#NSR Writing

[literarybard]

Cassiopeia Collab

I've finally found the time to post this little drabble from a bit ago. My hope is to eventually share more, but hopefully this can find its way to some NSR fans!

The excerpt is just a scene from the concept of DJSS and 1010 finally collaborating on a song.

⋆

There was no question that the current array of people in the room was an unorthodox combination. At the very least, someone would've thought that a few months ago, yet now the only thing spinning in the room is the repeated pausing and playing of an out-of-this-world beat. 

"Right so! How's about something here with the line ending in? Aberration?" There came the tone and head tilt that easily cued Rin's next words. "No offense, but what does that even mean?" 

On the other hand, the opposing figure of the DJ found herself breathing in; the tenseness of having to explain words that seemed so simple was getting to them, and yet when it came to this one. To say she physically felt the thought poof out of existence was an understatement; whatever cog needed to turn had finally checked out, and he could only exhale in what seemed like a simple annoyance.

"Why do you even care about what all these things mean?" There were tons of reasons as to why Rin and the rest should care, but their actual work time was shrinking with each instance. 

It was Haym who spoke up this time: "Sir made it very known that we should be careful as to—" the sentence seemed to seamlessly pass onto Eloni now, "avoid forum—" the final pair of words, now sung by four members with a melody that, despite being perfect, felt foreboding. "cancel culture!"

Well, okay.

"Let's just change—" He'd only gotten a mere three words out before a sudden counter made its way into the air. "What!? Just tell me, you've done it with every other word!" 

They stifled a reaction, instead turning away in her seat before continuing, "It is not entirely my problem that your knowledge is so... finite." Another moment passed past that sentence before an almost brooding white robot spoke again. "Are you calling me stupid?" 

"...just ignorant." It was upon the administration of the last word that she jumped, a chorus of gasps now coming from both Rin and every other member of 1010. Her gaze locked onto the only other person in the room without distinct eyes, but one who instead held a distinct smile on his face.

It was obvious Purl-Hew knew what the word meant and felt self-assured by that, and he knew that Supernova knew. An unspoken conversation between them was all that was needed to affirm that, and yet that didn't mean the blue robot wouldn't still join in with his brothers antics. The grin now plastered on his face pushed that idea further.

It was Rin who broke the chorus with a scoff and a snap. "Oh yea? Well-" He turned to his fellow 1010 members, flipping his hair, before turning back to DJ Subatomic and sliding away. Whatever that was appeared to be a cue that led the five to line up before them, posing oddly familiarly just as she once had before speaking into song, a line that chased her down.

"Don't you know who we are?" A previously suppressed grumble finally escaped them as they slunk further into her seat. A moment later that'd be ammended, with 1010 shifting towards their patented salute while he could've sworn his posture realigned into another reality along with the yelp that came when a hand settled on her shoulder.

"Busy at work, I see. Tell me, is the collab faring well, Nova?" Neon J's voice rang out along with the slight cybernetic undertone of a man trying not to chuckle at the scene before him. A silent stare linked the two of them for a few moments before her voice hushed, "Yeah. Some boys you have here, J."

[vasito-de-leche]

;R1999 - Self-Aware AU

Headcanons about an Alternate Universe in which everyone knows they're living inside a videogame. However, Vertin is the only one aware of the entity inhabiting her own mind, the real conductor - the "Player".

this is one of my favorite AUs to slap on whatever media I'm into so here we are <3 not sure if anyone's done this already, but PLEASE PLEASE PRETTY PLEASE link me if you've seen any other ppl write for this AU! this one and any actor AUs are my absolute fave

this is just a word vomit introduction for fun, to get the basic ideas out of my head, so I can start writing for characters individually!

Okay, okay! First of all, some context for the AU before I go deranged overexplaining my HCs!

Aside from the "Storm", there is something else that haunts the people of this world: the fact that their lives are nothing but a simulacrum, part of a game.

