#So who knows if we can actually run parts!!

[cheriladycl01]

I’m in absolute awe with your writing, I’ve sat here reading so many.

I have an idea for a fic -

lando x Beckham!reader. Reader is playing in the grand final and it’s the Beckham family cheering and they pan the camera to her family bc she scores and they see Lando sitting, cheering and chatting with them so after they decide to hard launch

Chelsea vs Manchester City - Lando Norris x Beckham Reader

Plot: a football match couldn’t be the reason to hard launch a relationship… right?

It was the final match of the season and you were up against Manchester City. Your family had of course come to watch you. It was the first time your whole family was there. Usually it just happened to be your twin brother Romeo and your dad. But today you had Brooklyn, Cruz, Harper, Romeo and your mum and dad.

Your boyfriend, F1 driver Lando Norris had also managed to come to your game. This was a surprise and you didn’t actually know he was coming, but with him and Romeo being good friends they’d organised the little surprise for you.

It was 15 minutes into the match and you were yelling to your team-mate Lauren to pass the ball to you, one of the Man-City girls was blocking you but as the ball was kicked in our direction you ran forward for the ball, kicking it back to Lauren running further up the pitch to the goal as its passed back to you.

You are in the zone, you foot breezes through the air and drives into the ball and before you can blink its in the back of the net.

1-0 to Chelsea.

Your team-mates all come up to you pulling you into a celebratory hug shaking your shoulders and one of them evening lifting you up into a hug. You cheer loudly practically screaming.

“And what an incredible goal that was, Lauren James and Y/N Y/L/N, what a dynamic duo they are! Honestly their team work is impeccable” one of the commentators for Sky Sports sounds just as the TV pans to your family. Not that you see that as your too busy celebrating with your team.

It shows Romeo and your dad embrace while Harper and your mother cheer with some polite claps for you. Brooklyn and Cruz are like hooligans jumping up and down chanting your name. Lando also gets shown on camera, and all that can be said is that when the camera replays his reaction along with the rest of your family when the goal went in he looked like a typical British lad at a football match a massive cheer and aggressive yet passionate smile on his face before turning to celebrate with your family.

“Here is the Beckhams family, such an iconic name, all of them here to support Y/N and we also have McLaren F1 Driver Lando Norris with her family. Obviously we’ve seen he’s friends with Romeo Beckham, Y/n’s twin but that was an incredibly passionate reaction for a driver who says he doesn’t involve himself in football as much anymore” a commentator adds, as your family’s celebration is shown.

“So Lando, you like watching my sister?” Romeo asked as he leaned over to Lando who was avidly watching his sister.

“Well, she is my girlfriend mate” he laughs taking his eyes off you for a split second to look at Romeo.

“Your smitten and it’s fucking disgusting” Romeo gags looking at Lando with a harsh expression.

“Calm down man, I might be part of the family one day” he teases elbowing his friend.

“Regrettably I think you already are. Mum and dad love you. Cruz is obsessed with you more than my sister… Harper loves the gifts you bring her and Brooklyn enjoys your convos. I hate to say it but you’re a Beckham” he laughs, he loved that his sister had actually ended up with Lando, he was a good friend and someone he could trust with his twin. Someone he was insanely protective over.

The match continues, Man City equalise just 5 minute before halftime. Sam Kerr your teammate scored one minute before, just after you got a yellow card that had both you and your family crying out in protest. You to the ref and your family just to one another.

Everyone could see the unhappy look on Lando’s face as he complained to your dad and brother.

After halftime break where you spoke about strategy and how to keep up the effectiveness going forward it was back out onto the pitch for all of you.

You scored another goal, making the scores 3-1 and before you knew it time was up and you were celebrating with your girls the win of the championship. You also were excited as this was your’s and Lauren’s chance to get onto the English Women’s Team.

After you showered and got out of your sweaty kit you went out to find your family and boyfriend. The first person you saw was your dad and you ran up to him pulling him into a massive hug.

“There she is, my little star!” Your dad cries holding you tightly against him. The rest of your family hug and kiss you, making it known just how proud they are of you. Lando was the final face you turned to see. Your family of course knew about the two of you and had seen you two interact in the family house and when you all went out for dinner.

He pulled you in for a soft kiss, Cruz and Harper immediately teasing you about it while Romeo cringes away.

“Lan, please that’s my twin sister” he cringes and looks between the two of you who have now finally pulled away from each other.

“Awwww leave them Romeo, I see myself and your father in them, but even more romantic” your mother smiles and you cannot help the big goofy grin that comes over you face.

“So, I may have been on TV, I’m kind of famous now!” He grins and Brooklyn and your dad laugh at his joke.

“Haha very funny baby” you laugh sarcastically and look at the rest of your family who have slowly started to back away to leave you and Lando alone.

“Where are you guys going? I thought we were all going to dinner and then me, Brooklyn, Cruz, Romeo and Lando were going to the club to celebrate?” You ask as they all look to one another debating who was going to explain.

“Yes, but we’ll meet you there. Lando’s driving you and Romeo!” Your mother starts and before you can even ask where Romeo is going if he was going in the car with you.

“Before you say anything I’m going to the toilet. That game was riveting and I couldn’t leave my seat, okay? I’ll meet you at the car” Romeo says before jogging of round the corner. The rest of your family also left and you were left with Lando, standing hand in hand.

“Baby have you seen twitter since the match?” He asks his brows slightly furrowed and a nervous aura around him.

“No, I haven’t why? Has something happened?” You ask looking over him, checking out his know awkward body language.

“Well, we are … sort of trending because I was sat with you family, people think we’re dating now.”

“Well, we are dating…” you giggle and he nods slowly.

“I know, and we’ve been dating for a while and I just wanted to know if maybe you thought it was time we … hard launch?” He blurts out and you just keep smiling at your silly boyfriend who looks so nervous asking you this. Anyone else would think he was proposing to you right now.

“Yes, let’s do it!” You smile at him squeezing his hand.

“R-really?” He asks and you nod, pulling him in and kissing his cheek.

“Yes baby.” You nod.

y/user

Liked by landonorris, romeobeckham and others

y/user: It’s been an incredible weekend. Loved getting to share the win and championship with my family 🏎️⚽️

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landonorris: I love you baby, so so proud ❤️

-> y/user: love you infinite amounts 😩

user1: see how Y/N considers Lando part of her family? Very cutesy, very demure 🏎️🌸

romeobeckham: THATS MY TWIN, sick stuff Y/N 👩🏼‍🍳

-> y/user: you next!

user2: HARDLAUNCH Y/N! Is that you and Lan after the match?

-> y/user: yeah he gave me the biggest hug! 🎀

-> user2: OMG QUEEN REPLIED?

davidbeckham: Dad is proud hunny! You did amazing stuff out there today 🤙🏼✅

mclaren: Will you exchange Blue for Papaya for a race? 💙<🧡

-> y/user: depends on the offer admin 👀

-> landonorris: BABY! You were supposed to say yes! 😩🧡

oscarpiastri: can’t wait to see you at the next race!

Instagram Story Caption

THATS MY GURLS 🌸💕🐷🎀🤙🏼

landonorris

Liked by y/n, oscarpiastri and others

landonorris: So … this is mine now apparently? She’s non-refundable 🫣💙

View all comments

y/user: excuse me? 🥺

-> landonorris: I joke I joke! I love you baby 🫣💙

lewishamilton: amazing win y/n and congrats you guys.

danielricciardo: it’s about damn time, I been hearing all his bitchin and whinin and pinin

-> visacashapprb: Daniel, Admin are requesting you kindly take this down

maxverstappen1: Well done mate. You managed it 🤙🏼

Instagram Story Caption

LOOK AT MY GIRLFRIEND RN 🥺🌸

Taglist:

@littlebitchsposts @hockey-racing-fubol @laura-naruto-fan1998 @22yuki @simxican @sinofwriting @lewisroscoelove @cmleitora @daemyratwst @lauralarsen @the-untamed-soul @thewulf @itsjustkhaos @purplephantomwolf @chasing-liberosis @summissss @gulphulp @starfusionsworld @jspitwall @sierruhhhh @georgeparisole @youcannotcancelquidditch @tallbrownhairsarcastic @ourteenagetragedy @peachiicherries @formulas-bitch @cherry-piee @spilled-coffee-cup @mehrmonga @eiraethh @curseofhecate @alliwantisadonut @dark-night-sky-99 @i-wish-this-was-me @tallrock35 @butterfly-lover @barnestatic @landossainz @darleneslane @barcelonaloverf1life @r0nnsblog @ilove-tswizzle @laneyspaulding19 @malynn @landosgirlxoxo @marie0v @yourbane @teamnovalak @nikfigueiredo @fionaschicken @0picels0 @tinydeskwriter @ironmaiden1313 @splaterparty0-0 @formula1mount

[andy-wm]

AYS Behind the scenes: behind the paywall

Now that the Disney+ episodes are complete (sob), my attention is firmly fixed on my mailbox as I wait impatiently for the AYS photobook and QR code.

I was always going to buy the Jikook photobook, even though I doubt there will be much we haven't already seen in the episodes. But the inclusion of the QR code was the clincher.

I must admit, Hybe locking up the behind the scenes for AYS was not on my bingo sheet.

Making behind/additional clips available on Bangtan TV would have been more in line with their regular MO. We don't generally have to pay for what really amounts to outtakes.

Okay, yes, we have to pay for behind cuts of Run BTS, but the actual episodes are free. With everything else the behind clips are included when you buy the series (I'm thinking of BV, ITS, and concert boxed sets).

In fact I can't think of any other time a behind/ bonus clip hasn't been available to fans who pay for the main content.

Maybe it is because Hybe was only contracted to deliver 8 episodes to Disney+ and the price was fixed. Maybe they saw an easy way to make the series more profitable.

We know they will take any opportunity to lighten our wallets.

But I think there's more to it

Let's talk business:

If Hybe wanted to make money from this, having the sale point directly on Weverse would make more sense. That way anyone could buy it any time without having to buy the photobook as well. Even if they charged just a few $$ for these extra clips, the return could be substantial over time. Long tail products can be very lucrative and Hybe clearly knows this - they have heaps of old footage for sale on Weverse. Since they're hosting the content already, it makes sense to keep that 'buy now' button active and let the dollars trickle in.

So why reduce the potential pool of buyers? Why limit this to those who buy the photobook??

Well, let's consider who is going to buy the photobook?

Who is going to fork out US$28 plus postage for a keepsake of these two on their third honeymoon?

I doubt OT7 ARMYs would buy it. Even ARMYs who bias JM or JK - if they aren't part of the SGMB they probably don't want it either.

Solos sure as hell don't want it - they are probably wishing the whole thing never happened... sucks to be them haha

Who really wants to see these two living their best lives together?

We do!

And by we, I mean Jikook supporters.

People who want to see more of this:

and this

And this

We are the people who will buy this photobook (and probably never look at it more than once, let's be honest)

But let's get back to the topic at hand....

The photobook/behind combo seems like a chicken/egg situation to me.

Which came first - as a concept - the photobook or the behind clips?

Did they decide to offer a photobook, and then think of adding the extra footage to make it more appealing?

Or vice versa?

Did they decide to make the behind clips, and think of the photobook afterwards?

Hard to say, since behind clips have always been a thing and recently Hybe is putting out photobooks for everything.

But I think I have a fair idea

Consider the price point for this photobook - it's the same price as most of the others produced recently: +-US$28.

AYS photobook & behind is the same price as the Photo-Folios, Tae's Type 1 (magazine version) photobook, and the Beyond The Stage photobook

🗣 So they aren't charging any extra for the behind footage?

