#NOT to say they're doing it like... perfectly

[oneforthemunny]

🧸🍯🎸 this is mine

for your blurb, rockstar!eddie, fluff, lore/flashback. set during the sneaking around phase, like a month before the engagement for timeline purposes.

"You're going back to the hotel room?" Jeff gawked, mouth nearly dropping at the words he was sure he was hallucinating.

"Yeah," Eddie flicked the lighter, bringing it to his usual post show joint. "Not really feelin' it."

"Not- Ed, we're in Amsterdam." Jeff scoffed.

"And?"

"You fuckin' love Amsterdam." Jeff blinked in awe, partial confusion.

"Yeah, I used to. Kinda boring now. Seen it, done it, need somethin' more exciting than hookers and weed." Eddie shrugged as nonchalantly as he could, his hands twitching with irritation, anxious to get into the car and back to the hotel.

"Lemme know if it's somethin' good, though. Maybe I'll stop by later." Ducking into the black car, Eddie nodded at the rest of his bandmates, shutting the door quickly.

His knee bounced the entire car ride, all seven minutes of it, ringed fingers tapping on the edge of his torn jeans. The car had barely slowed to a stop before Eddie was out, throwing a wad of Euros his tour manager had given him towards the driver, practically sprinting towards the private elevator entrance.

"Hey, uh, you don't happen to know what time it is in Los Angeles right now, do you?" Eddie turned towards the hotel manager accompanying him on the ride to the penthouse.

"No, sir, but I can get the front desk to call and-"

"-That's alright. Thank you." Eddie nodded, stepping towards the door before it opened, sliding through the opening gap.

"Looks great!" He turned, giving a half grin and a thumbs up, jamming the key into the lock.

"Uh, if you need anything, Mr. Munson-"

"-I won't even hesitate to let you know. I promise." Eddie cut off the nervous hotel manager, too familiar with the schtick- too many hotel rooms, all saying the same thing. Normally, he'd be less pushy and in a rush, on his best behavior with the staff because- "Fuck it, they're just doing their job. Why would I be an asshole about it?"

But tonight, he had bigger plans. He'd timed the closing number just right, no off topic rants or mid song chaos like usual- his tour manager should be thankful. No, he'd timed it all perfectly, striding over to the phone, dialing out for an international number.

The phone rang once, twice- Eddie's leg hadn't stopped bouncing until,

"I thought you said you'd call me at four." The familiar playful purr in your tone had his heart skipping, a nearly boyish grin spreading across his face. "It's almost five, here."

"I'm sorry, baby. Had to wrap a few things up at the venue. Didn't plan on it being late." Eddie cradled the phone to his ear, leaning back on the pristine bed. "What are you up to?"

"Hm, about to go out to dinner with a few friends." You sighed, nearly bored, like your heart wasn't fluttering the same way his was.

"Friends? Any I should be worried about?" Eddie's voice dropped, a low gravel in his tone that made heat rush through your veins.

"I think I should be asking you that, rockstar." You teased back. "You're the one in Amsterdam, and who called me late. Too busy with the hookers?"

"Psh, you caught me." Eddie snorted sarcastically. "Got one here with me right now if you wanna talk to her."

"You better not." Your tone clipped, teetering away from playful and towards possessive. "I'd hate to have to catch a flight down there."

"Well, in that case..." Eddie teased, rolling over on the bed, the phone chord stretching with him.

"Eddie,"

"'M just messin' with you. No hookers here. Just me." Eddie muttered, the silence of the room falling around him. "Wouldn't be mad if you did catch a flight, though. I've missed you, baby."

Your cheeks pricked with excited heat, swaying with the phone pressed to your ear. "Yeah?"

"Yeah."

"I've missed you too." You whispered, like it was a secret. Maybe it was, to everyone else. "What are you doing tonight?"

"Smokin'." Eddie hummed, patting his bedside table, looking for the pre-rolled joints he'd requested. "Sleepin'."

"That doesn't sound like much fun." Eddie could practically hear your pout through the phone.

"Eh, it's not bad. A little lonely though." Eddie sighed. "Wish I had someone here with me to keep me company."

"You better be talking about me, Munson." You clipped.

Eddie grinned, a huff of laughter floating though the other end. "You know I'm talking about you. Everyone else is boring t'me now, baby. You ruined them, ruined me."

You bit back a giggle, lips curing in a grin. "Where's your next stop?"

"Uh, Berlin." Eddie muttered. "Leave tomorrow."

"Maybe... Maybe I'll stop in and see you." Your heart skipped when you suggested it. "Maybe we can go back to that cafe."

"You're too good to me." Eddie grinned, lazy and silly. "I'll pick you up at the airport."

"No, just send a car-"

"-I'll pick you up." Eddie insisted. "Don't worry, baby, I'll keep it hush-hush. Very low profile." He could practically hear your smile. "I don't wanna keep you from your friends tonight, so I'll get off the-"

"-You're not." You shook your head. "But I should probably go before Farrah kills me... and I need to call Jaques and let him know I'll need the plane tomorrow."

"I can't wait to see you." Eddie grinned into the receiver.

"You too." You squeaked, a giggly blush practically spilling through the phone. "I'll call you with the times."

"Alright, sweetheart. Have fun tonight. I'll see you soon." Eddie paused, his tongue running over his bottom lip. "Love you, baby."

"I love you." You sighed sweetly. "Don't party too hard. I'll see you tomorrow."

[kominigiru]

im gonna start dumping my one-shots here from now on just bc. also posted on ao3!

satoru's guide to wedding day blunders

contains: female reader, fluff, crack, gojo being a menace, reader and toge are siblings, shoko and nanami being so done with satoru's shenanigans part 1 - part 2 (both in ao3)

Gojo Satoru is late to his own wedding.

You stand at the altar, fingers clenched around your bouquet, doing everything you can to keep from grinding your teeth. Shoko, standing to your right as your maid of honor, is shooting you sympathetic looks, while Nanami on the left looks like he's one deep sigh away from physically dragging Satoru here himself.

Your family sits in the front row, their faces showing various degrees of irritation, disappointment, and—worst of all—pity. They're whispering among themselves, making no effort to hide the glances they cast toward you, or the fact that they're annoyed on your behalf.

You close your eyes for a moment, trying to block out the noise. When you open them again, your mother is already halfway up the aisle, moving toward you with a determined look in her eyes.

"Sweetheart," she says, barely acknowledging Shoko and Nanami. "It's been over an hour. I think it's time to accept that maybe this wedding… isn't happening."

You stiffen, fingers going numb around your bouquet. Cancel?

Nanami sighs heavily, crossing his arms. "She has a point. Gojo's behavior today is completely unacceptable. It reflects poorly on him, and worse, on you. We can reschedule."

Shoko snorts in agreement. "Yeah, even I'm tired of waiting, and I'm not the one at the altar. Typical Satoru."

Your mouth opens, but no words come out. You don't speak often—as your Cursed Speech makes casual conversation risky—but the urge to say something now presses hard against your chest. Before you can figure out how to respond, you feel a tug on your gown.

You glance down to see your younger brother, Toge, standing at your side, his tiny arms wrapping around your waist in a comforting hug.

"Aniki's late," Toge mutters, his voice barely audible.

The way he says it tugs at your heartstrings. Even your usually patient brother is starting to lose hope.

Suddenly, with perfect, almost theatrical timing, the heavy church doors burst open, slamming against the walls with a deafening thud. You don't even need to turn around to know who it is.

"Sorry I'm late!" Satoru's voice rings out, loud and unapologetic, echoing through the silent church.

You finally turn, and there he is, Gojo Satoru, standing in the doorway like he's just walked in from some casual errand and not his own wedding. His hair is tousled, his sunglasses perched on top of his head, and he's grinning like this is all some kind of joke.

Satoru saunters down the aisle, waving casually at the guests. "Miss me?"

