific Areas

Prostitution

Paid For: My Journey Through Prostitution, Rachel Moran

Being and Being Bought: Prostitution, Surrogacy, and the Split Self, Kajsa Ekis Ekman

The Industrial Vagina: The Political Economy of the Global Sex Trade, Sheila Jeffreys

Female Sexual Slavery, Kathleen Barry

Women, Lesbians, and Prostitution:  A Workingclass Dyke Speaks Out Against Buying Women for Sex, by Toby Summer, in Lesbian Culture: An Anthology, Julia Penelope and Susan Wolfe, eds.

Ten Reasons for Not Legalizing Prostitution, Jan Raymond

The Legalisation of Prostitution : A failed social experiment, Sheila Jeffreys

Making the Harm Visible: Global Sexual Exploitation of Women and Girls, Donna M. Hughes and Claire Roche, eds.

Prostitution, Trafficking, and Traumatic Stress, Melissa Farley

Not for Sale: Feminists Resisting Prostitution and Pornography, Christine Stark and Rebecca Whisnant, eds.

Pornography

Pornland: How Pornography Has Hijacked Our Sexuality, Gail Dines

Pornified: How Porn is Damaging Our Lives, Our Relationships, and Our Families, Pamela Paul

Pornography: Men Possessing Women, Andrea Dworkin

Pornography: The Production and Consumption of Inequality, Gail Dines

Pornography: Evidence of the Harm, Diana Russell

Pornography and Sexual Violence:  Evidence of the Links (transcript of Minneapolis hearings published by Everywoman in the UK)

Rape

Against Our Will, Susan Brownmiller

Rape In Marriage, Diana Russell

Incest

Secret Trauma, Diana Russell

Victimized Daughters: Incest and the Development of the Female Self, Janet Liebman Jacobs

Battering/Domestic Violence

Loving to Survive, Dee Graham

Trauma and Recovery, Judith Herman

Why Does He Do That? Inside the Minds of Angry and Controlling Men, Lundy Bancroft

Sadomasochism/”Sex Wars”

Unleashing Feminism: Critiquing Lesbian Sadomasochism in the Gay Nineties, Irene Reti, ed.

The Sex Wars, Lisa Duggan and Nan D. Hunter, eds.

The Sexual Liberals and the Attack on Feminism, edited by Dorchen Leidholdt and Janice Raymond

Sex, Lies, and Feminism, Charlotte Croson, off our backs, June 2001

How Orgasm Politics Has Hijacked the Women’s Movement, Sheila Jeffreys

A Vision of Lesbian Sexuality, Janice Raymond, in All The Rage: Reasserting Radical Lesbian Feminism, Lynne Harne & Elaine Miller, eds.

Sex and Feminism: Who Is Being Silenced? Adriene Sere in SaidIt, 2001

Consuming Passions: Some Thoughts on History, Sex and Free Enterprise by De Clarke (From Unleashing Feminism).

Separatism/Women-Only Space

“No Dobermans Allowed,”  Carolyn Gage, in Lesbian Culture: An Anthology, Julia Penelope and Susan Wolfe, eds.

For Lesbians Only:  A Separatist Anthology, Julia Penelope & Sarah Hoagland, eds.

Exploring the Value of Women-Only Space, Kya Ogyn

Medicine

Witches, Midwives and Nurses: A History of Women Healers, Barbara Ehrenreich and Deirdre English

For Her Own Good: 150 Years of the Experts’ Advice to Women, Barbara Ehrenreich and Deirdre English

The Hidden Malpractice: How American Medicine Treats Women as Patients and Professionals, Gena Corea

The Mother Machine: Reproductive Technologies from Artificial Insemination to Artificial Wombs, Gena Corea

Women and Madness, Phyllis Chesler

Women, Health and the Politics of Fat, Amy Winter, in Rain And Thunder, Autumn Equinox 2003, No. 20

Changing Our Minds: Lesbian Feminism and Psychology, Celia Kitzinger and Rachel Perkins

Motherhood

Of Woman Born: Motherhood as Experience and Institution, Adrienne Rich

The Reproduction of Mothering, Nancy Chodorow

Maternal Thinking: Toward a Politics of Peace, Sara Ruddick

Marriage/Heterosexuality

Compulsory Heterosexuality and Lesbian Existence, Adrienne Rich

The Spinster and Her Enemies: Feminism and Sexuality 1880-1930, Sheila Jeffreys

Anticlimax: A Feminist Perspective on the Sexual Revolution, Sheila Jeffreys

Black Macho and the Myth of the Superwoman, Michele Wallace

The Sexual Contract, Carol Pateman

A Radical Dyke Experiment for the Next Century: 5 Things to Work for Instead of Same-Sex Marriage, Betsy Brown in off our backs, January 2000 V.30; N.1 p. 24