No, they aren't. They're basically giving it to the buyers of the photobook as a gift.

🗣 Could they be making money off it?

Yes, the could.

Long tail, remember?

Looking at the profit-making potential, it makes WAY more sense for Hybe to offer the behind footage on Weverse for a few meagre dollars and... wait for their ship to come in...

See what I did there? hahahhaha (laughing by myself)

They really aren't making any money off this!

how unlike Hybe...

So why go to the effort of setting up QR codes and putting it behind a paywall? It costs money to host content this way. They are in fact SPENDING money to bring us this footage.

Not only through the hosting costs there are also production costs to consider.

Wouldn't it make more sense to just freely share it with ARMY via Bangtan TV? Or not release it at all?

Yes, it would...

So there's only one logical answer...

Hybe has chosen to make the content available - but also make it just that little bit more difficult to access.

This whole exercise seems to be about releasing additional footage without releasing it to the general public. It's being shared specifically with those of us who support them.

Does that mean we'll see slightly more personal content?

Maybe it's a little more revealing of their undeniable bond and their hot chemistry...?

Whatever they contain, these behind clips are definitely for a limited audience - and purposefully so.

The only reason for it, that I can think of, is to safeguard Jimin and Jungkook from too much scrutiny and criticism - from within the fandom (unfortunately) and outside of it.

We will find out in a few days I guess.

In the meantime, I'm camped out by my mailbox

[outofconcheol]

Tune In For Love (KSM x GN!Reader)

pairing: college radio host!Seungmin x co-host!reader

genres/au/rating: sfw, mostly fluff, the mildest of angst, idiots to lovers, pg

summary: When you and Seungmin come up with a crazy new idea for your radio show, a week of chaos and unspoken feelings unfolds. As you learn more about relationships, will the two of you tune in for love? Or decide to shut it down completely?

warnings: swearing, fake exes trope, a playlist of seungmin coded songs mentioned, stupid amounts of pining, mentions of relationship drama, they almost kiss, then they actually kiss, one mild (joking ) threat of violence, Jeongin being the best wingman ever, RAIN, Ningning, Joshua, Cheol, and Day6 all make cameos

word count: 2.8k

a/n: happy Seungmin day!! honestly this could have been a whole fic on its own but i'm happy with this cute little drabble! this draws some inspiration from the ex talk by rachel lynn solomon. our boy deserves all the love, i hope you enjoy!

“Okay everyone, this has been another week at The Sound FM, the university’s #1 radio station! ____ and Seungmin signing off!”

Your voice fades out to the tune of the hit that Seungmin had selected for the week, ears perking up at the rumble of the bass and the tick tick tick of the hi-hat. Another Day6 song. Congratulations this time. 

“When will you admit that you’re Day6’s number one fan?”

“When you admit that you’re their number two,” Seungmin adjusts his glasses, a devious smirk lighting up his face. 

(You were, but you would never give Seungmin the satisfaction.)

“That segment on how to deal with the stress of midterms turned out great! What should we do next?”

You fidget with your pen, tapping it against your notepad, twirling it around in your fingers, before moving to put it behind your ear–

Seungmin’s hands shoot out, fingers clasping around yours for a brief moment, and a shiver runs through you, despite the fact that it was sunny outside with not a cloud in sight.

“I had an idea, actually, well it’s not my idea, Jeongin brought it up..”

For however composed the two of you were on air, you turned into awkward rambling messes when the mics were off. It had always been like that though. You’d been hosting the show with Seungmin for the better part of a year and you still didn’t know why you felt shy around him, or why you’d barely progressed beyond simple acquaintances.

“There’s this girl that uh, he, yeah he wants to impress, so he was asking if our next segment could maybe have something to do with dating advice.” 

“That is sooo much better than the segment on recycling tips I was planning,” you nudge him, oblivious to the way his ears turn red.

“Oooh but what if we make it spicy you know? Like approach relationships from a different angle?”

“What angle?” Seungmin rubs at the back of his neck. “As far as I know, neither of us are in a relationship. I mean, right?”

“Right but no one else has to know that! What if we pretend that we’re exes, who broke up? Hindsight is always 20/20, people will eat that up!”

“I thought I was supposed to be the menace here,” Seungmin’s tone is deadpan but his eyes sparkle with mischief.

“What can I say, you’re rubbing off on me Min,” you giggle. “So, what do you say we put your charm to good use?”

“You think I’m charming ___?” 

You miss the excitement in his tone, writing it off as enthusiasm for the whole absurdity of this plan.

“Who knows, Min! Maybe we’ll even find people! This is so exciting!”

Seungmin pauses briefly, a choked sound escaping his mouth, but you think you imagine it, watching him straighten and nod.

Laughter fills the studio as you bicker back and forth about what to include and how the next week would go. It was a risk, but you hoped it would pay off — both on the airwaves and maybe even for your stagnant love life. The possibilities were endless.

“Hello, and welcome to Tune in For Love! We are your hosts, ___ and Seungmin, and for the next week we’ll be tackling all your relationship questions and concerns!”

Your voice booms into the mic, echoing throughout the tiny studio, and you take a moment to mute yourself, heart pounding in your ears. Butterflies had begun to bubble up in your chest – you were really doing this.

“You ready for this?” Seungmin’s voice knocks you out of your daze, and you look over to see his lips twist into a lazy smile, running his fingers through his hair.

Fuck. Why did that make your stomach flip-flop?

You give him a shaky nod. It was probably just the rush of trying something new, so different from what you were used to. The simultaneous thrill and terror of dipping your toes into uncharted waters. 

Seungmin unmutes the mic, his softer, more melodious voice reverberating into the windscreen. He’d make a great singer, you think. Maybe for your next segment you could convince him to croon on air.

“We’re your resident experts on dating, whether it's still in the early stages of puppy love, the cool cruising of the honeymoon phase, or the bitter sting of love gone wrong. We have all your answers, right here, right now on The Sound FM!”

“Trust me, we’ve had experience with all of those,” you chuckle.

The story just falls off your tongue – a tumultuous end to a relationship that had never existed, one full of angst and heartbreak that even the finest writer couldn’t think of. Seungmin interrupts you spontaneously to respond to your dramatic anecdotes with dry quips of his, and you can’t believe it — you actually sound like a couple. A real couple.

“How was I supposed to know you were allergic to garlic? You let me take you to an Italian restaurant on the first date!”

“As my boyfriend, you should have asked my best friend about my allergies! That’s like standard dating protocol,” you shoot back, making sure to smile so that Seungmin knows you’re not serious.

“Noted, I’ll keep that in mind for the next relationship,” Seungmin grunts, the air becoming thick with a tension you can’t pinpoint.

Clearing your throat, your fingers hover over the buttons of the soundboard.

“How about we take some listener calls instead?”

The line crackles to life, a caller named Ningning groaning about how her girlfriend forget their anniversary and didn’t even apologize.

“It’s an honest mistake,” Seungmin mutters. 

“I don’t think so,” you counter, chewing your lip. “It’s important to be considerate of special moments like anniversaries, birthdays. It means you care. I mean Seungmin probably doesn’t even remember mine–”

“October 17th,” he interrupts you, and you go rigid. How did he even know?

I asked Jeongin, he mouths, and it only leaves you more confused. Why would he need to know that? It leaves you more embarrassed that you don’t know his exact day, only that it was sometime in September.  

Ningning rambles on, thanking you both for the added perspective and resolving to make things right with her girlfriend. You feel your heart warm at her determination, amazed at the effect that you and Seungmin had already managed to have on your listeners. 

Seungmin closes out the show, the easygoing and carefree chords of Polaroid Love ringing into the mic, and you think to yourself, maybe this wouldn’t be so bad after all. 

As the sun sets, campus comes alive, buzzing with excitement. You glance out the window, watching students filter out of the library, walking towards the commons for a cup of coffee, or hugging outside their dorms. A deep pang of longing hits your gut, not sure whether its from watching them outside or the fact that you’re cramped here in the tiny studio, band posters all over the walls, and Seungmin is playing Love You For A Long Time, Maggie Rogers’ ethereal voice filling the space between you. 

“Had to ease you into our next listener call,” Seungmin grins into the mic. “This one is – ouch. It might hit home for some of us, I mean you all.”

“Hi, ___ and Seungmin? I’m Joshua, a senior. I’m calling because I have a dilemma – my best friend Seungcheol just started dating my ex, and I’m not sure how to feel. On one hand I wanna be happy for them, but on the other hand, I’m a mess. What would you do if you found out one of you was dating someone else?”

“Oh.” Seungmin breathes out, and he remains there, lips parted like he’s frozen. An awkward silence falls over the studio, and you’re sure Joshua is blinking on the other end of the line, wondering what the hell just happened.

“I’m not sure,” you shudder, thinking of the hypothetical situation. But it wasn’t so hypothetical. You and Seungmin were free to date people. There was nothing stopping you. But it still felt wrong somehow.

“I would give yourself some space, Joshua. Take time to confront your own feelings about this, and when you’re ready you can decide what to do. Let yourself heal first.”

“That’s a good answer,” Seungmin whispers, and you panic, muttering out a rushed goodbye before cutting the broadcast.

“Wow,” you sigh. “That was, I–, I guess I didn’t think of that when I suggested this.”

“Think of what?” Seungmin’s eyes glimmer with interest, and he leans in closer.

“How shit would get so deep? Like how would I actually react if that happened to me? I don’t even want to think about it.”

“Sometimes this feels almost like we’re not pretending,” Seungmin murmurs, a strained laugh escaping his throat, a mask for the change in his tone. 

You’re not sure what you want to say, but it feels like you should say something. The moment hangs heavy in between you two, and you don’t remember how Seungmin got so close, brushing his thumb against your cheek.

“Seungmin, I–” 

“You had a piece of hair in your face,” he responds, straightening up to stretch his arms. “It’s late, want me to grab you an americano?”

Shaking your head, you manage to muster up a weak response, telling him to go ahead without you. He nods slightly, before throwing his jacket on and slipping out the door, leaving you alone.

An unsettling dilemma dawns on you – this was supposed to be an act, but why did it feel so real?

“You know,” Jeongin’s loud chewing echoes in the dining hall, Seungmin bristling as he watches his friend stuff five french fries into his mouth at once. “I should revoke your roommate privileges for this stunt you pulled. I thought you were grumpy before, but breaking up with ____ has taken it to a whole new level.”

Seungmin scowls, cursing under his breath at Jeongin. Yanking his headphones out of his ears, the lamenting tune of These Days by Wallows cuts off abruptly. 

Outside the rain patters, echoing his stormy emotions. Over the course of the past week, his mood had felt like he was on the world’s most nausea-inducing roller coaster ride. The highs were the times he got to spend with you in the studio, cracking jokes and watching your eyes shine as the two of you came up with the next devious plot for the show. The lows were the knot in his stomach every time someone would call in with a question that hit a little too hard.

After this week, he was glad the show would end, and maybe you guys could go back to the way things were before. That easy, comfortable dynamic that always existed between you two.

“Bullshit,” Jeongin sees the way his eyes zone out, like he can read Seungmin’s mind. “I know you, and I know what you’re thinking and it’s absolute bullshit. You’re in too deep, hyung.”

“I’ll fucking punch you,” Seungmin hisses. “What the hell am I supposed to do, huh? Just spill to ___ that this isn’t some game for me? That my feelings are real? Is that what you wanted to hear?”

“Hyung–”

A gasp echoes from behind him, and Seungmin turns to see you behind him. Your lip trembles, and you lock eyes with him, a tear escaping the corner before you’re turning on your heels, running out of the dining hall. 

