#Performance Support

[hexcrystals]

who the fuck gives a single shit if someone on this website thinks voting for kamala is ‘selfish’ or that it’s wrong to vote ‘just because you will benefit’. fellas is it selfish to want to continue to have access to vital healthcare. is it selfish to want a president that isn’t a fascist and a felon and misogynist and a sex criminal. is it selfish to prioritise your own employment rights when your job is the only way you can keep your health insurance and keep a roof over your head and put food on the table. is it selfish to think that out of the two candidates available it’s preferable to pick the one that might achieve a ceasefire instead of the one that will definitely escalate the genocide

[duckprintspress]

I haven't seen this on Tumblr yet. Cory Booker has held the floor of the Senate for a 16 hour and counting filibuster and it's all streaming on YT. Currently almost 30k people are watching. You can become one of them without even moving from your screen. In the category of "the absolute least you can do" to support a democrat actually doing something... maybe give it a watch.

[crazycatsiren]

Y'all still blaming disabled people for choosing survival and quality of life while corporations are causing climate change.

[stabknives]

I don't love that every time a famous artist turns out to be a fucking disgusting piece of trash loser evil shitstain that everyone always scrambles to say WELL THEIR ART WAS ALWAYS MID AND BAD ANYWAY. like dude just reckon with the fact you can't judge someone's moral fiber based on the art they make or the clothes they wear or the way they speak or fucking anything anything at all

[pussysidon]

Living with a disability, especially a progressive or dynamic one is so fucking stressful. I don't know whether I'll be able to do things I can do now in a couple of years or even a couple of months. Maybe today I'm up and dancing but tomorrow I can barely leave my bed. I'm already grieving the things I know I won't be able to do in the future and it's so, so so so hard. The worst part is that there's nothing you can do but try to enjoy life right now and hope you can keep doing what you love

[speedcoore]

Yay ok look at my art. Are you looking? Ok thanks

[almondpiglet]

working on a series of drag reis… hit the slay button!!!

[metanarrates]

Hello. Sorry if this a stupid question u can ignore if u want.

How can someone get better at media analysis? Besides obviously reading a lot.

Im asking this bc im in a point where im aware of my own lack of tools to analyze stories, but i don't know where to get them or how to get better in general. How did you learn to analyze media? There's any specific book, essay, author, etc that you recommend? Somewhere to start?

I'm asking you because you are genuinely the person who has the best takes on this site. Thank you for you work!

it sounds like a cop-out answer but it's always felt like a skill I acquired mostly thru reading a ton, and by paying a lot of attention in high school literature classes. because of that I can't promise that I'm necessarily equipped to be a good teacher or that i know good resources. HOWEVER! let me run some potential advice to you based on the shit i get a lot of mileage out of

first off, a lot of literary analysis is about pattern recognition! not just pattern recognition in-text, but out-of-text as well. how does this work relate to its genre? real-world history? does it have parallels between real-life situations? that kind of thing.

which is a big concept to just describe off the bat, so let me break it down further!

in literature, there is the concept of something called literary devices - they are some of the basic building blocks in how a story is delivered mechanically and via subtext. have you ever heard of a motif? that is a literary device. it's a pattern established in the text in order to further the storytelling! and here is a list of a ton of common literary devices - I'd recommend reading the article. it breaks down a lot of commonly used ones in prose and poetry and explains their usage.

personally, I don't find all the literary devices I've learned about in school to be the most useful to my analytical hobbies online. motifs, themes, and metaphors are useful and dissecting them can bring a lot to the table, but a lot of other devices are mostly like fun bonus trivia for me to notice when reading. however, memorizing those terms and trying to notice them in the things you read does have a distinct benefit - it encourages you to start noticing patterns, and to start thinking of the mechanical way a story is built. sure, thinking about how the prose is constructed might not help you understand the story much more, but it does make you start thinking about how things like prose contribute to the greater feeling of a piece, or how the formatting of a piece contributes to its overall narrative. you'll start developing this habit of picking out little things about a text, which is useful.

other forms of in-text pattern recognition can be about things like characterization! how does a character react to a certain situation? is it consistent with how they usually behave? what might that tell you about how they think? do they have tells that show when they're not being trustworthy? does their viewpoint always match what is happening on screen? what ideas do they have about how the world works? how are they influenced by other people in their lives? by social contexts that might exist? by situations that have affected them? (on that note, how do situations affect other situations?)

another one is just straight-up noticing themes in a work. is there a certain idea that keeps getting brought up? what is the work trying to say about that idea? if it's being brought up often, it's probably worth paying attention to!

that goes for any pattern, actually. if you notice something, it's worth thinking about why it might be there. try considering things like potential subtext, or what a technique might be trying to convey to a reader. even if you can't explain why every element of a text is there, you'll often gain something by trying to think about why something exists in a story.

