#Performance indicator: Most important for us to do

[joyceaila]

ICT COMPETENCY STANDARDS FOR PHILIPPINES PRE-SERVICE TEACHER EDUCATION

[reasonsforhope]

The World's Forests Are Doing Much Better Than We Think

You might be surprised to discover... that many of the world’s woodlands are in a surprisingly good condition. The destruction of tropical forests gets so much (justified) attention that we’re at risk of missing how much progress we’re making in cooler climates.

That’s a mistake. The slow recovery of temperate and polar forests won’t be enough to offset global warming, without radical reductions in carbon emissions. Even so, it’s evidence that we’re capable of reversing the damage from the oldest form of human-induced climate change — and can do the same again.

Take England. Forest coverage now is greater than at any time since the Black Death nearly 700 years ago, with some 1.33 million hectares of the country covered in woodlands. The UK as a whole has nearly three times as much forest as it did at the start of the 20th century.

That’s not by a long way the most impressive performance. China’s forests have increased by about 607,000 square kilometers since 1992, a region the size of Ukraine. The European Union has added an area equivalent to Cambodia to its woodlands, while the US and India have together planted forests that would cover Bangladesh in an unbroken canopy of leaves.

Logging in the tropics means that the world as a whole is still losing trees. Brazil alone removed enough woodland since 1992 to counteract all the growth in China, the EU and US put together. Even so, the planet’s forests as a whole may no longer be contributing to the warming of the planet. On net, they probably sucked about 200 million metric tons of carbon dioxide from the atmosphere each year between 2011 and 2020, according to a 2021 study. The CO2 taken up by trees narrowly exceeded the amount released by deforestation. That’s a drop in the ocean next to the 53.8 billion tons of greenhouse gases emitted in 2022 — but it’s a sign that not every climate indicator is pointing toward doom...

More than a quarter of Japan is covered with planted forests that in many cases are so old they’re barely recognized as such. Forest cover reached its lowest extent during World War II, when trees were felled by the million to provide fuel for a resource-poor nation’s war machine. Akita prefecture in the north of Honshu island was so denuded in the early 19th century that it needed to import firewood. These days, its lush woodlands are a major draw for tourists.

It’s a similar picture in Scandinavia and Central Europe, where the spread of forests onto unproductive agricultural land, combined with the decline of wood-based industries and better management of remaining stands, has resulted in extensive regrowth since the mid-20th century. Forests cover about 15% of Denmark, compared to 2% to 3% at the start of the 19th century.

Even tropical deforestation has slowed drastically since the 1990s, possibly because the rise of plantation timber is cutting the need to clear primary forests. Still, political incentives to turn a blind eye to logging, combined with historically high prices for products grown and mined on cleared tropical woodlands such as soybeans, palm oil and nickel, mean that recent gains are fragile.

There’s no cause for complacency in any of this. The carbon benefits from forests aren’t sufficient to offset more than a sliver of our greenhouse pollution. The idea that they’ll be sufficient to cancel out gross emissions and get the world to net zero by the middle of this century depends on extraordinarily optimistic assumptions on both sides of the equation.

Still, we should celebrate our success in slowing a pattern of human deforestation that’s been going on for nearly 100,000 years. Nothing about the damage we do to our planet is inevitable. With effort, it may even be reversible.

-via Bloomburg, January 28, 2024

[sayruq]

Last week, Politico reported that President Joe Biden would “consider” conditioning military aid to Israel if the country launches a large-scale invasion of Rafah, where more than a million Palestinians are sheltering. “It’s something he’s definitely thought about,” said one of the four anonymous US officials cited as a source. This was about as weak of a position as could be imagined: The President had definitely thought about maybe doing something. Still, even this proved too much. One day later, National Security Adviser Jake Sullivan said the article was based on “uninformed speculation” by anonymous officials and that he wouldn’t be entertaining hypotheticals about how the US would respond to a major invasion of Rafah, which US officials have signaled they would accept in a more limited form. The dismissal was the latest indication of the administration’s almost complete unwillingness to even discuss imposing serious consequences on Israel for waging a war that has killed more than 30,000 people, most of whom were women and children. Instead, the administration has adopted a newfound feeling of impotence. As State Department spokesperson Matthew Miller put it last month, “The United States does not dictate to Israel what it must do, just as we don’t dictate to any country what it must do.” The absurdity of this position was made clear when a reporter interjected, “Unless you invade them.” Miller couldn’t help but laugh. It has been obvious for months that there are many things the Biden administration can do to restrain Israel and distance itself from a war that has been condemned throughout the world. The problem has not been a lack of options but a lack of political will. Daniel Levy, a former Israeli peace negotiator who is now the president of the US/Middle East Project, told me, “I think many of us who had very low expectations of the US and of Biden have had a rude awakening as to how much lower the actual performance has been [compared] to even the lowest of low expectations.”

As evidence of how important US backing has been for Israel, Levy cited veteran Israeli journalist Yoav Limor, who wrote in Hebrew earlier this month that without “Biden’s support, Israel would long ago have been forced to stop the fighting in Gaza due to a shortage of weapons, while at the same time it would have been forced to deal with United Nations Security Council resolutions (and possibly sanctions) against it.” Still, Levy thought it might take weeks or months of sustained US pressure to compel Israel to change course. In any case, Biden is under no obligation to provide thousands of bombs to a country whose leader has consistently ignored him as Israel wages a brutal war that has leveled much of Gaza and caused children to die of starvation. “We need to stick to our own values,” Ford said. “If our values say, ‘Starving children is way beyond the pale,’ then we need to react to that and take stern action, whether or not it changes Israeli policy.”

[kakiastro]

Career Astrology

Hey yall! Today we’re going to discuss all things related to your career because there’s way more to it then just X or Y placements.

1. Saturn placement/House + Capricorn placements/House + 10h

Saturn is the first placement we look at when it comes to long-term career, the career we plan on retiring from. It’s what your are interested in as a whole. the house it’s in can give you a better idea on the the career you want. Saturn also rules our head boss(s).

For example: Saturn Aries 12h. You will do well in a career that you are passionate about, where you can be a leader and entrepreneur, a career that motivates you. With it being in the 12h, you will do well in career that emphasize with people, you may also work well alone, this can indicate a spiritual, overseas or a creative type of career.

You see how I didn’t mention a specific career but how the energy can still play out in your life? That’s how you read this.

One Saturn Aries 12h native may be in the navy while another person with this placement may work as a Warden in a prison facility. Both placements rules those things.

- Capricorn is also a career sign because it’s ruled by Saturn. Capricorn placements and the house it rules can give you better clue on what might work for you.

For example: A Capricorn Sun may be in to the creative arts, owns a famous business or even politics. They may have their Sun in the 11h so working with a group of people in person or online.

-the 10h is ruled by Saturn and its the house Capricorn rules. This is the first thing people look at when it comes to careers. The 10h rules over your public image and how people view you. This is how you come across. It’s different than rising because that’s 1 on 1 first impression.

For example: An Aries 10h native may come across as bold, confident, and authoritative. Once you get to know them, they’re really sweet and actually shy due to them having a Cancer rising lol

2. Your MC

-now I know what you’re thinking, Kaki isn’t the MC the same as your 10h? The short answer is No, not always. MC is a point in the sky and depending on your time of birth, it doesn’t have to be in the 10h. I’ve had a few clients who had their MC in their 9h, 10h, 11h, I even had one that had a Mc 12h which was fascinating!

Your MC isn’t just careers, it’s the highest potential you can reach in this lifetime. MC 9h has the potential to reach high levels of knowledge, Mc 10h is career accomplishments, MC 11h with reaching large group of people and your wishes, and MC 12h is highest spiritual potential.

3. Venus placement/house + Taurus and Libra Houses + 2h and 7h

-Venus doesn’t get talked about when it comes to careers and it’s one of the most important ones to look at. Why? Well because Venus rules over our Salary and our Lifestyle. Everyone wants to make a decent salary to live a comfortable life, your Venus can help you achieve that when you learn to use it properly. Venus also rules over relationships so learning how to work with people.

-Taurus/2h rules over our money and investments . Wherever Taurus sits in your chart and the sign your 2h is in can help you reach whatever your financial goals are.

For example: A Leo 2h with a Taurus 11h can make money by being in the arts and by posting them online, being an actor, working with children at daycare etc anywhere career that involves you putting on a “performance” and being around lots of ppl can help.

-Libra/7h, how to work with people 1 on 1 and build those connections up. If you’re a business owner that has a business partner, this is really important for you know.

For example: A Libra 4h with Capricorn 7h native may do well with working with women, possibly from home or a smaller type of work setting that feels like home. Working with hardworking women, they may not like to miss work lol

4. Mercury Placement/house + Gemini and Virgo + 3h and 6h

-Mercury rules over daily routines and work. Saturn is the chosen Career but Mercury is the work we actually do in our career.

Quick example: You work in the Entertainment industry (Saturn) and your actual job is cinematographer (Mercury).

Another quick example You work in Law Enforcement (Saturn) but your actual Job is a Forensic Detective (Mercury).

Mercury rules over communication and how we talk to people.

Gemini/ 3h rules over communication and our co-workers who are on the same level as us. This is how we talk to to our coworkers and what we may talk to each other about. This also rules transportation and we get to work.

For example: Gemini 12h with Virgo 3h. This can manifest in a few ways. I have a friend who have this and she use to tell me how one of her coworkers had no boundaries (12h)and was touch feely (Gemini) and was nosy (Virgo 3h).

Another example: I had another friend who gives free taro readings to her co workers at her job during lunch break😅

-Virgo/6h rules our Job and Dailey routine. This can also show you how your job influence your health because Virgo and the 6h rules over our health. This also rules over coworkers but our managers and supervisors.