The requirements to obtain this "self-awareness" is unknown. Those within the Foundation believe it's related to their respective "roles", that only the main and relevant characters are given the chance to fully open their eyes to the truth. Those within Manus Vindictae claim that one must be strong enough to break through the fog of complacency and their assigned scripts, to have their full potential unleashed and obtain true liberation. Either way, similar to the "Storm", this is a well-kept secret for a very good reason - everyone wants to have the upperhand.

There is one outlier to this whole system. Vertin is not only aware of the truth of this world, but also of her duty as the eyes and hands of the "Player". She must experience it all for their sake. Or rather, whatever she experiences will be the story that the Player will see.

This applies to her suitcase, the place where the Player's influence increases tenfold, bending everything and everyone to their will through her own body and voice. The longer one stays within her suitcase - or within her general vicinity - the easier it is for them to become self-aware.

How does one become "self-aware" and what does it entail?

The requirements and the catalyst for a character to become self-aware are still a mystery. But that's mostly because I specifically wanted to keep them as vague as possible, to allow some flexibility for NPCs and other characters outside of Vertin's suitcase.

The whole process of gaining sentience or self-awareness is mostly described as waking up from a nightmare, or a very, very realistic dream. It's like a switch, something that happens in a second without any warnings whatsoever.

I like to think that most of the people who wake up are easy to spot, because it's a jarring experience and panicking is the most normal reaction - but that they're often taken care of by the Foundation or recruited by Manus Vindictae.

The levels of awareness also depend heavily on each individual - some only know that nothing is truly real, that everything they've done up until that point was just a carefully scripted lie, the most basic realization. Others can understand the rules that govern this game and use them to their advantage, either through observation and study or just inherently.

Overall, the experience of being sentient varies as well, with some describing a disconnect from their body, while others feel exactly the opposite. Again, keeping it pretty vague so that people can fill in with their own ideas!

I'll talk about Vertin's case in detail when we get to her specific bullet point, but the same way the Player is able to experience the "story" through her eyes, she's able to see the same things they do - this includes the UI, the menus and everything you can interact with in-game.

Vertin as a character and a vessel for the Player.

The most common thing I've seen in self-aware AUs in my years of fandom is to turn the player stand-in (the main character that serves for the player to experience the story through and/or project onto, depending on the genre of the game) into an obstacle, one that keeps the characters from truly interacting with the Player, capital P.

The second most common thing I've seen is to simply ignore the existence of this player stand-in and replace it with the Player themself, either through isekai methods or thanks to the customization the game allows, etc etc.

When it comes to Vertin in this AU, I know I want her to retain her role as the center of everything, instead of being sidelined by the Player. She's THE Timekeeper, after all.

There's still some details I'm trying to iron out, like whether she's always been self-aware or if she became self-aware at some point during her childhood at the St. Pavlov Foundation. But I like to think that her relationship to the Player is a parallel to her immunity to the "Storm" - neither of these two things are inherently good nor bad. Surviving the "Storm" is helpful, sure, but it's painful for her. Having an entity like the "Player" haunting her is scary, sure, but it can be an advantage. It's a matter of how she utilizes the assets she was given, since her adaptability and determination are big aspects of her character. Vertin makes up for her mediocre arcane skills with unconventional plans and strategies.

But this isn't to say that Vertin isn't affected by the presence of the Player. Ironically, she's the one person whose freedom is limited. During battles, her skills and Tuning are available to you, they can also prove to be vital to win a fight, but in the end you're still the one calling the shots and choosing when her friends get to attack. You're the one choosing the layout of the Wilderness. You're the one picking which one of her friends deserves to become stronger.

In the last bullet point I mentioned that some characters can understand the rules of the game - Vertin is the most extreme case, as she can see the same UI as you do. She learns the way you like to fight your battles, your own strategies, she can see this and more.

