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roguestorm · 10 months

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How To Start Reading Marvel Comics

Okay, so let's say you're a fan of the Marvel movies or games or you just saw Spider-Verse and you want to know how to start reading comics. Hi, welcome! This is one method of getting into comics; it is not the only one. We're going to be heavily relying on digital comics for this one, so if you prefer reading on paper, this might not be for you.

Step One: Pick a Character

This should be easy! Pick a character whose comics you want to read. It doesn't have to be your favorite character of all time; it just needs to be a character you're interested in getting to know a little better. A character is going to work better for this particular method than a team will, although there are plenty of team reading guides if you really want them.

Let's say, for the sake of example, that you just watched the Moon Knight Disney+ series and you want to read some stuff about Moon Knight.

Step Two: Find a Reading List

The very technically advanced way to do this is to Google "[Character] Reading List" or "[Character] Recommended Reading." For Moon Knight, Marvel has an official one that pops up right away.

The official ones are good places to start, but IMO, the best ones are usually from tumblr or Reddit. Comic fans can be very intense, but we also know more about the material than anyone, including Marvel. :) Here's one for Moon Knight.)

Step Three: Understanding the Reading List

Comic names are formatted one of two ways. You might see someone say Moon Knight (vol 7) or Moon Knight (2014). These refer to the same series of comics. They mean that the title of the series is Moon Knight, that it is the 7th series published under that title, and that it started publication in 2014. Moon Knight (vol 1) is Moon Knight (1980), because it's the first run of comics called Moon Knight and it started publication in 1980.

So, how do you know? That's where the wiki comes in. marvel.fandom.com is my best friend. So, when you type "Moon Knight vol 7" into the search bar, it brings up this page. See how it says (2014-2015) at the top? That's how you know that Moon Knight (vol 7) is Moon Knight (2014).

Step Four: Accessing Comics

Now we have to get the comics. We have a number of options:

For digital comics:

Buying digital comics. You can do this on Amazon or Marvel.com. However, this gets expensive real fast - for example, Moon Knight (1980) has 38 issues, and each of those costs $1.99. That's almost $80, just for volume 1.

Marvel Unlimited subscription. This is not a bad deal TBH. It's $10 a month, and they have quite an extensive catalogue. The only problem is that the site takes forever to load and is not easily searchable. Usually, I'll type into Google the name of the exact comic I want to access (e.g. "Moon Knight (1980) #1") and then click on the marvel.com link that comes up.

Piracy. This is the easiest and cheapest option, and thus the most popular. I'm not going to link any sites, but ask a friend or Google and you'll find one easily enough.

Physical comics are also an option, but they are more complicated. Groups of issues are collected in trade paperback collections, but finding which collections contain which issues can be a bit more of a hassle. And then buying those collections can get pricey very quickly.

If you like physical comics and have a public library card, I'd recommend checking out what they have on their shelves. On a Marvel comic, you want to look at the back cover, usually in the lower right-hand corner, and it will tell you which issues are in the comic (e.g. "Collects Moon Knight (2014) #1-6"). You might find some things that were on your reading list, or you might find some comics you'd never have read otherwise. A lot of public libraries (at least in the US) have a larger comic book collection than you'd expect.

Step Five: Have Fun and Be Yourself!

The most important thing to remember is that you are supposed to be having fun. There might be some frustration if you're not used to reading visual media (I know I wasn't), but it should overall be fun. If a comic feels like a slog, you don't have to read it! Maybe you and the person who made the reading list just have different taste. Try a different comic. Try a different character.

Also, remember that it's okay to be confused. You might be jumping around a little bit and so you might not know everything that's going on. This is kind of the perpetual state of reading comics. If you want to double-check the wiki or ask your friendly neighborhood comics blogger, that's totally fine.

#me making this guide after not reading comics for a month #like look i DO know how to read comics. i just don't do it!#also i feel like this is a deeply condescending and narcissistic guide but like. what/ever.

