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thislovintime · 1 year

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Photo by Henry Diltz.

“‘The fan is great. Note I’m not saying the fans, because each Monkee fan is an individual and deserves to be treated in this way.’ There’s no denying that Monkee fans as a group respond to Peter’s personality and sincerity. Last summer on tour, it was always Peter who was standing hours on end to sign autographs, or Peter who was taking the time to discuss ideas with the many fans he met on tour. He doesn’t hesitate to tell fans what he thinks. If they’re misbehaving or disorderly, he tells them to shape up and have some courtesy. He’s not afraid of losing fans by being honest.” - Monkee Spectacular, June 1968

"Peter turned to look at me (probably due to the desperation in my voice), and when I gave him a handmade book of poetry I’d written, asked me what it was, was pleased it was for him, and smiled. And bless my brother’s heart, he immortalized the moment with his Polaroid Swinger. [...] [Seeing them in concert again during the 20th anniversary tour] Charla looked glazed, close to tears, and I — armed with my son’s Fisher-Price binoculars — never took my eyes off Peter. […] Since July 1, I’ve had a lot of fun watching reruns and singing full-blast to those tapes I made. And looking through that box of memorabilia, I’ve been gratified to discover that Charla and I and our other (unnamed) best friend were smart, creative and funny, as well as innocent. But mainly I’ve felt amazed again and again that in 1967 (at the apex of Monkee mania) Peter Tork took the time to treat my little book with sensitivity and respect." - Kay Betts, LA Weekly, September 11, 1986 (x)

“Last week we went to Peter’s house to meet him. He had some friends over, but he came out and talked to us. He looked so groovy, and he was twice as friendly and nice as we’d ever expected! He talked with us, took pictures, and signed autographs. We’ll never forget that day, and we just want to thank Peter for making that day the most wonderful in our whole lives! L.E. and S.M. Los Angeles, Calif.” - Monkee Spectacular, March 1968 (x)

“It was 3:00 [at the RCA studio] when Peter showed up and brightened everyone’s tired faces and spirits. It’s sure hard work to have to stand from ten in the morning until three in the afternoon and still look fresh and cheerful. But, when I gave Peter his presents of a gyroscope top, Mad paperback, paddle-set, and poem made to order about him alone, he smiled and looked so touched that every minute of waiting seemed all worthwhile.” - Lori Lee, KRLA’s The Beat, May 20, 1967 (x)

"A young girl in a blue bathing suit nervously stepped forward requesting an autograph. Peter signed: ‘Love, Peter Tork’ and drew a flower. ‘I dig flowers,’ he said. ‘I always put a flower after my autograph, because it’s more gentle that way.'" - The Des Moines Register, August 7, 1967 (x)

"My last sight of him was a smiling figure signing autographs for fans in the rain, each one with a ‘Love from Peter Tork’ and a flower." - June Southworth, Fabulous 208, January 17, 1968 (x)

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ariel-seagull-wings · 2 months

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ANDRÉ LEBLANC

@thealmightyemprex @themousefromfantasyland @the-blue-fairie @princesssarisa @piterelizabethdevries @themetropoliskonboy @a-roguish-gambit @knivxsanddespair @professorlehnsherr-almashy @gravedangerahead @softlytowardthesun

Early life André LeBlanc was born in 1921 in Haïti as the son of a French mother and Honduran father. LeBlanc's path of life led him through several countries, spending many years in the USA, Cuba and Brazil. In a March 1972 interview with O Pasquim magazine, LeBlanc said he had little memories of his time in Haiti. During the 1920s, the family already moved to the United States, where André LeBlanc spent the largest part of his childhood. In New York, he got his artistic training at the Art Students League, while debuting in the upcoming comic book industry.

American comic books In 1939, eighteen-year-old André LeBlanc got a job with the New York City-based comic production studio of Will Eisner and Jerry Iger. There, he was initially an assistant doing backgrounds and inking on the team's comic book production - largely for Quality Comics and Fiction House - while learning the trade from Will Eisner, Reed Crandall, Lou Fine and other associated artists. Among his other influences were the magazine illustrators Harold Von Schmidt, Matt Clark and Tom Lovell.