Your family collectively groans, and you can feel Nanami's simmering rage without even looking at him. Shoko rolls her eyes dramatically, muttering something about "classic Gojo" under her breath. You, however, stay rooted in place, fingers tightening their grip on your bouquet.

Satoru reaches the altar, looking perfectly at ease, as though he hasn't just kept an entire wedding party waiting for over an hour. He slides up next to you, his grin widening when he sees the expression on your face.

"Hey, sweetheart," he says softly, leaning in just enough for only you to hear. "Sorry about that. Had to deal with a curse situation. You know how it is. Life of a sorcerer and all that."

You stare at him, your mouth a tight line.

You've gotten used to Satoru's antics over the years, but even for him, this is too much. Still, speaking directly, even to scold him, could have unintended consequences thanks to your cursed technique, so instead, you breathe deeply through your nose and give him a pointed glare.

"Ah… right," Satoru says, catching on. "You’re upset. Understandable."

Nanami, who's been silent up until now, finally speaks up, his voice thick with irritation. "You're lucky we haven't already canceled the ceremony."

Shoko nods. "An hour late, Satoru? Even for you, that's ridiculous."

Satoru throws up his hands in mock defense. "Okay, okay, I know! But hey, at least I showed up, right? That's what matters."

You can feel the tension radiating from the entire room, but before you can think of how to express your feelings in a way that doesn’t result in your cursed speech accidentally knocking everyone unconscious, you feel a tug at your dress again.

You glance down, and Toge is looking up at you with wide, concerned eyes. "Tuna mayo," he says softly, which is his way of saying, Are you okay?

You crouch down slightly, giving Toge a reassuring smile and patting his head. It's a small moment, but it helps ground you. You straighten up, turning back to Satoru, who's watching the interaction with a sheepish grin.

"Look," he starts, "I know I messed up. Big time. But hey," he adds, flashing a grin, "You know you love me anyway, right?"

You stare at him for a long moment, taking in his disheveled appearance, his unshakable confidence, and his infuriating grin. Despite everything, despite the frustration, the embarrassment, and the whispers from your family, you can’t help but feel the corners of your mouth twitch upward.

Maybe it’s because this is so typically Satoru—unpredictable, chaotic, and yet, somehow, charming in his own way.

You take a deep breath and raise your hand to his chest, pressing two fingers lightly against him. It's a gesture you often use when you can't speak, one that means I forgive you, but don't do it again.

Satoru's grin softens, and he takes your hand, squeezing it gently. "I promise," he says, and for once, there's no teasing in his tone. "I won't mess up again. Well, not today, at least."

Nanami clears his throat. "We'll see about that."

Shoko shrugs. "Honestly, I'm just impressed you got here at all."

Toge, ever the voice of simplicity, tugs on Satoru's sleeve and mutters, "Okaka."

Satoru gasps dramatically. "Betrayed by a child! I thought we were family, Toge!"

Toge just crosses his arms, unimpressed, as you all share a quiet laugh at Satoru's expense.

Satoru turns back to you, his grin back in full force. "So, what do you say we make this official, huh?"

You glance at the altar, the officiant who's been waiting patiently, and then back at Satoru. Slowly, you nod.

Satoru's face lights up, and with a flourish, he turns to the officiant. "Alright! Let's get married before anything else decides to go wrong!"

As the ceremony finally begins, you can't help but feel a mix of exasperation and fondness swelling in your chest. Life with Satoru will never be predictable, but as you look at him now, standing beside you, you know one thing for certain: it will always be interesting.

And in his own chaotic way, you know that Satoru loves you—enough to show up late to your wedding but still make you smile in the end.

You squeeze his hand once more and and he chuckles, leaning down to kiss your forehead and whisper, "I love you, too."

—

Later that night, after the wedding reception winds down and everyone heads home, you and Satoru return to your shared house. You're still wearing your wedding dress, and he's got his suit jacket slung over his shoulder, looking as carefree as ever. He's been trying to sweet-talk you the whole way back, as if he hadn’t shown up an hour late to your own wedding.

"Come on, sweetheart, it wasn't that bad." He grins, nudging you with his elbow. "Everyone had a good laugh, right?"

You give him a sidelong glance, your silence speaking volumes.

"Okay, okay, maybe I pushed it a little. But hey, I made it in the end, didn't I? That's what counts!" He flashes his signature smile, the one that usually gets him out of trouble.

You pause at the front door, turning to look at him. For a moment, he thinks he's won you over. You're smiling, after all. But then, without a word, you toss him a single pillow.

Satoru catches it with a confused look. "Uh…what's this?"

You gesture to the pillow and point to the roof.

His smile falters. "Wait, wait, wait, hold on. You're not serious, right?" His laugh is nervous now. "You forgave me at the altar! We're good! We're married now!"

You shrug and head inside, but before he can follow, you turn around, blocking the doorway with your body. His eyes widen in panic.

"Come on! I can't sleep on the roof on our wedding night! People will talk! Nanami will find out and he will never let me live it down!"

Your only response is a raised eyebrow, and you slowly, deliberately, start to close the door.

Satoru jams his foot in the door with a dramatic gasp. "But I thought you loved me!"

You don't need cursed speech for this one. You give him a sweet, innocent smile—the kind of smile that would normally melt him on the spot. But tonight, it just spells doom for him. He knows that smile. It's the smile that means, "I do love you, but you're not getting away with this."

He groans. "Seriously? After all the curses I've fought, this is how I go down?" He leans his head dramatically against the doorframe, clutching his pillow like a lifeline. "Sleeping on the roof like a stray cat? Come on, babe, be reasonable!"

You sigh, your patience wearing thin. He's still whining.

With a subtle tap into your cursed technique, you say the words that you've been holding back all night. "Sleep on the roof tonight."

The power of your cursed speech echoes through the air, and Satoru visibly flinches. His body moves on its own, turning toward the roof like a puppet on strings.

"W-wait! No! I take it back! I take it back! You don't have to use that—"

But it's too late. His legs betray him, carrying him toward the roof with a dramatic flair, like he's being pulled by some invisible force. You watch as he scrambles helplessly, pillow tucked under one arm as he clambers up to his new "bed" for the night.

From the roof, you hear him groan, his voice tinged with betrayal. "But I'm your husband now! Doesn't that mean anything?!"

You close the door, letting out a small chuckle. Behind it, you hear him muttering to himself in frustration.

"Of all the things to use your cursed speech for..." he grumbles. "Could've just told me you were mad! But noooo, had to make me sleep outside on the night of my own wedding!"

You hear some shuffling from the roof, and then: "At least give me a blanket! It's cold up here!"

You open a window just wide enough to toss him a thin, scratchy blanket, watching it float up to where he's perched.

"Thanks," he mutters sarcastically. "This’ll totally keep me warm."

There's silence for a few moments before his voice drifts down again.

"I'm sorryyyyy!" he yells, his voice carrying through the night air. "I'll never be late again, I swear! I'll be early to everything! Our anniversaries, your birthday, breakfast—you name it! I'll never mess up again!"

You shake your head, smirking to yourself, knowing full well that's a promise he'll break within the month. But for tonight, the roof will teach him a lesson.

From the roof, you hear a long, pitiful sigh. "I thought married life would be more… cozy. Not like… this."

Finally, after what seems like an eternity of grumbling, he goes quiet, probably giving in to the reality of his situation. The stars twinkle overhead, and for a moment, all is peaceful.

Until—

"I bet Nanami's gonna find out and give me that look tomorrow." His voice suddenly perks up again, this time with a hint of dread. "You know the one. The 'I told you so' look. Ugh, I hate that look…"

You roll your eyes, closing the window fully this time, knowing that his whining will eventually tire him out. But still, you can't help but smile.

You know he'll be back to his usual antics by tomorrow, but for now, he can enjoy the roof.

As you settle into bed, you can faintly hear Satoru one last time from outside.

"You'll miss me eventually! No one can resist my charm!"

