#TRULY. this ones for my own purposes. i have no fucking clue what another human being would do being presented with this info and

[istherewifiinhell]

back on the grief train woo woo (day recap) (most serious skip warning yet)

i have a predilectiction to not wanting to record or remember when (like the specific when in time) bad things happen. but in the last couple years of blogging, and i guess the year and change of drawing ive found a lot more appeal of recall. so i wonder if its not so bad to. record the bad. at any rate i dont think. not recording it makes it less real. which i think is the fear. and. my head is doing it anyway.

im doing this coping method questionable activity here instead of a journal becauseeee??? natural format my brains prefers i suppose.

to recap. the bad horrible no good very bad day

- i went to sleep late, as usual. i wake late. same. i prelong getting out of bed. also same. scrolling idly (or 'pre scrolling' the dash. i dont know why i do it)

- screams. screams and distress and misery and comforting a screaming distressed person. various talking down of hysterical lines of thought. (thats not an insult. 1. circumstances 2. understood behavioural trends) the joint and mouth gear i sleep in dont even come off until the screaming is done. have u every pet someones head in a wrist brace?

- lots and lots of crying. more comforting. the gear comes off. i brush my teeth. exhausted sitting and hovering around the. scene of the incident.

- migration to kitchen as food needs win out. all doors shut and all living beings collect. toast is eaten. water drank. etc.

- backup arrives. infomation is gathered. places are looked up and called. plans are formed. actions are taken. i mentally catalogue setimental, soothing, but give upable fabrics.

- i rip up threadbare torn bed sheets. i have to figure out how to get my dead cat into a box.

-he was around 12-15 pounds. we called him toddler sized and shaped. he had a mean punch and strong grasp. i taught him to sit on my shoulders, sometimes.

- realise how much heavier he is now. i cry. i cover him with the sheet. i somehow get it under him. hes stiff. even the tail. i cry. i pet his fur. i sob getting him into the box.

- backup apologizes. im on my knees. wailing. i think. definetly louder than anything ive done yet. backup gestures the dog at me. knowing my situation. distressee entered at some point. gets a hug from back up. i think i am gestured into the hug. i gesture down. im on the floor.

- i wail and am hugged.

- i am invited on the trip to the place. i gestures to my face. my sleep clothes. i dont see it happening. im told i dont need to be strong all the time. i reiterate. i really just wouldnt be able to get my glasses and a mask on.

- i dont see the box. i dont see much. at i dont remember if i have tea now or earlier. i soon as i hear the car go. im crying again. the sister cat meowing didnt help. i dont actually know or belief if that. i have no idea what she experiences. shes a cat. but. yeah.

- blogging happens? sometime happens? people return.

- im told. four years ago he developed a heart murmer. apparently thats a thing. 4 years. bengin to. serious.

- blogging happens. as well as algorithmic irony. i am asked if i want to watch something. i say. shower first. i forget ever song ive ever heard. for a moment. i settle on the album pocket.

- eventually i come down. i get food. we watch a movie. its a good movie. i have a nice exchange with a friend during too.

- i watch some dishes and realise. bizarrely. my old manager might find out about this. the vet was near to my job. the guy was friends with the techs. this was the kind of infomation he would share with me at times.

- youtube videos until the group disbands.

- i start recounting this my head

- i am wearing pjs i dont like. whatever the level for snotty sleeves where u chuck a set in the hamper has surely been met.

- typing this. using a spare pillow case as a hanky

- im gonna go and try and find the horse traqulizer of pleasant youtube videos.

[vyeoh]

this is your chance: wax poetic about an Empires or DSMP character of your choice to a fan who is new to both. Explain why I should love them. I need guidance in this new and meme-populated land.

okok this is a lot of pressure haha. Spoilers for EmpiresSMP and DreamSMP below, obviously. I wrote a lot so prepare yourself, anon

I watch a lot of empires POVs but the ones I most anticipate every week are Scott and Sausage.

c!Scott (I'll call him Smajor for the sake of simplicity) starts off the series chilling, not really getting involved with the rest of the server, and staying aggressively neutral. After all, he's an elf. He has lived far longer than most of the other rulers already, and will most likely outlive them for many years. So, the best thing is to stick to his mountains and not get invested in the dealings of mortal affairs, maybe sometimes causing problems on purpose and dipping because what's life without a little spice right.

But then, this demon comes to the server, Xornoth. He's going around causing havoc and wants to send the world into an eternal winter, but he doesn't bother the kingdom of Rivendell much so Smajor stays tentatively cautious but ultimately unbothered. But then, the puzzle pieces start falling together. The first thing that the audience noticed was was Xornoth sounded like Smajor, but we mostly thought that this was just due to cc!Scott voicing both of them and there was nothing more to it. However, then, the people the demon starts possessing start chanting in elvish. The demon hates mortals, and the elves are conveniently one of the two confirmed not fully mortal races in Empires.

This culminates when Smajor stumbles across a cave that contains the backstory of the patron god of Rivendell, Aeor. Basically, there's two opposing forces, Aeor and Exor, and both have a champion. In a previous life, those champions were two brothers, where Aeor eventually prevailed and banished Exor. In this life though, the champions are - you guessed it - Smajor, and the demon Xornoth.

So now Smajor is like. Well fuck. It's my literal god-given destiny to be responsible for defeating this demon who is technically my brother, and if I fail the server gets plunged into an eternal winter. And I have no fucking clue what is happening because I've just been here on this mountain actively trying to stay out of the issues outside my kingdom. We watch him panic and teeter on the verge of spiraling for an entire episode, and when the followers of Xornoth go to the End to kill the dragon, releasing Xornoth's full powers, he fails to stop him. Smajor is a character who was used to being the smart one, the prepared one, the one who has the least deaths on the server. But he's also a character who runs away from his problems and ignores them. Before and during the dragon fight, we hear the desperation in his voice, as he's thrown into a situation he is wholly unprepared for, and it's bigger than him going to the Cod Empire to kill their king, or assisting in other people's plans to kill the codfather. He can't run from this. cc!Scott plays this scene so well as well, as I've said before, one of the best parts of Scott's acting is how he's never super dramatic, but he's so effective in the little things like inflection to make you feel, viscerally, the panic and dread.

So after the dragon fight, Smajor realizes, I can't do this on my own. I've tried and failed. So he gets allies. We watch him, someone who has so strongly been an isolationist, learn the benefits of allies and watch him learn to trust others and watch him learn how to get that trust in return.

My favorite thing about Smajor's characterization is that he's an incompetent protagonist, but not in the way of the "plucky young adventurer". He's capable skill-wise, and fairly jaded and very pessimistic. However, his issue is that up until recently, he did not care about the rest of the server at all, and by the time he learned to, it was way too late.

Also, in 3rd Life, cc!Scott and cc!Jimmy were canonically married and they reference it sometimes in Empires. Like, Scott goes over to the Cod Empire every so often both in and out of character to kill and/or flirt with Jimmy, the ruler of the Cod Empire, which may develop as a secondary plot into the future who knows. So ty Scott for giving the gays what they want o7

Now onto Sausage: his is a story of Icarus, his hubris and ambition being his downfall. He's one of the two followers of Xornoth, who promised him endless power in exchange for his servitude. He started the series being eccentric, but not outright unhinged, but slowly gets more and more extreme as the series progresses, as he gets brought more and more to Xornoth's side.

One of the best parts of Sausage's character, in my opinion, is how his gradual corruption affects the people around him. Initially, he got into a conflict with the Cod Empire and was allied with two other people in the Witherrose alliance. They were allies, but also close friends. The fandom liked to joke that the three had sibling energy, and I'm pretty sure the ccs played to that even more lol.

It was painful to watch the other two members, Gem and fWhip, watch Sausage get corrupted right in front of them, and see them desperately clinging on to this old idea of Sausage in their head because if they faced the truth, it would mean that their friend was gone. Eventually, they do finally cut him out of the alliance, leading him to fully commit to the side of the demon. Sausage felt very clearly betrayed by this, and declared the remaining two Witherrose alliance members to be enemies.

He gets more and more possessed, and we even see the other Empires, his enemies even, slowly realize that something is very wrong with the ruler of Mythland. He starts doing more and more evil things, like killing people more, making sacrifices to the demon, and eventually helping to kill the dragon to free Xornoth. So things are good for Sausage, for a bit. He won, and is more powerful than ever. Then he finds out: he's going to die. Xornoth's possession is slowly killing his soul, and eventually, his body going to be fully taken over and he himself is going to be trapped in the spirit realm. So how do you react to this? Over the next few episodes, we watch Sausage struggle between "the demon is literally killing me" and "the demon has given me so much, and I love it", all while Xornoth takes over more and more of him. We hear him exclaim that "don't worry!! I'm still about 15% there!" while trying to downplay every time Xornoth completely takes over his body. We watch him willingly oppose anyone who is trying to end the thing that is killing him.

My favorite thing about Sausage is that he is undoubtedly evil and proud of it, but he's also undoubtedly human. If you like to watch evil characters go absolutely feral, he's the guy for you. He makes the deal with Xornoth in the beginning, knowing and fully embracing the evilness of the demon, but at the same time he knows what he's doing is detrimental to both himself and everyone around him, but he's gotten in way too deep at this point, and to be fair the demon has held up its end fo the bargain, right?

Also, I would be damned if I don't talk about cc!Sausage's editing. Every one of his videos is like a movie. The way he does camera angles and uses music is so skillful- every lore scene feels like something out of a high fantasy action saga (think: LotR). Every big lore event I always wait in anticipation for Sausage's ep because his editing truly takes lore to another level.

I'm just generally very excited to see where this series goes. Empires is such a good mix of talented builders and good lore. Part of the reason why the series is so immersive for me, beyond any other lore smp, is that they have the settings to back it up. There is a certain charm to the DreamSMP's objectively terrible builds (with a few exceptions) but in Empires, the settings help sell the plot so much.

Another part of why I love EmpiresSMP is how much the ccs are involved with the fan community. I'm sure you've seen the memes about Scott being on tumblr, and Sausage regularly goes through the EmpiresSMP fanart tag on Twitter and likes art, even ones not related to Mythland. Most of the ccs, in fact, have brought up tumblr content on stream at some point or another. Like, several ccs have said that they read tumblr lore theories and hcs and stuff and sometimes take inspiration from them. Fun fact: Rivendell's church was inspired by my pinned drawing; confirmed by Scott Smajor himself. It's just such a good cycle of ccs and fans being excited about each other.

As for DreamSMP, I'm gonna be honest here, the only person I really am invested in in Technoblade. I started watching when he joined the server, and he's the only person whose lore I keep up to date with.

Techno's fun to watch because he's like the Deadpool of DreamSMP. Virtually unkillable, very skilled and scary, but consistently cracks jokes and breaks the 4th wall during plot. His POV is just fun. Like, he does wild plans and gives speeches and some of the stuff that happens to him should be called deus ex machine if it wasn't for the fact that Technoblade is the one who's doing it, and all the stuff is grounded in the fact that cc!Techno is just that good at the game.

However, the fact that he rarely takes anything seriously makes the few times Techno is 100% serious so much more impactful. His whole character has a basis in being perceived as inhuman and being treated as such, and therefore in return trying to hide his humanity. So, when he shows that humanity, whether that's fear, anger, or genuine love for his friends, it really makes you go "oh shit."

Techno's often said not to have character development, but I'd argue that while he remains steadfast in his moral code, he develops leaps and bounds as a person. Like, at the beginning, he's brought onto the server to help Wilbur and Tommy overthrow a government; them knowing he's 1) an anarchist and 2) very very powerful. His character was more of a plot device at that point and was treated as such in the canon. Wilbur and Tommy straight-up lie to him about their plans to establish another government after they overthrow the current one, while he was led on to believe that they were abolishing all governments in the area. But he isn't a plot device. He's a person, as much as he only shows the terrifying, blood god side of himself.

After the establishment of New Lmanburg (the new government its a long story), his friend Phil joins. And for the first time, we see him be fully human with someone and we see someone treat him like a human. Like, we saw glimpses before, with Wilbur and Tommy in Pogtopia, but Phil is the first person we noticeably see he trusts 100%. Then Doomsday happens, and Techno essentially retires to the tundra. During this time, we see Techno learn to be more human, first with Ranboo, then Niki when he establishes the Syndicate. In fact, the two of them, along with Phil, canonically throw him a birthday party, which is a far cry from his treatment in Pogtopia.

Techno's development is one of a god learning to be human, and I just think he <3

[nastybuckybarnes]

Monsters  -  Two

Pairing: Dark!Bucky X Reader

Summary: Bucky Barnes is a man who just wants to do better. But he can’t stop the monster from coming out every now and then. As a last and hopeless attempt at calming The Winter Soldier, SHIELD finds him something they figured would help. An innocent young woman with not a lot going for her. Or, The Winter Soldiers newest victim.

Warnings: Angst, Violence, Smut (DUBCON), Somnophilia, Injuries, Dark Themes, Language,

Word Count: 3.2K

A/n: Here you go! Pissed this out in like, an hour because I’m starting to really really like this series already lol. Hope you enjoy!

THIS IS A DARK FIC WITH SEXUAL AND TRIGGERING CONTENT!!!

Part One!

~*~

You pace around the kitchen of the small house, fingers stuck in your hair, pulling it at the roots.

You've been here for four hours. Alone. The Captain gave you few words before pushing you into the house and closing the door behind himself, leaving you alone with nothing but your thoughts and the worst-case-scenarios that your mind has been conjuring since leaving Fury's office.

There's no way for you to leave the house. That much you gathered quickly. After bruising your fingers trying to pry the door open, and wracking your brain trying to figure out a loophole for the DNA keypad, you gave up. The windows are all made of the thickest glass you've ever encountered, and nothing you’ve thrown at them made them crack in the slightest.

So you brought yourself to the kitchen, hoping to find a weapon to use to defend yourself, only to be disappointed. All the cabinets and drawers are locked. Why everything is locked and reinforced so much, you have no clue. And it only makes you more nervous.

Now you pace, back and forth and back and forth in the kitchen, trying desperately to figure out what they have planned for you and why they're doing this. They're supposed to be heroes, for god's sake. 

Protectors. And yet they lock you in a strange place, with no contact with the outside world and no chance of escape. You find yourself wondering if they're really any better than the people they fight.

The front door beeps twice then opens, freezing you mid-step.

You stare at one of the two hallways leading to the kitchen, each hallway meeting in the front foyer and leading to the front door. The fact that there are two ways to access the kitchen puts you at ease and on edge at the same time. You won't know where the intruder is coming from, but you'll have an escape if they mean to harm you.

You strain your ears, listening intently for whoever is in the house. It's futile, however, because anyone entering the house would be a highly trained spy and would know how to stay quiet and be undetected.

"Jesus Christ, they really did it," A male voice whispers from behind you. You spin around, facing the hallway behind you. You stare up at him and instantly recognize him as the Winter Soldier. 

He's wearing a casual outfit, black fitted jeans and a black hoodie, hands shoved into his pockets. His hair is long and unkempt around his head, and his eyes are a striking blue that seems to stare straight through your body and into your soul.

He remembers seeing a picture of you, one picture among thousands of others of women that fury deemed 'replaceable'. His lack of regard for human life made the metal armed soldier uneasy, and seeing you here in front of him makes him feel sick to his stomach.

"A-are you gonna hurt me?" The words fly from your lips before you can stop them, and you flinch away from him, squeezing your eyes shut as you anticipate a hostile move on his part.

He sighs, the sound bordering on a scoff, and shakes his head, metal fingers coming up and raking through his hair.

"No. I'm not gonna hurt you. Not on purpose." You peak your eyes open at that, curious about his intentions.

"C-Captain Rogers and Commander Fury said that I'm here to 'personally help you' and to 'take care of you'... what do they mean by that?" He looks at your frightened eyes then down to the ground.

"I uh... it..." He shakes his head and groans.

"I've been... falling back into old habits. At night... I get triggered into the soldier. And I've been trying to... hurt my female companions lately. The Captain thinks that having a woman to help satisfy my... primal desires will make me less of a hazard on the field." The words roll over in your mind and you look up at him.

"So I've been taken as some sort of sex slave?!" He winces at the way you spit the ugly words, not wanting to think about it like that.

"Well... no... I don't know! I was opposed to it, but they insisted. So... I picked you out of everyone. You've got a pretty face... and your body..." He trails off, eyes roaming up and down your figure then returning to your eyes. He pulls his bottom lip between his teeth and nods. "Out of everyone, I'm glad it was you. You're... perfect." You ignore his compliments and shake your head.

"Do you realize that I've been taken against my will here?! I've been brought here to service you in a way that I don't want to. And now I'm going to be forced to have sex with you? None of this is consensual! None of this is right!" You shake your head angrily, trying to come up with a solution.

"You said you're against it, so tell them to let me go! I didn't agree to any of this!"

"Did you or did you not willingly come meet with me?" You jump, spinning around quickly as Fury walks into the room, arms crossed over his chest. Your hands tremble, anger and fear chasing each other through your veins.

"You willingly came to the tower to meet me. You accepted the job by coming in for the meeting. You cannot by law say that that was against any of your human rights. You accepted a job then came in to learn about the requirements. That is your own fault." You shake your head, hands clenching into fists.

"I changed my mind during the meeting. I told you I didn't want to do it. I signed no contract, I made no legally binding agreement." The man in front of you grins.

"There's fine print in everything I send. The email specifically said 'by going to this meeting I am accepting the position and all it entails'. It's not my fault you didn't read it. Now I advise you to stop complaining. Who knows, maybe you'll enjoy this position, and any others he decides to put you in."

You grimace and glance over your shoulder at the soldier. His cheeks are pink and he's staring at the ground.

"Now, I came to drop off your belongings. They're being put into the bedroom as we speak. I took the liberty of throwing in a few things I thought the two of you may need. Now, Barnes, any questions?" 

You turn around and look at the brunet, eyes pleading with him to tell the other man to call this whole thing off. He stares into your eyes for a long silent moment then looks over your shoulder.

"I think this arrangement will help my performance on the field and in the office. I want to get started right away." Your heart sinks and you shake your head.

"Alright. By all means," Fury gestures towards you and you turn away from the brunet, tears prickling your eyes.

You go to push past the dark-skinned man when he grabs you by the wrist, staring at you with hard eyes.

"I can be a very patient man, but even my patience has limits. You agreed to this position, you chose your fate. Don't blame anyone else for your lack of attention to detail." You tear your arm from him and level him with a hard glare.

"Barnes, bring her upstairs. If she can't be talked into submission, maybe other methods will work better." An arm is wound around your waist and you start thrashing immediately.

"No! Let me go! Stop!" He ignores you, scooping you up in his arms with ease and taking you up the stairs.

"Let go of me! Help! Please! Someone Help!" He pushes into a huge bedroom and tosses you onto the bed, arms crossing over his chest as he stares at you.

"No one can hear you," Fury says, coming into the room shortly after. Tears streak down your face and you glare at both of them.

"Why are you still here? Shouldn't you be out ruining another innocent person's life?" He chuckles and looks over at the soldier.

"You've got a fiery one. Have fun with her." He turns and leaves the room, the beep of the lock letting you know that he's left the house.

You and James have a staredown as you sit on the bed and he stands by the wall, not moving, simply staring at you.

You finally give in, looking down at your hands, fingers trembling. "Please don't do it," you whisper, desperation dripping from your words. He sighs heavily and you feel the few shards of hope you have left glue themselves back together.

"Please. I just... please don't hurt me." When you look up he's directly in front of you, making you gasp.

"Why are you so against it?" He asks suddenly.

"I just..." You don't want to confess your fear to the man in front of you. You don't want him to know that he haunts your nightmares already.

"If you can't give me a good reason then why shouldn't I?" His voice is harder than before, stern, with an aggravated edge to it.

You take a deep breath and clench your hands into fists.

"Because you scare me," you finally whisper. "I've heard so many stories... seen so many things... and you scare me. I don't want to believe them but... this makes me wonder if they're all right about you. If you're truly the monster they say you are." The air is still and heavy with the weight of your words, and you find yourself regretting them instantly.

A metal hand is suddenly around your throat, pushing you and forcing you back on the mattress until your back hits the headboard.

You grab his wrist fruitlessly, struggling to drag in a breath as you look up at him. His eyes are dark with anger, and his chest is heaving.

