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mrs-gauche · 23 days

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Vows & Vengeance Episode 1

ALRIGHT GUYS! As always, I'm super late to the party (although for once, I actually have a good reason, which is that I'm currently kinda in the middle of renovating my place lol), and while I first listened to the episode on Thursday, I just wanted to let it sink in a bit and listen to it again a few times, to really appreciate all the details. :D So here are a trillion few notes on the first episode (spoiler, I loved it! <3333) and I hope this doesn't sound too jumbled, I haven't had a lot of sleep lately. 😂😂💀💀

- Ok, so my first reaction to the ending was basically: "OH MY GOD NOTHING CAN EVER GO RIGHT", "DAMN THAT ESCALATED QUICKLY" and sobbing for Elio, I guess. lol

- My general thoughts: I loved it!! ❤️❤️❤️ I felt like it was gripping and immersive from the beginning, but also genuinely funny and moving at times! I think this first episode did a good job of setting up the plot, the pacing was good and I'm already invested in the new characters! The sound design and voice acting was top notch (albeit maybe a bit over the top and a little cheesy in a couple of scenes lol) and I absolutely LOVED the little nuggets of the Veilguard soundtrack we got throughout (Zimmer and Balfe confirmed!!). There are a few tiny nitpicks, but overall this was fantastic and correct me if I'm wrong, but I've never heard of a game being marketed with an audio drama before? 😂 But looking at Dragon Age's amazing voice cast (and the fact that they all made us develop a voice kink lmao), this makes so much sense and I need like a hundred more of these in the future. lol

Notes on the episode itself:

- The narrator reminds me so much of the ones in these old anime dubs. I was expecting him to be like "LAST TIME ON DRAGONBALL Z". He got lost in the wrong dragon franchise. lol Really cool voice though!

- I LOOVE how it starts off with a minute of just the ambient sounds, chatters and music of the tavern, to really get that immersion, as if you just walked into this place yourself. - That new rendition of "Oh Grey Warden" hit me in the feels ngl.. ;-;

- Nadia just walking it and poisoning Olen to get answers was such a badass introduction to our main character! - I like how the narrative is neatly tied together by making this a retelling of what happened, starting off with loads of questions and by the end we're back in the present again.

- Nadia and Elio are so sweet nawww <3333 - Those sounds of Elio waking Nadia up were straight up ASMR. lol - The tune that's playing in the back here is sooo nice, I wonder if it's part of the new Love theme or something. 🥹❤️

- A sort of forbidden love between Liberati and Altus, oh this better end f*cking well!! 💀💀💀 - Well, that birthday got cancelled REAL fast. lol - I get Nadia's outbreak, but DAMN, she went OFF on him from like 0 to 100 in a heartbeat. lmao I guess something was bottling up for quite some time. - "I'm sorry" Oh no. I notice a certain pattern. *sob* - Again, that track that's playing here, wooow. Goosebumps! It's a super tragic rendition of the main theme. I just know this one's gonna hit so hard whenever that plays in Veilguard. 😭

- I wonder if the docks here are the same we've seen in screenshots. :3 - The soundtrack that's playing here reminds me SO MUCH of Unravel (one of my favorite tracks in recent years! <3333) - I like Nadia and Vik's dynamic. Super authentic. :D

- Nadia's reaction to the gold and then "TRIPLE the bag for delivery??" Yeah, Solas truly is the richest apostate hobo in all of Thedas. Those vaults from Trespasser come in handy now. Good thing the currency of old Elvhenan is apparently still valid. lol - Solas' quest of collecting every ancient powerful artifact continues. - Isn't this like the second time now that Solas indirectly hired someone to break into the Archives? lol They really need to improve that security. (Watch there being a quest in Veilguard where you have to break in there again, but it's impossible due to the amounts of guards now and Solas is like "Yeah, that might be my fault, sorry." lol)

- Super random thought, but judging by the sound design, there's gotta be lots of chickens running around in the streets of Minrathous. lol - NEVE!! <3333 (I'm sorry to anyone who had the wildest conspiracy theories about that teaser image and was expecting someone else. lmao) - So, wait. Does that mean Solas also anticipated Neve to talk to Elio? Or maybe someone else was supposed to do that but Neve got there first? lol

- Nadia and Vik have got to be the noisiest thieves I've ever heard. LMAO HOW did you manage to steal anything until now?? 💀💀💀 - I love how you keep hearing Vik laughing in the distance while distracting the guards. lol

- I wonder if all the turmoil could have been avoided if they just informed Elio about his ancestor's connection to the Eye and the Venatori from the get go. I guess he needed that push of knowing to never be able to return to his life in Tevinter to go along with it, but.. *sigh* poor Elio. - "I trust you." UHGGHH We were on the right track there. 😭😭 - That music AGAIN?? Chilllls!! - Nadia just casually destroying hundreds of years worth of relics. Love it. lol - "FLAME BLAST!!" Oh, this is so anime. lmaoo - Elio going from "WE'RE NOT DOING THIS" to fully enjoying beating up templars and go full criminal in a matter of seconds as soon as he sees his girl in her element. He loves her so much. <33