Seungmin stands there, frozen with the weight of what he’d just confessed, heart sinking to his shoes. All of a sudden, he feels a sharp jab to his arm, Jeongin’s fist colliding with it.

“What are you waiting for? Run!”

The rain pelts the back of Seungmin’s neck as he runs, indifferent to the fact that he’s probably soaked to the bone, slipping and sliding along the cobblestone. He can make out your figure storming ahead furiously, like you can’t get away fast enough, and he speeds up, panic in his voice.

“___, wait! Please stop.”

His voice turns hoarse from all the yelling, and he’s about to give up, turn back in defeat (and go sock Jeongin cry into his friend’s shoulder), when you stop under a streetlight, your figure slumping. 

Seungmin is by your side in moments, not caring that he takes your hands in his, blowing on them to give you warmth.

“Y-you d-don’t even h-have an umbrella, w-what were y-you thinking?” he chatters, and he watches your lips turn up in a smile. But your eyes remain downcast.

“What about you?” you whisper, and Seungmin cocks his head, looking at you in confusion.

“I left my jacket in the dining hall with Jeongin—”

“No Seungmin, I mean what about you?” your voice croaks desperately. 

Seungmin takes a deep breath. There was no use in pretending anymore.

“I think I’m in love with you and I don’t know what to do,” he chokes out.

You take his hands in yours and Seungmin feels dizzy. The cold rain no longer bothers him, warmth filling his veins from the inside out.

“You think?” you sniffle.

“I know. I know I’ve been in love with you, since the day you walked into the studio and pitched your ideas for five-star dorm meals.”

“I really like your hands,” you blurt out, and Seungmin’s eyes widen in shock. That was not the response you’d been expecting.

“They’re warm when mine are always cold, I like the way they look when they’re holding a pencil, or when you bring me a cup of coffee. I like your voice too – the way you sing along to Day6 when you think no one is listening, or your annoying little laugh–”

“It is not annoying–”

You press a finger to his lips, and Seungmin thinks he might just evaporate. 

“Not now, Min. I’m trying to say something here. What I’m trying to say is that if there’s anything this whole week has taught me, it’s how much I like you. How much I want to have those crappy problems that everyone complains about with you, how much I want to celebrate birthdays with you, and anniversaries with you, and how I think I might collapse inside if I ever saw you with someone else—”

It’s Seungmin’s turn to interrupt you now,  cold lips colliding with yours, the initial shock replaced with heat. Your hands burrow into his hair and he draws you closer, hands weaving around your waist. The startled, frantic sounds of your breathing did nothing to help the pounding of his heart, and he wonders if you can hear it too. 

In this moment, Seungmin never wants to let go, holding you steady against him even when you part, your breath fanning in the cold air. 

“I just, I, needed to be honest. No more pretending.”

“No more pretending,” he smiles against your lips, nudging his nose against yours.

The wet slap of shoes against the pavement interrupts you both, turning to see the Jeongin behind you, Seungmin’s jacket in his arms. He takes in the sight of you two wrapped around each other, a smug grin lighting up his entire face.

“Hell yeah! It worked!”

“___ and Seungmin signing off, this is Tune in For Love on The Sound FM, and we’ve loved having you this week!”

The air in the studio buzzes with a different kind of excitement – the dreamy notes of Hypnotized by The Weston Estate filling up the room.

“Before we go, we have something to share with you–” your voice wobbles, and Seungmin reaches out immediately, squeezing your hand.

“Please send your email petitions in so our show doesn’t get canceled, but we’ve been faking it this whole time. We’re not actually exes.”

You can almost hear the collective gasp across campus, the soundboard going crazy as it lights up with calls.

“We are, as of yesterday, the happiest, and newest–, couple on campus,” Seungmin beams, his pride echoing through the mic and your heart lurches at how right it feels to be his.

You hit the answer button, the lines flooding with congratulations and well-wishes to the news.

“Congrats!” Ningning’s voice echoes. “I always thought you were the cutest together.”

“You make me want to find someone of my own now,” Joshua says in the background, and the studio fills with you and Seungmin’s laughter.

When the last call goes through, Jeongin gives you both a thumbs up, shutting off the soundboard. 

You turn to Seungmin, heart racing. 

“I can’t believe we actually did this,” he says,  half-laughing.

“Me neither,” you reply, a soft smile on his lips. “But I’m really glad we did. It feels… right, you know?”

“Thanks for being part of this with us,” he echoes through the airwaves, his voice sincere. “We’re excited to see what’s next—together. And while the show may be over, we hope you’ll still tune in for love every single week — no matter the topic.”

“Next – how to cook a five star meal worthy of any restaurant using just your dorm microwave…”

a/n pt. 2: As always, any feedback or comments are much appreciated, but I appreciate you all anyway. Lots of love, Isi 💜

[aziraphales-library]

this is going to sound slightly stupid i’m begging you to bear with me

you know those fanfics from like 2013, the rpf’s that (usually) were about musicians like harry styles or brenden urie?

they’d go something along the lines of, ‘not-like-other-girls’ sitting in the crowd of a concert her friend dragged her out to, but she just doesn’t care about the music it’s so not her thing so she reads a book during the concert (cue the groans). then the lead singer sees her and is totally taken by her uniqueness and calls her out from the stage or asks to see her after the show yada yada.

anyway, i saw some fan art of rockstar!crowley and normie!aziraphale, and i thought it’d be fun to see if there’s anything similar to those kinds of rpf’s but instead for crowley and aziraphale!

We have a #famous crowley tag you can check out. Here are some fics in which Crowley is famous and Aziraphale is not...

A rockstar's love by The_boxhead (G)

Crowley had a lot of problems finding someone to have a relationship with as the famous rockstar that he is. But that day when he entered that coffee shop and saw that blond haired man behind the counter, he didn’t want more than to get to know that beautiful angel with that cute smile.

Star Crossed by AppleSeeds (T)

When Crowley, the lead singer of wildly successful rock band The Sixth Circle, agrees to take part in a radio show discussion feature, the last thing he expects is to come away from it completely smitten with a man who must be the world's most adorable magician. Crowley's uncharacteristic behaviour towards Aziraphale during the show doesn't go unnoticed by the listeners, with speculation soon running rife online. Only one thing for it - Crowley just needs to engineer an opportunity to see Aziraphale again. All in the name of generating publicity, of course.

Never Too Late by AppleSeeds (T)

It's been thirty-five years since the height of Aziraphale's enormous crush on rockstar Anthony Crowley, but when he sees that Anthony is still performing, Aziraphale feels he owes it to his younger self not to pass up the opportunity to finally hear him sing live. The last thing he expects is for Anthony to actually approach him once the concert is over, extending an invitation that surpasses every fantasy Aziraphale harboured about him as a young man and resulting in the most memorable night of his life.

The Only One I Still Know How to See by Furuba_Fangirl (E)

Aziraphale has been an admirer of Anthony J. Crowley for years. However, the gap between audience member and stage actor begins to thin when they are given the chance to officially meet.

Soho by Lurlur (E)

Aziraphale lives a quiet kind of life, running a quiet specialist bookshop in one of the liveliest districts of London. He's content with his lot, happy with his friends, tolerant of his probably-human housemate, living vicariously through the gossip pages. One day, a chance encounter with Anthony Crowley, lead singer of wildly successful rock band The Demons, threatens to turn his whole world upside down.

Find the Light by klikandtuna (E)

I saw a collection of gifs on tumblr combining David Tennant as a rock star and Michael Sheen as a school headmaster (see the notes of Chapter 1 for a link to the post!) and someone said that it ought to be a fic, sooooo I've made it a fic. Here's a heapin' helping of rock-star Crowley and headmaster Aziraphale! Now with shiny new cover art, also by me!

Win a Date With Anthony J. Crowley! by Caedmon (E)

Crowley is a world-famous rock star who sells out arenas. His name is synonymous with 'rock-n-roll', and he thrives on the spotlight. When he agrees to raffle off a date with himself for charity, he's expecting to meet an overzealous fan that wants to wear his skin and very well might try to roofie him. What he's not expecting is to be instantly attracted to the quiet man with the unusual name who shows up for the date at the Ritz... and he's certainly not expecting for Aziraphale to have no clue who he is...

- Mod D

[cotton-could]

The importance of Leorio

Leorio has been a character who was often dismissed, mocked and minimized for not having flashy abilities like everybody else, which is why he was often seen as not important but this is far from the truth. Leorio does bring something very crucial to the table and those are his kindness and honesty. Let me break it down:

1) He's the heart of the time and the main reason why it hasn't fallen apart

⭐️; Almost everybody says Gon is the one that brings everybody together and while there's some truth in it, it's actually Leorio who does it. Notice how the moment they part ways, Kurapika slowly falls into darkness and acts way more aloof than before. He doesn't crack jokes as often as before, doesn't trust anybody and is always serious. Hence, he spent the whole Chairman arc ignoring everybody until Leorio asked help to bring his ass outside and surprisingly, Kurapika is thankful of it.

He knows Leorio is an important source to him and to many people, and it can be seen with Gon and Killua. Overtime, Gon is more likely to act selfish and distant to everybody, not caring if his actions would have terrible consequences while Killua has to fulfill the role of the responsable one, he doesn't get to be a kid and it's taking a toll on both of them (which almost ruined their friendship) but the moment they're around Leorio, they're more relaxed and get to act like kids without worrying about fights. And he's also the main reason why Gon and Killua became friends, and Kurapika joined the group, all because of a dumb argument they had lol.

. • °⛓✧༺ ༻*ੈ✩‧₊˚⛓. • °⛓✧༺ ༻*ੈ✩‧₊˚⛓

2) He brings the best in his friends

⭐️; Something I've noticed is that Gon and Kurapika's moods and morals were at their best in the Hunter Exam, where they've been teaming up with Leorio. See, neither Gon and Kurapika have a reason to keep helping him, in fact, at worst he slow them down as he almost cost them a challenge but they still stick by his side even when they have the option to abandon him.

The fact they're willing to put themselves in danger for him really shows that Leorio did manage to bring their more selfless side by just being his over-the-top self and being unintentionally funny to which I'm sure they find it very endearing and make them want to help him, especially after hearing his real reason to be a hunter. Another important point is Gon waiting for him to catch his breath instead of running like Killua suggested, the normally selfish Gon would listen to Killua as Leorio didn't offered him much but once again, it made Gon's kinder side come to shine.

. • °⛓✧༺ ༻*ੈ✩‧₊˚⛓. • °⛓✧༺ ༻*ੈ✩‧₊˚⛓

3) He's the wake up call Killua needed

⭐️; An important aspect of his character that many people overlook is that he was the key for Killua's development, just as Illumi was manipulating Killua, he stepped in and said the wake up call Killua needed: "You're Gon's friend", it briefly snapped him out of it and made Killugon's bond even stronger.