"A monster? You think I'm a monster?!" He chuckles lowly without humour, shaking his head as he kneels on the bed. "I'll show you a fucking monster." He lets go of your throat and you gasp, coughing as the pressure gets released. You're definitely going to have finger-shaped bruises in the morning.

He grabs your knees and tears them apart, ignoring the scream of pain that leaves your lips as you feel a muscle in your thigh get pulled.

"Do you know how easy this is for me?" He demands, grabbing the fabric of your shirt and tearing it down the middle.

"Overpowering you is nothing to me. I could break you so fucking easily if I really wanted to. If I wanted to be a monster. I could make you cry and scream and wish for death." You sob loudly, fighting to free yourself as he presses his half-hard length against your centre through the layers of clothing separating the two of you.

"If I wanted to fuck you, I would. If I wanted to show you how much of a fucking monster I can be, I would. Because I can. And there's nothing you can do about it. You'll never be strong enough to fight back, strong enough to run. You belong to me now. Realize it. Embrace it. And don't fucking get on my bad side or you'll regret it."

He pushes off of you, kneeling between your legs and glaring down at you where you lay. You're shaking and sobbing, but he gives no indication that he cares.

"You haven't seen a monster yet, but test me again and I'll show you what a monster really looks like." You hiccup another sob, eyes staying trained on him. He glares at you for a moment longer before spitting at you. You flinch, humiliation pumping through your body as he chuckles.

"You're pathetic," he whispers, pushing himself off of the bed and leaving the room without another word.

You stay trembling and crying on the bed for what feels like hours after that, not moving for fear of aggravating your captor and your injured leg.

Meanwhile, Bucky sits in the living room, a glass of whiskey in his hand and regret swimming in his mind. He didn't mean to hurt you so bad, but you calling him a monster when you have no idea what he's been through? He won't tolerate that. He needed to put you in your place. To show you who you belong to. If you cooperate, you can enjoy yourself but if you misbehave, you'll be punished.

~*~

You're not sure when you fall asleep, but you're slowly roused from your slumber by a warm tongue sweeping itself over your clit.

A soft moan leaves your lips and your roll your hips gently, sleep clouding your thoughts.

The mouth disappears only to be replaced by something hot and big. Your eyelids flutter before slowly opening, and you feel confusion fill you as a big body hovers over you.

"Wh-what...?" You trail off, mouth dropping open in a silent moan as the man pushes his cock inside of you, stretching you out in the most perfectly painful way.

"It feels good, doesn't it?" He asks, voice thick and husky, the slightest twinge of a Russian accent decorating his words. Your hands find his shoulders and you blink a few times, the events of the day rushing into your brain.

"Wait... s-stop..." He doesn't. Instead, he cradles your head in his hands and presses gentle kisses to your face.

"You're okay. It feels nice. You like it. It feels good when you listen." His voice is so deep and perfect... you can't help but nod.

"This is what you're here for," he grunts, pumping into you harder. He grabs your hips and pulls out of you, only to flip you onto your stomach.

"This is why they brought you here. You're here for me to fuck. For me to have." He pushes back in and you gasp as he hits deeper than before.

"Yeah... feels so good... you were made for me, weren't you?" You find yourself nodding to his words again. He fucks into you hard and fast, his mind focused on his own release.

"Your cunt is so nice and tight and wet. So perfect for me. Waiting for me to fuck it, destroy it." You mewl in response, arching your back as he pounds into you, the slap of his hips against your ass making you even wetter for him.

You block out the shame of it all, ignore the fact that a few hours ago, this man was hurting and humiliating you.

His thrusts stutter for a moment before he picks up the pace again, this time reaching his metal fingers around to toy with your clit. "Gonna make you cum on my cock. You might not admit it, but you fuckin' love getting used like a dirty little whore. You like having your pussy fucked full of my fat cock. You fucking love it." 

Your body starts convulsing, pussy clenching hard around him as he pushes you over the edge into an orgasm. Your eyes roll back, head spinning at the intensity of it.

"Fuckin' feel that... fuck... Fuck!" He spills inside of you, warm white filling you up then spilling out over your swollen cunt.

He pulls out and collapses on the bed beside you, panting hard. Your body aches, pussy fluttering and clenching around nothing while his seed spills out of you, staining the sheets.

You lower your hips and stretch out on your stomach, catching your breath and riding the aftershocks of your climax.

He rubs your back gently and you're surprised by the intimate and kind gesture.

"You only get punished when you're bad," he whispers. You don't acknowledge him and he sighs.

"I'll probably come to you again tonight, and I'll probably be rougher. I can't control myself when he takes over. If you fight back then it'll only be worse for you. Just lie back and take it, okay?" You still say nothing, yelping when his hand comes down hard on your ass. "Okay," you finally whisper, skin burning where he hit you.

"Good. Now, I'm gonna go make dinner. I expect you down in half an hour." He climbs off the bed without another word and leaves the room.

You stay there, silent tears sliding down your face at the fact that this man just fucked you, but worse, you liked it.

~*~

Dinner is silent, you limping to the table and wincing every time you shift your weight. Your ass burns, your pussy aches, and you definitely tore something in your thigh.

But Bucky seems to be in good spirits.

You only manage to force down a few bites before you push your plate away, stomach flipping uncomfortably.

“Eat,” he says, staring at your full plate then looking up to your eyes.

“I’m not hungry,” you whisper, voice rough and scratchy from the way he crushed your throat earlier. He sighs heavily and tosses his fork onto the table, leaning forward to look at you.

“My goal wasn’t to hurt you. Just to show you that I’m only a monster if you want me to be. I can be nice to you. I made you cum twice while you slept.” 

That explains the deep throb in your pussy.

“I don’t want to hurt you, but I think they’re right. I need you. More importantly, the soldier needs you. I think I'll be able to control him better. I know you’re not the biggest fan of this, but you’ve gotta admit that you enjoyed it.” You say nothing, but the way you shift in your seat makes him grin.

“This can be good for both of us. Just relax and accept it. I won’t hurt you again, not on purpose. And not unless you give me a reason to.” You simply nod, not wanting to be having any type of conversation with this man.

“Hate it all you want, but you can’t deny your body’s reaction to me. Just give in.” You glare at your plate, the word ‘monster’ bouncing around in your mind as he resumes eating as if he isn't holding you hostage here.

~*~

You can’t sleep. Your body aches too much and you’re far too terrified of him visiting you in the form of the Soldier.

It’s a little past two in the morning, and you’re fighting your heavy lids when the door to what he deemed as ‘your’ bedroom opens.

His eyes are dark and distant, and you know that this isn’t the same man as before.

He’s naked, cock hanging freely between his legs. An impressive nine inches of thick, hard flesh, waiting to abuse your cunt yet again.

He climbs onto the bed and pulls the blankets away from your body. You try to relax, you really do, but with the rough way he strips you of your clothes, it’s hard not to panic.

His hands come beside your head as he situates himself between your thighs, his huge frame making you feel even smaller and even more intimidated. He nudges his hard cock at your entrance and you wince as he pushes in with little preparation.

It stings. The stretch and pull off his cock dragging against your walls.

He gives you no time to get adjusted before he starts a fast and borderline brutal pace, not giving a single fuck about the way he’s abusing your pussy. You whimper, hands coming up and instinctively pushing against his shoulders to try and get him to slow down.

He mutters something in Russian, then grabs your hands and pins them above your head, squeezing your wrists together tightly in his metal hand. You yelp in pain, trying to twist into a more comfortable position. He doesn’t let up and you accept the pain, allowing it to distract you from the vicious way he’s fucking you. His other hand grabs your legs and pulls them up over his shoulders, leaning down so his body is hovering just above yours.

His hips slam into you, cock hitting your cervix painfully with each thrust.

“Ow! S-slow down, please! I-it hurts!” You beg him to have mercy, and he quickly grows tired of hearing your voice. The hand supporting his weight comes up and presses hard on your throat. With no free hands, he presses harder against your wrists to keep himself upright, the pressure on your neck growing with each savage thrust of his hips.

The edges of your vision start to get spotty and black, your mouth parted in a desperate attempt to drag in a breath of air. Your body starts going numb, and soon you can’t even feel him inside of you. Your ears start to ring and after a painfully long moment, the world goes black.

The soldier continues fucking your pliant body, even after you’ve passed out. He fucks you hard and fast until he finally finishes.

He cums hard, filling you up with his seed and leaving his mark on your abused walls. He pulls out of you with a soft grunt, then leaves you alone and unconscious in the middle of the bed, cum painting your swollen pussy white, and bruises already forming on your wrists and neck.

~

[phoneybeatlemania-bit-the-dust]

I’d disagree with the anon that Paul was “incapable” of love, but I do agree he was very distanced, and pretty cruel (to women) when he was younger. (It was unfortunate they bought into the love at first sight myth, but he was also a charmer, and dropped affection and got colder after fucking them.)

But I just can’t see romantic interest on Paul’s end. I’m sure he loved John, but a lot of the “sexual/Romantic evidence” really can just be as construed as platonic love. I feel there may be some confirmation bias looking for “clues”. (Not an attack on anyone, but some of the analysises seem to try too hard, really).

He does make references, with the whole “calling him babe during concerts”, and “in bed” but that could just mean he’s not uncomfortable with coming off “gay”. He has a quote about it somewhere I think. He’s supportive of the community at any rate.

This is kind of my own bias, but at times I think he…plays it up a little during the present day? Again, I’m positive he did love John a lot, but with how he is, a charmer, good at manipulating his image, he knows there is a benefit to building up the “magical” Lennon McCartney dynamic. John’s dead, and the old conflicts have faded, so he has no reason not to. I don’t think he’s anti-social, or a psycho or anything, but he certainly does put a lot of thought into his image, especially now, with how he wants to leave his legacy.

I’m less knowledgeable about John, and the speculation about his mental illnesses, but on his end, I can certainly see it. Maybe he’s just blind, but the looks are very much…yeah. He does seem to rely Paul a lot, and hold him in very high regard (REGARDLESS of what those old male biographers might make of him). You just know he was suffering over Paul, poor bastard.

Not sure if anything happened. I think Paul knew though, and either ignored it, or was kind, knowing John wouldn’t act on it. OR he didn’t notice! With the whole “we shared beds A LOT. you would think he’d make a pass at me, darling~”

I guess that’s how I see it. I don’t really have strong feelings on the nature of their relationship, or want them to be “confirmed”, so I try to be as objective as possible! Not a shipper, but not a male biographer. In fact, I was very put off learning the ship was a thing at first! With every fan base “having to” ship the main male leads, that’s what I thought this was. But after three years, reading actual books, primary stuff, I’ve began to change my mind on its legitimacy, and this was my conclusion. But new information can always change!

(Sorry for the long long analysis, god! I just took my adderall and I should go eat! Feel free to block me for spam/harassment.)

Yeah, this is basically my big mclennon dilemma: did Paul love John?

Of course he loved him, but I mean did he harbour any homosexual feelings towards John - and I just go back and fourth on that a lot.

In my last response to an anon I wasn’t necessarily trying to argue that Paul was romantically/sexually attached to John, because all in all, I don’t believe he did - but it probably came off that way because I didn’t particularly like the way the anon had phrased some stuff (like calling him “a master manipulator” and “incapable of love”) and so I just sort of wanted to show that the relationship was more nuanced then just “john was simping for paul”. My overall point with that response was more so that whilst I think Paul struggles in showing real affection and emotions, I don’t think he was incapable of love prior to Linda. I think he did really love John (in whichever form of love you want to take it: romantically, platonically etc.)

And so my point I guess wasnt so much that Paul was always capable of love (because I think he did at least love his family, his close-friends, probably Jane etc.), but maybe more so that he was always capable of intimacy with another person, though he struggled with it.

But yeah, he was quite cruel to a lot of the girls he slept with in the 60s, but I wouldn’t say that suggests he was incapable of love (i know thats not what you’re saying but other people might interpret it through that lens) I would just say he was young, dumb, ridiculously rich and famous and not emotionally mature enough yet to really empathise with most of those girls. Not trying to completely excuse him, but like, i dunno, i always just try to view people from the most human perspective. Everyones an twat sometimes yknow

I also really struggle to see romance on Pauls behalf towards John - the only times I think “wait but maybe he did fancy john back” is when I read some of his lyrics (like in ‘Coming Up’, ‘Yvonne’s The One’, and to some extent ‘Here Today’ - though I think interpreting Here Today as strictly platonic love is still a valid interpretation). I mentioned this in a different post though, that analysing his lyrics just isnt particularly convincing for me, because it feels more like speculation - and also as someone who does write songs, I know that a lot of lyrics just arent as deep as we wish they were. It is really difficult to be truly introspective and honest in a song, without exaggerating or hyperbolising or fictionalising any autobiographical aspects.

I do see your point with Paul possibly playing up the “Lennon/McCartney m a g i c” - im not entirely sure how much I agree, but I do agree to some extent. I think he’s always been very image conscious, and being in what is probably the all-time most famous pop band definitely wouldve heightened that. Even as a teenager I think he’s always just had this natural charm about him, and that tends to stem I guess from a need to be liked; I think you can see it in every interview he’s ever done to be honest. Its not necessarily a bad thing, (because id take a charmer over a rude knobhead any day) but I guess it sort of just shows that Paul is flawed like everybody else. Also, just read @mothernatures-sons tags and I agree with her - Paul just knows when to be a nice person! Nothing wrong with that! It isnt manipulative like the last anon suggested, its just how most people are: polite :) Ive heard a lot of anecdotes from people who have worked with or met Paul and the majority of them say he was a just a nice guy. Not saying he was never an arsehole (cause yeah he was pretty cruel to those girls in the 60s) but I think overall, hes a pretty good guy 👍

On the other hand though, you could also say that superficial journalists are looking for superficial answers - and Paul knows what the people want to hear. But occasionally ill hear an interview that does seem more intimate then most - I havent listened to it in awhile, but the interview he did with Sean I remember felt more honest to me then most. And when he said he’d like to spend the day “in bed” with John, to me that felt like a genuine and fitting response. Because, whilst it has sexual connotations, it also just feels like he’s saying he’d just like to sit around, chat, dont chat, just whatever with John for a day. Like he would just like another moment of intimacy with him.

I think we are pretty much in agreement on most of this though! At first I was also like “nah, mclennon isnt real, teenage girls just love shipping guys!” (I am a teenaged girl and I can confirm this lol) but then it just sort of became apparent to me through reading more and more about their relationship that there probably was something more on Johns behalf. If John wasnt in love with Paul, then it feels as though a lot of things he said and did just dont add up (the big one for me is him marrying Yoko so soon after Paul married Linda - like I really cannot come up with a heterosexual explanation for that!)

But when it comes to Paul, though ill have moments of doubt, I dont think he was in love with John (homosexually) and I do think a lot of the evidence on Pauls behalf seems like a stretch (but like you, im not having a go at anyone, because I understand that it is easy to carried away, plus its fun - but realistically, most of Pauls evidence just is not convincing to me). He’s comfortable with his sexuality, and I really do try to respect that and not force a gay interpretation of quotes or songs from him, unless it is genuinely making me question his sexuality and mclennon.

PS dont worry, I didn’t take this is spam at all!! And also, I would never block someone just for disagreeing with me! I enjoy discussion and I think its good to engage with people who disagree with you! To be honest, id only block someone if they were purposely being a real arsehole <3

[tarysande]

It’s the Dose that Makes the Poison: Lucifer Thoughts and Speculation

I’m going to throw the entirety of this under a cut because spoilers. I’ve been rearranging the pieces on the table and I have some meta and a plausible(?) theory about how things might shake out.

...this is almost four thousand words long, and frankly? I feel I’ve barely grazed the surface.

Also, I put it on AO3 for ease of reading and/or in case anyone wants to have, idk, threaded conversations ;D

Okay. Here are a bunch of the pieces. (Or the piece is here, as it were.)

First: The show has always been about redemption; the showrunners throw that word around all the time. Second: I don’t think we’re going to see an endgame or a narrative where God is evil. So, how to make the concept of literal Hell work, then? How to explain or justify the idea of a father who a) kicked his kid out of the house and sent him to Hell for-literal-ever and b) created children for specific “of God” purposes.

Hell

In 5x01, Lee says, “Whose Hell is this, anyway?” and ... I think that’s the crux of the matter. In S3, Lucifer realizes he gave himself the face of a monster because he felt monstrous. But the truth is, he didn’t just give himself the face.

He gave himself the place, too. 5x01 is littered with clues that indicate this. Lucifer says “you to your torture and me to mine.” Lee’s entire speech—the one that pushes all Lucifer’s buttons because of course Lucifer’s projecting all over Lee’s “worst memory”—might as well be Lucifer talking to himself (not unlike Uriel in Lucifer’s hell loop). You know, the part of Lucifer that’s starting to understand all the psychological stuff Linda’s been yammering on about.

Lucifer created Hell. To torture himself for what he believes he did. He created the mechanism that you can walk out any time you like—but no one ever does. None of the doors are locked, right? 

On some level, Lucifer, who is all about fairness and justice, looked at what he did and decided the Hell as we’ve seen it was the appropriate punishment. And with Lee, Lucifer almost figures out that the goal of “Hell” isn’t to eternally loop through guilt-fueled self-torture but to forgive yourself and apologize or make amends or not repeat the mistakes. Most of all, learn that nothing changes if you stay in the loop and the only way to break the loop is to take risk that you might fuck up and do something that you feel guilty for again. 

Names/Family

Something that’s always jumped out at me is that no matter how many millennia have passed, Lucifer—to whom nicknames and names are canonically really goddamned important—always refers to his family by their familial connection to him “brother, sister, Mum, Dad.” When he banished himself from Heaven—and I’m starting to think he did—he didn’t stop feeling like he was a part of his family. Even when he wanted to eat Amenadiel’s heart someday, he still called him “brother.” Even when Uriel was threatening Chloe (and Mum), he was still “brother.”

For that matter, isn’t it interesting that all Lucifer’s estranged siblings refer to him by the name he chose for himself—not the one he was given? Except, of course, when they want to hurt him. We’ve known since what, S1? That Lucifer cannot abide the name Samael. Even Uriel calls him Lucifer. Or Luci. Mum calls him Lucifer. Lucifer was given Poison of God and he chose Bringer of Light. And everyone who loved (and loves) him said, “All right. Lucifer it is.” And though Lucifer is originally a little eye-rolly with nicknames—Luce, Luci—it’s fond, not the “I’m going to rip out your spine and beat you to death with it” response Samael elicits. Essentially, Samael is Lucifer’s deadname. And people who use intentionally are dismissing and rejecting the identity Lucifer chose, which is vile.

When I was researching/writing Taking the Fall and I knew I wanted to talk about the name thing, I came across this quotation ascribed to Paracelsus, and it really resonated: “All things are poison, and nothing is without poison, the dosage alone makes it so a thing is not a poison.” The dosage, in fact, is the difference between whether something is a poison or a cure. And if that doesn’t align with the themes of the show, I don’t know what does. 

Lucifer has spent all this time thinking he is a poison; he has never imagined that he might be a cure. (To angels embracing their free will; to ending the sharp black and white segregation between Heaven and Hell; to darkness, to fear. Yet the more Lucifer learns and the healthier he gets, the more we see cures in what he does: i.e., Brody and also, you know, solving crimes.)

Michael, on the other hand, means “Who is like God?” It’s meant to be a rhetorical question, but in the universe of the show, I think Michael’s twisted version is that he used the question “Who is like God?” to plant the seed of Lucifer’s rebellion ... and is now answering the question “Who is like God?” with the reply, “I am."

Maze

But just in case we head too far down the Lucifer is Great line of thinking, we’ve got a big old example of how he’s still a poison, too.

Contrast this discussion of family with the lesson Lucifer still needs to learn about Maze—he’s managed to absorb that she’s not his servant anymore, but he’s still clinging to that soulless demon/just a demon dismissiveness. And despite self-worth coming from within, bitches, Maze still hasn’t truly absorbed that. She still looks outside for validation—and resents or backslides when she doesn’t get it. Especially from Lucifer. Because Lucifer was the first being to treat her like she mattered. She admires him. Looks up to him. Loves him. In many ways, Maze is the shadow of Chloe—drawn to Lucifer but never, from his perspective, his equal or his partner.

