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[shaadiwish]

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[lucalicatteart]

A few little sketches of some possible school uniforms for mage schools/learning centers for magic/etc. :0c Though because Nanyevimi is so scattered and disconnected, it'd actually vary much more by region (like not everywhere would have a cultural concept of what a suit jacket or neck tie looks like lol), so it's probably unrealistic for so many of them to follow too many traditional Uniform Conventions from cultures in our world, etc. But, still, fun to mess around with designs, and think about which would be most fun to wear/what school you'd go to just based off the clothing lol~

[opens-up-4-nobody]

...

[creepyscritches]

I spend so much time reading medical journals that reading social/anthropological journals feels like playing a gameboy

[noxtivagus]

earlier evening i was looking through others' spotify accounts n seeing (and hearing) the music taste of these friends is rlly interesting

[kotori-mochi]

Can't afford art school?

After seeing post like this 👇

And this gem 👇

As well as countless of others from the AI generator community. Just talking about how "inaccessible art" is, I decided why not show how wrong these guys are while also helping anyone who actually wants to learn.

Here is the first one ART TEACHERS! There are plenty online and in places like youtube.

📺Here is my list:

Proko (Free, mostly teaches anatomy and how to draw people. But does have art talks and teaches the basics.)

Marc Brunet (Free but he does have other classes for a cheap price. Use to work for Blizzard and teaches you everything)

Aaron Rutten (free, tips about art, talks about art programs and the best products for digital art)

BoroCG (free, teaches a verity of art mediums from 3D modeling to digital painting. As well as some tips that can be used across styles)

Jesse J. Jones (free, talks about animating)

Jesus Conde (free, teaches digital painting and has classes in Spanish)

Mohammed Agbadi (free, he gives some advice in some videos and talks about art)

Ross Draws (free, he does have other classes for a good price. Mostly teaching character designs and simple backgrounds.)

SamDoesArts (free, gives good advice and critiques)

Drawfee Show (free, they do give some good advice and great inspiration)

The Art of Aaron Blaise ( useful tips for digital art and animation. Was an animator for Disney. Mostly nature art)

Bobby Chiu ( useful tips and interviews with artist who are in the industry or making a living as artist)

Sinix Design (has some tips on drawing people)

Winged canvas (art school for free on a verity of mediums)

Bob Ross (just a good time, learn how to paint, as well as how too relax when doing art. "there are no mistakes only happy accidents", this channel also provides tips from another artist)

Scott Christian Sava (Inspiration and provides tips and advice)

Pikat (art advice and critiques)

Drawbox (a suggested cheap online art school, made of a community of artist)

Skillshare (A cheap learning site that has art classes ranging from traditional to digital. As well as Animation and tutorials on art programs. All under one price, in the USA it's around $34 a month)

Human anatomy for artist (not a video or teacher but the site is full of awesome refs to practice and get better at anatomy)

Second part BOOKS, I have collected some books that have helped me and might help others.

📚Here is my list:

The "how to draw manga" series produced by Graphic-sha. These are for manga artist but they give great advice and information.

"Creating characters with personality" by Tom Bancroft. A great book that can help not just people who draw cartoons but also realistic ones. As it helps you with facial ques and how to make a character interesting.

"Albinus on anatomy" by Robert Beverly Hale and Terence Coyle. Great book to help someone learn basic anatomy.

"Artistic Anatomy" by Dr. Paul Richer and Robert Beverly Hale. A good book if you want to go further in-depth with anatomy.

"Directing the story" by Francis Glebas. A good book if you want to Story board or make comics.

"Animal Anatomy for Artists" by Eliot Goldfinger. A good book for if you want to draw animals or creatures.

"Constructive Anatomy: with almost 500 illustrations" by George B. Bridgman. A great book to help you block out shadows in your figures and see them in a more 3 diamantine way.

"Dynamic Anatomy: Revised and expand" by Burne Hogarth. A book that shows how to block out shapes and easily understand what you are looking out. When it comes to human subjects.

"An Atlas of animal anatomy for artist" by W. Ellenberger and H. Dittrich and H. Baum. This is another good one for people who want to draw animals or creatures.

Etherington Brothers, they make books and have a free blog with art tips.

📝As for Supplies, I recommend starting out cheap, buying Pencils and art paper at dollar tree or 5 below. If you want to go fancy Michaels is always a good place for traditional supplies. They also get in some good sales and discounts. For digital art, I recommend not starting with a screen art drawing tablet as they are usually more expensive.

For the Best art Tablet I recommend either Xp-pen, Bamboo or Huion. Some can range from about 40$ to the thousands.

💻As for art programs here is a list of Free to pay.