You smile into your pillow. Not tonight, Satoru. Not tonight.

[lesbianmarrow]

augh. rewatched btvs 5x22 scene where spike & buffy go to buffy's house to get weapons before the big showdown. them having to retrieve weapons is such an amusingly flimsy excuse to have them go to her house so we can have the scene where she invites him in + he promises to protect dawn + "i know you'll never love me" speech. i love a paper-thin excuse to put 2 characters in a room together. especially when those characters are buffy and spike!!!!!!!!!!!!

it really is so striking the way spike refrains from asking buffy to let him in even though he would be perfectly justified in doing so as it's obvious that buffy has forgotten he's not allowed in. i think part of it is that he wants to make it clear that he will respect the boundaries she has set with him. but i also think part of it is that he doesn't wanna feel the pain of being rejected again, because that fucking hurt. if he doesn't ask then he doesn't have to hear her say no again. it shows how head over heels he is for her and how much he has changed since the beginning of the season, when he was challenging her boundaries so much.

spike's expression when he's walking thru the doorway......it's so endearing and some really great acting from james marsters. first surprise and disbelief, then glee which spike is trying very hard to restrain because these are grave times. and yet he can't help feeling so joyous that buffy trusts him. he glances as the doorway like he's thinking "ah yes what a nice house" which makes me laugh because it's so stupid but also sweet. i think it's him trying to play it cool and doing a not so good job of it. there's such a lightness to him - it reminds me of the feeling when you think you did something to upset your friend a few days ago and you're anxious that they've been angry with you all this time and you finally gain the courage to ask them about you and it turns out they were never angry or upset at all. the giddy relief you feel.

and then there's that little moment of tension where they're standing so close together and you think something might happen but then spike breaks off and goes to the weapons chest and starts rambling about what they should take. it's so notable that it's him who gets nervous and moves away. so different from the way he behaved with her in fool for love, getting up in her space and trying to make her admit she had feelings for him. he's accepted that she'll never love him back, and moments like this where it feels like maybe there could be something between them are too painful, so he disrupts the moment. moves away.

jumping to the end of the scene - i love that buffy is on the stairs when spike does his little speech. she's physically above him. "you're beneath me." not only that, she's ascending, just as she ascends at the end of the episode, accessing a level of heroism that spike will never be able to meet. rewatching this part, spike's expression really surprised me. when he says "i know you'll never love me," he doesn't look at all bitter or resentful. his face is open, understanding, compassionate, and thankful. because that's what this speech is - he's thanking her for treating him better than he deserves. he's so grateful for the respect and trust she has given him. it has been truly transformative, as we've seen. only he doesn't get to the actual thanking part, because he cuts himself off, saying he'll wait for her down here. i think he cuts himself off because he realizes that this isn't what buffy needs to hear right now. she's got an enormous battle to prepare for, and a sister to save, and spike's feelings simply aren't important. so he stops mid-sentence for her sake. i think we're meant to understand that the only reason he started to say this at all is that he really thinks he might die tonight and it could be his last chance to let her know what it has meant to him to be treated like a person capable of doing good.

i've focused on what's going thru spike's head in this post bc i think buffy is a lot harder to read here. which is interesting bc sarah michelle gellar as buffy is so expressive that usually you can always tell exactly what buffy is thinking. but when she's with spike in these episodes toward the end of season 5 it's difficult to tell how she regards him. i think a lot of the time even she doesn't really understand how she feels about him. their relationship is so paradoxical. she relies on him but she reviles him. she wants him around but she finds him intolerable. i might rewatch the scene again and make another post about what might be going thru buffy's head, but for now i'll leave it at saying that i kind of love how spike's feelings for buffy are crystal clear to us and buffy's feelings for spike are much murkier. spike started out as this cool mysterious antagonist, whereas buffy has always been the protagonist and we're constantly seeing things from her point of view and being made to understand how she feels. so it's kind of fun to see that flipped a little bit. and it also rings really true for me how buffy in this moment is like, i have 5 billion things to be worrying about right now, i cannot even begin to process whatever feelings i may or may not have regarding spike. and with all of that said........there really is a softness to the way she treats him in this scene. and it's nice.

anyway. these two ✌️ gonna go jump off a tall tall tower

[aleppothemushroom]

FOR THE LOVE OF GOD, PLEASE SEE TRANSFORMERS ONE! It is exactly the type of movie Transformers fans have been waiting for while also working as a great entry point for newcomers. It also, surprisingly, takes itself fairly seriously and isn't afraid to go into some darker subject matter. If you're wondering why the trailers focused so much on the comedy, that's just how the Hollywood suits think an animated movie will sell. The movie itself is more in tone with other Transformers movie but also really dives into themes of political corruption, injustice, inequality, and idealism versus extremism. The friendship of Optimus Prime and Megatron (or Orion Pax and D-16) and they're inevitable falling out is one of the film's strong points. Sure, it' pretty much is a family-friendly comedy for it's first half. But once it gets into the juicy stuff, you're glued. I would even say that first comedy-centric first half is necessary for the more serious second half to really hit you. And Cybertron is so fucking beautiful. It feels like a full, alive world. The voice cast is also stellar. Chris Hemsworth surprisingly works as Orion Pax and shows he can pull off the wise and powerful Optimus that he becomes near the end of the movie. Brian Tyree Henry steals the show as D-16 and Megatron, perfectly capturing his turn to villainy. There are also some twists and turns to keep the movie from being too predictable.

If I had any complaints, the film can feel a little too fast-paced at times. The important stuff is given time to develop, but everything else feels like it's in fast-forward (Elita and Bumblebee's friendship with Optimus feels a little rushed). This also applies to the action which can feel overwhelming. Not all the time, but most of the time. Bumblebee I can also see being a bit divisive. Some people may find him hilarious, others I can see being incredibly annoyed by. But I'm sure he'll be popular with the kids.

This movie apparently isn't doing so well, which sucks because this feels like THE Transformers movie. If you've enjoyed this franchise in the past, I'd highly recommend it. I want there to be so many sequels to this thing, I'm not even kidding.

[batmanisagatewaydrug]

To clarify,I don't believe in porn makes you evil and I don't believe in like fantasies are evil. I'm pulling this quote off Scarleteen "“If we aren’t both careful and creative we can get stuck in fantasies that don’t mature and politicize with us."" I'm also new to being about to vote, so I'm trying to be careful about what I consume and what stereotypes media perpetuate. Like I'm not moralizing about kink or anything, and my ask was how can I get aroused with media wo my kinks or wo media

hi anon, welcome back! I'm genuinely very glad to hear some follow up.

for anybody who doesn't stay vigorously up to date with all of my anons, this ask is a continuation of this one.

so I went and checked out the Scarleteen articles you mentioned in your first message, or at least I tried to. How to Approach Sexual Fantasies and Desire on Your Own Terms is here, and while I couldn't find anything with the exact title 50 Shades of Abuse, we do have 50 Shades of BS - How to Tell the Difference Between Kink and Abuse as well as 50 Shades Crappier: On Selling Abuse for Valentine's Day, both of which cover how the 50 Shades series isn't a great model of real, responsibly-practiced BDSM.

now, here's what I didn't see in any of these articles: an assertion that anybody needs to, as you've decided to do, avoid any work that depicts anything less than perfectly healthy sexual practices.

the closest we get to that is the quote by adrienne maree brown from How to Approach Sexual Fantasies, which you mention above. now, here's the thing: first of all, I actually disagree pretty substantially with brown's assertions that one's sexual fantasies need to "politicize." I know what my politics are; the fiction that I enjoy can't change that, because I don't have the moral backbone of a chocolate eclair. I actually just talked about that earlier today in another ask.