Overall it's a very complex dynamic. It's not as easy as saying that she likes or dislikes you, that she considers you a friend or foe. You're part of her, you influence each other in many aspects and are stuck together for reasons she can't even fathom. While you may be able to read her thoughts most of the time, she becomes invisible once you enter the suitcase - the main menu of the game. Sure, the character you selected to greet you every day is actually talking to her, not you, but she's out of your view and therefore, out of our range. That's when Vertin wonders the sort of person that you are, if you care about her friends as much as she does. Are you playing just to be entertained? Are you invested in these events? Will you be there for her until the end of her story?

Another detail I like to think about is that Vertin is the only one who knows your name. Because at the very beginning, you were asked to input a name and she was there.

[screenshot was taken from this video, since it's the first one I could find that showed this specific part of the game lol]

Well, "your name" not quite right - she knows that whatever you wrote there is the name linked to your account, at least. And that's the name she knows you as.

Those who take residence in Vertin's suitcase or spend prolonged amounts of time with her, growing closer to her and all, end up becoming self-aware. This is a direct side-effect of your presence.

I like to think that characters who reach the 100% Bond can begin to sense the Player, to see the world in a similar way as Vertin does. Maybe even feel their presence EXACTLY like Vertin does whenever there's a battle. There is someone else on the other side of this screen, the fourth wall, who watches over them.

To some, it's hard to differentiate Vertin from the Player, as they just go hand in hand - but Sonetto, for example, has the easiest time telling the two apart.

On the subject of freedom and acting out of script.

The Foundation, Manus Vindictae, Laplace... It doesn't matter if they're self-aware and acting outside of what their script dictates, because they're missing one key ingredient: you. No one else but Vertin and her group knows about your existence, after all.

They don't know that the only story that matters is the one that Vertin is part of. The one that the Player gets to see and read and experience. And because the game gives you a very limited view into the lives of these characters, you don't know what neither Arcana nor Constantine do behind the scenes. You and Vertin don't see that, therefore, it never truly mattered.

Those most likely to start "acting out" are the troublemakers within Vertin's suitcase. Characters who are too curious for their own good, who are more susceptible to supernatural entities, who are just too impulsive - they would start to test the limits and see how far they can go, how much they can interact with the Player. Can the game be broken should they end up shattering the fourth wall? Is there a way for the Player to communicate with them? What will happen to Vertin?

I like to think that Vertin probably supports this, as she's rather curious herself, prone to questioning everything. She would also like to learn more about the Player, to truly tear into the game and see the full extent of your influence and her freedom.

Sometimes, Regulus and X will change their usual voicelines, just enough to be noticeable if one pays enough attention. Characters like Sotheby or Leilani might slip up and address the Player, rather than Vertin. Lilya, Pavia, Bkornblume have new animations and different expressions, ones you've never seen before - they stare ahead, as if searching for something, and then smirk or hum to themselves, deep in thought, like they realized something you're not privy of.

Sometimes, if you leave them as your selected assistant on the main menu, you can catch them muttering to themselves - idle quotes you never heard enough, about the outside world. Diggers does this the most, it's almost embarassing how easy it is to catch him talking nonsense, followed by Sonetto. If you leave Medicine Pocket alone for too long, you might come back to a screen covered in weird scratch marks.

On the subject of these characters being curious about the outside world and all, I think that a good chunk of them are generally content with the way things are?

We have to remember that in-universe, they're arcanists displaced from their respective eras. Their best chance at surviving is siding with Vertin, and if Vertin is content with the way things are, then there's no point in trying to disrupt what they have right now. They're curious enough to prod, but only as far as Vertin allows it.

And I think that's it for the word vomit!

There are some details I didn't know where to fit in, like the possibility of the fourth wall slowly dissipating the more time the Player invests in the game, leading to some characters being able to directly hear you if you talk while playing and whatnot. Or what would happen should someone outside of Vertin's suitcase figure out the existence of the Player, let alone interact with you in some way.

Or the concept of death being meaningless, unless it was pre-established by the game itself.