When Eisner-Iger was dissolved in 1940, LeBlanc worked for production studios led by Jerry Iger solo (S.M. Iger, founded in 1940) and Jack Binder (Binder Studio, founded in 1942), and also directly for publisher Everett M. "Busy" Arnold, who ran Quality Comics. At Binder, LeBlanc worked alongside Lee Ames and Dan Barry, who became lifelong friends of his. During these early years of his career, LeBlanc did pencil and/or inking duties on features like 'Sheena, Queen of the Jungle', 'Steve Brodie', 'Famous Fighters', 'Kayo Kirby' and 'Rip Carson' for comic books published by Fiction House Comics. At Fawcett Comics, he worked on superheroes like 'Bulletman', 'Captain Marvel', 'Golden Arrow' and 'Spy Smasher', while his Quality Comics contributions included work on 'Destroyer 171' in National Comics and 'P.T. Boat' in Military Comics. As an inker, he regularly worked with pencil artist John Spranger. During the 1940s, André LeBlanc also illustrated pulp magazines and occasional comic book stories for Street and Smith publishers.

Around 1943-1944, LeBlanc had to leave the USA for Cuba to take care of the estate of his recently deceased father, who was growing sugar and coffee on a piece of land. After wrapping up his father's businesses, he decided to stay and settled in Havana, which at the time, as he recalled in the O Pasquim interview, was a blossoming city populated by intellectual fugitives, spies of all nationalities and Spanish exiles.

Intellectual Amos While in Cuba, André LeBlanc got an idea for his own comic feature, and submitted it to his former boss in the USA, publisher Everett M. "Busy" Arnold. Intended as a protest against the superhero genre, 'Intellectual Amos' (1944-1945) was about a boy who was abandoned at the door of a library. Growing up there, he read everything and became an intellectual, who fought villains with his childlike innocence, unusual powerful memory and knowledge gained from reading. With four pages a week, 'Intellectual Amos' ran as a back-up feature in Will Eisner's Sunday newspaper supplement 'The Spirit Section' starting on 21 May 1944.

André LeBlanc continued to produce 'Intellectual Amos' when in 1944 he moved from Cuba to Brazil. There, he married his Brazilian wife Elvira Telles and settled in Niterói, a residential suburb of Rio de Janeiro. However, mailing his weekly comic pages to the USA eventually became problematic. The packages were intercepted by US customs and heavily taxed as works of art. Publisher Arnold was not prepared to pay the thousand dollar fine, and as a result the weekly 'Intellectual Amos' feature came to an accidental end on 29 April 1945. It was replaced by Al Stahl's 'Flatfood Burns'. Between February 1945 and August 1947, longer monthly stories with Amos and his sidekick Wilbur the Goblin appeared in Quality Comics titles like Police Comics and National Comics.

Work in Brazil With his regular assignment in the USA coming to an end, LeBlanc began exploring the Brazilian market. One of his first publications there was the cover for issue #1914 of the children's magazine O Tico-Tico (May 1945). He then also illustrated double-page short story spreads for the weekly magazine O Cruzeiro, and contributed to the cultural monthly A Cigarra.

He later also did commercial art assignments through the São Paulo branch of the J. Walter Thompson advertising agency. For Editora Brasiliense, he made the interior illustrations for almost all the re-editions of the children's books by Monteiro Lobato (1882-1948); the cover drawings were by Augusto Mendes da Silva (AKA Augustus/Avgvstvs).

Morena Flor One of LeBlanc's best-known Brazilian comic creations was 'Morena Flor' (1948-1951), a daily strip of 833 episodes, published in the newspaper Diario da Noite. Debuting on 16 August 1948, Morena was a Brazilian jungle girl who fought the despoilers of the Amazon. Through Luiz Rosemberg's Agência Periodista Latino-Americana, LeBlanc's ecologically-themed strip was also distributed to newspapers in Argentina, Chile and Mexico. In 1953, the stories were also reprinted as a back-up feature in Capitão Atlas, a comic book based on the radio serial created by Péricles do Amaral.