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hessobbingincabo · 2 months

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Captain America #750 (2023) by C.F. Villa

Thor Annual #1 (vol. 6, 2023) by David Marquez

Incredible Hulk #2 (vol. 4, 2023) by Bryan Hitch

Captain Marvel: Dark Tempest #1 (vol. 1, 2023) by Jen Bartel

Black Panther #2 (vol. 9, 2023) by Mateus Manahani

Doctor Strange #5 (vol. 6, 2023) by Dustin Nguyen

Avengers #3 (vol. 9, 2023) by David Baldeón

Moon Knight #25 (vol. 9, 2023) by W. Scott Forbes

Amazing Spider-Man #30 (vol. 6, 2023) by Betsy Cola

Guardians of the Galaxy #4 (vol. 7, 2023) by Lee Garbett

Ghost Rider #16 (vol. 10, 2023) by Gerald Parel

Miles Morales: Spider-Man #8 (vol. 2, 2023) by Bernard Chang

Amazing Spider-Man #29 (vol. 6, 2023) by David Nakayama

Hallow's Eve #5 (vol. 1, 2023) by Bengal

Venom #22 (vol. 5, 2023) by Joshua Cassara

Daredevil #13 (vol. 7, 2023) by Javier Garrón

Avengers Hellfire Gala (2023) Cover Gallery

(open images for higher quality)

+bonus under the cut

Stunning Captain Marvel piece by Angel Solorzano

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drifting-pieces-blog-blog · 6 months

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Breaking down the Comics: Writing a legend, building a history.

Today we aren't reviewing an issue of Moon Knight. Today we are going to talk about something important.

So who wrote Moon Knight?

"Easy!", you might say. "Doug Moench!"

Sure. But you'd be surprised to find that it's not as much as you'd think.

Doug Moench wrote issues 1-15, 17-26, 28-33.

He returns in 1998 for a 4 issue mini seires Vol 3 "Resurrection Wars" which revives Marc Spector, who had been killed off in the previous volume.

He continues in 1999 with Vol 4, another 4 issue mini series "High Strangers/Strangeness" which won an award for favorite limited series.

He also wrote werewolf by Night, which gave us the first iteration of Moon Knight. An instantly popular character that made appearances in other comics like "The Hulk" before he was given his own comic.

He had time to work on the designs with Bill Sienkiewicz. They built up the weapons, the costume, the cab, and the copter.

He also built up the side characters of Gena, Gena's two boys, Crawley, Frenchie, Detective Flint, and Marlene.

He set the ground rules:

Moon Knight system is Jewish.

Marc, Jake, and Steven are a part of a system and are not one man pretending to be someone else

Jake is the one that is friendly and loves being with the people.

Steven is posh, collected, and takes care of things.

Marc is the one with experience, has the skills needed to get things done, and holds all the pain.

They are former Mercenaries who did terrible things and have deep guilt.

Khonshu resurrected them to act as Moon Knight

They strive to protect any who would come to them for help that perhaps might not get it elsewhere

I would even argue that he was building up to the fact that Moon Knight himself was his own form of alter but it has since been glossed over and replaced with the idea that Marc is most often the one under the mask.

Pretty simple rules to follow to make it a Moon Knight comics, but you'd be surprised what some writers have done with it.

These comics were written long before DID was acknowledged and the different forms of PTSD and Dissociation were defined.

And yet, here we stand with a traumazied man from Chicago slowly working through a freshly cognizant system and trying to figure out how three (four) people can work together towards not just a life, but life as a superhero who wants to help people.

Further more, an odd thing happened in this.

We had a comic that often focused more on mental health than on super powers, heroics, or villains.

More often than not, we watched Marc, Jake, and Steven struggle with themselves and one another. We watched stories unfold from the villain's point of view, often just being ordinary people pushed too far by a system that failed them.

More so, we watched Moon Knight sympathise with these villains.

How often he let them walk away or he let them kill their abusers, wondering if he was doing wrong himself.