- "Who's the hat?" lol - That groan after the Dread Wolf name drop? Yeah, that was actually me. lmao - So, I assume this also ties in with Neve already knowing about Solas and his shenanigans in Minrathous when she met Varric in The Missing. Maybe it was this very incident that Neve was talking about? - Noooo, Vik!! 😭😭 (I knew you for like five minutes, but you made in impact. lol) - Sooo... I take it these "assassins" were actually Venatori, since they were the ones going after the Eye in the first place? Or am I stupid now? - "The eye went boom!" Love that delivery. lol - "She's trying to freeze the bay!" Yeah, Neve just DID that. What a boss. - "An elf with a fancy tongue." Oh, I know who THAT is. lmao

- "Me and you." 😭😭😭😭 You two are killing me. - That motif AGAIN. 😭😭😭😭😭 - Oh, for fuck's SAKE. Solas really always has the best flippin timing. They're all sweet and loving and here goes our disaster man "I'm about to ruin this couple's day so good." 💀💀💀 It's her BIRTHDAY, dammit!! - "Ominous looking chap in the road" lmao All I could think of there was THIS (for anyone who gets the reference LMAO)

- How is it that I knew he would appear in this episode from the teaser, and yet I still freaked out so hard. lmaoo After such a long time, it's like any second of new Solas content makes my heart skip a beat (or several). 😭😭 I still can't believe we're getting all this. 🥹

- Look, I may be a Solasmancer and have my biases, but godDAMN.. GDL is so good. HE IS SO GOOD. That Welsh accent. That rolling lilt. A voice like velvet that can be both so smooth and so sharp. There is just something about his performance that has you on the edge of your seat every time he's talking and I looove these little moments when you can so clearly hear that cheeky little smile in his voice. 💜

And it's so nice to hear him talk so calmly (well, at first at least lol) and kinda playful again, opposed to how super anxious he sounds at the beginning of Veilguard. 🥺 It's kinda interesting to compare this performance with DAI now, because now he's fully embracing the Dread Wolf role, and I keep thinking this is him after being isolated for the past ten years. ;-;

- Anway, so Nadia "unknowingly employed by the Dread Wolf" gets her pay from Richie Rich and girl, that would've been the moment to LEAVE. *sob* - "What other choice do we have?" Well, I dunno, RUN?? lmao - *chuckles* "I will demonstrate." Alright, I'm dead. Why did you say it like THAT? T_____T - Hearing Solas talk in elven after so long.. Dead again. Overkill. And yes, he's saying the exact same thing he said to Sera once. No, we don't know what it means. lol Maybe Sera IS actually an ancient magical artifact and he tried to trigger.. something. lol - That whole flippin dialogue. Solas please stop talking like an old witch trying to lure her prey into her lair. 💀 - "I do not play games." *screaming* - Honestly, I was like "NOOO WHY would you GO with himmm" but then I remembered, SHIT I WOULD FOLLOW HIM ANYWHERE. Hell, I *HAVE* followed him anywhere. To Hell and back. 💀💀💀💀💀 - Solas' persuasion game is at maximum at all times.

- "Energy is neither dark nor light." Speak for yourself, Trickster God of In Between. - "It is the Fade. The Veil is fragile here."

- Solas finally gets to answer questions again, but Nadia is rude about it. 😂 Solas slightly approves AND disapproves. lol - "Kindly remove your blade from my neck."

- Those damn Venatori at it AGAIN with their hunt for magical McGuffins. After TN and the Missing, I'm starting to believe that is all Solas did in the last ten years, snatching one deadly toy out of the their hands after another. lmao - "And it is up to me to ensure we arrive at the best possible outcome." Oh, we're so doomed. - "You're sharper than you let on." Here we go again with the backhanded compliments. lol Ohhh, how I missed it.

"Some people confuse a reckoning as an ending." "I seek... regeneration."

Holy shit. The voice. The long pause. The delivery of that last line. Shivers down my spine. It feels eerie. Like he sounds.. desperate.. and maybe a little.. insane? lmao (That's how you start to talk if you've been separated from your soulmate for ten years 💔💔💔)

Ok look, I've seen a TON of people thinking that, because of the way he says this and him using the word "reckoning" ("For a reckoning that will shake the very heavens"), this HAS to be whatever part he took of Mythal speaking now that has taken over his mind or something. But.. I don't think so? lol

I honestly think this is just Solas who, after a thousand years of preparing to "heal" the world again that he broke, even after admitting to himself that this world and its people are in fact real and he has to destroy it, is SO close to getting there now and there's NO ONE who could possibly understand him or how he truly feels or what any of this or the Blights/Titans/spirits/gods/Veil even truly ARE, so no WONDER he sounds a little f*cking unhinged. 💀💀💀

The choice of words is very interesting though.. "Regeneration" is not something he has ever used, BUT it immediately made me think of the line "But still, some hope remains for restoration" in Trespasser. This is what google tells me:

Regeneration represents a form of upgrade from restoration. If restoration means “to make something well again,” regeneration, for some authors, means “to make it better” than a (supposed) origin condition.

Regeneration: "a renewal or restoration of a body, bodily part, or biological system (such as a forest) after injury or as a normal process/ or a spiritual renewal or revival"

You know.. if I read "restoration of a bodily part or biological system", you know what's the first thing that comes to my mind yet AGAIN.