. • °⛓✧༺ ༻*ੈ✩‧₊˚⛓. • °⛓✧༺ ༻*ੈ✩‧₊˚⛓

4) His kindness, honesty and bravery are his greatest weapons

⭐️; Leorio isn't the strongest member of his team nor has impressive nen abilities but one thing we can't deny is how his qualities (indirectly and unintentionally) earned him the love of his (powerful) friends and allies, the respect of veteran and legendaries hunters and the attention of Hisoka. You see, at first I found it odd how many characters started to like/respect Leorio even when they mostly saw his abrasive side but now after re-reading it, it all make sense; he shows the values a hunter must have and the values people needed to see. How so? Well, Gon and Kurapika are people who value honesty and loath people who goes against what's right for them; shallowness and dishonesty. And both of them sensed good vibes in Leorio and saw his kindness in action when he didn't realized it. Leorio used a jerkass façade in his introduction but it was quickly broken when he tried to save a guy who was about to fall in the water and quickly grabbed Gon's leg. This moment was what made Gon and Kurapika realize he's actually a selfless young man and it won't be the last time they'll see his kind actions. When he took care of the examiner, the guy said he was treated with great compassion by Leorio (who was embarrassed by the reveal) and was the reason why he passed the exam, of course neither Gon nor Kurapika are impressed by the reveal because they already know he's a softie. Kindness is an important key to be a great and respected hunter, because kindness is what keeps the world spinning.

Later in the Hunter Exam, Kurapika confronts Leorio about his jerkass façade and why he really wants to be a hunter. Even when Leorio acts like a shallow man, Kurapika no longer buys it because he knows he's actually a humble man with good intentions so when Leorio tells him the truth, he's satisfied with it and grows closer to him because Leorio is what Kurapika really admires in someone (but that doesn't stop him to sass him).

Killua also took note of Leorio's character. After he saw Killua kill a man, he was understandably scared of him but he doesn't treat him like a monster. He continues to treat him like a kid and still act abrasive to him, just like to everybody else. This continues to be like this for the rest of the serie, he acts like the adult Killua needed and he defended him from Illumi, without caring he might get killed by him. This genuinely touches Killua a lot, to the point he considers him his friend and threatened Milluki to not hurt Gon, Leorio and Kurapika. What Killua valued the most about Leorio were his kindness, bravery and honesty. Even when he knew Killua is an assassin, he doesn't act like a doormat to stay on his good side nor act two-faced around him, he's still his loud but tender self around him too which (secretly) earn Killua's genuine respect and care.

About the hunters, this one is actually the funniest yet the most impressive one because all Leorio did was punching Ging and awkwardly admit what he has been doing but still tell them he wants to see Gon healthy again and this hilariously earned the respect of legendaries and famous hunters, beating veterans like Bisky, Linne, Ging, and so on. Leorio doesn't realize they respect him for being shamelessly honest and not caring about getting in trouble if it meant his friends are alright. He got all the qualities Ging doen't have and it's his tenderness towards Gon, his dedication to his loved ones and goals, his kindness, his care for other people, etc...

Now Hisoka... We all know he's interested in power but Leorio doesn't even have a strong power and he isn't interested in getting stronger because he wants to be a doctor. So why would a guy like Hisoka be interested in a normal dude like Leorio? Well, when Hisoka was testing the characters, Leorio passed but why? He passed because of his bravery, he and Leorio knew he had 0 chances in beating the clown but he put his own life at risk to bring some justice and this trait was what Hisoka admired in him and decided to spare him when it would make more sense to kill him. Leorio, unknowingly shows a trait Hisoka respects the most and this was best seen when Hisoka killed some of the spider members to spite Chrollo as a punishment to be a "coward" (using the crowd to fight him instead of fighting himself). Leorio has never used someone else to fight for him or to hide behind them as a shield and it's very remarkable for a guy like him. And it's not the first time he caught a villain's attention, Illumi took note of him aswell and it was once again for his bravery. It surprised him how Leorio wasn't scared of him at all.

In the end, his friends ended up paying Leorio's kindness back to him. Gon with continuing to help him in the Hunter Exam, saving his life and caring for him. Kurapika with helping him in the badge challenge (when he had nothing to gain in exchange), looking after him and being more open to him (allowing himself to let his guard down and be his sassy but kind and playful self around Leorio and the kids). Killua with killing Leorio's opponent (Killua could've killed anybody else but HE choose Leorio's opponent of all people wich I firmly believe he wanted to help Leorio back), being a trusted ally to him and caring for him.

. • °⛓✧༺ ༻*ੈ✩‧₊˚⛓. • °⛓✧༺ ༻*ੈ✩‧₊˚⛓

5) He's the greatest ally you could ask for

⭐️; Leorio compensate his lack of combat skill by being a trustworthy ally who will always be there for his friends, he lend an ear to listen and give advices, put his life on the line to give them time and/or to fool his enemies, look after them, reach out to them, and so on. His presence is enough to make Gon, Killua and Kurapika safe and more relaxed. When he pretends to be an angry boss, you can tell Killua and Gon were very happy to see him and know they can always count on him when they need it. This gets better when Killua calls Leorio in the Election Arc, because he knows Leorio will always have his back in case Gon isn't available.

. • °⛓✧༺ ༻*ੈ✩‧₊˚⛓. • °⛓✧༺ ༻*ੈ✩‧₊˚⛓

6) He's a great friend

⭐️; He's the friend Gon, Killua and Kurapika needed. He manages to be a good balance for everybody.

🎣; With Gon, he's the (older) male figure Gon needed in his life, he cares for him and is very protective of him, he guides him in areas Gon can't handle it (such as making money or having businessman skills) but still act like a fun brotherly figure who gets into silly arguments with him in the Hunter Exam but when things get serious, he drops everything and makes sure Gon will be safe or get what Gon needs (seeing his father). He's a reliable resource Gon can be safe with because he's the only man who he got to see more often while he rarely saw Kite and Ging was barely around his life.

🛹; With Killua, well, he's everything Illumi failed to be; caring, understanding, protective (in a genuine and healthy way), honest, selfless and so on. Despite not interacting much, Leorio and Killua has a lot in common (I'll talk about it in another blog) and Leorio is the second person who Killua clicked with the most and after getting to know Leorio more, Killua finally gets to act like a kid without being punished but also asks Leorio for help/advices when he sees he can't do it alone and knows Leorio is a softie who will always be there for him when he'll need it. It speaks volume how much Killua trusts in him when Killua always come for him when he's in a problem he can't do it by himself. (Their friendship are so underrated 😔)

⛓️; With Kurapika they both get to open up with each other and reveal private parts of their backstory. After confirming Leorio is a good guy, Kurapika started to joke around more often and appreciates his precense even more, in YorkNew, Kurapika slowly became more aloof until he saw his friends again and opened up to them again. Leopika still look after each other in spite of Kurapika's change with Leorio's moments of maturity and his compassion are what keeps Kurapika on line. Even after Kurapika has been ignoring Leorio's calls, he still deeply cares for him and will forever be thankful of his kindness.

. • °⛓✧༺ ༻*ੈ✩‧₊˚⛓. • °⛓✧༺ ༻*ੈ✩‧₊˚⛓

TLTR: Leorio is epic whether you like it or not.

[darlingofdots]

What is a romance novel, really?

So far, the response to this post has mostly shown me that a lot of people don't actually know what a romance novel is, and that's okay! I don't expect everyone to know! However, for my own peace of mind, I am going to do my best to explain what we mean when we talk about romance novels, where the genre comes from, and why you should not dismiss the pastel cartoon covers that are taking over the display tables at your nearest chain bookshop. Two disclaimers up front: I've been reading romance novels since I was a teenager, and have dedicated the majority of my academic career to them. I'm currently working on my PhD and have presented/published several papers about the genre; I know what I'm talking about! Secondly, all genres are fake. They're made up. But we use these terms and definitions in order to describe what we see and that's a very important part of science, including literary studies!

The most widely used definition of "romance novel" to this day is from Pamela Regis' 2003 A Natural History of the Romance Novel, in which she states that "A romance novel is a work of prose fiction that tells the story of the courtship and betrothal of one or more [protagonists]."* People also refer to the Romance Writers of America's "a central love story and an emotionally satisfying and optimistic ending" and another term you will see a lot is "Happily Ever After/Happy For Now," which posits that the protagonists must be in a committed and happy relationship at the end of the novel in order to count as a romance novel. That's it. That's what a romance novel is.

Of course it's a bit more complex than that; Regis also posited the Eight Essential Elements which describe the progression of the love plot over the course of the book, and there's a similar breakdown from Gwen Hayes in Romancing the Beat that is intended more as writing advice, but both of these are really useful for breaking down how this narrative structure works. My personal favourite part of the Eight Elements is that the romance opens with a definition of the society in which the protagonists exist, which is flawed in a way that oppresses them, and then the protagonists either overcome or fix it in a way that enables them to achieve their HEA. A lot of social commentary can happen this way!

It can also be a bit difficult to pin down what exactly counts as a "central love story" because who decides? A lot of stories have romance arcs in them, including dudebro action movies and noir mystery novels, but you would never argue that the romance is the central plot. A lot of romance novels have external plots like solving a mystery or saving the bakery. A useful question to ask in this case is whether the external plot exists for its own sake or to facilitate the romance: when Lydia runs off with Wickham in Pride & Prejudice, it's so that Lizzie can find out how much Darcy contributed to saving her family from scandal and realise her own feelings for him. The alien abduction in Ice Planet Barbarians happens specifically so the abducted human women can meet and fall in love with the hunky aliens. There are definitely grey areas here! Romance scholars argue about this all the time!

I have a suspicion that a lot of people who responded to the post I linked above are not actually romance readers, which is fine, but it really shows the lack of understanding of what a romance novel is. I have a secondary suspicion that the way we have been talking about books has contributed to this miscategorisation in a lot of people's minds, because especially with queer books we will often specifically point out that this fantasy book is f/f! This dystopian novel has a gay love story! This puts an emphasis on the romance elements that are present in a book when a lot of the time, the romance arc is just flavouring for the adventure/uprising/heist and we are pointing it out only because its queerness makes it stand out against other non-queer titles. It makes sense why we do this, but there is SUCH a difference between "a sci-fi book with an f/f romance arc" and "an f/f sci-fi romance." I could talk for hours about how the romance genre has evolved alongside and often in the same way as fanfiction and how there are codes and tropes that come up again and again that are immediately recognisable to romance readers, even down to phrases and cover design, and how romance is an incredibly versatile and diverse genre that functions in a very specific way because of that evolutionary process. The same way that dedicated fantasy readers can trace the genealogy of a given text's influences ("this writer definitely plays a lot of DnD which has its roots in the popularity of Tolkien, but they're deliberately subverting these tropes to critique the gender essentialism"), romance readers are often very aware of the building blocks and components of their books. These building blocks (that's what tropes are, lego pieces you put together to create a story!) often show up in other genres as well, especially as part of romantic arcs, but that doesn't make every book that features Only One Bed a romance novel, you know?

Romance is an incredibly versatile and diverse genre and I really highly recommend exploring it for yourself if you haven't. I personally read mostly Regency/Victorian historicals and I've been branching out into specifically f/f contemporaries, and there are so many authors who are using the romance framework to tell beautiful, hard-hitting stories about love and family while grappling with issues of discrimination, disability, mental health, capitalism, you name it. The genre has a very specific image in a lot of people's minds which makes them resistant to it and it's not entirely unjustified, but there is so much more to it than Bridgerton and repackaged Star Wars fanfiction!**

*the original text said "heroines" but Regis later revised this. There is a very good reason for the focus on the heroine in the first couple waves of romance scholarship, but that's a different post!

**neither of these are a bad thing and part of that genealogy that I mentioned earlier.

[autistichalsin]

My chapter-by chapter analysis of The Hunger Games, chapter 1

Disclaimer: this and all future chapter analyses will contain spoilers for all the books.

What really strikes me about this chapter is what a masterpiece it is; a masterpiece of foreshadowing, establishing moments of characterization, worldbuilding and more, all without ever feeling like we're actually getting infodumped on. This is accomplished with Katniss's stream-of-consciousness storytelling. I've heard it criticized so much, but even aside from the very salient point that it fits her characterization as an emotionally stunted, traumatized, poorly-educated teenage girl, it still helps the story in moments like this. We feel Katniss's inner chaos, and it makes the story that much more immersive.