Edição Maravilhosa Between 1950 and 1954, LeBlanc was also a prominent artist for the comic book collection 'Edição Maravilhosa - Clássicos Ilustrados', published by Adolfo Aizen's publishing company EBAL (Edição Maravilhosa da Editora Brasil-América Limitada). The Brazilian answer to the American 'Classics Illustrated' series, the Edição Maravilhosa comic books adapted important titles of Brazilian literature into comics.

LeBlanc notably drew the installments with adaptations of works by the 19th-century Brazilian Romantic novelist José de Alencar ('O Guarani', 'Iracema', 'Ubirajara', 'O Tronco do Ipê') and the regionalist novelist José Lins do Rego ('O Menino de Engenho', 'Doidinho', 'Banguê', 'Cangaceiros').

He additionally adapted classic novels by Joaquim Manuel de Macedo ('A Moreninha'), Dinah Silveira de Queiroz ('A Muralha'), Gastão Cruls ('A Amazônia Misteriosa'), Maria Dezonne Pacheco Fernandes ('Sinhá Moça') and Herberto Sales ('Cascalho').

Among the other artists working for this collection were Manoel Victor Filho, Nico Rosso, Ramón Llampayas, Aylton Thomaz, Gil Coimbra, José Geraldo and Gutemberg Monteiro.

Traveling reporter During the 1950s, LeBlanc also worked as an illustrator-reporter for the Brazilian newspapers Correiro da Manha and O Globo. For the latter, he traveled to the East for a series of 36 illustrated reports, first visiting India (Bombay, Benares, Agra, Calcutta, Goa), then going through Pakistan and the region that is now Bangladesh. After six months, he returned home through Europe.

In 1956, LeBlanc moved back to New York, where his wife could undergo medical treatment for a complication in her spine.

The treatment lasted more than a year, and the LeBlanc family decided to stay. In 1969, they went back to Brazil once again, but returned to the States a couple of years later. In Brazil, LeBlanc was part of a select group of cutting-edge illustrators that flourished in the country, but the repression of the military dictatorship made life difficult. In interviews, he expressed concerns about raising his children in the country.

A polyglot himself, he preferred to have his children educated in English instead of Portuguese.

U.S. comic book work Already in the second half of the 1940s, LeBlanc had renewed his old contacts in the United States. Between 1947 and 1948, he assisted his old taskmaster Will Eisner on the inking of 'The Spirit'. In 1949, he also contributed to the single issue of Eisner's children's comic book Kewpies, drawing the 'Pito' feature. He was also back at Quality Comics, drawing the 'Poodle Mc Doodle' feature in Modern Comics. Between 1951 and 1953, LeBlanc drew stories for Quality's 'Plastic Man' comic book, following in the footsteps of the series' creator, fellow former Eisner co-worker Jack Cole. LeBlanc's closeness with Will Eisner persisted over the years. In 1983, he helped his old friend with the colorization of his graphic novel 'Signal from Space'.

During the 1950s, even before his return to the USA, LeBlanc continued to work for American comic book companies. In 1952-1953, he drew a couple of crime and horror stories for 'Authentic Police Cases' and 'Weird Horrors' by St. John Publishing.

A couple of years later, he was present at Dell Comics, drawing comic adaptations of 'The Hunchback of Notre Dame' (1957) and 'The Pride and the Passion' (1957) for the publisher's Four Color Comics line of one-shot books.

According to Jerry Bails' 'Who is Who' index, LeBlanc possibly drew episodes of features like 'My Paul, Alien', 'Spyman' and 'Super Surplus' for Harvey Comics in 1966. Between 1966 and 1968, he was working for Western Publishing, drawing about a dozen stories for the anthology titles 'Ripley's Believe It Or Not', 'The Twilight Zone' and 'Boris Karloff Tales of Mystery'.

For the 1967 'Wham-O Giant Comics' anthology - published by the Wham-O toy company - LeBlanc made the three-page World War I story about 'The Young Eagles'. Between 1966 and 1967, LeBlanc was a penciler and inker for the 'Mandrake the Magician' title of King Comics, the comic book imprint of King Features Syndicate. It was the first time he worked with one of Lee Falk's creations; more followed later in his career.