How can he help when sometimes the help he offers is not what is needed?

We even watched him fail. We saw him lose his temper and cause damage. We saw him curl into a ball and break. We saw him get lost in his own nightmares and dissociative fuges.

Moench stepped forward and often handled current events with raw emotion. We saw his characters cry over the loss of public iconic figures. We watched people struggling as they returned from war. We saw child abuse and poverty. We watched economic struggles with classism and we watched people struggle to deal with grief.

We even watched them deal with antisemitism over and over again. How many times were the victims of his stories Jewish and trying to survive in America? What about the story that took place with the mass shooting in the Synagoug? We heard stories of Generational trauma as elders struggled with survival after the Holocaust.

Moon Knight was a unique comic unlike any other I've ever come across. For it's time and for it's topics at the time. What's more, this comic continued.

It was no 'special of the week' comic and spanned multiple years as they grew.

What do we know about Moench? Who did he write this comic for?

The Moon Knight in the Were Wolf by Night certainly didn't have all this depth. He was just a man dressed in silver, fighting a monster and ultimately choosing the side of the monster.

Moench himself was from Chicago. He knew what it was like to live in the city and see the fall of factories and hard times on the streets. We know he witnessed the times of Vietnam veterans being forgotten and abused. He witnessed a lot of changes happening in the world and the places he was writing about.

He wrote about what spoke to him and what he saw around him.

And in his stories, there often were no clear heroes, winners, or villains.

But there was one issue that he chose to add into this comic that was already filled with so many things that other comics avoided.

Moon Knight wasn't written as Jewish in that one shot cameo. He wasn't written with DID either, but I'll get to that.

There are interviews of Doug admitting that "I didn't say, 'I'm going to sit down and create a Jewish character.'"

In fact, he picked a name and later found out it was a Jewish name. This made him do research. Not just into Judaism, but into the areas that Marc Spector fought in and where his family came from.

Do you have any idea how many writers of that time and our current time simply slap the label of "Jewish" on a character and refuse to actually look into what makes them Jewish?

I can't say how much he researched and how much he got wrong or right, but I do know that when he did choose to dive into topics that touched on certain issues, he handled them with a grace that is often overlooked.

The writer that came after Moench? Alan Zelenetz, a former Jewish day school principal from Brooklyn.

Zelenetz had been acting as an editor for a bit before he took a look at Moench's early start.

And it was in Issue 37 and 38 where we get the real backstory of Marc Spector. A man running from his Rabbi father.

Marc now became the son of an Orthodox Rabbi who had been forced to flee Czechoslovakia after the Nazi invasion.

Here, we get the story of Marc running to the Marines. Running to the mercenaries, and running from home. Perhaps even, running from G-d.

Zelenetz wanted to lean into the Jewish past and Jewish story. He explored themes of using a holy book to create a villain while playing with Jewish myths. He also explored Antisemitism without toning it down or hiding it under comic bookish villainy. He portrayed Moon Knight facing white supremacist vandalizing a Jewish Cemetery. He showed Moon Knight saving the Torah from a Synagogue fire. He also showed a strained relationship and the question of Moon Knight finding his own relationship in what he does with his father's views.

Alan Zelenetz edited/wrote shorts for issues 18, 21–22, 27, 32, Then wrote the whole story for issues 36–38.

Zelenetz voiced that he was looking to add some Jewish representation into his workforce and perhaps into the comic industry at the time. Considering his background, perhaps he was the only one at the time that had the proper knowledge to play with things the way that he did in the story of Elias Spector's death and Marc Spector's pain.

He did not stick around with Moon Knight for long after. Though, he admits that he wanted to play with the fact that Khonshu was an Egyptian god and Marc was from such a Jewish background. I am sad we didn't get to see that story.

After that, Moon Knight's original 1980s run was finished. The question of what to do with Moon Knight, where to take him, and who would take up the mantle of writing him now lay in the hands of Marvel.