And he, for all the strides he’s made, still default to “demon” as derogatory and dismissive. Something she can’t transcend, even though all the evidence suggests the contrary. As long as Lucifer sees Maze as just a demon, she can’t truly escape from that identity. 

Why does Maze keep “betraying” Lucifer? It’s tempting to think it’s because she’s a demon. Because she doesn’t have “a soul.” But that’s not true. She can learn; she learns from “betraying” Chloe and doesn’t do it a second time. She learns from “betraying” Linda and Trixie. Even she and Amenadiel seem to have reached a real (and much more healthy) understanding of who they are to each other.

She keeps betraying Lucifer because he keeps deserving it.  

Servants 

The thing is, I think there’s something important in Lucifer’s “You’re not my servant anymore” to Maze. Because I think angels believe they are God’s servants. And I suspect the reason God’s been so AFK is because he really wanted them to ... break free of that. On their own. Without him telling them to—because if he told them, it wouldn’t be choice anymore. It wouldn’t be free will. It would be Following The Will of DadGod. 

Here’s another relevant Paracelsus quotation: “No one who can stand alone by himself should be the servant of another.” 

Angels self-actualize. They have powers. Sometimes those powers change (as with Amenadiel). I don’t think angels ever lacked free will. 

What is self-actualization but literal free will? You become what you believe you are; you do what you think you’re supposed to. You literally change based on your choices and feelings about those choices. Angels basically have human free will on a kind of EXTREME SCALE that they’ve remained mostly ignorant of throughout time. But how do you get your kids to figure something out without telling them how to figure it out when they’ve all got this WILL OF DAD complex? He gave them the tool of self-actualization. When they didn’t ... do that, he created humanity. He tinkered with the model. Took away the names and the powers that were such a stumbling block for his angels and such a shining example of how he failed them. If someone hangs on your every word, if you are not just their father but their master, how can they ever know love? Trust? How can they ever be free? Be themselves? I think God wanted his angel children to learn from his human children and was disappointed when they pretty much decided to just be remote and Angelically Superior All The Time, instead. Of course, that's mostly on him, too.

Except Lucifer. Because Lucifer’s curiosity (yes, from the beginning of time) kept bringing him so close to figuring things out. (Better to reign in Hell than serve in Heaven, amirite, Paradise Lost?) And as close as he was to figuring things out, Lucifer was still prideful and selfish and superior. The result was what happened with (and in) Hell. Things got twisted down there; he was in a God role over the demons and he was not hands-off. Cue endless loops of pain and torture and despair and self-recrimination and poison. Lilith may have started their pain, but Lucifer, however unintentionally or ignorantly, continued it. 

At least Lucifer could escape it sometimes. Those poor demons. Those poor abandoned children. They had two rocks.

Pretty sure there’s going to be an echo of Dad abandonment with his angel kids and Lilith of her demon kids, by the by. Because abandonment is a theme. And good intentions or not, well, you know what they say about the road to Hell.

Humanity The more Lucifer interacted with humanity, the more he learned from humanity. And, of course, the entire journey of the series has been about Lucifer learning, growing, adapting, changing because of this. And not in a Superior Angelic Way, but in a person-to-person real way. Not just with Chloe. With everyone.  But yeah, Chloe is the catalyst—precisely because (as Amenadiel says) she’s the only mortal who sees Lucifer for who he really is, without her reflected desires getting in the way. No one, no one else can truly reflect back to him his worthiness or lack thereof.

Does Chloe have a power? It’s not laser-beam hands. But I’ve always thought Chloe has the power of seeing things and, in seeing, encouraging others to see, too. And this is most obvious with Lucifer, whose power has never let him be seen. Because of his power, he can never know if the reactions of others are about him or about their own desires. 

What agony for someone whose chosen path is bringing light: to be forever hidden in the shadow of the light others see.

Until Chloe.

Michael tells Lucifer his greatest fear is that of being unworthy. We know Lucifer has always feared he’s not worthy of Chloe. But now that she’s told him, shown him, his worthiness? You’d better believe that he will never, ever abandon her—will never, ever let her suffer from her worst fear. Gosh, and by suddenly being invulnerable again, it’s almost like he’s assured that, isn’t it? “You make me vulnerable” was about his walls. “My invulnerability ensures I will never, ever abandon you,” is all about hers.

So, back to learning from humanity. We’ve seen Lucifer and Amenadiel do it. It’s been hinted that Azrael has done it, at least a little. Then we have Michael’s frustrated tale of how the other angel siblings are taking note of Lucifer’s actions—with the implication being that maybe they’re learning, too. Maybe they’re starting to understand that they can be more than they think they have been made to be. More than just a “Something” of God.

Control 

Meanwhile, of course, Michael’s concocted some kind of Make Heaven Great Again plot—ironically, it appears, by doing exactly what he accused Lucifer of doing: believing he can run things better than Dad. And, I suspect, by trying to set himself as Master and his siblings (and other assorted peons) as his servants. Only, he’s not doing it in Lucifer’s ultimately forthright (and even honest) way of “This sucks and I’m rebelling” but in a conniving, secretive, Machiavellian way that probably sounds a lot like “Dad says” or “Dad’s not here” or “Who is closer to God than I?” ...

Who is like God, indeed. He even throws down the word archangel when he speaks to Dan: an angel above even other angels. I’m 99% sure that word’s never been used before on the show. Because that’s what Michael desires. To be more. To be everything. To control.

He’s what Lucifer was as the Lord of Hell. He’s everything Lucifer has made such progress toward overcoming.

Incidentally, and also essay-worthy: This is why the progression of the scene where Lucifer and Chloe make love is so incredibly (heh) important: Lucifer of the perfect appearance, perfect pocket square, perfect car, perfectly clean apartment; Lucifer of control control control control ... surrenders. He offers. She accepts. And in these first moments—“Incredible,” he breathes before they’ve done anything more than kiss—she is above him, in control ... and nothing bad happens. Nothing hurts him even though she makes him hurt-able. She doesn’t take advantage of him. She loves him; she treasures him; she protects him. It’s beautiful. It’s everything he’s been so afraid he could never have.

And for the first time (very possibly) ever, he sees himself as worthy. He sees himself as belonging. He believes he is not alone; he is not lonely.

Power

Amenadiel “lost” his power to stop time when he decided he didn’t want to stand apart from humanity anymore. Essentially, just as he lost his wings when he was so horrified and disgusted by what he’d done (to Lucifer, with Malcolm, etc.) he caused himself to Fall. He regained his wings when he made it his purpose to bring Charlotte to Heaven. He stopped time again in S5 when the question of humanity—of his own child being human, and thus ‘not like him’ or ... not that ‘special’—reared its head. With the nuns, he reflects their love of God, right? And in part, that’s because he’s in this father (or Father) role now. 

Angel powers, like all power really, are double-edged. In the wrong hands or twisted the wrong way, a good power can bring about evil. Look at the almost throwaway line with Brody in 5x02: Lucifer’s “desire” power—so often spun as about sin or hedonism—brought Brody peace and forgiveness. That Lucifer doesn’t lie or take without giving in return indicates that, on some level, the level that values true justice—and even a bit of mercy—he was never able to use that power against others (the way we see Michael do with his); he didn’t want to use as he felt he’d been used; he also didn’t want to feel used by those whose desires he provided (this is why the parade of one-night stands and “it was just sex—great sex, but just sex” partners upset him so much back in S2). Favors—and even the give and take of sex—were a way to balance that scale. Again, this could be a whole essay all its own.

This makes me suspect that the dark side of Lucifer’s powers played some part in his Rebellion. That he abused desire the way we’ve seen Michael abuse fear. 

So, about that power of fear, then. I mean, it just sounds negative. How can FEAR be positive, right? But if Michael were using his powers to draw out fears so they’re named and dealt with (LIKE PEOPLE DO IN THERAPY???) instead of manipulated for personal gain—it could be a very healing power (LIKE THERAPY???).

Greatest Strength/Greatest Weakness

The absolute thematic and narrative brilliance of twin brothers having the powers of fear and desire whilst also being held back BY the “power” of their twin is so amazing it really needs its own essay. But I do want to mention this relative to the overall arc heading forward. Much of Lucifer’s work with Linda has been about addressing his fears; he’s made a ton of progress with this. As I mentioned earlier, with Linda’s guidance, Lucifer has been drawing out his fears in a safe(r) space and learning to deal with them and heal. And, in doing so, his own power of reflecting desire has increasingly been less and less about artisanal honey and car batteries and more about drawing out desires that help others heal, grow, become their best selves, release their inner demons.

Michael is (both literally and figuratively) twisted by his desires (to be powerful, to be stronger/better/more admired than his brother). I’ll bet some cold hard cash that if Lucifer’s the source of the original injury to his shoulder/wing, Michael has self-actualized into keeping that injury—perhaps even magnifying it—to a) manipulate others into feeling sorry for him, b) to remind everyone who looks at him how awful Lucifer is, and c) to trick people into believing he’s weaker than he is. 

At the end of the day, fear and desire are two of the strongest motivating forces in the world (universe); the show is showing us all the messy ways those forces come into play. And it’s also showing how connection and love and trust are the forces that both fight the worse facets of these powers and that let these forces be useful in helpful and ultimately healing ways.

Because THERAPY.

Home

So, we know we’re rolling toward what was meant to be a series finale; it’s time to start tying loose ends together, right? Again and again, the question of home comes up. Lucifer only ever refers to Los Angeles as his home. Maze, on the other hand, still defaults to Hell as home. 

Hell as we know it is over. But Hell as a place where Maze tries to impart the lessons she’s learned on Earth to her abandoned, twisted-by-hate-and-loneliness-and-Lilith siblings? Perhaps even with Eve “mother of all humanity” at her side to help clean up some of the mess Lilith made when she decided to abandon connection in favor of more selfish desire? I think that’s plausible, while also managing a significant nod at where Mazikeen ends up in the comics and a heavy dash of “the things we learn from therapy and/or being best friends with a therapist.” 

Now, I know the question of how things will end for Chloe and Lucifer is contentious in fandom. So, you know, grain of salt. I don’t think Lucifer’s home is Los Angeles; the Los Angeles in Hell wasn’t enough because it didn’t have her in it. In a literal embodiment of “Home is where the heart is,” Lucifer’s home is with Chloe. And since Chloe’s worst fear is abandonment, Lucifer will do what it takes to stay with her—because that’s what’s most important to him. The utterly unselfish choice. I think there’s some pretty reasonable foreshadowing (Lilith’s choice—if that choice was even real, of course—for example) that Lucifer may choose to renounce his immortality. Or to give it to someone else. Or that immortality won’t matter at all anymore. 

From his reactions in 5x07/08, we know that Lucifer’s identity and ideas of usefulness/self-worth/worthiness of love are still connected to his identity as an immortal with powers; I think, though, he’s beginning to piece together the complications therein, especially regarding questions of partnership and vulnerability and equality. 

Personally, Human!Lucifer has never been my preferred outcome, but I can see how it might work/might be what they’re heading for. Even if I’d still prefer the “you can use me as a bullet shield” partnership with supernatural elements—because those have always been at the heart of their partnership. The strengths of one make up for the weaknesses in the other (and vice versa).

Hell (Redux)

Finally, I’m still pretty sure we’re going to see a complete overhaul of the Heaven/Hell dichotomy. One with a lot less THIS IS THE WAY IT IS BECAUSE CONTROL and a lot more CHOICES MATTER (maybe Linda can have a turn as a salamander after all). And a major catalyst, of course, is Lucifer and his love for the chosen family on earth (and through them, a renewed love for the estranged family he’s never actually stopped loving; 5x01 basically makes canon that it's not that Lucifer hates his family—it's that he's terrified of disappointing them again, of causing problems again). 

So why does Hell have to change?

Because right now, every human he loves is sure they’re going to Hell. And after all the time and all these friendships, can you really see Lucifer being okay with that? Okay with Ella or Linda or Dan or Trixie tormenting themselves for all eternity? When he wasn’t even okay with Mr. Said Out Bitch doing so? When he gave this guy who he barely knows every opportunity to change his fate in ways he’s never done for any other tortured soul? Because they had a tenuous connection on earth?

Can you see him being okay with Chloe choosing Hell to be with him?

When it boils right down to it, Lucifer has learned to love others. And I think, especially given his revelations about self-loathing last season, that love isn’t going to let him be okay with or encourage the self-loathing in others. Love—selfless love, real love—is, in fact, the cure to the very concept of Hell. 

And it’s also the cure to the very concept of Heaven, too.

How could Heaven ever be perfect if the people you love aren’t in it?

It can’t. It might be more silver and have fewer demons, but I don’t think it’s any less an eternal torture. Eve basically tells us as much.

So, on that note, I’ll leave you with another fine quotation from Paracelsus:

“When a man undertakes to create something, he establishes a new heaven, as it were, and from it the work that he desires to create flows into him... For such is the immensity of man that he is greater than heaven and earth.”

And that, I think, is going to be the takeaway. We create what we are; we choose what we create. And in the act of that creation, we choose whether we are the poison or the remedy. And if we make mistakes, slip up, hurt people, hurt ourselves—it’s not a Hell-sentence. It’s the dose that makes the poison. We learn, we grow, we apologize, we strive to make things better, we love and love and love and love, and we never stop striving to be the cure.   

[just-call-me-the-intrusive-thot]

Soulmate September - Day 6

Day 6 - When your soulmate is injured you will experience pain in that area

Pairing(s): Analoceitmus [ambiguous, can be read romantic or platonic, or a mix], QPR Royality 

TWs: Injury mention, swearing, Remus being Remus near the end 

–

“I’m going to sue him.”, Logan hissed, attempting to sit up in his hospital bed, “Soulmate or not, how can one man possibly be so irresponsible?! I’m definitely going to sue him.”

He winced as he tried to get comfy, but the tough mattress and uncomfortable bunching of the sheets said suffer. 

And boy, was he. 

Logan Sanders was an immaculate, careful man. Had been since he was a child. A neat and tidy lad who - upon learning of the rules of fate - made it his utmost mission to spare his soulmate any pain or anguish for as long as he could manage. 

His soulmate, however, didn’t seem to share that sentiment.

From childhood, Logan found himself with sudden knee pains from scrapes he never fell for, abrasions he had caused no friction to gain, and the occasional shoulder or back pain as if he’d been pushed over when he was standing perfectly upright. At least the universe had decided to spare humanity the anguish of leaving soulmates with the physical injuries that came with the pain, but it was only a minor comfort.

Logan couldn’t say he hadn’t expected a lot of rough and tumble from his soulmate after his elementary school years, but really; a broken leg, facial burns, and a splintered forearm? “This is absolute bullshit.”, he bitterly muttered, “Barely hours apart! How is that even possible?!”

His ranting went ignored by the nurse who came to administer his medication; thankfully science had worked out a wonderful little clear pill that could banish the pain from particularly debilitating soulmate pains. The little bastards were expensive - the true pain is always capitalism within the medical world -  but Logan’s job paid handsomely. Say what you will about computer nerds and whatnot, but programming for the right people lets you make some seriously high end bread. None of that homemade farmer’s market shit.

Unfortunately, he’d have to wait about a week for his pains to ebb gently into nothingness until the klutz of a man fate paired him with got into MORE trouble. Thus Logan couldn’t get back to his work. His leg was, for all intents and purposes, broken so the staff couldn’t let him go home. He couldn’t simply drive home himself either, his splintered forearm saw to that. And Logan couldn’t even ask his roommate Emile to bring him his work laptop to try and keep his workload at bay, his left eye was too cloudy and painful to concentrate on a screen. 

Yes; his soulmate BETTER be paying his hospital bills.

Realisation struck Logan; his soulmate is obviously just as injured, ergo it’s a high probability that he could be somewhere within the hospital too. Using his good hand to reach for a pen, and absolutely dreading adding to his pain, Logan poked the tip into his good arm, wincing as he first attempted to contact them with simple morse code, “My/ Name/ Is/ Logan. Who/ Are/ You?”

He waited for a response, fearing he would have to start scratching his name onto his arm when he felt the little jabs in response,  “Janus.” Great. He FINALLY had a name to put on the lawsuit. Logan, already wincing at the bee-sting pain from the pen, he jabbed out another message,

“Are/ You/ Currently/ Staying/ At/ Stokes/ General/ Hospital?”

The reply came cryptically,

“Yes / I / -”

Logan wasn’t sure why his soulmate had suddenly stopped replying. Had a nurse confiscated whatever his soulmate was using to poke himself? Either way, Logan would have to be content with the knowledge his soulmate was at least close by. He truly had no idea how close until two very disgruntled voices were within earshot of his room door,

“Brilliant, I just adore being ousted from my comfortable bed so I could spend even longer looking at your delightful face.”

“Oh, like you’re the victim here, asshole! You’re the one stabbing yourself and fucking up my unbroken arm!”

Logan watched them both argue outside of his room door. Both men were sporting similar injuries to his own; the first one that had spoken, refined looking gentleman with sharp features and neat blonde hair, had the left side of his face bandaged heavily. Meanwhile the other man, sporting raven hair and eye bags that could carry a month’s worth of groceries, was fitted with a cast on his left forearm. Both of them were on crutches, though Logan couldn’t see if either had a genuine cast.

“Ahem. Gentlemen?”

Logan called to them, watching as both turned to meet his gaze. He lifted the pen in his hand and asked, “I take it one of you is Janus?”

The man with the bandages over his eye, Janus, nodded, “That would be me.”

The man with the broken arm looked confused, “Wait, so, you’re the one who was ramming a pen into their arm? Damn.”, he turned, begrudgingly to the first man, “I guess I owe you an apology then.”

“Really you needn’t-”

“Then I shan’t.”

Janus glared at the other man’s snark, but Logan found it rather delightful. Clearing his throat once more, he breached the topic, “I take it that means we three are soulmates?”

“Four.”

Logan and Janus looked to the third man as he explained, “Your leg doesn’t have a proper cast on it, this asshole doesn’t have one either,”, Janus gifted the man a half glare and a middle finger before he continued, “And since I don’t have one, it’s pretty obvious there’s a fourth musketeer.”

Fair to say, Logan was impressed, even Janus was hiding the tiniest hint of admiration as he retorted, “And are we to call you Sherlock or D’artagnan?”

The man rolled his eyes, “Ha ha, fuck you. My name’s-”

“VIRGIL!!”

The man, Virgil, nearly lept out of his skin, jerking his arm and giving the three of them a jolt of pain. Logan felt relieved he’d only have to put up with it for a few more days once the medicine took effect. 

In the doorway stood a man who could only be described as unnecessarily handsome, clad in a burgundy bomber jacket and a Nightmare Before Christmas shirt that seemed out of place on someone who stood poised like the protagonist of a romance anime. Logan noted he and Janus both checked to see if his leg was broken; good to know they had similar tastes even if the man’s lack of a cast dashed their hopes. Said handsome man made a beeline for Virgil, only to receive a swat and a motion to back off, 

“Jesus fucking Christ, Princey, you nearly gave me a heart attack!!!”, Virgil hissed and took a deep breath. ‘Princey’ let out a fond huff, “You should be so lucky, Bring Me The Depression, do you know how worried Pat and I were when we couldn’t find you!? This, dearest Emo Nightmare, is karma at its finest-!”

“Yeah, yeah, shut up, Roman. Where’s Pat? He’s gonna wanna meet my soulmates.”

Roman blinked, finally registering Logan and Janus just watching the two of them reunite. Clearing his throat, Logan made the introductions, “I’m Logan Sanders, this gentleman is-”

“Janus Delgado. Charmed I’m sure.”, Janus butt in, “Really, Logan, I can introduce myself. Unlike some people.”

Virgil flipped him off just in time for Roman to frown in confusion, “And…. you’re all sure you’re soulmates? I mean, no offense but you don’t...”, he picked his words carefully, his face contorting at the effort, “....act like soulmates?”

The three of them looked between one another and shrugged, “To be perfectly fair - Roman, yes? - we have all literally just met today under…. Less than optimal circumstances. I doubt you and your soulmate, assuming you’ve found them, hit it off instantly.”

Roman blinked, “Kind of, we didn’t have any problems like this, quite honestly...”, he almost sounded guilty at that notion, “The worst we have to deal with is his cat allergies-”

Out in the hallway, a couple of nurses hurriedly walked past and allowed another man into the room who immediately lit up at the sight of Roman and Virgil, “There you both are!!! I got held up at the vending machine, but when I came back you were both gone!”