Ghost artist for newspaper comics For a large part of his career, André LeBlanc was happy to work in the service of others. Besides assisting Will Eisner, he spent long periods of time doing well-paid jobs as assistant and ghost artist for newspaper comics.

Between 1957 and 1959, he regularly helped his former Binder Studio colleague Dan Barry with the 'Flash Gordon' newspaper comic. During this same period, he ghosted for Dan's brother Sy Barry on large parts of the civil rights comic book 'Martin Luther King and the Montgomery Story' (Fellowship of Reconciliation, 1958).

Around 1976, he replaced George Olesen as Sy Barry's regular assistant on the newspaper comic with Lee Falk's 'The Phantom'.

One notable sequence penciled and inked anonymously by LeBlanc were the 1977 daily strips and Sunday pages detailing the Phantom's marriage to Diana Palmer.

LeBlanc continued to work with Sy Barry on an on-again off-again basis until the latter's retirement in 1994.

In the 1970s, LeBlanc also did some assistant work on the 'Mandrake the Magician' newspaper comic, another Lee Falk creation, drawn for King Features Syndicate by Fred Fredericks.

In August-September 1976 and August-October 1978, he additionally helped Alex Kotzky with the 'Apartment 3-G' strip and in the 1978-1979 period, he also ghosted on both Sunday and daily episodes of the 'Rex Morgan, M.D.' strip for Frank Edgington and Marvin Bradley.

Our Bible in Pictures LeBlanc's biggest claim to fame was arguably the Bible series he did for publisher David C. Cook. The origins of the project lay in the early 1950s, when Cook had Reverend David S. Piper write and Joseph Wirt Tillotson draw Bible stories in picture story format, added as "take home" supplements to Sunday Pix, a Christian comic book aimed at Sunday School pupils. By 1958, plans for a full Bible comic adaptation came about. Editor Iva Hoth was chosen to write the text to go with the pictures, while LeBlanc was hired as illustrator. Between October 1959 and 1964, 'Our Bible in Pictures' appeared as weekly installments of three to four pages in Sunday Pix. In 1964, selections of the feature were collected as the 'Life of Jesus' book, which appeared with editions in English, Dutch, Finnish, Indonesian, Japanese, Norwegian, Russian, Spanish, and Swedish.

In 1973, the first book version of the entire series appeared in black-and-white as the six-volume 'The Picture Bible for All Ages' collection. For reprints later that decade, LeBlanc was assigned to colorize the entire project. In 1978, a New Testament version appeared, followed in 1979 by 'The Picture Bible', containing both the Old and New Testaments in 750 full-color comic pages. Since then, the book has often been reprinted, becoming a worldwide hit. Interviewed in May 2001, the director of Cook Communications Ministries International, Ralph Gates, estimated that 75 million copies of the Picture Bible had been distributed around the world with translations in over 130 languages, including Russian, Spanish, Portuguese, Hungarian, Romanian and Tagalog. In 2010, David C. Cook Publishing released a new and modernized version of 'The Picture Bible', entitled 'The Action Bible', with scripts by Doug Mauss and artwork by Sergio Cariello.

Other work Following the immense success of this ambitious Bible project for David C. Cook, LeBlanc became a sought-after illustrator for other Bible-related projects, including work for magazines and Sunday schools. In the mid-1980s, he was hired by Hanna-Barbera as character designer for the animated direct-to-video series 'The Greatest Adventure Stories from the Bible' (1985-1992). Years earlier, he had already worked for Hanna-Barbera as an in-betweener on the animated TV show 'Space Ghost and Dino Boy' (1966-1968).

During the 1950s, LeBlanc also teamed up with former Binder Studio colleague Lee Ames to illustrate children's textbooks for publisher MacMillan. Represented by Ames' agent Mary Gerard, LeBlanc also landed jobs with other educational publishers, such as Allyn & Bacon. With Ames, he additionally collaborated on book projects like 'George Washington: Frontier Colonel' (Random House, 1957) and 'Draw 50 People from the Bible' (Watson-Guptill, 1995).