Many failed after this. They failed to keep the heart of what Moon Knight stood for and who Moon Knight was. His Jewishness was forgotten and his mental health became a joke.

Not to say all of them failed. There are a few shining stars that gleamed in the darkness and I like to think that it was these moments that kept Moon Knight going all these years.

Moench didn't set out to write a story about mental health, and yet his approach is the most real I've seen. Hardly a shining picture of perfect representation, there is still something there in watching the character almost seem to push back against the unintended desire to push him into a corner.

No matter how often Jake and Steven and Moon Knight were seen as Marc pretending to be someone else, there was always ALWAYS that correction. Always that push back.

Call it the writer's curse of characters misbehaving and taking on a life of their own, but perhaps there was something more there. Perhaps he felt the weight of time and cry of the suppressed and overlooked.

So many of his stories danced the line of "I can't say it because it will get edited out by the big wigs at Marvel, but if you would just look... Just look over here for just a moment..."

And years upon years later, a writer did see the whispers there and said "I see the story of pain. I see the cry of mental health." Lemire told the story that Moench couldn't and from that, we are still pushing forward with McKay.

And more, perhaps we will see the Jewish story that hides in all that also get a spotlight again.

In the era of big battles, cross-over events, explosions, and super villains cackling about domination... I still look back at Stained Glass Scarlet, The Druid, the Music Box, And Colloquy.

As I finish the original 1980s run, I brace myself to dive into what comes next.

I think I'm trying to find where and how the original run ventured so far into the dark and insulting territory it did and the journey back into a revival that now means so much to so many.

In a way, perhaps it mirrors a journey into our own mental health. How easy it is to become lost in what everyone around you tells you that you are and how you are supposed to be until your own doubt sets in to drown you. Perhaps it is the journey of Moon Knight's character emerging from this to find a path to healing that is what kept us here so long.

#Moon Knight #Moon Knight comics #Analyzing the comics #Marc Spector #Jake Lockley #Steven Grant #Doug Moench #Moon Knight is Jewish #Moon Knight has DID #A system of hope #I'm rambling again #But this is important to me

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blood-orange-juice · 2 months

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4.5 preload datamine has a book with a Khaenri'ah lorebomb

Text on Project Amber

Excerpts and thoughts under the cut

vol.1:

"In those days, a crimson moon shone down upon the subterranean realm, and not the dark sun of latter days."

Something something Eclypse dynasty.

Due to the Kingdom's unique position, things from outside this world were always leaking into it. The Kingdom's weapons would wipe out the calamities slipping in, but what of all the other objects? Such as, say, a child who may have come from some destroyed world?

What the hell what the hell what the hell

"Oh high lord of the nobles, a child once told me a tale of another world: Once upon a time, there were sea people who believed that the gods came from the sea. Each time they discovered a shipwrecked person, they would treat them with the utmost honor, for they believed that the gods would take the form of the shipwrecked to investigate the mortal realm."

I can't connect it with anything but I feel it's important. Parsifal's and Skipper's story mention a shipwreck. Two, actually. In some sense the twins are shipwrecked and Paimon was fished out of the sea.

The ocean and the sea were often used as a metaphor for the space projected by the stars.

Why sea and Abyss get conflated with it sometimes: Khaenri'ans were more familiar with the Abyssal stars than the sea.

In anticipation of the arrival at their Kingdom of gods from beyond the so-called ocean — or rather, the arrival of beings who could transcend the gods — they founded an organization, an orphanage to take care of such children. In latter days, the orphans of the Kingdom and those who wandered in from outside were accepted as well.

Everything fun in Teyvat is made by kids in orphanages.