Clip Studio paint ( you can choose to pay once or sub and get updates. Galaxy, Windows, macOS, iPad, iPhone, Android, or Chromebook device. )

Procreate ( pay once for $9.99 usd, IPAD & IPHONE ONLY)

Blender (for 3D modules/sculpting, animation and more. Free)

PaintTool SAI (pay but has a 31 day free trail)

Krita (Free)

mypaint (free)

FireAlpaca (free)

Aseprite ($19.99 usd but has a free trail, for pixel art Windows & macOS)

Drawpile (free and for if you want to draw with others)

IbisPaint (free, phone app ONLY)

Medibang (free, IPAD, Android and PC)

NOTE: Some of these can work on almost any computer like Clip and Sai but others will require a bit stronger computer like Blender. Please check their sites for if your computer is compatible.

So do with this information as you will but as you can tell there are ways to learn how to become an artist, without breaking the bank. The only thing that might be stopping YOU from using any of these things, is YOU.

I have made time to learn to draw and many artist have too. Either in-between working two jobs or taking care of your family and a job or regular school and chores. YOU just have to take the time or use some time management, it really doesn't take long to practice for like an hour or less. YOU also don't have to do it every day, just once or three times a week is fine.

Hope this was helpful and have a great day.

"also apologies for any spelling or grammar errors, I have Dyslexia and it makes my brain go XP when it comes to speech or writing"

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[foldingfittedsheets]

Since everyone seems to love my sex shop stories, here’s another one.

Phone calls were literally a game for us. Not all phone calls, but there was a specific brand of call where guys would creep on us. 90% of the workforce at the sex shops was women. So we’d get dudes calling jacking off or trying to get their jollies from us.

The game: make them hang up. We could have hung up. On a few occasions I did, but for the most part we made a sport out of getting creeps to go flaccid. It really depended on a caller.

You couldn’t just go in for belittling them straight off- some guys wanted that. You had to tailor your strategy to the perv. Overall it was pretty fun and it turned an aspect of the job that could’ve become a major bummer into a fun sport. We’d get excited when the phones rang.

So one day the phone rings. I pick up and it was very clearly a young teen who was putting on a deep voice. I was utterly delighted, I’d never had a crank call before. He said, “I have a dildo emergency! Can you deliver 5 boxes of dildos to my home?!”

It took everything in me not to crack in that moment. It was so funny. It was like three kids had walked through the door in a trench coat and the phrase “dildo emergency” was one of the funniest things I’d ever heard.

But I kept it together. In smooth customer service tones I replied, “Oh, I’m sorry to hear you’re having an emergency, but due to the nature of our product we do require people to come pick it up themselves.”

The caller audibly deflated. Some of the deep voice he was putting on bled away when he said plaintively, “But it’s an emergency…”

“I’m sorry, sir, rules are rules.”

He hung up. I burst out laughing and told my coworker what had happened. She said, “I will buy you lunch if you call back and pretend you can deliver something.”

This sounded like an all around win for me, and the kid hadn’t used anything to block his number. So I called back.

“Hello!” This was before caller ID was common for home phones and so he picked up in his totally normal voice, several octaves higher than before.

“Hello, I’m calling regarding your dildo emergency?”

“Oh! Hem hem,” he coughed, getting his voice back into character for me. “Yes! The emergency!”

“Well I’ve spoken to my manager and it’s your lucky day. We’ll be able to make a delivery after all. Five boxes you said? We can swing it by later, we’ll just need your name, address, and credit card number.”

He was thrown by needing to provide info and was silent for a moment then said, “Well how much is it for five boxes?”

“About five hundred dollars, sir.”

He slipped out of his character voice to exclaim, “Five hundred dollars?! What kind of dildos are they?!”

“Just standard six inches with balls, sir.”

This was his breaking point. He started wheezing with laughter trying to repeat the phrase “six inches with balls” incoherently.

“So your address and card info?”

He hung up and I broke down laughing too. We both got a kick out of it, and I won the game twice in one day.

[taupewolfy]

ooh screen nsw finally set up a game development fund (state that flags behind the rest and something that is desperately needed here) aaaaaaand oops there's a requirement that you must've had 'key creative credit' (?) on one publically released game aaaaaaaaaand there removes a large portion of the applicants because sometimes (most times...??) people aren't credited in games they work on (let alone 'key creative credit' what ever the bloody hell that means, lead roles?? lead roles maybe [laughs])

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[arolesbianism]

If you see me talking abt build plans that won't actually work keep your mouth shut I'm trying to fuck around and find out by myself over here

[nerdpoe]

Danny needs a few...odd things. A few dietary and emotional requirements unique to his physiology. Meat is one of them.

But like, raw meat. He doesn't have to eat it often, maybe twice a month, but it does need to be completely raw.