Look, that Titan's body is SPLIT IN HALF and we know that this was kinda the catalyst for everything Solas did back then, so... I'll just leave that here and listen to rest of the episode now. lmaoo

- "And the eye will make us fix that?" "More or less." dksdjjgdkfvlf THE SMILE IN HIS VOICE. What does that even MEAN? What do you MEEEAN, SIR?? I would've RUN out of that cave SO flippin FAST. - "And you're sure this is safe?" "As safe as we make it." *literally two minutes later* "SOLAS, SOMETHING IS WROOONG!!" This is a goddamn comedy show. lmaoo - "Silence, please." lol at him still being polite. - "This is all to be expected!" *five seconds later* "WE MUST FLEE!" I BUST out laughing. WHY are you such a DISASTER. Nothing EVER goes right and yet you always keep trying, you fool, omg!! - I don't think we have ever heard Solas so distressed. lol Like, not even when Wisdom died or at the beginning of Veilguard. - "Take my hand!" I would've never thought to hear THAT Trespasser line repeated under those circumstances, but here we are. lmaooo - We know Solas is a hopeless romantic, so for him to see that sweet couple torn apart because of him, and him still trying to save Nadia, I'm not ok. - Solas being responsible for Elio getting banished to the Fade and him being trapped there not long after.. Do you believe in karma? 😂 - "I'M SORRY!" WHY DOES IT ALWAYS END WITH HIM SAYING THAT. 😭

- So.. uh... what even WAS the plan, exactly? lol Like, what was supposed to happen?? Maybe they should've asked a few more questions after all. 💀 - That following scene with Nadia all alone. I got chills again. That hit different. ;-;

- "Where can I find this wolf??" Oh, she is about to hunt him down. 😶 "...I'll be back." Nadia in full Terminator mode now. 😂 - How are she and Elio connected now though? How can she hear him? 🥺 And I can't help but think about whoever was left in the Fade in DAI again, too. 😭😭😭 - Not the credits making me almost sob AGAIN because of the music. 😭 It is so so good.

So there we are. Everything went wrong, a couple is doomed and Solas is sorry. So, nothing changed. LMAO Everything as usual. 💀💀💀 Solas, I swear, if you don't get these two back together again and pay Lavellan a visit afterwards, my Rook might rethink listening to your advice in Veilguard. lmao

I can't wait for that next episode! This was so much fun and an amazing start, and I'm so excited to hear all the other companions! :D ❤️❤️❤️

#vows & vengeance spoilers #da vows & vengeance #solas

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phantomoftheorpheum · 1 month

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The Umbrella Academy Season 4 Review/Critique

Fair warning- this is ridiculously long. If you expand this post and don't actually want to read it, it will be a pain in the ass to scroll through; I would advise against it.

Just to be 100% clear, these are my opinions and interpretations of the show. If you don't want to see criticism (and quite a lot of it) or read a pretty raw, unfiltered/unedited review of the season, this is not for you. This is a casual platform, so I tend to just let myself think out loud on these posts, meaning that I don't go back and heavily edit my thoughts. I may express ideas for the storylines that would need some refining, I'm generally just spitballing.

This is a very criticism heavy post, I have a lot of issues with this season, so if that will upset you, please just don't bother to read this. I will be tagging anti tags (due to the large amount of criticism I have for the show) for filtering purposes.

*** Spoilers for all 4 seasons of Umbrella Academy ***

Good Stuff First

I always like to start with my favorite stuff from the show, because usually if I am bothering to critique, it means I have a lot of criticisms, but I always want to acknowledge what the show does well before I start getting into what it does not do well.

Individual Characters & Dynamics - In particular, I thought Klaus's unique character voice was present and well written and the performance continued to be top notch (I have some criticisms about the actual storyline, but I think Robert nailed what he was given from an acting standpoint). Many of the specific dialogue and character dynamics felt consistent to earlier seasons, which can be difficult with such a wacky show. There are definitely some characters who were able to shine, regardless of what they were given.

Visuals/Sets - The show still looks as good as it ever has. It's never been groundbreaking cinematography, but you can feel the budget in the aesthetics of the show. It has been able to maintain this weird "almost our world, but not quite" reality in a visual manner since season 1. It has a distinct style and look. The sets largely feel big and textured and expansive, even when they're fairly simple. I like that we've at least glimpsed the house in every season.

Tone/Humor - The Umbrella Academy is weird. It has always been weird. It must be weird or else it would feel... bad weird? It does succeed in continuing to be weird AF. I like that the show isn't afraid to be incredibly strange. It is a show that swings big. The humor is still there. Humor is hard, and I think they hit more often than they miss.

Family Road Trip - The group dynamic, family bickering, montage effect of 4x02, etc. was one of the lighter and more enjoyable choices made in season 4. The bit of "annoying song stuck on a loop" that continued to crop up throughout the season worked for me.

Abigail Completely Failing at Being Gene - This is only a very small part of the season, but Nick Offerman playing an alien cloaked in a (very weird) human skin and very poorly pulling it off added some levity while it lasted.

Soundtrack - While I think there are fewer distinctly standout tracks for this season (but this is entirely a personal opinion, maybe others feel differently), the show's commitment to its distinctive sound and use of music is still solid. I particularly appreciated the callbacks to season 1, obviously I Think We're Alone Now, but also by selecting Dead To The World in 4x06 for Five (I prefer In The Heat Of The Moment as a song, personally, but the choice was very clever). This is a show that I genuinely like to go listen to the soundtrack of after the season, and I intend to do that with this season as well (except for the Christmas stuff, I am not a big Christmas songs person).

The Cast - This is related to point one, but I really think 99% of the cast did they best they could with the material they had to work with.

