#Self consciousness is the inspiration killer

[magpiesketchins]

✨art✨

[crooked-wasteland]

An SA Survivor's Reading of Stolitz

I don't believe that creators should be confined to telling one type of story. The beauty of fiction is to explore worlds, emotions and scenarios that are by definition unreal. It gives a safe space to interact with extremes that we would never necessarily wish to experience in our real lives with the ultimate safeword of no longer engaging with the material.

That being said, as creators, there is an ethical awareness that must be maintained in order to tell stories of things like trauma and abuse. Being alone in a cabin in the woods with a killer, that scenario is not a pervasive subculture in our society. Whereas cases of child abuse, sexual and domestic abuse are not only real, but common. And the complexities of psychological damage that perseveres long after the traumatic events are necessary aspects to telling these stories.

If you are not consciously aware and attentive to the lasting impact these events have, you run up against the horrific possibility of retraumatizing an individual unprepared for the callous invalidation of their experience.

No one should ever be shamed for engaging with media that depicts trauma they themselves may have experienced. For many, engaging in the fiction of it is a way of processing and validating their experience. Frankly saying, if you wish to write about trauma at all, you should be writing for that audience in specific. Otherwise you are simply exploiting the horrors that real people live through and struggle with every day for some cheap drama at the risk of triggering someone whose story you are inadvertently telling.

And much like most therapy speak, the term Triggered has become appropriated and misused to the point of losing all meaning in the lexicon. According to the University of North Carolina, "A trigger is a stimulus that elicits a reaction. In the context of mental illness, "trigger" is often used to mean something that brings on or worsens symptoms. This often happens to people with a history of trauma or who are recovering from mental illness, self-harm, addiction, and/or eating disorders."

The university breaks down the types of triggers as well and gives examples as to what those subcategories mean. I highly recommend that even if you are not the sort to follow up on references, I do recommend going over the article. It offers coping suggestions as well for those who are at risk of becoming triggered and helps refocus the sense of control back to the individual.

With that said, this is where I came across the inspiration for this essay. I completely removed all information for this user because the last thing someone needs when expressing how the misappropriation of abuse triggers them is how it is their fault for being triggered. These are the original tweets this response was in reference to.

As such, I feel the empathetic need to write this essay as a sympathetic reading to this person and others who have experienced SA who find that Stolitz resonates in an undesirable and even harmful way. I think this person deserves to feel seen.

To make the argument that the relationship between Stolas and Blitz isn't fundamentally abusive requires an author-intent reading of the series. It necessitates massive leaps to fill in gaping plot holes that never clarify the story Medrano is intending to tell. This is plainly just a reading of the series as is with all the context that has been physically, actually, shown in the series and that alone.

Throughout the series, Blitz is depicted as emotionally volatile and unpredictable with low self-esteem and crippling loneliness. He is constantly hounding his employees through sexual harassment from a sense of envy over their loving relationship, and infantalizes his twenty-two year old adopted daughter through an abusive dynamic where she ranges from rude to outrightly cruel while he consistently sacrifices any personal boundaries and self-respect.

The relationship between Loona and Blitz in specific feels like a masochistic self-hatred on Blitz's part where he allows himself to be used and abused by a parasitic family member to feel wanted, showing a pure desperation to be desired by someone in any way. Loona is verbally and physically abusive to her adopted father, using terms of endearment like "Dad" as a tactic to control Blitz's behavior, rewarding him when he does something for her benefit and taking it away when she deems him embarrassing or unwanted.

Blitz's tie to Stolas in the main story comes when he is called in a vulnerable time. Hiding from Martha who is hunting him down, he explicitly tells Stolas that now is not a good time to call. Stolas, who has a visual of Blitz's situation, ignores all of it. He is unconcerned about the danger Blitz is in, instead viewing Blitz solely as a sexual object as he offers the trade of the book for sex.

Stolas is more keenly aware of Blitz's situation than even Blitz is aware of. He not only is told that the current moment is not a good time, and Blitz's tense tone portrays a sense of anxiety, but he can physically see Blitz. It exists entirely within reason that he chose this specific moment to call while he knew Blitz was in a difficult position, using the tension to leverage a quick response that would get Stolas his way without needing to intimidate Blitz himself. Using the threat of a third party to pressure compliance from Blitz.

Come Loo Loo Land, the interactions between Blitz and Stolas are simply outright hostile. Blitz actively does not want to have a sexual encounter with Stolas and is even so untrusting of the Goetia that he is repeatedly asserting the boundary that he is not at all interested in sex, which Stolas explicitly mocks by being openly sexually suggestive to him. Everything Stolas has to say to Blitz is steeped in objectified sexuality as Blitz asserts his person, dehumanizing him to the point that Blitz is first and foremost an object of gratification. Even to the point of neglecting and humiliating his daughter, Stolas uses the excuse of spending time with her as a means of leering on Blitz.

In this episode we see Blitz has a history of being overlooked and unappreciated. His act in Loo Loo Land went nowhere and we see the first hints of his failed performance career. Over the course of the series, this hint towards a crippling lack of self esteem masked by an extroverted exterior is reinforced.

In Harvest Moon, Blitz is genuinely flustered when given recognition by Striker. He is quick to devalue his relationship with Stolas because there genuinely isn't a relationship at this point.

After having gone missing for two episodes, Stolas returns, being slightly less sexual and slightly more affectionate. It is a sudden recharacterization, but it is only for this scene. The rest of the episode once again shows how Stolas values Blitz physically in a sexualized manner and claims Blitz through the use of a pet name he repeatedly requests not to be called. In the opening scene, Blitz vocalizes that he "doesn't mind" their arrangement for the book, which could be taken at face value in regards to the first season. He does have the option to reject the agreement at any time and return the book in the context of this episode. It's why, despite still being an abuse of power dynamics overall, the relationship itself doesn't tip over into abuse. Blitz has the same amount of autonomy as Stolas at this time, before the context of season two, he has just as much power to end the agreement.

With the addition of The Circus, this retroactively is a situation of placating one's abuser. Blitz assuring Stolas that he doesn't mind the sex would be a way of asserting Stolas' complete control over the relationship and that Blitz isn't necessarily threatening the status quo by his question.

They don't actually know anything about each other, they aren't friends and don't spend time together outside of their forced meetings. Blitz doesn't know anything about Stolas and questioning the need Stolas has for his book could very well be read as a means of interrogating the agreement as a whole and figuring out why this was the arrangement.

(The argument that Blitz had any opportunity to negotiate things comes from an audience bias. It is probably the dumbest thing I have ever seen put into writing. Blitz doesn't know that he has any leverage in the relationship at all. He doesn't actually know Stolas has any feelings for him. That's kind of the whole point of the hot and cold romance slant that Medrano is trying to replicate.)

This is because the book is not the reason the relationship exists.

Blitz does not instigate sexual conduct, Stolas does by leading Blitz into a private room and locking them both inside with the impression Blitz would have sex with him. Blitz has no choice in the location or the isolation. He was caught trying to illegally break into the home for the explicit purpose of stealing the book. He was caught and is effectively at Stolas' mercy in every sense of the word. Not only is he still alive due to Stolas' whimsy, but if he tries to escape now after being shown this grace he could risk having the guards hunt him down and the second time will most likely not be so kind.

He literally does not know Stolas. They met for a day as a playdate and Blitz spent the whole time manipulating Stolas into facilitating his own robbery. There is no trust between them, there isn't even a relationship. While the doe-eyed pink vignette animated around Blitz shows that Stolas has an attraction to him, Blitz is entirely in the dark about this. Stolas' behavior is merely unpredictable and precarious from his position and limited knowledge.

(Just a side note, the argument that because someone decides to do something must mean they are not afraid is just asinine. Generally speaking, most people who commit crimes are in a state of fight or flight, it is more akin to gambling your actual life. Its a rewards and risks assessment, not a case of being sociopathically unafraid.)

It isn't until Stolas dramatically announces his desire for sex that Blitz realizes he has something that can be used to distract the Prince while he steals the book. And that's the issue with the argument that Blitz is the one willingly escalating the situation: it's not sincere. Throughout the entire sequence, Blitz isn't once sincerely interested in Stolas. He leans into the pretense to gain control of the situation, of which, might I remind you, he has had zero control over up to this point. Not only is he not interested in Stolas, but this is a bid for control from the position of helplessness. This way he is not relying on Stolas' unpredictable behavior, he is reclaiming power in the dynamic by playing into Stolas' desire.

("But Stolas says nevermind and Blitz keeps going!!"

Yeah, because he needs to maintain control of the situation. This is what power dynamics actually look like; there is a two-way push and pull. The only way he has any power is through the lens of sexuality. He needs to keep Stolas interested in him to keep his position. But throughout the scene, he is explicitly depicted as being put off by Stolas. In fact the entire reason he ties Stolas up is because he was becoming too into the act. He is shown to not be sensually performing bondage, he is trying to remove a problem.

And side-side note, I know I said I wouldn't lean into Medrano's intention or explicit dictation on how she demands her show be interpreted, but she was the one who said that The Circus and Loo Loo Land are connected in the timeline and Blitz's hostility in Loo Loo Land reads far more like a man who feels used and taken advantage of. So even the argument that Blitz was an enthusiastic participant is disproven by Medrano's own metacommentary and character interactions.)

And ultimately, it all boils down to that last moment scene. Between willingly having sex with Stolas when he is tied up or the book, Blitz makes for the door to leave. He doesn’t willingly engage in sex with Stolas. Either you can read the scene as a form of pity sex, which in the context of Medrano’s timeline and Loo Loo Land, shows Blitz was not enamored with the encounter or you have to read this as being manipulatively pressured into it. There is no way to argue Blitz has any leverage in the situation and no grounds to argue that it was mutually enjoyed.

That doesn’t even start to cover the fact that all the way to Ozzie’s, Blitz is repulsed by Stolas. When calling, he openly shows that this is something he would rather not be doing. He doesn’t have feelings for Stolas and despite just using the man who is using him, just having to deal with Stolas is distressing for him.

This is not an equal or fair relationship dynamic. It is not a mutual relationship. This is a relationship of self-preservation and coercion. And the fact is, it could have worked with very small changes to The Circus. Having the dynamic be actually mutual would have been a great start, but just properly addressing the actual dynamic and having Stolas take ownership of what he's done, and validating the fact that coercion is sexual abuse. Because out of all the sweeping changes, retcons and inconsistencies, the one aspect that has persevered throughout the show is just how trapped Blitz feels.

In Truth Seekers, Blitz’s hallucination is contradictory in its attempt to be visceral, and that is not inherently a problem. Trying to be abstract, it is normal for people to experience contradictory emotions over something. It makes sense in that way, but it needs reinforcement in the expanded narrative to tell it's story. As such I am just going to give my reading on the sequence based on my narrative and state it as fact.

The clown costume shows that Blitz sees himself as a joke, feeding into his low self-worth that no matter what he does, he is always the clown being laughed at. The murky wasteland is a reflection of his life. Devoid of anything bright or good, it is populated by dead trees and the ground is a quicksand like sludge, showing how he devours the good and extinguishes it in his own life. He kills his own happiness. Moxxie exists as a critical voice Blitz hears, telling him how stupid and awful he is to everyone around him. Blitz rejects his own self-criticism, reaffirming his self destructive victim mentality that appears when faced with the consequences of his own actions.

It's when the characters of Fizzarolli, Verosika and Striker appear that Blitz gives his regrets, insecurities and resentments voice, poorly impersonating the voices of those who saw the real him. Striker mocking Blitz’s need for companionship, how he lies to himself constantly and presents himself as independent and assured when really he sees himself as needy and pathetic.

Fizzarolli adds to it, pointing out Blitz’s failures to make it on his own, however this portion of the series should probably be considered non-canon as the newest episodes established that Fizzarolli and Blitz have not had any contact with each other since the accident. The more important line Fizzarolli says “You're going to die alone”, have been written out of the show. There would have been no time or place for Fizz to have ever spoken this to Blitz.

Then there is Verosika, who brings up Blitz’s self destructive tendencies, showing Blitz’s own abusive behaviors towards characters like Moxxie. It also suggests an explanation to why Blitz tolerates Loona, because her constant rejection of him contradicts his reactionary need to push others away, as well as feeds his self-flagillation.

It is when he endeavors to flee the reflections of the worst parts of himself that he runs into Stolas. Perched atop a pristine staircase of gold, being fanned by two silhouettes of Blitz. This shows the power imbalance in every way. Blitz doesn't even walk up the stairs, but crawls. Himself just a faceless accessory to Stolas’ desires, but everything he has intrinsically tied to the power Stolas' exerts over him. This is shown explicitly by the chains around his hands and neck, Stolas' reeling him in as he bears a grimace of reluctance. It is the most explicit representation of being trapped between two bad decisions. Either he is just the joke, the failure, the asshole, the stupid piece of shit, or he is the pet, the object, the toy. Stolas mentioning Blitz being "afraid to love" is less a suggestion that Blitz has any feelings for Stolas, but instead his psyche convincing himself that the relationship is not so exploitive. That he is not being dehumanized and abused, but on some messed up level he is being wanted and desired, which is better than the wastes below.

Maybe one could say that Blitz is being elevated out of his situation for how the feathers removed the costume and sludge, essentially wiping him clean of his worst self, providing a sense of safety. But he only has this opportunity because of Stolas, and it isn't free as shown by the feathers also becoming the chains binding him. Because at the end of the day, Stolas isn't the prize at the end of the climb to self actualization, the stairs belonged to him in the first place. To escape the horror-filled wasteland below, Blitz has to play by the rules of the owner of the stairs.

And ultimately, that isn't a story that is off-limits.

The Stolas apologist argument is why the depiction of this dynamic is triggering and harmful, not the fact that it exists in the media. Just owning the scenario and having Stolas acknowledge that he has sexually abused Blitz would have gone a long way. Instead, Medrano and the fandom have insistently represented this victim-blaming interpretation where Blitz is responsible for his own abuse. And that will never be okay. This goes all the way back to my "Not All Victims are Survivors" post. Blitz is the victim in this and his bad behaviour and own abusive actions directly correspond to the fact that he is a victim with a victim mindset. He actively lives in the middle of his abuse and has formed maladaptive strategies through manipulation, harassment, verbal abuse, and self harm. These do not remove his victim status. There is no such thing as a "Perfect Victim". And he should not have to be any sort of way in order to have that experience validated. And the issue that is at the heart of this show is that the narrative and the fanbase require a victim to be framed as delicate and hapless to circumstance with a soft and gentle personality to be a victim. To come out of abuse aggressive and harsh with sharp edges is framed as being less valid. But this outcome is normal and it's a difficult battle to work on oneself to feel safe again. It's absolutely a story worth telling.

But you first have to be interested in telling a story.

[astvrook]

洪水 | YANDERE THEMES | HEESEUNG.

much has been speculated about "sloman", whose uniqueness lies in his emergence from the sewers of south korea. known as lee heeseung, during his school years, he faced bullying because of his poor eyesight and dependence on glasses. his extreme shyness also made him the target of cruel teasing and aggression that often left him injured.

he possessed introspection and anxiety about his surroundings, revealing disturbing signs of violent instincts. yet, over time, the constant belittling undermined his self-esteem, despite his submissive nature.

once heeseung met you, his vibrant life became monotonous, losing interest in social activities and group events, along with the appearance of unfounded rumours of criminal behaviour swiftly circulating around campus. he was once arrested for assaulting a former classmate and in a cycle of obsession that drove him to extremes. through charitable acts and sexual encounters, however, he sought an escape from psychological overwhelm. because, although exhausted, heeseung gave himself body and soul, with his obsessive thoughts weaving a dangerous web, and the burning desire drove him to act violently.

when they began a relationship, heeseung always looked completely exhausted, with the scratches on his back telling the story of unbridled passion the night before, and "obsessed bitch! i'd attack anyone and gouge their eyes out for you." he told you, as desire enveloped him and he moved with fervour, exploring every corner of your body with deep movements.

his breathtaking, heart-stopping kisses remained etched in your memory with astonishing clarity. being honest with yourself, you never did not enjoy the exquisite sensation of his soft tongue delicately exploring your mouth, and heeseung, for his part, felt truly alive when you were near. your presence was vital in his life, as essential as the skin that covered him.

you personified, for him, the idea of an inner danger.

it was in late 2019 when officials discovered an alarming scene in his basement: nine bodies devoured by ravenous maggots. and ironically, each individual present had had some sort of interaction with you. for example, one of them was a young man who rudely interrupted heeseung once to ask for your phone number.

that's when you realised that lee heeseung saw each individual as a potential threat.

happily, through numerous investigations to unravel the motives behind sloman's crimes, none of them managed to effectively delve into the killer's malevolent inclinations. you alone knew that you were his source of inspiration, his muse, and never mentioned it.

(…)

and now, years have passed since what happened, and as you slowly regain consciousness, you become aware of the cruel grip of the chair beneath you. while your eyes grow accustomed to the darkness, a grisly scene reveals itself to you: a once pristine wall was now stained by a dense, clotted mass of blood, surely witness to a heinous crime from the distant past.

you attempt to inspect the abandoned chamber and spot some barely visible traces of blood, which makes your skin crawl. even the sound of laughter in the gloomy atmosphere was a clear sign of trouble, because you recognised it.

it's lee heeseung's distinctive laugh.

your pulse quickens and a wave of panic sweeps over you with unfathomable intensity.

"all individuals, no matter how repulsive, deserve a dignified representation and a final feast to bring solace. my choice would be an exquisite feast, to be shared with you… my loved one (y/n)".

our eyes fall on heeseung, and though you don't initially recognise him, a flood of memories sweeps over you with force. his appearance remains as striking as ever, but since you last saw him, he has undergone a remarkable physical transformation. he's grown in stature and gained muscle mass, which is reflected in the greater definition and prominence of his muscles, and you also sense an additional level of maturity in his appearance, now with a seriousness he didn't show before. moreover, he demonstrates a new talent: his remarkable artistic skills in using unconventional materials, such as paraffin wax, to recreate his famous clown make-up.

being near him, a wave of negative emotions sweeps over you, sending shivers down your spine at the mere sight of his presence. meanwhile, heeseung's words echo in your mind. he leans in for a kiss and the simulated blood that gushes from the wounds near his eyes stains your face. as a result, bit by bit, your thoughts become confused.

his relentless, passionate kisses saturate your mind, leaving little room for anything else, and the touch of his hand on the inside of your thigh sends an electric shock through your entire being, confronting you with a harsh reality.

"your striking beauty and the fear you provoke within me lead me to act undesirably, (y/n)".

just then, an intense anxiety causes a piercing tingling and pain throughout your body, bringing you to the brink of a fiery explosión. and heeseung feels an intense fury bubbling up inside him, making his hands throb, just as the burning desire to wield his knife and pierce hearts burns in him, as powerful as the instinct to breathe.

at the same time, a burning anger buzzes in his ears, burning his chest and clouding his vision with a red haze. "absence plunged me into madness, but now that you're back and I feel whole again, (y/n)." knees bent, heeseung's soft kisses dance over the contours of your legs.

feeling his thumb brush against your pelvis, an instant tightness in your stomach overwhelms you. scorching heat spreads through your being and descends in a wave that tightens your muscles, as the pounding of your heart and the trembling of your legs intensify as you watch his lips roam over your body. in seconds, you gasp as you feel the touch of his tongue on your exposed skin, unleashing a roar in your throat and awakening an unbridled passion in heeseung that spreads.

with passion, heeseung caresses your silky legs with his hands and lifts them to rest on his strong shoulders. In spite of the immense pleasure that almost consumes you, find the strength to resist and not succumb completely as suddenly you begin to feel self-conscious with two men standing out behind you, unable to ignore when open your eyes.

looking recognisable, you find it curious how the simple use of similar cosmetics can make people appear more attractive. then, in a moment, you can clearly distinguish them.

both jay and jake are watching you calmly and attentively. and you realise that all three of them were present in this specific place: the triad of failures.

"honey, see… this tradition of having dinner together as a family of three is something so… special." heeseung elaborates as he feels the tension, and you inwardly curse.

because there was no place safe enough to hide from heeseung indefinitely.

ENHYPEN MASTERLIST.

[anhed-nia]

BLOGTOBER 10/10-11/2023: MAD LOVE (1935), BODY PARTS (1991)

I had always heard, casually, that Eric Red's BODY PARTS was a remake of Karl Freund's MAD LOVE. The relationship can't be quite that direct, since each film is adapted from a separate novel--MAD LOVE from Maurice Renard's The Hands of Orlac (1920), and BODY PARTS from a book with the English title Choice Cuts (1968) by crime-writing duo Pierre Boileau and Thomas Narcejac. It just so happens that the two films deal with the notion that consciousness exists throughout the body, not only in the brain. This is a real idea, actually (Wayback doesn't get behind this paywall, but maybe you have something better), although I haven't heard anyone posit that personality exists throughout the body like it does in these exciting movies.

Simply one of the best appearances of a human being in a movie.

In MAD LOVE Colin Clive plays Stephen Orlac, a famous pianist who, after a devastating accident, receives a transplant of both hands from the disturbed Dr. Gogol (Peter Lorre). Orlac doesn't know that he now has the hands of a murderer, and they have retained their former habits. Gogol uses the ensuing drama to try to deprive the pianist of his beautiful wife Yvonne (Frances Drake), a Grand Guignol performer with whom the doctor is obsessed. Gogol seems to know that body parts can remain identified with their original owner, and perhaps this awareness feeds into his general attachment to appearances. His projected relationship with Yvonne is filtered through layers of simulation: He "knows" her from her stage role, and he lives with a wax figure of her in a self-conscious imitation of the myth of Galatea, the living statue. Perhaps what's inside doesn't count so much, when the personality is equally embedded in the outside.

In BODY PARTS, psychiatrist Bill Crushank (Jeff Fahey, don't ya just love him?) receives a new arm after a surviving a spectacular car wreck. The experimental procedure seems like a godsend until previous owner's violent nature begins to infect Crushank's behavior. To solve the mystery of what is happening to him, he seeks out the recipients of other limbs donated by the same crazed killer, including a vigorous young athlete named Mark (Peter Murnik) who needed new legs, and Remo (Brad Dourif), a hack painter who has experienced a burst of highly lucrative inspiration since he accepted his new arm. All of the men have been contaminated with the original donor's destructive rage, but Mark and Remo are less willing to part with their, er, parts. Here we have a whiff of the notion that the beast in man--the animal self that resists civilization--is connected to bodily power and pleasure, and also to subconscious, intuitive mental activities like the artistic impulse. Crushank, a psychiatrist who works with prisoners to help civilize them, is naturally less benefited by these bestial qualities.

The makeup in this movie is incredibly great, you can practically smell that arm.

BODY PARTS and MAD LOVE share the intriguing feature of a kind of decentralized evil. There is the evil of the original owner of the parts, and the evil that grows in their unwitting recipients, and the evil of the egomaniacal doctors who perform the operations for their own purposes. Villainy is sort of a free-floating essence that travels through bodily tissue but is never confined to a single, containable, even killable person. Instead it spreads like a virus through a person's life until both their inner feelings and their outer circumstances are entirely tainted. It's fortunate for the films' protagonists that consciousness is still corporeally dependent, despite how communicable it is, or else things could have been a lot worse!

PS Both of these movies deserve a lot more attention than I was able to give them during what I did not know would turn into a speed run season of Blogtober. I reserve the right to revisit them later! I didn't even get to talk about how BODY PARTS was co-written by Norman Snider who co-wrote DEAD RINGERS with David Cronenberg...

[labelle-dame-sansmerci]

Interview with The Vampire - Part I: An Annotation

Page 5

1791, and Louis is 25 years old

Louis has obviously traveled because his accent has faded over the years, but remnants of it remain, as noted by "boy"

Page 7-8

"Then he told me about the visions. Both St. Dominic and the Blessed Virgin Mary...had told him he was to sell all our property...everything we owned, and use the money to do God's work in France"

It's interesting that his brother (Paul, not yet named) mentions selling the plantation to do God's work but never mentions freeing or doing right by the people working their fields.

Page 9

Why would a holy man commit su!cide? Especially a devout Catholic.

Was Louis' brother "helped" to his end?

Page 10

This has to be the birth of Louis' guilt, receiving unfounded blame from everyone for his brother's death.

Page 11

"And then I was attacked...it was a vampire."

Enter Lestat (although he has not yet been named)

Page 14

"I saw my life as if I stood apart from it, the vanity, the self-serving, the constant fleeing from one petty annoyance after another, the lip service to God and the Virgin and a host of saints whose names filled my prayer books, none who made the slightest difference in a narrow materialistic and selfish existence. I saw my real gods...the gods of most men."

Louis revisits the foundations of faith, belief and spiritual trust.

Lestat didn't ask Louis to be his companion; however, his words convinced Louis to join him.

Page 15

Louis' comparison of his transformation to sex might be the first sign of AR's idea of intimacy for vampires as the blood exchange.

AR names Lestat.

Page 16

Louis focuses on how the death of the overseer made him feel squeamish and sick, but as a slave owner, was he this morally inclined towards the people working his land?

Page 17

WHY IS LOUIS AROUSED. Red flag???

"But the other light was my wish for self-destruction. My desire to be thoroughly damned."

Still, the consistent guilt and wish to destroy himself.

"As I said, he was determined to have the plantation."

Everyone in Louis' life needs/wants something from him.

Page 18

AR names Louis

"...he lay down beside me...his movement so graceful and so personal that at once it made me think of a lover..."

The tenderness in which Lestat holds Louis to unmake and remake him is delicate, gentle, sensual and caring. It's intimate.

Page 19

"It is your consciousness, your will, which must keep you alive."

There's something poetic about telling a su!cidal man that he needs to find the will to live so he can be reborn.

There's a morbid symmetry to Louis being reborn where his brother died.

Implications of Lestat being Louis' angel of death

"that shimmer of light now hung behind his head like the backdrop of an apparition"

Page 20 & 21

Louis, for SURE has mommy issues - he refers to the women, their breasts and comfort and sustenance twice in the span of two pages.

Page 22 & 25

Lestat is very cold and detached in Louis' post-bite transformation experience.

Page 27

It's just how the world was, but I have to admit I'm repeatedly uncomfortable with Louis' thoughts on his slaves. Even when he feels he's complimenting or dolling out praise - it's awkward.

Page 29

"...when I sucked the blood from Lestat's wrist and felt his heart pound with my heart. It is again and again a celebration of that experience; because for vampires that is the ultimate experience."

More evidence of the blood exchange being AR's intimacy and sensuality for vampires.