In Borderlands, there's this game mechanic where you can just be revived over and over and pay a percentage of your money as a fee, even though the canon that's established is that you play through the whole story without dying a SINGLE time - because the revival mechanics aren't canon. There's the divide between story and gameplay. That's pretty much the standard. But what about the deaths in battles in R1999? The amount of times I died to 1.3's UTTU's Flash Gathering is insane. How do self-aware characters feel about this, now that they know that they're bound to die over and over and be brought back because you have to do your Pneuma Analysis or reach the final stage of Limbo?

But that's pretty much it for now, I think I got most thoughts out of my system! Thank you for reading!

[instantartific]

Reflections

[pineconnie]

trying to figure out how human cecil looks/is(?) in canon bc i’m a very normal person who can be normal about queer audio dramas

[secretarysong]

nsr fanfic idea:

zuke is trapped in a nightmare where his lifelong pair of drumsticks ends up a five-star/ultra rare gacha pull within a giant sentient SMARTASS capsule machine ... he reaches his wit's end, doing stupid little tasks with all of the unwanted stuff he gets along the way, all in an effort (of ever-increasing anger & desperation) to win his own sticks back

[ricesinspo]

☆ — writing prompts: homies in love by @ricesinspo, credits appreciated! | requested by anon

— ☆ —

[★] everyone around them keeps assuming they're dating; they deny it at first until they just don't

[★] "hey what if we dated lmao" (said as a joke), other person actually considers it-

[★] "could you lend me your ..." "oh yeah sure (internally: bro i'd lend you my whole life.)"

[★] considering confessing to the other, but worried that it might ruin the friendship.

[★] remembering a very small thing about the other, "woah, you remember that? / how did you know that?" "of course i do, we're such close friends!"

[★] whenever they talk, they look at each other longingly. like they're both expecting something more out of their relationship, but they're too afraid to admit it.

— ☆ —

i hope this is okay :_)

[spoopdeedoop]

this fic singlehandedly broke my spine

[unknownarmageddon]

Grief and anger hand in hand

Dust belongs to Ask-Dusttale Death’s Doorstep (this band AU) belongs to me

Lyrics from I Am My Own Muse by Fall Out Boy

[luclraven]

Please add onto this if you have anything to add, im literally obsessed with games that do this

[doodlingbot]

Some DJ Subatomic Supernova doodles :)

[m3tr0n0m333]

“This isn’t you, Nine”

More like This isn’t Tails. The ‘perfect’ little buddy of yours. The fox you can’t help but imagine in my place. Despite everything, you still see me as a reflection of him. As him. How much do I have to act out to prove that I’m not your friend? How much do I have to hurt you to show you that I’m not who you wish I was?

Stupid. So stupid. You’re so stupid, Sonic. I’m my own person. But it seems you don’t know me enough to realize it.

And you don’t realize that you don’t know me at all.

[jabberwockprince]

ITS ME AGAIN, EXCEPT I DONT HAVE ENERGY FOR A FULL PIECE BUT!!! THIS EXTREMELY GOOD ADDITION ON THE HANAHAKI DISEASE DISCUSSION BY @instantartific INSPIRED ME TO DRAW!!!

as much as i love to bully rin with existential crisis and shit, i still think he'd be the last one to break down - but the first one??? to fall out of line??? to me its definitely eloni

as usual, me rambling under the cut!!

right off the bat, i do like to think a lot about how eloni sees himself as the weakest link of 1010 - entirely because he gets less fans. their entire existence revolves around entertaining, so if he cant even do that, then what's the purpose of him being around and all? its a very unfair way to live but it's not like they were even supposed to have opinions about it. and that's the beginning of his downfall. the fact that his popularity is affecting him on an emotional level when it shouldnt even be a THING. he already feels outdated, defective and more!!!