“Patton! How glad I am to see you once more!”, Roman beamed, pulling the taller man into a hug and planting a dramatic kiss upon his cheek, to which Logan, Janus, and Virgil simultaneously met with an ‘ugh’. Perhaps they were more alike than they first assumed. 

Patton turned to meet Janus and Logan’s gaze, looking back to Virgil who explained, “They’re two of my soulmates, Pat.”

For a moment, the tall excitable ball of sunshine looked like he was about to pop with joy when Roman held up a hand to interject, “Pardon me, but ‘two of’?”, and cast his confusion towards Virgil who explained, “Our last soulmate has a broken leg, it’s the only injury we can’t account for.”

Patton and Roman shared a momentary look, drawing Logan’s attention, “Roman? Patton? Are you both alright?”. The two seemed to play eye contact rock-paper-scissors to decide who would answer, with Roman losing apparently.

“When exactly did you feel the pain in your leg?”

“Couple hours ago” “Around three?” “Precisely 3:27 pm.”

Came the chorus of answers. Janus and Virgil both shot Logan a look, to which he quietly murmured, “It never hurts to provide a little extra clarity.”

“Apparently so,”, Janus began, before shifting his partial gaze to the couple, “So, are you lovebirds-”

“Qpp’s.”, Patton corrected quietly, to which, Janus did apologise, “Pardon me. So, are you queer platonic saps going to clue us in to why exactly you asked us such a specific question?”

Roman sighed, “I ask because my brother, Remus, broke his leg at that exact same time today. Pat and I were going to visit him right after we’d checked in with Virgil.”

The three soulmates shared a collective look, but the first one to pipe up was Virgil, “You have a brother?! Why am I only finding this out now, I’ve known you for 12 fucking years, Roman! What the fuck!?”

Logan exasperatedly ran a hand down his face as he tried to maneuver himself out of his bed and into one of the hospital’s wheelchairs, Janus offering a hand to him, “Virgil, as much as I would love to listen to you and Roman bicker back and forth, could we possibly save such trivialities for after we meet our fourth soulmate?”

This time Patton piped up, “Oh, um, you may not want to do that just yet-”

As if on cue, roughly six or seven medical staff rushed by, causing Patton and Roman to quickly look around the doorway, only to turn back to the others, “Well, no time like the present. Patton, if you help Virgil, I’ll help Janus once Logan can shimmy into that wheelchair.”, Roman assigned as he offered an arm for Logan to hold onto while he got himself in the chair. Noting the context clues, Logan was rightfully worried, especially as he felt a new pain in his hand, only to note that while Roman and Patton helped them move, Virgil and Janus seemed to be experiencing more pain in their legs than before. In the moment, Logan did feel a little bad that the pill he’d taken hours earlier was saving him from too much additional pain. Approaching the hospital room the medical staff had gathered within, the group were greeted with a wild scene.

A scruffy man strikingly similar in looks to Roman - albeit sporting a thin moustache and silver hair streak - wearing a leg cast was holding a crutch in one hand and an honest to god butterfly knife in the other, standing atop his hospital bed, raving like a lunatic and gesturing frantically to an empty space in the room,

“NOW WILL SOMEBODY FINALLY LET ME OUT OF HERE?! ME AND THIS BEAR WANNA GO CATCH HORNY FISH AND SHIT IN THE WOODS!!” 

Charming. 

Logan glanced over at Patton and Roman, the question clear on his face just like their answer. That was Remus alright. He watched Roman talk with a nurse trying to calm Remus, “We gave him some painkillers to ease his leg pains, but it shouldn’t be affecting him this much!”

“Oh, Remus has always been like this with medication, I should’ve warned the nursing staff.”, he groaned, “But that doesn’t explain-”

“He must’ve pushed the blue button behind his bed,”, Logan sighed, already anticipating Roman’s question, “The medical staff likely assumed Remus was coding and thus went into action. That’s why they’re here right now.”

Roman’s expression confirmed that was indeed going to be his question. As Roman went to help the nurses tranquilise Remus’ wild flailing, and while his other two soulmates stood by to watch the chaos - in varying degrees of worry and strange admiration bordering on attraction for his disregard for social norms - Logan tried to come to terms with the facts.

He had three very different soulmates, and by the looks of it? He’d have to get used to frequent hospital stays….

--------------

This one’s probably on the weirder side, but uh, yeah, I hope it’s still a good read! [Also sorry these have been a little late lately TTvTT] @tsshipmonth2020 Taglist: @somehow-i-got-an-account @cateye-glasses

[feysandfeels]

ACOSF: very long, very spoilery review

No one asked me to do this, but I need to talk, discuss and get it all out there.I am still very much feeling the high of this book, but I thought I would share some of my opinions. These of course might change as time passes and I reread the series and the book. But as of now here is where I stand.

If you did not like the book or had many issues with it, maybe this isn’t the post for you.

For reading purposes I will divide this in different sections that I hope can effectively tackle what I want to talk about. 

When I say it’s a long post... I mean it’s long. 

II. Side Characters // III. Future Books.

I. Plot:

From the get go it became obvious that we would face an ACOMAF type of book, in which the development and advancement of the plot would stem largely from the characters. Where MAF created a more equal ratio between action and character, even if it prioritized character, SF really created a 70-30 ration, 70 would be character and 30 action. 

I’ve been seeing a few reviews where people say that there was no plot just sex and Nesta. I disagree. Nesta’s development was the plot. And it makes a lot of sense, to me, why we did not experience a lot of “action plot”: She is not a working member of the Night Court, at least not in the way the IC is in this book, so therefore she will not get full access into the different things that are at play.  Since Nesta is not a working member it makes sense that she is detached from what is happening, apart from the “please help us find these things”. The most action we get comes from Cassian who is more involved in the politic side of things and even then it was explained that he was needed for #InternationalRelationshipsWithEris, because he is a working member of the court. You can tell that they chose him for that because they literally had no one else: Feyre couldn’t risk people finding out she was pregnant, Mor had her own task and is not going to meet regularly with her abuser, Az and Rhys are fucking overworked and Amren is not a people’s person. I would have loved to see more of his work as a general when they are not at war -that we saw more in WAR- we get mentions of what he does but I wished we had gotten more on that front.

 Nesta: I have never hated Nesta, I simply could not see the logic behind her actions and her behavior. I now do. I understand why she came to be and I value her so much more now. Nesta showed another face mental illness can take, how a deep sense of failure can affect you, the darkest thoughts that you are afraid to voice, she voiced. She moved forward and then made mistakes, showing how healing is not linear. Her journey made a lot of sense to me. Her rage made sense to me, her sexuality made a lot of sense to me. I could empathize with her and for that I will be forever grateful, because sometimes rage that comes from a sense of failure is what you will also find in me. 

Her insecurities concerning Cassian, her feelings of unworthiness regarding Feyre, the guilt she felt when she thought of her father, her lack of control regarding the trauma she went. Nesta took all that and made it rage. And I could hardly judge her for that.

Thanks to the way she talked about the mating bond when Cassian was like “we’re mates” I could understand better why Feyre got so upset that Rhys didn’t tell her. The argument of it being tied to their humanity was very interesting.

Also the way that she relates to her power, having lack of control and understanding of what it is (and according to Amren, respect) and having that power being death. You cannot control death, you cannot fully understand it, and yet you have to walk each day with that presence. She has been marked by so much death and grief that I thought it was very appropriate that her journey is marked by her own fear of death and of that which she cannot control: death that now lives in her. There is so much to unpack in that aspect alone.

I loved that final sequence when she gives up her cauldron based powers because those came from rage. She took them when she was raging (and rightfully so) but those nurtured the fury and death she carried with her. So to have her literally give up her death (rage) powers to give live to the sister that literally gave it all for her was a beautiful poignant crystal clear moment –and hella intense too–. There is a sense of gratitud that I feel having read her story. 

Cassian: He was always God Tier for me. His warmth, openness, support and strength spoke to me on a personal level. He is truly the person you want in your life. And I love that we got to see him flawed and make mistakes and be aware of the role he has been playing (regarding Mor and Az, which I think is quite important to the development of that situation). 

As the person closest to Nesta in her recovery, I think it is very important that he knows the deep failure that Nesta is feeling and the sense of not being useful when they should have been. It makes it more clear why he was the one that could actually help her overcome those feelings and the storm they create in her. Now, the way he was supportive of her seems so realistic to me, the frustration, the anger, the wanting to shake the person: all of it happens in real life. You can have a lot of patience and want what’s best for them but some times to yourself and those who are not the person you are trying to help, you can show the frustration of wanting to help someone who doesn’t want to be helped, but needs to. 

Finally I LOVED that there was acknowledgement of how observant and intelligent he is. Being a good general is not an easy task and I’m glad they explicitly said it, because Cass being understood as the dumb jock is done at this point. 

The sex: To me sex in SJM’s books are always more than just the wink wink nudge nudge-read it with a glass of wine-moment. They have always been a mechanism for us to get to know more about the characters and where they are in their journey. Even when they were just having sex, the way Nesta describes how open she is with Cassian is a pretty big tell of the groundwork that is being laid for her to start to understand what she feels for him. I think it is interesting to also see it as a reclaiming of her body and an exploration of her body with someone she trusts, as opposed to the way she was using sex to forget and to try to feel. Also, and I’ve said this before the fuck buddies -> lovers is an interesting dynamic, specially specially when every time they are together you know they both want more but they think the other doesn’t! That’s just *chef’s kiss*

The wider conflict: I think this book in the action-political plot was the ACOTAR of the problems we will face in the next ones. In the next one it will be like “shit what did we unleash” and start a political-spying plot. The characters that we all hope we will explore are more connected to the larger schemes that are taking place so we will see an expansion of that. Because this book was very self-contained. Think Guardians in the MCU, but here we have the clues and the basic groundwork for where the “action” part of the story will take is. I do not think it was lacking because from the get go it was shown that the main focus would be Nesta’s personal journey.

[prettyboysdontlookatexplosions]

@dressrosaa and anyone else unfamiliar with pretty little liars, a postmodern tone poem about girlhood and violence, an experiment in storytelling divorced from linear time about how all cops are bastards and dads are even worse, one of the most bafflingly homophobic pieces of media i have ever seen despite the fact that the showrunner for all seven seasons is literally a lesbian like GIRL are you OKAY blink twice for I NEED THERAPY:

pretty little liars tells the story of four friends: spencer hastings (deranged genius/former and future speed addict, perfect); hanna marin (blonde shoplifter/recovering bulimic, an angel we don’t deserve); emily fields (gay swimmer, has no personality but it’s hard to tell if that’s because pll is homophobic or because shay mitchell CANNOT act but is almost hot enough to make up for it); and aria montgomerry (the fucking goddamn worst i know it’s wrong to hold this much hate in my heart for a sixteen year old who spends the ENTIRE show being sexually preyed upon but in my defense it is fiction and frankly barely even that; truly the relationship between pretty little liars and our normal human understanding of narrative is tenuous at best; the point is if aria were real she would be deserving of infinite compassion but she is not so she just sucks). a year after their queen bee alison disappears, her body is found, at which point they all start getting texts from the mysterious “A,” who knows their secrets with NSA-bugging-a-therapist’s-office precision and seems to have nothing to do in life other than to torture them into constantly endangering themselves or betraying each other or doing other horrible things that will then hang over their heads for 800 years.

PLL is sort of like what if a classic dead blonde whodunit has a nightmare octopus baby with jj abrams “mystery box” storytelling spliced together with a sense of pacing even more deranged than the magicians at its most unhinged; the reason i make so many jokes about its lack of interest in physical spacetime is because it’s technically canon that two and a half entire seasons, during which among other things spencer has a nervous breakdown and an addiction relapse and goes to rehab and then gets out of rehab T W I C E, takes place between the first week of school and thanksgiving break. it is not by any means a “good” show and it’s pretty clear that any “ideas” in it were there by accident, but watching 6 seasons in a month was one of the most enthralling television experiences of my life, and it really does love to remind you that no men on earth are good (*except for hanna’s street rat hacker boyfriend caleb played by tyler blackwell whose face makes me feel extremely safe who is the most perfect dreamboat in the history of televisual dreamboats). part of its unhinged M. O. is of course keeping you constantly guessing about who “A” is, taking you through like 7000 red herring reveals (along with some real reveals later retconned as beta-A’s working for the real A - i’m telling you this shit is fucking nuts) in which we spend a couple episodes thinking (if we have never watched a television show before) that so and so must be A, only to have their nefarious behavior explained away by some other mechanism.

i’m giving this context because i am taking your inquiry about the throwaway reference i made as a chance to explain my favorite of the A fake-outs, which centers on ezra fitz. who is ezra fitz? he is a demon in human disguise. he beats out craig manning on degrassi for worst fictional boyfriend in the history of teen melodrama. he is a dude who macks on a fifteen-year-old aria montgomery at a bar the weekend before school starts and then turns out to be, surprise! HER ENGLISH TEACHER. because the show, despite being incredible and amazing and iconic, is also very bad, their relationship, which goes on and off the entire seven seasons and winds up endgame, is sold as like a torrid and angsty secret affair, and not the creepiest thing that has ever happened. despite the fact that ezra is the closest the show has to a male lead and played by the second hottest dude on it, in season 4 they were running out of A candidates and started giving us shady clues to ezra’s shadiness, discovered and mostly put together by spencer, who simultaneously was coping with the stress of trying to get into an ivy league college while also saving herself and her friends, all of whom take turns sharing one brain cell leaving her to do all the thinking, from the constant assault of a blackmailing emotional terrorist who at this point has also tried to kill them several times. one time aria winds up in a box on a train next to a dead body and also it’s halloween and adam lambert is performing on the train, god when riverdale season 1 was good i thought riverdale was like what if pretty little liars but on purpose but with the benefit of hindsight clearly PLL had what riverdale fucking WISHES it could.

in order to deal, spencer has fallen on her old pill-popping ways (for, just to reiterate, the second time after leaving a mental institution in the span of like 10 weeks), and JUST as she is on the verge of really PROVING that their english teacher is A, she suffers a stimulant-induced psychotic break i.e. gives the show their framing device for doing a Theme Episode around the theme of Film Noir, where everything is in black and white and everyone talks funny. you can watch a clip here to get the flavor. sidebar at this point alison has appeared to every single character i think and it’s like still fully a mystery whether they all individually hallucinated her at times of stress or if she’s secretly alive. once again this show owns.

anyway her friends totally freak on spencer when she tells them her theory, because she is literally the only person in town with a brain, but then we get this amazing episode where aria (a child) is at her english teacher’s cabin for the weekend and he’s acting exactly like a serial killer the entire time and she starts to have doubts and has a very tense ski lift ride with him and THEN! THEN what’s amazing is that ezra is NOT A, but in explaining why he has been acting so shady despite not being A they manage to somehow make him not ONLY worse than an english teacher who was fucking his high school student but ALSO make him POSSIBLY WORSE THAN AN ACTUAL MURDERER IMO, because it turns out that he met alison briefly before she died/fake died and then got obsessed with her death and SO he came to town and got a job at the school AND MADE OUT WITH THIS DEAD TEENAGE GIRL’S EQUALLY TEENAGE FRIEND IN THE BAR THAT DAY AND PURSUED A SEXUAL RELATIONSHIP WITH HER AS HER ENGLISH TEACHER.............................................. IN ORDER TO DO RESEARCH FOR A TRUE CRIME BOOK. LITERALLY the most incredible thing i have ever witnessed on television. it’s SO incredible and PLL is SO far from being what you could call a “normal” “story” that my love for it is not even diminished by the fact that aria eventually takes him back because this show is evil and she is stupid (again i would NOT say that of an ACTUAL child victimized by an english teacher/pathetic truman capote wannabe, but aria is made up and not around to hear about how bad she sucks and i hate her) (my god she’s so bad guys like you simply cannot watch the show and retain empathy for her it WILL break you). it does help that in between those things ezra gets his dumb ass shot. yeah for “love” or whatever but like he deserved it i’m not gonna complain.

anyway i hope that helps clarify matters. just to stress the important part, this is not in the top 10 most deranged things that happened on this show. one time A snuck into a dentist’s office and knocked hanna out with laughing glass and implanted a tiny strip of paper in her gums which when the liars extracted it later read DEAD GIRLS DON’T SMILE. another time for a fashion show they were getting dressed up and one of them realized she was wearing a corset made of human finger-bones. they all go to jail because they have been framed but then on the way to jail they get kidnapped in an underground bunker styled to look like their childhood bedroom where A makes them milgram experiment each other for three weeks. watching this show will literally change the structures of your brain. i heard it’s finally legal in oregon now.

[deans-haunted-baby]

The Ones Left Behind

Alrighty time for some truth bombs. I’ve had almost a week to absorb the end of Supernatural and season 15 as a whole. And I think this is the moment where I need to throw in my two cents. For all intents and purposes I won’t go in-depth into 15x20 seeing as that conversation will just open up a whole other can of worms and I don’t need that headache. I have my reasons for being less than indifferent with how the Winchesters’ story concluded. So I won’t go there.

Instead I’ll be focusing all my energies on the unsatisfying conclusions of 4 particular characters. Two of which were main cast members (one that was on the show 12 years and one 4 years) while the other two (played by the same dude) were brought back after a decade long hiatus for a much-anticipated comeback only to be wasted and mangled unfairly by Dabb and his hack horde of a writing staff. Call this a follow up to my last post. If I sound bitter I am because these people don’t have a single clue on how to helm these characters, their relationships or their storylines 😠 Nor do they deserve them.

And yes I’m well aware of Kevin Tran, Rowena, Ketch and several others who got the shaft on this show. Those could be future posts for another time.

But I cannot stress this enough; ADAM MILLIGAN, JACK KLINE, MICHAEL AND CASTIEL ALL DESERVED FUCKING BETTER. There is no arguing these facts, none whatsoever. Not one of these characters deserved that exit to be the final chapter in their story. I won’t do an entire analysis of each character’s arc and role in the show as I’ve already done that in my rant about 15x19. But I will highlight how much season 15 royally screwed over these characters and tossed them aside like trash; as if none of them were ever part of/contributed anything to Sam and Dean’s history/world building of Supernatural’s universe.

*WARNING* This is going to get heated.

Before I dive into the heart of these issues I want to state this is not a “shipping post”. I don’t ship anyone on Supernatural, hopefully this blog has been pretty self-explanatory. So I have no arguments/opinions in those areas. I’ve been a fan of this series for 15 years because of the characters, the familial bonds and relationships formed between characters throughout its run. And I’m well-aware that the Winchesters are the lead protagonists of the show, no need to remind me. These are purely my own thoughts based what I’ve obtained from show canon. Let me just say I can’t get over just how much these writers contradicted and ignored what they put forth in the journeys of these four individuals. its a real headscratcher.

You mean to tell me that after TWELVE DAMN YEARS of Castiel being a rebellious warrior angel, searching for his own identity and meaning in life; making that promise to Kelly Kline about raising Jack as his own/risking his life for him. After sacrificing himself for his son a year ago, acknowledging he was satisfied with his role as a father which restored his faith; that it was all because of/for Dean Winchester? 

You mean to tell me that after Michael, THE PRINCE OF HEAVEN and PROTECTOR OF HUMANITY, was locked away in a cage with a human whom he emotionally bonded with for thousands of years (10 years our time); who was abandoned, betrayed and manipulated by his neglectful/abusive father. After choosing free will and aligning himself with TFW for humanity’s sake, just sided with the Earth’s destruction because his little brother called him names? 

You mean to tell me that Jack, A THREE YEAR OLD CHILD, who’s barely just beginning his life and spent his entire duration on the show wanting to be normal and not wanting to be special. Connecting and being integrated with humans; a child who’s biggest fear was outliving everyone he ever loved. Is suddenly ready to walk away from his family, his home and his teddy bear; to give up being a kid forever and run the universe?

You mean to tell me that Adam, SUPERNATURAL’S MOST INNOCENT CHARACTER and FORGOTTEN THIRD-WINCHESTER BROTHER, after being eaten by ghouls; pulled away from his mother out of Heaven, manipulated by angels, trapped in Hell for thousands of years because Sam and Dean left him there to rot. After coming back and helping his neglectful siblings save the world only to be ripped away from his best friend and THE ONLY OTHER PERSON who gave a damn about him; is sentenced to a life of loneliness, homelessness and turmoil until he dies and ends up in Hell where he’ll mostly be tortured and turned into a demon?