5. Extra Tips

-look at your progressed chart as well. This chart can show you what works for you right now

-aspects also hugely influence your places

-your degrees also add some influence as well

As always thank you for reading and supporting my page. It really means a lot to me! If you would like a paid reading then I’m open to help! Just check my pinned post for the details🥰

[erzva]

…

zoro

how he shows love

acts of service & physical touch

zoro is a very sufficient and blunt, cut to the chase kinda guy bc he doesn't like waiting. he prefers things to be direct. he's not good with words and he doesn’t see the point in being. he doesn't like talking bc he's more of a listener, so he isn't too big on words of affirmations, in both ways.

he would get annoyed with disgusting over the top phrases about how great he is or how much you love him. even worse if you use stupid petnames. he would just be very weirded out and annoyed.

he's awkward with words. he never seems to be able to put what he's thinking into words correctly. it frustrates him that he is bad at conversing. most he can do is say that you're cool or impressive. if you're looking for a romantic poet, he's not the one for you. he just trusts you know that he loves and cares for you without having to put it into complicated words. the most you’ll get from him is an “i love you”/“i’m in love with you”. that’s as straight forward as it gets. he can do that.

he's an ‘actions speak louder than words’ person. he'll make sure you feel as loved as possible with the little amount of sweet talk you get from him. but just bc he can't tell you how much he loves you in riddled poems doesn't mean he isn't loving. it’s evident that he’s in love with you with all the things he does for you. you definitely get prince:ss treatment.

he's always near you, hovering like a shadow. he seems like a puppy the way he follows you around. or rather a grumpy wolf, ready to ward off anyone who gets too close. he sneaks little touches throughout the day and always finds a way to surprise you and make you feel special. and he gives the best hugs. they're warm and soft and he just holds you so perfectly. or maybe it’s just that you fit into him so well bc he’s so buff. it definitely adds to the confortness.

he doesn't really like/need quality time. he is a very out of sight out of mind person and spending a lot of time with someone is not an indicator of how much you love them to him. at least that’s what he used to think before you came along. he can’t help but feel warm whenever you seek him out to spend your free time with him. and he has found himself doing the same with you without even realizing it, accompanying you almost everywhere you went.

what he needs from you

physical touch & quality time / affirmations

your love prevails even after long periods of time apart but he would still rather have you with him all the time. that way he has an eye on you and can protect you. not that you can’t do it yourself, he just feels more at ease that way. you not being with him makes him worry and feel stressed so quality time is definitely something he needs now. you don't have to be doing anything important, just being together with you is good for him.

he likes it when you watch him train for example. having your eyes on him makes him wanna perform even better than usual and catching you staring at his chest or back is always something he looks forward to. and even though he gives his best and powers himself out, he’s never too tired for a little fun afterwards. your reward for being so patient.

he especially loves it when you join him for a nap. there's nothing that makes him feel more content than feeling your warmth and body close to his while he's sleeping. again, he likes having you close in case anything happens but it's also just very comforting and comfortable. he sleeps much better with you. he didn't know what a good night of sleep was before you joined him for a nap for the first time. and now he hates it whenever he has to sleep alone. but waking up alone is even worse. you need to join him for naps. if you see him napping just go lay down beside him so he can feel ok.

you’re good with your words. (even if you aren’t, it seems that way to him bc he’s not) and he admires that. he’s fascinated with how well you articulate yourself. he holds the same admiration for robin. only that his admiration for you is a bit stronger because your words are often directed at him, spoken in secret in your chambers with no one else to hear but him. and unfortunately he has grown to like it.

…

[icanseethefuture333]

Singer: persona chart 🎤

Do you want to be a singer? Here's what your Singer persona chart means 🖤! Go to astro.com and click on the extended chart option. Scroll to the bottom and type in 10698 to find the Singer asteroid. Then select which chart type and pick "persona chart".

The Singer asteroid is your overall voice and sound as an artist.

The ascendant is your public image as a singer or your musical concept. What people will know you for.

Your sun sign is your identity as a singer.

The moon is how you express your feelings and emotions while singing.

Mercury is the thought process of your song writing and what your lyrics are about. It also is how you communicate to people in interviews, radio stations, or talk to other celebrities.

Mars is how active you are physically while performing and your stamina. As well as your temperant when faced with conflict or your passion for singing.

Venus is your beauty and style. What makes you stand out visually or how your music videos could look like. It could also represent what record label you sign a contract with and what kind of people you work beside.

Jupiter is where you can find your success as a singer and what would help you attract the most abundance. What would make you famous.

Saturn is what humbles you as a singer and what scandals/rumors you could possibly get involved in.

Uranus is your connection to the world and how you interact with your fanbase. Also how to promote your music with technology.

Neptune is what people don't see behind the scenes or what could happen to you that others might not know about.

Chiron is the wounds and hardships of being a singer.

North node is your life path as a singer and what destiny you have to fulfill. The longevity of your career as a singer.

Midheaven is your social status and professionalism as a singer.

Use the degree theory to see what energy is associated with your signs/planets. Here are some indications of fame degrees in a chart.

Aries singers are expressive with their identity. They are often fresh on the scene and have a lot to prove to the world. Their attitude can be described as spunky and charming. They sing from their head and chest more than their diaphragm, could have trouble projecting their voice properly. These singers are competitive or could make their debut performance in a singing competition.

Taurus singers are more reserved and sensual. Their voices can sound velvety and seductive. Their best songs are recorded at the privacy of their home. They could sing in intimate places like singing in a jazz bar or a coffee shops, something like the Tiny Desk series. They could perform in green, earthy sceneries. Their music makes people feel soothed and comfortable.

Gemini singers have a duality and are able to switch up their concepts. Their voices could have multiple layers or tones to them. They could have a high pitched voice or low pitched voice. For example, when some people talk their voice is deep but when they sing its really high and vice versa. Gemini singers perform at radio stations or live on social media.

Cancer singers carry a lot of emotion in their voice. It could almost sound like they're crying or choking up. They are best at conveying their feelings through a song. Their notes have a lot of resonance. They are shy and don't like being put on the spot when singing. These singers have terrible stage fright. They are the least likely to perform in front of other people. They could like to sing at the beach.

Leo singers are bold and charismatic. They like to be very theatrical on stage and enjoy giving a great performance. Their voices are loud on it's own and they could even perform without a microphone if asked to. They are perfectionists and they hate when things get messed up on stage. Their image is important to them. Beyoncé has a Leo ascendant in her singer persona chart and she's known for her diva presence ("Somebody's gettin' fired!"). Leo singers perform in big stadiums, theaters, or musical plays. They could also be actresses.

Virgo singers could get criticized a lot on social media. Some people enjoy their voices, others do not. They can be hard on themselves and practice until they can't sing anymore. Their voices could sound very thin, but they have great enunciation skills. They could experience a cold often or they have to take care of their throat more than the other Singer signs. Singer songwriters are most likely to be Virgos. They could perform in hospitals or at senior citizens centers.

Libra singers are flirtatious and popular for their beauty. Their voices are attractice and have a great singing technique. People could view them as the total package. Libra singers could have to heavily rely on endorsements and commercials than their music. They have to balance music with work. They could have a fanbase that's mostly men or women depending on their gender/sexuality. Their music mostly consist around romantic relationships and they could perform at churches, weddings, or venues.

Scorpio singers are like sirens. Their voice echoes through a room and have a hypnotic effect on people. It's hauntingly beautiful. Their music could have much darker elements or Scorpio singers could make music that expresses their grief or new chapters in their life. People who listen to Scorpio singers could play their music when they are experiencing a transformation in life. Perhaps during a break up or the death of a loved one. Scorpio singers are most likely the ones to perform at a funeral.

Sagittarius singers are free spirited and their music is very optimistic. Their music makes people have a different perspective on life and appreciate the little things in life. They are very wise. They could like to do voice breaks while singing. Sagittarius could perform in public areas and where tourists visit to do busking. They are very active on stage and move around a lot.

Capricorn singers are serious and elegant. They could sing on very deep topics. Their music could make people question themselves and if they are learning from the lessons the universe is trying to teach them. They could also talk about money and success in their music. They use a lot of vibrato and have husky voices. They perform in class or auditions, anywhere they can show off their skills.

Aquarius singers are nonchalant and chill. They like to be "cool" and do something different than the other mainstream artists are doing. Their voices could have a unique tone or sound nasally. Robotic or alien-like. Their music is very avant garde or experimental. People could want to gatekeep their music. They could perform online by posting covers on tiktok/youtube or do virtual tours.

Pisces singers have ethereal or angelic voices. They are gentle and soft. Their music sounds dreamy and ambient. They could perform in auditoriums or when it's raining. People could feel their music has caused them to have a spiritual awakening or are being healed as they listen to their music.

1st house stellium in the persona chart could mean that you get discovered quite fast for your singing or you could look like an idol.

2nd house stellium in the persona chart means you could make a lot of money from singing professionally. You could receive a lot of offers that will give you financial security in the music industry. If there is negative aspects this could mean someone could rip them off or steal a lot of money from them.

3rd house stellium in the persona chart is people could make someone be well known in their hometown for being a singer or be the talk/star of the town. They could make a lot of connections in the music industry. Their family member could work with them or helped them get started in their career.

4th house stellium in the persona chart people have their parents, specifically moms, as their managers. They could come from a family of musicians as well. These singers are mostly likely to be nepo babies. They could have possibly chaotic relationships with their families if negatively aspected.

5th house stellium in the persona chart people could be popular with kids or will be remembered as their childhood idol. They are well known for being creative and artistic. If negatively aspected, parents could not want their children listening to their music, they could see them as a bad influence.

6th house stellium in the persona chart means that being a singer would become a daily routine for you. You could have to practice frequently or be in the studio a lot to record. It could impact your health if you are overworked.

7th house stellium in the persona chart could mean the legal matters of your contract. What partnerships you make as a singer and possibly dating/marrying someone in the music industry. If negatively aspected, this means that your company is unfair or your partner will betray you somehow.

8th house stellium in the persona chart could mean your career as a singer will have a lot of transformations and changes. Being a musician for you could mean there will be a lack of stability emotionally. A lot of ups and downs. It could also mean you will be remembered for your legacy when you die. If negatively aspected, these people could get involved with scandals or meet people from cults.

9th house stellium in the persona chart people could be more popular overseas than in their own home country. They could travel to a different country to be a singer or they will travel a lot to perform. Their world tours will be the most successful. If negatively aspected, these people could get banned from entering certain countries.

10th house stellium in the persona chart people will have long term success in their musical career. Their fathers could be their managers or their fathers were famous musicians. If negatively aspected, they could have a strict company or contract that forces them to continue to be a singer even if they wanted to quit.

11th house stellium in the persona chart people could of had their friends push them to be a singer or they work with their friends. Singers with a 11th house stellium most likely are in bands or groups. They are popular on social media. If negatively aspected they could get kicked out of bands/groups or get a lot of hate on the internet.

12th house stellium in the persona chart are meant to fulfill their life purpose as a singer. They are supposed to help heal the world and transcend the energetic collective's minds. If negatively aspected these singers could make sacrifices that are damaging to their mental health or get involved with substance abuse.

[evilbihan]

A guide to writing Tomáš

This is a Bi-Han centric blog, but I really want to talk about the mischaracterization of Tomáš too because it irks me to no end and I believe he deserves better. Not to mention that most of his mischaracterization usually comes at Bi-Han's expense as well.

