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#Talking about that which they understand very little
innerfare · 3 days
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You’re Jealous
 Summary: You get jealous of someone else in his life.
Characters: Luffy, Zoro, Sanji, Ace, Sabo, Law, and Kid
Genre: Slight Angst // Fluff
CW: None // SFW
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Luffy: He never told you Boa Hancock was in love with him, and when you find out, you have to remove yourself from the situation before you have an emotional outburst and start something with the Pirate Empress. The problem is, you don’t even know which emotion will spill out of you. Finding out the world’s most beautiful woman, and a powerful Warlord, no less, is desperate to marry Luffy is a whirlwind, to say the least. Luffy can seem clueless at times, but his emotional intelligence is through the roof, and he picks up on what has you upset almost straight away. He knows to give you some space, and when he senses you’re ready, he approaches you with a handful of wildflowers he picked. He doesn’t really say much, just pulls you into a hug, presses a few kisses into your cheek and temple, and says in your ear, “you’re my girl.” 
Zoro: He didn’t mention Perona was also at Mihawk’s castle for those two years until a few months after the crew gets together. He tells a story that features her, and you realize there was a woman keeping him company. Your heart drops into your stomach. Zoro insists he didn’t mention her because he didn’t think she was relevant; the only thing Perona did those two years was annoy him. He’s actually the one who won’t let it go, not you (even though you are pretty jealous). Whereas you’d prefer not to talk about it, Zoro is wracked with guilt because he’d never considered the whole thing in a relationship context. Him fretting constantly over it actually heals your jealousy because you realize you’ve never seen him panic over the prospect of hurting anyone else’s feelings. 
Sanji: Even with a third eye, Pudding is stunning. And Sanji almost married her. It was before you two were together, but listening to the stories from Whole Cake, hearing how close he came to marrying another woman, knowing she really did fall in love with his kind heart and wonderful cooking, turns you into a little green monster. You know you shouldn’t feel jealous of a woman you’ve never met before, a woman Sanji chose not to marry, but you can’t help it. Sanji is completely shocked that you would feel jealous over his relationship (if it could even be called that) with Pudding, though after thinking about it some more, he does realize why you might be jealous that he had a fiancé. His solution is to bring you a bouquet of roses and walk you through the dark details of his life, telling you things he’s never outright told anyone, so you understand the special place you have in his life. 
Ace: He collects people without trying, and often times, without realizing, either. Ace thinks he’s just making friends, but you see the way the women he laughs and shares drinks with are drawn to him like plants to the sun. He promises them freedom and adventure (and he has a very nice laugh), and you can see how it excites them. You don’t really mind it, knowing Ace well enough to see the way he holds those women at arm’s length, even if he seems close with them (such is the magic of Fire First Ace). But Yamato makes you jealous. It’s not hearing the way they laughed together but hearing the way they fought that gets to you. You know how Ace lives to fight and even just roughhouse, you know how he’s a rough and tumble guy, and you worry you’re not tough enough. Should you be punching his arm when he makes a joke? Should you be trying to trip him out on deck? What should you be doing? When you finally come clean with Ace about what’s been bothering you, he actually laughs. “If I wanted to be with someone who gives me hell, I’d be sleeping in Marco’s cabin every night. Besides,” he says, scooping you up in his arms, “I like being able to manhandle you.” 
Sabo: Sabo is a flirt, and you knew that going into your relationship. It actually doesn’t bother you when he flashes that charming smile of his at someone else or swoops in to save a damsel in distress (a speciality of his) and even serves to entertain, especially on the rare occasions his flirtations are rebuked. What does bother you, though, is his tight relationship with Koala. You know it’s ridiculous to be envious, you know Koala would sooner saw off her arm than kiss the man she considers her irksome big brother, but they’ve known each other since they were little kids, and Koala has been through so much with Sabo that the pair have such a close bond. It’s not the angry kind of jealousy that bubbles up in you when Koala mentions something about Sabo’s past that she assumes you know but you don’t, just the sad kind that you try to keep to yourself. Surprisingly, Sabo notices, though you don’t realize until he hugs you from behind and mumbles in your ear that he’s glad you’re the only one who knows he has a skincare routine, his silly words diffusing your mood and acting as the exact affirmation you needed. If it’s not enough, though, he’ll happily prove his loyalty to you by challenging Koala to a karate match, though.  
Law: Dr. Law and Dr. Robin sure do get along well- so well, in fact, you can’t help but wonder if they are better suited to each other than you and him. Even if they didn’t have such good chemistry, it would be impossible not to feel a touch of jealousy toward the archeologist. She’s intelligent, beautiful, fiercely loyal, a member of the Straw Hats, and has an impressive bounty that she earned even before she became a pirate. Needless to say, you find yourself brooding when the Robin brings him a beer and sits down beside him to discuss the immune systems of fishmen, a topic both are rather interested in. Of course, you’re interested in that, too, thus the reason Law realizes something is wrong when you don’t participate in the conversation. He ends up excusing the two of you and taking you to bed, worrying you had too much to drink, the thought you may be jealous never once occurring to him. You end up not saying anything (many thing in your relationship with Law being unspoken) and just sleeping it off, the fact that he excused the two of you proof enough of his loyalty. 
Kid: He doesn’t ever talk about his first love, Victoria. In fact, you didn’t even know she existed until Killer got drunk one night and began speaking of his dearly departed. What he didn’t mention was that Kid, too, had been in love with her. It only comes up the next night when you mention it to Wire, who mentions it was the death of his first love, Victoria, that put Kid on the war path and united the first four members of the Kid Pirates. Realizing Wire messed up, Heat chimes in to say, “he’d do the same for you.” But you’re not convinced, mainly because Kid never told you any of this. It tears you apart, leaves you tossing and turning for nights on end, until you finally burst into Kid’s workshop one night ranting about how he doesn’t trust you and holds you at arm’s length. “Heat says you’d do the same for me, but-” Kid cuts you off and says, “I wouldn’t do the same, I’d do worse. Much, much worse.” And from the wicked gleam in his eye, you’re inclined to believe him. 
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Hope you enjoyed it! If you want more, you can check out my masterlist here!
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p4ranormaluv · 2 days
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ive been wondering .. which enha member wants someone inexperienced and which want someone experienced? and like, if they want someone experienced would they want to take care or her or to ruin her? or if they wanted someone experienced would they want like a brat to tame or her to top them? IDK IF THIS MAKES SENSE
ENHA: EXPERIENCED VS INEXPERIENCED . ݁₊ ♱
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pairing) hyung line x f!reader contents) smut, piv, org.asm control, edgi.ng, creampie, brat taming?, a little degrada.tion in hee’s, praise, overstim, switch!jake xp, squirting, corruption/innocence kink
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heeseung)
experienced; based on concert/fan service clips + him saying he likes sexy over cute + my hunch that he prefers slightly older women/girls his age, i’d say experienced. nothing turns him on more than if you’re confident and know what you’re doing— even if you’re more experienced than him, he would enjoy that because you can teach him ‘new things’ ;). he’ll also really enjoy when you get a little bratty. heeseung likes when his partner knows how to be playful, he finds the sultry teasing really sexy.
dominate you / dominate him; i think heeseung’s a switch with a dom lean, so he usually prefers to be the one in control— but that doesn’t mean he wouldn’t enjoy watching you test the limits, just so he can put you back in your place everytime.
“naughty— fucking— girl.” heeseung growls, punctuating every word with another merciless thrust into your aching pussy, yet to have cum as your boyfriend keeps denying you of release. “talked big shit and now you can’t even take it?” heeseung smirks, tone deep as he tries to hide how he’s losing his own breath from how long he’s been edging you, filling your sopping pussy up with his cum again and again. “that’s what baby gets when she’s a brat. you understand that now?”
jay)
inexperienced; honestly i think he’d like both, but if i had to say, it would be inexperienced. i think jay likes to feel like the main caretaker in your relationship and that translates into the bedroom too. he’d find it really cute and endearing if you didn’t know how to do something or were a little awkward. he really gets off on explaining to you how to do things, holding your hand if you get nervous and treating you like a princess.
care for you / ruin you; as i said, jay loves to make you feel loved and cared for. praising you in a sweet tone— practically baby talking you, caressing over your body in loving touches as you squirm in embarrassment and pleasure at what he’s doing to you? he’ll go crazy. (honestly i think simply praising you and watching you feel good is enough to make him cum untouched, but maybe we’ll talk about that another time.)
