#Spoof Clip

[randomly-a-fan]

Because of what happened earlier when Harley Quinn as Anastasia got spooked by Chopper as Gus, MJ as Cinderella has to see Stella as Lady Tremaine and get a spoken to. All this was Pete's as Lucifer's fault.

[almondcroissantsandink]

Baby, I'm standing at the great abyss of love and...and I'm teeterin'!

[of-fear-and-love]

Dead Men Don't Wear Plaid (1982)

[kick-a-long]

Theory of the final game changer @samreich :

Is it the amazing race? If so please do not tell me. I will assume that it will be played out in a scavenger hunt in a large affordable hotel chain and not throughout the peaks and valleys of the Chilean mountains.

I AM FULLY FUCKING PUUUUMMPED!

[dailyrickastley]

x

[clairethecutepup]

"Flying Worst Class" Cover Art

If you thought flying "coach" was bad, try...

*****

Here comes one of my current projects, inspired by the film: Airplane!, a spoof film from the late 80's.

When the two pilots of their plane are suddenly incapacitated-- because sometimes it's honest intolerance and not overdramatic veganism, when someone acts all "dramatic" over ingesting milk --Ookami suddenly finds herself needing to commandeer the aircraft, along with Sherubi, lest it literally crash and burn! That'd certainly spell disaster, when the plane has many things depending on its landing: the safety of a visiting US ambassador that could affect relationships with the country, the Torres Sisters and the money they have to save the local orphanage, the cure for cancer and the person who's capable of making more, and a celebrity!

Oh, there's also the random innocents on board; but they're not as important, if we're being honest. The only other important person is Claire, through bias of being the protagonist's daughter, who needs to be safely landed and be transported to her life-saving surgery. So yeah, a pretty big deal, overall.

Can Ookami safely land the plane or will the aircraft fall harder than the attempts at "comedy" the real Claire Vlcek likes to think she's capable of? Read the eventual story to find out!

On a side note, I am so tempted to just stick to black and white comics, despite people saying they prefer color, because coloring is a PAIN... How the heck do you make it easier in Clip Studio Paint?

PS: No, your eyes aren't playing tricks on you, Ookami's arms are that long, being a wolf-hybrid sees her with arm length equal to her legs'.

[elliespectacular]

happy deathday to cloncord or whatever

[Video ID: Spoofs of the logo for Firewalk Studios' Concord appear over starry backdrops as pitch-distorted versions of the theme stinger play underneath. The emblem is distorted in assorted ways which are mostly random but sometimes related to the text. The starry backdrop changes color but is most often red or purple. In order: Corcnord, Condord (accompanied above by a cropped post from @hollowtones which reads "Im for the new game Im" - the emblem is filled with a content-aware-scaled image of Lennox's face), Cooldood, Doodoocon, Noc Noc (the emblem is filled with a wood texture), Connor 'N' Don, Corn'd (the emblem is colored to resemble a corn cob in a husk), Dr Coocoo, Dronc (the emblem's shapes are uneven), Rod 'N' Cone (the emblem resembles an eyeball), Corner Donor (the emblem consists only of triangles), Coco From Flight of the Conchords (the emblem is a parallelogram filled with an image of Sutton Foster in her role as the aforementioned character), Nod Now, a tiny clip of The Captain saying "No.", Coward (the emblem resembles an angry face), Noice Crocs, Discord (the emblem resembles the Discord logo), Noo-Noo-Core (the emblem resembles Noo-Noo the vacuum cleaner from Teletubbies), LOL U Dorc, Nood C*c (the emblem is a fleshy color and is pixelated along with a letter in the text. The video is superimposed with a close-up of Teo making a smug expression which quickly gets more content-aware-scale distorted), a tiny clip of The Captain saying "No.", then the final logo spoof simply reads No. /End ID]

[mclalan]

Can you share what your art-making process is? What software and tools do you use?? I'm falling in love with your work!!

Thank you, I'm so happy you like my work and are interested in the process. The short answer is I mostly use Adobe Animate.