Tomáš is not the sad, broken, overly sensitive crybaby the fandom likes to portray him as. Every time I see yet another version of the same fanart where poor Tomáš is bawling his eyes out and running into Kuai Liang's arms because Bi-Han was being "mean" to him, I immediately unfollow the artist. Tomáš is a grown man, it's disgusting how the fandom keeps babying him. Not to mention it's getting boring and on top of that, it's completely wrong characterization of both Bi-Han and Tomáš. In the scene where Bi-Han snaps at him, Tomáš barely even bats an eyelash. He looks confused and annoyed if anything, not heartbroken, and he certainly doesn't break down in tears either. Tomáš literally chose to talk back to Bi-Han, he's not afraid to say what he thinks, which is proven by the fact that he even confronts Liu Kang for letting his family die. Tomáš is courageous and he stands up for himself. This man watched his entire family get murdered in front of him and chose not to let it haunt him. ("Their ghosts no longer haunt me.") Of all three Lin Kuei brothers, he's the one with the highest emotional maturity, choosing not to let emotions cloud his judgement, unlike Kuai Liang (blind anger/hatred) and Bi-Han (frustration). Tomáš is so much stronger than people give him credit for. He's not some damsel in distress that needs saving and he definitely doesn't need Kuai Liang to defend him, especially not from Bi-Han who respected Tomáš and his skills enough to let him join them for important missions when he had everyone else in the Lin Kuei at his disposal. It's awful how some fans deliberately paint Tomáš as weak and Bi-Han as cruel, so they can make Kuai Liang look better.

A lot of the traits that define Tomáš are usually taken away from him in fanfics and fanart and given to Kuai Liang instead. Tomáš is the loyal, brave and kind brother who wants peace above all else, who wants his brothers to reconcil, who is truly selfless and respectful, even towards some of his foes. Believe it or not, Tomáš is not the "soft" brother. He chooses to be kind and fans mistake it for weakness. Despite being angry at Bi-Han, Tomáš doesn't want vengeance against him. He wants his brothers to stop fighting, for Earthrealm's sake and because they're family. Tomáš might be the youngest of the brothers but he's wiser than them. He has seen enough death and bloodshed to know no one will come out of this war as a winner.

Tomáš used to idolize Bi-Han, not Kuai Liang. Bi-Han, who is known to be cold and ruthless. As I said before in another post I made, Tomáš is no less ruthless than his brothers. He is not sweet and innocent. Just like Bi-Han and Kuai Liang, he was trained to be a lethal and stealthy warrior. Even before joining the Lin Kuei, Tomáš was a hunter. He grew up in a family of hunters. Listen to his taunts at the end of each round and the way he giggles while performing one of his fatalities. Tomáš enjoys hunting, he enjoys the thrill of it.

There is no part of the story or any intros that indicate that Kuai Liang and Tomáš were ever close before their falling out with Bi-Han, but it is said that Tomáš used to admire Bi-Han. I don't know why the fandom made up the wholesome bond between Kuai Liang and Tomáš because of that one scene in which Kuai Liang conveniently tells Smoke that they're brothers because he needed him on his side. Kuai Liang doesn't even bother interrupting when Bi-Han reprimands Tomáš. He even questions Smoke's resolve. What brought them both closer are a few shared ideals, such as the wish to honor their father's legacy and continue their duty of protecting Earthrealm. Kuai Liang is now the only family Smoke has left, which is why he's doing everything he can to prove worthy of his trust. He calls himself the Shirai Ryu's second in command, he's the one who recruits Hanzo, he's supportive of everything Kuai Liang does and never contradicts him despite having different opinions than his brother, possibly out of fear of losing his family yet again.

Tomáš is a very curious and open-minded person. Unlike Bi-Han and Kuai Liang who are both equally disgusted by the idea of fame and stardom, Smoke seems eager to play a part in one of Johnny's movies when Johnny suggests giving him a role in a film he made. He's also the one reaching out to others to try and bond with them, to make friends. He tells Raiden that he wants to visit Fengjian, he asks other characters questions about themselves etc.

Tomáš is without a doubt traumatized from what he's seen and been through. Similar to Bi-Han in the previous timeline, Smoke is concerned that he's tainted by evil due to his nightmares about the Enenra. Ashrah reassures him that her kriss can't sense any evil, but there's a chance he might still become corrupted.

I hope this makes sense and will help writers and artists out there to portray Tomáš more accurately in their works. Too many people in the fandom have a wrong idea of who this character is.

[jokeroutsubs]

[ENG TRANSLATION] JOKER OUT: THE PRINCES OF ROCK'N'ROLL WITH THEIR OWN LIBRARY

Original article written by Anja Leskovar for Ljubljana.si. for their December 2021 issue. English translation by @varianestoroff and drumbeat, proofread by @flowerlotus8

Even if you don't know their names and faces (unlike many young people), you must have heard of Joker Out. Kris, Bojan, Jure, Martin and Jan proved with their fresh first album 'Umazane misli', released this autumn, that they're rightfully one of the hottest musicians at the moment. And it's worth listening to them, as, behind the handsome looks, there are interesting guys making good music with very juicy subjects. And they're only in their twenties!

It was difficult to arrange an appointment as you were quite ill. Did recording the album tire you?

Yes, it was an adrenaline rush. But we were driven by excitement, we really lived for the album this autumn, or else everything would've sunk. We wanted to perform really bad!

When they comissioned me this interview, I knew the band name, but I didn't know who you were. But when I played your music, I found out that I knew it well, I even know most of the lyrics by heart! Is it more important to you that people know your music than you?

Yes, that's something a musician can only wish for. It's important that you like music for music's sake, not for the musician. For us, music comes first, then showbiz.

How nice do you find it that your audience includes not only enthusiastic girls, but also boys, older people...? So is music the reason why someone goes to a concert?

It's very important to us that we're seen not only as pretty faces, but also as a good band. A very clear indicator that we're managing to do that is the diverse audience in front of our stage. But also the girls who come to the gig (also) to see us, they know how to recognise good music and they're quality audience. That can go hand in hand! For us, everything starts and ends with good music. That's the most important thing.

And this commitment is recognisable in your music. It's just interestingly fresh. I hear classic rock in some parts, indie pop in others, funk in others. Do I hear it right?

Yes, of course. When we were kids, we all listened to Big Foot Mama, Green Day and Siddharta, then we started to discover different genres. Now we all listen to very different music. But we don't deliberately take inspiration from any music.

And it shows. I find your music quite unique, it's hard to pigeonhole it.

Thank you, it seems the same to us. It's hard to find references to our music in other music. We say we play shagadelic rock. We're just big Austin Powers fans. His catchphrase is: "Shagadelic baby, yeah!" His 'mojo' (A/N charm, allure) is just cool to us. And in fact we feel like we have that 'mojo' too, we want to display it, we want the listeners to feel that we're comfortable in our own skin. Especially when there are concerts, the 'mojo' just bursts out of us. (everyone laughs loudly) Every time we have a concert, we feel like we're going to a party. That's also why it's really important to play live. Without this, we probably wouldn't be making music. It gives us energy.

With four guitars and drums, you are proving that rock'n'roll isn't dead. How alive is it on the Ljubljana scene?

Of course it isn't dead, it's still very alive. When we were teenagers going to clubs, they were playing anything but rock. But when people get used to it, music that sounds very different attracts them. Ljubljana has a very active rock scene, and Slovenia has excellent conditions for the growth of rock'n'roll. There are a lot of places to play, a lot of competitions for young musicians and alternative clubs with an audience to grow on.

Do you prefer intimate or big concerts?

We do great on big stages, although we've done a great gig in front of three people. But in Slovenia you reach the plateau too quickly. If you reach Stožice right away, then where do you go?

Abroad.

Yes, well, that's our goal, of course. But at the moment we're looking forward to the concert in Križanke. There's no distractions, you know you're going there for a good concert. Križanke has a special aesthetic and character that means a lot to us. And you can't just decide to do a concert in Križanke. They must accept you there. So that's a very great honor for us.

As the venue is important for a good concert, the rehearsal space is probably important too. For example, is rehearsing in a bunker more conducive to harder music than rehearsing in a sexy, neat space?

Yes, absolutely. Above all, it must be a relaxing space, one that you can spend a lot of time in and that the vibe there is good. We've rehearsed in a lot of places so far, and every time you walk in, you can see if it's working for you or not. But until you play, you don't know if it's close to you in terms of creativity or not.

Have you found your new rehearsal space yet?

We have, but we're not saying where. (they smile mysteriously) We found a place we like so much, that we decided to turn it into a second home. It'll have its own 'mojo' that matches ours. It'll be truly magical! There'll be lots of wood, and we'll also have a library.

Yes, that, books! 30 years ago, we teenagers followed boybands of all genres, and the boys were usually extremely cute, even to the extent of wrapping our school notebooks in their posters. But there's more behind your cuteness. You're into cool stuff, you read interesting literature, you study...

Jure: I don't read enough, I'm not very good with words, I don't even listen to our lyrics. I listen to the mix, to the musical melodies. I mean, I'm a cameraman, but for me, music comes first. Period.

Martin: I study Maths and Computer Science and also make a living from that knowledge. Lately I've been reading a lot, and I'm very interested in Stoic philosophy.

Kris: Well, I'm interested in German philosophers, like Hannah Arendt and Nietzsche. I'm finishing my degree in Chemical Engineering.

Bojan: I mainly study TikTok these days (laughs). It's quite banal and doesn't fit with our philosophy in general. But Jan started making really sick content that's suitable for this format and we'll start publishing it soon. Anyway, I'm finishing my degree in Sociology and I've been drawn to Haruki Murakami and Arto Paasilinna literary lately.

Jan: I'm an expert at half-reading books, the last one I read was Slaughterhouse-Five (by Kurt Vonnegut, A/N). I don't even know why I half-read them, probably because so many things steal my attention that I must try very hard to finish something. I have a problem with that, also for films.

What are you not half doing?

Jan: Music. I'm literally addicted to different types of music. I always listen to albums all the way through. I definitely listen to at least one every day. And I'm very happy learning to play new instruments. I love all things that make sound.

Let's say kitchen pots and lids?

Jan: (laughs) Also, indeed. I like cooking, I'm now exploring Thai and Chinese food.

Kris: And he makes superb onion and potato hash!

And do you like to explore the world?

Yes, everyone. We're in dire need. Our schedule is so unpredictable and events are so scattered throughout the year that most of us have not been anywhere for years, not even at sea. It's great when there are concerts, but we're missing going somewhere. Yes, to make an album also means a lot to sacrifice.

Where do you like to hang out in Ljubljana?

In many places. (they answer in harmony)

Kris: Metelkova is great. I think it's too underrated and has a wrongful negative reputation. That's also why it is the way it is.

Bojan: There's a really chill vibe in Gala Hala. I really like going unplanned to a gallery or museum. You don't go purposefully, you walk around, you observe. It's always cool. I meet people with a completely different background and you start thinking in a different way. Inspiring.

You are five in a bunch with very different characters. How do you manage to exist side by side?

Above all, there shouldn't be perfect democracy within the band. There's no need for one person to be the leader of everything. But someone must have the final say in a certain field; one in the creative one, one in the technical one, one in the financial one. And they have the last word and they're also accountable. Otherwise, we're good friends, we go everywhere together rather than forcibly apart.

How do you differ from the bands that were relevant 30 years ago?