NO. I DO NOT AND WILL NEVER ACCEPT THIS BULLSHIT! 

Season 15 not only manages to contradict itself where these characters are concerned (while assassinating them before the final curtain). But the writers deliberately discarded them before giving us that *sarcasm inserted* epic solo-Winchester conclusion. Regardless of how you feel about Adam, Castiel, Jack or Michael, ALL OF THESE CHARACTERS are connected Sam and Dean’s story and part of Supernatural. And when you throw them away like they mean nothing, you’re essentially throwing away a part of the show’s history. You’re ignoring 15 years worth of story building. 

As I said I’m not going to go into 15x20 for reasons, it doesn’t offend me as much as what was done before that finale. Because I think those other show exits really affect 15x20 even worse than people realize. You want to know why, I’ll explain.

Lets start off with Castiel and Jack, OH BOY! We know where they end up; running Heaven and the Earth together which is all fine and dandy. I love my Dadstiel father/son duo being an endgame family unit. But here in lies the problem, we never saw it. Not even a cameo. And technically their onscreen storyline ends at 15x18 and 15x19 which is an ugly, anti-climatic bookend to an incredibly deep relationship that had 4 years of development. First you have Castiel who completely forgets why he made that deal with the Empty to begin with. HIS FUCKING SON. Not to mention it wasn’t about true happiness it was about giving himself permission to be happy; there is a difference. And then you have Jack wandering around next episode, vacuuming up power cause suddenly he’s a machine now, acting like he doesn’t give a shit over losing his dad to an entity HE’S BEEN DREADING ABOUT FOR A FUCKING YEAR. 

Towards the end of season 15 I noticed neither of these characters were acting like themselves. Their motivations, their personalities and strong ties to one another had mysteriously dissolved. Castiel became less concerned about the danger his son was facing after 15x15 (what the hell was that in 15x17?) and more about speaking when spoken to by either Sam or Dean. Does he know how Dean truly feels about Jack; proclaiming the child is “not family”? I doubt the in-character version of him would let Jack leave with Dean after that insult. Castiel’s not even worried whether or not his son is alive or safe before he makes the big confession later. And for some reason Jack (who’d become heavily suicidal) was more concerned with clinging to the Winchesters, willing to die for them, instead focusing on himself and the one person who’s shown him nothing but unconditional love and given him strength since birth. Both of these characters are canonically depressed and suffer from low self-esteem that was never resolved which makes me furious. 

When Chuck killed Jack at the end of season 14, this devastated Castiel in the first half of season 15. He actually got to grieve that loss throughout the episodes and deal with his anger over it, allowing the audience to anticipate the day they’d be reunited one last time. This part of Castiel’s S15 arc also ironically mirrors Jack’s S13 arc of mourning Castiel’s death until resurrecting him. And when this son finally returned to his father, who got to rescue him, it was such a poignant moment between the two. It was a cathartic payoff after witnessing Castiel in so much pain over Jack. There was so much building up between that Dadstiel reunion in 15x11 and the Empty’s pact in 14x08; this was suppose to be a tragic yet pivotal plot-point in both Jack and Castiel’s stories. And with SPN wrapping up we all expected something BIG. Yet somehow the writers retconned the whole thing by making it all about Dean, which is such a gross disservice to these characters and 4 years of storytelling.

For instance, since 15x18 was Castiel’s exit episode, why wasn’t he allowed to hug his son or Sam goodbye one last time? Why didn’t he have more of a focal role instead of standing around majority of the episode with barely any dialogue as so much precious air time was wasted on frivolous things? Why didn’t he get one last badass fight scene with someone like Death instead of being choked out and tossed around like a powerless mortal? Why did the group need to be split up to begin with when it served no purpose either than that *ugh* moment? Why wasn’t Jack allowed to call Castiel “dad” once before the show ended? He deserved to hear his son address him as dad!

AND WHY THE HELL COULDN’T JACK FEEL CASTIEL’S DEATH THE MOMENT IT HAPPENED? 

The show already established to the audience the significant cosmic bond these two characters shared since before Jack was even born. It was so powerful it boosted Castiel’s grace. Jack could remember who Castiel was from the womb and that he’d protected his mother. Not to mention HE FUCKING RESURRECTED CASTIEL OUT OF THE EMPTY ONCE WITHOUT GOD’S POWER. You’re telling me Jack couldn’t feel his dad being taken away forever despite how far apart they were? No, he’d feel it in his heart. Had we’d been given a scene like that at the end of 15x18 (something of substance) with actual grief shown in 15x19 maybe the episode would’ve faired better for them. 

That said it wasn’t, because Jack was treated the exact same way in his final exit. Hardly any lines and just a bunch of scenes of him standing/walking around until that pathetic reveal at the lake. HE DOESN’T EVEN GET TO INTERACT WITH JAKE ABEL’S MICHAEL/ADAM which would’ve been a great follow-up to the AU!Michael storyline in seasons 13 and 14. I swear these directors didn’t give Alex and Misha any motivation during their last three episodes and it’s evident in their hollow performances. But why would they when the scripts are basically telling their characters to quickly fuck off so the brothers can have their final outing. Jack doesn’t even behave like himself after he becomes the new God. His personality is apathetic, cold, alien, stiff and way too mature for the 3 year old child so closely connected to his family/the human world. In that moment I saw Alex Calvert not Jack Kline. It’s bad enough he doesn’t get a meaningful farewell but again Castiel, HIS DAD, is a complete afterthought to this kid 🥶

And that’s what we’re left with. Forever. A frigid, hollow ending to one of Supernatural’s most healthy, touching, family dynamics. It makes you wonder what was even the point. I can’t even fully enjoy the fact that its canon Jack and Castiel are together fixing Heaven because of what the show presented onscreen as their last hurrah. It’s not sitting right and it makes 15x20 even less appealing to me.

Moving onto Michael and Adam. Get ready for this. I could rant forever about how dirty my boys were done by this show. How they were discarded in the SPN series finale recap etc. just as they were FOR THE LAST TEN FUCKING YEARS. Was there even a plan going on here or was this just everyone making things up as it went? Their ending is the most unsatisfying and cruel thing because its INCOMPLETE. There is no real closure or resolution with them thanks to the monstrosity that was 15x19. AND NO ONE CARES ENOUGH ABOUT THEM TO GIVE A SHIT. 

Much as I’ve enjoyed this show for many years, it NEVER deserved Jake Abel, his talent or his time. I keep seeing so many anti posts about Dean Winchester’s final fate in Supernatural and all I can think about is “try being an Adam Milligan fan for the last decade”.  I’ve had to watch this boy go through hell with nothing to show for it either than years of memes. ridicule and the show’s mockery in forgetting him. Actually he’s the ONLY CHARACTER in this series you’re encouraged not to remember 😡 Also quick question: why give us this really interesting and healthy relationship between an archangel and its vessel if nothing was ever going to become of it? 

At this point I don’t know why Adam or the idea of him was even introduced way back in season 4 let alone revisited in season 5. Because the only thing I see when I look at this character now is SAD WASTED POTENTIAL. Storylines never explored. Relationships that never got off the ground. Backstory we never got to see (like for instance his past with John Winchester and his time in the cage). A character’s birthright (Men of Letters) that was never actualized. AND the unexplained factor that Adam could look directly at Michael’s true form without his eyes burning out (making him a special case). And the thing is he could’ve been a really great character, both him and Michael. They could’ve easily reached popular status just like Castiel given the chance since Jake is a freaking acting-powerhouse. We were given a taste in 15x08 just how awesome these characters could be and how they could’ve contributed so much to the story and its core group. But unfortunately it wasn’t meant to be.

Michael will never redeem himself after years of scrutiny and being made out to be some kind of unhinged monster. This show constantly enjoyed pounding into our brains how fearsome Michael was. Warned us via Lucifer (LUCIFER, PEOPLE!) that he wasn’t rational, compassionate and didn’t care about anything except war, death and destruction. And that he was incapable of feelings and emotions. This is how Supernatural saw Heaven’s Prince and guardian of the Earth. Christ, they actually did a two-year storyline about an evil Michael from the AU world who enjoyed torturing and killing while trying to destroy the universe. I want to know WHAT THE HELL THIS SHOW’S WRITERS HAD AGINST THESE CHARACTERS? Why they felt the need to bring back Jake Abel, AFTER A DECADE OF FANS WANTING THIS, if it was simply to piss all over his characters one last time before the show wrapped. This is absolutely unprofessional and childish; the fact that Jake is taking this bullshit in stride makes it all the more shameful 😡

We could’ve learned so much more about Michael’s past and his present relationship with Adam. These characters didn’t need to sit in the cage for a decade they could’ve easily been incorporated back into the show as far as season 8 or 10! And been an asset to the Darkness storyline in season 11.There were characters and storylines introduced that served no purpose. Why did we need to keep seeing characters like Charlie Bradbury or (as much as I like him) Crowley or Garth (love him too) or Lucifer or Abaddon or the Wayward sisters? I would’ve much preferred having Adam and Michael around and got to know them instead; especially after 15x08. I would’ve wanted to see what their dynamic with TFW could’ve become had they been long-time allies. Did John ever tell Mary about Adam’s existence? I’d like to see what her reaction would’ve been like had the Winchesters remembered him during that damn 300th episode. I guess that’s another loose end untied.

But because of what Supernatural did to these two characters, it forever taints Sam and Dean. I don’t think Dabb or purist fans realize this. But when new viewers come into this show about two brothers preaching important things like “saving people”, “family first” or “family don’t end in blood” they’re going to see how badly the main protagonists treated their innocent half brother. How Castiel and Jack were treated. They’re going to see the heroes of the story abandoning this kid in Hell forever with no intention of EVER rescuing him. And that’s why their final appearance leaves such a bad taste going into 15x20. Cause as much as Dabb and co didn’t give a shit about Adam and Michael they also didn’t give a rat’s ass about protecting Sam and Dean’s integrity. That’ll be a stain they can’t undo. 

So through all of it, we’re stuck with the abomination that is 15x19 aka the eye-soar to an unfinished/unpolished story of two horribly disregarded characters. Michael gets the pleasure of being character assassinated right before he’s stupidly killed off instead of going out a hero or becoming the next God (as it was his birthright and the setup was there in the narrative). And Adam gets killed off-screen, OUT OF HIS OWN DAMN BODY, then brought back by Jack only to live a miserable, isolated existence since his brothers have nothing to do with him (the dog and car are more important); his best friend is dead, he has no job or money or a fucking home and he’s legally dead! Really what is there left for him besides the brutal fate awaiting in Hell when he dies?  

SERIOUSLY THEY COULDN’T GIVE US ONE SCENE WHERE THE WINCHESTERS CHECKED IN ON ADAM TO MAKE SURE HE WAS SAFE?! 🤬 His last scene pretty much sums up this shit for what it is. Tragic. I feel like crying for this poor sweet boy.

Congratulations Dabb, BL and co for giving us these much deserved broken story arcs of characters you destroyed and made OOC before leaving the airways. You did your show’s protagonists justice by doing this *sarcasm inserted* after 15 years of being onscreen. I doubt these idiotic decisions are going to age well in the long run. They certainly don’t look good on the Winchesters. Anyway that’s my hot take for the day. 

ALL THESE ACTORS AND THEIR CHARACTERS DESERVED BETTER.

[misterbitches]

Dude yong jie’s character is literally unbearable this is like how not to write a vharacter 101

Our first intro to him is stalking, then PUNCHING someone in the LIVER bc the person he “loves” was fucking drunk and he blames his best friend? Then his mom is like “lmao actually um hes psycho” so anything they try to do retroactively like how they peppered in HIS DAD DIED A BLOO BLOO but previously it was also his OWN MOM going “im afraid he’ll lose his humanity” so not only was there no breathing room then it’s bumrushing him into their lives as best friends and it doesnt work. This dude sucks and he isnt even fun to watch. You know how breaking bad has one of the most abysmal main characters of all time but all of us were fucking ENGROSSED but the show made it clear that every enemy he faces, even the DEA, we want THEM to win (it is also a class analysis but woreva) so i am like wtf they show us literally nothing here. He’s just there. Wasting space and being awful. What is the purpose of his character in ssu’s life? Once you rape someone it is fucking over full stop but he didnt even fucking manage to start off in any compelling fucking way. Absolutely bonkers dude Esp bc theres at least a base moral code ie DONT HARRASS GIRLS UR “INTO” and thats why mei fang the absolute mad lad beaut was like “lmao nah i hate u”

Soooooooooooooooooooooooooooooooo?????????????????????????????????? WHERE IS THE WRITING HERE? WHAT IS THE SCRIPT? awhat is the PROGRESSION? This is such an insanely fucking dumb plo5 point i rly cannnnjnnntoeiwijshsgsgsgsgsgsgeggwiwowiw GORL

Lets talk abt the good things in the characters (theres none for yong jie hes just there being a little bitch)

Li cheng - himbo dumbass “manly” cutie and the manly stuff is fun cos it gets heaped on and yet every bit of him can be extremely “feminine” and jubilant. Great.

Muren - seems >:O but i rly like that hes actually pretty open in his own way. Side note: he is so thin and willow-y i rly loke tall pretty boys (and all women lmao) and he doesnt do it for me but He suits the character like his body and the way his character is. Also u gotta be weird and he is

Hsinng ssu (girl im never gonna learn how to spell their names it’s too much work cos the eng alphabet andnromanization is terrible) - mild mannered, good son, a homosexual confirmed confirmed g”(awesome!) great friend, good brother (and i guess his reward is being raped, great message!) and someone ppl like

The establishment of the three of them and their distinct personalities happens within minutes and then we meet

Yongjie - what about him? He may have an MI, okay, but we dont know for sure and oh gee that doesnt matter actually bc u have to get urself treated and also not be terrible. Not even psychopaths do the shit he does BC THEY HAVE TO GET HELP. Why the parents didnt get him help and are just realizing their son is terrible? Who knows . His purpose seems yo be “boy obsessed with brother like his actual brother” i dont care id they arent related in that way bc that’s not the fucking crux of incest and it is so insanely Fucked every thing to do with incest is almost always a disgusting powe r issue. WHAT PURPOSE DOES HE SERVE? WHAT DO WE ONOW ABOUT HIM OTHER THAN HE IS A FUCKING JERK AND AN IDIOT AND SUCKS AND I HATE HIM AND THAT HE WANTS TO STALK AND ATTACK THIS REALLY AWESOME FUCKING DUDE OK

There’s no returning point deom rhe line they croased byt theyb set him up for failure. Even in the fight hes a fucking cheater hes a goddamn immature rat they know he fucking sucks but he just sits there and waits for everyone else to move around him. A fucking selfish prick with nor edeeming qualities snd hes also a violent rapist stalker. Really great that thry have no clue how to make this dude actually have any humanity or likeability. Hes the man from 365 days basically except not even that hot and at least he kidnapped her but “WAITED” for “CONSENT” but in that movie’s world nothing mattered and it was bad and the point was to have a horny movie. But this show is for younger ppl and also IT HAS RULES AND IT KNOWS WHAT BAD ACTIONS ARE???? Soooooooooooooo in all these other dumb salacious books there seems to be just a mutual agreement that it’s fucked up but totally normal i their movie’s universee (it isnt and it is still just bad filmmaking)

Also it is up to yong jie to figure put how to get over it and understand that his brother is concerned for him. Bc it is. His brother. There’s a reason that incest is never advisable and thays bc there is no way in that situation that people aren’t somehow being coerced. There has to be a sort of split in the pursuer and the person being pursued bc one person is not thinking that way. (This is why people who find out they are related after the fact and havent grown up together is something thatms really unfortunate. They had no idea and they have to grapple with that but that is another scenario and it happens bc THEY DIDNT GROW UP TOGETHER.) i have experienced this from a (not immediate) fam member and i was the vulnerable one, had less powr, that is how it must go.

Thats why the power imbalance is scary and none of this is acceptable but it begs the question how did they get to this point? But the show doesnt even address that bc they cant bc theyre not original. And power imbalance does not mean automatic absolutely not territory. Theres things we dont like (in my casee i hate age gaps a lot) but i will avoid that.

I havemt seen “right or wrong” and i have no desire but from what ive garnered from ppl i like who liked that episode, the show outlined the moral issues with it. Idk if they did it in a way i would have preferred (again no desire) but at lesst from what ive heard it...tries? Idk i dont see the need for these if they dont give us a reason why these ppl should be together and there’s several lines that cannot be crossed that were. Basically it’s like stockholm syndrome now and there’s no choice for him, it goes beyond power imbalance and “legality” so to speak and now it’s just entrapment.

Theres not even avoiding or enjoying. Even for MODC as stupid as i found the secondary rship and negligent even like ok. Fine. Whatever. His boyfriend is 100 but at least it was semi agreed upon. It is what it is, go forth. I will criticize it but at least it was the story and as stupid and gross as i think it is and they will probs break up (idc what the show says) at least there are set ups that can make us see “why” it works and oh, gee, their whole rship relies on a different fucked up but at least at some point it could possibly be transcended. The foundation of youngjie is “rape entrapment and aw now they are in lvoe” BITCH NOOOO???? Where is the REASON? And why should we root for them? (There is none and when the Thing happens it is now impossible for that not to be absolutely foundational to their rship lmao and that is never something that goes away.)

I would like to say theres nothing romantic int he flashbacks i know thats what theyre trying to twll us but the actor is 30 and that child is like 8.

Im not missing the point bc i see it with my eyes and it sucks. If you cant even write the character well then how do you interest something heavy and work out the links? The only solution is yongjie dying i mean fucking off forever and hsing ssu not letting him into his lifeXni doubt we will get that but at the very least they cannot end up together and that will be their crowning fucking achievement over the waste of time bullshit plot this was. Imagine actual conflict that wasnt so deeply fucking traumatic and, oh, again WHERE ARE THE PARENTS? They fucked up SO FUCKING BADLY. This gives people the wrong idea about how these things work. God he is truly a shitty character and his ass isnt even fat so wtf bitch why am i here!

[justjessame]

The Deal Chapter 32

When we arrived back at the Sanctuary, I saw where ‘D’ had been. He was riding Daryl’s bike, and I supposed that, like the weapons, was the spoils of war. Or a skirmish, since as far as I could tell, it hadn’t gotten to full war.

I followed Negan without thought. Without fear, without a care or the need to even pretend that I was aware. Every part of me was so used to this, going through the motions, that I could do it without a single aware thought. Once again I was in his room, and seated in front of him.

“Jessi,” he tried the name that my dad must have used to ask for my return. I flinched. It was a name I only heard out of the people closest to me, and he was for all purposes, a stranger. “You don’t like the name?”

I kept my eyes on his. “It’s fine.” I answered, sitting ramrod straight and as still as a stone.

He was still examining me. Looking for what, I truly couldn’t say or care. “Did you want to stay there, with Rick and the hick?”

I felt my brow furrow. What kind of question was that? Was it a trick or a test? In the end, what did my answer matter? I’d made a deal, life for a life, and here I was. “Does it matter?”

He leaned back in his seat and sighed. “Consider me fucking curious.”

I still didn’t get it. Why would he care? What difference could my wants, or my feelings matter? “Where I am doesn’t make one bit of difference to me.” It was true. Here or there. What did it matter to me? Not like I could let myself stay present, or aware. Nowhere was far more tempting than anything my surroundings could offer. Here, at least, I didn’t have to pretend as much, or I didn’t think I did.

“I believe you,” he said, leaning forward and staring at me intently. “But I still wanna know why the fuck you think that?”

His curiosity bothered me. I’d given him my life for Glenn’s. I’d agreed to whatever was coming. I’d assumed death, sure, but I would do whatever he asked of me. Except this. I would not bare my soul to him. Not just because he was a stranger. Not simply because he had monstrous tendencies. Because in the end of it all, I didn’t think I had to share it with anyone, much less him. I was his property. And that was it. Pet or prey, I really didn’t care.

I didn’t answer him. My silence is answer enough. Or it should be. My eyes remain locked on his. And we reached a stalemate.