“you okay, sweetie?” jay asks once he’s fit all of himself inside your pussy. he can feel you clenching around him with need, and he hasn’t even done anything yet.
“yes, m’good. please— please move.” you beg quietly, already so turned on as jay hovers over you, looking down at you like you’re an angel— despite the very impure position you’re in, legs bent and pushed to your chest as you take his cock. jay starts pushing in and out of you just right, his hands moving just as expertly over your perked nipples. he groans out at your cute little sounds and how your body is already quivering. “fuck, it’s— it’s never felt this good before, jay. you feel so good.”
“shit, princess. don’t talk to me like that unless you want me to go ahead and cum inside of you.”
jake)
experienced; he wouldn’t mind if you were inexperienced but he’s just so horny and that can lead to him being impatient. i also think it would just make him feel really comfortable and freeing to be with an experienced woman. he’d get really turned on by how well you know what you like and how fast you can get to know his body and what he likes too.
dominate you / dominate him; i’m on my switch!jake agenda again 🤪. he loves fucking you hard and making you cry out in pleasure, withering and gushing around his cock just as much as he loves to be on his knees begging for you.
“hah— y/n, b—baby, please! oh my god, please don’t stop fucking me!” jake whimpers and moans as he’s laid down, you on top of him and bouncing on his dick like it’s a toy— like there isn’t a boy attached to hit being pounded into the mattress with each movement.
it doesn’t take long until your both reaching your climaxes, you moving to lay beside jake and catch your breath. but the man has other plans as he flips himself over top of you and plunges his cock inside of your warm walls again. “jake? b— baby, fuck! m’sensitive.”
“one more, love. can you give me one more? god, just can’t get enough of this fuckin’ pussy, baby.”
sunghoon)
inexperienced; similar to jay, he really gets off on your lack of experience. hoon definitely has an innocence/corruption kink. and if you’re looking up at him with your trusting yet slightly nervous eyes, waiting for him to take control of the situation and your body— letting him call all the shots— holy fuck, he might bust right there.
care for you / ruin you; he’ll never do anything you don’t want or rush you of course, but with your permission he will not hesitate to absolutely wreck you. he’ll literally go crazy at the opportunity to go where no one has gone before with you, make you react in ways you never thought you could.
“hoonie, hoonie! i— something’s happening,” you struggle to explain, a foreign sensation taking over your body as your pussy builds with pressure, sunghoon continuing to fuck his impossibly huge cock into your little body. “you gonna cum for me again? i know you got it in you, baby. my slutty little angel.”
“no, no!” you cry, trying and failing to push sunghoon away as the pressure finally becomes to much and the dam breaks, squirting all over sunghoon dick and pelvis.
“holy shit…” he marvels, watching how your shaking orgasm hasn’t even ended yet as he stills, watching how it covers himself and the sheets. you almost choke on your own saliva when sunghoon starts fucking you again— even harder this time. “hoonie, can’t.”
“oh you can and you will, angel. gonna make you squirt until your pussy is drained dry.”
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velvet4510 · 2 days
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“Charles Xavier did more for mutants than you’ll ever know. My single greatest regret is that he had to die for our dream to live.”
This line has been talked about time and again for good reason, but can we please highlight Sir Ian McKellen’s magnificent delivery of it??
He’s calm and collected for most of it, with seething rage simmering beneath the surface of the first sentence. But the moment he says the word “die,” his voice starts trembling and doesn’t stop until his thought is finished … which so effectively conveys Erik’s feelings at this moment. Erik refuses to let anyone see him openly vulnerable, so he does his best to appear stoic. Yet that little tremble in his voice shows us the truth: this man is Heartbroken. Devastated. Gutted. Bereft of the love of his life, he is now only holding onto his sanity and composure by a thread.
McKellen understands Erik so perfectly, and does so much with just two little sentences. He maintains the Magneto facade yet gives us the briefest glimpse of the true Erik, of that lonely, lost soul on a bleak quest for vengeance who found hope and joy and life again in the eyes and words and touch of a beautiful telepath so long ago … who is now utterly shattered and made lonely and lost once again by the sight and memory of that very telepath disintegrating in front of him.
McKellen managed to pack all that inner agony into those few words, keeping it suppressed yet present.
Bravo to the Legend.
(Also, shoutout to the lighting designers. Erik is walking in shadows in most of the scene, but the moment he starts talking about Charles, he moves into the light of a sunbeam.)
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aliensubstance-011 · 3 days
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Fiddlestan AU!!
AU where Ford gets into West Coast Tech, but Stan manages to (somehow) get into Backupsmore and gets roomed with Fiddleford! 
Stan was kicked out after Ford left (because if his brother was ready to leave home, so was Stan). Stan lived in his car & the public libraries he found (all his fake IDs are just fake Library Cards lmao. nerd). Stan also discovered he was queer (did drag for the prize money, then went OH. All these queens are treating me like this because I'm a baby queer. That makes sense. Guess I’m doing guys now.).
I like to think that Stan spent a year or two studying up after Ford left so when he gets in Fiddleford is in his second or third year! This does result in a “I'm your new roommate. You first year?” and Fiddleford going “What in tarnation... I'm THIRD year? How did we end up in the same dorm????”
At first they HATE each other- Fiddleford thinks Stan is reckless, and doesn’t know what he’s doing there, and that he’s kind of stupid, while Stan thinks Fiddleford is some stuck-up hippie who formed an opinion on Stan too quickly (he did). Once they do start talking they have a very quick ‘oh you’re actually not that bad’ moment. Fiddleford leaves before Stan, obviously, but they keep in close contact even after Fiddleford moves in with Emma-Mae. 
Stan and Ford have a huge argument about Ford not needing Stan anymore. Cue: “Of course I need you, you're my brother” “WELL YOU DON'T ACT LIKE IT”, which is another reason that Stan and Fiddleford leave together. Not long after this, around Stan’s graduation,  Fiddleford has a 'I'm gay and don't love my wife' moment, and Stan casually suggests running away, just driving (maybe something a little nostalgic in it, maybe when Stan looks back at his car he feels like he can hear a distant New Jersey shore). The next day Fiddleford shows up with a duffle bag of things, and Stan realises Fiddleford took him seriously. That he’s willing to run away with him, even if it’s not on a boat, that Fiddleford wants to. Stan gets very, very close to realising he’s in love that day. 
They run away after Stan’s graduation and just drive until they get to Gravity Falls! They set up shop there, with Fiddleford doing auto repairs (and making inventions on the side). Fiddleford confesses to Stan when they’re staying in a motel- he thinks Stan is asleep, so he just says that he thinks he’s in love with him, while Stan is laying wide awake in the bed next to him. Stan spends the next few days Freaking The Fuck Out while Fiddleford doesn’t acknowledge what he said. Stan thinks Fiddleford knew he was awake, so when he confesses back he says something along the lines of “I think I’m in love with you, too” and Fiddleford bluescreens.
Just General HCs:
Stan falls first, but doesn't realise until Fiddleford confesses.
Ford is still self centred but doesn't hate Stan. Stan resents Ford for not doing anything when he was kicked out, and a little bit for leaving him. He understands, though, why stay with your good for nothing brother when you have dreams across the country to fulfil? 
Fiddleford is Repressed Gay until he confesses his Awful Secret to Stan who's just like....”okay?”. He does get to the point of marrying Emma-mae, before he confesses to Stan. 
I don't quite know what Stan will be doing, both in Backupsmore and once they move to Gravity Falls. I like a little bit about him either doing Art or Law, but I feel as though he’s not willing nor smart enough (respectively) for either one.
Stan IS smart, don’t get me wrong, he just needs it to be something ‘physical’ that he can interact with. Fiddleford helps a lot with this (having gotten a lot of hands-on work while he was on the farm). 
I think eventually Ford does end up in Gravity Falls too, but by this point he’s distanced himself from everyone not because of Bill, but because of his own hubris. 
Because of Stan and Fiddleford being queer, I don’t think Dipper and Mabel would be allowed to visit them until their parents have no other choice- though they do hear a lot about their Grunkles and see them from time to time. 
If I did include a Bill/main timeline ish plot it’d be Fiddleford who gets tricked- maybe after Ford gets to Gravity Falls, and Bill offers a way to keep Stan happy/repair his relationship with Ford (maybe Fiddleford thinks Stan is going to run away- just without him this time. He knows Stan would never, but he could.) 