Page 32

Louis' first acknowledgement of love or relation to it is the idea of seeing/experiencing/understanding the world with renewed inspiration due to his ability to appreciate it and the time to do so.

Page 34

AR names Paul

Page 45

Louis remarks that Lestat is "just a killer" and that being a vampire meant an opportunity for revenge.

If we think more about that, we have to consider that while Lestat was cold and maniacal, something truly traumatic must have happened to him to have this scorch-the-earth mentality. This obviously doesn't absolve his behavior.

Page 55

We're introduced to the origins of Lestat's trauma.

Page 59

Another angel comparison

At this point is quite plain that Louis is arrogant and prideful in his own way. Self-righteous.

Page 61

Louis practically likens himself to a guardian angel

"Did I not help you at the very moment when you needed most guidance...Did I not twice offer you good counsel? And haven't I watched over your happiness ever since?"

Page 62

Louis refers to the taking of Babette's life in intimate terms Saying that he could only ever come to know her:

"...through the one final way; to take her life, to become one with her in an embrace of death when my soul would become one with her heart and nourished with it."

Page 63

L&L have been companions for four years

Page 64

Louis again references love - this time, it's an appreciation of Babette's personal qualities.

Page 72

Even in this life after death, Louis' existence is a never-ending identity crisis.

Page 81

Is Lestat being helpful?

Page 83 - 85

At this moment, when Louis and Lestat are conversing about vampires in groups, there's always one in service to another, and Lestat says that vampires increase through slavery.

Lestat is a terrorist.

I found it interesting that they're having this conversation about slavery, and AR set this story during a time of slavery where one group of people are profiting from the life force and servitude of another group of people. Almost like a subliminal message that, in their own way, slave owners are vampires, sucking the life out of others and increasing their own wealth through slavery.

Page 86 & 87

Does Lestat receive Louis' rejection of a "full" vampire life, as Lestat has described it, as a rejection of him?

Is Lestat trying to create camaraderie?

Also, are these moments of rare physical contact between the two?

Page 88 & 91

More angel references

Enter Claudia

Page 94

Lestat doesn't want to be alone.

"Keeping me with him, that was undoubtedly part of what pushed him."

Page 95

Louis brushing off questions about the origins of Lestat's trauma, not really wanting to give it thought, is understandable but dismissive at the same time.

Page 103

Claudia is terrifying. There's an unnatural coldness about her - one that surpasses the insanity of Lestat.

Page 116

Claudia is 65 years old - that would make L&L's time together almost 70 years..?

Page 121

Claudia really is a little Lestat with more coldness and less regard for others.

Page 131

"And I hope it's a beautiful woman with endowments you'll never possess..."

Jesu Christo, Lestat!

Page 134

Lestat looking towards Louis for aid, pulls at the heartstrings - despite their combative relationship, I think he expects his companion of several decades to protect him. I suspect in many ways, Lestat has gotten used to Louis in his life and feels a connection with him as a long-term companion.

Lestat crying to God is surprising - glance back and see what his relationship with religion was prior to this scene.

Page 137 & 138

Louis is in pain. Lestat's death has definitely emotionally maimed him.

He misses the familiarity of Lestat.

I think his soul feels Lestat calling to him - there's something very personal about his wading solo into the water with his companion's body, letting the water claim it.

They are most definitely connected.

Louis is experiencing grief in a way he hasn't expressed grief for others.

Page 139

Claudia is emotionally manipulative - crying to bring Louis back to her was calculated.

Page 142

More angel references

                                               END OF PART 1

Final Thoughts on Part 1

Louis

·         Louis has traded Lestat's control for Claudia's.

·         Louis still feels in a very humane way, and for that reason, I don't think he will ever find his equal in an immortal companion.

·         I think there’s a darkness to Louis that we aren’t fully experiencing because he’s narrating.

·         Louis obviously has mental health issues, but he also has a victim mindset which is potentially quite toxic.

·         Louis might not admit it, but I suspect he’s quite attached to Lestat because he remained with him for nearly 70 years and mourned him when after Claudia poisoned him.

 Claudia

·         Lestat's demise needed to happen, but in the same way, Claudia also needs a reckoning - she's out of control.

·         Claudia is eerily similar to Lestat in terms of her premeditated and callous behavior. Despite the humanity Louis tried to pour into her ear, she experiences everything in a very cold and detached way.

 Lestat

·         Louis implies that Lestat turned him for his plantation, but I believe Lestat must have desired him on some level because Lestat could have easily turned his sister, killed Louis, and assumed full ownership of the property.

AR

·         Intimacy in this universe is very much about the desire for and exchange of blood.

·         Rice really plays into the religious themes with an emphasis to heavenly beings.

This is reposted from my Reddit

[gaast]

Why did you start writing horror short stories? You've probably told me before but I'd like to hear again!

Hmmm.

I started writing by writing really awful poetry starting in 5th or 6th grade. I remember in 7th grade English we had to write poems and the teacher read out some of his favorites and he wanted to read one of mine but I said no. That's just how I am.

Anyway, that experience still ruled, because someone in that class wrote something incredible and I was envious.

Well, anyway, one day I overheard a classmate who I respected kinda trashing my poetry, and he was right about it, so I stopped doing poetry and started writing stories. So I was like 13 when that happened, and I was regarded as one of the "emo kids" even if I didn't look the part because I was mentally ill. And also I grew up on like, Invader Zim and the older, edgier Nicktoons, so I was predisposed to writing darker stories.

Almost all of my writing from that era should actually survive on my deviantArt account. I wouldn't recommend it.

I wouldn't necessarily term that writing "horror," though. I was reading more (and therefore getting inspired by) Ayn Rand and Thomas Pynchon at the time (in 9th and 11th grade, respectively), so I wrote more self-consciously metafictional and postmodern stories, for better or worse. So I went from, like, imagining the minds of different fucked up killers to writing a sort of extension of "Six Characters in Search of an Author" mixed with Saw or something.

I sorta stopped writing as I attended college. I joined Tumblr with the fucking url "hewritesthings" and I never wrote things. The last thing I wrote before college was a choose-your-own-adventure-style thread on 4chan's /x/ that turned into a horror comedy piece where an evil flying penis monster was trying to summon John Cusack. That thread got archived.

After I finished grad school, it took me months to get back to reading, let alone writing. The person I was dating at the time and I had been talking about our OCs extensively for years, so I started writing slice of life stories about them as much as I could. Around the time I made this a habit was around the time I started thinking more seriously about what I wanted to do with my writing. At some point I decided I wanted to be published.

I think my repertoire was actually more sci-fi speculative than anything, as a lot of what I wanted to write was actually shit related to technology, as prompted by my Digital Humanities courses in grad school. I had a ton of good ideas I wanted to do for all these different sci-fi concepts, but none really panned out.

Around 2019, though, a few things happened. I joined Mastodon for a while and on the instance I was on I met another writer whose speculative work was inspiring to me. I thought of her as a rival, in a way, as well as a friend. The inspiration she gave me inspired me to write some of the work that I feel denote the transition to my current writing style--"Maintenance," which uses tech to enforce gender binaries in a way verging on horror, as well as the Twines I (at least, at one time) had in my itch page, particularly the one about bleeding out as you hang out with your friend at the mall. That was a bit too self-aware to be horror, but the later Twines I wrote about myself were definitely more in that vein.

Then, for NaNoWriMo, I threw out the initial concept I was developing about life on a space colony and ad-libbed a story about a person with edible skin.

This protagonist stuck with me, and the next year, as my relationship was clearly becoming toxic, I wrote a story expressing my frustrations, using that character as a base. I wrote it for an anthology of queer horror called Skulls & Spells, and it was accepted--my first publication. As part of the promotion for the book, all the authors collected in it answered a few interview questions that they posted on their Kickstarter; these questions were all about horror. And as I answered those questions, I realized that horror was simply the best way to tell queer stories the way I felt they needed to be told.

Because for me, queerness is monstrousness, but it's not right to make that monstrousness empowering. Rather, to be a queer monster, one must be a victim, must be falling apart, must refuse power and wholeness and identity altogether. Every queer story must be a horror story because it cannot fit comfortably within lived (heteronormative) experience.

As such, what got me writing horror was more a long process, fragmented and fitful, of finding myself in my writing and exploring my own philosophies, artistic or otherwise. It's not a grand tale--I was 13 and wrote about creepy forests or some shit to writing about gay robots in my 20s to now focusing on body horror as I hit 30--but it's a process that's still developing.

[athailandsquid]

a thailand squid - trauma

they point their finger at you,

look here look there, trauma everywhere,

leaking from your body, trauma everywhere,

stilling a pointing general direction,

casually adjacent situations,

a little child with trauma in a big scary world,

self doubting consciousness, ripped ego,

egoless,

your small little universe decaying, stars flicker,

stay awake child you need to breathe,

breathe in,

breathe out,

hold your breath,

breathe in,

breathe out,

hold your feelings,

stay awake child you need to stay alive and breathe,

superficial outlaws, against the system built to tear,

machine minds run the traumatic world, gear cogs,

they point their finger at you,

the finger became a sign,

to me it's a sign of judgement and fodder,

the pertruding pointing is an attack, ego killer

ego killing, mind changing toxin, formula to kill,

injected with rejection, rejection runs freely in us,

reject and project, traumatized little birds

running a race track to never win,

lip quivering reject,

soft compassionate reject,

lonesome creative inspired reject,

binded to your own creative constellation, breathe,

binded,

welded,

engraving thoughts,

burning pathways into your virginity of mind,

they point their finger at you,

look here look there, trauma everywhere,

leaking from your body, trauma everywhere,

stilling a pointing general direction,

casually adjacent situations,

"hugs pillow and back to the slumber that keeps you from feeling it's waking existences" - your bedroom

[betterdailylife1]

The Power of Meditation: Cultivate Mindfulness for Mental Well-Being

Stress Reduction: One of the primary reasons meditation is essential is its remarkable ability to reduce stress. By dedicating time to sit in silence and cultivate mindfulness, meditation activates the relaxation response, lowering stress hormones and promoting a state of calm. Regular meditation practice provides a sanctuary where you can release tension, restore balance, and find solace in the present moment.

Cultivating Self-Awareness: Meditation is a journey of self-discovery. It allows you to develop a deeper understanding of your thoughts, emotions, and patterns of behavior. Through mindfulness, you observe your inner landscape without judgment, gaining insight into your true nature and uncovering unconscious patterns that may no longer serve you. This self-awareness is the foundation for personal growth, leading to greater clarity, authenticity, and a more profound connection with yourself and others.

Emotional Well-being: By cultivating mindfulness, meditation enhances emotional well-being. It offers a space to witness your emotions without becoming entangled in them, allowing you to respond rather than react impulsively. Meditation promotes emotional regulation, resilience, and a greater sense of inner peace. It empowers you to navigate life's challenges with grace and compassion, fostering healthier relationships and a more positive outlook.

Improved Focus and Concentration: In an age of distractions, meditation provides a sanctuary for cultivating focus and concentration. By training your mind to stay present and redirecting your attention to the breath or a chosen focal point, meditation strengthens your ability to sustain focus in daily tasks and activities. This enhanced mental clarity and concentration spill over into all areas of life, leading to increased productivity, efficiency, and a sense of accomplishment.

Enhanced Creativity and Problem-Solving: Meditation has been shown to stimulate creativity and problem-solving abilities. By quieting the mind and tapping into the vast reservoir of inner wisdom, meditation unleashes your creative potential. It helps you access fresh perspectives, tap into intuition, and think outside the box. The clarity and calmness cultivated through meditation provide fertile ground for inspiration and innovative thinking.

Physical Health Benefits: The impact of meditation extends beyond the mind, positively influencing physical health. Research suggests that regular meditation practice can lower blood pressure, reduce inflammation, boost the immune system, and improve sleep quality. By reducing stress and promoting relaxation, meditation supports overall well-being and helps prevent stress-related ailments.

Increased Compassion and Empathy: Meditation nurtures qualities of compassion, kindness, and empathy. As you cultivate mindfulness and deepen your connection with yourself, you naturally develop a greater sense of empathy and understanding toward others. Meditation expands your capacity for compassion, allowing you to relate to the experiences of others with kindness, patience, and acceptance.

Spiritual Growth and Inner Connection: For those on a spiritual path, meditation serves as a profound tool for self-realization and inner connection. It provides a space to explore the depths of consciousness, connect with the divine within, and experience a sense of oneness with the universe. Meditation facilitates spiritual growth, deepening your connection to something greater than yourself and fostering a sense of purpose and meaning in life.

This Is Why Sugar Is A Silent Killer !

[finrays]

This is the extent of my speculation.

And it’s Two fun thoughts about Nemesis (which... KILLER name... keeps with the Greek Mythology theme. The goddess who rains divine retribution down upon those who succumb to hubris! You DO get points for that, McCaw. And also why I’m thinking of Nemesis as she/her, because, goddess inspiration.)

1) What if it can rip digital copies of consciousnesses from Focus scans? And we end up dealing with some notable Old Ones as... not so much "enemies" but more like Obstacles, as digital ghosts?

2) Is Tilda telling the truth about this thing, because I highly doubt it... she's measured and manipulative, I wouldn't put it past her to be lying about the nature of Nemesis in order to make herself look better, because she had a role in it. Which leads me to two possibilities...  

2a) It's an amalgam of failed attempts to recreate loved ones lost on Earth, which is just a different flavor of Point 1 (hello, tormented digital ghost of Mom????)  

2b) Project Anzu DID manage to steal GAIA by throwing a red herring into Elisabet and Travis's laps to distract them from the REAL download, and Nemesis is a corrupted knot of GAIA and her self-aware subfunctions, twisted by the Zeniths' misuse and abuse.

And that's all I got. A focus on characters again, identifying personalities that are "load-bearing" and hold the knot together and "putting them to rest" would be an interesting way to do Three, and would make for the possibility of some very nice emotional storytelling, but...

Yeah. That's all.

[middlenamesage]

Black Moon Lilith and Lilith the Character Archetype: My Reflections Coming out of Black Moon Lilith Conjunct the North Node

Following the astrological transits, both the collective and my personal, I have for a while noticed that when Black Moon Lilith is at play, it’s really hard for this to go unnoticed in my life. I always could sense this energy, I knew what it felt like, but used to find it hard to describe, or at least to dissect enough to understand with any valuable meaning.

Physically speaking, the astronomical point known in astrology as Black Moon Lilith is the point along the Moon’s orbit that is farthest from Earth (the lunar apogee), a point that changes position in the zodiac along with the changing orbit of the moon. To me it makes sense this point can be so potentially relevant to us, as all living beings are very much guided by the Moon, who keeps us in connection with each other. Out where the Black Moon is, in this metaphorical place of exile, it’s more of an “every man (or woman!) for himself!” vibe. Lilith is very much about the instinct of self preservation. It’s about resisting control or exploitation by others (and/or internalizing its effects). Often the two occur together as two faces of the same trauma. Black Moon Lilith represents the areas where life has taught us that we absolutely must advocate for ourselves. However, she can also bring shame and denial of wants wherever she is placed, or transiting, because this is something that generally develops where we have been told or shown we can’t have something.

Black Moon Lilith is in fact named for Lilith in the old testament/Jewish folklore, and the way we have come to make sense of its effects (rather, its correlations to our lives) is in considerable measure inspired by this character, and her archetype- who has many interpretations. Lilith was Adam’s first wife, before Eve, who left his ass! She refused to lie beneath him during sex, saying they were created equal. I think we can interpret this metaphorically, of course, as resistance to being controlled in many potential terms… but also literally, as there is a focus of unconstrained sexuality concerning Lilith, which I have observed has some definite relevance to the Black Moon too, but is far from the only or even the most important way to understand it.

Various legends say that after fleeing Eden, Lilith went on to become a she-demon/succubus/baby kidnapper/baby killer/so on….. (those are just the accusations I’m recalling off the top of my head). But over these many years, Lilith has picked up many other story lines, provided inspiration for phenomena such as Black Moon Lilith, and gained many evolving faces and interpretations. Other than being a religious figure, and/or a she-demon, some of her contemporary associations include witchcraft/dark magic, creative renditions in fantasy and horror, gothic culture, and the biggest switch of all, her status as the first feminist.

As a potent force from the most distant shadows of the Moon’s reach, where connection to one another is compromised and we must turn to ourselves to defend our basic natures, I’ve found that Black Moon Lilith can have both positive correlations- such as going one’s own way where it truly benefits one’s life, putting one’s foot down to mistreatment, and stepping into one’s personal power- and negative correlations such as pushing away and/or disregarding other people, general concern with defending one’s own initiatives, to the point where it is premature or anti-productive, and the shame, denial and/or rage that many have developed from being disallowed their power by others.

How we express Black Moon Lilith can be instigating healthy boundaries on one hand, and setting up unnecessary walls of defense on the other. It can be self respect on one hand, and self obsession/failure to consider others, on the other. It can be self protection on one hand, and self sabotage on the other. It can be shame and denial over who we really are/what we really want on one hand, and it can be where we liberate ourselves from shame on the other. Very often, it seems to dole out as a complicated mix of both the “bad” and the “good”.

It used to be that reflecting on my own experiences, despite my fascination with it, there was very little “good” I saw about the Black Moon’s correlations in my life. I came to associate the energy of Black Moon Lilith with a few of my “trauma responses” that have caused me to sabotage relationships. I felt she had helped me stand up for myself/walk away from people a few times when I actually needed to, but for the most part, she seemed to just make me quick to unconsciously wreck budding relationships, reject others, put up lots of walls, or not want to cooperate/compromise with others- even though this was also betraying my own desires deep down to be close with others. My natal Lilith is in Libra in my 7th house, so the relational element of her is especially relevant.

I think that this Black Moon wound of mine in the realm of partnerships has several big origins/perpetuators I can site, but one of the first and biggest that I can consciously analyze, is having internalized the messages I was told by a parent growing up (not necessarily said in as blunt of terms as I received them) that no one would ever want to be with me because I am too difficult to live with. (I was also shown this when my parents sent me elsewhere to live.) Internalizing this message about myself stripped away my personal power when it comes to partnerships. For so long I approached all relationships assuming they were damned to end before they ever got too serious (something I still do struggle with), and I long believed, a belief that at some times was not as much conscious as it was confirmed with my deeply engrained unconscious behaviors of sabotage, that a ‘true’ and committed relationship is simply something I can’t have. This long internalized belief has given rise to many of my independent behaviors in relationships... both in destructive ways that compromise my connection with others and/or alienate them, and in positive senses that protect my individuality and self respect.

Here’s the thing. I was never wrong to see my trauma responses in the force of Black Moon Lilith. Black Moon Lilith and Lilith the archetype are in fact rooted in trauma. We mustn’t trivialize that part. The defense mechanisms, rage, shame, denial, sabotage, the desire to leave people and things behind, and the general mechanisms for self-preservation which can accompany Lilith stem from instances where we have felt held down, lead to believe we don’t have power, mistreated, and in some cases even horribly abused/violated. But the reality of Black Moon Lilith’s painful origins does not make it all a bad thing! It can be a very empowering thing potentially, because where we are hurt is also where we can find the avenues for healing, and for gaining acceptance of our most authentic self and desires. And there is a very good reason we develop many of these less than savory reactions from traumatic experiences and messaging. Lilith teaches us to recognize our boundaries, and to reclaim the personal power that once was lost! - even if at times we may run too far with these prerogatives in stubborn quests for independence and personal autonomy wherever she resides.

Though I have been fascinated by and intent to ponder Black Moon Lilith for probably over a year now, my reflections on it, and later on the character Lilith for which the lunar apogee is named, have really gained a lot of new ground during this last month+ of Black Moon Lilith’s conjunction to the North Node. (Which is currently separating, but still in effect.) The Lunar North Node is another very important point in relation to the Moon’s orbit, which shows the path forward. Black Moon Lilith with the North Node in Gemini has proven too be so ripe with many new experiences for me to learn about Lilith. It’s hard to say if anything has actually changed about my relationship with Lilith, or if I am just starting to see more of the positive in her that was always there, instead of just noticing and perpetuating the glaring negative. Also, I decided it was about time to accept Lilith as a part of who I am. I can’t deny the power the associated energies and the archetype has had on my life, so I might as well embrace it- both the good parts and the parts that are a work in progress. (And that is the story of my new little stud earrings with the Black Moon Lilith symbol!)

One aspect of my relationship with Lilith that I think actually has started to bloom forth in more of a clear-cut positive way with this Lilith-North Node transit, is finding the power to actively and productively embrace a part of myself, via finding/claiming opportunities to keep cultivating this part, even though it’s meant having to disregard my reservations, and even fighting through some shame. I can see now that there is a whole world of great personal empowerment to be tapped into with Lilith, and not just in the ability to leave people behind. (But of course leaving people behind is one means she’ll employ, if it is necessary for stepping into her power!)

I have always seen myself as a writer. It’s not even by choice, and a great deal of the time, for a very long time, I have really resented this natural compulsion of mine. You see, I have a deeply complicated relationship with writing, one that undoubtedly needs some healing. Well, this Black Moon Lilith/North Node conjunction in Gemini, moving through my 3rd house of communications (and as I only found out the other day, also conjunct my natal White Moon Selena, i.e. the lunar perigee/polarity to Black Moon Lilith) ended up bringing me my first opportunities ever getting paid to write… something I guess I just used to assume I couldn’t do, due to my lack of a college degree, as well as the difficult relationship with writing and my paralyzing perfectionism. But with this transit, I placed aside my assumptions of what wasn’t possible for me, and I have some hope now that accepting the opportunity to write for other people, on subjects that generally don’t even mean anything to myself, may just turn out to be the good dose of objectivity needed to help restore some healing to my writing relationship.

Once again, where you’ll find the wounds in your relationship with your personal power, is also where you’ll find how to heal them, and use them to empower yourself and others- and that healing is really what Black Moon Lilith conjunct the North Node has been trying to facilitate for us all. Of course, the process is basically never straightforward and easy, nor all enjoyable. This transit has brought a wide range of Lilith experiences in my life to comment upon.

Some other occurrences have been: abruptly ending an extended off and on relationship with someone where there was always a good deal of power struggle (and would have been power imbalance if I had not stood my ground in a lot of instances), unconsciously driving away or creating distance with a few friends, being consciously and stubbornly persistent in putting more distance between myself and my family than ever before, and facing a couple situations providing awkward trial and error experiments in how I communicate my dissatisfaction to others who wronged me. But I know that all of these experiences are helping me to evolve, and to better understand my responses which stem from wounds that have set into me with the nature of Black Moon Lilith.

And I marvel at the fact that millions of other humans have also been going through experiences which are forcing them to confront and/or evolve their own instincts and behaviors associated with the Black Moon, whether they realize it or not.

Lilith says, “These are my boundaries[or conditions]. You will respect them, or I am outta here.” She says, ‘I know what I am capable of, so I’m gonna fight for it- even if I have to shut out other people.” The placement of our natal Black Moon Lilith shows a prominent area where power has been stolen from us, whether through physical or psychological means (and where the Black Moon is transiting can bring up these issues in other areas, as well). Lilith develops from a wound, and her determination to not feel the powerlessness again can serve as either the healing or the perpetuation of it.

* * * * * * * * * * *

P.S.

For any astro heads reading this with this knowledge of their birth chart, I welcome you to comment or reflect on where 5° Gemini falls in your chart. This is where the (currently separating) conjunction of Black Moon Lilith and the North Node occurred, so the house in your natal chart where it’s transiting, and any natal placements that may be in aspect to this point, especially conjunctions and oppositions, may be able to show where/how you have embodied or encountered Black Moon Lilith energy in recent times.

NOTE :

If anyone is wondering which “Lilith” in astrology I have been referring to, since it is a fairly infamous fact that there are actually 4 things bearing this name in astrology… I have for the most part only followed the mean calculation of Black Moon Lilith (and with Black Moon Lilith’s conjunction to the North Node, mean Lilith is what I’m referring to).

There is also Osculating Black Moon Lilith (aka True Lilith), which is a different calculation of the same concept I have discussed with Black Moon Lilith. A calculation that is actually technically more precise about the moon’s orbit, for the moment that it is taken, as the lunar apogee technically jumps around a little bit a whole lot… yet I have personally found Mean Lilith to be more worth following, especially when following collective transits, if trying to examine the effects of something lingering over an extended period of time, or if conceptualizing Black Moon Lilith’s cycles throughout the entire zodiac. I don’t doubt that the calculation of osculating Black Moon Lilith (which often is not too far from the mean calculation) has a lot of validity to it too though, perhaps especially for natal chart interpretations, and progressions.

As for the other two Liliths, there is the asteroid Lilith- but that is named for a French composer, not the Lilith archetype as we know her. Not saying it isn’t something worth looking into, it just hasn’t been a point of focus for me. And lastly, there is Dark Moon Lilith (aka Waldemath Moon), which is said to be a dark body of unknown origin revolving around the Earth- but there is a lot of debate as to whether it actually exists. I don’t have an opinion one way or another, and I haven’t followed it in transits. However, its placement in my natal chart, with an opposition to Black Moon Lilith for one, does peak my interest.

[nejibaby]

Time

Pairing: Sanji x F!Reader

Summary: Time is such an essential variable for a pirate cook like you. But outside cooking, you try your best not pay attention to it, most especially when it comes to the past. And yet because of the unpredictability of the Grand Line, you’ve come across someone from your past who you desperately wanted to forget. This incident makes you realize that despite how much time passes, sometimes feelings don’t really change.

Song reference/inspiration: Don’t You by Taylor Swift

Word Count: 2.4k

A/N: It’s done! It’s finally done! I had this idea for quite some time now and I’m finally done with it. Imagine my relief. 😌 I liked how this turned out! But please let me know your thoughts about it… 🥺👉🏼👈🏼

There are a lot of oddities in the Grand Line. Among the concepts that are too complex to be explained are the drastic changes in the weather, the crazy magnetic fields of islands, and devil fruit powers.

What doesn’t change is the concept of time. In all technicality, time is what the clock reads. And regardless of your location inside or outside the Grand Line, it’s set on stone. There’s sixty seconds in a minute, sixty minutes in an hour, twenty four hours in a day, seven days in a week, and so on. It’s a fact that’s definitive, irrefutable, and beyond dispute.

And as a cook of the Kid Pirates, time is one of the essential variables, alongside temperature, in bringing dishes to life. That much you learned and mastered from the years you’ve been observing chefs in a certain restaurant in East Blue before you ran away to the South.

However, outside the kitchen — or to be more precise, outside cooking — you don’t pay too much attention to the time and dates, similar to your Captain, Kid.

You and your Captain would need Killer to inform you about preparing banquets and feasts for birthday celebrations for crew members, or to remind you of other important dates.