^ sometimes the answer to that question is not always "because it's intentional" or even "because it was a good choice for the storytelling." authors frequently make choices that suck shit (I am a known complainer about choices that suck shit.) that's also worth thinking about. english classes won't encourage this line of thinking, because they're trying to get you to approach texts with intentional thought instead of writing them off. I appreciate that goal, genuinely, but I do think it hampers people's enthusiasm for analysis if they're not also being encouraged to analyze why they think something doesn't work well in a story. sometimes something sucks and it makes new students mad if they're not allowed to talk about it sucking! I'll get into that later - knowing how and why something doesn't work is also a valuable skill. being an informed and analytical hater will get you far in life.

so that's in-work literary analysis. id also recommend annotating your pages/pdfs or keeping a notebook if you want to close-read a work. keeping track of your thoughts while reading even if they're not "clever" or whatever encourages you to pay attention to a text and to draw patterns. it's very useful!

now, for out-of-work literary analysis! it's worth synthesizing something within its context. what social settings did this work come from? was it commenting on something in real life? is it responding to some aspects of history or current events? how does it relate to its genre? does it deviate from genre trends, commentate on them, or overall conform to its genre? where did the literary techniques it's using come from - does it have any big stylistic influences? is it referencing any other texts?

and if you don't know the answer to a bunch of these questions and want to know, RESEARCH IS YOUR FRIEND! look up historical events and social movements if you're reading a work from a place or time you're not familiar with. if you don't know much about a genre, look into what are considered common genre elements! see if you can find anyone talking about artistic movements, or read the texts that a work might be referencing! all of these things will give you a far more holistic view of a work.

as for your own personal reaction to & understanding of a work... so I've given the advice before that it's good to think about your own personal reactions to a story, and what you enjoy or dislike about it. while this is true that a lot of this is a baseline jumping-off point on how I personally conduct analysis, it's incomplete advice. you should not just be thinking about what you enjoy or dislike - you should also be thinking about why it works or doesn't work for you. if you've gotten a better grasp on story mechanics by practicing the types of pattern recognition i recognized above, you can start digging into how those storytelling techniques have affected you. did you enjoy this part of a story? what made it work well? what techniques built tension, or delivered well on conflict? what about if you thought it sucked? what aspects of storytelling might have failed?

sometimes the answer to this is highly subjective and personal. I'm slightly romance-averse because I am aromantic, so a lot of romance plots will simply bore me or actively annoy me. I try not to let that personal taste factor too much into serious critiques, though of course I will talk about why I find something boring and lament it wasn't done better lol. we're only human. just be aware of those personal taste quirks and factor them into analysis because it will help you be a bit more objective lol

but if it's not fully influenced by personal taste, you should get in the habit of building little theses about why a story affected you in a certain way. for example, "I felt bored and tired at this point in a plot, which may be due to poor pacing & handling of conflict." or "I felt excited at this point in the plot, because established tensions continued to get more complex and captured my interest." or "I liked this plot point because it iterated on an established theme in a way that brought interesting angles to how the story handled the theme." again, it's just a good way to think about how and why storytelling functions.

uh let's see what else. analysis is a collaborative activity! you can learn a lot from seeing how other people analyze! if you enjoy something a lot, try looking into scholarly articles on it, or youtube videos, or essays online! develop opinions also about how THOSE articles and essays etc conduct analysis, and why you might think those analyses are correct or incorrect! sometimes analyses suck shit and developing a counterargument will help you think harder about the topic in question! think about audience reactions and how those are created by the text! talk to friends! send asks to meta blogs you really like maybe sometimes

find angles of analysis that interest and excite you! if you're interested in feminist lenses on a work, or racial lenses, or philosophical lenses, look into how people conduct those sort of analyses on other works. (eg. search feminist analysis of hamlet, or something similar so you can learn how that style of analysis generally functions) and then try applying those lenses to the story you're looking at. a lot of analysts have a toolkit of lenses they tend to cycle through when approaching a new text - it might not be a bad idea to acquire a few favored lenses of your own.

also, most of my advice is literary advice, since you can broadly apply many skills you learn in literary analysis to any other form of storytelling, but if you're looking at another medium, like a game or cartoon, maybe look up some stuff about things like ludonarrative storytelling or visual storytelling! familiarizing yourself with the specific techniques common to a certain medium will only help you get better at understanding what you're seeing.

above all else, approach everything with intellectual curiosity and sincerity. even if you're sincerely curious about why something sucks, letting yourself gain information and potentially learning something new or being humbled in the process will help you grow. it's okay to not have all the answers, or to just be flat-out wrong sometimes. continuing to practice is a valuable intellectual pursuit even if it can mean feeling a tad stupid sometimes. don't be scared to ask questions. get comfortable sometimes with the fact that the answer you'll arrive at after a lot of thought and effort will be "I don't fully know." sometimes you don't know and that can be valuable in its own right!

thank you for the ask, and I hope you find this helpful!