On to the spoilery part of the analysis:

When I wake up, the other side of the bed is cold. My fingers stretch out, seeking Prim’s warmth but finding only the rough canvas cover of the mattress.

There was a post, a while ago, that I can't find but wish I could. In it, the OP talks about how Prim is literally doomed by the narrative, not "heavily foreshadowed death," but literally doomed by the narrative, and this paragraph is the first sign, because Katniss reaches for Prim and feels emptiness instead. And re-reading this, I agree. The first thing we see Katniss do is reach for Prim, and find nothing. This time, it's temporary, but by the end of the series, it won't be. We've been warned, even if we don't realize it yet: Prim is doomed.

Scrawny kitten, belly swollen with worms, crawling with fleas. The last thing I needed was another mouth to feed. But Prim begged so hard, cried even, I had to let him stay. It turned out okay. My mother got rid of the vermin and he’s a born mouser. Even catches the occasional rat. Sometimes, when I clean a kill, I feed Buttercup the entrails. He has stopped hissing at me.

Katniss loves her sister and will do literally anything for her. Katniss also has no moral qualms about drowning kittens. With just one paragraph, we learn what a simultaneously harshly practical yet beautifully caring, loving person Katniss is. She has no room in her life for useless things like pets, and drowning strays probably helps the people of 12 in the long run by leaving vermin to be eaten by those on the verge of starvation. But her sister wants to keep Buttercup, and so she will. Katniss will sacrifice anything to keep Prim happy.

Foreshadowing. Prim is doomed.

Entrails. No hissing. This is the closest we will ever come to love.

STILL more foreshadowing, for different themes: both for one of Katniss's biggest complexes (I'll get into details about this later) and for the theme of love. Katniss doesn't truly love anyone but Prim. Her entire world, we know, is going to be shaken when she does finally feel that for someone else again. Once again, we are being introduced to the recurring themes of love vs practicality and the classic question, "how much pain is love worth?"

Katniss is going to answer this question again and again: for Prim, there is no amount of suffering too great. For others... she'll find different answers. Eventually.

My father knew and he taught me some before he was blown to bits in a mine explosion. There was nothing even to bury. I was eleven then. Five years later, I still wake up screaming for him to run.

The first hints of Katniss as a deeply traumatized girl emerge. Sometimes, when you're traumatized enough, thoughts can segue into The Event with no warning, just by proximity. And through the combination of blunted language and stream-of-consciousness leaps, we can see just how broken this has left Katniss. Unfortunately, this is only the start of Events for her.

My father could have made good money selling them, but if the officials found out he would have been publicly executed for inciting a rebellion. Most of the Peacekeepers turn a blind eye to the few of us who hunt because they’re as hungry for fresh meat as anybody is. In fact, they’re among our best customers.

A brilliant bit of worldbuilding. The Peacekeepers are working off of deeply corrupt laws, which they ignore because they too are being mistreated and systematically starved, even if they aren't as at risk as the people of 12. The system doesn't care about the very same people it safeguards to enforce its rules. This is the first hint we get that the system isn't sustainable, and it comes before we even fully understand what kind of hell this government is.

The theme of "bread and circuses" is going to be hammered down to us again and again that this is how tyrannical governments, including this one, pacify the masses. But when only the bourgeoisie are being given the bread and circuses, well.... the proletariat aren't going to take it forever.

The book hasn't shown itself to be the anti-capitalist masterpiece it is yet, but this is the first hint that we're reading a tale of class warfare.

“District Twelve. Where you can starve to death in safety,” I mutter. Then I glance quickly over my shoulder. Even here, even in the middle of nowhere, you worry someone might overhear you.

I have seen criticisms that this is an egregious case of showing and not telling, with Katniss constantly talking about the dangers of badmouthing the government while never facing them. But in truth, it's the opposite. Yes, Katniss hasn't been caught despite repeated statements that she could have, but we'll learn, here and in future chapters, that 12 has been receiving a sort of tradeoff with other districts; their more severe poverty places them below notice. No one thinks them capable of causing real trouble, and even their district specialty- coal- is later proven to be basically useless, busy-work. So they get ignored... for now. Until the oligarchs start seeing what the proletariat can actually do and crack down all the harder to ensure they keep their cheap labor.

Are you seeing the resonance with the real world yet?

Even at home, where I am less pleasant, I avoid discussing tricky topics. Like the reaping, or food shortages, or the Hunger Games. Prim might begin to repeat my words and then where would we be?

Here we see the dual themes of parentification and sacrifice. Katniss will be the adult, even though she ISN'T an adult, for her sister. She will keep quiet on things that hurt her, and upset her, to set a better example for her sister and keep her from getting hurt. Prim gets to have the normal and safe childhood Katniss never had, because Katniss has invested everything into ensuring she does.

We are taking a step up the ladder of self-sacrificial acts, here. In other words: more foreshadowing. Katniss will give everything for Prim. Prim is going to die, because Katniss is going to lose everything she cared about in the process of protecting everything she cared about.

In the woods waits the only person with whom I can be myself.

Katniss can't be a teenage girl. She has to be Prim's mom. She has to be tough. She has to be a provider. She has to be a trader. An advocate. She so rarely complains about it, too. But it shows here just how much she's given up. Only one place, and one person she can be herself with, and yet...

Gale.

Isn't this ironic. Because we are about to see, throughout the entire series, that this day is going to be the last time Gale actually lets Katniss be herself (and even here, there are strong hints that Gale wants Katniss to be something very different).*

*Disclaimer, because it seems important: my opinion on the Katniss/Gale vs Katniss/Peeta ship war is "team nobody." I think both of them were very bad for her in different ways. Any comment I make that seems like it is favoring one ship or the other... isn't.

“Hey, Catnip,” says Gale. My real name is Katniss, but when I first told him, I had barely whispered it. So he thought I’d said Catnip. Then when this crazy lynx started following me around the woods looking for handouts, it became his official nickname for me.

Maybe I'm overanalyzing, but I feel like this sums up the Katniss/Gale relationship so much. Katniss tries to speak, and Gale doesn't hear or understand her. Gale projects something onto her, and Katniss rolls with it. Sure, in this case it's a cute nickname, but it represents so much more to me.

Gale doesn't understand Katniss. Fundamentally. He understands the Katniss he wants to exist. The one who will run off with him and play house in the woods and indulge his little fantasies. He doesn't know very much about the real Katniss, at least as long as he's looking at her through a romantic lens.

“Look what I shot.” Gale holds up a loaf of bread with an arrow stuck in it, and I laugh.

Despite what I just said, I do love Gale and Katniss's friendship, and it breaks my heart that their friendship was as doomed as Prim. (Hint. Hint.) Katniss needed someone who understood the unique pain of parentification due not to abuse, but poverty- the kind where you aren't 'allowed' to feel angry at anyone within reach. Which is the worst kind of injustice. Getting mad at someone who harmed you is one thing, but getting mad at a system you can never (... yet) hope to change is different.

She must have really loved him to leave her home for the Seam.

It's said in a casual and sort of admiring way here. But Katniss is going to learn firsthand about the intersection between love and sacrifice. With the generational mirroring as a theme, especially between Katniss and Peeta, we're being given more foreshadowing that Katniss has self-sacrifice "in the blood."

I try to remember that when all I can see is the woman who sat by, blank and unreachable, while her children turned to skin and bones. I try to forgive her for my father’s sake. But to be honest, I’m not the forgiving type.

Another little glimpse into Katniss's pain and trauma. Her mom wasn't there when Katniss needed her most, and Katniss and Prim both almost died as a result. It wasn't her fault, and we see later that she regrets it deeply, but this still leaves scars. Your parents, above everyone else, are supposed to protect you. Katniss's mom didn't, Katniss nearly died, and because of that, Katniss had to sacrifice what remained of her childhood to become Prim's mom.

Katniss and Prim's relationship never goes back to just normal sisterhood after this. From the moment Mrs. Everdeen's trauma rendered her catatonic onwards, Katniss and Prim's relationship was infused with a mother-child dynamic that never left, not even when Mrs. Everdeen became well again.

It's so painful, all the more so because it's so real. I lived this with my little brother, albeit with stakes maybe 1% this high, when my mom became an alcoholic and my dad was too busy just trying to survive to really do anything. I was the one to take care of him emotionally, to show someone cared, to provoke my mom's anger so he wouldn't be hit, to make sure homework got done and he didn't skip school (I failed. Badly.) He still considers me more his parent than either of our parents. It never really goes away, even when you're both adults; that overdeveloped feeling of responsibility stays with you. Always.

And the worst part of it is when the parent who made you have to do this decides, on their own, that the time is right for them to come back. Katniss's mom is far more gracious about it than my own. She at least understood Katniss's pain, and didn't try to force the role on her; it happened only when Katniss was ready. But that too, as we'll see in a minute, was painfully real for me.

“I never want to have kids,” I say. “I might. If I didn’t live here,” says Gale. “But you do,” I say, irritated. “Forget it,” he snaps back. The conversation feels all wrong.

Once again, a hint that despite their sweet friendship and similarities, these are two tragically, fundamentally incompatible people. Katniss is in too much pain to think of ever having a family, and Gale is in too much pain to think of not ever having one. Katniss wants to survive the way she always has (which she doesn't realize isn't her destiny yet) and Gale wants to flee and survive literally any other way.

Both change in the end, but the underlying incompatibilities in their life approaches are still there.

And even if we did . . . even if we did . . . where did this stuff about having kids come from? There’s never been anything romantic between Gale and me. [...] Besides, if he wants kids, Gale won’t have any trouble finding a wife. He’s good-looking, he’s strong enough to handle the work in the mines, and he can hunt. You can tell by the way the girls whisper about him when he walks by in school that they want him. It makes me jealous but not for the reason people would think. Good hunting partners are hard to find.

A few very interesting things are happening here. One, we're getting another hint, first dropped during Katniss's thoughts about Buttercup, that Katniss has a pathological inability to believe others actually like her- romantically or otherwise. Part of it is low self-esteem, part of it is putting Prim on such a pedestal that Katniss feels she can never live up (and giving her more self-esteem issues) and feeling like anything she attributes to herself might take away from Prim, and part of it is just raw cynicism. And maybe a dash or two of the feeling of permanent othering trauma gives you. Especially when that trauma involves a realization that you're never going to be able to rely on others to meet your own needs. You're responsible for your needs and your loved ones' too.

(Katniss is one of the most complex and real characters of all time. I relate to Katniss an uncomfortable amount sometimes.)

The other interesting thing is that you're getting a sense, for the first time, of how much trouble Katniss has recognizing and processing her own emotions- a very common trait in neurodivergent people. She can sort-of-understand a feeling of jealousy, but can't quite put her finger on the reason, and fitting with her attitude of relentless practicality, she decides that it's the worry of losing a useful hunting partner. Because, after all, Prim is the only person she loves, she can't care for anyone else, there isn't room for that. To care about anyone else would be to "take away" something from Prim.

Katniss repeatedly raises the question of when self-sacrifice crosses the line into self-harm by proxy. When altruistic love becomes self-negation instead. It's sweet that she loves Prim so much, but the codependence... If this is the benchmark for love for Katniss, it's no wonder that she feels at this point that she can't feel it for anyone else. This isn't sustainable.

(Prim is doomed. We've been warned.)

I found the patch a few years ago, but Gale had the idea to string mesh nets around it to keep out the animals.