I hate how I'm using an Adobe product (although I still regard it as a MacroMedia Flash product), but there's just no other software that compares to its jankiness. Perhaps it's just my long familiarity with the program, but nothing I've experienced matches how it simultaneously feels like drawing in MS Paint and using Microsoft PowerPoint vector shapes. The result is something that feels in-between the two; handmade yet computer-generated.

Typically, I'll start with a hand-drawn sketch, often beginning as a thumbnail done with pencil and paper.

I'll then do a mix of hand drawing and vector shape tool rendering. I use the Paint Brush tool to hand draw strokes, and the line and shape tools mixed with transform to make more geometrically accurate shapes. The design is rendered into divided closed loop shapes, ready to be filled with a solid. The strokes are kept or removed depending on the design.

These fill shapes are then either coloured and rendered in Adobe Animate, using fills, gradients, or a more complex process of masks and effects.

Alternatively, I'll bring all these vector shapes into Photoshop and use them as clipping masks. The vector shapes act like masking taped areas or shields to maintain sharp edges, while the brush is like an atomized airbrush used to build soft volumed forms.

Please excuse all that horrible Adobe Cloud and AI bloatware...

And there we go!

Variations in the process include just using MS Paint, index color in Photoshop, or 3D programs.

Very old works of mine were almost abstract, just exploring digital mark-making, which was a trend I was following in the mid 2010s that I loved. This kind of stuff.

While my current work uses its digital material specificity as an intermediary to the subject in the illustration.

For example, #ersatz.world parodies clip-art and flash edutainment styles but imagines the characters living within that kind of world. The designs are meant to be cute, easy to read, light in computer processing, but also irreverent, janky, and generic too.

People typically regard this sort of clip art style as ephemeral trash, but I always found them charming. I use Ersatz World primarily as a satire vehicle, parodying educational formats to spoof corporate explainer content and digital media.

However, part of the problem with Ersatz is I've made it look too polished, complex, and I've grown too attached to the characters, which I imagine is a typical issue with overbuilding a world. So recently, I've made an even jankier Ersatz-like set of characters to play about with, using an even simpler style with less cohesion. I like to try and use slightly different styles and digital material styles to relate to the property at hand.

That’s why #autonymus has a bitmap digital material and a denser feel to it. Unlike Ersatz, Autonymus is not meant to be an overt semi-meta fiction. It’s not exactly pixel art, but the pixels are just about visible, as the intention is to create a digital expressionist depth to the setting. Although it’s still stylized and not realistic to our world, I definitely still want to evoke semblances of our world. That’s why there’s attention to landscape, plant life, and implied life beyond what you see in the frame with the characters, etc. But I'm still making a cartoon, and I still want it to feel at ease with itself being a digital material work. Characters are therefore flat, simple, stiff, and the speech style is like a bad Shakespeare parody. I like to balance between ugly and appealing, simple and complex, familiar and unfamiliar.

In regard to things like inspiration, references, and my relationship to aesthetic genres; these things certainly factor into my work, perhaps I'm even overtly dependent on them. My work can definitely be post-modernist in method; creating new, ironic, or fragmented interpretations through deconstructing a mix of various styles or methods. But at the same time, I'm still trying to make a digital gestural representation where the aesthetic is driven by my relationship to the software and techniques directly—not simply in an attempt to reference a style. For example, I like drawing lines in sweeping strokes, not to a point of geometric perfection, but just in a way where the curves are smooth and simple. But if I want perfectly curved or straight lines, I'll use the vector tools.

Working this way, you can sort of learn why certain styles and design choices in past vector aesthetics were made, as they would have also needed to make similar choices. That’s why I’m more mindful of using digital material specificity as a foundation to build narrative and subjects upon these days.

For example, genre references like cyberpunk clichés for #cyberhell or late medieval design for #autonymus or 2005 to 2015 era subculture fashion for #gradientgoblinz.