I’d probably include a B-plot where Stan thinks Fiddleford will cheat on him with Ford- they click immediately and so much better, Ford is so much smarter, he’s the better twin, because insecure Stan is my favourite thing ever. Just a small detail, but I think that Fiddleford is a lot more confident and stable with Stan, mainly because Stan has encouraged him to step out of his comfort zone so often, and has proved time and time again that all Fiddleford has to do is ask and Stan is right there to catch him.
I'm still not sure what Stan should do, so if anyone has any suggestions, let me know! That and drawing requests god let me draw them PLEASE.
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naturesapphic · 3 days
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idk if you’d wanna do this or not but could you potentially write something fluffy with Billie and a gf who feels dumb all the time because she’s dyslexic and billie helps her and comforts her when she struggles?
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Dyslexic
Billie eilish x dyslexic!fem!reader
Warnings: little bit of angst, hurt/comfort, fluff
Everyone who was in your life knew you were dyslexic. You had it growing up and you still have trouble with it today. You would get teased for it a lot when you were little and now since you were an adult. You never understood why people were so mean about it, it was just a learning disorder, but the people always made you feel extra dumb for it.
Here you were, sitting at your desk in the office of your shared house with your girlfriend, working on a class project. You were done writing your portion of the paper and sent it to the group chat. Billie was downstairs in the studio working on music. Almost immediately everyone responded, criticizing your work and how you wrote making your face heat up in embarrassment. One person even said that you were going to make them all fail if you don’t rewrite the whole paper.
You were confused but texted them back that you would look over it again. Going back to your paper you reread everything and you understood what they were talking about. What you wrote was jumbled and didn’t make sense at all. It didn’t fit what the whole project was about and you groaned out in frustration. You grabbed your paper and crumpled it up, throwing it behind you not knowing that it hit someone.
“Hey! Watch the tits bro.” Your girlfriend joked which usually made you laugh but all you let out was a little defeated sigh. “Sorry…” you apologized and you felt your chair spin around and you were face to face with your brown headed girlfriend. “Hey…you don’t need to apologize to me babe.” Billie reassured you and you just sat there staring off making Billie worry. “Okay what’s going on. You’ve been up here all day in the office and you look like you are about to pass out.” She said and you whimpered making her get down on her knees so she’s eye level with you.
“I just…I feel so stupid bils! My stupid brain and my learning disability.” You explained to her and how your partners were making you feel like shit. “Hey hey now. First of all, you aren’t stupid, second of all, they are shit heads who don’t know what they are talking about. Fuck them. You are the smartest and talented girl I know. Don’t let their peanut sized Brains make you think any differently do you understand?” Billie says and you nodded your head slowly. “I still have to write this stupid paper and on top of that I have to start completely over since I messed up.” You sigh and Billie gave you a comforting smile.
“Why don’t I read your project over and help you with your paper hm?” She suggested and you gave her a big smile. “Would you please? I don’t get it whatsoever and I feel like my head is gonna explode.” You explained and she giggles. “I know baby but how about I read it over and rewrite it to where you can understand it better how’s that?” She offered and you felt your eyes burn with tears. “Oh bils…you are the sweetest ever. What did I do to deserve you?” You say as you stand up from your chair and place a kiss on her plump lips, making her kiss you back immediately.
“Okay. Now go to bed and rest. I’ll be there to join you in a bit alright?” She softly demanded you and you nodded. You walked over to the bed and got underneath the covers as you watched Billie read over the project and write down some stuff before joining you. You couldn’t ask for a better girlfriend than Billie, who never made you feel stupid or slow. She loved you as you are.
A/n: thank you for the request anon! As someone who has a learning disability this was very nice to write. Anyone who has some sort of learning disability, know that no matter what anyone says to you, you are smart and capable just like everyone else and I’m proud of you :) remember to stay hydrated and to rest! I love y’all! <3
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bekolxeram · 2 days
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More observations from the trailer (I'm eating for daaaayysss y'all.)
The mirrored Air France 747 is definitely a placeholder, probably from stock footage. There is only one 747 left still in the Air France livery:
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This one, and it's in a museum in Paris.
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This is a Beechcraft Baron, just like the one in Airport 1975, but this one is the newer version with a glass cockpit, introduced in 2005.
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The is the traffic alert system I was talking about. Sure, it doesn't look like that in real life, but it's pretty close, and the TV one is easier to understand.
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The real one looks like this. CA stands for conflict alert.
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Look in the middle, so Athena's plane is flying to/out of LAX.
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We don't get to see the whole cabin yet, but I think it looks like a 7 abreast 2-3-2 configuration? There's only one plane that usually uses this configuration in economy (unless Athena is escorting a prisoner in premium economy lol), Boeing 767, which again, seems to be the one next to the 119 truck at SBD. (Beware, I'm just making an educated guess here, I can't be for sure until I see the landing gear and/or the tail cone.)
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I've been wondering why Athena is on a wide body, where's she going? Across the ocean? Turns out, according to this screen, the plane is flying the PHX - LAX - HNL route, so LAX is just a stopover. I can totally see why you need a wide body to fly from Arizona to Hawaii. So is she going to Arizona? Is it related to the cartel after all? Oh, and the silhouette of a plane is definitely not a 747, no bump in front. (Also there are like 4 airlines left in the world still operating the 747 for passenger service, and I doubt Athena is going to China, South Korea, Germany or Saudi Arabia.)
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Absolutely an Airbus cockpit, A320 in this case, you can check it out yourself. The thing is, all Airbus flight decks look alike, the wide bodies have an extra jump seat in the back, also the circuit breakers are located in a slightly different location, but that's it. A total layman probably can't tell the difference, but I think enough of them know about the Airbus sidestick vs the Boeing yoke.
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That is a cockpit door, with the little fish eye lens on it. No one can open it except for the flight crew and the cabin crew. The flight attendant seems to be running into the cabin frantically but nothing seems wrong with the plane so far, why?
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So the cockpit door blows open by the explosive decompression. (It doesn't quite work that way in real life, but tbh many pilots had no idea about it either before the Alaska door plug incident.) You can see a giant hole in the cockpit. Athena is thrown up then back down very quickly, probably by the erratic and sudden pitch down then back up, could be a course correction effort by the autopilot.
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cityofmeliora · 3 days
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Secondo lied about being able to speak Swedish, and Terzo lied about *not* being able to speak Swedish
this is honestly one of the funniest things i've noticed in the Ghost lore 😂
when Secondo performed live in Sweden, he would speak some broken / mispronounced Swedish words and phrases on stage.
at Terzo's very first concert, he called out Secondo for lying. Secondo couldn't actually speak Swedish. he was just trolling, and Terzo thought that was a stupid prank. unlike his brother, Terzo admitted he did not speak Swedish, and he asserted he would not troll the audience by attempting to speak Swedish on stage. he re-iterated this several times at concerts in Sweden.
PAPA EMERITUS III: My imbecile brother has somehow fooled you into thinking he can speak some fucking Swedish– pidgin Swedish. No more of that! I do not speak Swedish, OK? Linköping, Sweden (June 3, 2015) via Youtube and Instagram
PAPA EMERITUS III: How are you doing? It's nice to see so many of you here. What has it been, a little over a year? My brother told me about you. And you do know that I'm not gonna trick you with any fucking pidgin Swedish, huh? I know he fooled you into believing he could talk. He sounded like a fucking asshole. Stockholm, Sweden (November 13, 2015)
... except Terzo was also totally lying because later in the same concert in Stockholm, Terzo yells at the audience in fluent Swedish.
PAPA EMERITUS III: FATTA DET HÄR FÖR HELVETE! Stockholm, Sweden (November 13, 2015)
"FATTA DET HÄR FÖR HELVETE!" translates to something like "UNDERSTAND THIS, FOR FUCK'S SAKE!"
Terzo was so bad at maintaining this lie about not speaking Swedish. he continually insisted that he could not speak Swedish, but he also kept demonstrating that not only was he a fluent Swedish speaker, he was very familiar with the culture.
PAPA EMERITUS III: Good evening. How do you do? Alright, let me get this straight to you now: Despite the band being a Swedish band, I don’t speak Swedish, OK? But I can try. You wanna hear me try? You know, we got some awards which we are very thankful for, obviously. So I can say, “Jag är kåt, glad, och tacksam.” And I can say, “Plopp.” “Kexchoklad.” Bandit Rock Awards 2016 (January 19, 2016)
“Jag är kåt, glad, och tacksam.” means "I am horny, glad, and thankful."
"Plopp" and "Kexchoklad" are the names of two Swedish chocolate candies.