Intercourse, Andrea Dworkin

Transgender/Queer Politics

Gender Hurts, Sheila Jeffreys

Female Erasure, edited by Ruth Barrett

Testosterone Rex: Unmaking the Myths of Our Gendered Minds, Cordelia Fine

Delusions of Gender: How Our Minds, Society, and Neurosexism Create Difference, Cordelina Fine

Sexing the Body: Gender and the Construction of Sexuality, Anne Fausto-Sterling

Myths of Gender, Anne Fausto-Sterling

Unpacking Queer Politics, Sheila Jeffreys

The Transsexual Empire: The Making of the She-Male, Janice Raymond

The Inconvenient Truth of Teena Brandon, Carolyn Gage

Language

Speaking Freely: Unlearning the Lies of the Fathers’ Tongues, Julia Penelope

Websters’ First New Intergalactic Wickedary, Mary Daly

Man Made Language, Dale Spender

Feminist Theology/Spirituality/Religion

Beyond God the Father: Toward a Philosophy of Women’s Liberation, Mary Daly

Gyn/Ecology: The Metaethics of Radical Feminism, Mary Daly

The Gods and Goddesses of Old Europe, Marija Gimbutas

Woman, Church and State, Matilda Joslyn Gage

The Women’s Bible, Elizabeth Cady Stanton

Pure Lust, Mary Daly

Backlash

The War Against Women, Marilyn French

Backlash, Susan Faludi

History/Memoir

Surpassing the Love of Men, Lillian Faderman

Going Too Far:  The Personal Chronicles of a Feminist, Robin Morgan

Women of Ideas, and What Men Have Done to Them, Dale Spender

The Creation of Patriarchy, Gerda Lerner

The Creation of Feminist Consciousness, From the Middle Ages to Eighteen-Seventy, Gerda Lerner

Why History Matters, Gerda Lerner

A Vindication of the Rights of Women, Mary Wollstonecraft, ed.

The Elizabeth Cady Stanton-Susan B. Anthony Reader: Correspondence, Writings, Speeches, Ellen Carol Dubois, ed., Gerda Lerner, Elizabeth Cady Stanton

The Suffragette Movement, Sylvia Pankhurst

In Our Time: Memoirs of a Revolution, Susan Brownmiller

Women, Race and Class, Angela Y. Davis

Economy

Counting for Nothing: What Men Value and What Women Are Worth, Marilyn Waring

For-Giving:  A Feminist Criticism of Exchange, Genevieve Vaughn

Fat/Body Image/Appearance

Shadow on a Tightrope: Writings by Women on Fat Oppression, Lisa Schoenfielder and Barb Wieser

Beauty and Misogyny: Harmful Cultural Practices in the West, Sheila Jeffreys

Can’t Buy My Love: How Advertising Changes the Way We Think and Feel, Jean Kilbourne

The Beauty Myth, Naomi Wolf

Unbearable Weight:  Feminism, Western Culture, and the Body, Susan Bordo

The Invisible Woman:  Confronting Weight Prejudice in America, Charisse Goodman

Women En Large: Photographs of Fat Nudes, Laurie Toby Edison and Debbie Notkin

Disability

With the Power of Each Breath:  A Disabled Women’s Anthology, Susan E. Browne, Debra Connors, and Nanci Stern

[girlfriendsofthegalaxy]

tuesday again 4/30/2024

most annoying book i've read so far this year under the jump

listening

a lovely polyrhythmic instrumental piece with previously-featured tuesdaysong artist, terrifying master of the cello, abel selaocoe. this is very textured and kind of scrubs at the inside of my skull in a pleasing way. like the kind of back scrubber you can buy with a bamboo handle and the long soft bristles. popped up on my recent releases playlist from spotify.