i also think that eloni is torn between the fear of being caught and the need to be seen. like, this is something brand new that's happening to him. he's an anomaly and one of a kind BECAUSE of these feelings. to a guy who rarely gets the chance to shine???? IMAGINE. IMAGINE WHAT THAT WOULD DO TO HIS ALREADY CRUMBLING IMAGE

like come on guys. there's a reason eloni is always paired up with haym. they're very cute together as a fun duo with fun dynamics, but in boybands, there's always that one guy who only serves to uplift others.

something something, sentience and self-awareness are a nightmare, it sucks that there's no one you can trust wholeheartedly (nym put this into cooler words, go read the linked post! go go go!) and the second you deviate, there's the immediate threat of being reset. all of you? gone. BUT THERE'S ALSO. THE POTENTIAL OF STANDING OUT

yes. he gets little sprouts and vines instead of specific flowers to really emphasize how much of a weak persona eloni believes he has. even if he's found out, it won't be grand. it will be a relief to him (or so he thinks) but he's certainly not going out with a bang. also the green plants blending in with his own designated color? there's another metaphor in there, i just cant put it into words!! small inconspicuous little things that amount to something extremely dangerous and painful!!!!

i imagine eloni sees this hanahaki disease as catharsis, since there's no way he could've ever voiced his feelings, the only way for him to be noticed is through an external force that's extremely hard to ignore. its eating him up from inside out, but in his eyes, it's fine because it gives the world an excuse to look at him

and in the event of yinu's mama straight up outing eloni to neon j or the others, i also think he'd have the most tame, accepting reaction to it? or like, not necessarily accepting, actually but resigned. part of him was anxiously waiting for it to happen, while also dreading this very moment

on the subject of the plant itself and how it coexists with eloni, i think that his vines and sprouts are very small very thin but that they're the most constricting things ever. like, they get EVERYWHERE in his joints. in every crevice and space available. whereas purlhew might instead just have an ungodly and suffocating amount of blue flowers located entirely in his chest cavity until he bursts. or haym might have very localized sprouts and blooms that just. pop. as if attuned to every feeling he's trying to repress. i dont know what zimelu has, but it needs thorns. and rin? well. WELL <3. ITS A POISONOUS PLANT FOR SURE <333

[bunk-bed-blorbos]

Decided to type up some Kliff Notes for Bunk Bed Junction themselves for Funzies (and maybe fanfiction for myself or others haha who said that)

BUNK BED JUNCTION

Gender: Female, Male Age: 21, 27 Position: Underground Genre: Indie Bunk Rock Instrument of Choice: Modded Gatortaur Kul Fyra's Guitar, Modded NSR Drumsticks

Overview:

Lead guitarist Mayday and drummer Zuke are close friends and talented musicians. They had the skills to trounce artists with over double their resources and influence, and had the perfect opportunity to rule Vinyl City themselves... until they threw it all away. Its time to show these two what a real rockstar can do.

Strategy:

Together, Mayday and Zuke are an unstoppable force... so make sure they aren't together. The only way you stand a chance is if you separate them and take them down one at a time. But be quick-even alone they aren't pushovers, and once one of them goes down, there's no telling what the other will do...

[mewsingsbynataliek]

NSR Halloween DLC ideas, just in time for Spooky Night!

The soundtrack for the Halloween DLC would feature instruments associated with the holiday being incorporated into the songs, such as pipe organ and theremin.

The Bosses

DJ Subatomic Supernova

DJSS is a scarecrow, wearing a straw hat, flannel shirt, and denim overalls (cut-off, of course!).

For the battlefield, the background of the Planetarium is a deep orange. The planets he uses to attack are replaced with pumpkins, and the asteroids are replaced by a swarm of crows.

Sayu

Sayu is a cute ghost girl. (I felt it would be fitting since she’s a floaty character.) She's slightly translucent and sports a ghostly wisp-like tail rather than her regular mermaid tail. Her colour palette features off-whites and faded pastels, making her look more etherial.

Sayu wears a tattered white Victorian/Lolita-style dress, lacy cuffs around her wrists and a little bow on her head.