While you’re completely capable of keeping track of time, you didn’t want to and wouldn’t bother. What’s the point, really? It’s just that you didn’t want to be reminded of just how long since you ran away from the chefs who took you under their wing. You didn’t want to be reminded of just how long since you’ve last seen a certain curly-browed cook who you fell in love with but unfortunately got turned down from.

You’re entirely fine by saying it’s been a while since you’ve last seen those people. There isn’t any need to label a precise quantity of time since that moment in your life. It’s all in the past, and you have long learned to keep yourself busy so as not to be reminded of them in any way.

After all, remembering them always leads to pangs straight to your heart, and as a member of the Kid Pirates, it’s highly discouraged to wear your heart on your sleeve and show vulnerabilities like that.

Since leaving Baratie, you moved along with your life. You worked at a local restaurant in South Blue and somehow ended up meeting Kid and Killer. With Eustass Kid being impressed with your skills in the kitchen and the air of authority you exude while working, he demanded you join their crew. And in all honesty, it didn’t take too much convincing on their part as you too wanted to travel the world, and perhaps find All Blue, a dream you shared with the man you fell in love with.

Pledging loyalty to Eustass Kid is one of the decisions you could never regret. Ever since joining the crew, they have become masters of being subtle in their ways of showing they all care for you. And it’s only evident by the way they’re all overprotective of you (even if you’ve pretty much mastered self defense and the art of using a gun) simply because among the group of brutes, you looked like a lone flower — splendid, precious, and delicate. And due to that, traveling the seas with the Kid Pirates is particularly enjoyable for you; dangerous, sure, but enjoyable nonetheless.

On account of the unpredictability of the Grand Line; more precisely the New World, you have learned to always be ready to face anything. But maybe you aren’t as prepared as you thought you are.

Because somehow, in between gathering food supplies alone for the crew and fighting against a group of Marines who found you, you came face to face with the cook you desperately wanted to forget.

And to make matters much worse, when you quite literally bumped into him, you’ve already been shot twice by the Marines, leading you to lose your consciousness right in his arms.

For some reason, with how huge the Grand Line is, you have never taken into consideration the probability of meeting him once again. And this unpreparedness unsettles you right away. So when you wake up in the Straw Hats’ sailing ship, all bandaged up and weak from the loss of blood, you’re quick to show hostility as a defense mechanism.

But that facade doesn’t last long, your mask easily slipping after a day with the crew, showing your naturally gentle and sweet side to everyone except to a certain man named Sanji. Ultimately, it’s quite impossible for you to remain hostile and aggressive in the presence of such nice and hospitable characters, especially when they kindly offered to drop you off to the next island and allowed you to contact Kid to let him know about your predicament.

You do, however, isolate yourself from the Straw Hats as much as possible. The only time you allow yourself to be in everyone’s presence is during meal times. As a chef, you know well enough that food is at its best when served right away and eaten in the presence of company.

But you aren’t dumb. You know the dishes served by Sanji aren't purely coincidental. With just one look at the table, you could easily recognize all of your favorite meals — meals that reminded you of the days when you had fallen in love with him. It’s blatantly obvious that some of the foods on the table are made especially for you.

This is where your reservations come in. After all, the reason why your favorite foods were your favorites was because they’re what Sanji used to cook when you’re upset. And because of your feelings for him, the food would always make your heart full and happy. And to be honest, you didn’t want to remember that feeling.

Moreover, you didn’t want to give Sanji the impression that everything’s fine between the two of you. You also didn’t want him to think that you’ve forgiven him for turning you down, and proceeding to step on your heart by letting you watch him flirt with other girls.

If you were any other person, you probably wouldn’t even touch the meals he made to prove these points. But you’re a cook, and it’s against your morals to let food come to waste. The most you can do so as not to give Sanji the upper hand is to stop yourself from eating as much as you usually would, regardless of how delicious the food is.

You can tell it’s working from the way Sanji’s lips are slightly downturned as he watches you only take a nibble of your favorites while consuming the other meals that are meant for the other crew members. This goes unnoticed by the others though; they’re too enamored with the new variety of dishes on the table to even pay attention.

This goes on for a few meal times, but you have to admit that despite only taking a few bites of the dishes you used to love, they’re still capable of bringing back the memories of your past with Sanji, maybe not in full force, but it’s enough to disconcert you.

On your third day with the Straw Hats, after seeing him fawn over Nami and Robin, the tension between you and Sanji becomes a little too overwhelming for you to the point where you feel the need to hide in the crow’s nest to calm yourself down.

When you get there, you’re surprised yet relieved that Zoro isn’t there. You instantly take a seat facing the window. You relish the silence. But it’s only momentary, broken by the sound of someone knocking on the door.

Rude as it may be, you don’t acknowledge the person. Whoever it is still enters the room anyway.

“Y/N-chan, can we talk?”

You hate the way your heart starts wildly pounding again just by the mere sound of Sanji’s voice.

“I thought we’ve established the fact that I don’t want to talk to you,” you respond coldly.

This doesn’t discourage Sanji though. “If you don’t want to talk, that’s fine. But will you please listen to me?”

You frown, but you remain silent. Sometimes, most especially at times like this, you wish you could hate him. But that’s just something you can’t do no matter how hard you try.

He takes your silence as a good sign, so he sits himself beside you.

You aren’t looking at him, but you can feel his eyes on you. This lasts for a few minutes, Sanji just gazing at you without uttering a word.

You didn’t mean to count, but by the second minute of silence, you snap. “What? I thought you wanted to tell me something? Why aren’t you talking?”

He looks away and clears his throat. “Sorry about that. I didn’t mean to stare. It’s just… it’s been five years since I last saw you.”

His statement takes you by surprise. Has it already been five years since you left Baratie? And more importantly, was Sanji keeping count?

For whatever reason, Sanji chuckles. He faces you once again and smiles, “It’s been five years but you still look as gorgeous and radiant as ever.”

As always, Sanji has a way with his words. The compliment makes your heart beat impossibly faster. But you know you shouldn’t fall for his words. “Sanji, don’t. Let’s not go there,” you say with a sigh.

He visibly deflates at your response. And it makes you want to take back what you’ve just said. “What have you been up to?” He tries asking, his voice low enough you almost don’t hear him, as if this conversation hurts him just as much as it pains you.

You didn’t really plan on responding. The agreement was to let Sanji do the talking and you do the listening, but you can see his sad expression in the corner of your eye and it tugs your heartstrings a little bit so you reply, “I’m a pirate now.”

“You are?” He perks up upon hearing you responding. “Who’s your captain?”

You finally face him, wanting to see his reaction. “Eustass Kid.”

His face instantly contorts into displeasure. “Kid?” He asks once again. When you nod your head, there’s a different look on his face, almost like he’s angry or he’s annoyed. “Why Kid? Don’t tell me he forced you to do it?! That bas—”

But before he could even finish his sentence, you pull out your gun and point it at his head.

He’s taken aback by your speed and the look of determination in your eyes.

“Watch your words, Sanji.” You cock your gun. “Just because we’re on speaking terms doesn’t mean I won’t shoot you. You can call me bad names if you want, break my heart like you did, but if you say one more bad thing about my captain, I won’t hesitate on putting a bullet through your head,” you threaten.

Sanji gulps, raises his hands in surrender, and nods his head.

Yet you pull the trigger anyway. Sanji could only close his eyes once he sees your finger move.

But there’s no impact at all. When he tentatively opens his eyes, he sees you putting away your gun in its previous location.

You’re well aware that you have no ammunition left, having used them all up when you fought the Marines, but sometimes even an unloaded gun is enough to intimidate and scare someone into submission, and to get your point across.

Silence envelopes the crow’s nest after that incident. Sanji isn’t afraid of you per se, he’s just a little bit surprised with the change in your attitude.

For a moment the thought of you having feelings for Kid passes through his mind, and he internally gets upset with the thought. In fact, he hates it but he doesn’t let it dissuade him from trying to make amends with you.

He allows you to have a couple more minutes of silence. But when he has decided that it’s time for him to talk, the first thing he blurts out is, “I missed you a lot when you left.”

His confession breaks something in you. You didn’t like the way you equally liked and hated hearing this from him. “Sanji, don’t…” your voice cracks and your vision blurs. “Don’t smile at me. Don’t ask me how I’ve been. Don’t you say you’ve missed me if you don’t want me. Don’t get my hopes up, because you don’t know how much I love you still. Just don’t…”

“Y/N-chan…” he calls out to you, his hand hesitantly reaching out to you. And when you don’t protest, he pulls you into a hug, rubbing his hands gently on your back.

Sanji hates seeing you like this — so defeated and broken, all because of him. He didn’t like seeing you cry. But right now he knows he needs to explain himself. “I liked you too back then…”

You pull away in shock after hearing his words, wiping the tears in your eyes. Just as you’re about to ask why he turned you down, he continues, “But the old geezer was against it. He says if I couldn’t stay loyal to you, then I’d only hurt you more and make matters worse.”

What Sanji was saying makes a lot of sense. Zeff highly respects women, which was why he couldn’t turn you away when you had nowhere else to stay. And knowing Sanji, you can tell just how much he looks up to him, despite him always talking back to the older chef. It’s only natural for him to heed Zeff’s words.

“I was young and I didn’t think I was ready yet, so I turned you down as gently as I could… and when you said it was fine, I was so relieved. But then you left without a word and I… I just… I really did miss you all these years.”

“What about now?”

“Huh?”

“Do you still… like me?” You ask meekly.

Sanji smiles, which makes you feel butterflies in your stomach. “I do, but…”

You sigh sadly, “But?”

He looks over the window, and you follow his gaze. The sight of Luffy being chased around by Usopp on the deck welcomes you. “My loyalty still lies elsewhere.”

You immediately understand what he’s trying to say, and for the first time since you arrived in the Thousand Sunny, you genuinely smile. “Someday, then?”

Sanji faces you once again, and reciprocates your smile. “Yeah. Someday.”

[mandalorewhore]

Hunter (formerly Hunter and Prey)

Cis-Female Reader Insert/ Din Djarin

Gif by @themandaloriandaily

Thank u to @cptnbvcks, @whenimaunicorn, and of course @no-droids for the inspiration and your superior writing skills, whenever i was stuck on a portion i would reread all of u guy’s works and feel inspired again

Rating: Explicit Content Warnings: Exhibitionism, Oral Sex, Rough Oral Sex, Breath Play, Deep Throating, Masturbation, Pining, Depictions Of Violence, Canon-Typical Violence Words: 11k AO3 LINK

Summary: AU where Din Djarin stays with the mercenary group owned by Ranzar Malk. Takes place a few years before Din is contracted for Grogu's bounty. You're a merc trying to make a name for yourself in the group when circumstances end up having you run away with Din. You become his hunting partner in order to support yourself but you cant help falling in love with him, even as trained killers chase you across the galaxy.

FULL FIC:

As a mercenary, you wouldn’t consider yourself an overly sensitive person. 

Maker knows you wouldn’t have lasted a week in the job if you couldn’t handle your emotions. Although you don’t consider yourself entirely void of empathy, having a sense of detachment is useful when your waking hours are spent committing crimes throughout the galaxy.

          So why the fuck are you so jealous right now?

          The obscene moans and harsh slapping that echoes throughout the hangar shouldn’t inspire a larger reaction than disgust as you dutifully continue to repair the blaster marks on one of the rogue-class starfighters. Luckily, it seems that most of your immediate associates have ran off into the deeper areas of the bay to toll your last mission.

Excluding three members, you guess.

          Thank the fucking Maker Migs isn’t here You think bitterly, willing the sparks to fly higher and machine rumble louder as you carefully manipulate your buffing laser on the metal surface. His snarky attitude certainly wouldn’t lessen your misery as you try to drown out the sounds of sex. Raunchy words hiss, bouncing off the metal walls, before finding your feet and slithering up your limbs with a foulness that chokes you. Controlling the hot spinning laser seems to stoke your inner seething more than it distracts you. 

“Mando! Stars, keep-fuck- keep doing that,” you hear Xi’an echoing. Fucking Xi’an. She knows what she’s doing to you. The cruel Twi’lek is far too observant to not know that she is practically comm-station broadcasting her sexual exploits to the entire crew, and with that sheer volume, might as well the entire galaxy. You truly wouldn’t care about her sex life if it wasn’t blatantly obvious that Xi’an was doing this to mock you. You know this is meant for your ears only, a repeat of every other time you’ve found yourself stuck with this chore.  

Even if she wasn’t directly rubbing the fact that she was fucking the Mandalorian in your face, you don’t doubt that she would find a way to taunt your nonexistent sex life just for the fun of it. Another salacious moan echoes in the bay causing you to cringe and slightly jerk the repair tool in frustration.

Fuck, why did it have to be Mando? Aren’t there enough people on this kriffing space station to warm her bed? And how is he being so quiet right now? After a second you remember that’s a stupid question, considering he is probably the quietest person you’ve ever met.

His reservation serves to intimidate your targets, all the while unintentionally stoking that warmth in your belly when you are near him. His all-encompassing presence when he enters a room strikes fear in the hearts of the opposition, meanwhile, you are secretly pressing your thighs together in desire, enjoying the spectacle?.

 You’ve found yourself reveling in the few jobs where Ran’s strategy has you in a decoy-role, weaponizing your feminine charm to lull your target into a false sense of power. The muscle composing of Burg and Mando make quick work of those men once they're thoroughly wrapped up in your wiles. Despite being placed together for jobs on several occasions you’ve never actually had a real conversation with him. 

You’re too scared to talk to him, a near-silent man covered head to toe in Beskar, but you make money killing people and robbing gangs every week. It would be funnier if that purple freak wasn’t so vile. You don’t even know how to casually approach him.. Nice job killing those guys while I manipulated them into trying to fuck me! I’m pretty good with a gun, too. Maker, it’s so ridiculous that you don’t even bother with trying to figure it out. Other fantasies are easier to picture, such as the thought of him strolling across the room to slot himself in-between your spread legs, directing that intensity into your willing, aching body.

  This infuriating crush is why you suppose that your envy wouldn’t be as biting if you caught some sort of noise from the man during these displays of exhibitionism. It would give you something to repeat in your mind while you stow away in the late hours of the night seeking your own release. You guess the inability to hear him is proof of how far Xi’an is pushing her volume. It’s all just to piss you off. 

“Uhg, how miserable..” You mutter to yourself, allowing a little moment of self-indulgent angst. Typically, you wouldn’t allow yourself to wallow like a petulant teen seeing as you’re a literal fucking criminal. 

I’m supposed to be a hardass, dammit you think, spirits low as repairs wrap up far too swiftly. You swear you’ll buff right through every layer in the ship if you keep procrastinating on finishing your job and wandering into the tucked away fresher for a shower. Wandering past….them.

Wherever they are choosing to fuck can’t be that far considering the slap of skin on skin is already fucking loud enough. The sounds seem to be emanating from a vent not too high up the wall, you deduce it connects to one of the bunk rooms not too far from the landing pad you’re working next to. It really is fucking loud with all these metal surfaces to echo off of. Making your way to your small bunk might cause you to go deaf and if the last thing you ever hear is Xi’an wailing as she rubs in the fact that you aren’t fucking Mando, well, you might just take this spinning laser to your head. Unfortunately, at this point, the exterior of the gunship couldn’t possibly get more pristine.

Sighing in defeat, you push up from your crouching position on the metal floor and start to assemble your tools for clean-up while the sounds of Twi’lek pleasure predictably pick up  in volume.

“Fuck, fuck-Ah I’m close, I-I’m going to-“ A literal howl pierces the air as your gut twists with discomfort. Fuck, this is so awkward... and like, weird? Does he consent to this? Does he like that we can hear it? Maker.. Pushing that thought out of your mind you start to jog to your goal of the darkened hall that leads to the station fresher, still so wrapped up in jealousy that you almost miss the rough modulated growl accompanying the scream.

 O-oh.

Oh shit. Was that Mando….Moaning?

The swirling jealousy is suddenly overtaken by a- stars- painful heat, so debilitating that you stumble and almost double over with an intensity that shoots through your groin. Okay well, now you feel like an actual pervert. This display of eroticism was engineered by Xi’an to make you uncomfortable, not so painfully turned on that it’s dizzying. You vaguely register a growing slickness between your legs as you hurry along the cold hallway, desperate to drench yourself in icy water and pretend to forget the sound of Mando moaning.

Shit, Maker, was he cumming? Was that what he sounds like when-- no stopstopnope. Don’t think about that. Your inner monologue is running amuck as you desperately try to block it out. This feels kinda gross, as if you’re a greasy peeping tom spying on Mando’s private endeavors even though this whole situation was shoved in your face to make you ache in countless, longing ways.

That deep growl repeats in your mind as you hum nonsensically under your breath, tapping your skull as if you can knock the sound out of your consciousness despite being well aware that you will go to your fucking grave with every detail. The top of your inner thighs is so embarrassingly slick that you have to resist waddling along the corridor to the showers. Just as you are about to round the first corner, one of the side bunker doors slides halfway opens with a whoosh. The smirking Twi’lek saunters out like the loth-cat who got the cream.

I suppose she did get the cream... Your split-second of sour mirth is further spoiled as Xi’an slides the rest of the door open revealing the gleam of silver beskar and red steel as the ever still Mandalorian adjusting his…thigh armor. You spy a large vent at the junction between wall and ceiling, confirming your earlier suspicions that she chose this location on purpose. Quickly glancing between Mando and Xi’an, your face uncontrollably floods with fire when her giggles pierce the air. You register his helmet tilting toward you right as Xi’an’s tongue slowly extends to liiiick her fingers, any curiosity at his gesture burning away in revulsion.

What does she get out of making everyone uncomfortable? You think to yourself, wanting to squirm away from the obscenity but resolving to hold your ground.

“Xi’an,” You greet the two shortly, hands linked behind your back. “Mando.”  He nods.

“Sorry,” Xi’an offers in a voice devoid of guilt. “Were we being too loud? I would never want to distract you from your… projects.” Her taunting smile curls so widely that it is almost disturbing. “What would the team do without our junior mechanic!”

Her cackle rings through the suddenly freezing hall as you spin on your heel and try to not look like you’re fleeing. Red is tinting the edges of your vision from her insult while tears threaten to flood your eyes out of embarrassment.

You need to get to that shower quickly.

    ----------------

  As the tepid shower rains down on your flushed body, you childishly wonder if you should run away. Or rather, if you could run away considering you technically don’t own any of the ships currently residing in the hangar bay. Although you technically have free reign to pilot most of the spaceships available, that freedom entirely applies to transportation between merc assignments . The thought of running away from your current acquaintances on a stolen ship is not appealing. In fact, the only crew member owning a personal vessel happens to be Mando, his Razer Crest gunship was often subject to your mechanic skills.

Mando, who always offered a genuine “Thank you.” after you’d spend hours touching up the vessel’s damage procured from the rare missions he lent its flight to. Mando, the person who you are presently trying to not think about while naked and still trembling with emotion.

Your sillier fantasies would sometimes involve stealing away in his gunship, hand pressed over his chest and leg thrown across his lower body like a romance novel while he skillfully pilots the ship away. Kriff, you felt like a soft girl whenever you run this scenario through your mind, so cliché and campy that you cringe at yourself. Thus, this particular dive into your consciousness was reserved for special moments such as lying in bed after a strenuous job, or after long days spent working through that junkyard of hangar bay trying to strong-arm your way into earning worth in the company. Private moments where you are finally comfortable letting your guard down to drift aimlessly throughout maladaptive daydreams.

Not so soft fantasies exist in your mind as well. Once again that modulated groan springs to the forefront of your mind causing your clit to throb softly. The conflicting feelings of embarrassment, rage, and painful arousal serves to create an energizing cocktail that goes straight to your pussy.

‘Fuck it,” You whisper breathily to yourself, “Nows as good a time as ever..” your fingers are trailing down your stomach as you say the words out loud. You adjust the water to be slightly warmer and sigh as the comfortable heat compliments your tickling fingers. If only you could replace your hands with the significantly larger leather-clad ones of a certain bounty hunter. The thought spikes your arousal as you lightly brush against your mound, choosing to tease yourself as images flash through your mind. The armor-clad Mandalorian gripping the back of your neck to you press facedown on the floor of his ship and take his cock. Or your legs spread wide across his hips, crushing your pussy on his groin while he’s seated in the pilot seat of his ship.

Your fingers dip slightly into your slick hole then drag up to your clit causing you to bite your free palm and hold back a moan. Eyelids heavy, you give in to the fantasies and begin to earnestly rub at your clit.

“Mmf Maker, f-fuck..”, you whine into your hand at the thought of him breaking your pussy open. You just know he fucks hard -- it’s a given that the crazy Twi’lek would be one for rougher sexual affairs. Someone who spends nearly every moment of life feeling nothing but the weight of fabric and beskar on their skin must be so fucking touch starved. You bet the opportunities he’s had to feel a tight cunt wrapped around his length would completely overwhelm his restraint. Muffled moans begin to fill the fresher as your fingers speed up between your legs, head hanging forward into the metal wall and water dripping off your brows.

Your eyes flutter shut as you pull your hand from your lips to tug at your hardened nipple, other hand still between your legs, imagining a dark visor being trained on your soaking wet, writhing body. The image sends a shooting pleasure up your spine as you spin around and press your back to the wall. Imagining his dark form watching you from the other side of the gathering steam, you open your thighs and spread your labia apart, sighing at the wet sound it makes. “Like what you see, hunter..?” you whisper into the empty room wishing he would find you in this shower.

Removing your fingers from your nipple you reach down to your crotch and greedily fill yourself with two fingers, pumping in and out as your other hand works at your swollen clit. The volume of your now unmuffled pleasure is likely overheard by anyone on this section of the station, but you can't find it in yourself to give a shit. If Xi’an can screech out her orgasms at any given opportunity to fuck with you then let them hear.

Let him hear.

Your imagination runs rampant at the notion that he could hunt down your gasps and take care of you himself, causing you to gasp louder. S-shit people can hear you, you just won't say his name out loud, it's fine, it's f-fine- The thought of him discovering you here is so hot that it's blinding, and suddenly your orgasm is rushing up to crush you entirely.

Your lower half is locked tight then suddenly your knees buckle and you’re cumming hard. Your choked gasps cutting through the steamy shower like blaster fire as you peak higher, uncontrollably calling out for the Mandalorian while white-hot pleasure wrings you dry. Let him hear you crying for him as you gush around your fingers, convulsing in bliss.

     In the shuddering aftershocks, you don’t hear the uncharacteristically loud padding of leather boots retreating away from the fresher door.

    ------------------------------------------

    You’re good at your job. You wouldn’t be doing it if you truly couldn’t handle the ordeal of being a mercenary. The whole point of the job is to take care of the dirty work, so those far disconnected wouldn’t have to dwell on their choices too hard. You’re used to not asking questions, motivated by credits and reputation alone. But in moments like these, a job going this awry… well, you just feel like pure shit. This hit was way too easy and far too filthy even for your career mostly consisting of professional filth. It was so glaringly obvious that even if your associate’s numbers were sliced in half, you would still sweep the ground with your winnings.

And what meager earnings they are.

The crew’s assignment this round was to hit a casino shipment just outside the outer rim planet of Cantonica. Due to the Razer Crest’s ability to fly under the radar of both Imperial and New republic records, Ran rudely allotted that Mando should allow his ship’s use for crew transport. You’re surprised he agreed at all, but perhaps the prospect of gain motivated him. His motivations are rarely clear to you. You’re guessing the price of a wealthy city’s supply sounded frankly too tempting for everyone involved; Ran was practically salivating over the drawing board for this particular errand. One would imagine a hull stacked to the top with credits and the finest luxuries for Canto Blight’s flashy tourists. It is Catonica’s main attraction after all.

But once the team’s resident crime droid, Zero, breached the cargo ship's record, the whole team is  informed that the cargo-freighter ship only contains “organics”.

Slaves.

          In the end, Migs remarked that there may still be something of worth to obtain from this job, and thus the plan morphed into an robbery on the surface once the cargo landed at its isolated dock. You reluctantly agreed to continue while Mando shortly nodded, both of you last to assent on this change in direction.

----------------   

Some hours later you’re crouching in a derelict warehouse while the lessening blaster fire showers spark like fireworks across your corneas. The fighting between your crew and the dockyard guards has almost died down at this point and you take the moment to catch your breath behind a large stack of cargo boxes.

          “Holy stars,” you gasp out, head falling between your knees as a wave of guilt consumes you momentarily. This job fucking blows. It’s so much easier robbing Imps and gangs because they are inherently bad fucking people. Robbing a group of slaves is the lowest point you think you have ever hit in your life. This is so wrong, this is so so wrong, they don’t even have ownership of their own lives and here your crew of fucking mercenaries swoops in with a vengeance over being cheated out of something that we didn’t own in the first place.

The last straw was when you witnessed a young bedraggled woman fearfully tossing the Twi’lek sibling, Qin, a small wooden necklace, the last possession from her life before slavery. You ended up turning tail and running deeper into the dock while Qin needlessly hissed at her just to enjoy her terror. You’re sure he’ll just toss the thing after the job is over.

“I never would’ve agreed to this…” You breathe out shakily to the empty air, hollowness swallowing your ability to compartmentalize your humanity from the nature of this work. You are still fighting the impulse to give in to that deep pit of sorrow when a large shadow makes you start and grip your blaster before relaxing in recognition at the chrome gleam.

          “Oh, hey, Mando,” Smiling tightly in his presence as he approaches silently, his helmet tilted down at your crouched form. His gaze makes you straighten up quickly, realizing that you probably shouldn’t look so stricken in front of your crime associate. Gotta look tough, can’t let people think you’re too soft for this work. Man, didn’t he help start the company? That thought motivates you further to stand up and face him head-on.

 “Not what we expected huh? Certainly no Canto luxury here..” you quietly murmur to his cheek groove.

If you looked directly where his eyes might be he would likely catch the sparkle of moisture threatening to pool at your bottom lashes.

          “No,” he breathes shortly through the modulator. “Not this.” Something in his voice inspires the bravery to glance at his T-shaped visor. Compared to his usual tone of speech he almost sounds …stricken right now. Distraught by this display of debauchery your crewmates have shown the slaves and few people manning the dock. It's not noticeable unless you’ve been around him enough to read him on some level but deep down you know he feels the same way. You try to recall him taking part in the violent takeover and realize he was barely present for the ordeal. Aside from the initial violence that broke out during landing he hardly did anything and was noticeably absent once the slaves were targeted. In the back of your mind, you pray that he won't be reprimanded for the lack of effort. The thought is ridiculous but you’re scared anyway.