Despite all my criticisms, I still found myself sad to be at the end of the journey. And I think that says something about the strength of these characters. A perfect journey? No. But one I'm still glad that I took.

My Criticisms

I want to start by saying that if I bother to critique something, that means I believe it has enough potential to be worth discussing. If it didn't, I absolutely would not bother. So while I think this is going to come off quite harshly, it is coming from a place of "I love what this show can be when it's at its best, and here's how I personally think we could have been closer to its best."

A lot of times when I write up my thoughts about a show, I start with my most specific criticisms, and as I examine those, it points me to a bigger underlying issue. Sometimes I work the other way around, thinking about the larger elements I have criticisms of, then searching out examples. But in this case, either way, I find myself ending up at the same place with the same issue, and that issue (perhaps ironically for this particular show) is time.

I believe the largest issue with season 4 is time management, crafting storylines that are interconnected and therefore justify their screen time, and pacing. Yes, I have some criticisms that could not be fixed with better time management, but a lot of my issues lead back to this. Pacing is always a tricky element, is at the top of many criticism lists of many shows, and has been at the top of my list for several shows I reviewed this year. Pacing issues seem to be cropping up more and more with streaming service based shows on all platforms, and I don't think that's coincidental. But, imo, Netflix is our best example.

One of the greatest strengths of Netflix Originals, back when they first started, was the guarantee of a full season before a cancellation. Because they had no feedback on a show before producing and releasing an entire season, there were no early mid-season cancellations. This allowed writers a little more room to stretch out, knowing they wouldn't walk into work the next day and be told they have 2 or 3 episodes to wrap up a story, or worse, wake up to just no job at all. So while the seasons were shorter, the time was guaranteed. Many of Netflix's early properties, particularly if their first season was successful, were greenlit for multiple seasons at a time, a practice which has been all but abandoned (Bridgerton and Stranger Things have been afforded this luxury in recent years, but few other shows). But as Netflix (and other streaming services) got its legs under itself, it came to realize that there was more profit in producing the first season of many shows, then cancelling all but the most successful. This epidemic of unfinished stories has been spreading rapidly. Now, not only does Netflix have an extremely high cancellation rate and rarely renews a show for more than a season at a time, it has also been shortening seasons, bringing down production costs, and trying to minimize risk and maximize "safe" profits. Minimizing risk in favor of maximizing safe profits rarely results in good art. Which explains a lot.

And so, unfortunately, I think The Umbrella Academy is a casualty of this increasingly mercenary system. Not only was it forced to make creative decisions with the constant threat of "This could be the end, but you won't know it until after it airs, so it also has to work as not the end," during the first three seasons, but though it got warning of its final season, it received a limited run to complete the show. Now, I can't fault anyone for wanting to write each season as a possible ending, considering how often Netflix cancels shows. Is this smart? Yes. Is this also limiting? Yes. And shows like The Umbrella Academy, with universes that become increasingly complicated with increasingly detailed lore, suffer quite a lot when trying to contain a story to each individual season. And finale seasons are particularly difficult. Expectations are high. Netflix's production model gives audiences years to build up their anticipation for the finale. Too much time to think, to pick holes in what has already been created, to cool to something they were once passionate about. Delivering a genuinely satisfying finale under these circumstances would be a daunting task.

But with all that being said. Season 4 only has 6 episodes, and it somehow manages to waste so much time. I don't know what's in the water over at Netflix, because I don't know if anyone knows how to waste limited time like Netflix does. If it weren't so irritating, it would almost be impressive.

The truth is, very few of the main characters really matter to the overarching plot of the season, which is a very weird choice, particularly in a final season. It's basically Ben, Jennifer (who we barely know and just met), Hargreeves, Abigail, and tangentially Viktor. Five & Lila are basically completely taken out of play for an episode and a half, where their actions have practically no relevance to the main plot, and the critical information Five gets while using his "new" power could easily have happened without this storyline. Luther & Diego are similarly sidelined by the CIA storyline. And, again, Klaus & Allison are occupied with a side plot that removes them from the main conflict of the season and does not tie in to the finale.

I do not mind the centering of Ben & Jennifer for a season of the show in theory, but with only 6 episodes to tell this story, I think it was a stretch to believe they had the time to do this plotline justice and waste so much time elsewhere. I don't know if this was solely a me issue, but I just... didn't care about Jennifer. I mean, sure, I rooted for her in a passive "she seems nice" kind of way, but even by the end we barely know anything about her. I can live with a "cosmic connection" insta-love situation between Ben & Jennifer (not my favorite trope, but it can be okay), but just because Ben instantly connects with Jennifer, that doesn't mean the audience does. And, to make matters worse, this version of Ben is one that we don't know that well, anyway. Like... his defining character trait is that he's mean and angry. I didn't mind that in season 3, as he was new to us and at odds with our protagonists for most of the season, but we don't really learn much new about him in season 4, either. The bit of Ben's history that we get is from Umbrella Ben, not Sparrow Ben. And Sparrow Ben's personality and history isn't touched on. Why is he like this? It's never explored, not beyond the shallow "the Sparrow Academy wasn't raised as the family that the Umbrella Academy was" that was established in season 3. The fact that we know so little about this version of Ben makes it harder for me to connect with him, as well. So to center these two characters in the final season, and then not even give us scenes to flesh them out as individuals, it just feels like such a waste of time. It didn't need to be Ben and Jennifer. In fact, it very much felt like it was only Ben and Jennifer because everyone has always wanted them to tie "the Jennifer incident" into everything. Again, I think this plot could work fine if given the correct amount of screen time, but as it is, it feels rushed and shallow. We might care about Sparrow Ben (might), but we don't have much reason to care about Jennifer.