I think it’s important to take inspiration and reference from a wide variety of sources, but I think they’d mean nothing without having something to say or express. Autonymus, although it is a collection of tropes and clichés, isn’t just about that. It’s a story about the tensions of socially constructed systems and how that shapes faith, technology, and the natural world, or at least that's what I'm aiming for anyway.

But despite all that, I think there’s a danger of locking myself into the past by using these methods. For example, using nostalgia and references to past aesthetics can result in just recreating the past in a form of role-play. To avoid that, I try and evoke the past through a messy, inaccurate pastiche rather than caring to accurately re-enact anything. I’m probably not always successful at communicating the deliberateness of this, and it can certainly get very frustrating and pedantic. To be honest, I do kind of hate aesthetic labels (terms like Y2K, global coffee house, utopian scholastic designs from a pre-9/11 world).

I do not believe that a project aimed solely at mapping history through aesthetic styles is worthwhile. Sure, they can be handy for organizing style trends, but they can also be reductive and ahistoric. Who are these people to define the history of these design eras? The result is a kind of suffocating simulation of design history but removed from context, perfect for moodboardism. I wish it felt more tongue-in-cheek, less absolute of itself in its own practice. Instead, it acts to legitimize and engender those making these labels, almost giving them ownership of the design styles. It’s similar to the logic and process of generative AI and its databases in a way, just done manually.

I’m very inspired by artists like Oneohtrix Point Never in this regard, as I think he’s able to create an aesthetic portal to all kinds of memories, feelings, and worlds reminiscent of the past, while still being in the present. It’s more a reflection of how timelines are messy now, like a memory or dream, rather than an audacity to say the past was actually like that, or to try to actually map some kind of timeline.

I think the benefit of this process is how it avoids the other side of the spectrum—being locked into chasing the cutting edge of digital processes. I don't necessarily think using an old digital process means your work inherits the semiotics of old aesthetics. Non-digital mediums don’t have this issue to this degree, as you can still paint in oils and be considered contemporary, or at least it's not frowned upon to such a degree. And I also don't think anyone in the heyday of Flash ever made work the same as I do, especially as computers are more powerful now so can handle more. I probably shouldn't boast too much about that though, as artists at the time probably just had more sense than to use Flash like a painting program! So then, why is my use of Adobe Animate critiqued as obsolete and an aesthetic dead-end? Because to whose standards is this process obsolete? If you value digital aesthetics as an apparatus in industry practice, then sure, my work is redundant.

But as wonderful as the latest tech can be in creating new aesthetics, I do feel it can be overtly dependent on the trends and directions of tech corporations, and therefore act as an indirect propaganda tool to their hegemony over digital aesthetics, such as the ever-demanding processing power needed for simulated realism. If anything, work that does follow in the direction of the latest tech trends is ironically the quickest to date once the trends move on.

I've noticed I've not really described what my work is about, just the process, in this text. But I don't know, maybe I like Flash because it is regarded as redundant. No one really cares about it, so I feel free to make whatever I want, and can decide on form myself, to my own standards, the quality of my work. As fun as making images is, I find it difficult to put into words what it is exactly I'm expressing in my work, and perhaps that would spoil it anyway.

[rpfofficial]

why did head (1968) flop so badly, you may ask?

the short answer is: terrible promotion. why the promotion was so terrible is another question entirely. there are two schools of thought: 1) bob rafelson and jack nicholson were being deliberately avant garde and obtuse (maybe to attract a certain psychedelic audience) or 2) deliberate malicious intent from columbia pictures to get rid of the monkees (by November 1968, when the movie premiered, the monkees TV show had been cancelled for 2 months).