Time passes, how much I have no clue, but it must. The shadows from the sunlight dappling through the window move subtly. “I can’t help you if you won’t share,” Negan offers, cutting through the quiet.

Why bother? What’s the point of trying to help me? I traded my LIFE and I suppose my body, but the rest? It doesn’t play a part, not really. “Why does it matter?” I finally asked, a tinge of curiosity coming to the surface.

He stared at me, considering obviously how to answer me. “Why didn’t anyone else?” He countered.

I tilted my head and took my time to perform my own inspection of him. He looked far too interested in my opinion. He had, aside from throwing my lack of answer in Alexandria in Dad’s face, treated me with kindness. And even with his not so subtle dig at Dad, it was more about how he’d failed me.

“I suppose,” I finally leaned back in my own seat, feigning a relaxation I didn’t feel. “That no one noticed or thought that I needed help.”

Negan ran his hand down his face. The tell I’d noticed when we were in the RV. I still couldn’t tell what it meant. Frustration? Irritation? Calming himself? His mouth was closed and it looked like he was chewing his words. Tasting them, and deciding which ones to use. Which ones to toss out, which ones made the most sense.

He sighed, long and deep. “Why didn’t they?” And I couldn’t decide if he was asking me, or if he was ruminating on the lack of attention that my people showed me. His eyes were locked on mine, almost trying to draw the answers he wanted so badly to questions he hadn’t asked yet, right from my brain. “Jessi, if I could see it. If I could take a fucking single damn look into your goddamn eyes and see it, then why couldn’t they?”

My mask, I wanted to say. The mask that I wore so carelessly, yet so absolutely covering my every lack of emotion, or overly emotional reaction that I didn’t know how to deal with. Why would they want to slip it off? When every single day we’d survived, another fucking terrible thing showed up. Humans who wanted us dead. The dead who wanted us dead. The fucking very nature of our environment wanted us dead. Why would anyone, much less the people who loved me, want the added burden?

“Why would they want to?” Question for a question. And it was true. If I didn’t want my own fucking burdens, why would I expect someone else to pick them up?

His eyes were looking at me like I’d disappointed him. That somehow that wasn’t good enough. That I should have done better. Yeah, well, get in line, I thought. “People are resources, Jessi. Family, if you’re left with family and loved ones, then they are MORE than just resources.” He was so focused, yet there was something behind his words. Something that I couldn’t quite grasp. “Your dad, your hick, they-” He stopped, and shut his eyes, letting me have a break from his scrutiny. “What was your place in your group? Your purpose with them?”

I was about to say that I took care of my brother and sister, but I wasn’t sure he knew about Judith, and even though I wasn’t available to her bodily, I wouldn’t put her in danger. “I-” I tried to think of the best explanation. “I took care of my brother. I made sure that our people stayed-” what was the way to say it. “I meditated, in the beginning. I made sure that no one blamed themselves for the inevitable losses.” Daryl, I thought, I made sure he knew that it wasn’t his fault. Not when Merle died. Not when he couldn’t bring back Sofia. Not when Zach was lost on his run. I took it from him, the burden.

“And what did they give you in return?” His voice was quiet. He wanted the comparison. My burden versus theirs.

My chin raised in defiance. I wouldn’t make my family sound selfish or neglectful. They weren’t. We lived in a horrible Hell on earth. We all had burdens. “They loved me. They kept me safe.”

Negan’s eyes were slits as he squinted at me, as though he were trying to filter through my scarce answers to find something to latch onto. “Love is a two way street, and safety? Why are you here, instead of anyone else, or better yet, why did anyone have to be here?” He stopped, letting me roll it around in my head. “Your dad didn’t need to start shit with me, Jessi. They didn’t have to attack my people. They had no reason to pick a fight that they weren’t going to win.” He leaned forward again, closer and more intense. “You weren’t in the groups that we gathered, why?”

“I didn’t go on runs.” It was the truth. I hadn’t been on a run since before we settled at the prison. It wasn’t something nefarious. It wasn’t.

“Why?” He asked, always wanting more.

I shrugged. “I didn’t want to go.” And Deanna hadn’t given me the task for a job, and Dad hadn’t asked either, I added in my head.

“Why?” Again.

“Because. I. Didn't. Want. To. Go.” I was getting aggravated with this, why did it matter, damn it?

“Why?” His tone never changed. He didn’t raise his voice.

I sighed, and glanced at the wall. “I didn’t want to go.” I sounded defeated. Even to me. A crack in my mask.

“Did your dad, did your-” he stopped, skipping over Daryl, but including him in his own way. “Did they ever ask why you didn’t want to go?”

No, they hadn’t. They had left. And most of the time without a backward glance or a goodbye. I shook my head. Not willing to speak. Not knowing how my damn voice would sound. And not willing to allow another crack to form.

“When was the last time?” He asked, and I looked back at him. Last time? He saw my confusion. “The last time he touched you, the last time he LOOKED at you?”

He wasn’t talking about Dad. He wanted to know about Daryl. I swallowed and blinked back the burn in my eyes. “I don’t know.” My voice was a breath. But as quiet as his room was it could have been a scream.

Negan leaned back in his seat again. He was breathing slightly harder, as though interrogating me was a workout. “They didn’t see you, HE didn’t see you breaking because it was inconvenient to them.” He bit out and I was shocked at how angry he sounded. Why was he pissed, he barely fucking knew me? “They let you fall completely fucking apart and didn’t fucking see it because they might have to fucking take care of you.” His eyes were flashing like fire. “It was FINE when you built them back up, when you took their fucking guilt for whatever your group went through, but they couldn’t, HE couldn’t fucking take a moment to do the same for you.”

“You don’t know him.” I spit out. Defending Daryl against his accusations.

He glared at me. “I don’t fucking think you do, either.” He returned.

I glared right back at him, feeling more than I’d felt in God knew how long. How fucking dare he? How dare he challenge it, what Daryl and I shared. But how long ago did you share it? A traitorous part of my brain asked. “You know nothing. About me. About him. You don’t know shit.” I was angry. With Negan, with myself.

He raised his eyebrow. “I know that this is the first fucking time you’ve shown ANY fucking emotion since you walked out of that fucking strand of trees. I know that you sleep so you can fucking leave the world behind, so you don’t have to fucking face the realities that fucking surround you and no one is willing to help you through it so you can wake the fuck up and see that you’re barely fucking alive.” He was as irritated as I was. “I can tell you this much, Jessica Grimes. If you were mine, like you were his, and you’d stepped up and offered your fucking life for another person’s, I’d have fucking stopped you. I would have fucking put my own down in your fucking place, because that’s what love is.”

I felt the first tear fall. And then I was sobbing. That first crack in my fucking shell, it had broken the whole damn mask. There I sat, unmasked and broken. As Negan sat before me watching.

[phantomphangphucker]

The Whole Ass Fic A.K.A ClockWork Is Paying At Least One Person Hush Money

Vlad’s dumbest plot yet leads to a grade A gravy bowl of a dumb reveal. Danny’s class feels left out, Wes is literally left out, and ClockWork is forcing me to not leave them out at gunpoint.

Now that y’all have voted, I present to you, the Whole Ass Fic

Danny was having a nice day, he honest to the Core was. But then a blue portal half fucking blinded him, a startled Mr. Lancer accidentally threw a whiteboard marker into his eye, and Dash finally succeeded in hitting him -in the eye of all places, ugh- with a spitball. All of this followed by a -probably not quiet- mutter of, “ClockWork end me”. In short, he had already filled his quota for ocular trauma today.

But looking to the front as a -very not cheesetastic- certain someone stops monologuing, he’s experiencing a-whole-ass-nother kind of ocular trauma.

Danny gets up from his desk and slowly walks up to the front, eyes filled with disappointment and the residual energy of his three breakfast Red Bulls, “okay, so you’re telling me-”, Danny gestures erratically to Vlad, who's tied up on the floor and in ghost form, “-that you overshadowed ClockWork-”, gesturing even more erratically at ClockWork -who’s just sitting on a desk and inspecting their nails- but Danny maintains wide-eyed eye-contact with Vlad instead of attempting down the rabbit hole of why ClockWork is still here. Glaring at floor Vlad harder, somehow, “-so you could travel to the future, to team up with your future self and bring him back here-”, Danny points both hands at the floor a bit aggressively, “-so you could tag-team pulverise a teenager-”.

While Vlad rolls his eyes, not even slightly apologetic or willing to admit that throwing fists with teens being his number one past time was arguably pathetic. Danny gestures at the future Vlad, who’s glaring bloody murder at normal timeline floor Vlad, “-but said future you instead assaulted ClockWork”, facepalming and muttering into his hand, “least I know this future you really is you, being enough up his own ass to even consider attempting to do that”, looking back to floor Vlad, “so you used ClockWork’s powers at random and just came back to this timeline?”.

Kwan adds in, “through the ceiling”.

ClockWork smirks, “he got quite lucky in that regard. Not quite luck though”, Danny sighs exasperatedly at ClockWork when they wink with a smirk. Anything involving ClockWork required a lack of luck, not a wealth of it; that, or making a collection of the stupidest decisions you’ve ever made. Considering floor Vlad’s state of looking like an extra for a truly terrible Vampire BDSM film, Danny’s going with the latter.  

Floor Vlad manages to spit out his gag, “well they somehow tossed me out of their body immediately after! I mean the audacity! And this Cheesehead-”, jerkily attempting to nod or point at the scruffy-looking future Vlad, “-gets more pissed and assaults me, ME! Instead of you”.

Future Vlad kicks him and snarls, “it’s been two years in this timeline! TWO! I stopped with the stupid fiddlediddling after six months!”, turning his head to the side and mumbling, “sure everyone close to him had to die first, but that’s a moot point”.

Dash snorts, “why would a ghost even want to assault Fentit. And wait, what? People died?”.

Danny meanwhile, throws his hands out to the side, “of course that happened!”, then gesturing towards ClockWork, “you can’t overshadow ClockWork, that’s not even possible! They literally had to have allowed you to”, actually turning to glare slightly at ClockWork, “why, I haven’t a shot-glass of pennies close to a clue”. Danny then blinks and slowly looks at the future Vlad, his words finally registering; while Danny also simultaneously massacres his last brain cell, “wait....you’re that Vlad? As in the one that technically murdered me? The one that sort of caused the near extinction of humanity and ghosts? The one that basically saw the big red ‘DO NOT PUSH, THIS IS A STUPID IDEA’ button, slammed your fist on it, and activated the apocalypse? The one that stabbed past me when I tried to fix the future? Sure I requested it, but ya still did it”.

Mr. Lancer, who had been progressively going more wide-eyed, “Crime and Punishment?!?!?! I mean, go off I guess”.

While Danny scratches his head nonchalantly, muttering more to himself, “also the one that gave me any faith in past you ever being capable of being good”.

Floor Vlad sputters, wiggling in his bindings like a worm, “how is murdering you what it takes to make you have even an ounce of faith in me?!?”, floor Vlad looks to future Vlad, “you can’t judge me, you fudge-bucket of a hypocrite”.

Danny rolls his eyes and snorts, “that’s not even pot calling kettle black, that’s a wad of chewed gum calling a fork an unchewed stick of gum, and actually expecting that insult to stick”. Danny then squints and turns to ClockWork, “wait”, pointing emphatically at future Vlad, “how does he even exist?!?!? That future was literally destroyed?!?”.

Future Vlad squints at him, looking affronted, “you mean you destroyed my existence too?!?”.

Danny turns to him and waves his hands around wildly, “THAT’S WHAT HAPPENS WHEN YOU UNRAVEL TEN YEARS OF TIME! THOSE THINGS AND PEOPLE GO POOF!”.

ClockWork sticks up a finger, “that’s not how time works”.

Danny and both Vlads’ turn to them, both Danny and future Vlad pointing aggressively, “YOU STAY OUT OF THIS! THIS DOESN'T CONCERN YOU!”.  

Nathan mutters, “or the rest of the class apparently”.

ClockWork smirks, “pretty sure the author disagrees on that one”. Everyone squints at them but goes back to bickering. Future Vlad points a little aggressively at Danny, “you were just supposed to fix the past! Not obliterate me!”.

Danny throws his hands up, “sacrifices had to be made! That’s what good guys do!”, gesturing at floor Vlad, “plus! You’re still here! And still A CRAZED UP FRUITLOOPY DICK!”.

Floor Vlad, looking a bit insulted, “language my boy”. Danny just looks down at him and knocks one of the desks on him; some kids water bottle -who the heck uses glass water bottles? Seriously?- smashing apart all over his face.  

Future Vlad pinches his nose and gestures at floor Vlad, looking at Danny, “that’s because he hasn’t been horribly traumatised....yet”.

Floor Vlad sputters, “yet?”, before scrunching up his face and licking his cheek, “is this vodka?”.

Future Vlad glares down at him, “you don’t know suffering”, getting into floor Vlad’s face a little and shaking his finger violently, “you don’t know the meaning of the word”, while Danny mutters, “neither do you, by the way”, future Vlad keeps talking, “and you really think you can collect all these stupid cheese curd plots and not turn yourself into curdled milk?”.

Floor Vlad rolls his eyes, “says the murderer”.

Danny rolls his eyes almost in sync with floor Vlad’s eye-roll, “oh like you haven’t killed anyone”.

Mr. Lancer coughs, “um? There are other people here you know. And some of us don’t appreciate casually talking about murder at-”, glancing at his watch, “-nine a.m. in the morning”.

Floor Vlad glances at him, “no one but us and dear Maddie qualify as people”.

Danny sputters incredulously while ClockWork points at floor Vlad, “and that is not how classifications of species and words work”. No one so much as acknowledges the arguably most power-being ever this time.

Floor Vlad looks back to future Vlad, “and Daniel’s the one that messes everything up. Not me!”, glaring at Danny and muttering, “I would have had a perfectly viable clone otherwise”.

Future Vlad shakes his head and gestures aggressively, “you cloned him?!?!?!”, throwing his hands up and walking around, “this me’s insane! Wonderful!”.

Valerie snickers into her hand, “I want to get involved but...”, before gaping and sputtering incoherently to herself about Dani.

Danny snorts, “you hadn’t already figured that out when he decided to abduct and control the body of the dude who controls time itself and oversees everyone’s futures. A literal living legend and basically a god?”, shrugging and sounding nonchalant, “and yeah, technically we have a kid now. My genetics, but Vlad made her. So technically, we’re both her parents”, kicking floor Vlad, “I should sue you for child support”.

ClockWork nods, “and you would win actually”.  

Danny looks tickled green, while floor Vlad shouts dramatically, “WHAT!?!?!?”. Future Vlad is just walking in a circle throwing his hands out randomly and making faces.

Dash mutters, “I can’t believe I’m saying this but, the damn twinks life would make a great soap opera”. ClockWork smirks ever so slightly at this.

Floor Vlad screws up his face and wiggles in the bindings some before squinting at Danny, “wait a biscuit buttering second, how do you even know about the ghost from the clocktower?”, sputtering and squirming, “how do you know their name?!? Even I didn’t! And you know their powers! Daniel what in the name of Gouda?!?”.

Danny deadpans, “oh don’t you use that tone with me, mister. You’re not my father”. While ClockWork smirks, “my name was actually the first thing he said, you just conveniently ignored that for plot purposes”.

Danny just speaks right over them and gestures at ClockWork, “and of course I do! They’re my Time Daddy!”.

Everyone goes silent immediately and you could hear a pin drop. Instead, a different voice breaks the silence, “wow! Didn’t know you had another dad, son!”.

Both halfas and the ex-halfa turn slowly and look at the doorway, where one Jack Fenton is standing and munching on fudge like he’s engrossed in an intense tv show.

Danny blinks and sputters, “how long have you been there?”.

ClockWork smirks, “since almost the beginning of this fic”. Danny glances at them, “that doesn’t make sense”. ClockWork shrugs, “well the audience might appreciate knowing, and I aim to please”.

Danny speaks thick with enough sarcasm to kill a lesser being twice over, and as if to prove this point floor Vlad starts hacking like someone force-fed him nails, “oH yEaH tHiS hAs BeEn A rEeEeEaAaAaLlLlL pLeAsUrE”, before squinting, “...what audience?”.

Star slams her face into her desk, “oh my Zone, seriously?”.

While Jack pipes up, “since Danno repeated vampire Vlad’s story back to everyone with so much disbelief I really couldn’t bring myself to interrupt”, standing and practically throwing the plate of fudge -having forgotten he even had it- when he throws his hands out to the side.

Mr. Lancer sighs and speaks as the fudge slowly smears down the classroom wall, “this was not in my job description, but thanks for the reminder why I don’t moonlight as a babysitter anymore”.

Jack, sounding way too happy for this situation and oddly not looking angry or even bothered, “and I’ve never heard my boy so passionate before!”, tapping his chin and looking at the two Vlads’, “though I do have to say. What the fuck is wrong with you V-man”.

Danny grumbles, “welcome to the life of having a half-ghost, who’s three nuts short of a fruitcake, that wants to aggressively be your uncle and/or father”, before sputtering incoherently over his dad swearing.

Jack tilts his head, looking like a confused puppy, “but, I’m your dad?”, quirking an eyebrow at ClockWork, “one of your dads?”. ClockWork looks like they just got blessed by a god... a god other than themselves anyway.

While Danny stares down at the floor unsure if he should feel deep horror or boyish wonder. Muttering, “did I just result in ClockWork getting adopted into my family through arguably convoluted and highly illogical means?”.  

ClockWork makes a face that is the closest thing to insulted Danny’s actually seen on their face, “it was my belief we were already kin”.

Danny sputters and waves his hands around erratically, trying desperately to back-pedal, “what, I, er, no, I mean yes! Yes! Totally fam!”.

Valerie can’t help but let out her inner gossip rich girl mode, “ooooooooooo, someone’s in trooooouuuubbbbllllleeee”.

Floor Vlad sputters in utter disbelief, it was he that was supposed to be gaining new family members here! Not that oversized puff pastry! “This, that, THIS IS NOT HOW ANY OF THIS WAS SUPPOSED TO GO!”.

Future Vlad blinks at Jack, “why are you not freaking out over the ghosts?”.

Star sighs, “are they really just ignoring that none of us have been freaking out?”.

Jack shrugs, “one’s tied up and the other gave me fudge”. Floor Vlad just shrieks in frustration and disbelief. While Danny gives a dramatic thumbs up to ClockWork, even going so far as to use a little ecto-energy to make his thumb sparkle like some anime bullshit.

Future Vlad kicks floor Vlad but speaks to Jack, “well if it’s anything, I’m not a ghost or half of one”.

Multiple people mutter, “half ghosts are a thing?”, while Valerie grins like a loon.

Floor Vlad shrieking, “WHAT?!?!?!”.

Future Vlad looks down at him but points at Danny, “he ripped out and ate Plasmius”.

Mr. Lancer grimaces and has to physically restrain himself from assaulting Kwan when he actually sticks his hand up and asks, “what’d that taste like? You know, for reasons”. No one’s honestly surprised at this point, when the bickering guys’ just act like the entire class are just extras added in after the main plot was established and without the main casts knowledge.

Danny blinks and gestures wildly at his dad, “are we just ignoring the uniformed third partly?!?”.

Mr. Lancer glares, “the class has been here the entire time”.

ClockWork smirks, “Vlad’s the authors' bitch right now so...yes”.

While floor Vlad gapes at Danny, “YOU DID WHAT NOW?!?!?”.

Danny throws his hands up exaggeratedly, “NOT IN THIS TIMELINE!”. While Vlad just quietly sputters about how Daniel could and even would, apparently, eat him. Danny has to severely resist spewing out a list of vore jokes at this. While ClockWork mutters with a smirk, about how the only reasons Danny’s not doing that is because the author’s tired of their phone crashing every time they try to write them.

Future Vlad points aggressively at floor Vlad, “we were the ones who thought ripping out his humanity would be a good idea!”.

Jack adds in some side commentary, “yeah, please don’t do that to my son”.

Floor Vlad mutters at the floor, “I need some bloody scotch”, before looking up at future Vlad and shouting, “WHY WOULD I DO THAT!”.

ClockWork points at floor Vlad, “the vodka hasn’t totally evaporated off your face yet, so you’ve got options. I have no pity for you”.

Floor Vlad glares at them, “I have standards”.

Half the class saying, “you sure about that?”.