Stars, this is all too much, your head is swirling with grief and stress as your heart rate picks up and suddenly you are so desperate for humanity, for empathy  that you lose your filter and-

          “Couldn’t stomach it either?” You blurt out to him, desperately hoping he understands and will not judge your deep sorrow for the enslaved people affected by this brutal takedown. Your mind catches up in panic half a second later when Mando doesn’t immediately respond. Did you just seek sensitivity from the Mandalorian? Fuck. Wait. That sounded like an insult too. Fuck um-

“Ah, um I-I mean. I just mean I don’t remember you firing on anyone helpless and I um- I didn’t either, I didn’t fire my blaster at all to be honest I-Fuck- I hid. They’re just slaves not Imps, Mando. The guards were taken out in seconds and-” You hiccup and stutter as tears gather at the edges of your eyes and begin to fall. You feel so overwhelmed with anxiety and guilt that all of a sudden you forgot about his open show of emotion.

Pull it together, don't do this in front of the Mandalorian. He is the very picture of a stoic, hardened mercenary and now you’re kriffing crying in front of him? It briefly registers that this is the first time you’ve ever spoken one on one with him, the both of you were almost always alone or with members of Ran’s party during time off. You internally curse your existence for thinking you could tearfully word vomit in front of a fucking bounty hunter and get comforted by him. Your knowledge of Mandalorians is limited, despite knowing one, yet you think the point of his whole creed about giving up your identity and giving yourself to war. Why the fuck did you cry in front of a damn Manodlorian? You’re just starting to unfreeze from your panic-stricken muscles to dab at your cheeks when a gloved hand swiftly brushes just below your eye to catch a tear.

          ‘This wouldn’t have happened if that Droid could do his job,” You glance up at him in shock at his biting tone juxtaposed with the gentle gesture, but he’s already turning away, voice rotating with his visor. “The worst is over now that the shooting stopped. Let’s round up the others.”

          He pauses with his back turned and you take that moment to compose yourself. You’ve only shed a few tears so your eyes can’t be that red.

“O-okay.. .” You reply, trying to inject your usual backbone into the tone of your response before moving to follow him around the piled boxes and regroup. Staring into your warped reflection in the back of his helmet you try to find the words to thank him but they get lost in the ghosts of today.

          Your mind is still swirling but the clouds of despair have mostly cleared away. You know you don’t have time to dwell on your short interaction yet your mind is fully absorbed in his every move, both present and past. Coming from anyone else his reaction would seem shitty and dismissive but coming from Mando... well, you're honestly shocked. Those two sentences were fairly long for someone usually so silent. And what about his reaction to the way this job has gone? Him brushing away your tears?

You are gazing down at your feet deep in thought when you suddenly bonk into the back of Mandos broad back, wacking your forehead on the base of his helmet.

          “Oww.” You groan lightly, rubbing your forehead and stepping to the right of his body, “Why’d you stop so sudde-'' It is then when you notice the muffled whimpering coming from the clearing in front of the both of you. A crimson pool of blood laps at the Mandalorian’s boots, its kiss staining the leather a deep black.

Now you are truly sickened, bile rising in your throat as a ragged gasp leaves your mouth.

          “Why…? How can you..”

          “Xi’an!”

          Your choked whisper leaves your lips at the same moment the Mandalorian fucking barks the Twi’leks name.

A crumpled form adjacent to her body is the source of the whimpering and bloodshed, their contorted limbs looking less than human as muscles strain against metal binders. Xi’an’s triangular blades are dripping in her grip as she spins on her toes like a dancer and flounces childishly in the direction of your frozen form. Tearing your gaze away from the shell of a human you meet her eyes with open hostility. She stops several yards away from you.

          ‘Aha! So good to see you two. Isn’t this job sooo disappointing?” She calls out to the two of you casually. When no one responds her body deflates as she twists her knee inward and clutches one arm peevishly. Performative. “What? No hello? I could’ve died today!” She cackles at the notion.

          Mando is a statue at your side. You can feel the rage radiate in waves off his body like a heater and you wonder what's going to happen if Xi’an pushes this further. Your heightened stress from moments before is vibrating throughout your nervous system, compelling you to step forward and speak up.

          “Xi’an… this-this is completely unnecessary. The only thing required to complete our hit was taking out guards! What the fuc- and they were clearly incapacitated by you before you decided to take your blade to their skin!” Okay, that came out a little shakier than intended, but it feels like a disservice to hide your revulsion for her actions with the victim lying right there. “You could’ve just hit em’ in the skull with a blaster shot if you needed them out of your way!”

          “Guards? Oh, I already took them out. This-” Xi’an punctuates the word a kick into the person’s stomach causing them to groan weakly, “Well, this is just an Organic as Zero would put it.” Organic? Fucking- You jump slightly and glance to your left when the Mandorlorian makes a shocked exclamation at her words. Maker, you’re so sickened you forgot he was with you.

“You mean a Slave? From the shipment?” He hisses the question through his teeth. You can’t see his face but you can hear the tension in his jaw, his body still a ridged form at your side. Xi’an pokes her tongue out and runs it lightly over the pointed edge of her teeth while she considers her response. She seems to be measuring her response to Mando with a little more care than she bothered with while speaking to you. You’re guessing that she cares far more about his perception of her than your personal attitude regarding the Twi’lek. Wouldn’t want to piss off her fuck buddy.

“Answer me!” He snaps when her response takes a millisecond too long. Your purple associate sighs, exasperated now.

“Yes a slave,” she hisses, drawing out the word in contempt, “Really I’m doing him a favor. From the looks of him, he was picked up on Tatooine. I doubt he even had a family to mourn him back on that shitty dustball of a planet-” Her eyes suddenly bulge as she clamps her mouth shut, gaze fixed on the armored man betraying a twinkle of... fear?

Slowly, you turn to him. The pit in your stomach is somehow weighing heavier than ever when you take in his body language. If you thought he was emanating white-hot rage before Xi’an’s response then you don’t even have words for how he holds himself now. You take a half step back in trepidation as the air around you seems to warp around the Mandalorian’s gravitational pull.

“A foundling?” His tone is unexpectedly quiet for someone who is manipulating the very atmosphere of this desert planet. Time seems to freeze. Shadows are ebbing at the edge of your vision and your head feels like it is going to pop in the pressure. You want to do something, anything, to relieve the pressing wall closing in on the three of you, to somehow end this interaction so that you can crawl in on yourself and bury the ghosts in the back of your mind. Fuck, your mouth is so dry, heart palpitating with a painful squeeze. Shit, fuck, what do you do? What did he mean by that question and why is Xi’an freaking out? You’re still fixated on the gleam of his helmet, rushing to find appropriate words when-

A flash of red explodes in your peripheral-vision, sparks seeming to fly 20 feet in the air. The words die in your throat in shock.

Did he? Did he shoot her? You barely saw him move yet as your mind races to catch up on this turn of events, you realize his blaster is drawn low on his hip, while the rest of him hasn't shifted an inch. The pressure cooker disappears in a sweeping wave of silence.

You swallow and turn awkwardly back to Xi’an. Oh.

He shot the slave.

Xi’an is just as stiff as you, her arms slightly raised as if she instinctively tried to ward off the blaster fire before realizing its trajectory. You are still processing his actions when a gloved hand wraps around your wrist and pulls you swiftly as he runs from the scene, tossing a flash bomb behind the both of you.

Without question, you run with him.

  ----------------

  “Hey!” Within minutes your chest is burning from keeping up with Mando’s relentless pace. You’re fit from your job but he's twice as big as you and probably more than twice as fast. You get the feeling that he's moving slower than usual so you aren’t left behind. Struggling to control your breathing, you attempt to make sense of the jumbled thoughts by wheezing out, “M-Mando what are we doing?”

“Running.”

“Okay, fucking obviously!”

“To the Crest.” He clarifies just as shortly. Okay. Okay, once you reach his ship maybe you’ll get more answers. Right now, both of your priorities align with getting the fuck away from Xi’an before her vision returns and she comes after the both of you. But you can’t yet push some of the recent events to the side.

“You shot him.” You mean to phrase it like a question but it comes out more accusatory than intended with how breathless you are. “The slave you shot-“

“I ended his suffering.”

Oh. That makes sense, even if it makes your chest contract in duress you recognize his killing the slave came from a place of empathy. What exactly did he say right before drawing his blaster, something about… foundlings? You don’t know the term exactly but contextually you can guess it means orphan or alone. Fuck, this is so bad. Just what are you going to tell everyone? He may not have directed his shot at the Twi’lek but he temporarily blinded her. That still counts as an attack on a member of the team. Your chest is burning unbearably now so you slap at Mando’s vambrance to signal your need for a break. He drags you gasping around a corner into the shadowy edge of the warehouse.

“Listen, hey, look at me.” His large hand reaches out to gently grip the side of your face, warm against your skin and smelling sharply of blaster residue. Looking into his visor you realize your cheeks are damp again as hysterical hiccups threaten to make themselves known. “We are going to run. You don’t have to come with me of course but I unintentionally put you in the position of being complicit by attacking Xi’an. That-that wasn’t the plan… but I was leaving the company anyway”

His chest suddenly deflates as he rids it of air.

You realize you were holding your breath at the same time as him as you gasp out, before rubbing at your cheeks and asking dumbly, “Y-you were… leaving the company? Is Ran pissed?”

Stupid question. Of course, he’d be pissed at losing the one Mandalorian in the group. Mandos' presence gave him cred. 

“Ran doesn’t know.”

“Ran doesn’t… what? When was this happening then?”

Mando’s visor turns away from your gaze and looks off into the middle distance. His gloved hand on your face is still gripping gently to lock you in place. “Today. That’s the only reason why I agreed to let him use the Crest for this job.”

He shakes his helmet slightly and turns back to your face, the metal covering his face becoming your main focal point while the room spins. You can't see his features, and never would, yet you feel as if you are looking directly into his eyes. Your body has impeccable timing when you feel your cheeks heat blushing.

However, your senses return in an instant when a familiar piercing howl echoes off the walls. The glove drops and he is gripping your shoulders,

“Can you run again?”

Adrenaline springs your limbs into action as you spin around, catching his wrist and pulling, roles reversed as you lead him in the direction of his ship.

Dust is billowing from below whenever your feet meet the ground. The steps sound like thunder in your ears as paranoia begins to worm its way into the forefront of your senses, every corner, every shadow, every blindspot could be hiding one of your former partners. Xi’an is an excellent assassin; time and time again her main skill has proven to be stealth, targets dropping dead expectedly. The Crest isn’t very far thankfully. It sits right on the back of the targeted freighter since Zero requires physical contact to hack the other ship systems for paths. Oooohh shit you forgot about the droid- 

“Mando, Zero’s in there.” You puff out shortly in between breaths. 

“Fuck that droid. I’ll take care of him, just back me up.” You both slide around a corner as he responds, bringing the two ships into your field of view. You are facing the rear end of the larger vessel, thankfully leaving the coast clear as far as you can tell. Mando’s helmet scans the area then nods, indicating the go-ahead with his fingers before running ahead of you. You follow him, casting fervent glances behind you for any signs of life. You reach the ship a millisecond after he does, his vambrance held high to lower the rear ramp. As the ramp begins to lower he grips your shoulders and spins you around dizzily.

“Stay right outside here. The second I enter the crest I’m dropping the Droid. I’ll call you once it’s safe.” You gulp quickly and nod in assent right before he leaps into the opening of the ship.

Seconds pass. 

Your nerves are plucking way more than they normally would.. You never particularly liked Zero, but the sudden turn of taking out your ex-allies is making you high strung and nervous. Zero’s voice cuts through the silence, making you jump.

“Mandolarian, you are back early. Were the prospects plentiful despite being Organics?”

“No.” You twitch when a shot echoes in the hull followed by the clash of metal on metal.

 The Mandalorian sharply calls your name springing you into action. You enter the ship immediately spying Zero’s body under the cockpit ladder, blaster wound still smoking with red-hot metal ringing the edges. Your eyes linger a little on the droid’s body, slightly leery at the death of someone who was your backup only hours ago, then you sigh and duck to get a handle on under his shoulders, dragging him to toss out the open entryway. 

Grunting with effort you direct your voice at the cockpit, “Tossing the droid! Take off when read- Shit.”

One of the droid's hip joints gets stuck on a portion of the hull wall, preventing you from moving his corpse. Something wizzes above you at the exact moment you duck down to adjust the body, right where the back of your head was a second ago. One of Xi’an’s triangle blades ricochets off the wall and slides across the floor, stopping right under your nose. Oh f-

“Fuck! Fly, fly, she's here Mando!” You lurch to the floor as the thrusters kick in, twisting your head to try and get eyes on the clearing. Through the rapidly closing ramp, you see a flash of purple skin, but before you have time to react the Crest door snaps shut. Heart thudding at what feels like a million beats per second, you try to get your bearings on the floor. Twisting sideways you suddenly find yourself face to face with Zero’s corpse, revulsion whipping through you like lightning as you scramble backward on your hands and feet.

    You can’t do this right now. 

    The last thing you want is to seem weak and needy in front of the man who just selflessly saved your life, for reasons still unknown, but you can’t do this right now. A creature of habit, you fold your neck between your legs, the same reaction you had to the violence on Cantonica. A minute, you just need a minute, a minute and then this horrible drone will go away, and you can deal with this, you’re a fucking mercenary…  the blackness swarming at the edges of your sight overtakes you all at once and you slide limply to the floor.

  ------------------------------------------

  You aren’t sure how much time has passed once you rouse. At your request, Mando tosses Zero's body before kicking into hyperdrive right about 120,000 feet in the air. You stare at its flight path until the speck disappears in the taupe shithole that is Cantonica. Feeling shaky as your adrenaline finally dips, you decide that the Crest could do with a once over before the long journey. 

After performing a quick analysis on the Crests systems it’s determined that the two of you are lucky this hunk of metal can fly. Hyperdrive operating at 67% capacity, weak communication signal if it even works half the time, plus more damage than you can currently process. If there weren’t five million different stressors weighing on you, your mechanic brain would probably explode at the current state of Mando’s ship. He probably should’ve taken it to you, or anyone else handy with tools if he wanted it to be in proper form for departure, but it makes sense that he didn’t want to draw too much attention. Hopefully, his pilot skills will compensate for the Crest’s sorry state. 

 To be fair, the whole blow-up-your-coworker-and-run-for-your-life aspect didn’t seem to be in Mando’s original plan. 

“So… where are we going?” You’re on the floor in the cockpit, back facing the passenger chair while the Mandalorian is seated pilot. After crawling under the console for a while you couldn’t bother to lift your aching muscles on the chair, resigning to scoot on your butt over to the closest object that could support you. As a result, you end up craning your neck to look up at him, his back straight in the chair. 

“My original plan was to head to Nevarro to take on a few quarries. I’m still with the guild and Karga doesn’t give a shit whether I’m running with Ran or going in alone.” You bite your lip anxiously. Oh yeah, you kinda forgot your presence threw wrench in his plan. He notices and tilts the helmet sideways at you, “You’re not in the way. I’m not concerned about you joining me, someone of your skillset is helpful to have around. I’ll introduce you to Karga so you can get on your feet.”

The compliment lifts your spirits enough to make you playful, poking at his boot with your toe, “Gee, glad I’m useful enough to keep around. All I have is my blaster and the clothes on my back, so if you drop me, I’d be  pretty fucked.” 

You giggle quietly but you know it’s the truth. All of your possessions are back on the space station, but you didn’t own too many personal artifacts, aside from some clothes and weapons. The only thing of use would’ve been your credits. You worry again at the realization, dipping your head before continuing to speak,

“Shit Mando, I don’t have any money on me. It was all back in my bunk, I don’t know how I’ll help pay for things around here unless Karga decides I can take on a quarry right away. Even then I’ll have to bring it back before I ever have a lick to my name.”

“You can make it back. I’ll split the profit from jobs that you assist me on. Cut depends on how useful you are and once you prove yourself, Karga will give you the decent pucks.” He swivels the chair and faces you, knees slightly spread as he leans forward in the chair, “Deal?”

You swallow and nod your head, mind blanking at how your head is level with the bend in his hips. You don’t think he's trying to come across as suggestive but the effect, intentional or not, invites a flutter of desire in your tummy. The Mandalorian leans back on his leather backing and sighs, the sound gentle despite the modulator warping his natural tone,

“You aren’t in my way. I swear it. If I had more time before leaving I would’ve asked you to join me anyway, you're good with your hands and always had more… compassion? Than anyone else in the company. I admire that quality.” That makes you straighten back up to meet his visor. He sounds nearly shy.

“O-oh…” You never even thought he noticed you aside from when you touched up the Razor Crest. The compliment sends warmth throughout your body, as languid as sex pollen in the near feverish effect. You don’t know how to respond at all, you’re feeling disjointed, like you may reveal too much if you don't change the subject soon. You wish you could be snappier but you’re exhausted. Maybe try for a joke?

“I g-guess you value girls good with their hands, huh. H-haha?”

Silence. Hm. 

That was the absolute worst thing you could’ve come up with. 

It didn’t meet even a single one of your simple ass goals, which entail the following:

Thank him.

Change the subject.

Not reveal how much his words make you want him to rail you.

    Wow, what the fuck- kill me. He hasn’t moved an inch, much less reacted to your shitty joke. The positioning of your bodies that you found so hot ten seconds prior is now a place you’d try anything to escape from. It’s almost comical how his height advantage serves to emphasize the disappointment in the small room. He hasn’t responded so you’re guessing he won’t bother to try. Heavy silence suffocates you to the point of desperation, you need to fill it with something right now or you swear you’ll die. 

    “I-I jus-t mean like- Well you had certain- ah- habits, you’d adhere to in your free time. Li-like um, I mean you didn’t hide much. Kinda obvious if you- listen, uh, I didn’t mean t-to say that I-I was joking around-”

“Get to the point.”

“I-” Your tummy fills with heat at his command. “Umm..” You wipe your hands on your thighs and glance down from his voice. The hours of on and off adrenaline must be majorly messing with your head. It’s kinda weird that you want him this badly after everything that went down today. Wasn’t your most recent concern something about avoiding death at the hands of a bitch you hate most in the galaxy? To be honest you can’t recall. 

The proximity of his groin is suddenly at the forefront of your mind. Again.

He slowly tilts his helmet to look at you, arms bending to settle in a relaxed position on the armrests. You are extremely aware of how you’re blatantly staring at him but your mind is slow to come up with a valid response, blankness written in the reflection on his visor. His position on the chair is mountainous, looming over your body in a way that boxes you in between the passenger seat and the Crest console. You feel like a prey animal... In a sexy way? Maybe?

Although, when he leans back into his seat, helmet still trained on your face, you are unsure if you’re actually pissing him off or not.

“Say what you mean.” 

Okay, the sexy is mixing a little with anxiety. 

“Ah- Um well, I just mean like. It’s not like you hid it from me- everyone else too. In the company. Ran’s company? ‘Cause, I- We… always overheard you and Xi’a- Her…” Fuck, your mouth is so dry that last part came out like a squeak. “I’m sorry, I’m rambling again um, I kinda thought you were doing it on purpose. With Xi’an. Making me hear when you’d...fuck her.” Cheeks blazing, you duck your head back down, which doesn’t help at all since you’re just face to face with his crotch once more. 

    “You say ‘always’...” Mando’s inflection is lost somewhere between statement and question, his tone confusing enough that you end up lifting your head from its bowed position below him. 

“Y-yes?”

“As in this was a common position you found yourself in? Did you overhear me multiple times?” Now he poses not one but two questions for you, neither of which you feel brave enough to answer steadily. You can’t deflect further at this point so you answer him with a sigh.

“No, I only heard you once. Xi’an always wanted me to hear her though. It was gross.” Mortified, you gather your legs under your body to stand up from the floor. You think the hyperdrive issue is fixed well enough to hold until Nevarro. When your hand reaches for the edge of the armrest to pull yourself up it is abruptly enveloped in warm leather. Half crouched, your arm jerks back a little in surprise at his touch. 

“I wasn’t asking about myself specifically. And I wouldn’t force you to participate in her games, had I known.”

Maker strike my ass down. Can humans die from embarrassment? You wish it were possible if it got you out of this conversation. He’s correct, he didn’t specify whether you had heard his moaning. If you weren’t nursing these stupid feelings for Mando you never would’ve given away the fact that you memorized every tantalizing second of what you overheard. Not only is this embarrassing, but you don’t want him to think you’re a sicko who wanted to eavesdrop in the first place. The clarification about his awareness of Xi'an's timing is comforting but not enough to erase what you already admitted to him. You somehow feel sweaty and bone-dry at the same time, a flush spreading over your face.

“I’m so sorry.”

“I heard you too.”

You both speak at the same second, and a beat passes before either of you process what the other said. He- what? What is he talking about? Are we having two totally different conversations right now? When did you ever fuck someone on that space station anyway… unless he means… in the fresher…

This time he is the one who breaks the silence, “You’re sorry for… overhearing me?” 

“Y-yes, I really, really, don’t want you to think I’m a creep or anything. Anything I heard was involuntary, I swear. Xi’an w-wanted to make me… Um…” You trail off shyly, sitting down again. His hand is still over yours.

“Get to the point.” His voice is filled with heat now, so low and compelling that you’d tell him anything just to keep it that way. You whisper your response, lifting your eyes to his dark visor wishing you could meet his gaze.

“She wanted to make me jealous. Over you.”

“Mm… You wanted me instead?”

“Maker, yes.”

The climate between you and the Mandalorian made a 180. Nerves dissolving like honey in tea, all at once being taken over by a hum of sexual tension while his fingers caress a warm pattern over your knuckles. Exhilaration builds within you, though in the back of your mind you are calculating the possible motives behind his advance. 

You know sometimes, after a particularly rough day, people are compelled to relieve their pent-up stress through intimacy. There’s a reason why the market of sex work thrives under wartime, terror existing constantly in a fighter’s life must be paired with the softer, inner-most comforts of knowing another living being, or they’d go mad with sorrow. Brothels made a lot of money during the last stages of the Empire’s rule from both Imps, Rebels, and neutral parties alike.

It’s not out of the ordinary for you to seek each other out right now, yet can’t help but dream that this might mean more. 

The Mandalorian’s hand currently encasing yours flips your wrist to trace the lines of your palm. Sighing you tilt your head to the side, a curtain of hair cascading across your features. His free hand reaches out to brush the strands away before he gently grips your jaw, hand large enough to press his thumb on the front of your chin while his fingers wrap lightly under your ear. 

“I heard you too, pretty girl. You called out for me in the fresher… just what were you doing in there? Describe it- please.” He speaks with such allure that you break under his voice, pressing your cheek to his palm.

    “I-I thought of you watching me while I touched my pussy. I was so wet thinking about how I want you to feel me after being under all your armor, Stars, even the wind can’t touch you Mando. I thought about how you must crave the feeling of something so soft… can I show you how soft I am?” Your free hand raises to rest gently on his knee, fingertips hesitating at the edge of his thigh piece. He is still fully suited for battle, explosives strapped to one boot and rifle across his shoulders. 

You wish so badly to help him unwind, you would never disrespect him by trying to remove his armor, but you want to help him move past the experience that was Cantonica. Mando continues to stare at you for several tense seconds before melting into your touch.

“H-helmet stays on.” He breathes out shakily, a slight tremor running through his legs as your fingers lightly explore the fabric under the edge of the piece of metal. “But the rest… the rest can come off.” 

He’s already moving to undo the magnetic connectors holding his cuirass in place so you scramble to follow his movements. The rust-colored armor on his body has complex enough attachments that you don’t really know where to begin. Your hands clamber around, mostly following his deft movements. Slowly a man of flesh and blood is revealed, and as his impenetrable exterior melts away you find the true shape of him. 

The armor serves to add a few inches of bulk on his features, enhanced proportions making out a dramatic silhouette designed to be spotted from miles away. Without it his body is still so powerful, built hard as stone and broad, hard angles melding enticingly with a hidden softness. Not hidden- you realize -it compliments him completely. The pieces fall away and you’re left with the unexplored bareness of him. He is human and warm, evidence of this betrayed in rare moments where his hands travel lightly up your arms while you work at his pauldrons, brushing through your hair here and there before finally returning to your jaw to hover in front of your lips. 

“Off.” He instructs shortly, brushing the seam of his thumb over your bottom lip. Your mouth falls open to explore him with your tongue, tasting salt, blaster residue, and a hint of the heat he holds in his body. Satisfied, you bite down gently on the glove ridge, watching as he pulls off the leather encasing his hand and drinking in the sight of golden skin as it is revealed to you inch by inch. All you’ve seen of him is one bare hand and somehow it is the sexiest thing you’ve ever laid your eyes on. Flames lick your body, spreading from your white-hot core, energy gathering with such impassioned motions that at any second now it will burst from your skin, a reaction so immense that you could birth another galaxy.

You want to taste his skin too.

“Fuck baby-” You take his middle finger down to the knuckle, emboldened by his slurred reaction, noises startling to babble out of the bounty hunter as his stoicism falls apart under your tongue. Humming around the digit, you start to bob your head gently, eyes locked on his impassive visor while filthy, filtered noises drift through the beskar. It’s like there is no barrier at all between you, the air thrumming with a longing so great that you feel one with the man crumbling before you. If you're not careful you will fall with him. 

“Mando, Plea-se,” You stutter around him, voice shaking more than intended. “I want to f-feel more of you, let me touch you, please-” You squawk, mouth empty when he suddenly rips off the other glove, tossing it behind him before reaching down his torso to pull the hem of his trousers south. You gulp in trepidation, unable to tear your eyes away as enticing dark hair displays itself, leading to the base of his cock. He pauses, but you’re so caught up in discovering him that you don’t notice the tonal shift.

“Before I show you this-” dark words enunciated by palming his cock through the fabric, “I need to know where to put it.” 

What kind of question is that? You’re honestly bewildered, mind blank before you realize that the options are overwhelming. In his own way, he is asking you to verbalize consent, which is very much appreciated. You want him in your pussy, to work his way deep in your body and in turn, discover just how human you are... yet… You feel oddly unprepared. It’s not that you don't think you can take him, in fact you can't recall ever being this wet in your life. It’s just… after today… you want to help him unwind but you’re still not fully there. You still want to please him, but you’re not ready to let him know you that way, not until you come back to yourself. 

So in that case…

“I want you in my mouth, hunter.” 