The young Perinheri's first memory was that of being asked by the grown-ups to crawl through a dark corridor. This passage might have been a chimney for winter fires, for it was filled with coal ash, and there was not a single crack in it through which smoke or light could pass through. As he crawled, he would sometimes stumble in the pitch-black darkness. Fortunately, the corridor appeared designed for the passage of children in the first place, so the falls were not very painful. It also lacked any annoying cobwebs. When Perinheri reached the end at last, the exit had not opened yet. He knocked, only for the grown-ups to coldly ask: "Are you dead?" Well, how was he to reply if he was dead? But the grown-ups did not like this response. They kept asking the same question, until he at least shouted, "Yes, I'm dead!" The adults then asked, "Did you see it, then?" Perhaps it was the fear brought on by the darkness combined with hunger and exhaustion, but Perinheri did indeed see an illusion. The crimson moon, hanging high in the pitch-dark night sky, suddenly turned around, revealing itself to be a titanic, horrified eye. The adults opened the door and embraced the soot-covered Perinheri: "You have traversed the fire of two worlds within the hearth, and here you are reborn."

Moons being goddesses' corpses, the fake sky, whales, the rebirth ritual in the narcissenkreuz notes. Again, I can't connect it.

Though the crimson moon set, and the dark sun descended into a yet darker dusk, that transcendental person from beyond who the Kingdom orphanage was awaiting never arrived. But unusual individuals they had aplenty, and many of those who strode forth from the gates of that orphanage became great knights of the Kingdom. Perinheri was, in his time, the leading figure amongst their ranks — that is, unless, he were forced to compete with his best friend, Hleobrant.

tl;dr: Khaenri'ah casually welcomed travelers from between worlds, visitors from dead worlds especially. or at least hoped to but didn't get many

#teyvat reading club #genshin lore tumour #khaenri'ah

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vertigoartgore · 23 days

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1984's Moon Knight Vol.1 #38 cover by Michael Kaluta.

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stryfeposting · 1 year

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moon knight: black, white and blood vol 1 #4

cover by the incomparable rod reis

#moon knight #marc spector #rod reis

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jimintomystery · 8 days

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MST3K's most wanted

I've been organizing my Mystery Science Theater 3000 collection, so I've become preoccupied with the handful of episodes that are not easily available, and the reasons why. In case in anyone else is interested, I thought I'd share what I've learned.

For our purposes we'll be focusing on the ten seasons that aired on cable, from 1989 to 1999. With the post-2017 episodes, it's trivial to purchase them on home video or streaming. And the pre-cable stuff, from KTMA, is widely available as bootleg footage, which is probably about as good as you're ever going to get. But the episodes from the cable era have been notoriously difficult to re-release, and require special attention.

Of the 176 MST3K episodes that aired on cable, 166 have been released on home video, and 145 are available for streaming/download on the Gizmoplex. As someone who's been trying to collect the whole series since the 1990s, I think that's pretty impressive. But there are 40 episodes that have been particularly tricky. Let's take a look, won't you?

Currently available on the Gizmoplex, but never on home video (1):

913 - Quest of the Delta Knights

As I understand it, nobody was sure who owned the rights to this movie, or how to contact them, for years. The situation has only recently been cleared up, perhaps too late for a DVD release.

Currently available on the Gizmoplex, but out of print on home video (8):

203 - Jungle Goddess

317 - Viking Women and the Sea Serpent

319 - War of the Colossal Beast

510 - The Painted Hills

619 - Red Zone Cuba

806 - The Undead

808 - The She-Creature

912 - The Screaming Skull

It looks like all of these went out of print due to being on a set where a different episode's rights expired. Theoretically Shout Factory could re-release any of them in a "Lost and Found" set, but that may not be cost-effective as people move away from collecting physical media.

Currently available on home video and MST3K's official YouTube, but not on the Gizmoplex (1):

615 - Kitten with a Whip (Vol. 25 DVD, 2012)

Kitten is one of the Universal movies that could only be licensed for physical media. And yet, it's the only one I can find on the official YouTube channel. Beats me why that is.