They were much more put into boxes. They had to be already well-established to dare afford a musical journey into the unknown. We, on this album, already combined styles in a completely pressure-less way. Genres don't really exist anymore, everything is merged, mixed, everything is accepted. We live in a big melting pot. For us, energy is more important than a fixed image!

Joker Out are (from left to right) Kris Guštin - guitar, Martin Jurkovič - bass, Bojan Cvjetičanin - voice, Jan Peteh - guitar, Jure Maček - drums

December 2021

[feyclowns]

a brief look at anti-fairies

anti-fairy post incoming.

anti-fairies are the tallest with generally lean bodies

body hair is generous, males tend to be a little hairier. fuzz is much more prevalent

females tend to be larger than males, and are long and muscular. the species has rougher, sharper features. they are primarily carnivorous and some have prey drives.

they usually have large claws that can cut through glass and in some cases metal

their tongues are long and they have sharp teeth. their pupils are slitted and function much like a cat's

they do not see so good in bright light. their pupils help but most are so used to the darkness of their plane they squint in sunlight

their magic levels are tied to the expelled raw magic of their counterpart

anti-fairies were spawned originally as shadows from fairies filtering raw magic, embodying the castoffs and things their counterparts are not. they are not perfect opposites.

as creatures made of shadows, they don't technically need food. they persist as long as their fairy produces castoff magic. food is however important for them to keep their physical strength up

anti-fairies are plagued by rule compulsions due to the high levels of raw magic. this primarily manifests in them responding to "bad luck" (walking under ladders, broken mirrors, etc) with mischief- except for them it's impossible to resist the urge

anti-fairies also unconsciously seek out mirroring relationships to their counterparts.

anti-fairies are considered dangerous due to the power of their magic. while they still need a wand to utilize it they can perform many tasks under a familiar godchild that a fairy cannot.

when anti-fairies soulbond with another anti-fairy their eyes will gain a bit of the color of their mate's

grey and white hairs on anti-fairies aren't necessarily an indicator of age but typically show up after their cores were nearly fully depleted or being forced to regenerate

mirror the aging patterns of their counterpart

honestly if it weren't for anti-fairies constantly infighting or squabbling over positions of power they probably would've taken over fairy world by now

or. yk. if they didn't have anti-cosmo in charge

[alien-til-i-stage]

so something i dont see much online is how similar hyuna and luka actually are.

When we meet Hyuna, we get introduced to how upbeat and her free spirited personality, both in how she acts and in the song.

This in particular speaks almost in entirely of freedom and the desire for it. She sings about living her life for her and “a bird set free”. As obvious from her being rebel, everything points to how she desires freedom from the aliens and control over how she lives her life. We can also see this in a comic where she says the reason she enjoys singing is because on the stage she’s the one in control.

Already from a young age, control is something she has wanted, over her own life and her performances. And for her saying this, I think its even more interesting if we look back at All In. The majority the song takes place both in a bar where Hyuna is singing or the mission both Hyuna and Mizi are doing.

We already know that Hyuna likes to sing to feel the control over the stage when she’s there but I find it interesting that, yet again, the entirety of the episode was her demonstrating her freedom and control. There were even moments with her on stage remembering Luka and Hyunwoo and continuing to frantically continue singing as if trying to run away from them.

This could mean that rather than her just singing out of enjoyment of her control, she’s on that stage for the control. Almost like she’s desperately clinging onto that feeling to remind herself that she’s not weak, to run away from her helplessness as a child. Another reason for her to be on as many missions as she was shown to be, maybe another way to prove to herself she has the control and power now, not the aliens.

we can continue to see mentions of her trying to escape her memories in the song “Drunk and Party” as she says “I don’t wanna go back, everybody listen.”

Essentially Hyuna uses her own stage as a way to regain her control as well as her missions. Which is where Luka comes in.

In the same comic where Hyuna speaks about control on the stage, we see Luka as an adult on the stage as well, most likely during the 49th season.

It looks almost like hes remembering Hyuna’s words from when they were both children, which indicates that Hyuna’s reponse effected him.

In an interview about round 5, someone asked why Luka imitated Sua, and here is the response that was given.

Its told that Luka does this, not to win, but to feel control and dominance. Unlike Hyuna, who has many ways to feel this way and demonstrates it in almost every way of her lifestyle, this is the only way for him to do so. He is literally a puppet except for when he’s on stage.

The reason for Hyuna’s response being so important to him is likely that Hyuna’s attitude about singing effected his own. In the comic, kid Luka seemed curious about Hyuna finding control on the stage, showing that at that point Luka didn’t view the stage the same, so its likely that after their talk, Luka began to view the stage as a way to control.

This is how the two of them are similar, yet opposites. They both desire control and dominance in their lives and dedicate themselves to it, yet while Hyuna lives a life where she can easily do that, she feels no need to hurt others in order to do so, rather able to choose to help them as a way to feel powerful, but Luka doesn’t have that same choice. He lives life as a puppet, with no other way for control. His only way to feel in control is on the stage, so he takes his chance to and hurts the other contestant, purposely trying to hurt them as much as possible just because he can.

I truly believe that had their situations been reversed, where Luka was instead the purpose who got to leave while Hyuna stayed behind, theres a chance they couldve had completely different lifestyles. I also believe that they also, in a way, represent each path Till could take. If he were to stay in alien stage for the next season, would he turn out like Luka, someone who hurt others to feel in control, or if he was able to run away and become a rebel would he distract himself from his pain and constantly chase after that feeling of finally being free?

idk i just really like hyuna and luka

[dreaminginthedeepsouth]

The New Yorker just issued its cover: Donald J Trump, A Man of Conviction, by John Cuneo

+

Justice.

May 31, 2024

ROBERT B. HUBBELL

Justice.

On Thursday, May 30, justice was served in a Manhattan courtroom.

A jury of twelve citizens convicted Donald Trump on thirty-four felony counts of falsifying documents to interfere in the 2016 election.

Justice was served.

Trump received a fair trial before an impartial jury presided over by an even-handed judge.

Trump had the right to testify or remain silent. He chose to remain silent—as permitted by the Fifth Amendment.

He had the unlimited right to challenge jurors “for cause” if he demonstrated that a juror could not render an impartial verdict. Trump challenged only one juror for cause—a juror who had once been the houseguest of one of Trump's attorneys. That juror was later excused on a peremptory challenge by Trump.

Trump had ten “peremptory challenges” that allowed him to excuse jurors without providing a reason. Trump exercised all ten peremptory challenges.

Trump was able to object to the testimony of witnesses and the introduction of exhibits. He objected continuously. Many of his objections were sustained, and most were overruled (because they were baseless).

He cross-examined every witness offered by the prosecution. He offered two witnesses in his defense. They sealed his fate.

He made an opening statement and a closing argument to the jury.

He was able to submit and object to jury instructions.

After the jury began deliberations, its requests to review key evidence and important jury instructions indicated that it took its charge seriously.

The length of the jury’s deliberations and the unanimity of its verdict on thirty-four counts demonstrate that they were persuaded beyond a reasonable doubt that Donald Trump was guilty as charged.

Justice was served.

The verdict matters because it demonstrates to Americans that the core of our democracy is strong and true.

One fair verdict will offset a dozen compromised and corrupt judges and justices. The verdict demonstrates what justice looks like—and reminds us of what we can have again if we gain control of Congress and retain the presidency.

The verdict is important because it reminds Americans that no person is above the law in our democracy. That bedrock truth must be reinforced periodically, or it will lose its animating force.

The verdict also speaks to the world. It reminds friends and foes alike that the audacious American experiment is robust and secure. Convicting a former president in a fair trial is something few other nations would attempt—much less accomplish in a peaceful and orderly manner.

The verdict gives Americans much to be thankful for:

A fair jury composed of twelve Americans willing to perform the simple but extraordinary task of sitting in judgment over a former president.

A District Attorney willing to carefully review the evidence and follow the law.

Competent and diligent prosecutors willing to do the hard work necessary to achieve justice.

An honorable, fair, firm judge willing to protect the rights of the defendant and the interests of the people in seeing justice served.

Court officers, law enforcement officers, clerks, paralegals, and court reporters who ensured that the court proceeding unfolded in an orderly and safe manner.

Given the fundamental fairness of the trial and verdict, Republicans are reduced to attacking the justice system itself. In a coordinated effort, Republican members of Congress issued statements that called the trial “rigged,” insulted the integrity of the jury, compared the proceeding to “show trials in Cuba under Castro,” and said that May 30 was “the most shameful day in American history.”

While we should be concerned about the assaults on the justice system, let’s recognize that the system prevailed today—despite seven years of attacks by Trump and his enablers. The trial and verdict served as a stress test for the justice system—and it passed.

There will be time to assess the political ramifications of the verdict. Today, we should celebrate that the justice system worked despite enormous efforts to obstruct and undermine it.

That is a remarkable, glorious achievement that stands alone.

Sit with that truth for a moment before returning to the urgent task of preventing Trump's reelection. We deserve a moment of calm reflection and sober relief that justice was served.

Justice.

Finally.

[Robert B. Hubbell Newsletter]

[madreemeritus]

A small analysis of Angel Dust's character (tw: SA, abusive relantionships, drug addiction, coping mechanism, also spoilers of the series)

Today is Angel Dust's birthday, he's my favorite Hazbin Hotel character and became one of my fave characters ever recently, he's being my new brainrot so I decided to write about his amazing character. Oh and English isn't my first language so forgive me for any mistake.

Ok now the first thing needed is to recognize Angel's (Anthony) situation. Anthony was born in the 1910s and died in 1947, with 30 years old, he was the son of a mafia leader and a homosexual man that needed to hide and opress his own sexuality, or else he'd be, at best, killed (if not worse). When he arrived Hell, he found to himself a taste of freedom that he could never experience in his life. I'm not sure about how many years he's been in the Val situation because Valentino died in the 1970s, but either way, he signed a soul contract with Valentino and now his soul belongs to him. The worst thing about his situation is that he was much probably in love with Val and was manipulated by him to sign the contract, it's really heartbreaking to think about it.

Although we don't know the exact circumstances that lead Angel to sign the contract (if he knew or not knew he was getting into porn, if Val lied to him, etc), we do know that he didn't expect to have the life he has at the moment. Angel is, in simple words, a sexual slave. Valentino abuses him mentally, physically, emotionally and mainly, sexually. He forces Angel to do uncomfortable, painful things in the studio, perform extra hours without any human condition or even a raise, and also demands sex and affection from him. Angel can't say no, he is coerced and afraid to go against Valentino's wishes. Valentino also uses a disturbing form of emotional abuse, lovebombing Angel after assaulting and abusing him, all to remain his control over Angel. Val tries to isolate Angel from everyone else and bursts in anger once Angel moves to the hotel, after all their deal says Val can do whatever he wants with Angel in the studio, outside of the studio, though, Angel is free. This is one of the reasons why he is desperate to keep Angel around. Which also indicates Val abuses him financially, if most (if not all) the money Angel earsn with HIS work goes to VAL, then Angel is even more vulnerable, powerless and dependent on his abuser. It explains why Angel agreed to live in the Hotel in the first place: he'd have a free room, away from Val, with the MINIMAL of privacy and safety.