Mando growls then grabs your wrist, guiding it over the edge of fabric and onto his throbbing length. He shudders while you process the feeling of him. He is thick, the width of his cock so wide that your middle finger and thumb are straining to meet each other. You release him from his pants then try to pull at the hem to wiggle them down his thighs. He obliges and lifts his hips so that you can reveal more delicious olive skin, but he makes no move to assist you with his hands. You get the feeling that he is drinking in your efforts to touch him, the sensation of your jerky movements giving away how much you want him. 

You kiss and nibble at every possible moment, one hand drifting lightly over the length of him, twirling at the base dusted with short, dark hairs, cupping his balls then moving back up, your mouth traveling to meet your fingers. Hissing, his hand flashes up to meet the back of your head, fingers tangling in strands to tug tightly on your scalp. With a light moan, you tongue along the side of him, teasing hot air more than actually licking him. 

“Look at me- fuck - pretty thing, s-so fucking willing for me, I want to see you take my cock as far as you can, s-show me how much you can handle-” He pulls harder at your hair, dragging you roughly enough to control your neck, back up from where you were sucking at his hip to the head of his dick. “Are you going to show me yourself before or after I gag you on it?”

Fuck, you never realized how tantalizing submitting to another person could be, not until that came out of his mouth, rough enough to clip through the modulator. You elect to show him what you can handle. Leaning forward to meet the swollen tip, you part your plush lips and kiss at the drop of precum gathered there, before relaxing your jaw to take him halfway. He groans and nearly doubles over at the sudden sensation, holding you there for a second before you draw back up to spread your saliva more thoroughly. Lips rewet, you sink back down on him, gliding smoothly as you pull his cock deep within your mouth, drinking in his breathy groans.

“Maker, yes … that’s it, fuck-” You attempt to sink even further down on the Mandalorian’s impressive length, but stop short a few inches from his base, blunt head pressing in your throat. “-so good, s-so good for me baby, you look perfect like this.”

He’s so far back inside you that you can’t access your vocal cords to produce any noise at all, otherwise you’d be whining at his praise. Your hands are free to assist you at any time, you could circumvent his daunting length if you wanted help. But you want to impress him. Besides, your palms are warm on his torso, traveling under his shirt to feel the ropes of muscle there. You don’t want to remove them. 

You surface to the tip, taking a deep breath in preparation before ducking to take him as deep as you can manage. He watches you, entranced at the sight of a face so lovingly strained to please him. Your gag reflex spasms but you will it away, determined to fully engulf his cock at least once even if you find you’re unable to handle more. The noises rising from your throat are brutal and raw as you choke around him, his helmet blurring when tears fill your eyes. You bob a little then almost give up when the urge to retreat floods your senses but then he starts talking again- so filthy that you can’t stop yet.

“You’re trying so fucking hard, fuck, I love seeing you wrapped around my cock, Maker, you feel so fucking good, I can’t imagine how your little pussy must feel, you’re so warm, so, fu-fuck, tight…” The stream of filth serves as your motivation to bob for as long as possible on his length, throat stretched obscenely around him. You realize hazily that there are tears streaming from your eyes, but the urge to pull off is lost in dizziness as the oxygen in your lungs depletes. You keep going and going, your high at its peak as you recognize that your body is starting to fade in black. You should pull off and breathe, one quick breath is all you need, but the way he’s filling you is more addicting than the purest Spice. He notices when you start to slump into his lap and pulls you up gasping for air. 

Nearly fainting never felt so good.

“Shit, are you alright?” You nod and rest your cheek on his thigh, face turned on its side to meet his visor as he spins little circles in your vision. A soothing hand brushes against your cheekbone, tracing a gentle pattern on its height. “You were doing so good for me baby. No need to hurt yourself.” Mando’s voice is still breathless, offering you tenderness through a cloud of stimuli.

“I’m okay- I’m… I just need to catch m-my breath.” You’re still heaving unevenly but you want him so bad, you want him to finish for you, your wants translating into weak pawing at his dick trying to give him more sensation. He catches your wrist with an airy laugh and guides your uncoordinated movements to better stroke him. The sound fills you with light.

“Pretty thing, I know you want me. Try to not die on my dick before I’ve had the chance to feel your cunt.” His hand leaves yours on his length and reaches over your ass to cup the apex of your thighs through your pants. You jerk up and almost crack the crown of your head open on the chin of his beskar but his other palm is pressed between your shoulder blades, keeping you bent over in his lap. A garbled noise tears from you when his index and ring finger spread on either side of your outer lips, allowing his middle finger space to travel up and down your seam, so wet that you can feel the slickness gathering through two layers of fabric onto the tip of his finger.

“Ah, Fuck! Mando, I-I- wait please, please, wait-” He draws his hand up away from your wet center, reaching your asscheek before you yelp and snatch his forearm to stop him from retreating farther. “I s-still wanna, I wanna make you come. You first, before-before me.”

“Baby, you’re… fuck okay. Can I still touch you?” Mando caresses your hip at the fold where it meets your thigh. 

“Later, let me d-do this, please.” He allows you to lift his arm from your spine and rest it on the crown of your head as you move forward and try to meet his cock again. Pulling his thighs to the edge of the chair, you settle back on your knees and stroking him one-handed while he hums low in his throat. You wrap your lips around the swollen head, sucking and swirling your tongue before taking him deeper, this time using a palm to stroke the last few inches instead of opening your throat. Starting up a rhythm of bopping and stroking his velvety length that pulls incredible noises out of the Mandalorian, each one going straight to your swollen clit. 

Coming up for air you start to jerk him off faster with your slick hand, meeting the T of his visor with your heated gaze, hoping that you are finding his eyes. He must enjoy the sight of you jerking him off because his moans start to tighten, hips thrusting into your palm. 

“K-keep fucking doing that, good girl, fuck I-I’m close, where-where do you want it, baby?” You respond by settling low near his thighs, putting his cock above you with your tongue sticking out, wetting the tip while your wrist moves faster. Somehow he’s harder than ever and-

Mando curses through his teeth as his cock convulses, warm spurts of cum painting your tongue, cheeks, and nose bridge, rivers of him flowing down your chin and dribbling on the swell of your chest. He grips the back of your head tight enough to hurt, then rips one hand down to stroke himself, smearing the mess across your features. 

The fingers on your scalp loosen then graciously begin rubbing at the base of your neck to soothe the soreness on your head. One of your eyelids is sealed shut due to a rope of his cum crossing from nose to eyebrow, the other eye unfocused, hazy with pleasure as you listen to him come down from his peak. A low noise rises from your throat as he massages your scalp, feeling tingly all over as blood flows back to the area.

“T-Thank you… that was great, I-“ he breaks off when you start to gather his cum off your skin, licking it off your fingers while studying his visor through your lashes. “Hey, let me…” 

He surprises you by wiping at your face with his cape, still hanging off the arm of the pilot chair from when you detached it. You giggle, “Is there a way to wash that on here? I can’t even tell if that hole in the wall includes a shower.” 

“There’s enough to work with.” 

You laugh louder at that, “That’s encouraging. I hope there’s ‘enough to work with’ so that I don’t meet Karga covered in cum.” Pausing to consider your current position, you add, “Actually, that might help my case.” 

Face wiped mostly clean, you're able to open both eyes now, taking in his posture. A jolt shoots through you when you realize he’s holding himself differently for some reason, he looks almost predatory but maybe that’s just the effect of Beskar’s harsh angles... Nope, he’s leaning forward now, caging you in again.  

“You want to look sexy for Karga?” Gulping, you try to figure out the best response but he continues before your slow-ass mind can catch up, “You’re right, that might help you get better pucks. But I don’t know if I want my hunting partner to be introduced that way. I still need to return the favor…” 

He lifts your body with ease, pulling you sideways onto his lap. Mando’s warm hand slides along the bend in your knee, slow and sensual on your body. He caresses you aimlessly, relaxed in the afterglow of cumming so hard. You’re still tightly wound, energy balled in your body as his movements serve to wind you up even more. But he’s not moving any faster so you relax into his broad chest, enjoying the feeling of his bare skin. 

Time blurs with your senses. His touch pulls you to a place right out of your daydreams, where everything is draped in velveteen and silk. You’ve honestly forgotten his original goal in the first place, and as his arm begins to drag on its path, it seems like he has too. The stroking on your arm has lowered your arousal to a simmer, leaving you content to stay laying across his lap, the glow of hyperspace streaking over your bodies. All at once, you realize he’s no longer moving over your body, his chest rising and falling deeply against your shoulder. 

He’s asleep. Surprise registers sleepily somewhere in your exhausted mind, the realization behind layers of warm fuzz. Didn’t even think he slept. 

There’s a full day of travel until you reach Nevarro. Snuggling closer into the warm crook of his neck to resolve to live in this dream for as long as possible. Who knows what tomorrow will bring.

[yumgrapejuice]

An analysis on Ranboo’s lore playlist

okay y’all first of all, ranboo has a killer taste, i love him, and second, i couldn’t resist. i’m an analyst by nature. am i looking too deep into some things? did ranboo maybe choose some songs purely for the vibe? perhaps. do i care? no. let me have my fun.

I’m gonna drop my own analysis/interpretation based on these songs but feel free do use this yourself if you want!! And also feel free to disagree/correct me on anything!! I’m not a professional musical analyst lol and I did take some inspiration from already existing interpretations for the more lyrical songs.

here’s the playlist btw

“Introduction to the Snow”—introduction to the album. Fitting for the playlist’s beginning, seeing the tone. It’s mostly referencing (self-imposed) isolation.

“Dream Sweet in Sea Major”—this Miracle Music’s whole album is about dreams and reality, how they clash, loneliness and the wish to be close to someone, yet still remaining isolated. Very whimsical, metaphorical, melodic, and it has this vibe as if on the edge of consciousness. I’d say it fits quite well with c!Ranboo’s general vibe. This song in particular deals with sleepwalking(ha)/being in a dreamlike state, the line between what’s real and what’s not blurred.

“The Mind Electric”—oh this one fits Ranboo extremely well. First part is in reverse, the second in normal (mirroring), and it can get quite unsettling. Like you’re not sure what’s happening with the instrumentals, many different voices. Again, very metaphorical, but to put it shortly, the protagonist is being judged for a crime they’ve committed and, in their defence, they say: “Father, your honor, may I explain, my brain has claimed its glory over me; I’ve a good heart albeit insane”. They get “condemned to the infirmary” for that, where electric shock is used on them as a form of “therapy”. As a result, the protagonist loses grip on reality and themselves and truly does go insane. They beg for mercy and sympathy, but there’s no one to help them. “Someone help me; Understand what's going on inside my mind; Doctor I can't tell if I'm not me”—need I say more, really?

“Live and Let Die”—the phrase “live and let die” means to live your life how you wish and let others live how they wish without interfering. At first, you live by the phrase “live and let live”, meaning you have your ideals and you try to change the lives of others according to them, but as life progresses, you stop caring as much/try to distance yourself from others’ business.

“Turn the Lights Off”—dreams and nightmares. Mildly foreboding yet energetic. The actual meaning is about growing up (transition from childhood to adulthood), but we can take some other interpretations that’d fit with Ranboo’s character better. This Tally Hall’s album deals with differences, black and white, and how there shouldn’t be a divide between them. In this song, there are some noteworthy lines that I’d like to mention:

- “Bend the nightmare, you control it; Artful dodger, easy does it”—lucid dreaming, you have to be careful with it so as to not lose control.

- “Shut the closet, get under the covers”—you’re afraid of something and instead of facing it and seeing whether there even is something to be afraid of, you hide.

- “Turn the lights off”—confront your fears. It can also mean that in the dark, there’s no differences between people, going back to the album’s meaning.

- “And everybody wants to get evil tonight; But all good devils masquerade under the light”—this could mean that everyone has a darker part of themselves but those who actually indulge in their dark tendencies do so in plain sight by pretending to be someone else.

“Ruler of Everything”—the main theme here is time and how it’s the “ruler of everything”; time doesn’t matter about where it goes, and it will never stop. The second verse is most interesting to me—there are two singers, man and time, but for the sake of interpretation let’s just see it as two voices. One is obsessed about being liked, fitting in, constantly asking for reaffirmation (“Do you like how I walk? Do you like how I talk?”), while the second criticizes the first (“You practice your mannerisms into the wall”). They argue—”I’ve been you, I know you, your facade is scam; You know you’re making me cry, this is the way that I am”. The second is calling out the first for not being honest to himself. Tone is lighthearted but with an edge of unease.

“Merry-Go-Round of Life”—from Howl’s Moving Castle soundtrack. The title’s self-explanatory, I’d say.

“Killer Queen”—this one’s a harder one to interpret in regards to Ranboo lol. The song is about, based on an interview with Mercury, a high class woman that likes to indulge in her various desires (mostly sexual). I would doubt that’s what Ranboo was going for, so! Perhaps about a person that has no regards for their reputation and instead does whatever they feel like it? They have a certain image but still act however they like. Yeah, not too sure about this one :’) But that’s what I’ll go with for my later analysis.

“Ain’t No Rest for the Wicked”—quite straightforward. A person that performs bad deeds has reasons for them. Not excuses, but explanations, and you can sympathize with it. We all do “bad” things for one reason or the other, and, in the end, we’re all just trying to get by. Once again, plays into the theme of there not being a clear distinction between good and bad.

“The Bidding”—another harder one to interpret. On the surface, it’s about an auction where men are trying to sell themselves to women. They all present themselves in different images, and it’s remarked that the women care less about the date and more about the prospect of it, the pretty words. The date, actually, ends up being disappointing. Could be about expectations. Some men outright admit they’re assholes so whoever chooses them should know that. People can tell you what their intentions are from the start so if you end up hurt, you have no one else to blame but yourself.

“A Mask of My Own Face”—another interesting one! Unusual instruments, strong beat. They’re singing about how they have a desire to pretend to be someone else while secretly still being themselves. “I’d rob my own apartment and I wouldn’t give a damn; I’d blame it on the person that nobody knows I am”—implying they have no regard for their own livelihood and are just out to have some fun. Plus, that no one would be aware it’s all an act. “I'd wear it on Thanksgiving and I'd laugh in the parade; At all the people hissing, knowing I'm the one they hate”—they take delight in the idea of upsetting others and them not knowing it’s actually the singer that they should be hissing. “And at the big finale I would tear my face away; And smile as they grip their own and try to do the same”—everyone wears masks, and this person implies that their mask and their true self is not different from each other while others’ are.

“Stardust Crusaders”—soundtrack from Jojo. Action-packed? idk never seen it sorry lol

“I Can’t Decide”—oh, this one’s a doozy! One of the ones that do not fit c!Ranboo at all, but that’s what makes it interesting. A classic, the singer is out to have fun, very lighthearted and yet they’re singing about murder. The protagonist here is clearly mentally unwell and they’re indecisive whether they should let their enemy/toy/(up to interpretation) live or not. Some curious lines:

- “It’s not easy having yourself a good time”—in the context of the song, that “good time” implies something wicked.

- “I’m not a gangster tonight, don’t wanna be the bad guy, I’m just a loner, baby, and now you’ve got in my way”—they don’t view themselves as “bad”, however, the next two lines are paradoxal—the singer says they’re alone and yet decide to “mess around” with whoever comes up in their life.

- “No wonder why my heart feels dead inside, it’s hard and cold and petrified”—signifying lack of empathy.

- “It’s a bitch convincing people to like you”—they don’t actually want to do that and see it as a bother.

“Stranded Lullaby”—back to Miracle Musical, back to the theme of isolation. Super lyrical, super musical. They talk about how their memories float around aimlessly in their head, a sea, and may sometimes get lost. The protagonist, a sailor, is losing touch with reality and can’t tell apart what’s a dream anymore and what’s not. They question what they’re going through and why.

“Hidden In The Sand”—a song about longing, in my eyes. The protagonist sings about how “you” love things and how he wishes to love the same things, in the end admitting that “all I’ve wanted was you”. They don’t wish to be separated, they wish to have someone in their life that they could love.

“Now I’m Here”—euphoric. They sing about how they’re alive again, thanks to one specific person. I’m not gonna go too much into this one (partly because it’s a more difficult one for me again, partly because it’s Queen and I don’t wanna uhh talk nonsense on accident lol), but what I got from it is that when one one else saw them, someone did, and they made them “live again”, and now as a result the protagonist is devoted to them.

“&”—really highlights Tally Hall’s album’s theme of black and white and that there shouldn’t be a divide. The repetition of comparing opposites is present throughout the entire song (Weak & Strong & Wet & Dry…) and it’s heavily implied we should “say goodnight” to this mindset. But people love to choose sides, put things into good or bad categories. By the line “They took a lesson from their fathers” it’s implied that people don’t develop this mindset by themselves and are rather influenced by others around them. The whole album is titled “Good & Evil” and Tally Hall examines and criticizes this idea. If we keep dividing people into good and bad, eventually, we’ll all destroy ourselves.

“I’m Gonna Win”—a song about someone who’s struggling to get by. “Sometimes it can seem like a merciless dream”—life can get really hard and the protagonist wonders “what’s really worthwhile”. In the chorus, whoever, they declare that they’re “gonna win” no matter what. They might get “bloody and bruised” but they won’t give up until they “won’t be abused” and until they’re “laughing alone”. No matter how hard life/others kick them down, they’ll keep going. By the lines “It’s hard to be charming and smart and disarming; It’s hard to pretend you’re the best; It’s hard to fulfill everyone’s expectations; It’s hard to keep up with the rest” it’s implied that they find it tiresome to keep up appearances and be liked. It’s challenging to always fit everyone’s expectations, but they’ll continue doing whatever they have to to “win”.

if ranboo ever adds more songs to his playlist, i may add them here too :) 

[ontheoddoccasioniwritestuff]

The Sight of You (Spencer Reid x Reader)

Summary: Spencer’s disturbing dreams about his childhood bring him back to Las Vegas to face two of his childhood’s greatest enemies: his estranged father and his ex best friend.

AN: it’s a friends to enemies to lovers fic! Set in the episode “Memoriam” 4x07

Content Warnings: usual Criminal Minds stuff, mentions of child death, childhood trauma, descriptions of a dead body. Let me know if I missed anything!

Despite seeing Spencer around Pre-k, Y/N did not trot over to talk to him with their brightly coloured rucksack swinging vigorously and violently behind them. They walked faster instead once their parents had dropped them off. Spencer did his best to catch up to Y/N but lost them around the corner in the sea of students seeking their next class. He was meant to be one of them. Adjusting his glasses as they slipped down his nose, Spencer noted that he needed a new prescription before entering his own class and preparing to focus on a subject he was already well-versed in.

It was lunch time when Spencer finally found Y/N. They were sitting at the furthest end of the table in the canteen. But Y/N cowered away from him, his shoulders drawn up defensively.

“Are you OK, Y/N?” Spencer asked before getting to what was more significant to him: “Do you know when you will be free to play again?”

The next sentence out of Y/N’s mouth stung like a nettle. They stood up, their face contorted in their fit, and they pushed Spencer hard on the shoulders.

“Go away! I can’t look at you! You make me feel sick, you and your family!” They cried.

They went silent when Spencer was laughed at by those who heard what was said. Just grabbed their lunch and moved away, leaving Spencer spellbound in the middle of the canteen, heartbroken and with a new opening for a potential chess partner. Maybe that man they saw last week at the park would be kind enough to join him again.

But there was no replacement for Y/N, who now never said a word when they caught a glimpse of Spencer being bullied – only dithering about on the spot before fleeing the scene moments before a teacher would show up.

Spencer was hurt; that hurt warped into hatred when he was next out with his mother and father. They were at the shopping mall and had just bought Spencer his new glasses. Going down the escalator, he saw Y/N. They were smiling and skipping between their parents, a new pair of shoes shiny on their feet.

The second they spotted the Reids, Y/N ducked behind their parents. Spencer could still see their face: brow furrowed, eyes squinting, hands shaking now that nothing was holding them. Their parents didn’t seem to notice. They kept talking and walking even as Y/N stopped in time with the Reids stepping off the escalator.

Sudden footsteps running away was what dragged the public’s attention to a suddenly absent child.

“Y/N!” The parents called out as they chased after the four-year-old. They were quick past the Reids, not stopping to say ‘hello’.

Spencer kept his eyes trained after Y/N’s fleeing form, right until his mother’s face came into view. Diana looked saddened; she too was staring after the L/Ns. Turned to his father. William was composed but his eyes were turned down and watering.

For making his parents react like that to their mere presence, Spencer despised Y/N.

---> ---> ---> ---> ---> 

 The burning hatred from adolescence staled once Spencer reached adulthood. The protective nature that spawned from it for his mother remained.

Which is why, when Diana Reid casually mentioned Y/N when asked about Riley Jenkins, Spencer froze up.

“You remember Y/N?” He said stiffly.

Diana didn’t notice her son’s change in tone, “Of course, you two were opposites but you got on so well. So sad what happened to them.”

The first guess was that she was referring Y/N’s repeated attempts at running away before Reid cut contact with neighbourhood gossip at age fourteen. He didn’t bother with a second attempt to understand what his mother meant.

“I don’t care about Y/N. I want to know if you remember Riley.”

“And I told you: Riley was a boy you made up.”

“No, Mom, he was a real boy who lived in our neighbourhood, and somebody killed him. And, I don't know, I think-- I think that dad might have had something to do with it.”

“He was real?”

“Yes. And...”

“He was on that little league team, too.”

 ---> ---> ---> ---> --->

The whole case was surreal - “case” being a very loose term.

When they got into his office, Spencer thought that perhaps things might simmer down a little. Unfortunately, as soon as his father spoke about their history of similarity in appearance, Spencer’s usual comfort of statistics and facts on the elderly and pets failed to conceal his abandonment issues.

William Reid was clearly affected by Spencer’s accusations, calling the idea of fitting the profile thus being Riley’s killer “absurd”. Furthermore, he was confrontational when asked for access to his files and demanded a warrant. Coupled with Lou Jenkins’ absolute certainty that William was not involved in Riley’s murder and Penelope asking him “you sure about this?” concerning invading the aforementioned files, Spencer was very close to snapping.

“I really wish people would stop asking me that.”

Then there was the envelope posted beneath his motel room door. Suspicious timing aside, there was a brand-new suspect basically handed over on a silver platter. One Gary Michaels whom Spencer couldn’t remember him but he couldn’t be sure that he didn’t know him. Uncertainty being the feeling he hated the most.

This man could fit the profile; his previous of exposing himself to a minor was a precursor to molestation. But that wasn’t what Spencer wanted to hear from the shady file slipped to direct his attention away from William.

Garcia reported back about his father’s drives, “No kiddie porn, no membership to illicit websites, no dubious emails, no chat room history.”

“What about his finances?”

Hotch joined the conversation, “We went back ten years. No questionable transactions that we can find.”

Spencer sighed while Emily decided to crack a joke: “Well, he did buy a ticket to see Celine Dion six months ago, but I think we can overlook that.”

“He’s smart. Is it possible he kept things under the table?” Spencer persisted.

“Well, of course,” Hotch answered, “But from what we can tell, Reid, he doesn’t fit the profile.”

“We can tell you other things about him, if you want to know.”

A peace offering on behalf of Emily. Clearly she had improved after her night out and subsequent hangover. Spencer gave the go-ahead and Emily listed her profile:

“He's a workaholic, he actually logs more hours than we do. He makes decent money, but he doesn't spend a lot of it. He has a modest house. He drives a hybrid. He doesn't travel much. He stays away from the casinos. Um, and according to his veterinary bills, he has a very sick cat.”

“He appears to spend most of his free time alone,” Hotch added, “He goes to the movies a lot, and he reads. And from his collection of first editions, it seems his favourite author is-”

Spencer interrupted his boss, “Isaac Asimov, I remember that one.” He pressed his lips together. They were right; William Reid did not fit the profile.

Garcia piped up once more, “He does have one other major interest. On his home computer, he's archived, like, a ka-jillion things on one common subject.”

“What?”

“You, kiddo. He's got, like, everything that's been published online. Every article you've been quoted in, pieces you've written for behavioural science journals, He even has a copy of your dissertation.”

“He's keeping tabs on you,” Rossi said, That's saying something.”

But Spencer smoothly dismissed this attempt to make excuses for his father, “Yeah, he googled me. That makes up for everything. I'm going to get some air.”

 ---> ---> ---> ---> --->

After getting said air, Spencer went to the local bar and began playing an computerised poker game. His paying attention was only to distract himself, clear his head with something he knew he could control. And thankfully, a chance interaction with a lady at the bar spawned the inspiration for a sporadic hypnosis session.

Doctor Jan Mohikian allowed them a session. Reminded of the limitations that a four-year old’s memory could provide, not including the bias he already had as a son and a profiler, Spencer lay on the couch. His feet hung over the end so that his head could be comfortable in a pillow. There was no time for self-consciousness with Rossi in the room observing. He closed his eyes and felt his hand be placed upon Doctor Mohikian’s body.

She spoke low and calmingly, “I want you to hold my wrist in your left hand. And if you should feel any fear, I want you to squeeze, do you understand?”

“Yes.”

“Go back to the night you were just telling me about. You're at home, in your room. You can't sleep because your parents are arguing.”

 ---> ---> ---> ---> --->

 His eyes were closed still, but the couch shifted into a bed. His bed. A floor below, the faint shouting between his mother and father was heard. There was someone else there too. A child wailing, and it wasn’t him.

Suddenly his father was at his side, touching his arm, saying, “I know you’re awake. Daddy loves you; you know that?”

Spencer didn’t want to be there, and then it was the following morning.

Putting his glasses, the room fell into focus. His mother was there, she didn’t see him because she was too busy looking out the window. Her body language told him that this was not a meltdown, but what she saw was distressing. She’d been crying. As she walked away into the house, she hid her face as if she knew Spencer was watching and she wanted to hide her reaction from him.

Spencer ran to the window the second Diana had left the room.

His father was in the back garden and burning clothes. A bloody shirt, a tiny cardigan, landed on top of the pile already set alight.

“5, 4, 3, 2, 1, and wake.”

 ---> ---> ---> ---> --->

 And Spencer was shocked out of the scene, back to the doctor’s couch and gripping her wrist with an iron grip. Rossi was by his side, bringing him back to peace with his voice.

 ---> ---> ---> ---> --->

 Derek was clearly disturbed that Spencer was very set on his father being a paedophilic murderer as much as he had been that Spencer was taking something that was said after his mother’s fit seriously. He continued however to assist with Rossi in Spencer’s investigation.

As if everything else hadn’t been hard enough, the captain took some time to agree to holding William Reid in custody. Finally, he settled for twenty-four hours. William was as resistant to the questions as he had been upon the initial reunion. All he could say was that he didn’t hurt Riley. Spencer wore him down, getting him to drop the Gary Michaels bomb plus the threat that he “didn’t want to go down that road”.