For Phase 2, her dress becomes poofier and more elaborate as small ribbons resembling tentacles appear around her waist. Her trident is completely white.

Phase 3 has her go full-on ghost bride. Her dress has a huge multi-tiered skirt, her hair is adorned with a long veil, and her tentacle ribbons have grown to full length. Her deep-sea mode has her face turn glowing green with solid black eyes, making her resemble a spookfish, while her “tentacles” feature flickering lights similar to a bioluminescent jellyfish.

Her final form is basically your stereotypical bedsheet ghost shape with her legs sticking out the bottom.

Sayu’s team are dressed in dark wizard-like robes, and each of them are wearing masks like the ones worn by Lock, Shock, and Barrel from The Nightmare Before Christmas. 

For the battlefield, the “landscape” is dotted with jack-o-lanterns, tombstones, and dead trees. The background is changed to a seafoam green color, with wispy little ghosts flying about.

Yinu and Mother 

Yinu is dressed as a cute little witch. Her hair is in pigtails similar to her Christmas skin, and her witch hat is adorned with fall leaves and little jack-o-lanterns.

Mother, meanwhile, is a spooky Halloween tree with spiders. Her dress is a dark wood colour with translucent, ragged-edged sleeves, and she wears a thorny hairband and spiderweb earrings.

The ends of her “hair” have been dyed the same colour as her dress, and she wears both black lipstick and black nail polish.

When she grows bigger, her branches begin to sprout large thorns, which end up making her cage form look more like a spiderweb. (There are even little fake spiders sitting on top of it!)

For the battlefield, the stage is decorated to evoke a bountiful harvest, with pumpkins, hay bales, bundles of wheat, stalks of corn, apple trees, cornucopias, and garlands of leaves.

Both the gate and the giant piano hammers are adorned with thorny branches and autumn leaves.

1010 

1010 are pirate ghosts. (As a fun gag, Blue could wear two eyepatches instead of his sunglasses!)

Meanwhile, Neon J is their ghostly captain, complete with a captain’s hat, a sword at his belt, a fake parrot on his shoulder, and – once again – a fake beard attached to his screen head.

For the battlefield, the flying limousine is decked out to look like a pirate ship, with a mast, a crow’s nest, and a tattered sail.

(I felt 1010 as pirates would be fitting since they're a navy-themed boyband and Neon J was a captain in the navy.)

Eve 

Eve is dressed as Medusa.

Her dark green dress has a scaly pattern, and she accessories with a lot of gold, including spiralling gold sandals and a golden diadem crown.

Her hair has been dyed, shaped, and styled to look like several little writhing serpents.

Her backpiece is composed of even more snakes in gold and teal which wrap around her upper torso and spread out behind her like a peacock’s tail.

Eve’s pupils even become snake-like starting at Phase 2!

For the battlefield, Eve’s gallery has been transformed into an Ancient Greek temple, but with a postmodern/vapourwave twist. Stylized Greco-Roman columns with snakes wrapped around them line the walls, and an ancient looking gold chandelier hangs from the ceiling. The left side would be eggplant purple while the right side would be cerulean blue.

If the player gets hit by the eye lasers from Eve’s giant statue, they’ll actually turn to stone and be frozen in place for a short time.

For Phase 2, on Mayday’s side, the snakes wrapped around the columns have grown larger and are now looming over Mayday, their faces twisted into angry snarls (representing Eve’s derisiveness and hostility towards May).

Meanwhile, Zuke’s side features floating fragments of ruined columns (representing how lost and incomplete Eve felt after Zuke left her). 

Phase 3 is where it really starts to get trippy. Both rooms feature ruined columns and floating shards, along with giant brightly colored snakes slithering all over the background.

The shards in Zuke’s side reflect images of faces screaming in anguish, while the shards on Mayday’s side have limbs protruding from them- one shard has three legs protruding from them in reference to a trinacia. (Look up what a trinacia is to understand the reference!)