(LA Times, 2008)

what exactly was the ad campaign? Well, it was originally supposed to be Bob Rafelson's head displayed for a few seconds smiling at the camera--according to Wikipedia this was a spoof on Andy Warhol's short film Blowjob (1964). but in the end it was John Brockman, even more unknown, and he was just the guy who was supposed to be filming the clip.

from Andrew Sandoval's The Monkees Day-by-day Story (page 210). explains more about why they did this. Micky also says he thinks it was a way to get back at the monkees for striking on the first day of filming when they found out they would get no creative credit for the film and had been "getting ripped off pretty badly" basically for years.

another factor was the critics reviews. obviously Head is not your average film, and loads of reviews looked down on it as psychedelic garbled trash. they didn't get it. there were positive reviews of course, but most people just didnt get it (and you cant really blame them - its at its most enjoyable when you are a) a bit of a freak, b) a total anti-capitalist, or c) substantially aware of the horrors the monkees were going through at this point. no film critic at the time ticked all 3 of these boxes). i think at this point bob rafelson panicked, because he wanted the film to do well, he just wanted it to do well independent of the monkees (hubris). there's a funny story about the night before the movie premiered in new york, he and jack nicholson got arrested for putting up stickers promoting head, after jack tried to put one on a police officer's helmet. and it makes me wonder why he then didn't fight harder for the film to do well.

it's funny (re: sad) how so many things came together to bring about the doom of the film: bob rafelson and jack nicholson's own cockiness about how well the film would do, their complete disregard of the what the monkees themselves wanted, the studio being tired of the monkees/already having cancelled the show, the whole phenomenon dying out a little since record sales had gone down (the last album they put out was in february 1968 - by this point it was november, and the Head album wouldn't be released until December)...

another peter quote because I trust him the most (again from the day-by-day story, page 210)

Mike over the years has said different things, at one point calling Head an assisted suicide (pertaining to his own desires to kill the monkees phenomenon and be seen as a serious musician), at other points calling it a murder (which i think is how peter continued to see it throughout most of his life, while simultaneously recognising its artistic and cinematic merit, and also saying the soundtrack was the record he was proudest of besides headquarters 1967). but here's something Mike said in the Head commentary (some time in the early 2000s) which i find simultaneously funny and devestating:

so yeah. the main conclusion is that nothing was in Head's favour for it to do well. there were conflicting visions, conflicting motivations, a total lack of interest from Columbia pictures, and no one was on the Monkees' side, not even really the monkees themselves. the world just wasn't ready for the crazy anti-monkees monkee movie. their swag was too different. everybody wanted to kill them. but they didnt have to cos they killed themselves it happens right at the start of the movie and again at the end. WATCH HEAD.

[hotvintagepoll]

Frankie Avalon (Bikini Beach)—Ok so I know usually in these beach movies, Frankie plays the standard all-American teen dreamboat. But in THIS movie he has a dual role as “The Potato Bug,” who’s meant to be a spoof of all four Beatles rolled into one scrungly guy. Frankie as The Potato Bug is who I’m nominating specifically. You can’t help but laugh at PB’s antics as he uses his Austin-Powers-like “charms” to steal the girlfriend of Frankie’s other character. Plus PB has some banger songs.

Groucho Marx (Duck Soup, A Night at the Opera)—groucho marx somehow manages to be a romantic lead despite every single one of his characters hating romance, hating leading, hating the shit he's going through, and in general being real soft mad about it. but most iconically, and this is important: he is having the time of his LIFE. also important is that my father's one request for his funeral is that "whatever it is, i'm against it" must be played. groucho marx is a scrungle close to my heart and soul.

This is round 1 of the contest. All other polls in this bracket can be found here. If you're confused on what a scrungle is, or any of the rules of the contest, click here.

[additional submitted propaganda + scrungly videos under the cut]

Frankie Avalon:

Groucho Marx:

What is NOT scrungly about him? The painted-on mustache and eyebrows (and the countless cartoon parodies thereof)! The rolling eyes and waggling eyebrows! The truly weird ways he moves his body when walking and dancing! But most of all, the wordplay and sarcasm - possibly no actor has ever made me laugh harder than Groucho.

look just. please. please. his head is in a jug. and i couldn't find the clip on youtube but this scene ends with him chucking fruit at the villain. THAT'S the crowning moment of heroism: throwing fruit at a man stuck in a door. WHAT'S NOT TO LOVE ABOUT THIS MAN AND HIS SONGS ABOUT GOING TO WAR, AND ALSO BEING AGAINST EVERYTHING.