(also, and this may be an unpopular opinion, but adrienne maree brown is kind of a dork who doesn't really say much of anything in Pleasure Activism that Audre Lorde didn't already say better and more succinctly, and I personally lost interest in Pleasure Activism pretty much the moment she casually dropped that she practices reiki healing because that's a pseudoscientific alternative medicine that doesn't do shit or fuck. but I digress.)

listen, I'm not trying to peer pressure or bully you into watching anything you don't want to watch. your porn consumption is up to you. but what you're doing here is absolutely moralizing, I think maybe because of an underlying assumption that media that involves sex is just, like, innately different than any other type of media, which is in itself an idea that stems from sex negativity!

I don't know, let's just try to play out a little thought exercise here. like, would you consider it reasonable if somebody told you that they've decided not to read or watch anything that depicts problematic behavior because they don't want to normalize it. like, first of all, they're never watching anything but Bluey again. except actually not even Bluey because I just remembered about Bluey in the genocide, which actually makes for a great illustration of how nonsensical and impossible it is to try to only engage with media that is 100% ideologically pure.

and again: that's fine! that's literally fine! it is 100% okay to watch or read or play things with morals that don't totally 100% align with yours. it's okay to enjoy them, even. it's a lot healthier than trying to avoid upsetting or incongruous things entirely, because that gives you the chance to actually think about it rather than trying to shut it out entirely! that article actually provides an entire list of questions you can run through with yourself to critically analyze the things you watch if you feel so inclined! that's a much better skill to practice than avoidance!

I get that when you're new to sex, as you said in the previous ask, this might seem daunting, but your brain isn't just a sponge that will uncritically soak up and adopt anything you expose it to. you very clearly have the ability to research, differentiate between fiction and real life, and form your own opinions! and it is absolutely fine if you want to just watch porn with your kinks!

like, listen, I see what the question is, and the easiest answer is just. do whatever gets you off.

[electric-rabbits]

Falsettos is my favorite musical and I've lost count of the times I've seen it, but for some reason it just hit me that when Marvin says "I left my kid, I left my wife, to be with you", it's a direct answer to Whizzer's "All your life you wanted men, and when you got it up to have them, who knew it would end your life?"

Because Whizzer is talking about AIDS. He's been an openly gay man for much longer, he's been with other men, and he knows how repressed Marvin was. So, he's commenting on how tragic it is that now that Marvin allowed himself to enjoy this, they'll both end up dead.

But Marvin knew he'd lose his life for this. He had a tight knit family, perfectly patriarchal, and he put it all on the line in the name of Whizzer's affections. And they're both stubborn and they're both drowning in toxic masculinity and so neither of them actually admitted this simple truth: Whizzer was afraid of loving Marvin because he thought all he wanted was sex.

It takes Whizzer's death for them to finally fix their greatest misunderstanding. Finally Whizzer says "I'm sorry it's over, now that you could have the sex you wanted", and Marvin replies "It wasn't the sex, it was you. I'd end my life again if it meant I could live with you. I did it before already".

And I'd like to believe that I'd do it again, and again, and again.

[newbiespud]

I'm sure it's been said before but I'll say it myself because why not

The game In Stars and Time makes for a revealing contrast to the movie Groundhog Day in how they treat their final time loop and how that reflects on the main character. (Even though, if I remember right, the dev largely wasn't aware of Groundhog Day when they came up with ISAT.)

Spoilers for both after the break, I guess.

In Groundhog Day, Phil starts out narcissistic and self-centered, has the realization that he can live life without consequences, gets depressed after having tried and done everything that he's got everyone and everything memorized so that nothing can delight and surprise him anymore, and finally escapes when he performs a loop that proves that a better, happier world is within his grasp to make, not something owed to him, and that he is happy with the life he has today, not always pining for his ambitions for the future.

In... In Stars and Time, Siffrin starts out deflecting and aloof, has the realization that they can do this perfectly - 'this' being not only the impossible challenge of defeating the King but navigating their relationships with their party - gets depressed after hitting wall after wall and repeatedly fumbling into faux pas after faux pas with their party, and finally escapes when they perform a loop where their true feelings come out, no matter how ugly, and they're honest about their own desires and wishes rather than trying to keep up an ideal façade.

Plenty of people have pointed out that In Stars and Time subverts the 'escaping on the perfect loop' time-loop trope that Groundhog Day largely codifies. Not only does the 'perfect' loop completely fail, Siffrin escapes on arguably the 'worst' loop, the one where they rightfully worry that they've hurt and alienated their loves ones forever and cannot escape those consequences anymore.

But I don't think this contrast is as direct as it seems, even though one could say that Phil got away scot-free compared to Siffrin and that In Stars and Time is the superior story for portraying a harsher outcome. (I do think that exploration and advancement of tropes is just inevitable and even healthy over time, and Groundhog Day came out in 1993 so of course it and the tropes it spawned deserve modern critique, but I digress.) I actually think that it reflects how both stories and the mechanics of their time loops are built around their main characters. (There's also something to be said about how genre shapes narrative since GD is an existential comedy and ISAT is an action-adventure focusing on interpersonal drama, but that's another digression.)

ISAT makes an impact on the whole time loop genre with its clever subversion, but like all the best subversive stories, it's couched in strong characters that embody its themes.

And to take a broader perspective, the best time loop stories are allegories for the real-life situation of making the same mistakes over and over again caused by your own deep-seated personality flaws, and being forced to finally confront your inner demons and overcome them and become a better, healthier person. (Relatable, much?)

Phil is a man who's never happy with his lot in life, so he needs to learn to find the eternal richness and beauty of what he has within his grasp, and that a better, happier life is something he can make for himself. Thus, he escapes on the 'best' loop.

Siffrin is a person who refuses to share their true feelings and problems with others to the point of self-destruction (and complete reinvention in one aspect), so they need to learn that no matter how ugly and twisted they think they are, being open and honest doesn't mean their loved ones will care about them any less, even when Siffrin is seen at their lowest point possible. Thus, they escape on the 'worst' loop.

It's not just clever subversion, it's holistic circular story structure!

...Though maybe I'm just drawn to these stories because I, too, would like some extra time to Figure Some Shit Out and have that time come with some superpowers along the way, even if it nearly destroys me in the process.

[laundrypause]

AU where loscar are in high school, Oscar's quite popular and Logan is not as popular but just as much as well-liked. One thing about Logan is he is the most oblivious human to ever exist in the entirety of mankind. People flirting with him? Nah, they're just being nice. Getting chocolates for Valentine's? They must feel bad that he doesn't have one. Notes with hearts attached to phone numbers mysteriously finding their way into his locker? Must be the people he's been partnered with for their midterms. At first, Logan's secret admirers thought he was trying to reject them without outwardly saying no to their advances. And if that really was the case, they'd back off cause yk common decency. But then they find out he actually doesn't realise that these advances are essentially what they are. Advances. So they do what seemed like a perfectly reasonable solution and asked one of Logan's best friends to help them out because maybe their flirtations were too general. Too normal. They needed an insider who knew what Logan liked other than fishing and cars. Things that made his heart flutter, his cheeks blush. They wanted him to know that they were interested in him, not just being friendly. So who else to ask none other than Oscar to help them out.

Oscar wouldn't say he was Logan's bestest best closest friend who knew everything about him down to a T. That position was occupied. But Oscar thinks he knows Logan enough to try and be a Cupid-associate per say and help these poor souls who decided to fall for Oblivious Man™. He doesn't know what the tightening of his chest or the flood of fire trickling through his body means but it's probably the odd gloop of greens the cafeteria calls lunch he ate. Not for any other reason at all.

For about 2 weeks straight, Oscar's the designated Loge(Love) Guru, attempting to inconspicuously ask Logan questions and relaying pieces of said information to the admirers that fit the list of questions they'd emailed him. Yes, emailed him like social media didn't exist and this was the early 2000s or something. The list of questions include:

What's Logan's favourite color?

Is he a steak kinda guy?

His ideal type in 3 words?

Coach or Gucci?

And other questions Oscar deemed.... he'd rather not ask (let's leave it at that).