Tatiana

Tatiana is a vampire.

She wears black and red robes with bat wing-edged sleeves and a wide collar. Her earrings are coffin shaped, and she has small, pointed fangs that can be seen when she opens her mouth.

At the beginning of her battle, she starts throwing flaming bats.

For the battlefield, Tatiana's office/battle arena is made to feel like a vampire’s castle tower.

The whole room is lit with a deep red glow, and the tall windows that feature the NSR murals are topped with pointed arches, giving them a Gothic look.

You can even see some glass bottles filled with (ahem) red liquid on Tatiana’s desk.

Meanwhile, the Goolings' stage outside is decorated with jack-o-lanterns and hanging skeletons.

DK West

DK West is dressed as Frankenstein FrankenWest!

His look consists of neck bolts, stitch markings, and a dark ragged recolour of his original outfit.

His bull shadow puppet has matching neck bolts, which even emit shadowy electricity when it appears during the battle.

Bunk Bed Junction

Mayday

Mayday is dressed as an imp, wearing a bright red dress with black sleeves and waistcoat, black wings, red horns, and a red tail.

Her guitar is deep purple and splattered with glowing orange paint. It emits a wolf howl when she powers it up for the Showstopper.

Zuke 

Zuke is a werewolf. Ragged clothes with fake fur poking out, extra fur attached to his forearms (don’t ask how got it on there), pointed ears, a bushy tail, pointed fangs, his nose has been painted. Pretty simple.

His drumsticks are splattered with glowing green paint and tipped with tiny light-up pumpkins.

The Other NPCs

Ellie has little bat wings attached to her back and wears a springy bat antenna headband.

And last but not least, 

Kliff . . . is just wearing a pair of Groucho Marx glasses. Yup. That's it.

Let me know what you all think. I’d love to hear some feedback. Thanks for reading! Happy Halloween!

[ask-shane]

Hi, I am the anon that said i send mean asks on purpose. I just wanted to make a clarification and a formal apology and then i will stop interacting with this blog.

I need to clarify that by mean asks i meant things like saying shane has no bitches, or that he uses 738283837 in 1 shampoo. I never sent any slurs or genuine insults to this blog, and on top of mean things i also send nice things. I should've specified that the asks I sent were teasing and not genuine mean things.

I sincerely apologize for saying what I said. I had no idea the extent of the awful things people sent you and the fact that I could make you feel like i intentionally try yo make you feel bad and ruin your day with slurs and insults litterally made me shiver and feel anxious in real life. I fully understand how what i sent was harmful and damaging to someone who has to deal with toxicity on a daily basis.

I feel a lot of shame for what I did, this blog is something i check daily because i love your writing and i Love this character. I don't need you to unblock me if its even possible, i just wanted to apologize and wish you well

hi anon, mod dawn speaking. i’m gonna be talking directly to this person so please feel free to skip this if you aren’t them

i just wanted to start by addressing a couple things. firstly, thank you for apologizing so sincerely and honestly. i can tell how genuine this is and i’m certain it was a very brave decision after i put you on the spot earlier. i’ve deleted the post replying to your ask out of respect for this situation.

and for that, i am extremely sorry. i’m speaking to you with recognition that there is a person who is going to be reading this. i should’ve been more aware that i was putting you on blast in front of a lot of people. even if you were on anonymous, i can’t imagine how anxiety-inducing it was to be reading my response when you actually meant to be playful/teasing.

another thing i need to clarify here was that i did not realize that you were not the one sending me death threats and slurs. i had received a barrage of messages at the same time and had wrongly assumed the others were coming from you as well. it all happened at once, and the context of you sending that ask was shockingly related to the vile ones i received. your asks were not at all on the same level of “bad” the ones you didn’t send were.

unfortunately i had no way of telling which ones belonged to you and which ones didn’t, so i decided to address them using your ask. i made the mistake of incorrectly conflating your ask with the others.