In 1959, LeBlanc was a contributing illustrator to the twelve-volume 'Picture World Encyclopedia' series, edited by Gene Fawcette. He illustrated paperback novels like 'Snow Treasure' by Marie McSwigan (Scholastic, 1958) as well as a mid-1980s sex manual, while doing commercial art assignments through the Ted Bates Advertising Agency. He was additionally an instructor at New York City's School of Visual Arts.

Recognition and legacy

In Brazil, André LeBlanc was awarded the prestigious "Southern Cross" - the highest honor that can be bestowed upon a Brazilian citizen - for his illustrations for classical literature.

After a long and varied career, André LeBlanc died in the USA on 21 December 1998, at the age of 77. Dividing his time between the USA and Brazil, LeBlanc worked in many fields and genres.

From the blossoming American comic book market to Brazilian journalism and youth literature, and from religious publications to newspaper comics. In articles, LeBlanc was described as a person with a great curiosity and intellect.

During his lifetime, he learned how to speak six languages fluently. He was also known for his keen understanding of science, politics, history and arts. These character traits he shared with his signature creation, 'Intellectual Amos'.

This boy genius can be considered a forerunner to later comic book whiz kids like 'Génial Olivier' by Jacques Devos in the Belgian Spirou magazine (1963-1988), and Alan Moore and Kevin Nowlan's 'Jack B. Quick' (1999-2002) at DC Comics in the USA.

André LeBlanc was also cited as an influence on Flavio Colin.

#andré leblanc #art #illustration #comics #comic strips #comic books #haiti #brazil

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omegaremix · 1 month

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Summer 2013 Mixtape:

Anti-Nowhere League “For You”

Appaloosa “Intimate”

A’Simetric “Refusal”

Beach Fossils “Youth”

Belle Game, The “River”

Bibio “You”

Big Barney “Whole Damn Thing, The”

Big Business “Another Fourth Of July…Ruined”

Blackbyrds, The “Love Is Love”

Boards Of Canada Tomorrow’s Harvest

Brought Low, The “The Kelly Rose”

Cabaret Voltaire “Sensoria (Razormaid)”

Cabaret Voltaire “Yashar”

Cigarettes, The “You Were So Young”

Chick Carlton & Mesmeriah “One More Time With Feeling”

Christoph De Babalon “Marble Stairs”

Chvrches “Gun”

Chvrches “Recover”

Classixx “All You’re Waiting For”

Com Truise In Decay

Death For The Whole World To See

Death Spiritual Mental Physical

Dick Hyman “Give It Up Or Turn It Loose”

Disclosure “When A Fire Starts To Burn”

Dornik “Something About You”

Drums, The “Money”

Flora Purim “Angels”

Francis Monkman “Getting Ready”

Frank Ricotti “Vibes”

Fuck Buttons “The Red Wing”

GG Allin & The Unseen “Murder For The Mission”

Giorgio Moroder “Midnight Express”

Glass Candy “Redheads Feel More Pain”

Gold Panda “You”

Herbie Hancock “Butterfly”

James Mason “I Want Your Love”

Killing Joke “Love Like Blood”

Killing Joke MMXII

Lee Ranaldo “The Bridge”

M.I.A. “Bring The Noize”

Mantronix “Bassline”

Mantronix “Needle To The Groove”

Manzel “Midnight Theme”

Mark Pritchard “Duppies”

Merzbow “Action For Green 2”

Mike Simonetti “The Magician”

Minnie Riperton “Les Fleurs”

Muslimgauze “Zion Under Islamic Law”

Nine Inch Nails “Came Back Haunted”

Preatures, The “Is This How You Feel”

Primal Scream “City Slang”

Ramallah Underground “Amputate (With The Unpeople)”

S.M. Nurse “No Pop”

Slowdive “Morningrise”

Stars And Bars “Stars And Bars”

Sunburst “Mysterious Vibes”

Tarika Blue “Dreamflower”

#omega #music #playlists #mixtapes #personal #jazz #fusion #shoegaze #indie #punk #techno #hip-hop #synthpop #industrial #noise #drum-and-bass #noise rock #breakbeat

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pierre-reads-comics · 10 months

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Fantastic Four (1961) #9 — Stan Lee, Jack Kirby

Wait...S.M. studios?

No.