Listen, his face is literally the glasses we use as a joke. HIS FACE IS JOKE GLASSES. DO YOU SEE MY VISION??

[cw for fatphobic jokes and an insulting word for little person in the clip below]

[randomly-a-fan]

MJ as Cinderella has to do as she was ordered to, such as waking up Pete as Lucifer for an early breakfast. Chopper as Gus with Usopp as Jaq. (One of the One Piece boys usually plays Jaq or Gus depending on the scene or situation).

MJ as Cinderella also tries to explain to Goofy as Bruno to try to get rid of the dreams he's having if he wants to remain in the home. However, Pete as Lucifer manages to give Goofy as Bruno the blame after on purposely slice his peg leg off, making it seem like Goofy as Bruno has done it. Which sadly worked.

[The ending where Pete pretends to choke me with his thumb and finger was crappy, but it's the best I can do.]

[sanderssidesplaylist]

Disco Snails by Vulfmon and Zachary Barker?

I know there is a full version of this song, but it’s not as good as the original tiktok clip (in my opinion). But I’ll respect whichever version you choose to link (but the original is shorty and funkier and definitely goes hard).

It’s also important to me that you know this is legitimately my favourite song. It started as a joke my first year of undergrad but now my friends and I sing it almost daily. I have a metal wire statue of a disco snail. (I’m the weirdest person when it comes to music; I’m so sorry for derailing this blog and not being able to always fully participate)

Inside every snail shell is a tiny disco ball Disco isn't dead, instead, it turns out that it just got small They've got the boogie oogie all up in their buggy bodies These super freaks of nature love to seek out funky hobbies

Disco snails, they're off to San Francisco where the disco's off the rails They meet and dance to disco in disgusting garbage pails The afterparty is in your garden where they'll eat your kale And dance to disco 'cause they're disco snails

Disco what? Disco snails, they're leaving silver trails Disco where? Current position's 3rd and Mission Disco how? They're on the roof, they've found the groove Disco why? The simple answer is, they're dancers

There's traffic on the freeway, for the snails are on the loose Watch your step, they're only one inch tall atop their platform shoes They've got the smoothest groovy moves up in their buggy bodies This downright funkadelic bunch have come to start the party (p-p-p-party)

Disco snails, they're off to San Francisco where the disco's off the rails They meet and dance to disco in disgusting garbage pails The afterparty is in your garden where they'll eat your kale And dance to disco 'cause they're disco snails

Disco what? Disco snails, they're leaving silver trails Disco where? They're in the height, filled with love Disco how? It's not a spoof, they've found the groove Disco why? The simple answer is, they're dancers

Disco what? Disco snails, they're leaving silver trails Disco where? Their latitude is gratitude Disco how? It's not a spoof, they've found the groove Disco why? The simple answer is, they're dancers

Disco what? Disco snails, they're leaving silver trails Disco where? I can't tell you that Disco how? It's not a spoof, they've found the groove Disco why? The simple answer is, they're dancers

Disco what? Disco snails, they're leaving silver trails Disco where? I can't tell you that, can't, can't tell you that Disco how? It's not a spoof, they've found the groove Disco why? The simple answer is, they're dancers

[beardedmrbean]

Michigan Gov. Gretchen Whitmer apologized for a social media video in which she wore a Harris-Walz campaign hat and fed Doritos to a kneeling podcast host in what some critics said made a mockery of a sacred Christian rite.

The Democrat was seen in the clip taking a Doritos chip out of a bag and placing it into the mouth of a kneeling liberal podcaster Liz Plank, before the video panned to the governor wearing a camouflage Harris-Walz hat. While Whitmer said the video was intended to spotlight the 2022 CHIPS and Science Act that allocated nearly $53 billion towards efforts to bring semiconductor supply chains back to the U.S., religious leaders saw it as a spoof of the sacrament of Holy Communion.

MICHIGAN GOV FEEDS KNEELING FEMALE PODCAST HOST DORITOS WHILE WEARING A HARRIS-WALZ HAT

"It is not just distasteful or ‘strange;’ it is an all-too-familiar example of an elected official mocking religious persons and their practices," Michigan Catholic Conference (MCC) President and CEO Paul A. Long said in a statement representing the views of Catholic leaders in the state.