PAPA EMERITUS III: I know for a fact that here in Skåne you like your potatoes, huh? Spettekaka. How fitting, because this song we’re gonna do right now does have a culinary theme that you might like. Malmö, Sweden (February 25, 2016)
Skåne is the county of Sweden where this concert was performed.
Spettekaka is a Swedish dessert.
unless they're already very familiar with Swedish, an English speaker wouldn't know how to pronounce most of these words correctly, and Terzo does.
obviously, this is all because TF is Swedish and had trouble staying in character. but the lore implications are hilarious for Terzo HAHAHA. he loves to lie and he's so bad at it.
(BTW i actually don't speak Swedish! if you are a fluent speaker, feel free to correct my translations!)
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fipindustries · 3 days
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people constantly talk about making a little middle age peasant boy try a can of monster or whatever to give them cultural shock but one thing i genuenly wonder about is how they would have reacted to modern artstyles, particularly cartoon and anime ones.
like, we can see anime girls or random fanart on tumblr and think nothing of it because we grew up in a cultural context where they were either the norm or we saw the artistic evolution from the style we grew up with into the current styles. but like imagine presenting a victorian child (whose only exposure to comics might have been the yellow kid and hasnt gotten to see the creation of the rubberhose style which would evolve into the disney style which would later inspire osamu tezuka who would set the foundations for the anime style that would evolve across half a century into moeblobs or whatever) to an image of panty and stocking or dragon maid.
would he be able to parse that this is supposed to depict people? would he think they look attractive or that they look like deformed homunculi. would this little german boy, fresh off the coal mines, be able to appreciate that characters like the powerpuff girls are supposed to look cute? that the designs of the characters in arcane are meant to be compelling and aspirational? would hans who is two months away from dying from tuberculosis, think that the simpsons look like incoherent doodles from someone who has no idea how to draw? would he understand the stylization in the way that lisa's and bart's hairline fades into their heads or think they are disturbingly mishappen? would he be able to understand that bugs bunny is supposed to be a rabbit or would the proportions of his limbs throw him for a loop? he would probably be able to understand furries, after all anthropomophized animals are something that human culture has had since the very beggining, but would he have it within himself the capacity to get as obsessed as kids today get over them? we have to remember we grew up in a culture where humanized animals, specifically depicted in a semi disney-cartoonish style, has been the main component in a little kid's media diet, but would this kid, who at 12 years of age has never seen a sparkle dog, be capable of being as enchanted by this as kids today?
these questions keep me up at night.
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aniimoni · 1 day
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So why would your lamb have a keloid scar? Genuinely curious :0
OHHHHHH MY GOODNESSS!!!! OK OK 1) THANK YOU FOR ASKINGG and 2) Sorry this is such a late reply, been busy.
Anywho, my lamb has a keloid scar because I think it would just make sense healing wise- but let me elaborate.
CW talk about scarring + some imagery (just drawings)
Keloids are a bunch of extra skin tissue that has formed to close a scar. Don’t ask me the science behind it, I am only speaking from my own experience (wildly enough, I also have a keloid on my neck lol). An axe to the neck wouldn’t be just one quick swipe, so it wouldn’t be a clean cut. To me, it would only make sense that it would take a lot of extra skin tissue to heal a wound like the lamb’s, considering the manner in which it happened.
In my au (named Hearts to Keep btw), the only way that TOWW was able to put the lamb back together was by making their body form that extra tissue on their neck.
When they were first resurrected, it looked a lot more red because still kind of in that “healing process”. They didn’t cover it at first because 1) a lot of fabrics just feel uncomfortable near/on it, and 2) they just didn’t feel like it 🤷‍♂️ This led to a lot of their cult members being taken aback VERY frequently:
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More rambling + drawings ⬇️ so i don’t take up ppl’s screens
And more often than not, they would constantly forget the basic courtesy of not touching strangers (again, taken from my experience).
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Which, of course, annoyed them very much. This makes them look for solutions, leading them to the conclusion that it would be better to cover it; mainly due to the fact that cultists don’t know what personal space is when it comes to them, yes, but it’s also because it bothers them that it’s so exposed in battle and to fabrics/their wool. Sensory issues basically.
Much to their avail, they can’t find anything that feels even the slightest bit comfortable around that area. And so, they decide to bring up this problem to none other but the one who started it.
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He doesn’t really know what they would like for him to do. They both go back and forth, half arguing, half trying to understand eachother. Eventually, it is brought to their attention that ICHOR is very useful and versatile! And what is ichor? The blood of a god. And who is in the room with us right now? A god.
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TADAAA!!! Lamb gets their very own little neck cover + their bell! Surprisingly, ichor makes for very good fabric.
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Of course, this doesn’t erase all the experiences that come with having a keloid, but it takes unwanted attention/touching away from them.
HOWEVER!!! The keloid also ties to their emotions- in more ways than one- but, maybe that will be for another post 😋
Let me know if there are any more questions, cotl au related or just keloid related. Goodnight, and thank you for coming to my TedTalk 🫶🏼
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1moreff-creator · 3 days
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Select Two, Choose One: How will the Culprit get Found?
Since the latest DRDT chapter seems to have narrowed down the suspect list to just two people, many have speculated on how exactly the cast is going to pin down the correct suspect, and whether or not the audience has the tools to do so. I thought I’d throw my hat in the ring too! And while I’m still really 50/50 split, there is one piece of evidence that could change the murder method… in a way that points us to the culprit. Very inconclusive evidence, but it’s there. Let’s get into it.
Spoilers up to CH2 EP14. CW: Hanging, murder, blood, Eden and Ace!Culprit discussion
As a starting point, I’ll assume that the deduction that the culprit must be one of Eden or Ace is accurate, to simplify things if nothing else.
I will start with what I’ll call “meta only” arguments. In other words, things that characters can’t reliably use to narrow down the suspect, but that we the audience can take into consideration for theory-crafting.
-Mindset post-Nico murder attempt: Immediately after Nico runs out of the gym, the killer needs to be in the correct mindset to grab the tape, and they also need to be able to more or less figure out what Nico did to replicate it with Arei. Although, importantly, the killer doesn’t need to come up with the full plan on the spot, and they don’t need to fully understand what Nico was doing. At the end of the day, the only real similarities are the general idea of a pulley and a hanging.
Here’s more or less the train of thought Eden might have had if she’s the killer.
Eden: Hmm… The fan is broken and there was wire on it, Ace’s neck looks cut… Maybe Nico used some kind of pulley to hang him and it broke? Maybe I could do that… This tape looks useful for that.
Meanwhile, since Ace woke up in the middle of the murder attempt, he has to do a little less deducing.
Ace: Did I just get knocked- HOLY SHIT NICO IS HANGING ME WITH SOME SORT OF FUCKING SPINNING DEVICE AAAA-! Ooh, tape! :D
The actual planning of a murder would come later in the morning for Ace, once he sits down and has A Thought about it. Grabbing the tape in that context seems insane, but there may be precedent for Ace being prone to stealing the weirdest shit (we’ll get to it), so…
I think both of these are plausible. I wouldn’t say either can be disqualified like this, so we keep looking.
-Ripping/reconstructing the note: The note to Arei was ripped up and thrown into the trash, then Eden, Rose and Whit put it together.
Ace has no real reason to destroy the note, he could have just left it as it was. Maybe throw it in the trash since “it’s what Eden would have done”, but destroying it runs the risk of people not being able to put it together to point at Eden/Arturo. Although, you could argue Ace was trying to frame Nico specifically, so the note wasn’t useful and he threw it away because it made sense in his mind.
Here’s where we get introduced to a pretty big problem of having Ace as a suspect; that thing Teruko said, that sometimes assuming people will always act logically is a bad idea. Ace is the prime example; a lot of shit in this case makes a lot more sense if you assume Ace did it because he’s not smart enough to notice the problems with it. Such as using the method to frame Nico when only a few people in the class know what the method is; he maybe wouldn’t have noticed that that could point towards him as well. Ace is erratic, it’s very difficult to pin down why he does half the shit he does.
Eden, at least, makes sense. By destroying the note, then rebuilding it herself, she throws off suspicion with the exact argument she used in the trial; if she’s the killer, why do that? Just leaving the note as it is runs the risk of someone finding it and presenting it, which removes that argument, meaning tearing it is imperative.
And she would want the class to find it, not just because it makes her look more innocent if she talks about a building friendship with Arei, but because the note is where we get the “7:30” time, which combined with the fish making people think the murder was at nighttime, appears to give Eden an alibi.