[lnmei]

Here’s a bit of a departure from my usual art posting but I’d like to get the word out about my dear friend Edrian and his friend Angeles’s endurance performance and hunger strike for a free Palestine in Los Angeles starting today, June 17th. (More info on Edrian’s Instagram and at venerations.cargo.site)

Edrian will begin cutting out paper dolls and ribbons to reach 35,647 of each, reflecting the reported death toll of Palestinians killed by Israel’s genocide in Gaza since Oct. 7th. He will not move from the venue until he is done and do nothing aside from cutting with few exceptions made for his own physical and economic survival. In addition to that and to represent a microcosm of the suffering in Gaza and Palestine, he will be on HUNGER STRIKE until he finishes. It’s an impossible task to do alone before starving so audience participation is essential. I’m spreading the word to ask for support through participation!

You can participate in a number of ways (more detailed instructions here):

Spread the word. Word of mouth and social media sharing are crucial as this performance is being promoted pretty exclusively via word of mouth.

Donate money to Palestinian aid funds! Certain high donation amounts can help Edrian continue his endurance performance by allowing him to engage in life-giving activities like showering or socializing with a loved one, and reaching the 100k total goal allows him to end his hunger strike.

If you live in and around Los Angeles, visit the venue (800 Date Ave, Alhambra, CA 91803) There you can help him cut and show your support. ***The performance is on the second floor of the venue and there is no elevator so it is not accessible except by stairs :(

If you don’t live near LA, you can cut paper dolls and mail them to the venue address to count towards the total. (printable templates here) This is what I will be doing. It’s easy to do with any spare time you’re not using your hands. I recommend mailing them in small batches if possible to get them in on time and reduce the risk of losing mail. I also recommend including info about the count of paper dolls in each parcel (for example include a note telling the total number of paper dolls) Every small amount counts!

If you are an Art Center College of Design student or alumni, sign the petition to pressure Art Center to divest from Israel! Art Center has refused to host Edrian and Angeles for their performance, torn down their posters promoting it, and in general refused to take a stance against Israel’s genocide. As artists and human beings we must resist genocide and refuse to support institutions that side against the people.

He is also live-streaming his performance and documenting progress if you would like to show support just by being present.

If you’ve never participated in a political performance before now’s a great chance, any little bit counts! I appreciate any time or effort you take to read this, support my friends, and work towards a free Palestine! ♥️🇵🇸

[funsosfunzone]

One of the funny things about getting into Back to the Future is realizing how insanely culturally ubiquitous it is. Your favorite youtuber is using clips of it. Character designs are based on it. You go to a movie and the school dance is Back to the Future themed for basically no reason at all. People are making allusions all the goddamn time, sometimes without even realizing it. Her influence.....

[lifemod17]

🎥: momsloveharry | tiktok

The Governors Ball || 06/08/2025

[cpunkwitch]

My visa limit is 2500 and if I can pay it off I'll probably lose my card.

I need to pay this off as well as pay for medication and food at the very least.

Any help would be appreciated be it donations, commissions, buying from my store or what have you.

It's stressing me out to the point its making me physically ill which is only triggering more flares in my conditions that I really don't need.

If I'm accepted into uni I'd like to not have so much credit card debt let alone only being able to use that by the upcoming fall semester. I'd like to be able to go to my classes instead of rotting in bed but without medication and with all this stress I'm honestly scared wherever I get heatstroke this summer it'll just kill me before that.

There are a lot of things available on my kofi, it accepts PayPal and stripe among others both of which I have accounts set up with.

Examples of my art exist on @spirits-art and on my Instagram cassderolo.

I offer tarot readings, art prints, sensory friendly (pride) bracelets and more.

Seriously anything helps my situation right now.

It's rare that I do any drag shows, it's be nice if I got book once a month but it's more like once in a blue moon ATP. I'm trying to get booked for more, they pay decently especially with tips from the audience. But only for a side gig.

Still out of a job and job hunting, wish me luck I suppose.

[arminthada]

You're already dead.

SPARE ME YOUR MERCY | 1.03

[funfactory]

seoyeon ♡ supersonic @ mbc music festival

[saltedbirdcat]

Literally how could anyone cheat on her my sweet angel Fiyero count your days

[lesbiannieism]

the same thing that happened to logan is happening again to jack doohan. if anyone even cares.