Lack of direction - There are only six episodes in this season! Every minute needs to be used wisely. This should be the most focused of all the seasons, every storyline streamlined to tie into the finale of the show. Which is the opposite of what we got. For the vast majority of the show, nothing Klaus or Allison does matters. Nothing Diego or Luther does matters. Nothing Five or Lila does matters. Sure, those storylines touch on individual character development, but when you're planning to kill everyone off in a couple hours anyway, why are we starting down unconnected character arcs that are destined to be left hanging? Every bit of interpersonal character development should be written in a way that ties into the finale plot of the show, so scenes can pull double duty and maximize the limited time available. What was the purpose of Lila and Diego fighting (other than to physically separate them)? What did they learn? How did they change or grow? They didn't. They are split apart, sent down different dead end roads, only to be gathered back up in time to die. They speak words of understanding, but we don't actually get to see them learn or put those changes into practice.

I think about it this way- if Lila and Five had gotten lost into the weird limbo subway system and we never saw what happened to them, and instead they just reappeared from that adventure for the finale, would that fundamentally change anything about how the show’s main plot plays out? No. It wouldn’t. If Klaus had stormed off in 4x03 and Allison had gone after him and we’d never seen either of them again until the finale, would that fundamentally change anything about how the show’s main plot plays out? No. It wouldn’t. If Diego and Luther had gotten their CIA passes and walked into that building and vanished from the story until the final episode of the show, would that fundamentally change anything about how the show’s main plot plays out? No. It wouldn’t. Even Viktor, who is directly addressing the main plot point of Ben & Jennifer’s connection becoming apocalyptic, has very little impact on that storyline leading up to the finale. He speaks to Ben once, he insists on trying to save Ben, and spends the rest of the time working through personal issues with his dad or being attacked in a sequence that has no consequences. The conflicts that these characters encounter have very little bearing on the physical events of the show (they get shot at, they escape. They fight, they escape. They are chased, they escape) and what are the specific consequences? There aren’t any. Viktor gets to use his powers to save Hargreeves and gets shot (I think??) doing it, but he’s fine, and it doesn’t change their approach or goals in any way. Five and Lila are trapped together for years and have a romantic relationship, but then they “go home” and it doesn’t lead to any of the characters deeply changing or acting notably differently in the following events (Five and Diego fight at a bad time, we get a funny reaction from the other siblings, etc. but it doesn't change anything) and then it is never truly resolved. Luther and Diego go to the CIA and this plot is used as a vehicle to reveal the villainy of Five’s boss (so??), but ultimately Luther and Diego get a big fight sequence, learn very little, and take up a lot of screen time for a reveal that could easily have happened in seconds. None of their actions in this storyline blatantly effects the outcome of the show. And Diego feels set up for some character work, but all it really leads to is him being like "I get it," and that change never getting a chance to be actionable. Allison and Klaus reconcile, but only after a lot of screen time is spent on another side quest. Do they really change as people from this story? We don't know because there's not enough time to see. This is clearly not a legit substitution for actually addressing the issues between them, but we don’t have time to do that, either. Not to mention, the conflict between Klaus and Allison isn’t some slow burn issue. It’s doesn’t exist before this season. What is the point of any of these plot lines? Why send Allison and Klaus off together to resolve issues that we only just found out exist, when Allison has canonically been estranged from all of her other siblings since the events of season 3? That is blatantly an unresolved issue, but instead of using her screen time to address her season 3 actions, they create a whole new issue for her and Klaus to fight and then reconcile about. Wouldn’t it be much more interesting to see Allison and Viktor work through their issues once and for all? Or to address all of the ways Allison betrayed Luther in season 3? What about Klaus reconnecting with this version of Ben? What about Luther working through being betrayed by his father? What about Diego and Lila actually being parents? What about really getting to see how this life that Allison sold them all out for isn't even the dream she thought it would be? What if, instead of getting a montage of Lila & Five’s romance, we got a montage of Jennifer and Ben finding and destroying each other in many different worlds? You want to sell me on this tragic, cosmic connection between them? Okay. Sell me on it. Make it hurt.