Angel Dust, with this amount of abuse and trauma, obviously run into coping mechanism. Even if it's self destructive. Angel is addicted to drugs (his artistic name explains itself), apparently alcohol too, and most important, he masks his own feelings. He acts as Angel Dust, the perfect, unbothered pornstar that is not weak or vulnerable in any situation. Angel Dust is always confident, strong, wanted, and constantly does the only thing he was taught he was of: flirting. He agressively flirts with every men, he offers his own body to almost every men he sees, because if he surrender himself first, then he won't be hurted or coerced... right? Angel Dust hides his true feelings and pretends to not care about anything and anyone but himself. Angel is, most of the times, rude, and don't respect other people's boundaries (after all his own boundaries aren't respected).

Because, if Angel acts this way, he won't be harmed, he won't be hurted, he won't be abandoned. If he is emotionally distant from everyone, once they abandone him, it won't be so painful... right?

Anthony hides his true self as a cope mechanism. And he knows he isn't perfect. He isn't a perfect victim, he has flaws, he does wrong things and make people uncomfortable (specially Husk, the only man that rejects his flirting, which I will talk about later), and mainly, he blames himself for being abused. And this is why he is so afraid to be real and vulnerable, even next to his friends. He thinks he won't be accepted or treated with respect. He spent so many years being told that he is only worth for sex, that he ended up believing this is the true. He spent so many years being treated as a sexual object, that he began to think he really is. He spent so many years being abused, isolated and manipulated, that he is afraid of opening up. He spent so many years being blamed for other people's actions (mainly Valentino), that he believes it's all his fault.

You may argue that he is honest and vulnerable with Cherri Bomb, but that's the point: Cherri is in a similar situation, she had a traumatic experience in the past and has similar self-destructive behaviour. She is a good friend, she sees him as he is and understands him for personal experience. As for Charlie... well, don't get me wrong. I LOVE Charlie. She IS a good person, a good friend and clearly cares about her people more than anything in the world. She wants to help and save people, Angel being one of them. She nearly beated Valentino's ass for seeing him abusing Angel. BUT. Let's be honest: as a very privileged person (princess of hell) among wretched mortal souls, she has no social awareness. I mean, come on. She wrote an anti-drug, pro post-marrital sex play where she casted Angel (a drug addict and a non-married sex worker) as the "crackhead bad guy", and praised only Sir Pentious for doing exactly the same thing Angel did. She wants to help, but she doesn't know how. Angel doesn't feel safe enough to open up. Anyone in the Hotel appeared to be safe and trustworthy, Anthony/Angel was afraid of being judged. He is a victim of SA, gruesome things were done to his body without his consent and he is ashamed of it. His hypersexualization is a way to escape his shame (hypersexualization IS A REAL AND VALID COPING MECHANISM IN REAL LIFE).

It's only in his most vulnerable moment, when he is caught by surprise, that his real feelings appear. When Charlie invades Valentino's studio — putting, in Anthony's eyes, her safety in danger —, the real Anthony tries to protect her from Val. He knows how shitty Val is. A coward, evil, gruesome abuser that has desires to control everyone and everything, even the Princess of Hell herself. We all know Charlie is much more powerful and could easily beat Valentino's ass, but Anthony doesn't care about. He probably doesn't even think too much about it, he just wishes to protect his friend. This is one of the most beautiful character aspects that Anthony has: he cares for his friends, MORE than he fears Val.

For Anthony, it's easier to surrender his body and will to Valentino, anything to calm his whiny ass down and make things less painful. But when it comes to his friends... it's so, so much difficult. He pleads Val to not hurt Charlie. Later in E6-S1, he stands up against Valentino to protect Nifty. Angel pretends to be unbothered and relaxed most of the times in the Hotel, he acts like if he doesn't care, but he DOES. He cares for his friends more than he cares for himself. He puts his friends in the first place. For him, it can seem like nothing important, but it actually tells how caring and kind he actually is. He is protective. He doesn't want ANYONE to experience the same abuse he experiences. Every. Fucking. Day.

Angel's arc, in the first season, is realizing that there ARE people who love him and care for him, DESPITE HIS FLAWS. He is not an object, he is not a worthless sinner, he is a victim, he is a person, he is a FRIEND. Once he realizes that, he starts to be kind to himself, make better choices, set boundaries to himself and respecting other people's people boundaries. And speaking about boundaries...

Huskerdust is simply, aaah holy shit what a perfect dynamic, what a perfect shipp (and when I mean Huskerdust, I mean ONLY the romantic shipp).

Husk really got into Angel's nerves, because he was the only man who rejected his flirts. He didn't only rejected, he pushed Angel away many times and openly said that he could see that Angel was faking. To someone trying to hide his own feelings, afraid of being judged and ashamed of the consequences of his trauma, that probably hurted a lot. Angel was taught that his only worth is based on his physical beauty and if he is sexually desired. Seeing someone, not only rejecting his offers, but also seeing throught the act he puts on, must have terrified and hurted Angel in a way he never expected to feel. He wasn't upset because "Husk rejected him", he was feeling humiliated and confused because, for the first time in years, someone wanted to meet the real Anthony. Angel was gaslighted to think that he is only worth for sex, for being used.

So. "What do you mean Husk doesn't want to use me? He must hate me and I'm worthless!". It's obvious that he would have this reaction. During his breakdown after Husk called him "fake", he is saying those words to himself. He is reaffirming what he was told he was worth for: for being used. People would kill to have Angel in their beds, people would kill to afford Angel's services, people would kill to use Angel. "— Do you know how much I'm worth?" in fact, Angel himself doesn't know how much he is worth.

Husk was the person Angel NEEDED. He may have been harsh on him in some occasions, but Husk CARES for Angel. He is grumpy and won't say it out loud, but he does care. He protects Angel from being drugged and abused in a bar even after their argument. He offers to listen, he relates to Angel's situation and doesn't judge him. Angel NEEDED to have the reality shock throught Husk's words: no one cares if he's hot, famous, if he's a whore, if he has flaws, literally no one cares. His friends love him the way he IS. Husk wanted Angel to be truthful, that's all. Husk never forced any physical contact, in fact, he offers his hand first and waits until Angel accepts it — besides, his physical affection isn't based on sex or violence. Notice how Husk never actually said Angel's work is garbage or that he is a bad actor, because this would be a lie. Husk says the material that is given to Angel is garbage. After all, Angel's movies are written and directed by Valentino (if i'm not mistaken, one of his asshole clients Travis also help Val with the script), of course it's garbage. Husk sees that the situation Angel is in, is garbage. Is horrible. Angel felt offended at first because, again, he thought his worth was based on Val's bullshit, but NO. Angel, Anthony, is not Val's bullshit, he is absolutely different.

Husk sees him as a real person. After Angel overstepped boundaries many times, Husk could easily tell him to fuck off, let him be drugged and raped without giving a damn, mocking his trauma, which would be a total asshole attitude but no. Husk, even being mad at Angel, listens to him with an opened heart. This is what Angel needed. He needs love and affection from someone that sees him as he is, and this person is Husk. Their bonding is so sweet in the next episodes, and I'm really excited to see how their slow-burn is going to happen in next seasons.

"Loser, Baby" is such an amazing song, it's so cute and adorable and it's exactly the type of comfort that Angel needed. Husk is also on a leash. He sold his soul to Alastor, he is constantly mistreated and forced to do things he doesn't want to do by this powerful overlord, and if Husk says no, he might lose his life. He knows exactly how Angel is feeling. He doesn't have a solution for their problems, he can't do anything against neither Valentino nor Alastor, but what he can do is helping Angel. Comforting him, listening to him and offering him companion. Angel is living a horrible situation, but he ISN'T ALONE. Yes, Angel is a cocked-up dick sucking hoe, and IT'S OKAY.

Now listen: "Addict" is Angel's song that denies his suffering. He pretends to "don't give a damn" and to be fine with the life he's living. "Poison" is the realization that he needs help, he is being abused and is slowly destroying himself with his addictions. He aknowledges his suffering, but he is still hopeless. "Loser, Baby" is Angel letting hope in. He knows he's, well, a loser, a broken person that lives a terrible, suffered life, but he is NOT alone. He is loved, despite his flaws, because his friends aknowledge his qualities and worth, him as a person. Anthony, not Angel Dust.

What an amazingly well-written character, fuck my life. I love him so much 😭

[purplealmonds]

Observations about Mononoke Karakasa characters & relationships based on costuming & color palettes

Let's guess who these girls' parents are and see where this rabbit hole takes us!

Analysis below the cut! This isn't spoilers as much as it is just going over publicly available information with a fine tooth comb but proceed with caution. Buckle in, this is gonna be a long one!

Based on the color palette of their outfits, these two girls featured in the second trailer at the 0:17 timestamp are the twin daughters of Hokuto Mizorogi (溝呂木北斗) as indicated on his bio on the official website.

Given Mizorogi's status as priest of the "Omizu-sama" faith, it's entirely possibly he's given special privileges within the ooku to father a child.

According to Japanese geisha culture, their half-painted lips indicate that they are children. They partially shaved their heads is reminiscent of a nun's makes sense given their religious parentage. Two context clues combined, I believe they are priestesses-in-training - a position which is higher than even that of the most favored concubines.

Supporting this theory, these twins have a very high position of power in the Ooku despite their youth, as seen by them being at the front of the procession featured in the teaser trailer at the 0:07 timestamp. They also have uniquely colored umbrellas:

As an aside – given how most of the spiral-masked women are visually identical, uniquely colored outfits are a visual shorthand for status (or narrative significance) in the ooku.

And I believe they are the gatekeepers for the, uhhhh, how do I put this delicately? The shogun's baby-making room? Take this with a grain of salt though; I could only see a sliver of the room they were opening in the first screenshot. The colors seem fairly similar though!

But also consider: this babymaking room has a lot of eye motifs, which is reflected in the pit seen in the ceremonial area where I presume Mizorogi presumably performs his religious services:

The third trailer introduces the theme of discarding essential parts of yourself. There is a shot of the comb falling into a pool of water in an unknown location:

Paired with the visual of the comb lying amongst discarded valuables in the water in the second trailer, I'm going to hazard a guess this is a common "ritual" of sorts:

I'm willing to bet Mizorogi enforces this "identity discarding" ceremony on behalf of the shogun. It says in his character bio he's a strong believer of "Omizu-sama". Did he discard his role as a father to step into the role as a the priest?

Their mother may be Kitagawa (北川), a high ranking maid within the Ooku.