He also needs to eat non-sentient blob ghosts, which are very different from sentient ones. Same amount, maybe twice a month.

He's weak to hot temperatures, where most humans require some sort of positive contact he needs to fight, if he gets too much sunlight his dopamine levels drop, and oddly enough as he got older milk or products with a lot of milk started to affect him like alcohol affects humans.

Now that he's made it to college, hiding most of these things is easy enough.

He chose Gotham, because of minimal sunny days and naturally cold weather. He regularly goes for walks at night, to fill his need for fighting. He says he has a milk allergy, and avoids milk products.

The blobs and the raw meat are a little uh. Those are a little hard.

He's taken to ducking into a bathroom stall to just swallow the blobs whole. But the meat...

He decides to sear the outside and leave the inside entirely raw. Does this detract from the nutrients by cooking them off? Yes. Does it mean he needs to eat raw meat four times a month instead of twice? Yes. Does it mostly hide that he's doing this in front of humans? Kind of.

Until he got a vegan roommate.

Said roommate is far too sharp-eyed for his own good, and now the guy is being weird.

Or: Damian's roommate is a meta who clearly has dietary restrictions outside the norm. It's fine; Damian understands that like animals in the wild, people have different diets. But the cuts of meat Fenton is eating are...subpar. Damian isn't sure how to be...civil, or appear polite, or not be a "snob" if he suggests Fenton allow him to procure farm fresh cuts of steak from cows raised in an open pasture and were well taken care of.

[prefrontal-bastard]

I’m not sure if this is permitted in other countries, but here in the US, advertisers are allowed to use any kind of malignant psychology they want in their ads so long as those ads fit within the allotted time-frame.

Back in high school, my class watched a video on how a certain Coca-Cola advertisement was made. You may have seen it, but for those who haven’t: The ad featured a cinematic montage of a crowded beach with smiling thin white people enjoying their leisure time and drinking Coca-Cola out of a common plastic bottle.

The big takeaway from this video was that the ad wasn’t actually advertising Coca-Cola. It was advertising a lifestyle. By associating Coca-Cola with a desirable lifestyle (as well as qualities associated with desirability) it plants the association of “Coca-Cola” with “happiness” in people’s subconscious minds.

This becomes clear when you consider who the ad was meant for. The target audience wasn’t the smiling thin white people that the ad featured, but instead it was people who wanted to be smiling thin white people. This was an ad for the Gen X mom of three kids who worked full-time, who relied on shelf-stable foods to keep everyone fed, and whose nervous system was chronically fried from the stress of never having adequate time for herself.

If she was at the grocery store, and saw the very same bottle of Coca-Cola featured in that ad, she’d be far more likely to pick it up than she was before watching it. If she didn’t anticipate finding relief for her stress, then she could at least drink up the idea of it.

Of course, the thing about ads is that they stop working. Eventually, people’s minds grow wise to the fact buying a certain product doesn’t actually grant them the lifestyle associated with them.

But there’s a lot of other tricks ads employ beyond this.

The reason why Geico is the first company you consider when thinking about buying car insurance is because of the calm, consistent nature of their ads and the fact they’re ubiquitous enough to be familiar. Their mascot forms a kind of parasocial rapport with the audience, so Geico already feels familiar to you by the time you’re looking to buy insurance.

Cereal brands use cartoon-character-like mascots to make their product memorable to kids who can’t read. The reason why so many cereal mascots exhibit such frenetic, possessive behavior is to teach kids to emulate that behavior to compel parents into buying them the cereal, especially if they saw that behavior rewarded in the ad (with the cereal).

You only really see ads for apps on an app-based devices for a reason.

Then there are the ads that don’t look like ads, but look like people on TikTok sharing a new secret product with their audience using the only communication format we regularly trust: word-of-mouth.

And let’s not forget the sheer magnitude of ads that exist. I can’t go outside without seeing them. I can’t watch videos online without exposing myself to ads that wants to skewer my emotions within 10 seconds.

There’s no reprieve from it unless I wall myself off from our culture entirely.

Ads are parasites to both culture and to cognition, and they must be regulated.

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[esperderek]

I have to have a chuckle at the Screenrant article posted recently about the Galactic Starcruiser, which totally wasn't about Jenny Nicholson's video honest.

In part, because early in Nicholson's video, she talks about how unnatural it is to have your influencers speak in adcopy and copyright rather than the more colloquial nicknames, and how it makes the people speaking about the product seem very insincere and, well, paid off. Because normal humans don't speak that way, but advertising does.

What's the first two lines in this article?

"As a life-long fan of Star Wars, there was nothing quite as exciting as finding out that I would be working on the immersive Star Wars: Galactic Starcruiser experience. Located at the Walt Disney World Resort, the Galactic Starcruiser opened on March 1, 2022, and welcomed passengers to board a two-day, two-night cruise through the stars, during which they could live out their own Star Wars adventure."