Garcia’s search of Gary Michaels’ DNA on the databases brought to light that their suspect was dead. Buried across state lines, beat over the head with a pipe or bat, and the body was discovered in 2001.

“Maybe it wasn’t Riley’s blood on the clothes he was burning.” Derek was about to hang up when Garcia began to speak again, a new discovery ready for her team.

“Also, Todd found something in your father’s finances. There was a standing order for a therapist, specifically a child therapist from 1985 to 1995. I thought it was for Spencer, but William left when you were twelve, and these sessions continue irregularly after he left you!”

“Who was the patient?”

“One Y/N L/N. Local to North Vegas, born 1980 to Shelly and Finley L/N.”

Both Rossi and Derek looked away from the phone to Spencer and he knew. He knew he’d have to face another villain from the past – like a knight in one of Y/N’s stories.

“Still alive?”

“Yep, already pulling up an address. There’s a lot of short leases attached to this name. Lucky for you, they keep going back to live with their parents.”

Spencer wasn’t entirely sure that he could handle two bitter reunions in one day.

“We’ll send off the fingerprint while we visit Y/N. They could have been a potential victim of Michaels before he died. They might know something.”

 ---> ---> ---> ---> --->

It was a normal home in a normal neighbourhood. Spencer had never visited Y/N’s house. Their play-dates were always at the park.

“Hello, Mr L/N,” held up their badges, “I’m Agent Derek Morgan, this is Agent David Rossi and Doctor Spencer Reid. May we come in and ask you some questions?”

“Sure. My wife is uh out at work at the moment,” Finley opened the door wider and stepped aside for the trio to enter, “I’m the house husband as it were.”

Looking about the kitchen, Spencer spied several photos of an adult Y/N but very few of them as a toddler and even less as a teenager.

“You have a child, Mr L/N?” Rossi asked.

“All grown up now, Y/N,” Finley smiled with a nod. Then he squinted at Spencer, “You’re not related to William Reid by chance, are you?”

Masking his bitterness, Spencer said shortly, “He’s my father.”

Finley seemed in awe at the prospect, so Derek redirected the conversation back to the matter at hand, “What was Y/N like as a child?”

Nodding still, like a bobble head, Finley looked weary at the notion, “Troubled. They were very young when they withdrew into themselves. Used to run away from home a lot. I don’t know what happened, but Y/N never told us.” He then jumped to protect his child’s reputation at present, “They’re doing better now, went to therapy and they’re doing very well for themselves.”

“I’m glad to hear.” Rossi replied.

Finley continued his defence of Y/N, “They’re a published author, they write fantasy things for kids and young adults. We’re very proud of them.”

“Did Y/N know Riley Jenkins when they were a child?”

“Riley Jenkins, that’s Lou’s kid who died, right?” Finley sought confirmation and, when he had it, he spoke, “Not personally. I think they might have played at the park once or twice. Before he died, Y/N would play with anyone. But you… you know that.” And Finley gestured to Spencer, much to his disgust.

“Is Y/N in the area?” Spencer asked briskly.

“Well, they’re due for a visit in a few hours. They went on holiday.”

“They still live with you?”

“A month ago, they got a new flat in the city. But they’ve got their own room here, for whenever they need it.”

“May we see it?”

The wallpaper was barely visible beneath exam revision notes, posters of Fresh sheets on the bed and the clear space on the floor were the only tidy things about the place. It was a haven of organised clutter.

A chess set caught Spencer’s eye. It sat upon the windowsill, recently dusted. The pieces were not that of a classic set; each was painted prettily but with enough error to indicate it was a personal touch.

“You and Y/N were close then?” Derek was holding up a photo album. Upon inspection, the photograph the page was open on was of Spencer and Y/N dressed up for Halloween as Doctor Frankenstein and the Monster respectively – accurate to the book of course.

“Yeah, ‘were’,” Spencer turned back to the chess set. He didn’t bother to ask when his friends had figured out he knew Y/N.

Rossi decided to further test the waters, “You think that Y/N could have killed Riley?”

“Of course not. A four-year-old couldn’t kidnap, tie up, rape, and kill a boy their own age. No violent history that indicates they would ever do something like this. Do I think that Y/N knows something about what happened and my father is trying to keep them quiet? Yes.”

Rossi moved beside Spencer, picking up the knight. Except it wasn’t a knight. It was a wizard of some kind in purple robes.

“We’ll stay up here for a bit then go down once Y/N’s inside and settled,” He gestured with the knight to the window. Spencer blanched as he spied a cab at the end of the driveway. The trunk was open and someone was retrieving a suitcase from within.

Y/N appeared around the corner, waving off the cab and turning to the house. Mr L/N appeared on the drive and they met in the middle for a hug. Over Mr L/N’s shoulder, Spencer could see that Y/N had grown into their chubby childhood features. They looked genuinely happy.

He would have to go through with it, but he didn’t have to like it. And he couldn’t go hide in the bathroom like with his father.

The trio plodded down the stairs when the sound of the front door closing was replaced with a joyous gathering in the kitchen. It all changed when Y/N went to take off their jacket and caught sight of the three FBI agents standing in the doorway. Taking out his badge, Rossi led the way.

“Hello, Y/N, I’m Agent David Rossi, this is Agent Derek Morgan, and Doctor Spencer Reid. We’re looking into the death of Riley Jenkins, and we were hoping to ask you some questions.”

To the naked eye, very little changed about Y/N’s appearance. To the three profilers, there was a visceral reaction: Y/N’s right hand started trembling, the hard swallow, the dropping of their gaze from Spencer to the floor.

“OK,” They said, a great deal quieter than they had been with their father.

Rossi sat next to Y/N at the dinner table. Derek was beside Rossi; Spencer stayed standing. Mr L/N stayed in the kitchen, at Y/N’s request.

“Can you tell us what you remember about Riley?” Rossi began.

“Not very much, I don’t really remember much about school.”

“Oh, you don’t?” Spencer blurted, “Well, I do.”

Derek glanced back at him with a look that just screamed “shut the hell up”. It seemed to cut down Y/N’s resolve, their jaw quivering.

“Sorry, can you give me a moment?” They stood up quick, the chair legs scraping loudly against the floor as they walked just as fast to the kitchen. Through the open door, Rossi, Derek, and Spencer watched Y/N grab a glass from the open dishwasher. The water from the tap hit the bottom of the glass harsh, crashing out like a wave of the ocean hitting a cliff. Y/N didn’t seem to care. Their hand dripped water onto the surface as they chugged back some of the drink before returning to the table with a topped-up glass.

“Are you alright?” Rossi inquired, leaning closer to Y/N.

They answered wearily, “Fine, just feeling woozy.”

“You’re a writer?”

“Yeah, you’re a writer too. My mom reads your stuff before bed.”

“Bit of an odd nightcap,” Rossi said with a little chuckle.

Y/N shared that smile for the briefest of moments, replying “You’re telling me.”

From their pocket, they pulled out some painkillers, popping them back with a slug of water then speaking again. “I remember Riley was smaller than me. Still figuring out coordination, but he liked to play chase. I know he was killed; I didn’t find out how until I looked into it last year.”

“Why did you look into it?” Rossi gently probed.

Y/N rubbed two fingers back and forth across their head as they spoke, “I was back here, I felt sick so I went for a walk in the park, and I just remembered him tripping over while trying to tag me. No one ever told me what happened, just that he had to go away. I wanted to know what happened to him.”

“Are you sick often?” Derek asked suddenly, his voice soft to match Rossi. Spencer grimaced at the treatment Y/N was receiving but said nothing.

“Headaches and stomach aches mostly.”

“You get them whenever you come home?”

“I do. Figured I was allergic to something but never figured out what.”

That would have to be a very quick response, like a dog allergy. And coincidental, seeing as the symptoms didn’t start until they saw Spencer.

“Y/N?” called their father, “Can you come here a moment please?”

“May I?”

“Of course,” said Derek and Y/N was out of the room. Derek pivoted in his chair to include Spencer in his theory, “I think they know something, but they don’t know they know it. I think they repressed this memory like you did, Spencer. We should take him to the therapist, see if we can jog his memory.”

“You can’t be serious,” Spencer covered his face with his hands, dragging them down with irritation.

Derek was persistent though, “Spencer, like it or not, Y/N’s linked to this investigation. Put aside your differences for a moment, please.”

Spencer all but squawked, “Put aside my differences?”

“You have brought a lot of bias to this case. Let us at least pursue this lead.”

“Sorry,” Y/N interrupted Spencer’s retort, sitting back at the table, “He needed someone to get unhook the loft door. Mom usually does it.”

“That’s alright.” Rossi waved a hand dismissively. Once Y/N accepted that, he moved in with Derek’s suggestion, “You know, some people have strong physical reactions to memories, trauma. Maybe you’re not getting sick. You’re rejecting something.”

“Rejecting?” repeated Y/N. There was no doubt in their voice, more cautious curiosity.

Derek nodded, “A memory, repressing it, and your body has linked the physical responses to your home. We think it has something to do with this case, and we’d like to see if we can retrieve any memories you might have. Would you be alright to come with us?”

“Yeah,” said Y/N, though they didn’t sound too certain, “Yeah sure.”

The resigned, too tired look on their face, and Spencer felt a tug in his chest. A longing to see Y/N smile like they had when they first entered the house. He’d rather hate someone who was happy than someone who suffered the same as him.

Leaving the house, Spencer took a deep breath of fresh air.

“Spencer?”

He ignored Y/N’s voice for a moment, but he couldn’t disregard Y/N standing in front of him and speaking again, “Spencer, can we talk please?”

“I’m busy,” He said, already walking off as he pretended to call someone, “Hey Garcia.”

 ---> ---> ---> ---> --->

 “Hold onto my hand, use it as an anchor, and squeeze when you feel fear.” Doctor Mohikian accepted Y/N’s hand on her wrist and their silence nod as they lay back on the same couch Spencer had been just hours before.

“I want you to think back to your childhood, back to when you were five. You’re at the park, your parents are on a bench watching nearby to keep you safe. What do you see?”

“Spencer Reid.”

Derek and Rossi glanced at Spencer, who did not react. They kept quiet so that Y/N could immerse themselves in the hypnosis.

“What’s he doing?” Doctor Mohikian continued.

“Teaching me chess.”

 ---> ---> ---> ---> --->

Sat on opposite sides of the table, Spencer and Y/N’s eyes were glued to the chess pieces that were neatly organised between them. Spencer was thinking strategy. He could not say the same for his companion Y/N. They reached a hand out and hovered over the pieces before finally selecting their last knight.

Their tongue clicked as Y/N trotted the piece on the spot.

“What’s this one again?”

“The knight,” Spencer recited, “It moves two spaces up, down, left or right, and another step perpendicular to the first direction.”

“Brave creatures riding into battle,” Y/N narrated before continuing their clip-clopping to its new position, “Pawns in the game of war.”

Spencer didn’t understand how they were coming up with this whilst playing. Well, actually, he did. Because Y/N was clearly not playing to win. They were playing for the best possible story.

“Where do you think this story will end?” Y/N asked.

“I don’t know.”

“You’re lying,” said Y/N, pushing back the sleeves of their white cardigan, “Come on, you can tell me, with your magic powers.”

“It’s not magic. It’s logic.”

“That’s magic to me,”

Narrowing his eyes, Spencer decided that he should give his friend the information they sought: “I see checkmate in fifteen moves.”

“See? Magic! The gift of sight!” crowed Y/N, clapping their hands together. The cardigan sleeves fell back in place as they did so. Spencer felt his cheeks heat up; he dropped his head so he could smile in privacy while Y/N began to decide their next move.

“How’s your mommy today?”

Shrugging, Spencer said, “Better than normal. But that means a bad day is around the corner.”

Y/N nodded solemnly. “Do you want another ice cream? I got more birthday money.”

“No thank you.” Spencer moved the piece but was immediately intercepted by Y/N, “You’re getting better.”

“Fank you.”

“You’ll have to wait longer to beat me though.” And he snatched Y/N’s knight away, just as planned and much to Y/N’s dismay.

A new voice from their left spoke, “Hey you’re pretty good.”

 ---> ---> ---> ---> --->

 Y/N’s grip tightened on Doctor Mohikian’s wrist, “Someone’s with us.”

“Who do you see?” Doctor Mohikian asked patiently.

“A man. He’s asking us if he can watch us play, listen to the story.”

“Do you want him to stay?”

“No,” Y/N flinched, “But Spencer keeps talking to him. The man won’t go away.”

“It’s OK, it’s OK, you’re safe, Y/N.”

Y/N flinched again, this time letting out a whimper, “He’s on the floor.”

“Spencer is?”

“No, the man.”

“What’s he doing on the floor?”

“He’s,” Y/N began panting, their face tensing and body jerking, “I can’t get to him. There’s glass in the way and the ground is shaking.”

“Y/N.”

“I can’t look, I’ll be sick! Whenever I see them, sick.”

“OK, you’re going to wake up in 5, 4, 3, 2, 1!”

Their eyes snapped open with the click of the fingers and Y/N leapt out of Doctor Mohikian’s couch. Their head aimed over the bin by the door and they retched. Nothing came up but their stomach continued to squeeze up

Spencer fidgeted in his seat, trying his best not to look at Y/N. The choice words of the session, three in particular, wrapped around his head.

“Floor”.

Y/N had seen Gary Michaels inside, somewhere that wasn’t the park.

“Glass”.

A window, Y/N was watching what Gary Michaels was doing.

“Sick”.

“Go away! I can’t look at you! You make me feel sick, you and your family!”

“Them”.

It wasn’t just Michaels in the room alone. They had been a witness to his murder.

Derek’s movement to help Y/N took Spencer out of his analysis. Sweaty, Y/N was led back to the couch, the bin between their legs, head lolling forward. Spencer tried to move beside them for questioning, but Y/N winced and began heaving again. He felt that ache in his chest again. He was causing this and nothing he could do would change that. Not until they both knew what happened to Riley and Y/N got help through it.

“What did you see, Y/N?” Derek asked as he replaced Spencer’s spot beside them.

With watering eyes, Y/N looked at Spencer, “The man we played with, he was on the floor. His head – thank you.” They accepted the water from Doctor Mohikian, gulping some back, “It was smashed in.”

The three agents left the room, Doctor Mohikian following after Y/N left to get some air.

“It’s logical to assume that Y/N tied that sickness, that repulsion because of what they thought they saw your mother be involved with, to you and your family,” Doctor Mohikian evaluated.

Interrupting again, Spencer stammered his way through his analysis, “That’s why they avoided me. They associated me with being ill. It’s probably also why they ran away so much; they had to get away from this horrible feeling they had associated with their home.”

Doctor Mohikian shook her head, “We won’t be able to use this in court, I told you when we started.”

Derek’s phone started to ring. As he answered, Spencer somehow managed to slip away for long enough to find Y/N. They were leaning against the ramp’s railing in front of the practice, their body lifting and slumping with each deep breath they took. Against his better judgement, he moved toward them.

“Y/N? Can I have your number?”

The breathing slowed again.

“I need it to call you with an update on the situation as soon as we get one.”

Without looking up, Y/N pulled out their phone and handed it over to Spencer. He punched his number in a new contact, using this time to gather the courage to maybe say something else. The hurt and pain went beyond him now. Y/N was suffering and had been much longer than he had.

“Thank you, Y/N,” Spencer said quietly, hoping that his didn’t add to the illness, “I hope you feel better soon.”

Their head still down, Y/N croaked, “You too, Spencer.”

“Spencer, get over here! We got a match on a print on Michaels’ body!”

 ---> ---> ---> ---> --->

“What makes you think Gary Michaels killed your boy?”

“He admitted it,” Lou Jenkins said, as monotonous as he had been for the last fifteen minutes of the interrogation.

Derek’s quickfire was on Jenkins instantly, “You beat a guy with a baseball bat, he's going to admit to a lot of things. How do you know he was the right guy?”

“I know. He approached another kid in the neighbourhood.”

“And how do you know that?

“I was told by a concerned party.”

“Who? Another parent?”

Jenkins leant back in his chair, “That's all I'm going to say on the subject.”

“Who was it?” Spencer suddenly spoke up.

Caught off guard at his interjection, Jenkins awkwardly parroted himself, “I told you that's all I'm going to say on the sub—"

Reid slammed his hands on the table, getting right up in Lou’s face, “Who was it?”

The door opened, Detective Hyde appeared, “Agent Reid?”

“Do not interfere with this interrogation, detective,” shouted Spencer, “This is not your case anymore!”

Once again, he was cut off. This time, by the arrival of his own mother, Diana, and her admission of guilt: “Spencer, it was me”.

  ---> ---> ---> ---> ---> 

  Of all the things this case had brought him, Spencer least expected to be sitting in a room with his mother and father together for the first time in years. To have Diana explain to him how she was involved in a child’s murder was also up there with the unthinkable.

But he stayed quiet and listened to her confession.

The reveal that she had seen Gary Michaels playing chess with him and Y/N, that she and got a feeling that something was wrong before anything had even happened, opened the story. Lou Jenkins’ involvement was next on the menu. Two days after the chess game, he drove Diana to Michaels’ house, disclosed his history of child abuse, and demanded she leave while he went into the house.

Upon reaching the point where she entered the house, Diana struggled with her words. William reached over and took her hand.

She described seeing Lou with the bat, standing over the body, slipping in the pool of blood, finding Y/N standing in the window and their face, their little face as innocent as the white cardigan that covered their shoulders and absorbed the blood from Diana’s hands as she shook their shoulders.

“And the rest... It's all dark after that.”

William continued for her. Diana came home and brought Y/N with her. Eventually he came to understand what had happened and decided that nobody could ever know.

“You were burning her bloody clothes,” Spencer concluded.

His father nodded, “But the knowing, you can't burn that away. It changes everything.”

“You paid for Y/N to go to therapy.”

William didn’t seem surprised that Spencer knew this, going straight into explaining: “They went into a dissociative fugue state after seeing what Lou had done. When Diana brought them home, they were just stiff. I asked them for their home number, to call their parents, but they started screaming and throwing up. We had to take them to the police station.” He mopped his brow with a handkerchief, “They needed help, but their parents couldn’t afford it. And they didn’t know what had happened. I couldn’t drag another person into this, Spencer.”

“Is this why you left?”

“I tried to keep us together, Spencer. I swear to you, but the weight of that knowledge, it was too much.”

“You could have come back. Could have started over.”

“I didn't know how to take care of you anymore. When I lost that confidence, there was no going back. What's done is done.”

“At least now you know the truth,” Diana made an effort to smile at her son

Choking on his words and the overwhelming remorse he felt, Spencer refused to look at his parents any longer, “I was wrong about everything. I'm sorry.”

And William said something that Spencer had been waiting for, for a long time, “I am, too, Spencer.”

  ---> ---> ---> ---> ---> 

  All of this was repeated when Spencer walked with Y/N through their old park the following day. Filling the final gaps in the memory would hopefully bring some respite to them both. Or at least maybe something to start the recovery process, easing Y/N’s sickness and Spencer’s pain.

“I’m sorry for my behaviour during this case,” Spencer sniffed, “When you said we made you sick, back when we were four, I thought you had seen my mom during one of her episodes and thought she was a freak, like everyone else.”

That stopped Y/N in their tracks, their hands coming up to cover their mouth, their eyes misty, “Oh Spencer, I’m sorry too, I’m so, so sorry I caused you so much pain.”

Spencer’s hands rushed up as if to create belated damage control, “It’s ok! I hurt you too. I made you sick.”

“That wasn’t your fault though.”

“It wasn’t yours either. We were kids.”

Almost pedantic, stropping, like a child again, Y/N moaned, “It’s all been such a waste. We could have been friends all this time!”

“We can be friends now,” Spencer pushed his hands down into his pockets to stop them flailing about anymore. His sentence was phrased more like a question.

One that Y/N gladly answered, “I would like really that.”

Sitting in the reply for a moment, Spencer followed up on his concerns, “How are you feeling? I mean, are you feeling sick again?”

“A bit, but I can handle it.”

Spencer could not see any changes in their behaviour from the day before. So obviously they were lying about that. But he didn’t protest. The lie meant Y/N wanted to stay with him, which was good - Spencer wanted that too.

They kept walking, only in silence for half a minute before Spencer broke it again, “I read your books last night.”

“Yeah?”

“‘The Siege of the Lost Faiths’ in Rogue’s Mask, that was our first game of chess.”

“It had by far the best narrative,” Y/N dragged their shoe a little on the grass before coming to a stop, “Do you still play?”

“All the time.”

They nodded over to where the old chess tables still stood, “Fancy a game before you go?”

Spencer grinned, “Just promise that this is the only setting where we’ll be on conflicting sides from now on.”

“Promise.”

Brushing the debris from the table, they both took their places opposite each other. From Y/N’s bag was revealed a box, spilling their painted chess pieces across the board. Remembering how they had stood in Y/N’s room, Spencer helped to set up the match. They took their seats opposite one another. Y/N was the green side, Spencer the purple.

Spencer moved first. After a second’s deliberation, Y/n moved their pawn.

“Isn’t there a story with this one?” Spencer said, an implicated teasing in his tone despite his shyness.

With an equally bashful eye roll, Y/N started their new story, “First begins the battle with the royals on both sides sending intrepid messengers to meet and pass along their deeds.”

Spencer took Y/N’s pawn. As he lifted their piece away, he spoke quietly, “One not as intrepid as the other.”

A gasp dropped from Y/N’s smile. He had never joined in the narrative telling before, always too taken up in the match to invest in whatever story they spun. 

“He’s not a coward,” They said, still smiling, much to Spencer’s delight, “Prisoner’s dilemma, he just couldn’t trust the other with his life.”

“Did they know each other before this battle?”

“Yes,” Y/N moved a knight across, stealing Spencer’s pawn, “They were brothers who once shared a crib and now they share a grave.”

Throughout the game, Y/N continued the story with Spencer asking questions just to hear them talk more. The maturity of the stories had grown just as Y/N’s voice had. They knuckled their eyes a few times, but they didn’t complain about the headache.

“I know what endings you like,” Spencer moved his rook, “Checkmate in five.”

Y/N didn’t seem to mind that little dig, “This’ll have to be a short story instead then.”

Spencer’s next sentence got away from him, trailing off the closer he got to the end of it, “You could write an anthology series, if we see each other again and play more games.”

Where Spencer’s voice disappeared, Y/N’s returned with invigoration, “That’s not a half bad idea, Spencer.”

The checkmate never came. Y/N diverted the ending into a draw.

“A peace treaty has been forged by the survivors, because too many lives have been lost to justify this violence anymore. If only they realised sooner that no blood had to be shed for peace to rule the lands.” And they smiled at Spencer, clearly chuffed as they leaned back in their chair, “Bit of an upgrade from the horse noises, I’ll say.”

Spencer rotated the purple knight – the illusionist – between his thumb and forefinger, “I liked the horse noises.”

“You should have said during the match! I’d recreate them, for you.”

One by one, the pieces were placed back into their box until the last piece remained in Spencer’s palm: the knight or Soren the Illusionist, distractions and deceptions but he loved the tricks that delighted most of all. Just like Spencer with his magic tricks but a little to the left. The character was always one of Y/N’s favourites. Some solace away from the pain of thinking of who he was based on.

Y/N pushed Spencer’s hand away, closes his fist around it, “Keep him. He was made with you in mind anyway.”

The information sank in and Spencer’s nose wrinkled with the little smile on his face as he cupped the little Illusionist, “I’m Soren?”

Nodding, Y/N confirmed, “You’re Soren.”

“But what about your set though?”

“I can always make and paint another knight,” and Y/N tilted the piece upside down in Spencer’s hand, revealing the signature on the underside, “You and him are the originals, it’s only fair you stay together.”

In a moment of pure instinct and nostalgia, Spencer clicked his tongue as he twisted Soren in time with the noise. Y/N let out a burst of laughter that dragged the air out of Spencer’s chest.

“Hey, do you wanna get dinner tonight?” He said, running out of breath very quickly as a result.

It had a similar effect on Y/N, “I thought you – don’t you have to get back to Virginia?”

“I have time for dinner. For you.”

  ---> ---> ---> ---> --->

 The bookstore was packed but the breath of the patrons was held as one. All eyes were watching the mini stage where a crouching figure lifted their head up slowly. A jump as the tension broke with the figure leaping up to their feet with a bang.

Y/N pushed up the brim of their cap. Snatching a deep green hoodie from the purple trunk – silver constellations painted on the sides – they swung it over their back before picking up the page where they had left off.

“Nasima looked up at Mason and said, ‘Well that was just unnecessary.’”

A burst of laughter shot through the pre-teens in the front row, spreading to the adolescents sitting further back who had grown up with the author’s other works, finally reaching the adults at the back where Spencer was fiddling with his cane. He adjusted the sleeve of his costume absentmindedly. He was just like everyone else in the room: captivated by how Y/N was so immersed in their reading.

They had just mimed kicking down a door, plus sound effects from their mouth. Swapping back and forth between the two conflicting characters arguing with one another, changing between the hoodie and the cap with every other line of dialogue and taking both off for the role of the narrator, it was certainly a workout.

An exaggerated breath was drawn into Y/N’s lungs, flopping over in a melodramatic state, which caused another laugh in the audience.

Spencer’s nose scrunched up as he grinned. He knew this was part of the scene; he’d seen Y/N rehearse this story in their sitting room. It was so much better to share this with an audience, for their reactions to fuel Y/N’s energy.

Y/N finished the short story A Battle of Bent Truths with a flourish, leaving the rest of the anthology for their audience to read in their own time. The kids were up on their feet first. Some of them were jumping up and down as they applauded with the rest of the shop. Y/N gave a big grin as they bowed, sweeping their cap off for extra drama.

There was a book signing and a photographer that followed, and Spencer waited patiently at the end of the queue, thankful that the store allowed him to bring a chair along with him. He was happy to entertain his godson and friends with a few tricks to pass the time.

“Another one please!” Henry jumped up and down when Spencer revealed his card.

A minor commotion arose by the photographer’s backdrop. There was a teenager was crying; she was clutching her copy of Untold Tales of Human Nature. Y/N was holding their shoulders, rubbing gently and speaking softly. Only half paying attention to his next trick, Spencer kept an eye on Y/N as they hugged the teenager, looking near tears themselves.

“Spencer?” J.J tapped him on the shoulder and Spencer realised that Henry was looking a little mad to have lost his godfather’s attention so easily.

“Sorry, Henry, can you pick another card please?”

When they reached the front of the queue, JJ went up first and took Henry and his pals up to see Y/N. They instantly recognised JJ and welcomed her with a tight hug. Henry was delighted to see his favourite babysitter and show them off to his school friends, boasting that they had read to him before today.