Currently available on home video, but not on the Gizmoplex (16):

401 - Space Travelers (Vol. 32 DVD, 2015)

522 - Teen-Age Crime Wave (Vol. 33 DVD, 2015)

524 - 12 to the Moon (Vol. 35 DVD, 2016)

601 - Girls Town (Vol. 39 DVD, 2017)

605 - Colossus and the Headhunters (Vol. 38 DVD, 2017)

614 - San Francisco International (Vol. 32 DVD, 2015)

704 - The Incredible Melting Man (Vol. 36 DVD, 2016)

801 - Revenge of the Creature (Vol. 25 DVD, 2012)

802 - The Leech Woman (25th Anniversary Edition DVD, 2013)

803 - The Mole People (Vol. 26 DVD, 2013)

804 - The Deadly Mantis (Vol. 27 DVD, 2013)

805 - The Thing That Couldn't Die (Vol. 29 DVD, 2013)

814 - Riding With Death (Vol. 36 DVD, 2016)

815 - Agent for H.A.R.M (Vol. 33 DVD, 2015)

901 - The Projected Man (Vol. 30 DVD, 2014)

1013 - Diabolik (Vol. 39 DVD, 2017)

I was able to find the DVD sets listed above on Shout Factory's website. As far as I know, they'll remain in print for the foreseeable future, but there's no way to know how long that will last.

The general pattern with these episodes is that the movies are owned by major studios that would only license them for physical media. Columbia owns Teen-Age Crime Wave and 12 to the Moon. MGM owns Girls Town and The Incredible Melting Man. Paramount owns Diabolik. But the big player here is Universal, which controls the rights to Space Travelers, San Francisco International, Revenge of the Creature, Leech Woman, Mole People, Deadly Mantis, Thing That Couldn't Die, Riding With Death, Agent for H.A.R.M., and Projected Man.

The odd man out here is Colossus and the Headhunters; I can't find any info on who owns the rights to this film, which may be part of the problem.

The real hard cases, the stickiest of wickets, are below...

Released on home video, but now out of print (5):

212 - Godzilla vs. Megalon (Vol. 10 DVD, 2006)

309 - The Amazing Colossal Man (VHS, 1996)

910 - The Final Sacrifice (Vol. 17 DVD, 2010)

1001 - Soultaker (Vol. 14 DVD, 2009)

1012 - Squirm (Turkey Day Collection DVD, 2014)

Megalon and Colossal Man were both recalled when rights issues came up after they were released. Oops. These were produced by Rhino, back before Shout Factory took over.

The Final Sacrifice is particularly tough to find, even unofficially, because director Tjardus Greidanus is very aggressive about tracking down download links. I always figured someone was similarly possessive of Soultaker, since it's clearly a passion project, but that's purely my speculation.

The Turkey Day DVD set is still available on Amazon at a reasonable price, so Squirm is still relatively accessible for now.

Never released on home video or streaming (9):

201 - Rocketship X-M

213 - Godzilla vs. the Sea Monster

311 - It Conquered the World

416 - Fire Maidens of Outer Space

418 - Attack of the the Eye Creatures

807 - Terror from the Year 5000

809 - I was a Teenage Werewolf

905 - The Deadly Bees

906 - The Space Children

In 2017, Shout released its final (?) MST3K DVD collection, which included Satellite Dishes, a compilation of host segments from episodes that "may never get a legitimate release." This included the nine listed above, as well as The Amazing Colossal Man and Quest for the Delta Knights. Of course, Delta Knights eventually got a digital-only release, which is cause for a glimmer of hope. But the others are probably tougher nuts to crack.

Wade Williams owned the rights to Rocketship X-M and had a particular sentimental attachment to the film. His death in 2023 may make it easier to negotiate with his estate, but I wouldn't count on that being a swift process.

Godzilla vs. Megalon and Godzilla vs. The Sea Monster are part of a prestigious franchise, and it's remarkable MST3K got away with riffing on Godzilla movies in the first place. I get the impression that Japanese culture doesn't particularly appreciate the sort of mockery MST3K is known for, so the rights to these two movies may be a long, long shot. Then again I used to think there was no hope of for the Gamera episodes too.