Five - I'm just going to be brutally honest here- I believe Five is the strongest driving force of the show and his sidelining in season 4 was a huge mistake. Five might not be the emotional core of The Umbrella Academy, but he is absolutely central and critical to what has worked well in previous seasons. And yet, in season 4, he's pushed to the side and basically written out of the main plot for half of 4x04 and all of 4x05. And then, even when he is around, he's lost a lot of the elements that make him a fan favorite. Let's talk about that- in season 1, Five's return and his mission is where it all kicks off. Yes, technically the inciting incident is Hargreeves' death, but gathering the family without Five's arrival would have been useless and led nowhere. Five drives the entire plot of season 1, while the rest of the siblings get character arcs around him. He makes things happen. He withholds information from his siblings and from the audience. Without him moving the plot forward and tying things together, season 1 would have been a disjointed mess. In season 2, we follow Five's attempts to reunite the family and fix yet another doomsday. Again, he is the one that pushes the plot forward, while the other siblings wander down various other storylines (which is not to say that they are not involved and don't contribute, just that they don't move the plot along to the same degree). In season 3, Five attempts to "retire," but pretty quickly he's back in the thick of things in search of answers and solutions. He is set against Hargreeves in an intellectual face off and is ultimately the one who pieces together the hotel's puzzle. He also discovers that he is, essentially, his own nemesis and behind a lot of what happened in previous seasons (a storyline that feels like it had a lot more to give, possibly, but is abandoned and explained away as "something a version of him did in some timelines,"). But in season 4, Five is... Well, he's suddenly not that relevant. He starts out fine, undercover and attempting to infiltrate The Keepers, and he does push the initial plot forward with his investigation, but then he just drops off the map (literally and figuratively). Five, who has always been the character to seek out answers and the character the audience trails through the bigger plot points of the story, is suddenly out of play. Now we're watching him wander around the multiverse (presumably for an attempt at character development, which ultimately falls flat) where he learns nothing important and falls unconvincingly in love with his brother's wife for an episode and half. Why? Because... they didn't know what to do with him? Honestly, I can't explain why. Five's acerbic wit, his tendency to be one step ahead of the audience, his cockiness, the uncanny personality that is a quirk of being an old man trapped in a young man's body, his absolutely brutal and ruthless methods to protect his family, and his cool fight scenes, it all just vanishes. Suddenly, for the first time, he feels the age of the actor. He feels erased long before he literally is. After 3 seasons of him having one of the coolest powers that leads to some of the coolest scenes, we're suddenly in a world where everyone else has some useful version of their power, while Five's kind of sucks. And like his teleporting power only reappearing at the very end (spurred on to save Lila specifically, rather than his family, because ???), Five's personality is frequently missing. Which leads me to-

Five and Lila - This may be a controversial opinion, but in concept this could have worked. Am I mad at the idea that two characters who are stuck together for years with no one else as company might fall in love, even if they're an odd pairing? No. Like I said, it's okay in concept. But only in concept. In reality, there was neither the time, nor the necessary casting to make this storyline hit properly. Regardless of Five's character's age, or the fact that his actor is (technically) an adult now, this felt flat out wrong to watch. Not only does Five still very much look like a teenager (inevitable, as while Aidan has aged over the course of filming the show, the age of young Five would now, still, vastly outstrip his real age of 20), but we also know that Lila was introduced to him as a child. Lila and Five meet in season 2, in which he is (physically) still a 13 year old boy, while Lila is an adult woman (considering she has the same birthday as the rest of the Umbrella Academy, this would put her at approximately 30 years old at this time). Yes, the exact ages of these characters is a bit messy to track, but no amount of text on the screen telling me so many years have passed is going to allow me to forget this detail, which makes this whole situation, at best, deeply uncomfortable. The fifteen year age gap between the actors is incredibly evident, and this romance is ultimately completely unnecessary for them to evolve in the (frankly minimal) ways that they do. They also pretty brutally sacrificed Diego's character for this. All of Diego's negative traits are cranked up to 100 this season, while Lila's are generally turned down to a low simmer (until she nearly dooms everyone to a meaningless death). While I don't think their relationship being on the rocks, or either of their character's struggle to fit into domestic life, is a bad idea, I again find myself questioning what the point of this storyline was for this particular season. We don't get much of a conclusion. Diego is basically a buffoon all season, Lila is less blatantly fucked up most of the time and also somehow less likable for it, and Five feels out of place in this storyline. Why did we do this? As far as I can tell, it's because they didn't have any other ideas to keep these characters busy while the actual plot happens around them. That's really not a good reason to blow up a dysfunctional but well liked dynamic (Diego and Lila) and never even bother to mop up the blood. And that leads me to-

Lila - Just, in general, I found myself asking "who in the writer's room is ridiculously obsessed with Lila, because that is the only explanation for any of this." For example, Klaus names everybody's problems and can't think of any real issues for Lila?? LILA? Her erratic, risk taking behavior and serious mommy/family issues are the most intensely Lila thing about her?? This is what her entire character is built upon? Why are we acting like she's not been a complete wildcard for the last two seasons?? Her new power doesn't make any kind of sense. Everyone else basically got some version of their old power back (and we eventually learn that Lila does have that power back as well, despite wildly underusing it), but now she has laser eyes.... Because? Her inability to properly control the laser eyes is funny, but also doesn't make any sense. In previous seasons we see Lila quickly adapt to using new powers only moments after acquiring them. If there is any one single person in this whole show who should have adapted to a new power immediately, it would be Lila. And somehow, for some reason, they center Lila during the finale conflict. Everything rests on her decision to stay or go. On her connection to her family (despite us barely seeing her in a room with them all season), instead of literally any of the main Umbrellas we've been following all along. And she gets the last line of dialogue from our main characters. We spend an extended sequence watching The Umbrella Academy slowly sacrifice themselves and Lila gets the last word?? And all of this is coming from someone who actually really loved Lila in seasons 2 and 3. She was one of my favorite characters coming into this season, but this... It just felt blatantly disrespectful to all the other main characters.