Danny and future Vlad respond to floor Vlad in unison, with matching deadpan tones and judgmental facial expressions, “because, for all accounts and purposes, you are a sociopath”.

ClockWork sticks a finger up, “this is not how psychological diagnosis works”, gesturing at the class, “for one, patient confidentiality is a basic prerequisite, not an option”.

Nathan makes a mocked delighted gasp, “did we just get acknowledged?”. While Danny and future Vlad share a look tm.

Floor Vlad sneers, “rather that over an overgrown oaf, a self-sacrificial fool, a weak old man, or whatever is up with the time ghost”.

Danny glares while future Vlad socks floor Vlad in the face for that. Danny off-handed commenting, “‘Observant puppet’ is really the only insult that applies”, looking at ClockWork, “why aren’t the eyeballs up in a tissy about this anyway?”.

ClockWork smirks, “the author has decided they no longer exist”.

Danny blinks, “what kind of power does this ‘author’ have????”.

ClockWork mutters ominously, “the ability to outrun writers' block...for now”.

Danny ignores ClockWork out of slight horror and feeling like someone’s threatening him with another? dissection fic if he doesn’t stop encouraging ClockWork to derail the plot. Turning his attention to the two Vlads’ just in time to catch Valerie getting up and smacking both Vlads’ over the head, which just turns into an all-out fistfight. Well okay, floor Vlad is just squirming in his bindings and kicking like a feral rabbit, but still.

Valerie steps back and nudges Danny with a wily smirk, “who you wanna bet on to win?”.

Danny snorts, “future Vlad, based on sheer tenacity”.

ClockWork smirks and points a finger at the ceiling, “that’s my bet”, another portal opening up and yet another Vlad falling through and landing on the two others in a heap; knocking all three out, floor Vlad finally transforming back human. Danny looks to them, “the fuck is wrong with you?”.

While Maddie’s voice mutters from the doorway, “oh my Zone, Vlad?!?!”. Standing next to her is yet another interviewer from Genius Magazine: For Women Geniuses, By Women Geniuses; who slowly lifts up her phone and snaps a photo, while patting the pocket where her recorder is.

The next day Danny inexplicably gets pelted in the face -which, coming full circle, predictably stabs him in the eye in the process- by a magazine as soon as he steps through Mr. Lancer’s classroom doorway. Danny just lets it flop onto the floor unceremoniously, due to his veins being clean out of the consciousness juice that was Red Bull and thus incapable of caring about those pesky things called reflexes.

Danny sighs down at the abused magazine while slowly and dramatically covering his right eye. Sighing even louder at the cover somehow making everyone but the Vlads’ look kinda hot and ClockWork just being a black hole with a wicked grin -how they still seemed visually attractive is beyond Danny’s comprehension. The title reading ‘[REDACTED] Ghosts, Time Travel, And Illegal Cloning. Oh My!’, with the wonderful subtitle of ‘What Happens When Science Grows Fangs!’, and the sub-subtitle of ‘See Some Scientific Sin!’.

Danny’s sure the ‘[REDACTED]’ has something to do with ClockWork and them messing with an entire companies autocorrect function, but he decidedly doesn’t want to know.

Wes kicking in the classroom door seconds later only to pelt Danny with yet another copy of the magazine and shriek, “WHY!?!?!?! WHY DO YOU DO THIS TO ME!?!?!?!”.

Danny looks down at the magazine, which magically opened up to the page with the article when it landed, and snorts. It looked like someone had applied ‘[REDACTED]’ on the paper very liberally and with a pepper grinder. Danny then slowly turns and points at Wes with a massive shit-eating grin, “that’s what you get for being weak enough to fall victim to flu season. Sleepy sniffling sleuths earn no secrets”.

At this, the whole class laughs like they’re just a laugh track and an edited in fake audience.

END.

[kob131]

https://www.youtube.com/watch?v=6XgKp9jj4Is

*sigh* Great, yet ANOTHER ‘Let’s rewrite Adam’ argument made by miss ‘It’s hard to keep track of RWBY characters like Zwei.’

“Degredation of Adam’s character from Blake’s mentor to an abusive ex to a whiny incel who makes insults like it’s his Pokémon name.”

A. “Blake’s mentor” is not a character. It is a description and not even a bare bones one.

B. What is the difference between an abusive ex and an incel exactly? They’re both used to describe despicable people in relation to romance.

C. That is not what incel. You’re using it as a generic insult and thus that last description may as well say ‘Adam bad’ for all the substance it has.

D. Adam always made stupid insults. People laughed at his voice in the Black Trailer and in Volume 3 for fuck’s sake.

And E. What WOULD you make Adam that wouldn’t just make him every generic freedom fighter?

“We’re gonna drop the abusive angel completely and go with Monty’s original plan-”

Done.

You just killed your own video by assuming a dead man’s intention with no fucking reason other than ‘mouthpiece.’

I have no reason to accept anything you say in good faith after this. Before you say that you wanted to change as little as possible then change a massive aspect while using a corpse as a meat shield from criticism.

You are owed nothing from this point on.

‘You don’t doodle your abuser in your notebook-”

Unless, you know, think about them. But hey, why use your brain when you can rely on the inevitable RWBY haters to drown out all criticism?

‘The abuse angle is the worst explored in the show-”

Proof?

No?

Considering your history, I HIGHLY doubt that.

“*Insert Adam into the Volume 2 train fight instead of the WF Lieutennat because he was an out of nowhere threta*”

...

So the Black Trailer and the Volume 2 finale never happened...or you’re an incompetent idiot.

“It gives the scene more weight because we know who Adam is-”

We also know who the WF lieutenant is AND we don’t waste an important character for a worthless fight that amounts to nothing as the train fights ultimately mean NOTHING.

Congrats, you made Adam worse because his first in series fight had him giving a good performance. Here, he can’t even kill Weiss (and in fact, as I am about to explain, he’d get CURB STOMPED by Weiss.)

Just as well, you’ll need to completely change his weakness. Adam is a glass cannon, he can dish out a lot of damage and move quickly but one good hit knocks him down. Makes sense since he’s not exactly big and buff and he can’t fight back when someone isn’t intimidated by him. It also makes him dangerous to Yang as she relies on taking hits at first which she can’t do with Adam because she often flings herself in ways that make dodging impossible. It also makes sense why Blake can fuck him over and why she can get fucked over: she’s also fragile but evasive which connects her with Adam too.

But say he fights, I dunno, someone who can zip around quickly in a manner that he can’t block the attacks and would logically get fucked over quickly by. Like say, a Semblance that zips you from spot to spot like WEISS’. 

Yeah, he’d lose in an instant against Weiss because he’s never seen to be able to block attacks moving that fast and he’d get fucked over quick. So you’d need to up his durability and suddenly he loses a logical weakness that is represented by his personality, connecting him to Blake, basically making him a Yang clone and now you need a NEW weakness. Suddenly a lot of Adam’s interesting elements SHATTER.

This is why Adam rewrites suck. None of you think through your writing. You make the same mistakes that Miles and Kerry made but with less experience, less insight and less care and then pile on EVEN MORE flaws.

Worst of all, the bullshit you give about ‘knowing his threat level’ ignores other factors like appearance, attitude and fighting style. Oh wait, I know why. If we include those, the WF Lieutennat suddenly becomes a clear threat. His appearance is distinctly different from the WF goons, with his tall and thick frame indicating he’s strong and durable while his choice of weapon shows he would have a strong but slow fighting style and his attitude shows that if Weiss loses she could very well die a PAINFUL death by a sadist chainsaw wielding terrorist. (’More tension’ my ass.)

You throw out so much just for ONE point that was accomplished in the original anyway. What the fuck else are you gonna muck up?

“Have adam be there to show Adam working with Torchwick-”

Which Blake would already assume since the WF is working with Torchwick and Adam LEADS the WF. But I guess Blake is too stupid to do basic math.

“Then have Adam let Blake run away-”

WHAT THE FUCK?!

Run to where?! They are in an enclosed space! Adam should be chasing after her! He has every reason to chase after her, both personal and professional!

“Then we can have dialogue that goes something like this in Volume 3: Adam: “I don’t want to have to fight you but I will if I have to. Blake: No no, Humans aren’t bad people! Adam: I have seen what they can do. Your family kept you safe. I wasn’t so lucky-”

Cool, so he’s every generic ‘sympathetic’ freedom fighter now.

Instead of being a deconstruction of the noble wounded freedom fighter, showing how such a person would be impossible for such a situation from the extremity of the harm done to him, the manipulation by his superiors for their own ends and his own faults, he’s just a generic pity bag now.

No wait, a SHITTY generic pity bag now because in the Black Trailer, he explictedly tried to blow up innocent people on a train. Blake even questioned him on it and he said ‘So?’. That isn’t the reaction of some noble but misguided person, that’s the reaction of someone so far off the deep end they’ve lost basic sympathy.

Trying to make him out to be noble here would be like trying to make me believe Raven is this secret loving mother or this protector: their actions in the past CONTRADICT this.

‘But Twiinks never said that-’

Her choice of words did. The words you choose your characters to say speaks about how we are suppose to view them. Adam’s word choice in the original communicates a dangerous sadism and madness built from pain and a lack of emotional maturity. This version communicates a sadness stemming from a supposed kindness that Adam SHOULDN’T have.

‘But it tells us what they’re stances on humans are-’

So did the original while also why we should route for Blake over Adam (i.e. she’s still sane and tries to be kind while Adam has lost it and is being cruel and vindictive.)

We literally lost something here.

“He truly feels like this is the only way to help Fanaus-”

So we're now working off the assumption he cares about the Fanaus and not just himself and his own pain, deconstructing how real life movements become corrupted from their original purpose by focusing on their own personal pain than a universal kindness.

Cool, so Adam isn’t Adam anymore.

“Adam still stabs Sienna but it’s about the orgnazation instead of a lame power grab-”

*rolls eyes*

I really hate these rewrites. Why do you even bother with Adam if you tear out the character and insert someone completely different? 

“Adam is remorseful, Sienna says something like ‘I would rather die than give you the organization’, and Adam apologizes. Perfect scene.”

A cheesy line that rings hollow and more OOC. Wonder-fucking-ful. I also looked ahead and saw that you are changing Adam’s character short to be about getting his scar. (More on that mess when we get to it.) So Adam being used by Sienna to push for her more violent agenda over Ghira’s peaceful one, something used by the show to show we shouldn’t be shitty to each other (AKA A core theme) still exists. Meaning that what should be Sienna paying for her sins by having the very person she used to push her agenda take it to its logical extreme, kill her in turn and destroy her work is just nonsensical pity begging.

I also assume Adam declaring his idea of Fanaus Supremacy and basically quoting Mein Kampf is still in the show since you never address that. Cool, so either I pity a woman who screwed this man’s life or I pity Furry Hitler. *slow claps*

“During the Volume 5 fight, his breaks and we see his scar-”

...

I’m not even surprised by how dumb this shit is. 

Adam’s scarf reveal in Volume 6 was wonderful and one of the best moments in the show. For so long, we saw Adam as someone who was destructive and hateful for no reason and right there, the audience is forced to see that while his actions are inexcusable, his reasons are very human and very real. He’s not a monster, he’s a person whose consumed by pain. At the very end of his life, Adam wasn’t a monster: he was a sorrowful reminder of what pain does to a person.

What does the scar reveal do here? ... Nothing. Seeing his face in full means nothing. Twiinks doesn’t even say anything about it. It’s just there because she wants a look of remorse and thinks that can’t be accomplished with the mask. Even though we could see him cry or have a look of sorrowful anguish. Adam can emote fine without his mask.

I just-I can’t believe this.

”The Adam short is now instead of a bunch of emotionless fight scenes now about how Adam got his scar-”

...

Just more pissing on what makes Adam good. Yeah yeah...

The Adam short is not just a bunch of emotionless fight scenes. The fight scene you show (of Adam protecting Ghira) shows so much. It shows the struggles of the peaceful White Fang, it shows Adam being shocked at killing a human as he hadn’t fallen yet, it shows Sienna using Adam to push her violence without concern for his well being and it shows how he got it into his head killing was fine.

That was ONE scene. ONE. Your scar replacement as a whole would have less impact (as we can tell how got it from context clues) than ONE scene.

Are you guys getting WHY I hate rewrites of RWBY so much?

“Adam finds Oscar-”

If this doesn’t end with “and then he kills Oscar” I don’t care. Even this version of Adam would jump at killing a human and would have no idea Oscar knows Blake.

And it doesn’t. Great. BTW, Oscar wouldn’t know about the plan at this point so him showing up at the CCT tower isn’t explained and this scene is pointless.

“Adam would show up at the CCT tower, killing the CCT guards while ranting about equality and justice. Blake jumps in, leading him away to the waterfall. She says ‘Adam, you’ve gone too far! You’re just as bad as the people who hurt you!’“

Gee, that wasn’t clear when he tried BLOWING UP A TRAIN FULL OF INNOCENT PEOPLE?!

Also, Twiinks tries to push this idea that Blake wants to reconnect with Adam (which makes no sense as she LEFT Adam).

“Now we have the decapitation scene-”

We know she’s not gonna die, the fear came from the destruction of beacon and Yang being injuried. Of course Blake isn’t gonna die here.

“-moved to a thematically appreciate moment in the story-”

Considering you didn’t give two shits about thematic before, why the fuck would I care now?

“-Yang isn’t involved as to not muddy how if it was self defense.-”

So Yang’s arc is just scrapped and instead of having someone around who went through similar shit as Adam with a similar mindset and personality to dislay how wrong he is, we have a far shittier version that doesn’t even serve it’s purpose as protecting friends and family is covered by self defense and the people who bitched now would still bitch because Adam dying is the issue, not self defense.

“We see regret in Adam’s eyes-”

Means nothing because he was just a loon at this point out of nowhere and he’s still a terrible person. See, the thing is you can give a pitiable side to characters like Adam but you have to accept there is still good reason to hate him. Trying to hammer sympathy at us is just gonna make him less sympathetic.

“We shouldn’t be developing the budding relationship-”

It wasn’t.

That wasn’t a fucking romantic scene, it was an emotional breakdown after a stressful 

“By making Adam an understandable character-”

This is perhaps the most insulting part.

Adam IS understandable. Just because you don’t sympathize with him doesn’t mean you can’t see how he became this way. He was enslaved at a young age, branded in a way that robbed him of so much, he tried to make things better but because of forces outside of his control and his own issues, he lost his way and became what made him: someone cruel and uncaring of others. And yet, even as he does terrible things, we can still see that even he is a victim of the world, lamenting his fall and who he could have been.

That is something that fits the tone of RWBY so much better than a generic freedom fighter turned crazy person. Not to mention all the brilliant details you scrapped for shallow and boring details that any run of the mill show could do.

You improved NOTHING here. You just turned Adam from an interesting deconstruction and a cautionary tale of what we can become to every revolutionary in western media which, considering America’s origins, are a dime a dozen.

I’ll say it again: This is why I hate rewrites. You didn’t put nearly as much thought and effort into the show as the creators did and yet you stand on their work, rot it from the inside and try pedaling a worse version because it fits some people’s delusions.

Every time I look into you Twiinks, you become worse. How far will YOU fall?

[hogwartsfirebolt]

This is the very best fic I have ever, ever read. I promise you that I am not kidding: A fic rec. 

Grounds for Divorce - @tepre - 122k - Explicit

Malfoy finds a coin. Harry finds a letter. A story about histories, a story about families. A story about a lemon tree somewhere in Upper Egypt.

In the 18 months I have been an active member of this community, I must have read no less than a thousand wonderful stories, many of which have touched me in ways I could never fully articulate. Whenever someone asked, I would recommend four, five fics, never able to pick just one as my favorite, I thought that, with so many stories out there, loving one above all others would surely be impossible. I was incredibly, deeply, beautifully wrong. 

Thoughts under read more

I struggle to think of a place to begin this rec, because there is no way any of my words can ever truly do this masterpiece justice. I suppose I could begin by telling you that this story is so damn brilliant in every single aspect that I can’t wrap my own head around how much I adore it with every piece of my silly little self, or that it is so careful in its execution that I didn’t even realize when exactly it was that I irremediably fell in love, or that I had never read a piece of fanwork that held such a deep understanding of itself, that there was little I could do but let myself be pulled right into the heart of it, of this. 

I was lucky enough to get to know it when it was still about 50k words long, and even then, when I sat down and read all of that, I knew that this was something incredibly special, and every single word that was added since then only made me feel even more sure that I was witnessing the birth of what is surely going to become a fandom classic. At least for me, it shifted my entire perception of the pairing, the fandom, the entire wizarding world. There is a before and after Grounds for Divorce for me.

Now, the concept in itself is simple. This is a bonding fic. You know the kind. Harry and Draco are nothing to each other after the war, and somehow find themselves literally on the brink of death unless they touch each other. That’s what it is. A bonding fic. But, oh dear, if you go into it expecting just THAT, it will literally knock you out. I’m not kidding. Just, poof, passed out on the floor, because despite using a pretty popular fandom trope as a base, that’s about the only thing that isn’t 100% unique to this story. 

This is the moment when I tell you that there are about seven years between chapter 1 and chapter 10. Yes, we get to see Harry and Draco from age 18 to 25 or so. That is the first thing that is notably different from any other bonding fic I have ever read, that they’re stuck together for literal years, and so they can’t stop living their lives while they are bonded, no, the show must go on. The second thing that makes this special are the mechanics of the bond itself, and how it’s a simple spell that makes them sick when they go a long time without touching each other, and when they do touch each other, it pushes for more more more in such desperate, delicious fashion that I clung to my seat when they were first learning how to deal with this desire. 

The third thing, the MAIN thing, the most BEAUTIFUL THING that makes this fic special is, of course, the characterization. Oh my GOD. How do I even put this to WORDS. There is just no way I can explain how fucking perfect everybody is in this. 

Harry is damaged from the war and doesn’t realize it, Harry has trouble connecting with people and doesn’t realize it, Harry is carrying a hell of a burden on his shoulders and doesn’t realize it. It’s beautiful how much I, as a reader, was able to pick on all these things when Harry himself has no idea that he’s dealing with them. He is angry, he hates being bonded to Draco at first, hates that he has to spend his days with him, and doesn’t even stop to consider that maybe things are different with Draco now, he closes himself up and chooses not to engage, and this, to me, felt like such an accurate depiction of who he is. After everything he went through, this is YET ANOTHER THING he has no control over. 

Draco is just lovely. It’s impossible not to love him. He is intense and he’s rambly and seriously annoying, but he’s also damaged, he’s careful with himself after everything that happened, and he genuinely does try to be better, and that is something that always makes me so weak in the knees for him, when he is truly just good and doing his best not to fuck up. 

Their interaction is difficult to describe, because it changes every moment the more they get to know each other. We begin with a lot of anger on Harry’s side, confusion and hurt on Draco’s side, and as they learn how to navigate the fact that they’re now bonded, the situation shifts. Draco tries to connect with Harry, Harry just wants to live his own life. Years and years and years pass, and they go through so much together, they learn to become friends by accident, they learn to care about each other, they shape their lives around each other without even realizing it. They’re married, for all intents and purposes, and dealing with it in very different ways. 

The massive amount of growth we see them go through in this is just indescribable. We start with them as boys, hold their hands as they become men. 

They hurt each other a lot. Harry hurts Draco for like five or six years straight, being dismissive and impenetrable. Draco hurts Harry later on. They grow together, they date other people, they watch each other date other people, always with this bond between them making things difficult, and it’s really, really messy. 

The love story, as we witness it, unfolds almost by accident, entirely underneath the surface, such a masterfully crafted slow burn, that by the time the characters themselves realize what’s happening, they’re elbows deep into it and it’s impossible to turn back. It’s beautiful, the intensity of the feelings simmering for years, the depth to their interactions, how meaningful the little things become, in time, how much Harry’s perception of Draco changes, how much this makes Harry change. 