In conclusion, the note being ripped makes more sense with Eden as the culprit… but it doesn’t disqualify Ace because he’s an idiot. And speaking of that…
-Fish Paradox: As outlined in my Ep13 murder theory revision, the problem with the fish is that everyone who benefits from the fish being at the crime scene only benefits if they have an alibi for nighttime, but that coincides with the time the fish disappeared, as Nico fed them and counted all of them after having dinner, so they couldn’t have taken it. Meanwhile, people like Ace who could have taken the fish, wouldn’t have a reason to as they don’t benefit from the nighttime alibi.
Except, it’s fucking Ace. It’s genuinely possible he thought people would see fish and instantly jump on Nico for some reason. See the problems that arise when you can no longer assume the killer is acting rationally?
Anyways, inconclusive (we’ll talk Eden later).
-No blood on tape: This heavily depends on exactly how Ace could grabbed the tape. His hands sorta get covered in blood instantly, so it’s hard to imagine he’d be able to do that without staining the entire roll of tape with blood. He couldn’t have easily washed it, either, since he passes out shortly after, and the blood would have likely dried by the time he woke up. This is definitely a point towards Eden, but can the cast use this? I don’t think so, because it relies on what we saw during the episode, which is not easy to prove in a trial setting.
-Dialogue and trial behavior: This one’s difficult, and as you might expect, inconclusive.
I would argue Eden has a higher amount of outright suspicious lines (“Teruko, wait—“ haunts me), but she also has a higher amount of seemingly anti-suspicious lines that make her look very innocent (see: the entire speech at the end of Ep 14).
She also has a moment where she steers the trial in the right direction by denying that Arei could have committed assisted suicide, but it’s worth remembering that if the class thinks that’s what happened and they learn of Eden’s relationship with her, they might assume Arei and Eden worked together to get Eden out. In other words, by denying the notion of assisted suicide, Eden!Culprit avoids the class reaching the right conclusion through the wrong method. Of course, if she’s innocent, it’s just genuine.
Comparatively, Ace operates at a much more stable level of suspiciousness I can only call “Ace level.” He’s constantly throwing suspicion on Nico, who the killer seemingly tried to frame with the method; he kept David and Arei’s conversation hidden; and was one of the first to jump on the “David’s the culprit” bandwagon. In a vacuum, this is super suspicious; hell, Levi was the fandom’s prime suspect for less.
But… it’s Ace. His behavior isn’t too different from the first trial. So while it’s possible he’s doing all this because he’s the culprit, it’s also possible he’s just being Ace.
Impossible to tell, I fear.
-Eden’s Night 2 paranoia: You might recall Eden being very worried someone was following her in night 2, which could suggest she was doing something suspicious (eg setting up the ball of clothes, more on this later) and was scared she’d get found out.
The problem is that there’s a perfectly fine explanation for Spotless!Eden. This is the night after her confrontation with Arturo, and Teruko did enter the same room as her; she could have just been paranoid because of the former, and felt someone was following her because of the latter. Moot point.
(I don’t think anyone else was following Eden because Teruko would have presumably seen them. Then again, I have overestimated our protag’s perceptiveness in the past)
-Eden’s strength: Eden is the weakest of the cast, so it’s very possible that half the Arei murder method is just impossible for her. But… we can’t know for absolutely sure what “weakest of the cast” means, and it’s not evidence that can be used in a trial. Ignorable.
-Motive, character writing and themes: I’m lumping these in together because I’ll give the same answer to all of them: the dev can just add an explanation in the inevitable post-trial trauma dump. We don’t know absolutely everything there is to know about these characters, or the way the narrative is going, so it’s impossible to confidently argue based on this. Physical evidence will always take precedence over these things in my books.
And that kinda settles it for that. There’s minor arguments like “Eden won’t die before we explore the Fork CG” (well, Xander did, so) or “if the Scrum Debate is Ace vs Eden then Ace is probably safe” (we don’t know what the Scrum Debate will be), but I’ll skip them to get to the more pressing matters.
That being trial-worthy evidence. What can the most dysfunctional cast of any fangan ever (/affectionate) use to fully commit to a culprit?
-Fish Alibi: If Ace has the problem of “no reason to bring fish,” Eden has the problem that her alibi literally starts directly after dinner. If Nico ate dinner with her and Hu, she couldn’t have taken the fish.
Except, of course, Nico could have had dinner earlier, and this point is completely moot. We can’t know yet.
-BDA: This is very obviously not what the cast will use to come to the conclusion given the discussions we’ve had, but I’ll bring it up anyways. This was explained in the episode though, so…
-Playground floor: sorastar6’s idea; since the floor of the playground is made of the same stuff as the relax room, it’d become sticky after getting wet from the water in the jugs, and thus, the culprit could have some stuck to their shoe. Unfortunately for some of you, we can’t easily look at the cast’s feet all the time, so this would only work for the characters, not us. However, Hu does mention heels as an example of something that can scuff the floor, and Ace wears heels, so small point to him.
-Missing glove: I still have no idea where this thing went. My only guess would be that the killer removed it to more easily put tape on Arei’s wrists, but by the time they’d strung her up, they decided putting the glove back on would take too much time (? I have no concept of how hard it’s be to properly put a glove on a dead person’s hand), and they wanted to get out of there as fast as possible. If true, that would mean they still have the glove on them, as it wasn’t in the trash. Again, if I’m right about this, the cast can use this, we can’t.
-Random garbage:
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Something here. Rose would remember everything about it, so it’s usable. Maybe Ace’s gloves were damaged and he had to use the needle and thread to fix them? Maybe one of those napkins is the cloth with turpentine Nico used and only Ace would have identified and used it (assuming it wouldn’t have dried and MonoTV wouldn’t have thrown it out for some reason)? What even is that pink paper thing? Who knows.
-Ball of clothes: Held together by something Teruko identified as starch, there’s been around three hundred theories involving this thing. The only one that’s actually incriminating (for the two possibilities being discussed) is thebadjoe’s idea of the starch being from the enriched formula of the relax room, which could implicate Eden as she was acting suspiciously around the dress-up room on night 2.
I’ve seen it argued that the clothes would be dirty in that case, but that can be solved with an extra layer of clothes under the clothes that actually get starched up, which would later be either discarded, washed, or simply put inside the ball itself.
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(This might be the last murder diagram I make for this case. Holy shit I can’t believe that)
Which is all well and good, but this is still ultimately assuming both that the cast has some way of making sure Ace couldn’t have done this, which I’m not sure exists, and that the starch comes from the relax room in the first place.
Because something I learnt, like, last week, is that people put starch on clothes. Like that’s a thing they do. So it’s entirely possible there’s starch for clothes in the dress-up room and anyone could have done this. If that’s the case, this cannot be used to argue at all. I don’t love the idea, since we don’t know if there really is starch there or not, but it’s there.
-Grammar: The letter to Arei pretty famously misspells “responsibel” (responsible), has horrible punctuation, etc. It’s possible someone in the trial will realize, ask Ace and Eden to spell the word, and whoever gets it right is cleared. We can’t know, but it’s a possibility. This also has the benefit of being obscenely funny.
-Custom weapon: If the killer used their custom weapon, it may point to them as guilty, as only they have access to it. However, I fail to see how a riding crop (Ace) or a wrench (Eden) would help in the slightest.
There is, however, one more item that only one of these characters has access to. And while I am very unsure of this assumption, if you ask me right now what is the decisive piece of evidence that will close the case once and for all, I will tell you:
-The shoulder band thingy:
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Ace: Too fucking bad. Mine now. I’m keeping it.
Yep. This one.
For starters, remember that thing I said about the tape? That Ace has precedent of stealing completely random shit for no reason, and so it’s plausible he grabbed the tape just because? This is the precedent.
More importantly though, it’s something only Ace has access to, so if it can be determined it was used in the crime scene, it’s curtains.
And there is actually one place I could see it being used. Followers of my method theories know that, through the fire and the flames, there’s been one deduction that’s remain constant: the rope was tied to the ball of clothes, which was thrown over the railings to get the rope as high as needed. The ball also hit the lights, displacing the bulb and causing it to flicker.
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(He he I snuck the image into a fourth post >:D)
I’ve always sorta assumed DRDT takes place in a physics exercise where air drag is ignored, but it’s true that this might be harder than I’ve been presenting it as.
So, we get the use for the shoulder band; a slingshot. I’m unsure on how it would be constructed (swingset maybe? seesaw?), but the idea is that. Create a slingshot, throw the clothes, badabim badabum, Ace is the culprit.