This is going to be a recurring theme; Katniss is too impulsive and lacking a sufficient cause-effect pathway to be a planner/strategist. Gale makes the plans now; later it'll be Peeta and Haymitch.

(Also, this is foreshadowing Katniss's lack of agency. She is about to become an audience member in her own life story. She found the strawberries, but she didn't decide what to do about them. Gale did. That's about to become her entire life.)

No one in the Seam would turn up their nose at a good leg of wild dog, but the Peacekeepers who come to the Hob can afford to be a little choosier.

There is a hierarchy still, where the Peacekeepers are starving, but not as starving as the people in the communities they're sent to. Everyone is hungry, but some are hungrier than others.

Hint. Hint.

“That’s not her fault,” I say. “No, it’s no one’s fault. Just the way it is,” says Gale.

"Remember who the real enemy is." Katniss gets told this repeatedly, by Haymitch and others, and eventually she learns the lesson in time to lead a successful revoltuion.

Gale does not learn this lesson. He will end up destroying everything he cares about in his pursuit of revenge against the Capitol and anyone associated with it.

Gale would normally say that there is a huge difference between Madge, the mayor's daughter who is pampered and comparatively privileged, versus the willfully malicious Peacekeepers; the middle class are still part of the proletariat, after all. But Gale, in his pain and fear, loses sight of it and lashes out. This time, it's just words. By the end of the series, when he gets actual power, it will lead to something far more catastrophic.

Prim is doomed to die, Gale and Katniss's friendship is doomed to end in the most bitter way possible, and Gale is doomed to be his own worst enemy.

Gale knows his anger at Madge is misdirected. On other days, deep in the woods, I’ve listened to him rant about how the tesserae are just another tool to cause misery in our district. A way to plant hatred between the starving workers of the Seam and those who can generally count on supper and thereby ensure we will never trust one another. “It’s to the Capitol’s advantage to have us divided among ourselves,” he might say if there were no ears to hear but mine. If it wasn’t reaping day. If a girl with a gold pin and no tesserae had not made what I’m sure she thought was a harmless comment.

Gale knows he's wrong to say things like that. But again, as said above, his pain and fear get the better of him, and cause pain to those around him. His normal philosophy is correct, but he loses sight of and discards it far too easily.

(Gale is going to lose everything because of his scorched-earth approach to anger.)

Also, a note: this is how the real world operates too. Culture wars to distract from class war. For an entire generation of readers, this was their introduction to the basic principles of socialism.

But what good is yelling about the Capitol in the middle of the woods? It doesn’t change anything. It doesn’t make things fair. It doesn’t fill our stomachs. In fact, it scares off the nearby game. I let him yell though. Better he does it in the woods than in the district.

Katniss is still hung up on practicality. When she rants about the Capitol, she is, subconsciously, crying for help. But venting for the sake of venting doesn't make so much sense to her, given her stunted emotions.

Another bit of characterization I really enjoy here is the realistic teenage behavior. Yes, they're the oldest in their families, responsible for their entire family and only able to support them by hunting, and they should "know better". But they're teenagers in a fascist government, with an already extreme list of traumas and corresponding problems with emotions. Of course they're going to act irrationally at times and scare off game because they're having a meltdown- even non-traumatized teens would do that sometimes!

They're teenagers. Incredibly well-written, realistic teenagers. They don't have fully developed frontal lobes with the corresponding gifts of planning, impulse control, cause-effect relationships, and other things yet. They're more mature than most, but they're still going to behave foolishly sometimes.

Prim is in my first reaping outfit, a skirt and ruffled blouse. It’s a bit big on her, but my mother has made it stay with pins.

This is probably a "the curtains are blue because they're blue!" moment, but this is another bit of symbolism I enjoy. Katniss, at Prim's age, was hunting and entering the Hob. Prim is being kept alive by both Katniss and Mrs. Everdeen. She has a dress that mostly fits. She has good meals now. She is protected where Katniss wasn't. The dress represents both the sacrifices Katniss made for her and the fact that now, Prim has the adoring mother Katniss didn't have. She has two loving people looking out for her, willing to do anything to keep her safe, healthy, and happy.

(Prim is doomed.)

To my surprise, my mother has laid out one of her own lovely dresses for me. A soft blue thing with matching shoes. “Are you sure?” I ask.

Katniss can't comprehend her mom doing motherly things for her. Both because of the parentification, and because Katniss still fundamentally can't believe that anyone, even her own mother, actually cares for her enough to want to do anything for her. Not after four years of Katniss carrying the entire family on her back. It's incompatible with the world she's lived in for the last four years.

Katniss is painfully relatable.

I’m trying to get past rejecting offers of help from her. For a while, I was so angry, I wouldn’t allow her to do anything for me.

Painfully. Relatable.

What Katniss is feeling in this scene, I don't think I can describe to anyone who hasn't been there. It's relief-bitterness-anger-hope-longing-mistrust.

"Oh great, look who's finally here to help now that things are okay again and I figured everything out on my own! I want you back. I want a parent back. I don't want to do this anymore. I can't stop it. I can't trust you not to make me do it again. I'd better keep doing it so I don't get my hopes up. How do I even live without doing this? How do I live as a person and not a caretaking robot for my family? Am I allowed to do that? What kind of selfish person would I be if I did, especially now that I've seen what will happen if you fail again? No, I'm not letting you do this. I'll let you pretend to the little one because they need a parent figure and they deserve to feel normal, but me? Hell no, do you think I'm stupid? I am taking care of myself, I already learned what it costs to trust other people to see to my needs and that is not a price I'll pay a second time, thankyouverymuch. Yeah, mom I love you. I'm glad you're okay now. And thanks for doing this for me, I guess."

It goes something like that.

But I digress.

In just this paragraph Katniss expresses so much of the pain of parentification, so succinctly yet vividly that it makes my chest hurt.

I just really, really love Katniss, okay?

“You look beautiful,” says Prim in a hushed voice. “And nothing like myself,” I say.

Ow. Just... ow. She says it so matter-of-factly. Like she's just accepted it into her worldview; Prim, the embodiment of everything good in the world, is beautiful. Katniss, the leftover, the thing that exists just to take care of Prim, is ugly. That simple.

I wish we could have seen Prim respond here; surely she doesn't like anyone, even her sister herself, talking about Katniss this way? Or maybe Prim is so used to these kinds of casual self-put-downs that she's stopped trying to talk Katniss out of it.

Again: painfully relatable.

I protect Prim in every way I can, but I’m powerless against the reaping. The anguish I always feel when she’s in pain wells up in my chest and threatens to register on my face.

Once more: Painfully. Relatable. You put so much into protecting 'your kiddo'. And then something comes along and reminds you that you're even more powerless than the useless adults in your life. It hurts. It feels like you failed. It's one thing for you to get hurt, you already know how to deal with it, but them?

Ugh. Dystopian fiction isn't usually where my inner abused and parentified child gets validated, but this series unlocked some things in my neural pathways.

Thank you, Suzanne Collins, for Katniss. I feel so seen in so many ways through her and her story.

Sorry. I know this is supposed to be an analysis, not a love letter, but damn if Katniss doesn't play my heartstrings like a fiddle.

“Tuck your tail in, little duck,” I say, smoothing the blouse back in place. Prim giggles and gives me a small “Quack.” “Quack yourself,” I say with a light laugh. The kind only Prim can draw out of me.

Sorry, I am going to try to not repeat myself so much, but once again it just... Prim gets to be a child, because of Katniss. She gets to be a normal-ish 12 year old who makes silly animal noises and can't tuck her dress in. Katniss was fighting for her life and trying to find food. And of course it's not Prim's fault- I love Prim. But there's something just so painful about this contrast. Katniss had her childhood stolen from her, first by the tyrannical government she lived in, then her father's death, then her mother's mental illness, and finally the needs of a child she never should have been responsible for.

It's no wonder Katniss spends so much of the series in that emotional state abused, neglected, and traumatized children know all too well. You're simultaneously precocious and childish. Too grown-up one minute and acting like a child the next. Katniss never got to experience linear growth, and her psychology sure as hell shows it.

Painfully. Relatable.

Also, yet again: Prim. Is. Doomed. She's the most important thing in Katniss's life, the rationale for every decision Katniss makes, the reason she gets out of bed in the morning. The one person who makes Katniss's life worth living. Precious, sweet Prim, who retains her innocence and kindness in a world that aggressively stomps out both, is doomed by the narrative in every possible way.

Anyway, Gale and I agree that if we have to choose between dying of hunger and a bullet in the head, the bullet would be much quicker. The space gets tighter, more claustrophobic as people arrive. [...] I stare at the paper slips in the girls’ ball. Twenty of them have Katniss Everdeen written on them in careful handwriting.

When you're a child, you can't comprehend something awful happening to your parents, because your life experience just hasn't shaped yet to show you that it's even possible. You don't understand that it can happen.

When you're an adult, you can't comprehend something awful happening to your child, because your life experience has shaped to show you exactly how it's possible. You know exactly how it can happen, so you can't believe that it can actually happen.

Katniss is at a stage of her life that would already be transitional in normal circumstances, where she'd start contemplating mortality- but she's already dealt with it for years.

Her own death doesn't scare her anymore. Her sister's scares her so much that she doesn't even think it's a possibility. After all, everything she's done for the last four years of her life has been for Prim. To keep her alive and give her the childhood Katniss lost suddenly and traumatically.

Prim is doomed.

Taking the kids from our districts, forcing them to kill one another while we watch — this is the Capitol’s way of reminding us how totally we are at their mercy.

We got hints of apathy and cruelty before, but now the curtain is, for the first time, being peeled back. This isn't a system built on simple oppression. It's a system built on raw sadism.

It's another sign that Panem isn't sustainable. People can endure a lot of cruelty when their loved ones are hostages, but there are limits. When those limits get pushed (hint), something will have to give.

To make it humiliating as well as torturous, the Capitol requires us to treat the Hunger Games as a festivity, a sporting event pitting every district against the others.

Bread and circuses. The poor give labor (food) and entertainment, and the rich receive them. The rich live sequestered lives full of privilege, yet ultimately just as much under the thumb as the tyrant as anyone else. But still supporting the system because they lack the empathy to want change when they benefit from the status quo more than they would from a new system, so they think. They are simultaneously disgusting and pitiful.

Like the comfortably wealthy Trump-supporting boomers we all know and loathe.

The last tribute alive receives a life of ease back home, and their district will be showered with prizes, largely consisting of food.

Our very first, incredibly subtle hint, that winning the games might be even worse than losing them. The first time reading, of course, you'll take this at face value. Later, though, you'll think of this and realize it was all only mockery and isolationism, a way of guaranteeing that the victors would be scapegoated by their District, ensuring they would never find companionship again even if their trauma didn't prevent it. And they can't complain, because, after all, they now have a life of comfort.

So many things are intersecting here; class warfare (Victors being an allegory for "temporarily embarrassed millionaires" and the American Dream) and the isolation of trauma and mental illness and more.

But suddenly I am thinking of Gale and his forty-two names in that big glass ball and how the odds are not in his favor. Not compared to a lot of the boys. And maybe he’s thinking the same thing about me because his face darkens and he turns away. “But there are still thousands of slips,” I wish I could whisper to him.

Katniss so rarely worries about herself, only those she cares for. Again; her own mortality is okay to her. It's those she protects she can't let this happen to. But since she can't even bear to face the possibility of Prim being chosen (Prim is doomed) yet, she focuses her feelings on Gale, not only worrying that he'll be picked, but worrying that he will be upset that she might be. She only spares thoughts for herself for a few brief seconds, in the next paragraph.