Everyone Dying is a Bummer - Okay, don't get me wrong, I'm not set against tragic endings in general, but... I don't think The Umbrella Academy earned this ending (at least not in this way). This idea of the world being better off without them, like they are a mistake that fundamentally ruins the world and must choose to sacrifice themselves in the name of saving humanity, that would (could) be fine. Except that it doesn't feel thematically well supported by the previous seasons, or even just season 4. At its heart, seasons 1-3 followed the ups and downs of Five's journey to save his siblings from the apocalypse, even though they are the ones to cause it. This is his entire goal. He wavers, he actively tries to walk away from this, but he cannot help himself, he always comes back around to this goal. This is what we buy into in season 1. So the idea that this is impossible and that they all must die anyway, feels antithetical to why we are asked to care in the first place. We haven't been asked to care about the world (not in any tangible sense). We watch random, innocent people, or vaguely antagonistic people, get killed in horrible ways left and right in the show and we are not asked to care. We're often asked to laugh. We care about them saving the world because we care about them saving the family, this dysfunctional group of oddballs. Sure, on a very basic and fundamental level we don't want humanity to be wiped out, but the humanity of the surrounding world is never deeply touched upon in the show. And their death wipes out infinite universes. We're told this is "right," but we don't tie any real emotional stakes to it.

Season 4, which centers around saving (or failing to save) Ben and Jennifer, around Viktor's desire to find another way because he loves his brother (even this version of him) and his siblings have always fought so hard to find another way because they love Viktor, asks us to care for these same reasons. Not for the world, but because we care about these particular characters. And the writers decide to sideline Five, whose centering I believe is absolutely essential to pulling off a "they must all die at the end" storyline to begin with. Why? Because he's the one who has fought so hard to save them. To have him not be at the center of the storyline where saving them is not possible makes absolutely no sense. Do I think that a final season where we follow Five coming to the conclusion that they are all doomed could possibly work? Yeah, if they had (and here it is again) the time to dig into that story and show us how he grapples with and fights that resolution tooth and nail until he cannot anymore (they point at it with the diner scene, but don't have the time to let us feel the weight of it). But they don't do that. We don't get to follow him throughout a season trying to cope with this impossible truth. Instead, he accepts that fate in a matter of onscreen minutes and with immediate resignation. (Yes, you could argue this is what he has been doing the last 3 seasons, but we're never truly given the impression that he is trying to prevent an absolute inevitability, only that he is trying to prevent a specific reality). It undermines the foundation of his character, and because Five is the driving force of the first three seasons, it undermines the foundation of those storylines as well. With the limited amount of time they were given to wrap up this show, instead of ending with a "everyone must sacrifice themselves" storyline, I would have, instead, centered Five's personal journey in season 4, which concludes with him realizing there can be one universe in which his family can all live, but only if he dies. They live, but he must sacrifice himself and be erased from existence so they will never mourn him, never know him, never know to be grateful. What could be more fitting for the show, more simultaneously sad and happy, than Five achieving what he set out to do in 1x01 and saving his family and that costing him everything?

Now... how to work that in and fill in some major plot holes at the same time? Well, I have some ideas, but I'm gonna save them for a different post, because while writing this review, I found myself re-outlining season 4 and trying to fix some of nonsensical elements of this season and if I get into that, it needs its own post. But I think it could be done. And speaking of nonsensical events.... Why do the Umbrellas have to die now? Like, logistically speaking, if The Cleanse is a necessary event and every single other world except the "perfect" timeline ends in apocalypse, then why can't they jump on that subway to a different universe where they have more time to be really, truly sure that's the only answer? At the very least they would have had a chance to really say goodbye to each other. We know there are plenty of universes where Ben & Jennifer both exist, there's no reason it has to be now. Since there are infinite "wrong" universes, they have all the time in the world. This is not a decision that has to be made exclusively in this moment, despite being portrayed that way. They don't die, The Cleanse doesn't work, they fact check their solution in a different universe, they get a chance to say their goodbyes, etc. etc. The urgency makes no sense. For that matter, why doesn't Five blip them all down to the subway where the show has already established in this season that time does not pass, so they can have a real conversation about this? There is literally no reason not to do this. They, quite literally, have a character who can take them to a timeless limbo where they can take as much time as they want/need to sort this out. They, quite literally, have that character take an entire family to this place, proving that he is capable of bringing a group of people there, and they don't use it.

It Doesn't Get Better - One of the major themes of Umbrella Academy is dysfunctional family and the way we cope (or don't) with childhood trauma. How burying that pain is destructive and hurts the people around us. And while I don't think the show's intent was to send the ultimate message of, "Actually, it doesn't get better, you'll never heal those wounds, and your existence is a destructive mistake," that's... kind of what it implies anyway. Throughout the whole show we explore the ways these characters are trying to work through the abusive household they grew up in, to move past the things that happened to them, and we watch them process and come together as a family and stand up against their abuser and grow into better versions of themselves and lose their way and pick each other back up. And then we're told that it doesn't matter because they all have to die. It sends a strange message. Personally, I think the show may not ever have intended to really send a message at all. It's absurd and irreverent and tragic and silly. It has never shied away from violence. It's always had a bit of a flippant nihilism hanging about it. And I think there is an argument for "People don't always get what they deserve. Sometimes they just get the short end of the stick and it sucks, but that's just how it is," being an underlying theme worth exploring. It's just... they don't really explore it, they just kind of dump it on us at the end. And because we don't have time to come to terms with this messaging (time, it's all about time), I think a lot of people feel like there's this bait & switch happening. For the last 3 seasons, we've been watching a show that is constantly addressing this childhood trauma and a toxic family dynamic, but then the end of that show is like "and all of these kids are a casualty of their abuser's arrogance and there was literally, not from the moment they were born, anything they ever could have done to grow away from that." It's pretty fucking bleak, to say the least.