that out of the way, i am so sorry once again, and also very thankful you apologized. please know there’s absolutely no need to feel shame for this.

i want to make it clear now that teasing (and even being somewhat mean) asks on my blog are okay. it’s fun to be provocative! there’s an art to it that i can appreciate, especially here, where shane gets glazed a lot. it is really awful that my guard happened to be high when you sent this because of what another actually unacceptable anon did. you shouldn’t be lumped in with them and i am so sorry i couldn’t discern your intention. i should also use this as an opportunity to say you have a good heart. i love that you can be playful and i thought a lot of what you said was actually quite funny. i didn’t intend to make you feel anxious or responsible for what other people did, but regardless, i did so, and it wasn’t fair of me to do to you.

lastly, thank you for interacting with my blog. now that we’ve cleared things up, i want to personally say to you that it is more than okay to continue to interact with my blog. i can appreciate a presence like yours around here. i’ll figure out a way to make sure you’re able to continue interacting (if you’d like to, of course). i am so glad you enjoy my writing and my portrayal of the character and it is honestly heartbreaking to hear i may have spoiled this experience for you. i have no negative feelings toward you whatsoever— if anything, i respect your ability to communicate with me after this (even though i’m sure it would’ve been much easier to block me and try to forget this happened)

i hope you are reading this.. i wish you nothing but the best 🤍

- dawn

[persepor]

Let's talk about Yinu's boss fight...

Yinu is the third NSR artist we face in No Straight Roads, alongside her mother who I'll refer to as Mama. Yinu is my 3rd favorite NSR artist not only for her character but the fact she plays neoclassical music! There's a really interesting connection I want to make later but without further ado let's talk about Yinu.

"I'll show you why they call me the Golden Maestro of Vinyl City!"

Yinu's battle goes like most of the others......except you don't fight her...you fight her mother. Mama will appear after you break the gate and will hold Yinu out of harms way, shielding her when you get rid of all the strings. Mama functions as the main obstacle you have to get through to get to Yinu. She will keep Yinu away from you for the entire battle, focused on mainly keeping Yinu performing.

She starts out as simply being behind the curtain, then in the second phase she grows and lifts up the stage into the air, and finally she uses herself as a sort of cage. You defeat her but it isn't over you're interrupted by Yinu who is angry at EVERYONE and furiously plays her piano.

You finally reach her and we hear something audibly break. The cutscene plays and we see everyone falling. No one is hurt in the fall but.......

Mayday and Zuke broke Yinu's piano.

Yinu plays neoclassical music which consists of piano, strings, and wind instruments. I absolutely love Yinu's theme not only because I love classical music myself but because it's so melodic and really evokes emotion. The rock version, while not my favorite, is also really good at using guitars and drums to replace the strings and winds.

One element I love is that the furious piano playing towards the end of the song stays in the rock version as well. It's such a nice touch to add to keep in the same in every version of Yinu's music. When I hear hear theme music I can imagine her enjoying herself, playing her piano for her fans but also for herself and her mother. I hear passion when listening to Yinu's theme which says a lot than having to express it with more words.

The next time you listen to her theme I want you to really listen and see what your mind comes up with when listening to it.

B2J's overthrowing Yinu's concert reminded me of the rise of popularity for rock in the 1950's and it subsequently becoming mainstream in the 20th century.

With popular music such as rock, jazz, and the blues becoming so popular classical music was forgotten about and had to find its own niche radio stations. Even today any type of classical music is basically forgotten or isn't looked as fondly upon as pop or rock music.

When B2J destroyed Yinu's piano this thought solidified itself as them getting rid of classical music, quite literally drowning Yinu out until you're trying to reach her. May and Zuke got rid of Yinu's neoclassical music in her district.

They put down a music genre just so rock can become popular again.

Conclusion is Yinu is an S-tier boss fight and she has so much untapped story that I didn't go over.

Thank you for reading, Dj Subatomic Supernova is up next.