The video was made as part of a viral TikTok trend where one person feeds another person, who is acting sexually, with the song "Dilemma" by Nelly and Kelly Rowland playing in the background before the first person stares uncomfortably into the camera.

MICHIGAN CATHOLIC BISHOPS CONDEMN WHITMER'S DORITOS VIDEO STUNT AS OFFENSIVE

Former Trump advisor Tim Murtaugh, for example, posted, "Let’s be clear what’s happening in this video. Gov. Whitmer of Michigan is pretending to give communion to an leftist podcaster on her knees, using a Dorito as the Eucharist while wearing a Harris-Walz hat. Do they want ZERO Catholic votes for Harris?"

Following the backlash, Whitmer apologized for the video and emphasized that the video was not meant to mock people of faith.

"Over 25 years in public service, I would never do something to denigrate someone's faith," the governor said in a statement to Fox 2. "I’ve used my platform to stand up for people’s right to hold and practice their personal religious beliefs."

"My team has spoken to the Michigan Catholic Conference," she continued. "What was supposed to be a video about the importance of the CHIPS Act to Michigan jobs, has been construed as something it was never intended to be, and I apologize for that." ________________________

[unreal-unearth-undead]

can I just say I love your darren vapes thursday posts? I still don’t really understand where the character is from (like which if the dropout shows) but I love seeing people have fun in here

I’m happy to hear that! It’s from dropout’s musical improv show Play It By Ear. Darren Vapes is a character in The Missing Member episode, which is a 30s noir spoof essentially.

He’s a very (anachronistically vaping) hard-boiled detective character who does a lot of monologuing straight to camera with the tone of crime show voiceovers.

Clip of scene where he’s introduced:

[kashmirmonitor]

Video: Kunal Kamra mocks Eknath Shinde; Sena workers ransack venue

A case was filed against comedian Kunal Kamra hours after a video of him surfaced showing him taking a jibe at Maharashtra Deputy Chief Minister Eknath Shinde for switching sides. The FIR was filed against the comedian following a complaint by Shinde Sena MLA Murji Patel. Kamra, known for his witty remarks and sharp commentary, is now embroiled in controversy over a video from one of his shows, in which he was seen joking about Eknath Shinde for aligning with the BJP and labelling him a 'traitor'. Chaos erupted soon after the video went viral on social media. The comments angered leaders from the Shiv Sena (Shinde faction) and they vandalised a studio and Hotel Unicontinental in Mumbai's Khar area on Sunday. They claimed that the video was shot at this location. Additionally, Sanjay Nirupam, a well-known political figure in Mumbai who recently joined Shiv Sena, made a controversial statement in a post on Sunday, saying, "We will teach Kunal Kamra a lesson tomorrow at 11 am." During a recent show titled Naya Bharat, where he extensively discussed contemporary politics, Kamra took a dig at Shinde for splitting the party and aligning with the BJP and labelled him a 'traitor'. The video sparked a massive controversy. The clip from the show shared by Kamra himself showed him singing a spoof song from the Bollywood film Dil To Pagal Hai, referring to "a leader from Thane," making remarks about Shinde’s physical appearance and his equation with Chief Minister Devendra Fadnavis. However, Kamra did not explicitly name Shinde in the clip. KUNAL KAMRA REACTS AFTER ROW Hours after the row, the comedian has now responded with a short four-word post. “The only way forward", Kamra wrote on X with a photo of himself holding a small copy of the Constitution. This red-coloured pocket-sized Constitution has been widely discussed in recent days. A few months ago, Leader of Opposition Rahul Gandhi had also carried a similar copy of the Constitution from Parliament to public events, leading a "Save the Constitution" campaign against the ruling party.