-

reading

really fucking pissed about this book and i am not able to be reasonable about it. i was really thrown, much like the fantasy prince's mother from her carriage as she was being chased by regency gossip reporters, that this was a prince harry/meghan markle RPF AU. i am a bit uncomfy about the fact that our female lead, the fantasy AU meghan markle, is some flavor of fantasy Gaelic instead of fantasy mixed-race. now, i have no particular moral or physical beef with RPF but i don't typically seek it out. but/also/and, much like works about marilyn monroe, i think works with the specter of princess diana are in poor taste. can we leave these women alone maybe

i got about halfway through the book before this revelation and didn't really feel like it succeeded at much of anything it was trying to do. oddly informal and choppy, like it was originally intended as a contemporary romance with some urban magic and changed to regency in a late draft. this is combined with some fairly weak prose: more simple sentence structure than i would expect in a book for young adults, far too many proper nouns, and a lack of interest in showing not telling.

i straight up don't understand why the leads are attracted to each other if she keeps making very public mistakes and he's a rude cunt. i have read other books (most recently the t kingfisher books) where someone grows to love a very gruff or taciturn man, but it takes time and mutual trust and an effort on both sides, none of which happen here. the core conflict is duty to family in all its various forms vs the heart wants what the heart wants. the conflict is not much of a conflict, though, because characters come to realizations within three sentences of confronting them and then vocalize them with therapyspeak. someone literally pats someone else's hand and goes, "It's hard, I know." the author mercifully did not describe the sad little pursed sympathy mouth but i'm sure it was there.

i'm also deeply annoyed with how this author chose to go about characterization. while the character concepts are people i would love to meet in a ttrpg, it feels very concerned about Good Representation and it makes everyone feel very wooden. i think when you put together characters from a list of various oppressions and disabilities it starts feeling like a grownup version of a children’s ensemble show meant to sell little blind box figurines. here is the Chronically Ill one, and her color is pink! here is the Addicted one, and his color is green! here is the Goth and Depressed one, and her color is black with some bones! here is the Gay one who was once badly hurt by the Addicted one, and we don’t care enough about him to give him a color! here is the superficially fantasy-Jewish one, and we don’t care enough about her to give her a color or an action figure either!

while normally i would love to read a book with two! TWO! canonically bisexual leads of different genders! this book is written for the "folx" spectrum of gays instead of the "fags" part of the spectrum and it strays very close to a modern morality tale for me.

this popped up on a list of books with bi leads i think, but if it was here or on libby i cannot remember.

anyway! fucking hated this one.

pleasantly surprised these came in back to back off my holds lists, bc they are about the perfumer Grace and Grace's former landlord, the spy Marguerite. my favorite of these Saint of Steel series is still the one with the werebear nun. i have nothing to complain about these books and not much to say about them either. they were such a delightful and competent change of pace after the annoyance of the previously discussed book.

oh i loved these. oh i LOOOOOOVED these. how the fuck does novik do it. she is so good at capturing the very specific feel of a grandpa military historical novel. except with dragons. i love these in the same way i know i will love the patrick o'brien books if i ever get around to reading them. i was a navy brat and unfortunately this is fucking catnip to me. truly i have inherited all my father's tastes

-

watching

largely fallow week. i don't have anything particularly great to say about The Bad Batch, but when have i ever. have not caught up with dunmeishi bc my siblings have once again inadvertently locked me out of the netflix account i pay for. considering a vpn for many reasons but watching netflix and watching porn (the state of texas does not want me or anyone else to watch porn within her borders) are the two big reasons for. idk. cashing out the paltry cash-back credit card rewards and coughing them up for a vpn. vpn opinions welcomed, i know most of them are straight garbage

-

playing

i straight up ran out of money in genshin, which is pretty hard to do since they're pretty generous with it? i have spent several million in-game currency on leveling up neuvilette (i am so so so happy to not have to collect any fucking starfish mats for him anymore [mats are different materials you have to collect or buy in-game in order to level up a character. very grindy most of the time]). anyway i am now scrabbling around for the last couple chests and puzzles i marked on my map in fontaine. i haven't bothered with grinding for his specific boosting artifacts or leveling up his talents all the way yet but this is really not shabby. i have the bad habit of completely levelling up all my 5-stars and then ignoring them until i need them for a specific fight or a specific level of the monthly..battle royale puzzle? i don't really know how to describe the abyss. anyway when i do eventually need his pretty intense water AOE attacks i will frantically grind for his talent mats. right now we're grinding for other things thanks

this latest update contains both the best and worst new areas so far. the underwater lost city of Remuria is a fuckin banger. gorgeous. incredible puzzles. very fun music-based quest line with new abilities and giant whale. however, im kind of disappointed by the new coastline area in the map: there is pretty much nothing there. almost no interactable plants to harvest, very few enemies, almost no chests. i get that they are focusing their time and attention on the new underwater area everyone will be focusing on (killer, btw, super dense and great use of vertical space). very lore-heavy expansion, sort of what if atlantis was a bit roman-inspired and also. hold on. wait a second.

sorry this has just occurred to me at 10:21 PM on Monday night as im drafting this but oh my god are the fucking fontanians the Sea Peoples of the bronze age collapse. this is hysterically funny lore if true. im going to have to go back and reread a lot of the environmental storytelling notes but oh my GOD that's extremely funny if true. genshin has some of the most batshit lore of any game ive ever played and im so sad that so few game journos are focusing on it.

where was i. leveling up characters in legally-not-france who may or may not be descendants of the sea peoples. i often find myself leveling up characters in genshin not based on how useful they are to the party but by how fun the bosses i need to fight for their mats are? for example: neuvilette is a water-based AOE character with not a lot of on-field time. however this big electric seahorse, whose antlers i need to level him up, is really fun to fight and i can knock it out in about thirty seconds.