“They read me bits for bedtime, Mommy!”

“I know!” JJ tickled his cheek, “I read them to you too.”

“Who do you like better?”

“Mommy,”

Y/N gasped, dropping to their knees which made Spencer wince, “Henry, you wound me!”

Rossi approach next, knowing that once Spencer got to Y/N, they would not be left alone.

“You really know how to captivate an audience,” He kissed them on both cheeks, “Though don’t take offence if I don’t use the same tricks at my readings.”

“Wouldn’t dream of it! Thank you for coming.”

Y/N then caught Spencer’s eye and began meandering over to him with a smile they were desperately trying to stifle. Spencer rose from his chair, meeting Y/N in the middle.

“Hi, Spencer.”

With his free arm, Spencer flaunted his cloak, “Who is Spencer? I’m Soren the Illusionist!”

Giggles from his godson, his godson’s gang, his co-workers and friends, they almost caused Y/N to lose their composure. They held on just long enough to continue the banter.

“Oh, forgive me, you look so much like my boyfriend.”

“Hmmm, he must be very handsome,”

And Y/N burst into peals of laughter, waving their hands about, “OK, stop, stop, stop, I can’t.”

“Hey!” Spencer pretended to take offence, pouting as Y/N brought him into a hug.

“Don’t worry,” They kissed his cheek between giggles, “You are so very handsome.”

“To think you were once sick at the sight of me.”

[snackhobi]

pairing: min yoonji x reader / word count: 9.7k / genre: f x f smut, assassin!au

summary: a fic inspired by this post and that’s pretty much it-

warnings: sexually explicit content (NSFW), talk about death/assassination (nothing graphic dw! but they are assassins, so), mild violence, unnecessarily sexually charged lipstick application, face riding, fingering, multiple orgasms, oral (f giving/receiving), use of restraints, overstimulation, squirting, kind of dom!yoonji?

a/n: this is an entirely self-indulgent fic I wrote as a gift to myself for my bday, it’s a lil rushed bc I wanted it done for today! women are so very beautiful and I am so very weak, thank you ladies for all being so amazing ily. this was meant to be a short pwp and now it’s almost 10k but I have no regrets bye

--

la petite mort French literal meaning: ‘the little death’; also an expression used to refer to the brief loss or weakening of consciousness, specifically the sensation of orgasm as likened to death; an orgasm.

--

“It’s just unacceptable.”

The woman in front of you is clearly wealthy. Her dark hair is perfectly styled and her pale nails are perfectly shaped and her subtle makeup is perfectly flattering; she’s starting to get older but rather than shy away from it, she’s leaning into it, and she looks almost imperious in her beauty, eyes sharp and set of her lips severe. Park Dahye was born into wealth and has clearly thrived in the life that she’s been afforded.

“Mmhm.” You try not to yawn. 

“He’s flitting around with some young, silly thing on his arm, with no consideration for the family’s reputation— my reputation,” she continues. Her posture is perfect, from the set of her spine to her crossed legs to her folded hands that rest on her knee, somehow demure and yet highlighting all of her beauty and riches; the jewellery on her wrists and fingers, the expensive heels on her feet, the slit of her haute-couture dress, no doubt tailored for her and her alone. “I’ve already spoken to him about his behaviour, but he’s just ignored my warnings. We may have agreed on the divorce but we’re currently still husband and wife— has he no shame?”

“Awful.” You don’t even try to hide how bored you are, but Dahye is so quietly incensed that she doesn’t even notice as she launches into the next part of her queenly diatribe, and you muffle a sigh.

That’s the problem with rich clients. Sure, they’re willing to fork over stupid amounts of money to you, but they also think that their issues are of paramount significance— like they’re the centre of the universe and their problems are the only important ones in the world. Like you’re interested in what they have to say. Like this is the only job you’ll ever do that holds real weight or meaning.

For them, it’s a life-changing (life-ending) decision. 

For you? It’s another Tuesday.

“Yes, yes, that’s just so terrible, gosh, I don’t know how you manage it,” you say once she pauses to take a breath, using the opportunity to cut her off before she launches into another part of her articulate rant. “Anyway. Would you prefer if his death was embarrassing or quiet?”

For the first time since you’ve met, she seems unsettled. “Pardon?”

Namjoon is much better with people than you, smooth and charming with his boyish dimples. Normally any discussions would go through your handler, but this woman had demanded to meet you personally and had been willing to pay for the privilege: so here you are, with your relative bluntness instead of Joon’s winsome smile.

“You know,” you say, gesturing with your hands. “When they find the body. Do you want him to be caught with his trousers around his ankles—literally or figuratively, that’s up to you— or would you rather it seemed like something natural and unpredictable? Like a sudden heart attack in his sleep, for example.”

When it comes to rich clients, a lot of it is about reputation. When someone’s shuffled off this mortal coil, it’s not just that they’re removed from the equation, it’s also about the ripples that their death leaves in the high society that they’ve lived in. Does she want her (soon-to-be) ex-husband made a mockery of, or does she just want him out of the picture?

She can’t see your face, behind your mask as it is, but you can see hers in perfect clarity. For all that Dahye seems put together and almost impassive, you see the tiny flicker in her eyes. Ah. She’s not just mad because he’s ruining their reputation. She’s hurt.

Man, that sucks. Honestly you bet it’s easier being an assassin than a rich housewife. At least when it comes to backstabbing you can literally involve a knife to sort your problems out. (Well, knives are messy, but you get the picture.)

“I’d prefer something quiet,” she decides. “I’d worry that it could lead back to me, otherwise.”

You’d be offended at the idea that you’d leave any trace that could implicate anyone or that this man’s sudden death was in any way suspicious, but she’s paying you enough that you find that you don’t care. You take pride in your work, but for the amount of zeroes involved in the fee you’re being paid, you think you can take an unintentional insult or two. Or three. Or ten.

You like money, what can you say.

“Sure thing,” you say, giving her a lazy, two fingered salute. You’ve been reclining against the desk of the hotel suite, flicking the complimentary, heavy metal pen between your fingers, twirling it like the world’s most underwhelming baton. You straighten up and let the pen drop back into the pen pot—wait, no, of course it’s a handmade porcelain jar, an alarmingly well-made Joseon porcelain replica. Everything in here stinks of money. “RM will confirm where the money is to be deposited. Half of it now as collateral, and half upon completion of the job,” you say. “If you change your mind between now and then, we’ll be keeping the original 50%, but if for some reason something goes awry, you’ll receive that money back. Sound good?”

She seems surprised at your directness. “I—”

“Fabulous!” You clap your hands together, although the sound is muffled by your gloves. You’re not about to leave your fingerprints everywhere, geez. “Alright, time for me to skidaddle I suppose! I’ve got work to be doing, people to be watching, men to be killing!”

Dahye flinches imperceptibly, but by this point you’ve already slipped out onto the balcony and into the night.

--

Being an assassin is hard work.

Technically, everyone has the capacity to kill another human being. But killing as a job involves a lot more than just caving someone’s head in with a rock—that’s why Cain isn’t referred to as an assassin, what with how he’d just bashed his brother Abel with a convenient stone that happened to be lying nearby. He was just a straight up dick.

No, when you kill professionally you need to be familiar with an array of different techniques, each one far more sophisticated than the last. You need to know how to be stealthy, how to blend in as you watch your target, how to set up the scenes of their death in a way that doesn't arouse suspicion. Or, instead, how to set the scene up in a way that lets any onlookers know that this person had been offed by someone who knew what they were doing, and knew it well. There's a difference between being a killer and being an assassin and you are firmly in the latter category.

So, if your client wants her husband to be shuffled off quietly, then that’s what she’ll get.

They really have pulled out all the stops for this charity gala. Everything is shining, glittering and bright: the surroundings, the food, the people. Especially the people. The rich elite have come together for an extravagant and exquisite night of ostentation and luxury, all in the name of raising money for some needy cause. (You try not to think of the irony and/or hypocrisy behind that.)

It’s almost laughable how easy it is to blend in here. Namjoon had secured (forged) invitations for you both, and so you hang off his arm as you make a slow sweep of the room, trailing unnoticed after your target. You’re not planning to make a move right now but you want to feel out exactly what he’s like: the more information you have about the person you’ve been contracted to assassinate, the better. 

Plus it’s an excuse to dress up nice and eat free food— though that last part is mainly Namjoon.

“God, these canapés are so good,” Namjoon moans quietly to you, hoovering up the flaky pastry crumbs from his fingers with single-minded intent. You dig your fingers subtly into his arm.

“I thought we agreed on not eating tonight, Joon,” you mutter to him, although you say it with a beatific smile in case anyone is watching; the place is heaving with people but you’re always on guard. (Even if Namjoon is right. The hors d’oeuvres that are on offer do look incredibly tempting.)

“You have a glass of champagne,” he points out.

“And you may have noticed that I haven’t drunk any of it.” You titter, as if he’s just told a funny joke, and lightly slap his arm. Again, you’re fairly certain no one is watching, but you can never be too careful. “It’s all about creating a facade, Joonie. It’s what we in the business call a ruse.”

Even throughout your back and forth, you’ve kept your eyes on your man of the night: Park Minjae, a middle-aged businessman who’s been greeting people and getting swept up in conversation, all while a slip of a blonde clings to his arm, stuck to his side like a pretty limpet. She’s cute, sure, but she lacks the poise that Dahye has, so you frankly don’t get it. Then again, not everyone finds strong women as attractive as you do. Weirdos.

You’ve been focused on Minjae but your eyes have also been flitting around the room, drinking in your surroundings, drawing up a detailed map of your environment (of course you’d scoped out the building before tonight, but with all the banquet tables and chairs around the layout is a little different). The people, too, have been subject to your scrutiny, although so far they all seem summarily unimportant and uninteresting, just as you’d suspected. You lift your glass to your lips and pretend to take a tiny, demure sip, glancing up through your eyelashes to scan the room again, and you freeze.

Holy shit.

You take back what you just said about everyone being unimportant and uninteresting. 

The woman who’s just walked in is fucking stunning. Her sleek dark bob is unstyled, but perfectly frames her beautiful face: sharp eyes, soft nose, flushed lips. Her cocktail dress lets you see almost every inch of those perfect legs, the line of her thighs to her calves and— oh, you swear you could shed a tear of joy. She’s already tall and she’s made even taller by the heels she wears, towering above most of the men here, a fucking Amazonian goddess who looks powerful and undeniably elegant at the same time. 

(Thank you for your service, tall women.)

You don’t know who she is, but goddamn, do you want to. She’s scanning the room, and for a brief moment, your eyes touch. A tiny thrill shudders up your spine at the darkness of her keen eyes, that quick and astute gaze. 

It’s only the tiniest of moments that’s over as soon as it’s started. The dark-haired beauty looks away and is already disappearing into the crowd before you realise, and it’s only then you notice that you’re staring, utterly drawn in by her cool poise and presence. You’ve been frozen in place with the rim of your champagne  glass resting against your mouth, and your eyelashes flutter as you blink and glance down.

The imprint of your lower lip has been left on the glass, stark red visible against its edge, and you squeeze Namjoon’s bicep.

“How does my lipstick look?”

He takes one look at you as he swallows down another tiny vol-au-vent. “Like half of it is missing,” he says, and you frown.

“Ugh. I’ll go touch it up in the bathroom. Keep an eye on our guy, I’ll be right back.”

It’s not until you’ve made it to the toilets that you realise that you do not, in fact, have any lipstick in your ridiculously small clutch bag. When it comes to your actual work, you’re meticulous and thorough and well-planned, but for some bizarre reason, a tube of lipstick is never the top of the list when it comes to equipment. Unbelievable. (You knew you should have worn the 24/7 stuff, but it was always such a nightmare to get off.)

You’ve been so busy rummaging through your bag that you’re completely caught off-guard at the sound of a quiet voice from behind you.

“Lost something?”

Oh, fuck. It’s her, your dark haired and dark eyed beauty, meeting your gaze through the mirror when you glance up from where you’re resting your bag against the marble counter  (marble, marble, marble, it’s all marble: the floors, the counters, the sinks; why do rich people always love marble?). She looks altogether too amused at your plight and at how your eyes have widened perceptibly upon seeing her again. But can she blame you? Her presence is so graceful and commanding and she’s so dizzyingly attractive it’s insane. Surely she must get this all the time.

You stare for a little longer than is probably polite, and even behind her fringe you can see how one of her eyebrows rises.

“Sorry for staring,” you say once you notice. “You’re just so beautiful.”

She pauses as she takes in the compliment. You see how her eyes flicker over your face and settle on your mouth; your upper lip, tinted burgundy red, while the lower is faint and smudged.

“Lipstick problems?” She cocks her head at you, still staring at your lips in the mirror. God, she’s so hot.

“Can you tell?” You sound rueful as you glance down at the reflection of your mouth, touching your bottom lip lightly with a fingertip. “I forgot to bring any with me so now I’m stuck.”

She finally looks away from you. You hear a small, metallic click as she unclasps her evening bag— marginally larger than your own— and lifts out a small tube of liquid lipstick. “Would you like to use mine?”

Fuck yes you would. 

“Oh, would that be alright?” You finally turn around, and you have to tilt your head back to look at her, taller than you in her heels. Jesus Christ. She’s going to be the death of you. Why are women so gorgeous? Who gave them the right? “I’m not sure the shade will match, though?”

You watch her beautiful mouth curve up into a small smirk as she pulls out a tiny pack of makeup remover wipes from her bag, and you swear could propose to her there and then. Beautiful and tall and organised? Holy shit. What a woman.

She’s got her bag in one hand, while the lipstick and wipes are clasped in the other; her hand is held up in such a way that you think she means for you to take them from her, but when you reach out she shakes her head.

“I’ll do it for you,” she says. The quiet note of authority in her tone makes you go weak at the knees.

Thank god the toilets you chose aren’t the main ones, because it means there’s no one around to see how she tilts her head at the marble counter in the universal gesture of get on there. It’s entirely unnecessary, but you, of course, immediately comply. You brace your hands against the cold stone before hitching yourself up, careful with the draping folds of your dress; the cold touch of the stone is noticeable through the material of your dress, but it’s instantly forgotten when your enchantress steps closer. 

You spread your knees so she can stand between them. Holy shit, she’s even better up close. Her lashes are wispy but they’re the perfect frame for her gorgeous eyes, which are dark and intent. You suppress a shiver. You hold yourself still as she leans forward and around you so she can put her clutch and lipstick down, trying to ignore how close she is, but there’s no way she can’t realise what she’s doing. Your heart is pounding. You wish you didn’t have a job to do tonight because you would so much rather be getting, ah, acquainted with this woman rather than following some old businessman around.

The only noise in the bathroom is the sound of peeling plastic as she opens the tiny packet of wet wipes before she curls one around her finger, glancing at you through her lashes.

“Open,” she instructs.

Your mouth drops open immediately. She sweeps the wipe over your lips, bottom, then top, touch firm but careful, drawing away the red from your skin; you stare at her as she works, how her eyes are cast down as she stares at your mouth. She’s using her free hand to grip your chin and you feel deliciously powerless in her grasp. 

You purse your lips a little to try and help her, watching the way her eyes flicker as she pulls the wipe back over them— somewhat firmer, this time, with more intent. Lingering. The only barrier between her finger and your mouth is soft and flimsy, the texture of the wipe against your lips like cotton as it drags across them, and it would be so easy to pull it out of her hands.

She flicks the dirtied wipe aside, heedless of how it lands on the unsullied marble, before reaching for her lipstick. She twists the tube in her fingers, motions of her hands precise and deft, and you’ve never been so attracted to how someone’s uncapped something before. 

You watch her hands. (She watches you.)

Your eyes trail over the wand as she pulls it out, dragging the doe foot against the rim to catch the excess before turning it towards you, putting the tube by your thigh, near where your hand is bracing against the marble. She takes hold of your chin once again. You stay quiet as she starts to sweep the lipstick over your lips, painting them the same flushed pink as her own. Once again she’s staring at her work so you’re free to drink her in, almost drunk from her beauty, eyes catching on the tiny moles on her pale skin, the smallest freckles that are only noticeable because you’re this close.

The squelch of the applicator sliding into the tube is almost lewd in the silence of the bathroom, and this time you can’t suppress a shiver when she pulls your chin down to open your mouth so she can go back in again on your lips, drawing a sharp, crisp line. Tracing the edges of your lips, the flushed swell of them, the peak of your cupid’s bow.

She glances up. For a moment you’re both still, staring at each other, tension in the air palpable, but then she smacks her lips and you copy the motion, evening the application of the makeup on your mouth. 

“Perfect,” she murmurs. “One more step.”

A small, confused frown flits over your face. She’s put the lipstick aside but then she lifts a finger and points towards your still parted lips. You take in a small, shuddering breath when she speaks again and you realise what she means.

“You don’t want to get lipstick on your teeth, do you?”

Both of her eyebrows have risen and she’s looking at you like you’re being silly if you disagree with her.

“No,” you say. You’re not about to deny her. “No, I don’t.”

Your eyes remain locked. You lean forwards, taking that perfect, long finger into your mouth, dragging your lips upwards so that any excess lipstick is caught against her pale skin, a ring of deep rose circling her bottom knuckle; you curl your tongue around her, hot and wet, feeling the crease of her knuckles and pad of her fingertip against your taste buds as you slowly, slowly pull away. 

It’s undoubtedly indecent and risqué and you can feel the flush of arousal settling in your lower belly, an almost embarrassing flush of wetness leaking out of you at the taste of her skin. She, however, remains unmoved, although she lets her finger linger just for a moment on your bottom lip, almost rough against their softness— but before you can swallow those fingers back down and ruin her meticulous work, she pulls away, lifting the discarded wipe to sweep it around her finger, catching the lipstick you’d left on her skin.

“Done.”

She steps back and you feel like you can finally breathe, a breath so deep you can feel how your lungs fill, oxygen rushing to your brain so fast you feel lightheaded. You watch as she sweeps everything back into her bag, clicking it shut with a note of finality; the sullied wipe is cast carelessly into a tiny, chrome bin with a flick of a wrist, her every motion regal.

You slide off the counter. You still can’t take your eyes off her and you don’t want to. It feels like whatever heaviness was in the air has dissipated, gone in an instant with a turn of her head— normally you’d let it slide, even if you feel disappointed, but she’s just so magnetic. 

“Thank you,” you say. You can see yourself in the mirror now and to your complete lack of surprise, your lipstick is perfect. The shade is lighter than one you’d have chosen for yourself but it’s beautiful on her, of course.

“You’re welcome.” She’s in the middle of washing her hands, but she glances over her shoulder at you, and the firm set to her face lightens a little as she smiles. It’s a small, sly thing, and you realise with a start that she knows exactly what effect she has on you.

I’m coming back for you, you think to yourself. You have work to do tonight, but—

“What’s your name?”

She pauses. She shuts off the tap with a quick motion, reaching forward for a rolled hand-towel, a neat stack on a metal tray nearby. You wonder if she’s not going to answer but then she speaks, looking at you instead of the soft cotton she’s rubbing over her skin. “Yoonji,” she says. “I’m Min Yoonji.”

Min Yoonji is the most gorgeous fucking woman you’ve ever seen.

“I love your dress, Yoonji,” you say, and it’s true, you really do— but you’d prefer it if it was off. Not that you’re about to say that, of course.

She lets out a breath of laughter. “I know.” Oh, god, you love confident women. “What’s your name, darling?”

You have that same split second of hesitation, similar to Yoonji’s only moments prior. You use a codename when you work, of course, and you have a plethora of fake identities that you use and are intimately familiar with— but the idea of your real name falling off Yoonji’s flushed, petal lips? Woof.

“Y/n L/n,” you say. 

Oh, Joon would be so unimpressed right now, giving some mysterious woman your full, real name just because you think she’s the sexiest thing since sex, but whatever. What he doesn’t know can’t hurt him.

“Well, Y/n,” Yoonji says. You were right, your name sounds so good falling from her mouth, the mouth that’s turned into a small, almost smug smile. “I certainly hope to see you at the charity ball in a few weeks?”

“Of course.” Your schedule has been magically cleared and you’ll definitely be in attendance for whatever ball Yoonji is referring to, even if you have no idea what it is. You only come to these things if you have to for work but for Yoonji you’ll make an exception. You’ll make a hundred thousand exceptions. A hundred thousand quinquagintaquadringentillion exceptions. “I’ll make sure to remember my lipstick next time.”

And there it is, the thing that seals the deal, the final nail in the coffin: Yoonji glancing at you out of the corner of her eyes, a sharp, dark touch that shoots through you as her smile edges into hunger.

“Don’t worry,” she says. “I’m sure it won’t stay on your lips long enough to matter.”

--

The thing you’ve discovered about Minjae is that, with his divorce due to be finalised soon, he’s apparently lost any sense of routine and is revelling in his new found freedom, which is kind of irritating when you’re trying to tail the guy. Sure, you’re still going to take him out, but you prefer it when targets have some sort of schedule that they adhere to— makes it easier to set up a kill.

“You’re certain that he’s going to be here tonight?” You’d been sceptical considering how the guy’s apparently thrown his schedule out of the window, but Namjoon had been certain.

“Positive.” He’d said. “He’s there every Tuesday night. You’ll have plenty of time.”

The house appears to be deserted. The driveway is empty and all the windows and doors are locked tight. It’s just one of the properties that the Parks own in the city, and for all its size and lushness it appears as though this one is rarely frequented; you imagine that the cleaners and gardeners spend more time here than the owners themselves.

It doesn’t take you long to evade the watchful eyes of security cameras to pick a lock and slip inside. You're grateful for the dying evening light that helps cover your tracks from any onlookers from the street, although you imagine the high walls do good work at preventing people from seeing into the grounds anyway.

There’s still enough light to navigate through the house, the golden tinged sunset casting warm shadows across the spotless furniture and fixtures; you take a moment to let your eyes slide across a huge canvas hanging on a wall that spans two storeys, some impressionist piece that’s surprisingly ugly for all the talent that’s obvious in its brushstrokes. Maybe that’s why the Parks are never here? You’d certainly try to avoid seeing this thing if you could. Eurgh.

Even though the building is empty, you’re careful as you start to make your way forwards. You always place your toes down first whenever you take a step, soundless as you start to map the house out in your mind; there are so many rooms you can hide in, but you’d prefer to be close to wherever Minjae ends up. Saves faffing around later. 

You’ll overpower him, inject the toxin into his blood and wait for him to die before setting him up on the toilet— it’s surprisingly common for people to die while on the shitter, the strain leading to an untimely heart attack, especially in older people. The poison you’re using tonight will mimic the symptoms of a heart attack in the case the coroner decides a post-mortem needs to be undertaken.

(Being found on the bog might not be a particularly graceful way to die but when you’re dead it’s kind of hard to be embarrassed.)

You’ve eased the door open into a large bedroom, and you’re just inspecting if it looks like this room sees more use than the others when you pause. It’s deathly silent in this building, the air still minus where you glide through it as you move, but there’s a feeling in your gut, some instinct that makes all the hairs on the back of your neck stand up. You freeze, ears straining to catch any noise to let you know if there’s someone else here, when—

There. In the reflection of a burnished pot, the tiniest shifting movement.

You react almost faster than the eye can see. You spin to parry a hit that was aimed for your head, and the strength behind it shudders through your arms. You only have a second to take in the details of your assailant— dressed in dark clothing, masquerade style mask in place, a professional just like you— before you’re deflecting another flurry of blows, flipping backwards out of reach before spinning into a kick, hooking that burnished pot with your foot and sending it flying towards the other assassin.

They dodge it. You both ignore the sound of clattering metal as you lunge forwards, trying to catch them off guard after their sidestep— your fist makes contact with their palm instead of their face, your hand engulfed in theirs, and you startle at their speed. You might not be the strongest but you’re damn fast. 

There’s a pause, and you can only see a slither of their eyes through the sockets of their mask, but you can tell that they’re impressed. And honestly? So are you. 

The moment shatters when they use the hand they're holding to twist you, locking an arm around your neck and putting you into a chokehold; they’re strong, stronger than you, cutting off your airflow. You need to get out of this before you fall unconscious, but if they’re trained as well as you then they’ll know how to combat the usual ways you’d use to get out of this.

So, in a demonstration of your flexibility you kick a leg up, using the strength of your thighs and calves to slam it into the arm that’s around your neck. Your assailant lets out a noise of surprise and pain as you slip out of their hold and cartwheel across the room before spinning to face them.

There’s a beat. The air is tense. You get another chance to take in the details of whoever’s just tried to choke you out; you stare at her as she stares at you, the two of you poised and ready to strike, watching and waiting. 

Knives might be messy but of course you’re not unarmed. You have multiple sheathed weapons in your clothes, though you don’t make a move to draw any of them. Yet. “I suppose you wouldn’t tell me who your employer is, would you?”

Your opponent tilts her head. “You don’t know?” She sounds amused, even through her mask. “Minjae took out a contract on the assassin who has a contract on him.”

Your lip curls back from your teeth. The only way Minjae would have heard about your contract is if Dahye had told him. Presumably to try and shock him out of his behaviour, or something, who knows. “This is the last time I’m accepting a job from these rich old farts,” you mutter. 

“That’s for certain,” she says. 

She starts to move and you catch her arm just as she goes to unsheathe a wicked looking blade, knocking it aside before she overpowers you and you start to wrestle. It’s messy and graceless but sometimes you just have to fight dirty. 

Whoever this woman is, she still has the upper hand because she was expecting you and you weren’t expecting her; she knocks you onto the bed and pins you down, swooping the knife up from where it had been thrown onto the mattress. You go utterly still as she holds it against your throat, towering over your from where she’s straddling your waist and kneeling on your arms. Any sudden movement from you now could lead to your untimely demise— and, unsurprisingly, you absolutely want to avoid that at all costs.

Namjoon would never let you live it down if you were killed on the job.

You hum. “It seems like we’ve reached an impasse.”

She doesn’t respond. The knife doesn’t dip any lower, though; you’re undoubtedly at her mercy but you notice she’s careful to keep the knife still, hovering above the skin of your neck, but not making contact.

“Well,” you continue. “At least I’m going out the way I’d always hoped to.”

Even in the dying light and with how her face is covered, you notice her face shifting behind her mask— a silent, questioning raise of an eyebrow. You give her a cheeky smile that crinkles your eyes.

“In bed with a beautiful woman, of course.”

At this she huffs out a laugh. “Do you flirt with every person who tries to kill you?”

You’re trying to look as non-threatening as possible to keep that knife away from your jugular. The longer you talk, the longer you live, even if you can’t see a way to get out of this situation right now. “Only the pretty ones.”