I’m not the only one to think of this btw. Reddit user (yes we’re cross-platforming for this) Makatrull seems to have arrived at the same conclusion. Great minds think alike ig.
Of course, this comes with its own issues. Mainly, how do you connect the shoulder band to the crime scene? The only way I see that happening is if the cast determines this is literally the only way the lights get broken, which… yeah, I’m gonna have to let them do the math on that one.
It’s impossible to judge without existing in the DRDT world. Is the ceiling higher than I’d previously assumed? Then it’s possible to come to this conclusion. Is it lower, and possible that even Eden would have managed to just throw the ball over the railing? Certainly. So, for now, inconclusive. When I say it’s the most likely to be the decisive evidence, I mean by like, 0.1%, I really have no clue.
———
There’s probably more, but that’s all I can think of for now.
Seeing as we’re reaching the end, I’m gonna say that regardless of the outcome, this might be one of my favorite trials in all of both canon and fan-made Danganronpa. So much shit happened. I’ll save my full thoughts for a more dedicated post, but goddamn, I can’t wait to see the conclusion!
Hope you enjoyed! If you made it this far, you deserve a shoulder band thing. Do with it as you please. See you!
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coca-lastic · 2 days
Text
5 Green flags 🟩 VS 5 Red Flags 🟥
I'M BACK 👹
Well well, My last post about Keigo have lots of support from you all, and like I said, I'm willing to do a part 2 about Bakugo Katsuki sooo, here I am.
Tell me if you want a part 3 and which character you would like.
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Let's start with his red flags. Let's be clear that Katsuki does have a few, it's true that it's nice to imagine him as an attentive boyfriend who takes the initiative, and I firmly believe that he would be like that, but that shouldn't hide the little things he has that can get on your nerves at the time of a fight.
Now, let's start listing his bad things:
1. He acts like you're a burden: I don't think he would do this on purpose, but he would. Comments like "What the fuck do you want now?", "Stop bothering me", "You're too intense", "Will you shut up?" can come up at the beginning of the relationship. Even to the point that you feel bad about his independent actions, as if you were just another thing on his list. Of course, deep down he doesn't consider you a burden, but he expresses himself as if you were one.
2. He doesn't open up to you: Katsuki has this constant thought that he can't be inferior, that he has to be the best and his feelings can be a difficult thing, and I think that in a relationship he feels a lot more pressure about all this to be strong and show you how tough he is. So I think that for a long time he won't tell you if something is wrong with him even if it's clear that something is wrong with him. This could just be something normal, but I add it as a red flag since a large part of Katsuki's life is clouded by those insecurities, so he doesn't tell you how he feels every time he sees Deku, or how he was in training, or how he felt when he won something, because if he does, his facade will fall apart. This ends up being something that can affect the communication between you two.
3. He doesn't understand you: He tries, he really does, but he just has a hard time understanding when you feel bad. He's so used to minimizing what's happening to him that he doesn't understand why it affects you so much. So you might be crying in his arms, and he might be hugging you, but deep down he doesn't understand, and that's terrible in arguments, because he doesn't understand why you're angry or why you're sad or why you're disappointed, he tries to fix it but he doesn't understand the roots of the problem.
4. He's jealous: Like, not jealous to get insecure when he sees you with a friend, jealous to get furious when he sees you with another man. And that, OBVIOUSLY, brings problems. He trusts you, he doesn't trust them, he knows you're hot and he also knows that the other jerks know it. So don't doubt that he's going to complain to you repeatedly that a certain person shouldn't be so close to you, or that he doesn't get along very well with a certain friend.
5. His anger: In the anime we can already see that he is a little bit... impatient. He tries to control himself with you, he truly loves you and treats you with his best version, but there are times when you simply act in a bad way, I mean, you also have your red flags, and that makes him angry, and you too, then you fight. A lot. For a long time. A lot of yelling. And probably a lot of painful words that he doesn't really feel, but says them, because his fury is faster to speak than to think, analyze and meditate.
Now, like every person, he has his flaws and his virtues. He has things to improve and things that you should love, because they are incredible.
So let's see what those good sides are and let's see which side of his personality ends up winning, let's see the second side of his furious personality.
1. He doesn't talk, he acts: Maybe he doesn't open up to you as much as he should, but he decides to make you feel comfortable by letting you know that he loves you through more practical methods. Are you hungry? He cooks, are you sick? He takes care of you, do you want a snack? He buys it. Because actions are worth more than words, so he decides to act, he decides to give you what you want, and consider yourself lucky because you are the only one who sees his helpful side.
2. He puts you first: If his friends invited him out to eat something, he won't care if you sent him a text telling him to go with you to buy something. If his mother told him she was going to celebrate a birthday with the family, he'll run away because you asked him to bring you some chocolates. Because he knows that if you love someone, you're not going to replace them with the smallest things, so if he has to make a decision that involves you, you'll always be the right answer.
3. He is not ashamed to show you off, he loves to do it: You are also part of his achievements, and being the show-off that he is, he will show you off. God, he has a sexy, smart, strong, kind and hot girlfriend, he has to show you and show them that you two are together, that he is a lucky and happy man.
4. He knows you: I think this is important, but not all men do it, in fact those who do are very few. Because not all of them observe you, remember, learn and please you, but Katsuki does. He is observant and knows how to listen, maybe he doesn't understand perfectly why you feel so much, why you get excited and sad about small things, but he knows that you do it, he knows how you feel, he knows how you reacts, he knows what you like and how he knows you, he knows how to please you, he knows how to make you happy with a gift, he knows how to excite you, he knows how to make you laugh and he knows how to make you feel loved.
5. You're part of his future: If he sees himself as a great hero, he sees you by his side, making and fulfilling your dream. Holding your hand. Kissing you. Hugging you. Caressing you. That's what he sees. Maybe two house, or a single one, whatever you want, maybe 2 children, or maybe none, just a pet, maybe a red car, or maybe a black car, but within all those variables there is one constant: you.
Sorry, this doesn't match your way of seeing Katsuki. Remember that he is still a character that each one sees and imagines in their own way, but I try to do it in a way that everyone feels comfortable.
Now, did the 🟩 flags or the 🟥 flags win?
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des-writes · 2 days
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♥ ━ How They'd Ask You Out; SFW
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TW; None
Reader; GN, No pronouns or descriptions used
Characters; Al-Haitham, Kaveh, Kaeya & Diluc
Notes at the end
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Al-Haitham considers himself someone that doesn't frequently experience romantic feelings. This is completely fine with him, although leaves him just a little puzzled at first when he finds himself flustered when he meets you for the first time. He doesn't let this be known, deciding to shrug this off as just simple physical attraction, considering you're rather easy on the eyes. It makes sense for his face to heat up when you get near. He doesn't remember exactly when or how the two of you started becoming friends, but he does remember when he realizes his feelings are more then just appearance based. It takes you by surprise when he does confess. It's rather sudden—in the middle of the library to be exact—, blunt and there's nothing romantic about it (he later explains how he deems it unnecessary, why would he put so much time into it without knowing if you feel the same? That would make it uncomfortable for both of you, he insisted). He doesn't want to waste time, he tells you. If you feel the same way then great, he'll plan a first 'date' to see if you're both compatible. And if you don't, he'll just walk away and get over his attraction. It does make him happy when you do reciprocate, however.
Al-Haitham plans the date by himself, mainly because it's a very casual date. He doesn't want anything serious or overly romantic, no loud, public events or romantic dinners where everyone can stare at you two. Instead he invites you over to his home, offers you a cup of tea and talks with you about every subject he can think of (while giving you chances to add your own preferred topics). It's a weird first date, but you feel like you're much closer at the end of it. And Al-Haitham is very pleased to know you two mesh well, even if it doesn't say it out loud.
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Kaveh doesn't have a ton of dating experience. He's always been good looking and out-going, with quite a few potential suitors. Despite this, he's only been in a few relationships, and none of them have been serious. When Kaveh meets you he's definitely smitten, eager to spend time with you and get to know you better. He's the type of man who befriends a person before thinking about anything beyond a platonic relationship. You both know each other fairly well before he decides to ask you out. Kaveh doesn't make a speculate out of it, not wishing to embarrass himself or you. He would do it in a very private place, most likely when he's visiting you. He specifically plans a time to come over, give you one of your favorite flowers—which he had very carefully picked out, making sure it was in perfect condition— and asks you out. He clarifies it's a date, just so there's no confusion. Should you reject him, he would be a little heartbroken, but completely understanding. He wouldn't let a rejection affect your friendship. Of course if you accepted he would be absolutely ecstatic.