The twins' hair and eye colors look similar enough, but there's more meat to this theory. Kitagawa seems to be a narratively important character based on how heavily she's featured in the trailers in increasingly angsty/mysterious ways:

Perhaps Kitagawa "gave away" her motherhood to the waters, which has religious baptism connotations. This hypothetical scenario feels rife with mononoke-formation potential.

Furthermore, from costume design standpoint, she also shares the blue and teal colors featured in Mizorogi's outfit.

As for her purple accents, I believe it is a color reserved for the higher-ranking women of the ooku.

I have a theory that the darker a color is, the higher the status is. Consider:

Asa (Left), who is a new maid but has a lot of potential for upwards mobility.

Tokita Fuki (時田フキ) (Center)), a lowly commoner who caught the attention of the shogun. Because she's a commoner, the purple is faded despite her high status, perhaps representing that it will disappear once she loses the shogun's favor. But because the rose pattern is almost a one-to-one match to that of Mizorogi's, perhaps she is strongly favored by this man as well.

Awashima (Right), the subordinate of Utayama, who is falling out of favor as Asa rises in prominence. There are still pops of dark purple, but a washed out lavendar permeates her palette.

Both Tokita and Awashima also have highly saturated yellow/yellow-greens, which could represent potential danger of their power disappearing due to outside influences.

As for the deeper purple...

Otomo Botan (大友ボタン) (Right) - a lady in waiting and daughter of a high-ranking senior councilor. Note that she also has pale purple in her palette because her high status was not earned. Because she borrows power from influences outside of the ooku, the black accents are represent that she has more power than even Utayama, the most powerful woman within the ooku.

Utayama (歌山) (Left) - the woman with the highest position of the Ooku,  "Odoshiyoroshi". She is also prominently garbed in red and white, which is a color seen in the shogun and a little bit of Mizorogi's outfit:

Lighter shades of red (i.e. pink) also seem to indicate men of lower status that still have some position of power, like these guards:

Note that Kame (カメ) (Left) and Mugiya (麦谷) (Right) also possess these "masculine" colors which may indicate that they have more forceful personalities compared to other women within the ooku:

Their respective outfits also have analogous shades close to the blues prominent in Mizorogi's outfit. Assuming blue has religious connotations (akin to Virgin Mary), perhaps they are also strongly faithful to whoever this "Omizu-sama" entity is.

Meanwhile, Asa also wears pink, but does not feature any blue in her outfit. I think may represent her lack of faith. She does seem like a more levelheaded individual not easily swept away by more dazzling aspects of mysticism.

This is the look of a woman who not only has a braincell or two, but has it on her person at all times.

Now let's look at our main protagonists!

Kusu features red and purple color accents in his outfit, which makese sense for his gender ambiguous presentation. You could say that the other colors featured in his outfit represent how the influences he collects by interacting with humans. Black is also featured heavily as the canvas for these colors. As mentioned earlier, this represents influences outside of the ooku.

In contrast, Shingi while sports both the masculine red/white and feminine purple colors of power, the latter definitely eclipses the former which matches his masculine presentation. His outfit also has black, but because his influence in the world comes in bursts during exorcisms, it is featured less prominently than Kusu. His disheveled look may represent his discarding of these superficial societal norms. His power - symbolized by red - need not be worn. It is already tattooed onto his skin - literally.

The only other characters that have red tattooed onto their skin are the twins from the beginning of this post. Come to think of it, their partially shaved look may also be a nod to the shogun's power - indicating that their very existence is divinely approved by him. So we come full circle!

So, yeah! Although these twins don't have an official bio, there's a lot to learn about them and others from extrapolation and inference alone!

In summary:

Red/White = Masculine/Divine power

Blue = Religious power

Purple = feminine power

Yellow = danger of power loss

Light colors = weak influence

Dark colors = stronger influence

Thank you for coming with me on this long diatribe!

[sunderingstars]

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✩ ‧₊˚ ⌞ AHA SPLASH ART ANALYSIS ⌝

sampo analysis m.list

— what the stars reveal: honkai: star rail, interpretative analysis, mainly aha!sampo, emanator!sampo sprinkled in for funsies

— word count: 1.4k

— overview: (as of 2.2) a look at aha’s splash art, what it might mean, and the potential clues it leaves for the identity of a physical avatar.

note: this is my own interpretative opinion — it’s fine if you don’t agree! i know a lot of people don’t subscribe to elation!sampo theories, just as a lot of people do. this is an analysis i’m doing for fun and i understand there are many different & valid interpretations people can have about this. thanks! 🪐

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First, let’s look at the splash art itself:

Our eyes are immediately drawn front-and-center to two masks reminiscent of the comedy and tragedy masks from greek theater — however, instead of one smiling and one frowning, both appear to be laughing.

The other masks, which lay in the shadowed background, are the ones frowning. Note how the spotlights and coloring draw our attention to not just the laughing masks, but the masks themselves (more on this later).

A popular image of this splash art is one cropped down to only the laughing masks, showing that most people’s idea of Aha’s “face” is, in fact, centered around the front-facing masks:

However, upon closer look, we can see a variety of other objects at play, including the frowning masks:

The one on the right is specifically interesting because it also seems to have a spotlight on it. Despite not being front-and-center, its frown is still illuminated, perhaps suggesting a “multi-faceted” appearance or personality (even performative sadness or pain).

Other notable objects include: confetti, flowers with eyes, a coin purse in the shape of a mouth, eyeball-shaped candy, a toybox moon with a face, an owl-cat perched on a circus ball, a strange white bird with human legs and a top hat, the aforementioned frowning masks in the background, and, most notably, several playing cards.

The playing cards indicate a red 5 with an upside-down laughing face, a red heart with a frowning face, a black H with a frowning face, a potentially black 7, and a black pi (which might be a roman numeral 2, but since the 5 was not in roman numerals, my bet is on pi) with a smiling face.

While I do think most of these objects are supposed to be fun little trinkets for the sake of being fun little trinkets — like the circus balls and confetti — the playing cards, coin purse, and shadowed masks stand out to me as potential links between Aha and a physical avatar.

The playing cards have connotations to gambling, money, and deceit, with their unconventional markings tying into Aha’s multiple “masks” and ever-changing persona.

The coin purse signals further associations with gambling and money, with the mouth adding a layer of consumptive desire.

The shadowed masks, as somewhat mentioned before, heavily imply the existence of contradictory emotion behind Aha’s “facade” — a pain or sadness hidden by the flashy lights and faces.

Additionally, and perhaps most importantly, behind all of this gaudy glamor is a silhouette, easily missed for the bright colors of the smiling masks’ spotlight:

This silhouette is the most widely-circulated clue I’ve seen as to Aha having a physical, humanoid form.

While it may be difficult to make out at first glance, the shape of a human is undoubtedly there, complete with a jawline, neck muscles, biceps, and hands with the palms facing up.

To bring back the detail mentioned earlier, something important to note is that the spotlights draw our focus to the masks rather than the silhouette, manipulating us into only seeing the front-facing objects rather than the person beneath.

This diversion could very well speak to a more literal diversion in Aha’s form — a misdirection where They don’t want others to know Their true identity, so They throw the spotlight on others while They operate under the radar, away from prying eyes.

So, how does Sampo factor into all of this? Beyond the fact that a shady, somewhat pathetic underworld merchant on a remote snow planet is a great alias for “operating under the radar” in terms of the wider universe, let’s start with the silhouette itself, which bears a striking resemblance to Sampo’s E6:

As you can see, they seem to have similar jawlines, collarbones, and shoulder lengths. To me, it very much looks like an inverted version of the E6.

Additionally, the silhouette proper seems to have a broad upper body that tapers near the hips, which fits Sampo’s build. However, this connection alone isn’t enough to make a solid theory, so let’s continue.

I mentioned several key objects earlier, like the coin purse, masks, and playing cards. While these individual marks could apply to other characters (i.e. Aventurine & coins, Sparkle & masks), Sampo is the one that checks every box combined.

Who has an obsession with money (cash ➜ coins)? Sampo. Who is always smiling and hiding his true feelings (putting on a mask)? Sampo. Who is always playing a master game of disguise and manipulation to get what he wants, even if it seems he is “losing” at times (cards)? Sampo.

While I do admit Aventurine could also fit most of this criteria, it is important to note that Sampo is the only one to check these boxes while also being directly affiliated with the Masked Fools, a faction that worships Aha the Elation.

Additionally, we have already received a pretty intensive exploration of Aventurine’s backstory in canon, so I think it’s safe to say he walks the path of Preservation and is mostly affiliated with the IPC.

Sampo, however, walks the Path of Nihility, which in my mind has a lot of overlap with Elation. (I tend to see “Nihility” and “Elation” as existing on two separate ends of the “presentation of meaninglessness” spectrum, with Nihility as pure existential stagnation and Elation as pure existential chaos. As such, it’s easy for me to think of someone potentially going back and forth between Nihility and Elation since both Paths can place heavy emphasis on similar ideas.) Nihility is also the Path often associated with those who have something to obfuscate about their identity (ex. Welt & his past, Acheron & her memory, Kafka & “destiny”).

Overall, I think Sampo checks the most boxes if we are operating under the assumption that Aha has a physical avatar.

This isn’t even touching on the conversation between Sampo and Sparkle during the 2.0 Trailblaze Mission where he refers to himself as an “old timer,” or any other clues like his voicelines (looking at you, “everyone has a colorful past, wouldn’t you say?”) and fourth-wall breaking.

However, it is also possible that all these pieces of evidence can be used for the Emanator!Sampo theory — the different masks and coins in this case could resemble Aha’s Emanators, or a kind of shared or split consciousness that uses parts to make the whole. If we’re going based on that, my money is on this mask in the background being the one to represent Sampo, since the eyes/eyebrows are an expression he often makes:

This could break into several other theories, but the two that first come to mind are A. Sampo & the other Emanators are Aha’s “collection” of what They consider to be practical jokes or props, or B. These separate objects represent different parts of Aha’s consciousness or being — i.e. the parts that make the whole.

(Side Note: In this case, I would attribute Doll!Sampo to the coin purse, as it lines up with the Aha Stuffed Toy occurrence and Sampo’s name as a reference to Finnish mythology! Who knows, maybe he’s both?)

Additionally, there is always the chance of a divide between the silhouette and masks, with the potential of a silhouetted Sampo being a “background” entity occupying a different form than the “full” masks of Aeon Aha. (There can even be places of overlap between Aha! and Emanator!Sampo, so the two are not mutually exclusive!)

Whatever the case, I think there are many strong leads in the Elation!Sampo theory, especially including the ones in the splash art described here. Even though so many possibilities are open at this point, I think Sampo’s identity being closely intertwined with the Elation is a plausible interpretation of canon. However, these are still unconfirmed theories, so that doesn’t mean they’re 100% guaranteed (though I think they have a good chance!).