-

making

my sister's birthday is tomorrow! my birthday package to her was kind of heavy on stupid little trinkets and art books and not very much like. homemade? so i cranked out a little sampler. it's framed i promise i simply forgot to take a picture of it framed. about 3"x3", slightly adapted from a piece in Julie Jackson's Subversive Cross Stitch. i do think the F and C turned out way better (or at least the backstitching stands out way more) but hey. sometimes you need to hastily stitch a gift with the limited colors you have on hand

[sweet-as-an-angel]

AAAAAA THIS FATHER IS AN ASSHOLE WHERE CAN I GET ONE OF HIM??? I'M THE ANON WHO ASKED ABOUT HIS KIDS AND STUFF UWHIS

OKAY SO HE'LL STILL BE NEGLECTFUL, ANOTHER THING TO ADD TO THE RED FLAG PILE.

Coming back to how much his nationality is mentionned in here, would he try to slip in some French assuming we didn't tell him we were from here because it wasn't really useful. Reaction to them having the accent on first meeting? What if we like the fact he's from here? What if we pretend to not understand? Would he detect those types of things, that we're faking? Or would he have already rummaged through our papers and seen the red passport? What if we reply to him just once and then never answer his questions again? That would be funny, playing with him just to get back at him. Wouldn't surprise me if delusional prick was a dark empath (≈.≈)

Just another rouge trophy for Dominic to put on his shelf. Surprised the poor thing hasn't caved beneath the weight of all those flags he's sporting <3

TW: Brief Implied Smut

♡ Dominic won't have access to any personal papers, documents, etc. until he's able to get into and out of your home without suspicion - or, at least, rummage around inside without you feeling suspicious about him taking as long as has to find your bathroom - so he'll go purely off intuition and subtle cues in your demeanour and speech if you don't have an accent. Things like rolling your 'r's, accidentally pronouncing è or é in words that don't possess them, using turns of phrase that don't necessarily make sense in the English vernacular but do in French - things like that.

♡ On the flip-side, if you do have an accent, Dominic is very pleased; especially if he recognises it as southern French. In a way, despite his complete secularity in all but himself, he does hazard a slight belief in the idea that maybe, perhaps, something celestial or metaphysical brought you to him, especially considering how uncommon it is to encounter international neighbours where he lives. He gets excited at the prospect of being able to talk to you - to say things to you - that nobody else can understand.

♡ And yes, this does extend to bedroom talk. Yes, he has had fantasies about telling you despicable things while his wife is in earshot.

♡ Messing with Dominic will never end well for you, btw. He can just about take the idea of a joke being made at his expense in his stride; to actually hear one is enough to incur the wrath of a man who is not restrained by creed, flag, or morals. As much as he loves you, he has very little issue with breaking you down into his perfect specimen. Much like how he did with Marilyn.

♡ Once is fine, but only if it's the two of you alone. Do something like this in public and Dominic won't be held responsible for all that will ensue.

Masterlist Yandere AI Masterlist Masterpost

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[dreaminginthedeepsouth]

"Marilyn Monroe was baptized by Aimée Semple McPherson, analyzed by Anna Freud, befriended by Carl Sandburg and Edith Sitwell, romanced (if you can call it that) by Jack and Bobby Kennedy, painted by Willem de Kooning, taught acting by Michael Chekhov and Lee Strasberg, photographed by Richard Avedon, Cecil Beaton, and Henri Cartier-Bresson. 

She managed—on the strength of limited dramatic talent and within a studio system that paid no attention to individual ambition—to work with some of the greatest directors in movie history: twice with John Huston, Billy Wilder, and Howard Hawks, and once each with George Cukor, Joseph Mankiewicz, and Laurence Olivier. 

She was the first Playboy centerfold and one of the first women to own her own production company; she was a nudist and a champion of free love long before these concepts emerged into the national consciousness. 