[cyberrat]

thinking about. the concept of hawks who wants to rookie endeavor and fuck him while he’s out of it but also is soooo image conscious and always thinking about how to cover his ass in situations so he’s always thinking about how something might look if it was subpoenaed if endeavor sued him for roofieing and raping him (which is basically what’s happening even if endeavor is condoning what’s going on) so he never says things outright, phrases things like he’s talking about other people, the pics and little videos he sends always have spoofed metadata from the studio of a nsfw illusion quirk user who he makes regular payments to and will lie for him in court if necessary. he’s jumping through all these hoops and this hasn’t occurred to endeavor at all he’s just wondering if he can figure out how to get hawks to fuck his throat while he’s out without admitting to either of them that’s something he wants. hawks is ready for a tense game of chess and endeavor is losing at checkers because it gets him wet. thinking about - hawks getting that illusion user to claim that they had been acting as endeavor in a shoot and releasing a video of actual endeavor being played with and fucked by hawks in a mask and such to hide his identity (porn situation is burglar with a sleeping quirk, illusion quirk jokes that it was their easiest job ever, etc.) I think hawks should arrange it so he can send endeavor a link on his birthday. a little gift. and endeavor is mad and humiliated but that’s all swamped by the fact that he’s never actually seen more than a thirty second clip of what hawks does to him when he’s out and he’s too busy with his hands down his pants watching and rewatching it to get properly angry. maybe hawks did something special that time to show off to the camera, like tie his ankles to the headboard to hold him open and exposed to the camera hands free and endeavor remembers the day after when the muscles at the back of his his thighs cramped and ached and he had no idea why.

different idea: when hawks is annoyed at endeavor about something he pumps up an inflatable dildo as much as possible in endeavor’s pussy and only fucks and comes inside his ass. also slaps his pussy enough that it swells up so the base of it isn’t visible so that when he takes a picture with endeavor’s hips in the air and upper body slumped into the mattress and his come trailing from endeavor’s ass down to his pussy he doesn’t have to take it out. the next day endeavor notices the cum in his ass and not his pussy and how he aches where hawks didn’t come and he’s not sure if it’s just a physical ache or because he wants to know that hawks fucked him or if he wants come in his pussy, but it doesn’t matter when all of those options make him horny enough that higher brain functions are shutting down. he knows he’s being stupid about this whole thing, he’s not usually this dumb, but since this all started he’s made many regrettable choices out of lust instead of sense and he shows no sign of stopping.

I am also considering. body writing. maybe writing ‘cunt’ as a tramp stamp on his back or something somewhere else that he would find unexpectedly. torn on shaving while he’s out because that would be amazing as a powerplay that he’s not in control but also he’d be less hot if he were less hairy. it’s a real dilemma

Anonymous said: "What if roofie Hawks left a present for Endeavor to find. A plug so endeavor knows he’s walking around with his “rapist” seed in him all day. Now he’s worried Hawks will knock him up."

--

I feel like I should marry the two of you off because you share one very horny heart and braincell and I love that a lot actually.

I've been *blessed* with these asks yesterday and they have been living rent free in my mind the whole day. Just vibing. I love them a lot.

The thought of Hawks just *aggressively* trying to get Enji pregnant??? Just *waiting* for when his body/hormones have changed enough that he can be a proper Omega and carry his pups? (against his will? hhhh) delicious. devious. absolute chef's kiss.

Endeavor rubbing his two remaining brain cells together to start being afraid of getting impregnated but too horny dumb to do anything about it (actively searching Hawks out for his weekly breedings).

but also I absolutely see that shaving dilemma at the very end of the top ask? like... Hawks just shaping and styling Endeavor's body in any way he wants because that slutty DILF basically belongs to him now. But also wanting him to be just so deliciously furry because yeah shit that's hot.

I think the hair wins out for me ngl. I am still daydreaming about Endeavor's unguarded furry pits. Hawks tugging on the air and taking a ton of pictures of it and Enji has no idea what that is about but he gets weirdly hot for it anyway.

Also can I just say the idea with that NSFW quirk user is so fucking genius and horny?? why do I never come up with that shit ooooofff absolutely insane and unhinged and I loooove it.