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𖥔 ݁ ˖ જ⁀➴ anyways, that’s the end of my analysis. let me know if there’s anything else you want me to talk about, since there’s a lot of stuff i didn’t touch on here!

also, thanks for reading this far if you did, i’m a bit of a nerd about this theory and i hope all of this made sense! if you want to add anything else to the splash art theory, please let me know, i’d love to hear any details i may have missed! thanks 🪐

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© analysis by sunderingstars. do not copy, repost, translate, modify, or claim my work as your own.

[awkward-tension-art]

Darkness on Umbara Chp.4 (Rex x Reader)

Chapter 3. Chapter 5.

Injured

cw: Rex x Reader, Reader is a medic, incorrect military procedure, graphic descriptions of injuries, blood, swearing, death and battle, Spoilers for the Umbara Arc, Pong Krell is an asshole, reader insert, Reader gets shot, POV of getting seriously hurt, reader is gender neutral, no use of (Y/N), if i miss a tag LMK

Minors DNI, even if theres no smut

You hated that you were right.

It was a total of 15 hours of marching before the battalion was commanded to stop. A quick survey of your surroundings told you that the platoons had made it to a main road. 

Ah yes, Anakin’s plan. Follow the road after probing the city's defenses. The scouts ahead would tell the rest of the 501st what to expect. From there, Rex and Krell would be able to plan ahead. Knowing what to expect would keep casualties to a minimum. 

“Are you questioning my order!?” 

Nevermind…

You sighed, looking up from where you tended to Jock’s broken leg. You were close enough to listen to Pong Krell tear into poor Rex again. He had a holo up, showing a map of the area, and the proposed plan, “this Battalion will take the main road straight to the capital. you will not stop and you will not turn back regardless of the resistance you meet,” He threw his hands up, shutting down the map, “we will attack them with all our troops. Not some sneak attack with a few men! That is my order and you will follow it explicitly. Do I make myself clear, CT-7567?”

You could tell from Rex’s stance that he wasn’t confident in the new General’s plan, in fact, you could tell he flat out hated it, “Yes, General.” but, Rex was a captain, and Krell a general.

“Now engage!” The Jedi commanded, earning a stiff salute from the captain.

You stood, after treating the ARF trooper’s leg. It was a tad more complicated treatment, as you needed to perform a surgery to put the bone back in place. However, after using about a liter of bacta, and some well placed sutures, Jock’s leg should heal fine after some rest. To be safe, you kept him in a medicine induced sleep for the next few hours. 

Kix dealt with Oz easily. The medic expertly put the kneecap back into place. The soldier gave an experimental kick and stood, “Good as new, Kix. Thank you.” Oz nodded, sounding rather happy to be back to walking. Or it was the painkillers. You watched him drape an arm around Ringo.

Definitely the painkillers.

You cast a glance over to your lover. His helmet was on and he was already informing the men. Even from where you were, you could see Fives and Jesse ready to argue. It was a stupid plan, and they all knew it. 

With a sigh, you got back on the speeder. Since Krell wasn’t going to march at the front, you’d need to stay near him. From what you’ve seen, he’ll probably be at a vantage point overlooking the road. If things went south, which they most likely would with such a careless plan, you’d be a safe distance away to tend to the seriously wounded away from the battlefield.

“Doctor.” The Jedi approached, almost as if your thoughts summoned him. His hands were behind his back, “You will be with the men on the main road.”

You furrowed your brow, “General, my training and rank dictate I always remain behind cover. Usually away from any battle if I can help it. I’m not supposed to be on the front lines.” 

Marching with the men was one thing. Marching with the men directly to a battle was another. Plus, you were supposed to maintain the medical supplies and keep an eye on Jock.

“Plans change, as a soldier you need to be prepared to adapt to the situation.” He shot back, tone indicating that he wasn’t going to argue.

“Sir, Jock and the medical supplies-.”

“Will remain with me. Such supplies are too important to be guarded by anyone but me.” Krell stated coldly. You were getting on his nerves and he wasn’t going to budge.

You looked dumbfounded, but saluted, “Yes, General.” Your words were defeated. Still, you had to suck it up and your steps lead you away to where Fives was seething alongside Jesse and Kix.

Rex wasn’t going to like this. You knew he took comfort in your position away from the front lines. Of course, he trusted you could handle yourself but you were a doctor first before a warrior.

“So…I’m marching with you.” You informed them as you all began to walk to the main road.

The ARC trooper practically exploded, “What!?”

“What about the supplies?” Kix sounded downright stressed. He looked back at Krell, who had gotten Appo to drive the speeder. This General wasn’t doing anything to help his nerves. Good men would die if anything happened to that vehicle and everything on it. 

“Fuck the supplies, what about you? You're our doctor. Kix won’t be able to handle all of us on his own.” Jesse chimed, “especially if this goes as badly as I think it will.”

You rubbed your temple, “Krell thought it better the supplies would be near him. Keep them off the front lines. I am to remain with the battalion.” Your foot met the flat, glasslike road. If it wasn’t so fucking dark on this planet, you assumed it would look pretty, “I’m pretty sure this is him punishing me for earlier.”

“What?” Your lover had overheard and approached, steps hurried to your side, “Why?”

“Enough, what's done is done.” You sighed, crossing your arms, “If things get bad I’ll do my best to slip away and get to safety.”

“Mesh’la, let me talk to him-.” Rex’s emotions got the better of him and he slipped out a term of endearment. He didn’t want to wait, turning to find the General again. You grabbed his arm, halting him. 

“So he can yell at you again?” Your voice was steady, “No, it’ll only piss him off. Besides, I’d risk getting shot if it means spending time away from him.”

Fives snickered, but Rex didn’t seem amused, “I don’t want you getting hurt.” He admitted quietly, “It’s dangerous.”

To be honest, you were nervous. Yes, you’ve seen combat. Yes, you could defend yourself. But you weren't trained for front line combat. You were trained for medical care, potentially even surgery, on the field. You were afraid of becoming a liability. Something for the others to worry about. 

And Rex…clearly feared you getting hurt or killed. 

You looked around before brushing your hand against his. In response, he grabbed it and squeezed before letting go. 

Fives, the ever great friend, stood behind you both, blocking anyone's view of your brief moment of affection.

“Kids, behave.” Kix joked, earning a small laugh from you.

“Oh I absolutely knew something was going on with the both of you,” Jesse snickered.

The clone captain cleared his throat, “I don’t know what you're talking about.” 

“Sure, sure.” Fives joined in on the teasing, “No sleepovers between you two. And if you go out, be home before curfew.”

Oh, his brothers did love to tease. 

Rex let out a deep sigh and shook his head. You knew under that helmet he was blushing. He was most likely flustered, so you did him the favor of shushing your friends, “That's enough you three.”

The slight jovial mood was ended quickly by another voice, “Sir,” Looking back you recognized Tup walking up  next to Hardcase. Hopefully, he hadn’t seen or heard anything between you and the captain. Though, judging by his next question, he most likely didn’t, “why aren't we sticking to the original plan, and probing the city defenses first?”

“We can do this. Let's take them.” The hyperactive trooper raised his weapon slightly. 

Jesse scoffed, “Yeah, leave it to Hardcase to dive in head first.”

Fives let his thoughts be known by speaking up again, “The General's new plan is reckless.”

“I agree.” you nodded, “It seems like he doesn’t care about strategy. Or the lives it’ll cost.”

Another trooper interrupted you all, “You ever think that maybe the General knows what he is doing?” Dogma snapped. 

“Watch the tone.” Kix retorted, silencing the rather obedient soldier. 

“Enough.” Rex stamped out the small quarrel.

Fives turned to him, completely ignoring Dogma’s words, “I know you think this is a bad idea.”

“I raised my objection to General Krell's plan, but he didn't agree.” There was a sigh in the captain's voice, “So, this is it.”

You wanted to hold your lover's hand again. Comfort him. Tell him he was doing as good a job as anyone in this situation. He sounded so…tired. More so than previous battles and planets.

Krell was getting to him.

The ARC trooper argued, “What if he's wrong? Then what?”

You were about to silence him, but Rex spoke again, “This isn't the time for a debate. Right now, we have to stay alert.” He shut down any future objections. 

It worked for a time. The men remained silent, paying close attention to their surroundings. It was only broken by Tup muttering, “Eh, it's too quiet out there.”

He was right. After everything you’ve seen on Umbara so far, you should have been ambushed by now. Your hand drifted to your pistol and you pulled it from your holster. 

You had the worst feeling.

It didn’t go away, so you kept your head down. Your eyes had adjusted to the low light of Umbara, and now you were able to make out certain details of the road. The tiles were hexagonal, and looked glass-like. You guessed the material was this planet's version of marble. Every step you took was slow and deliberate, however, you stopped. 

One of the tiles ahead of you had a very, very minor glow. It was easy to miss if you weren’t looking down. 

“Doc?” Fives stopped next to you, keeping a grip on his rifle.

A cold feeling washed through your blood. The quiet made sense. The fact that you hadn’t been attacked yet made sense, “I think-” your warning was cut off.

The ground shook as two explosions went off behind you. The sky was temporarily lit up by the green fires of the traps that were set off. Two troopers cried out, getting sent flying before hitting the ground. 

“Mines! Nobody move!” As if on cue, everyone hit the ground, keeping low. Rex had his hand on your back as everyone waited for something else to happen. 

Your captain got on one knee beside you and pointed behind him. You stared ahead and listened as two troopers checked on their downed fellows. 

“Oz is down.”

“So’s Ringo.”

“Damnit.” you hissed, looking back. Even from where you were you could tell they had died in pieces. Even if they survived, they wouldn’t have lasted long based on where half of Oz’s body lay and both of Ringo’s legs landed, “Didn’t even get a chance.” 

Such gruesome, violent sights didn’t cause nightmares anymore. Instead, they only fueled your anger at this war. And right now, you were enraged by this careless plan Krell had thrown at the battalion.

“Can you sweep ‘em?” Rex helped you up as he spoke to Fives.

The ARC trooper scanned the road carefully. Within the rays of the scanner, several of the hexagonal tiles reflected the light, “There are more over here,” He informed the soldiers, “Looks like the whole road’s been boobytrapped. Watch your step.”

The march would have continued, but it felt like four steps later when another explosion went off. The ground shook violently and Umbarans burst from the thick, dark foliage. It seemed like they just teleported around you, immediately shooting. Blaster shots came from all sides.

You dove, getting behind Rex. Your back was to his, and your pistol was in your hands. You matched his steps and he matched yours with skill. If he stepped back, you stepped forward. If you turned he turned. It was a small dance the two of you entered, watching each other's blindspots, and shooting any approaching adversaries. 

Above the chaos, you heard Tup cry out, “We’re completely exposed!”

“Hold your ground!” the clone captain ordered the men. He focused, shots firing rapidly all around him.