Logan's a little confused about the sudden influx of questions hurled at him by Oscar but deigns it harmless enough. If it meant he'd get to spend more time with Oscar, he'd take it. Who's there to judge him? Exactly. No one.

It's been weeks ever since the admirers have asked Oscar for help and still...no dice. It seemed like after they'd requested Oscar's expertise, Logan's become even more detached to their pursuits, which should definitely be impossible but it's Logan. He always somehow manages to defy the odds. But maybe this is a sign of some sort, that Logan will never manage to see through the fog and accept that it's possible for people to experience attraction towards him.

When they say this to Oscar, however, he's weirdly defensive. Saying how could they just give up that easily, if they're actually serious about Logan why are they not doing anything more, that actually they were asking the wrong questions. That did they not realize that Logan wasn't that much of a materialist? Their actions need to have meaning, their gifts need to convey a message. They can't just throw a designer watch at him expecting him to know their intentions. Hell, he wouldn't even accept the damn gift because oh why would you spend so much on me? I can't accept this.

Nor can they can't just give him flowers all willy-nilly, just grabbing them off a shelf because it's the most expensive. Purple so obviously clashes with him and didn't they remember when Oscar said Logan liked yellow? They should've gotten him a yellow bouquet with greens and blues complimenting it, yellow because he was as bright as the sun, always exuding warmth and blues and greens because they were the colors of his eyes and wrapped with delicate pink crêpe paper because that's the color of his cheeks whenever he flushes and-

Oh my God, they were dumbasses. Idiots, fools, blockheads. Of course Oscar's 'advice' didn't work. It didn't work because he liked him. He liked Logan. Shit, it was all starting to make sense now, why none of the help Oscar lent truly...helped. Because he didn't want to help them. Because he liked Logan and didn't want them to- God how were they so dumb? It's so obvious now, so clear. The way Oscar's eyes always managed to soften when Logan was in his radar, the immediate hardening of his body, muscles taut whenever someone says something less than friendly to the American, ready to jump into a fight like an aggravated cat or even the way he always seemed to be the first person in line to lend Logan a shoulder when he's tired out of his mind, staving off sleep just to do one more calc question.

Always the one forcing him to take care of himself whenever Logan forgets to. God, they were complaining about Logan being the oblivious one but how about them? Being completely blind to the obvious lovesick simp that was still going on about how the direction of the quirk of Logan's mouth could clearly tell you about the mood he's in.

Oscar, the most discreetly obvious about his feelings. So discreet, he managed to go unnoticed by the admirers until now. So discreet, he himself doesn't realize the extent of what he's feeling for Logan isn't just platonic.

[waterfalls-bunny]

Looking at Kenny's bedroom makes me wonder if he's simply a disorganized boy and won't listen to his mom or it could be bc that while for some boys in south park their mothers make their bed (e.g. Cartman) and for others they're told to do that themselves (e.g. Kyle) so at least there's the pressure of their moms to make their bed, but since Kenny parents are not around to be actual parents then Kenny was left alone to do these chores and since he's disorganized (or low self steem-) he won't mind his bedroom being a mess. And I say disorganized and not irresponsible because if we follow this logic he'd do other chores by himself AND for Karen. I like this second version more because iirc Carol does consider Kenny to be a good son and they don't really have a beef going on, really shown when he gets his own bedroom and is free to do wtw he wants probably (this lenient attitude is more shown in early seasons when Karen didn't exist but I think it still applies till now) so why would he refuse to make his bed and cleaning his bedroom?

Another detail I'd like to point out is that if we follow the logic that Kenny does most of the chores then it could be possible that he actually is who cleans Karen's bedroom (just look, is definitely cleaner than any place in the house), only a hc bc it could perfectly be Kevin or Karen herself who does this but think about it

We really don't know a lot about Kevin, only that he has beef with Stuart and they fight often, he's not seen around the McCormick's household so it could be kinda implied he doesn't spend a lot of time in his home, avoiding it altogether crashing at his friends place. Maybe.

About Karen c'mon, first, she's a small child so is less likely she already learned how to do chores (i mean is at her age when you learn) and the idea of Kenny ignoring his own bedroom but diligently cleaning Karen's bedroom so she can have the best version of her place is more Kenny like

The bedroom is still kinda disorganized but it would be bc since Kenny is already a messy boy, even if he cleans he wouldn't ace at this but is clean enough for Karen to be at a safe space I think. It's even cleaner in the next pic

So is Kenny being a good sibling? Kenny is being a good bro

[radykalny-feminizm]

I just watched a documentary about Audria Bowman and I'm shocked and disgusted beyond any measure.

Context: This 14yo girl went missing in the 80s. Her adoptive family searched for her, but it didn’t lead to anything. Years later, her biological mother started her own investigation. It turned out that Audria was killed by her adoptive father, who already had a criminal past. A story like many others, right? It's always a man. But oh my God, there's so much more to it.

His wife defended him the whole time. Even after it came out that he had killed another woman before Audria. Even after she found out he had sexually assaulted many women. She said she still loved him, no matter what. As for Audria, for a long time, he refused to say what he had done with her. When he finally admitted he had killed her, he still wouldn't reveal where her body was. He made up a story for his wife, telling her he had given Audria a proper, beautiful funeral. Later, it turned out he had put her body in a barrel and buried her in the backyard, like a piece of trash. When his wife asked him why he lied and how he could so convincingly describe the funeral (she was crying the whole time) he replied with something like "well you wouldn't stop BITCHING about her and how you wanted to find her remains so I thought you would feel better if I said that she had a proper funeral". Yes, he used the word bitching.

Do you understand this?

This woman was grieving her lost daughter for more than 30 years, and her husband WHO KILLED HER says that she's bitching about it.

For me, this is it. This perfectly illustrates all the reasons why I keep saying that men are evil. Because they keep doing such unimaginable things and THEY'RE NOT EVEN SORRY ABOUT IT!!! THEY DON'T CARE!!! THEY DON'T GIVE A FUCK!!

Honestly, the fact that I have to live among these monsters called men genuinely makes me wanna kill myself because what the fuck. What the actual fuck.

[ghostbustting]

Ok so,firstly hiii! I love your writing style sm!

Would you ever consider doing a Cliff or Jason one shot where the reader is super self conscious about her being “plus-size” and “not being a typical rockstar girlfriend” and them comforting her and it leads to some really sweet love making 😭

Cliff is my number one man and I hardly see any fics for him fr

CLIFFCLIFFCLIFF !! (yes i'm back. yes i'm disappearing again.)

♯ ; 𝑴𝒀 𝑮𝑰𝑹𝑳 ༘⋆

Cliff Burton x Plus size!Reader

Contains Smut.

With my own fingers fiddling with the hem of my uncomfortably fitting dress, my eyes wander around the diner booth we were all sitting at. By we, I was referring to me, my boyfriend Cliff, his three bandmates, and their awfully drop dead gorgeous girlfriends.

It was a relaxing Saturday night, Cliff had brought me with him to go have dinner with his bandmates and their girlfriends at some local diner.

However, the rest of the dinner night, I felt like I do not belong here, like I could never fit in well between these rockstars and their girlfriends. No matter how reassuring and comforting having Cliff's presence close next to me, it didn't make me oblivious to how much of a contrast the difference between me and his bandmates' girlfriends is.

They were perfectly good looking to say the least. Thin figures, curves accentuated perfectly in their tight dress they probably didn't have to overthink much about, no thunder thighs filling up their seats, smiles so wide without their cheeks looking like they're swollen.

On the other hand, I stood out... not in a very pleasing way. It's more like as if I was a sore thumb. My eyes could never stand the numbers that showed up on the weight scales whenever I stood on it. The beautiful small dresses I saw down the streets would never fit the shape of my body.

Cliff made it his task to make me feel loved, and I knew he really do love me. But it doesn't change the fact that I'm not what people expected, doesn't change the fact that I'm not the ideal rockstar's girlfriend.