Fire Maidens, Deadly Bees, and Space Children are owned by Olive Films, and currently licensed to Paramount. It's possible a deal can be made later on, but not until the current arrangement expires.

The major bugbear for MST3K fandom is Susan Hart, the widow of American International Pictures co-founder James Nicholson. One way or another the AIP catalog was split up and Hart laid claim to several of their films, including Amazing Colossal Man, It Conquered the World, Eye Creatures, Terror from the Year 5000, and Teenage Werewolf. Hart's price for licensing her movies is very high, and it seems Shout has given up negotiating with her. I suppose the situation could change when she passes away, but I'd feel rather silly hoping for an old woman to die just so I can pay 8 bucks to watch robots laugh at a werewolf movie.

In conclusion, I've already purchased all the movies available on the Gizmoplex (I got most of them in a Kickstarter reward package), and the 31 that aren't available there can be obtained by, ahem, other means. So it's a great time to be an MST3K fan, and I'm still amazed how easy it is to watch the show nowadays.

#mst3k #mystery science theater 3000

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theodore-sallis · 1 year

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“Nowhere to Go but Down,” Man-Thing (Vol. 1/1974), #2.

Writer: Steve Gerber; Penciler: Val Mayerik; Inker: Sal Trapani; Colorist: Petra Goldberg; Letterer: Jean Izzo

#Marvel #Marvel comics #Marvel 616 #Man-Thing vol. 1 #Man-Thing 1974 #Man-Thing #Ted Sallis #I’m losing it over how ‘I’m cackling’ might be my most frequently used commentary tag on this blog #but I just find this so heckin’ funny #don’t get me wrong I love the symbolism of Ted literally breaking chains #both for himself and indirectly helping these other folks out #but just…alshdjs how it all shakes down #and that’s why I push back against describing Ted’s life as a completely ‘pitiable parody’#he helped!!! it was kind of indirect but he helped!!!#finally; Foolkiller! I’ve only seen the guy who I believe is the second Foolkiller in Spider-Man and Moon Knight comics #so I’m looking forward to reading about the og

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scarletspider2the2ndpower · 2 years

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“A Time to Die!” Spectacular Spider-Man (Vol. 1/1976), #221.

Writer: Tom DeFalco; Penciler: Sal Buscema; Inker Bill Sienkiewicz; Colorist; John Kalisz; Letterer: Clem Robins

#Marvel #Marvel comics #Marvel 616 #Spectacular Spider-Man #Spectacular Spider-Man vol. 1 #Spectacular Spider-Man 1976 #Spider-Man #Peter Parker #Cover Gallery #I always found it wild that two of the times that Peter straight up legit dies #and we’re talking heart stopped spirit leaving the body DEAD #involve Doctor Octopus yet each time he’s acting in a diametrically opposed capacity #here Doc Ock’s intervention (…and on-panel CPR…) brings Peter back to the land of the living #but in a couple of decades it’s Doc Ock who’s running around swapping bodies #and allowing Peter the privilege of experiencing organ failure #comics do be wild #where else would I get this sort of material #also can I say as a big early Moon Knight comics fan: great to see Mr. Sienkiewicz and his work

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battyaboutbooksreviews · 4 months

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Queer Books Coming Out January 2024

🌈 Good morning, my bookish bats! Struggling to keep up with all the amazing queer books coming out this month? Here are a FEW of the stunning, diverse queer books you can add to your TBR before the year is over. Remember to #readqueerallyear! Happy reading!