A first date with Kaveh would be more on the romantic side. He does the actual planning, but asks for your preferences and dislikes before making any official plans. The end he takes you to the small mountain that overlooks the The Palace of Alcazarzaray, where the two of you set up a picnic blanket and have lunch. It's a tranquil time and you both enjoy conversation until the sun sets.
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Kaeya is known to be rather extroverted and charismatic. He's the type of guy to approach anyone that catches his eye. He's a very desirable man, with many people of various genders showing interest. Kaeya is a bit of a flirt (whether he means to be or not is debatable). Although it's rather lighthearted, he's would drop it in a heartbeat if it made you uncomfortable. Despite this, he isn't much for casual dating. Until he figures out if you mesh well, he doesn't make a move. When he does, he's very cool about it—although a bit nervous—, simply asking you out whenever he sees you next. He respects your decision should you choose to reject him (although he would ask you at least once more—when he knows you better—before entirely giving up). If you do accept his offer he'll be very pleased, telling you to leave it to him and he'll take care of everything. All he does is tell you a date, time and location (and to dress comfortably).
For your first date he wouldn't take you to do anything fancy or too exciting, but would prefer something peaceful with just the two of you around. He would take you out for a walk, taking you through the forest and up to Starsnatch Cliff. It's evening by the time you two arrive, the perfect time to sit down in the grass and watch the sunset.
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Diluc is the opposite of Kaeya, in most ways. He prefers keeping to himself in his free time, and during work hours he isn't overly friendly with his customers. It takes him awhile to warm up to people and that's no different with you. While he can admit you're very attractive, he doesn't intend to act on these feelings. Until he notices you coming to the tavern regularly (whether to drink, eat, or just chat with the others customers). It takes awhile, starting with him greeting you when you come in, to him asking how you're doing, and that turning into having pleasant conversations with one another. When he does ask you out, its spontaneous and when the tavern is closing for the night. He would be disappointed should you reject him, but would understand (and would distant himself for awhile after, mostly out of embarrassment). Should you accept, he suggests having a date right then and there.
He doesn't exactly plan out the first date. It was a spur of the moment thing after all. He's still in his work uniform, but figures the tavern is a nice enough place. Everyone else has left by this point, and the only noise is coming from the music in the background. He would make the both of you rather late dinner, and the time chatting for a good part of the night.
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Notes; Kaeya's is shorter then I wanted and I severely struggled with Al-Haitham's part. I'm not as happy with it as the others, but I got it done and that's what matters!
I meant to write something sooner but I totally forgot for like a week and rushed to come up with this tonight 😓 My goal is to at least post once a week (every Sunday maybe?) and if that works out I'll try post more!!! Still rusty with my writing so I'm trying not to overwhelm myself.
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janesurlife · 3 days
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I want to talk about this "mentality" thing once and for all cause charles Fans (and Oscar fans too) bring this up again and again. First of all not all drivers have the exact same personality so it's understandable that they react differently in similar situations. Max used to be criticised cause he wasn't as flashy as Hamilton. Now Lando is being criticised for either celebrating too much or too little. George is sometimes made fun of because of the way he reacts to his achievements while Oscar is often praised for not being "too reactive". YOU NEED TO UNDERSTAND THAT THEY'RE VERY DIFFERENT PEOPLE.
Now to address this tweet, a lecfosi is criticising Carlos for thanking his team after an ok race while praising Charles for not saying anything (which I don't even think is true, he did say something but this ferrari news account is famous for misinformation)
First of all, ferrari shat in qualifying...not mincing my words here. Both drivers suffered, both made mistakes and they landed on 9th and 10th. So after that their priority would be to finish in points and that's exactly what they did. Carlos had to struggle a bit more because of the bad start but he made a good recovery. He understands that this race could have gone so much worse for them so after finishing the race unharmed and with points, thanking his team and the mechanics for repairing the car in time is the least he could do as a driver. I don't wanna go into too much detail about Charles but in my very personal opinion not thanking your team (IF he really didn't) after a job well done doesn't make you look like a champion, it makes you look like a passive aggressive whiney bitch but that's just me. So please stop with this "championship mentality" bullshit cause it means nothing.
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asuyaka · 3 days
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Hiii, it's kind of a weird request so I totally understand if you ignore
Would you mind writing fluff with some comfort for Dazai with a trans male reader (ftm), when the reader is very transphobic (only) towards himself, because he doesn't want to be this way cause it's not something 'socially accepted?' the reader is rather chameleonic n generally cares a lot about how he's seen and if he fits in, going as far to change his whole way of acting based on who he's talking with or when he can't mirror someone's personality putting on a charismatic, playful, talkative facade. (Basically a social3 in detail but not manipulative if u know that term) because of his desire to climb social ladder and massive fear of lacking social acceptance, he tries to gaslight himself into thinking he's cisgender most of the time, which only makes him feel worse?? The 'all I want you to do is give me all of your love&applause and for return I'll be whoever you want me to be' type of performer.
Sorry for being picky but please don't write the reader as a submissive scared little thing that can't be assertive at all I hate that in comforts I beg u
★ - this hits so close t'home cause 've always struggled with my gender identity n'stuff then I realized there's a buncha labels, too many f'me to care about ! *^__^*
☆ - Dazai Osamu x FtM Reader!
♡ - really hope I wrote him well f'ya anon ! O(∩_∩)O | CW: copious amounts of misgenderin' (she/her & terms like 'girlfriend are used for the first half, please be warned !!) & transphobic language !
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[Name] looked at his her the outfit in the mirror, a black body con dress with a slit that ran up [Name]'s thigh.
The longer [Name] stared at the reflection the more an urge to throw up formed. Dazai would be the door for their date, and every dress [Name] tried didn't sit right.
They were either too tight, not tight enough, too short, too long, or too boxy— the point was nothing worked.
It didn't matter if [Name] put on a skirt or a crop top, they made everything feel worse to the point [Name] wanted to call the date off, but that would make her a bad girlfriend, and she wanted to be good.
The doorbell rang. "Babe? You haven't answered your phone, are you okay?"
[Name] groaned and opened the door. Dazai glanced over her outfit with wide eyes. "Wow. Uh, nice dress, but what's the occasion?"
[Name]'s eyebrow raised. "What do you mean? I always wear dresses."
Dazai walked into [Name]'s apartment and plopped onto the couch. "No, you don't. You told me you hate dresses and skin-tight clothes."
She glared at her boyfriend, a deep frown on her face before scoffing. "Okay, well, I like them now. Girls like dresses anyway."
The brunette paused his actions and stared. "What the fuck are you talking about?"
[Name] rolled her eyes. "What did I say?"
"You're joking, right? You aren't a girl— I asked you out because you're a man, and I wanted a boyfriend."
Boyfriend.
The title made [Name]'s heart well, like a warm blanket draped over her body. It didn't cause that sick, gut-wrenching feeling like 'girlfriend' but they weren't a boy.
They couldn't be a boy.
[Name] gulped thickly. "...I'm not a tranny, Dazai. What would my coworkers think? My parents? I can't— I was born a girl, Dazai, I shouldn't... feel this way."
Osamu gently holds [Name]'s hands. "Baby, what are you talking about? You've always been my boyfriend, you being born a woman doesn't change that."
"But I... it's— Osamu, it's not right. If I act too masculine, I could lose my job and have my neighbors hate me, but I fucking hate having to act like somethin' I'm not." [Name] sniveled, wiping his cheeks at tears that began to form.
Dazai guided his boyfriend to the couch and cupped his cheek. "You shouldn't have to change yourself to make other people happy. You're my boyfriend, the only boy in the world I've genuinely loved, and I don't want to see you destroy yourself for the better of someone else—people who don't even know you."
"If you lose your job for being you, then you could work with me. I'm sure Boss wouldn't mind having a new employee."
With a gentle kiss, Osamu chuckled. "And I'd finally get some work done so I can relax with my perfect boyfriend in the world."
[Name] sniffed as his boyfriend pressed another kiss on his wet cheek. "...is it 'cause you're lazy?"
"Eh... not lazy, just... working smarter and not harder!"
"Not working at all doesn't count, Osamu."
Dramatically, Dazai held a hand to his chest and rolled on the floor. "Woe is me! My boyfriend keeps bullying me even after I call him perfect! What do I do?"
He lightly laughed and placed a soft hand on Osamu's hair. "Maybe take him on a date?"