So here I sat next to him, head hung low, the food I had ordered barely touched, my ears not even picking up on the conversation around me, eyes focused on getting the end of my dress to cover more of my insecure legs.

Even with my mind overwhelmed with that irritating sense of insecurity, the concerned gaze on me that came from Cliff’s eyes were something that I could never ignored, something so familiar that it would always hit me right away whenever I receive it, something I could recognize easily every single time.

It didn’t took long before I feel his warm hands take ahold of my cold ones, the pads of his thumbs running over my knuckles as I hear his beautiful voice whisper softly and gently into my ear, “Are you alright..? You feel sick..?” He asked, the worry accentuated enough in his voice.

However, I try to cover it up, “I’m alright..” I whisper back while shaking my head with a soft smile— a smile so forced and fake that obviously someone that knew me so well and so detailed like Clifford Lee Burton wouldn’t be fooled by.

”You’re not,” Cliff spoke, with an attempt to drown all the insecurity in me with his soft gaze, “I know my happy girlfriend when I see her and this is not her.”

A sigh leave my lips and my eyes look up at him, meeting his own in an instant. He could see the weak and soft gaze of my eyes, the way my eyebrows are slightly furrowed as if I was thinking about something. He can read me like a damn opened book and I can't decide whether I hate or love him for it.

My thoughts drifted away when I hear the man spoke again, this time towards his friends, patting Kirk's back, who was sitting on the chair beside him. "Sorry, it's getting late. We have.. other plans." He say.

That was in fact, not true. I was not aware of any other plans we have scheduled after this dinner.

Hence, a look of genuine confusion was etched onto my face as he took ahold of my hand and pull me up from my seat, giving me no time to say goodbyes or grab one last french fries when he lead me out of the diner with no words of explanation.

We found ourselves driving back to his place in a weird yet comforting silence. One of Cliff’s hands was holding onto mine while the other was fixated on the steering wheel. I can feel his thumb running over my knuckles every now and then, a gesture of comfort I’m used to receive from him.

My eyes drift from our hands to the window, watching as cars drove pass us, watching the motorcycles, watching as teenagers party, craving the body those gorgeous girls possess. My eyes would still run over their perfect figure if it wasn't for Cliff's voice that snapped me out of my trance.

"What's with you tonight?"

He asked. Usually, words like that would be taken as somewhat a complain. But with Cliff, it was clear by his voice that he was asking me out of concern. He wasn't wrong about knowing a happy me and a not happy me, it was quite easy. I would've been smiling to my eyes when I'm happy, words spilling out of my lips endlessly, unlike the state I was in earlier.

A sigh left my lips as I slowly turn my attention back to Cliff, the lights of Los Angeles and the red traffic light combined with the beautiful moonlight illuminates his face, his eyes shining more than how they already were.

"I.."

"Honest. Please. I hate not seeing your smile."

A squeeze of his hand was delivered to mine, making my heart flutter just the slightest bit. There was no way in hell I'm able to decline his plead for honesty.

Slowly, I begin to speak again, a hint of uncertainty was able to be heard in the words that left my lips in a quiet question. "..Do you ever regret dating me?" I ask, my voice soft, eyes avoiding his own as I feel that same exact concerned gaze over my face the moment his head instantly snapped my way.

I could feel his gaze on me for a few minutes until the light turned green, taking his focus again as he continue driving before asking me, "Wha— why would I regret dating you? Don't be silly." He chuckled softly, taking my hand up to his lips to kiss my knuckles.

The gesture was sweet, bringing a soft smile on my face. However, It didn't take too long before my smile faded away yet again slowly as my previous thoughts of insecurity builds back up in my mind. It was like a parasite, unable to be avoided.

”It’s just..” I let out a sigh, “James, Kirk, Lars...— They have these drop dead gorgeous girls as their girls. They’re beautiful, they’re in good shape, they’re— they’re the perfect rockstar girlfriend.”

Only when I feel the car stop and park did I realize we have arrived in front of his house, away from the chaos of the traffic, the door that leads to the inside of the house seems so inviting as my body yearns to just lay on his bed. Meanwhile, the silence between us felt somehow loud, if that even makes sense. And again, his eyes gazes over me.

Cliff let out a small chuckle, “So that’s the problem? You think I’d regret dating you because of this?—” He reach out and pinch the chubby cheek of mine, pulling on it slightly. My eyes slowly gaze up into his own, revealing my glassy eyes to him. A sigh leave his lips as he cup one of my cheeks. “You think I care about whether you’re as skinny as a branch or as fluffy as a pillow?”

I let out a small strangled chuckle at his words, trying to turn my head away, to which he prevent by cupping both of my cheeks now. “I don’t want a rockstar girlfriend. I just want my girlfriend. I just want you. I want you for your heart, for your smile, for your love.” Cliff spoke so sincerely it was impossible to not believe him, especially with how deep his eyes was gazing into mine.

The smile he made at my speechless state melts my heart, listening as he say, “Come on.” Shortly after, I watch him exit the car and jog around the front only to open the door on my side of the car, the sweet smile making a stay on his face as he reach for my hand and help me out, his other hand shutting the door behind me the moment my shoes lands on the ground.

Each and every move of his only made me love him even more.

My body stayed close to him, almost as if we were attatched like magnets, all the way as he leads me into his house and into his bedroom, his hand holding mine so firmly yet gently at the same time, as if he was afraid I’d slip away, as if he was afraid the insecurity will consume me and fade me away from his life. I always loved the way he touched me, always able to make me feel loved, even the moment I lost hope in loving myself, he always made me love myself with his own love.

Slowly, I sit down on the soft matress of his bed, a spot we often find ourself laying in after a tiring day, just wrapping each other in the other’s arms, where our problems never exist, only our bloomin love.

I feel the mattres beside me sink due to Cliff’s weight as he join me, sitting on the bed as well with his hand in mine still, the pad of his thumb running over my knuckles again and again softly, a motion I’ve found rather comforting. I can feel his lips pressing soft kisses all over my cheek, yet my head was hung low, eyes on my lap.

Yet the moment he notices, he held my chin in his free hand, slowly tilting my head towards him. “Look at me.” He smile softly, making me look at him. “I want you to let your mind rest, okay? Let go of your thoughts..” His voice was soft, I couldn’t help but give in and follow the instruction he gave me, letting my thoughts drift away, letting my focus to be for him and him only.

”My girl..” He breathed out, slowly leaning in till our lips eventually meet in a soft and gentle kiss, his palm coming to rest against my cheek, the other that was previousky holding my hand slowly trails to hold my waist instead, gently pushing me down to lay on my back, my head landing smoothly on his pillow.

I sigh against his lips and watch as he lay himself down next to me, mumbling, "Cliff.." The way his hands touch me all over made me felt important, as if I was the center of the earth. To him, I probably was. After all, he never failed to make me feel that way.

Within seconds, I feel my shirt slowly being slipped over my head, my hands coming to cover my body. Despite how many times we've done this, being bare and showing the insecurity I own beneath the fabric always rewinds. Yet, Cliff only chuckled and moved my hands away, his lips pressing a short peck on my stomach.

"Beautiful." In an instant, the tenses in my body relaxes as I hear his voice, a comforting and loving lullaby.

I feel his lips press and trail kisses all the way from my stomach down to the them of my panties, his fingers slowly hooking into the waistband and sliding it down, his eyes gazing up to inspect the way I was bitting my lip from his action alone.

The moment that panties of mine was discarded, Cliff's lips were quick to attach onto my cunt— desperate, yet gentle.

A moan manage to escape my lips, a soft call of his name, "Cliff.." His name seems to be the only thing available in my dictionary at the moment, finding it difficult to let out anything from the back of my throat other than a moan, curses, and his name.

Cliff's warm tongue slides in and out of me, the very tip of his nose nudging my clit every now and then as he eat me out, ignoring the way I was squirming above him, my hand trailing down to run through his long hair. "Fuck.." I whined, my hips bucking up to try and grind against his face.