She maintained a deep association with the American military that, all on its own, lent her a mythic stature. When the Second World War broke out, she became both a teenage war bride and an actual Rosie the Riveter (long days spent working in the fuselage-varnishing room of the Radioplane plant in Burbank); her first cheesecake photographs were taken in the spirit of “morale boosters” for the boys overseas; her famous appearance in Korea—wriggling onstage in her purple sequined dress, popping her glorious platinum head out of the hatch of the camouflaged touring tank rolling her to the next appearance—remains the standard against which any American sex symbol sent to entertain the troops is measured. 

She was the first celebrity to talk openly about her childhood sexual abuse, a kind of admission that has become so common today that we hardly take notice of it. But to tell reporters in the 1950s that you had been raped as an 8-year-old—and to do so without shame, but rather with a justifiable sense of fury and vengeance—was a breathtaking act of self-assurance." 

From "Inventing Marilyn Monroe," by Caitlin Flanagan, in "The Atlantic," March 2013. (Photograph by Ed Feingersh.) 

[Follies Of God]

[rjptalk]

WE ABOLISHED BOOZE IN 1919 & NO ONE'S HAD A DRINK SINCE

WE ABOLISHED BOOZE IN 1919 & NO ONE’S HAD A DRINK SINCE

Once upon a time so many years ago, Americans had national fit of self-righteousness. We decided alcohol was the root of all evil. To rectify the perceived problem, the nation rose up on its collective hind legs and passed the 18th Amendment to the Constitution. This amendment established a prohibition against the manufacture and consumption of recreational alcoholic beverages in the United…

[heyftinally]

https://www.tumblr.com/defendingts/750845507072622592/what-do-you-think-the-p-and-the-r-in-pr-stand-for?source=share

“no celebrity is treated the way Taylor is.”

That is such an outrageous claim. Taylor is praised by 90% of the media. Taylor has a [rabid] fan base that send literal death threats to people who voice their negative opinions on her. Taylor being called out for genuinely bad work and bad choices is not hate it’s accountability.

Britney Spears has it worse than Taylor and continues to have it worse than most celebrities. Miley Cyrus endured some of the worst treatment from the general public and media of a current star when she was growing up. Justin Bieber has been abused by the media since he was 15. Michael Jackson was ridiculed at every turn when he was alive and people still tried to take advantage and drag his name through the dirt after he died. Marilyn Monroe was treated as more of an object than a person and still is mistreated today with misrepresentations of her life being made for entertainment purposes. Cassie literally just had footage of being assaulted by her ex Diddy released to the public. God I could keep going but I won’t. The proof is out there. She’s just too blind to see it. She claims she’s not a Swiftie but she clearly is. If she’s neutral towards Taylor she could at least acknowledge that Taylor has had it very easy in contrast to MOST celebrities.

I had her original account blocked but she made a new one and keeps posting in the anti tag and I’m just fed up. I’ve blocked her again but I needed to rant. Most people in the anti tag aren’t actively hating just expressing their frustrations and even if they were hating. ITS IN THE ANTI TAG. OMG. Sorry but she’s clearly a Swiftie who doesn’t have a god damn life and is baiting people into her ask box. She probably sends herself messages to show she’s got a larger following than she actually does. It’s pathetic. She calls antis pathetic but really we vent to a couple of blogs who agree with our thoughts and those blogs post them. She’s the one seeking out these things to complain about them. It’s so f*ckin annoying

I've honestly called other performers WAY worse things than I've called Taylor Swift. I've criticized countless artists for a variety of things. Hell, anyone who knows me knows I have just as many issues with Harry Styles as I do Taylor Swift (they're basically two versions of the same issues if you ask me).

I tag my posts the way I do for one reason, and one reason only: so that swifties can block me, block the tag(s), and fuck off. I'm not going to sit here and try to convince someone that they shouldn't support her - that has to come from your own moral compass. But in return, don't come on to my posts and tell me I'm wrong for having an opinion based on the facts we're given 24/7.

And as far as the old bullshit of "antis are pathetic" (how very 2010 tumblr lol), I say mocking someone for having an opinion you don't like is MORE pathetic. Taylor Swift is shoved down our throats literally constantly - if I'm forced to be aware of her bullshit, I'm going to have an opinion on it. If that opinion isn't favorable towards her, sucks to fucking suck. You know what I don't post about? Who Hilary Duff did or didn't go on a date with last weekend. Because I have no clue what happens in her personal life, and I'm not about to go be a stalker freak to find out. If Taylor Swift can't stand people not liking her, maybe she should put less of herself on display. And again, if swifties don't like my opinions, they can block me and my tags like adults and move on.