Plot Holes For Days - There are more plot holes in this show than a block of Swiss Cheese. There are so many, that I'm still mentally trying to sort out an ending that feels... somewhat in the spirit of what season 4 was intending, and doesn't leave us up to our eyeballs in nonsensical plot points. For example- in The Umbrella's original universe, they already changed things so that they don't exist anymore long before the apocalypse. One of the major plot points of season 3 is that Harlan accidentally killed The Umbrellas' mothers before they were even born (obviously this is a paradox, as Harlan could never do that without meeting Viktor). But Hargreeves was still able to adopt Marigold enhanced children! Marigold kids were still born! We're told in 1x01 that 43 women spontaneously gave birth without having been pregnant, but we're supposed to believe that The Umbrellas, right here and now, have definitely got all of the Marigold in this universe? (And that doesn't even get into the questions surrounding the Marigold's presence in this world, since The Umbrellas did not bring it with them, we see no sign of other super powered versions of them existing in this universe, but if it didn't already exist here in some capacity and no children were born with these powers, then there's nothing inherently wrong with this universe, meaning the apocalypse wouldn't need to happen, and on and on and on. Like if all the Marigold was just in that jar and that counts as being in this world, then they could have just chucked that thing at Jennifer and bam, problem solved.) We know that in the original timeline Hargreeves didn't adopt all the Marigold children, because that's the entire point of Lila's backstory. And what about the other 35 women who spontaneously gave birth and those kids? So how could The Umbrellas possibly know if they are destroying all the Marigold by sacrificing themselves in this world? They can't know that. The existence of The Sparrows (and in another universe The Phoenix Academy) also implies that there could be many universes where The Umbrella kids don't all even exist, but other children were born with their powers, so specifically The Umbrella kids all dying isn't something that would need to be set in stone, since none of the other Marigold kids had to die for The Cleanse to work in this universe. Now, a lot of shows have plot holes or paradoxes or questions left at the end, and a lot of shows I would cut some slack. I'm even willing to ignore a lot of the smaller plot holes in this show, but this is the culmination of the entire series, the explanation for what must happen and why, and the justification for all our main characters being wiped out, and it just doesn't hold up under more than a moment's scrutiny. And that, imo, is a pretty big problem.

Gene & Jean/Villains - So, on a slightly lighter note, another thing that I don't have a problem with in concept is Gene & Jean. They're weird and quirky, as all Umbrella Academy villains seem to be, and I love both actors. It's just that season 4 has a serious problem with its villains in general. That is, there are too many of them and their plans are too convoluted. The ultimate villains being in some way connected back to Hargreeves (and specifically Abigail, who up until this point has had very little to justify her existence in the show) makes sense to me. But the absolutely convoluted mess that is The Keepers cult led by Gene & Jean being at odds with Hargreeves' men who are hiding Jennifer, being at odds with Abigail masquerading as Sy Grossman and then as Gene (I still don't understand why she needed to kill Gene or Jean, like Gene & Jean were already trying to bring about The Cleanse, why is she infiltrating them??), instead of using her resources/position as Hargreeves' wife, is ridiculously messy. The person I watched this season with actually asked me after 4x04 if I had any idea what was happening because they were completely lost. Generally, I am pretty patient about how a show shares information. I always assume that I am picking up what they're putting down, and if I don't understand something, I will when I'm supposed to. That... didn't always feel like the case to me this season. I don't think it was so much that it was hard to follow, but that it just didn't make a lot of sense. The "why" for so many character actions, but particularly the villains, just never fully materializes. Abigail and Hargreeves' sides are fighting in this season, with him attempting to prevent the apocalypse and her trying to bring it about... But what is the justification for the completely convoluted nonsensical path it takes to get there? She seems to have plenty of power over Hargreeves when the kids visit. Why does she need to infiltrate The Keepers? Why do The Keepers need to exist at all? It's just a coincidence that they have the same goals as Abigail? If she actually started them, then I assume she would have installed herself into the organization and not needed Gene to infiltrate it. I don't understand her choices. There were many, many simpler ways to get where they ended up.

So... it's not as if The Umbrella Academy is the first show to do this ending. In fact, one of my favorite shows of all time does this ending (not mentioning it by name because that would be a massive spoiler, obviously). I think this ending is completely possible to pull off. But I also am neither convinced from an in-universe logical point, nor from a storyteller's point, that it earned this ending. Did I want it to be a happily ever after? No. I don't think that would fit tonally with the show. But I wanted it to feel necessary, truly inevitable, and both physically and thematically, I don't buy that it was.

My advice to anyone who was starting this show for the first time would have to be, "don't think too hard about it," because ultimately, if you do it will crumble. Just enjoy the vibes and the bickering and the comedy and strangeness. There's no point in asking too many questions. And for some people, that's totally okay. That's enough. I'm just (shockingly) not one of those people.

So, if you're still with me, I'd love to hear what you guys think. Did you feel emotionally fulfilled? Were there particular plot points you loved or hated? What was your favorite musical choice of season 4? Should I release my redesigned season 4 outline? What ending would you have chosen? I'm open to all opinions! I don't agree with all opinions, but I will very much consider them.

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