His tongue was lapping up and down my folds like a dog, a hungry dog. He makes me feel wanted. And I can't help but want him as well.

Not long, he pull back from my pussy with his lips glistening with my slick, his fingers replacing what was once his tongue, two of them running up and down my folds before sliding through them, earning a gasp from me. I feel his lips against my thigh, yet I was too caught up on the feeling of his fingers.

"Can you feel it?"

My eyes struggles to meet his as I utter out a, "What— Feel what..?" Through my moans.

"Just how much I love you."

Right as the words leave his lips, I finshed right around his fingers, clenching the digits as I did so with a loud and uncontrollable moan, my back arching like a cat you'd see down the streets.

I hear a small chuckle and a gentle, "Good girl. My girl." Before I see him stand up, his hands going to his belt as he unbuckles it, swiftly throwing it away and slipping his jeans and boxers both at once, not even wasting his time for even just a second.

Seconds later, before I knew it, he was back on top of me, his body towering over mine as he lean down to press a kiss on my cheek, "My tonight, my tomorrow, my tomorrow night, my every night, and my every day are yours okay? I can't live through this without your sweet soul." He spoke with so much genuineness in his voice.

My thoughts evaporates into thin air as he slowly slides his cock through my folds, pulling out soft noises of pleasure from both of us as one of his hands came to rest on the pillow beside my head while the other holds my own hand, pressing a kiss to the back of it before he starts thrusting in and out of me, very gently.

Unlike the rather passionate love making we have done before, he was being extremely gentle this time, passionate still— yet mostly gentle and full of care as his eyes never broke the contact they had with my own eyes, a window that connects our souls.

I feel the tip of his cock hitting every special spots in me without even having to do it hard and fast. He knew me. The real me that lay upon all these insecurity. He knew me all too well. Yet he didn't even have to try. It was like nature have his own way with connecting us.

"I love you too.." I blurted out, a soft moan pulled out of the back of my throat as I slowly close my eyes.

Yet I feel his lips again, this time on my closed eyelids. "Don't close your eyes. I want you to look into my eyes and look deeply. So deep to the point you can see how much love I have." He spoke. Within seconds, my eyes were opened again and stared into his eyes again.

And just as he says, there was a certain look he had on.

A look of love.

So sweet. So deep. So tender.

His hips continue to move against mine, soft grunts slipping through his lips as my walls hug his cock just right. "Fuck.. My girl.." After he mumble this, his arms slowly wrap around my torso, his bodg pressed flushed against mine while his thrusts now becomes more deep, still in the gentle pace he was in earlier.

"Cliff..." I breathed out, my own arms around his body. Each time his cock thrusts into me, a moan would be pulled out of me while a grunt would be pull out of his, both of us becoming closer each seconds we spend in this bed.

"Come with me, sweetheart?.."

"Only with you.. Only with you.."

Not long, I feel an all too familiar knot in my stomach as he continue to hit every weak spot of mine. The way his lips were attached onto my neck and sucking marks wasn't helping with the feeling either. He could be so soft, yet I'll still be the most pleased girl in the earth. His girl.

Before I knew it, my high came crashing down around his cock, letting out a loud moan as his own seeds fill me up, his voice mumbled against my neck as he stayed close to me after our finish. I breathe in and out, all the troubles I had stomped away by a single love making.

But I knew it wasn't the love making

It was him.

He was clinging onto me like a koala, his head in my neck and his arms wrapped around me still yet so tightly, hands stroking my body in an affectionate way. He loves me. It was becoming clearer and clearer each day I spend here with him. He wants me for me. I was too blind to see the way it's all too obvious from his care, from his words, from his eyes.

And I love him too.

My boy.

[medusa-fem]

I hate that males act like the repercussions for victims of rape, violence, and other forms of abuse end when the abuse ends. They don't take these issues seriously because in their heads they think "it's over, why are you still bitching and moaning! You survived!". They have no comprehension of life after abuse, they're so blissfully ignorant that just you speaking about your experience is seen as a burden to them.

I can tell you, the aftermath is the worst part of it, because no, it doesn't just end when the action does. Having PTSD, I feel like I'm being haunted by the ghost of a man that is still alive. As a child my grandfather told me he'd kill me if I didn't let him rape me, he'd kill my cats if I told anyone, and no one would ever even care because I deserved it. Now, at 23 I'm still having paranoid thoughts that my partner will kill my cat or me because we aren't having sex. I've been in a depressed dissociative state for hours today just because I saw my boyfriend holding a saw, a tool he was buying for a project. In a perfectly average relationship where I've NEVER faced any physical or sexual abuse, I'm paranoid because I was brain washed and abused over a decade and a half ago. I will carry the ghost of what happened to me for the rest of my life, and yet that man walks free because the police and cps couldn't find enough evidence (they never do with these crimes). I pray my grandfather will die soon, I check regularly hoping he has, but reality is I will still be haunted. I will never get to have a normal relationship. I lived through being suicidal at 8 years old and all the way through highschool. THIS is part of why we say rape can be worse than murder. At least with murder suffering ends, with rape and abuse we suffer the consequences of someone else's actions our whole lives.

[myfanfic-urfantrash]

Touch

Neuvillette x GN!Reader

cw: implied nsfw

Neuvillette flusters them.

It's the way he holds them close to him with a hand on their waist, gently guiding them through the crowded streets of Fontaine. How he whispers into their ear some fact or another about the architecture that surrounds them still standing though it was built centuries ago.

They feel warmth creep up their face at the sensation of his breath brush against their ear but nod along to his words half listening to the things he says. He guides them out of the crowd towards a more secluded area and though it's less crowded they still find it hard to breathe.

He speaks louder now commenting on a fountain or another but they're distracted by the way the light hits his snowy locks and his beautiful eyes. They try to focus on his words, it wouldn't do to get distracted when he's taken time out of his day to guide them around like they asked.

But it's so hard not to be as he removes his hand from their back to ask for their own that they gladly give. Their hands slot together perfectly and they are once again flustered by how carefully yet firmly he holds them. Normally they wouldn't be such a mess but with what they did just a few nights prior they can't help it.

They remember what those very hands did to them vividly. Holding them, caressing them, spreading them... they feel warmth spread through their face and try to shake the thoughts out of their head to Neuvillette's confusion. He questions them and though they immediately want to deny any thoughts of theirs and lie to him they decide to be bold. Stepping into his space they whisper into his ear squeezing his hand. He stiffens but doesn't let much show as they pull back to look into his eyes. He hums before squeezing their hand back. Perhaps the tour can continue at a later date.

[emeryhiro]

Hello!

I am new here and is feeling very overwhelmed right now with that is happening in the caryl fandom. I appreciate your insight into these characters. I am someone who has not seen Daryl Dixon season 1 and is seriously considering if I should even watch it with all that is being said about s2.

Reading all the early reviews that has dropped - I get a lot of mixed reactions to Isabelle's character. Some ppl say she was the best part about season 1 while others don't even mention here in their reviews. The caryl fandom is largely, understandably, biased against her.

I do not know anything about Isabelle and was wondering what your thoughts about her are - how she holds up as a character?

Hi Anon!!

Thank you for your question. I'm really glad you asked this question, and thank you for the kind words🥰 I'm going to do my best to properly answer and share my thoughts on all the points you've mentioned.

Firstly, welcome to the fandom!! 💖 I'm sorry you've joined at a time of so much uncertainty, but I promise that at its core, this community is a beautiful place to be. But like all communities, there is always positivity and negativity, and it's important to be careful with what's surrounding you, ensuring it's a healthy balance that works for you.

I've divided my response into several sections, as I find that to be the best way to convey my thoughts. I also wanted to be as clear as possible since this is a sensitive topic for some, and I want to try to alleviate at least some of the worries.

A mild spoiler warning for a mention of something that happens in episode 1 of season 2.