The brunette immediately sat on his knees with sparkles in his eyes. "He still wants to go with me?"
[Name] kissed Dazai's forehead and smiled. Even with the thoughts swirling in his head, Osamu always had a way to make him feel better. "He'd be delighted to go on a date with you."
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fanfic-she-wrote · 19 hours
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Second Chances
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(Beetlejuice x Lydia Deetz)
Chapter 1
(Spoilers for Beetlejuice Beetlejuice ⚠️ Do not read if you haven’t seen the movie!)
Chapter 2:
Breakfast was quiet as Astrid and Lydia sat at the table both lost in thought about last night. Lydia was thinking about Betelgeuse and whether or not to contact him. Did he even want to see her? Probably not. She thought mindlessly stirring her cereal around in the bowl with her spoon.
Astrid on the other hand was wondering why her mother was near the attic at all. Was she just going up there to check on things like she said or was she actually going to see Betelgeuse. Why she wanted to she didn’t understand. If only her mother would tell her.
Astrid looked up at Lydia and noticed how far off she looked. Something was bothering her. She opened her mouth, hesitating for a moment to say anything.
“Mom?” She spoke.
Lydia looked up looking almost surprised at the sudden interaction. “Yes?”
“Why were you going up to the attic last night?” She asked, hoping she would give her an honest answer this time. There was a long pause as Lydia was trying to decide exactly how to respond.
“I don’t even know. I just couldn’t get him out of my head.” Lydia finally answered.
“Like he’s haunting you?” Astrid asked, sounding concerned.
“In a sense... it’s like I’m drawn to him. I want to talk to him.” Lydia said looking down at her bowl almost feeling ashamed for wanting to but she couldn’t help it.
Astrid stared at her for a moment trying to process what she had said. She couldn’t believe she would actually want to see him. “Could he be manipulating you somehow?”
She shook her head, no, in response.
“There is just something about him. I can’t explain it but it was different this time. He was different. The ways he helped us out…and even during the wedding he was in a weird, slightly creepy way, kind of sweet.” Lydia admitted.
There was a long pause.
“You must think I’m crazy right?” She murmured still not looking at Astrid.
“Well…I don’t get it but if that’s what you want to do, I support you.” Astrid told her, placing her hand over Lydia’s.
“Thank you.” She said letting out of sigh of relief, grateful her daughter understood.
“Hey if it were me swooning over some dead guy you’d support me too right?” Astrid remarked.
“I am not swooning!” Lydia exclaimed a faint blush forming on her cheeks.
“Sure, sure.” The teen smirked, rolling her eyes jokingly.
—————————
Betelgeuse walked about the tiny model cemetery which he did on occasion, playing over the almost wedding in his mind. He had it planned out so perfectly. He was sure Lydia wouldn’t be able to say no. He did everything Rory didn’t and it still wasn’t good enough. If only she’d give him a chance. Just one kiss and—
Suddenly, he heard the door creak open. He stopped dead in his tracks and watched as Lydia made her way over to the model town. Why was she here? He wondered.
Lydia took a deep breath, preparing herself for what she was about to do.
“Beetlejuice.”
The room suddenly became very cold and the drapes fluttered wildly even though the windows weren’t open.
“Beetlejuice.”
The attic became an eerie green color and smoke began to emanate from the model town before her.
“Beetlejuice.”
Then everything went dark and silent. She held her breath, waiting in anticipation.
“You called?” A gruff voice spoke from behind her making her jump in surprise.
“You really need to stop sneaking up on people.” Lydia snapped.
“Hey, it’s what I do.” Betelgeuse shrugged.
“So, what do you want now?” He said trying to sound more indifferent than he felt. Secretly he was glad that he could see her again. He wanted to be mad at her, but couldn’t.
“You.” Lydia answered simply. Betelgeuse looked down at her, stunned at her response. Did he hear he correctly?
He stuck his finger in his ear to clean it out, but instead of earwax he pulled out a little green bug. He flicked it across the room and turned back to Lydia. “Say that again?”
“I want you. Just you.” Lydia clarified.
“Wait? What? Really?!” He asked, perking up. She nodded and gave him a small smile.
Without warning, he pulled her into a hug and spun her around. “I knew you’d come around! You won’t regret it! I’ll-“ She pushed him away and placed a finger on his lips, shushing him.
“I want to go slow.” She told him. “I won’t send you back, but you have to promise to behave.”
Betelgeuse nodded his head in agreement. “I’ll try, but I wouldn’t get your hopes up babe.”
“Beetlejuice!”
“Eeeee! Ok, ok! I’ll behave.” He exclaimed with a flinch.
“Good!” Lydia smiled, satisfied with herself and turned back towards the door, Betelgeuse following her.
“What about a little mischief? Maybe scaring the occasional Jehovah’s witness?” He asked hopefully.
“Nope.”
“Aww cmon, ya gotta work with me here! I can’t just quit cold turkey.” Betelgeuse insisted half jokingly.
“I’m serious. I’ll send you back.” Lydia assured him.
He let out a defeated sigh. “Ok, ok fine. I can do this…but only for you.” He said pointing towards her.
Lydia’s heart skipped a beat repeating what he said over in her mind. “Only for you.”
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femsolid · 1 day
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Can I ask how does separatism show in your life? Do you have male relatives you have to interact with a lot? I assume you don't have male friends, have you ever had them in the past and at some point you decided "nah, this ain't it"? Are you in a job where you have to interact with men a lot? Do you reduce dealing with men when it comes to other things like avoiding places with men? Sorry I'm just curious about it from someone who lives a separatist life!
It's been very easy. I have no interest in men any more. I don't like their personalities and the misogyny of our daily interactions always jumps out to me (weaponized incompetence, interrupting women, disgusting jokes, main character syndrome, viciousness etc) and I just have no tolerance for it. I'm not a lesbian so I'd say there's 0.1% of men who aren't ugly but they immediately become repulsive to me when the casual sexism comes out, which it inevitably does. I don't understand the "radical" feminists who, after seeing men for what they are, don't feel such repulsion and even claim that we need men to be fulfilled. So I don't date men, don't flirt with men, don't take an interest in their lives, don't play the psychologist for them, don't put extra work for them, don't offer my help etc. I just don't care about men. There's no male relative I still see except for my nephew who is a child. I've cut ties with my father years ago specifically for his misogyny and homophobia. I stand by my moral principals no matter what. I don't have male friends and I never have because I never trusted males nor related to them. And I could never be myself around them. I have male co-workers though, I talk about work with them when I need it. I only have real conversations with my female coworkers. And I only joke with women. As a result, I've noticed, only women sit around me and talk to me at work. The guys have given up. However, my manager is a man which is quite annoying. I keep it minimal with him just like with every other males I'm forced to interact with. I keep it professional and cordial, not friendly and sweet.
I make zero effort to please men physically. No make-up, no tight clothes, no long hair, no shaving, no shutting up, no dainty mannerisms. I'm eating what I want, when I want to, and show no remorse unlike a lot of my female peers. And when I'm angry, I don't hide it. And if I need to say something, I say it. A lot of people assume I'm a lesbian based on the fact that I make no effort to attract men. And it's true that I make no such effort. But I also think that if, to attract men, you have to pretend to be a helpless little thing, you can't call straight or bisexual women "lesbians" just for refusing this humiliation. It's called dignity, not lesbianism.
I like women, I try to help them, prioritize them, support them, reassure them, defend them and push them forward. When a woman speaks negatively about herself, I always jump in to correct her. And when a man attacks a woman I intervene. I distribute compliments and encouragements to women. And I point out the misogyny they confront when they don't see it for what it is. I only debate women because I only value women's mind.
If I have to see a doctor, I'll look for a woman every time. Only and only if I can't find a female doctor close to me will I pick a male doctor. My general practitioner is a woman, my podiatrist is a woman, my psychologist is a woman, my radiologist is a woman, my gastroenterologist is a woman etc. Same with a hear dresser, a masseuse, a fitness coach: only women. I only read books from female authors. I try to watch movies with a woman or girl as the main character. Same with video games or music. Though obviously I'm only human and might enjoy a movie or song made by a male sometimes. I try to support female artists and creators by promoting them, buying from them, giving them nice reviews. I avoid places that are filled with men like a gym or café or profession or online space, and I gravitate towards places filled with women.
That's it, that's my daily life. It's taking care of myself and valuing women. It's easy because I enjoy it and it feels natural. I'm following what my guts have always told me. Feminism simply helped me verbalize it.
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