Katniss gets accused of being selfish so many times, but it's notable that those moments only happen once she volunteers to go into the arena, once her survival depends on a bit of selfishness. Before then, she's one of the least selfish people in the entire series, and I'd argue that even at her worst she doesn't count as truly selfish. She's a teenager trying to survive and return home to her family, not a toddler who won't share toys.

I’m feeling nauseous and so desperately hoping that it’s not me, that it’s not me, that it’s not me.

But, of course, even when you are theoretically okay with dying, being faced with the actual thing will still inspire terror. So for just a moment, Katniss lets herself lapse into worry about herself.

For just a moment, she thinks about herself- and just that fast, Prim is placed in danger.

(This is how Prim will die too, by the way; being put in danger the one time Katniss is focused on something other than her. Prim is doomed.)

Effie Trinket crosses back to the podium, smoothes the slip of paper, and reads out the name in a clear voice. And it’s not me. It’s Primrose Everdeen.

The unthinkable has happened, and Katniss's life has been changed forever.

And even though she can save Prim this time, it's only temporary.

Prim is doomed. Nothing in the world can prevent it now. Prim would die in the arena, but by going instead, Katniss has put herself in a position where any and all actions she does will spark a revolution that gives her a Pyrrhic victory.

There is no version of events where Prim lives.

Prim is doomed.

[bucklway]

how mello & near fail as proper antagonists from the perspective of a mello & near fan

the most interesting thing a character can do in a story is surprise you. to be caught off guard by a character, you need to already have an idea of who they might be.

for example, if a character is introduced to an audience as the greatest detective the world has ever known, someone who’s intelligent & calculated, the viewer might be shocked when that character makes many wild & risky decisions. it might catch someone off guard to hear that character say something like “i had to test this just in case, i never thought it would actually work..”

it’s such a small piece of information but it tells us SO much about the mystery of L Lawliet. L is known by many as the greatest detective, but his first true introduction to us, the audience, is his boldness, his capacity to take risks. his genius is so great that a shot in the dark for him results in a bullseye.

to introduce a character through other characters’ opinions of them is my favourite way to challenge the viewer’s expectations in a story. i think to be curious is to be engaged, a story should be setting you up with a million questions that are compelling enough to keep you interested bc you know they will be answered eventually.

it’s not very interesting when you know everything about the series’ antagonist right off the bat.

L as an antagonist is so compelling bc he’s shrouded in mystery, not only is light desperate to know his true identity & true feelings, but we are as well. this is where near & mello fundamentally fail as proper antagonists, every part of their characters work for me aside from the way in which information is learned about them. it’s such a harsh contrast from the genius that is L, it’s insulting to the viewers who are reading/watching bc they actually care about this story & its characters.

so why is mello and nears introduction so bad? simple, we receive too much information.

the scene in which they appear for the first time is literally set in the place where they live, talking to the man who is raising them, it’s insanely personal. compare it to how we meet L for the first time: through a computer screen, held by a man who’s identity is hidden by a mask & all we see on that computer is the letter L. sorichiro tells us he’s the greatest detective but no one knows his true identity. it tells you all you need to know about him at that point in the story, L is a smart detective who is overly cautious about revealing his identity. we aren’t told why he’s overly cautious or who the man is holding the computer but it’s enough to get us thinking.

this is the amount of information we get through mello & near’s introduction: their caretaker is named roger, he works at wammys house (the orphanage watari founded, which is also information that was revealed in the last episode) where mello & near live. roger reveals that L is dead, meaning that mello & near have some kind of connection to L. mello is devastated at the news but it’s quickly revealed that this devastation is most likely the cause of frustration that L can’t “pick one of them” what does that mean? don’t worry, this scene makes it very clear. mello & near were raised to be great detectives, one of them was meant to be picked so they could carry on his legacy but he hadn’t chosen one yet. near is cold, seemingly emotionless & fixated on solving puzzles. mello is loud, aggressive & overly emotional. roger suggests that they could work together on the kira case, near seems up for it but mello is enraged. he tells roger “you know i don’t get along with near.” which is such a funny way to establish something about a character, having them explain a fact about themselves to someone who already knows it. mello reveals some deeper insecurities about not being better than near & he runs away from home. near is officially the new L, working to defeat kira.

..so that’s way too much information, right?

that scene is like.. if in episode 11, when misa is being introduced thru the sakura TV tapes, we were also seeing misa’s perspective, watching her every move & hearing all of her opinions. the introduction of misa is interesting because the audience isn’t given the information that there are 2 notebooks yet, we are meant to assume that light is the one doing all of this even if it doesn’t seem like something he’d do.

mello & near fail as proper antagonists bc the narrative doesn’t take them seriously & doesn’t give them the time they need to establish themselves as threats.

i truly do think near & mello could have been amazing, i have my own ideas for how i would’ve personally taken the story after L’s death but this post is already too long lol!

[mrdogface]

So I finished Birds of Prey (1996 - 2009).

Highs:

known unrepentant homophobe Chuck Dixon accidentally wrote a pretty incredible bi sapphic story during his tenure on Birds of Prey, although much of the queering does come from the artists working on the books. We all know the “call me Barbara” moment – apparently, after the audience reaction to that, Dixon started leaving notes for artists like “be careful and make sure the audience doesn’t misinterpret this scene” lol. 

imo, the realization of Helena Bertinelli’s arc happens in the Birds of Prey. She is finally removed from an environment where she needs and is actively craving Batman’s approval, and she ends up thriving, infiltrating the mob and earning the “good work” from Bruce. Personally, I would’ve preferred if her character moved completely away from Bruce’s opinions of her, and it kind of does, but Gail SImone does close that arc off by giving it to her. 

Gail Simone uses the series as a who’s who of women in DC, showcasing a number of minor and often underrated women, from returning classic characters like Ice to giving Zinda Blake / Lady Blackhawk a second chance at comics relevance (Lady Blackhawk’s best story in the Birds of Prey, imo, happens under Tony Bedard, concluding the character’s arc from her 1950s roots). 

Infinity, introduced very late in Bedard’s time on the team, is a severely underrated nonstarter superhero and it is criminal she never went anywhere. Weird ambiguously Australian ghost girl? Hello??

Barbara as a character who learns to accept her disability. A lot of people, including Dixon and Simone, tend to point out that Barbara learns to be a superhero in spite of her disability, but that’s not the interesting part imo. I think the more interesting story here is that they almost accidentally cobbled together a very genuine character arc of Barbara initially being insecure and doubtful that she’ll be perceived as an equal, as romantically desirable, as a real leader in the superhero world, all this stuff, due to the chair. What we end up seeing is her growth into someone who realizes she’s accepted within the bubble of people who are relevant to her, and that the bigotry of people who aren’t can be made irrelevant simply by building one’s life without them. Her disability isn’t written as saccharine inspiration porn (I think it actually veers too far in the other direction at times; at its worst, it’s a point of grimdark melodrama lol) and it isn’t something she “overcomes” in the classic superhero sense of getting a magical wheelchair or psychic powers, and imo in the superhero genre that’s rare and valuable. The execution isn’t perfect but for me it’s very close. 

Lows:

Chuck Dixon makes Barbara and Power Girl do an accidental war crime lmao. dw, both DC editorial and the fanbase ignore this and the less said about it the better.

Dixon really likes James Bond, Indiana Jones (surprising because Indie keeps beating up his friends) and other travel-adventure stories, so throughout his run Black Canary keeps ending up in exotic locations… and judging the people there, before doing some insane “World Policing.” The racism is uhhhhhhh

Simone ties the Birds into the wider DC universe and it does, frustratingly, hit a point where you need to be either really up-to-date with other books or cracking open google to know who a lot of characters even are. This is kind of just how DC works in the mid-2000s, frustratingly. She’s also forced to work with a lot of off-screen deaths, like Ted Kord’s death should be an enormous thing for Barbara, but we have deadlines to keep and we can’t be certain people have been keeping up with Jaime Reyes, so gogogogo

Misfit and Black Alice. They never worked for me. I hate Misfit’s whole archetype of zany comics fan who acquires powers. Making her Jason Todd-adjacent by giving her the sad homeless backstory did not sell me on her and felt like a cheap attempt to make a nonstarter character function. Black Alice’s whole thing devolves into a “stay on your meds, emo kids” PSA. Just very clumsy 30-somethings-writing-teens material. 

the last arc, set in DC Silicon Valley, kind of sucks. The Calculator isn’t an interesting villain to me. The chemistry between characters after Dinah leaves never feels right. 

it all ends with Barbara believing she's lost her edge, writing a signed note, peacing out, and dumping her adopted homeless kid friend on Helena after getting her ass kicked by the Joker. The last page: Ganthet lamenting that she's in a wheelchair, "to be continued in Oracle: The Cure." oy.

[farshootergotme]

The Bruce-dies-not-Jason AU...

Because I love angst :)

That part about Titans coming around to offer emotional support for Dick...I am now picturing ways for it to go really wrong.

Dick, who at this point is still reeling from the death of Bruce and running himself ragged trying to keep Gotham more or less intact (the Rogues seem to have sensed something is up), breaking down and telling one of the team that he feels so messed up.

He's grieving, but he's also really really angry. Not just at the Joker who deserves all and more of it, but at Bruce for dying and leaving him a mantle too big to step into, and even at Jason for running away and triggering all of this.

He doesn't really blame them, he knows it wasn't Jason's fault, but he's still so angry. He's muffling it all up within, but that's only hurting worse.

Pretty much a natural reaction, given the condition he is in. And understandable that he will be masks-off with the Titans after having to play the emotional support for his family.

Only, unknown to them, Jason is eavesdropping...

Well, as much as it isn't a bad idea to cause some drama, I don't think Dick would really go that way with his feelings? He does hate wearing the cowl and feeling like he's cosplaying the Batman instead of fitting the suit as the new protector of Gotham, but he's not the type to put the blame on others.

If anything, that mostly happens with Bruce. Like when Jason died and he blamed Dick, or when Alfred died and he implied it was Damian's fault.

Dick would most likely blame himself, as he admits having a tendency to do so.

The New Titans #57

The New Titans #55

While the angst sounds good, I can't picture Dick saying something like "I'm angry at Bruce for dying" or "I'm angry Jason fell into the Joker's trap".

You could say he was angry at Bruce when Jason died, but that was mostly because Bruce didn't tell him anything about it, tried to make him feel guilty for not attending the funeral when he hadn't even been notified, and then proceeded to basically tell him it was his fault his little brother was dead. So, yeah, Dick was angry, but that wasn't unprovoked. He actually had come originally to talk with Bruce because he knew he was going through a rough time after Jason's death.

Now, he can be more angry when the people he loves die, and he snaps more often than he normally would with all the stress, guilt and grief added into the mix, but he isn't angry at people, he's just angry. Or I would rather put it as the anger being a mask for the pain he's feeling because he can't always allow himself to be truly vulnerable when there's so much he still needs to do.

When Bruce "died" in the main continuity, there was a lot he had to do. Gotham needed him to be Batman, Jason needed to be stopped, Tim needed him to be the rock of the family, Damian needed him as a mentor and Alfred needed him to keep going, knowing that while one son was gone, there still was another son left. (Yes, Dick is Alfred's second son.)

And despite everything, he never stated being angry at any of them for the situation. Not even Bruce. What he did was lament his death because he wasn't ready for him to go.

Batman #687

I think the only way I could make this scenario work is if it's all a misunderstanding or Jason misheard something Dick said.

But if you like the idea, you do you. We all have our opinions and interpretations.