Reviews on Season 2:

I wasn't planning on reading any of the reviews for season 2, but since you asked for my thoughts, I read all the articles that I could find so that I could give you an informed response. And one thing I advise is to always take reviews with a grain of salt (this includes my thoughts as well) because, ultimately, they're all based on the writers' opinions.

What I've found with all previous seasons of TWD, especially season 1 of Daryl Dixon, was that no single review I read aligned perfectly with what I thought of the show once I watched it myself. And I know I'll say the same about season 2.

Regarding what I read in the season 2 reviews, I don't think I've actually read a single concerning line in any of the ones I've come across, and I'm pretty sure I've read every single one that has been released. There are, however, a lot of people who, out of fear or concern, focus on single lines from a review that may sound negative or worrisome when taken out of context, and ignore everything else in the review that's purely positive.

I can see many people have shared their specific thoughts on different segments of several reviews, but I won't go into my thoughts here for the sake of keeping this response reasonable short. If you're interested in a detailed post about my thoughts on the reviews in general or any in particular, let me know, and I'll share it as soon as I get a chance.

My thoughts on Isabelle:

I found Isabelle to be a fascinating character with many layers. She is unquestionably flawed and has a great mix of both positive and negative characteristics, which I think is what gives her character so much potential. She's intelligent, driven, brave, headstrong, and very protective, but she's also undeniably manipulative, which makes sense when you think of it as a self-defence mechanism that she developed during her rocky life before the apocalypse. I'm also a fan of Clémence as an actress, and I think she's a great fit for this character.

This next bit might sound a bit contrevoursial but bare with me. I've seen Isabelle get a lot of hate for being manipulative towards Daryl, even I personally hated seeing Daryl be treated that way, but it's important to remember that we've also seen Carol behave manipulatively when she's had to in the past in order to protect the people that she loves. This is something you'll see Carol do once again in episode 1 of TBOC, and when I watched it, it made me uncomfortable, but ultimetly, I could see that it made Carol uncomfortable as well; she doesn't feel any satisfaction out of what she does and is willing to carry the weight of that lie and guilt to achieve her ultimate goal of saving Daryl, the person she loves.

Even though, on the surface, it's not an admirable thing to do, we appreciate Carol so much more because of the lengths she's willing to go to for the ones she loves, and we've also seen her journey to this point, which naturally makes us love her and empathise with her.

So my point here is that I can't judge Isabelle for the same behaviour I admire in my favourite character. Just like Carol may act that way to protect Daryl (her loved one), Isabelle was doing it because she believed (to the best of her knowledge) that it was what was best for Laurent (her loved one).

However, what doesn't sit right with me about Isabelle's character is that what the showrunners and writers have been saying about her doesn't align with what I've seen on screen (this is a great example of why I try to avoid looking at unnecessary publicity). I want to love her character for who she is, flaws and all, but the inconsistency in her publicity makes me feel like there's some discrepancy behind the scenes, and that has stopped me from investing in her character and gives me slight concern for the trajectory of her arc, which has so much potential that would be incredibly tragic if wasted.

The only other thing that I would disagree with (IF the show ends up going down that path) is the negative messaging that would be given out about nuns if every surviving nun on the show is portrayed as willing to forget her vows the minute there's a man in front of them that they find interesting. I'm not catholic, but I think that it would be incredibly disrespectful towards actual nuns and the sacrifices that they make for their faith. But please don't take this as fact because I don't think this will actually ever happen. I honestly don't believe that AMC or anyone involved with the show would knowingly do something like that. I'd be happy to explain this a little further, but I don't think it's relevant if you haven't seen the first seasons.

Watching TWD: Daryl Dixon S1 & 2

My question to you would be, what draws you to TWD/TBOC? Is it Caryl itself and potential canon? And if so, do you feel that you'd be left disappointed and/or unsatisfied with the potential lack of romance between the characters in season 2? Or, do you enjoy the show for a combination of things, like the character development, world-building, cinematography, etc.?

I want to emphasise that there is no wrong answer to the above. Everyone is unique, and it's 1000% understandable and fair for each person to have unique reasons for being drawn to and loving, hating, or even being indifferent about a show.

I personally fall in the latter category; I love TWD for its rich story, action sequences, cinematography, multitude of interesting characters, and the mind-blowing ways in which they have developed over the years (the whole package of the show is exactly my cup of tea), and of course, it's no secret if anyone looks at my blog that my favourite character (BY FAR) are Carol and Daryl. I absolutely adore them for everything they are, both as individuals and what they bring out in each other and mean to each other. And if Caryl is ever canon (which I expect would happen in season 3), then that would be the cherry on top of a show I already love.

My very short review of season 1 would be that I really enjoyed it and would rank it at the top between all the other spinoff seasons we've gotten so far. However, in all honesty, I still felt and noticed the hole that was left behind in the story with the absence of Carol, but knowing that she will be returning in season 2 kind of made up for that lack in season 1. All up, I really enjoyed season 1 and have watched it several times in the last year. I'm actually currently in the middle of watching it again in preparation for season 2.

My recommendations:

If you personally fall into the former category and, as mentioned above, feel that you'd be left disappointed and/or unsatisfied with the potential lack of romance between the characters in season 2, then perhaps it's better to wait till all the episodes are released to then decide if it's something that you'd like to watch.

If you're willing to accept and are okay with the potential lack of romance between Caryl in season 2 but are concerned about and would rather not watch any potential romantic relationship develop between Daryl and Isabelle, then I'd say that you should watch the season as it releases because I honestly don't believe that something like that is a real possibility. At most, there may be hints towards one-sided feelings from Isabelle's side and maybe some confusion from Daryl's side, but untimely, it would not mean or go anywhere. I'm personally not even bothered with this worst-case scenario because it doesn't matter how many people have feelings for Daryl or how confused Daryl is because I know that once he's reunited with Carol, there won't be any more uncertainty about where his heart and loyalties truly lie. There's honestly not a single ounce of me that's concerned about this.

If you're more like me and enjoy the show as a whole, even though you may be slightly disappointed with a few accepts, then I'd highly recommend that you watch season 1 before the release of season 2 (if you have the time), because it genuinely was a good season and will give you a lot of backstory and context that would make season 2 feel so much more enjoyable and immersive.

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Thanks again for your questions!! I hope this all makes sense and that it answers your questions. As I mentioned earlier, if you'd like me to expand on my thoughts on anything in particular, please let me know, and I'd be happy to do so.

My last bit of advice is this: I know it's easier said than done, but I urge you, especially as someone who's new to the fandom, to not allow a lot of different voices and opinions to shape how you naturally feel or invalidate what you take away from watching the show (not that I think that's what you're doing but this is the general advice I wanted to give just in case🩵). It's really easy for anyone to be influenced by negativity and positivity when they find that that's all they can see from the people around them.

I personally try to focus on what I see on screen and what I hear directly from Norman and Melissa because, at the end of the day, showrunners and writers come and go, but Norman and Melissa have embodied these characters from day one and understand them more than anyone else ever could.

♡♡♡

[radfemsiren]

Can't handle how these people say that consuming/creating "dark" content (let's use that as a catch-all) or violent porn has absolutely no bearing on anything in real life, but oh no!! Absolutely perfect representation of every identity ever is VITAL!! Silence of the Lambs is STILL killing trans people!! I don't agree w all "dark" content being bad nor w it all being good, but it drives me nuts how they pick&choose. Either things on screen can't affect you at all or they're all catastrophic.

Exactly! Like if you want to make the argument that hate speech has an effect on real life and harass people engaging in “transphobic” media… then how is suddenly porn is just off limits for criticism? So because you climax, the media suddenly has no effect on you?

Violent porn that glorifies abuse reinforces harmful stereotypes and rewards your dopamine centers while doing it. It’s perfectly acceptable to analyze and critique all media, they can cry “puritan” all they want. Idgaf

[tempo-takoyaki]

It's maid day! *maid-fication beam*