He wouldn't have, would he?

#Fantastic Four #FF V1 9

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exoplanetupdates-blog · 2 years

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EXO Variety Masterpost (2016-2019)

2019:

Travel the World on EXO’s Ladder S2 (EXO)

Radio Star (EXO)

Knowing Bros (EXO)

Stage K (EXO)

My Little TV (EXO-SC)

Lee Soogeun’s Channel (Xiumin, Suho)

Stranger Things Promotions (Suho, Kai)

Heart For You (Xiumin)

I Live Alone (Xiumin)

Idol Producer S2 (Lay)

Go Fighting S5 (Lay)

Reknow (Lay)

Happy Camp (Lay)

Rave Now (Lay)

Yoo Heeyeol’s Sketchbook (Baekhyun)

Star Road (Baekhyun)

5 Bros (Baekhyun)

Life Bar (Chanyeol)

Heart For You (Chen)

Radio Star (Chen)

Dingo Music (Chen)

Amazing Saturday (Chen)

RUN.WAV (Chen)

Studio Music Hall (Chen)

Sooro’s Rovers (Kai)

Under 19 (Kai)

Busted S2 (Sehun)

Coffee Friends (Sehun)

2018:

EXO Arcade S1 (EXO)

Knowing Bros (EXO)

Travel the World on EXO’s Ladder S1 (EXO-CBX)

Lee Soogeun’s Channel (Baekhyun, Kai, Sehun)

Happy Together (Baekhyun, Sehun)

Kingpin Match (Chen, Chanyeol)

The Return of Superman (Chanyeol, Kai)

It’s Dangerous Outside the Blankets S2 (Xiumin)

Life Bar (Xiumin)

Go Fighting S4 (Lay)

Idol Producer S1 (Lay)

Idol Hits (Lay)

Day Day Up (Lay)

Happy Camp (Lay)

Letters China (Lay)

The Letter (Lay)

Rave Now (Lay)

Salty Tour (Chanyeol)

Yoo Heeyeol Sketchbook (Chanyeol)

Star Road (Kai)

Busted S1 (Sehun)

2017:

Tourgram (EXO)

Knowing Bros (EXO)

Idol Men (EXO)

JYP’s Party People (EXO)

Amigo TV (EXO-CBX)

Marumaru to Shin Douga (EXO-CBX)

Korea From Above (Xiumin, Suho)

Let’s Eat Dinner Together (Suho, Chanyeol)

Hello Counselor (Suho, Sehun)

Master Key (Baekhyun, Chanyeol)

It’s Dangerous Outside the Blankets S1 (Xiumin)

Wednesday Food Talk (Suho)

Go Fighting S3 (Lay)

The Next (Lay)

Happy Camp (Lay)

Fantastic Duo (Chen)

Happy Together (Kai)

The Taemin: Xtra Cam (Kai)

2016:

Exomentary (EXO)

Star Show 360 (EXO)

Infinite Challenge (EXO)

Abema TV (EXO)

Fantastic Duo (EXO)

MV Bank Stardust (EXO)

Sunshine Art (EXO)

Mini Documentary of Jae (EXO)

Yoo Heeyeol Sketchbook (EXO-CBX)

The Viewable SM (Chen, Chanyeol, Sehun)

Happy Together (Suho, Chen, Chanyeol)

Trip Without Manager (Xiumin, Chen)

My SMT (Xiumin, Chen)

The Return of Superman (Xiumin, Chen)

Idol Chef King (Suho, Baekhyun)

Sugar Man (Chen, Chanyeol)

Yummy Yummy (Kai, Sehun)

Go Fighting S2 (Lay)

S.M. the Artist (Lay)

Happy Camp (Lay)

Day Day Up (Lay)

We Got Married (Lay - cameo)

Duet Song Festival (Suho)

Radio Star (Chen)

God of Music (Chanyeol)

Running Man (D.O.)

#EXO #VARIETY #2016 #2017 #2018 #2019

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gaymer-hag-stan · 2 years

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[2/6] Vs. Lee S.M.