❤️ Tentacle Wonderland by Reese Morrison 🧡 Cupid’s Revenge by Wibke Brueggemann 💛 Okay, Cupid by Mason Deaver 💚 Soren by Miranda Page & Lina Ganef 💙 Just Happy to Be Here by Naomi Kanakia 💜 Stars and Soil by Dax Murray ❤️ Deep Sounding Chaos by Adrian J. Smith & Neen Cohen 🧡 Minor Disturbances at Grand Life Apartments by Hema Sukumar 💛 Evergreen by Devin Greenlee 💙 Matsdotter and Adrastus (Adventures in Levena #2) by Aelina Isaacs 💜 Thousand Autumns: Qian Qiu Vol. 3 by Meng Xi Shi and Me Mimo 🌈 Destined by Jen Carter

❤️ Her Spell That Binds Me by Luna Oblonsky 🧡 Her Mechanic Bear Mate (Crescent Lake Bears #3) by Arizona Tape 💛 That Bitter Sting by Melissa Polk 💚 Bioluminescence by Toni Duarte 💙 Lucky Bounce by Cait Nary 💜 Don’t Want You Like A Best Friend by Emma R. Alban ❤️ Bachelorette Number Twelve by Jae 🧡 How to Share a Cat and Other Life Lessons by Evelyn Fenn 💛 A Sheep in Wolf’s Clothing by Amy Allen 💙 Bound by Kate Hawthorne 💜 Moonbreak by Lise MacTague 🌈 Falling All In by Laina Villeneuve

❤️ Murder on Castaway Island by Alicia Gael 🧡 The Butler's Vessel by S. Rodman 💛 Tadek and the Princess by Alexandra Rowland 💚 Escaping Mr. Rochester by L.L. McKinney 💙 Amid Our Lines by Zarah Detand 💜 Most Ardently by Gabe Cole Novoa ❤️ A Doctor’s Touch by A.A. Fairview 🧡 So Let Them Burn by Kamilah Cole 💛 Never Be a Saint by Mark Runte 💙 Maude Horton's Glorious Revenge by Lizzie Pook 💜 Eli Harpo's Adventure to the Afterlife by Eric Schlich 🌈 City of Laughter by Temim Fruchter

❤️ Enthralled by Her by Chelsea M. Cameron 🧡 Knight of Staria by Iris Foxglove 💛 The Storm Gathers by Maelan Holladay 💚 Stars of Chaos: Sha Po Lang Vol. 2 by Priest 💙 Fence: Redemption SC by C.S. Pacat and Johanna the Mad 💜 Dreamer by Kris Bryant ❤️ Not Just Friends by Jordan Meadows 🧡 Winter's Spell by Ursula Klein 💛 Two is a Pattern by Emily Waters 💙 All Things Beautiful by Alaina Erdell 💜 Curse of Souls by Niranjan 🌈 Voyage of the Damned by Frances White

❤️ The Principle of Moments by Esmie Jikiemi-Pearson 🧡 Curse of the Dragon Shadow by Selina A. Fenech 💛 No Shelter But The Stars by Virginia Black 💚 Shards of Trust by Fox Beckman 💙 My Fair Brady by Brian D Kennedy 💜 The Summer Queen (The Buried and the Bound #2) by Rochelle Hassan ❤️ A Luminous Heart by Cailee Francis 🧡 To Cage a God (These Monstrous Gods #1) by Elizabeth May 💛 Out of Our League by Dahlia Adler and Jennifer Iacopelli 💙 Earth and Water by J.L. Gribble 💜 Rend Me, The Wayward Knight by Mary Vanalstine 🌈 Prince of Endless Tides by Ben Alderson

❤️ Sweet Wicked Thing by Jessie Walker 🧡 Ocean’s Blood by Thelma Mantey 💛 Breeze Spells and Bridegrooms by Sarah Wallace and S.O. Callahan 💚 A Reckless Oath by Kaylie Smith 💙 Fallen Thorns by Harvey Oliver Baxter 💜 Faded Moon by T.L. Morgan ❤️ Game On by Amy Aislin 🧡 The City of Stardust by Georgia Summers 💛 The Invocations by Krystal Sutherland 💙 Spark of Wrath by E.M. Lindsey 💜 Honeybloods by I.S. Belle 🌈 Love Me At My Worst by Adrian J. Smith

42 notes · View notes