[catboygirljoker]

Free Pass Ask to talk about In Depth Luxu Analysis in case of no one sending in the right question to go off with

ok! here's my ~1600 word post about That One Scene At The End Of Dark Road. grins smilingly.

You know the one. Right after we see Baldr easily kill most of the cast of the game, right after a boss fight against him, right after we witness firsthand how powerful he is, we see a flashback of him confronting Bragi with the intention of killing him. And Bragi just...casually flicks his keyblade out of his hand. Bragi fully knows what Baldr's actual deal is, knows that Baldr has killed people, and is completely unthreatened by him. For good reason, it would seem!

So, Luxu's a badass, obviously. He made the big villain of the game into a jobber. And I think that's certainly one of the purposes of the scene. Luxu is about to be one of the primary antagonists of the franchise, and this sets him up to be very powerful!

...But I don't think it's the purpose of the scene. That is, I don't think that's the entire story. Because there are a couple questions left by this scene.

What happens at the end, there, when Baldr runs up to him and attacks him? And why doesn't Bragi reappear until long after Baldr is already dead?

I think we can piece together at least part of an answer.

In the earlier montage where Baldr says he killed everyone, we see a brief scene of Baldr slamming Bragi down onto an island in the Underworld. I assumed that this was a visual representation of Baldr lying and claiming he had killed Bragi when he didn't. But Bragi is the only character in this montage who we don't see die on screen. I believe we're meant to understand that this scene actually happened, and that this is what immediately follows the Luxu reveal cutscene.

Which seems contradictory with Bragi being such a badass, right? Was Bragi disarming Baldr a fluke? The thing is, when Baldr attacks Bragi at the end of the cutscene, Bragi is completely off guard and unprepared for the attack. We already know that Luxu can misjudge people/situations, to his own downfall.

Consider in Dream Drop when he seems to fully believe Sora will join the Real Organization XIII, or Days when he's unthreatened by Xion right up until she knocks him out and leaves, or Re:Mind when he finds out Luxord decided not to simply obey orders without question this time. So him being defeated by Baldr doesn't necessarily mean Luxu is weak if Bragi was defeated due to hubris.

(As a side note—I do think that this would be part of the reason the cutscene cuts off when it does. Luxu still needs to be a threatening villain in the upcoming games, so the audience has to have a strong impression of how threatening he is. We get the full cutscene of Luxu being cool and powerful, and only little glimpses of the fate he meets directly afterwards.)

I think what happened is Bragi sauntered off all cocky and smug, not believing Baldr would attack him. Then Baldr attacked him, and Bragi, realizing what a threat Baldr actually was, pulled a trick we've already seen Luxu pull before. (Seemingly so well that Hades himself is fooled.)

Baldr believed he killed Bragi and saw no reason to be like, "yeah, and also Bragi said some weird mysterious stuff I didn't understand, but the point is that he's dead, too."

Now for the question of why Bragi didn't reappear until long after everybody else was dead. If he's such a badass, surely he could have helped stop Baldr and saved lives. Why didn't he?

From here, I can really only speculate. In my view, there are a few options:

Luxu didn't care about his classmates and left them to die as soon as he realized what a threat Baldr was.

This is...possible, but not very interesting to me. It's the option that results in the least emotional complexity. I think it's most interesting to read Bragi in Dark Road as the second-to-last step on Luxu's downward spiral, rather than just another point on a straight line—that his personality as we see him in the current-day games is informed by the trauma of him losing all of his friends to an opponent he could have stopped but didn't.

Also, maybe this isn't very convincing as evidence, but in his appearance in the graveyard, Bragi's attitude isn't smug or mischievous, it's somber, possibly remorseful. If we were meant to understand that he didn't care about his dead classmates, we'd get, like, a smug grin or something.

So the other options assume that he did care about his classmates:

Luxu sincerely cared about his classmates, and wanted to help them, but was injured so badly in his fight with Baldr that he was physically unable to come to their rescue.

Like I said, I think this is more probable and more compelling than if he didn't care at all. And there's potential tragedy in him trying his best and still failing, or having the best intentions and being unable to follow through on them, for sure. However, in general, I'm more interested in characters failing because of the mistakes they make and the flaws they have, rather than failing due to chance or unavoidable circumstance.

Also...we already know Luxu is the kind of person to stand by and allow terrible things to happen without doing anything to stop it. We know he has been specifically instructed to do so. I think it's more interesting and more consistent with his character if he could have saved his classmates and stopped Baldr, but didn't.

This last option, then, is my favorite, and in my own writing would be the interpretation I go with:

Luxu sincerely cared about his classmates and had the power and strength to protect them from Baldr but, through his own decisions or inaction, still let them die.

Luxu's classmates were all children or barely adults, younger than him by perhaps centuries. But he hung out with them. Actively participated in conversation with them, asked them questions, joked around with them. He seemed to like them. They were his friends. And he let them die.

There's variety in the potential specifics. Maybe Bragi fled and hid until everything was over just to save himself. Maybe he grit his teeth and made the conscious decision to do so; maybe he was motivated by pure animal fear for his life. In either case, he still had a role to carry out, after all. A role that, as I mentioned, has already required him to stand by and allow people to die. If he could swallow the keyblade war, he could swallow the events of Dark Road.

Maybe he believed he had an excuse to run away. In his confrontation with Baldr, Bragi says Xehanort is onto Baldr, and seems to believe Xehanort would be able to stop him. This is before Baldr attacks and seemingly defeats Bragi, but maybe even after that, Bragi still really believed in Xehanort, and believed he could let Xehanort do the rest—misjudging Xehanort's ability to stop Baldr before any more death could occur.

If you wanna get really angsty with it, maybe Bragi did try to save his friends. Maybe he rushed to the scene of Baldr's next murder and saw children with keyblades fighting for their lives, heard the clash of metal on metal, and was suddenly immobilized by the voice of his Master telling him to watch. And by the time he was able to overcome this trauma response, it was already too late.

Whatever the specifics would be of why he left his friends to die, I'm aware that this is the option that casts him in the worst light. If he didn't help them because he didn't care about them, then he's just a coldhearted villain and we can't expect much better from him. If he cared about his classmates and tried his best to help them but failed, then he's a sweet goodboy and uncomplicatedly sympathetic. If he, for any reason, decided not to try to save his friends from a powerful entity that has killed and will kill again, then he's pathetic, morally repugnant, a weakling or a fool or a coward or a combination of the three.

But I like when characters are flawed and stories are messy! I like that, even before you get to the events of Dark Road, Luxu is a messy, complicated, but still sympathetic character! Many of my other favorite Kingdom Hearts characters are messy and complicated in ways that I feel get frustratingly flattened by the fandom. I'm Team Messy and Complicated forever. I hope the games keep making Luxu even worse and more sympathetic and more tragic.

anyway thats my post i hope you liked it haha whee! i once again had to keep deleting detours and tangents about like. redemption arc flags, riku/terra/luxu parallels, luxu/MoM and luxu/xehanort parallels. but the were just that, tangents, and quite a lot of them were more headcanony/watsonian/speculative than i usually like to go with my Analysis. in any case thankyou for coming with me on this journey

[allwormdiet]

Buzz 7.3

We gotta get back to Dog City

Hmm. Does lunch keep being a problem for Taylor? I hope that isn't the case, but hope doesn't do much here

Don't love the slur, again, but it was 2011 and somehow I don't think Rachel could be convinced to stop

And hey, Taylor actually wins an argument with Rachel! Good for her

(Also very funny to me that Taylor doesn't get why the others think she's especially cautious. Like, sure, broadly speaking when she has the time she prefers to take the analytical approach, but she also repeatedly flings herself into dangerous scenarios with nothing but bugs, a knife, and bloody-minded determination)

She knows all their stories and cares about all of them so much... It's sweet.

Considering the state of Brockton Bay, yeah, I can't imagine the dogs are having a better time than the humans, and that's discounting the fucking Nazis dogfight rings.

Exactly. Peaceful, companionable silence, and also a bunch of dogs. Nothing not to love here.

Except the fucking Nazis

Empire lore, my favorite :/

It's gotta fucking suck when one of the largest criminal enterprises in the entire city is run by fucking Nazis who don't even have the shame or need to hide it. The best thing a fascist can do is stop being a fascist (by whatever means necessary), but the second best thing a fascist can do is be too chickenshit to say or do anything about what they believe. Unfortunately, a fucking Nazi supervillain does wonders for the confidence of fascists.

Fuck these guys, and also kudos to Bitch for staying even-keeled through this

Of course these fucking maniacs demand a killing as part of their initiation. Disgusting

She's gonna get used to this kind of thing, I'm sure of it

Fucking awesome vibe. Gross, absolutely, but also rad as fuck

Skitter has this whole, like. Jojo Part 4 onwards thing going on with her power that's really neat. On the face of it, insect control is neat but not game-breaking, but she's used it in order to make her own costume and armor, to create decoys, to act has her own costume and to fake like she's able to turn into bugs. There's no way she isn't going to get more creative from here, regardless of whether her power gets stronger on its own her creativity with it is the greatest asset.

"I don't like committing overwhelming acts of violence, but if it convinces my enemies to fuck off forever that means it's the correct tactic"

Not that I'm gonna cry over some fucking Nazis, but I keep glancing down at Taylor's footing to see how she's doing on this slippery slope

Yeah, unfortunately the dogs have been threatened once and Rachel can't be present to keep watch forever. This has been made into an issue.

Current Thoughts

There's only like 40 Taylor/Rachel fics on AO3, that's outrageous, how is there not more

Taylor's increasing versatility with her powers and also increasing comfort with performing acts of violence both seem to be moving at a remarkable pace; the former is a lot less worrying than the latter.

I'm sure this will be the last trouble with the Empire during this arc, definitely don't know that they're gonna escalate into outrageous murderous violence or anything

[madredhattie]

shoves my head into a pillow and screams

[ichthyorelationships]

an idea i invite anyone else to write about / run with lol....

the premise that The Change gets all messed up for alberto, say it's something that can happen from stress, &/or happens rarely and you just have to wait for it to resolve itself....used as some parallel to struggling through some emotional turbulence / upheaval / questioning / Realizing Things, etc etc

[possiblyfunny]

Oh look, another art piece-

He a little confused, but he got the spirit

WOO! After getting confirmation on details about the character, I finally allowed myself to draw this! It was originally going to be a mini comic, but I just decided to draw the last panel with a lot more detail.

Blue belongs to @creatively-cosmic. They have an Ask Blog by the name of @themissingnumbers, so go check them out! Their content is great!

Aster belongs to me.

[Extras and whatnot below the cut!]

[Extra Bonus!:

If you actually looked under the cut, you get to be blessed with a little nugget of information about Aster!

Aster doesn’t know jack about sexuality or gender identity (don’t worry, he’s learning!) But what he does know are the colors! Aster can tell you what colors or flag represents which sexuality/gender—but he couldn’t actually tell you about them. He doesn’t know what each of them mean.

Lots of people in his life and around his home have little desk flags or wear pins with different gender identities or sexuality’s on them, so he knows that it isn’t a bad thing. He thinks all the colors are pretty and unique and should be supported and celebrated!]

[Also, for those curious, here’s the symbolism for each flower. I wasn’t the most confident in drawing some of them, but I did my best to pick good ones!:

Blue Morning Glory: Encouragement, Power, Enduring Love

Pink Roses: Appreciation, Recognition, Happiness

White Daffodil: Rebirth, Good Fortune, Resilience.]

[coldflasher]

the flash should have ended with barry quitting his job at ccpd to become a stay-at-home husband and that's on that