The Harry we end up with is. Jesus. Fucking. Christ. He is. I CANNOT. The intensity with which I THIRSTED over him has no precedents. His single-minded intensity, his focus, his drive, his certainty, how he throws himself headfirst into things once he chooses to and doesn’t look back at all. He is just. Hot as all fuck. That’s it. There’s no other word to describe him. But to get here, to find this beautiful, intense, loving man, we have to go through so many layers of decades-old hurt and his struggles with being human that he’s not even aware of, and, really, this story is about forgiving Harry in so many levels, about finding that even though he saved the world, he’s just human and he has a fuckton of issues, and this deconstruction of the hero persona we find in him, in how he willingly sacrificed himself in the war but now has absolutely no clue how to be open and trust people is just. Delicious. And don’t even get me started on the physicality of him, and how in some parts he’s just sex on legs. 

The Draco we end up with is a man so honest and open in his love, a man who overthinks and rambles and is impossibly lovely, a man who goes through so much hurt and still always shows up for the people he loves. He is clever and beautiful and just absolutely wonderful, so loyal and caring that it aches. 

Watching these final versions of them love each other made me cry so, so many times. 

All of these words have just been an attempt to explain what they are, individually and together, but they are NOTHING. I can never truly explain what happens in those 122k words. It’s something you need to experience for yourself, and there’s so much MORE than this. 

There’s Ron, who is the loveliest human of all time, and there’s Hermione, who is still so loyal and fierce and wonderful, and there’s Draco’s friends and baby Rosie, eventually, and every single character was obviously created with so much care that they feel solid, real, even the original ones. 

The settings are vibrant, I felt like I was standing in the Malfoy townhouse all those evenings Harry and Draco sat together, I saw Harry’s garden come to life right in front of my eyes, I saw Egypt in stark clarity, once they went there, and actually, that entire section just feels like such an intense sensory immersion in every way, physical and emotional. When they finally have sex, I almost fucking burst out of my skin with the intensity, the depth of each touch, the pace of each scene. 

The writing is just beautiful, the kind of structure that reads smoothly and leaves you breathless and makes you feel everything that ever happens in the story, there’s quotes that sometimes literally made me have to stop reading to catch my breath, to regroup before being able to continue, because they were SO beautiful, SO spot on. Every single detail is styled to absolute perfection, not a single hair out of place. 

There is nothing like this story. Nothing. I have never felt so connected, I have never loved the characters so deeply, I have never reread anything as many times as I have reread this, I must have read it like 12 times at this point. 

It’s not just a fic, it’s an experience. I don’t know what else to say to convince you to allow yourself to go through it, because it is worth every single second. I could beg on my knees right now. It is my number one fic, the best I have ever encountered, and I think it might remain that way, always. 

Do yourself a favor and CLICK HERE. Give Tepre your love (all of it, SHE DESERVES ALL OF IT for creating this), allow yourself to feel everything this story has to offer, and once you’ve done that, come to me. I will never tire of this. (heh, reference). ❤️

[queen-of-lazuroth]

[ @perfect-harmonia @drun-in-a-million @k-9-1-1-yes-hello @ly-cant-even @addie-bear ]

Deep underneath the halls of the castle of Lazuroth, lied an intricate prison. One made for one specific purpose. For one specific person. 

Midge wondered why she made the decision to keep her here. Why she’d chosen this instead of killing her. Or letting Addie kill her. She’d killed her once before, after all. Why not this time? Perhaps it was by Togal’s own interference. Perhaps Midge couldn’t bring herself to do it this time. Or perhaps even a part of her got a sick sense of satisfaction knowing that Harmonia would be trapped here, powerless, for the rest of her days.

She was actually kind of glad for that decision, now. Who else could she ask about something like this.

Harmonia Cuppari looked up from the wall, her eyes looking over Midge for just a moment for a far too satisfied smile appeared on her face. “Madrigal. To what do I owe the pleasure? Missing your mother?”

“Not even remotely,” Midge told her, her tone as cold as the room around them, not that the two Lazurothians were bothered by it. Her eyes narrowed. “I’m here for information.”

Harmonia chuckled. “Of course you are.” She straightened up her seating, the chains around her wrists and ankles clinking as she did so. A rare metal called Atlantisian. It seemed to hold property to suppress supernatural powers, like Harmonia’s ice magic. “Never drop by just to say hello.”

“And I never will,” Midge hissed, ensuring her tone was as sincere as it was cutting. Not that Harmonia would care that even after all these years, the animosity Midge held for Harmonia still burned as bright as Addie’s flames. “What have you lied to me about this time?”

Harmonia didn’t seem fazed by the question, even sighing in exasperation. “I haven’t the faintest clue what you mean, dear.”

“Don’t ‘dear’ me, you self-centered bitch!” Midge snapped. There was a crackling of new ice forming around them. “You have to know something. You always do!” She growled, her hands balled into fists. “Why are me and my children hearing singing?!”

Harmonia rose a brow in genuine confusion. “Singing?”

“Yes! Singing! It’s like distant voices. My son mentions it sounds like someone calling and I have to agree.” She took a step forward and glowered. “Why is this happening? What haven’t you told me?!”

Harmonia stared at Midge for the longest time, as if contemplating what it was Midge even said. That scrutinizing gaze. Even now it made Midge want to shove an icy saber through her main heart.

The temptation grew when Harmonia began to laugh, the condescending sound bouncing off the frozen walls. Midge’s eye glowed blue in their fury. She knew no one would question her if she killed Harmonia again, they would never defy her over it. But she’d promised to never let her power go to her head. She would be a good example for her children. She would not rule by fear.

“Well, well, well,” Harmonia said, her voice full of amusement, “I honestly did not think this would be the way you found out. Hearing the Calling like that.”

Midge scowled. “What are you talking about? Find out what?”

“Oh, my darling daughter,” her voice was sickeningly sweet. Mocking. Midge had the image of ripping her vocal cords from her throat. “You’ve truly never even suspected? Never even questioned it?”

“If you don’t start actually talking about something of substance I am going to bury you under a thousand feet of snow,” Midge threatened.

“Tsk tsk. No need for threats, dear. You have the advantage here, remember?” Unfortunately. Harmonia had been trying to figure a way out of this for years, and yet here she was, still trapped beneath her own castle like some long forgotten relic.

If only he were still alive…

“Haven’t you ever wondered,” Harmonia explained, “why it was you could use your adrunel at such a high degree? No Lazurothian has ever accomplished such a feat and lived to tell the tale. It’s not because it takes some sort of great concentration. It’s because it is impossible to do so. Otherwise I would have tried.”

“I don’t believe you. You thought I was going to die that day when I defeated you.” Midge mentioned.

“I did. But only because you never showed any sign of inheriting anything from your father. Up until then, at least.” Harmonia smirked. “Then you got ice powers, and, oh, you adapted so beautifully to them. So easily. You’ve truly never wondered why that is? Or why the majority of your biological children have unexplained supernatural powers? I’m sure you could ask your mate what the true likelihood of a werewolf and a human producing werewolf children is? You know, the weird one with the goggles.”

“Don’t talk about my mates,” Midge snarled. “And what the fuck are you talking about? Drun inherited his powers from me. The twins are werewolves because...Dek was one. Addie...Addie…”

“Seeing where it falls apart, I see.”

“She’s a Jedi. Force sensitive. They can do...extraordinary and unexplained things.”

“I can assure you, different color fire is not one of those things,” Harmonia told her.

“You don’t know that! You’re talking out of your ass just to get your way like you always do!”

“And you are being crass and stubborn as you always are,” Harmonia argued, her tone tired. “I’ve given you the explanation to what you’re hearing. It is called a Calling. I witnessed it once. Couldn’t hear it, but it is quite phenomenal how far it can travel. Only one race can perform it and only its own kind can hear it. They are called Mefni, and they are elemental beings.”

“You’re speaking nonsense and it’s pissing me off!” Midge roared, stomping her foot. Spikes of dangerously sharp ice shot up from the ground. “Why would I, a Lazurothian, and my children, be able to hear something only this one race can hear that none of us have any lineage from?!”

“Did you not hear me mention your father at all? Or are you losing your hearing as well as your edge?”

Midge stared in disbelief. “You really wanna mess with my head that badly? My father was your brother. What does he have to do with any of this?”

“You’ll find records in the archives of exactly one time I left the planet. I wanted a change of scenery for a bit. The events afterward, however, you’ll find were either kept quiet or rewritten as to not expose what occurred. As to not expose what you truly are.” Harmonia’s gaze was intense, a sick glint of victory in her eye. “To be honest, after several years of you showing no signs of his lineage, I was under the impression that perhaps those genetics were nulled in hybrids. However, over the years I’ve seen they were merely dormant, needing just the tiniest of pushes.” A vile smirk appeared on her face. “A shame that I created such a powerful force by pure accident, only to have her turn against me.”

Midge was gaping, unable to put together what Harmonia was saying. It...it couldn’t be true. Harmonia’s ancestors had established the disgusting tradition of the royal family keeping the bloodline within the family. It made no sense for Harmonia to defy it. It made even less sense for her to defy with another race altogether.

No. No it had to be a lie. Just another game for Harmonia to play in Midge thoughts. Midge glared lethally at the woman before her, gritting her teeth in fury.

“You brought that upon yourself,” Midge said, her voice low and murderous. “You brought all of this upon yourself. And I know you’re lying to me.”

She turned on her heel, stomping her way out of the prison. She would not entertain anything Harmonia had just said. She would not.

“You know I’m not, Madrigal!” Harmonia called. “You can feel I’m telling the truth. I bet you can hear that voice even now.”

Midge didn’t respond, not wanting to give Harmonia the satisfaction of knowing she was right.

Even deep down her, beneath the stone and snow, she could hear that voice as if it were right next to her.

Ah ah ah ahhhhh~

000000000000000000

Not too long after Midge had reached the main floor of the castle, her communicator beeped. She answered it immediately. “Addie.”

Her oldest gave a worried gaze from the screen. “I have a feeling that all the calls to my phone from you, Drun and Rían have nothing to do with Christmas.”

Midge sighed. “I’m sorry to say that it doesn’t.” Her brow furrowed, struggling to shove all of Harmonia’s words out of her mind. “You...wouldn’t happen to have been hearing singing...have you? Like...disembodied singing that seems to come from no where?”

There was a pause that seemed to last a thousand years and yet only a second all at once. “I have,” Addie admitted. There was movement on the screen, perhaps of her typing something. “Not only that...I managed to trace the frequency. Difficult, considering apparently I’m the only one hearing it around here.”

A hologram appeared above the communicator of a green planet with four moons. Midge furrowed her brow questioningly, but Addie was way ahead. “That planet isn’t too far from Lazuroth, probably a week by ship with maybe one warp jump.” It was Addie’s turn to look questioning. “Mama...I thought Lazuroth was the only planet with life in that whole quadrant.”

Midge stared at this planet, feeling Harmonia’s words threatening to break down the walls she’d put in place to keep them out. “I...I thought so, too…”

Addie became quiet for a moment, seeming to study her mother. She nibbled her bottom lip, a habit she made sure to keep a secret from any of her subordinates. But around family it was always okay to show nerves. “What do you think it is?”

Midge contemplated her answer. She was not about to discuss anything Harmonia had said to her. It was all garbage as far as she was concerned. “I...don’t know. But all my instincts tell me it has to be a trap of some kind.” Because of course it was. It always was. “Obviously I can’t tell you what to do, but I’m going to ignore it. When they realize we won’t take the bait it should stop.”

Addie looked like she hadn’t quit understood that answer. In fact, Midge almost felt like she was being heavily analyzed. She truly hoped Addie wouldn’t try to drag more information out of her. None of them needed to know what Harmonia said. The idea of them all being part some elemental race was ludicrous, and Midge absolutely refused to entertain the idea. “If you think that’s the best course of action, then I will trust your judgement.”

Midge nodded. “Alright.” Her face morphed into a genuine smile. “I’ll see you at Christmas, sweetheart.”

“You will. Love you.”

“Love you, too.”

0000000000000000

“Part elemental?” Drun asked after Rían got done relaying what he’d heard.

“An elemental race known as Mefni. Apparently Harmonia is saying that’s the real reason we all have powers. Or handle them so well.”

“But what about Ada? She doesn’t have powers,” Ruby pointed out.

“Yeah, but you said she mentioned that Mom showed no signs until much later in life.” Drun’s brow furrowed. “...What are they calling for?”

Ruby shook her head. “Don’t even think about it. Tomorrow is Christmas! And you heard Mama! She’s pretty sure Harmonia was lying.”

“Yeah but she doesn’t know,” Drun replied. “For all we know it’s a call for help or something. From family!”

“Or it’s another plot to get someone kidnapped again,” argued Rían. 

“Come on! You can’t tell me you don’t want to know what it is!” Drun said insistently.

Rían shrugged. “Bro, I just want a Christmas where no one gets kidnapped, okay? I’m willing to let some weird spectral singing bother me for that.”

Drun shook with frustration, a few stray snowflakes falling from his balled up fists. He made a small growling noise. “Fine,” he said shortly before stomping off.

“Drun!” Ruby called worriedly.

Drun didn’t answer, stomping all the way to his room. It took everything in him not to slam the door, if only because it would alert one of his parents to his distress. He flopped onto his bed and screamed into a pillow.

How could everyone else brush it off like that?! There was some strange occurrence going on and not a single person cared to find out what it was? Where it came from? Why it was happening? Wasn’t his family supposed to be Team Nebula? Wasn’t stuff like this basically their job?!

Drun growled again, taking a moment to stare at his window. The stars glittered in the sky, dancing around Lazuroths rings. A heavy debate began to wrestle in his mind. He shouldn’t go anywhere tonight or tomorrow. Not yet anyway, but he also couldn’t help but second guess himself over whether he should go at all.

After all, the likelihood of it being a trap was unfortunately astronomically high…

Ah ah ah ahhhhh~

And yet, Drun thought, his antennae perking toward the sound.

Ah ah ah ahhhhh~

[naturesloopholednolongerhere]

Send me a scene that happened in canon and I’ll write in detail how my muse felt in it- hope telling alicia who she was in early s2?? (If you want)    //     @carnagebled​

                                     ─────── ⋆⋅☆⋅⋆ ───────

Starving to the breaking point and hair that hasn’t been properly brushed in MONTHS but that wasn’t the biggest issue in the damn world.   Fighting monsters with Ric again brought a sense of knowledge about who she was,   the girl that will risk herself until she ends up six feet underground.   Hope has a single burger in a bag thanks to Ric,   a good job here have a single thing of food even though you must be starving.  She could go and scarf it down in ten seconds flat,  be done and not even filled but she doesn’t.   Her stomach stopped HURTING for something a while ago.   Everything is doesn’t have a timeline anymore and she can’t tell you the date even though she saw it on Ric’s phone.    Time passed differently in Malivore and she fully expected two years to have gone by but only months.

Her father’s hybrid,  the female copycat of Caroline Forbes was always a comfort in a way that wasn’t like Freya or Rebekah but all the same an amazing source of family.  The long walk to the blonde’s place is filled with swaying movements,  fingers shaking and a coldness in her hands that is almost human.     What if she doesn’t believe ya?   What if no one finds you worth the fight?      Questions swirl around in the tribrid’s brain and it would make a human fucking dizzy.  Emma used to swear that there was more wrong with the tribrid then PTSD but she’s not able to diagnosis and Hope didn’t actually want that answer because what can one do?  Give the pills that she can’t really take,   coping skills that she won’t use?  Yeah, it sounds like a perfect thing to do.   Nothing is more clear though as something is wrong when Hope would rather fight sleep and work around a few hours of sleep instead of watching behind her lids the scenes of horror in her life.          It’s your fault.  Everything bad happens because of you.          

What should be bruised,   bloody,   shredded knuckles hit against the wooden door of the home that Alicia had is when the panic really settles in.  The burger bag dropping from her hands the moment that the door swings open to reveal a comfortable blonde who looks shocked,  like she has a clue what the fuck is going on but can’t be sure.   When Hope said to get rid of everything of hers.        I don’t want anyone to miss me.   To feel the pain of loss.     She had forgotten one small tiny detail,   photos of her in phones across the country,   of the room in New Orleans that was filled with her purple things or Mr. Binx,  her soft worn bunny that right about now she wishes that she could hold.    ❝I’m.....Hope...Hope.....❞    Her Mikaelson crest has never left her neck since she got out of a muddy pit of what felt like a weight,   pull her under for all she cares.     ❝I’m Klaus Mikaelson’s daughter.....the someday soon Alpha of the Crescent wolves...I’m....Hope...❞  Deep breaths,  she’s never used the title she has yet to take on but given that her mama died so that she could live running from the title of Alpha just seemed wrong.    But she did run from it,  tried to die to get out of the pain that was in her heart.   Survivors remorse,  guilt, or whatever.   Is that what drove her to jump into what could have been her death?    The blonde isn’t scared,  or maybe she is and Hope is just so used to strong emotions and worn down that she doesn’t notice because Alicia yanks her into a hug.     

Everything is a blur,   how she ends up on the couch staring into a fire and begging herself not to sob like a child.    Fresh clothes and a cleaned body and hair that had been freshly braided by a blonde since Hope herself wouldn’t move her hand up to get the knots out herself.   Ric’s food was thrown away,   it was cold anyway.   A mug of warm blood sitting on the coffee table begging for Hope to reach out and take it.    Everyone says that turning off your emotions is the worst thing for you.   Your humanity holds you to the world.    Hope remembers wishing that she could have turned them off in Malivore,   to stop feeling so scared and alone.   Jump at every little thing and to just not give a fuck.

Ryan Clarke,   he was an ass but also damaged by his daddy’s neglectfulness and the fact that there was no love going on there.    Landon was the child that Malivore wanted but only for one grand purpose,   reproduction, and to be the breeder of a species.  It’s cruel and disgusting and the way Landon’s voice had showcased that when he was talking about it in fast-paced words on the second level,   minutes before she made the decision to save him from something that he didn’t want,  she didn’t want for him either.    How dare a father be like that,   to want to use his son in any way.    Ryan had been scared of his own father,  hurt, and full of anger.   He was burned by a tribrid that just wanted to leave hell.   No,  Hope wouldn’t mind death right now but she knows the way to do it is to do Malivore’s way out.  Die once and die again by jumping all over again.   Why haven’t you done it yet dumb ass?     Landon and I were in love.      He’s with Josie now,   moved on, and doesn’t remember you.     Reaching out,   Hope finally grabs onto the mug on the table and brings it to settle into hands,    ❝Thank you.❞     For everything.   Alicia won’t remember all the good that she has done for Hope but Hope remembers it all.    A gulp of warmth fills her and it’s a jolt of energy and as eyes flash golden is when she looks away from the blonde.     It’s not like Alicia hasn’t seen golden eyes in the mirror,   no just the whole thing is personal and a form of insecurities after Roman,  who wanted to kill her and any hybrid or tribrid.   Anything that wasn't “pure” was nothing to him.    ❝For the blood...and for you know inviting me in your place.❞    

Funny how her brain can almost imagine the camera roll in the blonde’s phone with images of Hope.   How Hope had hidden a phone under her pillow and would use social media sites /  apps that connect to the internet to talk to her family.   How Landon had been a feature in her private social media accounts   (    as private as social media can be     )   and tiny Hope Marshall had gladly sent her family a few photos of them together because for once she was truly happy.   Happiness dies and maybe it was wrong to place all her happiness into a person and expect there to be a thing like soulmates,  for there to be a higher power that would hold him back from moving on even though she had wanted him to be happy without her.    A sucker punch to the gut though that he seems happier with a Saltzman twin over her.  But she only saw like two snapshots of Landon with Josie,   she doesn’t know everything and her mind is more than happy to fill in the blanks to torment her.

❝I’m Hope Mikaelson...the daughter of Hayley Marshall and Klaus Mikaelson.  The only one of my kind.❞     A unicorn.   A stupid giggle had come from her mouth when Landon would call her that.    ❝I’m a witch,  werewolf,  vampire.  The only parts of me that are in full are the witch and werewolf.❞     I’m to fucking weak to do the last step.   Once upon a time,   Hope had wanted kids and now she isn’t even sure it’s fair to bring a child into this fucked up world she has.   Make a child suffer and if she had ever been with Landon during that time in her life,   in the future it would be cruel because the child would be four things and not just three.   It doesn’t matter,  Hope guesses.   Children and life after twenty just doesn't seem to be in the cards for her.   ❝I’m eighteen.❞    Her birthday passed,  yet another thing this world took from her.      Snaps and pops of the fire cut through the long stretches of silence that Hope gives off because each sentence she speaks HURTS her to the foundation of who she is.