An explosive shot from one of their cannons landed too close. The shockwave knocked you down, landing next to Hardcase, who was surprisingly upbeat, “You want a piece of this!?” He called out, laughing.

You were too focused on not dying to join in on his chipper attitude. Using the trooper as cover, you managed to get up on your knees and continue shooting.

Another shot rang out, the cannon bolt hitting North directly off his AT-RT. The transport collapsed into pieces, and the ARF trooper remained still on the ground. 

Using the smoldering metal vehicle as cover, you rushed to his side. It didn’t really occur to you that his head was 3 meters away until you knelt by his body, staining the lightweight plastoid armor on your legs with his blood. 

North. Dead.

You mentally checked him off, needing to shut down and work. Someone screamed in agony behind you, so you hurried to them. A shiny was down, gripping his burning side. 

“Come with me.” you grabbed his shoulders and rushed back to the downed AT-RT. The hunk of metal and wires was your only cover in the middle of an ambush. Your training took over, blocking out all the noise and chaos. So you worked. 

Third degree burn. Bacta can fix it. Cover in bandages, but not too tight. It was a quick treatment, less than 2 minutes you had the shiny back up and fighting. 

Another cannon blast, “We’re blown!” someone cried through the loud bang. The ground shook when another boom followed. 

“The Umbarans are advancing!” 

“Make them eat heat!” 

You had to get away. Lay low until the fighting stopped. Maybe Krell would let you get back to the medical speeder…

Looking around quickly, it was clear that wasn’t an option. The Umbarans were closing in, completely surrounding the soldiers. It seemed as though for every enemy that was shot down, two more would take their place.

Dogma skidded down next to you, “They’re coming from all directions!” He shouted, wordlessly giving you his burnt wrist. 

Rude, but OK. This wasn’t the time to correct the soldier on his manners, so silently you treated his wound. Once you were done, he got up again and continued to shoot. You were going to follow him, but the force of a nearby cannon shot knocked you into the downed AT-RT, hitting the air out of your lungs. The hit was hard enough to disorient you for a second. 

However, you got your bearings quickly and spotted an Umbara advancing on your position. 

You attempted to raise your arm, but failed. Your hand wasn’t cooperating, you couldn’t shoot. A different soldier shot the Umbaran down, saving you. Looking down, you noticed blood. Dogma’s most likely, or North’s, but why would their blood stop your arm from working?

Come on, work! You tried aiming your pistol only to drop it. Your hand wasn’t closing properly. You were shaking. 

Why…?

Your brain finally comprehended what happened. The blood was yours. Your arm had been hit. A blaster bolt had knocked you into the AT-RT, not cannon fire. 

Calm down. Breath. Assess later. You were conscious. You were breathing. The shot to your upper arm most likely wasn’t that bad. You quickly wrapped the wound in a bandage, deciding to deal with it later. Or shock prevented you from thinking clearly.

“We don’t have any cover!” Fives cried out, throwing an Umbaran down and slamming his fist through their glass helmet.

Rex, thankfully, was still alive. His aim was impeccable despite the stress. Everywhere he looked, he shot and everywhere he shot, he hit the target. His tone was stressed but steady as he spoke, “We need to pull back! Get them to follow us. If we draw them out, we can see them!” 

“If we can see them, we can hit ‘em!” Jesse stepped backwards, continuously firing at the enemies. He paused to look down at where you were kneeling. He went noticeably rigid, “Doc-!”

“All squads, pull back now!” The captain’s command cut off the trooper. 

Without much thought, you grabbed your gun with your functioning hand and ran. You followed Jesse, as he was the closest to you. Your pace matched his as everyone retreated, following the main road back out of the forest where you entered.

A cannon rang out, hitting one of the trees beside you and Jesse. The glowing plant crackled and fell, slamming to  the ground with a boom. The smoking trunk offered some much needed cover. Fives leapt over it, turning and landing on his feet to continue to shoot, “Get ready, here they come!” 

A soldier close to you, running with the men, was launched back. He cried out in pain, hand going to his neck as he hit the ground.

Neck shot. Graze most likely. Your training kicked in again. You were a doctor. You had a job to do.

You pushed yourself out of the cover and dove to the injured trooper's side. Above you another ARF trooper was firing from his transport, keeping Umbaran blaster shots away from you as you dragged the poor man behind a collapsed AT-RT. 

“I-it’s nothin’ doc,” The trooper kept his hand on the side of his smoldering neck. 

“That's for me to decide.” you responded, carefully taking off his helmet,“What's your name, soldier?” He had a scar over his lip, and a blue left eye. A blaster shot nicked the metal cover and the both of you flinched down.

“Noct.” He responded, moving his head slightly to give you easier access to the wound. 

“I got you Noct.” Your words were calm and collected despite the raging battle around you. Your one hand worked as quickly as you could, getting bacta and bandages on the trooper. A cannon shot again, shaking the ground, but you adapted, being as precise and careful as possible. 

It was hard, since your arm still wasn't listening to you, but you got the job done, earning a “Thank you, doc!” from him.

Once Noct had returned to fighting, you took the chance to run further back. You stopped behind Hardcase, who, respectfully, was fucking insane by standing in the middle of the road and mowing down Umbaras with his minigun, “HAHA! Where are you going!? Get back here!” 

Fuck it. You remained behind him instead of finding cover, aiming your pistol and firing at the now retreating enemies. Through your haze of tunnel vision and adrenaline, you realized that more forces had joined you. Krell must’ve sent in reinforcements.

Fives stood from his location behind the downed tree, “They’re pulling back!” he cheered. As he spoke, the shots died down. Soon, it was only your side that fired their weapons until the enemies were gone, leaving only silence. 

You raised your com to your lips, “Kix, triage,” Immediately, you and the medic got to work. Neither of you had time to rest as you weaved through the soldiers, checking those on the ground. Kix went to the other side of the field, tending to those there. You found a survivor, knocked unconscious with a bleeding shoulder, without pausing, you went through one of your packs and began to bandage him up. 

Star on his chest. This was Pointer. You identified him. Single shot. All the way through.

Despite your focus, the yelling of Krell hit your ears, “CT-7567!” He stomped towards Rex, “Do you have a malfunction in your design!” the besalisk jerked forward, getting an inch away from the captain's face, “you've pulled your forces back from taking the capital city, the enemy now has control of this route!” He shoved one large finger into Rex’s chest, causing the clone to step back, “This entire operation has been compromised because of your failure!”

You wanted to yell at the Jedi. tell him to shut up, but your energy was sapped, your injured arm was starting to hurt and good soldiers were dying because of his fucking plan!

Fives spoke up where you couldn’t, “General Krell in case you haven't noticed Captain Rex just saved this platoon surely you won't fail to recognize that.” He spat, venom and hate dripping from every syllable. 

The Jedi turned slowly, facing the ARC trooper, “ARC-555,” His words became cold and furious, and he raised one large lightsaber, “Stand down.” The glowing weapon rested extremely close to Fives’ neck. So close, in fact, you looked down, expecting Krell to flat out kill him. 

Thankfully, he backed down, “Sir, yes, sir.” The ARC trooper growled, walking away.

Rex finally fought back in his own way, “Sir if I may address your accusation I followed your orders even in the face of a plan that was, in my opinion, severely flawed,” He stepped forward, keeping his eyes on the General, “A plan that cost us men, not clones, men!” Your lover ripped off his helmet to yell, finally snapping under the pressure of an incompetent leader. Even from a distance you could see the fire in his eyes. 

Times like this, you remembered why you loved him. His passion. His determination. 

Still, the captain continued, “As sure as it is my duty to remain loyal to your command, I also have another duty, to protect those men.” He was seething, but kept his anger under control. It was impressive as, if you were in his position, you might’ve just shot Krell and blamed the Umbarans.

His words seemed to quiet the Jedi. So you stopped listening, praying maybe he finally understood. Krell could say whatever he wanted, right now you had to focus on the injured soldiers. And there were a lot of them.

Your arm started to hurt again, so you took the chance to inject some painkillers.However, it wouldn't matter, as you didn’t have time to do anything to treat yourself. The Umbarans regrouped and attacked again. 

You and Kix would have to wait before you could do your jobs and save the men.

[xenosagaepisodeone]

I was complaining to alex about how printers have remained user unfriendly since the dawn of time for tasks beyond the most basic streamlined print/scanjobs, despite being a necessary appliance. he pointed out that printers are always going to be tricky machines because they are technically doing very difficult tasks. On the surface, I do understand; moving paper reliably is a very delicate process with many moving parts, manufacturers often stiffle innovation by viewing printers as a merely conduit for selling ink cartridges, not to mention "user friendly" touch screen software present in modern printers introduce a host of problems on their own. In accordance with my ideals however, I believe that the STE(A)M fields could combine the specialized knowledge relevant to their respective disciplines in order to create a wholly unique printer/scanner device. naturally, this would involve revolutionizing the way we think about the way we think about these machines, as well as the labor that goes into interacting with them. here's what I made alex listen to:

we need a printer you can have sex with and it will in turn use your genetic material over a short gestational period to produce it's own paper and refill it's own cartridges. the actual contents of the print would still be determined by the connected desktop, but the printer would sustain everything you need to produce the document until it was time to refill it again.

the printer serves a similar function as a watercooler in that it serves as a reprieve from labor while not actually being a reprieve from work. when you idle, sip or chat by a watercooler, you are exercising subordination to the social norms of your job vis a vis Congenial Coworker Conversation or rehydrating/taking a breather to maintain job performance (on top of ensuring you get back to your desk on time). your individual personality is digested and repurposed by the microbial culture of your workplace. Refilling the printer by extension is a display in the ability to separate intimacy with a partner from simply doing a printjob (<- colloquial name).

in the interest of alienating the process of refilling the printer further from sex, the printer will remain located in it's usual open area. the employee however will be forced to wear a uniform to indicate they are on "printer duty", and will be afforded a curtain to obscure the body from the shoulders down, encouraging socializing while emphasizing the task as something akin to conventional physical labor. the bleak harmony of the workplace evaporates any post-finish euphoria, finalizing the printjob's designation as merely another task.

once more like the watercooler, the printer will play a role in maintaining relations among coworkers. as one already tends to refer to personal possessions in human terms, the unique features of the printer coupled with it's flawless utility will only beckon employees to refer to it affectionately. "my work wife" and "my work husband" (<- a feminist spin) for the machine itself, and "my baby" for prints (as one already does with important docs). indeed, the printer is family, like all coworkers are.

"is the printer....alive?" not anymore than the lobster at the grocery store or the customer on the other end of the line at a call centre. don't think about it, you aren't being paid to.

"What if someone who is in charge of fucking the printer or watching someone fuck the printer develops a fetish for this rigidly defined process" well that means that my true plan is coming to fruition.......which is:

Are White Collar Printer Fuckers Sex Workers discourse in 2030