The small laugh she lets out this time seems more like a scoff. “You don’t even know what I look like.”

“Please.” You roll your eyes. “Any woman who can fight like you and knows how to handle a knife? Automatically hot. I don’t need to see your face to know that.”

The knife still hasn’t moved. She continues to stare you down and you go tense when her free hand moves. She tugs the cloth of your mask down to reveal your face, the air of the room almost cold against the suddenly bared skin, your breaths free to curl out unhindered.

“Usually I like to be taken out to dinner at least once before we get this intimate, but for you I suppose I’ll make an exception.” You’re still grinning cheekily at her, but your mind continues to race as you try to think of a way to get out of this, especially now that she’s seen what you look like—but you suddenly notice that she’s gone very, very still.

“Y/n?”

The grin freezes on your face. Oh, you’re so boned. You’re so very boned. Like, yeah, you’ve been seconds away from death for the past, hmm, five minutes, but this is somehow worse. How the fuck does she know your name?

You’re given the answer almost immediately. She withdraws the hand from your chin and reaches for her own mask. Your eyes widen and your breath stutters in your throat once you see who it is.

“Holy shit,” you breathe.

Yoonji is staring down at you. She’s every inch as imperious and stunning as the last time you’d seen her— hell, even moreso now that you’ve seen what she’s capable of. No wonder you hadn’t been able to find out anything about her after you’d met at that garish charity gala. Because she’s untraceable, just like you.

“Well.” You stare back at her, not even attempting to keep the surprise off your face. “If anyone has to kill me at least I can die satisfied in the knowledge that it was you. Can I make a request? I’d be eternally grateful if you smothered me to death with your thighs. Just a suggestion, feel free to ignore it if you want.”

Yoonji cocks her head. Her bob is tied back, but there’s a loose lock of hair curled by the side of her face that shifts at the motion. Your fingers twitch. If she wasn’t kneeling on your arms you know you wouldn’t be able to stop yourself from tucking it behind her ear. Any excuse to touch her. “Do you always talk so much?”

“Hey, if it means I get to feel your legs around my face before I die, I’ll give a full fledged TED talk,” you say. “I have to admit, though. When I pictured us in bed together I didn’t think it would be like this.”

The knife still hasn’t moved from your throat. She continues to stare, as if considering what to do next, though her face remains impassive. “What did you think it would be like?”

“Well, you know. Less knives and clothes involved and a lot more making out,” you answer. “You, telling me what to do. Me, entirely at your command. Anything the lady wants, she gets.”

The human body is a fickle and strange beast. Ever since you discovered who’s straddling you, you’ve been growing wetter and wetter, even if you’re trying not to let on that you’re steadily growing more aroused— you’re still distinctly aware of the knife that’s only centimetres away from your skin, but somehow your body is more focused of the fact that the woman you’ve been daydreaming about is finally in front of you again. 

(Well, less in front of you and more on top of you, which is an admittedly preferable option, sans the knife involvement.)

You see how Yoonji’s eyes are darting over your face. No doubt taking in how your pupils are dilated, how your breaths are a little shallower, quicker— signs of fear and signs of arousal are surprisingly similar. You wonder if she can identify which it is. Probably. You’re not exactly very subtle in your attraction to her.

“I forgot my lipstick again,” you add, and Yoonji’s passive mask finally breaks when she rolls her eyes.

“Didn’t I say you wouldn’t need it?”

Even the way she throws the knife aside is gorgeous. The sharp undulation of her wrist as she sends the blade skittering across the polished wood floor is careless and fluid. Her hands cup your face as she bends down, and you send up a mental thanks to any god or higher being who might be listening before Yoonji presses her lips to your and your brain goes blank.

Apparently Yoonji likes it messy. One of her hands is grasping your chin in a mockery of the last time you’d met and she’d painted your lips— your mouth is open and she licks past your lips as you shudder beneath her. She’s still got her knees pressed into your arms, pinning you down, but you desperately crane your head towards her, chasing that kiss; you tilt your head to deepen it, and the whine that leaves you when she pulls away is almost embarrassing.

The sun has finally dipped below the horizon and the room is dark, painted in shades of grey and deep blue. You wish you could see Yoonji properly and you can’t help but wriggle a little underneath her, but then you watch her raise her hands and clap three times in rapid succession before the room floods with dim light. Sound activated lights? Damn.

Yoonji’s mouth shines, covered in a sheen of your mixed saliva, her pretty lips flushed rose pink; even without makeup they’re beautiful and their colour is deep, the blooming petals of a flower. Your eyes trail over her face, down her neck, over the fall of her chest and stomach— you’re both far too covered up in these stupid ensembles of yours and you want to strip the clothes off her. You want to see every inch of her beautiful, majestic body, bared for your lips and hands.

Fuck, she’s so gorgeous.

“Not to, um, ruin the moment, but my hands are going numb.” The weight of Yoonji’s body being pressed into your arms has pretty much cut off the blood flow to your fingers and you can feel the telltale sensation of pins and needles spreading through your skin. “Can I have those back, please?”

Yoonji lifts her knees just enough for you to slide your arms out from underneath them. You immediately shed your gloves and go to grab her ass but she gives you a sharp look and you freeze, slowly settling them on her thighs instead, which she allows with only the slightest raise of her eyebrows.

“Watch,” she commands, and who are you to disobey?

She reaches for the tie in her hair, tugging it out and letting her dark locks fall to frame her lovely, beautiful face. You hungrily swallow down each sight that she feeds to you, the skin that’s revealed as she shrugs off her layers of clothing. She unbuckles the weapons hidden underneath her clothes as she sheds them; she’s a veritable arsenal of firearms and knives, all cast carelessly aside until her upper body is finally, blessedly naked. You’ve been staring at her the whole time, the graceful column of her throat, the delicate lines of her collarbones, and your gaze falls to her breasts, small and perfect, nipples dusty pink and hard. You want to put your mouth on them.

“Holy shit, you’re perfect,” you say.

She smirks. You watch as she rolls her body, lifting up from her knees and standing up, towering above you on the bed—your hands fall to the mattress as she pulls her trousers down, tight material dragging against her skin as she slides it over the curve of her hips and down her long legs. There’s a dagger strapped to her thigh, which she unbuckles and lets fall to one side, but god, if she used it to kill you right now, you would die a happy woman. The image of Min Yoonji towering above you in nothing more than some flimsy underwear is one you want to take to the grave.

You can see how the material around her entrance is darkened with her arousal, and you feel your own body react to the sight, pussy throbbing, your own lower lips slick underneath all your layers of clothing. Yoonji hooks her thumbs into her panties and pushes them down, and you’re enraptured as you watch how the wetness clings to them, before that last bit of clothing is cast aside too. 

You moan, unable to stop the sound bubbling up in your throat. From how she’s standing above you, legs spread from how her feet are either side of your hips, you can see everything—how her cunt is flushed, how wet she is, her folds shining. You bet she tastes so fucking good.

You let your mouth fall open, tongue lolling out in a way that’s obscene. You see Yoonji’s eyes flicker as she traces the motion, the way she takes in your expression: wide, hungry eyes, parted lips, wet tongue. Your hands skim up the back of her calves as she shifts forwards and returns to her knees, her naked core so, so close to your mouth, and you dig your fingers into her skin.

“Bon appé-fucking-tit,” you murmur, and then you pull her onto your face.

Yoonji gasps. 

(You were right. She tastes so, so fucking good.)

You’re utterly shameless as you slurp up her juices, the wetness that continues to leak out of her as you bury your face into her cunt, tongue lapping over her entrance as your nose brushes her clit. Your hands have moved to the flesh of her ass and you encourage her to grind against you, rolling her hips towards your greedy mouth; you’re staring up at her, drinking down her reactions, the way her face twists with pleasure and the shuddering breaths she takes in, perfect little breasts jumping at the motion. There’s a flush spreading down her neck and chest, pale skin blushing pink, and it’s the prettiest thing you’ve ever seen.

You purse your lips against her clit, circling it with your tongue before dipping back down between her folds. Each time you breathe in all you can smell is her scent, heavy and dark, all your senses filled with Yoonji, Yoonji, Yoonji. When you hum against her, Yoonji arches her spine and throws her head back, so when you press your tongue into her you hum again, letting the vibrations shiver through her.

“Yes,” she gasps, rutting against your face. “Yes, yes—”

Her thighs tighten around your head. You redouble your efforts, watching her face as you continue to swipe your tongue up her slit and through her folds; you wish you could swallow each of the noises that are falling from her lips as she reaches the crest of her pleasure, the little gasps and moans each time you move your tongue in a particularly wicked way.

“There,” she says. “There, there, just like that—”

Your jaw aches but you don’t even register it, too intent on keeping your mouth open and hot and wet against her. It only takes a few more swipes and flicks of your tongue before she shudders violently, canting her hips towards your mouth as her legs go tense and she cums. She continues to straddle your face as she rides out the waves of pleasure, and you swallow down the wetness that flushes out of her rippling cunt, ignoring the throbbing between your own legs.

You can’t talk, muffled by her as you are, but your mind is singing. Look at you, you think. Look at how gorgeous you are. God, I could eat you out all day. (What a blessed life that would be.)

You can tell when Yoonji’s edged into oversensitivity, jolting when your tongue sweeps over her swollen clit; she settles back, knees spread as she rests against your heaving chest, legs tensing each time an aftershock shivers through her. Your mouth is open as you pant in air, but she watches as you swipe your tongue over your lips, catching the lingering taste of her on you, your chin opalescent with her arousal.

“Okay,” you say, breathless. “I’ve done everything that’s worth doing. I’ve peaked. Everything is downhill from here. You can kill me now.”

You’re only half joking, but your thighs instinctively go tight to rub against each other when you see how Yoonji’s eyes darken.

“I’m not done with you yet,” she purrs.

Yoonji might be naked while you’re still clothed, and so still armed, but she’s undoubtedly the one who’s in control right now. You are so, so okay with that. You watch with wide eyes as she shifts back, her hands grabbing the material of your jacket to tug you upwards, but before she can strip off your clothes you capture her lips with your own.

The taste of her is still heady and deep in your mouth and you nip at her bottom lip before pressing your tongue forwards. The kiss is already slick from Yoonji’s wetness and when you pull away, there’s a thin string of saliva that connects you for a moment before it breaks, which Yoonji wipes away from your chin with the pad of her thumb.

“Dirty girl,” she says, and you bite back a moan at the unabashed lust in her voice. Her grip on your chin is firm. “Did I say you could kiss me?”

“No,” you answer. “I couldn’t help myself.”

She tuts, as if disappointed, and every one of your nerve endings feels electrified, ready and anticipating whatever Yoonji is going to do next. “Such a shame,” she says. “You just can’t keep your hands or mouth to yourself, can you?”

“Can you blame me?”

Yoonji huffs out a laugh through her nose. She strips your jacket off in one sharp motion and then your shirt is similarly pulled off with single-minded intent, along with every other piece of equipment cinched to your arms and body. When you reach for her, though, she captures your wrists, her face stern.

“If you keep moving without permission, I’m going to take that privilege away from you.”

You don’t have to see your own eyes to know how your pupils will have dilated from that statement, blood thrumming through your veins, and you can tell Yoonji has noticed when her expression shifts.

“Oh.” A small, triumphant smirk appears on her face. “I see.”

You lift your arms up so she can pull your sports bra off (of course if you had known you’d been running into Yoonji again you would have worn something nicer). Rather than touch your heaving chest, however, she pushes you down onto the mattress, a hand around your wrists so they’re held above your head.

“Keep still,” she says.

She reaches for the holster that you’d had around your upper arm, lazily casting the knife aside before looping it around your wrists and pulling it secure.

Yoonji’s fingers ease under the nylon as she checks the fit. It’s tight, but not so much so that it’s painful or dangerous, and there’s a hushed moment when the realisation hits you— Yoonji and yourself are both skilled enough to know that you could easily free yourself if you wanted to. It would only take a little motion of your wrists and hands and you could slip them out of the makeshift cuffs in an instant.

You melt into the mattress. Yoonji’s eyes shift away from your wrists as she takes in the way you’ve gone utterly relaxed and limp below her, staring back at her. You see an expression flit across her face faster than you can see, before she slides down your body so she can push your legs apart.

You lift your hips to help her strip your trousers off. Her hand lingers on the concealed holster around your thigh, eyeing the small pistol nestled inside it, before that too is stripped off and cast aside. Her hands trail over the soft skin of your hips and stomach, eyes skimming over the bared length of your body before settling between your legs, the slickness of your inner thighs.

“You got this wet just from eating me out?” Her pretty mouth is curled into an expression that’s almost mocking, and your legs jolt as she runs her fingers lightly over your lower lips before rubbing her fingertips together to feel the wetness she’s gathered. “I haven’t even touched you yet.”

Your nails dig into your palms as your hands twist against each other and you shift your legs further apart. “Please, Yoonji,” you plead, shameless from desperation and arousal.

She laughs at your obvious hunger. “I suppose I should return the favour, shouldn’t I?”

You watch breathlessly as she lifts her fingers to her lips, swallowing them into her mouth to get them slick and wet. The motions of her tongue are languid as she licks across her fingers. You’re like a livewire, thrumming with electricity, and the sensation of her finally sinking one of those fingers into you sends sparks throughout your body.

Yoonji’s maddeningly slow. Your body takes her readily, her long finger gliding easily in and out of you, but she makes no move to speed up; you let out a small noise and she moves upwards to kiss you, as if indulging you, and you’ve just relaxed against her mouth when she plunges a second finger in.

She swallows your gasp as her fingers speed up, before she starts to kiss across your jaw, your neck, between the valley of your breasts and then closing her mouth over one of your nipples— she times the flick of her tongue with the thrust of her fingers, and then you feel how she takes her thumb to press your clit at the same time and you’re gone, falling over the edge faster than you’d expected. Your orgasm is fast but deep, your walls clenching tight around the fingers that continue to curl in and out of you, but she doesn’t stop.

“Yoonji,” you gasp. “It’s too— oh—”

Those two fingers continue to rub your sweet spot as you edge into oversensitivity but Yoonji doesn’t let up. She continues to lick and bite at the skin of your chest, putting her mouth to your other breast and circling the hardened bud of your nipple with her tongue before kissing down your stomach, your pubic bone, and then pressing her lips to your swollen clit.

You whimper. Her pace of her fingers has quickened, and she curls them each time she almost pulls them out, the squelch of their motions obscene as they slide through the cum of your first orgasm. She stares up at you, lapping at your clit with her tongue, and you can feel the saliva that’s dripping from her mouth and over your flushed core, every inch of you oversensitive but screaming with pleasure.

It’s almost painful, but you can feel an orgasm creeping through that ache; you wring your hands together and sob as Yoonji continues to finger fuck you without mercy, her pace almost bruising, the thrust of her knuckles against you each time she bottoms out just one more layer on top of that overwhelming pleasure.

“Yoonji,” you gasp. “I’m g-gonna cum again.”

She hums against you, and you make an incoherent noise at the feeling of that sound against your clit, almost too much— and then she presses one more finger into you, and that’s it, that slight burn and stretch sending you hurtling over that edge again. When you cum, your hips buck and you gasp, air rushing into your lungs before it escapes you in a moan of ecstasy; the only sensations registering in your mind right now are the ripples of pleasure spreading through your cunt as Yoonji pulls her fingers out of you, pressing down on your clit in a way that’s almost cruel, and you sob as your legs instinctively try to tighten but are prevented from doing so by Yoonji’s unyielding presence.

She’s staring down at you as you start to go lax, and you think she’s finished with you, but you watch with widening eyes as she takes her ring and middle finger to run them through your sodden folds. You sob again when those fingers plunge back into you, palm pressing against your clit each time she curls her fingers, and you squirm underneath her.

“Yoonji, it’s too much,” you cry.

“One more.” Yoonji’s leaning back and staring at you, taking in the sweat that’s beading across your skin, the tears that are gathering in your eyes and threatening to spill down your face and into your hair. “You’re doing so well, darling, you can give me one more, can’t you?”

Your reply is incoherent, a small noise that shudders out of the back of your throat. You’ve never been thrown so thoroughly into pleasure like this, overstimulated and aching, but there’s that flicker of pleasure still between your legs, growing each time Yoonji beckons with her fingers, curling over your abused sweet spot again and again and again.

“Just say the word and I’ll stop,” Yoonji says, the wet plunge of her fingers into your abused pussy so messy and loud but not enough to drown her out. “One word and I’ll stop.”

You don’t say anything. You just let your eyes roll back into your head as you cant your hips towards her, trying to latch onto that thread of pleasure that’s thrumming through you below all your screaming nerves, and the noise Yoonji makes is pleased.

“There we go,” she praises. “Look at you, so good for me. Pretty darling.”

You can feel how your pussy clenches around Yoonji’s fingers, how the coil in you is squeezing tighter and tighter, how another orgasm is somehow creeping up on you— you tilt your hips towards that feeling, towards Yoonji’s hand, and then she’s pulling her fingers out of you in an almost rough motion and you’re cumming harder than you ever have before.

“Oh, fuck!” You sob. 

It’s indescribable. The sensation rips through you as your back arches off the bed and you’re cumming and squirting and gasping and you can feel the wetness that slicks out of you, your toes curling as your brain goes blank from the staggering pleasure and static consumes every one of your senses. Your entire body feels like nothing more than a vessel for the ecstasy that’s shooting through your veins, spreading out from your core and to every corner of your insides and limbs.

It takes you a while to come back around, aftershocks wracking through your body. You feel sluggish and slow as your mind slowly clears, focusing on the sensation of warm hands stroking over the skin of your stomach and hips and thighs; your eyes flutter open and when you glance down you can see the shine to Yoonji’s skin, evidence of your pleasure painting her in a thin sheen of liquid.

“Oh my god,” you moan. “Holy shit.”

She smiles. “You were so, so good for me,” she says. She leans down to press a light kiss to collarbones and you shiver. “So beautiful. How are you feeling?”

“Like I’ve died and gone to heaven before coming back again,” you reply. “Oh, that was so good, Yoonji. I’ve never squirted before. I didn’t realise I could. God.”

Yoonji laughs lightly. You can’t help but watch the way it transforms her face, the way her chest jumps at the motion, every inch of her gorgeous and majestic and cute and pretty. “You did so, so well,” she praises, before she kisses you, her mouth so soft; you barely notice the sudden easing of pressure around your wrists as she releases you, more intent on the sensation of her soft petal lips against your own.

You stare up at her as she pulls away. Powerful, amazing Min Yoonji, kneeling between your legs, naked but not helpless. Definitely less vulnerable than you right now. And yet she’s still making no moves to grab one of the many weapons littered around the bed so she can finally finish her contract by completing the kill. It would be so easy for her.

The silence of the room is suddenly broken by a tiny buzzing noise. You both glance over at the sound, one that Yoonji doesn’t recognise but you do— the communicator in one of your wristbands, the one you use to keep in contact with Namjoon.

You watch the twisting of Yoonji’s body as she leans over the bed to hook the band with a finger before proffering it to you. You pause, but then grasp her wrist and lightly pull so she ends up pressed against you, softness of her breasts against your own, and you hold the communicator between your faces as you accept the call.

“Thank god you answered.” Namjoon’s voice is obviously frantic even through the tinniness of the small speaker. “Dahye cancelled the contract because Minjae wants to reconcile with her, but apparently he’s already put a hit out on you— tonight was a ruse, Minjae isn’t going to be there, you have to get out of there—”

“Bit too late for that,” you interrupt. Yoonji’s hair is tickling your cheek. “Don’t worry. I have it in hand. Send some flowers to Minjae for me, will you?”

“Flowers?” Namjoon sounds understandably confused. “Why?”

“As a thank you for taking out a contract on me,” you say. “Now, if you’ll excuse me, I’m a little busy.”

“With what?”

“With me,” Yoonji says, and you hear Namjoon’s surprised intake of breath before you cut the line.

You end up laughing to yourself. “Oh, he’s going to hate me for that,” you giggle. Yoonji’s hand trails up your stomach and you continue to giggle at the ticklish sensation. Her skin is still slick against yours, and you suddenly realise how cold it is in the room, the air touching the cooling liquid that’s rubbed off against your skin, and you shiver. “Mm. I think it’s time to clean up. Want me to scrub your back in the shower? I give very good massages.”

Yoonji’s eyes are dark and warm before she presses her nose to your neck, lips soft as they touch the delicate skin of your throat. “I’ll be the judge of that.”

[dharmadischarge]

Top 5 Novels: or it gets dark around here early.

So now I am trying to say something. That is all. No, that will not do at all... Here is a list of my top 5 novels, with one short review and four long ones.

1, Jim Dodge - Stone Junction. Reading Stone Junction by Jim Dodge is like meeting the father you never had

2, Thomas Pynchon - Gravity's Rainbow Subtlety is overrated... and just because you have a boner doesn't mean you're a terrorist. I mean, it doesn't mean you're not causing those rockets to come from the sky. But, still, that is beside the point.

For me, this book is about obliterating the arbitrary distinction between high and low culture. The ironically arbitrary distinction between good and evil and the dangerously subtle distinction between despondency and hope.

Fractured, layered, elusive, you could accuse Pynchon of all these things.

The way characters bleed into one another to make one voice. A hellish symphony of discordant cries of pain reaching out to a belief that there is a light at the end of the tunnel and paranoia is the glue.

Also, it is funny. Like in a dumb way and there are songs. Also, dumb.

Everyone will talk about how polarising this book is but I don't believe it. you can follow the bouncing ball and sing along or live in fear that at any moment the terror will become real and you will collapse into ellipsis...

It is the third and newer testament. An epilogue to western culture as racist cultural energy written by a crazy white guy. T.S. Elliot and his wasteland were a prelude, in hindsight, nothing but a john the baptist-like figure for the cross that Pynchon presents to all readers as their burden to carry with this book.

Hope is crazy painful, consciousness is such a fragile thing and the burden of consciousness is the pain of knowing that (beyond the act of effort itself) it is a futile one.

Jim Dodge once said, "a stone falls till it hits the earth, transcend what?" and that about sums it up.

3, Cormac McCarthy - Blood Meridian.

Blood Meridian is a kind of repetitious, primeval-hillbilly level of primitive interpretation of the morality expressed in the book of revelation fighting its way onto the page as barely literate poetry.

It is not a book of social niceties, justice, or the warm feeling you get when you do something good. also, this book could also easily be seen as porn for serial killers.

I scanned the reviews and saw all the campy (and not the good kind of campy) parodies this kind of book inspires in the age of irony we live in (though it seems like it is on its last legs). And while I like me a good parody, I find that Eli Cash did it better.

There is something to be said about how Cormac McCarthy (ab)uses the English language. The one good line I read from one of the negative reviews of his books was that a middle schooler could list what he doesn't like about the kids who bully him and that this list would have more emotional nuance and better use of punctuation than a Cormac McCarthy novel. This is fair.

The conceptional power of Blood Meridian though is that it frames cruelty and violence for what it is: reality. While also through its sometimes monotonous exaggeration of William Faulkners styled repetitions it creates a sense of unreality. A sense that like David Lynch's best work that we are walking, daily, through something so evil and violent that it borders on slapstick, and at last we laugh in self-defense.

I think the people who parody the book without much thought got trapt in the intellectual self-defense state that is part of coping and couldn't see the forest for the trees.

Civilization is a fragile thing, it is the human race trying to domesticate itself, and the longer it goes on the more it seems like we're just sweeping what we don't like under the rug.

4, John Crowley - Little, Big.

There is a kind of hokey-Americana style kitsch that most of my favorite writers could be accused of, from, Tom Robbins to Jim Dodge. John Crowley may be the peak of it. It could be because on the surface Americans don't have a unified culture we are a melting pot with capitalism only encouraging the lowest common denominator (the pursuit of greed as its own reward).

But in any creative act that does not presume to be the literal expression of anything but pure gratitude, there is politics. The politics of worth, of greatness, inherent value, and the desire to prove that the wisdom offered was truly earned. That a difficult pleasure does not mean that there is none.

This is an American fairytale. A once upon a time that seems eerily to remind of another Crowley, that codesigned the deck of Thoth tarot cards (A really good one for those curious) more than the writers of magical realism. And probably because I didn't read this in translation I preferred it to a hundred years of solitude. This may seem random to people of the fantasy crowd who know that genre is only a limitation to artistic merit if you want it to be (usually for cultural-political reasons). but people often compare this book to Gabriel Garcia Marquez's writing. And while they are both family chronicles with supernatural elements. this is kind of a shallow comparison.

Crowley's work is more in the tradition of an occult mystic, and Gabo is more a romantic using personal folklore as the vocabulary of that romantic expression (of which I think love in the time of cholera, is his masterpiece).

I am trying to not give away any spoilers, or even talk about specifics at all. but the ending is worth it. Like most things in life, it's your journey to go on so I won't ruin it for you, but they are out there waiting for you, where the lights never go out.

5, Neil Gaiman - The Ocean at the End of the Lane.

"words save our live's sometimes"

I was a frustrated borderline feral child, who could not deal with reality. My parents taught me how to read and not much else. I was homeschooled and weighed three hundred pounds by the time I was thirteen. I remember one night unable to deal with any more abuse that I laid down and decided my dreams would have to be enough, I close my eyes and went away for a long time. Lettie Hempstock's ocean is real to me I almost drowned in it.

When I was a teenager the cult-like fundamentalist atmosphere of my home life became less extreme, but the damage was done. I was still in the ocean. it says something about my state of mind that the closest I came to getting traction on reality was starting a habit of reading insistently, my favorite book was Stardust by Neil Gaiman.

Once on Twitter, I told him "thank you" for writing it. I later after reading this book I wrote a short review of this book and sent it to him. He said "thank you" to me in a @ mention. It was nice. I later @ mentioned him in a playfully sarcastic way and he deleted his original comment.

I was diagnosed with paranoid schizophrenia when I was twenty-four or twenty-five. I have been told I had childhood-onset schizophrenia. I have been told I milk it. I have been told that I self isolate.

I have been writing reviews tonight, going through my favorite books, and just live streaming my mind. Thinking about how they made me feel and what they make me think. Neil Gaiman's work always makes my brain retreat on itself. Possibly because of stardust. But more than that it is the wisdom he has. He knows that stories are true in a way that transcends a mere list of facts. communicating for those with an ear to listen that there is more than what we know, there is more than our understanding, there is more than us. More than you, more than me. There is an ocean that is healing for some while necessarily absent for others.

We forget, and we remember. Each other and ourselves. Cruelty and innocence. But there is an ocean and it is Lettie Hempstock's.