#BoA #Kwon Bo-ah #Forgive Me #K-pop

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myramglina · 2 months

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vimeo

EXO Monster Music Video from BEOMJIN on Vimeo.

onair | "Monster - EXO" MV | Musicvideo Directed by Beomjin(VM Project Architecture / Low Laundry Media House) Produced By S.M.ENTERTAINMENT _ S.M. Creative Director Heejin Min // ⓒ 2016. S.M.ENTERTAINMENT Co. Ltd. ALL RIGHT RESERVED \\\ Production Company Low Laundry Media House(VM Project Architecture), Post Production FILPEVIL(donghyck Seo), Line Producer 1st AD Yohan J 2nd AD Soobin P 3rd AD Jiwoo K _ Executive Producer Beomjin J / Doug Riggs, DOP(Directed of Photography) Jinwoo Kim, Lighting Director Joonghyck Jung, Art Director Moonyoung Lee #exo #exact #monster #sehun #chen #do #xiumin #baekhyun #kai #suho #lay #chanyeol #musicvideo #vmproject #lowlaundry

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keynewssuriname · 8 months

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Autobestuurder belandt in bos na black-out

Autobestuurder belandt in bos na black-out De 23-jarige autobestuurder S.M. belandde op maandag 15 januari in het bos langs de Commissaris Thurkowweg, iets voorbij visbedrijf Heiploeg Suriname, nadat hij een black-out kreeg.... lees meer op: Read the full article

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hrz664 · 10 months

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ㅤ

𝙰𝙱𝙾𝚄𝚃 𝙼𝙰𝚁𝙺 𝙻𝙴𝙴

Mark Lee is also a Canadian member of NCT. He is a rapper as well as a singer. Mark Lee is usually called Mark, and the name Lee is the surname of his family. Mark was born on August 2, 1999 and now he is 20 years old, still young, KLovers. In addition, Mark, who is a member of the boy band from South Korea, NCT, has officially graduated and joined NCT Dream on December 31, 2018.

Mark has joined S.M. Entertainment through a global audition in Canada. He was introduced as a member of SM Rookies in 2013. In addition, in 2016 Mark was also introduced in several debuts starting from the first sub unit to the third sub unit. Mark also had a chance to collaborate with Henry Lau on a Korean drama soundtrack.

In 2017 Mark managed to be successful even though he did not become the first number in the High School Rapper hip hop program audition to be precise on January 9th. Until finally in February 2018, Mark became one of the hosts of the Music Core music program that aired on MBC. There are several songs written by Mark, from 2016 to 2019. In addition, Mark also participated in shows on television from 2014 to 2018. Not only that, he also participated in the video clip in 2017 with the song titles Young & Free and Lemonade Love.