No one talks like this naturally. No one writes like this naturally.

This is supposed to be your passioned defense of the place you worked at, the people you worked with, and the memories you made along the way. C'mon! Why don't you open with a story, perhaps an anecdote about the best moment you had working there, or the devastation of the day you lost your dream job. We need to feel your humanity! But there's nothing of that here, to the point where you can just hear the TM behind Galactic Starcruiser.

The first half of this article continues in this vein, reading like a press release Disney marketing put out, just with past tense rather than present or future tense:

"Essentially, the Starcruiser experience was a 48-hour movie that passengers were actually a part of. It was all facilitated through the "datapad," which was accessed through the Play Disney Parks app."

"To facilitate the overarching immersive experience and storytelling, the Starcruiser built a jam-packed itinerary for each and every guest that would consist of a variety of important activities: the captain's toast at muster, a bridge training exercise, lightsaber training, and more. These types of events were essential to understanding what was happening, as they would give passengers the chance to interact with characters and build their story. This is why the Starcruiser could never be just a hotel; every part of it was designed for enthusiastic interaction."

Like, c'mon. I used to work in television. I've seen and used adcopy in my former job, and this is some serious adcopy. It honestly wouldn't shock me if the author dredged up some old adcopy they had lying around about the topic and just transferred it over, changing the tense. You're not here to sell us this product, because there is no product to sell. It's gone, it's been gone for a year, you don't have to sell us on IT. Speak about your experiences.

The next part is yet another topic that Jenny Nicholson pointed out, the bad faith excuses that influencers and advertisers made for the extreme price point:

"What many people don't know, however, is that the price included much more than just a room. The passengers' food, park tickets, recreation activities on board, non-alcoholic drinks, and more were all included - with merchandise being one of the few additional costs on board."

Which is absolute bad faith reasoning, especially when there are plenty of other vacation options that are ALSO all-inclusive, but are MUCH cheaper and offer MORE amenities than the Galactic Starcruiser did! Including Disney Cruises, owned by the same company! Seriously, you can go on a halfway decent sounding cruise or all-inclusive resort somewhere warm for, like, a week or two and spend far less than GSC cost.

Then the last part is essentially: "All the workers liked working there and the bad reviews afterwards make the workers who worked on it feel sad. :("

Which, like, companies have been hiding behind that reasoning for ages. Curiously, the author never offers....any reasons or stories. WHY did working on it impact you so much? What set it apart, what were the people like, what did you like about working there, why are you so passionate about it even a year later? There's nothing, just a generic sort of "We worked hard." and "We're sad it's gone." Why? How? What happened? The video you're obviously writing this in response to is filled with personal anecdotes and stories, it's the backbone of the video! Again, you need to give us something to show your humanity!

Especially when you consider that Nicholson repeatedly points out that the only highlight about her experience, the only thing that kept the damn thing going was the workers.

She had nothing but praise for them, and nothing but contempt for the higher ups who wasted and abused that enthusiasm, to the point where one of her last points was "Hey, Disney is basically exploiting labor."

Much like Jenny, I'm also not condemning anyone who had a good time working there. Good! If you were having a good time at work, that's great. If you have good memories about the people, awesome. But I'll note two things:

a) That doesn't meant you weren't being exploited, and

b) That doesn't mean you have to be a useful idiot for the corporation you worked for afterwards.

I'm not conspiracy brained enough to go "Oh, Disney TOTALLY forced this article into being.", because a cursory examination of the author's prior works and such suggests a lifelong passion for Star Wars, she did work at the hotel, and she's a Star Wars Editor (whatever THAT means in this day and age) for Screen Rant. Apparently one of the heads of Screen Rant says that Disney had no hand in it either.

Though, I can see why people would think that way. It READS like a press release, not something a normal human being would write about an experience they feel passionate about.

[muu-kun]

Although a chronic insomniac, Muu also has maintained an unrelenting fear of the dark over the years. Hence why not only is his room filled with quite the abundant array of nightlights of varying sizes and styles, he also prefers to aim for slumber at as early as 9pm in the evening as a means of existing under the stars as limited in quantity as possible.

Additionally aimed to provide him comfort, he routinely shares his bed with both his dog, and his most beloved stuffed animals. Including that of a very well loved hedgehog plush in particular named Aime Jr, a posable yellow bear from Ikea, and many, many others. It is actually more surprising how he fits onto his own bed more than anything else. If at all inquired as to why so many in the first place, his answer is quite consistently an admittance that he is aiming to not be seen by an intruder, or monster, no matter how rare it would be for one to enter his home just in general.