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mirandamckenni1 · 1 year

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Liked on YouTube: The Most Misunderstood Concept in Physics || https://www.youtube.com/watch?v=DxL2HoqLbyA || One of the most important, yet least understood, concepts in all of physics. Head to https://ift.tt/YpZQVdA to start your free 30-day trial, and the first 200 people get 20% off an annual premium subscription. If you're looking for a molecular modeling kit, try Snatoms - a kit I invented where the atoms snap together magnetically: https://snatoms.com ▀▀▀ A huge thank you to those who helped us understand different aspects of this complicated topic - Dr. Ashmeet Singh, Supriya Krishnamurthy, Dr. Jos Thijssen, Dr. Bijoy Bera, Dr. Timon Idema, and Dr. Misha Titov. ▀▀▀ References: Carnot, S. (1824). Reflections on the motive power of heat: and on machines fitted to develop that power. - https://ift.tt/PL18msI Harnessing The True Power Of Atoms | Order And Disorder Documentaries, Spark via YouTube - https://ift.tt/LWQn4tD A better description of entropy, Steve Mould via YouTube - https://ift.tt/wbLRz3G Dugdale, J. S. (1996). Entropy and its physical meaning. CRC Press. - https://ift.tt/Lo0rJyi Schroeder, D. V. (1999). An introduction to thermal physics. - https://ift.tt/j3NPqgX Fowler, M. Heat Engines: the Carnot Cycle, University of Virginia. - https://ift.tt/sjaGDf1 Chandler, D.L. (2010). Explained: The Carnot Limit, MIT News - https://ift.tt/92Fctxv Entropy, Wikipedia - https://ift.tt/nAl3rRY Clausius, R. (1867). The mechanical theory of heat. Van Voorst. - https://ift.tt/mxwn6Is What is entropy? TED-Ed via YouTube - https://ift.tt/7roF5lg Thijssen, J. (2018) Lecture Notes Statistical Physics, TU Delft. Schneider, E. D., & Kay, J. J. (1994). Life as a manifestation of the second law of thermodynamics. Mathematical and computer modelling, 19(6-8), 25-48. - https://ift.tt/B2H3aSk Lineweaver, C. H., & Egan, C. A. (2008). Life, gravity and the second law of thermodynamics. Physics of Life Reviews, 5(4), 225-242. - https://ift.tt/2FfMCLX Michaelian, K. (2012). HESS Opinions" Biological catalysis of the hydrological cycle: life's thermodynamic function". Hydrology and Earth System Sciences, 16(8), 2629-2645. - https://ift.tt/WPv5c3z England, J. L. (2013). Statistical physics of self-replication. The Journal of chemical physics, 139(12), 09B623_1. - https://ift.tt/nRtKjsI England, J. L. (2015). Dissipative adaptation in driven self-assembly. Nature nanotechnology, 10(11), 919-923. - https://ift.tt/GkOohNM Wolchover, N. (2014). A New Physics Theory of Life, Quantamagazine - https://ift.tt/aUZxyEV Lineweaver, C. H. (2013). The entropy of the universe and the maximum entropy production principle. In Beyond the Second Law: Entropy Production and Non-equilibrium Systems (pp. 415-427). Berlin, Heidelberg: Springer Berlin Heidelberg. - https://ift.tt/cQAa6ur Bekenstein, J.D. (1972). Black holes and the second law. Lett. Nuovo Cimento 4, 737–740. - https://ift.tt/w9Bs4OW Carroll, S.M. (2022). The Biggest Ideas in the Universe: Space, Time, and Motion. Penguin Publishing Group. - https://ift.tt/QAodeJE Black hole thermodynamics, Wikipedia - https://ift.tt/YDadyIz Cosmology and the arrow of time: Sean Carroll at TEDxCaltech, TEDx Talks via YouTube - https://ift.tt/kPdrb1h Carroll, S. M. (2008). The cosmic origins of time’s arrow. Scientific American, 298(6), 48-57. - https://ift.tt/j7aZHRO The Passage of Time and the Meaning of Life | Sean Carroll (Talk + Q&A), Long Now Foundation via YouTube - https://ift.tt/bm7eTFx ▀▀▀ Special thanks to our Patreon supporters: Emil Abu Milad, Tj Steyn, meg noah, Bernard McGee, KeyWestr, Amadeo Bee, TTST, Balkrishna Heroor, John H. Austin, Jr., john kiehl, Anton Ragin, Diffbot, Gnare, Dave Kircher, Burt Humburg, Blake Byers, Evgeny Skvortsov, Meekay, Bill Linder, Paul Peijzel, Josh Hibschman, Mac Malkawi, Juan Benet, Ubiquity Ventures, Richard Sundvall, Lee Redden, Stephen Wilcox, Marinus Kuivenhoven, Michael Krugman, Sam Lutfi. ▀▀▀ Written by Casper Mebius & Derek Muller Edited by Trenton Oliver & Jamie MacLeod Animated by Mike Radjabov, Ivy Tello, Fabio Albertelli and Jakub Misiek Filmed by Derek Muller, Albert Leung & Raquel Nuno Molecular collisions video by CSIRO's Data61 via YouTube: Simulation of air Additional video/photos supplied by Getty Images, Pond5 and by courtesy of NASA, NASA's Goddard Space Flight Center, NASA Goddard Flight Lab/ CI Lab, NASA/SDO and the AIA, EVE, HMI, and WMAP science teams. As well as the Advanced Visualization Laboratory at the National Center for Supercomputing Applications, B. Robertson, L. Hernquist Music from Epidemic Sound & Jonny Hyman Produced by Derek Muller, Petr Lebedev, Emily Zhang, & Casper Mebius

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